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-The nation's favourite antiques experts, £200 each and one big challenge. -War! | 0:00:02 | 0:00:07 | |
-Why? -Who can make the most money buying and selling antiques as they scour the UK? | 0:00:07 | 0:00:13 | |
The aim is to trade up and hope each antique turns a profit, | 0:00:13 | 0:00:17 | |
-but it's not as easy as you might think and things don't always go to plan. -Push! | 0:00:17 | 0:00:24 | |
-Will they race off with a huge profit or come to a grinding halt? -I'll thrash you! | 0:00:24 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
We're out on the road again with a pair of troublemakers. | 0:00:36 | 0:00:40 | |
Auctioneers Charlie Ross and Charles Hanson. | 0:00:42 | 0:00:46 | |
There was a young vicar of Prings, who professed to despise earthly things, but his secret desire... | 0:00:46 | 0:00:53 | |
That's quite enough, thank you! Charlie Ross is a leaner senior | 0:00:53 | 0:00:57 | |
who struggles to part with his cash. | 0:00:57 | 0:00:59 | |
-I wish I had spent more money. -So do I. | 0:00:59 | 0:01:02 | |
And this is Charles Hanson, the Young Pretender, | 0:01:02 | 0:01:05 | |
keeping his chin up despite a cruel, bruising loss on the last leg of the trip. | 0:01:05 | 0:01:11 | |
I'm going to set sail and hit those high seas. | 0:01:11 | 0:01:15 | |
-60 quid. -Add £25. -85? -Yes. | 0:01:17 | 0:01:20 | |
27.50. | 0:01:21 | 0:01:24 | |
Aww! | 0:01:24 | 0:01:26 | |
Charlie Ross, meanwhile, had a fairly good first outing with a few more sober purchases. | 0:01:26 | 0:01:33 | |
From his original £200, | 0:01:33 | 0:01:35 | |
Charlie now has £234.56 to flash about. | 0:01:35 | 0:01:40 | |
Not a lot, but considerably more than Hanson's got. | 0:01:41 | 0:01:45 | |
Sadly, yes. | 0:01:45 | 0:01:47 | |
Poor Charles's losses mean his £200 has shrunk | 0:01:47 | 0:01:51 | |
to a worrying £132.65 to fight back with. | 0:01:51 | 0:01:56 | |
As the chaps launch into the next leg, | 0:01:58 | 0:02:02 | |
their vintage 1960s Ford Corsa is still serving them well. | 0:02:02 | 0:02:06 | |
# Heigh ho! | 0:02:07 | 0:02:10 | |
# Heigh ho! # | 0:02:10 | 0:02:12 | |
Don't join the choir. They will travel over 300 miles down the gorgeous east of England, | 0:02:13 | 0:02:20 | |
all the way to Rye in East Sussex. | 0:02:20 | 0:02:22 | |
And on this leg they're leaving Doncaster, heading for Grantham. | 0:02:23 | 0:02:28 | |
First stop is North Lincolnshire's glittering jewel, Scunthorpe. | 0:02:28 | 0:02:32 | |
-I see old Fagin in you! -You think I'm a mean buyer? | 0:02:32 | 0:02:36 | |
You pick a pocket or two in your dealings! | 0:02:36 | 0:02:41 | |
Today Scunthorpe offers Charlie Ross his first antiques emporium. | 0:02:41 | 0:02:46 | |
Now...I've found something here that could well be relevant to where we're going to auction. | 0:02:47 | 0:02:54 | |
We're going to be very near Lincoln | 0:02:54 | 0:02:57 | |
and here we've got the Arnold and Company, Lincoln, Limited. | 0:02:57 | 0:03:03 | |
Actually, Charlie, the auction is 25 miles south from Lincoln in Grantham, | 0:03:03 | 0:03:08 | |
but I'm sure it will have its own lovers of old lemonade bottles. There, there, dear. | 0:03:08 | 0:03:13 | |
-Hi, there. -Hello. -Are you the boss? -I am, yeah. Dave. -I'm Charlie, hi. -Nice to meet you. | 0:03:13 | 0:03:19 | |
-There you go. -Is that a tape measure of some sort? -It is. An old Chesterman's one. -A Chesterman's. | 0:03:19 | 0:03:25 | |
What a fascinating bit of kit. Would that be used by a surveyor? | 0:03:25 | 0:03:30 | |
The asking price for this early model is £45. | 0:03:30 | 0:03:34 | |
Look at that. | 0:03:34 | 0:03:36 | |
Victorian doll's crib. | 0:03:36 | 0:03:39 | |
And as far as I can see, | 0:03:39 | 0:03:42 | |
it's absolutely 100%. | 0:03:42 | 0:03:45 | |
Victorian toys and dolls are highly collectable, but this ain't either | 0:03:45 | 0:03:50 | |
and at £58 it isn't cheap. I can feel a negotiation coming on. | 0:03:50 | 0:03:55 | |
What about £30 for the crib? | 0:03:55 | 0:03:57 | |
If I could tempt you at 40, that's where I'd be with it. | 0:03:57 | 0:04:02 | |
-What about the tape measure? -It's been with us a bit longer. -Has it? -It's more specialist. -Quite. | 0:04:02 | 0:04:08 | |
I think we could probably take that down to 30. | 0:04:08 | 0:04:12 | |
-You can't do the two for 50? -I can't. That's too low. | 0:04:12 | 0:04:15 | |
-I'll do the pair for 65. -There are two glass Lincoln lemonade bottles. | 0:04:15 | 0:04:21 | |
One is priced at £4 and one is priced at £3. | 0:04:21 | 0:04:26 | |
-I'll do the two for a fiver. -70 quid for the lot. -That's right. | 0:04:26 | 0:04:30 | |
I'll get my cash out. Thank you for looking after me. | 0:04:30 | 0:04:33 | |
That's what I call a fine start, Charlie. | 0:04:33 | 0:04:37 | |
And it looks like you could hold your lead for Day 2. | 0:04:37 | 0:04:42 | |
Meanwhile, first-time hitchhiker Charles Hanson has gone on ahead. Quite far ahead, actually. | 0:04:42 | 0:04:49 | |
34 miles south from sunny Scunny | 0:04:49 | 0:04:54 | |
finds our poor second-place expert about to land in Lincoln. | 0:04:54 | 0:04:59 | |
The wind's blowing an almost Force 14 gale here in Lincolnshire | 0:05:00 | 0:05:05 | |
and Hanson is, at the moment, heading downhill, almost treading water, but I'm not concerned. | 0:05:05 | 0:05:11 | |
I'm in my lucky waistcoat. | 0:05:11 | 0:05:14 | |
Come on, Hanson! And off you go! | 0:05:14 | 0:05:16 | |
That's the spirit. You can't keep a good man down, | 0:05:16 | 0:05:21 | |
-although I wonder quite where is he going. -This way! | 0:05:21 | 0:05:26 | |
Hello, madam. | 0:05:31 | 0:05:33 | |
-Your name is...? -Suzy. -Hi, I'm Charles. | 0:05:33 | 0:05:36 | |
Wow. Look at this. | 0:05:36 | 0:05:39 | |
It's like Aladdin's cave. | 0:05:39 | 0:05:42 | |
There's everything in here. You can barely walk around, there's so much crammed in. | 0:05:46 | 0:05:51 | |
-Is there anything a bit quirky? -Oh, here you are. For a fisherman. | 0:05:51 | 0:05:55 | |
-What is it? -A wine thing. -Of course, yeah. | 0:05:58 | 0:06:01 | |
-That's £10. -I mean, for £10... -That's quirky. -It's not very old, but it's a collectable. | 0:06:01 | 0:06:07 | |
Today's market is so governed by quirkiness. | 0:06:07 | 0:06:11 | |
Suzy, what's your best price? | 0:06:11 | 0:06:14 | |
-Eight. -£8? -Yeah. -I'll probably go for him. I can't make a big loss. I've had a disaster already. | 0:06:14 | 0:06:20 | |
I've lost £80 already and I'm down to barely £100. | 0:06:20 | 0:06:25 | |
-Will you take £5 for him? -No. -Meet me halfway - six. -OK. | 0:06:25 | 0:06:30 | |
£6. Suzy, we're going and I'm going. I'm going. | 0:06:30 | 0:06:35 | |
-Nice to meet you. -And gone. Thanks, Suzy, ever so much. | 0:06:35 | 0:06:40 | |
Reputation intact, Charles Hanson is just getting going, | 0:06:40 | 0:06:45 | |
as the road trip takes him 10 miles south to the lovely village of Navenby. | 0:06:45 | 0:06:51 | |
-Good morning. How are you? -Very well. -I'm Charles Hanson. -Laura Conway. | 0:06:54 | 0:06:59 | |
What I do like is this one here. Birmingham, 1907. | 0:07:04 | 0:07:07 | |
-Martha, David and Morris Davis. It's a sugar sifter. -Yes. | 0:07:07 | 0:07:12 | |
With your lidded cover. | 0:07:12 | 0:07:14 | |
This would fetch between £60 and £100. What's your retail price? | 0:07:14 | 0:07:19 | |
-It's quite a lot more than that. -Yeah. -We've got that on at 225. | 0:07:19 | 0:07:24 | |
-Yeah. -But it has been here for a year and a half. -Don't tell him it's languishing! | 0:07:24 | 0:07:30 | |
-I can let you have it at 100. -Oh, crikey. | 0:07:30 | 0:07:33 | |
Laura, £100 is a really, really good offer for me to buy it at, | 0:07:33 | 0:07:39 | |
so I'll think about it. | 0:07:39 | 0:07:41 | |
That's sweet. | 0:07:45 | 0:07:46 | |
