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Line | From | To | |
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through Northern Ireland to the north-west of England. The | :01:39. | :01:43. | |
competition starts at Grey Abbey and their experts are making their way | :01:43. | :01:53. | |
:01:53. | :01:55. | ||
to auction at Belfast. They are driving this sporty little number. | :01:55. | :02:03. | |
1977, a year before I was born. was five. Five years more of wearing | :02:03. | :02:12. | |
flares and stupid tank tops the new! With �200 each, therein picturesque | :02:12. | :02:19. | |
Co down, heading towards their first shopping stop, Grey Abbey. It is | :02:19. | :02:22. | |
called Grey Abbey because of this stunning 12th century Cistercian | :02:22. | :02:28. | |
abbey that it was almost completely destroyed just over a century later | :02:28. | :02:34. | |
by Edward, the younger and less famous rubber of Robert the Bruce. I | :02:34. | :02:44. | |
:02:44. | :02:44. | ||
wonder if the village is ready for its next innovation. -- invasion. | :02:44. | :02:54. | |
:02:54. | :02:57. | ||
Good luck, mate. Take your time, look after your money. Do is stop | :02:57. | :03:07. | |
:03:07. | :03:11. | ||
jumping everywhere, Jonathan. You must be fit. This is quite an | :03:11. | :03:17. | |
impressive place you've got, quite a nice collective of staff. Jonathan | :03:17. | :03:21. | |
is a novice on the show and is also buying for a market he doesn't know. | :03:21. | :03:28. | |
Nothing like taking a chap out of his comfort zone. This is the first | :03:28. | :03:32. | |
antique shop I have been in outside England. Outside my neck of the | :03:32. | :03:42. | |
:03:42. | :03:42. | ||
woods. Charles is fantasising about his perfect purchase. I am hoping to | :03:42. | :03:47. | |
find something that describes history, full of heritage and age. | :03:47. | :03:57. | |
:03:57. | :03:59. | ||
That is my gameplan, by a genuine antique. Here is a genuine teapot. | :03:59. | :04:09. | |
:04:09. | :04:12. | ||
Evocative of the neoclassical movement. Feeling a bit peckish? He | :04:12. | :04:16. | |
is doing this because porcelain normally has a cold, dense feel to | :04:16. | :04:22. | |
the tooth but this has a softness and warned that points to | :04:22. | :04:29. | |
restoration. Still, �78, not bad, but the heart is ruling the | :04:29. | :04:36. | |
commercial mind. I must put it down and walk away. Jonathan is not quite | :04:36. | :04:44. | |
ready to walk away from his shop. Bridge on the Logan by George Kirk? | :04:44. | :04:54. | |
Not quite. The Logan is Belfast's first major river. It supported the | :04:54. | :05:04. | |
:05:04. | :05:04. | ||
ship holding industry in the village and it is on for a mere �20. Work | :05:04. | :05:14. | |
:05:14. | :05:15. | ||
involved is the same as an oil painting. And images cut onto a | :05:15. | :05:19. | |
metal plate, Inc is applied and then wiped off so that it remains only in | :05:19. | :05:29. | |
:05:29. | :05:30. | ||
the engravings. This will be done around 1900, 1910. This is such a | :05:30. | :05:40. | |
:05:40. | :05:42. | ||
major part of Belfast. 15? 20. It is worth that all day long. 20 quid, | :05:42. | :05:48. | |
thank you very much. I have gone for something which is Belfast, | :05:48. | :05:51. | |
identifiable as a Belfast subject, and not a lot of money. I think it's | :05:51. | :05:59. | |
perfect. �20? Very happy. Across the courtyard, Charles is trying to | :06:00. | :06:09. | |
:06:10. | :06:12. | ||
sniff out his first bargain. Very Irish in its inspiration. The way it | :06:12. | :06:18. | |
falls in is so evocative of high Victorian furniture. This late | :06:18. | :06:22. | |
19th-century mahogany side table has been made in the manner of a Regency | :06:22. | :06:28. | |
designer who was determined to reform contemporary taste by | :06:28. | :06:36. | |
interviewing it with the spirit of classical purity. It is on for about | :06:36. | :06:46. | |
:06:46. | :06:47. | ||
200. That is the top of Charles's budget. We are missing some of the | :06:47. | :06:53. | |
moulding. It is a gamble at �200. I would probably say, here is �100. | :06:53. | :07:03. | |
:07:03. | :07:04. | ||
Done deal. Am I being a bit too keen? Yes, you are. Jonathan is on | :07:04. | :07:12. | |
the hunt for his next lucky purchase. Any paintings? That is the | :07:12. | :07:21. | |
toilets! Try spending a penny in an antique shop, Jonathan! Charles, | :07:21. | :07:27. | |
still in shock number two, is in a quandary over his table. -- shop | :07:27. | :07:36. | |
number two. I like it because it is decorative. Can I take a closer | :07:36. | :07:45. | |
look? Good idea. You never know what might be hiding underneath. We have | :07:45. | :07:54. | |
some woodworm and lost to the veneer. Shall we say �75? Good | :07:54. | :08:04. | |
:08:04. | :08:08. | ||
work, Charles. Down from �200. you take �50 for it? OK. You really | :08:08. | :08:14. | |
turned the tables on him there! Impressive. In another antique shop, | :08:14. | :08:24. | |
:08:24. | :08:26. | ||
Jonathan is distracted by something that ticks. It is just goldplated. I | :08:26. | :08:36. | |
:08:36. | :08:37. | ||
think it's about 1917. It has been warned by amongst others royal navy | :08:37. | :08:46. | |
