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The nation's favourite antique experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money, | 0:00:08 | 0:00:10 | |
buying and selling antiques as they scour the UK? | 0:00:10 | 0:00:12 | |
What's he up to? | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
Do I hear 1,500? | 0:00:21 | 0:00:22 | |
Will it be the fast lane to success, or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
I can't keep this posture up for much longer. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
This week's Road Trip takes us to beautiful Scotland | 0:00:35 | 0:00:39 | |
and entertaining us along the way are antiques experts | 0:00:39 | 0:00:42 | |
Charlie Ross and James Braxton. | 0:00:42 | 0:00:44 | |
Where are we, roughly? | 0:00:44 | 0:00:47 | |
Er, Aberdeen. | 0:00:47 | 0:00:48 | |
Charlie Ross is a renowned auctioneer and map reader, | 0:00:48 | 0:00:52 | |
a true professional, with a weakness for the cheaper things in life. | 0:00:52 | 0:00:55 | |
I couldn't quite see whether it said £5.00 or 50p. | 0:00:55 | 0:00:59 | |
I couldn't quite tell. | 0:00:59 | 0:01:01 | |
James Braxton is an auctioneer | 0:01:01 | 0:01:04 | |
and a surveyor, who is drawn to items of great quality and design. | 0:01:04 | 0:01:08 | |
They are more look than substance, I would tell you. | 0:01:08 | 0:01:11 | |
Auction number one will go down in Road Trip history. | 0:01:11 | 0:01:14 | |
Charlie's £8.00 Staffordshire elephant sold | 0:01:14 | 0:01:17 | |
for a staggering £2,700. | 0:01:17 | 0:01:20 | |
I'm leaving, I think my Road Trip is over! | 0:01:21 | 0:01:25 | |
James could have given up, | 0:01:25 | 0:01:26 | |
but he knuckled down and managed to claim victory at auction number two. | 0:01:26 | 0:01:30 | |
Brilliant, absolutely brilliant. | 0:01:32 | 0:01:33 | |
From his original £200, | 0:01:33 | 0:01:36 | |
James now has £301.06 | 0:01:36 | 0:01:39 | |
to continue the battle. | 0:01:39 | 0:01:40 | |
After his gargantuan win in the first auction, | 0:01:42 | 0:01:45 | |
Charlie's £200 has grown considerably | 0:01:45 | 0:01:47 | |
and despite his loss at the last auction, | 0:01:47 | 0:01:51 | |
he still has £2,396.10 to play with. | 0:01:51 | 0:01:54 | |
Had to take my hat off to you yesterday. Stunning performance. | 0:01:56 | 0:02:01 | |
Kind of like assaulting a mountain with an ice pick, I think. | 0:02:01 | 0:02:05 | |
Along with their stylish 1954 Sunbeam Alpine, | 0:02:05 | 0:02:09 | |
they are travelling from the north-east of Scotland | 0:02:09 | 0:02:11 | |
over to the west, | 0:02:11 | 0:02:12 | |
before ending their journey in Ayr. | 0:02:12 | 0:02:14 | |
Today, we're leaving Aberdeen and kicking things off in Tarland, | 0:02:16 | 0:02:20 | |
concluding with an auction showdown in Hamilton. | 0:02:20 | 0:02:24 | |
What are you going to buy today? Are you going to spend a bit more of your wedge? | 0:02:24 | 0:02:27 | |
I would like, seriously, to spend a few hundred quid on something. | 0:02:27 | 0:02:31 | |
-Ooh, Tarland. -Ah, Tarland. | 0:02:31 | 0:02:34 | |
In the 18th century, Tarland was an important trading centre. | 0:02:34 | 0:02:38 | |
It had a weekly market and six fairs throughout the year. | 0:02:38 | 0:02:42 | |
Today, its village square is overlooked by the old kirk | 0:02:42 | 0:02:44 | |
and has the granite war memorial as its centrepiece. | 0:02:44 | 0:02:47 | |
Tarland may be small, but it's home to our experts' first shop of the day. | 0:02:49 | 0:02:53 | |
What a lovely view! Well driven. | 0:02:55 | 0:02:58 | |
Another chapter, another day. | 0:03:00 | 0:03:03 | |
Third leg. | 0:03:03 | 0:03:05 | |
I've got so much money, I don't know what to do with it, but I want to spend it. | 0:03:05 | 0:03:09 | |
-Remind me, what's the figure, Charlie? -Approximately 2,400. | 0:03:09 | 0:03:13 | |
-Plays £300. -Yeah. | 0:03:13 | 0:03:15 | |
But I was pathetic in the last round, wasn't I? | 0:03:15 | 0:03:19 | |
You come from a position of strength, you don't need to do much. | 0:03:19 | 0:03:22 | |
Just coast, I would. | 0:03:22 | 0:03:24 | |
I don't want to coast, it is not in my nature to coast. I want to spend. | 0:03:24 | 0:03:28 | |
-Spend, OK. -Shall we go and see what they've got? -Yeah, come on. Let's go. | 0:03:28 | 0:03:31 | |
Tarland Tower Antiques has been open for 18 years | 0:03:33 | 0:03:36 | |
and is run by owner George. | 0:03:36 | 0:03:38 | |
It has a large warehouse and four smaller rooms | 0:03:38 | 0:03:41 | |
stocked full of beautiful furniture and interiors. | 0:03:41 | 0:03:44 | |
Time for our boys to divide and conquer. | 0:03:44 | 0:03:47 | |
Oh, look at that bed! | 0:03:47 | 0:03:49 | |
-You've got the money for that bed. -Isn't this fabulous? | 0:03:50 | 0:03:53 | |
Determined to spend his dosh, Charlie gets tactical. | 0:03:53 | 0:03:57 | |
I'm phoning the auction room, just to find out what they're good at. | 0:03:57 | 0:04:02 | |
What they sell really well. | 0:04:02 | 0:04:03 | |
Oh, hello, is that the auction rooms? | 0:04:03 | 0:04:06 | |
It's Charlie Ross. I'm just putting a little call in, | 0:04:06 | 0:04:09 | |
