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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:03 | |
With £200 each... | 0:00:03 | 0:00:05 | |
I want something shiny. | 0:00:05 | 0:00:06 | |
..a classic car... HORN TOOTS | 0:00:06 | 0:00:08 | |
and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:10 | |
I like a rummage. | 0:00:10 | 0:00:12 | |
I can't resist. | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
-DING But it's no mean feat. -Sorry! | 0:00:15 | 0:00:17 | |
Why do I always do this to myself? | 0:00:17 | 0:00:19 | |
There'll be worthy winners... | 0:00:19 | 0:00:20 | |
Give us a kiss! | 0:00:20 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:22 | |
Come on, stick 'em up. | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory? | 0:00:24 | 0:00:25 | |
Onwards and upwards. | 0:00:25 | 0:00:27 | |
Or the slow road to disaster? | 0:00:27 | 0:00:28 | |
Take me home! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
With astonishing speed, | 0:00:41 | 0:00:42 | |
we've reached the grand finale of our road tripping spectacular, | 0:00:42 | 0:00:46 | |
with auctioneer Christina Trevanion, and dealer Mark Stacey. | 0:00:46 | 0:00:49 | |
Christina, I cannot believe... | 0:00:51 | 0:00:53 | |
# And now... | 0:00:53 | 0:00:55 | |
-# The end is near... -Oh, no! | 0:00:55 | 0:00:56 | |
# And we must face... | 0:00:56 | 0:00:58 | |
# Our final curtain... # | 0:00:58 | 0:00:59 | |
No more, please. | 0:00:59 | 0:01:00 | |
It's not over yet. | 0:01:00 | 0:01:02 | |
Oh, my goodness! | 0:01:02 | 0:01:03 | |
The antiquing adventures of Christina include a road trip first. | 0:01:03 | 0:01:07 | |
I just bought a dragon. | 0:01:07 | 0:01:08 | |
While her rival antiquer has been counting the pennies. | 0:01:09 | 0:01:12 | |
£75, I think that's a bit too deer. | 0:01:12 | 0:01:15 | |
LAUGHTER | 0:01:15 | 0:01:16 | |
And we found some real treats. | 0:01:16 | 0:01:18 | |
Hey, this is cool. What's this?! | 0:01:18 | 0:01:21 | |
It's rather nice, that. | 0:01:21 | 0:01:22 | |
But when the gavel began to fall... | 0:01:23 | 0:01:25 | |
Look at that smile! | 0:01:27 | 0:01:29 | |
..it left them just pennies apart. | 0:01:29 | 0:01:31 | |
Honestly, it's this much between us. | 0:01:31 | 0:01:33 | |
With one of the closest road trips ever, | 0:01:33 | 0:01:36 | |
buckle up, they're both out to win. | 0:01:36 | 0:01:38 | |
From her original £200, | 0:01:40 | 0:01:42 | |
Christina has £377.10 securely stashed in her little old handbag. | 0:01:42 | 0:01:48 | |
Mark began with the same amount, | 0:01:50 | 0:01:52 | |
but he's taken lead position by an absolute whisker. | 0:01:52 | 0:01:55 | |
Mark has £398.36. | 0:01:55 | 0:01:59 | |
Well, I suppose the world's our oyster again, isn't it? | 0:02:00 | 0:02:03 | |
The world, my love, is your lobster. | 0:02:03 | 0:02:06 | |
Well, if you say so. | 0:02:06 | 0:02:07 | |
Christina and Mark began tripping in West Sussex, | 0:02:08 | 0:02:11 | |
jollied their way north as far as Liverpool, | 0:02:11 | 0:02:13 | |
and have auctioned in Cheshire, | 0:02:13 | 0:02:15 | |
Gloucestershire and Manchester. | 0:02:15 | 0:02:17 | |
Their final destination is an auction in Bolton. | 0:02:17 | 0:02:19 | |
And that's where they're headed, on this final trip. | 0:02:21 | 0:02:24 | |
But they'll be kicking things off today | 0:02:24 | 0:02:26 | |
in the Merseyside town of Wallasey. | 0:02:26 | 0:02:28 | |
-We'd better get shopping, hadn't we? -You'd better drop me off. | 0:02:30 | 0:02:32 | |
Yeah, there'll be shops around here somewhere. | 0:02:32 | 0:02:34 | |
-Have you got the map? -A map? | 0:02:34 | 0:02:36 | |
Yeah. How else am I going to find your shop?! | 0:02:36 | 0:02:38 | |
-I thought you knew everything. -LAUGHTER | 0:02:38 | 0:02:41 | |
-That's what you keep telling me. -Not all the time! | 0:02:41 | 0:02:43 | |
-Oh, sorry. -What do I keep you around for, for goodness' sake? | 0:02:43 | 0:02:45 | |
Yeah, that's true. I should just drive, Christina. | 0:02:45 | 0:02:47 | |
It's like an old married couple, those two, aren't they? | 0:02:47 | 0:02:51 | |
Anyway, look, there's the first shop, | 0:02:51 | 0:02:53 | |
and Mark's initial stop of this trip, | 0:02:53 | 0:02:55 | |
so stand by. | 0:02:55 | 0:02:56 | |
-Christina, thank you. -Enjoy, sweetheart. I'll see you later. | 0:02:56 | 0:02:58 | |
See you later. Have fun. | 0:02:58 | 0:03:00 | |
-Will do. You, too. -Bye. -Bye! | 0:03:00 | 0:03:02 | |
Mark's sporting the catalogue man look today. | 0:03:03 | 0:03:06 | |
Nice. | 0:03:06 | 0:03:08 | |
Hello, I'm Mark. | 0:03:08 | 0:03:09 | |
Hi, Mark. Nice to see you. | 0:03:09 | 0:03:11 | |
Nice to see you, too. | 0:03:11 | 0:03:12 | |
Now, there's more to our host Sean's shop than meets the eye. | 0:03:12 | 0:03:16 | |
-So you've got a basement? -It's not open to the public, | 0:03:16 | 0:03:19 | |
but you're welcome to have a look if you want. | 0:03:19 | 0:03:21 | |
I like the sound of that! Can I go rummage it? | 0:03:21 | 0:03:23 | |
-Of course you can. -Lovely. I'll give you a shout. | 0:03:23 | 0:03:25 | |
Oh, I say! | 0:03:25 | 0:03:26 | |
Fresh, unsorted stock. Mark's dreams come true. | 0:03:26 | 0:03:30 | |
I don't know where to start. | 0:03:32 | 0:03:33 | |
You can't even get in more than a few feet. | 0:03:34 | 0:03:38 | |
It's all piled up everywhere. | 0:03:38 | 0:03:39 | |
Hope you're not wearing your best linen. | 0:03:39 | 0:03:42 | |
Happy hunting! | 0:03:42 | 0:03:44 | |
I'm going to try and see if I can possibly get in there | 0:03:44 | 0:03:48 | |
without...breaking any of the quality stock. | 0:03:48 | 0:03:52 | |
I might get in, but will I get out again? | 0:03:54 | 0:03:57 | |
Well, who knows? | 0:03:57 | 0:03:59 | |
Ooh! | 0:03:59 | 0:04:00 | |
CROCKERY CLINKS | 0:04:00 | 0:04:02 | |
He's ever so agile. | 0:04:02 | 0:04:03 | |
Bear with me, I might take a while. | 0:04:03 | 0:04:05 | |
While Mark journeys to the centre of the Earth, | 0:04:05 | 0:04:08 | |
let's catch up with Christina. | 0:04:08 | 0:04:10 | |
I've never, ever had a road trip when it has been so, so close | 0:04:11 | 0:04:16 | |
going into the last auction. | 0:04:16 | 0:04:18 | |
I agree. | 0:04:18 | 0:04:19 | |
Christina has travelled to Wavertree, just south of Liverpool, | 0:04:19 | 0:04:23 | |
to begin her shopping expedition. | 0:04:23 | 0:04:25 | |
There's over ten dealers sharing two floors here, | 0:04:28 | 0:04:30 | |
and there should be plenty to look at for Christina. | 0:04:30 | 0:04:33 | |
What have we got here? | 0:04:36 | 0:04:37 | |
So, we've got quite a few pictures, | 0:04:39 | 0:04:41 | |
some nice furniture. | 0:04:41 | 0:04:42 | |
Oh, this is quite lovely. | 0:04:44 | 0:04:46 | |
Look at this. | 0:04:46 | 0:04:47 | |
OK, that's quite nice. So we've got a three-piece... | 0:04:49 | 0:04:52 | |
..little tea service here, which, even just looking at it, | 0:04:53 | 0:04:57 | |
suddenly you can see that it's very much in the Doulton style, | 0:04:57 | 0:05:00 | |
and actually looking at the bottom, | 0:05:00 | 0:05:02 | |
we've got a really lovely Royal Doulton mark on here. | 0:05:02 | 0:05:05 | |
Doulton actually started off, funnily enough, | 0:05:05 | 0:05:08 | |
making sewage pipes, originally, believe it or not, | 0:05:08 | 0:05:11 | |
but if you look at the bottom, | 0:05:11 | 0:05:12 | |
you can see it has a stoneware base, there, so... | 0:05:12 | 0:05:16 | |
that's really rather lovely. | 0:05:16 | 0:05:18 | |
The whiplash curves and sinuous lines of the decoration | 0:05:18 | 0:05:22 | |
are typically Art Nouveau, | 0:05:22 | 0:05:24 | |
and all the more attractive because this pretty little tea service | 0:05:24 | 0:05:27 | |
looks to be in mint condition. | 0:05:27 | 0:05:30 | |
What have we got on it here? | 0:05:30 | 0:05:31 | |
60... | 0:05:31 | 0:05:33 | |
