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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:05 | |
-What a job. -..with £200 each... -You with me? -..a classic car... | 0:00:05 | 0:00:08 | |
-Buckle up. -..and a goal, to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
Oh, sorry. | 0:00:11 | 0:00:13 | |
Ha-ha! | 0:00:13 | 0:00:14 | |
The aim, to make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:19 | |
-There'll be worthy winners... -Yes! -..and valiant losers. | 0:00:19 | 0:00:22 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Have a good trip. | 0:00:27 | 0:00:28 | |
This is the Antiques Road Trip! | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's just over the midway point for our daring duo, | 0:00:35 | 0:00:39 | |
experts Catherine Southern... | 0:00:39 | 0:00:41 | |
-I'm your chauffeur. -..and a specialist in scientific instruments, by the way. | 0:00:41 | 0:00:46 | |
And Raj Bisram, who runs a busy saleroom in Kent. | 0:00:46 | 0:00:48 | |
I can do the wipers. | 0:00:48 | 0:00:49 | |
You're just the co-pilot. Wipers on, dear. | 0:00:49 | 0:00:52 | |
Do you like being told what to do? | 0:00:53 | 0:00:55 | |
Ha! They're in deepest Derbyshire, | 0:00:55 | 0:00:57 | |
home to the Bakewell tart and inspiration for | 0:00:57 | 0:00:59 | |
Jane Austen's Pride And Prejudice. The two are not connected, I think! | 0:00:59 | 0:01:03 | |
There's a stone, isn't there, that comes from Derbyshire? | 0:01:03 | 0:01:05 | |
A very famous stone. | 0:01:05 | 0:01:07 | |
-Oh, um...Blue John. -That's it, Blue John. | 0:01:07 | 0:01:10 | |
-Blue John, that's what I'm going to buy. -You see? I've given you another, ANOTHER heads up. | 0:01:10 | 0:01:16 | |
It's the penultimate road trip for our MGB-ers, | 0:01:16 | 0:01:19 | |
so is it time to splash the cash or play it safe? | 0:01:19 | 0:01:22 | |
Let's see. | 0:01:22 | 0:01:23 | |
All I ask is that you're going to spend a bit of money today. | 0:01:23 | 0:01:27 | |
I am, I am, definitely, I'm going to have a lovely lunch. | 0:01:27 | 0:01:30 | |
But... | 0:01:30 | 0:01:31 | |
He is naughty. | 0:01:34 | 0:01:35 | |
And likes to hold on to his pennies. | 0:01:35 | 0:01:37 | |
I would like you, by the end of today, to say to me, | 0:01:37 | 0:01:41 | |
"Catherine, I have spent £200 on one item." | 0:01:41 | 0:01:45 | |
-Really? -Oh, that would make my day. | 0:01:45 | 0:01:48 | |
Yeah, I bet it would, I bet it would! | 0:01:48 | 0:01:50 | |
From his original £200, | 0:01:50 | 0:01:53 | |
Raj has increased his pot to a whopping £311.80. | 0:01:53 | 0:01:59 | |
While Catherine, who began with the same sum, now has £375.08. | 0:01:59 | 0:02:05 | |
As I'm shortly about to go into the lead, | 0:02:05 | 0:02:08 | |
I think I might buy you dinner. | 0:02:08 | 0:02:10 | |
Whoa, whoa! Don't count your chickens, Raj! | 0:02:10 | 0:02:14 | |
We are totting up the miles on this road trip, | 0:02:14 | 0:02:16 | |
which started off in Cambridge and carried on around East Anglia, | 0:02:16 | 0:02:20 | |
before heading both north and west, towards the Peak District. | 0:02:20 | 0:02:24 | |
The trip will continue through the West Midlands to finish up | 0:02:24 | 0:02:27 | |
over 600 miles later in Bristol. | 0:02:27 | 0:02:30 | |
Today, we begin in the Amber Valley, | 0:02:30 | 0:02:32 | |
in the town of Sandiacre, | 0:02:32 | 0:02:34 | |
and end at auction in Middle Littleton, in Worcestershire. | 0:02:34 | 0:02:38 | |
And Catherine, good egg that she is, | 0:02:38 | 0:02:41 | |
is dropping Raj off at his first shopping stop, | 0:02:41 | 0:02:45 | |
Sandiacre Antiques. | 0:02:45 | 0:02:46 | |
-Perfecto. -Perfect. Wish me luck. | 0:02:48 | 0:02:51 | |
My first item, £65 profit. | 0:02:51 | 0:02:54 | |
Happy shopping. Be thrifty. | 0:02:54 | 0:02:57 | |
You don't need to tell him twice! | 0:02:58 | 0:03:00 | |
With just £60 or so separating our experts, it's game on! | 0:03:04 | 0:03:09 | |
Raj, what's the plan? | 0:03:09 | 0:03:11 | |
I'm not going to take too many risks this time. | 0:03:11 | 0:03:13 | |
I'm just going to buy things that maybe can make me 10, £20. | 0:03:13 | 0:03:16 | |
That's all I'm kind of looking for. | 0:03:16 | 0:03:18 | |
But, you never know, | 0:03:18 | 0:03:19 | |
you might find that one thing that can make you a lot of money. | 0:03:19 | 0:03:22 | |
These are really nice early tennis rackets, | 0:03:24 | 0:03:29 | |
this one is an actual Dunlop one, and it's got its brace with it, | 0:03:29 | 0:03:32 | |
which you don't often see. | 0:03:32 | 0:03:34 | |
The ones that you really want to collect | 0:03:34 | 0:03:37 | |
are the ones that have got fishtail handles, | 0:03:37 | 0:03:40 | |
the handle looks like a fishtail, | 0:03:40 | 0:03:43 | |
they can be worth somewhere between 50 to £100. | 0:03:43 | 0:03:46 | |
So, it's "out" for the tennis rackets, | 0:03:46 | 0:03:48 | |
but any pointers where Raj might serve up an ace? | 0:03:48 | 0:03:52 | |
Oh, now, that's helpful. | 0:03:52 | 0:03:54 | |
They are quite reasonably priced, they are commemorative plates, | 0:03:56 | 0:04:00 | |
but what's unusual about them is that they look | 0:04:00 | 0:04:03 | |
as if they are porcelain, or fine China. | 0:04:03 | 0:04:06 | |
But, actually, they are made of tin. | 0:04:06 | 0:04:08 | |
At least you won't break them. | 0:04:08 | 0:04:10 | |
-Look out. -To be honest, they look better from a distance... | 0:04:10 | 0:04:13 | |
-Don't we all? -..than they do close up. They are made by Portlandware, | 0:04:13 | 0:04:17 | |
this is Queen Elizabeth II, obviously, and Prince Philip there. | 0:04:17 | 0:04:21 | |
They are from the 1950s. | 0:04:24 | 0:04:26 | |
They're in good condition | 0:04:26 | 0:04:28 | |
and, hopefully, they should make at auction 10 to £15. | 0:04:28 | 0:04:32 | |
So cheap, Raj. | 0:04:32 | 0:04:33 | |
Are you sure that's not treason? | 0:04:33 | 0:04:36 | |
We'll leave Raj to ponder his tin plates and catch up with Catherine, | 0:04:36 | 0:04:39 | |
who's taken our route eight miles north to Heanor, | 0:04:39 | 0:04:43 | |
and Heanor Antiques Centre in the Amber Valley. | 0:04:43 | 0:04:45 | |
-Hello. Hi. -Hi! Who might you be? | 0:04:45 | 0:04:48 | |
-Lovely to meet you. -Lovely to meet you. You are? -I'm Jane. | 0:04:48 | 0:04:51 | |
-Hello, Jane. I'm Catherine. -And I'm Tim! | 0:04:51 | 0:04:54 | |
Catherine has four floors of antiques to explore here, | 0:04:54 | 0:04:58 | |
and around 200 dealers' stock to wade through. | 0:04:58 | 0:05:01 | |
Time to get a shifty on, eh? Look at all that lot. | 0:05:01 | 0:05:04 | |
Look what I found, now this is something that really floats my boat. | 0:05:04 | 0:05:09 | |
So this China was made for first-class passengers, the diners, | 0:05:09 | 0:05:13 | |
of the Olympic and the Titanic. | 0:05:13 | 0:05:15 | |
This one is not from the Titanic, | 0:05:15 | 0:05:17 | |
it's probably something that was made for diners of the Olympic. | 0:05:17 | 0:05:21 | |
A little butter pat. | 0:05:21 | 0:05:24 | |
And I think that's so lovely. | 0:05:24 | 0:05:25 | |
This turquoise and brown pattern is not particularly attractive in my | 0:05:25 | 0:05:29 | |
mind, but it's something that if you see it, pounce on it, | 0:05:29 | 0:05:32 | |
because it's something that is always worth buying. | 0:05:32 | 0:05:36 | |
