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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
-Cos I'm going to declare war. -Why? | 0:00:06 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
There's nothing in here. | 0:00:13 | 0:00:14 | |
The aim is to trade up and hope each antique turns a profit. | 0:00:14 | 0:00:18 | |
Disappointing. | 0:00:18 | 0:00:19 | |
But it's not as easy as you might think, | 0:00:19 | 0:00:21 | |
-and things don't always go according to plan. -Push! | 0:00:21 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-Terribly nervous now, James. -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
This week, we start a new chapter with veteran road trippers | 0:00:36 | 0:00:40 | |
James Braxton and Jonathan Pratt. Goody! | 0:00:40 | 0:00:44 | |
Seasoned auctioneer James is quite the charmer | 0:00:44 | 0:00:46 | |
when buying and selling antiques. | 0:00:46 | 0:00:49 | |
-£40, Val. -£42.50. | 0:00:49 | 0:00:52 | |
-I dare you. -£42.50. £41 and I'll do it. | 0:00:52 | 0:00:56 | |
Done, because you're a horrible person! | 0:00:56 | 0:00:58 | |
And always asking the most important questions... | 0:00:58 | 0:01:01 | |
And for a cuckoo clock, do you need a cuckoo? | 0:01:01 | 0:01:05 | |
CUCKOO COOS | 0:01:05 | 0:01:06 | |
..James's opponent is young auctioneer Jonathan Pratt. | 0:01:06 | 0:01:10 | |
He seems to be quite a meticulous fellow... | 0:01:10 | 0:01:13 | |
I am just slightly concerned about that stone. | 0:01:13 | 0:01:16 | |
..but can also be prone to a bit of confusion. | 0:01:16 | 0:01:19 | |
You're looking at everything, and it can confuse. | 0:01:19 | 0:01:24 | |
Must be his age. | 0:01:24 | 0:01:26 | |
The question is, will James help or hinder? | 0:01:26 | 0:01:28 | |
You can hear him now, can't you? He's round there, | 0:01:28 | 0:01:31 | |
skulking around, putting me off. | 0:01:31 | 0:01:34 | |
The boys will travel in James's trusty MG. | 0:01:36 | 0:01:39 | |
She's prone to breaking down, but let's hope she goes the full distance. | 0:01:39 | 0:01:43 | |
With £200 in their back pocket, | 0:01:43 | 0:01:46 | |
can they uncover treasures that will make a stonking profit at auction? | 0:01:46 | 0:01:49 | |
This week's road trip will start off in Altrincham, Greater Manchester. | 0:01:53 | 0:01:58 | |
The chaps will journey over 300 miles to the deep south-west, | 0:01:58 | 0:02:02 | |
finishing off in Lostwithiel, Cornwall. | 0:02:02 | 0:02:05 | |
But this is day one of the trip. | 0:02:05 | 0:02:07 | |
We kick off with a bit of shopping in bustling market town Altrincham, | 0:02:07 | 0:02:11 | |
and we'll auction just over 20 miles away in Nantwich. | 0:02:11 | 0:02:15 | |
The town of Altrincham an ancient mediaeval history. | 0:02:16 | 0:02:20 | |
The old marketplace was a thriving trade centre as far back as 1290. | 0:02:20 | 0:02:23 | |
The arrival of stocks meant that any thieves and vagabonds | 0:02:23 | 0:02:28 | |
were put on public display. Better be on your best behaviour, boys! | 0:02:28 | 0:02:32 | |
Oh, dear, the heavens have well and truly opened. | 0:02:32 | 0:02:35 | |
Right, then, you two, what's your plan for the day? | 0:02:35 | 0:02:38 | |
-You're off to your first shop. -Yep. -I'm off to mine. | 0:02:38 | 0:02:42 | |
And I'm hoping to buy all five items immediately. | 0:02:42 | 0:02:44 | |
And go and have a coffee! | 0:02:44 | 0:02:47 | |
THEY LAUGH | 0:02:47 | 0:02:48 | |
What's your tactics? | 0:02:48 | 0:02:49 | |
I'm not competitive in the slightest, | 0:02:49 | 0:02:51 | |
I just like winning, that's basically it. | 0:02:51 | 0:02:54 | |
I'm just masking non-competitiveness. | 0:02:54 | 0:02:56 | |
I'm going to be searching for everything, | 0:02:56 | 0:02:59 | |
-my whole life is dedicated to beating you. -I've seen you at work, | 0:02:59 | 0:03:02 | |
trying to catch me by surprise with this big wonder. | 0:03:02 | 0:03:06 | |
-Anyway, good luck. -Thank you. And you. -Let battle commence. | 0:03:06 | 0:03:10 | |
James seems to be in a jovial mood, even without his coat. | 0:03:11 | 0:03:16 | |
Will he get his hands on some treasures in his first shop of the day? | 0:03:16 | 0:03:21 | |
-Hello, James. -Val. -He's James. -There's a nice calendar down here. | 0:03:21 | 0:03:25 | |
I'm just getting the feel of the place at the moment, | 0:03:25 | 0:03:29 | |
I like some goodies already. | 0:03:29 | 0:03:31 | |
That is lovely, isn't it? And how much have you got on this one? | 0:03:33 | 0:03:37 | |
Tina, how much have we got on that? The picture. | 0:03:37 | 0:03:41 | |
£1950, isn't it? | 0:03:41 | 0:03:44 | |
-It's a bit beyond me, Val. -I was going to say! | 0:03:44 | 0:03:48 | |
THEY LAUGH | 0:03:48 | 0:03:49 | |
-Do you know Bruce Bairnsfather? -Yes, yes. -There's quite a lot in that window. | 0:03:49 | 0:03:53 | |
So you've got this nice plate, this wall plate. | 0:03:53 | 0:03:56 | |
I'll be flexible on those, | 0:03:56 | 0:03:58 | |
-cos I actually have another box full of them. -Do you? | 0:03:58 | 0:04:01 | |
Bairnsfather was a great war cartoonist, so '14-'18 war. | 0:04:03 | 0:04:06 | |
Captain Bruce Bairnsfather was a world-famous cartoonist | 0:04:06 | 0:04:11 | |
who created satirical images from the trenches of the First World War. | 0:04:11 | 0:04:16 | |
His character, Old Bill, | 0:04:16 | 0:04:17 | |
a walrus-moustached soldier, | 0:04:17 | 0:04:19 | |
was much-loved for keeping up the morale of the troops at the time, | 0:04:19 | 0:04:23 | |
and his work is much sought-after today. | 0:04:23 | 0:04:26 | |
He was just a really important cartoonist, | 0:04:26 | 0:04:29 | |
who kept everybody's spirits up. | 0:04:29 | 0:04:32 | |
The only problem is, | 0:04:32 | 0:04:34 | |
and here's a funny one, you can see this sort of missile coming in. | 0:04:34 | 0:04:40 | |
Coiffeur In The Trenches. | 0:04:40 | 0:04:42 | |
This says, "Keep your head still, or I'll have your blinking ear off." | 0:04:42 | 0:04:46 | |
The only problem with ashtrays is they're not as popular. | 0:04:46 | 0:04:49 | |
This is a lovely piece, that. What's your little gold? | 0:04:49 | 0:04:52 | |
Is that a little pearl box? | 0:04:52 | 0:04:54 | |
And how much have you got on your little pearl box, Val? | 0:04:54 | 0:04:58 | |
It's 1927. I've got £195 on it. | 0:04:58 | 0:05:02 | |
I have a limited budget that I've got to spread. I think that's lovely. | 0:05:02 | 0:05:06 | |
And I think that's lovely. | 0:05:06 | 0:05:08 | |
-Looks like you're spoilt for choice, James. -It is lovely. | 0:05:09 | 0:05:14 | |
What could you do the two for? So that's the pearl box and the plate. | 0:05:14 | 0:05:19 | |
-I'll do the two for £200. -£200, that's my total budget. | 0:05:19 | 0:05:23 | |
