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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:05 | |
a classic car | 0:00:05 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:11 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
So much! | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory or slow road to disaster? | 0:00:22 | 0:00:27 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
It's the start of a new road trip, so let's meet our treasure hunters. | 0:00:36 | 0:00:40 | |
David Barby first became interested in antiques at the age of 12! | 0:00:43 | 0:00:47 | |
And now he'll do anything for a bargain. | 0:00:47 | 0:00:50 | |
-I say! -That's -£2. Thank you. | 0:00:51 | 0:00:53 | |
He's known by his colleagues as The Master. | 0:00:53 | 0:00:56 | |
Beryl, look in my eyes. 22. | 0:00:56 | 0:00:59 | |
And here's his travelling companion, Margie Cooper. | 0:00:59 | 0:01:02 | |
Afternoon. | 0:01:02 | 0:01:03 | |
Margie comes from a long line of antique dealers. | 0:01:04 | 0:01:07 | |
She loves a bargain but she doesn't always have a plan. | 0:01:07 | 0:01:10 | |
I've absolutely no idea what his game plan is. I'm just worrying about mine. | 0:01:11 | 0:01:15 | |
David and Margie both have £200 each to spend | 0:01:18 | 0:01:21 | |
and they're cruising along in a retro 1979 Mercedes 350 SL. | 0:01:21 | 0:01:26 | |
Margie has fond memories of the classic car. | 0:01:26 | 0:01:29 | |
So, do you remember Dallas, David? | 0:01:29 | 0:01:33 | |
I remember Dallas with Joan Collins. | 0:01:33 | 0:01:35 | |
No, she was in Dinasty. | 0:01:35 | 0:01:37 | |
Don't you mean Dynasty? | 0:01:37 | 0:01:38 | |
This was the iconic car that Bobby owned. | 0:01:38 | 0:01:41 | |
-Bobby was JR's brother. -Right, right. | 0:01:41 | 0:01:44 | |
So, as our very own Sue Ellen and JR hit the open road, | 0:01:44 | 0:01:47 | |
let's hope oil's well that ends well! | 0:01:47 | 0:01:51 | |
The route for the road trip takes our intrepid travellers | 0:01:55 | 0:01:59 | |
from Alnwick in Northumberland | 0:01:59 | 0:02:01 | |
through the beautiful English countryside | 0:02:01 | 0:02:02 | |
to the final destination of Lincoln, 200 miles away. | 0:02:02 | 0:02:06 | |
This leg begins in Alnwick | 0:02:08 | 0:02:10 | |
and ends up 90 miles due south in Leyburn, North Yorkshire. | 0:02:10 | 0:02:14 | |
So, first up is historic Alnwick. | 0:02:15 | 0:02:17 | |
This picturesque market town dates back to 600AD | 0:02:20 | 0:02:24 | |
and was a staging post on the Great North Road between London and Edinburgh. | 0:02:24 | 0:02:28 | |
But taking centre stage is the magical Alnwick Castle, | 0:02:28 | 0:02:31 | |
star of the Harry Potter films. | 0:02:31 | 0:02:34 | |
-I always thought it was a mock-up, but it isn't, is it? It's here. -No, no, no. -That's incredible. | 0:02:34 | 0:02:39 | |
-Just look at it. Splendid. -It really is very good. | 0:02:39 | 0:02:41 | |
It's certainly cast a spell on our experts. | 0:02:41 | 0:02:44 | |
The first stop for Margie is nearby Alnwick Lodge. | 0:02:44 | 0:02:47 | |
What a fabulous place! | 0:02:47 | 0:02:51 | |
Now this looks the sort of place where there's hidden treasures. | 0:02:51 | 0:02:54 | |
-Do you think so? -Don't forget your handbag with all that money. | 0:02:54 | 0:02:57 | |
-See you! -Bye. -Bye. | 0:02:57 | 0:02:59 | |
Now, this looks interesting. I'm excited. | 0:03:00 | 0:03:04 | |
This exquisite emporium has been owned by Peter Smith since 1978. | 0:03:04 | 0:03:09 | |
-Hi! -Good morning. -Peter, good morning. | 0:03:09 | 0:03:12 | |
I quite like that. It isn't Worcester, but it looks just like Worcester. | 0:03:12 | 0:03:16 | |
I think it's, sort of, like 1900, isn't it? | 0:03:17 | 0:03:20 | |
1900s, 1920? | 0:03:20 | 0:03:22 | |
I'm just impressed by the quality of the painting. | 0:03:22 | 0:03:25 | |
I like that. It would be nice if that was a little Worcester cup, | 0:03:25 | 0:03:29 | |
because that would go for, like, £20 or £30. And it's only a fiver. | 0:03:29 | 0:03:33 | |
What's David going to say if I show him that? Is he going to laugh? | 0:03:33 | 0:03:37 | |
He probably is. | 0:03:37 | 0:03:39 | |
Stop worrying about what David might say. It's only a fiver. | 0:03:39 | 0:03:42 | |
But it could be cheaper, couldn't it? £5. | 0:03:42 | 0:03:45 | |
£4? £4. | 0:03:45 | 0:03:47 | |
I can't argue with you, can I? | 0:03:47 | 0:03:49 | |
-It's very beautiful. -But it's not going to set the world on fire. | 0:03:49 | 0:03:52 | |
So you've said four, yeah? | 0:03:52 | 0:03:56 | |
£3.50. My final offer. | 0:03:56 | 0:03:58 | |
Look, I'm not going to argue with you. £3.50's fine. | 0:03:58 | 0:04:01 | |
Just up the road at the antiques centre, | 0:04:01 | 0:04:03 | |
David also has his eye on a rather special mug. | 0:04:03 | 0:04:06 | |
This is a political election victory mug, | 0:04:08 | 0:04:12 | |
which is quite rare. | 0:04:12 | 0:04:14 | |
The great contest at Alnwick, which is interesting, this is where we are. | 0:04:14 | 0:04:19 | |
"The choice of the people and Northumberlands." | 0:04:19 | 0:04:22 | |
But what an interesting piece. | 0:04:22 | 0:04:25 | |
How much is that? £38. | 0:04:25 | 0:04:28 | |
Mm. I like that. | 0:04:30 | 0:04:33 | |
I feel a deal coming on. | 0:04:33 | 0:04:35 | |
-What's the value on that? What's your very best price? -Oh, gosh. | 0:04:35 | 0:04:39 | |
But will David be able to work his magic on Beryl? | 0:04:39 | 0:04:43 | |
-It's got to be quite cheap, actually. -Yeah. 20? | 0:04:43 | 0:04:46 | |
I think the condition goes against it, really, | 0:04:46 | 0:04:49 | |
but it's an interesting piece because of its local history. | 0:04:49 | 0:04:51 | |
-Oh...15. And that's it. -That's the lowest, is it? | 0:04:51 | 0:04:54 | |
-Yeah. -OK. -Because I've only put it in this morning. | 0:04:54 | 0:04:57 | |
-Have you really? -Yes, yeah. | 0:04:57 | 0:04:59 | |
Well, no point in rushing a decision when there's some enticing pieces of Staffordshire nearby. | 0:04:59 | 0:05:05 | |
Is that £15 the pair? | 0:05:05 | 0:05:08 | |
Well, I suppose to you, yes. | 0:05:08 | 0:05:10 | |
But anybody else, no. | 0:05:10 | 0:05:12 | |
They don't sell, do they? | 0:05:12 | 0:05:14 | |
That's the trouble with Staffordshire at the moment. | 0:05:14 | 0:05:16 | |
-Such a shame. -Well, we seem to sell them. | 0:05:16 | 0:05:19 | |
-Do you really? -We've only got those. We haven't got any more cos we've sold the rest. | 0:05:19 | 0:05:23 | |
So, these are the rejects? | 0:05:23 | 0:05:24 | |
Cheeky. | 0:05:24 | 0:05:26 | |
Well, no, those are something else that's come in this morning. | 0:05:26 | 0:05:30 | |
Do you want to think about it? I'll put them aside. | 0:05:34 | 0:05:37 | |
-OK. -Right. | 0:05:37 | 0:05:38 | |
-I'll put them in the office. -Lovely. Thank you very much. | 0:05:38 | 0:05:41 | |
Well, he's not the only one getting excited. | 0:05:41 | 0:05:45 | |
See, that catches my eye. I really like Imari porcelain. | 0:05:45 | 0:05:50 | |
You know, the blues and the lovely colours. | 0:05:50 | 0:05:53 | |
Let's just have a look. Really pretty. | 0:05:53 | 0:05:56 | |
Imari porcelain was made in Japan and extensively exported | 0:05:56 | 0:06:01 | |
via the port of Imari between the 17th and 20th centuries. | 0:06:01 | 0:06:06 | |
It's £10? | 0:06:06 | 0:06:08 | |
You said £8 on it. | 0:06:08 | 0:06:10 | |
It's going to have to be five. | 0:06:10 | 0:06:13 | |
Otherwise, I don't think there's any point in me trying. | 0:06:13 | 0:06:16 | |
5.50? | 0:06:17 | 0:06:19 | |
You love your 50ps, don't you? | 0:06:19 | 0:06:21 | |
5.50, you're on. | 0:06:21 | 0:06:24 | |
Thank you. | 0:06:24 | 0:06:26 | |
Right. After all that, I owe you £9. | 0:06:26 | 0:06:29 | |
£9. Not bad for a cracked plate and a teacup. | 0:06:29 | 0:06:32 | |
So, off to find David. | 0:06:32 | 0:06:34 | |
I hardly dare tell him what I've bought. | 0:06:34 | 0:06:36 | |
He'd better not laugh. | 0:06:37 | 0:06:40 | |
Laugh? David's far too busy for that. | 0:06:40 | 0:06:43 | |
He's now got his eye on a copper coal scuttle | 0:06:44 | 0:06:46 | |
and has stallholder Annie in his sights. | 0:06:46 | 0:06:49 | |
-75. -Ooph! | 0:06:49 | 0:06:52 | |
Can you go down to 40? | 0:06:52 | 0:06:54 | |
No, no. No way, no. | 0:06:54 | 0:06:57 | |
-50. Sorry. -Could you split the difference between 40 and 50? 45. | 0:06:57 | 0:07:02 | |
-Go on then, 45. -45, yeah. | 0:07:02 | 0:07:05 | |
-Thank you. -Thank you very much indeed. -Thank you. | 0:07:05 | 0:07:07 | |
Looks like he's not finished yet, though. | 0:07:07 | 0:07:09 | |
Here comes that cracked tankard and the Staffordshire figures. | 0:07:09 | 0:07:12 | |
You've told me I can have those at 15. I hoped for ten but... | 0:07:12 | 0:07:17 | |
No, it's got to be... They've got to be 15 each. | 0:07:17 | 0:07:21 | |
Those for 15 and that for 15, that's 30. | 0:07:21 | 0:07:24 | |
That's the worrying one, actually. | 0:07:24 | 0:07:27 | |
-I think you're... -Could you do them for 20, please? | 0:07:27 | 0:07:30 | |
Well, I think that's a bit... | 0:07:30 | 0:07:32 | |
-25, OK? -Can we split the difference at 22? | 0:07:32 | 0:07:35 | |