do you have any specific areas which you're strong in, in the saleroom? | 0:04:09 | 0:04:12 | |
He's cheating. | 0:04:12 | 0:04:15 | |
Thanks a lot, OK. Bye-bye. | 0:04:17 | 0:04:19 | |
-Brackers, were you listening in on that? -I was. -You are such a sneaker. | 0:04:19 | 0:04:24 | |
Nothing gets past you, does it? | 0:04:24 | 0:04:26 | |
-Anyway, steer clear of big brown furniture. -All right. | 0:04:26 | 0:04:30 | |
There's a shock. Small pieces of furniture, particularly good. | 0:04:30 | 0:04:33 | |
-And has he got a picture section, in his auction? -I didn't ask him. | 0:04:33 | 0:04:37 | |
Look, we're wasting time. | 0:04:37 | 0:04:39 | |
Brackers, I've given you all the information you're going to get. | 0:04:39 | 0:04:42 | |
With that, it's pretty clear that furniture is off the shopping list. | 0:04:42 | 0:04:46 | |
-What exactly are they? -Are they not for sort of sake or something? | 0:04:46 | 0:04:50 | |
-It would make sense. -I bought them in the middle of nowhere. | 0:04:50 | 0:04:53 | |
He's got a jolly... He looks a little bit like James. | 0:04:53 | 0:04:58 | |
Sake is a Japanese alcoholic drink made from rice. | 0:04:58 | 0:05:01 | |
The Japanese believe that in order to enjoy it to its fullest, | 0:05:01 | 0:05:05 | |
the sake cup you drink from should be as beautiful | 0:05:05 | 0:05:07 | |
or as interesting as possible. | 0:05:07 | 0:05:08 | |
This unique pair are priced at £45 each. | 0:05:08 | 0:05:11 | |
-Could you do 20 quid for the two? -No. -No? | 0:05:13 | 0:05:16 | |
-No, not for the two, but I think you should have a think about it. -Yes. | 0:05:16 | 0:05:21 | |
They are a bit different and the kind of thing you might do well on. | 0:05:21 | 0:05:24 | |
Charlie, while you contemplate spending, | 0:05:24 | 0:05:26 | |
George has taken James to see an interesting 1950s print of Balmoral. | 0:05:26 | 0:05:32 | |
-I think it's an advertising poster that has been over varnished. -Yeah. | 0:05:32 | 0:05:36 | |
-I bought it with a bunch of other stuff. -It's lovely, really lovely. | 0:05:36 | 0:05:40 | |
Here is the artist, Kenneth Steel. | 0:05:40 | 0:05:42 | |
It's very much in the railway tradition of posters, isn't it? | 0:05:42 | 0:05:45 | |
-It's got that sort of golden colour, the varnish. -I like it, I like it. | 0:05:45 | 0:05:49 | |
And he's done it all with a big old spatula, hasn't he? | 0:05:49 | 0:05:54 | |
Born in Sheffield in 1906, Kenneth Steel was a watercolour painter | 0:05:54 | 0:05:58 | |
and this is one of his prints from Royal Deeside. | 0:05:58 | 0:06:01 | |
-What could that be, George? Cheap? -£25. -£25, you've got a deal. | 0:06:01 | 0:06:06 | |
-I think you'll do OK with that. -Thank you, thank you. | 0:06:06 | 0:06:08 | |
Well done, James, the first purchase of the day. | 0:06:08 | 0:06:11 | |
Unfortunately, Charlie doesn't have the same sense of urgency. | 0:06:11 | 0:06:15 | |
You wouldn't, would you? | 0:06:15 | 0:06:16 | |
Stop sitting on your wallet and get some money out. | 0:06:16 | 0:06:18 | |
You just want me to come down to your level, don't you? | 0:06:18 | 0:06:21 | |
You want me to stick my dosh into something and burn it. | 0:06:21 | 0:06:25 | |
As you know, that is furthest from my thoughts. | 0:06:25 | 0:06:29 | |
After some tough love from James, | 0:06:29 | 0:06:32 | |
Charlie's gone back out in search of a bargain. | 0:06:32 | 0:06:36 | |
Oh, my God! Isn't that wonderful? | 0:06:36 | 0:06:39 | |
The shop IS wonderful. | 0:06:39 | 0:06:41 | |
This is a garage full of brown furniture. | 0:06:41 | 0:06:44 | |
Are the alarm bells not ringing, Charlie? | 0:06:44 | 0:06:46 | |
Hamilton is quite near Glasgow. | 0:06:46 | 0:06:48 | |
I've got an Arts and Crafts overmantle there. Cheap little lot. | 0:06:48 | 0:06:52 | |
-Is that very cheap? -Yes. -By Rennie Mackintosh? | 0:06:52 | 0:06:54 | |
I think it could be. | 0:06:54 | 0:06:56 | |
I think it's more likely to be Jimmy Mackintosh! | 0:06:56 | 0:06:59 | |
-£25, you can't go wrong. -Is that all it is? | 0:07:01 | 0:07:05 | |
George, you're just beginning to come to my way of thinking. | 0:07:05 | 0:07:10 | |
What on earth is going on? | 0:07:10 | 0:07:11 | |
Now James has jumped on the garage bandwagon. | 0:07:11 | 0:07:15 | |
This is an antique assault course. | 0:07:15 | 0:07:18 | |
-Are you sure you boys are fit for this? -That's a big picture frame. | 0:07:18 | 0:07:22 | |
-There's two of them. -I can't even see what you're looking at. | 0:07:22 | 0:07:26 | |
Oh, those frames. | 0:07:26 | 0:07:28 | |
-£150. -What, for the two of them? -Yes. | 0:07:28 | 0:07:31 | |
-Is that good or bad? -That's good. -I think it's phenomenal. | 0:07:31 | 0:07:35 | |
-Would you like them, Brackers? -I would quite like them. | 0:07:35 | 0:07:37 | |
-Brackers, my Christmas present to you. -Really? -You can have them. | 0:07:37 | 0:07:42 | |
That's really kind. That is very kind, Father Roscoe. | 0:07:42 | 0:07:44 | |
If you can't get a profit out of 150 quid on that pair of frames... | 0:07:44 | 0:07:47 | |
Go on, George, they're mine. | 0:07:47 | 0:07:49 | |