However, this little butter pat, £225. | 0:05:36 | 0:05:39 | |
So, today, it is not for me. | 0:05:39 | 0:05:42 | |
-WHISPERING: -But I love it. | 0:05:42 | 0:05:43 | |
Well, that is one gone down the river, then. | 0:05:43 | 0:05:46 | |
Fear not, Jane may have something Catherine could fancy. | 0:05:46 | 0:05:51 | |
What about this, Catherine? | 0:05:51 | 0:05:52 | |
-Oh, that's pretty. -It's a Georgian pin brooch. | 0:05:52 | 0:05:56 | |
-Sea pearls. -Sea pearls are natural pearls, measuring | 0:05:56 | 0:05:59 | |
less than two millimetres in diameter, | 0:05:59 | 0:06:01 | |
perfect for jewellery and chopping in half. | 0:06:01 | 0:06:03 | |
I think it's lovely, delightful, is it yours? | 0:06:03 | 0:06:05 | |
-Yes. -What sort of price are you asking? -70. | 0:06:05 | 0:06:08 | |
SHE GULPS | 0:06:08 | 0:06:10 | |
Was that a gulp, Catherine? | 0:06:10 | 0:06:11 | |
-I can probably negotiate a bit on it. -Can you? I like it a lot... | 0:06:11 | 0:06:16 | |
But not anywhere near... | 0:06:16 | 0:06:17 | |
What about...50? | 0:06:17 | 0:06:20 | |
Shall we put that to one side as a possibility? I do like it, | 0:06:20 | 0:06:23 | |
let me just pop that in there. | 0:06:23 | 0:06:25 | |
-Thank you very much. -I'll put it on the counter for you. -Lovely. | 0:06:25 | 0:06:29 | |
Hm. Still plenty to rootle through, though. Look out, what's this? | 0:06:29 | 0:06:33 | |
What has caught my eye... | 0:06:33 | 0:06:34 | |
..is this. | 0:06:36 | 0:06:37 | |
First of all, you might think a very boring pair of binoculars. | 0:06:37 | 0:06:41 | |
And, yes, they are. They're French, they're towards the end of the 19th century, | 0:06:41 | 0:06:46 | |
and the actual barrels themselves are not decorated. | 0:06:46 | 0:06:50 | |
They're a sort of ivory, creamy colour and, quite frankly, boring. | 0:06:50 | 0:06:54 | |
But what is interesting is this delightful handle, | 0:06:54 | 0:06:59 | |
but I have never seen one like that, that's painted with a cherub. | 0:06:59 | 0:07:04 | |
Really unusual. | 0:07:04 | 0:07:05 | |
It might actually not be associated with this pair of binoculars, | 0:07:05 | 0:07:09 | |
it's a really nice handle. | 0:07:09 | 0:07:11 | |
Don't like the binoculars, love the handle. | 0:07:11 | 0:07:13 | |
£58. | 0:07:13 | 0:07:14 | |
Time to see Jane. | 0:07:16 | 0:07:17 | |
I found a pair of opera glasses with the handle, I'll be honest with you, | 0:07:20 | 0:07:25 | |
Jane, I really don't like the opera glasses at all. | 0:07:25 | 0:07:28 | |
-No. -But I love the handle. -Yes, it's lovely. | 0:07:28 | 0:07:30 | |
OK, this is marked up at 58, | 0:07:30 | 0:07:33 | |
I wondered if we could do a deal on the two. | 0:07:33 | 0:07:37 | |
I'll give you an offer, tell me what you think. | 0:07:37 | 0:07:40 | |
How does £40 on the two sound? | 0:07:40 | 0:07:43 | |
Sounds cheeky to me. | 0:07:43 | 0:07:44 | |
-On the two? -Is that a bit too cheeky? | 0:07:44 | 0:07:47 | |
45, and you've got a deal. | 0:07:47 | 0:07:49 | |
-Really? -Yes. | 0:07:49 | 0:07:51 | |
-Jane, that's fantastic. -Well, that was unexpected. | 0:07:51 | 0:07:54 | |
So, that's £20 for the plain opera glasses with the decorative handle, | 0:07:54 | 0:07:59 | |
and 25 for the sea pearl brooch. | 0:07:59 | 0:08:01 | |
That is an excellent first shop. | 0:08:01 | 0:08:04 | |
-Thank you, lovely to see you. -Thanks very much. -Thank you. -Bye-bye. | 0:08:04 | 0:08:07 | |
Let's see if Raj has found anything | 0:08:07 | 0:08:09 | |
other than tin plates back in Sandicare. | 0:08:09 | 0:08:12 | |
Well, we're going to the countryside. | 0:08:12 | 0:08:15 | |
This is quite a nice-looking walking stick. | 0:08:17 | 0:08:20 | |
Ticket price, £14. | 0:08:20 | 0:08:21 | |
I would be quite happy to walk around with this. | 0:08:21 | 0:08:23 | |
It's nice that it's got the horn handles on it, | 0:08:23 | 0:08:25 | |
it's even got a copper collar there as well. | 0:08:25 | 0:08:27 | |
And to be honest, I'm going back to my old ways, | 0:08:27 | 0:08:30 | |
I'm going to offer a fiver. | 0:08:30 | 0:08:31 | |
Oh, Raj! | 0:08:31 | 0:08:33 | |
Catherine said to be thrifty, not mean. | 0:08:33 | 0:08:36 | |
Is dealer Christina feeling generous? Stand by. | 0:08:36 | 0:08:39 | |
-Those two commemorative plates. -Mm-hm. | 0:08:39 | 0:08:41 | |
They're not normally my kind of thing but what's so nice about them | 0:08:41 | 0:08:44 | |
is, cos I know they're tin, and they're really well done. | 0:08:44 | 0:08:48 | |
-Very unusual. -They look like porcelain plates. | 0:08:48 | 0:08:51 | |
If I could buy those for a fiver... | 0:08:51 | 0:08:55 | |
OK. | 0:08:55 | 0:08:56 | |
-What you think? -Yeah. -Are you happy with that? -Yes, happy with that. | 0:08:56 | 0:08:59 | |
OK. I think that the auction is in the country. | 0:08:59 | 0:09:04 | |
-Lots of people go walking, and I've seen a walking stick, which is quite nice. -Uh-oh... | 0:09:04 | 0:09:08 | |
Gird your loins, girl. | 0:09:08 | 0:09:09 | |
Could you do the two items for £10? | 0:09:09 | 0:09:12 | |
OK... | 0:09:12 | 0:09:14 | |
Um... | 0:09:14 | 0:09:15 | |
For you, yes. | 0:09:16 | 0:09:18 | |
Are you sure? You're happy with that? | 0:09:18 | 0:09:19 | |
-Yes. -In that case, I am going to shake your hand. | 0:09:19 | 0:09:22 | |
-OK. -Thank you very much. | 0:09:22 | 0:09:23 | |
-You're welcome. -I found something in the end. -Good. | 0:09:23 | 0:09:26 | |
Raj has bagged himself two tin plates and a walking stick for a tenner. | 0:09:26 | 0:09:30 | |
That's cheap. Who knows what Catherine will have to say about that? | 0:09:30 | 0:09:34 | |
Taking a break from shopping, Catherine has made her | 0:09:35 | 0:09:38 | |
way to the southeastern edge of the Peak District, | 0:09:38 | 0:09:41 | |
and the National Tramway Museum, in the village of Crich. | 0:09:41 | 0:09:45 | |
She has come to learn about | 0:09:45 | 0:09:46 | |
the inspirational women who kept Britain moving during World War I, | 0:09:46 | 0:09:50 | |
and how their contribution to the war effort led | 0:09:50 | 0:09:53 | |
to the first-ever strike for equal pay for women. | 0:09:53 | 0:09:57 | |
Oh, I think that's my tram! | 0:09:57 | 0:10:00 | |
Hello. | 0:10:00 | 0:10:01 | |
I'm Catherine. | 0:10:01 | 0:10:02 | |
I'm Laura, I'm the curator here at the National Tramway Museum. | 0:10:02 | 0:10:06 | |
-Shall we go for a ride? -Love to. | 0:10:06 | 0:10:08 | |
Trams like the Chesterfield would have been in use when the Great War | 0:10:08 | 0:10:11 | |
brought great change. | 0:10:11 | 0:10:13 | |
Especially for some women. | 0:10:13 | 0:10:15 | |
The tramways were very supportive of the war effort, | 0:10:15 | 0:10:18 | |
they released men to go fight, | 0:10:18 | 0:10:20 | |
they encouraged people to actually join up and enlist. | 0:10:20 | 0:10:23 | |
They were struggling to run the trams, therefore | 0:10:23 | 0:10:27 | |
you have this massive shift, for the first time, | 0:10:27 | 0:10:29 | |
women are actually on board the trams, crewing them. | 0:10:29 | 0:10:33 | |
Initially, the tramway managers were resistant to the idea of women | 0:10:33 | 0:10:37 | |
working on trams, | 0:10:37 | 0:10:38 | |
citing the physical work and even unruly passengers as too much for their | 0:10:38 | 0:10:42 | |
female sensibilities. | 0:10:42 | 0:10:44 | |
