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It's the nation's favourite antiques experts, with £200 each... | 0:00:02 | 0:00:05 | |
I want something shiny. | 0:00:05 | 0:00:06 | |
..a classic car, and a goal to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
-I like a rummage! -I can't resist. | 0:00:10 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Why do I always do this to myself? | 0:00:17 | 0:00:19 | |
-There'll be worthy winners... -Give us a kiss! | 0:00:19 | 0:00:21 | |
-..and valiant losers. -Stick 'em up! | 0:00:21 | 0:00:24 | |
So, will it be the high road to glory... | 0:00:24 | 0:00:25 | |
Onwards and upwards! | 0:00:25 | 0:00:27 | |
-..or the slow road to disaster? -Take me home! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today we're enjoying the island life on the beautiful Isle of Wight, | 0:00:38 | 0:00:43 | |
in the company of castaways Raj Bisram and James Braxton! | 0:00:43 | 0:00:47 | |
Raj, this is such a lovely island, it's so lush, isn't it? | 0:00:47 | 0:00:50 | |
This green and pleasant land. | 0:00:50 | 0:00:53 | |
Positioned just five miles from the Hampshire coast, | 0:00:53 | 0:00:56 | |
and blessed with a mild climate, the island was beloved by | 0:00:56 | 0:01:00 | |
Queen Victoria and also played upon by Jimi Hendrix. | 0:01:00 | 0:01:03 | |
Another bonus for our fellows. | 0:01:03 | 0:01:05 | |
In the style of Mick Jagger... | 0:01:05 | 0:01:07 | |
Yep, auctioneer James from Sussex does love his rock. | 0:01:07 | 0:01:11 | |
He's also a bit of a wicker man! | 0:01:11 | 0:01:13 | |
Anatomically, it's beyond reproach, isn't it? | 0:01:13 | 0:01:16 | |
While his rival Raj, a keen competitor from Kent... | 0:01:16 | 0:01:20 | |
We're moving in for the kill now. | 0:01:20 | 0:01:22 | |
..is an auctioneer who's particularly fond of the | 0:01:22 | 0:01:25 | |
classic blues rock stylings of band Free. | 0:01:25 | 0:01:29 | |
-All right! -Wow! | 0:01:29 | 0:01:31 | |
Free were here in the late '60s for a couple of the legendary | 0:01:31 | 0:01:34 | |
Isle of Wight Pop Festivals. | 0:01:34 | 0:01:36 | |
Raj and James only arrived on the island this morning and already | 0:01:36 | 0:01:40 | |
have had a good first auction to kick off this week's tour. | 0:01:40 | 0:01:44 | |
Not bad at all, not bad at all. | 0:01:44 | 0:01:46 | |
As well as muscling into the lead, | 0:01:46 | 0:01:47 | |
Raj has also made a crafty start to his next lot of shopping... | 0:01:47 | 0:01:52 | |
-Where's he gone? -..picking up this old petrol can | 0:01:53 | 0:01:55 | |
over a pre-auction lunch. | 0:01:55 | 0:01:57 | |
Let's shake hands. | 0:01:57 | 0:01:59 | |
James began with £200, and has thus far increased it to... | 0:02:00 | 0:02:04 | |
Whilst Raj, who started out with the same sum, | 0:02:08 | 0:02:11 | |
has a little bit more at... | 0:02:11 | 0:02:12 | |
Now minus £5 for the fuel can, of course. | 0:02:15 | 0:02:18 | |
Lovely island, lovely people, lovely livestock! | 0:02:18 | 0:02:22 | |
Oh, and did I mention Cowes Week? | 0:02:22 | 0:02:24 | |
After kicking off in the West Country at Bath, | 0:02:26 | 0:02:28 | |
our experts are a-roving in their Renault Caravelle before tootling | 0:02:28 | 0:02:33 | |
up to the Midlands and then coming back home to Somerset at Binegar. | 0:02:33 | 0:02:37 | |
Fresh from the auction, we'll be starting in the village of | 0:02:39 | 0:02:41 | |
Wootton Bridge, and then doing all our shopping on the island, | 0:02:41 | 0:02:44 | |
then heading back to the mainland and an auction at Frome. | 0:02:44 | 0:02:48 | |
Wow! | 0:02:48 | 0:02:50 | |
Back in the summer of '69, I remember it well, | 0:02:52 | 0:02:55 | |
the fields around Wootton were the venue for the second | 0:02:55 | 0:02:58 | |
Isle Of Wight Festival, featuring Bob Dylan and The Band! | 0:02:58 | 0:03:01 | |
Ah, looks like our chaps have arrived! | 0:03:03 | 0:03:05 | |
James, I can't get out! Could you let me out? This door's stuck. | 0:03:06 | 0:03:10 | |
It's always... That's half the battle, isn't it? | 0:03:10 | 0:03:12 | |
Anyway, the early bird catches the worm, as they say. | 0:03:12 | 0:03:16 | |
-James? -Raj, come on. -James? | 0:03:16 | 0:03:18 | |
-I've got to get ahead, mate. -That's not cricket! -Bye! -James! | 0:03:18 | 0:03:22 | |
I think he's panicking because they've only got time for | 0:03:22 | 0:03:25 | |
-this one shop today. -Hello. James. -Hello, my name's Andrew. | 0:03:25 | 0:03:28 | |
Hello, good to meet you, Andrew, and who's this young man? | 0:03:28 | 0:03:31 | |
-My name's Alan. -Alan, very good. Now who's going to be looking after me? | 0:03:31 | 0:03:34 | |
-Me. -Come away, Andrew, let's go. | 0:03:34 | 0:03:38 | |
-Better late, eh, Raj? -Hello there. | 0:03:38 | 0:03:41 | |
I would have been here earlier, but, er, James locked me in the car. | 0:03:41 | 0:03:45 | |
-Show me to some bargains. -Walk this way. | 0:03:45 | 0:03:48 | |
Housed in a rustic barn, this is a big old place. | 0:03:48 | 0:03:51 | |
Plenty of quirky collectables on offer. | 0:03:51 | 0:03:54 | |
Now, what's this Andrew's found for James? | 0:03:54 | 0:03:56 | |
-That's quite a useful thing, an egg separator, isn't it? -Yeah. | 0:03:56 | 0:04:00 | |
How have I lived without an egg separator? Do not know. | 0:04:00 | 0:04:04 | |
Moving on... | 0:04:04 | 0:04:05 | |
-So is this your stand? -Yes, this is me. | 0:04:05 | 0:04:07 | |
You did well to find a unicorn, didn't you? | 0:04:08 | 0:04:10 | |
Yeah, there's not many left now. | 0:04:10 | 0:04:12 | |
James is keeping Andrew close. | 0:04:12 | 0:04:14 | |
And as for Raj and Alan... | 0:04:14 | 0:04:17 | |
I like buying things that are unusual, a bit quirky... | 0:04:17 | 0:04:20 | |
..and cheap. | 0:04:21 | 0:04:23 | |
-OK. -OK? -That's very quirky, that trolley. Quite retro. | 0:04:23 | 0:04:27 | |
It reminds me of a medical trolley. | 0:04:27 | 0:04:30 | |
It does look quite medical cos it's white. | 0:04:30 | 0:04:32 | |
I mean, retro's in, definitely, retro is in, | 0:04:32 | 0:04:34 | |
but I've got a funny feeling that the medical look about it | 0:04:34 | 0:04:38 | |
isn't going to help it sell, so, anything else? | 0:04:38 | 0:04:41 | |
What about boxes? | 0:04:41 | 0:04:42 | |
-Do you like wooden boxes? -As long as they're not coffins. | 0:04:42 | 0:04:46 | |
Ah, pokerwork! | 0:04:47 | 0:04:49 | |
That's quite a nice box. | 0:04:49 | 0:04:51 | |
It is quite nice, I have to say, it is quite nice. | 0:04:51 | 0:04:54 | |
Has a note inside explaining some of the work on the box. | 0:04:54 | 0:04:58 | |
This says about the coat of arms, between Spain and Austria... | 0:04:58 | 0:05:01 | |
Which are on the sides, if you look. | 0:05:01 | 0:05:03 | |
-I have to say, I do like it, it's a little bit different. -Yes. | 0:05:03 | 0:05:05 | |
Yeah, no, it's lovely. | 0:05:05 | 0:05:07 | |
The ticket price, however, is £150. | 0:05:07 | 0:05:09 | |
Alan, I'm going to think about this. I do like it. | 0:05:09 | 0:05:12 | |
-What might be the best on it? -I could go down to £90. | 0:05:12 | 0:05:17 | |
I kind of would want to pay £50 for it. | 0:05:17 | 0:05:20 | |
That's a bit too less for me, I can't let it go for 50, I'm afraid. | 0:05:20 | 0:05:25 | |
Negotiations are ongoing. | 0:05:25 | 0:05:27 | |
One bald man to another, right, | 0:05:27 | 0:05:29 | |
-I'm sure we can come up with a deal. -I'm sure we can. | 0:05:29 | 0:05:32 | |