This tiny oval box reads "A trifle from Bath" | 0:07:47 | 0:07:52 | |
and what we've got here is something which was a lady's patch box. | 0:07:52 | 0:07:56 | |
Ladies back in the 1760s, 1780s, had warts on their faces | 0:07:56 | 0:08:01 | |
or they may have had scars and blisters. It was a very unhygienic time. | 0:08:01 | 0:08:06 | |
This you would have kept your cream in to cover patches on your face. | 0:08:06 | 0:08:10 | |
-The asking price is 145. -145? -It is, yes. | 0:08:10 | 0:08:14 | |
-For you, Charles, I think we could do that at £50. -Commercially, am I being savvy? Maybe not, | 0:08:14 | 0:08:20 | |
but when you handle history that tells a great story... | 0:08:20 | 0:08:24 | |
Sounds like someone needs a moment of "me time" to weigh up the pros and cons. | 0:08:24 | 0:08:31 | |
They will want about £100 for the sifter. | 0:08:31 | 0:08:35 | |
If I can go in at 70 and buy it, | 0:08:35 | 0:08:38 | |
buy the oval box at 25, that's 95... | 0:08:38 | 0:08:43 | |
It gives Hands On Hanson still £35 to play with. | 0:08:43 | 0:08:47 | |
I'd like to offer you... 25 plus 70. | 0:08:47 | 0:08:53 | |
That makes £95. | 0:08:53 | 0:08:55 | |
And I'm asking your hand... for a sale. | 0:08:55 | 0:09:00 | |
-Oh, for you, Charles. -Are you sure? -Go on, then. For you. | 0:09:04 | 0:09:08 | |
£95. Laura, thanks ever so much. | 0:09:08 | 0:09:11 | |
Charlie Ross, watch out. I'm coming to get you. | 0:09:11 | 0:09:15 | |
Well, always nice to end the day with a threat! It's been a good hunt so far, though. | 0:09:15 | 0:09:22 | |
Now Navenby must give our road trippers a bed for the night. Sleep tight. | 0:09:22 | 0:09:28 | |
Dawn breaks across Lincolnshire and our chaps are straight back at it. | 0:09:30 | 0:09:34 | |
You know, the word's on the street that a) you're back and b) you were a Dick Turpin yesterday! | 0:09:36 | 0:09:43 | |
-Ha ha! -I'm going to call you Dick Hanson! You were wearing a mask yesterday! | 0:09:43 | 0:09:49 | |
So far, Charlie's spent £70 on three lots. | 0:09:49 | 0:09:54 | |
The surveyor's tape, the Victorian crib and the Lincolnshire pop bottles, | 0:09:54 | 0:10:00 | |
leaving £164.56 for the day ahead. | 0:10:00 | 0:10:04 | |
Charles, meanwhile, hit the first day's shopping running, literally, | 0:10:04 | 0:10:09 | |
spending £101 also on three items. | 0:10:09 | 0:10:13 | |
# You've got to pick a pocket or two, boys | 0:10:13 | 0:10:19 | |
# You've got to pick a pocket or two. # | 0:10:19 | 0:10:22 | |
So our angelic, sooty-faced street urchins continue on. | 0:10:22 | 0:10:27 | |
36 miles east from Navenby to the market town of Alford. | 0:10:27 | 0:10:32 | |
Here we go. | 0:10:34 | 0:10:36 | |
-Good morning, sir. I'm Charles Hanson. -Hi. -Your name is...? -Mel. | 0:10:36 | 0:10:42 | |
-The brass bed...is that for sale? -I can do that for 20, 30 quid. | 0:10:46 | 0:10:50 | |
And we are missing the slats? Here's your headboard. | 0:10:50 | 0:10:55 | |
-It would have been a nice bed, probably from, oh, about 1900. -Yeah, I would say so. | 0:10:55 | 0:11:03 | |
Nice. But it's no time for a lie down just yet. | 0:11:03 | 0:11:07 | |
Now these are fairly crude Japanese earthenware Satsuma-esque vases, aren't they? | 0:11:07 | 0:11:14 | |
From the 1920s, made for export, really quite crude. | 0:11:14 | 0:11:18 | |
Really quite ugly. But people do collect them. | 0:11:18 | 0:11:22 | |
I've had a very difficult time. I've got to be a bit more... sombre in my purchases | 0:11:22 | 0:11:29 | |
rather than going so gung-ho. Could I call this lot 25? | 0:11:29 | 0:11:33 | |
And give you 6 for the brass bed? | 0:11:33 | 0:11:37 | |
-Go on. -Sure? -Yeah, go on. | 0:11:41 | 0:11:44 | |
Gone. Thanks, Mel. Good man. | 0:11:45 | 0:11:47 | |
Hats off to the Young Pretender. He's got just 65p left in his pocket | 0:11:47 | 0:11:53 | |
and a whole lot of wares to take to auction. | 0:11:53 | 0:11:56 | |
-I just hope Charles can remember where he parked. Oh, dear. -I'll let you go that way. | 0:11:56 | 0:12:01 | |
# Here I go again My, my, how can I resist you? | 0:12:05 | 0:12:10 | |
# Blue since the day we started... # | 0:12:10 | 0:12:13 | |
And here we go again. | 0:12:13 | 0:12:15 | |
We fondly wave Alford goodbye and continue on, | 0:12:15 | 0:12:19 | |
journeying 25 miles south-west to Boston. | 0:12:19 | 0:12:24 | |
As the shopping hours draw to an end, | 0:12:24 | 0:12:27 | |
Bismark Antiques offers Mr Ross a last stab at victory. | 0:12:27 | 0:12:31 | |
Sylvia and son Matthew run this fine den of antiquity. | 0:12:31 | 0:12:36 | |
Pair of silver sauce boats. | 0:12:44 | 0:12:47 | |
No price. I love things without a price. It always gives you a chance. | 0:12:47 | 0:12:51 | |
I think they're going to be about 1920. They're in an earlier style. | 0:12:51 | 0:12:56 | |
They're in an 18th-century style, but they have got a good weight to them. | 0:12:56 | 0:13:01 | |
How much are the pair of sauce boats? | 0:13:01 | 0:13:04 | |
They can be 180. | 0:13:04 | 0:13:06 | |
The main problem I have is that I've only got 160 quid. | 0:13:06 | 0:13:10 | |
There's no point in me trying to steal them off you. Or is there? | 0:13:12 | 0:13:17 | |
You wouldn't take 160 quid for those, would you? | 0:13:17 | 0:13:21 | |
-I would take 160. -Would you? -To help you out. | 0:13:21 | 0:13:23 | |
I can't think of any reason why I shouldn't buy those, other than... | 0:13:23 | 0:13:28 | |
..it will spend me out completely against that Hanson. | 0:13:29 | 0:13:33 | |
I wouldn't worry. There's no way you've bought anything as ridiculous and risky as Charles Hanson. | 0:13:33 | 0:13:41 | |
Have you got anything for £4.56? | 0:13:41 | 0:13:44 | |
-Cos if you have, I will buy it. -I'll find you this. | 0:13:44 | 0:13:48 | |
If you can find me something for £4.56, I will spend every penny I have in life. | 0:13:48 | 0:13:54 | |
But what is it exactly? | 0:13:54 | 0:13:56 | |
-It would have been for your sugar, then to hang your snips... -You hang your snips over the edge. | 0:13:56 | 0:14:02 | |
I think that's fantastic. | 0:14:02 | 0:14:04 | |
-Matthew... -Great. -Congratulations. | 0:14:05 | 0:14:08 | |
-I now have absolutely... -Penniless. -..nothing! | 0:14:08 | 0:14:13 | |
I am penniless. | 0:14:13 | 0:14:15 | |
This is ridiculous. | 0:14:15 | 0:14:18 | |
You've spent your entire budget, beating Mr Hanson by a full 65p. | 0:14:18 | 0:14:23 | |
Thanks a lot. I can't even afford a sandwich! | 0:14:23 | 0:14:27 | |
Cash or no cash, Charles has decided that lovely Boston can offer him one final treat today. | 0:14:27 | 0:14:34 | |
Windmills have existed in Britain for an awfully long time. | 0:14:40 | 0:14:44 | |
And these vertical models became particularly iconic in Lincolnshire and Yorkshire | 0:14:44 | 0:14:50 | |
from the 13th century onwards. | 0:14:50 | 0:14:53 | |
Maud Foster Mill is a working business once more, | 0:14:53 | 0:14:56 | |
though its historical fortunes have changed with the winds. | 0:14:56 | 0:15:02 | |
-James Waterfield. -Good to see you. Charles Hanson. -Pleased to meet you. | 0:15:02 | 0:15:06 | |
As a young boy, I always wanted to wander into a windmill | 0:15:06 | 0:15:09 | |
and it's great to be here in Boston and to see it. It's a wonderful building. | 0:15:09 | 0:15:15 | |
Hmm. 192 this year as well. | 0:15:15 | 0:15:17 | |
The mill was built for brothers Thomas and Isaac Reckitt, | 0:15:17 | 0:15:22 | |
paying a princely sum of 1,826 pounds, ten shillings and sixpence. | 0:15:22 | 0:15:28 | |
From 1819, grain arrived by canal, was winched to the top floor | 0:15:28 | 0:15:34 | |
and squeezed through millstones, grinding into fine flour. | 0:15:34 | 0:15:39 | |
After changing owners, Maud Foster Mill closed for business in the 1940s | 0:15:39 | 0:15:44 | |
and was saved as a landmark by the Reckitt Family Charitable Trust in 1953. | 0:15:44 | 0:15:50 | |