However, the need for trams to keep moving outweighed any objections. | 0:10:44 | 0:10:49 | |
You know, you get loads of cases where, actually, | 0:10:49 | 0:10:51 | |
you hear the women saying they are really enjoying the work. | 0:10:51 | 0:10:54 | |
I bet they did, though, cos such a change from their normal work. | 0:10:54 | 0:10:57 | |
Women proved that they were every bit as capable as the men they replaced. | 0:10:57 | 0:11:01 | |
One job was to switch the connector pole at the end of the line to allow | 0:11:03 | 0:11:06 | |
the tram to do a return trip and travel in the opposite direction. | 0:11:06 | 0:11:10 | |
-What do I do? -If you want to grab hold of the end of the rope first of all, and take it out the loop. | 0:11:10 | 0:11:16 | |
Right. | 0:11:16 | 0:11:18 | |
Gosh, that's easier said than done. | 0:11:18 | 0:11:19 | |
If you want to pull it straight down off the line. | 0:11:19 | 0:11:22 | |
-And if you want to start walking round in quite a large circle. -It's heavy! | 0:11:22 | 0:11:26 | |
How long would this normally take? | 0:11:26 | 0:11:28 | |
It varies from person to person. | 0:11:28 | 0:11:30 | |
I've got no circulation in my hands! | 0:11:30 | 0:11:34 | |
-There we go. -There we are. | 0:11:34 | 0:11:36 | |
Right, there we go! | 0:11:36 | 0:11:38 | |
Easy-peasy. | 0:11:38 | 0:11:40 | |
Working on the trams might be physically hard work, | 0:11:40 | 0:11:42 | |
but in the early 1900s, modesty was paramount. | 0:11:42 | 0:11:46 | |
Right, OK, so this is something that they would wear? | 0:11:46 | 0:11:50 | |
It is, it is a very typical replica of what a uniform would have been | 0:11:50 | 0:11:54 | |
during the First World War, | 0:11:54 | 0:11:56 | |
obviously for the men and the general managers, | 0:11:56 | 0:11:58 | |
they had to have all these considerations about what would be | 0:11:58 | 0:12:01 | |
-"appropriate" at the time. -Right, OK. | 0:12:01 | 0:12:04 | |
Which is why you have the length of the skirt down to the ankle. | 0:12:04 | 0:12:07 | |
Part of the uniform also coined their nickname, the clippy girls. | 0:12:07 | 0:12:10 | |
So that's where the nickname comes from, from the punch. | 0:12:10 | 0:12:13 | |
And we just happen to have one up here as well for you. | 0:12:13 | 0:12:16 | |
So it's an original one that would have been used on the tramways. | 0:12:16 | 0:12:19 | |
It's heavy, isn't it? This is from 1914? | 0:12:19 | 0:12:22 | |
Yes, so it's definitely one of the type | 0:12:22 | 0:12:24 | |
that would have been used during the war period. | 0:12:24 | 0:12:26 | |
So take the ticket, and you just pop it in the slot, like that. | 0:12:26 | 0:12:29 | |
-That's it. -And then pushed down on the bottom part, and it should ring. | 0:12:29 | 0:12:34 | |
Fantastic. | 0:12:34 | 0:12:35 | |
-So I'm officially a clippy girl now. -You are indeed, yes. | 0:12:35 | 0:12:38 | |
At the time, transport was the second biggest employer of women | 0:12:38 | 0:12:42 | |
next to the civil service. | 0:12:42 | 0:12:44 | |
And with the suffragette movement in the headlines, | 0:12:44 | 0:12:46 | |
talk of women's equality was rapidly gaining ground. | 0:12:46 | 0:12:50 | |
So this is our Rothesay Tramways Company ledger, | 0:12:50 | 0:12:53 | |
so it records what they were actually paid during the war period. | 0:12:53 | 0:12:57 | |
-So this... -Goodness. -..is the wage allocation sheet. | 0:12:57 | 0:13:02 | |
This is 1915. | 0:13:02 | 0:13:03 | |
A conductor, just here, | 0:13:03 | 0:13:05 | |
now he is getting paid 18 shillings and six for that week's work, | 0:13:05 | 0:13:09 | |
and then you've got the conductresses, | 0:13:09 | 0:13:11 | |
and she's actually being paid 13 shillings and six. | 0:13:11 | 0:13:15 | |
-Gosh. -So quite a bit less. -For doing exactly the same days? | 0:13:15 | 0:13:19 | |
-Yes. -And they were well aware of this, the women. | 0:13:19 | 0:13:22 | |
Yes, very much so, which is where you get the strike action coming from. | 0:13:22 | 0:13:26 | |
In August 1918, a group of women tram workers went on strike over demands for equal pay. | 0:13:26 | 0:13:32 | |
The strike spread across the country and is considered to be | 0:13:32 | 0:13:35 | |
the first-ever unionised industrial action by | 0:13:35 | 0:13:38 | |
women in favour of equal pay. | 0:13:38 | 0:13:41 | |
And do you think it really shaped the way | 0:13:41 | 0:13:44 | |
-that women were paid in the future? -I think so, yes, | 0:13:44 | 0:13:47 | |
you do have examples where the women did actually have success and they were being | 0:13:47 | 0:13:51 | |
paid equally, but on the other hand, | 0:13:51 | 0:13:53 | |
you did also have a few tramways who didn't. | 0:13:53 | 0:13:56 | |
So it is a bit of a mixed bag but it certainly in the longer term | 0:13:56 | 0:13:59 | |
had a benefit for women, and progressing forwards. | 0:13:59 | 0:14:03 | |
After the war, the clippy girls had to make way for the return of the | 0:14:03 | 0:14:06 | |
surviving men. However, thanks to their contribution to the tramways, | 0:14:06 | 0:14:10 | |
the advancement of equal female rights had begun. | 0:14:10 | 0:14:15 | |
Meanwhile, Raj is headed to Belper in the Amber Valley. So far, | 0:14:15 | 0:14:20 | |
he has barely made a dent in his £311 budget, spending just £10. | 0:14:20 | 0:14:26 | |
Maybe something pricey will catch his eye in Derwentshire Antiques. | 0:14:26 | 0:14:30 | |
-Hello, there. -Hello. How are you? -I'm Raj. -Hello, Raj, I'm Colin. | 0:14:32 | 0:14:35 | |
Well, there's certainly plenty here. | 0:14:35 | 0:14:39 | |
That is a really quite nice, attractive stool. | 0:14:39 | 0:14:42 | |
-Look at that. -Doesn't look very comfy. | 0:14:42 | 0:14:45 | |
Besides, there's no time for loafing, you've got a bag of cash to spend. | 0:14:45 | 0:14:49 | |
Perhaps dealer Andy can encourage you to part with it. | 0:14:51 | 0:14:55 | |
What about these pieces? | 0:14:55 | 0:14:57 | |
In somebody's conservatory, | 0:14:57 | 0:15:00 | |
with a little bit of planty, ferny things in. | 0:15:00 | 0:15:03 | |
Isn't this something you pee in? | 0:15:04 | 0:15:06 | |
It is. | 0:15:06 | 0:15:07 | |
Maybe something else? | 0:15:08 | 0:15:10 | |
A stone trough, that could be very cheap. | 0:15:11 | 0:15:15 | |
-Just a thought. -It is. Do you know something, it might be a thought, | 0:15:15 | 0:15:18 | |
-if it was priced right. -We can talk turkey. | 0:15:18 | 0:15:22 | |
Raj is fluent in that. | 0:15:22 | 0:15:23 | |
What could that be? | 0:15:23 | 0:15:26 | |
-That... -Yeah? -..could be £18. | 0:15:27 | 0:15:32 | |
-Today is my fiver-day. -Oh, now, stop that. No. | 0:15:32 | 0:15:34 | |
When people say they gotta take their five a day, | 0:15:34 | 0:15:37 | |
what I mean is I've got to spend a five a day. | 0:15:37 | 0:15:41 | |
But I'm getting close. Now, what about, | 0:15:41 | 0:15:43 | |
what about if I offered you £10 for it? | 0:15:43 | 0:15:47 | |
Double my five a day. | 0:15:47 | 0:15:49 | |
-You sure? -Come on. | 0:15:51 | 0:15:52 | |
-We have a deal. -Just. | 0:15:52 | 0:15:56 | |
And you still have to carry it. | 0:15:56 | 0:15:58 | |
With that stone trough in the bag, | 0:15:58 | 0:16:01 | |
can Raj find something to help lighten the load? | 0:16:01 | 0:16:04 | |
I really like this ammonite. | 0:16:05 | 0:16:07 | |