-WHISPERING: -£65?! | 0:05:33 | 0:05:34 | |
That's quite good. | 0:05:35 | 0:05:37 | |
One potential one for Christina. | 0:05:37 | 0:05:39 | |
Now, what about Mark? | 0:05:39 | 0:05:40 | |
Back in Wallasey, is he still in the basement? | 0:05:40 | 0:05:42 | |
Ah, now what's that? | 0:05:42 | 0:05:43 | |
Oh, these are quite fun. | 0:05:45 | 0:05:46 | |
I mean, I don't think they're very old, they're little... | 0:05:47 | 0:05:49 | |
I suppose they're modelled on carpet bowls, | 0:05:49 | 0:05:52 | |
Victorian carpet bowls, that were made out of pottery, | 0:05:52 | 0:05:54 | |
but these are slices of various marble. | 0:05:54 | 0:05:57 | |
I've just had this brainwave. | 0:05:57 | 0:05:59 | |
We've got a nice leather bowl here, | 0:05:59 | 0:06:01 | |
filled with some things already. | 0:06:01 | 0:06:03 | |
We're going to a very general sale, | 0:06:03 | 0:06:05 | |
but it's online. | 0:06:05 | 0:06:07 | |
So why not make an interesting job lot? | 0:06:07 | 0:06:09 | |
Cos out of the corner of my eye, | 0:06:09 | 0:06:10 | |
can't believe I'm even looking at this, | 0:06:10 | 0:06:13 | |
there is this ghastly, this cast metal, painted... | 0:06:13 | 0:06:17 | |
I mean, look at that. | 0:06:17 | 0:06:18 | |
That's going to be the look of horror on Christina's face | 0:06:19 | 0:06:22 | |
when she sees what I'm buying! | 0:06:22 | 0:06:24 | |
HE TITTERS | 0:06:24 | 0:06:26 | |
That can go in. Now, what else have we got? | 0:06:26 | 0:06:28 | |
Oh, what's all this? Oh, my gosh, look at this. | 0:06:28 | 0:06:31 | |
We've got a whistle. | 0:06:32 | 0:06:33 | |
HARSH TONE | 0:06:33 | 0:06:35 | |
Well, it works. | 0:06:35 | 0:06:36 | |
That can go in. | 0:06:36 | 0:06:38 | |
And the end of a pipe. Well, it's a job lot after all. | 0:06:38 | 0:06:41 | |
And then the little brass peacock... | 0:06:42 | 0:06:44 | |
Well, that can go in. | 0:06:44 | 0:06:46 | |
This is novel. | 0:06:46 | 0:06:47 | |
-This is fun, isn't it? -Well... | 0:06:47 | 0:06:49 | |
Ooh! A gold cigarette case. | 0:06:49 | 0:06:51 | |
I wish. | 0:06:52 | 0:06:54 | |
Texaco. | 0:06:54 | 0:06:55 | |
Oh, let me guess where that's going. | 0:06:56 | 0:06:58 | |
I don't think it is gold, but that can go in. | 0:06:58 | 0:07:00 | |
Oh! A little lighter, made in Japan, 1950s. | 0:07:00 | 0:07:04 | |
That can go in. | 0:07:04 | 0:07:05 | |
Oh, just... | 0:07:05 | 0:07:07 | |
got it! | 0:07:07 | 0:07:08 | |
This is a little sort of trinket box or something | 0:07:08 | 0:07:11 | |
with a printed, 18th-century... Oh, there's a key inside! | 0:07:11 | 0:07:14 | |
That can go in. | 0:07:16 | 0:07:17 | |
Actually, I think I'd better leave him some stock left. | 0:07:17 | 0:07:20 | |
Let's take this up. That could be cheap. | 0:07:20 | 0:07:23 | |
Might be a winner. | 0:07:23 | 0:07:24 | |
Laden down with his bountiful bowl of goodies, | 0:07:24 | 0:07:27 | |
it's time to talk money. | 0:07:27 | 0:07:29 | |
Stand by, Sean! | 0:07:29 | 0:07:31 | |
Oh, hang on. | 0:07:31 | 0:07:32 | |
They're dialling my number. | 0:07:33 | 0:07:34 | |
Hey. | 0:07:36 | 0:07:37 | |
Are they another possible? | 0:07:37 | 0:07:39 | |
-Sean. -Oh, hi, Mark. | 0:07:40 | 0:07:42 | |
Now, I found a bowl downstairs and I thought, | 0:07:42 | 0:07:45 | |
as I'm going to a general auction, I'd fill it up with things. | 0:07:45 | 0:07:48 | |
A few little bits and pieces. | 0:07:48 | 0:07:49 | |
-It's quite heavy. -They've been down there about three years. | 0:07:49 | 0:07:52 | |
-Have they really? -Yes, haven't seen the light of day. | 0:07:52 | 0:07:54 | |
-So you'll be glad to see the back of them? -I will be. | 0:07:54 | 0:07:56 | |
How much do you want for that little job lot? | 0:07:56 | 0:07:58 | |
-A couple of quid. -£2?! -Yep. | 0:07:58 | 0:08:01 | |
You're doing me a favour! | 0:08:01 | 0:08:02 | |
MARK PANTS SEAN LAUGHS | 0:08:02 | 0:08:04 | |
Well... I feel awful. | 0:08:04 | 0:08:06 | |
I'll tell you what, I'll give you a fiver, cos I don't deal in coins. | 0:08:06 | 0:08:10 | |
-OK. -But I did see, coming up the stairs as well... -Yeah? | 0:08:10 | 0:08:13 | |
..a collection of old telephones. | 0:08:13 | 0:08:15 | |
There's ten of them left. | 0:08:15 | 0:08:16 | |
-There was 24 of them or something. -Wow! | 0:08:16 | 0:08:18 | |
I sold them one by one, so I've done OK out of them. | 0:08:18 | 0:08:22 | |
So how much would the ten be? | 0:08:22 | 0:08:24 | |
-A tenner. -Tenner for ten phones?! -Yep. | 0:08:25 | 0:08:28 | |
-Well, I'm going to shake your hand. -Deal of the day. | 0:08:28 | 0:08:30 | |
Absolutely deal of the day! | 0:08:30 | 0:08:31 | |
You have to make money on that, Mark. | 0:08:31 | 0:08:33 | |
The numbers are right for me! | 0:08:33 | 0:08:34 | |
LAUGHTER | 0:08:34 | 0:08:36 | |
What's just happened there, then? | 0:08:36 | 0:08:37 | |
One lot of leather bowl and its vast collection of curios for £5. | 0:08:39 | 0:08:43 | |
Oh, and Sean's added a few more for luck. | 0:08:45 | 0:08:47 | |
And the gaggle of telephones for £10. | 0:08:49 | 0:08:52 | |
Back to Christina, now, and she's still mooching about in Wavertree. | 0:08:53 | 0:08:55 | |
Oh, I do love a cabinet of curiosities. | 0:08:57 | 0:08:59 | |
What have we got in here? | 0:08:59 | 0:09:00 | |
Is this open? | 0:09:00 | 0:09:01 | |
Ooh! | 0:09:02 | 0:09:03 | |
It's got a little silver... | 0:09:05 | 0:09:06 | |
..box. That's quite interesting, | 0:09:07 | 0:09:08 | |
isn't it? Let's have a look at this. | 0:09:08 | 0:09:10 | |
So, a really unusual scene on the cover of this. | 0:09:10 | 0:09:15 | |
We've got a little golfer here, obviously playing his round of golf, | 0:09:15 | 0:09:19 | |
and in full swing, | 0:09:19 | 0:09:20 | |
literally, in full swing. | 0:09:20 | 0:09:22 | |
Now this would have been a tobacco box, originally, | 0:09:22 | 0:09:25 | |
and probably would have been a pressure one, | 0:09:25 | 0:09:27 | |
so if you can't see an obvious way of opening them, | 0:09:27 | 0:09:29 | |
sometimes you squeeze the sides and the top pops up, | 0:09:29 | 0:09:32 | |
so tobacco or snuff. | 0:09:32 | 0:09:34 | |
Unfortunately, it has seen better days. | 0:09:34 | 0:09:37 | |
It's looking fairly dented around here. | 0:09:37 | 0:09:40 | |
Silver golfing snuffbox circa 1912, | 0:09:40 | 0:09:42 | |
£22.50. Hmm. | 0:09:42 | 0:09:45 | |
I think that's quite unusual and there is quite a collectors market | 0:09:45 | 0:09:48 | |
for sporting and golfing wares. | 0:09:48 | 0:09:49 | |
Right, despite the dings, | 0:09:51 | 0:09:52 | |
this solid silver golfing jobbie is a goodie. | 0:09:52 | 0:09:56 | |
Dealer Mark is on hand to help with negotiations. | 0:09:56 | 0:09:59 | |
This little golfing trophy. | 0:10:00 | 0:10:01 | |
-Oh, yeah. -The golfing stuff, which I thought was quite sweet. | 0:10:01 | 0:10:04 | |
The other one was this Doulton tea service. | 0:10:04 | 0:10:06 | |
So what could you do, potentially, for the two items, Mark? | 0:10:07 | 0:10:12 | |
£60 for the two? | 0:10:12 | 0:10:13 | |
£60 for the two. | 0:10:13 | 0:10:14 | |
Do you know what, I'm not even going to haggle with you, darling. | 0:10:14 | 0:10:17 | |
£60 for the two, I'm a happy girl. | 0:10:17 | 0:10:18 | |
-Good, I'm happy, too. -Brilliant. Thank you. | 0:10:18 | 0:10:20 | |
Thank you very much. Two really nice lots, I think. | 0:10:20 | 0:10:23 | |
That they are. | 0:10:23 | 0:10:24 | |
£45 for the Royal Doulton tea service, | 0:10:24 | 0:10:27 | |
and £15 for the silver snuffbox. | 0:10:27 | 0:10:30 | |
Meanwhile, Mark has journeyed to the town of Birkenhead | 0:10:31 | 0:10:34 | |
on the Wirral peninsula. | 0:10:34 | 0:10:36 | |
He's had a successful road trip so far. | 0:10:36 | 0:10:38 | |
Can he be consistent with his savvy choices? | 0:10:38 | 0:10:41 | |
Let's take a look in here. | 0:10:41 | 0:10:43 | |
I wonder if they've got a basement. | 0:10:43 | 0:10:44 | |