Could you do either of these two items at £90, Val? | 0:05:23 | 0:05:27 | |
-Not really. -Not really. What could you do the two ashtrays at? | 0:05:27 | 0:05:33 | |
I'll do those at £40, just for the two ashtrays. | 0:05:33 | 0:05:36 | |
£40 for the two ashtrays. | 0:05:36 | 0:05:38 | |
And could you do 90 on that, Val? | 0:05:38 | 0:05:41 | |
-I'll do that for you. -OK. | 0:05:41 | 0:05:43 | |
-I'll take those two, so 40 and 90. -That's 130. Thank you very much. | 0:05:43 | 0:05:49 | |
Job done, thank you. I'm so pleased. | 0:05:49 | 0:05:51 | |
-Tina, could you wrap those for me? Thank you. -Well done, Tina. | 0:05:51 | 0:05:55 | |
Everybody needs a Tina. | 0:05:55 | 0:05:56 | |
Hey, hands off, Mr Braxton, Tina's not for sale. | 0:05:58 | 0:06:01 | |
Blimey, you weren't joking | 0:06:01 | 0:06:03 | |
when you said you wanted to buy all your lots as quickly as possible. | 0:06:03 | 0:06:06 | |
It's only the first shop and you've already spent £130. | 0:06:06 | 0:06:09 | |
Meanwhile, in nearby Hale, | 0:06:14 | 0:06:16 | |
Jonathan is in tentative mood as he approaches his first shop. | 0:06:16 | 0:06:21 | |
I've walked a little way, and here it is. Still raining. | 0:06:21 | 0:06:24 | |
I've got no idea what to expect inside. | 0:06:24 | 0:06:27 | |
There's some painted furniture in the window, so I'm not so sure at the minute. | 0:06:27 | 0:06:30 | |
-Morning. -Morning. | 0:06:34 | 0:06:36 | |
This is Porcupine, and what do you sell a lot of round here? | 0:06:36 | 0:06:40 | |
-Chandeliers. -Really? -A lot. | 0:06:40 | 0:06:43 | |
-Interesting. -Glass of fizz? | 0:06:43 | 0:06:45 | |
-Well, why not? -Why not?! | 0:06:45 | 0:06:47 | |
-James is driving! -Join in the club! | 0:06:47 | 0:06:51 | |
Champagne on arrival, Jonathan. What's Val up to? | 0:06:51 | 0:06:53 | |
The Cheshire gentlemen, what do they want? | 0:06:53 | 0:06:57 | |
-This is a ladies' shop. -This is definitely. | 0:06:57 | 0:07:00 | |
I have a few things, I've just bought a great croquet set, | 0:07:00 | 0:07:03 | |
a chap'll buy that. | 0:07:03 | 0:07:04 | |
I think, in all honesty, there's nothing in here for me. | 0:07:09 | 0:07:13 | |
The painted furniture is far too ready-to-go and priced accordingly. | 0:07:13 | 0:07:17 | |
I don't want to buy a chandelier, I've had my fingers burnt before. | 0:07:17 | 0:07:20 | |
It's a great shop, retail. Not much for me. | 0:07:20 | 0:07:25 | |
I've been offered a cup of coffee, so I might go downstairs for a cup of coffee now. | 0:07:25 | 0:07:29 | |
Champagne, now coffee. | 0:07:29 | 0:07:31 | |
-You don't normally have six or seven chandeliers hanging in someone's sitting room. -True. | 0:07:31 | 0:07:37 | |
But this is where you assemble them, clean them and you get them ready for upstairs? | 0:07:37 | 0:07:41 | |
-That's it. -What else have you got? | 0:07:41 | 0:07:43 | |
-What about the croquet set? Is this complete? -Yes, | 0:07:43 | 0:07:46 | |
they're very hard to find, croquet sets, now. | 0:07:46 | 0:07:48 | |
This one, would you take £45? | 0:07:48 | 0:07:52 | |
-You're obviously joking?(!) -No. | 0:07:53 | 0:07:56 | |
Right, go on. Up we go. | 0:07:56 | 0:07:59 | |
If we said... | 0:07:59 | 0:08:00 | |
-..60? -No. -OK, what do you want for it? -80. -You want £80? -Yeah. | 0:08:03 | 0:08:09 | |
Oh, blimey. | 0:08:15 | 0:08:17 | |
65. | 0:08:17 | 0:08:18 | |
Oh, come on, 70. 70's good, you know. | 0:08:18 | 0:08:22 | |
-Where's this coffee? -On its way. | 0:08:22 | 0:08:25 | |
-Erm, 65. -Done for 70. -65. | 0:08:25 | 0:08:29 | |
£67.50. Go for it. Yes, we've done it! | 0:08:29 | 0:08:33 | |
Brilliant, lovely, thank you very much. | 0:08:35 | 0:08:38 | |
It obviously pays to have a nosy around in a lady's basement, Jonathan. | 0:08:38 | 0:08:41 | |
Well, OK, I did say that I wasn't going to buy anything. | 0:08:41 | 0:08:46 | |
I don't know, maybe the champ... | 0:08:46 | 0:08:48 | |
Maybe the sparkling champers might have helped. | 0:08:49 | 0:08:53 | |
I'm not disappointed, though. I think this is a bit of a speculative lot. | 0:08:53 | 0:08:57 | |
There is a chance of a profit, so I'm not too disappointed. | 0:08:59 | 0:09:03 | |
The boys are switching shops this morning, so it's a case of one in and one out! | 0:09:03 | 0:09:09 | |
Take it easy, Mr Braxton, you've already spent £130 and it's not even lunch time. | 0:09:09 | 0:09:13 | |
-Hello. -Very nice to meet you. -Hello, nice to meet you. James. -I'm Val. | 0:09:13 | 0:09:18 | |
-Val. -Yes. -Another Val! I've just come from a Val. -Yes, she is, I forgot. | 0:09:18 | 0:09:23 | |
-In Altrincham. -I know her very well. -Very good. -I've got some fizz. | 0:09:23 | 0:09:27 | |
-Oh, lovely. I won't say no. -Well, the other one didn't, either. | 0:09:27 | 0:09:30 | |
Eh-up! Watch yourself, James, Val's got the champers out again. | 0:09:30 | 0:09:34 | |
You like to soften up your client. Is she a skiing lady, then? | 0:09:34 | 0:09:38 | |
Yes, she's lovely, but I like skiing. | 0:09:38 | 0:09:41 | |
-It's a sort of Marquette, isn't it? -Yes. -Plaster of Paris, is it? -Yes. | 0:09:41 | 0:09:45 | |
This is quite fun because it has the alpine theme. You've got your skis, your pole | 0:09:45 | 0:09:49 | |
and your St Bernard, obviously. | 0:09:49 | 0:09:51 | |
And, a glamorous early skier, look at that. | 0:09:51 | 0:09:54 | |
No skier should be complete without a tie. | 0:09:54 | 0:09:56 | |
SHE LAUGHS | 0:09:56 | 0:09:58 | |
-How much have you got on that? -85. | 0:09:58 | 0:10:00 | |
-The best I can do, Val, and you can chuck me out of your shop. -I will. | 0:10:00 | 0:10:05 | |
-35 is the best I can do. -I'm sure you can go better than that. | 0:10:05 | 0:10:09 | |
-I can't, in fact. -60. -I can't do 60. -Well, I can't do 35. | 0:10:09 | 0:10:14 | |
-You've got to meet me somewhere in the middle. -I'm very happy. | 0:10:14 | 0:10:18 | |
-Otherwise that's staying. -£37.50, I can do. | 0:10:18 | 0:10:22 | |
Good God, you're a pain in the butt! You beam the whole way through! | 0:10:22 | 0:10:27 | |
You can go better than that. | 0:10:27 | 0:10:29 | |
OK, 37.50. | 0:10:29 | 0:10:32 | |
-You keep repeating yourself. -Yeah. -The answer is, "no". You've got to go higher. | 0:10:32 | 0:10:36 | |
-General war of attrition, Val. -Go on. | 0:10:36 | 0:10:38 | |
CLOCK TICKS | 0:10:38 | 0:10:41 | |
-You take a long time to decide. -I'm just thinking about... -45. | 0:10:45 | 0:10:49 | |
I can't do 45. I've got to save myself some money. | 0:10:51 | 0:10:54 | |
-So £40, and we will shake. -42.50 and it's done. | 0:10:54 | 0:10:59 | |
-You see. -£40, Val. | 0:11:02 | 0:11:04 | |
-42.50, I dare you. -£41 and I'll do it. | 0:11:04 | 0:11:08 | |