-OK. -That would be a no, then. -I can only tell you that it came from | 0:16:07 | 0:16:10 | |
a very serious collector and he had quite a lot of fossils. | 0:16:10 | 0:16:13 | |
In fact, this cabinet was quite full at one time. | 0:16:13 | 0:16:15 | |
Got a rough age to it? | 0:16:15 | 0:16:17 | |
-Very old. -Very old. | 0:16:17 | 0:16:20 | |
Is it possible that you maybe could phone him? | 0:16:20 | 0:16:23 | |
I just want an idea of how old it is. | 0:16:23 | 0:16:24 | |
-OK. -Lovely, thanks. -OK! -And while you're there, | 0:16:24 | 0:16:27 | |
can you just ask him what the best price would be as well? | 0:16:27 | 0:16:29 | |
I can ask him that, yeah. | 0:16:29 | 0:16:31 | |
OK, cheers, OK, thanks. | 0:16:31 | 0:16:32 | |
Fossils are a limited market but that, to me, is not just a fossil, | 0:16:32 | 0:16:37 | |
it's a talking point, it's a centrepiece. | 0:16:37 | 0:16:42 | |
I think as far as fossil collectors are concerned, | 0:16:42 | 0:16:44 | |
this has got to be a standout piece. | 0:16:44 | 0:16:46 | |
Look out, Colin is back from the basement. | 0:16:46 | 0:16:50 | |
-He bought it off a fossil hunter. -Right, OK. | 0:16:50 | 0:16:52 | |
At an auction. But he can't really tell you that much more about it. | 0:16:52 | 0:16:55 | |
OK, no, that's fair enough, that's fair enough. | 0:16:55 | 0:16:57 | |
It's going to come down to the price, Colin. | 0:16:57 | 0:16:59 | |
OK, well, we got it on sale at £135. | 0:16:59 | 0:17:01 | |
Right. What about then if I offered £70? | 0:17:01 | 0:17:06 | |
-I will offer £70. -Probably have to | 0:17:06 | 0:17:07 | |
do a bit better than £70, wouldn't you? | 0:17:07 | 0:17:09 | |
80, I'll go to 80. | 0:17:09 | 0:17:12 | |
Go to 90, and if he shouts at me, | 0:17:12 | 0:17:13 | |
I shall bellow to you, from a distance. | 0:17:13 | 0:17:15 | |
Well, let's split the difference and go 85. | 0:17:15 | 0:17:19 | |
-Put your hand there. -OK. -Fantastic. | 0:17:21 | 0:17:22 | |
I'd better come down and sort out the money. | 0:17:22 | 0:17:24 | |
-OK. -OK. -Right. -Let's go. -Follow me. | 0:17:24 | 0:17:27 | |
Well, that's a great price, if it's the real thing. | 0:17:27 | 0:17:31 | |
The stone trough and the ammonite concludes today's shopping. | 0:17:31 | 0:17:35 | |
And Raj has finely spent some cash. | 0:17:37 | 0:17:40 | |
After a successful day of antique hunting, | 0:17:40 | 0:17:42 | |
our experts are back in the MGB and Catherine returns to her chauffeuring duties. | 0:17:42 | 0:17:47 | |
If I had one complaint... | 0:17:47 | 0:17:49 | |
-Oh, here we go. -..it is that when we stop, | 0:17:49 | 0:17:51 | |
you don't really get round to open the door quick enough for me. | 0:17:51 | 0:17:55 | |
You can't get out quick enough! | 0:17:55 | 0:17:57 | |
Listen, you're lucky I'm driving around everywhere. | 0:17:57 | 0:18:01 | |
You both deserve a well-earned rest. | 0:18:01 | 0:18:04 | |
Nighty night. | 0:18:04 | 0:18:05 | |
It's a soggy start for day two for our duo, | 0:18:09 | 0:18:12 | |
but nothing can dampen their spirits when it comes to scouring the countryside for antiques. | 0:18:12 | 0:18:16 | |
Today I want to find something that I love, | 0:18:16 | 0:18:19 | |
something that I'm really, really happy about. | 0:18:19 | 0:18:21 | |
-Have you still got lots of money to spend? -I've got a fair wodge. Why, do you need some? | 0:18:21 | 0:18:26 | |
No, I've got loads. | 0:18:26 | 0:18:27 | |
He certainly has. | 0:18:27 | 0:18:29 | |
Yesterday, Raj spent just a few pounds on the commemorative plates, | 0:18:29 | 0:18:33 | |
the horn-handled walking stick, the stone trough, | 0:18:33 | 0:18:37 | |
and he splashed out on the ammonite fossil, too. | 0:18:37 | 0:18:39 | |
He does still have £206.08 left to play with. | 0:18:39 | 0:18:43 | |
Isn't this something you pee in? | 0:18:43 | 0:18:45 | |
While Catherine bought just two lots, the Georgian seed pearl brooch, | 0:18:45 | 0:18:49 | |
and the 19th-century opera glasses... | 0:18:49 | 0:18:51 | |
Don't like the binoculars, love the handle. | 0:18:51 | 0:18:54 | |
..leaving her with £320 and that all-important 8p. | 0:18:54 | 0:18:59 | |
So we are right in the middle of the Peak District. | 0:18:59 | 0:19:03 | |
-Isn't it beautiful? -I think it's absolutely gorgeous. | 0:19:03 | 0:19:07 | |
I mean, I have never been here before. | 0:19:07 | 0:19:09 | |
Do you know, one of the things I'm looking forward to today, | 0:19:09 | 0:19:12 | |
I really would love to have a Bakewell tart. | 0:19:12 | 0:19:14 | |
-Oh, you've got to, haven't you? -Yes. I mean, here we are. | 0:19:14 | 0:19:17 | |
Bakewell, there's the sign! | 0:19:17 | 0:19:19 | |
There's the sign, to Bakewell. | 0:19:19 | 0:19:20 | |
Let's go there. | 0:19:20 | 0:19:22 | |
No time for that. | 0:19:22 | 0:19:23 | |
Antiques awake, please. | 0:19:23 | 0:19:25 | |
We'll leave Raj to his Bakewell tarts. | 0:19:27 | 0:19:29 | |
Catherine has some shopping to do, she's made her way to Chesterfield, | 0:19:29 | 0:19:32 | |
home to St Mary and All Saints and its world-famous crooked spire, | 0:19:32 | 0:19:36 | |
which draws many to this Derbyshire town. | 0:19:36 | 0:19:39 | |
But for Catherine, it's the stock of Chesterfield Antiques Centre. | 0:19:41 | 0:19:45 | |
There are 30 dealers over the three floors. | 0:19:45 | 0:19:47 | |
It's cavernous. | 0:19:47 | 0:19:49 | |
This is something more for me. | 0:19:54 | 0:19:56 | |
This is up my street. | 0:19:56 | 0:19:59 | |
This is a really nice early 20th century monocular microscope. | 0:19:59 | 0:20:03 | |
It's in really nice condition. | 0:20:03 | 0:20:05 | |
A microscope is right up Catherine's street. | 0:20:05 | 0:20:08 | |
This one is by A Franks, | 0:20:09 | 0:20:11 | |
a late 19th-century optician who had a keen interest in scientific instruments. | 0:20:11 | 0:20:15 | |
This is really nice because it's got all its | 0:20:15 | 0:20:18 | |
little bits and pieces with it, including this little specimen box here, | 0:20:18 | 0:20:23 | |
so what you do is you put your dead beetle or your spider or anything else | 0:20:23 | 0:20:27 | |
you want to find in this little box here and you slide it onto the stage here. | 0:20:27 | 0:20:33 | |
And what would be amazing is if I opened this drawer down the bottom | 0:20:33 | 0:20:36 | |
and it's full of slides. | 0:20:36 | 0:20:38 | |
It's empty! That's a disappointment. | 0:20:40 | 0:20:42 | |
What I was hoping to find is a whole rack of specimen slides there because | 0:20:42 | 0:20:46 | |
that's the real bee's knees. | 0:20:46 | 0:20:49 | |
Crikey, you would need a microscope to see bees' knees. | 0:20:49 | 0:20:52 | |
It's a lovely little microscope, though, | 0:20:52 | 0:20:54 | |
and the fact you've got some accessories with it | 0:20:54 | 0:20:57 | |
and it's in lovely condition, that's a good thing. | 0:20:57 | 0:21:00 | |
£125 - a little punchy. | 0:21:00 | 0:21:03 | |
If it was nearer £60 to £70 I would be scooping this up all day long. | 0:21:03 | 0:21:09 | |
That's one possible. | 0:21:11 | 0:21:12 | |
But there's still plenty more to see. | 0:21:14 | 0:21:16 | |
Ooh! | 0:21:18 | 0:21:20 | |
I like this. | 0:21:20 | 0:21:22 | |
M M - Marilyn Monroe! | 0:21:22 | 0:21:23 | |
This could have been hers, | 0:21:23 | 0:21:26 | |