-Shall we go outside? -Yes, yes, feel free. | 0:15:53 | 0:15:56 | |
It's a bit high, isn't it? Gee whizz! | 0:15:56 | 0:16:00 | |
-What's this big chain for? -We've got the control chains for the sails to stop and start the mill. | 0:16:00 | 0:16:06 | |
The sails seems to be going quite slowly. | 0:16:06 | 0:16:09 | |
-Do you want a bit of raw muscle to give you a hand? -Yes, go on then. | 0:16:09 | 0:16:13 | |
If you pull that down, that will put a bit more cloth on, that will close up the sails more. | 0:16:13 | 0:16:19 | |
-If I pull it too hard, it won't break? -No, it'd need to be a better man than you to break it. | 0:16:19 | 0:16:24 | |
-Derbyshire men, strong in the arm! -Strong in the arm, thick in the head. -Thanks(!) -Just steady and hard. | 0:16:24 | 0:16:31 | |
You don't need to yank it. Just pull it. | 0:16:31 | 0:16:34 | |
-That's it. You've gone as far as it will go. -Look, can you see? | 0:16:34 | 0:16:37 | |
-That's full cloth, so it should go a bit better. -I've given a windmill full cloth. I feel so proud. -Yeah. | 0:16:37 | 0:16:45 | |
-Watch your head. -Sorry. -Gee whizz! Fantastic, isn't it? | 0:16:50 | 0:16:54 | |
Careful, Hanson. These amazing machines are as dangerous as they are beautiful. | 0:16:54 | 0:17:01 | |
One of the millers was killed in the 1920s. | 0:17:01 | 0:17:04 | |
He climbed over the balcony rails to retrieve his cigarettes and got hit on the head as he climbed back up. | 0:17:04 | 0:17:10 | |
The last miller in the '40s would go round on the sails for a shilling. | 0:17:10 | 0:17:15 | |
-He wouldn't? -Yeah. I won't, but he would. | 0:17:15 | 0:17:18 | |
# And the world is like an apple whirling silently in space | 0:17:18 | 0:17:23 | |
# Like the circles that you find | 0:17:23 | 0:17:26 | |
# In the windmills of your mind... # | 0:17:26 | 0:17:29 | |
This is wholemeal, just milled today, fresh out of the finest windmill in Lincolnshire. | 0:17:29 | 0:17:36 | |
We need to stitch it up. Shall I stitch one and show you? | 0:17:38 | 0:17:43 | |
You can have a go if you want. | 0:17:43 | 0:17:46 | |
-You wouldn't want to make a suit with that. -And that's hand-stitched, ready for off? | 0:17:51 | 0:17:56 | |
Yeah, hand-stitched by a machine! | 0:17:56 | 0:17:59 | |
Hanson, you stupid boy! | 0:17:59 | 0:18:02 | |
James and his father have restored this marvellous building | 0:18:02 | 0:18:06 | |
and created a successful business. | 0:18:06 | 0:18:08 | |
In 1988, Basil Reckitt, great-grandson of Isaac Reckitt, | 0:18:08 | 0:18:13 | |
proudly performed the re-opening ceremony. | 0:18:13 | 0:18:16 | |
-Thanks ever so much, James. I really enjoyed it. -Right. | 0:18:16 | 0:18:21 | |
I'm covered in flour. I'm completely covered in flour. | 0:18:23 | 0:18:28 | |
Unbelievable! Time to pick yourself up, dust yourself off and prepare for auction. | 0:18:28 | 0:18:34 | |
Charlie Ross started today's show with £234.56 | 0:18:41 | 0:18:44 | |
and spent exactly £234.56 | 0:18:44 | 0:18:48 | |
on five auction lots. | 0:18:48 | 0:18:51 | |
The Lincolnshire lemonade bottles, the Victorian doll's crib, | 0:18:51 | 0:18:56 | |
the Chesterman's surveyor's tape, | 0:18:56 | 0:18:59 | |
the silver sauce boats and the plated sugar bowl for £4.56. | 0:18:59 | 0:19:05 | |
Charles Hanson began with £132.65 | 0:19:07 | 0:19:11 | |
and spent £132 also on five lots. | 0:19:11 | 0:19:14 | |
The lovely enamelled trifle from Bath, | 0:19:15 | 0:19:19 | |
the gorgeous Edwardian bayonet sugar sifter, | 0:19:19 | 0:19:22 | |
the, er, plentiful Japanese Satsuma-ware, | 0:19:22 | 0:19:27 | |
the Victorian brass bed ends and... | 0:19:27 | 0:19:30 | |
the bottle thing. | 0:19:30 | 0:19:32 | |
But who's the favourite for this upcoming auction? | 0:19:34 | 0:19:38 | |
Let's just forget that repulsive bottle holder, but he's done well. | 0:19:38 | 0:19:43 | |
I think Team Hanson is feeling fine, is feeling merry. | 0:19:43 | 0:19:47 | |
It's been a long day, but a great one. | 0:19:47 | 0:19:50 | |
The gap will narrow. He might even overtake me. | 0:19:50 | 0:19:53 | |
Stranger things have happened. | 0:19:53 | 0:19:56 | |
It's been a spectacular second leg from Scunthorpe via Lincoln, | 0:19:58 | 0:20:03 | |
Navenby, Alford and Boston | 0:20:03 | 0:20:05 | |
with the final destination of Grantham in their sights. | 0:20:05 | 0:20:10 | |
It's auction day as our couple of Charlies arrive in town. | 0:20:13 | 0:20:17 | |
-Are you coming or not? -Anyone would think you've something worth selling! | 0:20:19 | 0:20:24 | |
Welcome to the Theatre of Dreams. | 0:20:24 | 0:20:27 | |
George W Golding, one-time Mayor of Grantham, | 0:20:28 | 0:20:32 | |
opened Golding's auction house in 1900, becoming Golding Young in 1994. | 0:20:32 | 0:20:38 | |
Town crier Colin Young is our auctioneer for the day | 0:20:38 | 0:20:42 | |
and has kindly cast his eye over our experts' purchases. | 0:20:42 | 0:20:47 | |
What stands out is obviously the enamel. That's the best of the bunch, a true antique item. | 0:20:47 | 0:20:53 | |
With the fisherman's bottle, it's just something brand new. There's millions of them out there. | 0:20:53 | 0:21:00 | |
Charles Hanson's got the speculatively good item | 0:21:00 | 0:21:04 | |
and the spectacularly bad item. | 0:21:04 | 0:21:06 | |
Now eyes front, mouth shut, the auction is about to begin. | 0:21:09 | 0:21:13 | |
First up, Charlie's local pop duo, the Lincolnshire lemonade bottles. | 0:21:13 | 0:21:19 | |
-Who's going to start me at £10 for them? 10? -Down. -£5, anybody? | 0:21:19 | 0:21:23 | |
-I don't believe it. -6 now surely? 6 now do I see? | 0:21:23 | 0:21:27 | |
6. 8. £8 bid. 10. 10 bid. 12 now? At 10 bid. | 0:21:27 | 0:21:30 | |
12? Your bid of 10, sir. I'll take 11 because we're desperate. | 0:21:30 | 0:21:34 | |
At 10. 11 anywhere else? | 0:21:34 | 0:21:36 | |
It's your bid, sir, selling at £10... | 0:21:36 | 0:21:39 | |
-Well done. -And a nice double bubble to get us going. | 0:21:39 | 0:21:43 | |
Even after commission, it's profit! | 0:21:43 | 0:21:45 | |
Next we have Charles's Satsuma vase combo. | 0:21:45 | 0:21:48 | |
High in quantity, if not quality. | 0:21:48 | 0:21:51 | |
£20 in the room. 25. | 0:21:51 | 0:21:54 | |
28 now? 28 bid. At £30. | 0:21:54 | 0:21:57 | |
I know they're dreadful, but Mr Hanson is a lovely person. 32 now? | 0:21:57 | 0:22:01 | |
-32 in the front then, going at £32... -Thank you very much. | 0:22:01 | 0:22:06 | |
So despite everyone's attempt to queer the pitch, | 0:22:06 | 0:22:10 | |
the Satsumas did rather well. | 0:22:10 | 0:22:12 | |
Now the silver sauce boats offer a dollop of profit for Charlie. | 0:22:12 | 0:22:17 | |
Straight in, 120. 125. 130. | 0:22:17 | 0:22:19 | |
And 5. 140. 145. | 0:22:19 | 0:22:22 | |
150. 155? | 0:22:22 | 0:22:24 | |
Yes? I've got 155 on the book anyway. 160 if you like? 160. 5. | 0:22:24 | 0:22:28 | |
170? 170. 175. 180. 5. | 0:22:28 | 0:22:31 | |
190. 5. 200. 210. | 0:22:31 | 0:22:34 | |
215 if it helps? We're selling this time, all done and finished at 210... | 0:22:34 | 0:22:38 | |
A very wise investment, Charlie. | 0:22:38 | 0:22:41 | |
And now... Well, I don't know. | 0:22:41 | 0:22:45 | |
Good luck, Carlos. | 0:22:45 | 0:22:47 | |
-Look at it, it's lovely. -It's awful. -Come on, Mr Young. | 0:22:47 | 0:22:51 | |
Start me at £20 for it? 20? | 0:22:51 | 0:22:53 | |
-10 to go then? -Have a go. | 0:22:53 | 0:22:55 | |
10? Thank you, £10 bid. 10. | 0:22:55 | 0:22:57 | |
12 anywhere else now? At 10 bid. 12 bid. 15 do I see? | 0:22:57 | 0:23:01 | |
Have another one. 15. 18 there. 20 bid. 22 bid. | 0:23:01 | 0:23:05 | |
25 bid. 28 bid? I have 25 in the front row. 28 now? | 0:23:05 | 0:23:08 | |
-Was that a bid? You look like you're about to expire, sir. -I am! -28 bid. | 0:23:08 | 0:23:13 | |
30 or not now then? Selling at £28... | 0:23:13 | 0:23:17 | |
