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The nation's favourite antiques experts, £200 each, and one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
The aim is trade up, and hope that each antique turns a profit. | 0:00:12 | 0:00:16 | |
But it's not as easy as it looks, and dreams of glory can end in tatters. | 0:00:16 | 0:00:20 | |
I'm a loser! I'm a loser. | 0:00:20 | 0:00:23 | |
So, will it be the fast lane to success, | 0:00:23 | 0:00:25 | |
or the slow road to bankruptcy? | 0:00:25 | 0:00:26 | |
Oh! There's a mouse! There's a mouse! | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
We're still out there, man, | 0:00:35 | 0:00:37 | |
fighting the elements and hurtling along the antiques highway. | 0:00:37 | 0:00:42 | |
INDISTINCT SPEECH | 0:00:42 | 0:00:45 | |
On this trip are our fine pair of experts - David Barby and Charles Hanson. | 0:00:45 | 0:00:49 | |
This is it, this is the big one. | 0:00:49 | 0:00:51 | |
-You've got such a lead on me, how on earth am I going to make it up? -I'm a lap ahead. | 0:00:51 | 0:00:55 | |
-But, you know, you've got some legs on you, I'm sure. -Not at my age! | 0:00:55 | 0:00:58 | |
THEY LAUGH | 0:00:58 | 0:01:01 | |
Known simply as the Master, a man with serious, intimidating depth of antiques knowledge, | 0:01:01 | 0:01:08 | |
yet strangely, David Barby just loves to shop. | 0:01:08 | 0:01:12 | |
I'm going in. | 0:01:12 | 0:01:14 | |
Can't resist a bargain. | 0:01:14 | 0:01:16 | |
And giving "the Master" a run for his money, | 0:01:16 | 0:01:19 | |
the young pretender himself, Bonnie Prince Charles Hanson. | 0:01:19 | 0:01:23 | |
An all-action auctioneer from Derbyshire. | 0:01:23 | 0:01:26 | |
With the commission to pay as well, it'd need 30 to break even for me. | 0:01:26 | 0:01:31 | |
Are you OK? | 0:01:31 | 0:01:33 | |
Yeah, sorry, Charles, yeah, I've just lost the will to live. | 0:01:33 | 0:01:36 | |
Well, he can go on a bit. | 0:01:36 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:39 | |
But that's not stopped Charles from making lots and lots of money. | 0:01:39 | 0:01:44 | |
-GAVEL BANGS -Oh, that is marvellous, Charles. | 0:01:44 | 0:01:47 | |
So, from his original £200, Charles is standing proud with a robust £400.96. | 0:01:47 | 0:01:54 | |
That's brought a smile to his face. | 0:01:54 | 0:01:57 | |
David, meanwhile, has struggled, despite his great skill at turning tiny profits. | 0:01:57 | 0:02:03 | |
Do you know, you're the most irritating person, I absolutely... | 0:02:03 | 0:02:09 | |
So, David languishes behind, with his £200 barely swollen to £261.68. | 0:02:09 | 0:02:17 | |
All he needs now is the luck of the Road Trip. | 0:02:17 | 0:02:20 | |
But the super-cool 1959 Hillman Minx is taking him dangerously close to Charles's home patch. | 0:02:22 | 0:02:29 | |
You know, I know people. | 0:02:31 | 0:02:32 | |
What I'm concerned about is you going to these dealers' shops, | 0:02:32 | 0:02:36 | |
and they'll know you, they'll greet you like a long-lost friend. | 0:02:36 | 0:02:39 | |
-"Charles! How wonderful to see you!" -Get out of here! THEY LAUGH | 0:02:39 | 0:02:42 | |
On this Road Trip, it's a huge 300-mile sprint - | 0:02:42 | 0:02:46 | |
from Lichfield, south to Frome, back up north to the Wirral Peninsula, | 0:02:46 | 0:02:50 | |
and ending in Nottingham for the final showdown. | 0:02:50 | 0:02:53 | |
On this leg, they're leaving Congleton, heading through Derbyshire, | 0:02:53 | 0:02:57 | |
and ending up at auction in Nottingham. | 0:02:57 | 0:02:59 | |
Handsome, historical Stafford is the first port of call. | 0:02:59 | 0:03:04 | |
-Awful cold. -Oh! | 0:03:04 | 0:03:06 | |
-Do you want a kiss? -No. | 0:03:06 | 0:03:09 | |
THEY LAUGH | 0:03:09 | 0:03:10 | |
Just keep wiping the windscreen with that snotty tissue. | 0:03:10 | 0:03:14 | |
Preparations are already under way for the 1,100th year anniversary of Stafford's foundation. | 0:03:14 | 0:03:21 | |
Kind Alfred the Great's daughter, Aethelflaed, is no longer with us, | 0:03:21 | 0:03:25 | |
but she established the Borough of Stafford way back in AD 913. | 0:03:25 | 0:03:31 | |
CAR DOOR SLAMS Come on, David, get eager! | 0:03:31 | 0:03:33 | |
This is our last trip together. It's our last feeding frenzy of antiques. | 0:03:33 | 0:03:37 | |
-Why do you use such language? -Because this is it! | 0:03:37 | 0:03:41 | |
-The... -Charles, do not touch me. You go down there, I'm going here. | 0:03:41 | 0:03:44 | |
David, if you want to play hard, I'll play hard. | 0:03:44 | 0:03:47 | |
David, it's only a game. David! | 0:03:47 | 0:03:49 | |
A game to you, Charles. | 0:03:49 | 0:03:51 | |
But David begins this shopping trip £139.28 down, | 0:03:51 | 0:03:56 | |
and he needs a plan. | 0:03:56 | 0:03:58 | |
My word, the pressure is on, so I've got my work cut out. | 0:03:58 | 0:04:01 | |
My ploy - spend the lot. | 0:04:01 | 0:04:03 | |
Church Lane Antiques offers two floors of intriguing prospects, | 0:04:04 | 0:04:08 | |
with lovely assistant Maureen to help. | 0:04:08 | 0:04:11 | |
-Hello. Can I call you Maureen? -Please do. -Oh, good. | 0:04:11 | 0:04:14 | |
-Now. -Hmm? -Is there anything that you personally think is absolutely a knock-out? | 0:04:14 | 0:04:20 | |
Well, where do I begin? | 0:04:20 | 0:04:22 | |
I do like that. | 0:04:22 | 0:04:23 | |
-My main problem is that it has no mark on it whatsoever. -Mm-hmm. | 0:04:23 | 0:04:27 | |
And that's 120, so I'll be quite honest, I'm losing at the moment. | 0:04:27 | 0:04:31 | |
I'm £150 down on Charles Hanson. | 0:04:31 | 0:04:34 | |
And this is why I hesitate at that price of 120. | 0:04:34 | 0:04:38 | |
Well, complaining isn't going to help. | 0:04:38 | 0:04:40 | |
Keep looking, David. | 0:04:40 | 0:04:42 | |
Gosh, there's another shop up here! | 0:04:42 | 0:04:45 | |
This is beautiful, beautiful decoration. | 0:04:45 | 0:04:48 | |
All of that is hand-painted. | 0:04:48 | 0:04:50 | |
And the sides are emulating basketwork. | 0:04:50 | 0:04:54 | |
The mark on the back is Spode. Spode started bone china. | 0:04:55 | 0:05:00 | |
There was a factory called New Hall that produced hard-paste porcelain, | 0:05:00 | 0:05:04 | |
and they sold the clay to other manufacturers. | 0:05:04 | 0:05:08 | |
And Spode used that base of clay and put bone ash with it, | 0:05:08 | 0:05:13 | |
hence the term bone china. | 0:05:13 | 0:05:14 | |
The asking price for the Spode dish is £100, | 0:05:15 | 0:05:19 | |
but now something else at £110 has caught David's eye. | 0:05:19 | 0:05:23 | |
-Masonic cuff links. -Enamelled on one side. | 0:05:23 | 0:05:25 | |
That's a very acquired subject, isn't it? | 0:05:25 | 0:05:28 | |
I wonder how many Masons would go into a general sale? | 0:05:28 | 0:05:33 | |
Masonic lodges have ancient traditions, | 0:05:33 | 0:05:36 | |
founded by the Master Stonemasons who built Britain's castles and cathedrals, | 0:05:36 | 0:05:43 | |
but many original members were unable to read, | 0:05:43 | 0:05:46 | |
so trade symbols like the compass and set square were used in ceremonial items. | 0:05:46 | 0:05:52 | |
Like cuff links. | 0:05:52 | 0:05:54 | |
110, I think I said. | 0:05:56 | 0:05:58 | |
-So what would they be priced at? -80. | 0:05:58 | 0:06:01 | |
I'll give you a cheeky 60. | 0:06:04 | 0:06:05 | |
So, with his familiar hurt expression on display, David is wanting three items. | 0:06:07 | 0:06:13 | |
The £100 Spode dish, the £110 Masonic cuff links, | 0:06:13 | 0:06:19 | |
and the £120 Arts and Crafts box. | 0:06:19 | 0:06:24 | |
But he wants them all at £60 each. | 0:06:24 | 0:06:26 | |
I'll make a call. | 0:06:28 | 0:06:30 | |
Hi, Stuart. No, he would like all three at £60 each. | 0:06:30 | 0:06:34 | |
Sharp intake of breath. | 0:06:34 | 0:06:36 | |
All three at 200. | 0:06:36 | 0:06:38 | |
-Can we split the difference? -Hang on a sec. Have a word, it's Stuart. | 0:06:38 | 0:06:42 | |
I think 180 is the price I'd like to offer these. | 0:06:42 | 0:06:45 | |
Split the difference, 190! God, that leaves me nothing. | 0:06:45 | 0:06:50 | |
All right, 190. | 0:06:50 | 0:06:52 | |
OK, I'm metaphorically shaking your hands. | 0:06:53 | 0:06:56 | |
Ha-ha! And now Stuart might be wise to, metaphorically speaking, check his wallet and his watch. | 0:06:56 | 0:07:01 | |
-Thank you very much. -It's been a pleasure. | 0:07:01 | 0:07:04 | |
Really? Oh, well. | 0:07:04 | 0:07:06 | |
And whilst David's growing in confidence, Charles appears to be shrinking. | 0:07:06 | 0:07:11 | |
Ian, I've never come across such a big copper kettle in my life. | 0:07:13 | 0:07:17 | |
You've got the biggest kettle I've ever seen. | 0:07:17 | 0:07:19 | |
It was a shop sign, Charles, that used to hang outside Dale's Shop in Stafford in 1828. | 0:07:19 | 0:07:25 | |
It would have watched dandies and ladies of the day walk past. | 0:07:25 | 0:07:28 | |
-Charles Dickens stayed opposite. -Really? -At the Swan Hotel. | 0:07:28 | 0:07:32 | |
