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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
-This is beautiful. -That's the way to do this. | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal to scour for antiques. | 0:00:06 | 0:00:12 | |
-Joy! -Hello. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
There'll be worthy winners and valiant losers, | 0:00:19 | 0:00:23 | |
so will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
Welcome to a brand-new Road Trip around Northern Ireland | 0:00:38 | 0:00:42 | |
with a couple of swells. | 0:00:42 | 0:00:43 | |
Have we got a picnic in the back? | 0:00:43 | 0:00:44 | |
Champagne and quails eggs, of course. | 0:00:44 | 0:00:47 | |
Oh, you're stylish, you are, Paul! | 0:00:47 | 0:00:49 | |
Not 'arf! | 0:00:49 | 0:00:51 | |
Our rovers of the Emerald Isle are none other than Catherine Southon | 0:00:51 | 0:00:54 | |
and Paul Laidlaw. | 0:00:54 | 0:00:56 | |
Smell that. Whatever he's doing is essentially farm cutting of grass. | 0:00:56 | 0:01:01 | |
-Isn't that gorgeous? -That is gorgeous. | 0:01:01 | 0:01:03 | |
Surrey's own Catherine is an auctioneer and a Road Trip regular... | 0:01:03 | 0:01:07 | |
Do I buy the brooch? | 0:01:07 | 0:01:09 | |
I DO buy the brooch! | 0:01:09 | 0:01:11 | |
..but she's particularly pumped up about this one. | 0:01:11 | 0:01:13 | |
Hello! He was nice. | 0:01:13 | 0:01:16 | |
Shall we turn round? | 0:01:16 | 0:01:18 | |
Catherine! | 0:01:18 | 0:01:20 | |
Auctioneer Paul from Carlisle, via Scotland, | 0:01:20 | 0:01:23 | |
is another tripper with many miles on the clock... | 0:01:23 | 0:01:26 | |
Mmmm, I LOVE this stuff. | 0:01:26 | 0:01:29 | |
Although the two have never been paired up before, | 0:01:29 | 0:01:32 | |
Mr Laidlaw's reputation precedes him. | 0:01:32 | 0:01:35 | |
You have this amazing ability to go in | 0:01:35 | 0:01:39 | |
and just Hoover up amazing things, | 0:01:39 | 0:01:43 | |
and you will see something that nobody else sees, | 0:01:43 | 0:01:46 | |
and everybody else will walk past. | 0:01:46 | 0:01:48 | |
And then it turns to gold. | 0:01:48 | 0:01:52 | |
Their Morris Minor's more custard than gold | 0:01:52 | 0:01:55 | |
and dates from a time before seatbelts were mandatory. | 0:01:55 | 0:01:59 | |
With £200 each and the sun shining down, let joy be your guide. | 0:01:59 | 0:02:03 | |
I think we're going to be happy here. Woo-hoo! We are on our way! | 0:02:03 | 0:02:08 | |
Our journey begins in Portrush, County Antrim, and after exploring | 0:02:10 | 0:02:14 | |
Northern Ireland, crosses the sea towards Scotland | 0:02:14 | 0:02:17 | |
before arriving several hundred miles later in Aberdeen. | 0:02:17 | 0:02:21 | |
Today we kick off on the coast at Portrush | 0:02:23 | 0:02:26 | |
and then make our way south towards an auction in Omagh. | 0:02:26 | 0:02:29 | |
Look at that. | 0:02:33 | 0:02:34 | |
A proper seaside resort with three splendid beaches and a harbour. | 0:02:34 | 0:02:38 | |
Portrush made it on to the tourist map | 0:02:38 | 0:02:41 | |
when the railway arrived here back in 1855. | 0:02:41 | 0:02:43 | |
-That looks tasty. -I'll swap. | 0:02:46 | 0:02:48 | |
-No! -Oh, Catherine. | 0:02:48 | 0:02:50 | |
-No. -Oh, please! -I'm going to come back with armfuls. | 0:02:50 | 0:02:52 | |
ARMFULS of goodies! | 0:02:52 | 0:02:55 | |
-See you later. -Have a good 'un. See you later. | 0:02:55 | 0:02:58 | |
-Hello. -Hello. -What have we here? | 0:03:01 | 0:03:05 | |
Quite a lot by the looks of it. | 0:03:05 | 0:03:07 | |
-Sorry, you are? -John. -Hello, John. I'm Catherine. | 0:03:07 | 0:03:11 | |
-Nice to meet you. -Yeah. -Charmed, I'm sure. | 0:03:11 | 0:03:14 | |
Now, like it says outside, John's shop is very vintage. | 0:03:14 | 0:03:18 | |
Plenty of genuine antiques in here too, | 0:03:18 | 0:03:20 | |
perhaps reflecting the personality of the proprietor. | 0:03:20 | 0:03:24 | |
-I like your tie. -Do you? Original 1970. | 0:03:24 | 0:03:27 | |
-You look fabulous in it, John. -Thank you. | 0:03:27 | 0:03:29 | |
Flattery aside, maybe that's the way to go. | 0:03:29 | 0:03:32 | |
There's a lot of retro and there's a lot of vintage. | 0:03:32 | 0:03:34 | |
Of course, a lot of it comes down to really knowing the market, | 0:03:34 | 0:03:37 | |
knowing what people around here want to buy. | 0:03:37 | 0:03:40 | |
-Or I could just take a punt. -That's the spirit, girl. | 0:03:40 | 0:03:44 | |
That is amazing. | 0:03:44 | 0:03:46 | |
-Can I try it on? -Of course you can. | 0:03:46 | 0:03:48 | |
-Colourful. -I feel like I could do anything. | 0:03:50 | 0:03:54 | |
-John remains tight-lipped. -Oh, my goodness. | 0:03:54 | 0:03:57 | |
I just really, really, really want to buy that. | 0:03:57 | 0:04:01 | |
Unbelievably, there's a choice. | 0:04:01 | 0:04:03 | |
Yay, baby! | 0:04:03 | 0:04:05 | |
I feel like I should be on a children's TV programme. | 0:04:05 | 0:04:08 | |
Yikes! But will these things actually sell? | 0:04:08 | 0:04:12 | |
-Actually, it's an evening auction that we're going to. -Yeah. | 0:04:12 | 0:04:15 | |
-Turn down the light. -Yeah. -Put a bit of disco music on. | 0:04:15 | 0:04:19 | |
Sounds fab. This £70 has the most flare though(!) | 0:04:19 | 0:04:24 | |
I will charge you...£25. | 0:04:24 | 0:04:27 | |
I've got to have that. | 0:04:29 | 0:04:31 | |
I've GOT to have it. | 0:04:31 | 0:04:33 | |
John, we are good friends here. I'm enjoying this. | 0:04:33 | 0:04:35 | |
Yeah, man. Groovy deal. | 0:04:35 | 0:04:37 | |
Now, what about our other man in tweed elsewhere in Portrush? | 0:04:37 | 0:04:42 | |
-Good morning. -Good morning, Paul. Great to have you here. | 0:04:42 | 0:04:45 | |
-Great to be here. You're Ernie? -I'm Ernie, yes. | 0:04:45 | 0:04:47 | |
My grandfaither was an Ernie. Another Irishman. | 0:04:47 | 0:04:50 | |
Well, who knew? | 0:04:50 | 0:04:51 | |
I wonder what bargains his heritage might bring forth? | 0:04:51 | 0:04:55 | |
You happy to do a bit of haggling? | 0:04:55 | 0:04:57 | |
Oh, aye, yeah. I've done it before. | 0:04:57 | 0:05:00 | |
Much more of a traditional antiques shop, this one, which, | 0:05:00 | 0:05:04 | |
considering Paul's tastes, could be a good thing. | 0:05:04 | 0:05:07 | |
-Why is that open locket sitting on its own? -This? -Yeah. | 0:05:07 | 0:05:11 | |
That could pay £35. | 0:05:11 | 0:05:14 | |
It's nine carat. | 0:05:14 | 0:05:16 | |
It's going to be a late 19th, maybe early 20th century affair. | 0:05:16 | 0:05:20 | |
You've got those double bevel-edged oval plates, | 0:05:20 | 0:05:23 | |
and how on earth do you get your photograph in there? | 0:05:23 | 0:05:26 | |
You just unscrew that little terminal there and we're in. | 0:05:26 | 0:05:31 | |
-Two little photographs in there. -That's right. | 0:05:31 | 0:05:33 | |
I think it's rather nice, but there's not a lot of gold in it. | 0:05:33 | 0:05:36 | |
Just 20 quid's worth. | 0:05:36 | 0:05:39 | |
-£28. -28? | 0:05:39 | 0:05:41 | |
I'll come right back at you with 22. | 0:05:41 | 0:05:44 | |
-No. -It's inevitable where we end up, isn't it? | 0:05:44 | 0:05:47 | |
