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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
With £200 each, a classic car | 0:00:04 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:10 | |
My sap is rising. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
There'll be worthy winners and valiant losers. | 0:00:17 | 0:00:21 | |
Could you do 50 quid on that? | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Your steering is a bit lamentable. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
We're out on the road with a right pair of rascals, | 0:00:38 | 0:00:41 | |
auctioneers James Braxton and Charles Hanson. | 0:00:41 | 0:00:44 | |
James Braxton is the grown-up one, well, sort of, | 0:00:46 | 0:00:49 | |
and keeps young Charles in check. | 0:00:49 | 0:00:51 | |
-Don't say sorry, just do it. -Sorry. | 0:00:51 | 0:00:53 | |
-Don't say sorry. -Sorry. | 0:00:53 | 0:00:54 | |
-Don't say sorry! -OK, OK, OK. | 0:00:54 | 0:00:57 | |
Once he sniffs out antiques there's no stopping him. | 0:00:57 | 0:01:01 | |
Oh, smells of antiques. | 0:01:01 | 0:01:03 | |
This is Charles Hanson. He's having a bit of trouble with his helmet. | 0:01:05 | 0:01:09 | |
Can't get it on. | 0:01:09 | 0:01:10 | |
And he's a right scaredy-cat too. | 0:01:10 | 0:01:13 | |
If you turn the handle... | 0:01:13 | 0:01:14 | |
-Will it hurt me or not? -No. | 0:01:14 | 0:01:16 | |
-Is it a trick? Is it a trick? -No. | 0:01:16 | 0:01:19 | |
From his original £200, James now has £246.80 to flash about. | 0:01:19 | 0:01:26 | |
Meanwhile, young Charles Hanson is ahead. | 0:01:29 | 0:01:33 | |
He's managed to add to his £200 kitty with a wondrous £373.10. | 0:01:33 | 0:01:39 | |
Ha-ha! | 0:01:39 | 0:01:41 | |
And James's pride and joy, the stylish 1952 MG, will ferry them about. | 0:01:41 | 0:01:46 | |
He's slightly nervous because Charles is at the wheel. | 0:01:46 | 0:01:49 | |
And quite rightly. | 0:01:49 | 0:01:51 | |
And with no hood they're at the mercy of the weather. | 0:01:51 | 0:01:54 | |
-Now, Charles, are you getting to grips with this? -Yes. | 0:01:54 | 0:01:58 | |
-Oh! -Exactly. Your steering is a bit lamentable. -Sorry. | 0:01:58 | 0:02:04 | |
-Concentrate. -I think it's some grease on the road. -No, it isn't. | 0:02:04 | 0:02:08 | |
On this Road Trip James and Charles | 0:02:10 | 0:02:12 | |
will travel 400 miles from Dulverton, West Somerset | 0:02:12 | 0:02:15 | |
via the Isle of Wight to the land of golden beaches, | 0:02:15 | 0:02:18 | |
Truro in Cornwall. | 0:02:18 | 0:02:21 | |
On this leg, they're starting at the Dorset coastal town of Poole | 0:02:21 | 0:02:25 | |
and heading for auction two in Shanklin on the Isle of Wight. | 0:02:25 | 0:02:29 | |
This is young Charles's first stop where he hopes to splash the cash. | 0:02:29 | 0:02:33 | |
Hello, sir. | 0:02:37 | 0:02:38 | |
-Nice to see you. -What a wonderful shop. Charles Hanson. | 0:02:38 | 0:02:40 | |
-Brian, Ethan. -Good to see you as well. | 0:02:40 | 0:02:43 | |
This drinks decanter was made to stop the servants | 0:02:45 | 0:02:48 | |
from having a quick snifter. | 0:02:48 | 0:02:49 | |
It's unusual because it's also a games compendium. | 0:02:49 | 0:02:54 | |
The evergreen, the fairly boring, but the fairly attractive | 0:02:54 | 0:02:58 | |
oak and brass mounted three-glass Tantalus. | 0:02:58 | 0:03:02 | |
495 is a bit steep even for "have-a-go Hanson". | 0:03:02 | 0:03:07 | |
The name Tantalus comes from a Greek mythological figure who was tantalised by objects | 0:03:09 | 0:03:14 | |
that he could never reach. | 0:03:14 | 0:03:15 | |
We've also got inside a chess set, the draughts, | 0:03:15 | 0:03:20 | |
the cribbage board, the pack of cards, the die, | 0:03:20 | 0:03:25 | |
and everything else. | 0:03:25 | 0:03:28 | |
The really important matter is to check the condition of the decanters, Brian. | 0:03:28 | 0:03:32 | |
-Are they OK? -They're OK. -These are OK, nice Tantalus. | 0:03:32 | 0:03:37 | |
Oops, goodness me. No, it's OK. | 0:03:37 | 0:03:41 | |
-There's a few chips. There's a chip there. -Is there a chip? | 0:03:41 | 0:03:46 | |
Brian, there's a chip there, mate. | 0:03:46 | 0:03:48 | |
-There's a chip there. -Let me have a look. | 0:03:48 | 0:03:50 | |
They could be cheaper. They could be cheaper. | 0:03:50 | 0:03:53 | |
Do you know, I never knew that. | 0:03:53 | 0:03:55 | |
I'll drop it to 150 then. I'll lose money on it. | 0:03:55 | 0:03:58 | |
Well, Brian, that's good of you. It's just the chips. | 0:03:58 | 0:04:01 | |
We've dropped another tenner, to 140. | 0:04:02 | 0:04:05 | |
Would you take 120? | 0:04:05 | 0:04:07 | |
I'll take 130, I'll meet you halfway. | 0:04:07 | 0:04:09 | |
-130... -Is that OK with you, Ethan? Is that all right? -Yeah. | 0:04:09 | 0:04:13 | |
-130. -130. | 0:04:13 | 0:04:15 | |
It certainly pays to be thorough, Charles. Excellent work. | 0:04:15 | 0:04:19 | |
Meanwhile, James has tootled forth, nine miles away, | 0:04:19 | 0:04:23 | |
to the village of Lytchett Minster. | 0:04:23 | 0:04:26 | |
Ooh. | 0:04:26 | 0:04:27 | |
Running. | 0:04:27 | 0:04:28 | |
Button Shop Antiques is the first on his list | 0:04:28 | 0:04:31 | |
and, by Jove, he's certainly keen. | 0:04:31 | 0:04:33 | |
Hello. | 0:04:33 | 0:04:34 | |
Hello. | 0:04:34 | 0:04:35 | |
Hello! | 0:04:35 | 0:04:36 | |
Hello, I'm James. | 0:04:36 | 0:04:37 | |
Hello, James, I'm Thelma. | 0:04:37 | 0:04:39 | |
-Hello, Thelma, how are you? -Nice to meet you. | 0:04:39 | 0:04:42 | |
-Hello, young man. -This is Matthew. | 0:04:42 | 0:04:44 | |
Ooh, there's a lot of little helpers here in Dorset. | 0:04:44 | 0:04:48 | |
This is rather nice, isn't it? | 0:04:48 | 0:04:49 | |
Poole Pottery. | 0:04:49 | 0:04:52 | |
I love the glaze of them. It's like an eggshell. | 0:04:52 | 0:04:55 | |
It's a sort of beaker, I'd imagine, isn't it? | 0:04:55 | 0:04:58 | |
Yes, it is, really, yes. | 0:04:58 | 0:04:59 | |
And the plate, also, is Poole Pottery. | 0:04:59 | 0:05:02 | |
Poole Pottery, that's lovely. | 0:05:02 | 0:05:04 | |
The price on the beaker is £6 and the plate is £12. | 0:05:04 | 0:05:08 | |
And here's a pottery tray, also £12. | 0:05:08 | 0:05:12 | |
Now, this... What is this? | 0:05:12 | 0:05:15 | |
This is Devon Ware. | 0:05:15 | 0:05:16 | |
Devon Ware. | 0:05:16 | 0:05:17 | |
"A place for everything and everything in its place." | 0:05:17 | 0:05:21 | |
It's not very well done. | 0:05:21 | 0:05:23 | |
And, hold on, something's winking at me. | 0:05:23 | 0:05:26 | |
I like it, I like that stiff leaf pattern. | 0:05:26 | 0:05:28 | |
When buying antiques, it pays to have a few tricks up your sleeve. | 0:05:28 | 0:05:32 | |
It's so beautiful. | 0:05:34 | 0:05:36 | |
-It is cracked. -Oh, I see what you mean. | 0:05:36 | 0:05:38 | |
Dead as a dodo, isn't it? | 0:05:38 | 0:05:40 | |
-Terrible shame! -I know. | 0:05:40 | 0:05:42 | |
One little crack makes the whole of it sound dead. | 0:05:42 | 0:05:46 | |
It does, doesn't it? That's what happens when anything's cracked. | 0:05:46 | 0:05:49 | |
Um, Thelma, is this very cheap? | 0:05:49 | 0:05:53 | |
Yeah, it is about £20, I would think. | 0:05:53 | 0:05:55 | |
Has somebody tried to restore it? | 0:05:55 | 0:05:56 | |
Well, it might be, because the jug that goes with it | 0:05:56 | 0:06:00 | |
has had some horrible gold bits put on the top of it. | 0:06:00 | 0:06:07 | |
-Somebody's had a go... -Somebody's had a... -They have. | 0:06:07 | 0:06:11 | |
-There's a little amateur restorer out there, isn't there? -Yeah. | 0:06:11 | 0:06:15 | |
I'm just going to do a little test if you don't mind. | 0:06:15 | 0:06:17 | |
It looks very vicious, but I promise it's not very vicious | 0:06:17 | 0:06:20 | |
because I'm going to do it very lightly. | 0:06:20 | 0:06:22 | |
The coin test is pretty nifty | 0:06:22 | 0:06:24 | |
because it highlights any lumps and bumps of repair work. | 0:06:24 | 0:06:28 | |
Now, I'm not doing it on the paint, just on the glaze. | 0:06:31 | 0:06:34 | |
-Yes, I know. -And it's not sticking at all. | 0:06:34 | 0:06:37 | |
-So it hasn't been restored. -I don't think it has. | 0:06:37 | 0:06:40 | |
