Browse content similar to Episode 12. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
. | 0:47:50 | 0:47:57 | |
The nation's favourite antiques experts, £200 each and one big challenge. | 0:48:02 | 0:48:06 | |
Well, duck, do I buy you or don't I? | 0:48:06 | 0:48:08 | |
Who can make the most money | 0:48:08 | 0:48:10 | |
buying and selling antiques as they scour the UK? | 0:48:10 | 0:48:12 | |
Look at the colour. | 0:48:12 | 0:48:13 | |
The aim is trade up and hope that each antique turns a profit | 0:48:13 | 0:48:17 | |
but it's not as easy as it looks, | 0:48:17 | 0:48:18 | |
and dreams of glory can end in tatters. | 0:48:18 | 0:48:21 | |
Thank you. | 0:48:21 | 0:48:22 | |
So, will it be the fast lane to success | 0:48:22 | 0:48:25 | |
or the slow road to bankruptcy? | 0:48:25 | 0:48:26 | |
Bad luck for Thomas. £50 down. | 0:48:26 | 0:48:29 | |
This is the Antiques Road Trip. | 0:48:29 | 0:48:31 | |
This week, we're out on the road with a right pair of rascals - | 0:48:35 | 0:48:39 | |
auctioneers Thomas Plant and Mark Hales. | 0:48:39 | 0:48:43 | |
-Gentle as you can. -I know! What are you talking about? | 0:48:43 | 0:48:47 | |
-Beautifully, smoothly. -Yeah, all right. | 0:48:47 | 0:48:49 | |
Do you think I'm a back seat driver? I most definitely am. | 0:48:49 | 0:48:52 | |
Thomas Plant isn't afraid to name his price. | 0:48:52 | 0:48:56 | |
-How much is on it? -350. | 0:48:56 | 0:48:59 | |
What would you like it to be? | 0:48:59 | 0:49:01 | |
I want it to be for nothing, really. | 0:49:01 | 0:49:04 | |
And this is Mark Hales. He just loves antiques. | 0:49:04 | 0:49:10 | |
That's made my day. | 0:49:10 | 0:49:11 | |
Whatever happens to me now today, I'll still be smiling | 0:49:11 | 0:49:14 | |
because I've seen that and I've held that. | 0:49:14 | 0:49:16 | |
Thomas suffered more losses than profits yesterday | 0:49:16 | 0:49:20 | |
but remained positive. | 0:49:20 | 0:49:22 | |
Made money though, didn't it? Made money, made money. | 0:49:22 | 0:49:26 | |
And Mark was rather boisterous at auction. | 0:49:26 | 0:49:30 | |
Go, Floppy, go! | 0:49:30 | 0:49:31 | |
From his original £200, Thomas now has a limp £209.75. | 0:49:33 | 0:49:38 | |
Because we're about to buy in the Republic of Ireland, | 0:49:38 | 0:49:42 | |
this converts to 226 euros and 53 cents. | 0:49:42 | 0:49:45 | |
And just ahead by a nose is Mark Hales. | 0:49:48 | 0:49:51 | |
He managed to add to his £200 kitty | 0:49:51 | 0:49:55 | |
with a respectable figure of £223.89. | 0:49:55 | 0:49:58 | |
Converted into euros, he has 241.80. | 0:49:58 | 0:50:02 | |
The vintage 1967 Sunbeam Alpine is the stylish choice of automobile | 0:50:04 | 0:50:08 | |
for this week's antiques adventure. | 0:50:08 | 0:50:13 | |
This week, Thomas and Mark will travel all the way | 0:50:13 | 0:50:16 | |
from Northern Ireland and will notch up a whopping 460 miles | 0:50:16 | 0:50:19 | |
all the way to the beautiful village of Pontrilas in South Herefordshire. | 0:50:19 | 0:50:24 | |
And on today's show, | 0:50:28 | 0:50:30 | |
we start in Dublin with an auction showdown at Ballybrittas. | 0:50:30 | 0:50:34 | |
The River Liffey flows through the centre of Dublin. | 0:50:38 | 0:50:41 | |
What better place for the chaps to kick off today's rendezvous | 0:50:41 | 0:50:44 | |
and indulge in a bit of shopping strategy? | 0:50:44 | 0:50:47 | |
-A lovely big river. -Very nice indeed. | 0:50:48 | 0:50:51 | |
-Teeming with salmon and possible bargains in Dublin. -I hope so. | 0:50:51 | 0:50:55 | |
Are you going to strike hard bargains this time? | 0:50:55 | 0:50:57 | |
Are you going to deal strongly? | 0:50:57 | 0:51:00 | |
I think if you keep pushing, you make your own luck. | 0:51:00 | 0:51:03 | |
You can't play too safe, Thomas, can you really? | 0:51:03 | 0:51:06 | |
You have to step out of your comfort zone if you're going to win a round. | 0:51:06 | 0:51:10 | |
Like you did with your spoons. | 0:51:10 | 0:51:12 | |
You might have noticed that in the last round I bought silver. | 0:51:12 | 0:51:15 | |
I know. Come on, less of this self-congratulation. | 0:51:15 | 0:51:18 | |
-I told you I wouldn't mention it. -This praise! -One-nil. -Let's go. | 0:51:18 | 0:51:22 | |
One-nil! | 0:51:22 | 0:51:23 | |
# One-nil! # | 0:51:23 | 0:51:25 | |
Well, they're certainly playful. | 0:51:25 | 0:51:29 | |
They're making their way | 0:51:29 | 0:51:31 | |
to Dublin's Antiques Mecca, Francis Street. | 0:51:31 | 0:51:34 | |
It's Mark's turn first. | 0:51:35 | 0:51:37 | |
He's having a good old gander at Michael Connell Antiques. | 0:51:37 | 0:51:41 | |
-Good morning, sir. -Good morning, how are you? -I'm Mark. | 0:51:41 | 0:51:44 | |
-Michael Connell, pleased to meet you. -How do you do, Michael? | 0:51:44 | 0:51:47 | |
How refreshing to walk into a shop that is very much the real thing. | 0:51:47 | 0:51:51 | |
-Thank you very much. -Absolutely wonderful. | 0:51:51 | 0:51:55 | |
Would it be OK if I had a jolly good look? | 0:51:55 | 0:51:57 | |
-Have a good wander, there's loads of stuff here. -Lovely. | 0:51:57 | 0:52:00 | |
-Thank you very much indeed. -No problem. | 0:52:00 | 0:52:03 | |
Mark is a master spy of hunting down unusual antiques. | 0:52:05 | 0:52:09 | |
He's a lovable charmer that knows how to work the room. | 0:52:09 | 0:52:13 | |
He takes his time, slowly but surely narrowing down the items | 0:52:19 | 0:52:23 | |
he wants to consider. | 0:52:23 | 0:52:24 | |
-And then Bingo! He makes his move. -Nice little camera here. | 0:52:28 | 0:52:34 | |
These are very, very collectible. | 0:52:34 | 0:52:38 | |
Maybe if we can get this for a good price, this might be worth a go. | 0:52:38 | 0:52:44 | |
This little beauty is said to be an original spy camera from the 1940s. | 0:52:44 | 0:52:49 | |
A lot of people will buy this sort of thing at auction to place online. | 0:52:49 | 0:52:53 | |
Postage is very little, it's easy. | 0:52:53 | 0:52:55 | |
It can be posted anywhere in the world easily and it's very collectible. | 0:52:55 | 0:52:59 | |
It's got its original leather case. It's all working, it's all there. | 0:52:59 | 0:53:03 | |
I'll have a little think about that. | 0:53:03 | 0:53:05 | |
And as he thinks about it, the search continues. | 0:53:07 | 0:53:11 | |