There must be that much testosterone in this room between us. | 0:05:32 | 0:05:34 | |
Yeah, let's not think about that. | 0:05:34 | 0:05:36 | |
Look, James has gone solo. And what has he unearthed here? | 0:05:36 | 0:05:40 | |
So this is quite a nice item. This, you know, commonly known as... | 0:05:40 | 0:05:44 | |
-It works well! -..three tier sort of cake stand. | 0:05:44 | 0:05:49 | |
You know, it's quite fashionable these days to go out for tea, | 0:05:49 | 0:05:53 | |
isn't it? And this one is, you know, quite fun. | 0:05:53 | 0:05:55 | |
It's wrought iron and copper and often they were folding | 0:05:55 | 0:05:59 | |
so you can fold them and put them by the side because they would | 0:05:59 | 0:06:02 | |
normally have sort of porcelain plates. | 0:06:02 | 0:06:06 | |
These are unusual with copper. | 0:06:06 | 0:06:08 | |
Anyway, there you are. I'm not going to buy it. | 0:06:08 | 0:06:10 | |
So long, the cake tower. Now, what's Raj after? | 0:06:10 | 0:06:14 | |
-I've noticed that box. There's a military box there. -OK. | 0:06:14 | 0:06:17 | |
A bit of militaria. There's always militaria collectors about. | 0:06:17 | 0:06:20 | |
It's got £24 on it but it's quite unusual and I was thinking of... | 0:06:20 | 0:06:25 | |
-..offering 15. -OK. | 0:06:26 | 0:06:29 | |
-I'd have to ask the dealer if he'd accept 15 on that one. -Would you? | 0:06:29 | 0:06:33 | |
Somebody can make a phone call for you and see if he'll accept. | 0:06:33 | 0:06:36 | |
-Very kind. Would you do that? -Certainly. | 0:06:36 | 0:06:38 | |
And while you're going over there, | 0:06:38 | 0:06:40 | |
just give it a little bit of thought about your pokerware box. | 0:06:40 | 0:06:43 | |
He is busy. Come on, James. Get stuck in, mate. | 0:06:43 | 0:06:46 | |
-Can I look in this one? -Certainly. | 0:06:46 | 0:06:49 | |
Look at these. I've always quite liked these. | 0:06:49 | 0:06:52 | |
-These funny go-to-beds, aren't they? -Go-to-beds. -Yeah. | 0:06:52 | 0:06:56 | |
So you keep the match in there, a load of matches in there. | 0:06:56 | 0:07:00 | |
Beautifully made. That's like a capstan isn't it? I suppose. | 0:07:00 | 0:07:03 | |
Like a ship's capstan. So it's got a nautical feel to it here. | 0:07:03 | 0:07:07 | |
Strike it on the base like that, | 0:07:07 | 0:07:09 | |
put it in the top and then off you walked upstairs. | 0:07:09 | 0:07:13 | |
That's rather fun, isn't it? 35 quid. | 0:07:13 | 0:07:15 | |
It's a bit damaged for me though. Can I look in here? | 0:07:15 | 0:07:19 | |
-Can I look at the vase? -Yeah. | 0:07:19 | 0:07:22 | |
A specimen glass with a silver top. | 0:07:22 | 0:07:25 | |
-That's quite sweet. -I think he likes it. | 0:07:25 | 0:07:27 | |
Look at that. Just tried it there, just to make sure it was all sound. | 0:07:27 | 0:07:31 | |
Has anybody told you you look quite similar to Elton John, Andrew? | 0:07:31 | 0:07:34 | |
-Has anybody told you that? -They have, actually. -Have they? | 0:07:34 | 0:07:37 | |
Yeah, like a pre-furnished Elton John. | 0:07:37 | 0:07:40 | |
What could that be? Is that, sort of... | 0:07:40 | 0:07:44 | |
I don't want to be rude but could that be eight quid? | 0:07:44 | 0:07:48 | |
-I could go with ten. -Ten. -Yeah. -What about in the middle? | 0:07:48 | 0:07:51 | |
-Just under, you know, it's quite nice. Nine. -OK then. -Could you? -Yep. | 0:07:51 | 0:07:56 | |
-Go on. There we are, well done. -Thank you. -Well done, Elton. | 0:07:56 | 0:08:00 | |
-You've done a very good job. -They got the Dwight price! | 0:08:00 | 0:08:05 | |
-Any developments anywhere else? -Have you managed to get hold of him? | 0:08:05 | 0:08:08 | |
Yes, I've spoken to him and he's agreed £15 is a fine price. | 0:08:08 | 0:08:10 | |
-I'm happy with £15. Can we shake on it? -Definitely. | 0:08:10 | 0:08:14 | |
Fantastic. Thank you very much indeed. | 0:08:14 | 0:08:16 | |
Also, have you given it a little bit of thought about the pokerwork box? | 0:08:16 | 0:08:19 | |
Yes, I have. What did you offer me again? | 0:08:19 | 0:08:22 | |
I offered you 50, which is what I think it would make at auction. | 0:08:22 | 0:08:25 | |
Could you do £60 on it? | 0:08:25 | 0:08:27 | |
I tell you what, OK, you've got something else in there... | 0:08:27 | 0:08:31 | |
-OK. -All right? Which you've only got £10 on it. | 0:08:31 | 0:08:36 | |
It's a bit quirky. The pulley dog. | 0:08:36 | 0:08:38 | |
You know, the little pulley dog you got a tenner on? | 0:08:38 | 0:08:41 | |
-The one on the wheels? -OK, yeah. -How about 60 quid for the two items? | 0:08:41 | 0:08:45 | |
-Done. -We've got a deal. -Definitely. | 0:08:45 | 0:08:47 | |
Fantastic. Thank you very much indeed. | 0:08:47 | 0:08:49 | |
-So that's £75 for two boxes and a vintage toy pooch. -Fantastic. | 0:08:49 | 0:08:55 | |
And just £9 for James's vase. | 0:08:55 | 0:08:58 | |
-A full £10. -Thank you very much. -And change. | 0:08:58 | 0:09:01 | |
Oh, very kind of you. Thank you. | 0:09:01 | 0:09:04 | |
-It's been great fun. Thank you. Bye. -Bye. | 0:09:04 | 0:09:06 | |
Time to hit the road. | 0:09:06 | 0:09:08 | |
And nighty-night. | 0:09:10 | 0:09:12 | |
It's day two of our trip to the holiday isle and thoughts are | 0:09:13 | 0:09:17 | |
already turning to their Somerset auction. | 0:09:17 | 0:09:20 | |
You want to be buying anything connected with cider and cheese. | 0:09:20 | 0:09:24 | |
-Raj, I'm not listening to you. -Quite right! | 0:09:24 | 0:09:28 | |
Last time they bought nauticalia to the Isle of Wight, | 0:09:28 | 0:09:31 | |
and that proved a flop. | 0:09:31 | 0:09:33 | |
Fine to take an interest though. | 0:09:33 | 0:09:35 | |
The first-ever hovercraft was made on the island. Ah! | 0:09:35 | 0:09:39 | |
That's more like it. | 0:09:39 | 0:09:41 | |
They're motoring towards their first shop of the day | 0:09:42 | 0:09:45 | |
in the town of Shanklin. | 0:09:45 | 0:09:47 | |
A Victorian seaside resort with a lovely esplanade | 0:09:47 | 0:09:50 | |
and some "craaazy" golf. | 0:09:50 | 0:09:53 | |
Shanklin really is quite a spot... | 0:09:53 | 0:09:56 | |
-Good luck. Don't be too lucky. -Yeah. Thank you. -Au revoir. | 0:09:56 | 0:10:00 | |
..and still terribly popular with tourists. | 0:10:00 | 0:10:02 | |
-Today it's Raj's turn to play a visit. -Nice to see you. | 0:10:02 | 0:10:06 | |
-To see you nice. -Nice to see you. -I'm Raj. -John. | 0:10:06 | 0:10:08 | |
-John, nice to meet you. -Hi, I'm Sally. -Hi, Sally. | 0:10:08 | 0:10:11 | |
-I'm going to start off with one question. -Right. | 0:10:11 | 0:10:14 | |
What is the most unusual thing you think you've got in your shop? | 0:10:14 | 0:10:18 | |
-I rather like my powder horn. -A very safe place to keep your gunpowder. | 0:10:18 | 0:10:22 | |
No metal means there's no accidental sparks or destinations. | 0:10:22 | 0:10:27 | |
It's a marriage peace. | 0:10:27 | 0:10:29 | |
There is the couple and there we have 1792, William Rudd. | 0:10:29 | 0:10:34 | |
-Now, that is a gorgeous piece. -Wow! | 0:10:36 | 0:10:38 | |
The ticket price is £2,500. | 0:10:38 | 0:10:41 | |
-Look at the condition of it. -Absolutely. | 0:10:41 | 0:10:43 | |
The colour's still in the sails. | 0:10:43 | 0:10:44 | |
I mean, it's in fantastic condition, isn't it? | 0:10:44 | 0:10:46 | |
Oh, yes, all very nice but Raj | 0:10:46 | 0:10:48 | |
will definitely not be taking it to the Frome auction. | 0:10:48 | 0:10:51 | |
So what else has John got to tempt him? | 0:10:51 | 0:10:54 | |