-And they say that he wrote The Old Curiosity Shop based on this shop. -Really? | 0:07:32 | 0:07:37 | |
That's amazing, Ian. And if it could talk, what could it tell us? | 0:07:37 | 0:07:40 | |
-Well, one thing it would tell us... -Yeah. -..is it's got pellet holes here. -Oh, yes? | 0:07:40 | 0:07:44 | |
-And they were put in by the delivery boy for Dale. -Really? | 0:07:44 | 0:07:48 | |
-He didn't like working for Dale, so he decided to shoot the side. -Really? | 0:07:48 | 0:07:51 | |
As far as provenance goes, this enormous antique has just about the best you can get. | 0:07:51 | 0:07:57 | |
HE SIGHS | 0:07:57 | 0:08:00 | |
But can proud Ian let it leave the safety of his shop? | 0:08:00 | 0:08:04 | |
Ian, I've got £400 in my kitty, really, and I don't mind paying a bit for it. | 0:08:05 | 0:08:10 | |
What's your best price? | 0:08:10 | 0:08:11 | |
-(It's not for sale.) -Is it not for sale? | 0:08:11 | 0:08:13 | |
Ian, I think it's great, and it's great to see. | 0:08:13 | 0:08:17 | |
And whilst Charles goes off the boil, happy shopper David's gone for a rummage. | 0:08:17 | 0:08:22 | |
Strangely choosing a rather lovely charity shop, | 0:08:22 | 0:08:27 | |
Aren't these so stylish? These were produced in 1978, limited edition. | 0:08:29 | 0:08:33 | |
This is by Royal Doulton. | 0:08:33 | 0:08:36 | |
So we've got Pierrot and Punchinello, oh, this is Columbine. | 0:08:36 | 0:08:41 | |
But aren't they absolutely superb? For £6.50 each. | 0:08:41 | 0:08:45 | |
Mais oui. | 0:08:45 | 0:08:48 | |
Tease! | 0:08:48 | 0:08:49 | |
I'm going to buy these. | 0:08:49 | 0:08:51 | |
You are going to buy these? | 0:08:51 | 0:08:52 | |
I'm letting my heart rule my head, I think. | 0:08:52 | 0:08:54 | |
-£6.50 each, then. -Ah! | 0:08:54 | 0:08:57 | |
For goodness's sake! Please don't haggle, David, it's a charity shop. | 0:08:57 | 0:09:00 | |
-£19.50. -Yes. -Will you take £20 for me? | 0:09:00 | 0:09:03 | |
-Thank you very much. -Thank you very much. -That's very kind of you. | 0:09:03 | 0:09:06 | |
50p? | 0:09:06 | 0:09:08 | |
Yet how delightful to see David actually paying more than the asking price. | 0:09:08 | 0:09:13 | |
And shopping-wise, he's putting the young pretender to shame. | 0:09:15 | 0:09:19 | |
Bit concerned, frantic shopping, but I'll get there. | 0:09:20 | 0:09:23 | |
But where Charles refused to purchase, David now dares to tread. | 0:09:25 | 0:09:30 | |
-Hello. -Hello, how are you? -David Barby, we've met before, haven't we? | 0:09:30 | 0:09:33 | |
-Somewhere along the line. -Your face is so familiar. -Is it? | 0:09:33 | 0:09:36 | |
-Perhaps you've met me in... -Don't say anything else. -No. -No. | 0:09:36 | 0:09:39 | |
THEY LAUGH | 0:09:39 | 0:09:41 | |
Well, quite. Actually, I think there are rather too many familiar faces here in Stafford today. | 0:09:41 | 0:09:48 | |
Oh, my goodness me! | 0:09:50 | 0:09:52 | |
I know neither of us are fans of these items, | 0:09:52 | 0:09:55 | |
-but you need to make a profit. -Do I like them? | 0:09:55 | 0:09:58 | |
Well, you don't have to like them. | 0:09:58 | 0:10:01 | |
Royal Doulton's talented designer, Harry Simeon, | 0:10:01 | 0:10:04 | |
reinvented the classic Toby jug in the 1920s, | 0:10:04 | 0:10:08 | |
creating full head, full colour character jugs of famous British heroes and villains. | 0:10:08 | 0:10:15 | |
But can this motley crew turn David a profit? | 0:10:15 | 0:10:19 | |
Because you're knocking the stuff, you can have one, two, three, | 0:10:19 | 0:10:23 | |
four, five, six pieces for £50. | 0:10:23 | 0:10:26 | |
-What about 40? -40?! -Yeah. | 0:10:26 | 0:10:29 | |
-You want to get rid of them. -Not that desperately. £50. | 0:10:29 | 0:10:34 | |
I like 40. Give me a chance at 40. | 0:10:34 | 0:10:38 | |
-I'll tell you what, 45 quid. -Split the difference. 42. | 0:10:38 | 0:10:41 | |
Oh, you're a hard man. He's a hard man, isn't he? | 0:10:41 | 0:10:44 | |
Yeah, go on, then. | 0:10:44 | 0:10:46 | |
Very wise, Ian. Back down before the sob story starts. | 0:10:46 | 0:10:51 | |
-Three. Did we say 40? -We said 42. | 0:10:56 | 0:11:00 | |
You don't want to split into a tenner, do you? | 0:11:00 | 0:11:02 | |
-Do you want to flick? -Yeah. -Have you got a coin? -No. | 0:11:02 | 0:11:07 | |
-You can have it for 40 quid, go on. -Thank you very much. | 0:11:07 | 0:11:10 | |
-That's all right. -Thank you. | 0:11:10 | 0:11:13 | |
Well, what's £2 if it gets David out of the shop? | 0:11:13 | 0:11:16 | |
Some would say cheap at the price. | 0:11:16 | 0:11:18 | |
Now, he could be stealing a shopping lead on his young tormentor. | 0:11:18 | 0:11:22 | |
I really, really, really enjoy winding David up. | 0:11:22 | 0:11:26 | |
Because David's very easy to wind up. | 0:11:26 | 0:11:29 | |
But I'm still nervous because David's the sort of expert | 0:11:29 | 0:11:31 | |
who can suddenly pull a real find out the bag. | 0:11:31 | 0:11:34 | |
With a fair wind behind him, | 0:11:35 | 0:11:37 | |
the Road Trip is lurching hard of starboard | 0:11:37 | 0:11:40 | |
to take Charles on a historical maritime adventure in Milford. | 0:11:40 | 0:11:45 | |
Not quite Hanson country, | 0:11:48 | 0:11:49 | |
Charles is headed to the former home of the Anson family. | 0:11:49 | 0:11:53 | |
From 1624, Shugborough Estate was home to local lawyer William Anson. | 0:11:53 | 0:12:00 | |
A century later, great-grandson Admiral George Anson | 0:12:00 | 0:12:04 | |
would make the family very rich and famous. | 0:12:04 | 0:12:07 | |
Oh, look at this. Wowee! | 0:12:15 | 0:12:17 | |
Well, you're right there, Charles. | 0:12:17 | 0:12:20 | |
That is one entrance, isn't it? | 0:12:20 | 0:12:23 | |
Charles is about to meet with project development manager Coreen Caddy. | 0:12:23 | 0:12:27 | |
George Anson became 18th-century Britain's most successful and celebrated naval hero, | 0:12:28 | 0:12:35 | |
though strangely not that well-known today, | 0:12:35 | 0:12:38 | |
taking historical second place to that Admiral Horatio fellow. | 0:12:38 | 0:12:44 | |
When I think of naval heroes, | 0:12:44 | 0:12:46 | |
I think of Nelson, Trafalgar, the Egyptian campaign and all of that. | 0:12:46 | 0:12:49 | |
Everybody knows about Nelson, but nobody talks about Anson. | 0:12:49 | 0:12:54 | |
And yet we would argue strongly | 0:12:54 | 0:12:55 | |
-that he's the biggest naval hero of all time. -Really? | 0:12:55 | 0:12:59 | |
So, how did he suddenly acquire all of this money and new-found wealth? | 0:12:59 | 0:13:03 | |
Twice a year there was a large Spanish treasure ship | 0:13:03 | 0:13:06 | |
-that crossed the Pacific. -Yes. | 0:13:06 | 0:13:09 | |
-It was loaded with Spanish treasure from the South Americas. -Gold... | 0:13:09 | 0:13:12 | |
-Everything you can imagine. Gold, jewels. -Precious stones. -Absolutely. | 0:13:12 | 0:13:17 | |
-George, being very ambitious, went to King George... -Yes. | 0:13:17 | 0:13:20 | |
-..and said, "I think I can capture that treasure galleon for you." -Really? | 0:13:20 | 0:13:26 | |
In 1739, Admiral Anson requested 1,000 fit men on ships | 0:13:26 | 0:13:32 | |
for a daring escapade to capture the treasure. | 0:13:32 | 0:13:35 | |
He did get his 1,000 men, but he had 170 people from hospitals, | 0:13:36 | 0:13:40 | |
-so sick and injured soldiers. -Gosh. | 0:13:40 | 0:13:43 | |
-265 Chelsea pensioners with an average age of 70. -Wow! | 0:13:43 | 0:13:47 | |
I'm afraid to say that all the pensioners were dead before they got to Madeira. | 0:13:47 | 0:13:51 | |
As they rounded the tip of South America, several ships broke up. | 0:13:51 | 0:13:55 | |
One crew mutinied. | 0:13:55 | 0:13:57 | |
They ended up in the San Francisco area with just 100 men left and the flagship. | 0:13:57 | 0:14:02 | |
-And the flagship, which was? -The Centurion. -The Centurion. | 0:14:02 | 0:14:05 | |
Last remaining ship, the Centurion finally had a piece of good luck | 0:14:05 | 0:14:10 | |
whilst hunting the Spanish galleon. | 0:14:10 | 0:14:12 | |
Would you believe, they actually happened on it by accident? | 0:14:12 | 0:14:16 | |
They spent months looking for it and failed. They stumbled across it and thought, "Shall we have a go?" | 0:14:16 | 0:14:21 | |
And they captured it. It was absolutely loaded with treasures. | 0:14:21 | 0:14:24 | |
In the 18th century, for naval ships' crews, | 0:14:24 | 0:14:28 | |
the capture of every enemy ship and cargo was called prize money, | 0:14:28 | 0:14:33 | |
part of which was passed back to every sailor, no matter how junior. | 0:14:33 | 0:14:39 | |
So, I think of myself as a bit of a treasure hunter. | 0:14:39 | 0:14:41 | |
I'm trying to gather these antiques to make a small profit at auction. | 0:14:41 | 0:14:45 | |
Not really for Queen and Country today but just more for my competition. | 0:14:45 | 0:14:49 | |
But I'm thinking of gold coins and real treasure, you know? | 0:14:49 | 0:14:52 | |