This just caught my eye because there's always RAF collectors. | 0:53:15 | 0:53:18 | |
That's just come in, yes. | 0:53:18 | 0:53:20 | |
There are in my part of the world anyway. I'm down in Devon. | 0:53:20 | 0:53:23 | |
Whenever we have anything that's RAF, | 0:53:23 | 0:53:26 | |
there's always somebody that wants to buy it. | 0:53:26 | 0:53:28 | |
I just thought that's a bit of fun so that's definitely a maybe. | 0:53:28 | 0:53:31 | |
Right, the camera, Michael. 60-odd euros. | 0:53:31 | 0:53:35 | |
I'll do 50 on it, Mark. | 0:53:35 | 0:53:36 | |
I'm out of my comfort zone as usual. | 0:53:36 | 0:53:39 | |
I'll do 40 to bring you into your comfort zone. | 0:53:39 | 0:53:42 | |
-Is it...? -It's working. | 0:53:42 | 0:53:45 | |
-Is it rare enough? -It's rare. | 0:53:45 | 0:53:46 | |
-It's a miniature spy, what they call, spy camera. -And it's all there? | 0:53:46 | 0:53:50 | |
The leather case, the lot. | 0:53:50 | 0:53:52 | |
Little spy camera in its original leather case, 40 euros. | 0:53:52 | 0:53:55 | |
-Oh, let's have a go. Let's have a go. -Right. | 0:53:55 | 0:53:58 | |
-All right, I'll have that, Michael. We'll shake on that one. -Thank you. | 0:53:58 | 0:54:01 | |
I'll have that one. I'll get the money out in a minute. | 0:54:01 | 0:54:05 | |
What about this little match box holder? This has to be pennies. | 0:54:05 | 0:54:09 | |
I'm not that enamoured with it, it's just RAF. It's a collectible. | 0:54:09 | 0:54:12 | |
-If it's really cheap, I'll have a go. -I'll do a tenner on it. | 0:54:12 | 0:54:15 | |
All right, we'll have a go with that. Thank you, Michael. Shake on that as well. | 0:54:15 | 0:54:19 | |
The job's a good 'un, Mark. It's an impressive start to your day. | 0:54:19 | 0:54:26 | |
Meanwhile, Thomas Plant is making his way to St James's Gate in Dublin, | 0:54:26 | 0:54:29 | |
the home of the world-famous Guinness beverage. | 0:54:29 | 0:54:33 | |
Obviously, there are other stouts available | 0:54:36 | 0:54:40 | |
but it would be rude not to visit whilst one's in Dublin. | 0:54:40 | 0:54:43 | |
10 million glasses of this world-famous stout are enjoyed | 0:54:43 | 0:54:48 | |
in 150 countries across the globe, but Thomas is not going for a drink. | 0:54:48 | 0:54:52 | |
Oh no. He's here to find out about the history. | 0:54:52 | 0:54:55 | |
It all started in 1759, when Arthur Guinness signed | 0:54:55 | 0:55:00 | |
a rather unique lease for a disused brewery in Dublin. | 0:55:00 | 0:55:03 | |
Archivist Evelyn Roche is Thomas's guide for today. | 0:55:03 | 0:55:07 | |
-I keep on hearing about this famous lease. -Absolutely. | 0:55:07 | 0:55:11 | |
One of the most famous leases in Irish history, probably, | 0:55:11 | 0:55:14 | |
and I've a copy of it here to show you. | 0:55:14 | 0:55:16 | |
-OK. -This is it. | 0:55:16 | 0:55:19 | |
It's an indenture, the term that would have been used back in the 18th century. | 0:55:19 | 0:55:23 | |
It was signed 252 years ago for an incredible 9,000 years. | 0:55:23 | 0:55:28 | |
9,000 years! | 0:55:28 | 0:55:30 | |
That is an extraordinary amount of time. | 0:55:30 | 0:55:32 | |
Did he think, I may as well buy it? | 0:55:32 | 0:55:34 | |
Very hard for us to conceive of 9,000 years as a period of time. | 0:55:34 | 0:55:37 | |
I guess all you can say, about Arthur, he certainly had | 0:55:37 | 0:55:40 | |
a belief in his beer and a belief that he was going to be around for 9,000 years. | 0:55:40 | 0:55:44 | |
-I hear you've got something else to show me. -I do indeed. | 0:55:44 | 0:55:47 | |
I'll take you over here. | 0:55:47 | 0:55:49 | |
This is one of the absolute gems that we hold here in the archive. | 0:55:49 | 0:55:53 | |
It's a recipe book that dates right back to Arthur's time. | 0:55:53 | 0:55:57 | |
It's a recipe that he himself would have brewed. | 0:55:57 | 0:56:00 | |
What this shows is that he was actually brewing West India Porter. | 0:56:00 | 0:56:04 | |
Why this particular recipe is of such interest to us | 0:56:04 | 0:56:07 | |
here at Guinness is that it's the direct precursor | 0:56:07 | 0:56:10 | |
of a beer that we still brew today over 200 years later | 0:56:10 | 0:56:14 | |
here in St James's Gate which we call Guinness Foreign Extra Stout. | 0:56:14 | 0:56:17 | |
That is fascinating, it really is. | 0:56:17 | 0:56:19 | |
What are these here, these children's books? | 0:56:19 | 0:56:22 | |
Sort of Alice in Wonderland? | 0:56:22 | 0:56:24 | |
These are what are known as doctor's books. | 0:56:24 | 0:56:26 | |
They're really, really highly illustrated booklets | 0:56:26 | 0:56:29 | |
that were first produced in the early 1930s | 0:56:29 | 0:56:32 | |
and they're called doctor's books because they were actually issued | 0:56:32 | 0:56:36 | |
by Guinness to GPs, general practitioners, | 0:56:36 | 0:56:38 | |
around Christmas time of every year as a thank-you gift to GPs | 0:56:38 | 0:56:43 | |
who, at that point in time, | 0:56:43 | 0:56:44 | |
would have been endorsing Guinness as a health tonic. | 0:56:44 | 0:56:48 | |
Very much, you have to look at it as a point in time. | 0:56:48 | 0:56:51 | |
This is the very first one here and it's based on Alice in Wonderland | 0:56:51 | 0:56:55 | |
so would have been the Lewis Carroll centenary | 0:56:55 | 0:56:58 | |
around the 1930s, so would have been very topical, I guess, at the time. | 0:56:58 | 0:57:02 | |
What they would have done is just adapted a lot of the copy | 0:57:02 | 0:57:07 | |
and a lot of the ditties to Guinness. | 0:57:07 | 0:57:10 | |
This one here at the end is just one of my personal favourites. | 0:57:10 | 0:57:13 | |
You have the hare here looking at his pocket watch and saying, | 0:57:13 | 0:57:16 | |
"Oh my ears and whiskers! It's Guinness time!" | 0:57:16 | 0:57:18 | |
Well, my ears and whiskers indeed. | 0:57:18 | 0:57:21 | |
While Thomas enjoys a touch of the black stuff, | 0:57:21 | 0:57:24 | |
Mark's still shopping in Dublin's Francis Street. | 0:57:24 | 0:57:27 | |
-Good morning. -Good morning. -Good morning, I'm Mark. -I'm Esther. | 0:57:27 | 0:57:33 | |
-Hello, Esther. How do you do? -Fine, thank you. | 0:57:33 | 0:57:35 | |
-What a lovely day out there. -It's lovely. | 0:57:35 | 0:57:38 | |