-No. -22. -25. | 0:07:35 | 0:07:38 | |
Beryl, look in my eyes. 22, 22. | 0:07:38 | 0:07:40 | |
25. | 0:07:40 | 0:07:41 | |
Go on then, being as it's you, yeah. | 0:07:41 | 0:07:44 | |
The master of seduction. That hypnotic stare has worked a charm. | 0:07:44 | 0:07:49 | |
Meanwhile, back in the old jalopy, | 0:07:49 | 0:07:52 | |
Margie has driven 30 miles south to Newcastle. | 0:07:52 | 0:07:56 | |
Right. We're here. | 0:07:56 | 0:07:58 | |
Margie's next shop is the Fern Avenue Antique Centre, | 0:07:58 | 0:08:02 | |
run by Giuseppe Anthony. | 0:08:02 | 0:08:05 | |
What's this? | 0:08:05 | 0:08:06 | |
These do well. | 0:08:06 | 0:08:09 | |
-It's a dough bowl. -Yeah. -Eastern European, for mixing the dough, | 0:08:10 | 0:08:14 | |
come in various sizes. | 0:08:14 | 0:08:16 | |
Made out of a single piece of wood, in this case sycamore, | 0:08:16 | 0:08:19 | |
and, after being hollowed out, the giant bowls were used to mix dough in. | 0:08:19 | 0:08:23 | |
That's cheap and cheerful. £38, which doesn't sound very dear. | 0:08:23 | 0:08:28 | |
35 quid and it's for nothing. | 0:08:28 | 0:08:30 | |
-35. You've knocked three quid off. -Yeah. | 0:08:31 | 0:08:34 | |
You've put sycamore there. | 0:08:34 | 0:08:36 | |
I'm syca-you! | 0:08:36 | 0:08:38 | |
-I don't blame you. I'm sick of myself. -No. | 0:08:38 | 0:08:41 | |
Come on, can it be, like...? | 0:08:41 | 0:08:43 | |
-Can it be what? -Can it be 25 quid? | 0:08:43 | 0:08:45 | |
No, it can't be 25. | 0:08:45 | 0:08:46 | |
£32, but that is the bottom line. | 0:08:46 | 0:08:49 | |
-Don't even think about bidding me. -Really? -Yeah. | 0:08:49 | 0:08:52 | |
-Cos I'd offend you? -I wouldn't be offended but you'll just get a "no". | 0:08:52 | 0:08:56 | |
£32, it's not a lot of money. | 0:08:57 | 0:08:59 | |
-We'll have it. -Right? -Yeah. | 0:08:59 | 0:09:02 | |
So that's one, two, three, £40. | 0:09:02 | 0:09:05 | |
-Thank you very much. -Lovely. Great. | 0:09:05 | 0:09:09 | |
-The strategy's not working. -You're not wrong there. | 0:09:13 | 0:09:16 | |
Wasn't the idea to buy boldly? | 0:09:16 | 0:09:19 | |
Never mind, there's still time. | 0:09:19 | 0:09:21 | |
Sunderland beckons. | 0:09:21 | 0:09:23 | |
Founded in 1179 at the mouth of the River Wear, | 0:09:26 | 0:09:30 | |
Sunderland grew from a humble fishing village | 0:09:30 | 0:09:33 | |
to become a thriving port, trading coal and salt. | 0:09:33 | 0:09:37 | |
SPOOKY MOAN | 0:09:39 | 0:09:41 | |
Oh, my goodness. It's the head of a giraffe, isn't it? | 0:09:45 | 0:09:49 | |
It says, "Please do not touch". | 0:09:49 | 0:09:52 | |
Oi, can't you read? | 0:09:52 | 0:09:53 | |
Yeah, it is. | 0:09:53 | 0:09:55 | |
A weird and wonderful shop. Right, let's have a look round. | 0:09:55 | 0:09:58 | |
-I'm a bit fascinated by your giraffe. -Hello. | 0:09:58 | 0:10:00 | |
This strange curiosity shop belongs to David Whitfield, | 0:10:00 | 0:10:03 | |
who is giraffe-daft. | 0:10:03 | 0:10:05 | |
Have a look round. Just help yourself. Feel free. | 0:10:05 | 0:10:08 | |
Right. That's an interesting piece of wood, isn't it, your baluster here? | 0:10:08 | 0:10:11 | |
Er, newel post. | 0:10:11 | 0:10:13 | |
-So what did you say, darling? -£60. | 0:10:13 | 0:10:16 | |
And that's the least? | 0:10:18 | 0:10:20 | |
-£40. -Oh, done it. | 0:10:20 | 0:10:22 | |
-OK. -That's terrific. Oh, I love it. Love it, love it, love it. | 0:10:22 | 0:10:27 | |
I think we got the message. | 0:10:27 | 0:10:29 | |
-Thank you so much. -Thank you, Margie. Lovely meeting you. -And you, too. | 0:10:29 | 0:10:32 | |
Time for our experts to head south and it's David in the driving seat. | 0:10:34 | 0:10:38 | |
The thing that I'm worried about is it's automatic. | 0:10:38 | 0:10:41 | |
I have never driven an automatic before. | 0:10:41 | 0:10:44 | |
-Now he tells us. -I feel as though I should be doing something with the left leg. | 0:10:44 | 0:10:48 | |
Just leave your left leg alone. Give it a rest. | 0:10:48 | 0:10:51 | |
These two are turning into a right old married couple. | 0:10:51 | 0:10:54 | |
Before he gets down to more shopping, | 0:10:54 | 0:10:56 | |
David is making a detour to Weardale in County Durham | 0:10:56 | 0:11:00 | |
to drop Margie off for a royal appointment. | 0:11:00 | 0:11:03 | |
-Well, here we are. -Now, you have a good day. | 0:11:03 | 0:11:05 | |
-I will do so. -Don't buy anything special. | 0:11:05 | 0:11:07 | |
-That's a good start. -Margie is here to meet Anita Atkinson. | 0:11:09 | 0:11:13 | |
Union Jack mad. | 0:11:13 | 0:11:15 | |
A loyal subject with a right royal passion. | 0:11:15 | 0:11:18 | |
-Anita! -Hello. You made it. Margie Cooper. | 0:11:18 | 0:11:20 | |
-I have made it. -Pleased to meet you. Come on in. | 0:11:20 | 0:11:22 | |
Would you please be upstanding | 0:11:22 | 0:11:24 | |
for Anita's enormous collection of royal memorabilia. | 0:11:24 | 0:11:28 | |
Oh, my goodness me. | 0:11:28 | 0:11:30 | |
This is some of it. | 0:11:30 | 0:11:33 | |
Gosh, so when did you start all this? | 0:11:33 | 0:11:35 | |
I think my collection really took off in Silver Jubilee year | 0:11:35 | 0:11:38 | |
because that was the first big occasion of my lifetime. | 0:11:38 | 0:11:42 | |
I've now got over 5,000. | 0:11:42 | 0:11:45 | |
Anita used to be the world record holder for the largest collection but she recently lost her crown. | 0:11:45 | 0:11:50 | |
I'm not bothered about it at all. | 0:11:50 | 0:11:52 | |
In fact, I'm over the moon that there's someone else as daft as me. | 0:11:52 | 0:11:55 | |
-I can show you my oldest piece, if you'd like to see that. -I'd particularly like to see that. | 0:11:55 | 0:11:58 | |
Because the collection starts at Queen Victoria's coronation. | 0:11:58 | 0:12:03 | |
This is actually an original newspaper | 0:12:03 | 0:12:05 | |
and it's the coronation edition of the Sun, | 0:12:05 | 0:12:09 | |
-June 28th 1838. -That is a lovely thing to have. | 0:12:09 | 0:12:13 | |
The whole country was rejoicing, of course, because, you know, | 0:12:13 | 0:12:16 | |
this young queen, 18 years old, she was a teenager and the first female monarch for 100 years. | 0:12:16 | 0:12:21 | |
-Yeah. -And I think they had been a bit fed up with old men. | 0:12:21 | 0:12:24 | |
That's a really fabulous piece of memorabilia. | 0:12:26 | 0:12:28 | |
And from the oldest piece in the collection to one of the newest. | 0:12:28 | 0:12:32 | |
What's going on with this, then? | 0:12:32 | 0:12:34 | |
Well spotted! | 0:12:34 | 0:12:36 | |
A mug celebrating the wedding of Kate Middleton and, er... | 0:12:36 | 0:12:41 | |
Prince Harry? | 0:12:41 | 0:12:43 | |
So who got this wrong then? | 0:12:43 | 0:12:45 | |
Well, the manufacturers. | 0:12:45 | 0:12:47 | |
Off with their heads! | 0:12:47 | 0:12:49 | |
I had to pay £10 for that mug. | 0:12:49 | 0:12:51 | |
-Oh, that's funny, isn't it? -I had to get it imported from China. | 0:12:51 | 0:12:54 | |
-See, in 30, 40, 50 years' time... -Yeah. That is unusual. | 0:12:54 | 0:12:57 | |
That is the royal wedding mug to collect. | 0:12:57 | 0:12:59 | |
That'll be on the Antiques Road Trip. | 0:12:59 | 0:13:02 | |
Anita's collection is so big that most of it isn't even on display. | 0:13:03 | 0:13:07 | |
-So, here we go. -Yeah, well, there's more up here. | 0:13:07 | 0:13:10 | |
This is where most of the collection is. | 0:13:10 | 0:13:12 | |
-Right. -Up here, in the loft. | 0:13:12 | 0:13:15 | |
With 36 boxes full, Anita has royals coming out of the rafters. | 0:13:15 | 0:13:20 | |
Don't you find it frustrating to have a lot of your stuff up here? | 0:13:20 | 0:13:23 | |
-Oh, it is, yeah. -Cos you've probably forgotten half the things that are in here. -Yeah. | 0:13:23 | 0:13:27 | |
-You haven't got the room. -Isn't that awful, Edward VII in the loft? | 0:13:27 | 0:13:30 | |
-Yeah, I know. -And there's not many folk can say that. | 0:13:30 | 0:13:33 | |
I've got to get back to my shopping. | 0:13:33 | 0:13:35 | |
I've got to beat this David Barby. | 0:13:35 | 0:13:38 | |
And he's out now, shopping, and I'm here, up this ladder. | 0:13:38 | 0:13:42 | |
-Mind how you go down the ladder. -I certainly will. | 0:13:42 | 0:13:44 | |
Cos that would be an easy win, wouldn't it, if I fell? | 0:13:44 | 0:13:46 | |
-Bye! -Bye. | 0:13:48 | 0:13:49 | |
With a right royal wave to Weardale, | 0:13:51 | 0:13:53 | |
David has driven on to Durham. | 0:13:53 | 0:13:56 | |
In Durham's indoor market, it seems David has also caught the royal bug. | 0:14:01 | 0:14:05 | |
-Oh, dear. -Now, isn't that fun? | 0:14:05 | 0:14:08 | |
Isn't that fun? | 0:14:08 | 0:14:10 | |
This is a cameo portrait of the Duke of Edinburgh and Elizabeth. | 0:14:10 | 0:14:14 | |
Now, this was made by Crown Devon, a very good company. | 0:14:14 | 0:14:17 | |
So there's loads of local history there. | 0:14:17 | 0:14:20 | |
That's a very nice pot. I quite like that. | 0:14:20 | 0:14:23 | |
That's £16. A little bit on the high side but we can come back to that. | 0:14:23 | 0:14:28 | |
Have a look at these. They're two sailor dolls and they were produced as sort of souvenirs. | 0:14:28 | 0:14:34 | |