Big chests of jewels, falling out. Any of that here? | 0:14:52 | 0:14:56 | |
Well, you say you're the treasure hunter, | 0:14:56 | 0:14:58 | |
it's up to you to hunt them out. | 0:14:58 | 0:15:00 | |
OK. I'll follow you. | 0:15:00 | 0:15:01 | |
Coreen, is there any treasure around here? | 0:15:01 | 0:15:04 | |
Well, perhaps not the treasure you're quite looking for. | 0:15:04 | 0:15:08 | |
However, I would say this lump of wood is perhaps my favourite treasure. | 0:15:08 | 0:15:13 | |
-It looks like a piece of driftwood. -It's far more important than that. | 0:15:13 | 0:15:17 | |
This is the last remaining piece of the figurehead of HMS Centurion, | 0:15:17 | 0:15:23 | |
the ship that captured all of the Spanish treasure. | 0:15:23 | 0:15:26 | |
Amazingly, this fine relic of our maritime history spent many years | 0:15:26 | 0:15:32 | |
as both a pub sign and then garden furniture at Chelsea Hospital | 0:15:32 | 0:15:37 | |
before its incredible value to Britain was rediscovered in the 1920s. | 0:15:37 | 0:15:41 | |
A national treasure indeed | 0:15:41 | 0:15:43 | |
and surely enough to satisfy our Charles. | 0:15:43 | 0:15:45 | |
The cabinet marks the spot. | 0:15:47 | 0:15:50 | |
Wow! So, Coreen, this is what I've been waiting for. This is it. | 0:15:50 | 0:15:53 | |
-There's not much here, is there? -No, there's not much. -No. | 0:15:53 | 0:15:56 | |
Most of it was reminted for the King. | 0:15:56 | 0:15:58 | |
Charles must sadly make do with the few remaining spoils of George Anson's historic voyage. | 0:15:58 | 0:16:05 | |
The captured Spanish captain's compass | 0:16:05 | 0:16:08 | |
and a few gold doubloons that escaped the minting furnace. | 0:16:08 | 0:16:13 | |
-Ms Caddy, thank you very, very much. -Bye-bye. -Bye-bye. | 0:16:13 | 0:16:17 | |
Goodbye, Miss Caddy, indeed. | 0:16:17 | 0:16:19 | |
Milford now joins the list | 0:16:20 | 0:16:22 | |
of wonderful English places in David and Charles's past. | 0:16:22 | 0:16:27 | |
The Road Trip pushes on once more, 34 miles east to Derby. | 0:16:27 | 0:16:31 | |
-Our last waltz together. -I used to do the Charleston. -You didn't! -I did. -You didn't? | 0:16:34 | 0:16:39 | |
I loved doing the Charleston. | 0:16:39 | 0:16:40 | |
Huh! | 0:16:42 | 0:16:44 | |
So, our light-footed experts trip their way into Charles Hanson's local town. | 0:16:44 | 0:16:49 | |
But on 4th December 1745, | 0:16:49 | 0:16:52 | |
Derby played host to that other young pretender, | 0:16:52 | 0:16:55 | |
Bonnie Prince Charlie, | 0:16:55 | 0:16:57 | |
who set up his council of war here. | 0:16:57 | 0:17:00 | |
This is a massive day today. We're in Derbyshire, my homeland. | 0:17:00 | 0:17:05 | |
It's an iconic day for me because I've got to buy all my items in Derbyshire, | 0:17:05 | 0:17:09 | |
to hopefully round off my Road Trip and beat David Barby. Will it happen? I really hope so. | 0:17:09 | 0:17:15 | |
-Good morning. -Good morning. How nice to see you, old fellow! | 0:17:15 | 0:17:19 | |
Luckily, Colin and Julie are here to help, if Charles can maintain his fear of influence. | 0:17:19 | 0:17:25 | |
Colin, the little decanter set. Look at that colour. It's radiant, gaudy, it's very Art Deco. | 0:17:25 | 0:17:31 | |
-At auction, it might make £25. It might make 30. And you're only asking £25 for it. -Cheaper than charity! | 0:17:31 | 0:17:39 | |
-Well, I'm a charitable case here. -Don't knock me down, Charles, on £25. -Do you know what? | 0:17:39 | 0:17:43 | |
If I was to come to your saleroom, it'd be 45. | 0:17:43 | 0:17:47 | |
Ooh! Suddenly the local connections are not in Charles's favour. | 0:17:47 | 0:17:53 | |
-What does affect value, Colin, is this corroding here. -It's not corrosion, it's muck. | 0:17:53 | 0:17:59 | |
Is it? Colin, where there's muck, there's brass. | 0:17:59 | 0:18:03 | |
It just wants cleaning. | 0:18:03 | 0:18:05 | |
-I'd be happy to pay £25 for it... -I know. -..with a caveat, OK. | 0:18:05 | 0:18:11 | |
-And my caveat is this. If Julie... Julie? -Yes. -Yes, it's Julie. | 0:18:11 | 0:18:17 | |
-Sorry, Julie. -If Julie can take this muck off, I'll pay £25 for it. | 0:18:17 | 0:18:23 | |
-If she can't, I'll only pay £15 for it. -OK. Silvo. | 0:18:23 | 0:18:29 | |
Let's get the Silvo out and start rubbing, then. | 0:18:29 | 0:18:32 | |
-All right, we're in business. -I'm rubbing as hard as I can. | 0:18:32 | 0:18:36 | |
-It is coming off, actually. -I don't believe it! -Look at that shine. -Wow! | 0:18:37 | 0:18:43 | |
It actually looks like Charles Hanson will have to pay the full ticket price for an antique. | 0:18:43 | 0:18:48 | |
At £25, you've got me. It's a deal. Thank you, Julie. Well done! | 0:18:48 | 0:18:53 | |
At last, Charles has the kick-start he needed. | 0:18:53 | 0:18:57 | |
I've just spotted this little green Street glass bowl. | 0:18:57 | 0:19:01 | |
It's hand-blown. There's a ground pontil mark on the base | 0:19:01 | 0:19:04 | |
where the rod has been blown and snapped off to create this wonderful design. | 0:19:04 | 0:19:08 | |
But the way it sits, it's very much of the Art Nouveau. | 0:19:08 | 0:19:13 | |
But at £15, can it turn a profit? | 0:19:13 | 0:19:15 | |
-I quite like this little bowl here. -There's not a lot of money in it. | 0:19:15 | 0:19:20 | |
-You're not going to make any money by buying a cheap thing like that. -I've got to beat David Barbie. | 0:19:20 | 0:19:25 | |
If it doubled its price, what's £8 in a competition? You want to be making £80. | 0:19:25 | 0:19:31 | |
-You think my game plan's all wrong? -You've got to change the style and go upmarket. | 0:19:31 | 0:19:38 | |
I never thought I'd see the day! Charles, exposed as a bit cheap? | 0:19:38 | 0:19:44 | |
Any bit of help. £5 for it? | 0:19:44 | 0:19:47 | |
£8, Charles, it's yours. That's almost half-price. | 0:19:47 | 0:19:51 | |
£6? Going once! Come on, Colin! | 0:19:51 | 0:19:54 | |
-Go on, then. -Sold! It's gone! | 0:19:54 | 0:19:57 | |
Well done, Charles, but is this all you want from your beloved Derbyshire today? | 0:19:57 | 0:20:02 | |
I ought to be really buoyant by the fact I'm in Derby, but, in fact, I'm not. Something's going wrong. | 0:20:02 | 0:20:11 | |
I've got to somehow pull the cat out of the bag. | 0:20:11 | 0:20:14 | |
Luckily, fellow dandy, Dennis, is just waiting to help down at Ashbourne Road Antiques. | 0:20:14 | 0:20:21 | |
Hop to it, Charles! | 0:20:21 | 0:20:23 | |
Hi! Good to see you. Charles Hanson. | 0:20:23 | 0:20:25 | |
I feel underdressed compared to you. | 0:20:25 | 0:20:27 | |
The cravat, you know, this look. | 0:20:27 | 0:20:30 | |
-It's fantastic! -You're really kind. | 0:20:30 | 0:20:34 | |
-I'm looking for things that are a bit quirky, a bit different. -You've come to the right place. | 0:20:34 | 0:20:39 | |
Is that silver in this little loving cup? | 0:20:39 | 0:20:41 | |
-You know your stuff. -Get out of here! -You didn't say, is that silver, which is plated, | 0:20:41 | 0:20:46 | |
you went straight to that. | 0:20:46 | 0:20:48 | |
-I like this decoration. It's beautifully cast and gilded too. -Yes. | 0:20:48 | 0:20:53 | |
On the base, it says, | 0:20:53 | 0:20:55 | |
"The Royal Christening, August 1982." | 0:20:55 | 0:21:00 | |
-It's a lovely little piece. -It's Stuart Devlin. | 0:21:00 | 0:21:03 | |
Charles, you wanted a great find, you've got one. | 0:21:03 | 0:21:07 | |
Stuart Devlin is one of the best contemporary silversmiths, | 0:21:07 | 0:21:12 | |
designer of Australia's decimal coinage and Olympic medals as well as his famous decorative eggs. | 0:21:12 | 0:21:18 | |
Dennis, I'm a local man. I'm always at your disposal, OK? | 0:21:18 | 0:21:21 | |
-Boys stick together in Derby, don't we? -That's right. -Exactly! | 0:21:21 | 0:21:24 | |
I quite like that because it's a decorative object. What's the best price on it? | 0:21:24 | 0:21:30 | |
Well, I'm in your expert hands. | 0:21:30 | 0:21:32 | |
-Well, Dennis, you know... -Whatever you say is gospel. -Oh, Dennis, I can't do that! | 0:21:32 | 0:21:38 | |
It's got £99 on it. Give us 100 for cash. | 0:21:38 | 0:21:41 | |
100? Euros, pounds, sterling? | 0:21:43 | 0:21:47 | |
We're talking pounds. | 0:21:47 | 0:21:49 | |
-What's your absolute best price? -£75. | 0:21:49 | 0:21:52 | |
Oh, Dennis. We're getting close now. | 0:21:52 | 0:21:54 | |
-Getting really close. -£70 because I like you. -Get out of here! -You're a wonderful guy. | 0:21:54 | 0:21:58 | |
Dennis, I'll pay £70 for it. | 0:21:58 | 0:22:01 | |
-Brother? -I think you're being fair. -Give me a high five. | 0:22:03 | 0:22:07 | |
-Are we in? -Yes, I think you're being fair. -Sold for £70! Dennis, what have I done? | 0:22:07 | 0:22:11 | |
Dennis, I do love your style. | 0:22:11 | 0:22:14 | |
-We're a similar size. I'm going to start wearing cravats. I'm serious. -OK. | 0:22:14 | 0:22:18 | |
-If that's the case, there you go. -You know what? I love cravats. I've never worn a cravat before. | 0:22:18 | 0:22:23 | |