Very risky buying something you can't properly see, James. | 0:07:49 | 0:07:52 | |
But if you're sure... | 0:07:52 | 0:07:54 | |
In the corner, is that a book case? | 0:07:54 | 0:07:56 | |
-I would sell you that as well. -Oh, not again, where are you looking now? | 0:07:56 | 0:07:59 | |
-Would it have had a marble top? -Yeah, but I've got the marble top. | 0:07:59 | 0:08:03 | |
Over the top of that bed, you'll see the marble top. | 0:08:03 | 0:08:06 | |
Got it, got it. | 0:08:06 | 0:08:09 | |
-It's an open fronter, is it? -Yes. | 0:08:09 | 0:08:11 | |
-These aren't gilt metal, are they? -No, they're wooden. | 0:08:11 | 0:08:15 | |
Lovely. | 0:08:15 | 0:08:17 | |
Charlie, am I mistaken here, or did the auctioneer not say | 0:08:17 | 0:08:20 | |
to avoid large furniture? | 0:08:20 | 0:08:22 | |
What's this jobbie? | 0:08:22 | 0:08:24 | |
Victorian... 150. | 0:08:24 | 0:08:26 | |
-Will you take 100 quid for it? -Yeah. | 0:08:26 | 0:08:29 | |
-I'll have it. -Right. | 0:08:29 | 0:08:31 | |
I'd love to congratulate you on finally making a purchase, | 0:08:31 | 0:08:34 | |
but I think it's a bit of a risk. | 0:08:34 | 0:08:37 | |
Finally, back outside, and Charlie's on a roll. | 0:08:39 | 0:08:41 | |
He's spotted an Edwardian mahogany writing desk. | 0:08:41 | 0:08:43 | |
How much is that? | 0:08:43 | 0:08:46 | |
-I couldn't do it for less than 220. -How much? -220, that would be me. | 0:08:46 | 0:08:51 | |
Let's pull that out. | 0:08:51 | 0:08:52 | |
They did say, the saleroom, small pieces of furniture. | 0:08:52 | 0:08:57 | |
This is a little lady's writing table, | 0:08:57 | 0:08:59 | |
leather top and it's got a little compartment here. | 0:08:59 | 0:09:02 | |
It has two drawers. One and a half? | 0:09:02 | 0:09:05 | |
I wouldn't move, that's a bargain at 220. | 0:09:05 | 0:09:08 | |
Don't you normally start at...? | 0:09:08 | 0:09:10 | |
I'm not known for my discounts, you know. | 0:09:10 | 0:09:13 | |
I'm sure there isn't a Scotsman in the land known for his discounts! | 0:09:13 | 0:09:18 | |
I know you just said 220, could you do 200? | 0:09:18 | 0:09:23 | |
I could restore this piece, as you know, and I'd sell it no problem. | 0:09:23 | 0:09:27 | |
So I'm going to stick... | 0:09:27 | 0:09:29 | |
Go on, shake on it, I think that's very fair. | 0:09:29 | 0:09:32 | |
I was being a bit of an old cheapskate there. | 0:09:32 | 0:09:34 | |
-I think it's worth every penny. -It is, it's worth it. | 0:09:34 | 0:09:38 | |
And now he's started spending, he just can't stop. | 0:09:38 | 0:09:41 | |
There was an overmantle in the top shed there, got a hint of Mackintosh. | 0:09:41 | 0:09:45 | |
-It does. -A very small hint of Mackintosh. -And it's the right money. | 0:09:45 | 0:09:50 | |
-What was it, I can't remember what you quoted me? -£25. | 0:09:50 | 0:09:53 | |
You did. At 25 quid, even I won't argue with that. | 0:09:53 | 0:09:57 | |
With £2,076.10 still to spend, I should hope not. | 0:09:57 | 0:10:02 | |
What about those unique sake cups? | 0:10:02 | 0:10:06 | |
I take your point about those two little... | 0:10:06 | 0:10:09 | |
-I could do something special on them. -Oh, you are a tempter! | 0:10:09 | 0:10:12 | |
That is the thing you should be going out of here with. | 0:10:12 | 0:10:15 | |
-I'll do the two for 50 quid. -50?! -For the two. | 0:10:15 | 0:10:19 | |
It's the right time for that oriental stuff at the moment. | 0:10:19 | 0:10:22 | |
They're a bit different, huge characters, just like you. | 0:10:22 | 0:10:24 | |
You're an absolutely wonderful salesman. | 0:10:24 | 0:10:26 | |
I think the two of them, the two of you... | 0:10:26 | 0:10:28 | |
-I'll tell you what, George, let's shake on that. -Sure. -Four things. | 0:10:28 | 0:10:31 | |
-Yes. -It's been an absolute dream here, it's been fantastic. | 0:10:31 | 0:10:36 | |
It's certainly been a busy morning. | 0:10:36 | 0:10:39 | |
Charlie finally parted with his cash, buying brown furniture, | 0:10:39 | 0:10:43 | |
brown furniture, brown furniture, | 0:10:43 | 0:10:45 | |
and a pair of sake cups. | 0:10:45 | 0:10:47 | |
James came away with two extremely large frames and a print. | 0:10:48 | 0:10:53 | |
But the excitement's not over yet. | 0:10:53 | 0:10:54 | |
Charlie is heading 32 miles east, to Blairs, | 0:10:54 | 0:10:58 | |
where he has a prior engagement. | 0:10:58 | 0:11:00 | |
St Mary's College was founded in 1829, | 0:11:02 | 0:11:05 | |
when John Menzies of Pitfodels, | 0:11:05 | 0:11:07 | |
the last member of an old Aberdeen Catholic family, | 0:11:07 | 0:11:11 | |
donated his mansion and estate of 1,000 acres to the Catholic church. | 0:11:11 | 0:11:16 | |
Today, it's known as Blairs Museum | 0:11:16 | 0:11:19 | |
and it gives a unique insight into | 0:11:19 | 0:11:20 | |
Scotland's Catholic history and heritage. | 0:11:20 | 0:11:24 | |
Showing him round is former pupil, teacher and now museum manager Ian. | 0:11:24 | 0:11:28 | |
Well, Blairs is basically what used to be our junior seminary. | 0:11:28 | 0:11:33 | |
So basically, a boarding school for boys of secondary school age | 0:11:33 | 0:11:36 | |
who were thinking about becoming a Catholic priest. | 0:11:36 | 0:11:38 | |
