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It's the nation's favourite antiques experts.... | 0:00:02 | 0:00:04 | |
-That's cracking. -..£200 each... -Wonderful. | 0:00:04 | 0:00:07 | |
..a classic car and a goal, to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
That's exactly what I'm talking about. | 0:00:11 | 0:00:12 | |
I'm all over a-shiver. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
-No-brainer. -Going, going, gone! | 0:00:17 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
-Push! -..or the slow road to disaster? | 0:00:25 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Today we blast off on the second instalment of our road trip | 0:00:41 | 0:00:45 | |
adventure with auctioneers Claire Rawle and Paul Laidlaw. | 0:00:45 | 0:00:48 | |
I can't wait. | 0:00:48 | 0:00:49 | |
It's the market, not the auction room, that is going to save you. | 0:00:51 | 0:00:53 | |
-Yes. -Or break you. | 0:00:53 | 0:00:55 | |
Oh, yes. Lots of excited people in there wanting my lots. | 0:00:55 | 0:00:58 | |
-Steady, steady. -Desperately wanting my lots. | 0:00:58 | 0:01:01 | |
Steady! | 0:01:01 | 0:01:02 | |
Oh! | 0:01:02 | 0:01:03 | |
New girl Claire clinched the lead on her first outing, with a World War I | 0:01:05 | 0:01:09 | |
periscope. She is playing Paul at his own game. | 0:01:09 | 0:01:12 | |
£110 for the periscope. | 0:01:12 | 0:01:14 | |
The old hand didn't like that, I tell you. | 0:01:17 | 0:01:20 | |
He remains as supportive as ever, though. | 0:01:20 | 0:01:22 | |
I've got pressure on me now to keep it up. | 0:01:23 | 0:01:26 | |
-Added pressure. -Good, good! | 0:01:26 | 0:01:29 | |
Now, now, Paul. | 0:01:30 | 0:01:32 | |
From his original £200, Paul's got | 0:01:32 | 0:01:35 | |
£279.60 to stick in his back pocket. | 0:01:35 | 0:01:39 | |
Claire also began with £200. | 0:01:41 | 0:01:44 | |
She is ahead by a whisker with a total of £300.30. | 0:01:44 | 0:01:48 | |
They are roaring around town in this sporty 1968 TVR Tuscan. | 0:01:53 | 0:01:58 | |
My head is so firmly wedged in the roof lining! | 0:01:58 | 0:02:02 | |
With every bump, a wee contour in the roof of the car. | 0:02:02 | 0:02:06 | |
It's like something out of Tom and Jerry. | 0:02:06 | 0:02:08 | |
Your head just going like that. | 0:02:08 | 0:02:11 | |
Oh, dear! | 0:02:11 | 0:02:12 | |
Paul and Claire set off from Wooler in Northumberland. | 0:02:14 | 0:02:17 | |
They will take in the sights of the North East, | 0:02:17 | 0:02:19 | |
traversing through Yorkshire, | 0:02:19 | 0:02:21 | |
to finally land in the town of Stamford in Lincolnshire. | 0:02:21 | 0:02:25 | |
Today our adventure begins in Roker, | 0:02:25 | 0:02:28 | |
an area within the city of Sunderland, | 0:02:28 | 0:02:30 | |
and we shall auction in East Boldon | 0:02:30 | 0:02:32 | |
in Tyne and Wear. Now, has Paul any tips for the lovely Claire? | 0:02:32 | 0:02:38 | |
Have a minor breakdown in front of the shop owner. | 0:02:38 | 0:02:40 | |
"There's nothing here! | 0:02:40 | 0:02:42 | |
"There's nothing here to buy!" | 0:02:42 | 0:02:44 | |
Then throw yourself on their mercy. | 0:02:44 | 0:02:46 | |
Well, I'll remember that later. | 0:02:46 | 0:02:48 | |
Gosh, he's very dramatic! | 0:02:50 | 0:02:53 | |
Very kindly, Claire is dropping Paul at his first shop in Roker. | 0:02:53 | 0:02:58 | |
Here we are. A spooky guy waiting for you there. | 0:02:58 | 0:03:03 | |
Told my dad I'd be here. | 0:03:03 | 0:03:05 | |
-That's nice of him. -We'll go for a coffee later. | 0:03:05 | 0:03:07 | |
That's nice of him. He's not looking too well, though! | 0:03:07 | 0:03:10 | |
I should keep an eye on him if I were you. | 0:03:10 | 0:03:11 | |
-Have a good day! -And you. | 0:03:11 | 0:03:14 | |
Well, not too much, though. | 0:03:14 | 0:03:15 | |
Yeah, go on! | 0:03:15 | 0:03:17 | |
Stop larking about, you two. | 0:03:17 | 0:03:18 | |
We'll catch up with Claire later. | 0:03:21 | 0:03:23 | |
Now, who knows what will happen in here? | 0:03:23 | 0:03:25 | |
Hello, pleased to meet you. I'm David. | 0:03:25 | 0:03:27 | |
Good to see you. | 0:03:27 | 0:03:29 | |
You've got a certain thing going on here. | 0:03:29 | 0:03:31 | |
-Giraffe. -I noticed. Holy Moses, a real one? | 0:03:31 | 0:03:35 | |
-Yes. -What on earth? | 0:03:35 | 0:03:36 | |
What's this little beauty? | 0:03:46 | 0:03:47 | |
Is there any age to that? | 0:03:48 | 0:03:51 | |
A miniature chest of drawers. | 0:03:51 | 0:03:53 | |
Who doesn't want one? | 0:03:53 | 0:03:54 | |
Look at this, the drawer linings. | 0:03:54 | 0:03:56 | |
I'm looking for dovetails, | 0:03:56 | 0:03:58 | |
I'm looking to see the sophistication of the manufacturer. | 0:03:58 | 0:04:01 | |
No sophistication. | 0:04:01 | 0:04:03 | |
It's old cigar boxes. | 0:04:03 | 0:04:04 | |
Look at this. Colorado Finest. | 0:04:04 | 0:04:07 | |
Fantastic! | 0:04:08 | 0:04:09 | |
Priced at £50, will owner David be open to discount? | 0:04:11 | 0:04:15 | |
How good a deal can you do me on the chest of drawers? | 0:04:15 | 0:04:19 | |
Don't look at that. | 0:04:19 | 0:04:21 | |
I'll do you 25 quid. | 0:04:22 | 0:04:24 | |
Do you know, I think that's a gift in 1980! | 0:04:24 | 0:04:27 | |
-It would have been more in 1980. -It would've been. | 0:04:27 | 0:04:33 | |
No, 25 quid? It's a gift. | 0:04:33 | 0:04:35 | |
I'll leave you a little bit in it. | 0:04:35 | 0:04:38 | |
Not necessarily. | 0:04:38 | 0:04:40 | |
It's rustic and I think it's yesterday's news, that's my problem. | 0:04:40 | 0:04:43 | |
So much that we see is yesterday's news. | 0:04:43 | 0:04:45 | |
Blimey! It's tough Laidlaw today. | 0:04:46 | 0:04:50 | |
Elsewhere, Claire is reminiscing about her good luck so far. | 0:04:50 | 0:04:54 | |
With the periscope, do you know, I hadn't even looked at it before. | 0:04:54 | 0:04:57 | |
I was just standing, chatting, looked down and thought, | 0:04:57 | 0:05:00 | |
"OK, that looks interesting," picked it up. | 0:05:00 | 0:05:03 | |
This is rather nice, isn't it? | 0:05:03 | 0:05:04 | |
French periscope. Lovely quality. | 0:05:04 | 0:05:07 | |
That's how I find it goes a bit with me, | 0:05:07 | 0:05:09 | |
so I'm hoping it will happen again. | 0:05:09 | 0:05:13 | |
A-ha! For some, it's so simple. | 0:05:13 | 0:05:16 | |
Back to Paul. | 0:05:16 | 0:05:17 | |
Claire is in the lead, you know. | 0:05:19 | 0:05:20 | |
Jeez! Stop mentioning that. | 0:05:21 | 0:05:24 | |
I'll kick off. | 0:05:26 | 0:05:27 | |
Oh, sorry I'm breathing. | 0:05:28 | 0:05:30 | |