Hanson, you are the man! | 0:23:17 | 0:23:19 | |
Excellent. | 0:23:19 | 0:23:21 | |
I don't think anyone ever doubted the chance of a profit there(!) | 0:23:21 | 0:23:25 | |
How on earth did you do that? | 0:23:25 | 0:23:27 | |
Charlie spent his last £4.56 in the world on this prospect. | 0:23:27 | 0:23:32 | |
Fingers crossed. | 0:23:32 | 0:23:34 | |
Who's going to start me at £10? 10. 12 now? | 0:23:34 | 0:23:37 | |
12 bid. 15 surely? 15. 18. And 20? £20 bid, sir. | 0:23:37 | 0:23:41 | |
22 bid. Surely 25? | 0:23:41 | 0:23:44 | |
23? 23. £23 bid. | 0:23:44 | 0:23:47 | |
Last call then. We're selling in the middle at £23... | 0:23:47 | 0:23:51 | |
A very good profit from a speculative purchase. | 0:23:51 | 0:23:55 | |
Now I think I need a little lie-down. | 0:23:55 | 0:23:58 | |
Who's going to start me for the single bed ends? £80 for them? 80? | 0:23:58 | 0:24:02 | |
-50? -Come on. -50? -Come on. -£30? | 0:24:02 | 0:24:05 | |
A tenner, anybody? Surely £10? | 0:24:05 | 0:24:07 | |
A fiver? Thank you, £5 bid at the back. 6 now do I see? | 0:24:07 | 0:24:11 | |
This one certainly isn't the sleeper. 5 bid. 6 now do I see? | 0:24:11 | 0:24:15 | |
6. Late surge in the bidding! 6 bid. 7. | 0:24:15 | 0:24:19 | |
-Can we contain our excitement? 8 bid, sir. -8 bid. -8 bid. | 0:24:19 | 0:24:23 | |
9 bid. 10. Late surge in the bidding. Fresh bidder. | 0:24:23 | 0:24:26 | |
-At £10 bid. We go this time then at £10... No-one can say I don't try. -Hear, hear! | 0:24:26 | 0:24:31 | |
A little disappointing then on the life-sized bed. | 0:24:31 | 0:24:34 | |
How about this sweet Victorian resting place for a child's toy? | 0:24:34 | 0:24:39 | |
Very good-looking piece. 30? 20 to go then surely? | 0:24:39 | 0:24:43 | |
£20 bid. I'll take 5? 22 on the net. | 0:24:43 | 0:24:46 | |
22. 25. 28 now? 28. | 0:24:46 | 0:24:48 | |
28 bid. 30. 32. 35. | 0:24:48 | 0:24:51 | |
38 bid. 40? 38 bid. 40? £40 bid. 42. 45? 45. | 0:24:51 | 0:24:55 | |
48 now? 48 bid. 50 bid. 5. 60. At 60 bid. | 0:24:55 | 0:24:59 | |
-65. -Well done. -68. | 0:24:59 | 0:25:01 | |
Bid 70. | 0:25:01 | 0:25:03 | |
72 now? 72. At 72. | 0:25:03 | 0:25:06 | |
75? 75. 78 now? 78 bid. At 78 bid. | 0:25:06 | 0:25:09 | |
80 bid. 2 now. 82. 85. 88 now? | 0:25:09 | 0:25:12 | |
At £85 we go this time. Selling to Australia at £85... | 0:25:12 | 0:25:17 | |
It's going Down Under, Charlie. Well done. | 0:25:17 | 0:25:20 | |
-AUSTRALIAN ACCENT: -I don't mind if I do, you know? | 0:25:20 | 0:25:23 | |
A Staffordshire Bilston enamel box, oval design with green base. | 0:25:23 | 0:25:28 | |
-We have to start the bidding on this one at £25. -Oh, no. | 0:25:28 | 0:25:31 | |
25. 30. At 30 bid. 35 bid. 40 bid. | 0:25:31 | 0:25:34 | |
45. 50. 55. 60. 65. | 0:25:34 | 0:25:37 | |
70. 5. 80. | 0:25:37 | 0:25:39 | |
5. 90. 5. 100. | 0:25:39 | 0:25:41 | |
110. 120. 120 bid. | 0:25:41 | 0:25:44 | |
-120 with me on the book. -The internet bids are coming in thick and fast. | 0:25:44 | 0:25:48 | |
No wonder Charles looks pleased! | 0:25:48 | 0:25:51 | |
-130. -Yes! -40. -I'm back! | 0:25:51 | 0:25:54 | |
150 now. Thank you, 150 with you. | 0:25:54 | 0:25:57 | |
160 with me. | 0:25:57 | 0:25:59 | |
It's your last chance. All done and finished then, we'll sell... | 0:25:59 | 0:26:03 | |
Somebody hovering on the net. Are you going to bid 170? | 0:26:03 | 0:26:07 | |
-Suspense, but we're sold at 160. -Yes! -Well done. | 0:26:07 | 0:26:11 | |
Hats well and truly off, Mr Hanson. | 0:26:11 | 0:26:14 | |
You are certainly back in the game. | 0:26:14 | 0:26:16 | |
Give me a kiss, give me a kiss. Give me a kiss. | 0:26:16 | 0:26:20 | |
Only just. Now... | 0:26:21 | 0:26:23 | |
No more kissing, boys. Not on my road trip! | 0:26:23 | 0:26:27 | |
Now it's Charlie's last stab at a big profit. | 0:26:27 | 0:26:30 | |
Is there a surveyor in the house? | 0:26:30 | 0:26:32 | |
Who's going to start me at £30? 20 to go? 10 to go then? | 0:26:32 | 0:26:36 | |
£10 bid. At 10 bid. 12 now surely? | 0:26:36 | 0:26:39 | |
At £10 bid. Nobody else got a handle on this one? | 0:26:39 | 0:26:42 | |
And selling at £10... | 0:26:42 | 0:26:46 | |
Ouch! | 0:26:46 | 0:26:47 | |
Bad timing for a loss, Mr Ross. | 0:26:47 | 0:26:50 | |
It's so important to buy right and play to the crowd at auction. | 0:26:51 | 0:26:55 | |
Like Hanson's lovely sugar dredger, for example, today's final lot. | 0:26:55 | 0:27:00 | |
Cracking-looking piece. Start me at 100 for it? 50 to go? | 0:27:00 | 0:27:04 | |
50 bid. 60. And 70 now? 70. | 0:27:04 | 0:27:06 | |
80. 90. At 90. 100. 110. | 0:27:06 | 0:27:09 | |
120. 120 bid. 130 do I see now? | 0:27:09 | 0:27:11 | |
-120 bid. Any more now? -Come on! -125? | 0:27:11 | 0:27:14 | |
-Come on, one more. -Selling at £120... | 0:27:14 | 0:27:18 | |
He speculated and he accumulated, and then some! | 0:27:18 | 0:27:22 | |
Mr Hanson wins the day. | 0:27:22 | 0:27:25 | |
-How are you feeling? -Much, much worse than I felt earlier. | 0:27:25 | 0:27:29 | |
-You've nearly caught me up. -Can I say one thing? Thanks for coming. | 0:27:29 | 0:27:33 | |
-It's been an immense pleasure. -Not! | 0:27:33 | 0:27:36 | |
Charlie started today's show in the lead with £234.56 | 0:27:36 | 0:27:42 | |
and after paying auction costs, today made a small profit of £42.60. | 0:27:42 | 0:27:48 | |
Charlie has a curmudgeonly £277.16 to carry forward. | 0:27:48 | 0:27:55 | |
Charles, meanwhile, started down with £132.65 | 0:27:56 | 0:28:01 | |
and made a bumper profit of £155. | 0:28:01 | 0:28:04 | |
Mr Hanson has a whopping £287.65 to carry forward. | 0:28:04 | 0:28:10 | |
Well done, Carlos. | 0:28:11 | 0:28:13 | |
-A privilege to be your chauffeur, sir. -We say farewell to a very fine saleroom. | 0:28:13 | 0:28:19 | |
You would say that! Later on The Antiques Road Trip, our pair of Charlies head for Norfolk. | 0:28:19 | 0:28:25 | |
-Charlie takes a spin on his own. -You have to rely on your nose and where the sun is. | 0:28:25 | 0:28:30 | |
Charles takes a spin with someone else. | 0:28:30 | 0:28:33 | |
Go carefully. I'm only young. | 0:28:33 | 0:28:35 | |
HORN TOOTS | 0:28:35 | 0:28:38 | |
A-ha! That's all coming up later, | 0:28:39 | 0:28:41 | |
but without any more fuss, we're out on the road again with a pair of very cheeky chappies - | 0:28:41 | 0:28:47 | |
auctioneers Charlie Ross and Charles Hanson. | 0:28:47 | 0:28:50 | |
-I'm in a mood now. -Turn round! -I'm in a mood now. | 0:28:50 | 0:28:54 | |
The experienced Charlie Ross really has nothing to prove, | 0:28:55 | 0:29:00 | |
but he still keeps an eye on his reputation. | 0:29:00 | 0:29:03 | |
-I don't want you walking out that door and thinking that man Ross is a bounder! -Is he? | 0:29:03 | 0:29:08 | |
As if he would! | 0:29:08 | 0:29:10 | |
And as both sidekick and competitor, we have Charles Hanson. | 0:29:10 | 0:29:14 | |
He always knows exactly what he wants. | 0:29:14 | 0:29:16 | |
The other one I quite liked was the... | 0:29:16 | 0:29:20 | |
Well, despite the occasional dither, Charles made a large, if unlikely profit on the last leg. | 0:29:23 | 0:29:29 | |
So what you've got is a bottle stand with this fisherman smiling, smoking his pipe. | 0:29:32 | 0:29:36 | |
That is the worst thing I have seen in my life! | 0:29:36 | 0:29:39 | |
And of course, he is... | 0:29:39 | 0:29:41 | |
I paid £6. | 0:29:41 | 0:29:43 | |
Selling at £28. | 0:29:43 | 0:29:45 | |
How on earth did you do that? | 0:29:45 | 0:29:47 | |
Charlie Ross also did very well, but not quite well enough. | 0:29:47 | 0:29:53 | |
From his original £200, | 0:29:54 | 0:29:56 | |
Charlie now has £277.16 weighing down his wallet. | 0:29:56 | 0:30:03 | |
Ugh! I simply can't lift it up! It's that heavy. | 0:30:04 | 0:30:08 | |
But brand-new front-runner Charles Hanson has home-grown his £200 | 0:30:08 | 0:30:14 | |
to a wonderful £287.65. | 0:30:14 | 0:30:18 | |
