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It's the nation's favourite antiques experts. | 0:00:00 | 0:00:03 | |
-That's cracking. -With £200 each... | 0:00:03 | 0:00:06 | |
-Wonderful. -..a classic car and a goal, to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
-That's exactly what I'm talking about. -I am over a-shiver. | 0:00:10 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
-No brainer. -Going, going, gone. | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
-So, will it be the high road to glory... -Push! | 0:00:23 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
How awfully, awfully nice. | 0:00:28 | 0:00:30 | |
This is Antiques Road Trip. | 0:00:30 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
I cannot believe it. | 0:00:42 | 0:00:44 | |
We're dishing up the final portion of our Road Tripping spectacular | 0:00:44 | 0:00:48 | |
with giggly auctioneers Paul Laidlaw and Claire Rawle. | 0:00:48 | 0:00:51 | |
For a big finale, Paul's on the attack. | 0:00:52 | 0:00:56 | |
Fight them in the streets, fight them on the beaches. | 0:00:56 | 0:00:58 | |
-Yeah. -Fight them in the auction room. | 0:00:58 | 0:00:59 | |
-Yeah, yeah. -He's developed a special tactic for disarming his opponent. | 0:00:59 | 0:01:04 | |
What he eats! | 0:01:04 | 0:01:06 | |
Can't tell you! | 0:01:06 | 0:01:08 | |
-It's not nice. -It's only my garlic aftershave. | 0:01:08 | 0:01:12 | |
It just comes out your pores. | 0:01:12 | 0:01:13 | |
Curry, garlic... | 0:01:13 | 0:01:16 | |
Yuck. | 0:01:16 | 0:01:18 | |
From her original £200, Claire has £459.90 stuffed in her old bag. | 0:01:18 | 0:01:24 | |
Paul also began with £200. | 0:01:26 | 0:01:28 | |
He's soaring like an eagle | 0:01:28 | 0:01:30 | |
and so far is the auction hat-trick champ | 0:01:30 | 0:01:33 | |
with a mighty jackpot of £882.90. | 0:01:33 | 0:01:38 | |
He's loaded. | 0:01:38 | 0:01:39 | |
The fruity and peppy 1968 TVR Tuscan | 0:01:42 | 0:01:45 | |
is spinning them around town and dale. | 0:01:45 | 0:01:48 | |
I've got to win! | 0:01:48 | 0:01:50 | |
Yeah. I'm not desperate or anything. | 0:01:50 | 0:01:53 | |
-No, not that I'm competitive, she says. -It's not about the winning. | 0:01:53 | 0:01:56 | |
It's not about winning. No, no, no. | 0:01:56 | 0:01:58 | |
Yeah, it's the taking part(!) | 0:01:58 | 0:02:00 | |
Huh! | 0:02:00 | 0:02:02 | |
Anyway, Paul and Claire set off from Wooler in Northumberland. | 0:02:02 | 0:02:05 | |
They began in the north-east of England | 0:02:05 | 0:02:08 | |
and have snaked through South Yorkshire | 0:02:08 | 0:02:10 | |
heading for their final destination of Stamford in Lincolnshire. | 0:02:10 | 0:02:13 | |
The town of Matlock in Derbyshire | 0:02:17 | 0:02:19 | |
is where we shall begin and we will have the grand auction finale | 0:02:19 | 0:02:23 | |
later in the town of Stamford. | 0:02:23 | 0:02:26 | |
But I suppose... Oh, sorry. Morning, Mr Magpie, Magpie, Magpie. | 0:02:27 | 0:02:30 | |
Oh, dear. That's not a good sign, is it? | 0:02:30 | 0:02:32 | |
Oh, no, the magpies are haunting me. | 0:02:34 | 0:02:36 | |
-This is not looking good. -Come on, Claire. | 0:02:36 | 0:02:39 | |
I'm sure your luck will change for the better. | 0:02:39 | 0:02:41 | |
Maybe. | 0:02:41 | 0:02:42 | |
You're the first to shop in the beautiful Derbyshire town of Matlock. | 0:02:44 | 0:02:47 | |
Let's have a try in Quirky Antiques. | 0:02:48 | 0:02:51 | |
I'm just going to enjoy myself today. | 0:03:01 | 0:03:03 | |
He can do what he likes. | 0:03:03 | 0:03:04 | |
It's Paul Laidlaw at the end of the day. | 0:03:04 | 0:03:06 | |
He's just Paul Laidlaw. | 0:03:06 | 0:03:08 | |
So I think I'm going to have fun. | 0:03:08 | 0:03:10 | |
-I'm just going to have fun. -That's the spirit, old girl. | 0:03:10 | 0:03:13 | |
Now, what's this you've found? | 0:03:15 | 0:03:17 | |
It is Chinese cloisonne | 0:03:17 | 0:03:18 | |
and I noticed another little vase on my walk round. | 0:03:18 | 0:03:23 | |
Some of the early stuff makes huge money now. | 0:03:23 | 0:03:26 | |
This has got a biff on the shoulder. | 0:03:26 | 0:03:27 | |
Which makes a lot of difference to value. | 0:03:29 | 0:03:31 | |
But the intricate work where they have the copper body | 0:03:31 | 0:03:34 | |
and then they lay down lines and then fill it with enamel, | 0:03:34 | 0:03:38 | |
these wonderful intricate decorations, | 0:03:38 | 0:03:39 | |
then fire it to give it a final glaze. | 0:03:39 | 0:03:42 | |
Lovely work and they've been doing it for centuries in China and Japan. | 0:03:42 | 0:03:46 | |
Priced at £12, it could be a good little purchase. | 0:03:46 | 0:03:49 | |
Not popular today, though. | 0:03:50 | 0:03:52 | |
Paul, meanwhile, has made his way to the city of Sheffield | 0:03:52 | 0:03:55 | |
and he's on the prowl for antiques. | 0:03:55 | 0:03:58 | |
He's rolling in it! | 0:03:58 | 0:04:00 | |
He's just a few pounds shy of 900. | 0:04:00 | 0:04:02 | |
Oh, loving the waistcoat. | 0:04:06 | 0:04:07 | |
I would love, love to end this week with a four-figure profit. | 0:04:17 | 0:04:22 | |
How cool would that be? | 0:04:22 | 0:04:23 | |
£1,000. | 0:04:23 | 0:04:25 | |
So, yeah, I am going to push myself | 0:04:25 | 0:04:29 | |
to try and, over five lots, | 0:04:29 | 0:04:32 | |
make a £150 profit. | 0:04:32 | 0:04:34 | |
OK? Watch me. | 0:04:34 | 0:04:36 | |
We will. | 0:04:36 | 0:04:37 | |
Let's leave Moneybags to stalk his prey. | 0:04:39 | 0:04:42 | |
Claire's still in Matlock. | 0:04:43 | 0:04:45 | |
Now, how's she getting on? | 0:04:45 | 0:04:47 | |
That's really pretty. I'll probably not be able to afford this one. | 0:04:47 | 0:04:52 | |
-You might be surprised. -Whoops. Didn't see you there, Kelvin. | 0:04:52 | 0:04:55 | |
Please have a look at the price ticket. | 0:04:55 | 0:04:57 | |
Oh, OK. Oh, and it's yew wood. | 0:04:57 | 0:04:59 | |
People are always looking for a little piece of furniture to fill a little hole | 0:04:59 | 0:05:02 | |
and they think there's something that is practical and if in future | 0:05:02 | 0:05:05 | |
they can move it to another house, even if they're downsizing, | 0:05:05 | 0:05:08 | |
it is a useful piece of furniture which will stay in the family for quite a lengthy period of time. | 0:05:08 | 0:05:12 | |
-Yes, yes, yeah. -And it's pretty. | 0:05:12 | 0:05:14 | |
It is pretty. | 0:05:14 | 0:05:16 | |
Kelvin's good at his sales pitch. | 0:05:16 | 0:05:18 | |
At £195, though, it'll be a considered purchase. | 0:05:18 | 0:05:22 | |
Claire checks out vase number two. | 0:05:26 | 0:05:28 | |
You've got the similar type of decoration, | 0:05:28 | 0:05:31 | |