Right... | 0:10:49 | 0:10:50 | |
I love these little things. | 0:10:50 | 0:10:52 | |
A few years ago, | 0:10:52 | 0:10:53 | |
anything from India or Persia was always considered inferior, | 0:10:53 | 0:10:58 | |
or second-rate, because yes, the amount of the silver | 0:10:58 | 0:11:01 | |
is less than you would find in sterling silver, | 0:11:01 | 0:11:03 | |
but actually, the designs are all hand chased, | 0:11:03 | 0:11:08 | |
and they often relate to... | 0:11:08 | 0:11:09 | |
..ancient history or religious subjects, | 0:11:10 | 0:11:12 | |
and I think that little bowl is charming. | 0:11:12 | 0:11:15 | |
And it's probably a little sugar bowl from... | 0:11:16 | 0:11:18 | |
a tea set or a coffee set, | 0:11:18 | 0:11:20 | |
but if you look at the seam going round, | 0:11:20 | 0:11:22 | |
you've got this little man. | 0:11:22 | 0:11:23 | |
I think he's sort of playing something. | 0:11:23 | 0:11:25 | |
There is a little deer running, | 0:11:25 | 0:11:27 | |
and there's obviously a sort of Mogul emperor on horseback, | 0:11:27 | 0:11:31 | |
and even underneath, they've sort of decorated it. | 0:11:31 | 0:11:34 | |
I mean, that's a very sweet little thing. | 0:11:34 | 0:11:36 | |
And it's ticketed at £45. | 0:11:36 | 0:11:39 | |
Moving on. | 0:11:39 | 0:11:40 | |
What's this? | 0:11:40 | 0:11:41 | |
Actually, this is quite charming, when you look at it in detail. | 0:11:43 | 0:11:45 | |
I mean, it's obviously come out of a little sketchbook, | 0:11:45 | 0:11:48 | |
but somebody has framed it actually in quite a sympathetic frame. | 0:11:48 | 0:11:51 | |
What I particularly like about it, | 0:11:53 | 0:11:54 | |
it's quite sentimental. | 0:11:54 | 0:11:56 | |
It's a little sketch of a young girl, | 0:11:56 | 0:11:59 | |
late Victorian, Edwardian. | 0:11:59 | 0:12:01 | |
It has a very much of a sort of Kate Greenaway style. | 0:12:01 | 0:12:04 | |
Now, Kate Greenaway was a children's book illustrator | 0:12:05 | 0:12:08 | |
in the late 19th century, | 0:12:08 | 0:12:09 | |
and her popular style was often imitated. | 0:12:09 | 0:12:11 | |
It's very quickly done, but very nicely. | 0:12:13 | 0:12:15 | |
It's not signed or initialled anywhere or dated, | 0:12:15 | 0:12:17 | |
but it certainly dates from around 1900. | 0:12:17 | 0:12:20 | |
It's priced up at £29. | 0:12:20 | 0:12:22 | |
I think if that was nicely catalogued and illustrated, | 0:12:22 | 0:12:25 | |
online, you might just find a couple of private people who think, | 0:12:25 | 0:12:29 | |
"Oh, I could live with that on my wall." | 0:12:29 | 0:12:31 | |
Let's see what Bob can do on the ticket price. | 0:12:31 | 0:12:34 | |
Bob, I found this charming little pencil drawing. | 0:12:35 | 0:12:38 | |
-Yes. -And... | 0:12:38 | 0:12:39 | |
..I still like this bowl... | 0:12:40 | 0:12:42 | |
-Yep. -..for my sins. -BOB CHUCKLES | 0:12:42 | 0:12:44 | |
Now, you said 45 on this. | 0:12:44 | 0:12:46 | |
-Yes. -And this is 29, so if my maths is right, | 0:12:46 | 0:12:50 | |
that's 74, is it? | 0:12:50 | 0:12:51 | |
That's right. | 0:12:51 | 0:12:52 | |
What is the very best price you can do for the two together? | 0:12:52 | 0:12:56 | |
For the two? | 0:12:56 | 0:12:57 | |
Best I could do from 74 would be... | 0:12:57 | 0:13:00 | |
-50. -50? -Yep. | 0:13:00 | 0:13:02 | |
I'd be very happy with that, Bob. | 0:13:03 | 0:13:05 | |
Thank you very much. | 0:13:05 | 0:13:06 | |
Appealing lots, Mark. | 0:13:07 | 0:13:09 | |
That's 30 for the Indian silver bowl, | 0:13:09 | 0:13:11 | |
and £20 for the Victorian sketch. | 0:13:11 | 0:13:13 | |
Splendid stuff. | 0:13:13 | 0:13:14 | |
In the meantime, Christina has travelled to the city of Liverpool. | 0:13:17 | 0:13:20 | |
Hidden deep beneath the city's streets, | 0:13:20 | 0:13:23 | |
Christina's visiting what was once the most secretive location | 0:13:23 | 0:13:27 | |
in the country. | 0:13:27 | 0:13:28 | |
Right here, the greatest of wartime intelligence took place, | 0:13:28 | 0:13:32 | |
and helped win the longest continuous battle of World War II, | 0:13:32 | 0:13:36 | |
the fight to stop Britain from starving. | 0:13:36 | 0:13:39 | |
-Blown in! Hello, you must be Margaret. -I certainly am. | 0:13:40 | 0:13:43 | |
The Western Approaches Museum manager Margaret Jones | 0:13:43 | 0:13:46 | |
knows the story. | 0:13:46 | 0:13:47 | |
Why was there a need for a control centre in Liverpool? | 0:13:48 | 0:13:51 | |
The Battle of the Atlantic. | 0:13:51 | 0:13:53 | |
It was Churchill's biggest fear from the whole of World War II, | 0:13:53 | 0:13:57 | |
and the MoD decided for this particular battle, | 0:13:57 | 0:13:59 | |
which was on these waters, | 0:13:59 | 0:14:00 | |
it would be far more relevant to be somewhere up there | 0:14:00 | 0:14:04 | |
and it was Churchill himself that wanted it to be Liverpool, | 0:14:04 | 0:14:06 | |
cos at the time we were the next biggest port to London, | 0:14:06 | 0:14:09 | |
and the most important in the Empire. | 0:14:09 | 0:14:11 | |
-So it made sense. -Exactly. | 0:14:11 | 0:14:13 | |
On 7th February, 1941, | 0:14:14 | 0:14:16 | |
combined forces moved to this very building | 0:14:16 | 0:14:19 | |
in an attempt to closely monitor the Luftwaffe and German Navy. | 0:14:19 | 0:14:23 | |
This department became known as Western Approaches Command. | 0:14:23 | 0:14:27 | |
They were looking for somewhere suitable, came across this building. | 0:14:28 | 0:14:31 | |
It's huge, covers the whole block, | 0:14:31 | 0:14:34 | |
a ten floor, very prestigious office block. | 0:14:34 | 0:14:38 | |
Unknown to the workers above, | 0:14:38 | 0:14:39 | |
the super bunker in the basement had over 100 rooms | 0:14:39 | 0:14:43 | |
covering 50,000 square feet, | 0:14:43 | 0:14:45 | |
with extensive reinforced concrete protection, | 0:14:45 | 0:14:49 | |
it had a seven feet thick roof, and three foot deep walls. | 0:14:49 | 0:14:54 | |
Little wonder it was nicknamed The Fortress. | 0:14:54 | 0:14:56 | |
The people working in this basement, which happened to be 400 staff... | 0:14:57 | 0:15:01 | |
400 people?! | 0:15:01 | 0:15:03 | |
That was the amount of people that were here, 400. | 0:15:03 | 0:15:05 | |
So they had to make sure that if there was a direct hit... | 0:15:05 | 0:15:07 | |
They would have been safe, so it was bombproof, | 0:15:07 | 0:15:09 | |
gas-proof, everything-proof. | 0:15:09 | 0:15:10 | |
So from here, from this bunker, | 0:15:10 | 0:15:13 | |
they co-ordinated the Second World War Western Approaches, basically? | 0:15:13 | 0:15:18 | |
Yeah. We do have the map room, the famous map room. | 0:15:18 | 0:15:21 | |
-Can we go and see it? -We certainly can. | 0:15:21 | 0:15:22 | |
Ooh, Margaret, let's go and show me. | 0:15:22 | 0:15:24 | |
As an island nation, | 0:15:27 | 0:15:28 | |
the UK was dependent on imported goods | 0:15:28 | 0:15:31 | |
to be able to survive and fight. | 0:15:31 | 0:15:33 | |
The Battle of the Atlantic | 0:15:33 | 0:15:34 | |
was the struggle for the Allies to supply Britain, | 0:15:34 | 0:15:38 | |
while Germany was determined to destroy | 0:15:38 | 0:15:40 | |
as many merchant ships as possible. | 0:15:40 | 0:15:42 | |
The map room was critical for tracking enemy movements, | 0:15:43 | 0:15:46 | |
in particular the deadly U-boats. | 0:15:46 | 0:15:48 | |
-This is the map room. -Oh, wow! | 0:15:52 | 0:15:54 | |
That's fantastic, isn't it? | 0:15:54 | 0:15:56 | |
-Yep. -Look at that! | 0:15:56 | 0:15:57 | |
So we've got the entire Atlantic in grid format there, | 0:15:57 | 0:16:01 | |
-haven't we? -Yeah, we have. | 0:16:01 | 0:16:03 | |
So what are these people here doing, | 0:16:03 | 0:16:04 | |
with these wonderful, sort of, pushing sticks, here? | 0:16:04 | 0:16:07 | |
There were messages coming in all the time, 24-7, | 0:16:07 | 0:16:11 | |
from sea and air, | 0:16:11 | 0:16:13 | |