-Right. -I was one of them a long time ago, back in the 1960s. | 0:11:38 | 0:11:41 | |
And that's where your thoughts were at that time? | 0:11:41 | 0:11:44 | |
At that time, yes, but I've now been married for 33 years... | 0:11:44 | 0:11:47 | |
So you obviously took a different course. | 0:11:47 | 0:11:49 | |
It changed. After that, I was actually here | 0:11:49 | 0:11:51 | |
and my wife taught here as well, | 0:11:51 | 0:11:54 | |
for the last nine years before the college closed 25 years ago now. | 0:11:54 | 0:11:57 | |
From its establishment, Blairs College was recognised | 0:11:59 | 0:12:01 | |
as a safe place to receive and preserve artefacts | 0:12:01 | 0:12:05 | |
relating to Scotland's Catholic heritage. | 0:12:05 | 0:12:09 | |
Their collection of paintings spans more than four centuries, | 0:12:09 | 0:12:11 | |
featuring some of Scotland's most renowned historical figures. | 0:12:11 | 0:12:14 | |
Today, Charlie has come to see the highlight of the collection, | 0:12:14 | 0:12:18 | |
a full-length memorial portrait of Mary Queen Of Scots. | 0:12:18 | 0:12:22 | |
Mary had been imprisoned in England for something like 19 years. | 0:12:22 | 0:12:26 | |
-It was basically house arrest in various castles. -Yes. | 0:12:26 | 0:12:29 | |
She still had a small staff of ten to a dozen people. | 0:12:29 | 0:12:32 | |
She chose these two ladies-in-waiting | 0:12:32 | 0:12:35 | |
to attend to her at the execution, | 0:12:35 | 0:12:37 | |
and then four of her supporters were also witnesses at the execution. | 0:12:37 | 0:12:43 | |
-And there was some pressure on Elizabeth to have her executed. -Yes. | 0:12:43 | 0:12:47 | |
-I don't know, is it true she didn't want to have her executed? -Yes. | 0:12:47 | 0:12:51 | |
We actually have the death warrant, or a copy of the death warrant. | 0:12:51 | 0:12:54 | |
You can see Elizabeth's signature. | 0:12:54 | 0:12:56 | |
-Elizabeth's signature there. -In the top right-hand corner. | 0:12:56 | 0:12:59 | |
When Queen Elizabeth I came to the throne in 1558, | 0:12:59 | 0:13:02 | |
she brought with her a reformed religion | 0:13:02 | 0:13:05 | |
which became known as Protestantism. However, many considered her cousin, | 0:13:05 | 0:13:09 | |
Mary Queen Of Scots, a Catholic, the legitimate sovereign of England, | 0:13:09 | 0:13:14 | |
and with no direct heir, Mary was the closest successor to the throne. | 0:13:14 | 0:13:19 | |
Perceived as a threat, Elizabeth had her arrested, | 0:13:19 | 0:13:22 | |
and after 19 years, she was tried and executed for treason, | 0:13:22 | 0:13:25 | |
a decision that has caused much speculation. | 0:13:25 | 0:13:29 | |
Some people believe that she was given it in a pile of papers | 0:13:30 | 0:13:33 | |
and signed it, not realising what she had signed. | 0:13:33 | 0:13:36 | |
I've heard that story, funnily enough. | 0:13:36 | 0:13:38 | |
Other people believe that she meant to sign it, | 0:13:38 | 0:13:40 | |
but she didn't mean it to be carried out immediately. | 0:13:40 | 0:13:43 | |
But then her ministers do exactly that. | 0:13:43 | 0:13:45 | |
Within days, Mary is executed and they come back and tell her | 0:13:45 | 0:13:48 | |
that it's been carried out. Supposedly, Elizabeth was furious | 0:13:48 | 0:13:52 | |
-and, at the same time, in floods of tears. -Yes. | 0:13:52 | 0:13:57 | |
Almost her last act, it's very, very symbolic, because | 0:13:57 | 0:14:01 | |
she is wearing this scarlet underclothing, | 0:14:01 | 0:14:03 | |
and that colour is the same colour of vestments a priest would wear | 0:14:03 | 0:14:07 | |
on the feast day of a martyr. | 0:14:07 | 0:14:10 | |
So Mary, almost in her last act, is saying, I'm being executed | 0:14:10 | 0:14:14 | |
because of my faith and not because I'm a traitor against Elizabeth. | 0:14:14 | 0:14:16 | |
-Strong statement, isn't it? -That's right. | 0:14:16 | 0:14:18 | |
It's been an absolute delight, thank you so much. | 0:14:18 | 0:14:22 | |
What a fascinating insight. | 0:14:22 | 0:14:25 | |
Charlie, you've been truly spoiled, bless you. | 0:14:25 | 0:14:28 | |
As the day draws to an end, both our experts need their beauty sleep. | 0:14:28 | 0:14:32 | |
Night-night! | 0:14:32 | 0:14:34 | |
As the sun rises on a typical Scottish morning, | 0:14:35 | 0:14:38 | |
our dynamic duo are once again on the road and it's not raining. | 0:14:38 | 0:14:43 | |
Have we creeped over to the west coast now? | 0:14:44 | 0:14:46 | |
We can't have got quite to the west coast. | 0:14:46 | 0:14:48 | |
No, sorry, we've crept down the coast, there we are. | 0:14:48 | 0:14:51 | |
So far, James has spent £175 on two auction lots - | 0:14:51 | 0:14:57 | |
the 1950s print and the large pair of gilt wood frames - | 0:14:57 | 0:15:00 | |
leaving £126.06 for the day ahead. | 0:15:00 | 0:15:04 | |
How exciting! | 0:15:04 | 0:15:05 | |
Charlie, meanwhile, hit the first day shopping hard, | 0:15:06 | 0:15:10 | |
spending £395 on four lots - | 0:15:10 | 0:15:12 | |
the Edwardian lady's writing desk, | 0:15:12 | 0:15:15 | |
a pair of 19th-century sake cups, | 0:15:15 | 0:15:18 | |
an Arts and Crafts oak overmantle mirror | 0:15:18 | 0:15:20 | |