-What a lovely shop. -Thank you. | 0:57:38 | 0:57:40 | |
-Would you mind awfully if I just have a little browse? -No. | 0:57:40 | 0:57:43 | |
Off we go again. | 0:57:43 | 0:57:44 | |
This chap is a likeable fellow with a real love of antiques. | 0:57:44 | 0:57:47 | |
Do you know, it sort of makes the day worthwhile | 0:57:50 | 0:57:53 | |
when you see something like that. I absolutely love this. | 0:57:53 | 0:57:57 | |
19th century French Rousseau. | 0:57:57 | 0:58:00 | |
Superb. Acid-etched, look at the colour. That in front of the light. | 0:58:00 | 0:58:06 | |
Unfortunately, a lot of damage. Actually, it's not for sale. | 0:58:06 | 0:58:12 | |
Esther's keeping this and I really don't blame her | 0:58:12 | 0:58:16 | |
because if I found this somewhere, I would keep it. | 0:58:16 | 0:58:19 | |
Oh, wonderful piece of glass. That's made my day. | 0:58:19 | 0:58:23 | |
Whatever happens to me now today, I'll still be smiling | 0:58:23 | 0:58:26 | |
because I've seen that and I've held that. | 0:58:26 | 0:58:29 | |
MUSIC: "Magic Moments" by Perry Como | 0:58:29 | 0:58:33 | |
I think he likes it. | 0:58:36 | 0:58:38 | |
But you're here to buy, Mark. Back to it! | 0:58:38 | 0:58:41 | |
Have you got any little bits and bobs? | 0:58:41 | 0:58:44 | |
Anything there's a profit left in. Anything I can turn a copper with. | 0:58:44 | 0:58:48 | |
-I doubt it. -Anything you've bought well. | 0:58:48 | 0:58:53 | |
-This is a very English thing. -I like that. Isn't it lovely? -Yes. | 0:58:55 | 0:58:59 | |
-Mother of pearl, little penknife, fruit knife. -A fruit knife. | 0:58:59 | 0:59:02 | |
Little ladies' penknife or fruit knife. Is that pennies? | 0:59:02 | 0:59:06 | |
-Little penknife. -There's 20 euro on it. We could do something. | 0:59:06 | 0:59:10 | |
Could it be 10? | 0:59:10 | 0:59:12 | |
-That will give me a chance, wouldn't it? -It would. -It would, wouldn't it? | 0:59:12 | 0:59:15 | |
-It could be 10. -Yes? -Yes. -Esther, I think I love you. | 0:59:15 | 0:59:20 | |
I love that. | 0:59:20 | 0:59:21 | |
-It must make more than that, mustn't it? -It has to. | 0:59:21 | 0:59:24 | |
Bless your heart, you're a lovely lady. | 0:59:24 | 0:59:27 | |
-Thank you. -Right, 10 euros. Thank you very much. | 0:59:27 | 0:59:31 | |
Gosh, Mark really likes to dish out the kisses and the compliments. | 0:59:31 | 0:59:35 | |
The charm seems to be working though. | 0:59:35 | 0:59:37 | |
That's another cheeky lot to add to his bag of tricks. | 0:59:37 | 0:59:41 | |
Thomas, on the other hand, has a lot of catching up to do. | 0:59:43 | 0:59:45 | |
His first bout of shopping begins in Michael Connell Antiques. | 0:59:45 | 0:59:50 | |
-Hello. -Hello, how are you? -Good, thank you. How are you? -Not too bad. | 0:59:50 | 0:59:54 | |
-Michael Connell, pleased to meet you. -Michael, I'm Thomas Plant. Nice to meet you. | 0:59:54 | 0:59:58 | |
Can I have a good scoot around? | 0:59:58 | 1:00:00 | |
Feel free. Work away, take your time. | 1:00:00 | 1:00:04 | |
Thomas loves sniffing out a bargain and like Mark, | 1:00:04 | 1:00:08 | |
he loves to get stuck right in. | 1:00:08 | 1:00:10 | |
I will ask Michael about this. | 1:00:25 | 1:00:27 | |
A big decorative drum, isn't it? It's made of, this is pigskin. | 1:00:27 | 1:00:32 | |
This is brass and this is wood round here. | 1:00:32 | 1:00:35 | |
Somebody could have that on a sideboard or somebody | 1:00:35 | 1:00:38 | |
could have that as almost like a coffee table now. | 1:00:38 | 1:00:41 | |
They're quite decorative things. I quite like the painting around it. | 1:00:41 | 1:00:45 | |
I think that's quite good fun. But it's got a lot of money. | 1:00:45 | 1:00:50 | |
350 euros. | 1:00:50 | 1:00:51 | |
The thing is, nobody's offended by an offer. | 1:00:51 | 1:00:55 | |
-The drum. -Yeah. -What can that be? -How much is on it? -350. | 1:00:58 | 1:01:03 | |
What would you like it to be? | 1:01:03 | 1:01:06 | |
I want it to be for nothing, really. | 1:01:06 | 1:01:10 | |
It can be 50. | 1:01:10 | 1:01:11 | |
Eh? What's that you say? 50 euros! | 1:01:11 | 1:01:14 | |
-You couldn't make it for 50 quid. -No. And it's old as well. | 1:01:16 | 1:01:20 | |
It's definitely Victorian, Edwardian, Victorian. | 1:01:20 | 1:01:23 | |
It's got a bit of age to it. | 1:01:23 | 1:01:25 | |
-If we said 40, would you do it? -If we said 50, I'll do it. | 1:01:27 | 1:01:32 | |
I am just now... Do you see the door there? | 1:01:32 | 1:01:37 | |
It's a good price at 50. | 1:01:37 | 1:01:40 | |
45. Thank you. | 1:01:41 | 1:01:45 | |
HE LAUGHS | 1:01:45 | 1:01:48 | |
-Oh, you're giving me a tip as well? -No! | 1:01:49 | 1:01:52 | |
Blimey, that was a super quick deal. | 1:01:52 | 1:01:54 | |
Perhaps Thomas has got a lucky shamrock in his pocket. | 1:01:54 | 1:01:57 | |
Bye, thank you very much. | 1:01:57 | 1:01:59 | |
Meanwhile, we can't seem to get Mark away from Francis Street. | 1:02:00 | 1:02:05 | |
He's still shopping there. This time it's Lantern Antiques. | 1:02:05 | 1:02:09 | |
-Good afternoon, sir. -Good afternoon. | 1:02:10 | 1:02:14 | |
-I'm Mark. -I'm John. -How do you do, John? | 1:02:14 | 1:02:18 | |
-Some very, very nice things here. Can I have a browse? -Of course, yeah. | 1:02:18 | 1:02:22 | |
Thank you very much, John. Thank you. | 1:02:22 | 1:02:24 | |
Mark wastes no time having a good old rummage. | 1:02:25 | 1:02:28 | |
And before too long, he spots a glass scent bottle. | 1:02:28 | 1:02:34 | |
Have a good old dust. | 1:02:34 | 1:02:37 | |
That's all right. A bit of dust is always very nice. | 1:02:37 | 1:02:41 | |
-Helps the ageing process, doesn't it? -Yeah. -Lovely scent bottle. | 1:02:41 | 1:02:46 | |
It's quite late, isn't it, John? Oh, yeah, I think so. | 1:02:46 | 1:02:49 | |
-Bright gilding on it. -Yeah. -Is it pennies? | 1:02:49 | 1:02:53 | |
-Did you buy it with other things? -15 euro. | 1:02:53 | 1:02:57 | |
Well, that's tempting, isn't it? I like that. It's very pretty. | 1:02:59 | 1:03:02 | |
-Could it be 10 euros? -12. | 1:03:02 | 1:03:05 | |
Yes, yes, yes. I think we'll buy that. | 1:03:06 | 1:03:09 | |
That's decorative and that's fun, isn't it? | 1:03:09 | 1:03:12 | |
I think the ladies will like it. My wife would like that very much. | 1:03:12 | 1:03:16 | |