Surely you're ahead of me here. | 0:05:49 | 0:05:50 | |
-Think about that at 25. I'm going to put it there. -Did you say 25? | 0:05:50 | 0:05:54 | |
I did, aye. It's no done yet, but I think we both know it is. | 0:05:54 | 0:05:58 | |
HE LAUGHS | 0:05:58 | 0:06:01 | |
Er, to clarify, I think they've come down from 59 to £25. Now, moving on. | 0:06:01 | 0:06:06 | |
What's that? | 0:06:06 | 0:06:09 | |
I don't know. | 0:06:09 | 0:06:11 | |
It's £7.50, that's what it is. | 0:06:11 | 0:06:13 | |
Well, we know its date. | 0:06:13 | 0:06:15 | |
That's going to date to the '30s, isn't it, with that aesthetic? | 0:06:15 | 0:06:18 | |
Do me a deal. | 0:06:18 | 0:06:20 | |
Mystery object and that, and if you do me the right deal, | 0:06:20 | 0:06:22 | |
I'll tell you what it is. | 0:06:22 | 0:06:24 | |
That's one way of doing it! | 0:06:24 | 0:06:26 | |
-£32. -32? 32? | 0:06:26 | 0:06:29 | |
Uh-huh. | 0:06:29 | 0:06:30 | |
It's 30 quid's worth, isn't it? | 0:06:30 | 0:06:32 | |
-No, we'll split the two. -Are we? | 0:06:32 | 0:06:34 | |
You said I was mean - a quid?! | 0:06:34 | 0:06:36 | |
-Aye, but a quid's a quid. -Quid IS a quid. | 0:06:36 | 0:06:39 | |
Ernie, you're a gentleman. | 0:06:39 | 0:06:40 | |
Ernie, you know what it is? | 0:06:40 | 0:06:42 | |
I think that's the funkiest sugar caster I've ever seen. | 0:06:42 | 0:06:47 | |
Sweet! | 0:06:47 | 0:06:48 | |
Strawberries. "Pass me the sugar, darling." | 0:06:48 | 0:06:51 | |
- "Oh, yes. What's this?" | 0:06:51 | 0:06:53 | |
- "Oh, it's my latest. Have you not seen it? Do press the top, darling." | 0:06:53 | 0:06:57 | |
I think that's fantastic, isn't it? | 0:06:57 | 0:06:59 | |
£30. Bear with me a second. | 0:06:59 | 0:07:02 | |
-Ernie, what a pleasure. -Thank you. | 0:07:02 | 0:07:04 | |
PAUL LAUGHS | 0:07:04 | 0:07:08 | |
He looks chuffed. What about Catherine? | 0:07:08 | 0:07:10 | |
-This is for washing? -No. -No? | 0:07:10 | 0:07:13 | |
-This would have been for mashing. -Oh, no, it's not a dolly. | 0:07:13 | 0:07:17 | |
Mashing potatoes. | 0:07:17 | 0:07:19 | |
-Feel the weight. -How old is this, by the way? | 0:07:19 | 0:07:22 | |
Around about 1920s, 1930s. | 0:07:22 | 0:07:25 | |
-What is on this anyway? -65. | 0:07:25 | 0:07:28 | |
I'll do you 25. | 0:07:28 | 0:07:30 | |
Everything's 25 in your shop. | 0:07:30 | 0:07:33 | |
I'm going to go outside and I'm going to rename this shop. | 0:07:33 | 0:07:37 | |
It's not Vintage any more, it's "Everything £25". | 0:07:37 | 0:07:40 | |
-It's cos I like your smile. -Oh, thank you. | 0:07:40 | 0:07:44 | |
It looks like, after a vintage start, she's hedging her bets a bit. | 0:07:44 | 0:07:48 | |
This is pokerwork, so we've got a frame. | 0:07:48 | 0:07:51 | |
This was probably going to be used as a mirror or something | 0:07:51 | 0:07:53 | |
once upon a time and then this pattern has been created with | 0:07:53 | 0:07:58 | |
a hot poker, but, against what I've just bought, | 0:07:58 | 0:08:02 | |
that just looks so dull, doesn't it? | 0:08:02 | 0:08:06 | |
Good solid antique, though. | 0:08:06 | 0:08:08 | |
What do you think about this? Do people buy this sort of thing? | 0:08:08 | 0:08:11 | |
Do they like this here in Northern Ireland? | 0:08:11 | 0:08:13 | |
Yes, it's fabulous to put a mirror in or make a fuller frame, | 0:08:13 | 0:08:16 | |
or a toilet seat. | 0:08:16 | 0:08:18 | |
That's a very strange toilet seat. | 0:08:18 | 0:08:21 | |
What sort of toilets do you have here in Northern Ireland? | 0:08:21 | 0:08:24 | |
Fancy ones, I guess. | 0:08:24 | 0:08:26 | |
-I'll do you 25. -Would you? | 0:08:26 | 0:08:29 | |
-As usual. -Can I put this to one side, John? -Yeah. | 0:08:29 | 0:08:32 | |
She's piling them up. | 0:08:32 | 0:08:34 | |
What is that? A little brooch with a bird on? | 0:08:34 | 0:08:36 | |
-That looks a bit arts and craftsy. -Yeah. | 0:08:36 | 0:08:39 | |
-What would you say that is? -A bird. | 0:08:39 | 0:08:43 | |
-No, but what type? -I don't know. | 0:08:43 | 0:08:45 | |
-Even I know it's a bird. -He's more of a tie man, really. | 0:08:45 | 0:08:48 | |
And you're going to ask me how much, aren't you? | 0:08:48 | 0:08:51 | |
Well, it's the million dollar question. | 0:08:51 | 0:08:54 | |
-We'd really be looking at 20. -That just really jumped out at me. | 0:08:54 | 0:08:58 | |
I want to buy another two items from you. | 0:08:58 | 0:09:01 | |
That's 25, that's 25 and that is not 25. | 0:09:01 | 0:09:05 | |
Could that be 15? | 0:09:05 | 0:09:08 | |
-18. -18. I'm definitely going to go for this. -Really? | 0:09:10 | 0:09:14 | |
I'm going to do 25. And I'm done. | 0:09:14 | 0:09:17 | |
-Three items. -And I will still keep my tie. | 0:09:17 | 0:09:21 | |
You will keep your tie, although if you're feeling generous, | 0:09:21 | 0:09:23 | |
-you could always throw that in. -Catherine! | 0:09:23 | 0:09:26 | |
50... £68, I owe you. | 0:09:26 | 0:09:29 | |
20, 40, | 0:09:29 | 0:09:31 | |
60, 80. | 0:09:31 | 0:09:33 | |
-It's been wonderful. Wow, even the notes are different here! -Oh, yeah. | 0:09:33 | 0:09:36 | |
Look at that. | 0:09:36 | 0:09:38 | |
That's JB Dunlop, the tyre chap, by the way. | 0:09:38 | 0:09:41 | |
So, after that little buying frenzy, let's now follow Paul and the Minor | 0:09:43 | 0:09:48 | |
moving towards Londonderry, or Derry as it's also known. | 0:09:48 | 0:09:52 | |
The home town of The Undertones and, in 2013, | 0:09:53 | 0:09:57 | |
the inaugural UK City of Culture, | 0:09:57 | 0:10:00 | |
Derry is one of the finest walled cities in Europe. | 0:10:00 | 0:10:04 | |
But Paul's come to the Tower Museum to find out about | 0:10:04 | 0:10:07 | |
the huge role the city played during World War II. | 0:10:07 | 0:10:10 | |
-Hi, is it Margaret? -It is indeed, Paul. Welcome to the museum. | 0:10:10 | 0:10:13 | |
Thanks very much. I am more than delighted to be here. | 0:10:13 | 0:10:17 | |
In the Battle of the Atlantic, the conflict's longest military campaign, | 0:10:17 | 0:10:22 | |
the port on the River Foyle assumed huge strategic importance. | 0:10:22 | 0:10:28 | |
For almost the entire war, supply convoys from North America | 0:10:28 | 0:10:32 | |
and the Allied forces trying to protect them, | 0:10:32 | 0:10:34 | |
were pursued by the U-boats and warships of the German navy, | 0:10:34 | 0:10:37 | |
but it was the invasion of France that brought the battle here. | 0:10:37 | 0:10:42 | |
To protect the shipping, the Allies needed a port and Derry then, | 0:10:42 | 0:10:45 | |
after the fall of France, | 0:10:45 | 0:10:46 | |
became a really vital port in defence of those ships. | 0:10:46 | 0:10:50 | |
-OK. Was it a big port before then? -No, not really. | 0:10:50 | 0:10:54 | |
It was a fairly small port | 0:10:54 | 0:10:56 | |
and quite a small little town in its own right. | 0:10:56 | 0:10:59 | |
The war thrust Derry into the limelight. | 0:10:59 | 0:11:02 | |
Because the Allies needed this most westerly port, | 0:11:02 | 0:11:05 | |
Derry then became very significant, not only just for the British, | 0:11:05 | 0:11:08 | |