Done, because you're a horrible person and you've got a great smile. | 0:11:08 | 0:11:12 | |
Thank you, Val. | 0:11:12 | 0:11:14 | |
Very close. Meanwhile, back in Altrincham, Jonathan is on a mission | 0:11:15 | 0:11:19 | |
to find some more gems for his collection. | 0:11:19 | 0:11:22 | |
-Hi, there. -Hello. -Good morning. -How are you? -A bit wet. | 0:11:22 | 0:11:27 | |
Well, you are in Manchester. | 0:11:27 | 0:11:29 | |
-How much do you want for this? -I would have thought about 200. -Yeah, crikey. | 0:11:31 | 0:11:36 | |
Looks like Val is trying to squeeze your budget too, Jonathan. | 0:11:36 | 0:11:40 | |
What kind of things do you like? | 0:11:40 | 0:11:44 | |
There's lots of things that catch my eye. Jewellery-wise, it depends. | 0:11:44 | 0:11:48 | |
-I like the bronze but I can't afford that. What's that, £2,500 or something? -Yes. | 0:11:48 | 0:11:54 | |
It's a matter of filtering through that top veneer | 0:11:54 | 0:11:57 | |
-and seeing what's left within my budget that I can afford. -Mmm. | 0:11:57 | 0:12:01 | |
Anything else you can show me? | 0:12:01 | 0:12:03 | |
We've got stuff downstairs in the cellar but it is a cellar, | 0:12:03 | 0:12:06 | |
-it is not another showroom. -That's fine. -If you'd like to have a mooch, you're welcome. | 0:12:06 | 0:12:10 | |
Thank you. | 0:12:10 | 0:12:12 | |
Ah, once more into the basement, dear Jonathan. | 0:12:12 | 0:12:16 | |
I'm looking for the delights. Oh, my word, here we go. | 0:12:16 | 0:12:18 | |
-I bet you James didn't look down here. -'I bet he did.' | 0:12:18 | 0:12:22 | |
"To Church", I like engravings. | 0:12:22 | 0:12:25 | |
Whilst Jonathan scuttles about downstairs, | 0:12:25 | 0:12:28 | |
Val holds court at the counter. | 0:12:28 | 0:12:31 | |
A little canvas of a lady. That's got some age. | 0:12:31 | 0:12:34 | |
She's in shocking condition. Pretty girl, early Victorian. | 0:12:34 | 0:12:38 | |
It's a bit of a punt, but, you know. I'll have a think about that one. | 0:12:38 | 0:12:43 | |
Shallow Campana jardiniere with a stone base. | 0:12:44 | 0:12:47 | |
That's stone because it's chipped. | 0:12:47 | 0:12:50 | |
OK. | 0:12:50 | 0:12:51 | |
Right, three things that I'm interested in. That's the first. | 0:12:55 | 0:12:58 | |
-Yes. -She's in appalling condition, isn't she? -She is, make me an offer. | 0:12:58 | 0:13:03 | |
A tenner? | 0:13:04 | 0:13:06 | |
-Well, you said! -Make it 20, and OK. | 0:13:08 | 0:13:12 | |
-£15? -OK. -I'll take that for £15. | 0:13:12 | 0:13:16 | |
That's the first one. Erm, the terracotta clay, shallow Campana. | 0:13:18 | 0:13:22 | |
-Yeah, yeah. Make me an offer. -£25. -OK. | 0:13:22 | 0:13:28 | |
OK. Brilliant! | 0:13:28 | 0:13:30 | |
Yeah, I'm not doing anything with it. | 0:13:30 | 0:13:33 | |
-I'll just get this print and see what you think of the print. -Yes, OK. | 0:13:33 | 0:13:37 | |
-That one. -Oh, that one! | 0:13:37 | 0:13:41 | |
-Make me an offer. -£18. | 0:13:41 | 0:13:44 | |
20 and it's yours. | 0:13:45 | 0:13:46 | |
I'll have a proper look at this. You can have a look at it. | 0:13:49 | 0:13:52 | |
Is it what I think it is? | 0:13:54 | 0:13:56 | |
It's behind non-reflective glass, which is a bit of a pain. | 0:13:57 | 0:14:01 | |
Yeah, it is. | 0:14:01 | 0:14:02 | |
-£18. -OK. -Brilliant. | 0:14:03 | 0:14:06 | |
Those three objects, I'll take. | 0:14:06 | 0:14:09 | |
Well done, Jonathan, your purchases so far are rather eclectic. | 0:14:09 | 0:14:13 | |
Looks like checking out the basement is your new number one manoeuvre. | 0:14:13 | 0:14:18 | |
Meanwhile, where's Mr Braxton tootling off to? | 0:14:21 | 0:14:25 | |
James is hurtling his way | 0:14:25 | 0:14:27 | |
to the magical world of cuckoo land in Tabley, Cheshire. | 0:14:27 | 0:14:33 | |
The museum was created by brothers Roman and Maz Piekarski. | 0:14:33 | 0:14:37 | |
They are widely respected in the world of horology - | 0:14:37 | 0:14:40 | |
that's the study of time to you and me. | 0:14:40 | 0:14:42 | |
Over the last 40 years, their passion for cuckoo clocks | 0:14:42 | 0:14:45 | |
has resulted in an enchanting collection | 0:14:45 | 0:14:48 | |
of over 600 cuckoo clocks of all shapes and sizes and is regarded | 0:14:48 | 0:14:53 | |
as the most important collection in the world. | 0:14:53 | 0:14:55 | |
Today, Roman opens the doors to enlighten James further. | 0:14:56 | 0:15:01 | |
What an amazing place. For many of us, they think cuckoo clocks are Swiss, is that right? | 0:15:01 | 0:15:07 | |
No, cuckoo clocks are from the Black Forest in Germany. | 0:15:07 | 0:15:10 | |
After the Second World War, there was a big anti-German feeling, | 0:15:10 | 0:15:14 | |
and so they sold them | 0:15:14 | 0:15:15 | |
through Swiss agents, so everybody thinks the cuckoo clocks are Swiss. | 0:15:15 | 0:15:19 | |
You've got to remember that everything was made within a 25-mile radius of each other, | 0:15:19 | 0:15:23 | |
all in the Black Forest in southern Germany. | 0:15:23 | 0:15:26 | |
-So it's that localised, 25 miles? -Yeah. | 0:15:26 | 0:15:28 | |
Do they do the whole thing, the people in the Black Forest, | 0:15:28 | 0:15:32 | |
did they make the movements and cases? | 0:15:32 | 0:15:34 | |
It was a pure cottage industry. | 0:15:34 | 0:15:36 | |
A family would be making cabinets, somebody making movements, another family making hands, | 0:15:36 | 0:15:41 | |
weights, and then it was all put together by a fitter and exported. | 0:15:41 | 0:15:47 | |
CUCKOO | 0:15:47 | 0:15:49 | |
-But why "cuckoo"? -In the beginning, in our research, | 0:15:49 | 0:15:53 | |
we feel they tried to make a rooster clock, like an alarm clock, | 0:15:53 | 0:15:57 | |
but it was very difficult to imitate the rooster. | 0:15:57 | 0:16:00 | |
As they were doing it, they probably heard the old cuckoo and they went, | 0:16:00 | 0:16:04 | |
"Oh, two bellows, "two pipes, there's the cuckoo". | 0:16:04 | 0:16:07 | |
Then in about 1840, 1845, they made the quail which was one pitch, | 0:16:07 | 0:16:12 | |
so one bellow only, and it went on like that. | 0:16:12 | 0:16:15 | |
-Oh, so it's almost mechanical ease, isn't it? -Yes. | 0:16:15 | 0:16:20 | |
Really...? | 0:16:20 | 0:16:22 | |
-And for a cuckoo clock, do you need a cuckoo? -Of course you do! | 0:16:22 | 0:16:28 | |
Of course you do. | 0:16:28 | 0:16:30 | |
What we have here is very, very interesting. | 0:16:30 | 0:16:34 | |
This is not a clock but it's Black Forest. | 0:16:34 | 0:16:37 | |
In the early days of photography, you had to stand there for ages when you had your picture taken, | 0:16:37 | 0:16:41 | |
so to keep people occupied they used to say "watch the birdie". | 0:16:41 | 0:16:45 | |
Cuckoo, cuckoo... | 0:16:46 | 0:16:48 | |