She'd be quite happy to have that. | 1:03:16 | 1:03:18 | |
But then she'd be quite happy to have anything I bought, frankly. | 1:03:18 | 1:03:22 | |
There we have it. | 1:03:22 | 1:03:24 | |
Mark has yet another goody to add to his collection. | 1:03:24 | 1:03:27 | |
After all that excitement, | 1:03:28 | 1:03:31 | |
Heaven knows what they'll get up to tomorrow. | 1:03:31 | 1:03:33 | |
The boys are up nice and early. | 1:03:37 | 1:03:39 | |
There's still more antiques to hunt down in Dublin. | 1:03:39 | 1:03:42 | |
So far, Mark has spent 72 on three auction lots. | 1:03:42 | 1:03:46 | |
The spy camera, so called, | 1:03:46 | 1:03:49 | |
an RAF match box holder, the lady's fruit knife | 1:03:49 | 1:03:53 | |
and the glass scent bottle, leaving 169.80 for the day ahead. | 1:03:53 | 1:03:57 | |
Thomas, meanwhile, | 1:04:02 | 1:04:04 | |
had a tremendous result with the fabulous deal on the Victorian drum. | 1:04:04 | 1:04:08 | |
He spent a total of 45 euros on one lot. | 1:04:08 | 1:04:11 | |
Goodbye, thank you very much. | 1:04:11 | 1:04:13 | |
He has 181.53 to splash around town. | 1:04:13 | 1:04:17 | |
So, onwards with our Irish adventure. | 1:04:18 | 1:04:21 | |
Thomas needs to catch up with the old shopping. | 1:04:21 | 1:04:25 | |
He begins his day where Mark ended his shopping yesterday. | 1:04:25 | 1:04:28 | |
Its Lantern Antiques, located on the boys' beloved Francis Street. | 1:04:28 | 1:04:33 | |
-Good morning. -Morning. | 1:04:34 | 1:04:37 | |
-I'm Thomas. -Morning. Welcome. | 1:04:37 | 1:04:40 | |
-Thank you very much. And you're? -John. | 1:04:40 | 1:04:43 | |
-Do you mind if I have a good look around? -Of course. | 1:04:43 | 1:04:46 | |
Thank you very much. | 1:04:46 | 1:04:48 | |
Thomas has been a tough taskmaster when it comes to naming his price. | 1:04:49 | 1:04:54 | |
Who knows what he will get up to today? | 1:04:54 | 1:04:57 | |
Crumbs. That's a whopper. | 1:04:58 | 1:05:01 | |
This is a Victorian brass grain measure, as it says on there. | 1:05:07 | 1:05:13 | |
You can see it's Victorian because just here, | 1:05:13 | 1:05:17 | |
you've got a Victorian mark - V.R. and the Crown. | 1:05:17 | 1:05:21 | |
Then you've got these proof marks here. | 1:05:21 | 1:05:23 | |
I rate that. I like that. I think it's a lovely thing. | 1:05:27 | 1:05:33 | |
You must sort of scoop into the grain and then you sort of, | 1:05:33 | 1:05:38 | |
off it comes, and then that's your measure of grain. | 1:05:38 | 1:05:41 | |
Beautifully made. I might ask about it. | 1:05:41 | 1:05:45 | |
Interesting item, Thomas. Let's hope it's in your price range. | 1:05:45 | 1:05:49 | |
This is a Stilton waiter or Stilton stand. A cheese dish. | 1:05:54 | 1:05:57 | |
It's mahogany and Georgian, I would have thought. | 1:05:59 | 1:06:05 | |
Cheese coasters would have been used around the Georgian dinner-table | 1:06:05 | 1:06:09 | |
to contain a round of Stilton. | 1:06:09 | 1:06:12 | |
Normally they would have had casters for ease of use. | 1:06:12 | 1:06:16 | |
It's the kind of thing which is still quite collectible | 1:06:17 | 1:06:21 | |
because it's small and it would fit into a modern interior. | 1:06:21 | 1:06:24 | |
There's no price on it so I'm going to have to ask John about it. | 1:06:24 | 1:06:28 | |
Hold on to your hats! He's going in for the deal. | 1:06:28 | 1:06:31 | |
It's the grain measure first. | 1:06:31 | 1:06:34 | |
I mean, I know you've got quite a good price on it | 1:06:34 | 1:06:37 | |
but obviously, I'm looking. | 1:06:37 | 1:06:40 | |
-I'm sort of hoping. -200. | 1:06:41 | 1:06:45 | |
Really? You wouldn't sort of think again on that one? | 1:06:45 | 1:06:50 | |
-Would you? -150. | 1:06:50 | 1:06:53 | |
-No less. -Really? -Yes. -Go on. -No. -No way, no. | 1:06:55 | 1:06:59 | |
It's worth a lot of money, that. What's your price then? | 1:06:59 | 1:07:03 | |
-I'd like to give you 75. -No way. | 1:07:03 | 1:07:06 | |
-I can only ask. -I'll split the difference. | 1:07:06 | 1:07:09 | |
100 and something-five or something. | 1:07:09 | 1:07:12 | |
-I want to get it under the three-figure. -No. No less, no way. | 1:07:12 | 1:07:16 | |
-OK. We can just think about that for a second. -OK, right. | 1:07:16 | 1:07:21 | |
I want to ask you about something else. | 1:07:21 | 1:07:23 | |
-Just up this way if at all possible. -Of course. | 1:07:23 | 1:07:27 | |
Can I ask you about this Stilton piece? | 1:07:27 | 1:07:31 | |
Well, you know, it's incomplete. The wheels. | 1:07:31 | 1:07:33 | |
-The wheels are missing. -Yeah. | 1:07:33 | 1:07:34 | |
-I bought it and didn't realise that. -Was that cheap? -It is, yeah. | 1:07:34 | 1:07:40 | |
-How much? -80. | 1:07:40 | 1:07:43 | |
Would you do a little bit less? | 1:07:43 | 1:07:46 | |
-60 is my lowest now, OK. -Halfway, 50. -No, 60. | 1:07:46 | 1:07:50 | |
-50, go on. -No, no way. | 1:07:50 | 1:07:52 | |
-With the grain thing, What about 140? -OK, go on. | 1:07:52 | 1:07:56 | |
-If it will get rid of you, go on. -You want to get rid of me! | 1:07:56 | 1:07:58 | |
-Yeah, yeah. -Really? | 1:07:58 | 1:08:00 | |
You're certainly being tough today, Thomas. | 1:08:00 | 1:08:02 | |
Remember, people do have to make a living. | 1:08:02 | 1:08:05 | |
-Been a real pleasure. -Thank you. | 1:08:05 | 1:08:06 | |
Mark, meanwhile, has hopped in the car | 1:08:06 | 1:08:09 | |
and is making his way to Sandycove, located eight miles south of Dublin. | 1:08:09 | 1:08:14 | |
He has got an appointment with Robert Nicholson, | 1:08:14 | 1:08:17 | |
curator of the James Joyce Museum. | 1:08:17 | 1:08:19 | |
-Good morning, sir. You must be Robert. -I am indeed. -I'm Mark. | 1:08:20 | 1:08:24 | |
Morning, Mark. Welcome to the James Joyce Museum. | 1:08:24 | 1:08:27 | |
-Why don't you come on in and I'll show you around? -Thank you. | 1:08:27 | 1:08:31 | |
James Joyce is considered one of the most influential writers | 1:08:31 | 1:08:34 | |
in the modernist avant-garde of the early 20th century. | 1:08:34 | 1:08:38 | |
The museum is situated in a Martello tower that was originally built | 1:08:38 | 1:08:44 | |
by the British as a defence against the expected Napoleonic invasion. | 1:08:44 | 1:08:49 | |