and this is the plotting room, | 0:16:13 | 0:16:15 | |
and those little wooden ships, | 0:16:15 | 0:16:16 | |
when one was removed, | 0:16:16 | 0:16:18 | |
were representative of the loss of over 1,000 men. | 0:16:18 | 0:16:21 | |
Despite the efforts of the map room, | 0:16:23 | 0:16:25 | |
the Merchant Navy incurred a higher proportion of casualties | 0:16:25 | 0:16:28 | |
than any of the armed services during World War II. | 0:16:28 | 0:16:32 | |
Between 1940 and 1941, | 0:16:32 | 0:16:34 | |
they lost almost half of their crews. | 0:16:34 | 0:16:36 | |
So basically, if we didn't have control over the western side | 0:16:38 | 0:16:42 | |
of the British Isles, | 0:16:42 | 0:16:43 | |
we lost, potentially, food coming in, supplies coming in. | 0:16:43 | 0:16:47 | |
-Yep. -So it was really, really important for us. | 0:16:47 | 0:16:50 | |
Yeah, yeah, if we'd have lost the Battle of the Atlantic, | 0:16:50 | 0:16:52 | |
we wouldn't have won the war. It's as simple as that. | 0:16:52 | 0:16:55 | |
The Nazi battle cruiser the Bismarck | 0:16:55 | 0:16:57 | |
was a huge threat in Atlantic waters. | 0:16:57 | 0:17:00 | |
Its guns could fire one-tonne shells 24 miles. | 0:17:00 | 0:17:04 | |
She was responsible for sinking the pride of the Royal Navy fleet, | 0:17:04 | 0:17:08 | |
HMS Hood. | 0:17:08 | 0:17:09 | |
But when Germany's flagship was finally sunk, | 0:17:09 | 0:17:13 | |
it led to a turning point in the war. | 0:17:13 | 0:17:16 | |
The sinking of the Bismarck was planned from here as well. | 0:17:16 | 0:17:19 | |
-Was it? -Yeah. -My goodness. -Yeah. | 0:17:19 | 0:17:21 | |
Cos that was a really huge moral blow to the Germans, wasn't it? | 0:17:21 | 0:17:24 | |
-Oh, yeah. -It was sort of their... | 0:17:24 | 0:17:26 | |
Literally their flagship, their icon of the war. | 0:17:26 | 0:17:29 | |
-It was unsinkable. -Yeah, the unsinkable ship, of course. | 0:17:29 | 0:17:31 | |
But we sank it. | 0:17:31 | 0:17:32 | |
For the Royal Navy, this victory was a triumph. | 0:17:33 | 0:17:36 | |
Although there were four more years to go, | 0:17:36 | 0:17:39 | |
this was one of the most decisive fights of World War II. | 0:17:39 | 0:17:42 | |
CHEERING | 0:17:42 | 0:17:43 | |
After the war, when it was all over, | 0:17:45 | 0:17:47 | |
this bunker was under the Official Secrets Act for 30 years. | 0:17:47 | 0:17:50 | |
The rest of the building carried on as an office block, | 0:17:50 | 0:17:53 | |
but where we are now was cordoned off. | 0:17:53 | 0:17:56 | |
-Goodness me, so nobody was allowed down here? -No, no. | 0:17:56 | 0:17:59 | |
Well, Margaret, it's been absolutely fascinating, it really has, | 0:17:59 | 0:18:03 | |
and to see all this is really very atmospheric, | 0:18:03 | 0:18:06 | |
-it's wonderful. -It is. -Really wonderful to see. | 0:18:06 | 0:18:09 | |
So thank you so much. I feel very, very privileged. | 0:18:09 | 0:18:11 | |
One of the most strategic battlegrounds during World War II, | 0:18:11 | 0:18:15 | |
this tactical nerve centre ensured Britain didn't starve. | 0:18:15 | 0:18:20 | |
The supplies shipped across the Atlantic helped defeat Nazi Germany, | 0:18:20 | 0:18:24 | |
and occupied Europe was free, once more. | 0:18:24 | 0:18:26 | |
What a wonderful day! | 0:18:31 | 0:18:33 | |
But the evening is upon us, | 0:18:33 | 0:18:35 | |
and our pair really must get some rest, so nighty-night. | 0:18:35 | 0:18:38 | |
Oh, dear, looks cold and miserable this morning. | 0:18:42 | 0:18:44 | |
What's the mood in the Spider? | 0:18:44 | 0:18:47 | |
You look like the cat that's got the cream and, | 0:18:47 | 0:18:48 | |
because we're in Cheshire, you're the Cheshire Cat that got the cream. | 0:18:48 | 0:18:51 | |
Well, I'm quite pleased with what I bought. | 0:18:51 | 0:18:55 | |
Do you know, that... | 0:18:55 | 0:18:57 | |
that face at the moment could be the dictionary definition for smug. | 0:18:57 | 0:19:01 | |
HE CHUCKLES | 0:19:01 | 0:19:02 | |
It's not over yet, dear Christina. | 0:19:02 | 0:19:04 | |
Our charming young lady has two lots so far, | 0:19:06 | 0:19:09 | |
the Royal Doulton tea service, | 0:19:09 | 0:19:11 | |
and the golfing silver snuff box. | 0:19:11 | 0:19:13 | |
-OK. -Christina has £317.10 for her final attempt to out-buy Mark. | 0:19:14 | 0:19:19 | |
Sitting pretty, Mark has a total of four lots. | 0:19:21 | 0:19:24 | |
The leather bowl filled with curios, | 0:19:24 | 0:19:26 | |
the ten retro telephones, | 0:19:26 | 0:19:29 | |
the Indian silver bowl, | 0:19:29 | 0:19:30 | |
and the Victorian pencil sketch. | 0:19:30 | 0:19:32 | |
He has a total of £333.36 to spend as he wishes. | 0:19:33 | 0:19:38 | |
We're so close, Christina. | 0:19:40 | 0:19:41 | |
I know, that's what's worrying me. | 0:19:41 | 0:19:43 | |
-There's a whisper between us. -A very, very small whisper. | 0:19:43 | 0:19:45 | |
Come on, let's get shopping! | 0:19:45 | 0:19:47 | |
Yeah, it's anybody's game. | 0:19:47 | 0:19:49 | |
Christina is headed for the hamlet of Milton Green in Cheshire. | 0:19:50 | 0:19:53 | |
Oh, this looks lovely, Christina. | 0:19:56 | 0:19:57 | |
Antiques and craft centre. | 0:19:57 | 0:19:59 | |
Happy days. | 0:19:59 | 0:20:00 | |
-See you later. -Good luck. -Have fun, sweetheart. | 0:20:00 | 0:20:03 | |
-Bye! -Bye! | 0:20:03 | 0:20:04 | |
Ooh! | 0:20:04 | 0:20:05 | |
SHE SIGHS | 0:20:07 | 0:20:08 | |
-Ooh! -There are over 30 dealers selling their wares in here. | 0:20:08 | 0:20:11 | |
After a spin around inside, dealer Dave suggests a look outside. | 0:20:14 | 0:20:18 | |
So your outside area, you've got some garden-y type things, | 0:20:19 | 0:20:22 | |
you've got bird tables and ladders. | 0:20:22 | 0:20:23 | |
-Yes. -Oh, that's fun, isn't it? -Yes, that's nice, that is. | 0:20:23 | 0:20:26 | |
-That sort of caught my eye when I walked in. -Yeah? | 0:20:26 | 0:20:28 | |
Is it like a little dog cart, or something? | 0:20:28 | 0:20:30 | |
A rabbit hutch. | 0:20:30 | 0:20:32 | |
It's quite nice, isn't it? | 0:20:32 | 0:20:33 | |
-A rabbit hutch?! -A rabbit hutch. | 0:20:33 | 0:20:36 | |
Unusual. | 0:20:36 | 0:20:37 | |
That's quite fun! | 0:20:38 | 0:20:39 | |
OK. It's definitely had a rabbit in it, hasn't it? | 0:20:42 | 0:20:45 | |
-It has had a rabbit in it, yes. -THEY LAUGH | 0:20:45 | 0:20:47 | |
Said like a farmer's wife. | 0:20:47 | 0:20:50 | |
And who would have thought that a rabbit would want to live | 0:20:50 | 0:20:52 | |
in a traditional barrel-top caravan? | 0:20:52 | 0:20:55 | |
-Yeah, it is. -I think that's quite cool. | 0:20:55 | 0:20:57 | |
But it has been living outside, so it's not in the best of condition, | 0:20:57 | 0:21:00 | |
-is it, Dave? -No, no. | 0:21:00 | 0:21:02 | |
So what could your best price be on it? | 0:21:02 | 0:21:04 | |
Well, I know the dealer's got 65 on it. | 0:21:04 | 0:21:08 | |
-Oh. -But I know the dealer well, so...I think maybe 35? | 0:21:08 | 0:21:15 | |
I'd be happier closer to 30. | 0:21:16 | 0:21:18 | |
You'd be happier closer to 30? | 0:21:18 | 0:21:20 | |
What do you think? | 0:21:21 | 0:21:22 | |
-Go on, we'll do it. -Yeah? | 0:21:22 | 0:21:24 | |
-We'll do it. -I'm happy. | 0:21:24 | 0:21:26 | |
Brilliant. Thank you very much, Dave. | 0:21:26 | 0:21:28 | |
I don't quite know why I have just bought it, but I have, | 0:21:28 | 0:21:31 | |
-and it's a bit of fun! -It is a bit of fun. | 0:21:31 | 0:21:34 | |
Well, this is a first. | 0:21:34 | 0:21:35 | |
A caravan for a bunny, for £30. | 0:21:35 | 0:21:38 | |
If you know of any bunnies looking for a new home, | 0:21:38 | 0:21:41 | |
send them to Christina. | 0:21:41 | 0:21:42 | |
Moving on, though. | 0:21:43 | 0:21:45 | |
The richly historic City of Chester is next on Mark's list to visit. | 0:21:45 | 0:21:50 | |
Our very own Prince Charming | 0:21:50 | 0:21:51 | |