-So, you do it up like that? -Look at that! -Dennis, I kid you not. | 0:22:23 | 0:22:27 | |
-I will start wearing cravats. Can I borrow this? -You can have that one. -Are you serious? -You can have it. | 0:22:27 | 0:22:33 | |
It's worth almost as much as my silver loving cup. I love it. | 0:22:33 | 0:22:36 | |
Hats off again to that Derbyshire dandy and his new sartorial friend. | 0:22:36 | 0:22:42 | |
This week's shopping is now heading towards a photo finish. | 0:22:42 | 0:22:46 | |
Ah, how sweet! | 0:22:47 | 0:22:49 | |
So, let's remind ourselves what our chaps have bought. | 0:22:49 | 0:22:53 | |
David started with just £261.68 | 0:22:53 | 0:22:55 | |
and spent a daring £250 of it on five auction lots - | 0:22:55 | 0:23:00 | |
a porcelain basket, a Newlyn box, | 0:23:00 | 0:23:03 | |
a pair of cuff links, three Royal Doulton plates | 0:23:03 | 0:23:09 | |
and a collection of 20th-century pottery jugs. | 0:23:09 | 0:23:12 | |
Charles, meanwhile, has spent a somewhat smaller £101 | 0:23:12 | 0:23:17 | |
from his healthy £400.96 balance, on a mere three auction lots - | 0:23:17 | 0:23:21 | |
the Art Deco cocktail set, an Art Nouveau glass bowl, | 0:23:21 | 0:23:25 | |
and a silver loving cup. | 0:23:25 | 0:23:28 | |
So, what do our duo think of each other's purchases? | 0:23:28 | 0:23:31 | |
I'm very disappointed in Charles's objects | 0:23:31 | 0:23:34 | |
because he didn't spend all his money. | 0:23:34 | 0:23:36 | |
We're about to freefall into our finale. I'm very nervous. | 0:23:36 | 0:23:39 | |
He's brought a really, really good, varied mix. | 0:23:39 | 0:23:42 | |
The star object is his Stuart Devlin commemorative cup. | 0:23:42 | 0:23:46 | |
But hopefully, Hanson's silver cup will be hoisted up | 0:23:46 | 0:23:49 | |
and that will be my crowning glory. | 0:23:49 | 0:23:51 | |
That's the spirit. | 0:23:51 | 0:23:53 | |
Always good to aim high, no matter how ridiculously unrealistic. | 0:23:53 | 0:23:59 | |
It's time to get a wriggle on to auction, | 0:23:59 | 0:24:01 | |
heading 15 miles east, | 0:24:01 | 0:24:03 | |
across Brian Clough Way, and over the county line. | 0:24:03 | 0:24:06 | |
Last stop - Nottingham. | 0:24:06 | 0:24:09 | |
Our Road Trip renegades arrive in fresh attire for the auction and raring to go. | 0:24:10 | 0:24:16 | |
Well, Charles, here we are, the final curtain. My goodness me. | 0:24:18 | 0:24:22 | |
It's the end of the romance between you and I. | 0:24:22 | 0:24:25 | |
-You used to work here, didn't you? -Ten years ago. | 0:24:25 | 0:24:28 | |
-Bring back happy memories? -So much so. | 0:24:28 | 0:24:31 | |
Opened in 1993, Mellors and Kirk are well-known for fine art sales, | 0:24:31 | 0:24:37 | |
antiques and today's general sale. | 0:24:37 | 0:24:39 | |
Our Charles cut his teeth here as a young sales porter | 0:24:39 | 0:24:43 | |
and fledgling auctioneer, | 0:24:43 | 0:24:46 | |
and the prodigal son returns. | 0:24:46 | 0:24:48 | |
Our experts straighten their ties and take their seats. | 0:24:48 | 0:24:53 | |
How does it feel that this young pretender has taken a mantle | 0:24:53 | 0:24:57 | |
over the might of David Barby? | 0:24:57 | 0:24:59 | |
Every dog has to have his day. | 0:24:59 | 0:25:02 | |
Down, boy! And hush now. | 0:25:02 | 0:25:04 | |
The sale's about to start. | 0:25:04 | 0:25:06 | |
David's corking Spode dish is first up for grabs. | 0:25:07 | 0:25:11 | |
£30 for it, please. 30? 20? | 0:25:11 | 0:25:13 | |
20 I'm bid. | 0:25:13 | 0:25:15 | |
Thank you, sir. 20, 30, 40. | 0:25:15 | 0:25:17 | |
£40. Any more? | 0:25:17 | 0:25:19 | |
Selling at 40, 50, 60. £60. Second row, selling at £60. | 0:25:19 | 0:25:24 | |
A disappointing start for David, especially on such a lovely item. | 0:25:25 | 0:25:30 | |
-Will you catch me up? -I don't know. One lives in hope. | 0:25:30 | 0:25:35 | |
Stranger things have happened. | 0:25:35 | 0:25:37 | |
Could the gold Masonic cuff links turn the tide for David? | 0:25:37 | 0:25:41 | |
-£20 for them, please. -Take it steady. | 0:25:41 | 0:25:44 | |
-Oh, Charles. -Let's get them sold. -40? | 0:25:44 | 0:25:46 | |
£30 it is. 40. 50. 60. | 0:25:46 | 0:25:49 | |
-£70. -Come on. -Commission bid. I'll sell. | 0:25:49 | 0:25:52 | |
-That's OK. -It's not. -You broke even. -Don't try and console me. | 0:25:52 | 0:25:58 | |
Best to say nothing, actually. | 0:25:58 | 0:25:59 | |
And now the young pretender's first lot seeks some decisive bidding. | 0:25:59 | 0:26:04 | |
£20 for it, please. 20? | 0:26:04 | 0:26:07 | |
-£10. -Come on. -Do we have a bid? 5 I'm bid, thank you. | 0:26:07 | 0:26:11 | |
At 5. 10, may I say? | 0:26:11 | 0:26:12 | |
Oh, dear me. | 0:26:12 | 0:26:14 | |
-£5 only, and I shall sell it at £5. -That's all I thought it was worth. | 0:26:14 | 0:26:19 | |
Quite possibly. | 0:26:19 | 0:26:21 | |
But a shame for Charles. I think that £1 loss really hurt. | 0:26:21 | 0:26:25 | |
I can't believe it. | 0:26:25 | 0:26:26 | |
So, let's have something bright and cheerful to lift our spirits. | 0:26:26 | 0:26:31 | |
£20 for them, may I see? | 0:26:31 | 0:26:32 | |
10 I'm bid. Thank you. At 10. 15, 20. | 0:26:32 | 0:26:35 | |
25? At £20. On my right, I'm selling at 20. | 0:26:35 | 0:26:40 | |
-Broke even. -What happened? | 0:26:40 | 0:26:43 | |
Well, the auctioneer is speedy. | 0:26:43 | 0:26:44 | |
And that means David's chances are fading fast. | 0:26:44 | 0:26:49 | |
David, it's never over until the last gavel falls on your very last lot. | 0:26:51 | 0:26:55 | |
True enough, but first, Charles's startling cocktail set | 0:26:55 | 0:27:00 | |
wants to dazzle the room. | 0:27:00 | 0:27:02 | |
-20? £10. -Oh, no. -10 I'm bid. Thank you, at £10. | 0:27:02 | 0:27:07 | |
-15 for it? -One more. -15. | 0:27:07 | 0:27:09 | |
Charles, dear friend, you're going to need more than just one more. | 0:27:09 | 0:27:12 | |
£15, I shall sell it. | 0:27:12 | 0:27:15 | |
£15. | 0:27:15 | 0:27:17 | |
No great shakes there, then, Charles, | 0:27:17 | 0:27:19 | |
but you are still ahead. | 0:27:19 | 0:27:21 | |
What can David do with this motley crew of hopefuls? | 0:27:22 | 0:27:25 | |
-We're nearly there, Charles. -Will we keep in touch afterwards? | 0:27:25 | 0:27:28 | |
I doubt we will. | 0:27:28 | 0:27:30 | |
Ooh. Let's just get on with the sale, shall we? | 0:27:30 | 0:27:33 | |
20? | 0:27:33 | 0:27:34 | |
20 I'm bid, thank you, sir. At 20, 30, 40. | 0:27:34 | 0:27:38 | |
£40. No more? Selling at 40. | 0:27:38 | 0:27:40 | |
Whoo! Was that it? | 0:27:40 | 0:27:43 | |
David Barby's mugs were mugged. So cruelly and, well, quickly. | 0:27:43 | 0:27:50 | |
I think this auction will hang on one thing, OK, and it's coming up next. | 0:27:50 | 0:27:55 | |
And here it is. Charles's prize sterling-silver commemorative cup. | 0:27:55 | 0:28:00 | |
The style of it is so neat for that decade. I love it. | 0:28:01 | 0:28:06 | |
£30. 40. 50. | 0:28:06 | 0:28:08 | |
60. 70. | 0:28:08 | 0:28:10 | |
80. 90. 100. | 0:28:10 | 0:28:12 | |
-Keep going. -At £100 on my left. 120. | 0:28:12 | 0:28:15 | |
130? | 0:28:15 | 0:28:16 | |
At 120, we sell. | 0:28:16 | 0:28:18 | |
That's good. My dream is about to crack open. Champagne? | 0:28:18 | 0:28:23 | |
Maybe a bit early, Charles. | 0:28:23 | 0:28:26 | |
Though I have to say, you look unbeatable now. | 0:28:26 | 0:28:29 | |
David must pray the lovely Art Nouveau box | 0:28:30 | 0:28:34 | |
can turn copper into cash. | 0:28:34 | 0:28:36 | |
You could hear a pin drop in here. | 0:28:36 | 0:28:38 | |
50. Any interest? 50, 30. | 0:28:38 | 0:28:40 | |
Nobody want it? 30, 40. | 0:28:40 | 0:28:42 | |
50, 60, 70, 80 with me. | 0:28:42 | 0:28:44 | |
90 to you. 100. 110. 120 here. | 0:28:44 | 0:28:48 | |
-130? At 120. -Good price, David. -Selling with me at £120. | 0:28:48 | 0:28:52 | |
-All done? -That's amazing. | 0:28:52 | 0:28:54 | |
I commend you for finding an antique. | 0:28:54 | 0:28:57 | |
I think we all commend David Barby today. | 0:28:57 | 0:29:01 | |
But sadly, that double-your-money sale is just not enough | 0:29:01 | 0:29:04 | |
to beat Charles. | 0:29:04 | 0:29:06 | |
-Come on, David, congratulations. -No. | 0:29:06 | 0:29:09 | |
You're the one that has congratulations. Well done, Charles. | 0:29:09 | 0:29:12 | |
Brave words in the face of defeat. What a nice chap. | 0:29:12 | 0:29:17 | |
Sadly, after paying auction costs, | 0:29:17 | 0:29:19 | |
David's £261.68 grew by a mere £4.20. | 0:29:19 | 0:29:26 | |
David ends his Road Trip with £265.88, | 0:29:26 | 0:29:31 | |
but he can hold his head high. | 0:29:31 | 0:29:33 | |
The local hero began with £400.96 | 0:29:35 | 0:29:40 | |
and turned another modest profit of £13.80. | 0:29:40 | 0:29:43 | |
Charles finishes off with £414.76. | 0:29:43 | 0:29:47 | |
Well done, boy. | 0:29:47 | 0:29:49 | |
The chaps' combined profits will go to Children in Need. | 0:29:54 | 0:29:57 | |
Congratulations to that victorious young pretender, | 0:29:57 | 0:30:00 | |