divers, Jack Cousteau and of course James Bond. The auction you are | :08:46. | :08:54. | |
going to, they have a lot of watch collectors. What is the price? I | :08:54. | :09:04. | |
:09:04. | :09:09. | ||
think I said 85. I would split it with you, 82. I will take it. | :09:09. | :09:16. | |
Charles who can't drag himself away from Derek's shop. How early do you | :09:16. | :09:26. | |
:09:26. | :09:29. | ||
think that is? About 1810, 18 20s. �30 to you. Would you take �20 for | :09:29. | :09:37. | |
it? I would buy them all day long for �20. �25, I will split it with | :09:37. | :09:47. | |
:09:47. | :09:49. | ||
you. I want 60 and you are having it at 25. Derek, thanks ever so much, I | :09:49. | :09:59. | |
:09:59. | :10:00. | ||
will buy it. Thank you. What is that cunning look in Charles' I? -- his | :10:00. | :10:10. | |
:10:10. | :10:13. | ||
eye. I will have a word shortly with you about what we have got. Charles | :10:13. | :10:19. | |
looks suspiciously pleased with himself. He sold it as a early 19th | :10:19. | :10:29. | |
:10:29. | :10:32. | ||
century Chinese but it is probably dated from around 1700, 1720. It is | :10:32. | :10:39. | |
probably about 180 years from what he thinks. I wonder if your | :10:39. | :10:43. | |
expertise has helped you choose a cheeky winner. Our two young blades | :10:43. | :10:48. | |
have already brought two items each, now time to crack onto the next | :10:48. | :10:58. | |
:10:58. | :10:59. | ||
estimation. Ready? Let's go.They are heading south for the fairy, | :10:59. | :11:09. | |
crossing to Porter fairy on the banks of Strangford Lough. For our | :11:09. | :11:17. | |
young road trippers, not even paying for the ferry crossing is as | :11:17. | :11:27. | |
:11:27. | :11:29. | ||
straightforward as it should be. we get a discount? No. It looks like | :11:29. | :11:39. | |
:11:39. | :11:47. | ||
Charles has met his match. And we are off. Having left Grey Abbey and | :11:47. | :11:53. | |
taken the ferry to Strangford, they are heading north to Saint Field, | :11:53. | :11:57. | |
dating back to the early 18th-century, when it was known for | :11:57. | :12:04. | |
its cornflour and flax mills. Today it is better known for antiques. | :12:04. | :12:10. | |
With two shops to choose from, our guys decide who goes where. One two, | :12:10. | :12:20. | |
:12:20. | :12:27. | ||
three. Thank you very much. This might look nice but the prices are a | :12:27. | :12:36. | |
bit rich for Jonathan. I have just under �100 left and I think, that | :12:36. | :12:45. | |
looks sweet, but he is asking �248. Not worth looking at. Those prices | :12:45. | :12:48. | |
do seems steep and it seems like Charles is not having much luck | :12:48. | :12:58. | |
:12:58. | :12:59. | ||
either. These look to be worst first period, around 1775, that they were | :12:59. | :13:08. | |
make by -- made by any Tate or a forger based in Paris in the 1880s. | :13:08. | :13:15. | |
-- made by an imitator. You only know by the feel of the body. | :13:15. | :13:22. | |
would need �180 for them. If they were real, �3000, �4000, but they | :13:22. | :13:30. | |
are not. They have not exactly had the luck of the Irish. Time to speed | :13:30. | :13:38. | |
off to bustling, busy Belfast. Belfast, as I'm sure you know, is | :13:38. | :13:45. | |
the capital of Northern Ireland. A city which once had the UK's biggest | :13:45. | :13:50. | |
thread and tobacco factories and home to the historic ship lands | :13:50. | :13:58. | |
where the last century's most iconic ship was built, the Titanic. While | :13:58. | :14:05. | |
Charles Swans after see the sights, Jonathan hits the shops. -- swans | :14:05. | :14:15. | |
off to see the sights. Jonathan is keen to find out items of local | :14:15. | :14:25. | |
interest with the shopkeeper's help. From a local aspect, there are a | :14:25. | :14:35. | |
:14:35. | :14:36. | ||
couple of options. Thank you, but I don't want to buy a map. A whole | :14:36. | :14:45. | |
souvenir industry grew up around Killarney in south-west Ireland. | :14:45. | :14:55. | |
:14:55. | :14:59. | ||
is a real touristy thing, early 19th century. This is bog oak. Entire | :14:59. | :15:02. | |
forests lay preserved under Ireland's's many bogs. The lack of | :15:02. | :15:11. | |
oxygen in waterlogged Pete prevents the natural decay. This gives the | :15:11. | :15:21. | |
characteristic black colour. Right. Well, that's got a harp on as well. | :15:21. | :15:25. | |
This is the sort of thing that would sell? I think they would fly out, | :15:25. | :15:35. | |
:15:35. | :15:41. | ||
yes. Would you do it for �65?What about �68 and we'll have a deal? | :15:41. | :15:50. | |
that's mine. The luck of the Irish. While Jonathan is on a mission to | :15:50. | :15:56. | |
spend, spend, Charles is seeing the sights of Belfast. Belfast City Hall | :15:56. | :16:01. | |
is the city's most iconic building. It was planned when Queen Victoria | :16:02. | :16:11. | |
gave Belfast city status in 1888. And finally opened in 1906. Today, | :16:11. | :16:15. | |
it is the civic building of the City council, if you want a register a | :16:15. | :16:20. | |
birth or death, apply for a wedding licence or even get married, the | :16:20. | :16:27. | |
City Hall is where you do it. The grandeur. The opulence and we | :16:27. | :16:33. | |
look around and we can see the ornate plaster work, the wonderful | :16:33. | :16:40. | |