but also for the other Allied forces. | 0:11:08 | 0:11:10 | |
I just can't imagine what it was like in Derry at that time | 0:11:10 | 0:11:13 | |
cos it was a small backwater, and now, all of a sudden, | 0:11:13 | 0:11:15 | |
all these different voices and nationalities. | 0:11:15 | 0:11:19 | |
Those troops were stationed at a port blessed with a stretch of deep | 0:11:19 | 0:11:23 | |
water wide enough to accommodate up to 130 ships at any one time. | 0:11:23 | 0:11:28 | |
There are some interesting photographs in the archive | 0:11:28 | 0:11:31 | |
showing the sheer scale of the ships lined up alongside one another. | 0:11:31 | 0:11:35 | |
People have often commented in the past that you could | 0:11:35 | 0:11:37 | |
walk from ship to ship to ship from one side of the river to the other. | 0:11:37 | 0:11:41 | |
I don't know how true that is. | 0:11:41 | 0:11:43 | |
The city, which miraculously escaped destruction by the Luftwaffe, | 0:11:43 | 0:11:48 | |
became the front line in the battle against the U-boats. | 0:11:48 | 0:11:51 | |
By the time victory was won, over 100,000 lives had been lost | 0:11:51 | 0:11:56 | |
and, once again, the port of Derry made the headlines. | 0:11:56 | 0:12:00 | |
When the U-boats surrendered back in 1945, they had to surrender to their | 0:12:00 | 0:12:04 | |
nearest port, and it's interesting because Derry continues to play that | 0:12:04 | 0:12:07 | |
role of being significant | 0:12:07 | 0:12:09 | |
-because the official surrender of the U-boat is taken here. -Is it? | 0:12:09 | 0:12:14 | |
Yes, the Admiral, Commander of the Fleet | 0:12:14 | 0:12:17 | |
of the Western Approaches, Sir Max Horton, | 0:12:17 | 0:12:19 | |
he comes in person to the city to accept the official surrender. | 0:12:19 | 0:12:23 | |
So U-boats sail up the Foyle into the harbour? | 0:12:23 | 0:12:26 | |
Yes, to formally surrender. | 0:12:26 | 0:12:28 | |
I think the first instance there are about eight | 0:12:28 | 0:12:30 | |
and they're escorted up the river by ships from each of the | 0:12:30 | 0:12:33 | |
Allied forces, the Americans, the British and the Canadians. | 0:12:33 | 0:12:36 | |
Over the next number of months, | 0:12:36 | 0:12:38 | |
upwards of 60 odd U-boats come into the city and surrendered here. | 0:12:38 | 0:12:42 | |
Then most are taken out and scuttled, but, because they were | 0:12:42 | 0:12:45 | |
here for a while, some of the things were obviously | 0:12:45 | 0:12:47 | |
taken from the U-boats and kept as souvenirs. | 0:12:47 | 0:12:50 | |
I recognise some but not all of these. | 0:12:50 | 0:12:52 | |
In front of us, and this is iconic, a Kriegsmarine bulkhead clock | 0:12:52 | 0:12:57 | |
-from a U-boat. -From a U-boat, yes. | 0:12:57 | 0:13:01 | |
Probably is one of our prized items within this collection. | 0:13:01 | 0:13:04 | |
I get that and I get the Iron Crosses, War Merit Crosses | 0:13:04 | 0:13:07 | |
and Schirmmutze and ratings caps, | 0:13:07 | 0:13:10 | |
but why is there a stock pot or whatever? | 0:13:10 | 0:13:14 | |
-What is that? -We see it as a cooking pot. | 0:13:14 | 0:13:17 | |
We think it was used for cooking food onboard. | 0:13:17 | 0:13:20 | |
-U1108 struck on the side of it. Is that a U-boat reference? -Yes. | 0:13:20 | 0:13:24 | |
Oh, my word. | 0:13:24 | 0:13:26 | |
You can imagine how cramped the conditions were onboard | 0:13:26 | 0:13:28 | |
the U-boats and how they had little space to do everyday tasks | 0:13:28 | 0:13:32 | |
like making some food. | 0:13:32 | 0:13:34 | |
In the Atlantic, in all the weather that that can generate, | 0:13:34 | 0:13:38 | |
-you and 30-odd of your comrades, this brings it home. -It does. | 0:13:38 | 0:13:43 | |
Those POWs on their way to Belfast may once have been | 0:13:43 | 0:13:46 | |
our bitter enemies, but they were also brave men. | 0:13:46 | 0:13:50 | |
The U-boat crews suffered a frightening death toll of over 82%. | 0:13:50 | 0:13:55 | |
The Kriegsmarine U-boat personnel referred to them commonly, | 0:13:55 | 0:13:58 | |
-I believe, as "Iron Coffins". -Yes, they did. | 0:13:58 | 0:14:00 | |
They were the enemy, but, again, it's a human story. | 0:14:00 | 0:14:03 | |
I can't imagine what it would have been like to witness those | 0:14:03 | 0:14:06 | |
guys coming off the U-boats as they surrendered here. | 0:14:06 | 0:14:09 | |
Obviously, it's the end of the war for them | 0:14:09 | 0:14:11 | |
but, luckily as well, they probably think, | 0:14:11 | 0:14:13 | |
"Thank goodness I've survived." | 0:14:13 | 0:14:15 | |
Elsewhere in the walled city, | 0:14:19 | 0:14:22 | |
Catherine's on the lookout for her next shop. | 0:14:22 | 0:14:24 | |
-Hello, there. Hi. I'm Catherine. -Simon. | 0:14:27 | 0:14:30 | |
-Hello, Simon. Nice to meet you. -You're very welcome today. | 0:14:30 | 0:14:33 | |
Thank you very much. | 0:14:33 | 0:14:34 | |
You only need to look up to see what this shop specialises in. | 0:14:34 | 0:14:38 | |
-I really love your lights. -A huge variety too, | 0:14:38 | 0:14:42 | |
although Simon may take a dim view of your budget. | 0:14:42 | 0:14:45 | |
-What's that up there, the "Chemist"? Is it a light? -Yeah. | 0:14:45 | 0:14:49 | |
-For putting outside a chemist shop? -Outside a chemist shop, yeah. | 0:14:49 | 0:14:52 | |
-I like that. What sort of price have you got on that? -There's 225 on it. | 0:14:52 | 0:14:57 | |
Hmm, OK. | 0:14:57 | 0:14:59 | |
Just out of interest, | 0:14:59 | 0:15:01 | |
is that something that you could do a very good deal on or not? | 0:15:01 | 0:15:06 | |
I have to tell you that I started this Road Trip with £200 | 0:15:06 | 0:15:10 | |
and I've spend £68. | 0:15:10 | 0:15:13 | |
I don't think we're going to be able to meet on that one, no. | 0:15:13 | 0:15:16 | |
Fair enough. I shall carry on looking. | 0:15:16 | 0:15:19 | |
Never mind. There's lots more. | 0:15:19 | 0:15:21 | |
It's got a good ring to it. | 0:15:26 | 0:15:28 | |
-Quirky enough to sell. -I know. It's just not doing it for me. | 0:15:28 | 0:15:32 | |
-Well, at least we've moved on from you-know-what. -That's quite nice. | 0:15:32 | 0:15:37 | |
It's got 48 on that. What's the price on that? | 0:15:37 | 0:15:41 | |
Can that be very cheap? It looks like it's been here a while. | 0:15:41 | 0:15:44 | |
-That's a very old sticker. -Like myself. | 0:15:44 | 0:15:47 | |
Do it for 40 quid. | 0:15:47 | 0:15:50 | |
-Can you do, like, 20? -35 will be the very best on it. | 0:15:50 | 0:15:55 | |
-And what is the price you would put on that? -The gong, I can do for 35. | 0:15:55 | 0:15:59 | |
What are people going to be interested in more? I don't know. | 0:15:59 | 0:16:03 | |
-It's a worry. -Personally, I like the mirror. | 0:16:03 | 0:16:06 | |
The mirror's quirky. I think this is also... | 0:16:06 | 0:16:08 | |
At an auction I think that will sell. | 0:16:08 | 0:16:11 | |
-We find around here gongs sell well. -Best take a closer look at it then. | 0:16:11 | 0:16:15 | |
This is horn. | 0:16:15 | 0:16:16 | |
I mean, this isn't silver, | 0:16:16 | 0:16:18 | |
but we've got this sort of plated part at the top, mounts here | 0:16:18 | 0:16:21 | |