butterflies amidst flowers. | 0:05:31 | 0:05:34 | |
Now, then. Just have a good look round | 0:05:34 | 0:05:37 | |
and see if there's any horrible damage. | 0:05:37 | 0:05:40 | |
A bit of a dent there. | 0:05:44 | 0:05:45 | |
It's not too bad. We're going back to the early 20th century, so, | 0:05:45 | 0:05:49 | |
you know, we've got some age here. | 0:05:49 | 0:05:51 | |
Might be able to do something with the two of those, maybe. | 0:05:51 | 0:05:54 | |
Kelvin? Where are you? | 0:05:54 | 0:05:57 | |
Kelvin, I spotted a couple of small things. | 0:05:58 | 0:06:00 | |
This little cloisonne vase | 0:06:00 | 0:06:02 | |
-and there's a little cloisonne pot over the other side. -Yes, yes. | 0:06:02 | 0:06:05 | |
The pot has got damage to a couple of places on its shoulders. | 0:06:05 | 0:06:08 | |
-That's correct. -That's marked up at £12, this is marked up at 18. | 0:06:08 | 0:06:13 | |
With my sort of grasp of maths I think we're about 30, aren't we? | 0:06:13 | 0:06:17 | |
-That's correct, yes. -So what would your very, very, very best price be? | 0:06:17 | 0:06:22 | |
I think around about £25 for the pair. | 0:06:22 | 0:06:25 | |
OK. Would you consider coming down to 20? | 0:06:25 | 0:06:28 | |
Can we tweak it down just a little bit more? | 0:06:28 | 0:06:30 | |
I think if we said 22 I'd be happy. | 0:06:30 | 0:06:31 | |
-22. -That's £18 for that one and £4 for the other one. | 0:06:31 | 0:06:34 | |
You're virtually getting the other one for nothing. | 0:06:34 | 0:06:36 | |
Suddenly it's sounding a whole lot more attractive. | 0:06:36 | 0:06:39 | |
OK. I think I'll do that. | 0:06:39 | 0:06:40 | |
-Lovely, thank you. -Thank you very much indeed. Thank you. | 0:06:40 | 0:06:42 | |
One deal down. | 0:06:42 | 0:06:44 | |
What about the writing desk? | 0:06:44 | 0:06:46 | |
I mean, that's at 195. What would your very, very best be on that one? | 0:06:46 | 0:06:52 | |
I think I know where we're going here, Claire. | 0:06:52 | 0:06:55 | |
Shall we just say 150 now? | 0:06:55 | 0:06:57 | |
I'm not going to split at that. 150 it is. Thank you very much. | 0:06:57 | 0:07:00 | |
A £45 reduction on the Victorian writing desk | 0:07:00 | 0:07:03 | |
and £22 for the couple of cloisonne vases. | 0:07:03 | 0:07:06 | |
Nice work there, Clairey. | 0:07:06 | 0:07:08 | |
Back in Sheffield, Paul's still browsing in his first shop. | 0:07:08 | 0:07:12 | |
Shiny back! | 0:07:12 | 0:07:14 | |
It looks like he's found something. | 0:07:14 | 0:07:16 | |
The label says "Unusual monkey devil candlesticks." | 0:07:18 | 0:07:21 | |
That's not a monkey devil, | 0:07:23 | 0:07:26 | |
that's a Lincoln Imp. | 0:07:26 | 0:07:28 | |
Is it not? I sincerely hope so, or I am a Scottish berk. | 0:07:28 | 0:07:33 | |
Ahem. The Lincoln Imp comes from a 14th-century legend | 0:07:33 | 0:07:38 | |
where a pair of imps caused mayhem at the city's cathedral. | 0:07:38 | 0:07:42 | |
Danny's on hand to help you with the price. | 0:07:43 | 0:07:46 | |
Ordinarily, Lincoln Imp on your souvenir door knocker | 0:07:46 | 0:07:50 | |
or letter knife or key ring fob is junk. | 0:07:50 | 0:07:54 | |
These aren't quite junk. | 0:07:54 | 0:07:55 | |
If you look at the base, | 0:07:55 | 0:07:56 | |
at the quality of the casting in these almost Green Men type masks. | 0:07:56 | 0:08:00 | |
-That's good work. -Good quality. | 0:08:00 | 0:08:02 | |
You couldn't model that. | 0:08:02 | 0:08:03 | |
-Good quality. -Date, no later than 1920s. | 0:08:03 | 0:08:06 | |
Probably 1920s, but potentially | 0:08:06 | 0:08:09 | |
-Victorian. -I would say late Victorian. -Yeah. | 0:08:09 | 0:08:12 | |
They sport a ticket price of £30. | 0:08:12 | 0:08:15 | |
Do you think 20 could buy them? | 0:08:16 | 0:08:19 | |
22. I'll squeeze 22. | 0:08:19 | 0:08:21 | |
Do I want to just plump for them and then that's one in the bag? | 0:08:23 | 0:08:27 | |
Yeah, I do. | 0:08:27 | 0:08:29 | |
Job done. Sweet. | 0:08:29 | 0:08:31 | |
A pair of Lincoln Imp brass candlesticks for £22. | 0:08:31 | 0:08:35 | |
That's the first of the Laidlaw purchases. | 0:08:35 | 0:08:38 | |
Claire's travelled south to the town of Belper in Derbyshire. | 0:08:40 | 0:08:45 | |
Once famous for nail-making, don't you know? | 0:08:45 | 0:08:48 | |
The Gatehouse has over 12 dealers selling their wares | 0:08:49 | 0:08:52 | |
and Claire's ready to spend. | 0:08:52 | 0:08:54 | |
That attracted my eye. Unusual things in this cabinet. | 0:09:03 | 0:09:06 | |
Sort of photograph holders. | 0:09:06 | 0:09:07 | |
I like those. Sort of Deco look about them. | 0:09:07 | 0:09:10 | |
And it's priced at £75. | 0:09:10 | 0:09:13 | |
Now, we know you're partial to a walking stick or two. | 0:09:13 | 0:09:17 | |
That's a nice one. | 0:09:17 | 0:09:18 | |
I like the look of the handle, and feel, actually, it's nice. | 0:09:20 | 0:09:24 | |
It has a nice patina. It's got a silver collar on it. | 0:09:24 | 0:09:28 | |
And actually, it's just a little like what's known as a Sunday stick. | 0:09:28 | 0:09:32 | |
If you're not playing golf on a Sunday and you're going for a walk | 0:09:32 | 0:09:35 | |
but you feel like tapping a ball around | 0:09:35 | 0:09:37 | |
when you're not really supposed to... | 0:09:37 | 0:09:39 | |
just use the end. | 0:09:39 | 0:09:40 | |
It's quite nicely weighted, that one. | 0:09:40 | 0:09:42 | |
What have we got on it? Silver's dated London 1901. | 0:09:42 | 0:09:46 | |
So that's nice, right at the end sort of Victoria Edwardian period. | 0:09:46 | 0:09:49 | |
£40. | 0:09:49 | 0:09:50 | |
Dealer Charles is on hand to talk money. | 0:09:52 | 0:09:55 | |
Oh! Charles, I've seen a couple of things I'm quite interested in, | 0:09:55 | 0:09:59 | |
-so I wondered if I could get your help on them a bit. -Yes? | 0:09:59 | 0:10:03 | |
Both are in this corner at the moment. | 0:10:03 | 0:10:05 | |
There's the Art Deco French... | 0:10:05 | 0:10:09 | |
-Picture frame. -Picture frame. | 0:10:09 | 0:10:11 | |
Also, I quite like this walking stick. | 0:10:11 | 0:10:14 | |
Let's get a closer look at the Art Deco photo frame first. | 0:10:17 | 0:10:20 | |
I like the fact it's actually in good order, | 0:10:22 | 0:10:24 | |
that the base hasn't been damaged or chipped, | 0:10:24 | 0:10:27 | |
which it so often has been. | 0:10:27 | 0:10:29 | |
I like the colour of the leaping gazelles and the shape of them, | 0:10:29 | 0:10:34 | |
they are very Deco. | 0:10:34 | 0:10:36 | |
I think they appeal to this day's market because they're not fussy. | 0:10:36 | 0:10:39 | |
Charles has a word with the dealer, | 0:10:39 | 0:10:42 | |
who is willing to accept £60 for the picture frame | 0:10:42 | 0:10:45 | |