No, it's just that crack there. | 0:06:40 | 0:06:43 | |
What do you have on the jug, Thelma? | 0:06:43 | 0:06:46 | |
-£10. -£10. | 0:06:46 | 0:06:48 | |
I like the Motto Ware as well. | 0:06:48 | 0:06:50 | |
Yes, it's nice, isn't it? | 0:06:50 | 0:06:52 | |
And I like these two. | 0:06:52 | 0:06:54 | |
Could you do the whole lot for 40? | 0:06:54 | 0:06:56 | |
Yes, all right. | 0:06:56 | 0:06:58 | |
-It's being a bit mean on that one... -Well, say 45, then. | 0:06:58 | 0:07:01 | |
But quite realistic on the others. | 0:07:01 | 0:07:03 | |
Say 45. | 0:07:03 | 0:07:04 | |
I shouldn't have opened my big mouth! | 0:07:04 | 0:07:06 | |
You said it! | 0:07:06 | 0:07:08 | |
-Well, you know, I've got to eat. -Can you do 40? | 0:07:08 | 0:07:11 | |
I'll tell you what, shall we break the difference? | 0:07:11 | 0:07:15 | |
-OK. -Do you want to do, what, 42? | 0:07:15 | 0:07:17 | |
-42. -42. I'm very happy with that, Thelma. | 0:07:17 | 0:07:21 | |
To clarify, James paid £30 for the Royal Worcester jug and bowl, | 0:07:21 | 0:07:26 | |
£7 for the Branscombe Ware pottery tray, | 0:07:26 | 0:07:29 | |
and a fiver for the Poole Pottery Coronation plate and beaker. | 0:07:29 | 0:07:33 | |
The big wheels are moving once more. | 0:07:33 | 0:07:37 | |
The chaps are together again and it's dry. | 0:07:37 | 0:07:40 | |
The boys are heading to Christchurch, | 0:07:40 | 0:07:43 | |
the most easterly coastal town in Dorset. | 0:07:43 | 0:07:47 | |
Charles is taking some time out from shopping. | 0:07:49 | 0:07:52 | |
He's off to visit one of the most intriguing museums in the country. | 0:07:52 | 0:07:56 | |
This is it, Jim. | 0:07:56 | 0:07:57 | |
Looks good, doesn't it? | 0:07:57 | 0:07:59 | |
The museum of leccy. | 0:07:59 | 0:08:01 | |
-I'll see you later. -Good luck. | 0:08:01 | 0:08:03 | |
Bzzzzzzz! | 0:08:05 | 0:08:06 | |
See you later, OK? | 0:08:06 | 0:08:08 | |
Housed within an old power station, | 0:08:10 | 0:08:11 | |
the museum provides a potted history of the world of electricity. | 0:08:11 | 0:08:16 | |
Bright spark Charles is meeting with Ian Peterson to find out more. | 0:08:18 | 0:08:23 | |
The power station was originally built in 1903 | 0:08:23 | 0:08:27 | |
to supply the trams that ran directly from Poole to Christchurch. | 0:08:27 | 0:08:32 | |
The museum's pride and joy is the electric number 85 tram. | 0:08:33 | 0:08:37 | |
She was built in 1914 | 0:08:37 | 0:08:39 | |
and is the last complete surviving Bournemouth tram in existence. | 0:08:39 | 0:08:44 | |
This tram's reasonably unique, | 0:08:44 | 0:08:47 | |
because in this part of the world, one of the main industries was holidaymaking. | 0:08:47 | 0:08:51 | |
So you could afford to have nice, luxuriant seating inside. | 0:08:51 | 0:08:54 | |
Yes. | 0:08:54 | 0:08:55 | |
It's the beginning of affordable commuting. | 0:08:55 | 0:08:59 | |
You could live in Christchurch and easily work in one of the hotels in Bournemouth, for example. | 0:08:59 | 0:09:03 | |
So trams like this were quite revolutionary. | 0:09:03 | 0:09:06 | |
DING | 0:09:06 | 0:09:08 | |
I can see over here it says that we're on the number 85, | 0:09:08 | 0:09:12 | |
"Please do not spit in the car." | 0:09:12 | 0:09:14 | |
-Yes, well, it's an unhealthy thing, isn't it? -I think so! | 0:09:14 | 0:09:18 | |
I should jolly well think so, Charles! | 0:09:18 | 0:09:20 | |
Not only did electricity have a huge impact on the commuter, | 0:09:20 | 0:09:23 | |
it also revolutionised the 20th-century household. | 0:09:23 | 0:09:27 | |
Domestic appliances were rare in postwar Britain. | 0:09:29 | 0:09:33 | |
The freezer was almost unknown | 0:09:33 | 0:09:36 | |
and in 1957 only 15% of the population owned a fridge. | 0:09:36 | 0:09:41 | |
-Obviously, electricity has changed people's lives. -Yes. | 0:09:41 | 0:09:44 | |
Electricity has made life easier. | 0:09:44 | 0:09:46 | |
Things like washing machines have had such a fundamental social effect. | 0:09:46 | 0:09:50 | |
And this is what people actually forget about electricity, because everybody's used to having a fridge. | 0:09:50 | 0:09:56 | |
Everybody's used to having a washing machine. | 0:09:56 | 0:09:59 | |
At one time people used to talk about washing day and it was complicated and everything else. | 0:09:59 | 0:10:04 | |
But it's also given us all sorts of things which would have been luxuries, which we take for granted. | 0:10:04 | 0:10:10 | |
This is a Morphy Richards toaster here. | 0:10:10 | 0:10:13 | |
What, 1980s? | 0:10:13 | 0:10:14 | |
-No, it's 1950s. -Oh, I'm sorry! | 0:10:14 | 0:10:16 | |
That is a design classic. | 0:10:16 | 0:10:19 | |
That is still being emulated today. I can't say copied, | 0:10:19 | 0:10:22 | |
but it certainly inspires a lot of the modern toasters. | 0:10:22 | 0:10:25 | |
But the one I really like, which I think you'll like as well, | 0:10:25 | 0:10:29 | |
this is an American toaster. It was made in about 1935. | 0:10:29 | 0:10:33 | |
You put it in the centre of the table | 0:10:33 | 0:10:36 | |
and you put a slice of bread in each... | 0:10:36 | 0:10:38 | |
-Yes. -And then you just closed it up, | 0:10:38 | 0:10:41 | |
and when you wanted to do the other side, you carefully did that. | 0:10:41 | 0:10:43 | |
Isn't that wonderful? | 0:10:43 | 0:10:45 | |
-And it's just brilliant, isn't it? -Isn't it? | 0:10:45 | 0:10:47 | |
Yeah, wonderful. | 0:10:47 | 0:10:48 | |
This is our representation | 0:10:48 | 0:10:51 | |
of a 1950s, early '60s kitchen. | 0:10:51 | 0:10:55 | |
You've got all sorts of mod cons that we take for granted. | 0:10:55 | 0:10:58 | |
We've got a beautiful cooker, a washing machine, | 0:10:58 | 0:11:02 | |
we've got a fridge. | 0:11:02 | 0:11:04 | |
A lot of these things you'd have to be earning a fair bit of money | 0:11:04 | 0:11:08 | |
for something like this. | 0:11:08 | 0:11:09 | |
All these items, all these things that we rely on today, | 0:11:09 | 0:11:14 | |
they became possible because of electricity. | 0:11:14 | 0:11:17 | |
And they really did change people's lives. | 0:11:17 | 0:11:21 | |
So, without electricity, we would certainly have a very different world. | 0:11:21 | 0:11:25 | |
Time to say cheerio to Charles | 0:11:25 | 0:11:27 | |
and find out what live-wire James is up to. | 0:11:27 | 0:11:30 | |
He's on his way to sunny Lymington, in Hampshire. | 0:11:33 | 0:11:36 | |
The good weather is definitely raising his spirits. | 0:11:36 | 0:11:40 | |
And for the first time the sun has come out! | 0:11:40 | 0:11:43 | |
I'm feeling rather jolly about this. | 0:11:43 | 0:11:45 | |
This is glorious. | 0:11:47 | 0:11:49 | |
He's very sprightly today, isn't he? Running everywhere. | 0:11:49 | 0:11:53 | |
-Hello. James. -Hello. Frank. -Hello. Nice to meet you. -And you. | 0:11:53 | 0:11:56 | |
-May I have a good look round? -Certainly. | 0:11:56 | 0:11:58 | |
Frankly Frank is the owner of Browse, in Lymington. | 0:11:58 | 0:12:02 | |
And already something has caught James's eye. | 0:12:02 | 0:12:05 | |
I like this. It looks like a tea caddy, doesn't it? | 0:12:05 | 0:12:08 | |
It's a biscuit tin. | 0:12:08 | 0:12:10 | |
I think it's rather fun. | 0:12:10 | 0:12:12 | |
Huntley & Palmers were very famous for these | 0:12:12 | 0:12:15 | |
and they produced a range for Christmas and other occasions. | 0:12:15 | 0:12:19 | |
There would have been custard creams in there, Hobnobs and whatever. | 0:12:20 | 0:12:24 | |
But they were packaged in different boxes | 0:12:24 | 0:12:27 | |
and people started collecting them. | 0:12:27 | 0:12:30 | |
William Crawford & Sons Ltd was founded in Leith in 1813 | 0:12:30 | 0:12:35 | |
as the local bakery. | 0:12:35 | 0:12:36 | |
And like many biscuit manufacturers, | 0:12:36 | 0:12:38 | |
they produced an array of novelty tins | 0:12:38 | 0:12:41 | |
which can be rather popular at auction. | 0:12:41 | 0:12:43 | |
I can't see a price tag on it. | 0:12:43 | 0:12:45 | |
-Can that be a cheap fella? -It can be a cheap fella. -Ah-ha. -Erm... -Tenner? | 0:12:45 | 0:12:52 | |
-Tenner... Say 15. -15? | 0:12:52 | 0:12:55 | |