and they're quite nicely engraved and you've got this | 0:16:21 | 0:16:24 | |
nice plaque at the bottom where you could put a name on. | 0:16:24 | 0:16:26 | |
-Do people like having these in the home? -Around here, yes. | 0:16:26 | 0:16:29 | |
Gives them a sense of authority, does it, | 0:16:29 | 0:16:31 | |
when they're trying to get their loved ones down to dinner? | 0:16:31 | 0:16:34 | |
I prefer this. | 0:16:34 | 0:16:36 | |
I know it's only faux tortoiseshell, but it just feels good. | 0:16:36 | 0:16:41 | |
There's a bit of ding in it here. | 0:16:41 | 0:16:44 | |
So, it's between a ding and a dong. | 0:16:44 | 0:16:46 | |
Can you make it easier for me and come down to 30 on that? | 0:16:46 | 0:16:49 | |
I can go down to 30 on that one. | 0:16:49 | 0:16:51 | |
I know what I bought that for so I have a bit more room on that. | 0:16:51 | 0:16:54 | |
He's definitely pro-gong. | 0:16:54 | 0:16:56 | |
And you think that's going to make some money? | 0:16:56 | 0:16:58 | |
I think so. Around here, yes. | 0:16:58 | 0:17:01 | |
I came in wanting a light and I leave with a gong. | 0:17:01 | 0:17:04 | |
Thank you very much. | 0:17:04 | 0:17:06 | |
-OMG! -Thank you so much. -That's oh, my gong, by the way. | 0:17:06 | 0:17:09 | |
Thanks a lot, Simon, bye-bye. | 0:17:09 | 0:17:11 | |
GONG CLANGS | 0:17:11 | 0:17:13 | |
And on that note... | 0:17:13 | 0:17:15 | |
-I have ancestry here. -Ah! | 0:17:15 | 0:17:18 | |
My grandfather came from the north. | 0:17:18 | 0:17:21 | |
My grandmother came from Donegal, which is just that way. | 0:17:21 | 0:17:26 | |
So this place is full of Laidlaws, basically. I've lost already. | 0:17:26 | 0:17:31 | |
Don't forget, we still have Scotland to look forward to. | 0:17:31 | 0:17:34 | |
Nighty night. | 0:17:34 | 0:17:35 | |
Next morning, nobody's letting the weather dampen their spirits. | 0:17:37 | 0:17:41 | |
Why have we never done this before? | 0:17:41 | 0:17:43 | |
-Why have we never road-tripped before? -I don't know. | 0:17:43 | 0:17:46 | |
We're having so much fun. This is madness. | 0:17:46 | 0:17:49 | |
Yesterday, Catherine plumped for a brooch, a gong, a psychedelic suit | 0:17:49 | 0:17:54 | |
-and a pokerwork frame. -One oversized necklace. | 0:17:54 | 0:17:58 | |
Those set her back £98, leaving her just over 100 to spend today. | 0:17:58 | 0:18:03 | |
While Paul managed only a miserly £31 on a locket | 0:18:03 | 0:18:08 | |
and a mysterious sugar sifter... | 0:18:08 | 0:18:10 | |
Do press the top, darling. | 0:18:10 | 0:18:13 | |
..meaning he has almost £170 remaining in his wallet. | 0:18:13 | 0:18:18 | |
I'm not giving up yet. | 0:18:18 | 0:18:20 | |
This is our first road trip together and I'm not giving up yet. | 0:18:20 | 0:18:24 | |
I'm in it for the battle. I'm going to give it everything. | 0:18:24 | 0:18:27 | |
Is it getting hot in this car? | 0:18:27 | 0:18:30 | |
Later they'll be making for their first | 0:18:30 | 0:18:33 | |
auction of the week at Omagh, | 0:18:33 | 0:18:34 | |
but our next stop is Sandholes, County Tyrone. | 0:18:34 | 0:18:38 | |
Having dropped off Catherine, | 0:18:42 | 0:18:44 | |
it's Paul's first shop of the day, somewhere. | 0:18:44 | 0:18:48 | |
-Hello, there. Is it Stanley? -Yes. | 0:18:48 | 0:18:50 | |
-Welcome, Paul. -Good to see you. | 0:18:50 | 0:18:52 | |
Holy Moses! | 0:18:52 | 0:18:54 | |
-If you told me this was a museum, I'd pay you an admission fee. -Good. | 0:18:54 | 0:18:58 | |
I'm glad to hear it. | 0:18:58 | 0:19:00 | |
You'd never have guessed it standing in the farmyard. | 0:19:00 | 0:19:03 | |
Well, can I just have a wee rummage, a wee mooch? | 0:19:03 | 0:19:06 | |
You look away to your heart's content. | 0:19:06 | 0:19:08 | |
I hope you've brought plenty of money with you. | 0:19:08 | 0:19:10 | |
Now, that could be a problem(!) | 0:19:10 | 0:19:12 | |
THEY LAUGH | 0:19:12 | 0:19:14 | |
The biggest problem is going to be dragging Paul out of here. | 0:19:14 | 0:19:17 | |
I don't want to miss anything. | 0:19:17 | 0:19:20 | |
This is an antiques maze for me, and how does one crack a maze? | 0:19:20 | 0:19:24 | |
Keep turning left and that's what I do. Clockwise, follow the walls. | 0:19:24 | 0:19:29 | |
See, see, you thought I was just crazy. | 0:19:29 | 0:19:32 | |
Never! | 0:19:32 | 0:19:34 | |
And you have your uses. | 0:19:34 | 0:19:36 | |
This is a combination rushnip and candle-holder. | 0:19:36 | 0:19:42 | |
This is early rustic domestic lighting. | 0:19:42 | 0:19:46 | |
The candle that went in here was not a wax candle as you know it. | 0:19:46 | 0:19:51 | |
It was a tallow candle, animal fat and so on. Foul things! | 0:19:51 | 0:19:55 | |
Apparently when they burned, | 0:19:55 | 0:19:56 | |
they gave off a kind of stench you can imagine. | 0:19:56 | 0:19:59 | |
But, what's this? | 0:19:59 | 0:20:01 | |
Rushes, an alternative form of lighting, I believe dried rushes, | 0:20:01 | 0:20:06 | |
soaked or treated in some way, could be clenched in here. | 0:20:06 | 0:20:09 | |
Picture a straw. There you go, look. | 0:20:09 | 0:20:12 | |
Set in this, just like a wee set of pliers. In it goes. | 0:20:12 | 0:20:16 | |
Light it and it will slowly burn down. | 0:20:16 | 0:20:18 | |
Picture the cottage furnished with period joined oak, | 0:20:18 | 0:20:24 | |
nice Wainscot chairs. | 0:20:24 | 0:20:27 | |
This is the adornment. | 0:20:27 | 0:20:29 | |
This is the little object that finishes the look. | 0:20:29 | 0:20:33 | |
If I said to you that's £25, you'd go, "Yeah, seems about right." | 0:20:33 | 0:20:36 | |
Well, no, no, no, no, no. Never going to happen. | 0:20:36 | 0:20:38 | |
Price on that, 229 | 0:20:38 | 0:20:41 | |
and not expensive at that. Love it. | 0:20:41 | 0:20:45 | |
Fascinating stuff, | 0:20:45 | 0:20:46 | |
but hopefully he'll soon find something nearer his budget. | 0:20:46 | 0:20:50 | |
-Give me a bargain price on that then. -£10. | 0:20:50 | 0:20:53 | |
That was quick. What is it exactly, Paul? | 0:20:56 | 0:20:59 | |
A little Victorian gilt tooled burgundy leather case. | 0:20:59 | 0:21:05 | |
You open it up and this was expensive in its day, was it not? | 0:21:05 | 0:21:08 | |
-It would have been. -A lovely little lady's manicure set. | 0:21:08 | 0:21:13 | |
What does one need to tidy one's nails? | 0:21:13 | 0:21:15 | |
Well, you need a pair of scissors and, if you're affluent enough, | 0:21:15 | 0:21:21 | |
you buy them with silver handles and that's what they have. | 0:21:21 | 0:21:25 | |
And you may also require a little cuticle pusher and a nail file. | 0:21:25 | 0:21:31 | |
I think it's a rich little object and the price is spot on | 0:21:31 | 0:21:33 | |
and I'm delighted. | 0:21:33 | 0:21:35 | |
Yeah, the ticket price was £19. | 0:21:35 | 0:21:38 | |
Any other underappreciated gems in here, Paul? | 0:21:38 | 0:21:42 | |
These are unusual. Very competently turned shoulder baluster there. | 0:21:42 | 0:21:48 | |
That is a good eye and a skilful hand at work, but what drew me | 0:21:48 | 0:21:53 | |