Thank goodness he's found something. | 0:05:30 | 0:05:33 | |
You've seen these before. | 0:05:33 | 0:05:35 | |
They are candle snuffers. | 0:05:39 | 0:05:41 | |
You knew that. You know what candle snuffers are for, don't you? | 0:05:41 | 0:05:44 | |
They are for putting out your candle. | 0:05:44 | 0:05:47 | |
No, they're not. | 0:05:47 | 0:05:49 | |
Stop saying that - it annoys me, the pedant. | 0:05:49 | 0:05:53 | |
Gosh, he's in a mood. | 0:05:53 | 0:05:55 | |
Candle snuffers are for trimming the wick of one's candle. | 0:05:55 | 0:05:59 | |
Quite right. Therefore, these gadgets | 0:05:59 | 0:06:02 | |
are actually wick trimmers and | 0:06:02 | 0:06:03 | |
a candle douser or snuffer to put the flame out. | 0:06:03 | 0:06:06 | |
We're looking at 1770. | 0:06:06 | 0:06:09 | |
1770, come on! | 0:06:09 | 0:06:11 | |
This is powdered wigs territory and frock coats and genteel living. | 0:06:11 | 0:06:15 | |
All right, love. | 0:06:15 | 0:06:17 | |
What's he up to now? | 0:06:17 | 0:06:18 | |
Looks like he's got his metal mojo working. | 0:06:19 | 0:06:23 | |
He has spotted a pair of brass candlesticks | 0:06:23 | 0:06:25 | |
and a pretty copper pot. | 0:06:25 | 0:06:27 | |
If I grabbed the candle snuffers and a pair of candlesticks, | 0:06:27 | 0:06:31 | |
that makes sense. | 0:06:31 | 0:06:32 | |
If I tried to buy... | 0:06:32 | 0:06:35 | |
Ignore the price tags, please. | 0:06:35 | 0:06:36 | |
If I tried to buy... | 0:06:38 | 0:06:39 | |
That's a pretty little lot, is it not? | 0:06:39 | 0:06:42 | |
A pair of brass can... | 0:06:42 | 0:06:43 | |
You see, that's old school. | 0:06:43 | 0:06:45 | |
Ah, the combined price for the snuffer, | 0:06:45 | 0:06:48 | |
the candlesticks and the copper pot is £55. | 0:06:48 | 0:06:50 | |
Can it be cheap, cheap, cheap, cheap, | 0:06:52 | 0:06:55 | |
and then we'll talk about your chest of drawers? | 0:06:55 | 0:06:58 | |
I think he wants it cheap, David. | 0:06:59 | 0:07:01 | |
I'll do you 30 quid the lot. | 0:07:02 | 0:07:04 | |
Where were we, we were 25 quid for the wee cigar box lined chest? | 0:07:04 | 0:07:09 | |
Yes. | 0:07:09 | 0:07:11 | |
25 quid for that and 30 quid for that. | 0:07:11 | 0:07:14 | |
I'll do you 50 quid the lot - there you are. | 0:07:14 | 0:07:17 | |
And you've got a deal. | 0:07:17 | 0:07:19 | |
OK, sir, thank you very much indeed. | 0:07:19 | 0:07:20 | |
Good deal. | 0:07:20 | 0:07:22 | |
No hesitation for Maestro Laidlaw. | 0:07:22 | 0:07:25 | |
Generous David has sold the miniature chest of drawers for £25 | 0:07:25 | 0:07:29 | |
and the mixed metalware, also for £25. | 0:07:29 | 0:07:32 | |
Wow! | 0:07:32 | 0:07:34 | |
Meanwhile, Claire has travelled a short distance away | 0:07:34 | 0:07:37 | |
to the South Tyneside village of Cleadon. | 0:07:37 | 0:07:40 | |
Legend has it that Charles Dickens stayed at the local inn here. | 0:07:40 | 0:07:45 | |
But today it's Claire's turn and she is here to shop | 0:07:45 | 0:07:49 | |
and find profit earners. | 0:07:49 | 0:07:51 | |
-Hello! -Hello. -Judith. Hello. | 0:07:51 | 0:07:54 | |
Rachel. Nice to meet you. I'm Claire. | 0:07:54 | 0:07:56 | |
Now, Judith is the proprietor here. | 0:07:57 | 0:08:00 | |
Stand by, because Claire is looking to get some bargains. | 0:08:00 | 0:08:03 | |
That's quite sweet. The trouble is, | 0:08:07 | 0:08:08 | |
people just don't like cleaning copper and brass any longer. | 0:08:08 | 0:08:11 | |
Better not tell Paul! | 0:08:11 | 0:08:13 | |
Now then, what's this? | 0:08:15 | 0:08:17 | |
Hopefully photographic slides. Let's have a look. | 0:08:19 | 0:08:23 | |
OK. | 0:08:23 | 0:08:24 | |
Oh, OK. | 0:08:24 | 0:08:26 | |
That's the deck of a ship. | 0:08:26 | 0:08:29 | |
I don't know if it's titled at all. | 0:08:29 | 0:08:31 | |
Glass negative slides. | 0:08:32 | 0:08:34 | |
Produced in stereoscope, the two. | 0:08:36 | 0:08:39 | |
They are in their original box. | 0:08:41 | 0:08:42 | |
Probably for using with a Magic Lantern in the early days. | 0:08:45 | 0:08:49 | |
Before people went to the cinema, | 0:08:49 | 0:08:51 | |
you would go to the Magic Lantern shows. | 0:08:51 | 0:08:54 | |
Magic Lantern shows were very popular with the Victorians. | 0:08:55 | 0:08:58 | |
A precursor to the modern-day movie, | 0:08:58 | 0:09:01 | |
they featured projected images accompanied | 0:09:01 | 0:09:03 | |
by live music and narration. | 0:09:03 | 0:09:05 | |
They are very collectable because some are very, very interesting. | 0:09:06 | 0:09:11 | |
They are a record of the area and they will date from the late | 0:09:11 | 0:09:15 | |
19th century. Might be slightly earlier than that, sort of 1860s. | 0:09:15 | 0:09:19 | |
Time for some narration with Judith. | 0:09:19 | 0:09:21 | |
You've got 95 on those. | 0:09:21 | 0:09:24 | |
I could do 45 because I got those quite cheap. | 0:09:24 | 0:09:26 | |
All right, that's what I like to hear! | 0:09:26 | 0:09:29 | |
Kind discount. | 0:09:29 | 0:09:30 | |
Oh, thank you very much. | 0:09:30 | 0:09:32 | |
Thank you. It's a pleasure, thank you. | 0:09:32 | 0:09:34 | |
Judith has been kind. | 0:09:34 | 0:09:36 | |
The collection of glass slides for | 0:09:36 | 0:09:38 | |
£45 is Claire's first purchase of the day. | 0:09:38 | 0:09:41 | |
Back to Paul. He's journeyed south to the coastal town of Hartlepool | 0:09:43 | 0:09:47 | |
in County Durham. | 0:09:47 | 0:09:48 | |
Mesolithic man once hunted here in the deer-rich forests. | 0:09:49 | 0:09:53 | |
Our very own hunter-gatherer is preparing to spear his own plunder. | 0:09:53 | 0:09:58 | |
-Here comes Paul. -How are you doing? | 0:09:58 | 0:09:59 | |
-All right? -Yes, pleased to meet you. | 0:09:59 | 0:10:01 | |
-Good to see you. I'm chomping at the bit, Alan. -OK. | 0:10:01 | 0:10:05 | |
And he's off for a good rummage. | 0:10:06 | 0:10:08 | |
Look at this. It reclines. | 0:10:11 | 0:10:13 | |
Yes, you won't have to fall when you've had a few whiskys! | 0:10:15 | 0:10:18 | |
Exactly, because the whiskys are there. | 0:10:18 | 0:10:20 | |
A few whiskys and you won't have to fall far. | 0:10:20 | 0:10:22 | |
Look, it's very low to the ground. | 0:10:22 | 0:10:24 | |
-When you've had enough... -Just slide off! | 0:10:24 | 0:10:27 | |
Put your bottle and glass back in there, then just slump to the floor. | 0:10:27 | 0:10:30 | |
That is fantastic, is it not? | 0:10:30 | 0:10:33 | |
It certainly is. | 0:10:33 | 0:10:34 | |
Now, come on. You're on a mission to beat Claire | 0:10:35 | 0:10:38 | |
and owner Alan is being extra helpful. | 0:10:38 | 0:10:40 | |