-What are you showing me now? -I'd like to show you this clock here | 0:16:49 | 0:16:53 | |
which is a cuckoo and echo. | 0:16:53 | 0:16:55 | |
CUCKOO ECHOES | 0:16:56 | 0:16:58 | |
How is that done? | 0:16:58 | 0:17:01 | |
I can show you on this clock here, which we've taken the dial away, | 0:17:01 | 0:17:05 | |
and you can see the cuckoo and echo working. | 0:17:05 | 0:17:10 | |
Oh, I see, so there's separate bellows at the back. | 0:17:10 | 0:17:13 | |
Yes, which are reversed inside the pipes | 0:17:13 | 0:17:16 | |
so it throws it around and it sounds like an echo. | 0:17:16 | 0:17:19 | |
What you've got to remember in the Victorian days, the more your clock did, the more entertaining it was. | 0:17:19 | 0:17:25 | |
The happier the people were, there was no television so the clock had to do everything. | 0:17:25 | 0:17:29 | |
These look like English bracket clocks, but these were made for the big houses, | 0:17:31 | 0:17:35 | |
the stately homes, the very wealthy people. | 0:17:35 | 0:17:38 | |
I just noticed these moving eyes, what are these? | 0:17:38 | 0:17:41 | |
These are bracket clocks with the eye turners in the bottom. | 0:17:41 | 0:17:45 | |
They were made in 1856 in Eisenbach in the Black Forest. | 0:17:45 | 0:17:50 | |
-Now, this big fellow has caught my eye. -A clock fit for a king, huh? | 0:17:50 | 0:17:54 | |
In our opinion it's the most important cuckoo clock in the world. | 0:17:54 | 0:17:57 | |
-It was made for Frederick The First of Baden Baden. -Right. -In the 1860s. | 0:17:57 | 0:18:02 | |
-Yes, I love the figures here. -They're all hand-carved. | 0:18:02 | 0:18:06 | |
This clock is an amazing testament to exquisite craftsmanship. | 0:18:07 | 0:18:12 | |
Many would go cuckoo over it! | 0:18:12 | 0:18:15 | |
In German folklore, they believed in the little people that come out at night | 0:18:15 | 0:18:18 | |
to do all the work in the houses and on the machines and everything. | 0:18:18 | 0:18:24 | |
-Thank you very much. I go away a wiser man. -Thank you. -Thank you. | 0:18:24 | 0:18:30 | |
It's the end of a long day | 0:18:35 | 0:18:36 | |
and the chaps will rest in the village of Tarporley. | 0:18:36 | 0:18:40 | |
Another busy day awaits tomorrow. | 0:18:40 | 0:18:42 | |
It's day two and we're 13 miles down the road in Tarporley, Cheshire. | 0:18:47 | 0:18:52 | |
James is visiting Tarporley Antique Centre, hoping to bag a bargain. | 0:18:52 | 0:18:58 | |
Yesterday, James proved he's a gambling man. | 0:18:58 | 0:19:01 | |
He spent a whopping £171. | 0:19:01 | 0:19:03 | |
He bought the Bruce Bairnsfather ashtrays, | 0:19:03 | 0:19:07 | |
the eye-catching gold pill box and the ski figurine. | 0:19:07 | 0:19:11 | |
This leaves him with a measly £29. | 0:19:11 | 0:19:13 | |
Jonathan has remained steady. He spent just over £125 on four items. | 0:19:16 | 0:19:21 | |
A child's croquet set, a terracotta jardiniere, the engraving | 0:19:21 | 0:19:26 | |
and the rather tatty painting. | 0:19:26 | 0:19:27 | |
This leaves him with just under £75. Game on! | 0:19:27 | 0:19:32 | |
James, you might find something interesting in the back room. | 0:19:34 | 0:19:39 | |
It's got all the weird and wonderful rusty, old things, that men like. | 0:19:39 | 0:19:43 | |
Toys for the boys, excellent! This is the boys' room, is it? | 0:19:43 | 0:19:47 | |
-We've got First World War grenades. We've got weapons. -There we are. | 0:19:47 | 0:19:54 | |
Ahoy! | 0:19:54 | 0:19:55 | |
I've just found this nice group of medals, great war medals. | 0:19:56 | 0:20:01 | |
I don't know a great deal about the Great War. | 0:20:01 | 0:20:03 | |
I know a little bit about the general history of it, | 0:20:03 | 0:20:06 | |
but a friend and a colleague of mine knows a great deal. I'll give him a call. | 0:20:06 | 0:20:11 | |
In the antiques' business it's impossible to know every single subject inside out | 0:20:14 | 0:20:18 | |
and seasoned expert, James, knows it's vital to have a bulging contacts' book that one can use | 0:20:18 | 0:20:24 | |
in times of need. | 0:20:24 | 0:20:26 | |
This man has priced them up at £60. | 0:20:29 | 0:20:32 | |
If I could secure them at £29, they would be a lovely bed fellow for my Bruce Bairnsfather. | 0:20:32 | 0:20:38 | |
Here goes. | 0:20:38 | 0:20:40 | |
Telephone call over, James is armed with the necessary information. | 0:20:40 | 0:20:43 | |
Will he be able to seal the deal? | 0:20:43 | 0:20:46 | |
-This is the particular thing I like in here. -Let's have a look. -It's your Great War trio. | 0:20:46 | 0:20:51 | |
My only conundrum, and I'm going to be totally straight with you, | 0:20:51 | 0:20:54 | |
I larged it yesterday in Altrincham and Hale and spent a lot of money. | 0:20:54 | 0:20:59 | |
Oh, you're going to give me the sob story now. | 0:20:59 | 0:21:02 | |
I am going to give you a sob story, but it doesn't matter, you can either say "yay or nay". | 0:21:02 | 0:21:06 | |
That is exactly what I have left. | 0:21:06 | 0:21:10 | |
£29. | 0:21:10 | 0:21:12 | |
£29 and no other small change? | 0:21:12 | 0:21:14 | |
I've heard this sob story before from other people, but you do it so nicely. | 0:21:14 | 0:21:19 | |
OK, that's really kind of you. Thank you very much, indeed. | 0:21:19 | 0:21:22 | |
You're welcome. Would you like them wrapped for that money? | 0:21:22 | 0:21:25 | |
Oh, well - dear, oh, dear, I wouldn't have the temerity to ask, | 0:21:25 | 0:21:29 | |
but now you're offering, lovely. | 0:21:29 | 0:21:31 | |
# Prince Charming Prince Charming | 0:21:31 | 0:21:35 | |
# Ridicule is nothing to be scared of... # | 0:21:35 | 0:21:38 | |
Meanwhile, Jonathan is on his way over to the village of Blackden near Crewe, | 0:21:40 | 0:21:44 | |
just over 20 miles away. | 0:21:44 | 0:21:47 | |
He has a special invitation to a rare 16th-century timber-framed building | 0:21:47 | 0:21:52 | |
called the Old Medicine House, | 0:21:52 | 0:21:54 | |
believed to have been built for an apothecary. | 0:21:54 | 0:21:57 | |
Herein lies an even more remarkable twist to the tale. | 0:21:57 | 0:22:01 | |
In 1970, Alan and Griselda Turner discovered through an architect friend | 0:22:01 | 0:22:06 | |
that the house was to be condemned and demolished. | 0:22:06 | 0:22:09 | |
We were living in that house there, which is basically three up and three down with three children. | 0:22:09 | 0:22:16 | |
We needed more space. The architect that we found said it was very difficult | 0:22:16 | 0:22:21 | |
to extend a timber-framed building and the best way to do it | 0:22:21 | 0:22:24 | |
was to bring another timber frame to join it on. | 0:22:24 | 0:22:27 | |
Determined to save the Old Medicine House the couple managed | 0:22:27 | 0:22:31 | |