to them are the bases, wherein the bark has been preserved. | 0:21:53 | 0:21:58 | |
Now, the label says two rosewood candlesticks. | 0:21:58 | 0:22:03 | |
That's not rosewood. That's olivewood. | 0:22:03 | 0:22:06 | |
These come from what was Palestine, when these were made, | 0:22:06 | 0:22:10 | |
or the Holy Lands, as they'd have been referred to. | 0:22:10 | 0:22:14 | |
Do you know what, | 0:22:14 | 0:22:15 | |
I can prove that because there are little marks there. | 0:22:15 | 0:22:18 | |
That's Hebrew script. | 0:22:18 | 0:22:20 | |
These are tourist souvenirs brought back by some | 0:22:20 | 0:22:26 | |
late Victorian traveller who visited Jerusalem. | 0:22:26 | 0:22:29 | |
The ticket price on those is £18. | 0:22:29 | 0:22:32 | |
-Stanley? -Yeah. -You're not going to sell them quickly. | 0:22:32 | 0:22:35 | |
I think they're hard work, but you've got me. | 0:22:35 | 0:22:38 | |
-COUGHS: -Cheap! Cheap! | 0:22:41 | 0:22:43 | |
£10. You couldn't get much cheaper than that. | 0:22:43 | 0:22:46 | |
I'd be daft not to take a punt on that. You've done it. | 0:22:46 | 0:22:50 | |
-I'll settle my debts. It's an easy £20. -Thanks a million. | 0:22:50 | 0:22:55 | |
Absolutely fantastic. | 0:22:55 | 0:22:57 | |
I'll shake your hand and I'll follow you out the door | 0:22:57 | 0:22:59 | |
and grab my goodies as I go. | 0:22:59 | 0:23:01 | |
While Paul makes off with the booty, | 0:23:01 | 0:23:04 | |
Catherine's ended up in a different farmyard, | 0:23:04 | 0:23:07 | |
having taken our route towards the village of Castletown | 0:23:07 | 0:23:12 | |
to learn about the Ulster roots of an American millionaire. | 0:23:12 | 0:23:15 | |
-Hi, there. Very nice to meet you. -Hello. You're very welcome. | 0:23:17 | 0:23:20 | |
Catherine Southon, hello. | 0:23:20 | 0:23:21 | |
-Welcome to the Ulster American Folk Park... -Thank you. | 0:23:21 | 0:23:24 | |
..and the home of Thomas Mellon. | 0:23:24 | 0:23:26 | |
This humble farmhouse is the centrepiece of a museum | 0:23:26 | 0:23:29 | |
dedicated to the story of Irish emigration. | 0:23:29 | 0:23:32 | |
As curator Pat can relate, | 0:23:32 | 0:23:34 | |
they are inside the childhood home of Thomas Mellon, | 0:23:34 | 0:23:37 | |
the entrepreneur who bankrolled the USA's rise to become the most | 0:23:37 | 0:23:40 | |
powerful industrial nation on earth. | 0:23:40 | 0:23:45 | |
Thomas was born here in 1813. | 0:23:45 | 0:23:48 | |
He lived here with his father, Andrew, and mother, Rebecca. | 0:23:48 | 0:23:52 | |
At this stage, Thomas' father and mother hadn't really any plans | 0:23:52 | 0:23:56 | |
to leave this area. | 0:23:56 | 0:23:57 | |
They were kind of well settled here on their 23 acres. | 0:23:57 | 0:24:00 | |
So what was the main reason for leaving? | 0:24:00 | 0:24:03 | |
Letters back home from America had a huge influence and once the | 0:24:03 | 0:24:07 | |
relatives got settled, they would write back and say, you know, | 0:24:07 | 0:24:10 | |
"Things are very good here. Why don't you join us?" | 0:24:10 | 0:24:13 | |
They would sit around this fire of an evening | 0:24:13 | 0:24:15 | |
and Thomas remembers them reading through letters from other | 0:24:15 | 0:24:18 | |
neighbours and relatives and them weighing up the decision, could | 0:24:18 | 0:24:21 | |
they make a living here or would the opportunities be better in America? | 0:24:21 | 0:24:25 | |
Young Thomas was just five when their long journey began. | 0:24:25 | 0:24:29 | |
Their ship, a bit like this reconstruction, | 0:24:29 | 0:24:32 | |
set sail from Londonderry in 1818 | 0:24:32 | 0:24:35 | |
and they docked about three months later at Baltimore. | 0:24:35 | 0:24:39 | |
-This is amazing, isn't it? -It is amazing. | 0:24:39 | 0:24:41 | |
Then they travelled over land to the outskirts of the city of Pittsburgh, | 0:24:41 | 0:24:46 | |
where Thomas' grandfather had arrived two years before. | 0:24:46 | 0:24:49 | |
They planned to stay with family | 0:24:49 | 0:24:51 | |
until they could acquire land of their own, which they did. | 0:24:51 | 0:24:54 | |
And on that land was what Thomas described as a dilapidated cottage, | 0:24:54 | 0:24:58 | |
but it didn't take them long to fix it up and this is | 0:24:58 | 0:25:02 | |
the type of building then that they would have lived in for a few years. | 0:25:02 | 0:25:06 | |
Thomas works very hard on this farm right from an early age. | 0:25:06 | 0:25:09 | |
Even when he's only nine, | 0:25:09 | 0:25:10 | |
he walks 20 miles into Pittsburgh on an errand for them. | 0:25:10 | 0:25:13 | |
That was the first time he got an impression of a big city... | 0:25:13 | 0:25:17 | |
Right. | 0:25:17 | 0:25:19 | |
..and it sort of planted a seed in his head - | 0:25:19 | 0:25:21 | |
"Look at this grand houses. | 0:25:21 | 0:25:23 | |
"There's no reason why I couldn't have something like that as well." | 0:25:23 | 0:25:26 | |
-The determination. -Yes. | 0:25:26 | 0:25:28 | |
Thomas persuaded his father to let him study and after university | 0:25:28 | 0:25:31 | |
he took up the law, | 0:25:31 | 0:25:33 | |
eventually becoming a prominent Pittsburgh judge, | 0:25:33 | 0:25:36 | |
whilst always investing his wages wisely. | 0:25:36 | 0:25:39 | |
He started to buy up land and sub-divide it and sell it off | 0:25:39 | 0:25:45 | |
and this influenced him into managing money and he thought, | 0:25:45 | 0:25:48 | |
"Well, you know, there's nothing really much to this. | 0:25:48 | 0:25:51 | |
"Why don't I try my hand at this?" | 0:25:51 | 0:25:54 | |
The Ulster Park features a reconstruction of the Pittsburgh bank | 0:25:54 | 0:25:58 | |
Thomas started in January 1870. | 0:25:58 | 0:26:01 | |
After a few lean years, | 0:26:01 | 0:26:03 | |
his investments in the American industries that prospered | 0:26:03 | 0:26:06 | |
after the Civil War soon began to pay dividends. | 0:26:06 | 0:26:09 | |
The Mellons were really establishing themselves at this stage, | 0:26:09 | 0:26:13 | |
not only Thomas, his two sons, and they had their finger in every pie. | 0:26:13 | 0:26:18 | |
In many ways, he's quite ruthless, but I think what endears us to him, | 0:26:18 | 0:26:22 | |
he is such a family man. | 0:26:22 | 0:26:24 | |
He is devoted to his children. | 0:26:24 | 0:26:27 | |
In the 1880s, Thomas handed over the reins to his sons, | 0:26:27 | 0:26:30 | |
returning to Ulster to visit his County Tyrone birthplace | 0:26:30 | 0:26:33 | |
and busying himself with his autobiography, | 0:26:33 | 0:26:37 | |
while the business he founded became the country's largest bank outside | 0:26:37 | 0:26:41 | |
New York and nurtured many of the household names of the 20th century. | 0:26:41 | 0:26:45 | |
It leaves them with one task. | 0:26:45 | 0:26:47 | |
It's their duty to make more money than the previous generation | 0:26:47 | 0:26:51 | |
and that really is something that the Mellons have carried on because | 0:26:51 | 0:26:54 | |
one of the sons Andrew is involved in all sorts of enterprises. | 0:26:54 | 0:27:00 | |
They end up in General Motors. | 0:27:00 | 0:27:02 | |
They end up financing Heinz. | 0:27:02 | 0:27:04 | |