You want to check out the attic? | 0:10:40 | 0:10:42 | |
Just watch your head here. | 0:10:42 | 0:10:44 | |
Because it's the attic where everything is. | 0:10:44 | 0:10:47 | |
This is where he is going to find his gem, I know it. | 0:10:49 | 0:10:52 | |
Paul's laser eye focus has found something. | 0:10:54 | 0:10:57 | |
Uh-oh. | 0:10:59 | 0:11:00 | |
-That's not just a walking stick, is it? -No. | 0:11:04 | 0:11:06 | |
It's a sword stick. | 0:11:08 | 0:11:09 | |
A proper good one. | 0:11:10 | 0:11:11 | |
So, what we have here is a Victorian gentleman's means of | 0:11:13 | 0:11:20 | |
defence when he is wandering the back streets looking for a carriage, | 0:11:20 | 0:11:25 | |
having just walked out of the opera, and the bad guys jump out of | 0:11:25 | 0:11:29 | |
the dark and say, "Hand over your wallet!" | 0:11:29 | 0:11:32 | |
And he says, | 0:11:32 | 0:11:34 | |
"Be gone, braggart, and don't be back or I'll call the Peelers!" | 0:11:34 | 0:11:38 | |
-That's exactly what you need. -He should be on the stage! | 0:11:38 | 0:11:41 | |
A good find, Paul. | 0:11:41 | 0:11:42 | |
Reasonably collectable, as well, and not a bad one. | 0:11:42 | 0:11:45 | |
I've seen worse. What can it be, Alan? | 0:11:45 | 0:11:48 | |
I was hoping to get 50 quid for it. | 0:11:48 | 0:11:49 | |
Oh, I'll make you a cheeky wee offer. | 0:11:51 | 0:11:54 | |
Stress the cheeky. 30 quid. | 0:11:55 | 0:11:57 | |
Can we go to 40 and then I'll make just a little bit on it, which makes | 0:12:00 | 0:12:03 | |
-me happy. -Oh, do you know what? | 0:12:03 | 0:12:05 | |
Yes, and here's hoping I make a little bit. | 0:12:06 | 0:12:09 | |
-You'll definitely make a little bit. -Then we're both happy. | 0:12:09 | 0:12:12 | |
You'll definitely make a profit, I'm sure. | 0:12:12 | 0:12:14 | |
He's found his prey in the attic. | 0:12:14 | 0:12:16 | |
Now, what else is lurking? | 0:12:16 | 0:12:18 | |
I've just pulled that out of the back, actually, to clean it up. | 0:12:19 | 0:12:23 | |
-Is that what the matter is, just dust? -Just dust. | 0:12:23 | 0:12:27 | |
But what the heck is it? | 0:12:27 | 0:12:29 | |
That, for my money, is about the sexiest | 0:12:29 | 0:12:31 | |
standard-lamp-cum-occasional-table I've seen in years. | 0:12:31 | 0:12:39 | |
That is going to date to 1930, 1935, and what is the aesthetic? | 0:12:39 | 0:12:44 | |
It's Art Deco, isn't it? | 0:12:44 | 0:12:46 | |
For once, it's fair to say it's Art Deco. | 0:12:46 | 0:12:48 | |
It's a much abused term. | 0:12:48 | 0:12:50 | |
That is going to polish up an absolute treat. | 0:12:50 | 0:12:53 | |
You put a nice period-looking pagoda-type silk shade on there, | 0:12:53 | 0:12:57 | |
you stick your martini on there next to the funky armchair and | 0:12:57 | 0:13:01 | |
you feel good. | 0:13:01 | 0:13:03 | |
Do you like? | 0:13:03 | 0:13:04 | |
Depends on what price you can get from Alan. | 0:13:05 | 0:13:08 | |
Can I get 50 quid for it? | 0:13:08 | 0:13:11 | |
-40? -What? | 0:13:11 | 0:13:12 | |
-30? -You'll be in freefall. -All right, 30, 30. | 0:13:12 | 0:13:15 | |
Well, I don't want to go more than 20 quid. | 0:13:19 | 0:13:22 | |
-Yes, that's good. -Sweet? | 0:13:22 | 0:13:23 | |
-Yes, let's do it. -Happy with that. | 0:13:23 | 0:13:25 | |
Brilliant. | 0:13:25 | 0:13:27 | |
An Art Deco standard-lamp-cum-table for £20 and the gentleman's | 0:13:27 | 0:13:32 | |
sword stick for £40, excellent work. | 0:13:32 | 0:13:34 | |
Claire has journeyed northwards to the coastal town of Tynemouth. | 0:13:36 | 0:13:40 | |
A busy shipping route for centuries, | 0:13:42 | 0:13:44 | |
the North Sea is also one of the most perilous stretches of water. | 0:13:44 | 0:13:48 | |
Over 150 years ago, | 0:13:50 | 0:13:52 | |
a shipwreck led to the foundation of | 0:13:52 | 0:13:55 | |
the Tynemouth Volunteer Life Brigade, | 0:13:55 | 0:13:58 | |
a unique coastal rescue service | 0:13:58 | 0:14:00 | |
made up of courageous volunteers from the local area. | 0:14:00 | 0:14:03 | |
Claire is meeting with brigade secretary John Wright | 0:14:04 | 0:14:08 | |
to find out more. | 0:14:08 | 0:14:09 | |
Follow on this way and prepare to be surprised. | 0:14:09 | 0:14:12 | |
Oh, OK, thank you very much. | 0:14:12 | 0:14:13 | |
On the cold evening of the 24th of November 1864, | 0:14:15 | 0:14:20 | |
a series of raging storms carried three ships into the notorious | 0:14:20 | 0:14:25 | |
Black Midden rocks. | 0:14:25 | 0:14:26 | |
Despite the wrecks being yards from the shore and the coastguard giving | 0:14:26 | 0:14:31 | |
their best efforts, 32 souls perished that night. | 0:14:31 | 0:14:35 | |
Locals could only watch on, helpless. | 0:14:35 | 0:14:37 | |
One of the witnesses to the wreck was Sir John Morrison, who was | 0:14:37 | 0:14:41 | |
a soldier that was in charge of the gunners in the castle. | 0:14:41 | 0:14:43 | |
He thought that if a trained body of men had been available to help | 0:14:45 | 0:14:49 | |
the coastguard, a lot more lives could have been saved on the night. | 0:14:49 | 0:14:52 | |
Morrison approached civic dignitaries | 0:14:53 | 0:14:56 | |
John and Joseph Spence and a public meeting was arranged. | 0:14:56 | 0:14:59 | |
120 men signed up and the Tynemouth Volunteer Life Brigade was born. | 0:14:59 | 0:15:06 | |
Initially trained by Her Majesty's Coastguard, | 0:15:06 | 0:15:09 | |
the team quickly impressed. | 0:15:09 | 0:15:11 | |
Joseph himself formalised the rules of the brigade in a pamphlet | 0:15:11 | 0:15:16 | |
which was then circulated around the coast by the Board of Trade. | 0:15:16 | 0:15:20 | |
It was this formalising of the functions of the breeches buoy drill | 0:15:21 | 0:15:27 | |
that was the key of the trained body of men. | 0:15:27 | 0:15:30 | |
-Oh, right, so it became much more organised, in other words? -Yes. | 0:15:30 | 0:15:34 | |
The Tynemouth Volunteer Life Brigade | 0:15:34 | 0:15:37 | |
is the only company that has a modern | 0:15:37 | 0:15:39 | |
set of breeches buoy equipment. | 0:15:39 | 0:15:42 | |
Very simply, this is a rope rescue device, | 0:15:42 | 0:15:44 | |
which passengers of wrecked ships can climb onto and be hauled ashore. | 0:15:44 | 0:15:49 | |
The sea air gets into the breeches buoy and then it's your job, Claire, | 0:15:50 | 0:15:54 | |
-to haul them ashore. -Save this poor stricken soul... | 0:15:54 | 0:15:57 | |
-Yes. Off you go. -..who's probably even more terrified | 0:15:57 | 0:16:00 | |
at this very moment, coming across. | 0:16:00 | 0:16:03 | |