and £30 for the walking stick. | 0:10:45 | 0:10:47 | |
You don't think you could squeeze him down to 20, then? | 0:10:47 | 0:10:49 | |
-For that? -Mm. | 0:10:49 | 0:10:52 | |
SHE LAUGHS | 0:10:52 | 0:10:54 | |
He's a big bloke but I'll go and ask him. | 0:10:54 | 0:10:56 | |
Fingers crossed. | 0:10:57 | 0:11:00 | |
Right, have you done with your squeezing? | 0:11:00 | 0:11:02 | |
Good news, if you take the two, yes, | 0:11:02 | 0:11:03 | |
-you can have that for 20 and that for 60. -Excellent. Good man. | 0:11:03 | 0:11:07 | |
That's a deal. Thank you very much. | 0:11:07 | 0:11:09 | |
-Excellent. -£80 for the Art Deco photo frame | 0:11:09 | 0:11:12 | |
and the unusual walking stick. | 0:11:12 | 0:11:15 | |
Meanwhile, Paul has travelled to the town of Chesterfield in Derbyshire. | 0:11:18 | 0:11:22 | |
It's here that the country's largest church has a curious, | 0:11:23 | 0:11:26 | |
world-famous landmark studding the horizon. | 0:11:26 | 0:11:30 | |
The aptly named Crooked Spire | 0:11:30 | 0:11:32 | |
perches precariously on the medieval church tower | 0:11:32 | 0:11:37 | |
and is a hot topic of folklore as to why its form should be this way. | 0:11:37 | 0:11:41 | |
The church of St Mary and All Saints | 0:11:41 | 0:11:43 | |
hails from the days of the 13th century, | 0:11:43 | 0:11:46 | |
and although there are several crooked spires throughout the world, | 0:11:46 | 0:11:49 | |
Chesterfield's is the only one in the UK | 0:11:49 | 0:11:52 | |
and boasts the greatest lean and twist of them all. | 0:11:52 | 0:11:56 | |
Paul is meeting with church warden Colin McKenna | 0:11:56 | 0:11:59 | |
to get to grips with this quirk of medieval engineering. | 0:11:59 | 0:12:03 | |
Well, look, I have beheld that spire from a distance but, my word, | 0:12:03 | 0:12:06 | |
upfront it is a sight to behold, is it not? | 0:12:06 | 0:12:09 | |
Spectacular, isn't it? | 0:12:09 | 0:12:11 | |
And Paul's got the question that we've all been wondering. | 0:12:11 | 0:12:14 | |
It wasn't intended to look like that? | 0:12:14 | 0:12:16 | |
Now, that's where the stories start because there is a degree of opinion | 0:12:16 | 0:12:20 | |
that says this is completely accidental. | 0:12:20 | 0:12:23 | |
And there are other opinions that say, no, actually, | 0:12:23 | 0:12:26 | |
it was intended to be twisted. | 0:12:26 | 0:12:28 | |
The one thing that's for certain is the lean was not intended to happen. | 0:12:28 | 0:12:33 | |
Currently the spire leans just under three metres to the southwest. | 0:12:33 | 0:12:37 | |
That's nine and a half feet in old money. | 0:12:37 | 0:12:41 | |
Time to venture inside. | 0:12:41 | 0:12:43 | |
Oh, Colin, what an interior. | 0:12:45 | 0:12:48 | |
I can smell the incense. | 0:12:48 | 0:12:50 | |
Well, it's interesting you mention that, Paul, | 0:12:50 | 0:12:53 | |
because therefore brings in one details about the spire. | 0:12:53 | 0:12:55 | |
One day the devil was on his way | 0:12:55 | 0:12:57 | |
somewhere and he stopped off at the spire | 0:12:57 | 0:13:00 | |
-to get his breath back. -Right. | 0:13:00 | 0:13:02 | |
The smell of the incense wafting off from the service made him sneeze so | 0:13:02 | 0:13:05 | |
violently that he spun round and twisted the spire as he twisted. | 0:13:05 | 0:13:10 | |
Oh, fantastic! | 0:13:10 | 0:13:11 | |
Feeling brave, Paul? | 0:13:13 | 0:13:15 | |
-Who does not want to...? -Do you want to go first? | 0:13:15 | 0:13:19 | |
I think I do. My word, spiral staircase! | 0:13:19 | 0:13:21 | |
We've lost our handrail and it's getting a bit cosy now, Colin. | 0:13:28 | 0:13:32 | |
It gets narrower, Paul. | 0:13:32 | 0:13:34 | |
Don't tell him that, Colin. | 0:13:34 | 0:13:36 | |
I can see through the floorboards to the belfry. | 0:13:39 | 0:13:44 | |
Is this right, Colin, yeah? | 0:13:44 | 0:13:45 | |
It's very safe, don't worry. | 0:13:45 | 0:13:47 | |
I think he already is. | 0:13:47 | 0:13:49 | |
Oh, my word, look at that! | 0:13:49 | 0:13:51 | |
The inside of the famous Crooked Spire. | 0:13:51 | 0:13:54 | |
There's a forest up there. | 0:13:54 | 0:13:56 | |
Actually looks like a jungle, it's difficult to discern the geometry. | 0:13:56 | 0:14:00 | |
The spire was built not long after the Black Death, | 0:14:00 | 0:14:03 | |
which is likely to have meant a lot of skilled craftsmen leaving the job | 0:14:03 | 0:14:08 | |
to be completed by novices. | 0:14:08 | 0:14:10 | |
So nobody knows for sure whether | 0:14:10 | 0:14:12 | |
this is what it would have looked like, | 0:14:12 | 0:14:14 | |
had it been built by the master craftsmen right from the beginning. | 0:14:14 | 0:14:17 | |
Or is it a result of that mixture of skilled and unskilled work. | 0:14:17 | 0:14:22 | |
But the inside only tells half the story. | 0:14:22 | 0:14:25 | |
But to get a true sense of what the spire looks like | 0:14:25 | 0:14:29 | |
we need to go outside. | 0:14:29 | 0:14:30 | |
You're a brave man, Paul. | 0:14:32 | 0:14:34 | |
-OK, that's a bit high. -Very! | 0:14:48 | 0:14:51 | |
Hold on, let me just get my bearings. | 0:14:54 | 0:14:56 | |
OK. | 0:14:57 | 0:14:59 | |
It's a view, I'm going to give you that. | 0:14:59 | 0:15:02 | |
It's a beautiful view, isn't it? | 0:15:02 | 0:15:04 | |
-Come this way. -I'm getting sensations in my legs. | 0:15:04 | 0:15:09 | |
Telling my brain, "You shouldn't be up here." | 0:15:09 | 0:15:12 | |
This is better, the further away from the parapet. | 0:15:12 | 0:15:15 | |
That's it. That's it. | 0:15:15 | 0:15:17 | |
-Ohhh... -Paul? | 0:15:17 | 0:15:19 | |
-Have I got to do this? -Yes. | 0:15:20 | 0:15:23 | |
Oh, my word, that's amazing! | 0:15:23 | 0:15:26 | |
Oh-ho-ho! | 0:15:26 | 0:15:28 | |
MUSIC: Theme from Vertigo | 0:15:28 | 0:15:31 | |
It is something else. | 0:15:31 | 0:15:32 | |
I'll never forget this experience and I thank you for it. | 0:15:34 | 0:15:38 | |
Fascinating. | 0:15:38 | 0:15:39 | |
And borderline overwhelming. | 0:15:40 | 0:15:42 | |
Sir, thank you very much, but it's time to head south. | 0:15:42 | 0:15:45 | |
It's a pleasure, Paul. Let me lead the way for you. | 0:15:45 | 0:15:48 | |
-Please. -He's got some pluck. Dear, oh, dear. | 0:15:48 | 0:15:50 | |
Whatever the reason for the formation | 0:15:53 | 0:15:56 | |
of this unique church spire, | 0:15:56 | 0:15:58 | |
whether it be the sneeze of the devil | 0:15:58 | 0:16:01 | |
or unskilled medieval workmen, | 0:16:01 | 0:16:03 | |
it has survived for over 700 years and is quite rightly a global | 0:16:03 | 0:16:07 | |
phenomenon. Best appreciated from terra firma, though. | 0:16:07 | 0:16:11 | |