It's a tremendous incredible story. | 0:27:04 | 0:27:06 | |
They're up there with the Rockefellers. | 0:27:06 | 0:27:08 | |
-They end up the third richest people in America... -Amazing. | 0:27:08 | 0:27:11 | |
..and the story continues. | 0:27:11 | 0:27:13 | |
And so does ours, but on a slightly more modest scale. | 0:27:16 | 0:27:19 | |
With our two trusty experts reunited, | 0:27:20 | 0:27:23 | |
it's time to manoeuvre the Morris towards the village of Moy, | 0:27:23 | 0:27:26 | |
known to locals as THE Moy. | 0:27:26 | 0:27:30 | |
-You got much to buy? -I'm buying all that. I'm buying the lot. | 0:27:30 | 0:27:35 | |
Shared shops can be a bit of a trial, of course. | 0:27:35 | 0:27:39 | |
Try to avoid each other's toes, eh? | 0:27:39 | 0:27:41 | |
Looks like Paul's already noticed something. Cagey! | 0:27:43 | 0:27:47 | |
But, with this much room, what could possibly go wrong? | 0:27:47 | 0:27:50 | |
There is one thing I have seen and it happens to be in this cabinet. | 0:27:50 | 0:27:54 | |
Does it have a doggy theme? | 0:27:54 | 0:27:56 | |
Would you please remove yourself from this cabinet? | 0:27:56 | 0:27:59 | |
-Oh, dear. -What is it? What have you seen? -I'm not telling. | 0:27:59 | 0:28:03 | |
-Get out! -Is it the spoon with the dog head terminal at £12, | 0:28:03 | 0:28:07 | |
and the christening spoon in the case at £12? | 0:28:07 | 0:28:09 | |
Oh, yes, nice things. | 0:28:09 | 0:28:12 | |
I've already had a look at it. It's bagsied. | 0:28:12 | 0:28:14 | |
PAUL LAUGHS | 0:28:14 | 0:28:17 | |
That's so unfair because... | 0:28:17 | 0:28:19 | |
I'm not playing any more. | 0:28:19 | 0:28:21 | |
-Is the expression "first dibs"? -I'm not playing. | 0:28:21 | 0:28:24 | |
Well, we did see him spot them. | 0:28:24 | 0:28:26 | |
-And I want that. -Is it the dog? | 0:28:26 | 0:28:29 | |
I want that. I saw that and I really wanted that. | 0:28:29 | 0:28:32 | |
Will Catherine graciously accept defeat? | 0:28:32 | 0:28:35 | |
Right, I'm going to sulk. | 0:28:35 | 0:28:36 | |
I am gutted. | 0:28:36 | 0:28:38 | |
PAUL LAUGHS | 0:28:38 | 0:28:40 | |
I thought you were my friend, Paul. | 0:28:40 | 0:28:42 | |
-What? What do you want me to do? -No, go on, have it. | 0:28:42 | 0:28:45 | |
No! No! It'll be jinxed now. | 0:28:45 | 0:28:47 | |
That is the one thing I wanted to have. | 0:28:47 | 0:28:49 | |
-The honeymoon's not even started. -No, it's divorce already. I'm sorry. | 0:28:49 | 0:28:53 | |
-Oh, no! -It's divorce. -Well, I want the dog. | 0:28:53 | 0:28:56 | |
HE LAUGHS | 0:28:56 | 0:28:58 | |
Oh, Paul! | 0:28:58 | 0:29:00 | |
I feel a bit defeated now. Deflated as well. | 0:29:00 | 0:29:04 | |
Can't believe that he bought that under my nose. | 0:29:04 | 0:29:07 | |
Looks like our gentleman's not having any second thoughts then. | 0:29:07 | 0:29:10 | |
-Dermot, how you doing? -Not too bad, Paul. How are you? | 0:29:10 | 0:29:12 | |
Two wee cheapies. Not badly priced either, in all honesty... | 0:29:12 | 0:29:16 | |
Fair price, yeah. | 0:29:16 | 0:29:19 | |
..but a hard man like myself is looking for a discount, of course. | 0:29:19 | 0:29:22 | |
Let me see. 24. Say three at £8. | 0:29:22 | 0:29:27 | |
£16 for the two, same price? | 0:29:27 | 0:29:29 | |
You're a gentleman, Dermot. | 0:29:29 | 0:29:31 | |
No clowning about with you or I, is there? Wonderful. | 0:29:31 | 0:29:35 | |
Now, where's Catherine off to? | 0:29:35 | 0:29:37 | |
-Can I buy your donkey? -Yeah. | 0:29:37 | 0:29:38 | |
-How much is he? -£300. | 0:29:38 | 0:29:41 | |
£300?! | 0:29:41 | 0:29:43 | |
The only one thing about it, if you buy the donkey, | 0:29:43 | 0:29:45 | |
you have to take me along with it. | 0:29:45 | 0:29:47 | |
-That's all right. I don't mind. -Is that all right? | 0:29:47 | 0:29:49 | |
So, a combined lot. | 0:29:49 | 0:29:51 | |
It would certainly stand out at an auction. | 0:29:51 | 0:29:53 | |
-What's his name? -He's called Donny. | 0:29:53 | 0:29:55 | |
Donegal Donny. | 0:29:55 | 0:29:57 | |
Lovely. Of course, they did used to have a horse fair here. | 0:29:57 | 0:29:59 | |
Ooh, my goodness, we don't get these in London! | 0:29:59 | 0:30:02 | |
Meanwhile, Paul has monkey business. | 0:30:04 | 0:30:06 | |
If post-silver-spoon debacle, I look like the cat that got the cream, | 0:30:06 | 0:30:13 | |
how about, as an antidote, the monkey that got the apple? | 0:30:13 | 0:30:17 | |
Aye, it's a wee belter, I don't mind telling you. | 0:30:17 | 0:30:20 | |
English, mid-20th century. Late '30s-1940s. | 0:30:20 | 0:30:23 | |
It does have a back stamp which I cannot read. | 0:30:23 | 0:30:28 | |
-I think that is just a lovely little model. -Sounds promising. | 0:30:28 | 0:30:33 | |
I've spoken to Dermot and this can be bought today for all of £15, | 0:30:33 | 0:30:39 | |
and I think you're not looking at a monkey. | 0:30:39 | 0:30:42 | |
You're looking at a peace offering from me to Catherine. | 0:30:42 | 0:30:45 | |
-Wise move. -You've got to do some serious schmoozing. | 0:30:45 | 0:30:50 | |
-I'm trying. -A monkey's not going to do it, my friend. -It SHOULD. | 0:30:50 | 0:30:54 | |
I think that's a wee belter. | 0:30:54 | 0:30:56 | |
It's 15 quid if you want it. | 0:30:56 | 0:30:59 | |
You buy it and I'll have the spoon. | 0:30:59 | 0:31:01 | |
HE LAUGHS | 0:31:01 | 0:31:03 | |
You buy that and I'll have the spoon. | 0:31:03 | 0:31:04 | |
Remind me never to play poker with you. You're all want. | 0:31:04 | 0:31:07 | |
-Do you want it? -No, thank you. | 0:31:07 | 0:31:09 | |
Worth a try. Maybe flowers would have been more appropriate. | 0:31:09 | 0:31:12 | |
-How you doing? -Hi, Paul. -I'm back. -Good. | 0:31:12 | 0:31:15 | |
-£15 you said. -I said, yeah. -It's a deal. -Lordy! | 0:31:15 | 0:31:18 | |
-Catherine doesn't want my poor wee monkey. -He's a good guy, this. | 0:31:18 | 0:31:22 | |
-He's all right, isn't he? -Yeah, he's different, isn't he? | 0:31:22 | 0:31:25 | |
Well, he's different and he's coming home with me. | 0:31:25 | 0:31:28 | |
This really could end in tears. | 0:31:28 | 0:31:30 | |
Ah, now Catherine's grabbed Dermot. Prepare for some arm-twisting. | 0:31:30 | 0:31:34 | |
There's a plate here. Can you tell me anything about this? | 0:31:34 | 0:31:38 | |
It probably came from a house clearance, you know. | 0:31:38 | 0:31:41 | |
-Part of a job lot. -It's got a massive crack, hasn't it? | 0:31:41 | 0:31:44 | |
It's quite interesting, quite decorative, isn't it? | 0:31:44 | 0:31:47 | |
-What price is on that? -30 quid. | 0:31:47 | 0:31:50 | |
When I see a silver spoon like that for £12 | 0:31:50 | 0:31:53 | |
-and then I see a cracked plate for £30... -It's a more substantial item. | 0:31:53 | 0:31:57 | |
It's bigger, that's the thing. | 0:31:57 | 0:31:59 | |
-You wouldn't do it for 10 or something? -I'll let it go at 15. | 0:31:59 | 0:32:02 | |
-OK, I'll think about that one. -That didn't quite do it. | 0:32:04 | 0:32:07 | |
Now, Dermot's had a rummage in his special cupboard. | 0:32:07 | 0:32:11 | |
Ah! | 0:32:11 | 0:32:12 | |