and the 19th-century bookcase. | 0:15:20 | 0:15:22 | |
So he has £2,001.10 to spend. | 0:15:22 | 0:15:26 | |
They're leaving Tarland and travelling 40 miles south | 0:15:28 | 0:15:34 | |
to Montrose, where James will start his day shopping. | 0:15:34 | 0:15:37 | |
-Montrose, have you ever been to Montrose before? -I haven't. | 0:15:37 | 0:15:41 | |
Montrose is the northernmost coastal town in Angus and, in 1777, | 0:15:43 | 0:15:48 | |
was the birthplace of doctor | 0:15:48 | 0:15:49 | |
and Radical MP Joseph Hume. | 0:15:49 | 0:15:52 | |
For 30 years, he was a leader of the Radical Party | 0:15:52 | 0:15:55 | |
and became the self-appointed | 0:15:55 | 0:15:57 | |
guardian of the public purse. | 0:15:57 | 0:15:59 | |
-Smoothly done, Brackers. -Slippery smooth. | 0:16:00 | 0:16:02 | |
-I don't even need to get out here, I can just shuffle across. -Can you? | 0:16:02 | 0:16:06 | |
-Good luck, old chum. -Thank you. -Spend, spend, spend. | 0:16:06 | 0:16:10 | |
Today, George Eaton Antiques is James Braxton's first port of call. | 0:16:13 | 0:16:16 | |
Morning. | 0:16:16 | 0:16:19 | |
-Hi. -James. -George. Nice to meet you. -Nice to meet you, George. | 0:16:19 | 0:16:22 | |
This is my sort of shop. It's a foraging shop. | 0:16:22 | 0:16:25 | |
This is lovely, a domino set, | 0:16:25 | 0:16:27 | |
and it's made with bone. | 0:16:27 | 0:16:29 | |
Bone faces, with ebony backing. | 0:16:29 | 0:16:32 | |
Here's a more interesting set. | 0:16:32 | 0:16:35 | |
They're up to nine, | 0:16:35 | 0:16:36 | |
-which is rarer. Usually, they're only up to six. -Oh, I see. | 0:16:36 | 0:16:39 | |
-It's a set and a half. -That's very good. | 0:16:39 | 0:16:41 | |
Again, these ones go up to nine. | 0:16:41 | 0:16:43 | |
So you've got another three numbers to conjure with, haven't you? | 0:16:45 | 0:16:48 | |
Generally, the most commonly used | 0:16:48 | 0:16:51 | |
dominoes sets are double six | 0:16:51 | 0:16:53 | |
and double nine, although double 12, 15 and 18 | 0:16:53 | 0:16:56 | |
are popular for games involving several players. | 0:16:56 | 0:16:59 | |
-How much are these then, George? -Erm, 25. | 0:17:00 | 0:17:04 | |
Really? That's a lovely lot. | 0:17:04 | 0:17:08 | |
OK, what other curios have you got for me, George? | 0:17:08 | 0:17:11 | |
-Is that a sort of Continental piece, that? -It's WMF. | 0:17:11 | 0:17:15 | |
-Oh, it is WMF? -Yes. -And how much have you got on that, George? | 0:17:15 | 0:17:19 | |
That had 150 on it, but as with everything... | 0:17:19 | 0:17:24 | |
Everything is negotiable in life, isn't it? | 0:17:24 | 0:17:27 | |
It looks as though it has the most beautiful polished glass liner. | 0:17:27 | 0:17:31 | |
Isn't that a lovely piece of glass? | 0:17:31 | 0:17:33 | |
Grr! | 0:17:33 | 0:17:35 | |
Wurttembergische Metallwarenfabrik, or WMF, | 0:17:35 | 0:17:40 | |
is a German Art Nouveau producer specialising in metalwork | 0:17:40 | 0:17:44 | |
from the late 19th and into the 20th century. | 0:17:44 | 0:17:47 | |
A lovely stylised border, sort of beech, almost like a beech leaf. | 0:17:47 | 0:17:52 | |
I suppose it's a stylised vine leaf or something. | 0:17:52 | 0:17:56 | |
-Vine, it's got grapes on it. -Grapes, hasn't it? | 0:17:56 | 0:17:58 | |
Give grapes to somebody in hospital, that would restore their spirit, | 0:17:58 | 0:18:02 | |
wouldn't it? | 0:18:02 | 0:18:04 | |
Lovely, beautifully modelled. That's a lovely item. | 0:18:04 | 0:18:08 | |
Yes, you are modelling it rather beautifully. | 0:18:08 | 0:18:11 | |
And while James continues his search for lovely items, | 0:18:11 | 0:18:14 | |
Charlie is heading | 0:18:14 | 0:18:16 | |
15 miles inland to Letham. | 0:18:16 | 0:18:18 | |
The largest village in Angus, Letham is famous for its Victorian market, | 0:18:18 | 0:18:22 | |
which takes place in early July. | 0:18:22 | 0:18:25 | |
I'm absolutely chipper! | 0:18:26 | 0:18:29 | |
I phoned up the man in the antiques saleroom where we're going to. | 0:18:29 | 0:18:34 | |
He said, don't buy furniture, it doesn't sell very well. | 0:18:34 | 0:18:37 | |
So I ripped straight into buying three pieces of furniture. | 0:18:37 | 0:18:40 | |
Never listen to the experts, that's what Winston Churchill said. | 0:18:40 | 0:18:44 | |
Never listen to the experts. | 0:18:44 | 0:18:47 | |
Time will tell, Charlie. | 0:18:47 | 0:18:49 | |
Let's see what gems you can uncover in Lovejoy Antiques. | 0:18:49 | 0:18:53 | |
-It sounds promising. -Is it Barbara? -Yes, it is. -I'm Charlie. | 0:18:53 | 0:18:57 | |
Housed in a converted stable, | 0:18:57 | 0:18:59 | |
Barbara and her husband have been in the business for over six years. | 0:18:59 | 0:19:04 | |
Barbara, there's an extremely jolly person down here, | 0:19:04 | 0:19:07 | |
-looking at me... -Yes. | 0:19:07 | 0:19:09 | |
..who looks like a Chinese bronze... | 0:19:09 | 0:19:12 | |
-It IS bronze! -Yes. | 0:19:12 | 0:19:14 | |
Look at that, pretty miserable, | 0:19:16 | 0:19:19 | |
laughing, and... | 0:19:19 | 0:19:21 | |
I think that's James Braxton. | 0:19:21 | 0:19:23 | |
-Quite jolly. -Yeah. How much is this object? | 0:19:23 | 0:19:26 | |