Right, Paul? | 0:16:11 | 0:16:13 | |
What a truly exciting day. | 0:16:14 | 0:16:15 | |
But the evening is upon us and our duo really need their beauty sleep. | 0:16:15 | 0:16:19 | |
So, nighty night. | 0:16:19 | 0:16:21 | |
# Blue skies smilin' at me... # | 0:16:26 | 0:16:31 | |
G'oh! What a beautiful morning. | 0:16:31 | 0:16:32 | |
And our pair are up and at 'em. | 0:16:32 | 0:16:35 | |
The sun is shining! | 0:16:35 | 0:16:36 | |
I don't know how we did that. | 0:16:36 | 0:16:38 | |
We obviously did something good. | 0:16:38 | 0:16:40 | |
Perhaps we're being rewarded for it. | 0:16:40 | 0:16:43 | |
# Singin' a song... # | 0:16:43 | 0:16:45 | |
So where are we, exactly? | 0:16:45 | 0:16:47 | |
Lincolnshire, us two treasure hunters, you know, | 0:16:47 | 0:16:50 | |
we need to be looking for King John's lost gold, do we not? | 0:16:50 | 0:16:54 | |
-Oh... -Lost in the Wash! -Didn't I tell you? | 0:16:54 | 0:16:57 | |
Damn! | 0:16:59 | 0:17:00 | |
-Is that why it's so heavy in the back? -Yeah. | 0:17:00 | 0:17:03 | |
Oh, dear. Let's remind ourselves of their shopping delights thus far. | 0:17:03 | 0:17:07 | |
Claire is determined to go all out on the last leg of the Road Trip. | 0:17:09 | 0:17:13 | |
She's bought four lots. | 0:17:13 | 0:17:15 | |
A writing desk, two cloisonne vases, | 0:17:15 | 0:17:19 | |
an Art Deco photograph stand | 0:17:19 | 0:17:22 | |
and the late-Victorian Sunday stick. | 0:17:22 | 0:17:25 | |
Claire has £207.90 for the day ahead. | 0:17:25 | 0:17:28 | |
Our current leader, Paul, has only bought one lot - | 0:17:31 | 0:17:34 | |
the pair of Lincoln Imp brass candlesticks - | 0:17:34 | 0:17:38 | |
and has, wait for it, £860.90. | 0:17:38 | 0:17:42 | |
Better start spending, fella! | 0:17:42 | 0:17:43 | |
Claire's travelled to the Lincolnshire village of Stickney. | 0:17:47 | 0:17:50 | |
Clutterbugs is the next emporium | 0:17:50 | 0:17:53 | |
for this Road Tripper to have a gander in. | 0:17:53 | 0:17:55 | |
If she can get in, that is. | 0:17:57 | 0:17:59 | |
Ah, that's better. | 0:18:00 | 0:18:02 | |
So, Alan, this is my last shop of the week. | 0:18:09 | 0:18:11 | |
Oh, right. You can have a bit of a rest now. | 0:18:11 | 0:18:13 | |
-This is it. -Yeah. -No, no, I've got to find the thing. -Indeed not. | 0:18:13 | 0:18:16 | |
Claire wants to take a good fight to her chum Paul. | 0:18:16 | 0:18:20 | |
I think I might avoid the crested china this time. | 0:18:20 | 0:18:22 | |
I came a bit of a cropper on that. | 0:18:22 | 0:18:25 | |
Oh, no, that'll teach me a lesson. | 0:18:25 | 0:18:26 | |
Best forgotten, my love. | 0:18:26 | 0:18:28 | |
That has caught my eye. | 0:18:29 | 0:18:32 | |
It's brass, would be very nice if it was silver, but then | 0:18:33 | 0:18:35 | |
it would be very expensive. | 0:18:35 | 0:18:37 | |
It's the beginning of the 20th century into that Edwardian era. | 0:18:37 | 0:18:41 | |
Things are slightly less fussy than in the Victorian era. | 0:18:41 | 0:18:44 | |
Almost harking back to Georgian type style, really. | 0:18:44 | 0:18:46 | |
I rather like that. | 0:18:46 | 0:18:48 | |
I know people don't like polishing brass and copper these days, | 0:18:48 | 0:18:51 | |
but I think sometimes they make exceptions with inkwells. | 0:18:51 | 0:18:54 | |
OK, yeah. Edwardian ink stand, £45. | 0:18:56 | 0:18:59 | |
I'm just going to have a very quick look at the base. | 0:19:00 | 0:19:03 | |
Yep, nice quality. | 0:19:05 | 0:19:07 | |
Should be nicely finished. | 0:19:07 | 0:19:09 | |
Time, then, to chat money with Alan. | 0:19:09 | 0:19:11 | |
-This little desk stand. -It's a pretty little thing. | 0:19:12 | 0:19:14 | |
You've got £45 on it. | 0:19:14 | 0:19:16 | |
-Yeah. -I wondered what your very, very, very, very... -My very, very... | 0:19:16 | 0:19:20 | |
Um, I'll touch your hand for 30. | 0:19:20 | 0:19:22 | |
Could we get nearer 25? | 0:19:22 | 0:19:25 | |
Could we go a bit higher than that? | 0:19:25 | 0:19:28 | |
I'll meet you... 28. | 0:19:28 | 0:19:29 | |
28. 28's a deal, then. | 0:19:29 | 0:19:31 | |
Yeah. That's great. Thank you very much indeed. | 0:19:31 | 0:19:34 | |
-Thank you. -And the brass ink stand is Claire's fifth lot for £28. | 0:19:34 | 0:19:39 | |
Meanwhile, Paul's travelled east to the town of Louth in Lincolnshire. | 0:19:39 | 0:19:44 | |
Uh-oh! He's got the swagger of a sergeant major! | 0:19:46 | 0:19:49 | |
He's got over £800 to splash. | 0:19:52 | 0:19:55 | |
This shop is huge! | 0:19:55 | 0:19:57 | |
There's a plan, you know that. | 0:20:01 | 0:20:03 | |
There's a way to do this. | 0:20:03 | 0:20:05 | |
As I've said already, that waistcoat is spectacular. | 0:20:05 | 0:20:08 | |
I want one. | 0:20:08 | 0:20:10 | |
Oh, hello. | 0:20:17 | 0:20:19 | |
Here's something I luuuurve. | 0:20:20 | 0:20:22 | |
Look at the furniture. | 0:20:22 | 0:20:25 | |
Behold, a pair of interwar cinema folding benches. | 0:20:25 | 0:20:32 | |
How cool are they? | 0:20:32 | 0:20:34 | |
Seriously, who does not want the home cinema room with pukka seating? | 0:20:34 | 0:20:40 | |
I love. Yes! | 0:20:40 | 0:20:43 | |
Look at this. | 0:20:43 | 0:20:45 | |
I want my popcorn. | 0:20:45 | 0:20:46 | |
Star Wars! | 0:20:46 | 0:20:49 | |
The cinema seats are evoking old memories with our Paul. | 0:20:49 | 0:20:53 | |
I probably shouldn't tell you this, | 0:20:53 | 0:20:55 | |
but a certain picture house in Manchester, | 0:20:55 | 0:20:58 | |
where my girlfriend studied, | 0:20:58 | 0:21:01 | |
my now wife, | 0:21:01 | 0:21:03 | |
there was a full period cinema - | 0:21:03 | 0:21:06 | |
this is in the late 1980s now - the back row, | 0:21:06 | 0:21:10 | |
the benches paired up, no armrest in the middle. | 0:21:10 | 0:21:15 | |
Hang on. Do we want to hear this? | 0:21:15 | 0:21:18 | |
Happy days, but you have to get there early to get them! | 0:21:18 | 0:21:21 | |
-True story. -Oh, you saucepot, you! | 0:21:22 | 0:21:26 | |
Uber cool, are they not? | 0:21:27 | 0:21:29 | |
But seriously, your application there, | 0:21:29 | 0:21:30 | |
and here's me getting all romantic, | 0:21:30 | 0:21:33 | |
am I not? I'm reliving my youth! | 0:21:33 | 0:21:35 | |
Price tag... | 0:21:35 | 0:21:36 | |
"1930s cinema seats." Happy with that. | 0:21:38 | 0:21:41 | |
"Sale." The price tag says sale! | 0:21:43 | 0:21:47 | |
£100. £100 in the sale. | 0:21:48 | 0:21:51 | |
Can I buy them, Mum? Can I? Oh, Mum, can I? | 0:21:51 | 0:21:54 | |
My own pocket money? | 0:21:54 | 0:21:56 | |
-Oh, I love them. -That's an understatement, then. | 0:21:56 | 0:21:59 | |
Where's Sandra to talk cash? | 0:22:00 | 0:22:02 | |
They are priced at £100 at the moment. | 0:22:02 | 0:22:06 | |