£12.50 each. | 0:14:34 | 0:14:36 | |
A little bit on the top side. | 0:14:36 | 0:14:39 | |
Sylvia, are these yours? | 0:14:39 | 0:14:42 | |
Yes. Yes, they are. | 0:14:42 | 0:14:43 | |
What's the best price you could do on the little dolls? | 0:14:43 | 0:14:47 | |
What's the best price you could do on them? | 0:14:47 | 0:14:50 | |
Oh, that's asking me to be both buyer and seller. | 0:14:50 | 0:14:53 | |
£10 each. | 0:14:53 | 0:14:55 | |
That's still too much, that's £20 for two. | 0:14:55 | 0:14:58 | |
-Are you going to stare at me for ages then? -No, I'm not. | 0:14:58 | 0:15:02 | |
I wouldn't bet on it. | 0:15:02 | 0:15:03 | |
-15, final, final offer. -For the two? | 0:15:03 | 0:15:06 | |
Yes. | 0:15:06 | 0:15:08 | |
They're jolly cheeky chappies, aren't they? | 0:15:10 | 0:15:13 | |
Will you take £10 for the two? | 0:15:13 | 0:15:15 | |
£12.50, that's it. | 0:15:18 | 0:15:20 | |
(£10.) | 0:15:23 | 0:15:25 | |
Oh, go on, £10. | 0:15:27 | 0:15:28 | |
Whoever would have guessed that David had a thing for sailors? | 0:15:28 | 0:15:32 | |
I think they're great fun. Thank you very much indeed. | 0:15:32 | 0:15:35 | |
With another purchase under his belt, David rejoins Margie | 0:15:37 | 0:15:40 | |
for their final shopping spree in Richmond. | 0:15:40 | 0:15:43 | |
Situated on the River Swale, this beautiful little market town | 0:15:45 | 0:15:50 | |
is dominated by the 11th-century castle, a Mecca for tourists. | 0:15:50 | 0:15:54 | |
Time's running out now. We've only got another few hours. | 0:15:54 | 0:15:57 | |
Well, that's right. I'm getting into a panic situation, very apprehensive, | 0:15:57 | 0:16:00 | |
I just don't know what I'm going to find here. | 0:16:00 | 0:16:03 | |
Richmond has been described as the most romantic town in the North of England. | 0:16:03 | 0:16:07 | |
But will our experts fall in love with anything else to make them part with their cash? | 0:16:07 | 0:16:12 | |
-Best of luck. -And you, too. | 0:16:12 | 0:16:14 | |
-See you. -Bye. -Bye. | 0:16:14 | 0:16:16 | |
Don't worry about parking the car, guys, we'll take care of that. | 0:16:16 | 0:16:20 | |
David has found his way to Harry Thompson's shop | 0:16:22 | 0:16:25 | |
and immediately spies a lovely piece of Prattware. | 0:16:25 | 0:16:29 | |
Oh, my God. This, basically, is a paste pot. | 0:16:31 | 0:16:36 | |
And, around about sort of 1845, 1850... | 0:16:36 | 0:16:42 | |
they used to present gentlemen's hair grease ointment | 0:16:42 | 0:16:46 | |
in plain, white pottery boxes. | 0:16:46 | 0:16:48 | |
And then somebody suggested, if we put a coloured picture on the top, | 0:16:48 | 0:16:52 | |
they'd sell more of the product. | 0:16:52 | 0:16:54 | |
-You've got 50 on it. -Well, I know. | 0:16:54 | 0:16:57 | |
But that doesn't mean it's 50, does it? | 0:16:57 | 0:17:00 | |
What sort of price would it be? | 0:17:00 | 0:17:02 | |
Do I go up or down? | 0:17:02 | 0:17:04 | |
No. You go down, you go down. | 0:17:04 | 0:17:08 | |
Can you do it at 20 quid for us? | 0:17:09 | 0:17:11 | |
-Would you rob an old pensioner? -Yes. | 0:17:11 | 0:17:13 | |
Look how weary and tired I look like, you know. | 0:17:13 | 0:17:16 | |
22, Harry, please? | 0:17:16 | 0:17:18 | |
23. | 0:17:18 | 0:17:19 | |
Or 53, I aren't bothered. 53 or 23. | 0:17:21 | 0:17:24 | |
-23. -Oh. | 0:17:24 | 0:17:25 | |
-Thank you very much. -Are you going home now? | 0:17:25 | 0:17:28 | |
Oh, no. No, there might be something else lurking around. | 0:17:28 | 0:17:31 | |
I know. That's what's worrying me. | 0:17:31 | 0:17:33 | |
Not something, David, someone. | 0:17:33 | 0:17:35 | |
Look who's lurking at the door. | 0:17:35 | 0:17:37 | |
-Am I allowed to, or have you finished? -Yes, come on in. | 0:17:37 | 0:17:39 | |
-Let me introduce you to 'Arry. -Oh, right, have you finished? | 0:17:39 | 0:17:42 | |
-Almost, yes. -Hello, Harry. Well, I don't want to disturb you. | 0:17:42 | 0:17:46 | |
It's all right. I just want him out. | 0:17:46 | 0:17:49 | |
-You got rid of him. -He's robbed me summat rotten. | 0:17:49 | 0:17:51 | |
Has he robbed you? That means he's bought something. | 0:17:51 | 0:17:53 | |
Well, if I stay up here... I'll stay out of your way. I'll just go in here. | 0:17:53 | 0:17:57 | |
David, he's bought something. Bully for him. | 0:17:57 | 0:18:00 | |
Oh, she's not bitter, that girl. | 0:18:00 | 0:18:02 | |
Come on, Margie, you're in happy Harry's emporium now, | 0:18:02 | 0:18:06 | |
where there really is something for everyone. | 0:18:06 | 0:18:09 | |
That's quite interesting. Shelley. Collectable. | 0:18:10 | 0:18:13 | |
1930s. | 0:18:14 | 0:18:15 | |
You know, it's not amazing, but I think it would sell. | 0:18:15 | 0:18:19 | |
Well, you'd better not dally then cos, down the road, | 0:18:20 | 0:18:23 | |
David is scenting success with a perfume bottle. | 0:18:23 | 0:18:26 | |
-I like that. -It is nice, that, isn't it? | 0:18:27 | 0:18:30 | |
So we've got a hinge-top section there, | 0:18:30 | 0:18:34 | |
with the cork, which I think has been replaced, actually. | 0:18:34 | 0:18:38 | |
And then this end, which is a screw end... | 0:18:38 | 0:18:41 | |
..that would have been... Again, you've got a cork stopper. | 0:18:43 | 0:18:46 | |
And I think that would have been for smelling salts. | 0:18:46 | 0:18:50 | |
That's got 95 on it, which is a little bit high. | 0:18:50 | 0:18:55 | |
What's the very best you can do on that? | 0:18:55 | 0:18:58 | |
Right, well, I'm saying I'm not going to go any lower than 65. | 0:18:58 | 0:19:02 | |
That's a good drop, a really good drop. 65. | 0:19:02 | 0:19:06 | |
What about £50? | 0:19:06 | 0:19:08 | |
No. I'll do you 55. | 0:19:08 | 0:19:11 | |
Can we split the difference at 52, please? | 0:19:11 | 0:19:14 | |
-(Go on, then.) -52. -52, that's it. | 0:19:17 | 0:19:21 | |
And that's why some people call him The Master. | 0:19:21 | 0:19:24 | |
This is mild hysteria now because we're on the last knockings. | 0:19:26 | 0:19:31 | |
What's this? This footman's quite nice, isn't it? | 0:19:33 | 0:19:35 | |
-Ooh, God, it's so heavy. -Oh, aye, that's nice. | 0:19:35 | 0:19:39 | |
Brass footman. | 0:19:39 | 0:19:41 | |
Interesting detail on the top. | 0:19:42 | 0:19:45 | |
I don't know enough about it but I quite like it. | 0:19:45 | 0:19:48 | |
In the early 19th century, fireside stools, or footmen like this, | 0:19:48 | 0:19:52 | |
were used to keep kettles and pans on. | 0:19:52 | 0:19:54 | |
How much is it? | 0:19:55 | 0:19:57 | |
65 quid. | 0:19:57 | 0:19:58 | |
Right, so, if I buy that for a fiver... | 0:19:58 | 0:20:03 | |
It's that pretty little Shelley bowl. | 0:20:03 | 0:20:06 | |
-..What would you want for the... -50. -50 quid. | 0:20:07 | 0:20:10 | |
Right, because I want to spend my money and because I'm fed up | 0:20:13 | 0:20:17 | |
and it's too late now to go anywhere else, it's the end of the day. | 0:20:17 | 0:20:20 | |
-I'll tell you what I'll do. -Yeah. | 0:20:20 | 0:20:22 | |
If you look at it all, give me 45. | 0:20:22 | 0:20:25 | |
-And go. -45. | 0:20:25 | 0:20:27 | |
Bless you. Harry, you're a star. | 0:20:27 | 0:20:29 | |
So that's £45 for the bowl and the footman. Deal done. | 0:20:29 | 0:20:33 | |
Well done, happy Harry. | 0:20:33 | 0:20:34 | |
I'm sorry if I've tested your patience. | 0:20:34 | 0:20:37 | |
You haven't tested my patience. As long as I'm taking some money, I don't care. | 0:20:37 | 0:20:42 | |
-Charming young ladies like you. -Young ladies? Here's another tenner. | 0:20:42 | 0:20:47 | |
No, my eyesight's going! | 0:20:47 | 0:20:49 | |
That's cheered them both up and the shopping's all done. | 0:20:51 | 0:20:54 | |
David began this leg with £200 and spent £152 on a Prattware pot, | 0:20:56 | 0:21:02 | |
a scent bottle, two pottery figures together with a tankard, | 0:21:02 | 0:21:05 | |
two sailor-boy dolls and a copper coal hod. | 0:21:05 | 0:21:08 | |
Margie also started with £200 but only spent £126 on a footman, | 0:21:11 | 0:21:16 | |
a porcelain cup paired with an Imari plate, | 0:21:16 | 0:21:19 | |
a Shelley bowl, a mahogany newel post | 0:21:19 | 0:21:22 | |
and a sycamore dough bowl, as you do. | 0:21:22 | 0:21:25 | |
So, let's see what the experts really think of each other's swag. | 0:21:25 | 0:21:30 | |
I think Margie's got quite an eclectic mix there. | 0:21:30 | 0:21:33 | |
The newel post, if anybody is restoring a house, that is an ideal piece of Victoriana. | 0:21:33 | 0:21:38 | |
Out of the two of us, it is level pegging. | 0:21:38 | 0:21:41 | |
I think it is old, commemorative. | 0:21:41 | 0:21:42 | |
It will be really interesting to see what that does. | 0:21:42 | 0:21:46 | |
Because it is so old and it is so damaged, | 0:21:46 | 0:21:49 | |
that could be a disaster. | 0:21:49 | 0:21:52 | |
I think I might just have the edge. | 0:21:52 | 0:21:54 | |
From Alnwick it has been an eventful leg of the road trip, but now | 0:21:54 | 0:21:58 | |
it is on to the auction in Leyburn in the heart of the Yorkshire Dales. | 0:21:58 | 0:22:02 | |
-Moment of truth. -Oh, can be told! | 0:22:04 | 0:22:07 | |