It's full steam ahead in their stylish, if slightly unreliable 1960s Ford Corsair. | 0:30:21 | 0:30:27 | |
This car, Charlie, is playing up, I'm sure. It's going to give us problems in due course. | 0:30:27 | 0:30:32 | |
It's making some funny noises, I must say. | 0:30:32 | 0:30:35 | |
Charlie and Charles are travelling down the exotic east of England | 0:30:36 | 0:30:40 | |
from Bridlington all the way to Rye in East Sussex. | 0:30:40 | 0:30:43 | |
And on this leg, they're leaving Grantham, heading for their next auction in Beccles, | 0:30:44 | 0:30:50 | |
alighting first in Norfolk's most regal King's Lynn. | 0:30:50 | 0:30:54 | |
Our boys are ready to spend, spend, spend, but the car is struggling with the final 100 yards. | 0:30:55 | 0:31:01 | |
There's something wrong. | 0:31:01 | 0:31:03 | |
-You want a push? -Yeah. -Please! | 0:31:03 | 0:31:05 | |
-Come on! -Madam, your name is...? -Denise. | 0:31:05 | 0:31:09 | |
-Denise, you drive. -I've just suggested that. Denise, get in the seat. | 0:31:09 | 0:31:13 | |
-Come on. -This is lovely. -You show us how, Denise. | 0:31:13 | 0:31:17 | |
Three, two, one. Let's go, Charlie. Come on. | 0:31:17 | 0:31:19 | |
# Oh, Denise, Denise | 0:31:19 | 0:31:22 | |
# I've got a crush on you | 0:31:22 | 0:31:24 | |
# Denise, Denise | 0:31:24 | 0:31:26 | |
# Da-da-da-da-da-da | 0:31:26 | 0:31:28 | |
BOTH: # Denise, Denise | 0:31:28 | 0:31:30 | |
# I'm so in love with you-ou-ou... # | 0:31:30 | 0:31:34 | |
-Can I tell you something? -Yeah. -This car's dead. -There we are. | 0:31:34 | 0:31:37 | |
-Denise, you've been a sport. Have a lovely day. -Charlie, what do we do now then? | 0:31:37 | 0:31:43 | |
-I'm going shopping. -Let's go together. -No, no. I don't trust you. | 0:31:43 | 0:31:47 | |
-There's £10 in it, Charlie. -Come on, old bean. | 0:31:47 | 0:31:50 | |
Where are we going? | 0:31:55 | 0:31:57 | |
Toss a coin to see who goes where? | 0:31:57 | 0:32:00 | |
-That seems fair. -Heads or tails? -Heads. -Sure? -Yeah. | 0:32:00 | 0:32:04 | |
Tails. Right, I think... | 0:32:05 | 0:32:08 | |
-Quick! -Hold on. -Too late. I've made up my mind. -Hold on. | 0:32:09 | 0:32:12 | |
If you're not fast, then you're last and Charlie Ross is wasting no time at all. | 0:32:12 | 0:32:18 | |
-Charlie is the name. -Welcome. -And you are Ian? -Yeah. | 0:32:18 | 0:32:22 | |
Ah! And it looks like Ian could have just the thing. | 0:32:22 | 0:32:25 | |
-I've got the 1946 and 1947 Rupert Annuals. -Yeah, yeah. | 0:32:25 | 0:32:30 | |
Nice condition. I always look for the front. | 0:32:30 | 0:32:35 | |
-Nice colours. -Yeah, nice colours. The spine is important, isn't it? | 0:32:35 | 0:32:39 | |
-The price? -Three shillings and sixpence! -Yeah, absolutely. | 0:32:39 | 0:32:43 | |
The annual is now worth considerably more. | 0:32:43 | 0:32:46 | |
It has become highly collectable. | 0:32:46 | 0:32:48 | |
-I see the price here is £105. -Yeah, yeah. And that in itself is a good price. | 0:32:48 | 0:32:54 | |
Oh, you're a salesman, you are! | 0:32:54 | 0:32:56 | |
I'd like to pay 40 quid for it. | 0:32:56 | 0:32:58 | |
-I would really want a little bit more than that. -Yeah, yeah. | 0:32:58 | 0:33:02 | |
45? | 0:33:02 | 0:33:04 | |
Cheeky Charlie! | 0:33:04 | 0:33:06 | |
-I'm a bit doubtful, but I'm going to let you have it for £50. -I'm going to shake on that. | 0:33:06 | 0:33:11 | |
Charlie, the Ross, everyone knows his name. | 0:33:12 | 0:33:16 | |
And he's on a roll. | 0:33:16 | 0:33:18 | |
Old-fashioned, but rather lovely. | 0:33:19 | 0:33:22 | |
That's the silver he's talking about | 0:33:22 | 0:33:24 | |
and Charlie's trying to bundle up a job lot here - | 0:33:24 | 0:33:27 | |
a tea strainer, grape scissors and a set of nutcrackers. Oh, ouch! | 0:33:27 | 0:33:32 | |
-I think 25 is where I'm at. -OK. -Are you sure? -Yes. | 0:33:32 | 0:33:35 | |
-If they make £100, I'll take you for a night out on the tiles. -Thank you. | 0:33:35 | 0:33:39 | |
-But don't hold your breath. -Right. | 0:33:39 | 0:33:42 | |
Charlie's off to a flyer this morning, but someone is not quite feeling it just yet. | 0:33:42 | 0:33:47 | |
So far, I'm quite happy. I might call the auctioneer. Hello! | 0:33:50 | 0:33:54 | |
Blimey, Denise is back on two wheels! | 0:33:54 | 0:33:56 | |
-You can get on the back. -On the back? -Yes, come on. I'll give you a lift home. | 0:33:56 | 0:34:01 | |
-Where are we going? Antique finds? -Yes, absolutely. | 0:34:01 | 0:34:04 | |
# I'm in love with you | 0:34:04 | 0:34:06 | |
# Denis, Denis | 0:34:08 | 0:34:10 | |
# Oh, with your eyes so blue Denis, Denis | 0:34:10 | 0:34:13 | |
# I've got a crush on you Denis, Denis | 0:34:13 | 0:34:16 | |
# I'm so in love with you Oh, oh... # | 0:34:16 | 0:34:20 | |
I was told Hanson has gone off on a motorbike. What is that all about? | 0:34:20 | 0:34:24 | |
He doesn't know that I have had a call from the mechanic and the car is ready and I'm going shopping. | 0:34:24 | 0:34:30 | |
# I'm so in love with you... # | 0:34:30 | 0:34:32 | |
And he's not the only one. Just down the road, there's a special delivery at the Old Curiosity Shop. | 0:34:32 | 0:34:38 | |
-Oh, Denise! -There we are, look at that. -You're a life-saver. | 0:34:39 | 0:34:43 | |
-Collectable antiques. -Wonderful. -I hope you do well today. | 0:34:43 | 0:34:47 | |
Denise, thank you so much. You saved me from Mr Ross. | 0:34:47 | 0:34:50 | |
-Thanks for the helmet. -Thank you. -I'm shaken, but not stirred. -Shaken, but not stirred! | 0:34:50 | 0:34:56 | |
Antiques shop? Antiques shop. She was right. | 0:34:58 | 0:35:01 | |
HORN TOOTS | 0:35:01 | 0:35:04 | |
I'm alive still. Just about. | 0:35:04 | 0:35:06 | |
-And your name is? -Ruth. -I'm Charles. -How do you do? -Charles Hanson from Derbyshire. | 0:35:06 | 0:35:11 | |
There are some really nice objects here. | 0:35:11 | 0:35:13 | |
What we have is a pen wipe and you'd have it on your desk with your ink well and quill pen or fountain pen. | 0:35:13 | 0:35:20 | |
And after you'd written a letter or you'd got a slight blockage of ink, | 0:35:20 | 0:35:24 | |
you would use this wipe to keep your pen in good order. | 0:35:24 | 0:35:27 | |
-What's the absolute best price? -That could be 45. | 0:35:27 | 0:35:31 | |
What we've got here is a very nice set of six silver pierced buttons | 0:35:31 | 0:35:35 | |
which, in their original morocco case, | 0:35:35 | 0:35:38 | |
hopefully are all original and in good condition. | 0:35:38 | 0:35:42 | |
-Ruth, they're very much in what we call the Arts and Crafts style. -Yes. | 0:35:42 | 0:35:46 | |
They're priced at 125. | 0:35:46 | 0:35:48 | |
Right, um... | 0:35:48 | 0:35:50 | |
I suppose I could go down to 100 on them. | 0:35:50 | 0:35:54 | |
Ruth, I do... This is quite garish. | 0:35:54 | 0:35:57 | |
-It is. -It's not to everyone's taste. Has it been here a long time? | 0:35:57 | 0:36:01 | |
-No, I've only had it recently. -Hanson, you've got to start making some decisions | 0:36:01 | 0:36:06 | |
because my time is running out. | 0:36:06 | 0:36:08 | |
The first thing I saw was a duck and I love him because they say small is beautiful. Mr Ross, watch out! | 0:36:08 | 0:36:13 | |
So I'll say yes to him at £45. | 0:36:13 | 0:36:16 | |
We have a sale. He's going, going, gone! | 0:36:16 | 0:36:19 | |
The Moroccan light will be my gamble | 0:36:19 | 0:36:23 | |
and I'll speculate at £15. | 0:36:23 | 0:36:25 | |
-I'll say yes to him at £15. -Right, OK. | 0:36:25 | 0:36:29 | |
Charles is really driving the deals here, | 0:36:29 | 0:36:32 | |
but will his luck hold when it comes to these buttons? | 0:36:32 | 0:36:36 | |
The ticket's price is 125, but I can do those for 90. | 0:36:36 | 0:36:41 | |
-Maybe £70? -I couldn't possibly do that. They would have to be 80 on the buttons, all right? -OK. | 0:36:41 | 0:36:47 | |
I'm going, I'm going... | 0:36:47 | 0:36:49 | |