I mean, there's lots of antiques here but what's really nice is | 0:10:54 | 0:10:57 | |
there's some beautiful Isle of Wight glass. | 0:10:57 | 0:11:01 | |
Now, I don't know a lot about Isle of Wight glass but I do know | 0:11:01 | 0:11:05 | |
that studio glass is going to be very, very collectable | 0:11:05 | 0:11:09 | |
in the future and there's some beautiful designs here. | 0:11:09 | 0:11:13 | |
But, look. Look over here. This is beautiful. Big name. | 0:11:13 | 0:11:18 | |
I've got to get this out. This is stunning. Royal Doulton. | 0:11:18 | 0:11:23 | |
Which most people wouldn't associate with Royal Doulton, but this is | 0:11:23 | 0:11:26 | |
what is called a flambe design | 0:11:26 | 0:11:28 | |
and it's a flambe-patterned bottleneck vase. | 0:11:28 | 0:11:31 | |
Everybody buys those figurines that you see. | 0:11:31 | 0:11:33 | |
Royal Doulton figurines, you see them in every antiques shop | 0:11:33 | 0:11:36 | |
around the country, and you also see the harvest ware, the brown glaze. | 0:11:36 | 0:11:41 | |
But this, I believe, is the thing to be buying. | 0:11:41 | 0:11:44 | |
It's priced extremely reasonably at the moment | 0:11:44 | 0:11:48 | |
and it's getting rarer and rarer to find. | 0:11:48 | 0:11:51 | |
Maybe so, but £195 puts that beyond him too. | 0:11:51 | 0:11:55 | |
So if we rule out local interest and cheese... | 0:11:55 | 0:11:58 | |
-I've noticed that you've got a lot of Meccano here. -Yes. -Expensive? | 0:11:58 | 0:12:04 | |
It won't be too bad actually. It's a massive collection I bought. | 0:12:04 | 0:12:07 | |
-Give me an idea, John, what you are looking for? -I'd say about 70. | 0:12:07 | 0:12:11 | |
I'm no Meccano expert, I have to tell you that. | 0:12:11 | 0:12:14 | |
But I would be, you know... | 0:12:14 | 0:12:16 | |
My gut feeling tells me I'd be estimating the whole lot at £40-80. | 0:12:16 | 0:12:21 | |
I would happily give you the bottom end of my estimate, £40. | 0:12:21 | 0:12:25 | |
£40. Could you go 45? | 0:12:25 | 0:12:27 | |
What do you think? | 0:12:29 | 0:12:30 | |
I think with a smile like that | 0:12:30 | 0:12:32 | |
and such a lovely shop I'm not going to quibble over five pounds. | 0:12:32 | 0:12:35 | |
-We have a deal. Thank you very much indeed. -Appreciate that. -Thank you. | 0:12:35 | 0:12:38 | |
-Quite a lot for your money, Raj. -One other thing. | 0:12:38 | 0:12:41 | |
I bought a box, a military box, | 0:12:41 | 0:12:44 | |
and I've noticed that you've got some medals down here | 0:12:44 | 0:12:47 | |
and it would be nice for me to throw some medals in the box. | 0:12:47 | 0:12:50 | |
-Is there anything you can do to help? -Three for a tenner? | 0:12:50 | 0:12:53 | |
How many can you give me for a fiver? | 0:12:53 | 0:12:57 | |
-I'll give you three for a fiver as you've already spent 45. -Fantastic. | 0:12:57 | 0:13:01 | |
-Another deal. -Wonderful. -Thank you. | 0:13:01 | 0:13:03 | |
-So, £50 for John. -That's lovely. Thanks very much indeed. | 0:13:03 | 0:13:05 | |
Thank you very much. | 0:13:05 | 0:13:07 | |
And with that, Raj is off in search of his next shop. | 0:13:07 | 0:13:11 | |
Now, where has James motored to? He can't have gone far, it's an island! | 0:13:11 | 0:13:15 | |
Taking our route north towards the interior village of Arreton | 0:13:15 | 0:13:19 | |
to find out about the fascinating maritime history of the island. | 0:13:19 | 0:13:24 | |
-Hello, James. -Hello, hello. -Welcome to the Shipwreck Centre. | 0:13:25 | 0:13:29 | |
Professional diver Martin Woodward established this museum almost | 0:13:29 | 0:13:33 | |
40 years ago to exhibit some of the treasures | 0:13:33 | 0:13:35 | |
he's rescued from the deep. | 0:13:35 | 0:13:37 | |
Gold doubloons, pieces of eight... | 0:13:38 | 0:13:42 | |
-Have you discovered some? -Yes, I have. | 0:13:42 | 0:13:45 | |
I've been very lucky in my career | 0:13:45 | 0:13:47 | |
that I've recovered pretty much everything. | 0:13:47 | 0:13:49 | |
Film star looks! | 0:13:49 | 0:13:51 | |
Aristotle described the diving bell, and this contraption, | 0:13:52 | 0:13:56 | |
the first fully enclosed suit, dates from 1710. | 0:13:56 | 0:14:00 | |
But it took some British brothers to provide the breakthrough. | 0:14:00 | 0:14:04 | |
The Dean brothers were the first helmet divers and they | 0:14:04 | 0:14:08 | |
developed it as a smoke helmet to actually go into farm buildings | 0:14:08 | 0:14:13 | |
to actually recover people. | 0:14:13 | 0:14:14 | |
-I see. So fire brigades. -Yeah. | 0:14:14 | 0:14:16 | |
Going into barns and saving lives. So, going underwater. | 0:14:16 | 0:14:20 | |
In 1829, they did the first recovery of commercial cargo | 0:14:20 | 0:14:24 | |
off the Isle of Wight. | 0:14:24 | 0:14:26 | |
They recovered these copper ingots, called a plate ingot. | 0:14:26 | 0:14:29 | |
-You know, roughly cast. -Yeah. Just roughly cast. | 0:14:29 | 0:14:32 | |
Bear in mind the ship was only just sunk below the surface | 0:14:32 | 0:14:36 | |
so he could put a ladder down and climb down there | 0:14:36 | 0:14:39 | |
and he made these wonderful diagrams. | 0:14:39 | 0:14:41 | |
That sounds like easy coal, doesn't it? | 0:14:41 | 0:14:44 | |
Of course, they were very popular with the East India Company | 0:14:44 | 0:14:48 | |
and whoever else wanted cargo recovered. | 0:14:48 | 0:14:51 | |
Now, copper ingots are all very well | 0:14:51 | 0:14:53 | |
but they don't really set the pulse racing. | 0:14:53 | 0:14:55 | |
The brothers pulled that off a few years later. | 0:14:55 | 0:14:59 | |
This is more valuable to me than a gold doubloon or a piece of eight | 0:14:59 | 0:15:03 | |
is this was actually recovered by John Dean | 0:15:03 | 0:15:06 | |
-in 1836 from the Mary Rose... -Really? | 0:15:06 | 0:15:09 | |
Because some fishermen got their gear caught on this wreck, | 0:15:09 | 0:15:13 | |
John Dean went over to help them out and he recovered this piece of wood. | 0:15:13 | 0:15:16 | |
So it predates the Mary Rose actually being recovered in 1981. | 0:15:16 | 0:15:21 | |
But the sinking of 'Enry VIII's famous battleship in 1545 | 0:15:21 | 0:15:26 | |
was merely one of the better-known wrecks | 0:15:26 | 0:15:28 | |
that have occurred around the island. | 0:15:28 | 0:15:31 | |
Am I right in saying that this southern isle | 0:15:31 | 0:15:34 | |
is also known as the Shipwreck Isle? | 0:15:34 | 0:15:36 | |
It is, it faces a vast expanse of water and we always talk | 0:15:36 | 0:15:41 | |
about lee shores, which is the shore where the ships got driven | 0:15:41 | 0:15:45 | |
onto by the prevailing wind, which was south-west. | 0:15:45 | 0:15:48 | |
If you go in a straight line from the south-west side of the | 0:15:48 | 0:15:51 | |
Isle of Wight the next thing you get is South America. | 0:15:51 | 0:15:54 | |
As a result of that, there's probably 1,000 wrecks | 0:15:54 | 0:15:57 | |
-in that one 14-mile section. -Really? | 0:15:57 | 0:16:00 | |
-And 2,000 wrecks around the whole Isle of Wight. -Goodness. | 0:16:00 | 0:16:04 | |
-You're in the right place, aren't you? -Yeah. | 0:16:04 | 0:16:07 | |
Over the years, the Shipwreck Isle has also been the Smuggling Isle | 0:16:09 | 0:16:13 | |
and even the Pirate Isle, with the centre able to display | 0:16:13 | 0:16:16 | |
many recovered examples of their stock in trade. | 0:16:16 | 0:16:20 | |
-These are the classic pieces of eight. -Pieces of eight. | 0:16:20 | 0:16:23 | |
A lot of people think pieces of eight are gold. | 0:16:23 | 0:16:24 | |