-Well, all I can say, Margie, is best of luck. -Thank you very much. | 0:22:07 | 0:22:11 | |
Our experts are doing battle at Tennants, | 0:22:11 | 0:22:13 | |
one of Yorkshire's most highly regarded auction houses. | 0:22:13 | 0:22:16 | |
It attracts buyers from around the world, but will David | 0:22:16 | 0:22:19 | |
and Margie's items have a global appeal? | 0:22:19 | 0:22:22 | |
First up is David with this pretty, if unfashionable, | 0:22:22 | 0:22:26 | |
little piece of Prattware. | 0:22:26 | 0:22:28 | |
£20 I am bid. 30. 30 and you're in. | 0:22:28 | 0:22:30 | |
Any more bidders on this? For the pot, got to sell. | 0:22:30 | 0:22:33 | |
Any more bidders? 40. Against you, sir. | 0:22:33 | 0:22:35 | |
£40, the lady's bid. | 0:22:35 | 0:22:37 | |
On my right for the last time, 40'll take it, thank you. | 0:22:37 | 0:22:40 | |
Well done, mate, you've got a profit. | 0:22:40 | 0:22:44 | |
Very nice indeed. Not a big profit but a profit nevertheless. | 0:22:44 | 0:22:47 | |
-I'm always happy once we've made a start. -I know. | 0:22:47 | 0:22:49 | |
Don't worry, you'll make a profit on your footman. | 0:22:49 | 0:22:52 | |
Lot number 73, this 19th-century footman. | 0:22:52 | 0:22:56 | |
£20 to start me. Bid, 20 at the back. | 0:22:56 | 0:22:58 | |
30, 40, 50, 60. | 0:22:58 | 0:23:01 | |
Any more bids? Don't want you to lose it for one bid. | 0:23:01 | 0:23:03 | |
£60'll take it. | 0:23:03 | 0:23:05 | |
Well done. | 0:23:05 | 0:23:07 | |
That's 20 quid profit, Marjorie. | 0:23:08 | 0:23:11 | |
So, Margie takes an early lead with a profit on her first piece. | 0:23:11 | 0:23:15 | |
I'm getting worried now, I'm really getting panicky. | 0:23:15 | 0:23:17 | |
Which is more than can be said for some in this auction room. | 0:23:17 | 0:23:20 | |
Wakey-wakey then, it's time for the next lot, | 0:23:20 | 0:23:23 | |
David's Victorian glass scent bottle. | 0:23:23 | 0:23:25 | |
-Here we go. -Isn't that lovely? | 0:23:25 | 0:23:27 | |
What am I going to say, £50 to start for that, 50? | 0:23:29 | 0:23:31 | |
30, bid. £30. Good scent bottle this. | 0:23:31 | 0:23:33 | |
40, 50, 60, 70, 80, 90. | 0:23:33 | 0:23:36 | |
£90 back row, lady's bid. | 0:23:36 | 0:23:39 | |
-100 if you wish anywhere? £90 right at the back row. -So cheap. | 0:23:39 | 0:23:42 | |
Don't miss it for one bid. With the lady at 90'll take it. | 0:23:42 | 0:23:45 | |
I told you you'd get 80, you got 90. | 0:23:45 | 0:23:48 | |
-Well done. -Thank you very much. | 0:23:48 | 0:23:50 | |
Next, Margie's two pieces of porcelain. | 0:23:50 | 0:23:53 | |
£20 the starting bid. | 0:23:53 | 0:23:54 | |
Any advance on this? 20. 30. 30 to the lady. | 0:23:54 | 0:23:58 | |
At £30 at the back. 40 new bidder. | 0:23:58 | 0:24:00 | |
50. 50 on the back row against you, sir. | 0:24:00 | 0:24:02 | |
£50 at the moment. Any more bids on that? Going to sell. | 0:24:02 | 0:24:06 | |
All finished at 50. | 0:24:06 | 0:24:07 | |
I'm coming to this room again! | 0:24:07 | 0:24:09 | |
I am going to give him a kiss after this. He's brilliant. | 0:24:11 | 0:24:14 | |
Well, what a result, eh? | 0:24:14 | 0:24:16 | |
-Oh, dear. Oh, dear. Oh, dear. -My nerves are going. | 0:24:18 | 0:24:20 | |
So are mine. | 0:24:20 | 0:24:22 | |
Now, can David do any better with his Staffordshire pottery figures | 0:24:22 | 0:24:25 | |
and that cracked commemorative tankard? | 0:24:25 | 0:24:27 | |
50 bid, thank you, sir. | 0:24:27 | 0:24:29 | |
50 straight in, 60, 70, 80, 90, 100, | 0:24:29 | 0:24:32 | |
110, 120, 30, 140, | 0:24:32 | 0:24:36 | |
150, 160, 170, 180, 190. | 0:24:36 | 0:24:38 | |
Two bid, 220, 240. 240 I am bid. | 0:24:38 | 0:24:42 | |
All finished at 240. | 0:24:42 | 0:24:44 | |
Well done! | 0:24:45 | 0:24:47 | |
Well, who would have thought that? A £218 profit on £22 of outlay. | 0:24:47 | 0:24:52 | |
Well done. | 0:24:52 | 0:24:53 | |
Flipping heck, what am I congratulating you for? | 0:24:53 | 0:24:56 | |
Oh, here's me bowl. | 0:24:56 | 0:24:58 | |
So can the auctioneer wield his magic | 0:24:58 | 0:25:00 | |
with Margie's pretty £5 Shelley bowl? | 0:25:00 | 0:25:03 | |
-£10 bid on this one, 20, you're in. -It's worth more than that. | 0:25:03 | 0:25:05 | |
£20 I am bid on the Shelley bowl. | 0:25:05 | 0:25:07 | |
-30 anywhere? 1930s example as well. -Oh, no. | 0:25:07 | 0:25:10 | |
Bid's there, all finished on the gent's bid, £20. | 0:25:10 | 0:25:13 | |
Well, it's still a tidy profit for such little outlay. | 0:25:15 | 0:25:18 | |
This interesting newel post. | 0:25:18 | 0:25:20 | |
The next item could be the answer to Margie's prayers. | 0:25:20 | 0:25:23 | |
But only if she can salvage a profit from it. | 0:25:23 | 0:25:26 | |
I'm not sure where the rest of the staircase is. | 0:25:26 | 0:25:29 | |
-Have I come late? -You cheeky monkey. | 0:25:29 | 0:25:32 | |
We'll see anyway. £10 starts me. | 0:25:32 | 0:25:34 | |
£10 in the room. Shall I sell this? At 10 only. | 0:25:34 | 0:25:37 | |
15 bid. £20 you're in, sir. | 0:25:37 | 0:25:40 | |
-20 against, madam. -Keep going. -Don't miss it for one bid. | 0:25:40 | 0:25:44 | |
-All finished for the post. -Oh, no. -£20'll take it. | 0:25:44 | 0:25:47 | |
Well done, sir. Do you want to take it now? | 0:25:47 | 0:25:50 | |
Thanks. | 0:25:50 | 0:25:51 | |
Well, he's got an absolute bargain. | 0:25:51 | 0:25:54 | |
Would you believe it? It posted a loss! | 0:25:54 | 0:25:57 | |
All aboard for David's next lot | 0:25:57 | 0:26:00 | |
and his slightly scary-looking sailor boys. | 0:26:00 | 0:26:03 | |
Start me at 20, sir. Bid. £20 at the back. | 0:26:03 | 0:26:05 | |
30, 40. | 0:26:05 | 0:26:06 | |
-40. Bid's at the back now with 40. -Come on. | 0:26:06 | 0:26:09 | |
Take the five if you want, sir. All finished at £40. | 0:26:09 | 0:26:12 | |
-40 quid, well, who would've... -Any advance at 40 for the two? | 0:26:12 | 0:26:15 | |
-Thank you. £40. -You can't go wrong. -£40. | 0:26:15 | 0:26:18 | |
Who would've thought? | 0:26:18 | 0:26:20 | |
David's riding on the crest of a wave | 0:26:20 | 0:26:22 | |
with his two sailor boys and that profit. | 0:26:22 | 0:26:25 | |
So, if you make a profit on your next lot, | 0:26:25 | 0:26:28 | |
you've scored on every single one. | 0:26:28 | 0:26:30 | |
Here we are, here we are. | 0:26:32 | 0:26:33 | |
David's final item is this | 0:26:33 | 0:26:35 | |
decorative 19th-century copper coal hod. | 0:26:35 | 0:26:37 | |
But will it set the auction room ablaze? | 0:26:37 | 0:26:40 | |
£20 bid. Thank you, sir. £20, got a commission bid on this. | 0:26:40 | 0:26:43 | |
20. Any more bids on this? 20, 30, 40. | 0:26:43 | 0:26:47 | |
On commission, it's my bid at the moment. One more. | 0:26:47 | 0:26:49 | |
Any advance? £40 and going. | 0:26:49 | 0:26:51 | |
-Commission bid. -Oh, what a shame. You've not swept the boards! | 0:26:51 | 0:26:54 | |
I've lost. | 0:26:54 | 0:26:57 | |
No need to be a drama queen, David. It's only £5. | 0:26:58 | 0:27:01 | |
Margie may yet have the last laugh. | 0:27:01 | 0:27:05 | |
She's still got her European dough bowl, | 0:27:05 | 0:27:07 | |
but will it rise to the occasion | 0:27:07 | 0:27:09 | |
and give her the bread she needs to win? | 0:27:09 | 0:27:12 | |
£20 for a good piece of country furniture there. | 0:27:12 | 0:27:15 | |
£20 surely. Bid, thank you, sir. 20 starting bid. | 0:27:15 | 0:27:18 | |
-20, 30. 30 front row, 40, 50. -You're in profit. | 0:27:18 | 0:27:21 | |
-Frank, one more, sir. £50 I am bid. -It's not enough. | 0:27:21 | 0:27:24 | |
-60 anywhere for that large bowl? -You're in profit. | 0:27:24 | 0:27:27 | |
-You are in profit. -Don't be condescending. | 0:27:27 | 0:27:30 | |
Aw. | 0:27:30 | 0:27:32 | |
-That's disappointing again. -No, it's not. It's a profit. | 0:27:32 | 0:27:36 | |
Sadly, Margie's dough bowl hasn't risen enough. | 0:27:36 | 0:27:38 | |
David Barby has triumphed. | 0:27:38 | 0:27:40 | |
-Well, congratulations, do you want to shake my hand? -Yes. | 0:27:40 | 0:27:44 | |
Margie started with £200 and after auction costs | 0:27:44 | 0:27:47 | |
has increased her spending power to £238. | 0:27:47 | 0:27:52 | |
David also started with 200 | 0:27:52 | 0:27:54 | |
and with some canny buys he's more than doubled his cash. | 0:27:54 | 0:27:57 | |
So, after auction costs, | 0:27:57 | 0:27:59 | |
he has an impressive £417 going into the next leg. | 0:27:59 | 0:28:03 | |
-Oh, Margie, wasn't that good? I really, really enjoyed that. -It certainly was. | 0:28:03 | 0:28:07 | |
-Excuse me. -What? -I thought I was driving? | 0:28:07 | 0:28:10 | |
I'm a little bit concerned in your present state. | 0:28:10 | 0:28:12 | |
Are you going to be in control emotionally? | 0:28:12 | 0:28:15 | |
-Of course. I'm driving. -Oh, dear. Right, there we go. | 0:28:15 | 0:28:19 | |
Why do I always give way to women? | 0:28:19 | 0:28:22 | |
Ah, well, David might be in the lead | 0:28:22 | 0:28:25 | |
but it looks like Margie's in charge. | 0:28:25 | 0:28:28 | |
Eager to be crowned winner of this road trip, David and Margie | 0:28:31 | 0:28:36 | |
are pressing on with the next leg of their journey in the 1979 Mercedes. | 0:28:36 | 0:28:40 | |
-I'm anxious to get shopping now. -Yeah. | 0:28:41 | 0:28:45 | |