marble slabs mounted on every wall. It goes up so many tiers. It is like | :16:40. | :16:45. | |
a big icing cake. Good morning. Good morning.What a | :16:45. | :16:49. | |
grand staircase you have. Cindy. Welcome to Belfast City Hall. | :16:49. | :16:54. | |
What do you think of the wonderful building? I think it is incredible. | :16:54. | :17:00. | |
Cindy, to me, it is so classic of the great Roman past. | :17:00. | :17:05. | |
The rooms are full of precious antiques and one piece in particular | :17:05. | :17:11. | |
catches Charles' eye. So this over here to me looks a very, very nice | :17:11. | :17:17. | |
early 20th century Edwardian come George V mahogany sideboard, but we | :17:17. | :17:26. | |
all know in the business where it came from, who it belonged to is | :17:26. | :17:30. | |
everything. It is actually walnut. Right, sorry. | :17:30. | :17:35. | |
A walnut sideboard, specially commissioned to go on to the | :17:35. | :17:39. | |
Titanic, to the captain of the Titanic's quarters. It wasn't | :17:39. | :17:44. | |
finished in time. The ship had sailed. This ought to be resting on | :17:44. | :17:50. | |
the seabed. Can we value it, Cindy? Well, we have had it valued and over | :17:50. | :17:57. | |
�100,000. Yeah because of the pedigree, the romance, the drama. | :17:57. | :18:00. | |
Don't get too carried away by the sideboard, Charles. Remember, there | :18:00. | :18:10. | |
is still shopping to be done! Jonathan is remaining -- John's | :18:10. | :18:16. | |
remaining �30 is burning a hole in his pocket. What are these? They are | :18:16. | :18:21. | |
spirit measures. They would be given out for music festivals. | :18:21. | :18:26. | |
Londonderry. They are like trophies. Let's hope these juniors were old | :18:26. | :18:35. | |
enough to drink the shots! They are Birmingham hallmarked. It is a | :18:35. | :18:44. | |
capital D. 1924 and there is an element of the art decor about it. | :18:44. | :18:51. | |
This is the rocket sort of thing. sale for �50 for the pair. They are | :18:51. | :18:59. | |
quite sweet. Early, nice design, and made of silver. Local interest. Url | :18:59. | :19:04. | |
let me have these for -- you will let me have these for... �30.It is | :19:04. | :19:10. | |
what I have got left. OK, I will take it. Thank you very much. Job | :19:10. | :19:15. | |
done. I'm now broke! Asset rich and cash poor. | :19:15. | :19:19. | |
On the other side of town, the time is running out for Charles. He only | :19:19. | :19:24. | |
has two items for auction and still has �135 to spend. The pressure is | :19:24. | :19:34. | |
:19:34. | :19:38. | ||
on. Good afternoon to you, sir. are you? That's pretty, isn't it? I | :19:38. | :19:48. | |
:19:48. | :19:49. | ||
like that. It is a nice silver bonbon dish. And it is �48. Can | :19:49. | :19:56. | |
Charles sweet-talk him into a deal? Well, would you take �30 for this? | :19:56. | :20:05. | |
And that will give me a chance? and I will do you a deal. | :20:05. | :20:11. | |
between friends. That will give me a great start. You are a good sport. | :20:11. | :20:14. | |
As Charles wheels and deals, Jonathan spent all his money and is | :20:14. | :20:22. | |
in the pub enjoying a pint. Lucky blighter! | :20:22. | :20:28. | |
Charles still has �105 to spend and is following in his old friend's | :20:28. | :20:33. | |
footsteps. So what we have got here... The province of Ulster.It | :20:33. | :20:41. | |
is a map of Ulster. Thanks, Charles. Jonathan has told us that. 1676. We | :20:41. | :20:47. | |
are talking ten years after the Great Fire of London. I like it very | :20:47. | :20:50. | |
much, Donald. It is the sort of thing much, Donald. It is the sort | :20:50. | :20:53. | |
of thing that could make �150 or �30. If I bought this, I would have | :20:54. | :21:01. | |
to spend about �50. To buy it from you? Unfortunately that wouldn't | :21:01. | :21:06. | |
happen. �90 would be the price on that. I just think it tells a great | :21:06. | :21:13. | |
story about my journey I have had so far. It is lovely to roll back time | :21:13. | :21:17. | |
and be adventurous with objects. Could it be that Charles is letting | :21:18. | :21:27. | |
his heart rule his head again? your hand out and clinch the deal. I | :21:27. | :21:33. | |
just know that will sell. I really, really know that will sell. I am so | :21:33. | :21:38. | |
confident. I like it because it tells a story of my trip so far so | :21:38. | :21:43. | |
I'll buy it. I've only got �15 left, but it doesn't matter. There is a | :21:44. | :21:53. | |
:21:54. | :22:00. | ||
No point having second thoughts now, Carlos. The buying is over. But have | :22:00. | :22:07. | |
they bought wisely? With his �200 starter pack, Jonathan blew it all | :22:07. | :22:16. | |
on two items. He bought a painting of a bridge. He bought an omega | :22:16. | :22:21. | |
wristwatch and a trinket box and a pair of spirit measures. Charles | :22:21. | :22:29. | |
only spent �180 of his allowance of �200, but bought four items. The | :22:29. | :22:33. | |
regency-style mahogany table, a Chinese porcelain mug, possibly from | :22:33. | :22:39. | |
the early 18 century, a silver bonbon dish and an engraved map of | :22:39. | :22:44. | |
17th century Ulster. But what do they make of each other's purchases? | :22:44. | :22:54. | |