to dismantle the building piece by piece and move it 20 miles | 0:22:31 | 0:22:36 | |
and attach it to their own home here in Blackden. | 0:22:36 | 0:22:38 | |
The house is an amazing piece of history and Griselda has made some fascinating discoveries | 0:22:38 | 0:22:45 | |
over the past few decades. | 0:22:45 | 0:22:46 | |
Here is the display of the artefacts going back... | 0:22:46 | 0:22:50 | |
This was found in the house? | 0:22:50 | 0:22:51 | |
This was found in the house. This was a stirrup. | 0:22:51 | 0:22:53 | |
-We found stuff mostly in the fabric. -OK. | 0:22:53 | 0:22:56 | |
When we were taking it down my husband, Alan, told workmen | 0:22:56 | 0:22:59 | |
if they found anything unusual they were to stop. | 0:22:59 | 0:23:03 | |
In 2004, the Blackden Trust was set up to preserve the history of the house | 0:23:03 | 0:23:07 | |
and visitors are warmly welcomed. | 0:23:07 | 0:23:11 | |
And another amazing discovery was found in the rafters of the house. | 0:23:12 | 0:23:16 | |
Right, these are the shoes. | 0:23:18 | 0:23:21 | |
In the 16th Century shoes in the roof | 0:23:21 | 0:23:24 | |
were used as a protective charm to ward off evil spirits. | 0:23:24 | 0:23:28 | |
This house is multiply protected. It's protected by the shoes and quatrefoils | 0:23:28 | 0:23:32 | |
-on either side of the window. -The Gothic motif, particularly for churches? -Yeah. | 0:23:32 | 0:23:37 | |
So you've taken these out of your roof. | 0:23:37 | 0:23:39 | |
-They're here in the house in boxes. -Yes. | 0:23:39 | 0:23:41 | |
Have you replaced them with anything else? | 0:23:41 | 0:23:43 | |
-My son actually hid his first trainers up there. -Oh, good. | 0:23:43 | 0:23:46 | |
So the tradition still continues, yeah. | 0:23:46 | 0:23:49 | |
-A pair of old running shoes. -Yes, indeed. | 0:23:49 | 0:23:52 | |
Because this house was once owned by an apothecary, local herbalist, Sue, is on hand | 0:23:52 | 0:23:58 | |
to give the low-down on ancient, herbal remedies. | 0:23:58 | 0:24:01 | |
So, take me through all this medicine here. | 0:24:01 | 0:24:05 | |
This house has a history of herbs and medicines going back to the 16th Century | 0:24:05 | 0:24:09 | |
when we thought an apothecary lived here, | 0:24:09 | 0:24:11 | |
right up to the 20th Century when the famous XX oils were made here. | 0:24:11 | 0:24:16 | |
-They were a cure-all. -Really(!) -Anything you had wrong with you, this would cure it. | 0:24:16 | 0:24:21 | |
When we re-erected the house, lots of seeds and things fell out of the timbers and plants | 0:24:21 | 0:24:26 | |
that had never grown here before started to come up like opium poppies and feverfew. | 0:24:26 | 0:24:31 | |
All things that were used in folk remedies. | 0:24:31 | 0:24:33 | |
So we decided to plant a herb garden outside. | 0:24:33 | 0:24:35 | |
-Shall we have a look? -Would you like to look at the garden? -Please, I'll see if I can identify any. | 0:24:35 | 0:24:40 | |
This cabbage-like plant at the front? | 0:24:42 | 0:24:44 | |
They're opium poppies. | 0:24:44 | 0:24:46 | |
They're the poppies? Of course. | 0:24:46 | 0:24:47 | |
I recognise the leaf now. | 0:24:47 | 0:24:49 | |
Do you recognise this? | 0:24:49 | 0:24:50 | |
I've got this in my garden at home and this is Alchemilla? | 0:24:50 | 0:24:54 | |
We call it Lady's Mantle, the folk name for it. | 0:24:54 | 0:24:56 | |
But what on earth is it useful for? | 0:24:56 | 0:24:58 | |
In the 18th century it was said if you'd been breastfeeding | 0:24:58 | 0:25:01 | |
and you wanted to reshape your breasts afterwards, | 0:25:01 | 0:25:05 | |
you'd place the leaves on your breast to firm them up again. | 0:25:05 | 0:25:08 | |
So a sort of a cosmetic surgery of the 16th century? | 0:25:08 | 0:25:12 | |
It is, yes. | 0:25:12 | 0:25:14 | |
Wonderful. | 0:25:14 | 0:25:15 | |
Come on, Jonathan, refocus on making a profit at auction. | 0:25:15 | 0:25:19 | |
You need to get a move on for a spot of shopping. | 0:25:20 | 0:25:23 | |
Our next and final shopping destination is 18 miles away | 0:25:28 | 0:25:31 | |
in the village of Sandiway, near Northwich. | 0:25:31 | 0:25:35 | |
Blakemere Craft Centre is set around charming Edwardian stables | 0:25:35 | 0:25:39 | |
and is home to a large antiques and collectables emporium. | 0:25:39 | 0:25:43 | |
James is there, but as he's splashed all his cash, | 0:25:43 | 0:25:46 | |
the only buying he'll be doing is at the ice-cream stall. | 0:25:46 | 0:25:49 | |
-Thanks a lot. -Thank you very much. | 0:25:49 | 0:25:53 | |
£1.75, I hope Jonathan is able to find similar value in the antiques store. | 0:25:53 | 0:26:00 | |
This is quite nice quality actually. | 0:26:00 | 0:26:01 | |
-Jonathan? -Hello. -How are you getting on? -I'm all right. | 0:26:05 | 0:26:08 | |
Look at it you! What flavour's that? | 0:26:08 | 0:26:10 | |
I'm relaxing, it's lovely strawberry. | 0:26:10 | 0:26:12 | |
If you find your purchase, I might buy you one of these. | 0:26:12 | 0:26:15 | |
Lots to see in here. How long did you spend in here? | 0:26:15 | 0:26:17 | |
I spent no time in here, just had a quick little look. | 0:26:17 | 0:26:20 | |
-You just carry on, don't worry about time. -Thank you. | 0:26:20 | 0:26:24 | |
-I won't, I won't. Bye. -Goodbye and good luck. | 0:26:25 | 0:26:29 | |
Thank you, James. Thank you(!) | 0:26:29 | 0:26:32 | |
It's nice to see a man scratching around isn't it? | 0:26:33 | 0:26:36 | |
You can hear him now, he's round there skulking around, | 0:26:38 | 0:26:41 | |
putting me off. | 0:26:41 | 0:26:43 | |
I'm trying to concentrate, get on with the job | 0:26:43 | 0:26:46 | |
and he's there licking his lolly, giving it all that. | 0:26:46 | 0:26:51 | |
Eagle, knicker elastic! | 0:26:51 | 0:26:53 | |
The heat is on for poor Jonathan. | 0:26:53 | 0:26:55 | |
Don't listen to that cheeky beggar, Braxton, he's winding you up. | 0:26:55 | 0:27:00 | |
In here, this has caught my eye. | 0:27:01 | 0:27:05 | |
That little brooch at the back, it says it's a Peridot bug brooch. | 0:27:05 | 0:27:08 | |
Says it's in solid white metal. | 0:27:08 | 0:27:10 | |
It's worth looking at, as not all antique jewellery was hallmarked anyway. | 0:27:10 | 0:27:13 | |
So it might be late 19th century and that could be interesting. | 0:27:13 | 0:27:16 | |
OK, let's have a look at that. | 0:27:16 | 0:27:18 | |
What would be the best price on that? | 0:27:20 | 0:27:22 | |
-We can definitely do you 10% off it. -At a push £30? | 0:27:22 | 0:27:26 | |
Yeah, at a push, we can go to £30. | 0:27:26 | 0:27:28 | |
Wish I had a stronger lens with me, | 0:27:28 | 0:27:30 | |
I'm slightly concerned about that stone. | 0:27:30 | 0:27:34 | |