You've got yourself a deal, Frank. Thanks a lot. | 0:12:55 | 0:12:58 | |
Now, James, this is it. This is glorious, isn't it? | 0:13:00 | 0:13:02 | |
-The Isle of Wight. -Amongst the yachters. -We're like pirates! | 0:13:02 | 0:13:06 | |
THEY LAUGH | 0:13:06 | 0:13:08 | |
-Pirates are like this! -Yeah, exactly. | 0:13:08 | 0:13:11 | |
Let's go and make our fortune, mate. | 0:13:11 | 0:13:14 | |
It's been a packed day for the boys | 0:13:14 | 0:13:16 | |
and now it's on to the ferry and off to the Isle Of Wight. | 0:13:16 | 0:13:19 | |
Heading along the coast, their first stop is the village of Chale. | 0:13:22 | 0:13:26 | |
James and Charles have adventured over the Solent to the largest | 0:13:30 | 0:13:34 | |
island in England. | 0:13:34 | 0:13:36 | |
From east to west, the Isle of Wight measures just over 20 miles. | 0:13:36 | 0:13:41 | |
The village of Chale is situated on the south coast of the island | 0:13:41 | 0:13:45 | |
and is in the area known as "the back of the Wight". | 0:13:45 | 0:13:48 | |
Don't you know? | 0:13:48 | 0:13:50 | |
The fellows will both be shopping in Chale Antiques | 0:13:52 | 0:13:55 | |
and with three barns crammed full, | 0:13:55 | 0:13:57 | |
they should hopefully find something to tickle their fancy. | 0:13:57 | 0:14:01 | |
We've got a vice. | 0:14:01 | 0:14:03 | |
We've got two metal... two metal winders here | 0:14:03 | 0:14:07 | |
and two huge mahogany... | 0:14:07 | 0:14:13 | |
mahogany cheeks here, | 0:14:13 | 0:14:16 | |
which are bound here, but on a very sturdy table. | 0:14:16 | 0:14:20 | |
That is the objet trouve - the found object. | 0:14:20 | 0:14:25 | |
An object of practical use that has aesthetic beauty. | 0:14:25 | 0:14:28 | |
Maybe, you know, we're near the coast, | 0:14:28 | 0:14:30 | |
maybe something to do with the ship. | 0:14:30 | 0:14:33 | |
Rather nice. | 0:14:33 | 0:14:34 | |
Meanwhile, I'm going to find out a little more about that fellow. | 0:14:34 | 0:14:37 | |
Do you have names for these barns? | 0:14:39 | 0:14:41 | |
He's tracked down the owner Michael, who thinks he knows what it is. | 0:14:41 | 0:14:46 | |
-Out of there. Out of there! -What's up? What's up, mate? Excuse me. | 0:14:46 | 0:14:50 | |
-Out of there. -It's first come first served! -Out of there. -Michael... | 0:14:50 | 0:14:53 | |
-Out of there. -Can I go in this barn, Michael? Ow! | 0:14:53 | 0:14:58 | |
Oh, steady! He's serious about defending his patch, you know! | 0:14:58 | 0:15:02 | |
This is a 19th-century bookbinder's vice. | 0:15:02 | 0:15:06 | |
-Bookbinder? I thought it had a purpose. -Volume in there. | 0:15:06 | 0:15:10 | |
It's a very unusual thing, but now it's very sculptural | 0:15:10 | 0:15:13 | |
and decorative and could be used in all sorts of places. | 0:15:13 | 0:15:17 | |
And how much is that? | 0:15:17 | 0:15:18 | |
Oh, it's got to make around about 150... | 0:15:20 | 0:15:24 | |
-I think that will be worth... -It's great fun, isn't it? -Very unusual. | 0:15:24 | 0:15:28 | |
-Michael, could you do 100 on that? -HE GASPS | 0:15:28 | 0:15:31 | |
-I could do a little bit off that but not a great deal. -A little off 100? | 0:15:31 | 0:15:35 | |
Off the 150. I would take... | 0:15:35 | 0:15:39 | |
..squeezed, 120. I think that's a good buy. | 0:15:40 | 0:15:45 | |
Michael, you have a deal. | 0:15:45 | 0:15:48 | |
Crikey, James. No flies on you! That's his fifth buy of the day. | 0:15:48 | 0:15:53 | |
No wonder he's looking so pleased with himself. | 0:15:53 | 0:15:55 | |
But no luck for young Charles, and if he doesn't hurry up, | 0:15:55 | 0:15:58 | |
-he'll miss his lift. -Wait! James! | 0:15:58 | 0:16:00 | |
Next stop for our excitable road trippers | 0:16:08 | 0:16:11 | |
is the fair town of Shanklin. | 0:16:11 | 0:16:12 | |
-And the sun's so nearly got his hat on! -So nearly? -And now... | 0:16:14 | 0:16:19 | |
-The sun has got his hat on. -Almost! Hip, hip, hip, hooray! | 0:16:19 | 0:16:23 | |
-The sun has got his hat on and he's coming out to... -Play! | 0:16:23 | 0:16:28 | |
With us! With us! | 0:16:28 | 0:16:30 | |
Don't give up the day job, chaps! | 0:16:30 | 0:16:32 | |
Shanklin is a charming seaside town lined with thatched cottages | 0:16:35 | 0:16:39 | |
and is usually famed for its glorious weather. | 0:16:39 | 0:16:42 | |
Sadly, the sun doesn't have her hat on today as the boys roar into town. | 0:16:42 | 0:16:47 | |
But let's hope the prospects are brighter for Charles | 0:16:49 | 0:16:52 | |
because, so far, he has only bought one item. | 0:16:52 | 0:16:55 | |
Eeks! | 0:16:55 | 0:16:57 | |
-Hello. Good afternoon. Charles, nice to meet you. Your name is? -John. | 0:16:58 | 0:17:03 | |
-Hi, John. And you are? -Sally. -Able assistant? Hello, Sally. | 0:17:03 | 0:17:06 | |
That's the spirit, Charles. Go get 'em! | 0:17:06 | 0:17:10 | |
I'm not going to hang around, I've got to really pull it out of the bag. | 0:17:10 | 0:17:14 | |
And it's not long before he spies some old treasure. | 0:17:18 | 0:17:22 | |
I love Roman coins and here you've got a wonderful hoard of Roman coins. | 0:17:22 | 0:17:28 | |
This could be the Hanson hoard of Roman coins going to auction. | 0:17:28 | 0:17:32 | |
If only these coins could talk, you wonder how many hands have patinated | 0:17:32 | 0:17:37 | |
the coins and given them real pedigree. | 0:17:37 | 0:17:40 | |
And John, have they come from one hoard or have they come from... | 0:17:40 | 0:17:44 | |
-They were found on the mainland. -On the Isle of Wight? | 0:17:44 | 0:17:47 | |
-No, on the mainland. -Were they really? -Yes. | 0:17:47 | 0:17:50 | |
-These were all found in one place? -Yes. -That's wonderful. | 0:17:50 | 0:17:53 | |
See, I would happily... | 0:17:53 | 0:17:54 | |
All of these coins were dug out of the ground and this is real treasure. | 0:17:54 | 0:18:02 | |
If I said, "John, I'll buy the whole lot..." | 0:18:02 | 0:18:05 | |
-Right. -How much would they cost me? -That lot there? -Tell me. One price. | 0:18:05 | 0:18:10 | |
-John, think about it. -50 quid. -£50. There we are. | 0:18:10 | 0:18:13 | |
A Hanson hoard of Roman coins for £50. | 0:18:13 | 0:18:18 | |
I'm very tempted to buy these. | 0:18:18 | 0:18:20 | |
What do I think? I've done quite well, John. | 0:18:20 | 0:18:24 | |
I've done quite well, but sometimes... | 0:18:24 | 0:18:27 | |
If I gave you them for 40 quid you'd double your money. | 0:18:27 | 0:18:29 | |
Oh, don't say that, John. Don't say that. Don't say that, John! | 0:18:29 | 0:18:33 | |
Go on then, £30. | 0:18:34 | 0:18:36 | |
-Come on, £30. -The Hanson hoard is going, going... | 0:18:38 | 0:18:43 | |
I told James I wanted treasure and Pirate Hanson has found his loot. | 0:18:43 | 0:18:48 | |
Sold! You're a good man. £30. Isn't that wonderful? | 0:18:48 | 0:18:51 | |
£30 for a hoard of Roman coins. | 0:18:51 | 0:18:54 | |
Ah-har, me hearties! | 0:18:54 | 0:18:56 | |
Finally, more booty for Pirate Hanson. | 0:18:56 | 0:19:00 | |
Booty in hand, Charles now heads eight miles north to Ryde, | 0:19:00 | 0:19:05 | |
the largest town on the island. | 0:19:05 | 0:19:07 | |
The sun's shining, we're happy. | 0:19:07 | 0:19:10 | |
-Hello, sir. -Hello, my friend, how you doing? -How's life? | 0:19:10 | 0:19:13 | |
Island Antiques is Charles' last shop. | 0:19:13 | 0:19:16 | |
He's only got two items, but is he worried? Nah, not our boy. | 0:19:16 | 0:19:20 | |
This is quite nice. This is a very novel | 0:19:22 | 0:19:25 | |
little oak stationary desk-stand. Probably pewter. | 0:19:25 | 0:19:30 | |
Over the years it has tarnished, but look at that really stylish design. | 0:19:30 | 0:19:34 | |
It's 1910 and it could be yours for £30. | 0:19:34 | 0:19:38 | |
That's quite nice. | 0:19:38 | 0:19:39 | |
Think, Hanson, you've got to get thinking now, | 0:19:47 | 0:19:49 | |
what's going to take your fancy? | 0:19:49 | 0:19:51 | |
Got a whole array of plate and silver and jewellery. | 0:19:55 | 0:20:00 | |
And the best price, Anthony, on this little... | 0:20:00 | 0:20:03 | |
-..envelope stand? -20 quid. -20 quid. | 0:20:04 | 0:20:08 | |
Sometimes on your road trip, you need a stocking filler. | 0:20:12 | 0:20:16 | |