Then a man doing communications would shout, | 0:16:03 | 0:16:07 | |
"Man ashore!" The captain will shout, "Avast hauling." | 0:16:07 | 0:16:10 | |
Then we ask the sailor how many people are on the ship and hopefully | 0:16:11 | 0:16:15 | |
he says five, not 30! | 0:16:15 | 0:16:16 | |
-Yes, because it's pretty exhausting. -Yes, very exhausting. | 0:16:18 | 0:16:21 | |
What they used to do in the old days, | 0:16:21 | 0:16:23 | |
if there was anybody in the crowd standing by that was fit, | 0:16:23 | 0:16:26 | |
they would ask for volunteers. | 0:16:26 | 0:16:27 | |
So, it's still very much an ongoing thing, is it, the Life Brigade? | 0:16:31 | 0:16:35 | |
Oh, yes. The modern TVLB | 0:16:35 | 0:16:38 | |
has 22 volunteers from all walks of life. | 0:16:38 | 0:16:41 | |
We have electricians, doctors, administrators, teachers, | 0:16:41 | 0:16:46 | |
retired people even. | 0:16:46 | 0:16:48 | |
Funded entirely by donations, | 0:16:49 | 0:16:51 | |
the Tynemouth Volunteer Life Brigade are the only specialist coastal | 0:16:51 | 0:16:55 | |
organisation on call 24/7 to all of the emergency services, | 0:16:55 | 0:17:01 | |
attending around 120 call-outs per year - | 0:17:01 | 0:17:05 | |
proving that the terrible night of | 0:17:05 | 0:17:07 | |
the 1864 shipwreck disaster has spawned | 0:17:07 | 0:17:09 | |
an organisation of heroes who have saved hundreds of lives. | 0:17:09 | 0:17:13 | |
Time to call it a day and break for a nice bit of shuteye. | 0:17:16 | 0:17:20 | |
Nighty-night! | 0:17:20 | 0:17:21 | |
# Good morning, good morning | 0:17:23 | 0:17:25 | |
# We've talked the whole night through... # | 0:17:25 | 0:17:28 | |
Wakey-wakey! Our road trip wheels | 0:17:28 | 0:17:30 | |
are on the move once more and our pair | 0:17:30 | 0:17:33 | |
are really rather taken with the racy TVR. | 0:17:33 | 0:17:36 | |
The car is all right, isn't it? | 0:17:37 | 0:17:40 | |
-It's OK. -It feels a bit cool, it's working. | 0:17:40 | 0:17:43 | |
Well, yes. It feels actually pretty robust, doesn't it? | 0:17:44 | 0:17:48 | |
-Quite tough. -Yeah. | 0:17:48 | 0:17:50 | |
And we get some admiring glances. | 0:17:50 | 0:17:52 | |
-It's a head turner. -I like to think it's me, but it's not all about me, | 0:17:52 | 0:17:56 | |
-is it? -Surely not, I'm sure it is. | 0:17:56 | 0:17:59 | |
He's a charmer. | 0:17:59 | 0:18:01 | |
Let's remind ourselves of what our twosome have bought so far. | 0:18:02 | 0:18:06 | |
Paul has four lots... | 0:18:06 | 0:18:07 | |
The mixed metalware, | 0:18:07 | 0:18:09 | |
the miniature chest of drawers, | 0:18:09 | 0:18:11 | |
the gentleman's sword stick and the Art Deco lamp-cum-table. | 0:18:11 | 0:18:15 | |
Paul has £169.60 for the day ahead. | 0:18:16 | 0:18:20 | |
Our current leader, though, is Claire. | 0:18:20 | 0:18:23 | |
She's being super cautious. | 0:18:23 | 0:18:24 | |
She has one lot, the 19th-century glass slides, | 0:18:24 | 0:18:28 | |
giving her an ample £255.30 to spend. | 0:18:28 | 0:18:33 | |
Ever the gent, Paul's dropping Claire | 0:18:35 | 0:18:37 | |
in the seaside town of Whitley Bay. | 0:18:37 | 0:18:40 | |
-Ta-da. Well... -Here we are. -Looking good. | 0:18:43 | 0:18:47 | |
Philip and Linda own this fine emporium. | 0:18:48 | 0:18:51 | |
Claire has got to pick up the pace and start spending her cash. | 0:18:51 | 0:18:55 | |
I have to say, I do rather like cats. | 0:19:02 | 0:19:04 | |
-He is quite eye-catching. -Quite fun, isn't it? | 0:19:04 | 0:19:07 | |
-Yes. -Oops. | 0:19:07 | 0:19:08 | |
It's heavier than I thought it was going to be. | 0:19:08 | 0:19:11 | |
Italy, so presumably a souvenir type piece? | 0:19:12 | 0:19:15 | |
I don't know. It's got no name to say where it came from, | 0:19:15 | 0:19:18 | |
just that it originated in Italy. | 0:19:18 | 0:19:20 | |
-Yeah. -It's all hand-painted, I think, isn't it? | 0:19:20 | 0:19:23 | |
I think it is, yeah. A sort of Italian Wemyss Ware. | 0:19:23 | 0:19:26 | |
-Yes, exactly. -He's quite goofy. | 0:19:26 | 0:19:29 | |
There was a style. What do you think it is - '60s, '50s? | 0:19:30 | 0:19:33 | |
I would say, yes. Early '60s, late '50s. | 0:19:33 | 0:19:36 | |
-Yeah. -But it's in good condition. It's not got any damage on it. | 0:19:36 | 0:19:39 | |
-Yes. -With it being so tall you would think it would get | 0:19:39 | 0:19:41 | |
-knocked over, wouldn't you, yeah? -It would have it ears knocked off, | 0:19:41 | 0:19:44 | |
or certainly head. | 0:19:44 | 0:19:45 | |
This always makes me very nervous handling this. | 0:19:45 | 0:19:48 | |
It's like I'm going to have a slight spasm and... | 0:19:48 | 0:19:50 | |
-Drop it. -I'm always quite nervous of ceramics. | 0:19:50 | 0:19:53 | |
That's why I tend to go for things that don't break too easily. | 0:19:53 | 0:19:55 | |
-Right. -Mind how you go, then. | 0:19:55 | 0:19:58 | |
What's your best price? Cos you've got £25 on him. So... | 0:19:58 | 0:20:02 | |
I'm sure we can do something to help on that one. | 0:20:02 | 0:20:05 | |
-Music to my ears. -Yeah. | 0:20:05 | 0:20:06 | |
Why don't we do it for 15 for you? | 0:20:08 | 0:20:09 | |
What do you think, mate? £15? | 0:20:11 | 0:20:14 | |
Meow! | 0:20:14 | 0:20:15 | |
He's just begging me to buy him, isn't he? | 0:20:15 | 0:20:18 | |
-Oh, I'll go for it. -You're going to have him, are you? | 0:20:20 | 0:20:22 | |
-Lovely. Thank you very much. -Thank you. Thank you. | 0:20:22 | 0:20:24 | |
Yeah. Right, let's put it down before I smash it to pieces. | 0:20:25 | 0:20:28 | |
Yeah, we'll wrap it up for you. | 0:20:28 | 0:20:30 | |
One purchase down and she's on a roll. | 0:20:30 | 0:20:33 | |
Oh, a leather suitcase. | 0:20:33 | 0:20:34 | |
One of my favourites. | 0:20:35 | 0:20:37 | |
Is that for sale, or is that just a doorstop? | 0:20:37 | 0:20:39 | |
Nice old one. I'm sure we could sell it to you if you like. | 0:20:39 | 0:20:42 | |
Now, Claire bought a suitcase in the first leg and made a nice profit. | 0:20:42 | 0:20:46 | |
Could this one do the same? | 0:20:46 | 0:20:49 | |
-I could be working to a theme here. -Yes. | 0:20:49 | 0:20:51 | |
I just actually love old luggage | 0:20:51 | 0:20:54 | |
and leather goods, which makes me sound slightly weird. | 0:20:54 | 0:20:58 | |
But I love the quality, and also the romance that goes with it. | 0:21:00 | 0:21:04 | |
-Yes. -Because these were very much in the day when... | 0:21:04 | 0:21:06 | |
That's got initials on the front, as well. | 0:21:06 | 0:21:08 | |