I think his biggest loss out of that lot is the map. | :22:54. | :22:59. | |
The cover at �68. It was a lot of money. If it was �48 I wouldn't have | :22:59. | :23:08. | |
bought. It. �28, I wouldn't have bought it. �10 maybe. It is boring. | :23:08. | :23:12. | |
Again he hasn't paid a lot of money for it it is because there is not | :23:12. | :23:18. | |
many people wanting to buy it. has been a fabulous road trip. Our | :23:18. | :23:25. | |
two chaps started off in Greyabbey and stopped off in Saintfield before | :23:25. | :23:30. | |
arriving in Belfast and once again our two experts rolled back into the | :23:30. | :23:35. | |
city for auction day. Best of luck, Charlie. | :23:35. | :23:39. | |
You might need it. No, ladies first. After you. | :23:39. | :23:43. | |
Well, charming. Belfast Auctions first opened its | :23:43. | :23:47. | |
doors 25 years ago and it sells everything from antiques to | :23:47. | :23:52. | |
jewellery, furniture and household goods. Perfect therefore for our | :23:52. | :23:56. | |
boys varied collection. I have been dreading this moment sclament | :23:56. | :24:06. | |
:24:06. | :24:27. | ||
up is the Owe ming Omega SeaMaster �140. �150. $160. -- �160. Beginners | :24:27. | :24:33. | |
luck pushes Jonathan into the lead with �78 profit. But how long can it | :24:33. | :24:38. | |
last? Welcome to the Road Trip. That's a cracking start. Next up is | :24:38. | :24:46. | |
Charles' it map of Ulster. A gamble at �90. There is a nice map for sale | :24:46. | :24:56. | |
next. An interesting lot. 20. on, let's go. At �30. A it cheap lot | :24:56. | :25:00. | |
now at �35. That's one gamble that didn't pay | :25:00. | :25:05. | |
off and an unwelcome loss to kick-start Charles' auction. Will | :25:05. | :25:11. | |
Jonathan hold on to his lead with the lucky bog oak trinket box at | :25:11. | :25:21. | |
:25:21. | :25:21. | ||
�68. I have set the ball rolling t and. Hey guys.I am going to be | :25:21. | :25:28. | |
complacent from now on? Shouldn't you be paying attention? For | :25:28. | :25:33. | |
goodness sakes stop talking! You are a fighter, are you? I am a | :25:33. | :25:42. | |
fighter. At �30. That will teach you two to chat! | :25:42. | :25:47. | |
Has the Irish bog oak box been sold? It has been sold. How much for, | :25:47. | :25:55. | |
please, sir? �30. Thank you. But the not so lucky Irish tink et | :25:55. | :26:01. | |
box made Jonathan a loss of �38 and decimated his lead. Charles is | :26:01. | :26:07. | |
hoping to redeem himself with his silver bonbon dish. A snip at �30. | :26:07. | :26:17. | |
:26:17. | :26:19. | ||
need this to pay dividends. Come on! Come on! Let's keep going. �65. �70. | :26:19. | :26:26. | |
The silver bonbon dish, �70. �40 on that, baby. I'm delighted. | :26:26. | :26:30. | |
So you should be. That's a �40 profit. | :26:30. | :26:35. | |
Jonathan is hoping to reclaim his winning streak with these silver | :26:35. | :26:45. | |
:26:45. | :26:52. | ||
glasses. �30 for the pair. �30. �40. �45. �47. 50. Jonathan is streaking | :26:52. | :26:56. | |
ahead with another cheeky little profit. Next up Charles' porcelain | :26:56. | :27:02. | |
mug. A bargain at �25 and more so because Charles was right in dating | :27:02. | :27:09. | |
it to the early 18th rather than the early 19th century. Come on. Around | :27:09. | :27:19. | |
1720. An early piece. �30. �40. �45. �47. Another profit, but Charles is | :27:19. | :27:22. | |
still struggling to claw his way back into the race after such a | :27:22. | :27:29. | |
heavy loss on the map. It is time for Jonathan's final lot. The | :27:29. | :27:37. | |
engaving of the Lagan. Has Jonathan been sold down the river? �25. The | :27:37. | :27:45. | |
bid is at the back at �27. 50. Are we all finished at �27. 50? But it | :27:45. | :27:52. | |
is enough of a profit to maintain a convincing lead over Charles. Who | :27:52. | :27:58. | |
made �2. 50 profit. A massive loss, but he is back. He | :27:58. | :28:04. | |
is bigger. He is better and he won't escape! | :28:04. | :28:09. | |
Charms a is banking -- Charles is banking everything on his | :28:09. | :28:18. | |
regency-style table to stay in the race. A steal at �40. �40. �50. �50. | :28:18. | :28:28. | |
:28:28. | :28:30. | ||
�60. Back now at �70. All finished at �701234 That's -- $70. That's OK. | :28:30. | :28:34. | |
After my disaster, I proved a point. We are back in business. . It is the | :28:34. | :28:37. | |
end of the first auction and Jonathan goes into the lead. He | :28:37. | :28:42. | |
started off with �200 and offering paying it the commission he made a | :28:42. | :28:48. | |
profit of �18. 29. After commission t Charles has gone | :28:48. | :28:54. | |
from �200 down to �194. 16, but it is early days yet and anything could | :28:54. | :28:57. | |
happen. Well 1-0 to me. | :28:57. | :29:01. | |
It was quite close. It was.And that's how it is going to be | :29:01. | :29:04. | |
throughout the journey. Ah, fighting talk. | :29:04. | :29:08. | |
Next up the boys are hitting the antiques trail in Londonderry and | :29:08. | :29:12. | |
heading off for auction in Omagh. The names of these cities are | :29:12. | :29:17. | |
familiar because of the troubles, but Northern Ireland has put its | :29:17. | :29:23. | |
unhappy past behind it. Derry is the country's second biggest city and | :29:23. | :29:29. | |