although I think it's probably more of a gentleman's case. | 0:21:26 | 0:21:29 | |
This is lovely, what a good size! | 0:21:29 | 0:21:30 | |
It's in lovely condition. | 0:21:30 | 0:21:33 | |
Very nice. Nice array of bottles there. | 0:21:35 | 0:21:38 | |
I don't think they're silver topped, but how lovely to have it complete. | 0:21:38 | 0:21:43 | |
And then you've got another section there, for your briefs perhaps, | 0:21:43 | 0:21:47 | |
I don't know. But really nicely lined, all in lovely condition. | 0:21:47 | 0:21:52 | |
I think this is a possibility. | 0:21:52 | 0:21:54 | |
£140! | 0:21:55 | 0:21:57 | |
I think not. | 0:21:59 | 0:22:00 | |
-That's a shame. -Moving on, then. | 0:22:01 | 0:22:03 | |
I did notice this earlier when I was browsing around. | 0:22:08 | 0:22:11 | |
Anything sort of connected with advertising, I mean, | 0:22:11 | 0:22:14 | |
this is connected with cigars and cigarettes, so not great. | 0:22:14 | 0:22:19 | |
The fact that we've got a display case with an advertising name | 0:22:19 | 0:22:23 | |
underneath, I think that could be interesting. | 0:22:23 | 0:22:27 | |
How much is on this? £20. | 0:22:27 | 0:22:29 | |
Well, it's got all its original lining. | 0:22:29 | 0:22:30 | |
The glass is all fine on top. | 0:22:30 | 0:22:33 | |
The name is nice and clear, not too much scratching there. | 0:22:33 | 0:22:37 | |
I think that should be bought for £20. | 0:22:37 | 0:22:40 | |
This is mine. | 0:22:40 | 0:22:41 | |
That was a fine display of decision-making. | 0:22:43 | 0:22:45 | |
Now, how about that earlier find? | 0:22:45 | 0:22:47 | |
I've got to come back to this microscope because I do like it. | 0:22:47 | 0:22:50 | |
It's one of the better things here. | 0:22:50 | 0:22:52 | |
Right, they're my items, where's Bob? | 0:22:52 | 0:22:55 | |
Bob? | 0:22:55 | 0:22:57 | |
How could Bob resist? | 0:22:57 | 0:22:59 | |
I was rather interested in this little display cabinet, | 0:23:00 | 0:23:03 | |
because we've got the brand underneath, | 0:23:03 | 0:23:04 | |
which is always quite nice from an advertising point of view. | 0:23:04 | 0:23:07 | |
It's got £20 on it. Can you negotiate on that? | 0:23:07 | 0:23:10 | |
-15? -Yeah, I'll happily take that at 15. | 0:23:10 | 0:23:13 | |
-Yeah? -OK. | 0:23:13 | 0:23:14 | |
-I'll shake on that one. -Thank you. -That was easy. | 0:23:14 | 0:23:17 | |
So I've gone from something vintage to something that's a real antique. | 0:23:17 | 0:23:22 | |
-Right. -And I do like this. | 0:23:22 | 0:23:24 | |
The problem is with this, the handle, I'm looking at this now, | 0:23:24 | 0:23:28 | |
-is all taped up. -Yeah. -So it's obviously in bad condition. | 0:23:28 | 0:23:32 | |
And once upon a time, | 0:23:32 | 0:23:33 | |
that would have been lined with a really nice set of specimen slides. | 0:23:33 | 0:23:36 | |
Slides, yeah. | 0:23:36 | 0:23:38 | |
Do you think you could do 70? | 0:23:38 | 0:23:41 | |
Yeah, OK then, we'll do 70. | 0:23:43 | 0:23:46 | |
-Are you happy with that, Bob? -Yeah. | 0:23:46 | 0:23:47 | |
-Put it there, Bob. -OK. Right, thank you. -Right. | 0:23:47 | 0:23:50 | |
Well done, Catherine, some handsome purchases there. | 0:23:50 | 0:23:54 | |
Raj, meanwhile, has made his way to Pike Hall Farm near Matlock to hear | 0:23:58 | 0:24:02 | |
the intriguing history of English cheese Stilton. | 0:24:02 | 0:24:06 | |
And to find out why it's not made in Stilton some 80 miles away, | 0:24:06 | 0:24:11 | |
he's got a date with the big cheese at the Hartington Creamery. | 0:24:11 | 0:24:15 | |
-Hello, there! -Hi, Raj. Alan Salt, nice to meet you. -Lovely to meet you, too. | 0:24:15 | 0:24:20 | |
But before any cheese secrets are revealed, | 0:24:20 | 0:24:22 | |
there's some hygiene to attend to. | 0:24:22 | 0:24:24 | |
-So, hairnet. -Yeah. -Hairnet? You've got to be joking! -Like that. | 0:24:24 | 0:24:28 | |
-It's so flattering, isn't it? -Let's try and make it look a bit better. This could be a new look for you. | 0:24:28 | 0:24:32 | |
Shoes off and then you sit on it and you swing over. | 0:24:32 | 0:24:35 | |
It's like a gymkhana! | 0:24:35 | 0:24:37 | |
There you are, you're in. Are you ready? | 0:24:37 | 0:24:39 | |
You look all shipshape, ready to go. | 0:24:39 | 0:24:41 | |
-Yeah. -Let's go and have a look at the cheese. -I'm with you. | 0:24:41 | 0:24:45 | |
Stilton begins life as a curd, careful how you say that, | 0:24:45 | 0:24:49 | |
which is poured into cylinders to form its familiar shape. | 0:24:49 | 0:24:52 | |
It's then turned daily for around a week before the binding process is | 0:24:52 | 0:24:55 | |
started, which gives the cheese its distinctive crust. | 0:24:55 | 0:24:59 | |
This same method dates back hundreds of years. | 0:24:59 | 0:25:02 | |
So what we're doing, we're sealing the cheese up and that will dry out and | 0:25:02 | 0:25:07 | |
form the Stilton crust. | 0:25:07 | 0:25:09 | |
-All done by hand? -Yes. -How long does it actually take? | 0:25:09 | 0:25:13 | |
Myrtle and Dawn can do one every five minutes. | 0:25:13 | 0:25:17 | |
-Are you going to have a go at this? -Go on, Raj, you know you want to. | 0:25:17 | 0:25:21 | |
Brilliant. | 0:25:23 | 0:25:24 | |
And there you have it. | 0:25:25 | 0:25:26 | |
This is the fun bit, is you pick it up | 0:25:29 | 0:25:31 | |
like that... | 0:25:31 | 0:25:33 | |
..and then drop it back down again. | 0:25:34 | 0:25:36 | |
-Easy stuff for you, Raj. -Put your hand like that. -Like that? | 0:25:36 | 0:25:39 | |
Yeah. That's it, now flick it over quick. | 0:25:39 | 0:25:43 | |
That's it. Honestly, you're doing really well for a first attempt. | 0:25:43 | 0:25:47 | |
The most popular theory of the origins of Stilton begins in the 1800s when | 0:25:47 | 0:25:53 | |
the landlord of the Bell Inn on the Great North Road in the village of | 0:25:53 | 0:25:57 | |
Stilton decided to sell the unusual cheese. | 0:25:57 | 0:26:00 | |
As the inn was on the route connecting the North and the South, | 0:26:00 | 0:26:04 | |
travellers from all over Britain would buy the cheese | 0:26:04 | 0:26:06 | |
en route to take home and, at twice the price, | 0:26:06 | 0:26:08 | |
this unusual blue-veined delicacy was considered a rarefied luxury and | 0:26:08 | 0:26:13 | |
became known as the cheese from Stilton. | 0:26:13 | 0:26:15 | |
I mean, Stilton is known the world over. | 0:26:15 | 0:26:18 | |
Hasn't it got some sort of royal approval? | 0:26:18 | 0:26:21 | |
They got George V in the 1920s, Royal Appointment, | 0:26:21 | 0:26:25 | |
and that was because someone who had a share in the factory's brother | 0:26:25 | 0:26:29 | |
lived beside Sandringham estate... | 0:26:29 | 0:26:31 | |
-OK. -..and invited George over for a snack and he served up some Stilton. | 0:26:31 | 0:26:36 | |
He liked it, so they actually sent him a cheese and he passed it back | 0:26:36 | 0:26:39 | |
that they could have the Royal Warrant. | 0:26:39 | 0:26:41 | |
-It still holds the Royal Warrant? -No, no, no. | 0:26:41 | 0:26:44 | |
It only lasts while the King is alive, so, no. | 0:26:44 | 0:26:48 | |
-That's a bit of history. -An intriguing part of the cheese's history is | 0:26:48 | 0:26:52 | |
that Stilton isn't made in Stilton and never has been. | 0:26:52 | 0:26:55 | |
Stilton's been made in Derbyshire, | 0:26:55 | 0:26:57 | |