They're not. They're silver. | 0:16:24 | 0:16:26 | |
But as long as the weight was correct, | 0:16:26 | 0:16:27 | |
it didn't matter what shape it came out. | 0:16:27 | 0:16:29 | |
The South American mines, Mexico, Peru, Lima, | 0:16:29 | 0:16:32 | |
they were churning out millions of these. | 0:16:32 | 0:16:35 | |
The Spanish mined huge quantities of this | 0:16:35 | 0:16:37 | |
and shipped it back for international trade. | 0:16:37 | 0:16:40 | |
And besides all that diving for booty, there's also been an awful | 0:16:40 | 0:16:44 | |
lot of bravery displayed by the islanders over the years | 0:16:44 | 0:16:48 | |
as they've attempted to rescue the crews of those wrecked ships. | 0:16:48 | 0:16:52 | |
We've actually got the oldest surviving RNLI lifeboat, | 0:16:52 | 0:16:55 | |
-it was our Bembridge lifeboat from 1887 to 1902. -Really? | 0:16:55 | 0:17:01 | |
Fantastic old boat, and they were always there, | 0:17:01 | 0:17:04 | |
prepared to help their fellow mariners. | 0:17:04 | 0:17:06 | |
And before lifeboats, how did you help a ship in peril? | 0:17:06 | 0:17:11 | |
Well, these people, the longshoremen in their small fishing boats, | 0:17:11 | 0:17:14 | |
went off and risked their own lives to help people who were on wrecks, | 0:17:14 | 0:17:19 | |
and there's endless stories back on the island | 0:17:19 | 0:17:22 | |
where there was acts of heroism regularly. | 0:17:22 | 0:17:24 | |
From 1860 onwards, they put a lifeboat there | 0:17:24 | 0:17:27 | |
to carry on that good work. | 0:17:27 | 0:17:29 | |
And this was all done with people with oars. | 0:17:29 | 0:17:31 | |
I've rowed those old lifeboats. | 0:17:31 | 0:17:33 | |
I have rowed that one we've got on the front here and every time I pull | 0:17:33 | 0:17:36 | |
one of those oars I think, "My God, | 0:17:36 | 0:17:38 | |
-"those guys were tough in those days." -They were tough. | 0:17:38 | 0:17:41 | |
Fortunately, I knew some that rowed that very boat and they told me | 0:17:41 | 0:17:45 | |
stories about going out, soaking wet for hours, coming back exhausted. | 0:17:45 | 0:17:50 | |
Meanwhile, staying firmly on dry land, | 0:17:53 | 0:17:56 | |
although with a nice sea view, | 0:17:56 | 0:17:58 | |
Raj has made his way to the far west of the island and Freshwater, | 0:17:58 | 0:18:01 | |
noted for its cliffs, | 0:18:01 | 0:18:03 | |
the 1970 performance of this maestro and the fact that the poet laureate | 0:18:03 | 0:18:09 | |
Alfred Lord Tennyson also lived around here. | 0:18:09 | 0:18:12 | |
-Hello there. -Hi. | 0:18:12 | 0:18:14 | |
-You must be Val. -I certainly am. -Hello, I'm Raj. -Nice to meet you. | 0:18:14 | 0:18:17 | |
Lovely to meet you too. | 0:18:17 | 0:18:19 | |
Plenty tucked away in here with something of an eastern flavour, | 0:18:19 | 0:18:22 | |
as well as items from closer to home. | 0:18:22 | 0:18:25 | |
These are really lovely. They are quite unique to the Isle of Wight. | 0:18:25 | 0:18:29 | |
They do these sand pictures and sand sculptures. | 0:18:29 | 0:18:31 | |
What a lovely present to take back from the Isle of Wight, | 0:18:31 | 0:18:34 | |
these beautiful sand pictures. I mean, some of them are gorgeous. | 0:18:34 | 0:18:38 | |
Very sustainable too. | 0:18:38 | 0:18:40 | |
Although there's always the nautical option, of course. | 0:18:40 | 0:18:45 | |
I mean, this is great. These are a set of signal flags. Oh, man. | 0:18:45 | 0:18:49 | |
I should consider buying these. These are lovely. | 0:18:49 | 0:18:52 | |
I don't think I've seen a set before. | 0:18:52 | 0:18:54 | |
I mean, they have no great age to them, | 0:18:54 | 0:18:56 | |
they're not antique or anything but what a lovely thing to own! | 0:18:56 | 0:19:01 | |
I don't see him saluting it just yet, though. | 0:19:01 | 0:19:04 | |
Now, James, lest we forget, | 0:19:04 | 0:19:07 | |
has thus far parted with a mere £9 on the island | 0:19:07 | 0:19:09 | |
as he heads to the resort of Ventnor. | 0:19:09 | 0:19:12 | |
Famously sunny, although not today, sadly. | 0:19:12 | 0:19:17 | |
-Hello. -Hello, James. Welcome to Ventnor. -Hello. | 0:19:17 | 0:19:20 | |
Thank you very much indeed. | 0:19:20 | 0:19:22 | |
Jackie's shop seems to be a mix of traditional antiques, | 0:19:23 | 0:19:25 | |
local art and the odd curio. | 0:19:25 | 0:19:28 | |
This looks rather smart. What's this? | 0:19:28 | 0:19:30 | |
One of these funny mouthpieces or something? | 0:19:30 | 0:19:32 | |
"Edwardian speaking tube". | 0:19:32 | 0:19:35 | |
I'm not sure I've ever seen an Edwardian speaking tube. | 0:19:35 | 0:19:39 | |
As used in ships, offices and even posh cars. | 0:19:39 | 0:19:43 | |
-So you've got a whistle as well. -WHISTLE SOUNDS | 0:19:43 | 0:19:45 | |
And then you just... Hello! | 0:19:45 | 0:19:49 | |
-God, it's a beautifully made object, isn't it? -It is, yes. 1910. | 0:19:49 | 0:19:55 | |
-Almost snakelike. -Interesting start. | 0:19:55 | 0:19:59 | |
What can Jackie recommend though? | 0:19:59 | 0:20:01 | |
-I can see something. -There we are. You see? -Daum of Nancy. | 0:20:01 | 0:20:05 | |
The Daum studio in the French city of Nancy | 0:20:05 | 0:20:09 | |
was one of the great names of Art Nouveau glass. | 0:20:09 | 0:20:12 | |
-Beautifully tactile. -It is, yes. | 0:20:12 | 0:20:14 | |
-What could that be? -I can do that for £45. -£45. | 0:20:14 | 0:20:18 | |
Well, I think that is potentially... | 0:20:18 | 0:20:21 | |
I think I'd be all over that really because it is actually an antique. | 0:20:21 | 0:20:25 | |
It is, yes. | 0:20:25 | 0:20:26 | |
-Yep, brownie points for that. -Lovely colour. | 0:20:26 | 0:20:29 | |
-You can imagine that somewhere. Well, that's interesting. -Very. | 0:20:29 | 0:20:34 | |
I think he might be back. | 0:20:34 | 0:20:36 | |
Plus, there's apparently a bit of a bargain department here. | 0:20:36 | 0:20:40 | |
-This is more your house clearance side. -This is the boys' shed. | 0:20:40 | 0:20:43 | |
We've got a sort of barometer here with a sliding scale. | 0:20:43 | 0:20:46 | |
Chromium plated. | 0:20:46 | 0:20:49 | |
It's an aneroid barometer so it works on a spring. | 0:20:49 | 0:20:52 | |
Hey, good news - set fair. | 0:20:52 | 0:20:56 | |
-How much have you got on it, Jackie? -That can be £15. -£15. | 0:20:56 | 0:21:01 | |
-That is... I'm definitely going to buy that. -OK. | 0:21:01 | 0:21:03 | |
So, £15 for that and 45 for the Daum. I think my work is done here. | 0:21:03 | 0:21:09 | |
With barometer and bowl for a total of £60. | 0:21:09 | 0:21:13 | |
-Thank you very much. Thank you. -Thank you. Well, thank you. | 0:21:13 | 0:21:16 | |
No, thank you. Thank you. James is now up to speed. | 0:21:16 | 0:21:20 | |
# If you go down to Freshwater today... # | 0:21:21 | 0:21:24 | |
The two teddies. Could I have a little look at them? | 0:21:24 | 0:21:26 | |
Of course you can. | 0:21:26 | 0:21:27 | |
What's happened to this one then? Poor little thing. | 0:21:27 | 0:21:31 | |
I don't know anything about them, just that they're sort of quite sad. | 0:21:31 | 0:21:34 | |
They are. I bought one of these, | 0:21:34 | 0:21:37 | |
about the same period, a little pull toy... | 0:21:37 | 0:21:40 | |
-He's right. Splendid fellow. -..and these would go lovely with it. | 0:21:40 | 0:21:44 | |
-Yes, lovely. No price, though. -Give me an idea. | 0:21:44 | 0:21:48 | |
How much do you want to pay? | 0:21:48 | 0:21:50 | |