-Hundreds and hundreds of pounds? -No, no, just 100. | 0:19:26 | 0:19:30 | |
Would £50 buy him? | 0:19:30 | 0:19:33 | |
No, 70 might. | 0:19:33 | 0:19:36 | |
-You've got me tempted here. -Yes. -I think he's absolutely splendid. | 0:19:36 | 0:19:40 | |
I wish I knew more about these things. | 0:19:40 | 0:19:42 | |
These faces must be the four faces of man, or whatever, | 0:19:42 | 0:19:47 | |
but I don't know quite what they signify. | 0:19:47 | 0:19:50 | |
Actually, the four faces of a Chinese Buddha represent | 0:19:50 | 0:19:54 | |
pleasure, anger, sorrow and joy. | 0:19:54 | 0:19:58 | |
It's believed that a Chinese Buddha will both protect and bring good luck. | 0:19:58 | 0:20:04 | |
-50 won't buy him? -No. 70. | 0:20:04 | 0:20:07 | |
-70 will. -Mm-hm. | 0:20:07 | 0:20:10 | |
-Sold. -Well done. | 0:20:10 | 0:20:12 | |
Sold. I knew I'd find something in the end. | 0:20:12 | 0:20:14 | |
I think that's a cracker. Look at that. | 0:20:14 | 0:20:17 | |
-The four faces of James Braxton. -Oh, Charlie! | 0:20:17 | 0:20:22 | |
Meanwhile, James has been drawn to | 0:20:22 | 0:20:24 | |
art deco...and red trousers. | 0:20:24 | 0:20:25 | |
Where do they come from? Do you remember the building? | 0:20:25 | 0:20:28 | |
They were from Montrose picture house. | 0:20:28 | 0:20:30 | |
A great '30s feel to those flowers, isn't it? | 0:20:30 | 0:20:33 | |
Very art deco. I really like those. | 0:20:33 | 0:20:35 | |
-How much have you got on those? -£30. -£30, and you get the two for 30? | 0:20:35 | 0:20:40 | |
-Yes, it's a sash window. -Sash window. | 0:20:40 | 0:20:43 | |
-Operated, one above the other. -One in front of the other. I see. | 0:20:43 | 0:20:47 | |
In a frame and they slide down. | 0:20:47 | 0:20:48 | |
They look good together, don't they? | 0:20:48 | 0:20:50 | |
I like those. | 0:20:50 | 0:20:51 | |
-George, I'm going to have those. -OK. | 0:20:51 | 0:20:54 | |
Very nice, James! And feeling confident, | 0:20:54 | 0:20:57 | |
he strides on to haggle on the dominoes, priced at £25, | 0:20:57 | 0:21:01 | |
and the WMF grape dish at £150. | 0:21:01 | 0:21:05 | |
Is there any chance, George, I could do those two for £95? | 0:21:05 | 0:21:09 | |
It's a struggle. | 0:21:09 | 0:21:12 | |
-If that's all you've got. -It's all I've got, bar the pence. | 0:21:12 | 0:21:15 | |
George, thank you very much indeed. | 0:21:15 | 0:21:18 | |
Well done, James, that's an amazing £80 saving. | 0:21:18 | 0:21:20 | |
And after spending £95, you've got £1.06 to your name. | 0:21:20 | 0:21:25 | |
I'd like you to have the £1.06 as a bit of luck money. | 0:21:25 | 0:21:29 | |
Thank you very much. It's been a pleasure. | 0:21:29 | 0:21:31 | |
It's been really great fun. | 0:21:31 | 0:21:32 | |
James, you are well and truly spent. | 0:21:33 | 0:21:36 | |
And after a very successful day's shopping, | 0:21:36 | 0:21:38 | |
James is giving himself a treat | 0:21:38 | 0:21:40 | |
and heading 13 miles south to Arbroath. | 0:21:40 | 0:21:43 | |
On the North Sea coast, | 0:21:43 | 0:21:45 | |
Arbroath is most notable as the home of the Arbroath Smokie. | 0:21:45 | 0:21:49 | |
-The lucky James Braxton is meeting smokie expert Iain Spink. -Hi. | 0:21:49 | 0:21:54 | |
Good to meet you, Iain. | 0:21:54 | 0:21:56 | |
So, what... This looks all good stuff. | 0:21:56 | 0:21:58 | |
This is the true home of the Arbroath Smokie. | 0:22:00 | 0:22:02 | |
I'm going to make some smokies for you | 0:22:02 | 0:22:04 | |
in the place where they originally came from. | 0:22:04 | 0:22:06 | |
In the late 1800s, | 0:22:06 | 0:22:08 | |
the fishwives originally smoked the fish in halved barrels | 0:22:08 | 0:22:11 | |
with fires underneath, | 0:22:11 | 0:22:13 | |
trapping the smoke under layers of hessian sacking. | 0:22:13 | 0:22:17 | |
Iain uses these traditional methods to make his famous smokies. | 0:22:17 | 0:22:20 | |
-And smokie, the fish is a herring, is it? -No, it's a haddock. | 0:22:20 | 0:22:24 | |
It's a haddock. | 0:22:24 | 0:22:25 | |
It's a smoked haddock, must be to be a genuine Arbroath Smokie. | 0:22:25 | 0:22:28 | |
-I see. You're an old pro at this. -Oh, I've had a bit of practice. | 0:22:28 | 0:22:31 | |
And is this quite a quick process, Iain, then? | 0:22:31 | 0:22:35 | |
It is relatively, takes about 40 minutes to cook them right through. | 0:22:35 | 0:22:38 | |
-Really? -That's from raw to fully cooked. -Fabulous. | 0:22:38 | 0:22:40 | |
And quite the best way to experience a freshly-made smokie | 0:22:40 | 0:22:45 | |
is straight from the fire. | 0:22:45 | 0:22:46 | |
Yum-yum-yum! I'm looking forward to that. | 0:22:46 | 0:22:49 | |
The fish are gutted at sea, | 0:22:49 | 0:22:51 | |
washed and boxed, ready for auction in the market. | 0:22:51 | 0:22:54 | |
They've all been pre-prepared with a layer of salt, | 0:22:54 | 0:22:57 | |
a layer of fish, then a layer of salt, a layer of fish. | 0:22:57 | 0:23:00 | |
-They're left in the salt for several hours. -Really? | 0:23:00 | 0:23:03 | |
I'm going to hang these fish on the sticks here. | 0:23:03 | 0:23:05 | |
The fish are left to hang on the sticks for about 20 minutes, | 0:23:05 | 0:23:08 | |