has come to the gardens of Chester Cathedral | 0:21:51 | 0:21:54 | |
to learn about the sport of kings. | 0:21:54 | 0:21:57 | |
Mark is meeting falconer Tommy McNally. | 0:21:57 | 0:22:00 | |
This is a Harris hawk. | 0:22:02 | 0:22:03 | |
His name is Rio, and he's a four-year-old male Harris hawk. | 0:22:03 | 0:22:07 | |
Now you've not got him chained there at all, so he's looking around, | 0:22:07 | 0:22:11 | |
he can fly off at any time? | 0:22:11 | 0:22:13 | |
-Yeah. -Oh, there he goes! -We put our hands up and the bird will fly off. | 0:22:13 | 0:22:16 | |
And we leave it his own devices. | 0:22:16 | 0:22:18 | |
And he goes straight for the tree. | 0:22:18 | 0:22:20 | |
He will, because he's a hawk, you see. | 0:22:20 | 0:22:22 | |
The hawks are all woodland birds of prey. | 0:22:22 | 0:22:25 | |
If he was a falcon, he would have headed off to the skies. | 0:22:25 | 0:22:28 | |
-Circling around. -Yeah, and he would have gone up to a fantastic height. | 0:22:28 | 0:22:32 | |
And how would you now attract him back? | 0:22:32 | 0:22:34 | |
Right, all's we do is we have a small piece of meat. | 0:22:34 | 0:22:36 | |
-Yes. -And this is what we call a bechin. -A bechin. | 0:22:36 | 0:22:39 | |
So we put it on the hand, | 0:22:39 | 0:22:41 | |
-and we always bring the hawk in to the back of the hand. -Whoa! | 0:22:41 | 0:22:44 | |
And obviously keeping our arms nice and still for the hawk | 0:22:44 | 0:22:47 | |
to provide it with a safe landing. | 0:22:47 | 0:22:49 | |
And, do you know, almost silent. | 0:22:49 | 0:22:51 | |
Very, very quiet. | 0:22:51 | 0:22:53 | |
Such grace. I mean, the speed as well. | 0:22:53 | 0:22:55 | |
They've actually been known as the phantom of the forest. | 0:22:55 | 0:22:57 | |
Really? | 0:22:57 | 0:22:59 | |
And there he goes again. | 0:22:59 | 0:23:01 | |
-Would you like a try, Mark? -I'd love a go. | 0:23:01 | 0:23:02 | |
So I just told my hand out? | 0:23:02 | 0:23:05 | |
-Yeah, and we just put a piece of meat on here. -Wow. | 0:23:05 | 0:23:07 | |
Oh, gosh! | 0:23:07 | 0:23:08 | |
You are very keen. | 0:23:10 | 0:23:11 | |
Rio's got his eye on you, Mark. | 0:23:13 | 0:23:15 | |
Cor, look at that beak. | 0:23:15 | 0:23:16 | |
Falconry dates back as far as 1700 BC, | 0:23:22 | 0:23:26 | |
and is thought to have originated in the Far East. | 0:23:26 | 0:23:29 | |
It's the art of training a wild bird of prey | 0:23:29 | 0:23:31 | |
to hunt for food for the table. | 0:23:31 | 0:23:34 | |
In the early days, | 0:23:34 | 0:23:35 | |
falconry was confined to the world of aristocrats. | 0:23:35 | 0:23:39 | |
The larger and more majestic the bird, | 0:23:39 | 0:23:41 | |
the bigger the status symbol. | 0:23:41 | 0:23:43 | |
Servants would capture and then train an eagle for an emperor, | 0:23:43 | 0:23:46 | |
a gyrfalcon for a king, | 0:23:46 | 0:23:49 | |
with the lowly servant limited to owning a mere kestrel. | 0:23:49 | 0:23:53 | |
One of the first books on falconry, The Art Of Hunting With Birds, | 0:23:54 | 0:23:57 | |
was written in the 13th century by a holy Roman Emperor. | 0:23:57 | 0:24:01 | |
Frederick II is probably the most noted famous falconer | 0:24:02 | 0:24:06 | |
in the history of falconry, | 0:24:06 | 0:24:08 | |
because of this book that took him 30 years to write. | 0:24:08 | 0:24:11 | |
Wow. And it was a manual of falconry. | 0:24:11 | 0:24:13 | |
With all the dos and don'ts, and the protections, and the...? | 0:24:13 | 0:24:16 | |
Yeah, but it was also the very first example of a book | 0:24:16 | 0:24:20 | |
being wrote about the anatomy of birds. | 0:24:20 | 0:24:22 | |
Oh, really? | 0:24:22 | 0:24:24 | |
Well, blimey! | 0:24:24 | 0:24:26 | |
OK, Mark, this is your reward for being such a great help here today. | 0:24:26 | 0:24:29 | |
Oh, my gosh! Really? | 0:24:29 | 0:24:30 | |
We've decided to let you hold the golden eagle. | 0:24:30 | 0:24:32 | |
-I get a chance to hold Grace? -Yeah, you certainly do. | 0:24:32 | 0:24:34 | |
-So I lift my arm up? -Just lift your arm out here, Mark. | 0:24:34 | 0:24:37 | |
And all's I'm simply going to do | 0:24:37 | 0:24:40 | |
is place the golden eagle out there, on there, on the end of your arm. | 0:24:40 | 0:24:42 | |
Oh, wow. | 0:24:42 | 0:24:44 | |
-And are you ready to feel the weight? -Yes. | 0:24:44 | 0:24:47 | |
OK, I'm about to let go, now. | 0:24:47 | 0:24:48 | |
Oh, my gosh. | 0:24:49 | 0:24:50 | |
She's a heavy bird. | 0:24:51 | 0:24:53 | |
I think it's only when you hold a golden eagle | 0:24:53 | 0:24:55 | |
that you appreciate what big birds they are. | 0:24:55 | 0:24:57 | |
I tell you what, with that attacking you, | 0:24:57 | 0:24:59 | |
-you'd know it. -Oh, incredible weight. | 0:24:59 | 0:25:01 | |
-You'd know that, wouldn't you? -You really would. | 0:25:01 | 0:25:03 | |
She's fabulous. And, again, so patient. | 0:25:03 | 0:25:05 | |
-Oh, she is, she is a fantastic bird. -She's such a patient bird. | 0:25:05 | 0:25:08 | |
-Hello. -There you go, she's talking to you. | 0:25:08 | 0:25:10 | |
-Hello there, how are you? -TOMMY LAUGHS | 0:25:10 | 0:25:12 | |
Er, I don't think Grace quite likes the look of you, Mark. | 0:25:12 | 0:25:16 | |
Well, Tommy, thank you so much, and thank you, Grace. | 0:25:16 | 0:25:19 | |
I've had the most wonderful experience, Tommy, thank you. | 0:25:19 | 0:25:21 | |
Well done, Mark. | 0:25:21 | 0:25:23 | |
Meanwhile, the village of Gwersyllt in Wrexham | 0:25:25 | 0:25:28 | |
is next on Christina's list. | 0:25:28 | 0:25:30 | |
Acorn Antiques and Collectables is rammed to the rafters | 0:25:31 | 0:25:34 | |
-with all things antique. -Ooh! | 0:25:34 | 0:25:36 | |
-Hello. -Hello. -Hello, there. Christina. -Dennis. | 0:25:36 | 0:25:40 | |
-Hi, Dennis. -Hello, Christina, nice to see you. | 0:25:40 | 0:25:42 | |
-Lovely to see you, how are you? Are you well? -Very well. | 0:25:42 | 0:25:44 | |
Christina's got £287.10 to spend in here. | 0:25:46 | 0:25:51 | |
Now, what's this she's uncovered? | 0:25:51 | 0:25:52 | |
This is quite fun, isn't it? Look at this. | 0:25:54 | 0:25:56 | |
So this is... Well, obviously not the iron chicken. | 0:25:57 | 0:26:00 | |
Everyone needs an iron chicken in their lives, but maybe not today. | 0:26:00 | 0:26:03 | |
So we've got an old milk churn here that's been painted. | 0:26:03 | 0:26:08 | |
It's what we call bargeware. | 0:26:08 | 0:26:09 | |
Bargeware is the brightly coloured folk art on items, | 0:26:10 | 0:26:14 | |
like this milk churn, | 0:26:14 | 0:26:15 | |
that were once on barges. | 0:26:15 | 0:26:17 | |
With the current trend for upcycling, this could be a good'un. | 0:26:17 | 0:26:20 | |
What else can you find? | 0:26:20 | 0:26:22 | |
Oh, | 0:26:22 | 0:26:23 | |
there's another bargeware churn. | 0:26:23 | 0:26:25 | |
Are they breeding? | 0:26:27 | 0:26:28 | |
-Multiplying! -SHE LAUGHS | 0:26:28 | 0:26:30 | |
With another chicken on the top. | 0:26:30 | 0:26:31 | |
Do you think they come with the chickens? | 0:26:31 | 0:26:33 | |
Do you think they're sort of a regal pair? | 0:26:33 | 0:26:35 | |
This one looks actually in slightly better condition, | 0:26:35 | 0:26:37 | |
although there is a bit of a dent there. But.. | 0:26:37 | 0:26:39 | |
Hmm. OK, how much is this one? | 0:26:39 | 0:26:41 | |
Is this the same price? £78. | 0:26:41 | 0:26:44 | |
OK, that's worth remembering. | 0:26:44 | 0:26:46 | |
Dennis is on hand to help Christina rummage in the cabinets. | 0:26:48 | 0:26:51 | |
Silver plated pan and shovel. | 0:26:53 | 0:26:55 | |
-As a piece of novelty... -That's special. | 0:26:55 | 0:26:58 | |
-Special? -Yeah, very. | 0:26:58 | 0:27:00 | |
-Here, what price is on that? -THEY LAUGH | 0:27:01 | 0:27:04 | |
You get your sticky paws off this! | 0:27:04 | 0:27:05 | |
I mean, I think it's a novelty salt, isn't it? | 0:27:08 | 0:27:10 | |
-Yeah, that's right. -So it looks to me like it's that sort of | 0:27:10 | 0:27:13 | |