-So these are Victorian? -These are Victorian handcuffs. | 0:32:12 | 0:32:15 | |
They were known as Irish Eights, cos they're in the shape of an eight. | 0:32:15 | 0:32:18 | |
Where's the key number? There it is. | 0:32:18 | 0:32:20 | |
Matching numbers, so they still work. | 0:32:20 | 0:32:23 | |
They're great, aren't they? So these are Irish? | 0:32:23 | 0:32:26 | |
These would have been made in England | 0:32:26 | 0:32:29 | |
but only used in Ireland by the RIC, which was the Irish police. | 0:32:29 | 0:32:33 | |
-What are you asking for? -Well... | 0:32:33 | 0:32:36 | |
Please be kind to me. I've had a BAD afternoon with that ladle. | 0:32:36 | 0:32:39 | |
Online, these would make 120 quid. | 0:32:39 | 0:32:43 | |
Now, for you, I'll take the money back. | 0:32:45 | 0:32:47 | |
-What was your money? -50 quid. | 0:32:47 | 0:32:49 | |
-Sounds like a good price. -Can I give you a bit less than that? | 0:32:49 | 0:32:52 | |
-Blimey! -What were you thinking of? | 0:32:52 | 0:32:54 | |
Ideally, honestly, I would like about 30. What could you do? | 0:32:54 | 0:32:58 | |
40 quid. I'm taking a loss of a tenner on it. | 0:32:58 | 0:33:02 | |
You're a star. I think I've got a chance with those. | 0:33:04 | 0:33:07 | |
Take a chance. Those will make money. | 0:33:07 | 0:33:09 | |
With the golden handcuffs in the bag, | 0:33:11 | 0:33:13 | |
let's have a look at what they've got. | 0:33:13 | 0:33:16 | |
Paul parted with £82 for THOSE spoons, a sugar sifter, | 0:33:16 | 0:33:21 | |
some candlesticks, a locket, a manicure set | 0:33:21 | 0:33:25 | |
and, of course, a monkey figurine. | 0:33:25 | 0:33:28 | |
While Catherine spent £138 on a gong, a frame, a brooch, | 0:33:30 | 0:33:35 | |
some handcuffs and that very colourful suit. | 0:33:35 | 0:33:39 | |
So, what did they make of each other's buys? | 0:33:39 | 0:33:42 | |
Don't get me started on the costume, OK. It's fancy dress. | 0:33:42 | 0:33:46 | |
And, of course, I'm very upset about Spoongate, | 0:33:46 | 0:33:49 | |
so we're best not to mention the spoon. | 0:33:49 | 0:33:51 | |
The monkey that Catherine could have had for £15, | 0:33:51 | 0:33:55 | |
which I have now identified as early Beswick and rather rare. | 0:33:55 | 0:34:00 | |
I have got a feeling that that monkey is going to turn | 0:34:00 | 0:34:04 | |
into something very special, | 0:34:04 | 0:34:06 | |
and I'm going to really regret not taking it off him. | 0:34:06 | 0:34:09 | |
If it doesn't make a profit, the joke's on me, but I think it will. | 0:34:09 | 0:34:14 | |
After setting off from Portrush, | 0:34:14 | 0:34:17 | |
our experts are now making for an | 0:34:17 | 0:34:19 | |
auction closer to the border, in Omagh. | 0:34:19 | 0:34:22 | |
I'm just so happy to be here. | 0:34:22 | 0:34:24 | |
I think it's wonderful and I do like the idea of an evening auction. | 0:34:24 | 0:34:28 | |
They come out, they relax, their hands are going up, | 0:34:28 | 0:34:31 | |
hopefully for my items and not yours. | 0:34:31 | 0:34:34 | |
-It's a tonic. You know what you are? You're a tonic. -Am I? | 0:34:34 | 0:34:37 | |
There won't be any optimism | 0:34:37 | 0:34:39 | |
and enthusiasm once that monkey makes £100, I can tell you that(!) | 0:34:39 | 0:34:43 | |
They're fairly used to livestock sales at Viewback Auctions, | 0:34:45 | 0:34:48 | |
although monkeys are, of course, rare. | 0:34:48 | 0:34:51 | |
Welcome to the world of Irish auctions, Catherine. | 0:34:51 | 0:34:54 | |
Good luck, my friend, good luck. | 0:34:54 | 0:34:57 | |
You say that with menace! | 0:34:57 | 0:34:59 | |
I wonder what auctioneer Geoffrey Simpson thinks will fly. | 0:34:59 | 0:35:02 | |
There are a few people who still engage in gracious dining | 0:35:02 | 0:35:05 | |
and require a gong to summon their family to the table, | 0:35:05 | 0:35:10 | |
so it should go well. | 0:35:10 | 0:35:11 | |
The Beswick monkey should make £45-50. | 0:35:11 | 0:35:15 | |
It's an attractive little thing | 0:35:15 | 0:35:16 | |
and somebody will like it for the novelty value. | 0:35:16 | 0:35:19 | |
The picture frame, I think is Belfast Arts and Crafts. | 0:35:19 | 0:35:23 | |
A little bit more attractive than the average pokerwork. | 0:35:23 | 0:35:25 | |
As it is an unusual piece, I would see it making, you know, £45-50. | 0:35:25 | 0:35:30 | |
Crikey, where did they all come from? | 0:35:30 | 0:35:32 | |
-This is packed. -Bums on seats. -This is good. I've got a good feeling. | 0:35:32 | 0:35:36 | |
I told you. | 0:35:36 | 0:35:37 | |
She did, indeed. Let's see what they make of Paul's candlesticks. | 0:35:37 | 0:35:41 | |
-There's a twitching going on here. There's a nervous twitch. -There is. | 0:35:41 | 0:35:45 | |
£50. 40. 30. 20. 10. Starting at a fiver. | 0:35:45 | 0:35:49 | |
Fiver bid. At five, at five, at five. | 0:35:49 | 0:35:51 | |
Anybody going to give me seven? £7. £9 down the back. At nine. | 0:35:51 | 0:35:55 | |
-At 11. At 11, at 11. -We're in profit. | 0:35:55 | 0:35:57 | |
At 11. 13. 13, gentleman in the middle. | 0:35:57 | 0:36:00 | |
At 13. At 13. 15 to the lady. Is everybody happy at £15? | 0:36:00 | 0:36:05 | |
-Not ecstatic, but better than nought. I'm happy. -Well done. | 0:36:05 | 0:36:10 | |
Yep, a modest start. | 0:36:10 | 0:36:12 | |
Calling all fine diners, it's Catherine's first lot. | 0:36:12 | 0:36:16 | |
-Wait a minute. This is your lot. -This is my gong. | 0:36:16 | 0:36:23 | |
Do keep up. | 0:36:23 | 0:36:24 | |
At £30. Any advance on 30? | 0:36:24 | 0:36:26 | |
I'm going to sell at £35 if we can't get more money. | 0:36:26 | 0:36:28 | |
-Oh, no, more. -At £35. 40. At 40. And again at 40. | 0:36:28 | 0:36:32 | |
At 40, at 40, at 40, at £40. | 0:36:32 | 0:36:34 | |
At £40 it is once. £40 it is twice. | 0:36:34 | 0:36:38 | |
Is everybody happy at £40? | 0:36:38 | 0:36:41 | |
This bodes well. One profit each. | 0:36:41 | 0:36:43 | |
Oi-oi, it's the monkey. Was Catherine right to reject him? | 0:36:44 | 0:36:48 | |
You stared a gift horse in the mouth. | 0:36:48 | 0:36:50 | |
You didn't give it to me properly. If you... I was cross. | 0:36:50 | 0:36:54 | |
-If you'd have given that to me... -Were you? -Yes, I was. | 0:36:54 | 0:36:56 | |
-It's designed by... -Oh, OK. | 0:36:56 | 0:36:59 | |
It has a printed and impressed marque. | 0:36:59 | 0:37:01 | |
With a build-up like that, | 0:37:01 | 0:37:03 | |
who's going to give me £75 to start the bidding? | 0:37:03 | 0:37:06 | |
-60. -No. -50. 30. | 0:37:06 | 0:37:09 | |
£30 bid. At £30. At 30. At 35. | 0:37:09 | 0:37:12 | |
£40 at the back on the phone. | 0:37:12 | 0:37:14 | |
-Genius. -On the phone? | 0:37:14 | 0:37:16 | |
-£40. -Could have had that. | 0:37:16 | 0:37:17 | |
I'm going to sell it at £40 if I can't get more money. | 0:37:17 | 0:37:19 | |
At £40, it is once. At £40 twice. | 0:37:19 | 0:37:23 | |
All finished and done at... New blood. At 45. At 45. | 0:37:23 | 0:37:28 | |
At 45 here at the front. At 45 once. Twice. | 0:37:28 | 0:37:32 | |
All finished, all done at 45. Lady at the front at 45. | 0:37:32 | 0:37:36 | |
It's not peanuts. | 0:37:36 | 0:37:38 | |