Right. I can phone the dealer. | 0:22:06 | 0:22:09 | |
Fingers crossed, then, Paul. | 0:22:09 | 0:22:11 | |
Thanks, Mel. All right, then, bye-bye. | 0:22:11 | 0:22:13 | |
The best she can do is 95. | 0:22:14 | 0:22:17 | |
I love everything about this place | 0:22:18 | 0:22:20 | |
and I also love the fact that I've just bought | 0:22:20 | 0:22:23 | |
a pair of interwar movie seats. | 0:22:23 | 0:22:26 | |
Well done. I love them. | 0:22:26 | 0:22:27 | |
-Good choice. -I kid you not. | 0:22:27 | 0:22:29 | |
Thank you. | 0:22:29 | 0:22:30 | |
What a romantic. One purchase down. | 0:22:30 | 0:22:33 | |
Fuelled by his excitement, he's got his hands on something else. | 0:22:33 | 0:22:40 | |
Why is there no price on that? | 0:22:40 | 0:22:43 | |
Well, there is. "Halberd, £10." | 0:22:43 | 0:22:46 | |
Well, a halberd is what I thought that was, | 0:22:48 | 0:22:51 | |
but... | 0:22:51 | 0:22:53 | |
your... | 0:22:53 | 0:22:55 | |
ash, I guess, shaft, | 0:22:55 | 0:22:58 | |
fits it frighteningly well. | 0:22:58 | 0:23:00 | |
Now, if you're wondering what the heck a halberd is, I'll tell you. | 0:23:02 | 0:23:07 | |
It's the melding of two weapons, | 0:23:07 | 0:23:09 | |
the axe and the spear. | 0:23:09 | 0:23:11 | |
Back in 1700, 1680, your town guardsmen, | 0:23:11 | 0:23:17 | |
or your militiaman, would be standing there, yeah? | 0:23:17 | 0:23:21 | |
And if you're causing a disturbance, | 0:23:21 | 0:23:23 | |
or you're threatening my town's kin... | 0:23:23 | 0:23:25 | |
-Crumbs. -And I think at some stage, this was found and somebody thought, | 0:23:28 | 0:23:32 | |
"You know what? That'd be pretty handy for clearing the weeds." | 0:23:32 | 0:23:37 | |
So they just put this shaft on it. | 0:23:37 | 0:23:40 | |
And I have no doubt - there is wishful thinking - | 0:23:40 | 0:23:45 | |
this is not what you're seeing now. | 0:23:45 | 0:23:47 | |
That's what that is. | 0:23:47 | 0:23:49 | |
That, at £10, is sold. | 0:23:49 | 0:23:53 | |
No messing about there, then. | 0:23:54 | 0:23:56 | |
And you won't believe it, but he's found something else. | 0:23:57 | 0:24:00 | |
That one tickles my fancy. | 0:24:00 | 0:24:02 | |
-Yes. -Can we run the numbers? | 0:24:02 | 0:24:04 | |
-75 on that? -I can take off 10%. | 0:24:04 | 0:24:07 | |
-So... -67 and a half quid makes that... | 0:24:07 | 0:24:10 | |
-67.50? -67 and a half quid. | 0:24:10 | 0:24:12 | |
Which rounds to 65 nicely. | 0:24:12 | 0:24:13 | |
-We're not dealing in two-and-a-half quids, are we? -Possibly. | 0:24:13 | 0:24:16 | |
-But I'll have to check. -Can you firm up on that? | 0:24:16 | 0:24:18 | |
-The dealer's here at the moment. -Oh, brilliant. | 0:24:18 | 0:24:20 | |
-So I'll just go and check. -Brilliant. | 0:24:20 | 0:24:22 | |
While Sandra finds out a price... | 0:24:22 | 0:24:24 | |
what have you got there? | 0:24:24 | 0:24:26 | |
A big Victorian plant pot. Who cares, Laidlaw? | 0:24:26 | 0:24:30 | |
You should care! | 0:24:30 | 0:24:31 | |
Oh, lordy, really? | 0:24:31 | 0:24:33 | |
I'll give you a name. Burmantofts were tile manufacturers. | 0:24:33 | 0:24:37 | |
In the late 19th century, they moved into what we can call art pottery, | 0:24:37 | 0:24:42 | |
based out of Leeds. | 0:24:42 | 0:24:45 | |
Actually highly collectable. | 0:24:45 | 0:24:48 | |
Quite an important name and no condition issues. | 0:24:48 | 0:24:51 | |
-Paul? -Sandra. | 0:24:53 | 0:24:55 | |
OK, I've spoken with the dealer | 0:24:55 | 0:24:56 | |
and the dealer has agreed to round it down to 65. | 0:24:56 | 0:25:00 | |
You have just sold... a Burmantofts. | 0:25:00 | 0:25:03 | |
Burmantofts. | 0:25:03 | 0:25:04 | |
What a mighty haul of treasures. | 0:25:04 | 0:25:06 | |
As well as the Burmantofts hunk of pottery, | 0:25:06 | 0:25:09 | |
he's also got the cinema seats for 95 and the halberd head for £10. | 0:25:09 | 0:25:14 | |
The village of Donington in Lincolnshire | 0:25:16 | 0:25:18 | |
is next on Claire's list. | 0:25:18 | 0:25:20 | |
This sleepy locale is the birthplace of a daredevil explorer | 0:25:22 | 0:25:26 | |
that would sail the high seas | 0:25:26 | 0:25:28 | |
and become the first man to fully circumnavigate Australia. | 0:25:28 | 0:25:32 | |
That man was Captain Matthew Flinders. | 0:25:34 | 0:25:37 | |
Born in the late 18th century, | 0:25:37 | 0:25:39 | |
his love of adventure led to an extraordinary career in the Navy | 0:25:39 | 0:25:42 | |
from the tender age of just 15. | 0:25:42 | 0:25:44 | |
Claire is meeting his distant relative John Flinders | 0:25:44 | 0:25:47 | |
at the village church, where Matthew's family are buried. | 0:25:47 | 0:25:51 | |
As a young boy, he wanted to get out and see the world, | 0:25:53 | 0:25:56 | |
get beyond the quiet areas here in Lincolnshire? | 0:25:56 | 0:26:00 | |
He certainly did. He had a cousin who was a lieutenant in the Navy | 0:26:00 | 0:26:06 | |
and he'd sailed in the South Seas and Jamaica | 0:26:06 | 0:26:09 | |
and he came back and he would tell Matthew tales of the derring-do | 0:26:09 | 0:26:14 | |
of what was going off down there. | 0:26:14 | 0:26:17 | |
In 1792, Matthew joined the infamous Captain William Bligh | 0:26:17 | 0:26:21 | |
and set sail for the South Seas. | 0:26:21 | 0:26:23 | |
Whilst receiving first-class sailing tutelage, | 0:26:23 | 0:26:27 | |
Matthew honed his skills as an exceptional cartographer. | 0:26:27 | 0:26:31 | |
The tropical journeys with Bligh all served to help prepare | 0:26:31 | 0:26:35 | |
for Flinders' first voyage to Australia aged just 21. | 0:26:35 | 0:26:39 | |
Matthew fully charted the coastline of Tasmania, | 0:26:40 | 0:26:46 | |
Van Diemen's Land, and produced charts of the same. | 0:26:46 | 0:26:50 | |
In doing so, in circumnavigating it, | 0:26:50 | 0:26:52 | |
he also proved that it was an island. | 0:26:52 | 0:26:54 | |
This was a great discovery because prior to this date, | 0:26:54 | 0:26:57 | |
all vessels sailing that area had to go much further south and sail round | 0:26:57 | 0:27:04 | |
Van Diemen's Land, Tasmania, to get to wherever they were going. | 0:27:04 | 0:27:07 | |
Flinders' exceptional charts | 0:27:09 | 0:27:11 | |
and maps from his travels around Van Diemen's Land | 0:27:11 | 0:27:14 | |
ensured his captaincy of the appropriately named Investigator, | 0:27:14 | 0:27:19 | |
a ship that set sail for little-known New Holland, | 0:27:19 | 0:27:22 | |
Australia's original name. | 0:27:22 | 0:27:25 | |
The year was 1801. | 0:27:25 | 0:27:27 | |
Am I right in thinking that at the time, | 0:27:27 | 0:27:29 | |
they didn't know that Australia was this huge landmass, | 0:27:29 | 0:27:31 | |