I tell you what, I like it anyway. | 0:27:36 | 0:27:39 | |
What the heck, it's nice, there's a little bit of gold and silver, | 0:27:39 | 0:27:43 | |
if you can take £30, I'm not going to haggle any more. | 0:27:43 | 0:27:46 | |
Yes we'll do it for £30. | 0:27:46 | 0:27:47 | |
Thank goodness you've found something Jonathan. | 0:27:47 | 0:27:51 | |
Top marks for not allowing James to put you off your stride. | 0:27:51 | 0:27:53 | |
Shopping is now over, | 0:27:53 | 0:27:55 | |
it's time to have a look at one another's purchases. | 0:27:55 | 0:27:59 | |
Jonathan, how are you feeling? Bubbly? | 0:27:59 | 0:28:03 | |
Terribly nervous now, James. I've got this all under wraps here. | 0:28:03 | 0:28:07 | |
Bring it on. | 0:28:07 | 0:28:09 | |
The story is, we went downstairs for a coffee | 0:28:09 | 0:28:12 | |
and she'd only just bought this, and here it was. | 0:28:12 | 0:28:16 | |
-Fresh goods. -Fresh goods. | 0:28:16 | 0:28:18 | |
Looks... Oh! | 0:28:18 | 0:28:19 | |
A little croquet set. | 0:28:19 | 0:28:21 | |
-Isn't that sweet? -There we go. | 0:28:21 | 0:28:23 | |
Is this for a smaller home, or is this indoors? | 0:28:23 | 0:28:26 | |
-It's a child's croquet set, I suppose. -A child's croquet set. | 0:28:26 | 0:28:29 | |
I imagine it probably is. | 0:28:29 | 0:28:30 | |
It looks very good, can I see a ball? | 0:28:30 | 0:28:32 | |
You can have a couple. | 0:28:32 | 0:28:34 | |
-Lovely, very good. -You've always wanted a couple. | 0:28:34 | 0:28:36 | |
And how much did you pay for them? | 0:28:38 | 0:28:40 | |
-70... No, £68.50 I think it was. -£68... -£67.50. What d'you think? | 0:28:40 | 0:28:46 | |
-Best of luck with them. -You know... | 0:28:46 | 0:28:49 | |
Right, here's my first purchase. Two ashtrays. | 0:28:49 | 0:28:54 | |
They're kind of fun. | 0:28:54 | 0:28:56 | |
Not normally something you should really buy, ceramic ashtrays, is it? | 0:28:56 | 0:29:00 | |
Is this Barnswood or whatever his name is? | 0:29:00 | 0:29:03 | |
-Yes, Bruce Bairnsfather, one of which is chipped. -I noticed that. | 0:29:03 | 0:29:07 | |
-You noticed that? -Yes. | 0:29:07 | 0:29:09 | |
You're honing in on the errors? | 0:29:09 | 0:29:12 | |
No. Far be it from me to try and pick fault in things. | 0:29:12 | 0:29:16 | |
How much do you think I paid for them? | 0:29:16 | 0:29:18 | |
-You paid £15. -I paid a lot more than that, I paid £40. -Did you? OK. | 0:29:18 | 0:29:22 | |
Because of the Bruce Bairnsfather prints, | 0:29:22 | 0:29:25 | |
I think that will carry the day. | 0:29:25 | 0:29:28 | |
Goodness me, there's quite a garden theme to your purchases isn't there? | 0:29:28 | 0:29:32 | |
So we've got this, this sort of terracotta planter. | 0:29:32 | 0:29:36 | |
It's not in the finest of condition. | 0:29:36 | 0:29:39 | |
To say it's got a few chips is a slight under exaggeration. | 0:29:39 | 0:29:43 | |
-I'd say it's probably end of 19th century, early 20th century. -So would I. | 0:29:43 | 0:29:47 | |
Shallow Campana, terracotta urn, how much do you think? | 0:29:47 | 0:29:50 | |
I'd pay anything between £30 and £60 for it. | 0:29:50 | 0:29:55 | |
I paid £25 for it. | 0:29:55 | 0:29:58 | |
I think you're in with a shout with that one. | 0:29:58 | 0:30:00 | |
OK, here's my second, enjoy. | 0:30:00 | 0:30:03 | |
Look at that, isn't that very cute, a little pill box. | 0:30:05 | 0:30:09 | |
-Nine carat gold! -Nine carat gold. | 0:30:09 | 0:30:11 | |
-Bring out the scales. -Here we go. | 0:30:11 | 0:30:15 | |
Does it measure terracotta, your scales? | 0:30:15 | 0:30:17 | |
You can see the scratch marks on there. Here we go. | 0:30:17 | 0:30:21 | |
-Slap it on. -14 grams. -14 grams. | 0:30:21 | 0:30:24 | |
So if you're paying up to 120 for it, | 0:30:24 | 0:30:26 | |
-you're on the money for gold value. -Yeah. | 0:30:26 | 0:30:30 | |
Sadly, the value of this little pill box lies in the weight, | 0:30:30 | 0:30:34 | |
but hopefully someone will buy it | 0:30:34 | 0:30:36 | |
for its beauty and not its scrap value. | 0:30:36 | 0:30:38 | |
And I paid £90 for it. | 0:30:38 | 0:30:41 | |
Ooh! Good. | 0:30:41 | 0:30:43 | |
I didn't see it, but then you bought it before I got in there. | 0:30:43 | 0:30:46 | |
I did. Come on man of mystery, what have you got? | 0:30:46 | 0:30:49 | |
Look at this! This is very glam. | 0:30:50 | 0:30:53 | |
It's got some age. | 0:30:53 | 0:30:54 | |
-What are you dating that at? -1840, 1850. | 0:30:54 | 0:30:58 | |
Yes, yes I'm getting that. | 0:30:58 | 0:31:01 | |
Not in great condition, so again this was in Val's basement. | 0:31:01 | 0:31:04 | |
I think if it gets through the viewing process, | 0:31:04 | 0:31:08 | |
I think you've got a profit. | 0:31:08 | 0:31:10 | |
We might have to put more clingfilm on there. | 0:31:10 | 0:31:12 | |
Here it is, a big fella. | 0:31:12 | 0:31:14 | |
You've peaked haven't you? | 0:31:14 | 0:31:15 | |
I haven't peaked, I wouldn't want to peak too soon. | 0:31:15 | 0:31:18 | |
You've probably seen it before. Reveal, go on. Enjoy. | 0:31:18 | 0:31:23 | |
Wow! Actually, was this at the back by the wrapping area? | 0:31:23 | 0:31:28 | |
It was, it's plaster of Paris. it's one of those maquettes. | 0:31:28 | 0:31:31 | |
I've always felt these were sort of a decoration for French radiator covers. | 0:31:31 | 0:31:35 | |
You know they have those big radiator things. | 0:31:35 | 0:31:37 | |
It's not without fault, she's lost her toes at some point, or it's been stuck back on again. | 0:31:37 | 0:31:42 | |
I was told it was a skiing injury. | 0:31:42 | 0:31:45 | |
That's why she sitting down! She's hurt her knee as well. | 0:31:45 | 0:31:48 | |
She's twisted her knee. How much did you pay for it? | 0:31:48 | 0:31:51 | |
-£41. -I think that's a good price. -Thank you. -Yes. | 0:31:51 | 0:31:53 | |
Show me your fourth object. | 0:31:53 | 0:31:55 | |
My fourth object. | 0:31:55 | 0:31:57 | |
Ah-ha! | 0:31:57 | 0:31:58 | |
Who was this by? It's an artist's proof. | 0:31:58 | 0:32:01 | |
It's an artist's proof by someone called Frieff. | 0:32:01 | 0:32:04 | |
It's behind non reflective glass which doesn't... | 0:32:04 | 0:32:07 | |
On no, it's just filthy! Look at that. | 0:32:07 | 0:32:09 | |
-I think it just needs a clean. -That might be a thing to do. | 0:32:09 | 0:32:12 | |
-This looks like another basement purchase. Is it? -Yes! | 0:32:12 | 0:32:15 | |
-How much did you pay? -£18. | 0:32:15 | 0:32:19 | |
This is my fourth and... | 0:32:21 | 0:32:23 | |
Is this the cutlery from lunch? | 0:32:23 | 0:32:26 | |
-This is my final, here we are. -Blimey! | 0:32:26 | 0:32:28 | |
A nice little Great War group, medal group. 14/15 Star, British war medal | 0:32:28 | 0:32:35 | |
and the Victory Medal. | 0:32:35 | 0:32:37 | |