It's hotting up. I can feel it. | 0:37:38 | 0:37:40 | |
How will Catherine's arresting purchase fair? | 0:37:40 | 0:37:43 | |
-Who's going to give me £100? -Oh, yes, please. | 0:37:43 | 0:37:46 | |
75. Start me at 50. £50 bid. At £50. | 0:37:46 | 0:37:51 | |
Any advance on 50? At £50. £60 on my right. | 0:37:51 | 0:37:55 | |
He's got 60 quid. | 0:37:55 | 0:37:57 | |
70. At £70. | 0:37:57 | 0:37:59 | |
Did he say 70? You wish you'd have bought these, don't you? | 0:37:59 | 0:38:03 | |
All finished, all done at £70. You got them at 70. | 0:38:03 | 0:38:06 | |
That'll ease the monkey regrets. | 0:38:06 | 0:38:09 | |
I knew I loved Northern Ireland. This is great. | 0:38:09 | 0:38:13 | |
Paul's manicure set next. | 0:38:13 | 0:38:15 | |
Do you manicure? | 0:38:15 | 0:38:18 | |
Well, no. | 0:38:18 | 0:38:19 | |
Who's going to give me £50? | 0:38:20 | 0:38:22 | |
40. 30. 20. £20 bid. At £20. | 0:38:22 | 0:38:27 | |
-That's all right. -That's fine. | 0:38:27 | 0:38:29 | |
25 over here. £30 in the back. At £30. At 30, at 30, at 30. | 0:38:29 | 0:38:33 | |
35 in the middle. £35. At 35. | 0:38:33 | 0:38:36 | |
-At 40. At 40, at 40, at 40. -40? | 0:38:36 | 0:38:39 | |
At £40 it is. 45. New blood. | 0:38:39 | 0:38:42 | |
God bless you. Come again. | 0:38:42 | 0:38:44 | |
At 50 down here. At £50. Any advance on 50? | 0:38:44 | 0:38:48 | |
All finished, all done at £50. Lady at the front at 50. | 0:38:48 | 0:38:52 | |
That was a hit. | 0:38:52 | 0:38:53 | |
I mean they were nice. They weren't that nice. | 0:38:53 | 0:38:56 | |
Never mind nice, they were spectacular. | 0:38:56 | 0:38:59 | |
50 quid spectacular, woman! | 0:38:59 | 0:39:03 | |
Catherine's pokerwork frame. No losses yet. | 0:39:03 | 0:39:06 | |
The most stylish object in tonight's sale. | 0:39:06 | 0:39:10 | |
Did he say it was the most stylish object in the sale? | 0:39:10 | 0:39:12 | |
That's what I said about it. | 0:39:12 | 0:39:14 | |
I rate this rather highly as an object. | 0:39:14 | 0:39:17 | |
You listening to this? | 0:39:17 | 0:39:18 | |
£200. 150. | 0:39:18 | 0:39:21 | |
Start me at £100. | 0:39:21 | 0:39:24 | |
Start me at £50. | 0:39:24 | 0:39:25 | |
40? £40 bid. | 0:39:25 | 0:39:27 | |
At £40. At 40, at 40, at 40. | 0:39:27 | 0:39:30 | |
Straight in, no? He thinks 200. | 0:39:30 | 0:39:32 | |
45. 50 on the phone. At 50 on the phone. | 0:39:32 | 0:39:35 | |
On the phone? Did he say on the phone? | 0:39:35 | 0:39:37 | |
55 seated. At 55 seated. Any advance on 55? | 0:39:37 | 0:39:42 | |
55. At 55. At 60, new blood. | 0:39:42 | 0:39:44 | |
They are queueing up to buy the mirror. | 0:39:44 | 0:39:47 | |
They've all come tonight to buy the mirror. | 0:39:47 | 0:39:50 | |
I see looks of pleasure, | 0:39:50 | 0:39:52 | |
almost ecstasy on the faces of our celebrities. | 0:39:52 | 0:39:55 | |
All finished and done at £60? Lady's bid on my extreme right at £60. | 0:39:55 | 0:40:00 | |
-I'm pleased with that. -Pleased? | 0:40:00 | 0:40:02 | |
This is a very nice auction indeed. | 0:40:03 | 0:40:07 | |
Time for Paul's controversial spoons and his caster. | 0:40:07 | 0:40:10 | |
Start me at £50. 40. 30. | 0:40:10 | 0:40:13 | |
£30 bid. At the very back at £30. | 0:40:13 | 0:40:15 | |
Straight in, come on, keep it going. | 0:40:15 | 0:40:17 | |
30. At 35. At 35 with me. | 0:40:17 | 0:40:19 | |
That's enough. | 0:40:19 | 0:40:20 | |
£40. Any advance on 40? Who's going to give me 45? | 0:40:20 | 0:40:24 | |
-I never liked that spoon anyway. -You like it a lot less now. | 0:40:24 | 0:40:29 | |
At £40 it is twice. | 0:40:29 | 0:40:30 | |
All finished, all done at £40. | 0:40:30 | 0:40:33 | |
Will the profits never cease? | 0:40:34 | 0:40:36 | |
Catherine's bird brooch is next. | 0:40:36 | 0:40:39 | |
Start me off at £20. 15. | 0:40:39 | 0:40:41 | |
10 anywhere to begin the bidding. £10 bid down here. | 0:40:41 | 0:40:44 | |
-£10? -I paid 18. -Oh, right. | 0:40:44 | 0:40:49 | |
At £10 in the middle there. At £10 and I'm going to sell it. | 0:40:49 | 0:40:52 | |
At £10 if we can't get more money. | 0:40:52 | 0:40:54 | |
All finished, all done at the back there at £10. | 0:40:54 | 0:40:58 | |
£10 more than it's worth. | 0:40:58 | 0:41:01 | |
Don't be so rude. | 0:41:01 | 0:41:02 | |
Don't listen to him, Catherine. | 0:41:02 | 0:41:04 | |
Paul's locket is up now. | 0:41:04 | 0:41:06 | |
Start me off at £100. £70. | 0:41:06 | 0:41:08 | |
-I like his optimism. -No. | 0:41:08 | 0:41:10 | |
40. £40 bid. At 40, at 40, at 40. At 50. At £50. | 0:41:10 | 0:41:14 | |
Any advance on 50? | 0:41:14 | 0:41:15 | |
-50, that's amazing. -Not bad. | 0:41:15 | 0:41:18 | |
£50 it is once. | 0:41:18 | 0:41:20 | |
-That's good, Paul. -I'll take it. | 0:41:20 | 0:41:21 | |
All finished, all done at £50. That's £50. | 0:41:21 | 0:41:23 | |
Well done. That is good. | 0:41:23 | 0:41:25 | |
Doubled up. Just one lot to go. | 0:41:25 | 0:41:28 | |
My work here is done. Good luck with fancy dress. | 0:41:28 | 0:41:32 | |
Now that is rude. I'm rooting for you, Catherine. | 0:41:32 | 0:41:35 | |
A vintage, retro 1970s jacket. | 0:41:35 | 0:41:38 | |
Hey! | 0:41:38 | 0:41:40 | |
That's the way to sell it, Bridget. | 0:41:40 | 0:41:43 | |
Wahey! | 0:41:43 | 0:41:45 | |
All you get is the... | 0:41:45 | 0:41:47 | |
Doesn't she look fabulous? | 0:41:47 | 0:41:49 | |
The star of the show, Bridget. | 0:41:52 | 0:41:54 | |
It actually fit really well. | 0:41:54 | 0:41:55 | |
£50. 40. 30. 20. | 0:41:55 | 0:41:57 | |
-£20 bid. At 25. -At 30 by a gentleman. | 0:41:57 | 0:42:00 | |
Oh, my goodness! | 0:42:00 | 0:42:02 | |
50 back there. At 50. | 0:42:02 | 0:42:04 | |
What? | 0:42:04 | 0:42:05 | |
At 50. At 60 at the back. At £60. | 0:42:05 | 0:42:07 | |
At £60, it is once. £60, it is twice. | 0:42:07 | 0:42:11 | |
All finished and done at £60. Well done, sir. | 0:42:11 | 0:42:14 | |
Well done! | 0:42:14 | 0:42:17 | |
You did a great job. | 0:42:17 | 0:42:18 | |
She certainly did. Another mighty profit. | 0:42:18 | 0:42:21 | |
Well, I don't know about you but I am ready for my bed. | 0:42:21 | 0:42:24 | |
-Are we going to get our slippers? -Absolutely. We need slippers. | 0:42:24 | 0:42:27 | |
That really was auction night fever. | 0:42:27 | 0:42:30 | |
Catherine started out with £200 | 0:42:30 | 0:42:32 | |
and made, after paying auction costs, a profit of £58.80. | 0:42:32 | 0:42:37 | |
Paul began with the same sum and, after paying auction costs, | 0:42:38 | 0:42:41 | |
he's produced a profit of £82 and a slim lead. | 0:42:41 | 0:42:46 | |
-Now, the lights might be an issue. -We need lights. | 0:42:46 | 0:42:50 | |
-We need a torch. -That's lights. | 0:42:50 | 0:42:52 | |
Woo-hoo! We are out of here. | 0:42:52 | 0:42:55 | |
Profits all the way | 0:42:55 | 0:42:57 | |
at 12 o'clock at night. | 0:42:57 | 0:42:59 | |
THEY LAUGH | 0:42:59 | 0:43:01 | |
Next time on Antiques Road Trip, Catherine's all pumped up... | 0:43:02 | 0:43:06 | |
Are you ready for this? Are you ready? | 0:43:06 | 0:43:09 | |
..while Paul waxes lyrical. | 0:43:09 | 0:43:11 | |
These are good. | 0:43:11 | 0:43:13 |