Leicestershire and Nottinghamshire | 0:26:57 | 0:26:59 | |
for at least a couple of hundred years, 300 years. | 0:26:59 | 0:27:01 | |
And, to be honest, during that time, as far as I know, | 0:27:01 | 0:27:04 | |
no-one has ever tried to make Stilton in Stilton before. | 0:27:04 | 0:27:08 | |
So the three counties that we've talked about, | 0:27:08 | 0:27:10 | |
are they the only places in the world that you could actually make Stilton? | 0:27:10 | 0:27:14 | |
It's protected by some old trademarks from the 1920s. | 0:27:14 | 0:27:17 | |
And as Raj has got stuck in to making the cheese, | 0:27:17 | 0:27:20 | |
it only seems fair he gets to sample some. | 0:27:20 | 0:27:23 | |
I think I should try a little bit of this. | 0:27:23 | 0:27:25 | |
-I think you should try a little bit. -I think I should try a little bit, yeah. | 0:27:25 | 0:27:28 | |
-Just to make sure it's up to par. -Yeah. | 0:27:28 | 0:27:30 | |
God, that is delicious. | 0:27:37 | 0:27:40 | |
Well, I've had an amazing time here. | 0:27:40 | 0:27:42 | |
It's been absolutely fantastic. | 0:27:42 | 0:27:43 | |
-Thanks for coming. -I'm hoping I can take a little bit with me. | 0:27:43 | 0:27:46 | |
Well, we'll see what we can do about that! | 0:27:46 | 0:27:48 | |
Meanwhile, Catherine's headed to Cromford. | 0:27:48 | 0:27:51 | |
Her last opportunity to shop for some goodies | 0:27:51 | 0:27:54 | |
is at Heritage Antique Centre. | 0:27:54 | 0:27:56 | |
She still has over £206 to play with. | 0:27:56 | 0:28:00 | |
Hang on, what's she up to? | 0:28:05 | 0:28:06 | |
I just picked something off a shelf, | 0:28:06 | 0:28:08 | |
which is a little penknife, | 0:28:08 | 0:28:11 | |
and I've dropped it and it's gone under the cabinet. | 0:28:11 | 0:28:14 | |
Oh, there we go! We got it! | 0:28:14 | 0:28:17 | |
OK, this is what I was interested in. | 0:28:17 | 0:28:19 | |
It's by Joseph Feist, Solingen. | 0:28:19 | 0:28:25 | |
Joseph Feist of Solingen, the German city of blades. | 0:28:25 | 0:28:29 | |
The reason I like it, it's a little penknife | 0:28:29 | 0:28:31 | |
and it's a sleeping lion and it is beautiful quality. | 0:28:31 | 0:28:36 | |
Look at that! Look at the little curls on the lion. | 0:28:36 | 0:28:39 | |
The mane is really stunning. | 0:28:39 | 0:28:43 | |
There's just something about this, it speaks to me. | 0:28:43 | 0:28:45 | |
I'm going to see what Sally thinks. | 0:28:45 | 0:28:48 | |
-Hiya. -It didn't take me long. | 0:28:48 | 0:28:50 | |
I found something which I quite like, this little penknife. | 0:28:50 | 0:28:54 | |
I do like it, but of course it's not silver. | 0:28:54 | 0:28:57 | |
I think it's just a base metal. | 0:28:57 | 0:28:59 | |
-Yeah. -But I think the decoration is delightful. | 0:28:59 | 0:29:01 | |
Can I make an offer on it? | 0:29:01 | 0:29:04 | |
Yeah, why not? | 0:29:04 | 0:29:05 | |
Would it be possible to get this for £20? | 0:29:05 | 0:29:08 | |
I'll do 25. | 0:29:10 | 0:29:12 | |
-22? -25. | 0:29:12 | 0:29:15 | |
The way you looked at me, it had to be 25. | 0:29:15 | 0:29:18 | |
I'm scared! | 0:29:18 | 0:29:20 | |
Quite right! That's Catherine's buying done for this trip and Raj has arrived just | 0:29:20 | 0:29:25 | |
before closing time, but he's headed for a neighbouring shop, | 0:29:25 | 0:29:28 | |
the Cromford Mill. He'd better get a move on. | 0:29:28 | 0:29:31 | |
-Hello, there. -Hello, Raj! | 0:29:31 | 0:29:34 | |
Hello. David, is it? | 0:29:34 | 0:29:35 | |
Yes! Pleased to meet you, Raj. | 0:29:35 | 0:29:36 | |
-You, too. -This is Linda, my wife. | 0:29:36 | 0:29:38 | |
-Hello. -Hello, pleased to meet you. | 0:29:38 | 0:29:40 | |
Roll your sleeves up, Raj, you've got antiques to find. | 0:29:40 | 0:29:44 | |
This is Clarice Cliff, it's quite a... | 0:29:44 | 0:29:46 | |
Well, it's not a plain design, it has no design! | 0:29:46 | 0:29:50 | |
But Clarice Cliff, as we all know, you know, she was extremely well-known, | 0:29:50 | 0:29:54 | |
one of the most famous designers this country's ever had. | 0:29:54 | 0:29:58 | |
This is not one of those collectable patterns. | 0:29:58 | 0:30:00 | |
I mean, everybody collects the bizarre, the real colourful jugs. | 0:30:00 | 0:30:03 | |
I mean, they make hundreds of pounds. | 0:30:03 | 0:30:05 | |
Thousands now. | 0:30:05 | 0:30:07 | |
It seems quite reasonable at 55. If I could get that sort of around | 0:30:07 | 0:30:11 | |
£25 to £30, there's got to be a profit in it. | 0:30:11 | 0:30:15 | |
Time to talk money. David! | 0:30:15 | 0:30:17 | |
I do like the Clarice Cliff, I think it's a bit plain. | 0:30:17 | 0:30:20 | |
I'll be honest, I think it's a little bit plain, | 0:30:20 | 0:30:22 | |
because you know the Clarice Cliff that everybody wants is the bizarre... | 0:30:22 | 0:30:25 | |
-Of course it is, yeah. -The patterns, the rare patterns, | 0:30:25 | 0:30:27 | |
the nice colourful things, there's not a colour on that. | 0:30:27 | 0:30:30 | |
No, but it's very stylish! | 0:30:30 | 0:30:31 | |
Is that the word you use for plain? | 0:30:31 | 0:30:34 | |
Just give me a clue as to what kind of money that could be. | 0:30:34 | 0:30:38 | |
That could be around, | 0:30:38 | 0:30:40 | |
for you, 35, how about that? | 0:30:40 | 0:30:43 | |
How does that sound? That's cheap! | 0:30:43 | 0:30:46 | |
What about £25? | 0:30:46 | 0:30:48 | |
£25?! | 0:30:48 | 0:30:50 | |
-Yeah. -What do you think, Linda? | 0:30:50 | 0:30:52 | |
Shall we go for that? | 0:30:52 | 0:30:54 | |
-It's a deal. -It's a deal, Raj. -We have a deal, thank you very much. | 0:30:54 | 0:30:57 | |
-25 quid. -£25. -You'll make a fortune on that! | 0:30:57 | 0:31:01 | |
Well, that deal was all very jovial, | 0:31:02 | 0:31:05 | |
and it brings shopping for this road trip to a close. | 0:31:05 | 0:31:08 | |
Cheers, guys, thanks again. | 0:31:08 | 0:31:10 | |
-Take care, bye. -Time for our experts to regroup. | 0:31:10 | 0:31:12 | |
What did you ask for? | 0:31:12 | 0:31:14 | |
Oh, that looks like a Bakewell tart. | 0:31:14 | 0:31:17 | |
There you go, don't say I never get you anything. | 0:31:17 | 0:31:19 | |
That's very, very kind of you, thank you so much for that. | 0:31:19 | 0:31:22 | |
-It's been on a journey. -I got you something as well. | 0:31:22 | 0:31:24 | |
-Wow! -I got you a nice piece of Stilton. | 0:31:24 | 0:31:28 | |
-That's fantastic. -Look at that. | 0:31:28 | 0:31:30 | |
I bet you'd rather have this than that. | 0:31:30 | 0:31:32 | |
-Come on, jump in. -Let's go. -Woohoo! | 0:31:32 | 0:31:34 | |
Off we go! | 0:31:38 | 0:31:40 | |
I'm guessing you're quite competitive, | 0:31:42 | 0:31:45 | |
so if you lose, which I don't think you will, but if you do lose, | 0:31:45 | 0:31:50 | |
are you a sore loser or are you just dust it all off? | 0:31:50 | 0:31:53 | |
-No, I will... -Cry? | 0:31:53 | 0:31:56 | |
Cry and then probably not talk to you for a couple of years. | 0:31:56 | 0:32:01 | |
Win or lose, I have had absolutely great fun. | 0:32:01 | 0:32:05 | |
It has been good fun. | 0:32:05 | 0:32:06 | |
Yep, it's been a busy old day, and time now for some shut-eye. | 0:32:06 | 0:32:11 | |
After kicking off their trip in the Amber Valley, | 0:32:13 | 0:32:15 | |
our experts have arrived safely | 0:32:15 | 0:32:17 | |
at Littleton Auctions in the parish | 0:32:17 | 0:32:19 | |