to let the excess water drip off them, | 0:23:08 | 0:23:11 | |
before being moved over to the smokie pit. | 0:23:11 | 0:23:13 | |
The hessian, that dampens it all down, does it? | 0:23:13 | 0:23:16 | |
That helps to keep most of the air out of the fire, | 0:23:16 | 0:23:22 | |
but still allows the fire to breathe. | 0:23:22 | 0:23:25 | |
So, the last one, you're dunking. | 0:23:25 | 0:23:28 | |
Yes, just keeping it damp. | 0:23:28 | 0:23:32 | |
If it's too dry, it may catch fire. | 0:23:32 | 0:23:34 | |
Iain, do you come from a long line of smokers? | 0:23:34 | 0:23:38 | |
I'm a fifth-generation smokie maker. | 0:23:38 | 0:23:40 | |
My family's been involved in the smokie making side of things | 0:23:40 | 0:23:42 | |
for a couple of hundred years and, before that, were fishermen as well. | 0:23:42 | 0:23:47 | |
Fabulous. I notice it's an Arbroath Smokie, so we have a preface here, | 0:23:47 | 0:23:51 | |
does that mean anything? | 0:23:51 | 0:23:53 | |
Well, an Arbroath Smokie has a protected status now. | 0:23:53 | 0:23:56 | |
-PGI. It's Protected Geographical Identification. -I see. | 0:23:56 | 0:23:59 | |
-So like Champagne, so like Melton Mowbray. -Exactly the same. | 0:23:59 | 0:24:02 | |
-All that sort of thing. -That's correct. -Congratulations. | 0:24:02 | 0:24:05 | |
Did you get that? | 0:24:05 | 0:24:06 | |
My father worked for three years to get that status for the smokie. | 0:24:06 | 0:24:10 | |
It's been great for us because... I wouldn't say it helps sales, | 0:24:10 | 0:24:14 | |
but it ensures that anybody who buys an Arbroath Smokie anywhere | 0:24:14 | 0:24:17 | |
will know that it's been made in Arbroath. | 0:24:17 | 0:24:19 | |
It's the real thing. | 0:24:19 | 0:24:20 | |
-Now, how is our fire doing? -The fire is looking good. -Oh, look at those. | 0:24:20 | 0:24:25 | |
-They have changed, Iain. -Yeah, they're a nice golden colour now. | 0:24:25 | 0:24:29 | |
They look very good. | 0:24:29 | 0:24:31 | |
-Very good indeed. -James, would you like to try a bit? -I'd love to. | 0:24:31 | 0:24:35 | |
OK, here's a nice juicy pair here, let's try this one. | 0:24:35 | 0:24:38 | |
They look good, Iain. | 0:24:38 | 0:24:39 | |
They look beautiful, even colouring, nice and golden right through. | 0:24:39 | 0:24:44 | |
-Rip them off, there. -Break the pair in half. | 0:24:44 | 0:24:46 | |
What I do here is... | 0:24:46 | 0:24:47 | |
-I hold the fish with what was the head end towards me. -Yeah. | 0:24:47 | 0:24:50 | |
Give it a gentle squeeze, | 0:24:50 | 0:24:51 | |
and you can see the flesh come off the bone like that. | 0:24:51 | 0:24:54 | |
-Perfect, isn't it? -Split the fin down the middle. | 0:24:54 | 0:24:58 | |
Open it up like that, and look at that, absolutely amazing. | 0:24:58 | 0:25:01 | |
-You just take the bone out in one. -It's as simple as that. | 0:25:01 | 0:25:04 | |
And all that beautiful white meat there is bone free now. | 0:25:04 | 0:25:08 | |
And the flesh is so good, isn't it? | 0:25:08 | 0:25:10 | |
It's just lovely and moist and white, just the way it should be. | 0:25:10 | 0:25:15 | |
Mmm. That is really good. | 0:25:15 | 0:25:17 | |
-Can I have a bit more? -Yeah, help yourself. | 0:25:17 | 0:25:19 | |
It's just so beautifully cooked. | 0:25:19 | 0:25:21 | |
That is perfect fish. | 0:25:25 | 0:25:27 | |
What a treat you've had, James, | 0:25:27 | 0:25:29 | |
and whilst you recover from your lovely indulgence, | 0:25:29 | 0:25:32 | |
Charlie's making his way to Barry. | 0:25:32 | 0:25:34 | |
A small village in Angus, Barry lies at the mouth of the River Tay. | 0:25:37 | 0:25:41 | |
It's Charlie's last chance to flash his cash | 0:25:41 | 0:25:44 | |
and Anderson High Antiques is his final shop of the day. | 0:25:44 | 0:25:48 | |
Open for two years, it's located in part of a 19th-century school. | 0:25:48 | 0:25:53 | |
Owner Kate and husband Ed have been in the business for 15 years. | 0:25:53 | 0:25:57 | |
After browsing, | 0:25:57 | 0:25:59 | |
Ed shows Charlie a set of six Royal Doulton coffee cups, | 0:25:59 | 0:26:03 | |
handpainted by May Wilson and priced at £48. | 0:26:03 | 0:26:06 | |
MW? Who is...? | 0:26:06 | 0:26:08 | |
MW is May Wilson, who is one of the ladies that | 0:26:08 | 0:26:12 | |
we collectively refer to as the "Scottish lady artists", | 0:26:12 | 0:26:15 | |
who bought the pottery blanks. | 0:26:15 | 0:26:19 | |
They were all artists, mostly associated with | 0:26:19 | 0:26:22 | |
either the Glasgow School of Art or the Edinburgh School of Art. | 0:26:22 | 0:26:25 | |
-How interesting. -They painted these beautiful... | 0:26:25 | 0:26:28 | |
That's interesting. | 0:26:29 | 0:26:31 | |
I think they bought the glazed object, by the looks of things. | 0:26:31 | 0:26:35 | |
-Painted over the glazing? -Precisely. -Why are they so cheap? He said, | 0:26:35 | 0:26:38 | |
shooting himself in the foot! | 0:26:38 | 0:26:41 | |
There is one cup which has had a repair on it. | 0:26:41 | 0:26:44 | |
Here it is, here. The little handle has been glued. | 0:26:44 | 0:26:48 | |
It could be better repaired. | 0:26:48 | 0:26:50 | |