wonderful Edwardian era, early 20th-century... | 0:27:13 | 0:27:17 | |
-I think so. -And they just made some really quirky, unusual things, | 0:27:17 | 0:27:20 | |
but I like that. | 0:27:20 | 0:27:21 | |
It has got, Denis the Menace... | 0:27:21 | 0:27:24 | |
Oh, 12, that's a give-away, that's got to be wrong. | 0:27:24 | 0:27:27 | |
I think the decimal point is in the wrong place, it's got to be! | 0:27:27 | 0:27:32 | |
-Come on. -You are very good at this, you're very persuasive. | 0:27:32 | 0:27:35 | |
You've got to make a decision quick. | 0:27:37 | 0:27:38 | |
Seriously, is this if I don't buy it, you will? | 0:27:38 | 0:27:40 | |
-Yes, absolutely. -Oh, man, OK, let's go to the desk! | 0:27:40 | 0:27:43 | |
THEY LAUGH | 0:27:43 | 0:27:44 | |
Come on, you giggling Gerties. | 0:27:44 | 0:27:46 | |
Looks like the little silver plated novelty salt | 0:27:46 | 0:27:49 | |
has got Christina's name on it, | 0:27:49 | 0:27:50 | |
and dealer Holly has something unusual to show. | 0:27:50 | 0:27:53 | |
So what have you got, Holly? | 0:27:53 | 0:27:55 | |
What is that? That looks to me like, | 0:27:55 | 0:27:58 | |
if you had a shop, a greengrocer's or something, | 0:27:58 | 0:28:00 | |
you would pull the canopy down with, something like that? | 0:28:00 | 0:28:04 | |
It's a good guess, it's a good guess. | 0:28:04 | 0:28:05 | |
-Is it the right guess? -No! -LAUGHTER | 0:28:05 | 0:28:07 | |
Is it not? No, correct. | 0:28:07 | 0:28:09 | |
-What is it? -It's a railwayman's shunting stick. | 0:28:10 | 0:28:13 | |
A railwayman's shunting... What's a shunting...? I don't know... | 0:28:13 | 0:28:16 | |
So, before we had electric carriages, | 0:28:16 | 0:28:18 | |
we'd shunt the train carriages together, and then hook them on. | 0:28:18 | 0:28:21 | |
-Oh, cool! -This gentleman had it presented to him on his retirement. | 0:28:22 | 0:28:26 | |
-Really? -Yeah, that was his present. | 0:28:26 | 0:28:28 | |
So normally you'd get a gold watch. | 0:28:28 | 0:28:31 | |
-He got a shunting stick. -At which I'm sure his wife was made up! | 0:28:31 | 0:28:34 | |
LAUGHTER | 0:28:34 | 0:28:36 | |
Yeah! So have you got a stand here? | 0:28:36 | 0:28:38 | |
-I do. -Where's your stand? | 0:28:38 | 0:28:39 | |
Right this way. | 0:28:39 | 0:28:40 | |
-This way? -Oh, have I been in it? | 0:28:40 | 0:28:43 | |
-Possibly. -Dennis... -I think you have. | 0:28:43 | 0:28:44 | |
Dennis, if that's not there when I get back, | 0:28:44 | 0:28:47 | |
I will be frisking you! | 0:28:47 | 0:28:48 | |
LAUGHTER | 0:28:48 | 0:28:49 | |
I'll see you in a sec. | 0:28:49 | 0:28:50 | |
As luck would have it, | 0:28:52 | 0:28:53 | |
Holly owns the milk churn that Christina so liked the look of. | 0:28:53 | 0:28:56 | |
And the old bird? | 0:28:56 | 0:28:57 | |
You know, you can either have them as planters, | 0:28:57 | 0:28:59 | |
they can be garden ornaments, but that's Cadbury's, | 0:28:59 | 0:29:01 | |
so Cadbury's Brothers, it's just written round the edge. | 0:29:01 | 0:29:04 | |
-This one? -Yep. | 0:29:04 | 0:29:05 | |
If you have a look, you can see it etched. | 0:29:05 | 0:29:07 | |
Oh, so that's why it's more expensive than the one | 0:29:07 | 0:29:10 | |
-in the first room? -And twice as heavy, yeah. | 0:29:10 | 0:29:12 | |
-Is it? -Very. | 0:29:12 | 0:29:13 | |
What's with the chickens? | 0:29:14 | 0:29:16 | |
Farmhouse effect. | 0:29:16 | 0:29:17 | |
-Oh. -We live in farmhouse country. | 0:29:17 | 0:29:19 | |
-OK. They're lovely. -CHICKEN RATTLES | 0:29:19 | 0:29:22 | |
Cadbury Brothers, Ltd. Yeah! | 0:29:23 | 0:29:26 | |
Gosh, so that'd have been a milk churn that they would have used | 0:29:27 | 0:29:30 | |
to deliver milk to the factory. | 0:29:30 | 0:29:31 | |
What's your best price, Holly? | 0:29:31 | 0:29:33 | |
OK, so... | 0:29:33 | 0:29:35 | |
How about 55... | 0:29:35 | 0:29:36 | |
-Oh. -And I will give you a chicken for your rabbit hutch. | 0:29:36 | 0:29:40 | |
CHRISTINA LAUGHS | 0:29:40 | 0:29:41 | |
How is that? | 0:29:41 | 0:29:43 | |
Cos I think it's lonely, and I think it needs a pet! | 0:29:43 | 0:29:45 | |
-Are you serious? -Yeah, absolutely. | 0:29:47 | 0:29:48 | |
55 and a chicken. | 0:29:49 | 0:29:51 | |
55 and a chicken? | 0:29:51 | 0:29:53 | |
I mean, how could I say no? | 0:29:53 | 0:29:55 | |
-It's a deal, 55 and a chicken. -Thank you very much. -Thanks. | 0:29:55 | 0:29:59 | |
That's £54 for the Cadbury's milk churn, and £1 for the chicken. | 0:29:59 | 0:30:03 | |
Christina is definitely channelling surreal today. | 0:30:03 | 0:30:07 | |
You'd better cough up, girl. | 0:30:07 | 0:30:08 | |
I owe you £55, Holly. | 0:30:08 | 0:30:10 | |
-Fantastic. -And then could we say ten for that? | 0:30:10 | 0:30:13 | |
-Oh, go on, £10. -Ten, you're an angel. | 0:30:13 | 0:30:15 | |
Right, in which case, I owe you guys £65, don't I? | 0:30:15 | 0:30:19 | |
Meanwhile, Mark's hot on Christina's tail, | 0:30:22 | 0:30:24 | |
and is headed also to Gwersyllt. | 0:30:24 | 0:30:26 | |
He's found his compadre having a well-earned cuppa. | 0:30:28 | 0:30:31 | |
Anyway, I must go shopping. | 0:30:32 | 0:30:34 | |
Go on, skedaddle, I'll wait for you. | 0:30:34 | 0:30:35 | |
-Enjoy. -Thank you. -There's nothing left, I've had it all. | 0:30:35 | 0:30:37 | |
HE CHUCKLES | 0:30:37 | 0:30:39 | |
-Heard that before. -Bye! | 0:30:39 | 0:30:41 | |
Mark's rolling in it. | 0:30:41 | 0:30:42 | |
He's got £333.36 to spend. | 0:30:42 | 0:30:45 | |
No wonder he's smiling. | 0:30:45 | 0:30:47 | |
-Hello. -HOLLY: -Hello. | 0:30:47 | 0:30:48 | |
-I'm Mark. -Nice to meet you. | 0:30:48 | 0:30:50 | |
-I'm Holly. -And I'm Dennis. Nice to see you. | 0:30:51 | 0:30:53 | |
Dennis, Holly and Dennis. | 0:30:53 | 0:30:54 | |
It's great, so it's an antiques centre, is it? | 0:30:54 | 0:30:56 | |
-That's right. -How many dealers have you got? | 0:30:56 | 0:30:58 | |
-46, now. -46! | 0:30:58 | 0:31:00 | |
That's a lot of dealers. | 0:31:00 | 0:31:01 | |
Many things to see. | 0:31:01 | 0:31:02 | |
Hello, what's this? | 0:31:02 | 0:31:03 | |
I mean, this is quite nice. | 0:31:03 | 0:31:05 | |
-They're lovely. -They're known as... | 0:31:05 | 0:31:06 | |
Just come in this morning, they have, actually. | 0:31:06 | 0:31:08 | |
-They're known as death pennies, aren't they? -That's right. | 0:31:08 | 0:31:11 | |
Rather sad, really, when you think about it. | 0:31:11 | 0:31:13 | |
-Absolutely. -The First World War. | 0:31:13 | 0:31:15 | |
Everyone who died got one of these, along with the medals of the war. | 0:31:15 | 0:31:19 | |
-That's right. -And it's named, as well, Thomas McGhee. | 0:31:19 | 0:31:22 | |
-Thomas McGhee. -And these have just come in, you say? | 0:31:22 | 0:31:25 | |
That's right, this morning. | 0:31:25 | 0:31:26 | |
That's interesting. Look, the Somme. | 0:31:26 | 0:31:28 | |
The Somme. | 0:31:28 | 0:31:29 | |
-Wow. -Trench art. | 0:31:29 | 0:31:31 | |
-They came from the same family? -Yes, they did. | 0:31:31 | 0:31:33 | |
So obviously somebody was out at the Somme. | 0:31:33 | 0:31:35 | |
-It's quite interesting, you've got this little plaque. -Yes, indeed. | 0:31:35 | 0:31:37 | |
And then somebody's embossed this on there, by hand. | 0:31:37 | 0:31:41 | |
-Yeah, that's right. -So are those for sale? | 0:31:41 | 0:31:43 | |
-Yes. -How much are they? | 0:31:43 | 0:31:45 | |
£60 for the two. | 0:31:48 | 0:31:49 | |
-55? -55. | 0:31:49 | 0:31:51 | |
Are you happy with 55? | 0:31:51 | 0:31:52 | |
-CHUCKLING: -No, but I'll accept 55. | 0:31:52 | 0:31:54 | |
-Are you sure? -Yes! | 0:31:54 | 0:31:55 | |
Well, I'll shake your hand for 55. | 0:31:55 | 0:31:57 | |
Well, that was a joyful experience. | 0:31:58 | 0:32:00 | |
Our shopping trip is now at an end. | 0:32:00 | 0:32:02 | |
Along with the World War I death penny and trench art jug, | 0:32:02 | 0:32:07 | |