That one item which is a stocking filler. Merry Christmas. | 0:20:16 | 0:20:21 | |
-I'll take it, OK? £20. I'm going to take it. -Christmas? Moving on... | 0:20:21 | 0:20:26 | |
James Braxton started this leg with £246.80 and spent | 0:20:28 | 0:20:33 | |
£177 on a Branscombe tray, a novelty biscuit tin, | 0:20:33 | 0:20:38 | |
a Royal Worcester jug and bowl, a coronation plate and beaker | 0:20:38 | 0:20:42 | |
and French oak book binders. | 0:20:42 | 0:20:44 | |
Charles Hanson began with £373.10 and spent £180 | 0:20:48 | 0:20:52 | |
on just three auction lots - a Victorian tantalus, | 0:20:52 | 0:20:56 | |
Roman coins and a pewter mounted envelope letter stand. | 0:20:56 | 0:21:00 | |
Right, time to find out what they think of each other's wares. | 0:21:02 | 0:21:07 | |
I firmly believe James is a dapper guy from the south | 0:21:07 | 0:21:11 | |
who has a certain swagger. | 0:21:11 | 0:21:13 | |
And, at the moment, my mate, he's just buying a bit of tat. | 0:21:13 | 0:21:17 | |
He is massively in the lead. He has got clear water between us. £100. | 0:21:17 | 0:21:22 | |
But I think I've got him on this one. | 0:21:22 | 0:21:25 | |
It's been an exciting second leg travelling from Poole | 0:21:25 | 0:21:28 | |
via Lytchett Minster, Christchurch, Lymington | 0:21:28 | 0:21:32 | |
and then a voyage to the Isle of Wight, | 0:21:32 | 0:21:34 | |
where we popped into Chale, Shanklin and Ryde. | 0:21:34 | 0:21:38 | |
And the boys love the Isle of Wight so much, | 0:21:39 | 0:21:42 | |
today's auction will take place in Shanklin. | 0:21:42 | 0:21:45 | |
-James, this is it. -Into the auction. Yes, stop. That would be good. | 0:21:45 | 0:21:49 | |
-Where dreams are made. The Hanson hoard comes good. -Let's see. | 0:21:49 | 0:21:54 | |
Squeeze a small profit. OK? | 0:21:54 | 0:21:57 | |
-After you. -Great. -"Children not permitted." | 0:21:57 | 0:22:01 | |
Island Auction Rooms has been established since 1850 | 0:22:01 | 0:22:05 | |
and holds two auctions per month. | 0:22:05 | 0:22:07 | |
Today, we have two auctioneers in charge of proceedings - | 0:22:07 | 0:22:10 | |
Tim Smith and Warren Riches. | 0:22:10 | 0:22:13 | |
Quiet, please! The auction is about to begin. | 0:22:13 | 0:22:16 | |
First up, it's Charles's magnificent but nibbled tantalus | 0:22:16 | 0:22:20 | |
and games compendium. | 0:22:20 | 0:22:22 | |
Someone start me at £100. | 0:22:23 | 0:22:25 | |
-Anywhere? 100 in the middle. -Yes! | 0:22:25 | 0:22:28 | |
We've got 100 right in the middle. 110 anywhere? | 0:22:28 | 0:22:31 | |
110. 120. 130. | 0:22:31 | 0:22:34 | |
140. 150. 160. 170. | 0:22:34 | 0:22:38 | |
180. 190. 200. | 0:22:38 | 0:22:42 | |
210. 200 in the middle. 210 anywhere? | 0:22:42 | 0:22:45 | |
210, the phone? | 0:22:45 | 0:22:47 | |
-On the phone? -210 on the phone. 220. | 0:22:47 | 0:22:50 | |
-230. -I can't believe it, Jim. | 0:22:50 | 0:22:52 | |
240. 250. 260. | 0:22:52 | 0:22:54 | |
270. | 0:22:54 | 0:22:55 | |
We're going to sell at 270, all done at 270 on the phone. | 0:22:55 | 0:23:00 | |
-Yes! -Well done. -Thank you. He's over there. Good man. -That's very good. | 0:23:00 | 0:23:05 | |
-I can't believe it. I can't believe it. -140?! -I'm cooking gas, Jim. | 0:23:05 | 0:23:10 | |
I'm cooking gas. | 0:23:10 | 0:23:11 | |
So, next up on the road trip roller coaster | 0:23:11 | 0:23:14 | |
is James's Branscombe pottery tray. | 0:23:14 | 0:23:17 | |
-20 is on my right. -Brilliant. -Two anywhere? | 0:23:17 | 0:23:19 | |
22. 24. | 0:23:19 | 0:23:21 | |
-24. 26. 28. -That is brilliant. | 0:23:21 | 0:23:24 | |
26 then, we're selling in the room at 26. | 0:23:24 | 0:23:27 | |
-Well played, buddy. Good profit. -That's good. 19. | 0:23:28 | 0:23:32 | |
You more than trebled. That is a result. | 0:23:32 | 0:23:36 | |
Keep it going, Jim. | 0:23:36 | 0:23:38 | |
And now for Charles's treasure. The hoard of Roman coins. | 0:23:38 | 0:23:43 | |
-Coming in at 55. -Great. | 0:23:43 | 0:23:45 | |
65. That takes him straight out. 70, he's back in. And five? | 0:23:45 | 0:23:50 | |
75? 75 on the net. 80? | 0:23:50 | 0:23:53 | |
-I am delighted, Jim. -We're going to sell at 75 to the internet. | 0:23:53 | 0:23:57 | |
-Well done, well done. That's great. -I'm delighted, Jim. I am. | 0:23:57 | 0:24:00 | |
-Doubling your money. -I can't grumble. I'm delighted, buddy. | 0:24:00 | 0:24:02 | |
I think you'll get a job at JP Morgan. | 0:24:02 | 0:24:05 | |
You're a great generator of wealth. Just what you need. | 0:24:05 | 0:24:08 | |
It's James's novelty biscuit tin next. | 0:24:08 | 0:24:11 | |
Can it give him a much-needed lift? | 0:24:11 | 0:24:13 | |
20, I am bid. Two anywhere? | 0:24:13 | 0:24:16 | |
At £20 at the back of the room. At 20. | 0:24:16 | 0:24:19 | |
-22. 24. 26. 30. -Here we go, James. | 0:24:19 | 0:24:23 | |
-32. 34. -Yeah, go on. -£34 then, all finished at 34? -Oh. | 0:24:23 | 0:24:27 | |
-34. That's all right. That's double. -That's still £19 profit. Happy? | 0:24:27 | 0:24:34 | |
Sort of! | 0:24:34 | 0:24:35 | |
This Royal Worcester jug and bowl may be damaged, | 0:24:38 | 0:24:41 | |
but can it catapult James into the lead? | 0:24:41 | 0:24:44 | |
32 on the net. 34 in the room? 32 on the net. 34 anywhere? | 0:24:44 | 0:24:50 | |
The net has it at 32. | 0:24:50 | 0:24:52 | |
Oh, yippy-do(!) | 0:24:52 | 0:24:55 | |
-Jim, it's a profit. -It's just not happening. | 0:24:55 | 0:24:57 | |
It's just not working for me. | 0:24:57 | 0:24:59 | |
I don't know what's gone wrong. The wheels are coming off, chief. | 0:24:59 | 0:25:03 | |
It's Charles's Art Deco letter stand now. | 0:25:03 | 0:25:06 | |
Will it put him even further in the lead? | 0:25:06 | 0:25:08 | |
20 bid. Two, can I say? I've got 20. | 0:25:08 | 0:25:11 | |
22 in the middle. 24. 26. 28. | 0:25:11 | 0:25:15 | |
And 30. And two. | 0:25:15 | 0:25:16 | |
30 in the middle. Two anywhere? I've got £30. Right in the middle. | 0:25:16 | 0:25:20 | |
Going to sell at 32 in time. 34. | 0:25:20 | 0:25:22 | |
36, will you say? | 0:25:22 | 0:25:25 | |
34 right in the middle, we're going to sell at £34. | 0:25:25 | 0:25:29 | |
Delighted. | 0:25:29 | 0:25:30 | |
-I'm happy, Jim. -34. That's good. -Thank you. -Well done. -I'm delighted. | 0:25:30 | 0:25:35 | |
Small profit. | 0:25:35 | 0:25:36 | |
-Small profit. -Working profit, I always like to say. | 0:25:36 | 0:25:39 | |
Jim, every pound is a winner, OK? | 0:25:39 | 0:25:41 | |
Fingers crossed for James. | 0:25:42 | 0:25:44 | |
He's hoping for a right royal profit with his Poole pottery plate | 0:25:44 | 0:25:47 | |
and beaker. | 0:25:47 | 0:25:49 | |
£20 I'm bid. 20. | 0:25:49 | 0:25:50 | |
Two anywhere? £20 on my left at 20. 22. 24. | 0:25:50 | 0:25:54 | |
26. 26. 28. They're cheap | 0:25:54 | 0:25:57 | |
at £26, below me at £26. | 0:25:57 | 0:25:59 | |
28 anywhere? 28. | 0:25:59 | 0:26:01 | |
-Well done. -30. 32. 34. | 0:26:01 | 0:26:04 | |
Go on, keep going. | 0:26:04 | 0:26:06 | |
All finished, 32 then. | 0:26:06 | 0:26:08 | |
I sell in the middle of the room at £32. | 0:26:08 | 0:26:11 | |
-Brilliant. -Well done. You got a good buy there. -Fantastic. -Steady work. | 0:26:11 | 0:26:16 | |
Yeah, you're grinding it out. You're grinding. | 0:26:16 | 0:26:19 | |
So now it is James's last stab at the lead. | 0:26:20 | 0:26:23 | |
Will that big lump of a bookbinder's vice be the winning ticket? | 0:26:23 | 0:26:27 | |
-Nice lot, this one. Someone start me at £100. -Commission's at 100. | 0:26:27 | 0:26:31 | |
-£100 I'm bid on commissions. -Brilliant! -And 10. 120. | 0:26:31 | 0:26:35 | |
-120, a good thing. 130. 130. 140. -I'd never have thought... | 0:26:35 | 0:26:40 | |
-One more. -140. 150. 160. | 0:26:40 | 0:26:44 | |
Away, buddy. Heck. | 0:26:44 | 0:26:47 | |
160. 170. | 0:26:47 | 0:26:49 | |
At 160, then. It goes at 160. | 0:26:49 | 0:26:54 | |
-Jim, I am in admiration, buddy. -I'm pleased. | 0:26:54 | 0:26:58 | |
-Well done, that man. -I would never | 0:26:58 | 0:27:01 | |
in my wildest dreams have thought that. I commend you, buddy. | 0:27:01 | 0:27:05 | |
Who would have thought that? Well done, James. | 0:27:05 | 0:27:09 | |