-You shouldn't be asking me something like that. -I know! | 0:21:50 | 0:21:52 | |
I was thinking about £30. | 0:21:52 | 0:21:55 | |
-Mm. -Why the long pause, Val? | 0:21:55 | 0:21:58 | |
I've had them in the shop for ages and I've had, actually, | 0:21:59 | 0:22:03 | |
a couple of people wanting to buy them off me and I've always said no. | 0:22:03 | 0:22:08 | |
You're not going to say no to me, are you, Val? | 0:22:08 | 0:22:11 | |
Would you go to 40? | 0:22:11 | 0:22:13 | |
-Val, without a question of a doubt I will go to £40. -OK. | 0:22:13 | 0:22:18 | |
-Let's shake hands on it. Thank you so much. -Picnic, chaps? | 0:22:18 | 0:22:22 | |
-Come on, you babies. -Nighty-night. | 0:22:22 | 0:22:25 | |
At least they've got a teddy each. | 0:22:25 | 0:22:27 | |
So, day three of our Isle of Wight mini break. | 0:22:29 | 0:22:32 | |
But they're not just here for the Ryde. Who writes it? | 0:22:32 | 0:22:35 | |
James, I think you need to go and do some shopping. | 0:22:35 | 0:22:38 | |
-I'm going to have to drop you off. -Busy, busy, busy, eh? | 0:22:38 | 0:22:41 | |
Especially Raj, who started with that fuel can and hasn't stopped, | 0:22:41 | 0:22:46 | |
picking up some Meccano, a pokerwork box, | 0:22:46 | 0:22:49 | |
a military box and some medals, | 0:22:49 | 0:22:51 | |
plus a pull-along dog and two teddy bears... | 0:22:51 | 0:22:53 | |
You're not going to say no to me are you, though, Val? | 0:22:55 | 0:22:57 | |
..leaving him with just under £90. | 0:22:57 | 0:23:00 | |
While James has thus far plumped for a Daum bowl, | 0:23:00 | 0:23:04 | |
a barometer and a glass vase. | 0:23:04 | 0:23:07 | |
Has anybody told you you look quite similar to Elton John? | 0:23:07 | 0:23:10 | |
Leave his back alone! | 0:23:10 | 0:23:12 | |
Meanwhile, he still has over 150 left in his wallet. | 0:23:12 | 0:23:15 | |
I've got to dig deep. A little thought has got to go into this. | 0:23:15 | 0:23:18 | |
He's feeling the pressure. | 0:23:18 | 0:23:20 | |
Later they'll be rolling onto the ferry and heading off to an auction | 0:23:20 | 0:23:23 | |
in Somerset at Frome, but our first stop is in the village of Chale. | 0:23:23 | 0:23:27 | |
Well, that's - whoops-a-daisy! - where James is supposed to be headed | 0:23:33 | 0:23:36 | |
but it looks like this car-boot sale may have caught his eye. | 0:23:36 | 0:23:39 | |
Lordy, watch out, girls! | 0:23:39 | 0:23:41 | |
A glorious day but everybody's packing up now so I'll have to work | 0:23:41 | 0:23:45 | |
very quickly around this one and try and find a bargain. | 0:23:45 | 0:23:48 | |
Bless it, it's a Bambi. Look at that. | 0:23:50 | 0:23:53 | |
It must have kicked off hours ago. Better get a move on, James. | 0:23:53 | 0:23:57 | |
Hello. What's this? What's your log basket? | 0:23:57 | 0:24:01 | |
-It's a log basket. -It's a log basket. | 0:24:01 | 0:24:03 | |
It's lovely. It's Dutch in style, isn't it? These boxes? | 0:24:03 | 0:24:06 | |
So you have them by the fire and these were all the sort of | 0:24:06 | 0:24:08 | |
tortuous things that you would have in the room. | 0:24:08 | 0:24:11 | |
These were the things that people had to polish, weren't they? | 0:24:11 | 0:24:14 | |
So it's made of brass so it's embossed brass with scenes | 0:24:14 | 0:24:18 | |
after the Dutch masters. | 0:24:18 | 0:24:20 | |
This is an inn scene here, and they require | 0:24:20 | 0:24:24 | |
-a lot of polishing and nobody really wants to polish now. -Wet wipes. | 0:24:24 | 0:24:28 | |
-Is that the secret? Wet wipes? -Wet wipes are the future. | 0:24:28 | 0:24:31 | |
You heard it here first. | 0:24:31 | 0:24:33 | |
These are all the things packed away, are they? Onward ho! | 0:24:33 | 0:24:36 | |
I think we could do without the barometer, couldn't we? | 0:24:36 | 0:24:39 | |
Looking at 20 quid, the lot. | 0:24:39 | 0:24:41 | |
-And if I didn't want the contents, how much would the box be? -Tenner. | 0:24:41 | 0:24:45 | |
-Tenner. -Sometimes it helps to be the last customer. | 0:24:45 | 0:24:49 | |
-What time did you get here this morning? -Quarter past eight. | 0:24:49 | 0:24:52 | |
Quarter past eight, well done. | 0:24:52 | 0:24:54 | |
-Good day? -Not too bad, thank you. | 0:24:54 | 0:24:56 | |
Even better if you get that for a tenner. | 0:24:56 | 0:25:00 | |
-How about five? -Cheeky monkey! -I am a cheeky monkey. -How about 12? | 0:25:00 | 0:25:04 | |
Hold on, hold on. Reverse psychology. | 0:25:04 | 0:25:07 | |
I'll meet you in the middle. Eight. | 0:25:07 | 0:25:08 | |
-Eight pounds. -Thank you. Thank you very much indeed. | 0:25:08 | 0:25:11 | |
And take all the clutter out, won't you?! | 0:25:11 | 0:25:14 | |
He is cheeky. | 0:25:14 | 0:25:15 | |
ALL LAUGH | 0:25:15 | 0:25:16 | |
Well, that was well worth an unofficial stopover - | 0:25:17 | 0:25:20 | |
and, while James sorts out the fine detail... | 0:25:20 | 0:25:23 | |
..Raj is behind the wheel... | 0:25:26 | 0:25:28 | |
Here we go, come on - up this hill. | 0:25:28 | 0:25:29 | |
..manfully coping with the topography. | 0:25:29 | 0:25:32 | |
Come on, baby, let's go. | 0:25:33 | 0:25:35 | |
I think he's talking to the car, on the way back to Freshwater | 0:25:35 | 0:25:38 | |
to find out about pioneering photographer | 0:25:38 | 0:25:41 | |
and island resident Julia Margaret Cameron. | 0:25:41 | 0:25:44 | |
-Hi, there. I'm Raj. -Hi, Raj. I'm Rachel. | 0:25:44 | 0:25:47 | |
-Nice to meet you. -Welcome to Julia Margaret Cameron's home. | 0:25:47 | 0:25:50 | |
-Can I show you around? -You certainly can. -Excellent. | 0:25:50 | 0:25:54 | |
So, when did she actually live here? | 0:25:54 | 0:25:56 | |
She first came to Freshwater in about 1860. | 0:25:56 | 0:26:00 | |
She was visiting her great friend Alfred, Lord Tennyson, the poet, | 0:26:00 | 0:26:03 | |
who lived just up the road at Farringford. | 0:26:03 | 0:26:05 | |
She liked it so much she bought a house, | 0:26:05 | 0:26:07 | |
and she lived here for about the next 15 years. | 0:26:07 | 0:26:10 | |
In 1863, at the age of 48, Cameron was given her first camera - | 0:26:10 | 0:26:15 | |
a bit like this one - by her daughter, to "keep her occupied"... | 0:26:15 | 0:26:19 | |
This is the first gallery we're going to look at. | 0:26:19 | 0:26:24 | |
..but she took her new hobby very seriously, | 0:26:24 | 0:26:27 | |
and, within a short time, | 0:26:27 | 0:26:28 | |
the highly unconventional photographs she created here | 0:26:28 | 0:26:31 | |
were making waves. | 0:26:31 | 0:26:33 | |
She has a...a definite... There's a feel about her work. | 0:26:33 | 0:26:37 | |
-You can see it, can't you? It stands out. -Absolutely, | 0:26:37 | 0:26:40 | |
and she really does establish her own style of photography. | 0:26:40 | 0:26:45 | |
These really dramatically lit, heavily staged portraits | 0:26:45 | 0:26:50 | |
are not something that anyone else is doing at this time. | 0:26:50 | 0:26:52 | |
Although nowadays she is acknowledged as hugely influential, | 0:26:52 | 0:26:56 | |
Cameron's pictures were often criticised by contemporaries, | 0:26:56 | 0:26:59 | |
who insisted that photography | 0:26:59 | 0:27:01 | |
was for scientific documentation, and not art. | 0:27:01 | 0:27:04 | |
She's not bothered about the convention of being precise, | 0:27:04 | 0:27:09 | |
and people were not happy | 0:27:09 | 0:27:11 | |
about the way in which she was fine with it being out of focus, | 0:27:11 | 0:27:15 | |
that she was fine with there being sort of drips and fingerprints | 0:27:15 | 0:27:19 | |