-They're gone. Sold. -Thank you. -To Hanson. Three in a row, Ruth. | 0:36:49 | 0:36:53 | |
Thanks ever so much. | 0:36:53 | 0:36:56 | |
After a bit of focus and a little savvy, Charles is back in the buying game. | 0:36:56 | 0:37:02 | |
Am I happy? Yeah. Am I happy I'll make a profit? Yeah. | 0:37:02 | 0:37:06 | |
Am I happy Charlie Ross is going to be going down? Yeah. | 0:37:06 | 0:37:09 | |
But whilst Charles is content, Charlie is itching for more treasure. | 0:37:09 | 0:37:15 | |
Leaving King's Lynn behind, he rejoins the antiques trail, | 0:37:15 | 0:37:19 | |
crossing the border from Norfolk into Cambridgeshire. | 0:37:19 | 0:37:23 | |
16 miles down the road, we arrive in Wisbech. | 0:37:23 | 0:37:26 | |
-Good afternoon. -Oh, hello. -Charlie. -Richard. -Hello, Richard. | 0:37:31 | 0:37:35 | |
This feels as if I've died and gone to heaven. | 0:37:35 | 0:37:40 | |
Here is a late Georgian, | 0:37:40 | 0:37:46 | |
almost Victorian, I suppose, might be William IV, | 0:37:46 | 0:37:49 | |
mahogany bureau, cross-banded in mahogany. | 0:37:49 | 0:37:53 | |
And people say these things are unsaleable now. | 0:37:53 | 0:37:57 | |
Well, everything's got a price at some stage. | 0:37:57 | 0:38:00 | |
I mean, that in a saleroom | 0:38:00 | 0:38:03 | |
20 years ago would have been 540, 560. | 0:38:03 | 0:38:07 | |
-Richard! I don't suppose you'd like 50 quid for it, would you? -No. | 0:38:07 | 0:38:11 | |
-Not really. -I didn't think you would. | 0:38:12 | 0:38:15 | |
-It could be yours for 100. -That's really kind. | 0:38:15 | 0:38:18 | |
Charlie seems convinced that he can turn a profit on the unfashionable bureau, | 0:38:18 | 0:38:23 | |
but it could well come back to bite him on the bottom. | 0:38:23 | 0:38:26 | |
-I've spotted a bit of Sorrento there, olive wood. -Yeah. | 0:38:26 | 0:38:31 | |
-It's the land of olives, isn't it? -It is. -I like a nice olive. Could that be 20 quid? | 0:38:31 | 0:38:36 | |
-No. -You're very rapid with your responses. It's very good. -With these offers, you have to be. | 0:38:36 | 0:38:41 | |
CHARLIE LAUGHS I'll do you £30 on the mirror. | 0:38:41 | 0:38:45 | |
I'm going to give you 30 quid for it. | 0:38:45 | 0:38:47 | |
And he's not finished yet. | 0:38:47 | 0:38:49 | |
And I bought some things this morning of no great consequence, | 0:38:49 | 0:38:53 | |
some bits of silver, silver plate, well, mostly silver plate. | 0:38:53 | 0:38:57 | |
I thought I could bump up my job lot. | 0:38:57 | 0:38:59 | |
That is a sugar basin, silver plate, don't worry, no hallmark. | 0:38:59 | 0:39:03 | |
-How much for the lot? -35. | 0:39:03 | 0:39:05 | |
What?! A tenner. | 0:39:05 | 0:39:08 | |
You'd be lucky. 30. | 0:39:08 | 0:39:10 | |
-15. -20. | 0:39:11 | 0:39:13 | |
Oh, go on! 20 quid. Pure heaven! | 0:39:14 | 0:39:17 | |
Having secured another three lots for auction, | 0:39:17 | 0:39:21 | |
Charlie is a very happy bunny as the first day of shopping comes to an end. | 0:39:21 | 0:39:26 | |
Early morning and our experts are up with the lark. | 0:39:27 | 0:39:31 | |
-But you know my old strategy - try and get it bought early. -Yeah, exactly. | 0:39:32 | 0:39:37 | |
Now they're heading 55 miles east | 0:39:37 | 0:39:40 | |
towards the administrative centre of Norfolk and the historic city of Norwich. | 0:39:40 | 0:39:46 | |
Isn't it magnificent? | 0:39:47 | 0:39:49 | |
-Fabulous. -I'm getting out now and I'll see you later, Charlie. -Bye! | 0:39:49 | 0:39:53 | |
"Anything old and interesting." That sounds like Charlie Ross to me! | 0:39:56 | 0:40:01 | |
-I'm Charles Hanson. -Hi, Charles. -Your name is? -Paul Murawski. | 0:40:04 | 0:40:07 | |
The painting over there is quite nice. Is it an oil painting? | 0:40:07 | 0:40:11 | |
-It's oil and I think it's dated 1887. -Is it for sale? -It is for sale. | 0:40:11 | 0:40:16 | |
He's a typical Victorian gent. Here's his fob chain. | 0:40:16 | 0:40:20 | |
-And your best price is...? -£200. | 0:40:20 | 0:40:23 | |
-And with discounts? -£200. -And between friends? -£200. | 0:40:23 | 0:40:26 | |
I've been told it's £200 and there's no discounts. I think, Paul, I'm out. Thanks. | 0:40:26 | 0:40:31 | |
How much was that again? | 0:40:31 | 0:40:33 | |
Oh, wow! | 0:40:33 | 0:40:35 | |
As a young boy, I always wanted one of these. | 0:40:35 | 0:40:38 | |
It's actually a coin cabinet. | 0:40:38 | 0:40:40 | |
If you want somewhere to house your collection of crowns or guineas, you would acquire one of these. | 0:40:40 | 0:40:46 | |
-You can have it for £10. -£10... What's £10? | 0:40:46 | 0:40:50 | |
-Firewood would cost you that, wouldn't it? -I'll take it. -OK. -£10, Paul. Excellent. | 0:40:50 | 0:40:55 | |
Case closed. | 0:40:55 | 0:40:58 | |
If you were in my shoes now, what would you buy? | 0:40:58 | 0:41:01 | |
-I'd buy the oil painting for £100. -£100? -Yes. | 0:41:01 | 0:41:04 | |
-As it's a display painting, you can have it for £100. -You're giving me a headache now. Did you hear that? | 0:41:04 | 0:41:09 | |
At that price, the painting is certainly on the money. | 0:41:09 | 0:41:14 | |
-That's the absolute best? -That's the very best. -If I said 80, would you possibly say, "Yes, Charles"? | 0:41:14 | 0:41:19 | |
OK, Charles, we'll do a deal at 80. | 0:41:19 | 0:41:22 | |
That portrait has to be one of the best buys ever. From £200 to £80? | 0:41:22 | 0:41:27 | |
Unless, of course, they saw him coming. | 0:41:27 | 0:41:30 | |
Yes! We got rid of it at last. | 0:41:31 | 0:41:33 | |
Ever get the feeling you've just been had? | 0:41:33 | 0:41:37 | |
Whilst Charles ponders that decision, | 0:41:39 | 0:41:42 | |
Charlie has gone on ahead, south-west to Bury St Edmunds. | 0:41:42 | 0:41:46 | |
Ho-ho! | 0:41:49 | 0:41:50 | |
This is the life, Hanson. | 0:41:50 | 0:41:53 | |
Profits, sunshine | 0:41:54 | 0:41:56 | |
and Bury St Edmunds! | 0:41:56 | 0:42:00 | |
Don't worry, he's perfectly safe behind the wheel, | 0:42:00 | 0:42:04 | |
but possibly not for long | 0:42:04 | 0:42:06 | |
as our rough diamond heads for the smallest pub in Britain. | 0:42:06 | 0:42:10 | |
It looks like I've broken into a private party here. | 0:42:11 | 0:42:15 | |
-This is wonderful. Hello! -Hello. -Greetings. | 0:42:15 | 0:42:18 | |
-Are you the owner, landlord? -I'm the manager. -Nice to meet you. I'm Charlie. -I'm Jack. | 0:42:18 | 0:42:23 | |
I've come to learn all about your pub. Is it really the smallest pub in the UK? | 0:42:23 | 0:42:28 | |
-It is the smallest pub by drinking area, yeah. -By drinking area? -Mm-hm. | 0:42:28 | 0:42:32 | |
-How many people can you get in here? -The record was set in '84 when they got in 102. | 0:42:32 | 0:42:37 | |
-102? -Yeah, just in this room. -Good grief! What about the history of the pub? | 0:42:37 | 0:42:42 | |
-Has this been in one ownership for...? -No, it became a pub in 1873. | 0:42:42 | 0:42:47 | |
Next door was a pawnbroker's who owned this little side building. | 0:42:47 | 0:42:51 | |
They noticed most of their trade was alcoholics, pawning their possessions to go and buy booze with. | 0:42:51 | 0:42:56 | |
-I know the feeling! -They turned their side building into a little pub | 0:42:56 | 0:43:01 | |
-to catch them on the way out. -How extraordinary! | 0:43:01 | 0:43:03 | |
Is it just me or is this place a little strange? | 0:43:03 | 0:43:08 | |
-This creature here, what is that? That's not a cat? -It is a cat. | 0:43:08 | 0:43:12 | |
-But it was found bricked up here and it's supposed to be very lucky to brick a cat up. -Really? | 0:43:12 | 0:43:17 | |
Yes, in a chimney. Not very lucky for the cat, but it keeps the witches away. | 0:43:17 | 0:43:23 | |
-There's a three-legged chick in the glass bowl up on the wall. -Nice(!) | 0:43:23 | 0:43:27 | |
A human lower leg hanging from the ceiling. | 0:43:27 | 0:43:30 | |