-Yes. -The person who originally owned it. -AEC, yeah. | 0:21:08 | 0:21:12 | |
Nice order. I always like it if it's got the labels on, because, I mean, | 0:21:12 | 0:21:15 | |
people did use to scratch them off. | 0:21:15 | 0:21:17 | |
Because then that sorts of adds to the romance of the travel. | 0:21:17 | 0:21:20 | |
You think where it's been. | 0:21:20 | 0:21:22 | |
I just love the... | 0:21:22 | 0:21:23 | |
Well, the lady that came from, it had been her parents', | 0:21:24 | 0:21:27 | |
-when they got married. -Oh! | 0:21:27 | 0:21:29 | |
They took it away with them on honeymoon. | 0:21:29 | 0:21:31 | |
-Oh, how nice. -That's how it's initialled and everything. | 0:21:31 | 0:21:33 | |
Oh, right. What price would that be? | 0:21:33 | 0:21:35 | |
Well, we've got 45 on it at the moment, Claire. | 0:21:35 | 0:21:38 | |
-Yeah. -So possibly we can do | 0:21:38 | 0:21:39 | |
something to help you on that one, yeah. | 0:21:39 | 0:21:41 | |
Yeah, because I know what they make at auction... | 0:21:41 | 0:21:44 | |
Yes, at auctions they are not going to bring as much as that. | 0:21:44 | 0:21:46 | |
No, no. I would hope at auction it might make, sort of, 20, 25. | 0:21:46 | 0:21:52 | |
Can you come down somewhere closer | 0:21:52 | 0:21:53 | |
to that where I can make a bit of a... | 0:21:53 | 0:21:55 | |
Well, I wouldn't really like to come down as low as 20, | 0:21:55 | 0:22:00 | |
but we'll do it for 25 for you if there's enough room in there. | 0:22:00 | 0:22:03 | |
We'll split the difference and 22? | 0:22:03 | 0:22:05 | |
Yes, all right. We'll do that. | 0:22:07 | 0:22:08 | |
-Excellent. My cat and my suitcase. -Great. -Thank you. | 0:22:08 | 0:22:12 | |
Thank you very much, Philip. That's excellent. | 0:22:12 | 0:22:15 | |
There we have it. £15 for the pottery cat | 0:22:15 | 0:22:18 | |
and 22 for the vintage suitcase. | 0:22:18 | 0:22:21 | |
Meanwhile, Paul's off on a mission to the town of Blyth. | 0:22:23 | 0:22:26 | |
At the time of the First and Second World Wars, | 0:22:29 | 0:22:31 | |
the north-east of England was significant, | 0:22:31 | 0:22:33 | |
due to its naval shipbuilding and weapons industry. | 0:22:33 | 0:22:37 | |
This, combined with the long, exposed coastline, | 0:22:37 | 0:22:40 | |
made Northumberland a prime target for a German invasion. | 0:22:40 | 0:22:44 | |
In 1916, the MoD gave orders to build | 0:22:45 | 0:22:48 | |
Blyth Battery to ensure the coast was defended. | 0:22:48 | 0:22:52 | |
Paul's meeting with Colin Derwood to get the lowdown. | 0:22:52 | 0:22:55 | |
Colin, how are you doing? | 0:22:55 | 0:22:56 | |
-It's a pleasure to meet you, Paul. -I like the look of your beach hut. | 0:22:56 | 0:22:59 | |
Come on, we'll go and have a look at it. | 0:22:59 | 0:23:01 | |
Blyth Battery has the most intact | 0:23:03 | 0:23:05 | |
coastal defence buildings in the world, | 0:23:05 | 0:23:08 | |
with the First World War observation post | 0:23:08 | 0:23:11 | |
being the only surviving example of its type. | 0:23:11 | 0:23:13 | |
The armoured turret was a look-out post for | 0:23:13 | 0:23:16 | |
gathering intelligence. | 0:23:16 | 0:23:18 | |
Oh, man. What! | 0:23:20 | 0:23:21 | |
So the whole cupola revolves? | 0:23:23 | 0:23:26 | |
Yes, the whole lot rotated and from | 0:23:26 | 0:23:29 | |
the sides there was smaller gear wheels, | 0:23:29 | 0:23:32 | |
shafts, and you can see some of the original plugs... | 0:23:32 | 0:23:36 | |
-I see, yeah. -..where there was a cranking mechanism. | 0:23:36 | 0:23:38 | |
-Hand? -One either side for to rotate the whole top. | 0:23:38 | 0:23:42 | |
Fantastic. | 0:23:42 | 0:23:45 | |
The operator would have either stood in a basket suspended from it... | 0:23:45 | 0:23:50 | |
-What? -..or on a base. | 0:23:50 | 0:23:52 | |
-Right. -Remembering it doesn't turn very fast. | 0:23:52 | 0:23:54 | |
It only has to follow a ship. | 0:23:54 | 0:23:57 | |
And from that door there, and that door there, | 0:23:58 | 0:24:02 | |
was a nine foot Barr & Stroud split-image rangefinder. | 0:24:02 | 0:24:07 | |
-Yes. -A big brother to this one. -Yeah. | 0:24:07 | 0:24:10 | |
This enabled the artillery spotter | 0:24:10 | 0:24:12 | |
to observe anything unusual at sea up to several miles away. | 0:24:12 | 0:24:17 | |
The information could be passed | 0:24:17 | 0:24:19 | |
downstairs and they would have phoned it | 0:24:19 | 0:24:22 | |
across to the gun platform, | 0:24:22 | 0:24:24 | |
where the guns could have been loaded and ready | 0:24:24 | 0:24:26 | |
-to take enemy action. -Oh, my word. | 0:24:26 | 0:24:29 | |
What a thought. | 0:24:29 | 0:24:31 | |
I'd love to have been here in 1918. | 0:24:32 | 0:24:36 | |
A howling gale blowing like today, guys cranking the cupola, | 0:24:36 | 0:24:41 | |
and the Kaiserliche Marine cruising up there. | 0:24:41 | 0:24:45 | |
-What! -Yes, it would have been tremendous. | 0:24:45 | 0:24:48 | |
Enemy action, action stations! | 0:24:48 | 0:24:50 | |
It is absolute... | 0:24:50 | 0:24:52 | |
What a gem of a place. | 0:24:52 | 0:24:55 | |
I think it's safe to say Paul is in his element. | 0:24:55 | 0:24:57 | |
When World War II loomed, | 0:24:59 | 0:25:00 | |
another battery post was built to strengthen defences. | 0:25:00 | 0:25:04 | |
Again, this sweeping horizon, | 0:25:04 | 0:25:09 | |
-whereupon the enemy could be lurking. -It's beautiful. | 0:25:09 | 0:25:11 | |
I've got to say, for the guy in 1918 it could be quite terrifying, | 0:25:13 | 0:25:16 | |
the hum of a Zeppelin engine overhead. But I don't know in 1940, | 0:25:16 | 0:25:21 | |
the prospect of the horizon being black with landing craft... | 0:25:21 | 0:25:24 | |
-Enemy ships. -That's... That's seriously hairy. | 0:25:24 | 0:25:27 | |
It's different, different. | 0:25:27 | 0:25:29 | |
With the advent of World War II, the Blyth Battery was still a deterrent | 0:25:29 | 0:25:33 | |
to a Northumberland invasion. | 0:25:33 | 0:25:36 | |
Colin, what number of men served here during the war? | 0:25:36 | 0:25:40 | |
There was five officers and 110 regulars | 0:25:40 | 0:25:43 | |
from the garrison artillery. | 0:25:43 | 0:25:45 | |
They were supplemented by men of the Home Guard, | 0:25:45 | 0:25:48 | |
who used to come down from 1940. | 0:25:48 | 0:25:50 | |
But by 1944, the threat of an invasion had subsided | 0:25:50 | 0:25:54 | |
and when all the regulars went away for the big push in Normandy, it was | 0:25:54 | 0:25:57 | |
-the Home Guard who ran this all by themselves. -Dad's Army. | 0:25:57 | 0:26:02 | |