the only walled city in the country to survive intact. As a result, it | :29:29. | :29:34. | |
is known as the Maiden City because its walls were never breached, but | :29:34. | :29:39. | |
more later. I wonder if the city is ready for its next assault? | :29:39. | :29:49. | |
That way? That way? That way. Jonathan has �218 to spend. Perhaps | :29:49. | :29:59. | |
:29:59. | :29:59. | ||
he can pass some of it to Simon. are you? Very good, thank you. | :29:59. | :30:02. | |
You have got pretty much anything and everything in here. | :30:02. | :30:07. | |
When a shop is as stuffed as that, where does a chap start? If you look | :30:07. | :30:11. | |
at the table tops, you don't see above your head. You are not | :30:11. | :30:13. | |
necessarily looking in the cabinets because there is something in every | :30:13. | :30:17. | |
single place. Ah, finally something does catch his | :30:17. | :30:21. | |
eye? It is a pocket watch stand. style is pretty. | :30:22. | :30:26. | |
Dating from around 1890, the pocket watch stand is a splendid example of | :30:26. | :30:31. | |
arts and crafts. So you stand this on your mantelpiece and you hang | :30:31. | :30:35. | |
your pocket watch from the back and the little dial appears and then you | :30:35. | :30:40. | |
have got a mantle clock and when you go out, take it off, put it your | :30:40. | :30:45. | |
pocket and put it on the end tft chain. | :30:45. | :30:48. | |
Just the -- of the chain. Just the job for the man about town. | :30:48. | :30:58. | |
:30:58. | :30:59. | ||
What is your best on on that? might make you an offer in a minute. | :30:59. | :31:05. | |
An offer I can't refuse? You probably will! | :31:05. | :31:10. | |
There are only a few antique shops in this part of Ireland so Charles | :31:10. | :31:17. | |
is heading south to Derry, towards the village of Lack. Good luck, | :31:17. | :31:24. | |
Charles. Hello. Nice to see. Good to see you. Welcome to Lack. | :31:24. | :31:29. | |
I am looking for a bargain. We are going to go upstairs. | :31:29. | :31:35. | |
I have an interesting piece here. That's a regency. Isn't that nice?I | :31:35. | :31:40. | |
can do a deal on that one. Paul, is that a face screen? Well, I call it | :31:41. | :31:46. | |
a fire screen. A fire screen made out of glass may not seem the most | :31:46. | :31:50. | |
obvious way of protecting ladies from the glare of the fire, but | :31:50. | :31:57. | |
that's what they were used for in the early 19 th seN th centre | :31:57. | :32:04. | |
century. This screen would protect the lady's face. Make-up was used to | :32:04. | :32:12. | |
hide all those imperfections. Steady, Charles. Although make-up | :32:12. | :32:19. | |
then made of bees backs was prone to running in the heat -- bees wax was | :32:19. | :32:28. | |
prone to running in the heat. your best price? Rock bottom. | :32:28. | :32:37. | |
Between friends? �120. Back in Derry, a modest little job, catches | :32:37. | :32:46. | |
Jonathan's eye. Ladies in the 19th century were too delicate to leave | :32:46. | :32:49. | |
through books so to protect their gloved hands from becoming soiled by | :32:49. | :32:59. | |
:32:59. | :33:06. | ||
printing ink they used page turners like these. Suddenly Jonathan spots | :33:06. | :33:16. | |
:33:16. | :33:22. | ||
something shiny. P- pewter.WM F. They were the world's largest | :33:22. | :33:29. | |
producer of metal ware in the early 1900s. How much is that chap? | :33:29. | :33:36. | |
bother looking at the bottom. best price is? �27 and clean it | :33:36. | :33:44. | |
yourself. �25. You call that haggling, Jonathan? OK, I can do | :33:44. | :33:54. | |
that. Thank you very much. Just because it | :33:54. | :34:00. | |
has age and it is a novelty. �4. OK. Two things. There we go. | :34:01. | :34:09. | |
Thank you very much. Give it some elbow grease. Isn't | :34:09. | :34:13. | |
that lovely? It scrubbed up nicely Jonathan, like you! | :34:13. | :34:20. | |
So 2-0 to Jonathan. Down the road in Lack, Charles is stick lacking! | :34:20. | :34:29. | |
have a delightful gentleman's hat box. It is leather and tooled inside | :34:29. | :34:33. | |
and here is your hat. Isn't that nice? If you are a gentleman, I | :34:33. | :34:39. | |
suppose from this period, you would not be seen without a fine top hat | :34:39. | :34:44. | |
in a wonderful Morocco box like this. How lucky can I be on this, | :34:44. | :34:54. | |
:34:54. | :34:54. | ||
Paul? 6 65.What I might do, what I might do, I like the hat box very | :34:54. | :35:01. | |
much and the screen over there. I will buy them both probably with | :35:01. | :35:09. | |
your blessing for around �120. OK. It doesn't matter. I only ask | :35:09. | :35:13. | |
the question, you never know. What's the best price if I bought | :35:13. | :35:19. | |
them both together? �150. I will think about it for a second. Do you | :35:19. | :35:29. | |
:35:29. | :35:32. | ||
mind? I will think about it. A good dealer buys right away. | :35:32. | :35:42. | |
:35:42. | :35:44. | ||
Sometimes life is a bit pressurised. 140? As Charles feels the strain, | :35:44. | :35:54. | |
:35:54. | :35:57. | ||
Paul offers to throw in money given back when the price is agreed on. | :35:57. | :36:07. | |
:36:07. | :36:09. | ||
will give you �123. Have �3 back. thought Jonathan had finished | :36:09. | :36:12. | |