I'm really excited, I've got money to spend. | 0:28:45 | 0:28:47 | |
The route is taking them from Alnwick in Northumberland | 0:28:50 | 0:28:53 | |
through the beautiful English countryside | 0:28:53 | 0:28:55 | |
to their final destination of Lincoln, 200 miles away. | 0:28:55 | 0:28:59 | |
But on this leg, they start off in Barnard Castle, County Durham, | 0:28:59 | 0:29:02 | |
before winding their way across country | 0:29:02 | 0:29:05 | |
to the delightful seaside town of Scarborough. | 0:29:05 | 0:29:08 | |
-I'm not going to say good luck. -Why not? -Because I don't mean it. | 0:29:11 | 0:29:15 | |
Margie has £238 burning a hole in her pocket. | 0:29:15 | 0:29:19 | |
Her first shop is Robson's Antiques, to meet owner Dale. | 0:29:21 | 0:29:25 | |
-Margie. -Hello, Margie, nice to meet you. -You too. | 0:29:25 | 0:29:28 | |
There's something here to suit all tastes. It's a real Aladdin's cave. | 0:29:28 | 0:29:34 | |
-My word, an Aladdin's cave. -I just said that. | 0:29:34 | 0:29:37 | |
-I'm going to have a look round, if I may. -Yeah, look away. | 0:29:37 | 0:29:40 | |
-So, I'll see you later. -See you in a little bit. | 0:29:40 | 0:29:43 | |
-So, what's the plan of action? -I'm going to start up here... | 0:29:43 | 0:29:46 | |
Yes? | 0:29:46 | 0:29:47 | |
If I haven't got much money, | 0:29:47 | 0:29:49 | |
I buy better than when I've got loads of money. | 0:29:49 | 0:29:51 | |
You're at an advantage today then, | 0:29:51 | 0:29:53 | |
since you've only got half as much cash as David. | 0:29:53 | 0:29:56 | |
Ooh, whatever is that? | 0:29:56 | 0:29:59 | |
Gosh, never seen one of them before. | 0:30:00 | 0:30:02 | |
Must be a hearth brush... | 0:30:03 | 0:30:05 | |
..with a brass horrible face... | 0:30:06 | 0:30:10 | |
..and another horrible face. | 0:30:11 | 0:30:13 | |
-I've never seen one of those. -Well, you have now. | 0:30:13 | 0:30:18 | |
It's £45 but is that going to, if I get it really much cheaper, | 0:30:18 | 0:30:22 | |
I wonder is that going to be a saleable thing? | 0:30:22 | 0:30:24 | |
Is somebody going to want to buy that? | 0:30:24 | 0:30:26 | |
While Margie dithers over the hearth brush, | 0:30:26 | 0:30:29 | |
David steams ahead to the Mission Hall Antiques Centre | 0:30:29 | 0:30:33 | |
with a mighty £417 burning a hole in his pocket. | 0:30:33 | 0:30:37 | |
-Hello there! -Good morning. | 0:30:37 | 0:30:39 | |
-We have something in common, haven't we? -We have. | 0:30:39 | 0:30:42 | |
-Your name's David. -It is. -Mine's David as well. That's a good start. | 0:30:42 | 0:30:45 | |
It's a good start. | 0:30:45 | 0:30:46 | |
And so, the Barby charm offensive begins. Watch this... | 0:30:46 | 0:30:50 | |
There's a little piece of toleware. | 0:30:55 | 0:30:58 | |
Toleware is a French term describing tin or steel-made objects | 0:30:58 | 0:31:02 | |
often enamelled and with decorative designs. | 0:31:02 | 0:31:06 | |
Inside there... | 0:31:06 | 0:31:08 | |
you'd have a compartment. | 0:31:08 | 0:31:11 | |
Ah! Isn't that lovely? | 0:31:11 | 0:31:13 | |
You put your spices in there. | 0:31:13 | 0:31:15 | |
Included in that circular section, that's the little nutmeg grater. | 0:31:15 | 0:31:20 | |
Isn't that good? So it's complete. | 0:31:20 | 0:31:23 | |
And I remember my grandmother having one of these. | 0:31:23 | 0:31:27 | |
That's quite nice, I like that. | 0:31:27 | 0:31:29 | |
I like that - good social history there. Mm. | 0:31:29 | 0:31:33 | |
Mm, I feel a deal coming on. | 0:31:34 | 0:31:36 | |
-I'd say £40. -£40... | 0:31:36 | 0:31:39 | |
-35? -Could we say 30? | 0:31:39 | 0:31:42 | |
35 would be better. | 0:31:42 | 0:31:44 | |
HE LAUGHS | 0:31:45 | 0:31:47 | |
-32. I'll do it for 32, go on. -Hallelujah! | 0:31:47 | 0:31:53 | |
-Thank you very much, sir. -Thank you very much. | 0:31:54 | 0:31:57 | |
I haven't got the two pounds, unfortunately. | 0:31:57 | 0:31:59 | |
That is the oldest trick in the book, David! | 0:31:59 | 0:32:02 | |
I saw you look! I saw you look! | 0:32:02 | 0:32:06 | |
Nice try! | 0:32:06 | 0:32:08 | |
Oh, dear, oh, dear - you're such a hard man. | 0:32:08 | 0:32:11 | |
That's rich coming from you! | 0:32:11 | 0:32:13 | |
Back up the road, Margie is surveying the silverware. | 0:32:13 | 0:32:17 | |
That's a little card case, look. | 0:32:17 | 0:32:19 | |
She's eyeing up an Edwardian business card holder | 0:32:19 | 0:32:22 | |
and is considering a job lot of silver. | 0:32:22 | 0:32:25 | |
I need to compile a few bits. | 0:32:25 | 0:32:27 | |
I do actually have a set of sorts that's come in, | 0:32:27 | 0:32:31 | |
and that could be reasonable. | 0:32:31 | 0:32:32 | |
-An Edwardian manicure set. -How much is it, then? -25. | 0:32:32 | 0:32:36 | |
-What, for the whole lot? -Yeah. -Hmm. | 0:32:36 | 0:32:39 | |
-So, you've said 20 for that. -25 for that. -Yeah. | 0:32:40 | 0:32:44 | |
There's probably weight in that one! | 0:32:44 | 0:32:47 | |
I always laugh when I'm bidding! | 0:32:47 | 0:32:49 | |
-I don't know why, I should be more serious. -Yeah, yeah. | 0:32:49 | 0:32:51 | |
So what's your best offer... | 0:32:51 | 0:32:53 | |
-It's got to be that really. -Is it? -45. -It couldn't be 38? | 0:32:53 | 0:32:56 | |
Oh, God, no! | 0:32:56 | 0:33:00 | |
-I'm a bit... -£40 for the two. | 0:33:00 | 0:33:03 | |
And I don't think you can go wrong with that. | 0:33:03 | 0:33:06 | |
-OK. -OK. -We'll do it. | 0:33:06 | 0:33:07 | |
-Will we do that? -We'll do it. -Thank you very much. | 0:33:07 | 0:33:10 | |
With the silver sorted, Margie turns her attention | 0:33:10 | 0:33:13 | |
back to the hearth brush. | 0:33:13 | 0:33:16 | |
I've never seen one before. | 0:33:16 | 0:33:18 | |
I just think I like it, I like the heart, I like the wood. | 0:33:18 | 0:33:21 | |
-£30, it can be. -I've just spent 40! -Very, very best. -I've just spent 40! | 0:33:21 | 0:33:26 | |
I know, I know, but... | 0:33:26 | 0:33:28 | |
We have to make a bit of money. | 0:33:28 | 0:33:30 | |
I know you do. | 0:33:30 | 0:33:32 | |
So, 65 wouldn't do the deal? | 0:33:32 | 0:33:34 | |
-40, 50, 65... OK, we'll do that. -Go on then. -Thank you very much. | 0:33:36 | 0:33:40 | |
-It's a bit of a laugh! -I'll polish it. | 0:33:40 | 0:33:43 | |
-I'll even polish it for you, yeah? -That's great. | 0:33:43 | 0:33:46 | |
So, £65 for the manicure set and hearth brush. | 0:33:46 | 0:33:50 | |
Oh, look who's here! | 0:33:50 | 0:33:52 | |
Oh, no, quick! Excuse me! | 0:33:52 | 0:33:55 | |
-Have you bought something? -Yeah, I just have. | 0:33:55 | 0:33:58 | |
-I'll just go through to the back room. -Right, go on then. -OK. | 0:33:58 | 0:34:01 | |
-Go on then. -Yes, all right. -You're not to look. -I won't, no. | 0:34:01 | 0:34:05 | |
-Have you bought anything? -Yes. -He has! -In my bag. | 0:34:05 | 0:34:07 | |
Ooh, I wonder what she's found? | 0:34:07 | 0:34:10 | |
He's such a nosy parker! | 0:34:10 | 0:34:13 | |
All will be revealed, David, but not just yet. | 0:34:13 | 0:34:16 | |
-Six, and that's seven. Just check it, will you, Dale? -Lovely. | 0:34:16 | 0:34:19 | |
Bye! | 0:34:20 | 0:34:22 | |
Ah, two lots. | 0:34:22 | 0:34:26 | |
With Margie out of the way, David has free rein. | 0:34:26 | 0:34:31 | |
Goodness me, this IS an Aladdin's cave! | 0:34:31 | 0:34:35 | |
Yes, we've already said that, David, twice! | 0:34:35 | 0:34:37 | |
Oh! It's got its cover! | 0:34:37 | 0:34:42 | |
Registration mark on the bottom, so that's a good sign. | 0:34:42 | 0:34:46 | |
This charming piece of Prattware is a hot-water jug produced in 1851. | 0:34:46 | 0:34:52 | |
I really like that. | 0:34:52 | 0:34:54 | |
Particularly since it's got its original lid. | 0:34:55 | 0:34:58 | |
Prepare to witness The Master at work as he engages his powers | 0:34:58 | 0:35:02 | |
of flattery, charm and Jedi mind tricks. | 0:35:02 | 0:35:06 | |
It's £48. I'd like you to do your very, very best, please. | 0:35:06 | 0:35:09 | |
£35. | 0:35:09 | 0:35:11 | |
Is that the silent treatment? | 0:35:16 | 0:35:18 | |
I would like it at a much less figure than you've quoted. | 0:35:18 | 0:35:22 | |
A much less figure? Well, you're very persuasive. | 0:35:22 | 0:35:27 | |
And it really should be the figure I've quoted. | 0:35:27 | 0:35:30 | |
-But if you'll give us £25 for it, I would accept that. -OK. | 0:35:30 | 0:35:34 | |
The incredible Mr Barby does it again. | 0:35:34 | 0:35:37 | |
At the same time, you've got in the window a pudding basin. | 0:35:37 | 0:35:42 | |
-Yes, yeah. -With a green transfer on. How much is that? | 0:35:42 | 0:35:46 | |
-Off the top of my head, I think that's about £80. -80?! -Yeah. | 0:35:46 | 0:35:51 | |
I can get it out and we can have a look at it, | 0:35:51 | 0:35:53 | |
but it is a decent amount of money. | 0:35:53 | 0:35:55 | |
£80! £80! | 0:35:55 | 0:35:59 | |
Well, I have to start high with you! You're a hard bargainer. | 0:35:59 | 0:36:02 | |
I think it's got to be around £30. | 0:36:02 | 0:36:05 | |
Just say no, Dale! | 0:36:05 | 0:36:06 | |
It's got to be £50. Maybe do it for 45, but... | 0:36:08 | 0:36:10 | |
It's a nice object. Somebody else will buy that. | 0:36:10 | 0:36:13 | |