At the end of the Second World War, the guns were removed | 0:26:03 | 0:26:06 | |
and the battery became popular beach chalets in the '50s | 0:26:06 | 0:26:09 | |
and thereafter was used by lifeguards. | 0:26:09 | 0:26:11 | |
This continued use has ensured its survival. | 0:26:11 | 0:26:15 | |
Baywatch, eat your heart out! | 0:26:15 | 0:26:17 | |
So we've gone from the Great War and Zeppelins, | 0:26:17 | 0:26:21 | |
the Second World War invasion threats, | 0:26:21 | 0:26:24 | |
and now we are enjoying this as... | 0:26:24 | 0:26:27 | |
Its legacy is educational, isn't it? | 0:26:27 | 0:26:29 | |
It's as educational centre, exactly, yes. | 0:26:29 | 0:26:31 | |
It's went from wartime to education. | 0:26:31 | 0:26:34 | |
Over 100 years. | 0:26:34 | 0:26:35 | |
Isn't that fantastic? | 0:26:35 | 0:26:37 | |
Well, I've got to say, I have had the best couple of hours | 0:26:37 | 0:26:41 | |
-I've had in many a moon. Thank you very much. -Pleased you've enjoyed it. Thank you. | 0:26:41 | 0:26:44 | |
Blyth Battery is the lasting testimony of a small | 0:26:44 | 0:26:48 | |
British town playing a vital role during the war effort | 0:26:48 | 0:26:52 | |
and, thankfully, still survives to this day. | 0:26:52 | 0:26:55 | |
Claire's also travelled to Blyth. | 0:26:58 | 0:27:00 | |
She's got over £218 to play with. | 0:27:00 | 0:27:03 | |
Johnny Boy's Antiques & Modern Furnishings | 0:27:05 | 0:27:07 | |
is her last shop of the day. So watch out, Johnny. | 0:27:07 | 0:27:11 | |
Ah, John, hello. Hiding behind your desk. | 0:27:11 | 0:27:13 | |
-How are you? I'm Claire. -I'm fine. | 0:27:13 | 0:27:14 | |
Rustic walking sticks. | 0:27:21 | 0:27:23 | |
I always like looking in cabinets. What have we got here? | 0:27:26 | 0:27:30 | |
A Sikes hydrometer. Is it all right if I have a look at that? | 0:27:30 | 0:27:32 | |
-Yes. Feel free. -Right. | 0:27:32 | 0:27:35 | |
Quite nice little instruments, these. | 0:27:37 | 0:27:39 | |
I like the boxes, as well, with the original plaque in the top of it. | 0:27:39 | 0:27:43 | |
There we go. There it is. | 0:27:43 | 0:27:45 | |
I think it's for, I don't know, is it the brewing industry or... | 0:27:45 | 0:27:48 | |
It's sort of specific gravity. | 0:27:48 | 0:27:50 | |
You sort of measure it. | 0:27:50 | 0:27:51 | |
One little weight missing. It's a shame, very often, | 0:27:51 | 0:27:55 | |
because they were only very small brass ones, aren't they? | 0:27:55 | 0:27:57 | |
It's got its thermometer in it, though. | 0:27:57 | 0:28:00 | |
Sikes hydrometers were used by | 0:28:00 | 0:28:02 | |
distillers to measure proof of alcohol, | 0:28:02 | 0:28:04 | |
and hence the duty payable. | 0:28:04 | 0:28:06 | |
It isn't dated but I would think, looking at the quality of it, | 0:28:06 | 0:28:10 | |
we are looking at a very late 19th, early 20th century. | 0:28:10 | 0:28:12 | |
No price on it at all... | 0:28:14 | 0:28:16 | |
I've got to see 40. | 0:28:16 | 0:28:18 | |
It's a nice item. They're quite collectable, | 0:28:18 | 0:28:20 | |
but they've got a reasonably limited market. So 25 no good? | 0:28:20 | 0:28:25 | |
-30? -28? | 0:28:25 | 0:28:27 | |
-Go on. -28? | 0:28:27 | 0:28:30 | |
OK. Yeah. 28's good on that one. | 0:28:30 | 0:28:32 | |
-No problem. -The other thing I noticed, John, | 0:28:32 | 0:28:34 | |
when I came in, some walking sticks over here. | 0:28:34 | 0:28:36 | |
Which I think would make a nice little group, actually. | 0:28:38 | 0:28:40 | |
I quite liked the look of these. | 0:28:40 | 0:28:42 | |
I think that was the other I quite liked. | 0:28:42 | 0:28:45 | |
I was thinking maybe £5 to £8 for the group? | 0:28:47 | 0:28:51 | |
As a nice little group? £5? | 0:28:51 | 0:28:53 | |
Cheeky! She'll stop at nothing, that one. | 0:28:53 | 0:28:57 | |
They've got a price of a tenner each! | 0:28:57 | 0:28:59 | |
-Make it ten. -Eight. | 0:29:00 | 0:29:01 | |
Go on. | 0:29:02 | 0:29:04 | |
Thank you very much, indeed. That's good. | 0:29:04 | 0:29:07 | |
You're lucky, Claire, that Johnny is so generous. | 0:29:07 | 0:29:10 | |
Thank you indeed, Johnny. | 0:29:10 | 0:29:12 | |
The hydrometer for £28 and the walking sticks for £8. | 0:29:12 | 0:29:16 | |
Wow! | 0:29:16 | 0:29:17 | |
Meanwhile, Paul's got winning on his mind. | 0:29:19 | 0:29:23 | |
I'm looking for the piece that's been missed, that | 0:29:23 | 0:29:27 | |
is going to fly under the hammer and reverb. | 0:29:27 | 0:29:30 | |
Leave Claire in the rear-view mirror. | 0:29:32 | 0:29:34 | |
Game on, Paul. | 0:29:37 | 0:29:38 | |
He's travelling to the Northumbrian town of Amble. | 0:29:39 | 0:29:42 | |
And look, just across the field lies the historic Warkworth Castle. | 0:29:44 | 0:29:48 | |
Artique is Paul's final shopping destination. | 0:29:50 | 0:29:53 | |
This is a huge emporium. There's around 30 dealers here. | 0:29:53 | 0:29:57 | |
-Is it Mark? -It is Mark. | 0:29:59 | 0:30:00 | |
-How are you doing? -Nice to meet you. | 0:30:00 | 0:30:02 | |
Paul has £169.60 weighing down his wallet. | 0:30:02 | 0:30:06 | |
What is going on here, then? | 0:30:10 | 0:30:12 | |
Be still, my beating heart. | 0:30:13 | 0:30:15 | |
I turned around, looked down, period photographs. | 0:30:16 | 0:30:20 | |
Aerial photographs. Who takes aerial photographs? | 0:30:20 | 0:30:23 | |
The military and spies, do they not? | 0:30:23 | 0:30:26 | |
OK, I'm interested. | 0:30:26 | 0:30:27 | |
You got me. | 0:30:27 | 0:30:28 | |
German naval units. | 0:30:31 | 0:30:34 | |
There you go. Aerial photographs, open water and dock. | 0:30:34 | 0:30:39 | |
You'll recognise this name, Tirpitz. | 0:30:39 | 0:30:42 | |
Battleship length, 815 foot overall, built at Marinewerft Wilhelmshaven, | 0:30:42 | 0:30:49 | |
the home of the German Navy. | 0:30:49 | 0:30:50 | |
OK. I'm seriously interested. | 0:30:50 | 0:30:53 | |
I can tell you for nothing they are mid-20th century, are they not, | 0:30:53 | 0:30:56 | |
so we're probably, possibly looking at the Second World War. | 0:30:56 | 0:31:00 | |
Well, he's certainly cheered up. | 0:31:01 | 0:31:03 | |
Look at this! A Narvik Class III destroyer. | 0:31:03 | 0:31:07 | |
A group photo of U-boats at Danzig, similar at Kiel. | 0:31:10 | 0:31:14 | |
Absolutely fantastic stuff, this. | 0:31:15 | 0:31:17 | |
A Dutch gunboat and M-class minesweeper. | 0:31:17 | 0:31:21 | |
Wait a minute - here's a box. | 0:31:21 | 0:31:23 | |
Description, stereoscope and German naval views. | 0:31:25 | 0:31:30 | |
Don't get me started about stereoscopy. | 0:31:31 | 0:31:34 | |