shopping in Derry but it seems the rivalry with his old chum is rather | :36:12. | :36:20. | |
getting to him. I am so competitive with Charlie. Let me see if I can | :36:20. | :36:24. | |
find what he might buy as well. I will be surprised if he didn't buy | :36:24. | :36:32. | |
something like this, little silver clock with orange enamel. A portable | :36:32. | :36:36. | |
timepiece with a struct that hinges out to supported. It dates from | :36:36. | :36:44. | |
1936. Completely silver apart from the base, ticking away beautifully. | :36:44. | :36:49. | |
A bit of damage on the top. I think that is rather sweet. I might have | :36:49. | :36:59. | |
:36:59. | :37:00. | ||
to beat him to it. It was 85.Would you take a little bit on that? | :37:00. | :37:10. | |
:37:10. | :37:14. | ||
do a fiver less. So it would be 80. Indeed! I can't go around buying | :37:14. | :37:22. | |
everything that he would buy! But I really like it. Go on, then. That is | :37:22. | :37:32. | |
:37:32. | :37:38. | ||
it full . . I will leave and never come back. Still in the grip of | :37:38. | :37:46. | |
competition fever, Jonathan is heading south in search of more | :37:46. | :37:50. | |
booty. Having three items under his belt is not doing much for his | :37:50. | :38:00. | |
:38:00. | :38:01. | ||
concentration. Didgeridoos. Never even been to Australia, it just | :38:01. | :38:08. | |
comes naturally for people like me. After a brief flirtation with a | :38:08. | :38:14. | |
silver plate, something else catches his eye. Quite a modern glass vase | :38:14. | :38:19. | |
and I was thinking, there are lots of modern factories that are quite | :38:19. | :38:28. | |
sellable now. Modern glass is attractive. When it is handmade and | :38:28. | :38:32. | |
fashionable like this bars it is eminently sellable. This is | :38:32. | :38:38. | |
something somebody would walk into a department store and buy. It looks | :38:38. | :38:47. | |
like they did just that! But it should be at least 30 years old. | :38:47. | :38:57. | |
:38:57. | :39:02. | ||
have got �30 on it. Yes!Would you consider �15? We will go for 15. | :39:02. | :39:12. | |
:39:12. | :39:15. | ||
Thanks very much. �9 off? Not bad at all. Is he learning the dark art of | :39:15. | :39:24. | |
haggling? In Derry, Charles is... Hello, haven't we been here before? | :39:24. | :39:29. | |
I am Charles Hanson, it is great to be here. Are you open to | :39:29. | :39:39. | |
:39:39. | :39:40. | ||
negotiation? A little bit. You seem like a nice chap. You will only be | :39:40. | :39:47. | |
able to negotiate if Jonathan has left you anything to buy. This seems | :39:47. | :39:53. | |
to be some kind of lot. Be in bossing work is very good. Hopefully | :39:53. | :39:59. | |
it has hallmarks. There they are. Beautifully embossed, heavy. Is that | :39:59. | :40:09. | |
:40:09. | :40:12. | ||
your price? 345. A little out of your price range, seeing as you only | :40:12. | :40:18. | |
have �66 to spend! Jonathan is racing off towards an antique shop | :40:18. | :40:26. | |
in drum Duff. It is a little village in deepest County Fermanagh. Yet it | :40:26. | :40:30. | |
is proving very hard for him to find. Where exactly are these roads | :40:30. | :40:40. | |
leading? Are you sure there's an antique shop around here? How are | :40:40. | :40:47. | |
you? I did not believe my satellite navigation when it sent me here. You | :40:47. | :40:53. | |
have the most amazing stock. People are pleasantly surprised when they | :40:53. | :41:00. | |
come in. We'll Jonathan, with only �94 left, find anything he can | :41:00. | :41:10. | |
:41:10. | :41:12. | ||
afford? Within my budget will I be unlikely to find anything? We will | :41:12. | :41:17. | |
always try to get into your budget. I will show you a definite bargain. | :41:17. | :41:27. | |
:41:27. | :41:28. | ||
Within your budget. Where is he taking you, Jonathan? Beautiful, | :41:28. | :41:35. | |
untouched walnut, Victorian. Would you believe it? A fire screen, just | :41:35. | :41:43. | |
like Charles court earlier. It looks like a dressing mirror but it has | :41:44. | :41:53. | |
two sheets of clear glass instead. would be inclined to say it was for | :41:53. | :42:00. | |
two little stuffed birds. Back then all forms of taxidermy were wildly | :42:00. | :42:07. | |
fashionable. There is half a moth in here. You won't charge me for that, | :42:07. | :42:17. | |
:42:17. | :42:29. | ||
will you? We never charge for extras. �80. Where do I get my heart | :42:29. | :42:39. | |
:42:39. | :42:44. | ||
tablets? Where it -- we shall see at the auction. I wish you luck. | :42:44. | :42:48. | |
Reunited, the chaps are back on the road and heading south to | :42:48. | :42:52. | |
Enniskillen, a town whose name is familiar because of its recent | :42:52. | :42:58. | |
troubled past. These days, though, this picturesque town is better | :42:58. | :43:08. | |
known for more tranquil pursuits, such as hosting the water ski World. | :43:08. | :43:18. | |
:43:18. | :43:18. | ||
-- World Cup. What makes this antique shop so special is that it | :43:18. | :43:28. | |
is also the owner's home. Good morning. Good morning, nice to meet | :43:28. | :43:36. | |
you. It looks like a home rather than a shop, because it is. David | :43:36. | :43:40. | |
and Eva Lind actually live here, although they are quite happy to let | :43:40. | :43:47. | |