Joyce is best known for Ulysses, a landmark novel | 1:08:49 | 1:08:52 | |
that features a day in the life of a fictional character in 1904 Dublin, | 1:08:52 | 1:08:58 | |
which was considered rather experimental and controversial for the early 20th century reader. | 1:08:58 | 1:09:03 | |
Here we are. This used to be the living room of the tower. | 1:09:06 | 1:09:10 | |
We still have it more or less the way it was when Joyce was here. | 1:09:10 | 1:09:14 | |
In 1904, James Joyce spent six nights here along with friend | 1:09:14 | 1:09:18 | |
Oliver St John Gogarty, | 1:09:18 | 1:09:21 | |
owner of the tower, and acquaintance Samuel Chenevix Trench. | 1:09:21 | 1:09:25 | |
This is actually the room described in the opening chapter of Ulysses. | 1:09:25 | 1:09:31 | |
You find the three men sitting here having breakfast. | 1:09:31 | 1:09:35 | |
If you can imagine the whole room, as he describes it, | 1:09:35 | 1:09:39 | |
filled with smoke from cooking breakfast. | 1:09:39 | 1:09:42 | |
It's all full of fumes. | 1:09:42 | 1:09:44 | |
He describes rays of light coming down from the window shafts, there. | 1:09:44 | 1:09:49 | |
They meet in the middle of the room. | 1:09:49 | 1:09:51 | |
-The rays cross and the smoke rising through it. -I can smell it. | 1:09:51 | 1:09:57 | |
I'm there. Wonderful. That is wonderful. | 1:09:57 | 1:10:00 | |
Downstairs there's a very rare item that Mark must see before he leaves. | 1:10:00 | 1:10:06 | |
Let me introduce you to the most famous | 1:10:06 | 1:10:09 | |
and influential novel of the 20th century, Ulysses. | 1:10:09 | 1:10:12 | |
This is one of the rare first editions. | 1:10:13 | 1:10:15 | |
Joyce spent seven years writing Ulysses. | 1:10:15 | 1:10:19 | |
It's an immensely complex book. | 1:10:19 | 1:10:22 | |
The book was banned in America and London | 1:10:22 | 1:10:25 | |
due to the risque nature of some of the chapters, | 1:10:25 | 1:10:29 | |
hence the reason that its first publication was in Paris. | 1:10:29 | 1:10:32 | |
It was finally published on James Joyce's 40th birthday, | 1:10:32 | 1:10:35 | |
the 2nd of February 1922. | 1:10:35 | 1:10:38 | |
It took another 12 years before the ban was raised | 1:10:38 | 1:10:43 | |
in the United States and then Britain. | 1:10:43 | 1:10:46 | |
This edition is limited to 1000 copies. Number 819. Wonderful. | 1:10:46 | 1:10:51 | |
While Mark's been brushing up on Irish literature, | 1:10:51 | 1:10:55 | |
Thomas has travelled from Dublin to Newcastle - | 1:10:55 | 1:10:58 | |
that's Newcastle in the Republic of Ireland - | 1:10:58 | 1:11:02 | |
to visit his last shop of the day. | 1:11:02 | 1:11:04 | |
Thomas is going for a good old nosy in Foley's Storehouse. | 1:11:04 | 1:11:10 | |
-Hello. -How you doing? -All right if I have a look around? -No problem. | 1:11:10 | 1:11:14 | |
Now, here he goes. Will his lucky run continue? | 1:11:14 | 1:11:18 | |
# I feel lucky | 1:11:20 | 1:11:22 | |
# I feel lucky, yeah | 1:11:24 | 1:11:26 | |
# No Professor Doom gonna stand in my way | 1:11:28 | 1:11:32 | |
# Mmm, I feel lucky today. # | 1:11:33 | 1:11:36 | |
Antique Sevres painted double-handled urn with floral design | 1:11:40 | 1:11:44 | |
and opposing English country scene. | 1:11:44 | 1:11:48 | |
It's a nice thing. | 1:11:48 | 1:11:51 | |
It's been completely off. It just needs complete restoration. | 1:11:52 | 1:11:55 | |
It's a nice thing, though. | 1:11:55 | 1:11:58 | |
It's lovely, the harbour scene, isn't it lovely? Gorgeous. Love it. | 1:11:58 | 1:12:03 | |
Love the shape. It's classical. Again, it's a proper antique. | 1:12:03 | 1:12:09 | |
Looks like Thomas is ready to negotiate. | 1:12:09 | 1:12:13 | |
Time to get manager Euan in on the action. | 1:12:13 | 1:12:17 | |
-This, here. -It's an interesting piece. | 1:12:17 | 1:12:19 | |
It's whacked, it's completely been off its rim, hasn't it? | 1:12:19 | 1:12:24 | |
-Can anything be done there? In terms of price? -Price? Certainly. | 1:12:24 | 1:12:30 | |
Well, let's just see. It's standing at 90 euros. | 1:12:30 | 1:12:34 | |
I could do it for 70. How would you feel about that? | 1:12:34 | 1:12:38 | |
I was thinking, because it's so badly damaged, | 1:12:38 | 1:12:42 | |
I'll give you 20 euros for it. | 1:12:42 | 1:12:45 | |
-Hmm. -Because it is whacked all the way around. | 1:12:45 | 1:12:49 | |
It's an interesting thing. | 1:12:49 | 1:12:51 | |
-I love it for what it is, it's just a decorative item now. -Right, OK. | 1:12:51 | 1:12:56 | |
I follow you, I follow you. Look, I'll give it to you for 20. | 1:12:56 | 1:13:00 | |
20? All right. Deal. That's a deal. | 1:13:00 | 1:13:05 | |
Good stuff, thank you. | 1:13:05 | 1:13:06 | |
What's wrong with you, Thomas? You really are pushing it today. | 1:13:06 | 1:13:10 | |
Anyway, with the purchase of the vase, | 1:13:10 | 1:13:13 | |
that means you have a total of five lots. | 1:13:13 | 1:13:15 | |
Back to Mark. | 1:13:18 | 1:13:20 | |
He's still in Sandycove | 1:13:20 | 1:13:21 | |
and has decided to have a bit of a nose in Sandycove Antiques. | 1:13:21 | 1:13:26 | |
-Good afternoon, madam. -How are you? -I'm Mark, how do you do? -I'm Fiona. | 1:13:26 | 1:13:31 | |
-Hello, Fiona. Lovely things. Lovely shop. -Thank you. -Really nice. | 1:13:31 | 1:13:37 | |
-Can I have a browse? -You can. -Is it OK? Thank you very much indeed. | 1:13:37 | 1:13:41 | |
Our Mark loves a bit of a browse | 1:13:43 | 1:13:44 | |
and he's not afraid to have a good old feel of the goods. | 1:13:44 | 1:13:49 | |
But what's he in the mood for buying? | 1:13:49 | 1:13:51 | |
I would love to buy a little bit of silver. | 1:13:51 | 1:13:54 | |
But I would be very much in your hands. | 1:13:54 | 1:13:57 | |
I know it's straightforward, but have you any Dublin silver? | 1:13:57 | 1:14:01 | |
I have a few Irish silver spoons here. Two rat-tail spoons. | 1:14:01 | 1:14:06 | |
Rat-tail was typically Irish. That's called rat-tail. | 1:14:06 | 1:14:11 | |
This is the bright-cut one I was going to show you. | 1:14:11 | 1:14:14 | |
That's bright-cut, it's called. Star pattern. | 1:14:14 | 1:14:17 | |
-Isn't that lovely? -How beautiful. -Pretty. | 1:14:17 | 1:14:20 | |
-1832. Lovely hallmarks. -I like your spoons. | 1:14:20 | 1:14:23 | |