and, David, no sweat. | 0:30:00 | 0:30:03 | |
It's Hanson-town. | 0:30:03 | 0:30:04 | |
-Give me a high five, David. It's been a great day. -Is that what a high five is?! | 0:30:06 | 0:30:10 | |
David, this great business, there is so much luck involved, and all the romance, long may it continue. | 0:30:10 | 0:30:16 | |
-You've taught me so much. -I hope so, David. | 0:30:16 | 0:30:20 | |
I do feel this is the start of a bromance, | 0:30:20 | 0:30:22 | |
but then this pair have had quite a journey. | 0:30:22 | 0:30:25 | |
# It takes two, baby... # | 0:30:25 | 0:30:27 | |
Whilst David and Charles drive off into the sunset, | 0:30:27 | 0:30:31 | |
we join grizzled veteran Mark Stacey and comparative novice Margie Cooper on a new Road Trip... | 0:30:31 | 0:30:38 | |
You are a sort of Road Trip virgin, if you like. | 0:30:38 | 0:30:41 | |
..in a nippy 1960s MGC. | 0:30:41 | 0:30:44 | |
Mark, from Brighton, is a valuer and a dealer, | 0:30:44 | 0:30:48 | |
with the honesty to admit the limits of his expertise. | 0:30:48 | 0:30:51 | |
I don't do ladies' paraphernalia. Well, on a weekend, maybe. | 0:30:51 | 0:30:57 | |
Debutante Margie is a silver expert | 0:30:57 | 0:30:59 | |
and she's also been on the Antiques Road Show. | 0:30:59 | 0:31:02 | |
She's a dealer too, like her grandmother before her. | 0:31:02 | 0:31:04 | |
What her granny didn't teach her, she can find out off the telly. | 0:31:04 | 0:31:08 | |
And I've been watching the repeats of this programme! | 0:31:08 | 0:31:12 | |
Our competitive pair start this trip in Kent, at Chilham, | 0:31:12 | 0:31:17 | |
and travel across southern England to the West Country, | 0:31:17 | 0:31:19 | |
and end up for the finale in Torquay. | 0:31:19 | 0:31:23 | |
But on this leg, Heathfield will be the battleground | 0:31:23 | 0:31:26 | |
for their auction showdown. | 0:31:26 | 0:31:28 | |
-This looks lovely, Margie, look. -Gorgeous flowers! | 0:31:28 | 0:31:32 | |
-We're about to start our adventure, Margie. -Right. -Feeling all right? | 0:31:32 | 0:31:36 | |
-Absolutely super. -But I've only got... -Yeah? | 0:31:36 | 0:31:39 | |
-..one thing to say to you. -Say it. -OK? -Yes. | 0:31:39 | 0:31:43 | |
It should be ladies first, so I'll see you later. | 0:31:43 | 0:31:46 | |
So, this is what it's going to be like, is it?! | 0:31:46 | 0:31:49 | |
Once inside the barn, Margie is up and running. | 0:31:50 | 0:31:54 | |
What's this curious object here? | 0:31:54 | 0:31:56 | |
It looks like an egg... So, what is it? Oh, it's a lighter! | 0:31:56 | 0:32:00 | |
Oh, my goodness, that's a funny thing, isn't it? | 0:32:00 | 0:32:04 | |
"The Poppell butane gas pocket lighter." | 0:32:04 | 0:32:07 | |
OK, Margie, it's your first negotiation. The ticket price is £28. | 0:32:07 | 0:32:12 | |
-Go on, tell me how much it is! -Erm... | 0:32:12 | 0:32:16 | |
MARGIE LAUGHS NERVOUSLY | 0:32:16 | 0:32:17 | |
£20. | 0:32:17 | 0:32:19 | |
-15, I'll buy it. -OK. | 0:32:19 | 0:32:21 | |
So, Margie's bought a lighter, and Mark's got himself an old gamp, | 0:32:21 | 0:32:25 | |
as Kent resident Charles Dickens would have described it. | 0:32:25 | 0:32:28 | |
This is rather sweet - | 0:32:28 | 0:32:31 | |
this is a little Victorian parasol, lady's parasol. | 0:32:31 | 0:32:35 | |
We know, of course, that it's probably after 1860, | 0:32:35 | 0:32:40 | |
cos it looks like a mourning one, being black. | 0:32:40 | 0:32:42 | |
And what I quite like about it is, it's got a carved ivory handle. | 0:32:42 | 0:32:48 | |
And I think these little finials, actually on the shade itself, | 0:32:48 | 0:32:53 | |
are ivory - that's rather sweet. | 0:32:53 | 0:32:57 | |
But what isn't so sweet is the price tag of £45. | 0:32:57 | 0:33:01 | |
I would love to buy it from you for £20. | 0:33:01 | 0:33:05 | |
-SHE DRAWS BREATH -No, can't do that. 30? | 0:33:05 | 0:33:09 | |
Ooh. | 0:33:09 | 0:33:11 | |
-22? -25? -I've just noticed, as I was coming across... -Yes? | 0:33:11 | 0:33:15 | |
-Is that a little back scratcher or something? -Looks like it, yes... | 0:33:15 | 0:33:19 | |
Good move, change the subject! Now Margie's having a wander into the furniture section. | 0:33:19 | 0:33:24 | |
Careful, Margie, that looks pricey! | 0:33:24 | 0:33:26 | |
I would call it a music stool, but it's a cellist's chair. | 0:33:26 | 0:33:30 | |
You sat on that, like that... Legs wide open! | 0:33:30 | 0:33:34 | |
..and you play the cello, don't you? It's great. | 0:33:34 | 0:33:37 | |
And it's a gorgeous thing. It is very old, it's William IV, | 0:33:37 | 0:33:41 | |
which takes it down to...pre-1830. | 0:33:41 | 0:33:45 | |
£895. That's not in my budget, sadly! | 0:33:45 | 0:33:50 | |
Mark seems to have escaped Edna's stern gaze to try Peggy instead. | 0:33:50 | 0:33:55 | |
I just think it's rather charming. What we've got here is a little... | 0:33:55 | 0:33:59 | |
ivory and...possibly gold-plated | 0:33:59 | 0:34:03 | |
little necessaire, or etui - this is a little object | 0:34:03 | 0:34:06 | |
that ladies, and gentlemen, would have carried | 0:34:06 | 0:34:10 | |
to keep your essentials in. Now, for those who are worried about ivory, | 0:34:10 | 0:34:14 | |
which we all should be today - these are antique items. | 0:34:14 | 0:34:18 | |
These are legal to sell, they're not against the 1947 CITES agreement | 0:34:18 | 0:34:23 | |
on the prevention of use of ivory. | 0:34:23 | 0:34:25 | |
I think this would probably date to about 1800. | 0:34:25 | 0:34:29 | |
I got down to 25 on the parasol, so far. | 0:34:29 | 0:34:33 | |
This is marked at 85 - what do you think they'd do it for if I bought the two together? | 0:34:33 | 0:34:38 | |
85 for the two? | 0:34:38 | 0:34:41 | |
So, that would bring that down to 60, wouldn't it? | 0:34:41 | 0:34:44 | |
-Mark... -Yes? -Have you been upstairs? -No. | 0:34:44 | 0:34:48 | |
There's some other small items that you might find as well. | 0:34:48 | 0:34:52 | |
Oh, do you think so? | 0:34:52 | 0:34:54 | |
Oh, yeah, he's got something. | 0:34:54 | 0:34:57 | |
This is a lady's ebonised walking cane. | 0:34:57 | 0:35:00 | |
The base wood has been lacquered in black | 0:35:00 | 0:35:04 | |
to give the illusion of ebony - ebony is heavy, and this is quite light. | 0:35:04 | 0:35:09 | |
I haven't seen a hallmark on the collar, but it looks like silver. | 0:35:09 | 0:35:13 | |
And it's got a very nice feel. But more importantly, | 0:35:13 | 0:35:17 | |
it's priced up at around 20, and I think if I put it in | 0:35:17 | 0:35:20 | |
with the parasol and the ivory box, | 0:35:20 | 0:35:23 | |
it makes a nice little interesting lot, | 0:35:23 | 0:35:25 | |
So, what's Peggy's very best price? | 0:35:25 | 0:35:27 | |
-85. -85 for the three items? -Mm-hmm. -Gosh. | 0:35:28 | 0:35:32 | |
-Now, that is gold. -You think it's gold? -Oh, definitely. | 0:35:33 | 0:35:37 | |
-Peggy, thank you very much. Can I come back to you in a moment? -You can. | 0:35:39 | 0:35:43 | |
-You are so sweet. -But...that's it. -No, I won't. | 0:35:43 | 0:35:46 | |
-I won't ask for any more, I promise you. -OK. -Thank you, Peggy. | 0:35:46 | 0:35:50 | |
Right, have a think about that. Now, where's Margie heading? | 0:35:50 | 0:35:54 | |
-Ooh, she's found a chair. -You've seen how it works, obviously... | 0:35:54 | 0:35:58 | |
Well, actually, it's so small, I thought it was mainly for a doll. | 0:35:58 | 0:36:03 | |
But, you know, I'm afraid... | 0:36:03 | 0:36:06 | |
-it's a lot of money. -65 on that. | 0:36:06 | 0:36:09 | |
-Mmm. Do you hear the intake of breath?! -Yes, I know. | 0:36:09 | 0:36:12 | |
60 is the very best. | 0:36:12 | 0:36:14 | |
Mm, that sounds like a good deal. | 0:36:14 | 0:36:16 | |
-So, what's the last? -55. | 0:36:17 | 0:36:20 | |
That is final - absolutely no more. | 0:36:20 | 0:36:22 | |
-OK, we've done it. Thank you. -OK, Margie, OK! | 0:36:22 | 0:36:26 | |
Two deals for Margie. Come on, Mark, enough mulling! | 0:36:26 | 0:36:29 | |
-Peggy... -Mark. | 0:36:29 | 0:36:31 | |
I've agonised over these, because I do love them, | 0:36:31 | 0:36:34 | |
-and I think they make a nice little lot. -They do. | 0:36:34 | 0:36:38 | |
Your dealers and yourself have been extraordinarily generous to me, | 0:36:38 | 0:36:41 | |
but I have to, because it's the nature of my game, I'm afraid... | 0:36:41 | 0:36:46 | |
-Remember this? -I won't ask for any more, I promise. Thank you, Peggy. | 0:36:46 | 0:36:51 | |
You've come down to 85 - is there any chance we can do it for 80? | 0:36:51 | 0:36:55 | |
-I wish we could, but that's really the bottom line. -The bottom line. £85. | 0:36:56 | 0:37:03 | |
Well, I tried. I have to try, you see. And wish me luck. | 0:37:03 | 0:37:07 | |
I can't say I hope you win, because it would be biased. | 0:37:07 | 0:37:09 | |
Well, you can say it. Nobody's watching. | 0:37:09 | 0:37:12 | |
-No-one's watching. I hope you win. -Thank you. | 0:37:12 | 0:37:15 | |