people come in for a few hours a day and let people buy their furniture. | :43:47. | :43:52. | |
I can't afford to hang around because I need to be quick. He will | :43:52. | :44:02. | |
:44:02. | :44:07. | ||
honour those star treasures. -- on earth. Focus, Jonathan, please. | :44:07. | :44:11. | |
is rather groovy. People aren't really lying decanters any more but | :44:11. | :44:18. | |
you have Lou glass over white glass, �69, much less than it would | :44:18. | :44:27. | |
cost in a department store. I think Charles has spotted something. | :44:27. | :44:33. | |
like the objects inside. Jonathan, stop looking. Close that door. I | :44:33. | :44:39. | |
can't go anywhere and there he is. That is a nice little information | :44:39. | :44:49. | |
:44:49. | :44:56. | ||
box. This soft white stone looks like seafoam, soft when first | :44:56. | :45:03. | |
exposed but hardened when heat is applied. You would smoke it like | :45:03. | :45:09. | |
so. What I like so much is the fact that this face is so well carved. | :45:09. | :45:18. | |
Late Victorian. Look at that skull. Aren't they sweet? Imagine smoking | :45:18. | :45:27. | |
him. I think they might do quite well at auction. But Jonathan | :45:27. | :45:31. | |
doesn't see anything in his budget so he is leaving Charles to get on | :45:31. | :45:37. | |
with it. This is very traditional, nice tray which I hope is 19th | :45:37. | :45:46. | |
century. It has applied crust border, the whole story and the | :45:46. | :45:52. | |
etiquette of tea drinking or dining. Back in the late 18th century, all | :45:52. | :45:56. | |
tea was a treat. It was exotic and expensive, the preserve of the upper | :45:56. | :46:06. | |
:46:06. | :46:07. | ||
classes, and tea trays were all the rage. It is a snip at �70. My budget | :46:07. | :46:13. | |
is �66 and my tactics is to buy two items. If I was to give you the | :46:13. | :46:20. | |
collection of pipes and the tray for �60. David, you are a good man and, | :46:20. | :46:23. | |
I will think about it for the time being, but that's a really good | :46:23. | :46:33. | |
:46:33. | :46:37. | ||
offer. Thanks. Thank you David. I will have a think. The fascination | :46:38. | :46:43. | |
with history, do I or don't I? knows, Charles, will you or won't | :46:43. | :46:49. | |
you? As Charles delib rates, Jonathan is offer off to visit a | :46:49. | :46:59. | |
very big house in the country. Welcome to Florence court. Thank you | :46:59. | :47:07. | |
very much. Jonathan's guide for the day is Martin Story. Florencecourt | :47:07. | :47:14. | |
House was the seat of the Cole family. I am glad you didn't unleash | :47:14. | :47:21. | |
one of these on me. Some people suggested an aggressive pointing | :47:21. | :47:25. | |
towards the driveway. They were won in a bet from a local familiar over | :47:25. | :47:29. | |
100 years -- family over 100 years ago. | :47:29. | :47:35. | |
Goodness me. It is an impressive sight, isn't it in William Cole a | :47:35. | :47:43. | |
peer and politician was given the title earl of Enniskillen in 1889. | :47:43. | :47:47. | |
Five generations of the family would live here until falling agriculture | :47:48. | :47:53. | |
prices and falling wage costs made it too expensive to run. It was | :47:53. | :47:58. | |
given to the National Trust in 1953. This is the library. Isn't this | :47:59. | :48:03. | |
lovely? It is not unlike mine at home. | :48:03. | :48:08. | |
It is like a man's room. The family gathered in the library. This would | :48:08. | :48:12. | |
be a perfect setting for a murder! Even in a grand room, there are | :48:12. | :48:16. | |
still traces of the cloel family. Such as this -- Cole family such as | :48:16. | :48:23. | |
this measuring stick in the family. Childrens names, dates and heights | :48:23. | :48:28. | |
recorded. What is mine? I have got my heels | :48:28. | :48:34. | |
on. I am about six foot. Well, I like to think anyway. | :48:34. | :48:40. | |
There is time for a squint upstairs. And this is the countess's bedroom. | :48:40. | :48:49. | |
The last thing is the chamber pot. Ah-ha. Oh crikey. Who is this chap | :48:49. | :48:56. | |
then? Gladstone. William Gladstone Prime Minister of | :48:56. | :48:59. | |
Britain had antagonised many families over his support for Irish | :49:00. | :49:04. | |
home rule. It threatened their supremacy and this was certainly one | :49:04. | :49:09. | |
of the more imaginative ways they could express their disapproval, by | :49:09. | :49:13. | |
urinating on him! That will wipe the smile of his face, won't it? That's | :49:13. | :49:18. | |
a rare object. Enough of chamber pots, Jonathan has | :49:18. | :49:25. | |
something more pressing to do!ing Well, this is why on a nice sunny | :49:25. | :49:30. | |
day you want to have bought all your stuff early! I guess Charlie is not | :49:30. | :49:40. | |
:49:40. | :49:51. | ||
a bargain. Hello Charles. Welcome back. | :49:51. | :50:00. | |
The tray I like. I also like on my tray to take away... A nice little | :50:00. | :50:06. | |
collection of pipes. My offer is �50. I would be very sad | :50:06. | :50:10. | |
if I turned you away without a deal because you might not make any money | :50:10. | :50:17. | |
at the auction. So I'm going to deal with you and hope... Are you sure, | :50:17. | :50:22. | |
David? Yes.It is a very good... is a very good deal. | :50:22. | :50:24. | |