Mark has a total of five lots. | 0:32:07 | 0:32:09 | |
The leather bowl filled with curios, | 0:32:09 | 0:32:11 | |
the ten 1970s telephones, | 0:32:11 | 0:32:14 | |
the Indian silver bowl, | 0:32:14 | 0:32:15 | |
and the Victorian pencil sketch. | 0:32:15 | 0:32:17 | |
Mark has been careful with his cash. | 0:32:17 | 0:32:19 | |
He's spent a total of £120 on that lot. | 0:32:19 | 0:32:22 | |
Christina has a real mixed bag for the final auction. | 0:32:23 | 0:32:26 | |
She also has five lots. | 0:32:26 | 0:32:28 | |
The Royal Doulton tea service, | 0:32:28 | 0:32:30 | |
the golfing snuffbox, | 0:32:30 | 0:32:32 | |
the combo lot of the novelty rabbit hutch complete with... | 0:32:32 | 0:32:35 | |
chicken... Ha! | 0:32:35 | 0:32:37 | |
..the silver-plated novelty salt, | 0:32:37 | 0:32:39 | |
and the Cadbury's milk churn. | 0:32:39 | 0:32:41 | |
What a lot. | 0:32:41 | 0:32:42 | |
Christina has spelt a total of £155. | 0:32:42 | 0:32:46 | |
Thoughts, please, on each other's goodies. | 0:32:46 | 0:32:48 | |
Ten telephones for £10! | 0:32:49 | 0:32:52 | |
I mean, he cannot go wrong, surely? | 0:32:52 | 0:32:54 | |
The most commercial item, I think, is the little silver box. | 0:32:54 | 0:32:57 | |
Battered or not, it's a nice looking object. | 0:32:57 | 0:32:59 | |
His really beautiful little Indian silver bowl | 0:32:59 | 0:33:03 | |
I think is just gorgeous, | 0:33:03 | 0:33:04 | |
and it's what the market wants right now. | 0:33:04 | 0:33:06 | |
A rabbit hutch. Why on earth would you buy a rabbit hutch? | 0:33:06 | 0:33:09 | |
All in all... | 0:33:09 | 0:33:10 | |
..I'm feeling quite uncomfortable. | 0:33:12 | 0:33:13 | |
Christina and Mark are travelling to | 0:33:15 | 0:33:17 | |
an auction in Bolton, in greater Manchester. | 0:33:17 | 0:33:20 | |
With just over £20 separating them, | 0:33:22 | 0:33:24 | |
this is one of the closest finals in road trip history. | 0:33:24 | 0:33:27 | |
It's the last sale, so whatever happens, we're going to be thriving. | 0:33:28 | 0:33:31 | |
Exactly. That makes me quite sad. | 0:33:31 | 0:33:33 | |
It does, I'm going to have a tear. | 0:33:33 | 0:33:35 | |
-SHE LAUGHS -Oh, no, it's all right, it's OK. No. | 0:33:35 | 0:33:38 | |
Aww! Hang on a second, I've got a hanky somewhere. | 0:33:39 | 0:33:41 | |
No, it's fine, honestly, I forced it back. | 0:33:41 | 0:33:43 | |
-Oh, really? -LAUGHTER | 0:33:43 | 0:33:44 | |
No boo-hooing on this show, you two. | 0:33:46 | 0:33:48 | |
Bolton Auction Rooms is the venue for our big showdown. | 0:33:49 | 0:33:53 | |
Oh, sweetheart, I'm hoping for a miracle. | 0:33:53 | 0:33:55 | |
You don't need a miracle, come on! | 0:33:55 | 0:33:57 | |
Harry Howcroft is the man residing on the rostrum today. | 0:33:59 | 0:34:02 | |
What does he think of Mark and Christina's wares? | 0:34:02 | 0:34:06 | |
The rabbit hutch would actually be a first for us. | 0:34:06 | 0:34:09 | |
We've never sold a rabbit hutch in our auction. | 0:34:09 | 0:34:12 | |
The only thing I like about this is the chicken. | 0:34:12 | 0:34:15 | |
The little pencil sketch, quite charming. | 0:34:15 | 0:34:17 | |
How much it will bring, we simply do not know. | 0:34:17 | 0:34:20 | |
This is it. | 0:34:20 | 0:34:21 | |
The auction final is about to begin. | 0:34:21 | 0:34:23 | |
The sale is also live on the internet. | 0:34:23 | 0:34:25 | |
Oh, good. | 0:34:25 | 0:34:26 | |
-Ooh! -It's quite a full room, isn't it? -It is, isn't it? | 0:34:28 | 0:34:30 | |
Christina's silver snuff box is up first. | 0:34:31 | 0:34:33 | |
I have 24 to start. | 0:34:35 | 0:34:37 | |
26. | 0:34:37 | 0:34:39 | |
Oh, brilliant. | 0:34:39 | 0:34:40 | |
26, 28, 28. | 0:34:40 | 0:34:43 | |
I've got £30 bid, do you want 32? | 0:34:44 | 0:34:46 | |
32 on the floor. | 0:34:46 | 0:34:47 | |
-Come on, Harry Howcroft! -I told you. | 0:34:47 | 0:34:49 | |
-34, new bidder in the room. -Oh! | 0:34:50 | 0:34:52 | |
All right, don't fraternise. | 0:34:52 | 0:34:53 | |
£34 bid. 36, 38. | 0:34:53 | 0:34:55 | |
-It's very nice. -It's very damaged. | 0:34:55 | 0:34:58 | |
£40 bid, 42. | 0:34:58 | 0:34:59 | |
At £40 bid with the lady. | 0:34:59 | 0:35:01 | |
44, 46. | 0:35:01 | 0:35:03 | |
At £44 bid. | 0:35:03 | 0:35:04 | |
£44 bid. Gent's bid. | 0:35:04 | 0:35:06 | |
That's enough, now. Put the gavel down. | 0:35:06 | 0:35:08 | |
All done at 44. | 0:35:08 | 0:35:09 | |
(Put the gavel down!) | 0:35:09 | 0:35:11 | |
You see, I told you. | 0:35:12 | 0:35:13 | |
Great start, Christina. | 0:35:14 | 0:35:16 | |
A healthy profit from the get-go. | 0:35:16 | 0:35:18 | |
Brilliant. First out of the blocks. Right! | 0:35:18 | 0:35:20 | |
It's Mark's turn now. | 0:35:21 | 0:35:22 | |
The leather bowl, heaving with curios. | 0:35:22 | 0:35:24 | |
I've got butterflies. | 0:35:26 | 0:35:27 | |
14 with me, 16 anywhere? | 0:35:27 | 0:35:30 | |
16, 18, £20 bid. | 0:35:30 | 0:35:31 | |
I've 20, then... 22, 24, 26, 28. | 0:35:31 | 0:35:35 | |
28, £30, £28 bid. | 0:35:35 | 0:35:37 | |
At £28 bid. | 0:35:37 | 0:35:39 | |
With the lady in the red. | 0:35:39 | 0:35:40 | |
See? And again. | 0:35:40 | 0:35:41 | |
34, new bidder. | 0:35:41 | 0:35:43 | |
36, 36, | 0:35:43 | 0:35:44 | |
38, 40, £40 bid. | 0:35:44 | 0:35:47 | |
42, £40 bid. | 0:35:47 | 0:35:49 | |
All done at 40. | 0:35:49 | 0:35:50 | |
£35 profit. | 0:35:53 | 0:35:55 | |
Whoever would have thought it? | 0:35:55 | 0:35:57 | |
Well done, Mark. That launches you straight into the lead. | 0:35:57 | 0:36:00 | |
Well done, well done! | 0:36:01 | 0:36:03 | |
Now, can we keep up with these chunky profits? | 0:36:04 | 0:36:06 | |
It's Christina's silver plated novelty salt, next. | 0:36:06 | 0:36:10 | |
-I've £16 bid. -Oh. OK. -Good. That's all right. | 0:36:10 | 0:36:12 | |
On commission, at £16. | 0:36:12 | 0:36:14 | |
-Bit more, bit more. -I expect a little more. | 0:36:14 | 0:36:16 | |
£16 bid. | 0:36:16 | 0:36:17 | |
18, 20, £22 bid. | 0:36:17 | 0:36:19 | |
It's in the room at £22 bid. | 0:36:19 | 0:36:21 | |
Is there 24 anywhere? | 0:36:21 | 0:36:23 | |
At £22 bid. | 0:36:23 | 0:36:24 | |
-All done at 22... -Oh, a bit more than that?! | 0:36:24 | 0:36:26 | |
It's worth more than that. | 0:36:26 | 0:36:27 | |
-I think you did all right on that, Christina. -Oh... | 0:36:27 | 0:36:29 | |
I concur, Mark. Every little counts. | 0:36:30 | 0:36:32 | |
Cos I think it's so cute. | 0:36:34 | 0:36:35 | |
-A little bit like you. -Oh... | 0:36:36 | 0:36:37 | |
It's Mark's collection of retro telephones next at £1 each. | 0:36:39 | 0:36:42 | |
On commission at 42, 44... | 0:36:42 | 0:36:44 | |
44, 46. | 0:36:44 | 0:36:46 | |
50, 55, £55 bid. | 0:36:46 | 0:36:48 | |
It's in the room at £55 bid. | 0:36:48 | 0:36:51 | |
At 55 only bid. | 0:36:51 | 0:36:52 | |
For all these phones at 55. | 0:36:52 | 0:36:55 | |
One for each of his bedrooms. | 0:36:55 | 0:36:56 | |
-LAUGHTER -All done, finished. | 0:36:56 | 0:36:58 | |
Blimey, that's a real corker of a profit. | 0:37:00 | 0:37:02 | |
Mark is soaring into the lead. | 0:37:02 | 0:37:05 | |
I'm not sitting back comfortably at the moment. | 0:37:05 | 0:37:07 | |
Yeah, you are. I've got my arm round you. | 0:37:07 | 0:37:09 | |
Yes, I know, that's not comfortable. | 0:37:09 | 0:37:10 | |
-Oh! -LAUGHTER | 0:37:10 | 0:37:11 | |
Yeah, leave the man alone, Christina. | 0:37:12 | 0:37:14 | |
Prepare yourself, it's Christina's bunny caravan next. | 0:37:15 | 0:37:18 | |
£30 bid. With me at 30. | 0:37:19 | 0:37:20 | |
Don't forget the chicken. | 0:37:20 | 0:37:22 | |
34, 36. | 0:37:22 | 0:37:23 | |
-All right, Christina. -It's in the room at £36. | 0:37:23 | 0:37:26 | |
Is there 38 anywhere else? | 0:37:26 | 0:37:28 | |
At £36 bid, gent's bid, back to the room. | 0:37:28 | 0:37:31 | |
All done at £36. | 0:37:31 | 0:37:33 | |
Well, someone loved it enough to give you a small profit. | 0:37:34 | 0:37:37 | |