they thought it may be just a series of islands? | 0:27:31 | 0:27:34 | |
Well, it was a huge landmass. They thought it may be split in two. | 0:27:34 | 0:27:39 | |
The whole area of Terra Australis is the Southern Lands. | 0:27:39 | 0:27:44 | |
Nobody knew how great it was, how big it was, where it went. | 0:27:44 | 0:27:49 | |
Matthew had been married to his wife Ann for just three months | 0:27:49 | 0:27:53 | |
when he was due to sail to Australia once more. | 0:27:53 | 0:27:56 | |
Like the other high-ranking officers, | 0:27:56 | 0:27:59 | |
he wanted to take his wife with him. | 0:27:59 | 0:28:01 | |
The Lords of the Admiralty came on board the ship and found Ann in his | 0:28:01 | 0:28:05 | |
cabin, not wearing her bonnet. | 0:28:05 | 0:28:08 | |
And this was a very, very bad thing in the day. | 0:28:08 | 0:28:11 | |
And they told Matthew, quite sternly, that it was not right, | 0:28:11 | 0:28:16 | |
it wasn't to happen, and if he thought that his wife was going to | 0:28:16 | 0:28:19 | |
Australia with him, then it wasn't going to happen | 0:28:19 | 0:28:22 | |
and that if he didn't like it, then he wasn't going either. | 0:28:22 | 0:28:25 | |
-Oh, my goodness. -And they would give the captaincy or the command | 0:28:25 | 0:28:29 | |
of the ship to someone else. | 0:28:29 | 0:28:31 | |
With a heavy heart, | 0:28:32 | 0:28:34 | |
Matthew chose to sail without his wife and would not see her again for | 0:28:34 | 0:28:39 | |
nine and a half years. | 0:28:39 | 0:28:41 | |
During this time, Matthew's attentions | 0:28:41 | 0:28:43 | |
were completely focused on creating | 0:28:43 | 0:28:45 | |
meticulous accounts of his exploration | 0:28:45 | 0:28:48 | |
which were compiled in three large volumes. | 0:28:48 | 0:28:51 | |
These are very, very special. | 0:28:51 | 0:28:53 | |
These are Matthew's first editions of the Voyage to Terra Australis. | 0:28:53 | 0:28:57 | |
The books themselves are all the narrative of these journeys whilst | 0:28:57 | 0:29:01 | |
circumnavigating Australia. | 0:29:01 | 0:29:05 | |
There are pictures and plates within them. | 0:29:05 | 0:29:08 | |
On board the Investigator, Matthew had two artists, | 0:29:08 | 0:29:12 | |
also naturalists and miners, | 0:29:12 | 0:29:15 | |
who would be doing geological surveys. | 0:29:15 | 0:29:17 | |
They're very, very precious, these. | 0:29:17 | 0:29:20 | |
The charts, up until a few years ago, they were still being used. | 0:29:20 | 0:29:23 | |
They were incredibly accurate and I think the Australian Navy did | 0:29:23 | 0:29:28 | |
satellite charts themselves and put them against Matthew's | 0:29:28 | 0:29:32 | |
and they were almost identical. | 0:29:32 | 0:29:35 | |
The tragedy is that Matthew didn't live to see the works in print. | 0:29:35 | 0:29:39 | |
They were published the day before he died in 1814, aged just 40. | 0:29:39 | 0:29:45 | |
When you consider the places he found and the things that he did | 0:29:45 | 0:29:49 | |
are comparable with William Bligh, James Cook, | 0:29:49 | 0:29:54 | |
so it's time that he was fully recognised. | 0:29:54 | 0:29:59 | |
Although largely forgotten here, | 0:29:59 | 0:30:01 | |
Flinders is much celebrated Down Under. | 0:30:01 | 0:30:04 | |
Regarded as a national hero, | 0:30:04 | 0:30:06 | |
his name features throughout Australia | 0:30:06 | 0:30:08 | |
and there are over 100 statues in his honour. | 0:30:08 | 0:30:12 | |
The first man to circumnavigate Australia and provide maps | 0:30:12 | 0:30:15 | |
with such startling precision, | 0:30:15 | 0:30:17 | |
Matthew Flinders rightly and richly | 0:30:17 | 0:30:19 | |
deserves a place in British history as one of our greatest explorers. | 0:30:19 | 0:30:23 | |
Meanwhile, Paul's travelled south-east | 0:30:28 | 0:30:31 | |
to the seaside town of Skegness in Lincolnshire | 0:30:31 | 0:30:33 | |
for his last shop of the trip. | 0:30:33 | 0:30:35 | |
Paul's pockets are jangling with £690.90. | 0:30:37 | 0:30:41 | |
What can he find in here? | 0:30:41 | 0:30:42 | |
-Hi, how are you? -Is it Des? | 0:30:46 | 0:30:48 | |
-Yes, it is, yeah. -Good to see you. | 0:30:48 | 0:30:50 | |
-Look at this. -Do you want me to take your coat? | 0:30:56 | 0:30:59 | |
-Very smart. -Thank you very much, sir. | 0:30:59 | 0:31:01 | |
-Very smart. -Des, you're a gentleman. | 0:31:01 | 0:31:03 | |
-By the way, charm will work. -Will it? | 0:31:03 | 0:31:06 | |
Discounts work better. | 0:31:06 | 0:31:07 | |
LOUD LAUGHTER | 0:31:07 | 0:31:09 | |
Hyuck, hyuck, hyuck! Just like Sid James. | 0:31:09 | 0:31:11 | |
And look, he's rooted something out. | 0:31:11 | 0:31:14 | |
Des, could I have a look at your wee toy projector? | 0:31:14 | 0:31:17 | |
-Of course you can. -'50s thing, do you think? | 0:31:17 | 0:31:20 | |
'50s? I think it's '50s, yeah. | 0:31:20 | 0:31:22 | |
If I remember right, there's a couple of slides in with it. | 0:31:22 | 0:31:26 | |
My word. I did not expect that. | 0:31:26 | 0:31:28 | |
-What on earth? -It's got more than a couple. | 0:31:29 | 0:31:32 | |
Well, I'll put that there for now. | 0:31:32 | 0:31:35 | |
So, it is... | 0:31:36 | 0:31:38 | |
Film Stips projector. | 0:31:38 | 0:31:41 | |
In the 1950s, | 0:31:41 | 0:31:43 | |
Bedfordshire company Film Stips made pocket viewers along with their | 0:31:43 | 0:31:48 | |
exciting film strips that featured everything from the royal family | 0:31:48 | 0:31:52 | |
to gunfire westerns. | 0:31:52 | 0:31:53 | |
They were an instant hit with young cine buffs. | 0:31:53 | 0:31:57 | |
I'm opening this up. Are we doing this? | 0:31:57 | 0:31:59 | |
Open it up. Nothing to lose. | 0:31:59 | 0:32:01 | |
Surely there's a torch missing. | 0:32:01 | 0:32:02 | |
There's no source of illumination. | 0:32:02 | 0:32:04 | |
That might be a problem. | 0:32:04 | 0:32:06 | |
But what about the strips? | 0:32:06 | 0:32:07 | |
It's Laurel and Hardy. | 0:32:10 | 0:32:11 | |
Yeah, it's not for sale. | 0:32:11 | 0:32:13 | |
LAUGHTER | 0:32:13 | 0:32:14 | |
Way Out West! | 0:32:14 | 0:32:16 | |
It's just stills from Way Out West. | 0:32:16 | 0:32:20 | |
-Oh, Des, it's just getting better for a geek like me. -I told you. | 0:32:20 | 0:32:23 | |
The Mystery Of Flying Saucers. | 0:32:23 | 0:32:25 | |
Come on! | 0:32:25 | 0:32:26 | |
LAUGHTER | 0:32:26 | 0:32:28 | |
Oh, it's proper flying saucers as well. | 0:32:28 | 0:32:31 | |
Des, what was the price tag on that? | 0:32:31 | 0:32:33 | |
It's gone up since you started looking. | 0:32:33 | 0:32:36 | |
Pair of jokers. | 0:32:37 | 0:32:38 | |
Ten film strips, 18 quid. | 0:32:38 | 0:32:40 | |
What could that be? | 0:32:40 | 0:32:43 | |