I really appreciate it. Now, the buying is over, but have they spent | :50:24. | :50:28. | |
wisely? Charles started this leg down with | :50:29. | :50:38. | |
:50:39. | :50:41. | ||
�1294. 16 and spent -- �194. 16. A top hat, complete with leather box. | :50:41. | :50:51. | |
:50:51. | :50:51. | ||
A collection of pipes and a ma mog knee table. -- mahogany table. | :50:51. | :50:55. | |
Jonathan blew it all on five items. A decorated page turner. A silver | :50:55. | :51:02. | |
jar. A sweet little enamel clock and filmily, another fire screen. -- | :51:02. | :51:10. | |
finally, another fire screen. But what do the chaps think about each | :51:10. | :51:14. | |
other's items? There is twoe items I would not touch. -- two items, I | :51:14. | :51:19. | |
would not touch. One is the glass vase. It is non descript. A mahogany | :51:19. | :51:24. | |
tray, 19th century made. I didn't like it at all. The fire screen | :51:24. | :51:34. | |
:51:34. | :51:34. | ||
also, it is really crisp and well carved, but it wouldn't be to my | :51:35. | :51:36. | |
liking. I hate saying it. I think I'm going | :51:36. | :51:41. | |
to win! Brave words. But has he spoken too soon? | :51:41. | :51:46. | |
It has been a fabulous road trip. Our two chaps started off in | :51:46. | :51:52. | |
Londonderry and stopped off in Lack. Ballinamallard and finally | :51:52. | :51:56. | |
Enniskillen and now it is time for Charles and Jonathan to roll into | :51:56. | :52:06. | |
:52:06. | :52:12. | ||
Omagh for auction day. S Viewback Antiques sell everything. | :52:12. | :52:16. | |
As the nervous hush descends, our two chaps can barely contain | :52:16. | :52:26. | |
:52:26. | :52:26. | ||
themselves. Ah, here we go. I will start doing the jig by the end of | :52:26. | :52:29. | |
the night. Can we have at bit of hush, please? | :52:29. | :52:32. | |
Too bad, boys. First up is the decorated page turner which Jonathan | :52:32. | :52:42. | |
:52:42. | :52:53. | ||
bought for �4. Keep going. Keep going. �20 once. | :52:53. | :52:58. | |
�20 twice. Well done, Jonathan, the first profit of the day, but can it | :52:59. | :53:03. | |
last? Next is Jonathan's WMS silver jar | :53:03. | :53:13. | |
which cost him �25. At �25. At �30. At �30. At �35. Down the back at | :53:13. | :53:22. | |
�35. At �40. At �45. Who will give me �50? Come on, someone. | :53:22. | :53:32. | |
:53:32. | :53:33. | ||
Sold at �45. Are you starting to worry t Charles? | :53:33. | :53:43. | |
:53:43. | :53:44. | ||
? Will Jonathan's tray help stay in the race? At �35. At #40e. At �45. | :53:44. | :53:52. | |
It is a lady's bid at �45. �45, Charlie boy. | :53:52. | :54:02. | |
:54:02. | :54:03. | ||
Not bad. Now for Jonathan's enamel time piece which cost �80. | :54:03. | :54:13. | |
At �60. At �60. �65. �75. All finished. At �75. Sold at �75. | :54:13. | :54:17. | |
Jonathan, is it time up for your profits? | :54:17. | :54:22. | |
Jonathan is hoping to reclaim his winning streak with this Italian | :54:22. | :54:32. | |
:54:32. | :54:32. | ||
vase which he hopes was a bargain at �15. �20. At �35. At �30. At �35. At | :54:32. | :54:42. | |
:54:42. | :54:44. | ||
�40. At �40. �45. �45. �45. All finished. A good price. Next up, | :54:44. | :54:53. | |
Charles' job lot of pipes which he bought for �20. �40. �30. Start me | :54:53. | :55:03. | |
:55:03. | :55:04. | ||
at �20. �20 bid. At �20. At �25. At �30. �35. At �35. At �30. At �40. At | :55:04. | :55:11. | |
�40, it is a lady's bid. At �40. Another profit for Charles, but it | :55:11. | :55:17. | |
is too close to call. Now it is time for the battle of the fire screens | :55:17. | :55:24. | |
to begin. Jonathan's walnut fire screen cost a tidy �80 and it needs | :55:24. | :55:31. | |
to do well if he is to stay in the race. Start me at �50. At �50. At | :55:31. | :55:40. | |
�60 down the back. At �70 here at the front. �80. �9 o at the front. | :55:40. | :55:46. | |
At �100. At �100. It is not enough. It is not enough. | :55:46. | :55:52. | |
I cannot get more money. �100. Is there another bid? All finished and | :55:52. | :56:00. | |
done at �100. A �20 profit, but Jonathan hoped for more. Next up, | :56:00. | :56:05. | |
the rose wood fire screen which Charles bought for �85. This is the | :56:05. | :56:13. | |
moment when the second auction will be decided. It is that simple | :56:13. | :56:21. | |
simple. �100 instantly. At �120. Any advance on �120? Charlie, Charlie, | :56:21. | :56:28. | |
�130. You jammy so and so. | :56:28. | :56:37. | |
Sold. Upz That car is cruising into fifth gear | :56:37. | :56:43. | |
As Charles surges ahead, next up is his hat and box. A snip at �43 and | :56:43. | :56:47. | |
there is a sudden change of auctioneer too. | :56:47. | :56:52. | |
It sounds like you are at the races, Charlie. | :56:52. | :57:02. | |
:57:02. | :57:10. | ||
I'm praying. I'm praying. �40. �50. �508 -- �50. No. No. �70. | :57:10. | :57:20. | |
:57:20. | :57:22. | ||
That's a handsome profit of �37 for Mr Hansen. A triumphant Charles | :57:22. | :57:27. | |
steals the lead from Jonathan. After paying the auction costs he made a | :57:27. | :57:37. | |
profit of �65 and takes �259. 17 to the next leg. Jonathan did not do | :57:37. | :57:43. | |
quite as well. He began this part of the road trip with 218. . 29 and | :57:43. | :57:53. | |
:57:53. | :57:55. |