Hopped along nicely. | 0:37:38 | 0:37:40 | |
LAUGHTER | 0:37:40 | 0:37:41 | |
But it didn't lay the golden egg. | 0:37:41 | 0:37:42 | |
It didn't, I'm afraid, and that's a goose. | 0:37:42 | 0:37:45 | |
All right, smarty pants. | 0:37:47 | 0:37:49 | |
It's Mark's Victorian pencil sketch next. | 0:37:49 | 0:37:51 | |
I've £18 on commission. | 0:37:52 | 0:37:54 | |
-Little loss... -At the back, he's bidding at the back. | 0:37:54 | 0:37:56 | |
I've got 20, 22, 24. | 0:37:56 | 0:37:58 | |
At 24, 26, 28. | 0:37:58 | 0:38:00 | |
No? At £26 bid. | 0:38:01 | 0:38:03 | |
At 26, 28. | 0:38:03 | 0:38:05 | |
Oh, good. Let's get to 30. | 0:38:05 | 0:38:07 | |
32, 32, | 0:38:07 | 0:38:09 | |
34, 36, | 0:38:09 | 0:38:11 | |
38, £40. 42. | 0:38:11 | 0:38:13 | |
Oh, I'm happy with that. | 0:38:13 | 0:38:14 | |
46, 48, £50. | 0:38:14 | 0:38:18 | |
55, 60. | 0:38:18 | 0:38:19 | |
No. £55 bid. | 0:38:21 | 0:38:22 | |
All done at £55. | 0:38:22 | 0:38:24 | |
Oh, well done, darling, well done. | 0:38:26 | 0:38:28 | |
The saleroom are loving your lots, Mark, well done. | 0:38:28 | 0:38:31 | |
Mark, we are so close that every penny counts. | 0:38:33 | 0:38:36 | |
-That's true. -Every penny. | 0:38:36 | 0:38:37 | |
Very true. | 0:38:38 | 0:38:39 | |
Christina's Cadbury milk churn is next. | 0:38:39 | 0:38:43 | |
I have £28 bid. | 0:38:43 | 0:38:44 | |
30, 32, 34. | 0:38:44 | 0:38:46 | |
Come on, Harry, come on, Harry. | 0:38:46 | 0:38:47 | |
At £38 bid. | 0:38:47 | 0:38:49 | |
Come on. | 0:38:49 | 0:38:50 | |
£40, 42, | 0:38:50 | 0:38:51 | |
at £40 bid. | 0:38:51 | 0:38:52 | |
-At 42 I need. -Go on. | 0:38:52 | 0:38:54 | |
No, no, Harry, we need more than that. | 0:38:54 | 0:38:56 | |
£40 only bid. | 0:38:56 | 0:38:57 | |
I expect a little more. | 0:38:57 | 0:38:58 | |
At £40 bid. | 0:38:58 | 0:38:59 | |
All done at £40. | 0:38:59 | 0:39:01 | |
Oh, no! | 0:39:01 | 0:39:02 | |
Ouch! | 0:39:04 | 0:39:06 | |
A genuine surprise, and the first loss of the day. | 0:39:06 | 0:39:09 | |
-I'm sorry. -No, you're not. | 0:39:10 | 0:39:11 | |
-I AM sorry! -Well, then stop smiling! | 0:39:11 | 0:39:13 | |
LAUGHTER | 0:39:13 | 0:39:15 | |
Yeah, he's a rascal. | 0:39:16 | 0:39:17 | |
Mark's death penny and trench art jug are next. | 0:39:17 | 0:39:20 | |
I have 52 with me on commission. Is there...? | 0:39:21 | 0:39:24 | |
55. Do you want to go 60? | 0:39:24 | 0:39:27 | |
I've got £60 bid in the room. | 0:39:27 | 0:39:29 | |
-Oh, more than that. -Come on. -It should be more than that. | 0:39:29 | 0:39:31 | |
-It's in brilliant condition. -Come on. | 0:39:31 | 0:39:32 | |
All done, then, at £60 bid. Gent's bid, then, at 60. | 0:39:32 | 0:39:34 | |
HE GROANS | 0:39:34 | 0:39:36 | |
-Wow. So close. -Oh... | 0:39:36 | 0:39:38 | |
A moving piece of history, and a small profit for Mark. | 0:39:40 | 0:39:43 | |
I think that's a brave purchase. | 0:39:44 | 0:39:45 | |
Thank you. | 0:39:45 | 0:39:46 | |
Christina's Royal Doulton tea set is next to go under the gavel. | 0:39:47 | 0:39:51 | |
32 with me, 34 I need. | 0:39:51 | 0:39:53 | |
34, 36, 38, | 0:39:53 | 0:39:56 | |
40, 42, £42 bid. | 0:39:56 | 0:39:58 | |
It's in the room at 44. | 0:39:58 | 0:39:59 | |
46, 48, £50. | 0:39:59 | 0:40:02 | |
55. 55, 60, | 0:40:02 | 0:40:04 | |
65, 70. | 0:40:04 | 0:40:06 | |
It's on the net at the moment at £65. | 0:40:06 | 0:40:09 | |
Is there 70 anywhere else? | 0:40:09 | 0:40:10 | |
It's the condition, isn't it? It's the condition of it. | 0:40:10 | 0:40:13 | |
All done at £65... | 0:40:13 | 0:40:14 | |
£20 profit, Christina. | 0:40:17 | 0:40:18 | |
That's more like it, Christina. | 0:40:19 | 0:40:21 | |
Christina, the last lot of the auction. | 0:40:22 | 0:40:24 | |
# And now... | 0:40:24 | 0:40:26 | |
-# The end is near. # -Oh... | 0:40:26 | 0:40:27 | |
Not singing again! | 0:40:29 | 0:40:30 | |
Mark's silver Indian bowl is next. | 0:40:30 | 0:40:32 | |
I've got 32, 34 I need. | 0:40:33 | 0:40:35 | |
-Quite rightly so. -36 on the phone. | 0:40:35 | 0:40:38 | |
They should be all over this, it's fabulous. | 0:40:38 | 0:40:40 | |
£40 on the phone. | 0:40:40 | 0:40:42 | |
£40 bid on the phone. | 0:40:42 | 0:40:44 | |
42. 42, 44. | 0:40:44 | 0:40:46 | |
£44 bid. 46. 48. | 0:40:46 | 0:40:48 | |
At £48 bid on the phone. | 0:40:48 | 0:40:50 | |
50. 55 I need. | 0:40:50 | 0:40:52 | |
55 on the phone. | 0:40:52 | 0:40:53 | |
60, new bidder. 65. | 0:40:53 | 0:40:55 | |
At 65, back on the phone. | 0:40:55 | 0:40:57 | |
All done then at £65, phone bid then at 65. | 0:40:57 | 0:41:00 | |
65? | 0:41:00 | 0:41:01 | |
Well done. | 0:41:02 | 0:41:04 | |
Wonderful result, Mark, | 0:41:04 | 0:41:05 | |
and what an excellent way to end the auction. | 0:41:05 | 0:41:07 | |
Ahh. That's it, Christina, it's all over. | 0:41:10 | 0:41:12 | |
I can't believe it's all over. | 0:41:12 | 0:41:13 | |
I know, the last auction. | 0:41:13 | 0:41:15 | |
Yeah. | 0:41:15 | 0:41:16 | |
And for once, I think I might have had a good auction. | 0:41:16 | 0:41:19 | |
Can we just do it all again? | 0:41:19 | 0:41:20 | |
I'll try harder next time. | 0:41:20 | 0:41:21 | |
-I think you've tried hard enough. -SHE LAUGHS | 0:41:22 | 0:41:24 | |
On a happier note, come on. | 0:41:24 | 0:41:26 | |
-I'll get you some chocolate. -Oh, yes, please. | 0:41:26 | 0:41:27 | |
I think you both deserve it. | 0:41:28 | 0:41:30 | |
For the final time this week, let's figure out the calculations. | 0:41:31 | 0:41:33 | |
Christina began with £377.10, | 0:41:35 | 0:41:38 | |
and after auction costs, | 0:41:38 | 0:41:40 | |
she's made a small profit of £14.74. | 0:41:40 | 0:41:43 | |
Christina's final earnings are £391.84. | 0:41:46 | 0:41:50 | |
On the fifth and final leg, | 0:41:53 | 0:41:55 | |
Mark began with £398.36. | 0:41:55 | 0:41:58 | |
After auction room costs, | 0:41:58 | 0:42:00 | |
he's made a smashing profit of £105.50. | 0:42:00 | 0:42:04 | |
Mark takes the shiny road trip crown! | 0:42:04 | 0:42:07 | |
His final earnings are a wonderful £503.86. | 0:42:07 | 0:42:12 | |
So well done, old fruit. | 0:42:12 | 0:42:14 | |
And all profits go to Children In Need. | 0:42:14 | 0:42:17 | |
-Did you win? -I did. | 0:42:17 | 0:42:18 | |
-Well done. -But thank you. | 0:42:18 | 0:42:20 | |
-Ohh! Thank you. -It's been wonderful. | 0:42:20 | 0:42:21 | |
-Shall I drive? -Yes, come on, winner takes it all. | 0:42:21 | 0:42:24 | |
I'll get wet. | 0:42:24 | 0:42:25 | |
What a humdinger of a week! | 0:42:26 | 0:42:27 | |
Oi! Come back! | 0:42:29 | 0:42:30 | |
Christina put her head to good use. | 0:42:31 | 0:42:34 | |
Do you think I'd be a good Chinese dragon? | 0:42:34 | 0:42:36 | |
Old dragon, more like it. | 0:42:36 | 0:42:37 | |
Meanwhile, Mark was in udder chaos. | 0:42:37 | 0:42:39 | |
I'll have to sit and wait. | 0:42:39 | 0:42:40 | |
MOOING | 0:42:40 | 0:42:41 | |
Morning. | 0:42:41 | 0:42:42 | |
And they both loved larking about. | 0:42:42 | 0:42:44 | |
-Let me see your teeth. -Why? | 0:42:44 | 0:42:46 | |
That's all right. Your fangs aren't out yet. | 0:42:46 | 0:42:48 | |
No, not yet. | 0:42:48 | 0:42:49 | |
But most of all, our road trip luvvies don't want it to end. | 0:42:50 | 0:42:53 | |
Hey, I couldn't have hoped for a better companion. | 0:42:53 | 0:42:56 | |
Oh! Stop it. | 0:42:56 | 0:42:58 | |
I'm welling up. | 0:42:58 | 0:42:59 | |
CRYING: You'll get me going in a minute! | 0:42:59 | 0:43:01 | |
Bye-bye, road trippers. | 0:43:02 | 0:43:04 | |
Next time, we start a new road trip, | 0:43:04 | 0:43:06 | |
with wily fox Paul Laidlaw, | 0:43:06 | 0:43:08 | |
and fresh-faced Natasha Raskin. | 0:43:08 | 0:43:11 | |
I'm terrified of Paul's finesse. | 0:43:11 | 0:43:13 | |
But will he take her under his wing? | 0:43:13 | 0:43:15 | |
You're very easily manipulable, aren't you? | 0:43:15 | 0:43:17 | |
Muahahaha! | 0:43:17 | 0:43:19 |