What about 15? | 0:32:43 | 0:32:44 | |
I think you've got me, Des. | 0:32:46 | 0:32:48 | |
Superb. | 0:32:48 | 0:32:50 | |
Well, that was a joyful experience | 0:32:50 | 0:32:52 | |
and our shopping trip is now at an end. | 0:32:52 | 0:32:54 | |
Along with the little projector and film strips, | 0:32:56 | 0:32:59 | |
Paul has a total of five lots. | 0:32:59 | 0:33:01 | |
The pair of Lincoln Imps brass candlesticks, the cinema seats, | 0:33:01 | 0:33:06 | |
the halberd head, and the Burmantofts pot. | 0:33:06 | 0:33:09 | |
Paul has spent a total of £207. | 0:33:09 | 0:33:12 | |
Clare decided to have fun on her Road Trip finale. | 0:33:14 | 0:33:17 | |
She also has five lots. | 0:33:17 | 0:33:19 | |
The Victorian writing set, two cloisonne vases, | 0:33:19 | 0:33:24 | |
an Art Deco photograph stand, | 0:33:24 | 0:33:27 | |
a Sunday stick, and an Edwardian brass ink stand. | 0:33:27 | 0:33:32 | |
Claire has spent a total of £280. | 0:33:32 | 0:33:35 | |
Thoughts, please, on one another's goodies, or baddies. | 0:33:35 | 0:33:39 | |
The desk. That is a fine piece of furniture. | 0:33:39 | 0:33:43 | |
Now, the thing I like, | 0:33:43 | 0:33:44 | |
and I know that he is going to be absolutely dead right on, | 0:33:44 | 0:33:47 | |
is that halberd. | 0:33:47 | 0:33:49 | |
The Sunday stick, the walking-stick-cum-golf-club. | 0:33:49 | 0:33:52 | |
Pleasing. Delightful. | 0:33:52 | 0:33:55 | |
His brass candlesticks, the Lincoln Imps. | 0:33:55 | 0:33:57 | |
Well, could just be a bit like coals to Newcastle, | 0:33:57 | 0:33:59 | |
we'll have to wait and see. | 0:33:59 | 0:34:01 | |
My goodness, the auction is upon us. | 0:34:03 | 0:34:05 | |
Claire and Paul are travelling to the Lincolnshire town of Stamford. | 0:34:05 | 0:34:11 | |
-We've made some money, you and I. -Yeah! -Yeah. | 0:34:11 | 0:34:14 | |
-What do you think of that? -Yeah, | 0:34:14 | 0:34:16 | |
that's always a nice feeling as well. | 0:34:16 | 0:34:19 | |
Nice, slightly satisfactory, smug feeling comes over you. | 0:34:19 | 0:34:23 | |
We could almost do this for a living, you and I. | 0:34:23 | 0:34:25 | |
You reckon? | 0:34:25 | 0:34:26 | |
I thought you DID. | 0:34:27 | 0:34:29 | |
Batemans auctioneers is a well-established firm in the area | 0:34:33 | 0:34:37 | |
and sells up to 10,000 lots per annum. | 0:34:37 | 0:34:40 | |
The colourful David Palmer is our gavel-basher today. | 0:34:40 | 0:34:43 | |
Spill it about our duo's lots, please, David. | 0:34:43 | 0:34:46 | |
Two old cinema seats. | 0:34:46 | 0:34:48 | |
I mean, the time for those has gone. | 0:34:48 | 0:34:51 | |
The gazelle photograph stand of the 1930s, I guess, mid-1930s, | 0:34:51 | 0:34:56 | |
is wonderful. | 0:34:56 | 0:34:59 | |
I hope that this makes the most money of all the items today. | 0:34:59 | 0:35:03 | |
This is it. The auction finale is about to begin. | 0:35:03 | 0:35:06 | |
We're also live on the internet. | 0:35:06 | 0:35:10 | |
Oh, it's a bit harder than I thought it was going to be. | 0:35:10 | 0:35:12 | |
It's like a correction chair. | 0:35:12 | 0:35:13 | |
-It's good for the posture. -Very good, yes. Yes. | 0:35:13 | 0:35:16 | |
Well, we don't like slouching. | 0:35:17 | 0:35:20 | |
Paul's pair of Lincoln Imp brass candlesticks are up first. | 0:35:20 | 0:35:24 | |
Claire. It's been magic. | 0:35:24 | 0:35:26 | |
-It's been a pleasure. -Good luck. | 0:35:26 | 0:35:28 | |
And you. And you. | 0:35:28 | 0:35:31 | |
Anyone 20? 20 quid. 20, I'm bid. Down there at 20. | 0:35:31 | 0:35:34 | |
22 here. 25? | 0:35:34 | 0:35:35 | |
25. Goes at 25. | 0:35:35 | 0:35:37 | |
28, 30. 30. | 0:35:37 | 0:35:39 | |
Net goes 32. 32, 35. | 0:35:39 | 0:35:41 | |
-No chance. -At 32. | 0:35:41 | 0:35:43 | |
At £32 now and I sell at 32. | 0:35:43 | 0:35:46 | |
Anyone else? | 0:35:46 | 0:35:47 | |
Well done, you. | 0:35:48 | 0:35:51 | |
The little Imps made you a good profit. | 0:35:51 | 0:35:53 | |
Well done, Paul. | 0:35:53 | 0:35:54 | |
Claire's Edwardian ink stand is next to go under the hammer. | 0:35:56 | 0:36:00 | |
I shall be really bitterly disappointed | 0:36:00 | 0:36:02 | |
if those horrible imps make more | 0:36:02 | 0:36:04 | |
-than my ink stand. -And I'll be like this. | 0:36:04 | 0:36:06 | |
Not very attractive, Paul. | 0:36:06 | 0:36:09 | |
Anyone 20? 20 I'm bid. | 0:36:09 | 0:36:11 | |
Down here at 20. Anyone else? | 0:36:11 | 0:36:12 | |
Goes at 20. In the sofa at 20. | 0:36:12 | 0:36:15 | |
You at 20. | 0:36:15 | 0:36:17 | |
A cheap buy. | 0:36:17 | 0:36:19 | |
Don't worry, Claire, you've got another four lots to go. | 0:36:19 | 0:36:22 | |
Paul's projector next. | 0:36:22 | 0:36:24 | |
Do you predict a profit? | 0:36:24 | 0:36:26 | |
£20. Come in at 20 again. | 0:36:27 | 0:36:29 | |
And the original box. 20. | 0:36:29 | 0:36:31 | |
Anyone 20? Are you bidding on the phone? | 0:36:31 | 0:36:33 | |
Phone bidding? It's probably from another planet. | 0:36:33 | 0:36:36 | |
At 20. | 0:36:36 | 0:36:37 | |
I'm selling on the phone at 20. | 0:36:37 | 0:36:39 | |
-A phone bid. -You could possess this and take it home. | 0:36:39 | 0:36:43 | |
Hours of fun. I sell there at 20, then. | 0:36:43 | 0:36:45 | |
With the phone at 20. | 0:36:45 | 0:36:47 | |
Done and finished at 20. | 0:36:47 | 0:36:48 | |
Someone loved it enough to give you a fiver profit, Paul. | 0:36:49 | 0:36:53 | |
Oh, wow. That was really exciting. | 0:36:53 | 0:36:55 | |
It didn't go anywhere but telephone bid and then nothing. | 0:36:55 | 0:37:00 | |
Tumbleweed. Whoosh. | 0:37:00 | 0:37:02 | |
Come on, it's still a profit. | 0:37:02 | 0:37:03 | |
Claire's cloisonne vases next. | 0:37:05 | 0:37:08 | |
£30. Oh, 30. | 0:37:08 | 0:37:10 | |
Wish I'd said more. Take a two. | 0:37:10 | 0:37:12 | |
Anyone else? I sell at 30. | 0:37:12 | 0:37:13 | |
Two if you like. These are rare. | 0:37:13 | 0:37:15 | |
All done at 30. Is that it? 32, net. | 0:37:15 | 0:37:18 | |
Underbidder, go again. | 0:37:18 | 0:37:20 | |
At 32. Original bidder, have another go. | 0:37:20 | 0:37:23 | |
At 32... | 0:37:23 | 0:37:26 | |
Well done, Claire. Nice little earner. | 0:37:27 | 0:37:29 | |
-That's all right. It's a profit. -Nothing to grumble about there. | 0:37:30 | 0:37:33 | |
No, that's fine. | 0:37:33 | 0:37:35 | |
-That's fine. -It surely is. | 0:37:35 | 0:37:37 | |
Paul's Burmantofts jardiniere is next. | 0:37:37 | 0:37:40 | |
Oh, gosh. It's like a big old strawberry. | 0:37:40 | 0:37:43 | |
At 50, 30. | 0:37:43 | 0:37:45 | |
30 I'm bid. 5. | 0:37:45 | 0:37:47 | |
40. At 40 now. | 0:37:47 | 0:37:48 | |
Take 5 again. At 40. | 0:37:48 | 0:37:49 | |