So, has James done enough to win? | 0:27:09 | 0:27:11 | |
He started with £246.80 | 0:27:14 | 0:27:17 | |
and, after paying auction costs, made a small profit of £55.88, | 0:27:17 | 0:27:22 | |
giving him a respectable £302.68 to carry forward. | 0:27:22 | 0:27:27 | |
Well done. | 0:27:27 | 0:27:29 | |
But there's no stopping Charles. | 0:27:32 | 0:27:35 | |
He started with a delightful £373.10 | 0:27:35 | 0:27:39 | |
and accumulated a bumper profit of £130.78, | 0:27:39 | 0:27:43 | |
making him today's clear winner with a whopping £503.88 going forward. | 0:27:43 | 0:27:48 | |
Didn't you have faith in young Hanson? | 0:27:51 | 0:27:53 | |
I did, but I just didn't think that compendium was going | 0:27:53 | 0:27:56 | |
-to make so much money. -I know. I'm delighted. I can't believe it, Jim. | 0:27:56 | 0:28:00 | |
-But listen, we're going back now... -I think almost indecent, | 0:28:00 | 0:28:03 | |
if not vulgar profits! | 0:28:03 | 0:28:05 | |
-Vulgar! -Jim, you make your own luck. I got lucky. -You did get lucky. | 0:28:05 | 0:28:10 | |
It's full steam ahead for James and Charles, | 0:28:11 | 0:28:14 | |
who are both competing for the winner's crown. | 0:28:14 | 0:28:16 | |
I compare and contrast you and I and, for some reason, I'm on top so far. I don't understand it. | 0:28:21 | 0:28:27 | |
Lady Luck is favouring you. | 0:28:27 | 0:28:29 | |
James and Charles are travelling 400 miles from Dulverton, West Somerset, | 0:28:31 | 0:28:36 | |
via the Isle of Wight to the county town of Truro in Cornwall. | 0:28:36 | 0:28:42 | |
On this leg, they're beginning in Dorset's ancient market town of Dorchester | 0:28:42 | 0:28:47 | |
and will auction in the Devon town of Torquay. | 0:28:47 | 0:28:51 | |
Dorchester has been the county town of Dorset since the 12th century. | 0:28:56 | 0:29:01 | |
Founded by the Romans, the town was also the inspiration for Thomas Hardy's novels, | 0:29:01 | 0:29:06 | |
the world-famous author being born just a few miles from here. | 0:29:06 | 0:29:11 | |
But back to the present day, our antique hunters are ready to spend, spend, spend. | 0:29:12 | 0:29:17 | |
-This could be your comeback. -Do you think? -On one condition. | 0:29:17 | 0:29:21 | |
-What? -Buy big. -I will, I will. No ceramics for me. | 0:29:21 | 0:29:26 | |
Don't nobble those knick-knacks! | 0:29:26 | 0:29:28 | |
Let's start with James as he goes for a good old nosey | 0:29:28 | 0:29:33 | |
with £302.68p weighing down his wallet. | 0:29:33 | 0:29:36 | |
A pretty chair. | 0:29:38 | 0:29:41 | |
Look. Nice needlework back. | 0:29:41 | 0:29:43 | |
Let's see what it feels like. | 0:29:43 | 0:29:46 | |
Acid test with upholstery is to sit in it. | 0:29:46 | 0:29:49 | |
What you don't want when you sit in something is the front seat rail to dig into your thighs. | 0:29:49 | 0:29:54 | |
And even with a large Braxton bottom it's not digging into my thighs. | 0:29:54 | 0:29:59 | |
It's a comfortable occasional chair for a sitting room. | 0:29:59 | 0:30:02 | |
Rather nice. What have they got on it? 50 quid. Doesn't seem a lot of money. | 0:30:02 | 0:30:07 | |
Yeah, it's nice. | 0:30:08 | 0:30:09 | |
I like that. A definite candidate. Have to keep it away from Mr Hanson! | 0:30:09 | 0:30:15 | |
-Don't want him hovering. -I'm over here, James! -Oh, there he is! | 0:30:15 | 0:30:18 | |
-I'll leave you. -Get thee hence! -Sorry. | 0:30:18 | 0:30:22 | |
-Hello. Is this your stall? -It is. -Hello. James. -Gillian. | 0:30:24 | 0:30:27 | |
Can you come over? I saw... Something caught my eye here. | 0:30:27 | 0:30:33 | |
Your rather nice chair. | 0:30:33 | 0:30:34 | |
-Have you got a price on it? -It says £50. Total bargain. | 0:30:34 | 0:30:38 | |
Well, very often I find sellers always say total bargain! | 0:30:38 | 0:30:43 | |
This time I mean it! | 0:30:43 | 0:30:45 | |
Now I'd love to buy it for less. | 0:30:45 | 0:30:48 | |
How much less? | 0:30:48 | 0:30:50 | |
If I could buy this for 40, it would be splendid. | 0:30:50 | 0:30:54 | |
OK. | 0:30:55 | 0:30:57 | |
Gillian, thank you. That's very kind of you. Thank you. | 0:30:57 | 0:31:00 | |
Yeah, that's good. Solid as a rock. Just slipped it down there. Good. | 0:31:00 | 0:31:05 | |
And just when you think it's all over, James spies something else. | 0:31:05 | 0:31:10 | |
Talking about chairs, just look at this fella. | 0:31:10 | 0:31:15 | |
We've got a nice little bench here. | 0:31:15 | 0:31:18 | |
It suddenly caught my eye. We've got nice metal, wrought iron bits here. | 0:31:18 | 0:31:23 | |
We've got the wooden bits here. Must be valuable. It's chained up. | 0:31:23 | 0:31:28 | |
The backs are fine. | 0:31:28 | 0:31:30 | |
The acid test is sitting in the fellow. It's got a nice... It's nice and flexible. | 0:31:30 | 0:31:35 | |
This might be the quirky, profit-winning lot I need. | 0:31:35 | 0:31:41 | |
Looks like there's plenty of room for the Braxton bottom on there. | 0:31:44 | 0:31:49 | |
John, the owner, arrives. | 0:31:49 | 0:31:51 | |
-Could this be cheap, John? -It can be £40. -£40, John? | 0:31:51 | 0:31:55 | |
You chancer, you! | 0:31:55 | 0:31:57 | |
I wasn't going to shake your hand then! | 0:31:57 | 0:32:01 | |
-John, could you do it for 30? It would really help me out. -Yeah. | 0:32:01 | 0:32:07 | |
That's really kind. Thank you very much indeed. | 0:32:07 | 0:32:10 | |
-Well done. -That's it. | 0:32:12 | 0:32:15 | |
We're in! We're in! | 0:32:15 | 0:32:17 | |
While James works out how he's going to fit his furniture in the car, | 0:32:17 | 0:32:22 | |
Charles has nipped away to another shop. | 0:32:22 | 0:32:25 | |
And he's got £503.88p cash to splash | 0:32:25 | 0:32:27 | |
and it's still burning a hole in his pocket. | 0:32:27 | 0:32:30 | |
Wow. This place is huge. | 0:32:34 | 0:32:37 | |
Now Charles might be a bit silly sometimes, but there's no mistaking his love for antiques. | 0:32:37 | 0:32:43 | |
There is so much here, I can't believe it. I'm in heaven. | 0:32:43 | 0:32:46 | |
# Heaven, I'm in heaven | 0:32:46 | 0:32:50 | |
# And my heart beats so that I can hardly speak... # | 0:32:50 | 0:32:56 | |
Quality is improving and my sap is rising. | 0:32:56 | 0:33:01 | |
Oh, steady, Charles. | 0:33:01 | 0:33:03 | |
I need something to inspire me at the moment. | 0:33:03 | 0:33:08 | |
Finally, after that soliloquy, he's found something to fire the imagination. | 0:33:08 | 0:33:14 | |
Gosh. | 0:33:14 | 0:33:15 | |
This is a really stunning box. | 0:33:15 | 0:33:17 | |
In terms of quality, you won't beat it. | 0:33:17 | 0:33:21 | |
You've got this rosewood...veneer, over mahogany. | 0:33:21 | 0:33:25 | |
And what makes this box really interesting is one has this little crest or family armorial. | 0:33:25 | 0:33:34 | |
Sadly, it's...on opening, it's really in pieces. | 0:33:34 | 0:33:39 | |
You've got the old full front, | 0:33:39 | 0:33:41 | |
which would support your letters, your stationery, | 0:33:41 | 0:33:45 | |
your envelopes. The nice thing is... | 0:33:45 | 0:33:48 | |
It's inscribed, "Green. Maker 163. Oxford Street. | 0:33:50 | 0:33:55 | |
"To the Royal Family." | 0:33:55 | 0:33:57 | |
So I would have thought this box was early Victorian, circa 1840. | 0:33:57 | 0:34:02 | |
And probably made for an upmarket family. | 0:34:02 | 0:34:06 | |
It's definitely spiked his interest. | 0:34:06 | 0:34:08 | |
Dealer Martin moves in to talk money. | 0:34:08 | 0:34:11 | |
Martin, what's the best price? | 0:34:11 | 0:34:14 | |
-25 quid. -Oh, really? | 0:34:14 | 0:34:17 | |
Tempting. But it's the condition. | 0:34:17 | 0:34:20 | |
Very tempting, actually. | 0:34:20 | 0:34:22 | |
Would 20 be even more tempting? | 0:34:23 | 0:34:26 | |
Oh, come on, Charles! The man's named his price. Stop dilly-dallying. | 0:34:29 | 0:34:34 | |
For £20, I will. Thanks, Martin. £20, yes. Why not? | 0:34:34 | 0:34:38 | |
It has a pedigree. I can do some homework. And sometimes you buy an object for its pedigree. | 0:34:38 | 0:34:45 | |
Thank goodness he's managed to buy something. | 0:34:45 | 0:34:49 | |
Meanwhile, James is heading 20 miles north to Ilchester in Somerset. | 0:34:51 | 0:34:55 | |