Can we put them on your desk? | 1:14:23 | 1:14:26 | |
Mark fared well with his Dublin spoons at yesterday's auction. | 1:14:26 | 1:14:29 | |
Perhaps another set of spoons is a shrewd and canny move? | 1:14:29 | 1:14:34 | |
These are Irish, here. They are a pair of brass button shiners. | 1:14:36 | 1:14:41 | |
Apparently the people in the army, | 1:14:41 | 1:14:44 | |
to shine the brass buttons on their uniform, | 1:14:44 | 1:14:48 | |
they would put this on to stop the... | 1:14:48 | 1:14:51 | |
-Aren't they lovely? -They're Irish. It says FCA on them. | 1:14:51 | 1:14:55 | |
-What does the FCA stand for, do you know? -I can't remember the name. | 1:14:55 | 1:15:01 | |
-Is it military? -It's military, yes. -Irish military? | 1:15:01 | 1:15:05 | |
That's good, isn't it? | 1:15:05 | 1:15:07 | |
You're quite right, Mark. It is Irish military. | 1:15:07 | 1:15:11 | |
And it stands for Forsa Cosanta Aitiuil | 1:15:11 | 1:15:14 | |
which means Local Defence Force. | 1:15:14 | 1:15:17 | |
The original ticket price for this shiny pair is 118 euros. | 1:15:17 | 1:15:22 | |
Aren't they fun? | 1:15:22 | 1:15:23 | |
If we put those on the desk, have a little think about those. | 1:15:23 | 1:15:28 | |
Let's say I've got about 110 euros to spend. | 1:15:28 | 1:15:32 | |
What can I buy there for 110 euros? | 1:15:32 | 1:15:34 | |
Perhaps those would be good and these lovely brass button shiners. | 1:15:34 | 1:15:38 | |
Is that a good buy at 55 euros? Can I get a profit at auction if I buy those for 55 euros? | 1:15:38 | 1:15:44 | |
I think 55's OK for those because they're Irish silver. | 1:15:44 | 1:15:49 | |
-The rat-tail appeals to people. -Can I get a profit on those? | 1:15:49 | 1:15:52 | |
-That just seems a lot to me, 55. 35? -What about 45? | 1:15:52 | 1:15:58 | |
I definitely wouldn't want to have a go at 45. Maybe I'd have a go at 40. | 1:15:58 | 1:16:03 | |
-At 40 it's 20 each. -Do you think I should have a go at £40? | 1:16:03 | 1:16:07 | |
Just because they're military? All right. OK, Fiona. Thank you very much indeed. | 1:16:07 | 1:16:13 | |
And just when you think he's finished for the day... | 1:16:13 | 1:16:17 | |
You know the two pretty ones, they're Dublin as well? | 1:16:17 | 1:16:20 | |
-They are Dublin, 1832. -How about all four? | 1:16:20 | 1:16:27 | |
£25 a spoon, isn't it? | 1:16:27 | 1:16:30 | |
-You're quite happy with these? Same deal with those? -OK, I'll do that. | 1:16:30 | 1:16:36 | |
-We have a deal. -Thank you very much. That's really sweet. | 1:16:36 | 1:16:41 | |
-I'm in a spoon-buying mood, you might have noticed. -Good, I'm delighted you like the spoons. -Thank you. | 1:16:42 | 1:16:47 | |
He loves a nice Irish spoon. | 1:16:47 | 1:16:49 | |
And he's also one for kissing the ladies. | 1:16:49 | 1:16:53 | |
Maybe that's why he's always smiling. | 1:16:53 | 1:16:55 | |
It's time for the boys to show one another their antique goodies. | 1:16:55 | 1:17:00 | |
My first item, Thomas. | 1:17:01 | 1:17:03 | |
Wonderful. A little micro camera? | 1:17:05 | 1:17:08 | |
-A spy camera, Thomas. And... -Vesta case. That's very nice. | 1:17:08 | 1:17:15 | |
The camera cost 40 euros. The matchbox holder, the RAF matchbox holder, 10 euros. | 1:17:15 | 1:17:22 | |
-Good luck. -Thank you very much, Thomas. That's it, is it? That's all you can say about them? | 1:17:22 | 1:17:27 | |
-That's all I'm going to say. -Lovely(!) | 1:17:27 | 1:17:29 | |
Thomas isn't too impressed, it seems. | 1:17:29 | 1:17:32 | |
Quite heavy. Oh, my goodness me. What have we here, Thomas? | 1:17:32 | 1:17:40 | |
-Well, this, according to the antiques shop, is a measure for grain. -A grain measure! | 1:17:40 | 1:17:45 | |
-It is bronze. -That, I like. -It is a thing of majesty. | 1:17:45 | 1:17:49 | |
-That is absolutely beautiful. -90 euro. -I like that a lot. | 1:17:49 | 1:17:53 | |
I think you did extraordinarily well, actually. Very well. | 1:17:53 | 1:17:57 | |
Mark is very impressed. | 1:17:57 | 1:18:01 | |
-Right. -Oh! Look at that. | 1:18:01 | 1:18:05 | |
So, these are to polish your buttons on your military uniform | 1:18:05 | 1:18:11 | |
without getting the polish on your tunic. | 1:18:11 | 1:18:15 | |
Top marks, Thomas. A little bit of a chance on these. I just thought, well, have a go. | 1:18:15 | 1:18:20 | |
Best of luck. They will probably do you all right in the end. | 1:18:20 | 1:18:24 | |
-It's for your Stilton cheese. -For your Stilton cheese. | 1:18:26 | 1:18:29 | |
It's in raw condition. It needs a bit of work. | 1:18:29 | 1:18:33 | |
But it's all there, really. That was 50. | 1:18:33 | 1:18:36 | |
I think that's safe enough, certainly. | 1:18:36 | 1:18:38 | |
There you are, Thomas. Look at that. | 1:18:38 | 1:18:40 | |
-A mother-of-pearl penknife? -Yes. -Birmingham. -I bought it for 10 euros. | 1:18:40 | 1:18:46 | |
-Bargain. You will make a profit. -I thought it would make 20. -Perfect. | 1:18:46 | 1:18:49 | |
Thomas has a surprise up his sleeve. | 1:18:49 | 1:18:53 | |
He managed to return to Michael Connell Antiques and bag himself another bargain. | 1:18:53 | 1:18:57 | |
Goodness me. That's most unusual and very, very nice. | 1:18:57 | 1:19:02 | |
You wouldn't have spent more than let's say 35 euros on them? | 1:19:02 | 1:19:07 | |
-Less than that. -A snip! -20 euro. | 1:19:07 | 1:19:10 | |
Goodness me, that was a steal, Thomas. | 1:19:10 | 1:19:13 | |
Looks like a good buy, Thomas. | 1:19:13 | 1:19:16 | |
-Another little bricy-bracy thingy. -Don't break it! -I have to handle this one. | 1:19:16 | 1:19:22 | |
-It's a lovely little scent bottle, isn't it? -Very, very pretty. -Isn't that nice? | 1:19:22 | 1:19:27 | |
-Remove your finger. -Oh, lovely. -Lift the perfume, let the drops out. | 1:19:27 | 1:19:33 | |
I thought that was very pretty and very decorative. | 1:19:33 | 1:19:37 | |
There are always ladies at auctions. Surely it will be saleable. | 1:19:37 | 1:19:41 | |
You can see it's a big item. If I can wrestle it out of the bag. | 1:19:41 | 1:19:46 | |
-My goodness me. -There we are. | 1:19:46 | 1:19:48 | |
I would like you to put into words, | 1:19:48 | 1:19:50 | |
words that people can understand, why you bought this drum. | 1:19:50 | 1:19:54 | |
It's in good condition. | 1:19:54 | 1:19:56 | |