-Could we split the difference at 35? -Oh, no, no, no way. -Good for you. | 0:36:13 | 0:36:17 | |
I tell you what, £40, but that's absolutely it, and that's cheap. | 0:36:17 | 0:36:22 | |
38 would be very, very kind to me. | 0:36:22 | 0:36:26 | |
Don't give in! | 0:36:26 | 0:36:28 | |
HE SIGHS | 0:36:28 | 0:36:30 | |
You've had one good deal, | 0:36:30 | 0:36:31 | |
I think you should give me a good deal on that! | 0:36:31 | 0:36:35 | |
Here he goes again. Don't look into his eyes, Dale! | 0:36:35 | 0:36:38 | |
(Please.) | 0:36:40 | 0:36:41 | |
HE SIGHS | 0:36:45 | 0:36:46 | |
-Go on, then, we'll do that. -OK, thank you very much indeed. | 0:36:46 | 0:36:49 | |
Some people just never learn! | 0:36:49 | 0:36:51 | |
With another two items under his belt, | 0:36:51 | 0:36:54 | |
David leaves Barnard Castle behind and heads east to Yarm. | 0:36:54 | 0:36:59 | |
The name of the town is derived from the old Norse word "yarum", | 0:37:04 | 0:37:09 | |
meaning "an enclosure to catch fish." | 0:37:09 | 0:37:12 | |
I wonder what David will manage to reel in here? | 0:37:12 | 0:37:15 | |
-Hello. David. -Oh, hello. -Hello, how are you? -Sandy Welsh. | 0:37:15 | 0:37:19 | |
-And you're Sandy? -Yes, I am. -What a lovely name. | 0:37:19 | 0:37:23 | |
I recognise that face. We've been here before with Philip Serrell. | 0:37:23 | 0:37:27 | |
-70 quid for the two. -How much?! | 0:37:27 | 0:37:30 | |
She's a feisty one. | 0:37:32 | 0:37:33 | |
Could David Barby finally have met his match? | 0:37:33 | 0:37:36 | |
This is a Victorian scrap screen, | 0:37:37 | 0:37:41 | |
where it was a hobby to cut out of magazines or use greeting cards | 0:37:41 | 0:37:47 | |
and stick them onto a screen. | 0:37:47 | 0:37:50 | |
-This is a possibility. -Oh, not cheap! Anything else? | 0:37:51 | 0:37:56 | |
That's £80, it's a little bit too much for me. | 0:37:56 | 0:38:00 | |
How much could it go for? | 0:38:00 | 0:38:02 | |
You might be able to take advantage of me today, | 0:38:02 | 0:38:06 | |
because I had a late night last night. | 0:38:06 | 0:38:09 | |
Oh, I say! Frisky! | 0:38:09 | 0:38:11 | |
This is a Walter Moorcroft vase of cylindrical form | 0:38:13 | 0:38:16 | |
and I suppose probably made to hold spills | 0:38:16 | 0:38:19 | |
used for lighting fires or candles. | 0:38:19 | 0:38:23 | |
-Right, it's nice. -So, what sort of figure? -Oh... | 0:38:23 | 0:38:28 | |
When I said you could take advantage I didn't mean the whole way! | 0:38:28 | 0:38:33 | |
-Well, halfway? -Well, erm... | 0:38:35 | 0:38:39 | |
-80? -Oh! | 0:38:39 | 0:38:42 | |
You're taking advantage of ME! | 0:38:42 | 0:38:44 | |
-80? Oh, come on! -Well... -Sandy! | 0:38:44 | 0:38:50 | |
75. | 0:38:50 | 0:38:52 | |
These two started off so well together, | 0:38:52 | 0:38:55 | |
but I sense it could all end in tears. | 0:38:55 | 0:38:58 | |
-Absolutely. -Let me put that out there. -Put it to one side. | 0:38:58 | 0:39:02 | |
I'll put that to one side. Because I trust you... | 0:39:02 | 0:39:05 | |
Brace yourself, Sandy. | 0:39:05 | 0:39:07 | |
..I'm going to ask you the best price that you can do for me on that. | 0:39:07 | 0:39:12 | |
I trust your honesty and your kindness. | 0:39:12 | 0:39:15 | |
I'll tell you what, you're good. | 0:39:15 | 0:39:17 | |
-You're good. -You what? | 0:39:18 | 0:39:22 | |
Finally, someone has rumbled the silver-tongued charmer! | 0:39:22 | 0:39:25 | |
In your heart of hearts, | 0:39:25 | 0:39:27 | |
what do you think would be a good price on that for me and you? | 0:39:27 | 0:39:33 | |
A good price? I'd say half the price you're asking. | 0:39:33 | 0:39:37 | |
You're making me head ache. 55. | 0:39:38 | 0:39:41 | |
-48. -You have worn me to a frazzle. | 0:39:41 | 0:39:45 | |
-So, it's 48? -I'll let you have it for 48 if you buy something else. | 0:39:45 | 0:39:49 | |
-Where are your postcards? -You've worn me out! | 0:39:49 | 0:39:52 | |
David won over the battle of the Moorcroft, | 0:39:52 | 0:39:54 | |
but can Sandy triumph over the Victorian scrap screen, | 0:39:54 | 0:39:58 | |
price - £168? | 0:39:58 | 0:40:00 | |
You'll make a fortune on that screen. | 0:40:00 | 0:40:03 | |
Sandy, I don't think it's in good condition, darling. | 0:40:03 | 0:40:07 | |
No, but that's it, shabby chic. | 0:40:07 | 0:40:09 | |
Not that shabby. | 0:40:09 | 0:40:12 | |
There's plenty of chic. | 0:40:12 | 0:40:14 | |
There is plenty of cheek! | 0:40:14 | 0:40:16 | |
-Can you tuck it just under the £100, please? -No. | 0:40:16 | 0:40:20 | |
If I said to you 115, that would be it. Otherwise, we can't do it. | 0:40:22 | 0:40:28 | |
-Could we split the difference at 100? -Oh! -That's splitting the difference. | 0:40:28 | 0:40:32 | |
Go on, then. | 0:40:32 | 0:40:34 | |
What have I done? What have I done? | 0:40:36 | 0:40:38 | |
-That's £148 you owe me. -Oh, so much! | 0:40:38 | 0:40:43 | |
Yes... | 0:40:43 | 0:40:45 | |
My husband will say to me, "You're losing your touch." | 0:40:48 | 0:40:51 | |
You're not losing your touch at all. | 0:40:51 | 0:40:54 | |
Sandy, thank you very much. | 0:40:54 | 0:40:56 | |
So, no hard feelings. Time to kiss and make up. | 0:40:56 | 0:41:00 | |
-Made in heaven! -Thank you. -£2, thank you. -Thank you. | 0:41:00 | 0:41:03 | |
-Bye. -Bye-bye. | 0:41:06 | 0:41:08 | |
Was that Sandy crying? | 0:41:08 | 0:41:11 | |
Well, perhaps she'll have the last laugh | 0:41:11 | 0:41:14 | |
when the scrap screen goes to auction. | 0:41:14 | 0:41:16 | |
With five items already in the bag, David joins Margie back on the road | 0:41:16 | 0:41:21 | |
for the next leg of their road trip. | 0:41:21 | 0:41:24 | |
Their destination - a mystery location, | 0:41:24 | 0:41:27 | |
deep in the suburbs of Middlesbrough, | 0:41:27 | 0:41:29 | |
where Margie is embarking on a very hush-hush mission | 0:41:29 | 0:41:33 | |
to secure her next purchase. | 0:41:33 | 0:41:35 | |
I think it's a business run from a house. | 0:41:35 | 0:41:37 | |
-Oh, right? -It's a bit of a mystery. -Well, Margie, I think we're here. | 0:41:37 | 0:41:40 | |
Yeah. So, it's all very intriguing. | 0:41:40 | 0:41:43 | |
Margie has arranged to meet the owner, Jim. | 0:41:43 | 0:41:46 | |
I think it's over there somewhere. | 0:41:46 | 0:41:49 | |
-Good morning. -Good morning, Margie. Pleasure to meet you. | 0:41:52 | 0:41:55 | |
Welcome to Appleton Antiques, Middlesbrough. | 0:41:55 | 0:41:57 | |
-Thank you very much indeed. -Pleasure. | 0:41:57 | 0:41:59 | |
Jim's antiques shop is actually an extension of his home | 0:41:59 | 0:42:03 | |
and only select buyers get to visit, | 0:42:03 | 0:42:06 | |
so Margie had better make the most of it! | 0:42:06 | 0:42:08 | |
My eye's suddenly gone to this. | 0:42:08 | 0:42:10 | |
£59, so where's it distressed? | 0:42:10 | 0:42:14 | |
-It's quite heavy. -Distressed? I call it cracked! | 0:42:14 | 0:42:17 | |
Do you want to see on the bottom? It's got a nice crack on the base. | 0:42:17 | 0:42:22 | |
Yeah, yeah, lovely! | 0:42:22 | 0:42:23 | |
-But it's got a presence. -It certainly has. | 0:42:24 | 0:42:27 | |
And no wonder - it's a classic piece of Linthorpe pottery | 0:42:27 | 0:42:30 | |
by influential designer Christopher Dresser. | 0:42:30 | 0:42:32 | |
Linthorpe was only produced over a ten-year period from 1879, | 0:42:32 | 0:42:38 | |
so it's now highly collectable. | 0:42:38 | 0:42:40 | |
I've never seen anything quite like it. £59... | 0:42:40 | 0:42:44 | |
-40's the rock bottom. -Rock bottom. | 0:42:46 | 0:42:48 | |
I'm going to be brave and I'm going to say, | 0:42:48 | 0:42:50 | |
I would have been really happy at 35, but you're not going to go down? | 0:42:50 | 0:42:53 | |
-40's the best, yeah. -OK, Jim. -Good, thank you. | 0:42:53 | 0:42:57 | |
Back on the road, David has driven 30 miles across to Whitby | 0:42:57 | 0:43:01 | |
on the east coast of Yorkshire. | 0:43:01 | 0:43:03 | |
The fishing port emerged during the Middle Ages. | 0:43:03 | 0:43:07 | |
It's where Captain Cook learned seamanship. | 0:43:07 | 0:43:10 | |
Known for its fish and chips, Whitby is also famous for something else. | 0:43:10 | 0:43:14 | |
I'm on the way to meet a young lady | 0:43:14 | 0:43:18 | |
who's going to tell me about Whitby jet. | 0:43:18 | 0:43:21 | |
It's going to be quite a fascinating lesson. | 0:43:21 | 0:43:25 | |
The jet found in Whitby is unrivalled | 0:43:25 | 0:43:27 | |
to that found anywhere else in the world. | 0:43:27 | 0:43:30 | |
The semiprecious gemstone | 0:43:30 | 0:43:32 | |
comes from ancient fossilised monkey puzzle trees | 0:43:32 | 0:43:36 | |
formed when trees decomposed under extreme pressure | 0:43:36 | 0:43:40 | |
182 million years ago. | 0:43:40 | 0:43:43 | |
Much of the raw material is found here at Boggle Hole | 0:43:43 | 0:43:46 | |
in Robin Hood Bay. | 0:43:46 | 0:43:48 | |
-What a romantic place! -It's gorgeous, isn't it? | 0:43:48 | 0:43:50 | |
-I'm David, what's your name? -Rebecca. | 0:43:50 | 0:43:53 | |
-You come here often, do you? -Yeah, on days off. | 0:43:53 | 0:43:56 | |
What do I look for, is it all black? | 0:43:56 | 0:44:00 | |
It is black, but it's quite difficult to actually find it. | 0:44:00 | 0:44:03 | |