The Fleet Air Arm Museum represents the flying arm of the Royal Navy. | 0:35:07 | 0:35:13 | |
With four exhibition halls, over 90 aircraft and over 2 million records and 30,000 artefacts, | 0:35:13 | 0:35:20 | |
it's the second-largest naval aviation museum in the world. | 0:35:20 | 0:35:25 | |
And wannabe Biggles Braxton is like a big kid in a sweetie shop | 0:35:28 | 0:35:33 | |
as he meets up with curator and aircraft restorer David Morris. | 0:35:33 | 0:35:37 | |
He's in for a remarkable treat. | 0:35:38 | 0:35:41 | |
What's this fascinating room containing? | 0:35:41 | 0:35:45 | |
Well, very much behind the scenes. | 0:35:45 | 0:35:47 | |
This is the museum's restoration facility and engineering department. | 0:35:47 | 0:35:52 | |
It's in here that we deal with conservation work and restoration work on all of the major objects. | 0:35:52 | 0:35:57 | |
David and his team are like detectives, piecing together the life story of a plane. | 0:35:57 | 0:36:03 | |
The Grumman Martlet is the museum's current project. | 0:36:03 | 0:36:07 | |
What are we looking at here, David? | 0:36:07 | 0:36:09 | |
Well, this is a very good example of just how we're discovering so many different layers of paint | 0:36:09 | 0:36:16 | |
from many different dates and years. We understand them fully now. | 0:36:16 | 0:36:20 | |
The dark blue we know is the most recent colour in the 1960s. | 0:36:20 | 0:36:26 | |
This colour comes from late 1940s, early 1950s. | 0:36:26 | 0:36:29 | |
This colour is particularly interesting. We now have it dated to being April, 1941. | 0:36:29 | 0:36:36 | |
And is that somebody keeping scrupulous accounts? | 0:36:36 | 0:36:41 | |
No, this is all done by analysing | 0:36:41 | 0:36:44 | |
and deducing all of the information that we've found | 0:36:44 | 0:36:48 | |
on the aeroplane itself. | 0:36:48 | 0:36:49 | |
There are very, very few written documentary records concerning this. | 0:36:49 | 0:36:54 | |
All of our evidence has been built up just by studying the object. | 0:36:54 | 0:36:58 | |
It's forensic science and archaeology. | 0:36:58 | 0:37:01 | |
The Martlet is a work in progress, | 0:37:01 | 0:37:03 | |
but the real success story is the restoration of the Corsair KD431. | 0:37:03 | 0:37:08 | |
It was in service from 1944-1945. | 0:37:08 | 0:37:12 | |
During WWII, Goodyear built more than 4,000 Corsairs for the Navy and Marine Corps. | 0:37:14 | 0:37:20 | |
In a meticulous inch-by-inch process, | 0:37:20 | 0:37:24 | |
workers removed the 1963 paint layer | 0:37:24 | 0:37:26 | |
and restored the plane's original finish. | 0:37:26 | 0:37:31 | |
Lucky James climbs aboard. | 0:37:32 | 0:37:34 | |
-So this is the start of this mechanical archaeology. -It is. | 0:37:35 | 0:37:40 | |
It's that blend of paint archaeology, forensic science, fine art restoration, | 0:37:40 | 0:37:47 | |
all rolled in together as a new package of how we restore a 20th-century mechanical object. | 0:37:47 | 0:37:54 | |
-And was this a successful aircraft? -Absolutely. | 0:37:54 | 0:37:58 | |
The Corsair at the time was pretty well the Top Gun fighter of its day. | 0:37:58 | 0:38:03 | |
It was one of, if not the fastest single-engine fighter. | 0:38:03 | 0:38:07 | |
Very heavily armed, very manoeuvrable, very long range. | 0:38:07 | 0:38:11 | |
A very good aeroplane indeed. | 0:38:11 | 0:38:14 | |
David, it's been really fascinating. | 0:38:14 | 0:38:17 | |
Every success with the Martlet and what goes on beyond that. | 0:38:17 | 0:38:21 | |
But my most pressing problem now is to lever my frame out of this fella. | 0:38:21 | 0:38:27 | |
Time flies when you're having fun, | 0:38:30 | 0:38:32 | |
but that's enough excitement. The boys are back together. | 0:38:32 | 0:38:36 | |
-What is Somerset famous for? -Cheese. | 0:38:37 | 0:38:39 | |
-Cheese?! -Cheese and also... -Scrumpy! -..cider! | 0:38:39 | 0:38:45 | |
-Scrumpy, lad. -Scrumpy, lad, yeah. | 0:38:45 | 0:38:47 | |
So it's onwards for the lads, | 0:38:47 | 0:38:49 | |
south to the ancient town of Honiton in Devon. | 0:38:49 | 0:38:53 | |
And Charles is raring to go. | 0:38:54 | 0:38:57 | |
Honiton... | 0:38:57 | 0:38:58 | |
Honiton, Honiton. Is it a haven for antiques shops? | 0:38:58 | 0:39:03 | |
It is. It's a long, long street. | 0:39:03 | 0:39:06 | |
The town is world famous for lace products. | 0:39:06 | 0:39:10 | |
In the 19th century, | 0:39:10 | 0:39:11 | |
Queen Victoria had her wedding dress made of prestigious Honiton lace. | 0:39:11 | 0:39:16 | |
And it's crammed full of antique shops. | 0:39:16 | 0:39:20 | |
Shouldn't be too difficult to find some local treasures, | 0:39:21 | 0:39:25 | |
but then Charles is navigating. | 0:39:25 | 0:39:27 | |
Oh, lord. | 0:39:27 | 0:39:29 | |
Antiques over there. | 0:39:29 | 0:39:31 | |
-Any one. Are you having that one? -I'm over there. | 0:39:31 | 0:39:35 | |
He's not much better on foot. | 0:39:35 | 0:39:38 | |
I'm sure I saw an antiques shop up here, but... Hello. | 0:39:38 | 0:39:43 | |
This is crucial. | 0:39:45 | 0:39:47 | |
-Oh, watch out! -Oh, hell... | 0:39:47 | 0:39:50 | |
How does he get through the day, eh? | 0:39:50 | 0:39:53 | |
Thank goodness he's found a shop! | 0:39:55 | 0:39:58 | |
-This looks great. Antique "Chick". -Chic. | 0:39:58 | 0:40:02 | |
Hello, sir. And your name is...? | 0:40:02 | 0:40:04 | |
-Charles. -I'm a Charles! -Well remembered. -I recognise you. | 0:40:04 | 0:40:08 | |
I'm not really a Charlie. Are you a Charlie? | 0:40:08 | 0:40:12 | |
-Sometimes. Some people call me Charlie. -Likewise. | 0:40:12 | 0:40:15 | |
-Depends how good friends they are. -Exactly. | 0:40:15 | 0:40:18 | |
This is a little plated... | 0:40:24 | 0:40:27 | |
Plated is what it's described as, but I think it's probably silver. | 0:40:27 | 0:40:34 | |
It's a small little Indian tumbler, | 0:40:34 | 0:40:38 | |
but it's called plated. That's quite sweet and it could be yours for £18. | 0:40:38 | 0:40:44 | |
I think it's silver. | 0:40:44 | 0:40:46 | |
-Charles, how much is this little tumbler? -We've got £18 on it. -Yeah. | 0:40:46 | 0:40:51 | |
-It's rather nice. Not had it too long. -No. -Doesn't take up any room. | 0:40:51 | 0:40:56 | |
-I know somebody who will pay 15 quid. -£15. -Tops. | 0:40:57 | 0:41:01 | |
-There you are. -OK, thanks, Charles. -15. | 0:41:01 | 0:41:05 | |
£15. Well...it's a sweet little tumbler and it might get me started. | 0:41:05 | 0:41:11 | |
I'm going to say, Charles, at £15 it's strike two. It's a sale at £15. | 0:41:11 | 0:41:16 | |
Last of the big spenders, eh, Charles? Meanwhile... | 0:41:16 | 0:41:21 | |
..the debonair Mr Braxton is a man in control. | 0:41:22 | 0:41:26 | |
He's striding down the streets of Honiton hunting down some more treasures to add to his cache. | 0:41:26 | 0:41:34 | |
-Sometimes he gets a little distracted and peckish. -Oh, pasties. | 0:41:34 | 0:41:38 | |
And he's great with road safety. | 0:41:38 | 0:41:41 | |
Remember, only cross the road when the green man's there, OK? | 0:41:41 | 0:41:46 | |
In another life, he was a lollipop man. | 0:41:46 | 0:41:48 | |
Let's join him as he checks out the goods in Grove Antiques. | 0:41:48 | 0:41:52 | |
The first non-antique item he's found is owner Lesley. | 0:41:52 | 0:41:57 | |
What about over here, Lesley? | 0:41:57 | 0:41:59 | |
They're quite sweet, the birds. Who's done these? | 0:41:59 | 0:42:03 | |
Colin Clements, who's a member of Somerset Guild of Craftsmen. | 0:42:03 | 0:42:08 | |
Can I have a look at the blackbird? | 0:42:08 | 0:42:11 | |
He does them big scale as well? | 0:42:12 | 0:42:15 | |
-All in different fossil woods, generally. -Very dense woods, yeah. | 0:42:15 | 0:42:20 | |
What could that...? | 0:42:20 | 0:42:21 | |
Is there a low price on that? Or is it just a high price on it? | 0:42:21 | 0:42:26 | |
-Em, I could do it for 50. -You could do it for 50. -For 50. | 0:42:27 | 0:42:31 | |
-I could. -I like this, Lesley. | 0:42:31 | 0:42:34 | |
It's very nice. It has a very nice sculptural quality, which I like. | 0:42:34 | 0:42:39 | |