and little bits of wrongness in the photograph. | 0:27:19 | 0:27:22 | |
So, everything didn't need to be perfect, in her eyes. | 0:27:22 | 0:27:24 | |
-Absolutely not. -She almost wanted it to be like this. | 0:27:24 | 0:27:27 | |
Absolutely, and that's the thing. Perhaps the blurriness | 0:27:27 | 0:27:30 | |
-is really what makes it a great image. -Yeah. | 0:27:30 | 0:27:33 | |
However, her portraits were very warmly received | 0:27:33 | 0:27:36 | |
by the painters of the Pre-Raphaelite movement, | 0:27:36 | 0:27:38 | |
and she responded by capturing many of their likenesses. | 0:27:38 | 0:27:42 | |
Also, of course, images of her famous neighbour and friend. | 0:27:42 | 0:27:46 | |
This is not just a portrait of Alfred Tennyson, | 0:27:46 | 0:27:49 | |
the great poet of the day, | 0:27:49 | 0:27:51 | |
it's a creative expression of his bohemian-ness, | 0:27:51 | 0:27:55 | |
as she perceived it to be and she was a huge fan of his. | 0:27:55 | 0:27:59 | |
Cameron shrewdly copyrighted her images, | 0:27:59 | 0:28:02 | |
and she was keen to see them exhibited. | 0:28:02 | 0:28:04 | |
There are some more pictures in the next gallery if you'd like to... | 0:28:04 | 0:28:07 | |
-Oh, I'd love to see them. Yes. -Fantastic. -After you. | 0:28:07 | 0:28:09 | |
Although her portraits include many significant historical figures, | 0:28:09 | 0:28:13 | |
like this image of Charles Darwin, | 0:28:13 | 0:28:15 | |
Cameron's work was about much more than Victorian celebrity. | 0:28:15 | 0:28:19 | |
She took many, many pictures of different kinds of people. | 0:28:19 | 0:28:23 | |
This one here, for example, is her maid, Mary Hillier, | 0:28:23 | 0:28:27 | |
and she's photographed Mary more than any other individual person. | 0:28:27 | 0:28:31 | |
She also took photographs of local children, local people, | 0:28:31 | 0:28:35 | |
anybody that she felt was interesting and could serve a role | 0:28:35 | 0:28:38 | |
in the creative image she was trying to make. | 0:28:38 | 0:28:41 | |
I think her legacy is really the case that she made | 0:28:41 | 0:28:45 | |
for photography to be considered an art form. | 0:28:45 | 0:28:49 | |
She's paved the way for every art photographer who's come since. | 0:28:49 | 0:28:53 | |
Meanwhile, further along the coast, | 0:28:55 | 0:28:57 | |
back at the village of Chale - as in kale - | 0:28:57 | 0:29:00 | |
James has finally turned up at his intended destination. | 0:29:00 | 0:29:04 | |
Not that it's obviously a shop. | 0:29:04 | 0:29:07 | |
-Hello, Nina. -Hello. -Hello. Who's this? | 0:29:07 | 0:29:09 | |
This is Buckley. | 0:29:09 | 0:29:10 | |
Buckley, Buckley. Cor, what a big a boy! | 0:29:10 | 0:29:13 | |
So, why Buckley? | 0:29:13 | 0:29:15 | |
-He was born on Christmas Day. -Yeah. | 0:29:15 | 0:29:18 | |
We named him after Jeff Buckley, the Hallelujah tune. | 0:29:18 | 0:29:21 | |
The Hallelujah tune. | 0:29:21 | 0:29:23 | |
Down, boy! This collie's got a bone to bury. | 0:29:23 | 0:29:26 | |
After you. | 0:29:26 | 0:29:28 | |
So, it's just Nina and James to explore within, | 0:29:28 | 0:29:31 | |
where a good old nose could come in handy. | 0:29:31 | 0:29:34 | |
That's a light fitting and a half, isn't it? | 0:29:34 | 0:29:37 | |
Yeah. Bargain vision's what's required. | 0:29:37 | 0:29:40 | |
-I like that. -Well, I got that the other day. -Did you? | 0:29:40 | 0:29:42 | |
-Yeah. -Ooh, fresh goods. That's what I like to see. | 0:29:42 | 0:29:44 | |
-Yeah, but it's not for sale. -Why? -Cos it's in the... | 0:29:44 | 0:29:46 | |
-Everything's for sale. -..part of the display. -Come on. | 0:29:46 | 0:29:48 | |
-How much for the carboy? -It's not for sale. | 0:29:48 | 0:29:50 | |
Of course it is. | 0:29:50 | 0:29:52 | |
Relax, I'm sure there's plenty that is. | 0:29:52 | 0:29:55 | |
-What are the boards here? -Oh, that is a great big long painting, | 0:29:55 | 0:30:00 | |
and it takes up the whole wall. | 0:30:00 | 0:30:02 | |
-And what is it of? -London Bridge. | 0:30:02 | 0:30:05 | |
-So, it's a big... -But it is magnificent when it's all... | 0:30:05 | 0:30:08 | |
-Big mural. -Yeah. -How much have you got on that? | 0:30:08 | 0:30:10 | |
-Is that for sale? -That is for sale, but that's 600. | 0:30:10 | 0:30:14 | |
It's either can't buy or can't afford. | 0:30:14 | 0:30:17 | |
LID CLATTERS Ooh, stand lively. | 0:30:17 | 0:30:19 | |
-What is this funny thing? -It's a little majolica. It's from Italy. | 0:30:20 | 0:30:24 | |
Made in Italy, Pisa, and it's just got a nice | 0:30:24 | 0:30:28 | |
sort of...sgraffito, that scratch, yeah. Very interesting, isn't it? | 0:30:28 | 0:30:33 | |
So, how much have you got on this? | 0:30:33 | 0:30:35 | |
-Best I can do on that is 35. -35... | 0:30:35 | 0:30:39 | |
I don't think I'd make a profit on that. | 0:30:39 | 0:30:41 | |
Which is a shame. | 0:30:41 | 0:30:42 | |
Fair enough. | 0:30:42 | 0:30:43 | |
Is that sound, that pot? | 0:30:43 | 0:30:45 | |
Erm...yes, it is. | 0:30:45 | 0:30:47 | |
It's heavy, though. Oh, there we go. | 0:30:47 | 0:30:50 | |
Bread pan. Doulton. | 0:30:50 | 0:30:52 | |
It's like a dough bin. | 0:30:52 | 0:30:53 | |
You'd make your dough, and then you take bits off, | 0:30:53 | 0:30:56 | |
and then you put it in the oven progressively during the week. | 0:30:56 | 0:30:59 | |
And they would have a sort of a wooden top to it. | 0:30:59 | 0:31:01 | |
HE TAPS | 0:31:01 | 0:31:02 | |
Seems to ring all right, doesn't it? | 0:31:02 | 0:31:04 | |
Cor! Ugh! | 0:31:07 | 0:31:10 | |
Need to be a weightlifter for that! | 0:31:10 | 0:31:11 | |
Man up, James, come on. | 0:31:11 | 0:31:13 | |
Sir Henry Doulton made his fortune from the development of London. | 0:31:13 | 0:31:16 | |
He did all the sort of pipework for the sewers, and things like that. | 0:31:16 | 0:31:20 | |
Improved bread pan, made by Doulton, still in Lambeth in London. | 0:31:20 | 0:31:24 | |
-I was born in Lambeth. -Oh, was you? -Yeah. | 0:31:24 | 0:31:26 | |
It's the way he walks. Heh, heh! | 0:31:26 | 0:31:28 | |
-Nina, how about eight quid for that? -Oh, no, I couldn't. | 0:31:28 | 0:31:31 | |
What can you let it go for? | 0:31:31 | 0:31:33 | |
-12? -Definitely not. I'm thinking more on the 25 mark. | 0:31:33 | 0:31:38 | |
People are still into this kind of decorative. | 0:31:38 | 0:31:41 | |
Sorry, where are the crowds? | 0:31:43 | 0:31:45 | |
The hordes of people, Nina? | 0:31:45 | 0:31:47 | |
They're still into it, are they? | 0:31:47 | 0:31:49 | |
15, my final offer. | 0:31:49 | 0:31:51 | |
20...and we've done a deal. | 0:31:51 | 0:31:53 | |
I tell you what, difference, and I'll weight it in your favour, 18. | 0:31:53 | 0:31:57 | |
-Done. -Come on. Put it there. Well done, Nina. | 0:31:57 | 0:32:00 | |
Now she just needs the dough. | 0:32:00 | 0:32:03 | |
-Right, let's go. -Right. You all right with that? | 0:32:03 | 0:32:05 | |
Yeah, I'm all right. I'm all muscles. | 0:32:05 | 0:32:07 | |
That staggering deal... | 0:32:07 | 0:32:09 | |
-Ooh, blimey, that's a weight, isn't it? -Watch your step, there. | 0:32:09 | 0:32:11 | |
-Thank you, Nina. -Bye. -Thanks a lot. -Thanks very much. | 0:32:11 | 0:32:13 | |
..wraps up our shopping, and our time on the island... | 0:32:13 | 0:32:16 | |
FOGHORN | 0:32:16 | 0:32:18 | |
I think that's a ship's horn. | 0:32:18 | 0:32:19 | |
..but at least we have the snaps. | 0:32:19 | 0:32:21 | |
-What you think? -That you! -It's a great photo, isn't it? | 0:32:21 | 0:32:24 | |