-There's a little creature at the bottom. What is that? -That's a shed tarantula skin. | 0:43:30 | 0:43:35 | |
-A tarantula skin? -I didn't realise this until I was given that. | 0:43:35 | 0:43:39 | |
They shed their skins like snakes. That's the husk of a tarantula. | 0:43:39 | 0:43:43 | |
-I might have to give you something to hang up. -That would be great. -A photo of Charles Hanson probably. | 0:43:43 | 0:43:48 | |
-Thank you very much. -A pleasure. -Wonderful. | 0:43:49 | 0:43:52 | |
It's almost time to call last orders on today's spending spree | 0:43:52 | 0:43:57 | |
and our two Charlies are reunited with just minutes to spare. | 0:43:57 | 0:44:01 | |
-We haven't got much time, have we? -No. What's the plan? | 0:44:01 | 0:44:05 | |
My plan is to run over there where you can see "Past And Present" and spend my money. | 0:44:05 | 0:44:10 | |
-And let me go to the more idyllic, picturesque Hanson type? -Yeah, it's more your sort of place. -Go on. | 0:44:10 | 0:44:17 | |
And for the final time today, let's get shopping. | 0:44:17 | 0:44:20 | |
20 minutes. I don't think I should be looking at furniture. | 0:44:20 | 0:44:24 | |
With time ticking away, Charles spies a silver cigar-cutter. | 0:44:24 | 0:44:29 | |
Your best price? | 0:44:29 | 0:44:31 | |
36, we start at... | 0:44:31 | 0:44:33 | |
I'd be looking for, say, 25? | 0:44:33 | 0:44:36 | |
-I would buy it for 20. -Go on. Special offer today. | 0:44:36 | 0:44:39 | |
-In the shop next door... -What's that little object? -I don't know. | 0:44:39 | 0:44:43 | |
It's not a swizzle stick. I don't know what it's for. It's not a toothpick, is it? | 0:44:43 | 0:44:47 | |
It's a silver thingamabob, Charlie. | 0:44:47 | 0:44:49 | |
-20 quid? -Yes. -I shall shake on that at 20 quid. | 0:44:49 | 0:44:53 | |
There's a stool down there. It's marked at 35 quid. Would you take 20 quid for it? | 0:44:53 | 0:44:57 | |
I'll take 25 for it. | 0:44:57 | 0:44:59 | |
25 quid and I've done my shopping in no time at all. | 0:44:59 | 0:45:03 | |
Our boys are all spent up and can delay their moment of auction truth no longer. | 0:45:03 | 0:45:09 | |
Charlie started this leg with £277.16 | 0:45:12 | 0:45:16 | |
and spent £270 on five auction lots. | 0:45:16 | 0:45:20 | |
The upholstered French stool, | 0:45:22 | 0:45:24 | |
the 1946 Rupert Annual, | 0:45:24 | 0:45:27 | |
the Edwardian hand mirror, | 0:45:27 | 0:45:30 | |
the big mahogany bureau | 0:45:30 | 0:45:32 | |
and the big bundle of silver items. | 0:45:32 | 0:45:35 | |
Charles began with £287.65 | 0:45:36 | 0:45:40 | |
and spent £250 on six lots. | 0:45:40 | 0:45:43 | |
The Moorish hanging light, | 0:45:44 | 0:45:46 | |
the Art Nouveau silver buttons, | 0:45:46 | 0:45:49 | |
the silver duck pen wipe, | 0:45:49 | 0:45:52 | |
the George V cigar-cutter, | 0:45:52 | 0:45:54 | |
the oak collector's cabinet | 0:45:54 | 0:45:57 | |
and the fine oil painting, | 0:45:57 | 0:46:00 | |
although maybe they just saw him coming. | 0:46:00 | 0:46:03 | |
But what do our chaps think of each other's wares? | 0:46:03 | 0:46:06 | |
His star lot by far is going back to his golden age of auctioneering - | 0:46:06 | 0:46:10 | |
it's that wonderful bureau, mahogany, it's circa 1830 and I truly thought it cost him 250. | 0:46:10 | 0:46:16 | |
To have bought that for £100 was a bargain. | 0:46:16 | 0:46:19 | |
His painting could be a bit of a sleeper. 80 quid? I think it'll make £140. | 0:46:19 | 0:46:24 | |
But, do you know, it could make a couple of hundred and that would spell difficulty for old Rossco. | 0:46:24 | 0:46:30 | |
Only one way to find out - get back on the road. | 0:46:31 | 0:46:35 | |
It's been a competitive third leg from Grantham via King's Lynn, | 0:46:36 | 0:46:40 | |
Wisbech, Norwich and Bury St Edmunds | 0:46:40 | 0:46:43 | |
with the final destination of Beccles on the horizon. | 0:46:43 | 0:46:47 | |
It's auction day and our experts can smell victory in the air. | 0:46:48 | 0:46:52 | |
-They're going to do really well for me today. -It's packed. | 0:46:52 | 0:46:57 | |
-Is the car OK here? -I shall be back in my rightful place at the top. | 0:46:57 | 0:47:01 | |
-Is the car OK here? -It's fine, fine. -Sure? | 0:47:01 | 0:47:04 | |
Durrants have been conducting auction sales since 1853 | 0:47:04 | 0:47:09 | |
and Rebecca Mayhew is today's auctioneer. | 0:47:09 | 0:47:12 | |
She has agreed to give her opinion on some of our featured lots. | 0:47:12 | 0:47:16 | |
My absolute favourite piece is probably the Rupert Bear Annual | 0:47:16 | 0:47:20 | |
because of its rareness and its lovely, bright colours inside. | 0:47:20 | 0:47:24 | |
I'm hoping it will appeal to quite a wide audience. | 0:47:24 | 0:47:27 | |
My least favourite item is Mr Hanson's collector's case. | 0:47:27 | 0:47:31 | |
Its modern construction will limit its saleability and attractiveness to the market. | 0:47:31 | 0:47:35 | |
The mahogany bureau is a good, solid piece, but the brown furniture market is still fairly poor. | 0:47:35 | 0:47:41 | |
It's an auction, anything can happen and that's part of the fun. | 0:47:41 | 0:47:44 | |
Now then, are we sitting comfortably? Then let the auction commence. | 0:47:44 | 0:47:49 | |
First up, Charles is firmly in the spotlight | 0:47:50 | 0:47:53 | |
with his garish glass lampshade. | 0:47:53 | 0:47:55 | |
Yeuch! | 0:47:55 | 0:47:56 | |
Interesting piece. Where are you going to start me? Start me at 40? | 0:47:56 | 0:48:00 | |
-Come on. -Nice piece. 20? | 0:48:00 | 0:48:03 | |
-Thank you, I'm bid. -The woman next to you is bidding for it! | 0:48:03 | 0:48:06 | |
25. 28. 30. At £30. Now don't put her off. | 0:48:06 | 0:48:09 | |
-It could be yours, madam. -32, fresh bidder. 35. 38. | 0:48:09 | 0:48:14 | |
-40. 42. -Oh, no! -The gentleman's bid now at £42. | 0:48:14 | 0:48:19 | |
I'm going to sell on my right at 42... | 0:48:19 | 0:48:21 | |
Great start. | 0:48:21 | 0:48:23 | |
Charles is off to a flying start. Next up, everyone's favourite bear, | 0:48:23 | 0:48:27 | |
or at least Charlie is hoping that that's the case. | 0:48:27 | 0:48:30 | |
Got to be £50 to start it, surely? 50? | 0:48:30 | 0:48:33 | |
You're all quiet. 30? | 0:48:33 | 0:48:35 | |
-Oh, dear. 10 to start it, surely? -Come on, Charlie. | 0:48:35 | 0:48:38 | |
10. 12. 15. 18. | 0:48:38 | 0:48:41 | |
20. 22. 25. | 0:48:41 | 0:48:44 | |
28? 28. Your turn, sir. | 0:48:44 | 0:48:48 | |
30. 32. 35. | 0:48:48 | 0:48:50 | |
38. 40. | 0:48:50 | 0:48:52 | |
45. 50. | 0:48:52 | 0:48:55 | |
55. Anyone else then? | 0:48:55 | 0:48:57 | |
I will sell at £55... | 0:48:57 | 0:49:01 | |
It's early days, but Charlie is finding the disappointment | 0:49:01 | 0:49:05 | |
a little hard to BEAR. | 0:49:05 | 0:49:08 | |
My big hope... My big hope down the drain. | 0:49:08 | 0:49:12 | |
Next up is the oil painting | 0:49:12 | 0:49:14 | |
and Charles is hoping this Victorian gentleman will leave him quids in. | 0:49:14 | 0:49:19 | |
-Got to be 100 for it. 100 then to get it going, surely? -Come on. | 0:49:19 | 0:49:22 | |
You're all quiet. Where's 50 to start it? I'm bid £50. | 0:49:22 | 0:49:25 | |
-55 now. -It's going. -60 if you like? | 0:49:25 | 0:49:27 | |
At 60 now. 65. 70. | 0:49:27 | 0:49:30 | |
75. 80. 85. | 0:49:30 | 0:49:34 | |
-90. -Here you go. -At £90. Are you sure? -Oh, nearly. | 0:49:34 | 0:49:37 | |
At £90... | 0:49:37 | 0:49:39 | |
Not a huge profit, but a profit nonetheless. | 0:49:40 | 0:49:43 | |
Hopefully, there's a larger sum to be made | 0:49:44 | 0:49:47 | |
on this next charming little item. | 0:49:47 | 0:49:50 | |
Nice lot, an upholstered French stool on carved cabriole legs. | 0:49:50 | 0:49:53 | |
10 to start, surely? Thank you, I'm bid. At 12 now. At 12. | 0:49:53 | 0:49:57 | |
15. 18. £18, lady's bid in front. | 0:49:57 | 0:50:00 | |
20 now in the second row. | 0:50:00 | 0:50:02 | |
22 if you like, madam? Yes, 22. 25. | 0:50:02 | 0:50:05 | |