So, they've both bought, | 0:37:16 | 0:37:18 | |
and now it's time for Margie to take the wheel. | 0:37:18 | 0:37:20 | |
Now, then. Let me just check this out. | 0:37:20 | 0:37:23 | |
Neutral. Clutch. I'm not used to heavy steering. | 0:37:23 | 0:37:27 | |
Where are you going? | 0:37:27 | 0:37:28 | |
-Will you help me get it into reverse? -No! | 0:37:28 | 0:37:32 | |
I feel like I've been going in reverse all morning. | 0:37:32 | 0:37:35 | |
-SHE LAUGHS -Oh, dear. I'm not looking. | 0:37:35 | 0:37:37 | |
We're definitely off this time. | 0:37:37 | 0:37:39 | |
Oh, gosh! | 0:37:39 | 0:37:41 | |
I do like a nice, big car park. | 0:37:42 | 0:37:45 | |
-Don't you? -Yeah, I've done it! | 0:37:45 | 0:37:47 | |
THEY CHEER | 0:37:47 | 0:37:49 | |
After that somewhat erratic departure, | 0:37:49 | 0:37:52 | |
Margie and Mark make their way from Chilam to Canterbury. | 0:37:52 | 0:37:56 | |
Famous for tales and saints, Canterbury has been inhabited since prehistoric times, | 0:37:56 | 0:38:02 | |
and a place of pilgrimage since the murder of Thomas A Becket in 1170. | 0:38:02 | 0:38:08 | |
I wonder what Chaucer would have made of our two travellers? | 0:38:08 | 0:38:12 | |
-Bye, darling. See you later. -Thank you very much. | 0:38:12 | 0:38:15 | |
-Have a good visit. -Happy hunting. -I will. Take care. | 0:38:15 | 0:38:19 | |
Bye! | 0:38:19 | 0:38:20 | |
So, while Margie heads off through the traffic... | 0:38:20 | 0:38:25 | |
I haven't stalled it once. | 0:38:25 | 0:38:27 | |
..Mark searches for his next shop. | 0:38:27 | 0:38:29 | |
These are little silver bridge markers, | 0:38:29 | 0:38:31 | |
so when you're playing bridge, | 0:38:31 | 0:38:33 | |
you can mark your score on top of each of them. | 0:38:33 | 0:38:37 | |
They have the representative suits. Hearts, clubs, diamonds and spades. | 0:38:37 | 0:38:41 | |
I would have thought they're Art Deco, 1930s. | 0:38:41 | 0:38:44 | |
They're marked up at £70. | 0:38:44 | 0:38:47 | |
Quite sweet. | 0:38:47 | 0:38:48 | |
I do quite like this as well, actually. | 0:38:50 | 0:38:53 | |
This is a silver bonbon dish. It's quite lightweight. | 0:38:53 | 0:38:56 | |
It's quite nice, because they have that crinkled edge | 0:38:56 | 0:38:59 | |
with this fern leaf design on it. | 0:38:59 | 0:39:02 | |
It's rather fun, that, isn't it? Priced up at £89. | 0:39:02 | 0:39:07 | |
I think I'm getting all flustered. I might need a bit of fresh air. | 0:39:07 | 0:39:11 | |
I'm thinking of spending serious money here. | 0:39:11 | 0:39:14 | |
I do quite like the bonbon dish. | 0:39:14 | 0:39:18 | |
-And the bridge markers. -Right. | 0:39:18 | 0:39:19 | |
This is quite nice. It's marked up at £89. | 0:39:19 | 0:39:22 | |
What sort of price could you do on that? | 0:39:22 | 0:39:25 | |
-70? -70? Mm. | 0:39:25 | 0:39:28 | |
-I'm going to be cheeky. -Go on, then. | 0:39:28 | 0:39:30 | |
All right. Then we'll see where we go. | 0:39:30 | 0:39:32 | |
In an ideal world, I would say 30 quid. | 0:39:32 | 0:39:36 | |
In an ideal world. | 0:39:36 | 0:39:38 | |
In an ideal world, but as you know, the world is not ideal! | 0:39:38 | 0:39:43 | |
-Particularly at the moment! -THEY LAUGH | 0:39:43 | 0:39:45 | |
I know what you mean. | 0:39:45 | 0:39:46 | |
Shall we go in the middle, at £50? | 0:39:49 | 0:39:51 | |
Keith, you are so kind. | 0:39:51 | 0:39:54 | |
And what about this? | 0:39:54 | 0:39:56 | |
Well, that is £70, and going on the previous conversation, | 0:39:57 | 0:40:02 | |
-you want that for £20! -Exactly! | 0:40:02 | 0:40:04 | |
You're attuned to the way I'm thinking here. | 0:40:04 | 0:40:07 | |
Exactly. | 0:40:07 | 0:40:09 | |
40 and 40. | 0:40:09 | 0:40:12 | |
-Well, that's 80, isn't it? -That's tempting. -It IS tempting. | 0:40:12 | 0:40:17 | |
We couldn't go to 70? | 0:40:17 | 0:40:19 | |
75. That's how you do it, isn't it? | 0:40:19 | 0:40:22 | |
-That's how YOU do it. -That's how -I -do it. | 0:40:22 | 0:40:24 | |
-But I like working in round figures, and not £80, £70. -Right. | 0:40:24 | 0:40:28 | |
I'm sorry to push you. | 0:40:28 | 0:40:31 | |
-Well, I could push you. -You could. | 0:40:31 | 0:40:34 | |
-It's not far to go. -HE LAUGHS | 0:40:34 | 0:40:37 | |
Oh, you're too nice a man to do that. | 0:40:37 | 0:40:41 | |
So, where did we get to? | 0:40:41 | 0:40:42 | |
-Well, we got to 65. No, we didn't get to 65. -No, we didn't. | 0:40:42 | 0:40:46 | |
-We got to 75. -I AM being mean, aren't I, really? | 0:40:46 | 0:40:51 | |
Are you just standing there hesitating, | 0:40:51 | 0:40:54 | |
-hoping I'm going to say 70? -Yeah, I am. | 0:40:54 | 0:40:56 | |
-You are? -I am. -Then I will. | 0:40:56 | 0:40:58 | |
-70, it is. -Thank you, Keith. | 0:40:58 | 0:41:00 | |
-I really appreciate it. -That's all right. You're welcome. | 0:41:00 | 0:41:03 | |
Meanwhile, Margie C, | 0:41:03 | 0:41:05 | |
and the MG, | 0:41:05 | 0:41:07 | |
have made their way from Canterbury to Fordwich. | 0:41:07 | 0:41:11 | |
Described in the Domesday Book | 0:41:15 | 0:41:19 | |
as "a small burg", and still tiny now, | 0:41:19 | 0:41:21 | |
Fordwich owes its historic importance to the River Stour. | 0:41:21 | 0:41:26 | |
Here, they took delivery of French stone for Canterbury Cathedral. | 0:41:26 | 0:41:30 | |
Margie is here to visit the smallest town hall in England. | 0:41:30 | 0:41:35 | |
When she can get out of that little MG, that is. | 0:41:35 | 0:41:38 | |
-HORN BEEPS -Oops. | 0:41:38 | 0:41:40 | |
-Hello! -I'm Marjorie Cooper. | 0:41:40 | 0:41:42 | |
I'm Andrea Russo. Very nice to meet you. Welcome to Fordwich. | 0:41:42 | 0:41:46 | |
Old Fordwich had big powers, | 0:41:46 | 0:41:48 | |
especially when it came to enforcing the law. | 0:41:48 | 0:41:50 | |
Councillor Russo can describe what life was like | 0:41:50 | 0:41:54 | |
when the town hall doubled as the courtroom. | 0:41:54 | 0:41:57 | |
-This, Marjorie, is the pleading bar. -Right. | 0:41:57 | 0:42:00 | |
Hence the expression, "the prisoner at the bar". | 0:42:00 | 0:42:03 | |
Because the prisoner would come up, and put his hands here, | 0:42:03 | 0:42:07 | |
-and plead his case. -And plead his case. | 0:42:07 | 0:42:10 | |
Then, of course, he would be tried by the judge, | 0:42:10 | 0:42:14 | |
who was the major of the town. | 0:42:14 | 0:42:17 | |
There were six jurors on each side, | 0:42:17 | 0:42:20 | |
on the table, which was made in 1580, for eight shillings. | 0:42:20 | 0:42:24 | |
So, this is virtually 500 years old. | 0:42:24 | 0:42:26 | |
-We've got a couple of handcuffs. -Yes. | 0:42:26 | 0:42:30 | |
We've also got a branding iron, which is quite fascinating. | 0:42:30 | 0:42:33 | |
As you can see, it's got an "R" here, for "Rex", or "Regina", | 0:42:33 | 0:42:38 | |
-depending who was on the throne. -Who was on the throne at the time. | 0:42:38 | 0:42:42 | |
So, this would be heated up, and then would go, "tschh". | 0:42:42 | 0:42:45 | |
On your face, or where? | 0:42:45 | 0:42:47 | |
Don't know. Perhaps in some place which we cannot tell. | 0:42:47 | 0:42:49 | |
-Do you know what I mean? -SHE LAUGHS | 0:42:49 | 0:42:52 | |
I don't think they'd put it there. | 0:42:52 | 0:42:54 | |
It would be somewhere people could see it! | 0:42:54 | 0:42:56 | |
Underneath is the town jail, | 0:42:56 | 0:42:59 | |
last used in 1855, | 0:42:59 | 0:43:02 | |
where the accused could contemplate | 0:43:02 | 0:43:04 | |
whatever grisly punishment might be in store. | 0:43:04 | 0:43:06 | |
So, a heavy responsibility for the jury, | 0:43:06 | 0:43:09 | |
yet their room was even smaller. | 0:43:09 | 0:43:13 | |
They had to stay here until they reached a verdict, | 0:43:13 | 0:43:16 | |
and they couldn't have any food, no light, nothing. | 0:43:16 | 0:43:20 | |
You can imagine they reached a verdict pretty quickly. | 0:43:20 | 0:43:24 | |
And if they had to relieve themselves, | 0:43:24 | 0:43:27 | |
shall I show you? | 0:43:27 | 0:43:29 | |
Hold me up! Here we go. | 0:43:29 | 0:43:31 | |
-That's what they did. -Oh, my goodness me! | 0:43:31 | 0:43:33 | |
Straight onto the stones. Aren't you glad you live now, and not then?! | 0:43:33 | 0:43:37 | |
Bit small too. That would require a degree of accuracy. | 0:43:37 | 0:43:43 | |
Our experts are looking to hit the target at auction in Heathfield, | 0:43:43 | 0:43:46 | |
East Sussex. | 0:43:46 | 0:43:47 | |
Next stop is in Kent, at Charing. | 0:43:47 | 0:43:50 | |
-Here we are, Margie. -Great stuff! | 0:43:50 | 0:43:53 | |
Our pair are eager to find bargains, but the £200 they started out with | 0:43:53 | 0:43:57 | |
has already begun to shrink alarmingly. | 0:43:57 | 0:43:59 | |
So, what will they plump for? | 0:43:59 | 0:44:02 | |
Oh, afternoon tea! | 0:44:02 | 0:44:04 | |
I hate to use this phrase, but my mum had one of these. | 0:44:06 | 0:44:10 | |
What used to really annoy me, when I had an antique shop... | 0:44:10 | 0:44:13 | |
People used to come in, | 0:44:13 | 0:44:14 | |