What happens to these now | 1:19:56 | 1:19:58 | |
is they get made into very nice wine tables, | 1:19:58 | 1:20:01 | |
coffee tables, occasional tables. | 1:20:01 | 1:20:04 | |
Do you know, Thomas, I've got to be totally frank here. | 1:20:04 | 1:20:07 | |
-I really dislike your drum quite intensely. -Really? -It's quite fun. | 1:20:07 | 1:20:11 | |
-It's just all mucky and yellow and horrible and smelly. -That's nice. | 1:20:11 | 1:20:16 | |
-I'm not very keen. -It's nice! I'm taking it away, then. | 1:20:16 | 1:20:20 | |
I think we can safely say Mark doesn't like the drum. | 1:20:20 | 1:20:23 | |
Have a look at these. | 1:20:23 | 1:20:26 | |
We've got some Irish spoons here, Irish spoons. | 1:20:26 | 1:20:30 | |
-They're all Dublin. -They're all Dublin, they're all Georgian. | 1:20:30 | 1:20:33 | |
They cost 100. What do you think? | 1:20:33 | 1:20:36 | |
You've got a profit there for sure, a profit. | 1:20:36 | 1:20:39 | |
So, Mark, this was my last shot. | 1:20:39 | 1:20:41 | |
There's the front, nicely painted. | 1:20:41 | 1:20:45 | |
I like that a lot. | 1:20:45 | 1:20:47 | |
That is so me, early 19th-century, soft paste, English porcelain. | 1:20:47 | 1:20:52 | |
You probably snatched it away for 30 euros. | 1:20:52 | 1:20:56 | |
-20 euros spent. -Wonderful. | 1:20:56 | 1:20:58 | |
That's something I'd buy myself at home. | 1:20:58 | 1:21:00 | |
Because it was 20, it would go on the mantelpiece. | 1:21:00 | 1:21:03 | |
-To the auction. -To the auction, Thomas. | 1:21:03 | 1:21:05 | |
To the auction indeed. Both boys are pretty pleased with their buys. | 1:21:05 | 1:21:11 | |
But what do they really think? | 1:21:11 | 1:21:13 | |
I've bought real antiques, real antiques and quality. | 1:21:13 | 1:21:17 | |
So... | 1:21:17 | 1:21:19 | |
Who knows? That risk is so big. | 1:21:20 | 1:21:23 | |
Mark seems to have spent all his money on not great hopes | 1:21:24 | 1:21:28 | |
apart from the spoons. | 1:21:28 | 1:21:30 | |
Out came the drum, there was my opportunity, I didn't like it. | 1:21:30 | 1:21:35 | |
It was smelly, horrible, the condition was appalling. | 1:21:35 | 1:21:39 | |
He's right, it was a Victorian drum, | 1:21:39 | 1:21:41 | |
but I can't see it fetching more than he paid for it. | 1:21:41 | 1:21:46 | |
It's been an exciting second leg from Dublin, Sandycove | 1:21:46 | 1:21:51 | |
and the village of Newcastle, County Dublin | 1:21:51 | 1:21:54 | |
to the final destination of Ballybrittas, Portlaoise. | 1:21:54 | 1:21:57 | |
Ballybrittas is a small village | 1:21:59 | 1:22:01 | |
located in the North East of County Laois, Ireland. | 1:22:01 | 1:22:06 | |
It's auction day as our dynamic duo arrive | 1:22:06 | 1:22:09 | |
at their second auction of the week. | 1:22:09 | 1:22:11 | |
Ashgrove Auction Rooms has been established since 2005 | 1:22:11 | 1:22:16 | |
and holds two auctions per month. | 1:22:16 | 1:22:19 | |
Our auctioneer for today, and owner, is Sean Eacrett. | 1:22:19 | 1:22:22 | |
He has a few thoughts to share on our chaps' purchases. | 1:22:22 | 1:22:26 | |
The silver spoons will do extremely well. They should make their money. | 1:22:27 | 1:22:32 | |
The one I think is going to do the least well, I could be totally wrong, will be the scent bottle. | 1:22:32 | 1:22:37 | |
We haven't had a huge amount of interest in it, | 1:22:37 | 1:22:40 | |
but we have quite a lot of ladies here tonight and it's a more feminine piece. | 1:22:40 | 1:22:44 | |
Mark Hales started today's show with 241 euros and 80 cents. | 1:22:44 | 1:22:50 | |
He spent 212 euros on five lots. | 1:22:50 | 1:22:53 | |
Thomas Plant began with 226.53 | 1:22:55 | 1:22:58 | |
and nearly blew the lot by spending 225 on five lovely lots. | 1:22:58 | 1:23:05 | |
It's the moment we've all been waiting for. Quiet please! | 1:23:07 | 1:23:10 | |
The auction is about to begin. | 1:23:10 | 1:23:12 | |
First up, it's Thomas' unusual cheese coaster. | 1:23:12 | 1:23:18 | |
We have bids taking us in here at 120. | 1:23:18 | 1:23:22 | |
You were right, Thomas, you're smiling now. | 1:23:22 | 1:23:26 | |
-130, 140. Any advance on 140? -That's very good. | 1:23:26 | 1:23:31 | |
Are we all out and done? | 1:23:31 | 1:23:32 | |
Fair warning to you all at 140. | 1:23:32 | 1:23:35 | |
-We're happy now, aren't we? -Yeah, absolutely. | 1:23:35 | 1:23:38 | |
That's a good... That's a good result. | 1:23:38 | 1:23:41 | |
It's a tidy profit for Thomas. | 1:23:41 | 1:23:45 | |
Next up we have Mark's military brass button polishers. | 1:23:45 | 1:23:50 | |
Can we see 30 for them, please? 20 is bid. 22 and I am out. | 1:23:50 | 1:23:55 | |
It's in the room at 22. Any advance on 22? | 1:23:55 | 1:23:59 | |
25, 28. Any advance on 28? | 1:23:59 | 1:24:03 | |
All out and done at 28. | 1:24:03 | 1:24:05 | |
You won't be buying them again, will you? | 1:24:06 | 1:24:09 | |
No, I think I'll give button shiners a miss for the rest of my life. | 1:24:09 | 1:24:13 | |
I would. | 1:24:13 | 1:24:15 | |
Button shiners clearly aren't so popular with this audience it seems. | 1:24:15 | 1:24:19 | |
And now for Thomas's pigskin drum, the one Mark hates. | 1:24:19 | 1:24:26 | |
-And we have commissions on the book. -Oh, no! -22 is bid. Any advance? | 1:24:26 | 1:24:31 | |
25, 28, 30, 32, 35 in the room on the left. | 1:24:31 | 1:24:36 | |
38, 40, 42, 42 there. Any advance on 42? | 1:24:36 | 1:24:41 | |
45, 48, 50, 60, | 1:24:41 | 1:24:45 | |
65, 70. | 1:24:45 | 1:24:48 | |
70 on the right. Selling at 70. A round of applause at 70. | 1:24:48 | 1:24:54 | |
Hey! Smelly, old drum. | 1:24:54 | 1:24:57 | |
It seems Thomas is rather chuffed with that result. | 1:24:59 | 1:25:03 | |
It's Mark's scent bottle next. | 1:25:03 | 1:25:06 | |
Maybe it'll lift him from loss into profit. | 1:25:06 | 1:25:10 | |
20 for this, please. A tenner? | 1:25:10 | 1:25:13 | |
Ten are bid. Any advance on 10? 12, 15, | 1:25:13 | 1:25:17 | |
-18, 20... -We're there. | 1:25:17 | 1:25:20 | |
22, 25, | 1:25:20 | 1:25:23 | |
28, 30, 30 in front. | 1:25:23 | 1:25:25 | |
All out and done at 30. | 1:25:25 | 1:25:28 | |
Not so bad. That's OK. | 1:25:28 | 1:25:31 | |
You've got to be so pleased! | 1:25:31 | 1:25:34 | |