Because of coastal erosion, it's illegal to mine the jet, | 0:44:03 | 0:44:06 | |
which can make it difficult to find. | 0:44:06 | 0:44:08 | |
Jet comes in two different ways, really. | 0:44:08 | 0:44:11 | |
There's either sea-washed jet or cliff jet. | 0:44:11 | 0:44:14 | |
So, that's the sea-washed yet. You can feel how light it is. | 0:44:14 | 0:44:18 | |
-It is, it would almost float. -Yeah, it's not what you expect. | 0:44:18 | 0:44:20 | |
You look at it, it looks quite a dark, heavy material, | 0:44:20 | 0:44:24 | |
but it's incredibly light. It's also warm to the touch as well. | 0:44:24 | 0:44:27 | |
-And it's been polished by the sand, hasn't it, and the sea? -Yeah, yeah. | 0:44:27 | 0:44:31 | |
We actually prefer it sea-washed | 0:44:31 | 0:44:34 | |
-as opposed to out of the cliff like this. -Why's that? | 0:44:34 | 0:44:38 | |
When it's sea-washed, it tumbles against the rocks in the waves | 0:44:38 | 0:44:41 | |
-and it gets off any shale or impurities. -Right, I follow that. | 0:44:41 | 0:44:46 | |
So you're literally left with the best stuff. | 0:44:46 | 0:44:48 | |
It's easier for us to work with as a product. | 0:44:48 | 0:44:52 | |
Why don't I take you to the shop | 0:44:52 | 0:44:54 | |
and you can see various different designs in the antiques section, | 0:44:54 | 0:44:56 | |
and you can also have a go at cutting some yourself if you like? | 0:44:56 | 0:44:59 | |
-And maybe a cup of tea? -Oh, definitely a cup of tea! | 0:44:59 | 0:45:02 | |
Thank you very much. | 0:45:02 | 0:45:03 | |
Queen Victoria loved Whitby jet and made the jewellery popular | 0:45:03 | 0:45:07 | |
during her 40-year period of mourning. | 0:45:07 | 0:45:10 | |
Back at Rebecca's workshop, David is about to get a lesson | 0:45:10 | 0:45:14 | |
in working with the semiprecious stone. | 0:45:14 | 0:45:16 | |
This is the ring that I'm going to get you to work on. | 0:45:16 | 0:45:19 | |
I've got a piece of jet that's roughly cut and polished, | 0:45:19 | 0:45:23 | |
so what I want you to do is grind that into that exact shape | 0:45:23 | 0:45:27 | |
so that it fits in perfectly. | 0:45:27 | 0:45:29 | |
That's it. | 0:45:29 | 0:45:31 | |
-You have to have a good eye. -You do. -Where did you train? | 0:45:31 | 0:45:35 | |
I trained doing jewellery, like the silversmithing side, | 0:45:35 | 0:45:40 | |
at Birmingham City University in the Jewellery Quarter. | 0:45:40 | 0:45:45 | |
It's the best place I could have trained, | 0:45:45 | 0:45:47 | |
but I didn't know anything about working jet | 0:45:47 | 0:45:49 | |
until I came to work for this company. | 0:45:49 | 0:45:51 | |
Of course, you can't go anywhere else, can you? | 0:45:51 | 0:45:54 | |
-Because there's no jet anywhere else. -Well, no. | 0:45:54 | 0:45:56 | |
That's very good for your first try, I have to say. You're almost there. | 0:45:59 | 0:46:04 | |
This is one that I've done earlier. | 0:46:04 | 0:46:06 | |
That's what it's going to look like when it's done, | 0:46:06 | 0:46:09 | |
when the piece of jet is set in place. | 0:46:09 | 0:46:12 | |
I think it's wonderful. | 0:46:12 | 0:46:13 | |
I hope you have loads of people come and have a look at this, | 0:46:13 | 0:46:16 | |
-because it's fantastic. -Oh, we do, yeah. | 0:46:16 | 0:46:18 | |
-Thank you very much. -You're quite welcome. | 0:46:18 | 0:46:20 | |
-And thanks for letting me have a go. -That's OK. You did very well. | 0:46:20 | 0:46:23 | |
I'm going to have a shower. | 0:46:23 | 0:46:24 | |
Make it a cold one. | 0:46:25 | 0:46:27 | |
While David cleans up, | 0:46:27 | 0:46:28 | |
Margie has travelled four miles south to the village of Sleights. | 0:46:28 | 0:46:33 | |
Located in the Esk Valley, | 0:46:34 | 0:46:36 | |
Sleights is a charming little village where time passes slowly - | 0:46:36 | 0:46:41 | |
unless you're Margie Cooper hunting down a bargain, that is. | 0:46:41 | 0:46:44 | |
As usual, we're in a bit of a rush. | 0:46:44 | 0:46:47 | |
Let's have a look in here. | 0:46:47 | 0:46:50 | |
-Hello. You must be Phil? -Hello, pleased to meet you. | 0:46:50 | 0:46:53 | |
-I'm Margie. -Hi. -Hi. | 0:46:53 | 0:46:54 | |
Eskdale Antiques is quite literally a barn of a shop | 0:46:54 | 0:46:58 | |
based in an old farmyard. | 0:46:58 | 0:47:00 | |
Let's hope Margie doesn't end up | 0:47:00 | 0:47:02 | |
buying a pile of you-know-what by mistake! | 0:47:02 | 0:47:04 | |
-Do you like advertising? -Oh! | 0:47:04 | 0:47:08 | |
One and nine with three gallons, | 0:47:08 | 0:47:09 | |
so it's got a slight motoring association. | 0:47:09 | 0:47:11 | |
How much is that? | 0:47:11 | 0:47:14 | |
45. | 0:47:14 | 0:47:17 | |
How low could it go? | 0:47:17 | 0:47:18 | |
If I said 35 to you... | 0:47:18 | 0:47:21 | |
-35? -It must give you 15 or 20 quid at least, maybe a bit more? | 0:47:21 | 0:47:25 | |
-That's not going to go for 50 quid, is it? -Yeah, I think it will. | 0:47:25 | 0:47:28 | |
Oh, I don't think so. | 0:47:28 | 0:47:30 | |
It's just all guesswork with something like that, isn't it? | 0:47:30 | 0:47:34 | |
Yeah, but that's what makes it fun, isn't it? | 0:47:34 | 0:47:36 | |
-It'd make it fun if it was 25 quid. -How about going halfway? | 0:47:36 | 0:47:42 | |
-Meet me in the middle. -Oh, gosh, 30 still sounds dear, Phil, doesn't it? | 0:47:42 | 0:47:49 | |
-We'll make a deal if you like. -25? | 0:47:49 | 0:47:51 | |
Yeah, we'll make a deal at 25 quid, OK? Thank you very much. | 0:47:51 | 0:47:54 | |
Thank you very much. Let's give you some money. | 0:47:54 | 0:47:56 | |
-We've got 20, 30. There you go. -Thank you very much. | 0:47:56 | 0:47:59 | |
-Thank you very much. -There we go, just a fiver. | 0:47:59 | 0:48:02 | |
That's great, thanks, Phil. Oh, what have I done? | 0:48:02 | 0:48:05 | |
With time running out, Margie legs it across to Whitby... | 0:48:05 | 0:48:09 | |
Here goes - nothing ventured...! | 0:48:09 | 0:48:11 | |
..where David is looking for his last shop of the day. | 0:48:13 | 0:48:16 | |
Gosh, it's getting rather late now. | 0:48:16 | 0:48:18 | |
I'll just nip down there and see if there's a shop open, | 0:48:18 | 0:48:20 | |
because I haven't shopped today and I need to get one more item. | 0:48:20 | 0:48:24 | |
Well, you know what they say, David? He who shops last shops longest. | 0:48:24 | 0:48:29 | |
Looks like Margie's stolen his thunder. | 0:48:29 | 0:48:32 | |
She's beaten you to the last shop. | 0:48:32 | 0:48:35 | |
-Hi, hello. -Hello, how do you do? -Margie Cooper, and you are? -Frank. | 0:48:35 | 0:48:38 | |
Frank. Hi, Frank. I'm just going to have a quick look round, | 0:48:38 | 0:48:41 | |
-is that all right? -You're quite welcome, yes. | 0:48:41 | 0:48:45 | |
You've got all sorts in here. | 0:48:45 | 0:48:47 | |
-Yeah, there's a bit of everything. -Yeah. | 0:48:47 | 0:48:50 | |
-That's nice. -Yeah, it is. | 0:48:50 | 0:48:52 | |
Not that easy to... Where's the other one? | 0:48:52 | 0:48:55 | |
THEY LAUGH | 0:48:55 | 0:48:57 | |
-There's not two, is there? -I think there might be! | 0:48:57 | 0:49:00 | |
Yes, some antiques come in matching pairs, just like our experts. | 0:49:00 | 0:49:05 | |
Where there's Margie, David's usually not far behind. | 0:49:05 | 0:49:09 | |
Oh, I can't believe it, Margie's in there! Oh, no! | 0:49:09 | 0:49:14 | |
-I see what you mean about the barometers, they're quite nice. -They're lovely. | 0:49:16 | 0:49:20 | |
-What sort of money can they be? What's the middle one? -The rope one? | 0:49:20 | 0:49:24 | |
-Yeah. -Has it got £60 on it? £40. | 0:49:24 | 0:49:27 | |
-Not 20? -No, can't do it at 20. | 0:49:27 | 0:49:30 | |
Oh, now what? Oh, it is him! | 0:49:30 | 0:49:34 | |
What? I'm going now, I'm nearly finished. | 0:49:36 | 0:49:39 | |
Are you buying a pair of shoes? | 0:49:39 | 0:49:41 | |
SHE LAUGHS | 0:49:41 | 0:49:42 | |
35 and that's it, right? | 0:49:42 | 0:49:47 | |
You've got to buy something otherwise... | 0:49:47 | 0:49:49 | |
You'll kick me out of the shop. | 0:49:49 | 0:49:51 | |
You're fed up with me now, aren't you? I can feel it. | 0:49:51 | 0:49:54 | |
He's not the only one! | 0:49:54 | 0:49:55 | |
I've had enough. | 0:49:55 | 0:49:57 | |
I'm going back to the hotel. | 0:50:00 | 0:50:02 | |
And just like that, David Barby becomes Diva Barby. | 0:50:02 | 0:50:07 | |
SHE LAUGHS | 0:50:07 | 0:50:09 | |
-Thank you so much. -OK, my dear. | 0:50:09 | 0:50:13 | |
And I hope it makes a profit. | 0:50:13 | 0:50:16 | |
-You'll be all right. -Thanks a lot. -OK then. | 0:50:16 | 0:50:21 | |
Our experts are now all shopped out. | 0:50:21 | 0:50:24 | |
David began this leg with a mighty £417 | 0:50:24 | 0:50:27 | |
and has spent £243 on a vase, a spice box, | 0:50:27 | 0:50:31 | |
a Grimwade's Quick Cooker, a hot-water jug | 0:50:31 | 0:50:35 | |
and a Victorian scrap screen. | 0:50:35 | 0:50:38 | |
Margie started out with a meagre £238 and has bought | 0:50:38 | 0:50:42 | |
a Linthorpe planter, an oak-cased aneroid barometer, | 0:50:42 | 0:50:47 | |
a 1960s advertising board, a hearth brush and a collection of silver. | 0:50:47 | 0:50:53 | |