Lesley, I will give you £50. That would be very kind. | 0:42:39 | 0:42:43 | |
Thank you very much indeed. | 0:42:43 | 0:42:44 | |
Meanwhile, Charles is still wandering about in historic Honiton. | 0:42:44 | 0:42:49 | |
-Hello? -And it seems that Charles has visited Lombard Antiques before. | 0:42:49 | 0:42:54 | |
-Hi! -Hello, Charles! -Good to see you again. -Long time no see. | 0:42:54 | 0:42:58 | |
-It is. -How are you? -Very well. | 0:42:58 | 0:43:01 | |
Great friends. With only two items in his clutches, Charles needs to buy. Is he feeling the pressure? | 0:43:01 | 0:43:07 | |
-I would like to buy a really iconic piece of furniture. -Here we go. | 0:43:07 | 0:43:13 | |
-Which has a look about it that could race away. -I've got a lovely Liberty stool. -Where? | 0:43:13 | 0:43:20 | |
-Through the back here. -Is it marked Liberty or you just know? -Not marked, but Liberty did do this. | 0:43:20 | 0:43:26 | |
It's an Anglo-Moorish range that they did from about 1880. | 0:43:26 | 0:43:31 | |
-Yes. -It's got really tightly turned panels, which are here. | 0:43:31 | 0:43:37 | |
-Yes. -Which have all been separately hand-turned. | 0:43:37 | 0:43:41 | |
-This decoration on the top is very unusual. -Yes. Nice, isn't it? | 0:43:41 | 0:43:45 | |
-Shame about the upholstery. But a definite Liberty example? -Definitely. -Yeah. | 0:43:45 | 0:43:52 | |
I was hoping for about 650 for it, Charles. | 0:43:52 | 0:43:56 | |
And I would probably part with my entire budget. | 0:43:56 | 0:44:01 | |
That's £468... | 0:44:01 | 0:44:03 | |
88 pence. | 0:44:03 | 0:44:05 | |
-Barry, you're a piece of work! -Thank you! -You've got me going. | 0:44:07 | 0:44:11 | |
But I might take it downstairs into the light. | 0:44:11 | 0:44:15 | |
Hang on. £650? It's a gamble for you, Charles, | 0:44:15 | 0:44:20 | |
but it's a huge drop in price for Barry. | 0:44:20 | 0:44:23 | |
I just don't know about this. | 0:44:23 | 0:44:26 | |
-Life's a struggle, innit, Charles? -Innit? | 0:44:26 | 0:44:30 | |
Blow it. You've got to speculate and at £468.88, that wipes me out. | 0:44:30 | 0:44:36 | |
-Are you ready for a sale? -Charles... | 0:44:36 | 0:44:39 | |
It takes all my profit down to the bare bones of nothing. | 0:44:39 | 0:44:43 | |
I'm going to say something which is your favourite saying, "Is it between friends?" | 0:44:43 | 0:44:49 | |
-Is it between friends? Yes. -OK, Charles. -Happy with that? -Done. | 0:44:49 | 0:44:53 | |
Money going, money up in smoke. | 0:44:53 | 0:44:55 | |
Let's hope that stool turns a wee profit in Torquay. | 0:44:55 | 0:44:59 | |
-Sold. -Sold. -We've done it! That's my entire money gone. | 0:44:59 | 0:45:03 | |
What have I done? Life is too short. | 0:45:03 | 0:45:06 | |
If you don't make money on that, I'll turn this into a sweet shop. | 0:45:06 | 0:45:10 | |
Did you hear that? A sweet shop if we make a loss. | 0:45:10 | 0:45:13 | |
Back inside, Charles is emptying his purse. | 0:45:13 | 0:45:17 | |
You know what, sometimes you carry money around and you get sick of it. | 0:45:17 | 0:45:22 | |
That's me out. I'm completely out of pocket, Barry. Thank you. | 0:45:22 | 0:45:25 | |
-I tell you what I'm going to do. -Yes? -I'll give you 1p for luck. | 0:45:25 | 0:45:29 | |
-Really? -All right? A lucky penny. You can't spend that. -OK, OK. | 0:45:29 | 0:45:35 | |
I'll look at this on the day of the auction and I'll say, "Barry, look at me. Bring me some luck." | 0:45:35 | 0:45:41 | |
Time will tell at auction whether your boldness pays off. | 0:45:43 | 0:45:48 | |
While Charles frets about blowing his budget to kingdom come, | 0:45:48 | 0:45:52 | |
James is travelling 30 miles away to Bovey Tracey, | 0:45:52 | 0:45:56 | |
a small town in Devon. | 0:45:56 | 0:45:58 | |
For the final time today, let's get shopping with Mr Braxton. | 0:45:58 | 0:46:02 | |
-Good. Hello. -Hello. Hello, James. | 0:46:02 | 0:46:07 | |
-Hello. And your name is...? -Tina. -Very nice to meet you. | 0:46:07 | 0:46:11 | |
Now while Charles only has a penny to spend - let's not go there - | 0:46:11 | 0:46:16 | |
James is playing safe with some £200 still unspent. | 0:46:16 | 0:46:20 | |
I like this. That's a nice box. A rather fun carved box. | 0:46:21 | 0:46:26 | |
What's that made out of? Oak. With a pine bottom. | 0:46:26 | 0:46:30 | |
That has very much a look of the amateur craftsman about it. | 0:46:30 | 0:46:34 | |
Rather fun, isn't it? | 0:46:34 | 0:46:35 | |
It doesn't really sit very happily, the lock. | 0:46:35 | 0:46:39 | |
Or maybe it's just the fact that the key's gone. | 0:46:39 | 0:46:43 | |
Maybe it does sit happily. | 0:46:43 | 0:46:45 | |
That's rather nice. That's a possibility. | 0:46:45 | 0:46:50 | |
-Tina, how much is this fella? -48. -48. | 0:46:51 | 0:46:55 | |
Any chance of... How negotiable...? Has it been here for years? | 0:46:55 | 0:46:59 | |
Em, a couple of years. I'll be honest. I'm not dishonest. | 0:46:59 | 0:47:03 | |
Well, if it's been here for a couple of years, do you think it's possibly | 0:47:03 | 0:47:08 | |
-the price that is stopping it from being sold? -Em...could be. | 0:47:08 | 0:47:13 | |
-You want a price off of me? -Yeah. -28. -28. | 0:47:14 | 0:47:18 | |
It's quite fun. It's quite fun, Tina. | 0:47:21 | 0:47:25 | |
It's been fiddled around. It's quite a nice box. | 0:47:25 | 0:47:29 | |
Top price I will give you is £20, Tina. | 0:47:29 | 0:47:33 | |
-No, come on. Go up a little bit. 23. -23? You have a deal, Tina. | 0:47:33 | 0:47:38 | |
-Thank you. -Thank you very much. | 0:47:38 | 0:47:40 | |
The gents are now all shopped out. | 0:47:43 | 0:47:45 | |
James Braxton started with £302.68 and spent £143 on a framed armchair, | 0:47:45 | 0:47:52 | |
an ebony blackbird, | 0:47:52 | 0:47:54 | |
a deed box | 0:47:54 | 0:47:55 | |
and a Victorian garden seat. | 0:47:55 | 0:47:57 | |
Charles Hanson began with £503.88p and spent the lot | 0:47:57 | 0:48:02 | |
on a lady's jewellery box, | 0:48:02 | 0:48:05 | |
an Indian silver tumbler | 0:48:05 | 0:48:07 | |
and a fine Liberty and Co stool, | 0:48:07 | 0:48:09 | |
leaving him with only a penny in change. | 0:48:09 | 0:48:12 | |
Now, what do our experts really think of each other's purchases? | 0:48:12 | 0:48:16 | |
Charles Hanson is full of surprises, isn't he? | 0:48:16 | 0:48:19 | |
What an amazing buy. He's got the conviction about it. | 0:48:19 | 0:48:22 | |
Believes it's Liberty, | 0:48:22 | 0:48:25 | |
it has the style. | 0:48:25 | 0:48:27 | |
Huge risk with that. | 0:48:27 | 0:48:28 | |
He's really playing the game and he has to be admired for that. | 0:48:28 | 0:48:32 | |
I like James's objects. He's bought very, very well. | 0:48:32 | 0:48:36 | |
Nothing stands out because they're all good knobbly, knobbly furnishings. | 0:48:36 | 0:48:39 | |
Not knick-knacks this time! | 0:48:39 | 0:48:41 | |
Let's get back on the road and head to auction. | 0:48:44 | 0:48:47 | |
I brought a flag along for a bit of luck. | 0:48:47 | 0:48:49 | |
I need the whole country behind me now. | 0:48:49 | 0:48:52 | |
It's been a competitive leg | 0:48:55 | 0:48:57 | |
starting in Dorchester via Ilchester, Honiton, Bovey Tracey | 0:48:57 | 0:49:01 | |
with the final destination of Torquay on the horizon. | 0:49:01 | 0:49:04 | |
Well, look at this. | 0:49:07 | 0:49:09 | |
Oh! | 0:49:11 | 0:49:12 | |
Torquay in South Devon is hailed as the English Riviera. | 0:49:12 | 0:49:16 | |
This was the home town of the queen of whodunnit novels, Agatha Christie. | 0:49:16 | 0:49:20 | |
-It's a small auction house. -Small auction house. | 0:49:22 | 0:49:25 | |
-But you know what they say. -Small auction house, big profits. | 0:49:25 | 0:49:29 | |
Acorns can grow. | 0:49:29 | 0:49:30 | |
Maybe my stool can become evergreen. | 0:49:30 | 0:49:34 | |
-Well, good luck, Charles. -Thank you. Whatever happens, James, it doesn't matter. | 0:49:34 | 0:49:39 | |
-You're going to need it. -Thanks very much. Be careful! | 0:49:39 | 0:49:43 | |
-It's that way. -Let's go. -Up we go, James. -Profit all the way. | 0:49:43 | 0:49:47 | |
Going, going, gone. | 0:49:47 | 0:49:49 | |