Incredible subject. Traces its... | 0:31:34 | 0:31:37 | |
This is the viewing of photographs | 0:31:37 | 0:31:40 | |
through a viewer, giving a 3-D effect. £45. | 0:31:40 | 0:31:46 | |
Come on. That's not a lot of money by any measure. | 0:31:48 | 0:31:50 | |
What might it be worth? Well, the truth of the matter is, | 0:31:52 | 0:31:54 | |
I suspect the photographs and the stereo viewer may not be related, | 0:31:54 | 0:32:00 | |
they may have been brought together. | 0:32:00 | 0:32:03 | |
If I'm right, the more valuable element, arguably, | 0:32:03 | 0:32:06 | |
is the aerial photographs. | 0:32:06 | 0:32:08 | |
The World War II reconnaissance photographs are a real find. | 0:32:08 | 0:32:12 | |
Could this be his flyer at auction? | 0:32:12 | 0:32:15 | |
Dealer Mark is on hand to talk money. | 0:32:15 | 0:32:17 | |
Caught my eye. Stereoscopic photographs of German battleships. | 0:32:18 | 0:32:23 | |
Fantastic, Second World War. | 0:32:23 | 0:32:25 | |
I'm really into stereoscopy. | 0:32:25 | 0:32:26 | |
I see the stereo viewer, I see it in what looks like Admiralty grey, | 0:32:26 | 0:32:30 | |
and I think, "I've got a wartime package here." | 0:32:30 | 0:32:33 | |
I am wrong, as you probably know if you're familiar with this lot. | 0:32:33 | 0:32:36 | |
-Because the viewer itself is post-war. -Right. | 0:32:36 | 0:32:40 | |
It's late '60s, '70s. | 0:32:40 | 0:32:42 | |
And it is for large-scale stereo views, not these. | 0:32:42 | 0:32:46 | |
Not the smaller ones, OK. | 0:32:46 | 0:32:48 | |
So I know that we could do... For the whole package, we can come down. | 0:32:48 | 0:32:52 | |
It's £45 on it. | 0:32:52 | 0:32:54 | |
-Yeah. -We could do that for 30. | 0:32:54 | 0:32:57 | |
There's no point clowning about. | 0:32:57 | 0:32:59 | |
-30. -Yeah. -Done deal. | 0:32:59 | 0:33:01 | |
That was thrilling. | 0:33:02 | 0:33:04 | |
The potentially lucrative | 0:33:04 | 0:33:06 | |
World War II aerial reconnaissance photographs | 0:33:06 | 0:33:08 | |
and the large stereoscopic viewfinder for £30. | 0:33:08 | 0:33:13 | |
And that completes our second leg shopping extravaganza. | 0:33:13 | 0:33:18 | |
Paul has a total of five lots - the combo lot of metalware, | 0:33:18 | 0:33:22 | |
the miniature chest of drawers, the gentleman's sword stick, | 0:33:22 | 0:33:26 | |
the Art Deco lamp and table, | 0:33:26 | 0:33:28 | |
plus the batch of reconnaissance photographs and stereoscopic viewer. | 0:33:28 | 0:33:33 | |
HE WHISTLES | 0:33:33 | 0:33:35 | |
Paul has spent a total of £140. | 0:33:35 | 0:33:37 | |
Claire was a little more cautious, but also bought five lots. | 0:33:39 | 0:33:43 | |
The collection of glass slides, | 0:33:43 | 0:33:45 | |
the pottery cat, the vintage suitcase, the Sikes hydrometer | 0:33:45 | 0:33:51 | |
and a group of walking sticks. | 0:33:51 | 0:33:52 | |
For all that, she spent a total of £118. | 0:33:54 | 0:33:59 | |
Come on, you two. Thoughts on one another's buys? | 0:33:59 | 0:34:02 | |
I was a bit confused by... Well, I thought they were library steps. | 0:34:02 | 0:34:05 | |
But I gather it's a lamp. | 0:34:05 | 0:34:07 | |
I don't quite understand that. | 0:34:07 | 0:34:09 | |
I don't think that cat is Claire Rawle. | 0:34:09 | 0:34:12 | |
I think if I swapped anything, | 0:34:12 | 0:34:13 | |
I quite like his little chest of drawers. | 0:34:13 | 0:34:16 | |
OK. I think maybe I claw back the deficit | 0:34:16 | 0:34:20 | |
and go into the lead with this one. | 0:34:20 | 0:34:22 | |
You heard it. | 0:34:22 | 0:34:24 | |
Laidlaw just jinxed himself at auction. | 0:34:24 | 0:34:27 | |
Let's hope not. | 0:34:27 | 0:34:28 | |
It's auction time, and our road tripping pair | 0:34:28 | 0:34:31 | |
are heading for their second auction at East Boldon in Tyne and Wear. | 0:34:31 | 0:34:35 | |
Let's do a bit of de-misting, I think. | 0:34:38 | 0:34:40 | |
You're breathing too much. | 0:34:40 | 0:34:42 | |
I can't see. Stop breathing, please. | 0:34:42 | 0:34:44 | |
OK, I'll just suffocate myself for you. | 0:34:44 | 0:34:46 | |
-Right, well, here we are. -Still in glorious sunshine. | 0:34:50 | 0:34:52 | |
-Beautiful, isn't it? -Clash of the stereo views begins. | 0:34:52 | 0:34:56 | |
Yes, may the best man or woman win, eh? | 0:34:56 | 0:34:59 | |
This family run auction room has been on the go for over 30 years. | 0:35:01 | 0:35:05 | |
Our auctioneer today is Giles Hodges. | 0:35:05 | 0:35:08 | |
Come on, spill it, Giles, about our duo's offerings. | 0:35:08 | 0:35:11 | |
The Art Deco standard lamp, | 0:35:13 | 0:35:15 | |
great 1930s, classic of the period, might fly, | 0:35:15 | 0:35:18 | |
especially because we're online as well. | 0:35:18 | 0:35:20 | |
Well, what do we say about the ceramic cat? | 0:35:22 | 0:35:24 | |
Icon of the 1950s. | 0:35:24 | 0:35:27 | |
Not to everybody's taste. | 0:35:27 | 0:35:29 | |
Quiet, please. The auction is about to begin. | 0:35:29 | 0:35:33 | |
Quite comfortable, isn't it? | 0:35:34 | 0:35:36 | |
-Let's slide off this. -Oh, you can't take these two anywhere. | 0:35:36 | 0:35:40 | |
First up are Claire's batch of walking sticks. | 0:35:42 | 0:35:45 | |
I hope they're a very discerning audience for walking sticks. | 0:35:45 | 0:35:48 | |
Somebody bid me a tenner for all the walking sticks. | 0:35:48 | 0:35:50 | |
-Please. -Tenner I'm bid. | 0:35:50 | 0:35:52 | |
10 in the room. At £10. | 0:35:52 | 0:35:54 | |
15, anyone else now? | 0:35:54 | 0:35:56 | |
15. The bid's upstairs at 15. 20? 25. 25. | 0:35:56 | 0:36:01 | |
At £25, we're upstairs. | 0:36:01 | 0:36:03 | |
30? At £30, downstairs right. | 0:36:03 | 0:36:06 | |
At £30, ladies and gentlemen, in the room at 30 quid. | 0:36:06 | 0:36:10 | |
Look at that. Not bad, Claire. A good profit to start proceedings. | 0:36:12 | 0:36:15 | |
I'm trying not to look too smug at the moment, | 0:36:15 | 0:36:17 | |
because I think it could be all downhill from here, but still... | 0:36:17 | 0:36:21 | |
That's not the spirit, Claire. | 0:36:21 | 0:36:23 | |
Paul's next with his Art Deco lamp-cum-table. | 0:36:23 | 0:36:26 | |
What attracted you to your standard lamp? | 0:36:28 | 0:36:30 | |
The fact that it's beautiful! | 0:36:30 | 0:36:32 | |
I'm bid 10 to start, at 10. | 0:36:34 | 0:36:36 | |
£10? 10. 15 by the door. | 0:36:36 | 0:36:38 | |
15. 20? 5. 30. 5. 35 by the door. | 0:36:38 | 0:36:44 | |
Anybody else? At 35, 40. | 0:36:44 | 0:36:47 | |
-£40. -No! | 0:36:47 | 0:36:49 | |
What you mean, no? It's lovely, I'm telling you. | 0:36:49 | 0:36:51 | |