-Solid silver? -Yes. | 0:32:37 | 0:32:39 | |
-Yes, that one. -Yeah. -And I paid my remaining money, I paid £29. | 0:32:39 | 0:32:45 | |
-I think that's a good buy, James. -Thank you. | 0:32:45 | 0:32:49 | |
But are the boys being truthful with one another? | 0:32:49 | 0:32:52 | |
Now we've done the reveals, I'm a little more confident again. | 0:32:52 | 0:32:58 | |
Now I've seen what James has got, it's all that panic about, | 0:33:00 | 0:33:04 | |
"Did I pay too much for that? Have I chosen the right objects for the right sale?" That sort of stuff. | 0:33:04 | 0:33:09 | |
So...yes, I feel a lot better now. | 0:33:09 | 0:33:13 | |
I think I have a chance. | 0:33:13 | 0:33:16 | |
Is Jonathan feeling a little rocky? I don't know. | 0:33:16 | 0:33:19 | |
I think his optimism waned a little when my pill box slipped on | 0:33:19 | 0:33:24 | |
his electronic scales and registered 14 grams! | 0:33:24 | 0:33:27 | |
That's great. I think my items, I like my items. | 0:33:27 | 0:33:31 | |
I think they have a theme, I think they're nice, clean items. | 0:33:31 | 0:33:35 | |
You know, my condition is good, pretty well on all of them, bar the skier. | 0:33:35 | 0:33:41 | |
And I think I might just have squeezed this leg. | 0:33:41 | 0:33:44 | |
Given the choice, | 0:33:44 | 0:33:45 | |
I think Jonathan might swap my four items for his five. | 0:33:45 | 0:33:49 | |
The boys have employed some cunning manoeuvres, | 0:33:51 | 0:33:54 | |
but what results lie ahead? | 0:33:54 | 0:33:55 | |
What a wonderful start to the first leg. | 0:33:55 | 0:33:58 | |
We've travelled from Altrincham, Greater Manchester, | 0:33:58 | 0:34:01 | |
and followed a south-westerly direction through Tarporley | 0:34:01 | 0:34:05 | |
to the final destination of the day in the historic | 0:34:05 | 0:34:08 | |
market town of Nantwich, Cheshire. | 0:34:08 | 0:34:11 | |
Nantwich is a small medieval market town with a modern edge, | 0:34:11 | 0:34:15 | |
yet still crammed full of ancient character. | 0:34:15 | 0:34:19 | |
The Great Fire in 1583 destroyed much of the town | 0:34:19 | 0:34:22 | |
but its rebuilding has left a wealth of beautiful timber-framed | 0:34:22 | 0:34:26 | |
buildings second only to Chester. | 0:34:26 | 0:34:28 | |
So, have our boys made a good gamble with their items? | 0:34:29 | 0:34:33 | |
There's only one way to find out, at their first auction of the week. | 0:34:33 | 0:34:37 | |
-Here we go. -Are you feeling lucky, Jonathan? | 0:34:37 | 0:34:41 | |
Erm...are you feeling lucky? | 0:34:41 | 0:34:43 | |
I'm feeling good, I think I've got some nice items. | 0:34:43 | 0:34:47 | |
Whether the general public of Nantwich think so, will be a different matter. | 0:34:47 | 0:34:51 | |
Exactly! | 0:34:51 | 0:34:52 | |
Peter Wilson Fine Art Auctioneers has been established since the mid-50s | 0:34:52 | 0:34:57 | |
and specialises in many things, including furniture, jewellery and ceramics. | 0:34:57 | 0:35:02 | |
Today is the collectables and antiques auction. | 0:35:02 | 0:35:06 | |
Let's hope our boys walk away with tidy profits. | 0:35:06 | 0:35:09 | |
Budge up! | 0:35:09 | 0:35:11 | |
The ever effervescent Robert Stones is today's auctioneer. | 0:35:11 | 0:35:15 | |
Rob joined the business in 1982 and has worked as an auctioneer | 0:35:15 | 0:35:18 | |
all his working life. | 0:35:18 | 0:35:20 | |
They've bought some nice things, | 0:35:20 | 0:35:22 | |
which we're excited about, so I think the sale is going to be pretty successful. | 0:35:22 | 0:35:26 | |
The croquet set's the most unusual thing. | 0:35:26 | 0:35:28 | |
I haven't seen one before so that'll be interesting. | 0:35:28 | 0:35:31 | |
The gold box, I think, is something which is going to do reasonably | 0:35:31 | 0:35:35 | |
well because obviously bullion at the moment is doing very well. | 0:35:35 | 0:35:38 | |
The one that worries me most is definitely the painting | 0:35:38 | 0:35:41 | |
that looks like someone's jumped through it. | 0:35:41 | 0:35:43 | |
Speculative, of course, | 0:35:43 | 0:35:44 | |
because it is quite good quality, | 0:35:44 | 0:35:47 | |
but on the other hand, the condition is not very clever, | 0:35:47 | 0:35:50 | |
so we'll see what happens with that one. | 0:35:50 | 0:35:52 | |
James Braxton blew every single penny of his £200 budget | 0:35:52 | 0:35:57 | |
and ended up with four lots. | 0:35:57 | 0:35:59 | |
Jonathan Pratt, on the other hand, was slightly more cautious | 0:35:59 | 0:36:03 | |
and spent £155.50 on five lots. | 0:36:03 | 0:36:06 | |
Quiet, please. All attention to the front. The auction is about to start. | 0:36:08 | 0:36:13 | |
-I want steady profits. Steady, just chip, chip, chip. -Honestly? | 0:36:13 | 0:36:18 | |
-Cha-ching, cha-ching. -Not a snowflake in hell's chance. -Cha-ching. | 0:36:18 | 0:36:24 | |
First up, it's Jonathan's engraving. | 0:36:24 | 0:36:28 | |
Will his basement buy come up trumps? | 0:36:28 | 0:36:30 | |
Lot number 23 showing now. We really like this. What may we say? | 0:36:30 | 0:36:34 | |
How much are we bid on this? I have £80 straightaway. | 0:36:34 | 0:36:37 | |
-At £80. -Oh! | 0:36:37 | 0:36:39 | |
Five now do I hear? At £80, I'm bid at 80. Five anywhere now, quickly? | 0:36:39 | 0:36:44 | |
Don't hold back. At £80 only. At 80. Five, 90 now. At 90, and five now. | 0:36:44 | 0:36:50 | |
At 90, great value for money. | 0:36:50 | 0:36:52 | |
At 90, sold at 90. | 0:36:52 | 0:36:56 | |
Jonathan sets the standards high with an early profit. | 0:36:56 | 0:37:00 | |
HE LAUGHS | 0:37:00 | 0:37:02 | |
Well done! | 0:37:02 | 0:37:03 | |
Well he may laugh. | 0:37:03 | 0:37:05 | |
Next up it's another Jonathan purchase - the child's croquet set. | 0:37:05 | 0:37:09 | |
We like this, ladies and gentlemen. What's it worth? | 0:37:09 | 0:37:12 | |
£80 bid straightaway. £80 I have. 85 anywhere now? | 0:37:12 | 0:37:16 | |
At 85, 90's here, 95 now. At 90 I have it. And five now? £90 only. | 0:37:16 | 0:37:21 | |
-Come on. -All quiet at £90. Will be sold at £90. | 0:37:21 | 0:37:27 | |
-Sold at 90. -Well done. | 0:37:27 | 0:37:29 | |
A profit's a profit, Jonathan. You've still got 3 to go. | 0:37:29 | 0:37:33 | |
Lot number 46, this terrific plaster figure, ladies and gentlemen. | 0:37:33 | 0:37:38 | |
The Lady Skier. £30 straightaway. At £30 bid, and five now. 35. | 0:37:38 | 0:37:44 | |
Your bid at 35, I'm looking for 40. | 0:37:44 | 0:37:47 | |
-Oh, I knew it. -It's going to stick at this, by the look of it. | 0:37:47 | 0:37:50 | |
At 35, bid's there. | 0:37:50 | 0:37:52 | |
All quiet at 35. Disappointing, at £35 only, then. Your bid, 35. | 0:37:52 | 0:37:57 | |
Disappointing indeed. Hopefully your next item | 0:37:58 | 0:38:02 | |