spend all their time saying their mum and granny had this, | 0:44:14 | 0:44:18 | |
and go on and not buy anything. So, I'm doing it now! | 0:44:18 | 0:44:22 | |
(£65!) | 0:44:22 | 0:44:24 | |
You can't moan at that, can you? | 0:44:24 | 0:44:26 | |
You push it in, fold it away, | 0:44:26 | 0:44:28 | |
and they can just stick it against the wall. | 0:44:28 | 0:44:30 | |
So, I think they might come back into fashion, those. | 0:44:30 | 0:44:35 | |
Mark's found something that's unlikely ever to trouble | 0:44:35 | 0:44:39 | |
the zeitgeist again. | 0:44:39 | 0:44:40 | |
They're rather greasy. Do you know what they are? | 0:44:40 | 0:44:45 | |
They're little discs for a "simfonium". | 0:44:45 | 0:44:47 | |
"Sinfonium", actually, Mark. | 0:44:47 | 0:44:50 | |
You put these in the machine, and the machine goes round | 0:44:50 | 0:44:53 | |
and it plays notes, when you see through the light, there. | 0:44:53 | 0:44:56 | |
These were played on a sort of upright jukebox, | 0:44:57 | 0:44:59 | |
invented in the late-19th century. | 0:44:59 | 0:45:03 | |
About 26 of them. | 0:45:03 | 0:45:05 | |
I've never sold any before, | 0:45:05 | 0:45:07 | |
so I could be risking everything on a broken record. | 0:45:07 | 0:45:10 | |
-Hello. I'm Mark. -Hello, Mark, I'm Owen. | 0:45:12 | 0:45:15 | |
-Could I have a little look at the cabinet? -Yeah, sure. | 0:45:15 | 0:45:18 | |
This is very pretty, isn't it? | 0:45:18 | 0:45:21 | |
It's a little folding frame. | 0:45:21 | 0:45:23 | |
You can put a picture of your loved one in with you. | 0:45:23 | 0:45:26 | |
When you look at it, the style of it looks very 1920s. | 0:45:26 | 0:45:29 | |
But, when you actually look at the label, it says, | 0:45:29 | 0:45:33 | |
"A heavy, solid silver picture frame. 1994." | 0:45:33 | 0:45:38 | |
So, it's very modern. "Mappin & Webb," it says. | 0:45:38 | 0:45:40 | |
"£65." | 0:45:40 | 0:45:42 | |
Did this come in privately? | 0:45:42 | 0:45:44 | |
-These things are all from another dealer. -Another dealer? Oh. | 0:45:44 | 0:45:47 | |
-He puts the trade discount on the other one. -Oh, does he? OK. -Which is... | 0:45:47 | 0:45:52 | |
-Oh, yes. So, he'd do it for £55. -Yeah. | 0:45:52 | 0:45:55 | |
-I'll have a think about those. -OK. | 0:45:55 | 0:45:58 | |
Mark's hogging Owen, but Margie's desperate to get in there. | 0:45:58 | 0:46:02 | |
I want to go over where his lordship is. | 0:46:02 | 0:46:05 | |
And now he's chatting away to the owner. | 0:46:06 | 0:46:09 | |
-Are those discs yours? -Yes, they are. | 0:46:09 | 0:46:12 | |
I know nothing about these. Do you? | 0:46:12 | 0:46:14 | |
-Well, they are lovely... -Are they a lot of money? | 0:46:14 | 0:46:18 | |
Well, I don't think... | 0:46:18 | 0:46:19 | |
-They all say that. -They're £2 each. | 0:46:19 | 0:46:22 | |
-Oh, gosh. -There's 26 of them. | 0:46:22 | 0:46:24 | |
Around 26. £2 each. | 0:46:24 | 0:46:26 | |
Would they sell at auction, though? | 0:46:26 | 0:46:28 | |
Ah! He's moving off. | 0:46:28 | 0:46:31 | |
Margie might be new to this, but after watching Mark, | 0:46:31 | 0:46:34 | |
she seems to have found a new tactic. | 0:46:34 | 0:46:37 | |
-Follow the label! -There's a ticket on this table. | 0:46:37 | 0:46:40 | |
"A heavy, solid silver picture frame. Mappin & Webb. | 0:46:40 | 0:46:43 | |
"£65." He's obviously trying to do a deal with you. Be honest. | 0:46:43 | 0:46:47 | |
He's had a good look at it, but he hasn't... | 0:46:47 | 0:46:51 | |
-Where is it? -On the table there. | 0:46:51 | 0:46:54 | |
-Oh, that's it! -Yeah. -I was thinking it was a photo frame! | 0:46:54 | 0:46:58 | |
-No. It's a little compact there. -Oh, that is... | 0:46:58 | 0:47:01 | |
There's been no agreement made. | 0:47:01 | 0:47:03 | |
I can do that for £55. | 0:47:03 | 0:47:05 | |
40 quid won't buy it? | 0:47:05 | 0:47:08 | |
I can make a phone call, and then I can do the deal. | 0:47:08 | 0:47:11 | |
-I'm sure I can do something for you. -I will try, but it's got to be £40. | 0:47:11 | 0:47:14 | |
You've got a little Mappin & Webb double photo frame here. | 0:47:14 | 0:47:17 | |
Would you be able to take £40 for it? | 0:47:17 | 0:47:19 | |
OK. All right. Thank you. Bye. | 0:47:21 | 0:47:25 | |
-Yes, he will. -Yes! | 0:47:25 | 0:47:28 | |
I wonder what Mark will make of that? | 0:47:28 | 0:47:30 | |
Still, he did have his chance! | 0:47:30 | 0:47:32 | |
I have noticed this little figure, here. | 0:47:32 | 0:47:35 | |
No, it's not a period one. It's a little figure produced by Worcester. | 0:47:35 | 0:47:40 | |
Um... | 0:47:40 | 0:47:42 | |
In the late-19th century. | 0:47:42 | 0:47:45 | |
This is known as the Regency Gentleman. | 0:47:45 | 0:47:47 | |
It was modelled by James Hadley, | 0:47:47 | 0:47:50 | |
who was a very famous modeller for Worcester Porcelain. | 0:47:50 | 0:47:53 | |
It's still lovely quality, but IS fairly modern. | 0:47:53 | 0:47:55 | |
I think it's rather nice, but there's no price on it. | 0:47:55 | 0:47:59 | |
-Owen, I've spotted a little item here, which I rather like. -OK. | 0:47:59 | 0:48:03 | |
-But it doesn't seem to have a price on it. -Oh, dear. That's not very good, is it? | 0:48:03 | 0:48:08 | |
-I thought maybe it was free(!) -Nothing's free. | 0:48:08 | 0:48:11 | |
No, nothing's free in life. Do you know how much that is? | 0:48:11 | 0:48:14 | |
-I know what I paid for it. -Ah! | 0:48:14 | 0:48:15 | |
HE LAUGHS | 0:48:15 | 0:48:17 | |
That's not a good sign. I don't think this will go my way at all. | 0:48:17 | 0:48:20 | |
Dare I ask what you could let me have it for? | 0:48:20 | 0:48:23 | |
-£50. -Oh! | 0:48:23 | 0:48:25 | |
This isn't going my way, is it? | 0:48:25 | 0:48:28 | |
-HE LAUGHS -Well, what did you want to hear? | 0:48:28 | 0:48:30 | |
I wanted to hear £20. That's what I wanted to pay for it. | 0:48:30 | 0:48:34 | |
-That's highway robbery, you know. -I know. | 0:48:34 | 0:48:36 | |
-But he's a... He's not a highwayman. -Not a highwayman. | 0:48:36 | 0:48:39 | |
-He's a foppish Regency dandy. -He's a dandy, yes. -More like me, actually. | 0:48:39 | 0:48:44 | |
-I don't know what to say. -"Yes" is a nice word. | 0:48:44 | 0:48:46 | |
-Ah! -HE LAUGHS | 0:48:46 | 0:48:48 | |
-OK. You can have it for £20. -Oh, that's wonderful. | 0:48:50 | 0:48:53 | |
I did notice this, as well. | 0:48:53 | 0:48:54 | |
-You know it's broken, the arm's missing? -Yes. | 0:48:54 | 0:48:57 | |
And the head's been off. Yes. | 0:48:57 | 0:49:00 | |
I thought they looked rather nice together. | 0:49:00 | 0:49:02 | |
You can't have that for free, no! | 0:49:02 | 0:49:04 | |
THEY LAUGH | 0:49:04 | 0:49:07 | |
-The other thing I wanted to say is, these discs. -Yes. | 0:49:07 | 0:49:11 | |
Would there be any chance we could do the figure and those for £45? | 0:49:11 | 0:49:16 | |
You really can't do £50? | 0:49:16 | 0:49:17 | |
Honestly, I would love to. | 0:49:17 | 0:49:19 | |
If I had £50, I would say £50, I promise you. | 0:49:19 | 0:49:21 | |
But I would be completely spent, I think. | 0:49:21 | 0:49:23 | |
-OK. There you are. -Thank you very much, Owen. | 0:49:23 | 0:49:27 | |
With all of his cash spent, Mark can do no more. | 0:49:27 | 0:49:30 | |
Time for Margie to step in. | 0:49:30 | 0:49:32 | |
Well, I must admit, I haven't really noticed these. | 0:49:32 | 0:49:35 | |
They are from Lord Roberts' workshop, which is in London. | 0:49:35 | 0:49:41 | |
Can you help me with this, Owen? I really don't know. | 0:49:41 | 0:49:44 | |
Lord Roberts was a decorated war hero. | 0:49:44 | 0:49:47 | |
He was very concerned about the rights of disabled war-injured from the First World War. | 0:49:47 | 0:49:52 | |
-Yeah, what happened to them. -He set up workshops, where they could make things. | 0:49:52 | 0:49:55 | |
-It's just incredible. -So, those are hand-painted? -Yeah. | 0:49:55 | 0:49:58 | |
-Gosh! -They're just lovely. -They are. | 0:49:58 | 0:50:00 | |
-What sort of price are they? -These four are £30. | 0:50:00 | 0:50:04 | |
Should I have a go at these? | 0:50:04 | 0:50:06 | |
£20. | 0:50:08 | 0:50:10 | |
So, £15's out? | 0:50:11 | 0:50:13 | |
THEY LAUGH | 0:50:13 | 0:50:15 | |
You see, I've been watching the repeats of this programme. | 0:50:15 | 0:50:19 | |
-And they get really dead hard! -Yeah! | 0:50:19 | 0:50:21 | |
-OK. £15. -Oh, you're very sweet. Thank you very much. I'll buy those. | 0:50:22 | 0:50:28 | |
Everything nicely wrapped up, including a little surprise. | 0:50:28 | 0:50:31 | |
-So, there we are. £45. -Thank you very much. | 0:50:31 | 0:50:34 | |
But I've thrown in the Venus De Milo, as a free gift for you. | 0:50:34 | 0:50:37 | |
-Oh! -There you are. I hope you do well. | 0:50:37 | 0:50:39 | |
You are SO kind to me. Thank you. | 0:50:39 | 0:50:41 | |
Roof up, to keep out the rain, | 0:50:42 | 0:50:44 | |
Margie and Mark make their next move. | 0:50:44 | 0:50:47 | |
From Charing to the historic town of Faversham. | 0:50:47 | 0:50:51 | |