Are you sure? No, 28, completely fresh bidder. | 0:50:05 | 0:50:08 | |
At 28 now. 30. 32. 35. | 0:50:08 | 0:50:12 | |
-Lady's bid at 35... -Getting better. | 0:50:12 | 0:50:15 | |
-Is that the lady behind us bidding? -At 38. 40 if you like, madam? | 0:50:15 | 0:50:20 | |
-It's the lady behind us. -One more, sir? No, selling this time at 40... | 0:50:20 | 0:50:24 | |
-Well done. -May I say, madam, you have impeccable taste! | 0:50:24 | 0:50:28 | |
I won't be able to sell it. | 0:50:28 | 0:50:30 | |
Charles was against the clock when he bought this silver cigar-cutter, | 0:50:31 | 0:50:35 | |
but at £20, he got it for a snip. | 0:50:35 | 0:50:38 | |
Ooh! | 0:50:38 | 0:50:39 | |
I have three commission bids and I must start at £40. | 0:50:39 | 0:50:43 | |
-Oh! -I can take 2. -40! -At £40. With me at £40. | 0:50:43 | 0:50:47 | |
42 on the back wall. 45 with me. One more if you like? | 0:50:47 | 0:50:51 | |
At 48, I'm out. On the back wall at 48. Do I see any more? | 0:50:51 | 0:50:54 | |
Anyone else, surely, at 48...? | 0:50:54 | 0:50:56 | |
Another success. | 0:50:57 | 0:50:59 | |
Not bad for a last-minute purchase. Well done, Charles. | 0:50:59 | 0:51:03 | |
This pretty Sorrento mirror could be one of Charlie's better buys. | 0:51:03 | 0:51:07 | |
At 35. At 35. At 38. | 0:51:07 | 0:51:09 | |
40. At £40. | 0:51:09 | 0:51:11 | |
-Come on, Charlie. Keep going. -42, fresh bidder. At 42. | 0:51:11 | 0:51:14 | |
45. Still my commission at 45 then... | 0:51:14 | 0:51:18 | |
A nice little mark-up on the mirror. | 0:51:18 | 0:51:21 | |
It's not all doom and gloom for Charlie. | 0:51:21 | 0:51:24 | |
He's still in with a chance. | 0:51:24 | 0:51:26 | |
This handy little cabinet is perfect for displaying coins, | 0:51:26 | 0:51:29 | |
but will there be any cash in it for Charles? | 0:51:29 | 0:51:32 | |
-I have commission interest. -Great. | 0:51:32 | 0:51:34 | |
And I've got to start at £40. | 0:51:34 | 0:51:36 | |
-Oh, yes! -45. 50. | 0:51:36 | 0:51:39 | |
5. 60. 5. 70. | 0:51:39 | 0:51:42 | |
One more if you like, sir? At 70, commission bid. 75 in the corner. | 0:51:42 | 0:51:47 | |
I think that's done it. We're selling now at 75... | 0:51:47 | 0:51:49 | |
Charles streaks ahead with that low-risk purchase - | 0:51:49 | 0:51:53 | |
a fantastic profit of £65. | 0:51:53 | 0:51:56 | |
# Hanson is the man | 0:51:57 | 0:52:00 | |
# He is the kiddie today... # | 0:52:00 | 0:52:04 | |
I wonder if Charlie can catch up with his beloved bureau? | 0:52:05 | 0:52:09 | |
He's banking on this lot to make a fat profit. | 0:52:09 | 0:52:13 | |
£100 anywhere to get going? | 0:52:13 | 0:52:15 | |
-Nice piece. For 50 surely? -Come on. -No-one for 50? | 0:52:16 | 0:52:20 | |
-You're all quiet. No-one wants it for 50? -Come on. | 0:52:20 | 0:52:23 | |
I'm going to get tears in a minute. No-one wants it even for 20? | 0:52:23 | 0:52:27 | |
-Come on, Charlie. -I'll give you 20. -Good man, Bruce. | 0:52:27 | 0:52:30 | |
At 20. At £20 I have. There's a plea for help. 25. Thank you, sir. | 0:52:30 | 0:52:36 | |
Would you give me 30 now, Bruce? No, he's quiet. | 0:52:36 | 0:52:39 | |
30 I have close to me. Would you like 35, sir? | 0:52:39 | 0:52:42 | |
40. It's a super piece for 40. | 0:52:42 | 0:52:44 | |
-At £40, at £40, at £40. I will sell it... -Oh, dear. | 0:52:44 | 0:52:49 | |
..at only £40. | 0:52:49 | 0:52:51 | |
-Number 10. -Thank you. -That is a disastrous result for Charlie. | 0:52:51 | 0:52:57 | |
The next lot are those pretty little silver buttons. | 0:52:57 | 0:53:02 | |
At 70 with me. I'll take 5 if it helps? At 75 on the back wall. | 0:53:02 | 0:53:05 | |
80 with me. One more if you like? | 0:53:05 | 0:53:07 | |
85, commission is out. It's in the room now at £85. | 0:53:07 | 0:53:10 | |
90 with Bruce. At £90 close to me. | 0:53:10 | 0:53:13 | |
95. Your turn if you like? | 0:53:13 | 0:53:16 | |
100. Completely fresh bidder, 100. Where's 10? | 0:53:18 | 0:53:20 | |
Back again with Bruce at 110. | 0:53:20 | 0:53:23 | |
No, a shake of the head. With Bruce at 110. Any more do I see? At 110... | 0:53:23 | 0:53:27 | |
Another success story for Carlos | 0:53:28 | 0:53:30 | |
with an Arts and Crafty profit of £30. | 0:53:30 | 0:53:34 | |
Charlie's last hope lies with the job lot of silver, | 0:53:34 | 0:53:38 | |
bought from three different shops. | 0:53:38 | 0:53:40 | |
-I've got commission interest as well. -If I could pull out now, I would. | 0:53:40 | 0:53:45 | |
At 25. I can take 8. At 28. 30. 32, commission's out. Your turn. | 0:53:45 | 0:53:49 | |
32. 35 here. 40. | 0:53:49 | 0:53:53 | |
42, fresh bidder. 45. | 0:53:53 | 0:53:56 | |
-I'm thrilled with this(!) -£48. 50. | 0:53:56 | 0:53:59 | |
Do I see any more? 55, fresh bidder again. At 55. Your turn. | 0:53:59 | 0:54:02 | |
-60. -I'm nearly getting my money back. | 0:54:02 | 0:54:05 | |
65? Seated bid I have at 65. | 0:54:05 | 0:54:08 | |
-Any more? -65. I've nearly got my money back. | 0:54:08 | 0:54:11 | |
70. At £70 now. | 0:54:11 | 0:54:14 | |
I'm going to sell this time at 70... | 0:54:14 | 0:54:16 | |
-Well done. -I've never been so excited about breaking even! | 0:54:16 | 0:54:20 | |
He might be happy to make his cash back, | 0:54:20 | 0:54:23 | |
but the silver gives Charlie a lacklustre finish to the auction. | 0:54:23 | 0:54:28 | |
-Charlie, do you know why I've been losing money? -Why? -My jacket. | 0:54:28 | 0:54:32 | |
-What's up with it? -I bet if you put my jacket on, you won't make a profit. | 0:54:32 | 0:54:36 | |
-I think my duck will make a profit. -Put my jacket on and see. | 0:54:36 | 0:54:40 | |
I bet it doesn't. | 0:54:41 | 0:54:43 | |
Are you sure? | 0:54:43 | 0:54:45 | |
It's time to put Charlie's lucky jacket theory to the test | 0:54:45 | 0:54:49 | |
with the final lot of the day - Charles's duck pen wipe. | 0:54:49 | 0:54:53 | |
If I'd been in this jacket, I'd have made a hell of a profit. | 0:54:53 | 0:54:57 | |
-It's a good jacket. -It goes nicely with the tie. -Shall I get you one? | 0:54:57 | 0:55:01 | |
I need to start to clear the sheets at £80. I'll take 5. | 0:55:01 | 0:55:04 | |
-At £80, at £80. At 5. 90. At £90. -Come on, keep going. | 0:55:04 | 0:55:08 | |
Commission still. 95 just in time. 100 still with me. | 0:55:08 | 0:55:11 | |
At £100. Anyone else? Going to sell, fair warning, at 100... | 0:55:11 | 0:55:15 | |
A quacking success | 0:55:16 | 0:55:18 | |
which means that today's victor is Charles Hanson! | 0:55:18 | 0:55:23 | |
And the jacket is not unlucky, Charlie. The jacket is built with pedigree and pride. | 0:55:23 | 0:55:29 | |
-Well done, old bean. -Thanks, buddy. | 0:55:29 | 0:55:31 | |
-Until next... -I have had a thrashing. -Until next time, Charlie. Thanks for the memories. | 0:55:31 | 0:55:37 | |
Charlie started with £277.16 | 0:55:40 | 0:55:44 | |
and, after paying auction costs, | 0:55:44 | 0:55:48 | |
actually made a loss of £65. | 0:55:48 | 0:55:50 | |
Charlie has just £212.16 to carry forward. | 0:55:50 | 0:55:55 | |
Charles, meanwhile, started with £287.65 | 0:55:57 | 0:56:01 | |
and made a bumper profit of £131.30. | 0:56:01 | 0:56:05 | |
He has a whopping £418.95 to take forward. | 0:56:05 | 0:56:11 | |
Charlie, I think it's been my day today. Suffolk has been so prosperous for me. | 0:56:13 | 0:56:18 | |
I think we'll stay round here with your blessing. | 0:56:18 | 0:56:21 | |
-Let's try Sudbury. Let's try Lavenham. -Long Melford, sir? -Indeed. | 0:56:21 | 0:56:25 | |
-Let's stay local. -If you insist, sir. I'll show you out. -Thank you, Charlie. | 0:56:25 | 0:56:30 | |
Next time on the Antiques Road Trip, the chaps' fancy car plays up again | 0:56:30 | 0:56:35 | |
and it all seems like child's play. | 0:56:35 | 0:56:38 | |
Come on, Charlie. Come on, let's go! | 0:56:38 | 0:56:40 | |
Subtitles by Red Bee Media Ltd | 0:57:01 | 0:57:04 |