That looks very good. What a handsome fellow. | 0:32:24 | 0:32:26 | |
1870s, here we come. | 0:32:26 | 0:32:28 | |
Shall we wave goodbye? | 0:32:28 | 0:32:29 | |
I think we should. | 0:32:29 | 0:32:31 | |
Now, let's take a look at what they've snapped up. | 0:32:31 | 0:32:34 | |
Hah! | 0:32:34 | 0:32:36 | |
James spent just £95 on a vase, | 0:32:36 | 0:32:39 | |
a barometer, | 0:32:39 | 0:32:40 | |
a Daum bowl, | 0:32:40 | 0:32:41 | |
a log box, | 0:32:41 | 0:32:43 | |
and that dough bin. | 0:32:43 | 0:32:45 | |
While Raj parted with £170 for a petrol tin, | 0:32:45 | 0:32:50 | |
some Meccano, | 0:32:50 | 0:32:52 | |
a pokerwork box, | 0:32:52 | 0:32:54 | |
a military box and medals, | 0:32:54 | 0:32:56 | |
two teddies and a doggy on wheels. | 0:32:56 | 0:32:58 | |
So, who's best in show, and who's been sold a pup? | 0:32:58 | 0:33:02 | |
I particularly like his pokerwork box. | 0:33:02 | 0:33:05 | |
It's got real craft about it, | 0:33:05 | 0:33:07 | |
it's got great design about it. | 0:33:07 | 0:33:08 | |
I'm not sure how saleable the brass log box is, | 0:33:08 | 0:33:12 | |
but, at £8, what a gift. | 0:33:12 | 0:33:14 | |
The one thing that I would swap for is the Meccano. | 0:33:14 | 0:33:18 | |
There's a boy within us all, | 0:33:18 | 0:33:20 | |
and I think Meccano always does well at auction. | 0:33:20 | 0:33:23 | |
After setting off from Wootton, | 0:33:23 | 0:33:25 | |
our seadogs will shortly be landlubbers once more | 0:33:25 | 0:33:29 | |
at the auction in Somerset at Frome. | 0:33:29 | 0:33:32 | |
I don't know about you, James, but I'm getting a little bit wet. | 0:33:32 | 0:33:35 | |
-Yeah... -It's actually coming in. | 0:33:35 | 0:33:37 | |
There seem to be gaps in the canvas everywhere. | 0:33:37 | 0:33:41 | |
There's no such thing as bad weather. It's poor clothing. | 0:33:41 | 0:33:44 | |
I always like a travel run. | 0:33:44 | 0:33:45 | |
As long as you look after your knees, | 0:33:45 | 0:33:47 | |
the rest of your body will be all right. | 0:33:47 | 0:33:49 | |
Come rain or shine, Cooper & Tanner has been auctioneering | 0:33:49 | 0:33:53 | |
around here for over a century | 0:33:53 | 0:33:55 | |
so, while our two squeeze into a packed house, | 0:33:55 | 0:33:58 | |
let's have the sage thoughts of gavel-wielder Dennis Barnard. | 0:33:58 | 0:34:03 | |
The dough bin, it is Doulton, it's in very, very good condition, | 0:34:04 | 0:34:08 | |
and it's the sort of thing that a farmhouse kitchen | 0:34:08 | 0:34:11 | |
would look a lot better with. | 0:34:11 | 0:34:13 | |
That might be the most expensive item - £50-£60. | 0:34:13 | 0:34:17 | |
Meccano always sells well. | 0:34:17 | 0:34:18 | |
There's a lot of it, the box is there, | 0:34:18 | 0:34:21 | |
so I hope that will sell extremely well. | 0:34:21 | 0:34:23 | |
The log box, I think, it's, like me, rather old and jaded, | 0:34:23 | 0:34:27 | |
and I would be amazed if it fetches in excess of £15. | 0:34:27 | 0:34:31 | |
Wet wipes, Dennis. Haven't you heard? | 0:34:31 | 0:34:34 | |
-Got a room full of people. -Yeah, it's good, isn't it? -Yeah. | 0:34:34 | 0:34:37 | |
All clutching a tenner. | 0:34:37 | 0:34:38 | |
First under the hammer - or, should that be spanner? | 0:34:40 | 0:34:43 | |
Raj's Meccano set. | 0:34:43 | 0:34:45 | |
Start me at £20, somebody, on the Meccano. | 0:34:45 | 0:34:47 | |
£20? | 0:34:47 | 0:34:49 | |
£10 note to start, then. £10 note, we got. | 0:34:49 | 0:34:51 | |
15. 20. Five? | 0:34:51 | 0:34:55 | |
20 with you. It's a sharing, £20. | 0:34:55 | 0:34:57 | |
I would have thought this... Come on, keep going. | 0:34:57 | 0:34:59 | |
30? 30. | 0:34:59 | 0:35:01 | |
-Five? -35. -35. | 0:35:01 | 0:35:03 | |
-That's cheap. Oh, no! -Eight, anywhere? | 0:35:03 | 0:35:05 | |
£35, then. It's going to be gone... | 0:35:05 | 0:35:08 | |
-Come on! -..at £35... | 0:35:08 | 0:35:10 | |
Argh! | 0:35:12 | 0:35:13 | |
Painful start, Raj. | 0:35:13 | 0:35:15 | |
What we don't know is what he paid for it. | 0:35:15 | 0:35:17 | |
Only £150. | 0:35:17 | 0:35:19 | |
Mustn't tell lies, sir, this is a very reputable auction room. | 0:35:21 | 0:35:24 | |
Well said, Dennis. Still a loss, though. Early days. | 0:35:26 | 0:35:30 | |
I always find if you make a loss on the first one, | 0:35:30 | 0:35:33 | |
you know, it sets a trend. | 0:35:33 | 0:35:34 | |
All, does it? Fantastic. Thank you, James(!) | 0:35:34 | 0:35:37 | |
Let's now sample James' wares, the little vase. | 0:35:38 | 0:35:41 | |
It's gone quiet. | 0:35:41 | 0:35:42 | |
We need silence, complete silence for this item. | 0:35:42 | 0:35:45 | |
Who's going to start me at £20 on 488? £20. | 0:35:45 | 0:35:49 | |
20, we've got. | 0:35:49 | 0:35:51 | |
Going straight in at 20. Excellent, yeah. | 0:35:51 | 0:35:53 | |
25, 25. 30, 30. | 0:35:53 | 0:35:56 | |
And five? 35 and 40. | 0:35:56 | 0:35:58 | |
No? 35, on the left. At 35. | 0:35:58 | 0:36:00 | |
Lovely spreading bottom. | 0:36:00 | 0:36:01 | |
Caught me already, I knew it. | 0:36:01 | 0:36:03 | |
£35. | 0:36:03 | 0:36:05 | |
-You've gone a bit quiet... -No! He's very happy with that. | 0:36:05 | 0:36:07 | |
-Very happy. Very happy. -Are you? | 0:36:07 | 0:36:09 | |
He paid 95 for that. | 0:36:09 | 0:36:10 | |
Pay them no attention. Fibbers, both. | 0:36:12 | 0:36:15 | |
-That's a great start for you, isn't it? -That's a great start. £35. | 0:36:15 | 0:36:18 | |
You've wiped out my lead just like that. | 0:36:18 | 0:36:20 | |
Time for Raj's joint lot of medals and box. | 0:36:20 | 0:36:24 | |
Who's going to start me at £10? 10? | 0:36:24 | 0:36:27 | |
Ten - the box is worth it. | 0:36:27 | 0:36:28 | |
12. 15. 18. | 0:36:28 | 0:36:31 | |
20 in the middle? 20. | 0:36:31 | 0:36:33 | |
22, 24. | 0:36:33 | 0:36:34 | |
26, 28, 30. | 0:36:34 | 0:36:37 | |
32, 34? | 0:36:37 | 0:36:39 | |
32, in the middle. 34 anywhere? | 0:36:39 | 0:36:41 | |
34. 36. 38, sir? | 0:36:41 | 0:36:45 | |
-Ooh, well done. -Still cheap. | 0:36:45 | 0:36:46 | |
40, William? 40. | 0:36:46 | 0:36:48 | |
-42... -You can put it down now, sir. -44, 46. | 0:36:48 | 0:36:52 | |
48? | 0:36:52 | 0:36:53 | |
-46, with the red hat. -Keep going, keep going! Lovely. | 0:36:53 | 0:36:56 | |
All done at £46. | 0:36:56 | 0:36:58 | |
-Fantastic! -46! -Well done, auctioneer. | 0:36:59 | 0:37:02 | |
LAUGHTER | 0:37:02 | 0:37:04 | |
Can you say that again, sir? | 0:37:05 | 0:37:07 | |
Nobody's ever said that before in my life. | 0:37:07 | 0:37:10 | |
Surely not, Dennis? | 0:37:10 | 0:37:12 | |
-Are you an auctioneer? -Yes. -Both? -Yes. | 0:37:12 | 0:37:14 | |
How long have you been auctioneers? | 0:37:14 | 0:37:15 | |
-Er, I've been an auctioneer for 25 years. -I've done 65. -Really? | 0:37:15 | 0:37:20 | |
I started when I was 15. | 0:37:20 | 0:37:22 | |
-WOMAN: -Liar! | 0:37:22 | 0:37:23 | |
Now everyone's being economical. Hah! | 0:37:23 | 0:37:26 | |
Now, that bargain barometer. | 0:37:26 | 0:37:28 | |
Where will it point, James? Storm? | 0:37:28 | 0:37:30 | |
Start me somebody, on the barometer, at £10. | 0:37:30 | 0:37:34 | |
£10 note we've got. 15. | 0:37:34 | 0:37:36 | |
20. Five? | 0:37:36 | 0:37:38 | |
30. Five? | 0:37:38 | 0:37:41 | |
Two? 32. | 0:37:41 | 0:37:43 | |
35. 38, sir? | 0:37:43 | 0:37:45 | |
38? 35, right at the back. Anybody else coming in? | 0:37:45 | 0:37:48 | |
-35. -All done at 35. | 0:37:48 | 0:37:51 | |
Well done. | 0:37:52 | 0:37:53 | |