will bring you better luck. | 0:38:02 | 0:38:04 | |
Back to Jonathan now and the terracotta jardiniere. | 0:38:04 | 0:38:07 | |
Lot number 57, terracotta garden urn. What may we say for it? | 0:38:07 | 0:38:13 | |
£40 anywhere for it now? £40, surely, for it. | 0:38:13 | 0:38:15 | |
Quickly now, £40 anywhere now do I hear? £40 now do I hear at £40? | 0:38:15 | 0:38:19 | |
A lovely thing at £40. 40 I'm bid. At 40, and five now do I hear? | 0:38:19 | 0:38:23 | |
At £40 only, a lonely bid of £40. Disappointing price. | 0:38:23 | 0:38:27 | |
At £40 only, then, if you're all finished and done at 40. All quiet. | 0:38:27 | 0:38:30 | |
-At £40. -Oh, well, fair enough, £40. -Steady gains here, Jonathan. | 0:38:30 | 0:38:37 | |
Can James catch up? His medals are next. | 0:38:37 | 0:38:39 | |
A group of medals. And I can start the bidding on these at £70. | 0:38:39 | 0:38:44 | |
-A bid straightaway. 75 anywhere now? At £70. -You're in there. | 0:38:44 | 0:38:48 | |
-75, 80, 85, 90, 95. At £90 on commission. -Good boy. | 0:38:48 | 0:38:55 | |
At £90 only, then, with me, on commission. Make no mistake. | 0:38:55 | 0:38:58 | |
-At 90, all quiet and done at 90. -Well done, well done. | 0:38:58 | 0:39:01 | |
-Thank you. -Very good, James. -Thank you. | 0:39:01 | 0:39:04 | |
Sounds like James' friend gave some good advice there. | 0:39:04 | 0:39:09 | |
What about Jonathan's bug brooch? | 0:39:09 | 0:39:10 | |
Has it got a sting in its tail? | 0:39:10 | 0:39:13 | |
Lot number 78 is this delightful little bar brooch. | 0:39:13 | 0:39:16 | |
-Oh, isn't that pretty? -It's a lovely thing. | 0:39:16 | 0:39:18 | |
I've got £20 bid for it straightaway. 25 anywhere now? | 0:39:18 | 0:39:23 | |
25, thank you, at 25. 30 anywhere now? At 25, the bid's there, | 0:39:23 | 0:39:26 | |
at 30 anywhere now do I hear? At £25, 30, 35. | 0:39:26 | 0:39:30 | |
-£30 only, at 30. Bid's here at £30 and will be sold. -No, it won't. | 0:39:30 | 0:39:35 | |
At 30, your bid at 30. | 0:39:35 | 0:39:37 | |
-That's what I paid for it. My first loss. -Oh, dear. | 0:39:37 | 0:39:39 | |
Oh dear, Jonathan. £30 on the nose. | 0:39:39 | 0:39:42 | |
Still means a loss because | 0:39:42 | 0:39:44 | |
the auction house must take its hard-earned commission. | 0:39:44 | 0:39:47 | |
So far Jonathan is in the lead with four lots down, one to go. | 0:39:47 | 0:39:53 | |
Can James make the comeback | 0:39:53 | 0:39:55 | |
with his remaining two lots? | 0:39:55 | 0:39:56 | |
It's his gold pillbox next. | 0:39:56 | 0:39:58 | |
Lot number 88, this delightful pillbox. | 0:39:58 | 0:40:01 | |
£130 bid on commission, at 130, 135, 140, 145 now. | 0:40:01 | 0:40:07 | |
At 140, the bid's here. | 0:40:07 | 0:40:09 | |
-145 do I hear? At £140 it will be sold. -Oh, come on. -140 then. | 0:40:09 | 0:40:15 | |
140 - sold. | 0:40:15 | 0:40:17 | |
Not bad, but you obviously had higher hopes. | 0:40:17 | 0:40:20 | |
Oh, well, 140. | 0:40:23 | 0:40:24 | |
-It's still a profit, James. -Still a profit. | 0:40:24 | 0:40:27 | |
Will the Bruce Bairnsfather ashtrays make some much-needed dosh? | 0:40:27 | 0:40:31 | |
These Grimwades, Old Bill... | 0:40:31 | 0:40:33 | |
You can't even see the chip in the photograph. | 0:40:33 | 0:40:36 | |
It brilliant, isn't it? | 0:40:36 | 0:40:38 | |
What may we say for these? 50 I'm bid. | 0:40:38 | 0:40:40 | |
Straightaway at 50. £50 on commission at 50. | 0:40:40 | 0:40:44 | |
55, 60, 65 now do I hear? | 0:40:44 | 0:40:45 | |
-£60, the bid's here. At 65 there. -Very good. | 0:40:45 | 0:40:49 | |
That's taken out the commission at 65. | 0:40:49 | 0:40:52 | |
All quietened down at £65 then. 65. | 0:40:52 | 0:40:55 | |
-Well done. Well done, James. -Thank you. | 0:40:55 | 0:40:57 | |
Oh, dear. Disappointing. | 0:40:57 | 0:40:59 | |
But one never knows what will happen at auction. | 0:40:59 | 0:41:02 | |
Finally, it's the badly slashed portrait. | 0:41:04 | 0:41:06 | |
Did Jonathan spot something special here? | 0:41:06 | 0:41:10 | |
Lot number 110. | 0:41:10 | 0:41:12 | |
This magnificent portrait. How much may we say? | 0:41:12 | 0:41:15 | |
-I've got £20 bid for it straightaway on commission. -Fantastic! | 0:41:15 | 0:41:18 | |
25, at £25, bid's there. 30 anywhere else? | 0:41:18 | 0:41:21 | |
30 bid on the internet, | 0:41:21 | 0:41:23 | |
35, 40 now on the internet do I hear? £40? | 0:41:23 | 0:41:25 | |
-Come on, internet. -45, 50 now. 50 on the internet, | 0:41:25 | 0:41:29 | |
55? 55. 60 now. 60 am I bid? | 0:41:29 | 0:41:33 | |
-At 60, 65, 70. -They'll chuck it back when they see the condition. | 0:41:33 | 0:41:37 | |
-They'll chuck it back. -80 now. At £80. | 0:41:37 | 0:41:40 | |
80 bid, 85, 90 now on the internet, at 90. At 90? | 0:41:40 | 0:41:45 | |
No, 85, your bid at 85. £85, last chance. | 0:41:45 | 0:41:49 | |
At 85, being sold, then. 90. | 0:41:49 | 0:41:51 | |
LAUGHTER | 0:41:51 | 0:41:53 | |
SHE MOUTHS | 0:41:55 | 0:41:56 | |
-100! -Get in there! -105 do I hear? | 0:41:56 | 0:41:59 | |
£100 bid in the room. Last chance, being sold at 100. | 0:41:59 | 0:42:04 | |
-Get in there! -Well done. Well done. | 0:42:04 | 0:42:09 | |
Well, can you believe it? James and Jonathan can't. | 0:42:09 | 0:42:13 | |
Triumph is on Jonathan's side today. | 0:42:13 | 0:42:16 | |
Stunned. No words, no words for it. | 0:42:16 | 0:42:20 | |
Well done, well done. Very good, very good indeed. | 0:42:20 | 0:42:24 | |
Ah, well, the drinks are on you tonight, that's for sure, Jonathan. | 0:42:26 | 0:42:29 | |
So, all in all, a surprising and exciting first auction. | 0:42:31 | 0:42:35 | |
Our chaps started today's show with £200 each. | 0:42:35 | 0:42:39 | |
After paying auction costs, Jonathan's made a profit of £131.50, | 0:42:39 | 0:42:44 | |
so has £331.50 to carry forward. | 0:42:44 | 0:42:48 | |
And lagging behind is James, who made a profit of £70.60, | 0:42:49 | 0:42:53 | |
leaving him with £270.60 in the kitty. | 0:42:53 | 0:42:57 | |
It's the end of the first day, both chaps are in healthy profit, | 0:42:57 | 0:43:01 | |
but there's still four more days to go. | 0:43:01 | 0:43:03 | |
Next time our dynamic duo head for Leek in Staffordshire. | 0:43:05 | 0:43:08 | |
-Jonathan gets his hands dirty. -A pump of the bellows to start with. | 0:43:11 | 0:43:16 | |
Why not? In for a penny, in for a pound, eh? | 0:43:16 | 0:43:18 | |
You've got to start as the apprentice. | 0:43:18 | 0:43:21 | |
-And James meets a hot chick. -And where's that come from? | 0:43:21 | 0:43:25 | |
-Just a local sale. -So a stuffed chicken? -Yeah. -What a weird thing to do. | 0:43:25 | 0:43:32 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 | |
E-mail [email protected] | 0:43:49 | 0:43:51 |