of Middle Littleton in Worcestershire. | 0:32:19 | 0:32:22 | |
Let's hope we don't get any sauce from them! | 0:32:22 | 0:32:25 | |
Time for a musical interlude... | 0:32:28 | 0:32:30 | |
Dear, oh, dear. | 0:32:32 | 0:32:33 | |
What a welcome. | 0:32:35 | 0:32:36 | |
Raj bought five items for £130. | 0:32:39 | 0:32:43 | |
Catherine purchased five items, shelling out £155. | 0:32:43 | 0:32:49 | |
Deals were struck and bargains sought, but what do our experts make of each | 0:32:49 | 0:32:53 | |
other's purchases? | 0:32:53 | 0:32:55 | |
The word "why" springs to mind... | 0:32:55 | 0:32:58 | |
Raj, why did you buy these plates? | 0:32:58 | 0:33:00 | |
Big spend, again, I see, £5. | 0:33:00 | 0:33:02 | |
Well, you're really splashing the money out! | 0:33:02 | 0:33:05 | |
I have to say, good point on these, the condition is fantastic, | 0:33:05 | 0:33:10 | |
and they make great Frisbees. | 0:33:10 | 0:33:14 | |
Now, this is a nice little thing, well done, Catherine. | 0:33:14 | 0:33:17 | |
It's a little penknife, it's not silver, it's a white metal one. | 0:33:17 | 0:33:21 | |
It's in really good condition, | 0:33:21 | 0:33:23 | |
I just hope it doesn't cut into my profits. | 0:33:23 | 0:33:26 | |
In charge of proceedings today is auctioneer Martin Homer, | 0:33:26 | 0:33:29 | |
and there's news on Raj's ammonite. | 0:33:29 | 0:33:33 | |
If it is an ammonite, | 0:33:33 | 0:33:36 | |
people have come to look at it and don't think it is, but if it is right, | 0:33:36 | 0:33:40 | |
it could be worth a lot of money. | 0:33:40 | 0:33:42 | |
Opera glasses one of my favourite pieces, | 0:33:42 | 0:33:44 | |
with the very nice painted handle and signed by the artist, | 0:33:44 | 0:33:48 | |
so I think they'll be quite popular. | 0:33:48 | 0:33:50 | |
With bidders in the room and online, it's time to take a seat. | 0:33:50 | 0:33:54 | |
-This is good! -Lovely atmosphere, lots of people. | 0:33:56 | 0:33:59 | |
-Happy? -Yeah! | 0:33:59 | 0:34:01 | |
First up is Catherine's sea pearl brooch. | 0:34:01 | 0:34:04 | |
20? 20 I'm bid, thank you. | 0:34:04 | 0:34:05 | |
We're in the room at £20. | 0:34:05 | 0:34:07 | |
Ooh, dear, I paid 25. | 0:34:07 | 0:34:09 | |
-At 20... -22 on the internet. -I was going to say, | 0:34:09 | 0:34:11 | |
it's the sort of thing that the internet will probably buy. | 0:34:11 | 0:34:14 | |
£25, room at 25. | 0:34:14 | 0:34:16 | |
-At 20, for 27... -27! -Profit. | 0:34:16 | 0:34:19 | |
Profit, everything that makes a profit has got to be good. | 0:34:19 | 0:34:23 | |
We're in the room at £30, and 2? | 0:34:23 | 0:34:25 | |
At 32 on the internet, are we done, then? | 0:34:25 | 0:34:28 | |
-At 35, 35 is back in. -Still going. -At £35. | 0:34:28 | 0:34:31 | |
37 if you want? | 0:34:31 | 0:34:33 | |
37. At £37, fair warning, 37. | 0:34:33 | 0:34:38 | |
Nice start, eh? What a lovely start. | 0:34:38 | 0:34:41 | |
Not what you'd pinned your hopes on, Catherine, | 0:34:41 | 0:34:43 | |
but you're still in the game. | 0:34:43 | 0:34:44 | |
-That's a good start, well done. Well done. -I really like you now. | 0:34:44 | 0:34:47 | |
Well, it's early days. | 0:34:47 | 0:34:49 | |
Next up, the first of Raj's big spends, his commemorative plates, | 0:34:49 | 0:34:53 | |
made of tin. | 0:34:53 | 0:34:55 | |
-Good Frisbees. -Good Frisbees?! | 0:34:55 | 0:34:58 | |
15 for them? | 0:34:58 | 0:35:00 | |
10 for them, then? | 0:35:01 | 0:35:03 | |
£10? Help! | 0:35:03 | 0:35:05 | |
-Dear, oh, dear. -Come on, guys, £10. | 0:35:05 | 0:35:07 | |
I've got to go then, five. | 0:35:07 | 0:35:10 | |
-Five I bid. -Yay! -Seven with you. | 0:35:10 | 0:35:14 | |
-£7, the bid's in the room at seven. -They're worth 10. | 0:35:14 | 0:35:18 | |
£10, and I'm selling at £10... | 0:35:18 | 0:35:21 | |
-We're struggling. -You've made some money! -Sold at 10. | 0:35:21 | 0:35:23 | |
-Oh, well. -Be happy. -I am, I am, I am. | 0:35:23 | 0:35:26 | |
More like relieved. Raj's plates double their money. | 0:35:26 | 0:35:30 | |
-You have made a profit. -Yeah, I've made a small profit. -Yes. | 0:35:30 | 0:35:34 | |
Next is Catherine's Henri Wintermans display case. | 0:35:34 | 0:35:37 | |
I just think this is going to go up in smoke. | 0:35:37 | 0:35:40 | |
-I'm sorry! -At £20, I'm looking for two now? | 0:35:40 | 0:35:44 | |
22 in the room. | 0:35:44 | 0:35:46 | |
-Ooh. -22? It's gone bananas. -At 22 in the room... | 0:35:46 | 0:35:50 | |
It's not gone bananas, it's £22. | 0:35:50 | 0:35:53 | |
-Ooh, she's bidding. -25, new bidder. | 0:35:53 | 0:35:55 | |
At 25... 27, sir? 27. 30, at £30. | 0:35:55 | 0:36:00 | |
With gritted teeth there. | 0:36:00 | 0:36:02 | |
Are we all done, ladies and gentlemen? £30... | 0:36:02 | 0:36:05 | |
All I can say is that it must come with a free box of cigars. | 0:36:05 | 0:36:08 | |
That's not too bad at all. | 0:36:08 | 0:36:11 | |
It wasn't a great thing, I'm happy at that. | 0:36:11 | 0:36:13 | |
Will Raj's walking stick appeal to the countryside buyer? | 0:36:13 | 0:36:18 | |
Here we go, here we go, come on. | 0:36:18 | 0:36:20 | |
Where's all those ramblers? | 0:36:20 | 0:36:22 | |
£20 for it, come on? | 0:36:22 | 0:36:24 | |
Go 15 then. | 0:36:24 | 0:36:25 | |
-Over there. -Yeah, 15 I'm bid, thank you, sir. | 0:36:27 | 0:36:30 | |
-We're in the room at £15. -15?! -At 15, are we sure? | 0:36:30 | 0:36:33 | |
17, new bidder at 17. | 0:36:33 | 0:36:34 | |
-You want 20, sir? £20. -Yes, yes. | 0:36:34 | 0:36:37 | |
I'm going to buy things for £5. | 0:36:37 | 0:36:39 | |
All it's got to do is make 220 and I'm back in the game! | 0:36:39 | 0:36:41 | |
20 with you, sir? Are we all done? Fair warned then at £20... | 0:36:41 | 0:36:46 | |
-There you go. -Your face! -I'm happy. | 0:36:46 | 0:36:48 | |
That's a cracking profit. | 0:36:48 | 0:36:51 | |
-I'm happy. -It doesn't take much, does it? -No, no. | 0:36:51 | 0:36:54 | |
Next, Catherine's beloved penknife. | 0:36:54 | 0:36:58 | |
This knife is going to slice through my profits. | 0:36:58 | 0:37:01 | |
-Oh, dear! -I know. -Where do you get these jokes from? | 0:37:01 | 0:37:04 | |
-I don't know. -Dreadful! | 0:37:04 | 0:37:06 | |
Some people wouldn't call them jokes. | 0:37:06 | 0:37:08 | |
30, at 32, 35 with me? | 0:37:08 | 0:37:11 | |
37, 40 with me... At £40. | 0:37:11 | 0:37:15 | |
-Bidder in the room at 45. -Oh, no, higher. | 0:37:15 | 0:37:18 | |
It comes back to me. I've got to go with | 0:37:18 | 0:37:20 | |
-what I've been left, which is 47. -47.50. | 0:37:20 | 0:37:22 | |
-Oh, better than I thought. -At £50, looking for five... | 0:37:22 | 0:37:25 | |
55 I've got. | 0:37:25 | 0:37:27 | |
And 55, the net is winning. | 0:37:27 | 0:37:29 | |
At £55, any interest in the room? | 0:37:29 | 0:37:31 | |
At £55 on the net. Are we all done then? At £55... | 0:37:31 | 0:37:38 | |
Stabbed me in the heart, that one has. | 0:37:38 | 0:37:40 | |
Oh, Raj, that's so tragic! | 0:37:40 | 0:37:43 | |
No tragedy there for Catherine, that's a roaring success. | 0:37:43 | 0:37:47 | |
Well done, Catherine, well done indeed. | 0:37:47 | 0:37:49 | |
Yeah. Will great things grow in Raj's stone trough? | 0:37:49 | 0:37:53 | |
-Surely £20 for it. -Yep, 20, come on. | 0:37:53 | 0:37:56 | |
-Easy. -Yeah, yeah. -On the internet at 20, is there two anywhere? | 0:37:56 | 0:37:59 | |