-Lucky it was sold, the bezel... -Why, has she just dropped it? | 0:37:53 | 0:37:55 | |
-..the bezel's just come off! -Oh, God! | 0:37:55 | 0:37:58 | |
Well, it's another fine profit, anyway. | 0:37:58 | 0:38:00 | |
-You can't complain at that. -I can't complain. | 0:38:00 | 0:38:02 | |
-No, your profit, profit, profit. -You're smiling, now. | 0:38:02 | 0:38:04 | |
-You thought it was going to make more. -Yeah, I did. | 0:38:04 | 0:38:07 | |
Next, it's Raj's slightly pricey pokerwork box. | 0:38:07 | 0:38:11 | |
Remind me, how much did you pay? | 0:38:11 | 0:38:13 | |
(55.) | 0:38:13 | 0:38:14 | |
Start me at £20. | 0:38:16 | 0:38:17 | |
-£20? Surely £20? -Come on! -Ten, ten. | 0:38:17 | 0:38:20 | |
You've got 15. | 0:38:20 | 0:38:21 | |
You've got 20. | 0:38:21 | 0:38:23 | |
You've got 25, Dan? | 0:38:23 | 0:38:24 | |
-Keep it going. -That's all right. | 0:38:24 | 0:38:26 | |
35, sir. | 0:38:26 | 0:38:27 | |
40. 45. | 0:38:27 | 0:38:29 | |
-45! -45. | 0:38:29 | 0:38:31 | |
50. Five? | 0:38:31 | 0:38:33 | |
60? | 0:38:33 | 0:38:34 | |
55, right at the back at 55. | 0:38:34 | 0:38:36 | |
Oh, a bit more. It's worth more than that. | 0:38:36 | 0:38:38 | |
60, quickly? | 0:38:38 | 0:38:39 | |
Can't make it up, sir. I've got the bidding at £55. | 0:38:39 | 0:38:41 | |
At £55 with you, Dan. | 0:38:41 | 0:38:44 | |
I think he'll be relieved at that. | 0:38:44 | 0:38:46 | |
Now, all the way from Nancy, James' bowl. | 0:38:46 | 0:38:50 | |
Shall I start at £45? | 0:38:50 | 0:38:53 | |
Who's got 50? | 0:38:53 | 0:38:55 | |
£50 for this bowl. | 0:38:55 | 0:38:58 | |
£50. 50. 52. | 0:38:58 | 0:39:00 | |
52. 55. 60 on the book. | 0:39:00 | 0:39:03 | |
65 with you, madam. At 65. | 0:39:03 | 0:39:06 | |
Who's got 70? | 0:39:06 | 0:39:08 | |
70, now, quickly. It's all gone quiet. | 0:39:08 | 0:39:10 | |
65. I'm going to sell at 65. Are we all done at 65? | 0:39:10 | 0:39:15 | |
It's yours, madam, at £65. | 0:39:15 | 0:39:18 | |
She looks pleased and why not? | 0:39:18 | 0:39:21 | |
-Clean bill of health for me, so far. -I know, I know. | 0:39:21 | 0:39:23 | |
Clean bill of health. | 0:39:23 | 0:39:24 | |
What can Raj's can do? | 0:39:24 | 0:39:26 | |
Perhaps the can-can. Heh! | 0:39:26 | 0:39:28 | |
They won't believe this - | 0:39:28 | 0:39:30 | |
I'm going to start off with a bid on the book at £6. | 0:39:30 | 0:39:32 | |
-BOTH: -Wahey! | 0:39:32 | 0:39:34 | |
Let's go for it! | 0:39:34 | 0:39:36 | |
Who's got £8 for the petrol can? | 0:39:36 | 0:39:38 | |
Lovely - eight, eight. Right at the back at £8. | 0:39:38 | 0:39:41 | |
Eight. Who's got ten? | 0:39:41 | 0:39:42 | |
Ten, now. ten. | 0:39:42 | 0:39:44 | |
12. | 0:39:44 | 0:39:45 | |
15. 18. | 0:39:45 | 0:39:47 | |
That's all right, that was a fiver, wasn't it? | 0:39:47 | 0:39:50 | |
At £15. Are we all done? | 0:39:50 | 0:39:52 | |
18. | 0:39:52 | 0:39:53 | |
-18! -Keep going! -Keep winkling them out. -Yeah! | 0:39:53 | 0:39:56 | |
£18. That's yours, £18. | 0:39:56 | 0:39:58 | |
Another fine profit for Raj | 0:39:58 | 0:40:00 | |
and James has had nothing but, so far. | 0:40:00 | 0:40:04 | |
-I'm a baker, myself. -I know. -I'm a bread baker. | 0:40:04 | 0:40:06 | |
Focaccia and I... Like that. | 0:40:06 | 0:40:09 | |
Everybody wants it, so I'm going to start at £12. | 0:40:09 | 0:40:12 | |
Wahey! | 0:40:12 | 0:40:13 | |
-15. -Wow. -18, 20. | 0:40:13 | 0:40:16 | |
-25. -Well, it's going, it's going. -30? | 0:40:16 | 0:40:18 | |
28? 28. 30. | 0:40:18 | 0:40:21 | |
32. 35. | 0:40:21 | 0:40:23 | |
38. 40. | 0:40:23 | 0:40:26 | |
Five? 50. | 0:40:26 | 0:40:28 | |
Five? | 0:40:28 | 0:40:29 | |
-50 with you, sir. At £50. -What a lot of dough. | 0:40:29 | 0:40:31 | |
-It is a lot! -RAJ CHORTLES | 0:40:31 | 0:40:33 | |
£50. All done at £50. | 0:40:33 | 0:40:36 | |
Dennis predicted as much. | 0:40:36 | 0:40:38 | |
Is that any good, chaps? | 0:40:39 | 0:40:40 | |
-Yes! -Thank you, sir. | 0:40:40 | 0:40:41 | |
-Thank you. -Is that all right? -Very good. | 0:40:41 | 0:40:43 | |
Now, children, time for Raj's soft toys. | 0:40:43 | 0:40:47 | |
They don't look like bear lovers to me, this lot. | 0:40:47 | 0:40:49 | |
-Fiver? How much did you pay for the lot? -45. | 0:40:49 | 0:40:53 | |
Oh, start all that again! | 0:40:53 | 0:40:55 | |
And I'm starting at £20. | 0:40:55 | 0:40:58 | |
Good luck. | 0:40:58 | 0:40:59 | |
22. 24. 26. | 0:40:59 | 0:41:02 | |
28. 30. | 0:41:02 | 0:41:05 | |
-32. -34, keep going. | 0:41:05 | 0:41:07 | |
34? | 0:41:07 | 0:41:08 | |
No? 32 with the lady. | 0:41:08 | 0:41:10 | |
-At £32. -Oh, no. | 0:41:10 | 0:41:12 | |
-34. -34. -36? | 0:41:12 | 0:41:14 | |
-34 with you, Stephen. 34. -It's worth it, keep going! | 0:41:14 | 0:41:17 | |
-36 anywhere? -Lovely teddy bears. | 0:41:17 | 0:41:18 | |
At £34. | 0:41:18 | 0:41:21 | |
-Another loss. -34! | 0:41:21 | 0:41:22 | |
Another loss. | 0:41:22 | 0:41:23 | |
Hah, yes, but think of the happy smiling faces. | 0:41:23 | 0:41:27 | |
Now, James, if you got one weakness, this is it. | 0:41:27 | 0:41:30 | |
Sounds like wishful thinking, Raj. | 0:41:31 | 0:41:33 | |
My colleague says that brass and copper is coming back. | 0:41:33 | 0:41:36 | |
Oh, no! | 0:41:36 | 0:41:37 | |
Whether I shall live long enough to see that, I'm not absolutely sure. | 0:41:37 | 0:41:41 | |
Start me at £10. | 0:41:41 | 0:41:43 | |
£10 for the box, quickly. | 0:41:43 | 0:41:44 | |
£10? Five, then, if you must. | 0:41:44 | 0:41:46 | |
-Well done. -Five. -Well done, that man. | 0:41:46 | 0:41:48 | |
Eight, eight, eight. And ten? Ten. | 0:41:48 | 0:41:50 | |
12, now, sir? 12. | 0:41:50 | 0:41:52 | |
-15? -You've done it. I can't believe it! | 0:41:52 | 0:41:54 | |
At £12. At 12, 12. 15. | 0:41:54 | 0:41:57 | |
-18 by the door. -18 by the door! | 0:41:57 | 0:41:59 | |
It's a last rally! | 0:41:59 | 0:42:01 | |
18 over there, by the door. I can't see you, I can just see your hand. | 0:42:01 | 0:42:05 | |
-I don't believe it! -20. -£20. | 0:42:05 | 0:42:07 | |
-Oh, my goodness! -By the door! | 0:42:07 | 0:42:10 | |
-24 by the door. 26. 28? -26! -26! | 0:42:10 | 0:42:13 | |
It's a late rally. It's like the markets - late rally. 30! | 0:42:13 | 0:42:16 | |
Go on, sir! | 0:42:16 | 0:42:18 | |
-By the door £30. At £30. -That's it! | 0:42:18 | 0:42:21 | |
I'm off. I've had it. | 0:42:21 | 0:42:23 | |
Yep, for this auction, you have. | 0:42:23 | 0:42:25 | |
Looks very much like James' lucky day. | 0:42:25 | 0:42:28 | |
-Well done today. -Well done. -Fantastic. | 0:42:28 | 0:42:30 | |
Raj began with £257.60, | 0:42:31 | 0:42:34 | |
and he made a loss after auction costs of £15.84, | 0:42:34 | 0:42:39 | |
so, his current total is... | 0:42:39 | 0:42:42 | |
Whilst James started out with £228.10 | 0:42:46 | 0:42:50 | |
and he made a profit after costs of £81.30, | 0:42:50 | 0:42:54 | |
so, he takes the lead with... | 0:42:54 | 0:42:56 | |
-What a lovely auctioneer he was. -Oh, fantastic. | 0:42:58 | 0:43:00 | |
He was a lovely, lovely auctioneer. | 0:43:00 | 0:43:03 | |
I'm beginning to like Somerset. | 0:43:03 | 0:43:04 | |
Pip-pip, then! | 0:43:04 | 0:43:06 | |
Next time on the Antiques Road Trip... | 0:43:08 | 0:43:09 | |
Here's an interesting pamphlet. | 0:43:09 | 0:43:11 | |
It's The Facts Of Life. | 0:43:11 | 0:43:12 | |
..and James has a puzzle to solve... | 0:43:12 | 0:43:14 | |
I hate to think where that goes. | 0:43:14 | 0:43:17 | |
..but who will hit the top of the class? | 0:43:17 | 0:43:19 |