Time for the one with the cash to make her final manoeuvres. | 0:50:52 | 0:50:55 | |
Ah, looks nice! | 0:50:55 | 0:50:57 | |
But will she unearth a bargain? | 0:50:57 | 0:50:59 | |
There's quite a good market for these things. | 0:50:59 | 0:51:02 | |
That's something that could be used. | 0:51:04 | 0:51:06 | |
This one's a nice one, isn't it? | 0:51:06 | 0:51:08 | |
Somebody's initials. | 0:51:08 | 0:51:10 | |
There we go. | 0:51:14 | 0:51:15 | |
Ooh! | 0:51:15 | 0:51:17 | |
SHE LAUGHS | 0:51:17 | 0:51:18 | |
Can't get it open. There we go. | 0:51:18 | 0:51:21 | |
Yeah, just a plain one. | 0:51:21 | 0:51:23 | |
Yeah, I quite like that. | 0:51:23 | 0:51:25 | |
I don't know. I could afford it. It's £45. | 0:51:25 | 0:51:27 | |
The dealer is on hand to haggle. | 0:51:27 | 0:51:29 | |
20 quid buy it? | 0:51:29 | 0:51:32 | |
SHE LAUGHS | 0:51:32 | 0:51:33 | |
Well, as I would like you to win... | 0:51:33 | 0:51:36 | |
-Oh! Bless you. -Yes. | 0:51:36 | 0:51:38 | |
Oh, my gosh! I'm shocked. | 0:51:38 | 0:51:41 | |
Because I think that's a bargain, and I think you'll do well. | 0:51:41 | 0:51:44 | |
-That's really sweet of you. Thank you very much! -OK! | 0:51:44 | 0:51:48 | |
So, Margie's spent £150 on five lots - | 0:51:48 | 0:51:52 | |
a Bakelite lighter, a Victorian doll's highchair, | 0:51:52 | 0:51:56 | |
a silver frame, four hand-painted place mats | 0:51:56 | 0:52:00 | |
and a leather case. | 0:52:00 | 0:52:02 | |
While Mark's blown the entire £200 on a silver decanter coaster, | 0:52:02 | 0:52:08 | |
four bridge pens, a set of sinfonium discs | 0:52:08 | 0:52:11 | |
a Royal Worcester figure | 0:52:11 | 0:52:13 | |
and a collector's lot containing parasol, walking cane | 0:52:13 | 0:52:18 | |
and a mounted etui. | 0:52:18 | 0:52:20 | |
So, I wonder what they think of each other's bounty. | 0:52:20 | 0:52:23 | |
His last lot, I felt a little bit jealous. | 0:52:23 | 0:52:26 | |
That's a really good lot he's got there. | 0:52:26 | 0:52:29 | |
That lovely Georgian etui. | 0:52:29 | 0:52:31 | |
Why did she buy that doll's fold-in whatever-it-was? | 0:52:31 | 0:52:36 | |
I was speechless with the sinfonium discs. I didn't know what to say. | 0:52:36 | 0:52:41 | |
I just don't understand them. I just don't get it. | 0:52:41 | 0:52:44 | |
I don't get those at all. | 0:52:44 | 0:52:46 | |
After starting out in Kent at Chilham, | 0:52:46 | 0:52:49 | |
this leg of our trip will conclude in Sussex at Heathfield... | 0:52:49 | 0:52:53 | |
Out you get. Let's get in there and get started. | 0:52:55 | 0:52:58 | |
..at Watsons Auction Rooms. | 0:52:58 | 0:53:00 | |
OK, settle down, everyone. Margie's lighter is up first. | 0:53:02 | 0:53:06 | |
-How are you feeling about it? -I'm hoping for a fiver. | 0:53:06 | 0:53:09 | |
-Profit, presumably. -Bakelite lighter. | 0:53:09 | 0:53:13 | |
-At £10... -Oh, come on. | 0:53:13 | 0:53:15 | |
-10, 12, 14, 16, 18. -Creeping up. | 0:53:15 | 0:53:19 | |
At £18. Right in front. | 0:53:19 | 0:53:21 | |
At £18. | 0:53:21 | 0:53:23 | |
He started at 10, Margie. | 0:53:23 | 0:53:26 | |
A £2 loss, more after commission. | 0:53:26 | 0:53:30 | |
Trying to cheer me up? | 0:53:30 | 0:53:31 | |
How will Mark's odd couple get on? | 0:53:31 | 0:53:34 | |
-£10 I'm bid. -This is terrible. -At 10, 12... | 0:53:34 | 0:53:36 | |
-You're going up. -..14, 16, 18, | 0:53:36 | 0:53:38 | |
-20, 22, 25. -You're in profit. | 0:53:38 | 0:53:42 | |
At £25. 28 now? At £25. | 0:53:42 | 0:53:45 | |
-It wiped its face. -You haven't lost money. | 0:53:45 | 0:53:49 | |
At last, a fiver profit. | 0:53:49 | 0:53:51 | |
Not an ecstatic sum. | 0:53:51 | 0:53:53 | |
The silver frame, they both wanted it but Margie got it. | 0:53:53 | 0:53:57 | |
30. £30. 20. | 0:53:57 | 0:54:00 | |
-Come on. -Oh. -10 I'm bid. 10, 12, 14, 16... | 0:54:00 | 0:54:04 | |
-It's not going to make it. -..18, 20, 22, 24. | 0:54:04 | 0:54:08 | |
26 now. 26. At £26. Going to sell at £26. | 0:54:08 | 0:54:13 | |
I'm really sorry, Margie. That's very disappointing. | 0:54:13 | 0:54:16 | |
Perhaps she won't be so keen to follow Mark next time. | 0:54:16 | 0:54:20 | |
I think that's an omen. | 0:54:20 | 0:54:22 | |
Mark's silver bridge pens. | 0:54:22 | 0:54:25 | |
£30... 20, take a bid. £20. | 0:54:25 | 0:54:29 | |
At £20 bid, 20. 22, 25, | 0:54:29 | 0:54:32 | |
28, 30, 32, 35. | 0:54:32 | 0:54:35 | |
At 35 on commission, selling at £35. | 0:54:35 | 0:54:39 | |
-Ridiculous. -Hardly all square, though. | 0:54:40 | 0:54:44 | |
It's a loss by the time they take the commission out of it. | 0:54:44 | 0:54:47 | |
Will someone please appreciate the story of Margie's mats? | 0:54:47 | 0:54:51 | |
Nicely decorated, £10. | 0:54:51 | 0:54:53 | |
-I'm going to cry in a minute. -5, 6, 8, | 0:54:53 | 0:54:56 | |
10, 12. | 0:54:56 | 0:54:58 | |
-Terrible. -I can't bear this. | 0:54:58 | 0:55:00 | |
At £12, 14. | 0:55:00 | 0:55:02 | |
16, at £16. | 0:55:02 | 0:55:05 | |
-Made a profit of a pound! -18 now. Last time at £16. | 0:55:05 | 0:55:10 | |
Yes! | 0:55:10 | 0:55:12 | |
Margie's first profit of the day. | 0:55:12 | 0:55:14 | |
Back to the drawing board. | 0:55:14 | 0:55:16 | |
Mark's collector's lot, I'm worried. | 0:55:16 | 0:55:19 | |
30 I'm bid. £30. | 0:55:19 | 0:55:21 | |
-This is ridiculous. -At £30. 30, 35, 40, 45. -This is a joke. | 0:55:21 | 0:55:25 | |
-50, 55, 60. -Give it a chance. | 0:55:25 | 0:55:28 | |
-65, 70, 75. -There you go. | 0:55:28 | 0:55:31 | |
80, 85, | 0:55:31 | 0:55:34 | |
-90, £90. -It's creeping. | 0:55:34 | 0:55:36 | |
At £90. | 0:55:36 | 0:55:39 | |
-It's absolutely silly. -Another £5 profit. | 0:55:39 | 0:55:42 | |
Wish I'd just kept my money in my pocket. | 0:55:42 | 0:55:44 | |
Next up, Margie's biggest buy. | 0:55:45 | 0:55:47 | |
20 I'm bid, £20. | 0:55:47 | 0:55:50 | |
At 20, 22, 25. | 0:55:50 | 0:55:52 | |
28, 30, 32, | 0:55:52 | 0:55:55 | |
35, 35, 38, | 0:55:55 | 0:55:58 | |
40, 42, 45... | 0:55:58 | 0:56:00 | |
At £45. | 0:56:00 | 0:56:02 | |
48 at the back. At £48, at 48. | 0:56:02 | 0:56:06 | |
-50 now? At £48. -It's so pretty! | 0:56:06 | 0:56:10 | |
-48. -I'm relieved. | 0:56:11 | 0:56:13 | |
Another loss. It's not always like this, Margie. | 0:56:13 | 0:56:17 | |
You got away with that one. I thought it was going to go for a lot less. | 0:56:17 | 0:56:21 | |
-Mark's silver coaster. -20 I've got, £20. | 0:56:21 | 0:56:26 | |
At £20 bid. 20, 22, 25. | 0:56:26 | 0:56:28 | |
-28, 30, at £30. -£30! | 0:56:28 | 0:56:34 | |
-38. At £38, £38. -Profit! | 0:56:34 | 0:56:37 | |
-It's a loss after commission. -He's right, you know. | 0:56:37 | 0:56:43 | |
If you cannot get £50 or £60 on this, | 0:56:43 | 0:56:46 | |
there's no point in selling it in the auction. Really isn't. | 0:56:46 | 0:56:50 | |
Margie's last chance, the luggage. | 0:56:50 | 0:56:53 | |
-At £60. 60, 50... -Yes. | 0:56:53 | 0:56:57 | |
-30 I'm bid. -30, tenner up. | 0:56:57 | 0:56:59 | |
30, 32, 35. | 0:56:59 | 0:57:02 | |
-He's on the book. -38, 40, 42. | 0:57:02 | 0:57:04 | |
45, 48. | 0:57:04 | 0:57:05 | |
-That's good. -50, 55, 60, 65... | 0:57:05 | 0:57:08 | |
At £65. | 0:57:08 | 0:57:10 | |
-On my left now, at £65. -Nice profit. -Have I gone pink?! | 0:57:10 | 0:57:14 | |
That's up £45. | 0:57:14 | 0:57:17 | |
£45 profit in the bag. | 0:57:17 | 0:57:19 | |
That's brilliant, well done. | 0:57:20 | 0:57:22 | |
OK, sinfonium fans, this is your moment. | 0:57:22 | 0:57:27 | |
-10 I'm bid, only 10. -Good Lord. | 0:57:27 | 0:57:29 | |
-12, 14, 16, 18. -You're on the book. -20, 25, 28, 30. | 0:57:29 | 0:57:34 | |
32, 35, 38. | 0:57:34 | 0:57:36 | |
40, 42. | 0:57:36 | 0:57:37 | |
£45, 50? At 45. | 0:57:37 | 0:57:42 | |
Can you believe it? You little devil. | 0:57:42 | 0:57:44 | |
That IS a surprise. | 0:57:44 | 0:57:46 | |
-£20 profit. -Gosh, that is amazing, I apologise. | 0:57:46 | 0:57:51 | |
But look in my face. Not happy. | 0:57:51 | 0:57:55 | |
And for a very good reason. The new girl's beaten him by 80p. | 0:57:55 | 0:57:59 | |
-I'm not sure, what can I say? What a day. -Unmitigated disaster. | 0:57:59 | 0:58:03 | |
What a rollercoaster. | 0:58:03 | 0:58:05 | |
Mark Stacey began with £200 | 0:58:05 | 0:58:08 | |
and made a loss of £8.94 after auction costs. | 0:58:08 | 0:58:11 | |
So, he has £191.06 to spend on the next leg. | 0:58:11 | 0:58:17 | |
Whilst Margie Cooper, who also began with £200, | 0:58:17 | 0:58:20 | |
made a loss of £8.14 after auction costs, | 0:58:20 | 0:58:23 | |
so she leads, narrowly, with £191.86 to spend going forward. | 0:58:23 | 0:58:29 | |
-I simply can't believe that you beat me by 80p. -I can't... | 0:58:32 | 0:58:39 | |
Watch out for the heavy steering, Mark. | 0:58:39 | 0:58:42 | |
-Ready? -Ready. | 0:58:42 | 0:58:44 | |
Onward and downward, as they say, Marjorie. | 0:58:44 | 0:58:48 | |
-Oooh. -Ooh. | 0:58:48 | 0:58:49 | |
Subtitles by Red Bee Media Ltd | 0:59:12 | 0:59:14 |