It's a small profit, but it's better than nothing. | 1:25:34 | 1:25:38 | |
It's Thomas's lovely English porcelain vase next. | 1:25:38 | 1:25:43 | |
We have a commission starting this one at 65 bid. | 1:25:43 | 1:25:46 | |
Any advance on 65? Selling on commission at 65. | 1:25:46 | 1:25:50 | |
70, 75, 80, 82. | 1:25:50 | 1:25:54 | |
I'll take 85. Are we all done and finished at 85? | 1:25:54 | 1:25:58 | |
Fair warning to you all at 85. | 1:25:58 | 1:26:00 | |
-Well done, Thomas. That's great, isn't it? -That's a good result. | 1:26:02 | 1:26:06 | |
I'm very pleased with that. | 1:26:06 | 1:26:08 | |
It IS a good result. Yet another profit for Thomas. | 1:26:08 | 1:26:11 | |
Next up, it's Mark's quirky little camera and RAF matchbox holder. | 1:26:11 | 1:26:18 | |
And we have bids taking us in at 35, 38 bid here with me. | 1:26:18 | 1:26:24 | |
Need a lot more than that. | 1:26:24 | 1:26:27 | |
40, 42, 45, 48, 50 and I am out. In the room at 50. | 1:26:27 | 1:26:32 | |
55, 60, 65, | 1:26:32 | 1:26:36 | |
Any advance on 65? 70, 75, 80, 85, | 1:26:36 | 1:26:41 | |
90, sir? | 1:26:41 | 1:26:44 | |
90, 95, | 1:26:44 | 1:26:46 | |
100 on the right. Any advance on 100? | 1:26:46 | 1:26:51 | |
Fair warning to you all at 100. | 1:26:51 | 1:26:54 | |
You put your money on that. | 1:26:54 | 1:26:57 | |
I'm quite proud of myself because I'm not a cameraman. | 1:26:57 | 1:27:00 | |
Clearly. | 1:27:00 | 1:27:01 | |
Well, it's a nice little earner and your best result so far, Mark. | 1:27:01 | 1:27:05 | |
It's Thomas's rather lovely carving set next. | 1:27:05 | 1:27:09 | |
Here's to having another big slice of profit, Tom. | 1:27:09 | 1:27:13 | |
20 is bid. Any advance on 20? | 1:27:13 | 1:27:16 | |
22, 25, | 1:27:16 | 1:27:18 | |
28, 30, 32 and I'm out. | 1:27:18 | 1:27:22 | |
Any advance on 32? To you, madam, selling at 32. | 1:27:22 | 1:27:27 | |
-I think that's... -I think that's very good. | 1:27:27 | 1:27:30 | |
-No, it should have made 45. -No, no, it made a profit, it's fine. | 1:27:30 | 1:27:35 | |
Quite right, Thomas, at least it wasn't a loss. | 1:27:35 | 1:27:39 | |
It's Mark's delicate, lady's fruit knife next. | 1:27:39 | 1:27:44 | |
We have two bids, they're small, but 22 is bid. | 1:27:44 | 1:27:48 | |
Any advance on 22? | 1:27:48 | 1:27:50 | |
25, I'm out. On the right-hand side at 25. | 1:27:50 | 1:27:53 | |
28 online. | 1:27:53 | 1:27:56 | |
30 in the room. | 1:27:56 | 1:27:58 | |
32, 32 online. | 1:27:58 | 1:28:01 | |
Any advance on the online bidder at 32? Online at 32. | 1:28:01 | 1:28:06 | |
Selling at 32. | 1:28:06 | 1:28:07 | |
-That's a world record... -It's very good, isn't it? | 1:28:07 | 1:28:10 | |
..for a bent, silver, mother-of-pearl fruit knife. | 1:28:10 | 1:28:14 | |
Thomas, how dare you? It was beautiful. | 1:28:14 | 1:28:17 | |
That was unexpected. Well done, Mark. | 1:28:17 | 1:28:21 | |
Thomas's turn now. | 1:28:21 | 1:28:24 | |
How will the unusual, bronze grain measure fare? | 1:28:24 | 1:28:28 | |
And we have... | 1:28:28 | 1:28:31 | |
one, two, three, four, five, six bids... | 1:28:31 | 1:28:36 | |
-Oh, really. -..starting at 190. | 1:28:36 | 1:28:39 | |
What did I say? | 1:28:39 | 1:28:42 | |
Any advance on 190? | 1:28:42 | 1:28:44 | |
200, 220, 240, 250, I'll take 260. 260 online. | 1:28:44 | 1:28:50 | |
-that was a nice one, sir. -Wonderful result. | 1:28:52 | 1:28:55 | |
It's a quite unusual piece because of the handles. | 1:28:57 | 1:29:00 | |
Normally you'd see them without handles. 260. Any advance on 260? | 1:29:00 | 1:29:04 | |
-Fair warning. 280, 300. -It's getting better, Thomas. | 1:29:04 | 1:29:10 | |
220, 320, 340, | 1:29:10 | 1:29:14 | |
I'll take 350. 340 online. | 1:29:14 | 1:29:16 | |
Any advance on 340 online? | 1:29:16 | 1:29:19 | |
Any advance on 340? All out and done and fair warning to you all at 340. | 1:29:19 | 1:29:23 | |
-A wonderful result. -You're going to have rather a lot to spend in Wales. | 1:29:25 | 1:29:31 | |
By jingo, that's a tremendous result. | 1:29:31 | 1:29:34 | |
It's our final lot of the auction. | 1:29:34 | 1:29:36 | |
Maybe Mark's spoons will get him back on the road to recovery. | 1:29:36 | 1:29:41 | |
And we have commission starting in at 85. | 1:29:41 | 1:29:45 | |
Go, go, go. | 1:29:45 | 1:29:48 | |
85, 90, 95, 100, 110, 120, I'm out. | 1:29:48 | 1:29:53 | |
120 on the left hand side. I'm selling at 120. | 1:29:53 | 1:29:57 | |
130 online. 140. | 1:29:57 | 1:30:00 | |
Need to be quicker online. I'm selling at 140. | 1:30:00 | 1:30:04 | |
Fair warning at 140. | 1:30:04 | 1:30:07 | |
-It could be worse for teaspoons. -Brilliant. | 1:30:07 | 1:30:10 | |
-It's a profit. -Brilliant. | 1:30:10 | 1:30:13 | |
Well, maybe not quite the result you were looking for | 1:30:13 | 1:30:17 | |
and sadly not enough to achieve a lead today, Mark. | 1:30:17 | 1:30:21 | |
It's only the second day in. There's still all to play for. | 1:30:21 | 1:30:26 | |
Does one be cautious with one's profit? Or does one spend it? | 1:30:26 | 1:30:30 | |
After paying auction costs, Mark has made a profit of 58.60. | 1:30:30 | 1:30:37 | |
He has a total of 300.40 to carry forward. | 1:30:37 | 1:30:41 | |
Thomas Plant is today's triumphant winner | 1:30:41 | 1:30:44 | |
with a spectacular array of profits. | 1:30:44 | 1:30:47 | |
He's made a wonderful profit of 321.94 | 1:30:47 | 1:30:52 | |
and therefore has a staggering 548.47 going forward. | 1:30:52 | 1:30:59 | |
-Mark, are you driving? -Thank you very much, Thomas, that's wonderful. | 1:30:59 | 1:31:03 | |
I think we know who won, don't we? I think we know who won. I'm driving. | 1:31:03 | 1:31:06 | |
It's just down to luck, isn't it? It's just down to sheer luck. | 1:31:06 | 1:31:10 | |
-What a lovely, lovely evening. -Nice people. Good auctioneer. | 1:31:10 | 1:31:15 | |
That was good fun. | 1:31:15 | 1:31:18 | |
Next time on the Antiques Road Trip, the chaps head to Wales. | 1:31:18 | 1:31:23 | |
Mark is super tough when naming his price. | 1:31:24 | 1:31:28 | |
Do you think she'd knock £1 off? | 1:31:28 | 1:31:29 | |
And Thomas shows off his driving expertise. | 1:31:29 | 1:31:33 | |
-I'm looking for more, Thomas. -Are you? | 1:31:33 | 1:32:01 | |
Subtitles by Red Bee Media Ltd | 1:31:59 | 1:32:01 |