-Yeah, come on. -At £20 on the net. | 0:37:59 | 0:38:01 | |
22 in the room now. | 0:38:01 | 0:38:03 | |
-Let's go. -That was room first. | 0:38:03 | 0:38:05 | |
25 on the internet. | 0:38:05 | 0:38:07 | |
You out? You sure? | 0:38:07 | 0:38:09 | |
No, no. | 0:38:09 | 0:38:11 | |
-At £25, all done then? -That's cheap. -That's OK. | 0:38:11 | 0:38:13 | |
At 25, fair warned at 25... | 0:38:13 | 0:38:16 | |
It's money. | 0:38:16 | 0:38:18 | |
Well, it didn't make as much as we both thought. | 0:38:18 | 0:38:21 | |
You still planted a profit, though. | 0:38:21 | 0:38:23 | |
Everything, everything is making a profit, OK? | 0:38:23 | 0:38:27 | |
-It's good. -That's not a very good handshake, is it? -No. | 0:38:27 | 0:38:29 | |
No, I know, it's a bit feeble. | 0:38:29 | 0:38:31 | |
Next it's a biggie, and one | 0:38:31 | 0:38:33 | |
Catherine had high hopes for. Fingers crossed. | 0:38:33 | 0:38:37 | |
-Give me 30 to start me, then. -It's worth £100! | 0:38:37 | 0:38:39 | |
Come on, surely, ladies and gentlemen. 30 I'm bid, thank you. | 0:38:39 | 0:38:42 | |
-Room first. -There you go. It's going to be on the internet. | 0:38:42 | 0:38:45 | |
At £30, 32, 35 on the net now. | 0:38:45 | 0:38:48 | |
At 35, 37, sir? 37 in the room. | 0:38:48 | 0:38:51 | |
Oh, this is hugely disappointing. | 0:38:51 | 0:38:53 | |
The room has it at £37. | 0:38:53 | 0:38:56 | |
-Come on! -Is there 40 anywhere? | 0:38:56 | 0:38:57 | |
At 37 only, and I'm selling at 37... | 0:38:57 | 0:39:01 | |
Good lord. | 0:39:01 | 0:39:02 | |
That is just unbelievable, that is hundred, hundred, | 0:39:02 | 0:39:06 | |
hundred pounds. I would have bought that. | 0:39:06 | 0:39:09 | |
Such a shame. | 0:39:09 | 0:39:11 | |
Such a lowly price for such a lovely thing. | 0:39:11 | 0:39:13 | |
Someone's got a bargain. | 0:39:13 | 0:39:15 | |
These things happen, they happen. | 0:39:15 | 0:39:17 | |
You've just got to shrug it off and move on. | 0:39:17 | 0:39:19 | |
Good advice. Time for tea. | 0:39:19 | 0:39:22 | |
Next, Raj's rather plain Clarice Cliff. | 0:39:22 | 0:39:25 | |
Surely £50. | 0:39:27 | 0:39:28 | |
Surely 50! | 0:39:28 | 0:39:30 | |
Yeah, straight in, straight in at 50. | 0:39:30 | 0:39:33 | |
At £50 on the internet. | 0:39:33 | 0:39:35 | |
55 in the room now. | 0:39:35 | 0:39:37 | |
60 on the net. 65, room. | 0:39:37 | 0:39:39 | |
-There you go. -At last! | 0:39:39 | 0:39:41 | |
The room's currently winning at £65... | 0:39:41 | 0:39:43 | |
This is the last set, you mean. | 0:39:43 | 0:39:45 | |
Yeah, the rumours got round, the rumours got round, OK. | 0:39:45 | 0:39:50 | |
Are we done, ladies and gentlemen, at £75? | 0:39:50 | 0:39:52 | |
-80... Oh, 80! -Ooh, 80! -Keep going. | 0:39:52 | 0:39:55 | |
At 80, do you want 5, sir? | 0:39:55 | 0:39:56 | |
-£85, room at 85. -This is all helping, this is all helping. | 0:39:56 | 0:40:01 | |
At 85 in the room. Are we all done at £85? | 0:40:01 | 0:40:03 | |
Going once, twice... | 0:40:03 | 0:40:06 | |
-Sold at £85. -Yay! | 0:40:06 | 0:40:07 | |
Ching-ching. | 0:40:07 | 0:40:08 | |
Yeah! | 0:40:09 | 0:40:10 | |
Raj's cup runneth over. | 0:40:10 | 0:40:13 | |
-Well done, Raj. -Smiley face, smiley face! | 0:40:13 | 0:40:17 | |
Last up for Catherine are her opera glasses. | 0:40:18 | 0:40:21 | |
Can they hit the right note? | 0:40:21 | 0:40:24 | |
Let's go 50 to start that one, ladies and gentlemen. | 0:40:24 | 0:40:26 | |
50 I've got on the internet, we're away at 50. | 0:40:28 | 0:40:30 | |
Wow, what a profit! | 0:40:30 | 0:40:32 | |
At 60, we're at £60 on the net. | 0:40:32 | 0:40:35 | |
-Fantastic. -At £60, the net has it at 60. | 0:40:35 | 0:40:39 | |
Are we all finished here at £60? | 0:40:39 | 0:40:40 | |
-I'll take that and run very, very fast. -That is a great profit. | 0:40:40 | 0:40:43 | |
Sold at £60. | 0:40:43 | 0:40:45 | |
Yay, I'm happy with that. | 0:40:45 | 0:40:47 | |
You should be, as well. | 0:40:47 | 0:40:48 | |
Don't look too pleased, Raj. | 0:40:48 | 0:40:51 | |
It was purely the handle. | 0:40:51 | 0:40:53 | |
Last but by no means least is Raj's ammonite. | 0:40:53 | 0:40:57 | |
£50, looking for £50... | 0:40:57 | 0:41:00 | |
Do I have any... | 0:41:00 | 0:41:02 | |
-I've got 50 on the internet. -Ooh, on the internet. | 0:41:02 | 0:41:05 | |
At £50, five anywhere? | 0:41:05 | 0:41:06 | |
55 in the room now. | 0:41:06 | 0:41:08 | |
60 on the net. 65, room. | 0:41:08 | 0:41:10 | |
70, net. 75, room. | 0:41:10 | 0:41:13 | |
-At 80 on the net. -You could cut the atmosphere with a knife. | 0:41:13 | 0:41:16 | |
85 in the room now, at 85 in the room... 90 on the net. | 0:41:16 | 0:41:20 | |
-£95. -It's going to make hundreds. -£100, sir? | 0:41:20 | 0:41:23 | |
At 100, the internet... | 0:41:23 | 0:41:25 | |
120 we're at. | 0:41:25 | 0:41:26 | |
People are thinking what I was... Yes. | 0:41:26 | 0:41:29 | |
At £120, ladies and gentlemen. | 0:41:29 | 0:41:31 | |
I've got to be pleased... | 0:41:31 | 0:41:33 | |
-You've got to be pleased with that. -At £120, are we all done? | 0:41:33 | 0:41:35 | |
And I'm going to sell it at £120... | 0:41:35 | 0:41:38 | |
My heart was going, yours must have been racing! | 0:41:39 | 0:41:42 | |
Cor blimey! | 0:41:42 | 0:41:43 | |
Turned out all right for the ammonite. | 0:41:43 | 0:41:47 | |
We could be even-stevens. | 0:41:47 | 0:41:48 | |
I'm not sure, I don't think I've caught up that much. | 0:41:48 | 0:41:51 | |
I really, really don't know, shall we go do the maths? | 0:41:51 | 0:41:53 | |
-Definitely, let's go. -Get the calculator out. | 0:41:53 | 0:41:55 | |
There were certainly ups and downs in Middle Littleton but I've done the sums. | 0:41:58 | 0:42:02 | |
Catherine started with £375.08, she made a profit of £24.58 | 0:42:03 | 0:42:09 | |
after auction costs, | 0:42:09 | 0:42:13 | |
and she has £399.66 to spend next time. | 0:42:13 | 0:42:18 | |
Raj started this leg with £311.80 and made, after auction house fees, | 0:42:18 | 0:42:24 | |
a profit of £83.20. | 0:42:24 | 0:42:27 | |
He finishes with £395 exactly. | 0:42:27 | 0:42:31 | |
Despite winning today's auction, | 0:42:31 | 0:42:33 | |
Raj still trails Catherine, but now by only £4. | 0:42:33 | 0:42:37 | |
-Well, Catherine. -Yes. | 0:42:38 | 0:42:40 | |
I think I may have caught you up. | 0:42:40 | 0:42:42 | |
I think you might have done, with your absolute rubbish that you bought! | 0:42:42 | 0:42:45 | |
Excuse me?! | 0:42:45 | 0:42:47 | |
No, no, no - it was interesting! | 0:42:47 | 0:42:49 | |
Next time on Antiques Road Trip, Catherine and Raj take a dip. | 0:42:49 | 0:42:53 | |
-Can you swim? -There's some risky business. | 0:42:53 | 0:42:57 | |
-Is that better? -That was a big mistake. | 0:42:57 | 0:42:59 | |
Oh, my God, I'm going to lose this dog! | 0:42:59 | 0:43:01 | |
Raj strikes a pose. | 0:43:01 | 0:43:02 | |
I'm supposed to be antique buying, and here I am looking at clothes. | 0:43:02 | 0:43:06 | |
Catherine gets packing. | 0:43:06 | 0:43:07 | |
I've left him! | 0:43:07 | 0:43:08 | |
The time has come, I've had enough, I'm off! | 0:43:08 | 0:43:10 | |
And we have one of the closest Road Trips ever. | 0:43:10 | 0:43:14 | |
I think there's literally that much in it. | 0:43:14 | 0:43:16 | |
This is going to be interesting, isn't it? | 0:43:16 | 0:43:18 | |
I can't wait for the next auction! | 0:43:18 | 0:43:20 |