5 if you like. Are you bidding over here? | 0:37:49 | 0:37:52 | |
At 40. Is that it at £40? | 0:37:52 | 0:37:54 | |
The strawberry pot goes at 40. | 0:37:54 | 0:37:56 | |
Nobody else at 40? | 0:37:56 | 0:37:57 | |
-And I thought that was cheap. -Yeah. | 0:37:59 | 0:38:02 | |
Someone's definitely got a good buy there. | 0:38:02 | 0:38:04 | |
Claire's Sunday stick is next up. | 0:38:06 | 0:38:09 | |
Start me at 50. Straight in at 50. | 0:38:09 | 0:38:11 | |
40 then. 40 I'm bid. | 0:38:11 | 0:38:12 | |
40. 5. 50 now. | 0:38:12 | 0:38:14 | |
At 50. Take 5. | 0:38:14 | 0:38:15 | |
At 50. And 5. | 0:38:15 | 0:38:17 | |
This is probably someone really famous. | 0:38:17 | 0:38:19 | |
55 on the phone. | 0:38:19 | 0:38:20 | |
The phone at 55 now. | 0:38:20 | 0:38:22 | |
And I sell at 55. | 0:38:22 | 0:38:23 | |
It's still a result. | 0:38:24 | 0:38:26 | |
Stating the obvious, Paul. | 0:38:26 | 0:38:28 | |
And it's the best profit so far. | 0:38:28 | 0:38:30 | |
Wait for it. Paul's beloved cinema seats next. | 0:38:33 | 0:38:38 | |
Come in at £40. 40 I'm bid. | 0:38:38 | 0:38:40 | |
40. 5. 50. 55 now. | 0:38:40 | 0:38:42 | |
The bid's at 55. I'll take 60. | 0:38:42 | 0:38:44 | |
At 55. Anyone else? | 0:38:44 | 0:38:46 | |
All done at £55. | 0:38:46 | 0:38:48 | |
Oh, dear. Sad face for Paul. | 0:38:51 | 0:38:53 | |
That bidder has got one heck of a bargain. | 0:38:53 | 0:38:56 | |
-You like them. -Yeah. | 0:38:57 | 0:38:58 | |
That's all that matters. | 0:38:58 | 0:39:00 | |
I'd buy them again. Yeah. | 0:39:00 | 0:39:03 | |
Claire's photo frame is next. | 0:39:03 | 0:39:06 | |
Come in at £30 for it. | 0:39:06 | 0:39:08 | |
30 I'm bid. 32. 35. | 0:39:08 | 0:39:10 | |
38. 40. 45. 50. | 0:39:10 | 0:39:12 | |
You at 50. 55. 60. 65. 70. 75 now. | 0:39:12 | 0:39:16 | |
At 75. You, are you bidding again? | 0:39:16 | 0:39:19 | |
Take 80. At 75. Done at 75. | 0:39:19 | 0:39:22 | |
Anyone else? At 75... | 0:39:22 | 0:39:23 | |
80. | 0:39:23 | 0:39:25 | |
-85. -The internet is coming. -I know. | 0:39:25 | 0:39:27 | |
At 85. Done at 85. | 0:39:27 | 0:39:29 | |
They look almost alive. | 0:39:29 | 0:39:31 | |
At £85. | 0:39:33 | 0:39:35 | |
-That's more like it. -That was good. | 0:39:37 | 0:39:39 | |
Another chunky profit, Claire. | 0:39:39 | 0:39:40 | |
Well done. | 0:39:40 | 0:39:43 | |
Justice. Justice. | 0:39:43 | 0:39:44 | |
Yeah, I think so. | 0:39:44 | 0:39:45 | |
Paul loves the next lot. | 0:39:47 | 0:39:49 | |
It's his ancient halberd head. | 0:39:49 | 0:39:52 | |
Anyone 30? £30. | 0:39:52 | 0:39:54 | |
30 I'm bid. The net at 30. Take a 2 now. | 0:39:54 | 0:39:57 | |
And I sell at 30. | 0:39:57 | 0:39:58 | |
2 if you like. 32. | 0:39:58 | 0:40:00 | |
In the room at 32. 35. 38. | 0:40:00 | 0:40:03 | |
At 38. 40. The net at 40. | 0:40:03 | 0:40:04 | |
Take your 5. Are you bidding? | 0:40:04 | 0:40:06 | |
If you breathe I'll count it as a bid. | 0:40:06 | 0:40:09 | |
45. At 45. | 0:40:09 | 0:40:10 | |
50. The net at 50. | 0:40:10 | 0:40:12 | |
Breathe again, sir. At 50. | 0:40:12 | 0:40:13 | |
I'm selling on the net at £50. | 0:40:13 | 0:40:15 | |
That's more like it, Paul. | 0:40:16 | 0:40:18 | |
Well done. | 0:40:18 | 0:40:20 | |
There, you need money on it. | 0:40:20 | 0:40:21 | |
Now it's Claire's Victorian writing desk. | 0:40:23 | 0:40:25 | |
-And it's the last lot. -Of the whole thing. | 0:40:27 | 0:40:31 | |
80 for it. Try 80. | 0:40:32 | 0:40:34 | |
Net straightaway. | 0:40:34 | 0:40:36 | |
80 on the net. You go 85. 85 in the room. | 0:40:36 | 0:40:39 | |
Room at 85. 90. 95. | 0:40:39 | 0:40:42 | |
At 95. 100. 110? | 0:40:42 | 0:40:44 | |
At 110. | 0:40:44 | 0:40:46 | |
Back in the room now, 110. | 0:40:46 | 0:40:48 | |
Sell, then, in the room at 110. | 0:40:48 | 0:40:51 | |
Well, that's not too bad. | 0:40:51 | 0:40:54 | |
Loving your optimism, Claire. | 0:40:54 | 0:40:56 | |
-Shall we go? -Shall we go? I think we should. | 0:40:57 | 0:41:00 | |
-We'll buy a refreshing drink. -I think so. | 0:41:00 | 0:41:03 | |
-Come on. -Lead on. | 0:41:03 | 0:41:04 | |
I think you both deserved it. | 0:41:04 | 0:41:06 | |
Thank you. | 0:41:06 | 0:41:07 | |
Claire began the Road Trip finale | 0:41:10 | 0:41:13 | |
with £459.90 | 0:41:13 | 0:41:14 | |
and after auction costs | 0:41:14 | 0:41:16 | |
she's made a small loss of £32.36. | 0:41:16 | 0:41:19 | |
Claire's final earnings are £427. | 0:41:21 | 0:41:25 | |
Despite winning the auction, | 0:41:25 | 0:41:27 | |
she doesn't have enough in her kitty to match the mighty Laidlaw. | 0:41:27 | 0:41:31 | |
For the fifth and final leg, Paul began with a colossal £882.90. | 0:41:33 | 0:41:39 | |
After auction costs, he made a loss of £45.46. | 0:41:39 | 0:41:44 | |
Although today's auction loser, | 0:41:44 | 0:41:46 | |
he is the overall victor of this week's trip. | 0:41:46 | 0:41:50 | |
Paul's final earnings are a massive £837.44. | 0:41:50 | 0:41:55 | |
Well done, that man. | 0:41:55 | 0:41:57 | |
All profits go to Children In Need. | 0:41:57 | 0:41:59 | |
Claire, victorious in the last auction. | 0:42:01 | 0:42:04 | |
-Oh, thank you. -Thank you for being a magic travel companion. | 0:42:04 | 0:42:07 | |
Oh, it's been an absolute joy, it really has. | 0:42:07 | 0:42:10 | |
I am going to buy us a beverage. | 0:42:10 | 0:42:13 | |
-Oh, yes, please. -A nice, cold drink. | 0:42:13 | 0:42:16 | |
What a hoot of a week. | 0:42:19 | 0:42:21 | |
-EVIL LAUGH -You're the baddie. | 0:42:21 | 0:42:23 | |
We've had some theatre from Paul. | 0:42:23 | 0:42:26 | |
Begone, braggard, and don't be back or I'll call the peelers! | 0:42:26 | 0:42:30 | |
Some class from our new girl, Claire. | 0:42:30 | 0:42:33 | |
Twist your bottom round and you put your legs out and then you stand up. | 0:42:33 | 0:42:36 | |
Knees together, dear. Don't show any knicker. | 0:42:36 | 0:42:37 | |
-Oh! -Some excellent discoveries. | 0:42:37 | 0:42:40 | |
I think it's one of the best things I've ever found Road Tripping. | 0:42:40 | 0:42:43 | |
Even some that caused a bit of a stir. | 0:42:43 | 0:42:45 | |
This is rather nice, isn't it? This trench periscope. | 0:42:45 | 0:42:48 | |
If you get that, you can wind up Paul Laidlaw. | 0:42:48 | 0:42:52 | |
Militaria? What? | 0:42:52 | 0:42:54 | |
That's my patch. Don't go there. | 0:42:54 | 0:42:56 | |
But most of all, our Road Trip luvvies have had a blast. | 0:42:56 | 0:43:00 | |
-Go on, give me some smug. -No. | 0:43:00 | 0:43:02 | |
-It's there. I saw the face. -No. | 0:43:02 | 0:43:04 | |
I can see it. It's there, it's there! | 0:43:04 | 0:43:07 | |
Bye-bye, Road Trippers. | 0:43:08 | 0:43:10 | |
What a laugh. | 0:43:10 | 0:43:12 |