West of England Auctions is a long-established business with proprietor Warren Hunt in charge. | 0:49:52 | 0:49:58 | |
Now then, are we sitting comfortably? Let the auction commence. | 0:49:58 | 0:50:03 | |
-There's a crowd here. -There is a crowd, isn't there? | 0:50:03 | 0:50:08 | |
-Good luck today. -Good luck. Battle of the boxes, and the stool. | 0:50:08 | 0:50:13 | |
First up, it's Charles's rosewood box with aristocratic connections. | 0:50:15 | 0:50:19 | |
-Start me at £10? -Come on. | 0:50:19 | 0:50:21 | |
10 is bid. Thank you, sir. Can I see 12? 12 bid. 14. 16. | 0:50:21 | 0:50:26 | |
18. 20. 2. 24. | 0:50:26 | 0:50:30 | |
-26. -You're in profit. -28. | 0:50:30 | 0:50:32 | |
30. 2. | 0:50:32 | 0:50:34 | |
-34. -I'm away. | 0:50:34 | 0:50:36 | |
38. 40. 2. 42? | 0:50:36 | 0:50:39 | |
44. 46. 48. 50. | 0:50:39 | 0:50:43 | |
5, sir? 60. | 0:50:43 | 0:50:45 | |
5? £60. Can I see 65? | 0:50:45 | 0:50:49 | |
New bidder at 65. | 0:50:49 | 0:50:51 | |
70. 75? | 0:50:51 | 0:50:53 | |
£70 in the front here. Can I see 75? | 0:50:53 | 0:50:57 | |
£70. If we're all done at 70. | 0:50:59 | 0:51:02 | |
That's a good profit. | 0:51:03 | 0:51:05 | |
Charles is off to a flying start. Speculative buys really can pay off! | 0:51:05 | 0:51:11 | |
£70. That's a good price. | 0:51:11 | 0:51:14 | |
Next up, it's the needleworked chair | 0:51:14 | 0:51:16 | |
that's strong enough to hold the Braxton bottom. | 0:51:16 | 0:51:19 | |
Start me at 20. | 0:51:19 | 0:51:23 | |
10 is bid. Can I see 12? I've got a £10 opening bid. | 0:51:23 | 0:51:27 | |
Can I see 12? It's bid. | 0:51:27 | 0:51:29 | |
14. 16? £14. Can I see 16? | 0:51:29 | 0:51:34 | |
-We're not faltering, are we? -18. 20? | 0:51:34 | 0:51:38 | |
-At 18. -All done. -If you're all done at 18. | 0:51:38 | 0:51:43 | |
Very cheap chair. | 0:51:43 | 0:51:45 | |
It's early days, | 0:51:45 | 0:51:46 | |
but James's chair certainly hasn't interested the bidders of Torquay. | 0:51:46 | 0:51:51 | |
I thought that was a dead cert. Nice light colours, light wood. | 0:51:51 | 0:51:55 | |
-£18?! -£18. | 0:51:55 | 0:51:58 | |
Oh, dear. Maybe the little ebony blackbird will swoop in | 0:51:58 | 0:52:03 | |
-with a lovely profit, eh? -Start me at 20. | 0:52:03 | 0:52:06 | |
It's a quality little item. 10 to be off. Thank you. 12? | 0:52:06 | 0:52:11 | |
12 is bid. 14. 16. | 0:52:13 | 0:52:15 | |
18. 20. 2? | 0:52:15 | 0:52:19 | |
£20. Can I see 22? | 0:52:19 | 0:52:22 | |
At £20. | 0:52:22 | 0:52:24 | |
-Ah, 20. There we are. -Cheap. | 0:52:25 | 0:52:27 | |
Sadly, it fell off its perch. | 0:52:27 | 0:52:30 | |
The thing is, though, if my stool makes a huge loss, you're in the lead. | 0:52:30 | 0:52:35 | |
-Hm. -Hm. | 0:52:36 | 0:52:39 | |
Cheer up, James. It's the Victorian carved box | 0:52:39 | 0:52:42 | |
that didn't close properly next. Oh, dear. | 0:52:42 | 0:52:46 | |
Start me at £20? | 0:52:46 | 0:52:48 | |
Let's get there quickly. 20's bid. | 0:52:48 | 0:52:51 | |
-Can I see 22? -Yes! -Sorry? I've got a 25 bid. | 0:52:51 | 0:52:55 | |
26. 28? 26. Can I see 28? New bidder at 28. | 0:52:55 | 0:53:00 | |
30. 32. 34. 36? | 0:53:00 | 0:53:05 | |
£34. Can I see 36? Back in at 36. 38. | 0:53:05 | 0:53:09 | |
40? £38. | 0:53:09 | 0:53:12 | |
-Can I see 40? -Go on! | 0:53:12 | 0:53:15 | |
£38. | 0:53:15 | 0:53:17 | |
You made a profit. | 0:53:18 | 0:53:21 | |
Third time lucky, James. Phew! | 0:53:21 | 0:53:23 | |
Thank goodness for that much-needed profit. | 0:53:23 | 0:53:27 | |
Now it's Charles's Indian silver tumbler next. | 0:53:27 | 0:53:31 | |
That's if the porter can find it. | 0:53:31 | 0:53:33 | |
-On the bench. -On the bench, Scott. | 0:53:35 | 0:53:37 | |
Start me at £20? | 0:53:39 | 0:53:41 | |
10 to be off? | 0:53:41 | 0:53:43 | |
10 is bid. I've got a 10 bid. Can I see 12? 14. 16. 18. | 0:53:45 | 0:53:51 | |
20. 2. 24. 26. 28. | 0:53:51 | 0:53:56 | |
30. 2? £30. | 0:53:56 | 0:53:58 | |
-You're spot on. -Yeah. -£30. Are you all done at 30? | 0:53:58 | 0:54:04 | |
Good man. That's great. I'm happy with that. Very happy. | 0:54:05 | 0:54:09 | |
Another success, Charles. | 0:54:09 | 0:54:11 | |
The profits are coming thick and fast, old boy. | 0:54:11 | 0:54:14 | |
-It's double up day today! -It's very good. | 0:54:14 | 0:54:18 | |
Next up, James is hoping to tempt the hoteliers of Torquay | 0:54:18 | 0:54:22 | |
with his wrought-iron garden bench. | 0:54:22 | 0:54:25 | |
A lick of paint, you're ready to go. 10 to start me? | 0:54:25 | 0:54:29 | |
10 straight away. Can I see 12? | 0:54:29 | 0:54:31 | |
12. 14. | 0:54:31 | 0:54:34 | |
16. 18. 20. 2. 24. | 0:54:34 | 0:54:38 | |
26. 28. 30? | 0:54:38 | 0:54:41 | |
-£28. Can I see 30? -Come on. | 0:54:41 | 0:54:45 | |
Are you all...? 30 is bid, thank you. 32. | 0:54:45 | 0:54:49 | |
34? | 0:54:49 | 0:54:51 | |
-Go on. -32. Are you all finished at 32? | 0:54:51 | 0:54:55 | |
Uh! Yeah. | 0:54:57 | 0:54:59 | |
Oh, dear, James. Not a brilliant way to end. | 0:54:59 | 0:55:04 | |
Not my day, is it? | 0:55:04 | 0:55:06 | |
But finally it's Charles's Liberty stool, | 0:55:06 | 0:55:10 | |
the one that he blew the remainder of his dosh on. A high-risk gamble. | 0:55:10 | 0:55:15 | |
Will it pay off for the cavalier Charles? | 0:55:15 | 0:55:18 | |
I've got a couple of small commission bids. I'll start at £80. | 0:55:18 | 0:55:22 | |
Can I see 90? Is bid. | 0:55:22 | 0:55:24 | |
100. And 10. | 0:55:24 | 0:55:26 | |
120. 130. | 0:55:26 | 0:55:28 | |
150. 160? 150 with my buyer. | 0:55:28 | 0:55:31 | |
Can I see 160? 160's bid. | 0:55:31 | 0:55:34 | |
-170. 180. -We're starting low. | 0:55:34 | 0:55:37 | |
190. 200. | 0:55:37 | 0:55:39 | |
-And 20. -Don't worry. -240. | 0:55:39 | 0:55:42 | |
260. 280. | 0:55:42 | 0:55:45 | |
300. And 20. 340. 360. | 0:55:45 | 0:55:49 | |
380? | 0:55:49 | 0:55:51 | |
-360. Can I see 380? -He hasn't started to bid. | 0:55:51 | 0:55:56 | |
-380. -Ah! A bidder on the telephone. | 0:55:56 | 0:55:58 | |
400. | 0:55:58 | 0:56:00 | |
And 20. | 0:56:00 | 0:56:02 | |
440. 460. | 0:56:03 | 0:56:06 | |
480? | 0:56:07 | 0:56:09 | |
-No. -460. Can I see 480? | 0:56:09 | 0:56:12 | |
480. 500. > | 0:56:12 | 0:56:16 | |
Asking 500. | 0:56:17 | 0:56:19 | |
And 20. > | 0:56:19 | 0:56:21 | |
540? | 0:56:22 | 0:56:24 | |
540. 560. | 0:56:24 | 0:56:27 | |
-Profit, profit. -Oh! And another. The battle of the telephone bids. | 0:56:27 | 0:56:31 | |
-600? -600? | 0:56:31 | 0:56:33 | |
620. | 0:56:34 | 0:56:36 | |
-640. -640? | 0:56:38 | 0:56:41 | |
640? | 0:56:42 | 0:56:44 | |
660? | 0:56:46 | 0:56:48 | |
-Well done. -680? | 0:56:48 | 0:56:50 | |
680? | 0:56:50 | 0:56:51 | |
It's really hotting up. | 0:56:51 | 0:56:53 | |
700? 700. | 0:56:53 | 0:56:56 | |
-800? -800? | 0:56:56 | 0:56:58 | |
You're going to make a thousand. | 0:56:58 | 0:57:02 | |
-1,000? -1,000! Has he got it? | 0:57:02 | 0:57:05 | |
-And 50. -Yes! | 0:57:05 | 0:57:08 | |
1,100? | 0:57:08 | 0:57:10 | |
Unbelievable! | 0:57:10 | 0:57:12 | |
No. | 0:57:13 | 0:57:15 | |
At 1,050. Can I see 1,100? | 0:57:15 | 0:57:18 | |
I'm over the moon. | 0:57:18 | 0:57:20 | |
-Over the moon. Yes! -Well done, well done! | 0:57:20 | 0:57:24 | |
Thank you. | 0:57:24 | 0:57:26 | |
-Thank you. -Well done. -Wonderful. | 0:57:26 | 0:57:29 | |
-Well done. -Oh! | 0:57:29 | 0:57:31 | |
Well done, Charles. A very brave purchase | 0:57:31 | 0:57:35 | |
giving you a thoroughly deserved profit. | 0:57:35 | 0:57:38 | |
You are today's winner by a mile. | 0:57:38 | 0:57:41 | |
-Come on. You can buy me a bottle of champagne. -You're on. | 0:57:41 | 0:57:45 | |
James started this leg with £302.68 | 0:57:47 | 0:57:52 | |
and, after paying auction costs, | 0:57:52 | 0:57:55 | |
made a loss, sadly, of £54.44, | 0:57:55 | 0:57:58 | |
leaving him with just £248.24 to carry forward. | 0:57:58 | 0:58:03 | |
Charles, meanwhile, started with £503.88 | 0:58:05 | 0:58:10 | |
and made a bumper profit of £439.13. | 0:58:10 | 0:58:14 | |
So Charles has a whopping £943.01 to take forward. | 0:58:14 | 0:58:20 | |
-James, I am in dreamland. -You've done very well. Well done. | 0:58:24 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:43 | 0:58:46 |