Let's see what the experts think of each other's buys. | 0:50:56 | 0:50:59 | |
I thought her Linthorpe pot - oh, such a dream! | 0:50:59 | 0:51:03 | |
I don't know whether she knows a Christopher Dresser design, | 0:51:03 | 0:51:06 | |
and even though it's cracked, there's going to be demand for it, | 0:51:06 | 0:51:09 | |
so she's bought exceedingly well. | 0:51:09 | 0:51:11 | |
I just hate those screens. | 0:51:11 | 0:51:13 | |
I think they're everything that's bad about Victoriana. | 0:51:13 | 0:51:16 | |
He's going to be very lucky if he gets a profit. | 0:51:16 | 0:51:18 | |
From wonderful Whitby, | 0:51:19 | 0:51:21 | |
it's now on to the seaside town of Scarborough for auction. | 0:51:21 | 0:51:25 | |
Seeing Scarborough at its very best. | 0:51:25 | 0:51:27 | |
-Elegant town, isn't it? -That's enough of the sightseeing. | 0:51:27 | 0:51:31 | |
It's time to get down to business! | 0:51:31 | 0:51:34 | |
Not a cloud in the sky! | 0:51:34 | 0:51:35 | |
-What a lovely day! -Yeah. | 0:51:35 | 0:51:38 | |
Our experts are doing battle at David Duggleby's auction house, | 0:51:38 | 0:51:42 | |
a family-run business with over 40 years' experience. | 0:51:42 | 0:51:46 | |
-Here we go. -Right, lot number 13 then. | 0:51:46 | 0:51:48 | |
So, kicking things off is David's 1930s Moorcroft vase. | 0:51:48 | 0:51:52 | |
At 40, five, 50, five, at 60. | 0:51:52 | 0:51:55 | |
Five, 70. Five, 80. | 0:51:55 | 0:51:59 | |
Five, 90. Five, 100. | 0:51:59 | 0:52:02 | |
110, 120. | 0:52:02 | 0:52:04 | |
130, fresh bid. | 0:52:04 | 0:52:06 | |
130. 140. | 0:52:06 | 0:52:08 | |
150. 160. 170. | 0:52:08 | 0:52:11 | |
At £170, then, at 170. | 0:52:11 | 0:52:14 | |
It's in the room, it's selling at 170. All done, 170. | 0:52:14 | 0:52:18 | |
Oh, no, defeated before I start! | 0:52:18 | 0:52:21 | |
Oh, my goodness me, that was amazing. | 0:52:22 | 0:52:26 | |
Maybe Margie can catch up | 0:52:26 | 0:52:28 | |
with her badly cracked Linthorpe jardiniere. | 0:52:28 | 0:52:31 | |
50 with me. At £50 then? At 50. At £50, and five. | 0:52:31 | 0:52:35 | |
-At 60. £60. Selling at 60, then. -60 quid! | 0:52:35 | 0:52:40 | |
All done. | 0:52:40 | 0:52:42 | |
-You've made a profit, Margie. -£60! -Yeah, but it's £20. | 0:52:42 | 0:52:46 | |
Yeah, but it should have rolled on a bit more. | 0:52:46 | 0:52:49 | |
Will David's toleware spice tin curry favour with the bidders? | 0:52:49 | 0:52:53 | |
With me at £25. At 25, at 30. At 30. | 0:52:53 | 0:52:58 | |
35. At 40, 45? | 0:52:58 | 0:53:02 | |
At 50, £50 in the room, at 50. | 0:53:02 | 0:53:04 | |
At £50, then, it's selling. All done at £50? | 0:53:04 | 0:53:07 | |
Going at 50, all done? 50. | 0:53:07 | 0:53:09 | |
A nice price for the spice | 0:53:09 | 0:53:12 | |
and another tasty little profit for David. | 0:53:12 | 0:53:14 | |
That's good. | 0:53:16 | 0:53:18 | |
The pressure is on for the next item - | 0:53:18 | 0:53:21 | |
Margie's 1930s oak barometer. | 0:53:21 | 0:53:23 | |
20 bid. At 20. | 0:53:23 | 0:53:25 | |
At £20 at the back there, £20. 25, 25. | 0:53:25 | 0:53:28 | |
At £25 on this side? Selling at 25. Are you all done at £25? £25. | 0:53:28 | 0:53:34 | |
Uh-oh, I can see the storm clouds brewing for Marjorie. | 0:53:34 | 0:53:38 | |
-It's not my day. -You've got other things coming up, Margie. | 0:53:38 | 0:53:42 | |
Here we are, all you need for your tea today. | 0:53:42 | 0:53:45 | |
David's next lot is the Grimwade pudding basin. | 0:53:45 | 0:53:48 | |
But will it turn out to be a duff purchase? | 0:53:48 | 0:53:50 | |
With me at £25. At 25, at 30. | 0:53:50 | 0:53:54 | |
£30. 35 with me. 35. At 40? | 0:53:54 | 0:53:57 | |
£40 on this side, at 40. | 0:53:57 | 0:53:59 | |
Got to go. All done? It's going at 40. | 0:53:59 | 0:54:02 | |
-You've made a profit. Or have you? -Yes. | 0:54:02 | 0:54:05 | |
The proof was in the pudding, but only just. | 0:54:07 | 0:54:10 | |
Still, at least it's profit - I'm not making a loss. | 0:54:10 | 0:54:13 | |
Another of David Barby's items next - | 0:54:13 | 0:54:15 | |
the Felix Pratt hot-water jug. | 0:54:15 | 0:54:17 | |
At £20 with me. At £20, then, at 20. | 0:54:17 | 0:54:20 | |
Five, 30. Five, at 40. At £40. | 0:54:20 | 0:54:24 | |
-It's worth more than that. -On commission, then, at £40, at 40. | 0:54:24 | 0:54:28 | |
-You won't get a better example. -He's right! | 0:54:28 | 0:54:30 | |
It's selling, are we all done at 40? | 0:54:30 | 0:54:33 | |
It's profit. It's profit. | 0:54:33 | 0:54:36 | |
A lukewarm response to the hot-water jug, | 0:54:36 | 0:54:39 | |
but David still profits to the tune of £15. | 0:54:39 | 0:54:42 | |
-Disappointing. -It is disappointing. -It is disappointing. -Very surprised. | 0:54:42 | 0:54:46 | |
Oh, no! | 0:54:46 | 0:54:48 | |
Disappointing for David, but it gives Margie a chance to catch up. | 0:54:48 | 0:54:51 | |
-Just tell me when it's over. -Have faith in your taste. | 0:54:51 | 0:54:53 | |
Let's hope there are no snags with this 1960s advertising board. | 0:54:55 | 0:54:58 | |
At 20, and five. At 30, and five. | 0:54:58 | 0:55:01 | |
At 40. And five, at 50. | 0:55:01 | 0:55:04 | |
-And five, £55 in the room, at £55. -£55! | 0:55:04 | 0:55:08 | |
It's here to sell, it's going at 55. Are we all done at £55? | 0:55:08 | 0:55:11 | |
-Wonderful! -Hooray! | 0:55:11 | 0:55:14 | |
Suspend your disbelief - Margie is quids-in with her saucy stocking ad. | 0:55:16 | 0:55:22 | |
That was good. | 0:55:22 | 0:55:24 | |
Margie's luck has turned, but can she clean up | 0:55:24 | 0:55:27 | |
with her Arts and Crafts hearth brush? | 0:55:27 | 0:55:29 | |
20, at £20. At 20. In the room at £20 then, it's here to sell. | 0:55:29 | 0:55:34 | |
It's going at 20 then. Are we all done at £20? And five. £25, 25. | 0:55:34 | 0:55:40 | |
30, £30 here. 35. | 0:55:40 | 0:55:43 | |
At 40, £40. At 40. Selling at 40, then. | 0:55:43 | 0:55:46 | |
Are we all done at £40? It's got to go, we all done at 40? | 0:55:46 | 0:55:49 | |
That's OK. You're not losing. | 0:55:51 | 0:55:54 | |
A tidy little profit nevertheless. | 0:55:54 | 0:55:56 | |
We can't all make large profits. | 0:55:56 | 0:55:58 | |
Let's see if David's still smiling | 0:56:00 | 0:56:02 | |
when his tatty old Victorian scrap screen comes up next. | 0:56:02 | 0:56:05 | |
There we are, lot 120, the modesty screen there. | 0:56:05 | 0:56:09 | |
A modesty screen! I love the description. | 0:56:09 | 0:56:12 | |
You can put your 1960s stockings on behind this one. | 0:56:12 | 0:56:16 | |
-£40 I have bid, at 40. -40, is that all?! -At £40, at 40. | 0:56:16 | 0:56:19 | |
At £40, at 40 for the screen there, 40. | 0:56:19 | 0:56:21 | |
-Come on! -At 40, and five. | 0:56:21 | 0:56:24 | |
45, and 50. Five, 60. | 0:56:24 | 0:56:27 | |
-Five, 70. -It's going! -Come on! -£70 with me then, at 70. -It's going! | 0:56:27 | 0:56:32 | |
-Five, 80. -It's going. -£80 with me, at 80. | 0:56:32 | 0:56:34 | |
It's on commission, it's here to sell. | 0:56:34 | 0:56:36 | |
It's going at 80 then. Are we all done at £80? Selling at 80, £80. | 0:56:36 | 0:56:42 | |
-Oh! -Ouch! That scrap screen is scrap value. Oh, dear. | 0:56:42 | 0:56:46 | |
Still, no need to cry, David. | 0:56:46 | 0:56:48 | |
Margie's last hope lies with her silver collection, | 0:56:49 | 0:56:52 | |
which she needs to sell for at least £110 to stand any chance of winning. | 0:56:52 | 0:56:59 | |
No pressure, then. | 0:56:59 | 0:57:00 | |
35, 40. 45, at 50. | 0:57:00 | 0:57:04 | |
55, at 60. | 0:57:04 | 0:57:05 | |
-Keep going. -65, at 70. 75, at £75. | 0:57:05 | 0:57:09 | |
-That's good. You were bang on. -75, 75. £80 on the phone, at 80. | 0:57:09 | 0:57:13 | |
-80 on the phone. -At 90. -We were on the phone. | 0:57:13 | 0:57:16 | |
At £90 here, at 90. Selling at 90, then. | 0:57:16 | 0:57:19 | |
All done at £90? Going at 90, all done at 90? | 0:57:19 | 0:57:22 | |
Well done! | 0:57:22 | 0:57:23 | |
Well, it's a sterling profit but sadly, not enough. | 0:57:23 | 0:57:27 | |
That's it. You're a bit of a wily old fox, aren't you? | 0:57:27 | 0:57:30 | |
You're a crafty vixen, aren't you? Ooh! | 0:57:30 | 0:57:33 | |
Margie started this leg with £238, and after auction costs, | 0:57:33 | 0:57:39 | |
she's made a profit of £56.40, | 0:57:39 | 0:57:41 | |
increasing her spending power for the next round to £294.40. | 0:57:41 | 0:57:47 | |
David started with £417, | 0:57:49 | 0:57:51 | |
but even after costs, he's made a profit of £68.60, | 0:57:51 | 0:57:56 | |
increasing his stash of cash to a mighty £485.60, | 0:57:56 | 0:58:01 | |
making him top dog. | 0:58:01 | 0:58:03 | |
-You happy? -I'm very happy. What about you? -I'm quite happy. | 0:58:05 | 0:58:09 | |
-You made a profit. -I know, but you had a really good flyer there. | 0:58:09 | 0:58:14 | |
-That's auctions for you. -I know. | 0:58:14 | 0:58:16 | |
I can't wait for the next sale. | 0:58:16 | 0:58:18 | |
Off we go! This is a lovely, lovely place. | 0:58:19 | 0:58:24 | |
-I think we need to go for a paddle. -Well, you can. | 0:58:24 | 0:58:28 | |
Come on, Barby, let's go party! The ice creams are on you. | 0:58:28 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 |