In the room at £40 for the last time. | 0:36:51 | 0:36:54 | |
-£40! -Very good. | 0:36:54 | 0:36:56 | |
Paul Laidlaw! | 0:36:58 | 0:36:59 | |
£40, beautiful. | 0:37:01 | 0:37:03 | |
Yeah, precisely. | 0:37:03 | 0:37:05 | |
And this means you're just behind Claire in the profit stakes. | 0:37:05 | 0:37:08 | |
Next, it's Claire's pottery cat. | 0:37:10 | 0:37:13 | |
Do you wish it was still back in the sanctuary? | 0:37:13 | 0:37:15 | |
-A tenner and away. -Cheeky! | 0:37:16 | 0:37:19 | |
Bid me a fiver, then. £5 upstairs. | 0:37:19 | 0:37:22 | |
5, 10, 15. | 0:37:22 | 0:37:25 | |
£15, all done, ladies and gentlemen? | 0:37:25 | 0:37:28 | |
At 15. | 0:37:28 | 0:37:30 | |
OK, so I've lost a little bit on that. | 0:37:30 | 0:37:33 | |
I think you did well there, to be honest. | 0:37:33 | 0:37:35 | |
On we go. | 0:37:37 | 0:37:39 | |
Can Paul's metalware lot help him edge into the lead? | 0:37:40 | 0:37:44 | |
£10 starts me. | 0:37:45 | 0:37:47 | |
15. Straight in the room at £15. | 0:37:47 | 0:37:49 | |
20, anybody now? | 0:37:49 | 0:37:51 | |
£15 on the right. | 0:37:51 | 0:37:53 | |
At £20. 25. | 0:37:53 | 0:37:57 | |
At £25 in the room. We're waiting online, yes or no, £25. | 0:37:57 | 0:38:03 | |
Another break even means Claire still clings on to her lead. | 0:38:03 | 0:38:07 | |
THEY LAUGH | 0:38:10 | 0:38:12 | |
Oh, behave, you two. | 0:38:12 | 0:38:14 | |
It's Claire's Sikes hydrometer next. | 0:38:14 | 0:38:17 | |
30. At £30. 30. £30? | 0:38:18 | 0:38:20 | |
Anybody else for a fiver? | 0:38:21 | 0:38:22 | |
35? Got the hand. | 0:38:22 | 0:38:24 | |
At £35. 40, anybody else? | 0:38:24 | 0:38:27 | |
40, downstairs left. | 0:38:27 | 0:38:29 | |
£40. 45. 50. 55. | 0:38:29 | 0:38:34 | |
£55, upstairs right. Your bid, sir. | 0:38:34 | 0:38:36 | |
That's more like it. | 0:38:38 | 0:38:39 | |
Claire's launched further into the lead. | 0:38:39 | 0:38:41 | |
-Smile. Keep smiling. -I can't. I'm struggling. | 0:38:43 | 0:38:46 | |
I'm getting aching cheeks, you know. | 0:38:46 | 0:38:48 | |
Maybe the miniature chest can cheer you up. | 0:38:51 | 0:38:54 | |
-Is my bottom lip quivering? -Stop it! Stop it! | 0:38:55 | 0:39:00 | |
Somebody start me, £20 for it. | 0:39:00 | 0:39:03 | |
£20, we're in straightaway at 20. | 0:39:03 | 0:39:05 | |
£20. 25. 30. 35. | 0:39:05 | 0:39:11 | |
35, shakes his head. At £35. | 0:39:11 | 0:39:13 | |
40, anybody? | 0:39:13 | 0:39:15 | |
At £35, last chance. | 0:39:15 | 0:39:17 | |
All done at £35. | 0:39:17 | 0:39:21 | |
Nice little earner, Paul, | 0:39:21 | 0:39:23 | |
but it's not enough to move in front of Claire. | 0:39:23 | 0:39:26 | |
-There's a lot to be said for low expectations. -Yeah. | 0:39:26 | 0:39:29 | |
Claire loves her vintage luggage, it's the suitcase next. | 0:39:31 | 0:39:35 | |
I'm bid straight in on commission, £10 to start me. | 0:39:36 | 0:39:40 | |
15. £15. 20. | 0:39:40 | 0:39:43 | |
25. 30. £30 online, 35. | 0:39:43 | 0:39:48 | |
It's against you now, 40. 45. | 0:39:48 | 0:39:52 | |
At £45. It's gone quiet to my left. At £45, in the room at 45. | 0:39:52 | 0:39:58 | |
Luggage is a good bet for profits, eh? | 0:39:59 | 0:40:02 | |
Claire's still in the lead. | 0:40:02 | 0:40:03 | |
I'll be keeping my eye out for more of that. | 0:40:04 | 0:40:07 | |
It's Paul's stereoscopic viewer and aerial photographs next. | 0:40:09 | 0:40:13 | |
He loves this lot. | 0:40:13 | 0:40:14 | |
50 bid, straight in at 50. | 0:40:16 | 0:40:17 | |
-At £50. -Straight in at 50? -60. 65, 70. 75. 80, 5. | 0:40:17 | 0:40:25 | |
£85. | 0:40:25 | 0:40:28 | |
Someone wants them in the room. | 0:40:28 | 0:40:30 | |
95. 100. 110. We're upstairs at 110. | 0:40:30 | 0:40:36 | |
You're out online. 120. 130, 140. | 0:40:36 | 0:40:40 | |
150? | 0:40:40 | 0:40:42 | |
We're still upstairs. You're out downstairs at 150. | 0:40:42 | 0:40:45 | |
Are we all done at 150? | 0:40:45 | 0:40:48 | |
-Well done. -In the room as well. | 0:40:48 | 0:40:52 | |
And that wasn't through gritted teeth, Claire. | 0:40:52 | 0:40:54 | |
An astounding result, well done. | 0:40:54 | 0:40:56 | |
Can Claire's glass slides help her catch up on Paul? | 0:40:59 | 0:41:02 | |
-What are the nerves like? -Not good. | 0:41:03 | 0:41:05 | |
£40. Straight in on commission. | 0:41:05 | 0:41:07 | |
£40? Anybody for another five? | 0:41:07 | 0:41:09 | |
At £40, for the last time, ladies and gentlemen. | 0:41:09 | 0:41:13 | |
At £40? | 0:41:13 | 0:41:15 | |
Somebody got a bargain. | 0:41:16 | 0:41:18 | |
Bad luck, Claire. | 0:41:18 | 0:41:19 | |
And to finish the proceedings, it's Paul's gentlemen's sword stick. | 0:41:21 | 0:41:25 | |
Fingers crossed. | 0:41:25 | 0:41:27 | |
Not too hard. | 0:41:27 | 0:41:29 | |
I've got two commission bids. 80 starts me. | 0:41:31 | 0:41:34 | |
At £80. | 0:41:34 | 0:41:36 | |
That's where I hoped it would end. | 0:41:36 | 0:41:37 | |
85, 90. 95. 100. 110. £110 upstairs. Anybody online? | 0:41:37 | 0:41:45 | |
At £110, are we all done, ladies and gents? | 0:41:45 | 0:41:48 | |
At £110? | 0:41:48 | 0:41:51 | |
-Fair enough. -Here endeth the journey. | 0:41:52 | 0:41:54 | |
Another monster profit for Paul. | 0:41:56 | 0:41:58 | |
-I think we need coffee and a bun, don't you? -I think we do. | 0:41:59 | 0:42:02 | |
Lead on. | 0:42:02 | 0:42:03 | |
What an auction, and I think we can work out the winner, eh? | 0:42:03 | 0:42:08 | |
Here are the calculations, anyway. | 0:42:08 | 0:42:10 | |
Claire began leg two with £300.30, | 0:42:11 | 0:42:15 | |
and after auction costs made a profit of £33.70. | 0:42:15 | 0:42:19 | |
Claire's grand total to carry forward is £334 exactly. | 0:42:20 | 0:42:25 | |
Paul started the second leg with £279.60 | 0:42:26 | 0:42:30 | |
and left Claire far behind with a huge profit of £155.20. | 0:42:30 | 0:42:37 | |
The Laidlaw is back. | 0:42:37 | 0:42:39 | |
He is today's victor | 0:42:39 | 0:42:40 | |
and has a mighty £434.80 for the next leg. | 0:42:40 | 0:42:45 | |
Good man. | 0:42:45 | 0:42:47 | |
Two down, Claire. | 0:42:47 | 0:42:48 | |
-Two down. -Yeah. We're getting there. | 0:42:48 | 0:42:51 | |
It's 1-1, and it's still all to play for. | 0:42:55 | 0:42:58 | |
Next time on the Antiques Road Trip, it looks like Paul and Claire | 0:43:01 | 0:43:05 | |
-need a new sat nav. -It's just like being in the Mediterranean. | 0:43:05 | 0:43:08 | |
It seriously could easily be abroad. | 0:43:08 | 0:43:10 | |
Until you get out of the car and quite a wind hits you. | 0:43:10 | 0:43:14 |