-I actually find them really charming. -They are nice, aren't they? | 0:26:50 | 0:26:54 | |
The thing is, in the central belt of Scotland, | 0:26:54 | 0:26:56 | |
people who collect these things will know who that is. | 0:26:56 | 0:27:00 | |
-Fantastic. -Might be quite an interesting one. -Sold. -Excellent. | 0:27:00 | 0:27:03 | |
I said sold without even talking about the price. | 0:27:04 | 0:27:08 | |
I'm happy to do for you what we would do for the trade, basically, | 0:27:08 | 0:27:12 | |
which might be to make it, say, £43. | 0:27:12 | 0:27:16 | |
-£43. -Is that all right? -I think I've probably got £43 for it. | 0:27:16 | 0:27:20 | |
Lovely final buy, Charlie, and with your shopping done, | 0:27:20 | 0:27:23 | |
it's time to see what you can make of each other's purchases. | 0:27:23 | 0:27:27 | |
Brackers, I'm going to reveal my first thing. | 0:27:27 | 0:27:30 | |
-You know the four faces of Buddha? -Yeah. | 0:27:30 | 0:27:32 | |
I've renamed the four faces of Buddha - the four faces of Braxton. | 0:27:32 | 0:27:36 | |
-It's lovely, how much did you pay for it? -I paid 70 quid for it. | 0:27:36 | 0:27:39 | |
I think it's great fun, very humorous. I think it's a winner. | 0:27:39 | 0:27:44 | |
It's certainly different, and Charlie's decided | 0:27:44 | 0:27:47 | |
to combine it with his sake cups to make one auction lot. | 0:27:47 | 0:27:50 | |
-I think the sake cups are very humourous, great fun. -Yes. -But... | 0:27:50 | 0:27:54 | |
-We'll wait and see. -We'll wait and see. | 0:27:54 | 0:27:57 | |
Come on, James, let's see your first purchase. | 0:27:57 | 0:27:59 | |
It's a rather nice little souvenir of where we've been. | 0:27:59 | 0:28:02 | |
-Balmoral. -Balmoral. | 0:28:03 | 0:28:05 | |
-I like that. Did it cost less than 50 quid? -It did. | 0:28:05 | 0:28:08 | |
Then you're all right. This is by a person | 0:28:08 | 0:28:13 | |
called May Wilson, who decorated porcelain. | 0:28:13 | 0:28:17 | |
Every single piece, the cups, the saucers, are all monogrammed. | 0:28:17 | 0:28:21 | |
-Another winner for Roscoe. -I hope so. | 0:28:21 | 0:28:25 | |
Next is hopefully your winner, James, the beautiful sash windows. | 0:28:25 | 0:28:28 | |
That's the top and this is the bottom. | 0:28:28 | 0:28:31 | |
It came out of the Montrose picture house. | 0:28:31 | 0:28:34 | |
Isn't that lovely? I think they're great. | 0:28:34 | 0:28:37 | |
-I quite like those cabochons in the middle of the top one. -Yes. | 0:28:37 | 0:28:41 | |
-They're rather fun. -I like those. | 0:28:41 | 0:28:42 | |
Glad you like them, Charlie, | 0:28:42 | 0:28:44 | |
but what will James make of your overmantle mirror? | 0:28:44 | 0:28:47 | |
That looks superb. I love the carving. | 0:28:47 | 0:28:49 | |
They look like stylised poppies, or pomegranates. | 0:28:49 | 0:28:53 | |
What would that make at auction? | 0:28:53 | 0:28:54 | |
I would have thought they'll estimate that - 80 to 120. | 0:28:54 | 0:28:58 | |
-The carving is so good. -25 quid. | 0:28:58 | 0:28:59 | |
No! No! | 0:29:01 | 0:29:03 | |
Father Roscoe, how could you do this to me? | 0:29:04 | 0:29:08 | |
Chin up, James, you've got your lovely dominoes set next. | 0:29:08 | 0:29:10 | |
-Are you a dominoes man? -I haven't played dominoes for years. | 0:29:10 | 0:29:14 | |
This one is one to nine. | 0:29:14 | 0:29:17 | |
Good Lord! They're rather fun. | 0:29:17 | 0:29:20 | |
I paid £15. | 0:29:20 | 0:29:22 | |
Very cheap. Double your money, 30 or 40 quid. | 0:29:22 | 0:29:27 | |
-Yeah, I hope so. -Yeah. | 0:29:27 | 0:29:29 | |
Charlie, it's time for your lady's writing desk. | 0:29:29 | 0:29:31 | |
These little sides open up, | 0:29:31 | 0:29:34 | |
nice compartments for letters and what have you. | 0:29:34 | 0:29:37 | |
Got a bit of damage, but... | 0:29:37 | 0:29:40 | |
300 to 400 - that's what I would hope - it cost 220. | 0:29:40 | 0:29:43 | |
Oh, another Roscoe winner. | 0:29:43 | 0:29:47 | |
-Last item. -Are we WMF here? -WMF. | 0:29:47 | 0:29:50 | |
We are, very stylish. | 0:29:50 | 0:29:54 | |
-It's very stylish, isn't it? -I do like WMF. | 0:29:54 | 0:29:58 | |
You both have one more lot to reveal. However, | 0:29:58 | 0:30:01 | |
they were so big that they've had to go straight to the auction house. | 0:30:01 | 0:30:04 | |
The benevolence of Father Roscoe | 0:30:04 | 0:30:06 | |
saw me walking away with those two fabulous frames. | 0:30:06 | 0:30:10 | |
-A pair... -I know. -..for 150. | 0:30:10 | 0:30:12 | |
-Very big. -Right, Charlie, enlighten us on your last lot. | 0:30:12 | 0:30:16 | |
It's an open-fronted bookcase, it's got a shaped marble top. | 0:30:16 | 0:30:19 | |
It's mid-late 19th century, | 0:30:19 | 0:30:22 | |
but it's got gilt-decorated mounts and I paid 100 quid for it. | 0:30:22 | 0:30:26 | |
I don't know if you managed to get a peep at it? | 0:30:26 | 0:30:29 | |
I saw the marble top and I saw its front. | 0:30:29 | 0:30:31 | |
I saw the gilding. It's a lovely piece at £100. | 0:30:31 | 0:30:34 | |
He was very kind to us. | 0:30:34 | 0:30:35 | |
But will you be as kind to one another? | 0:30:35 | 0:30:39 | |
Time to hear what you really think. | 0:30:39 | 0:30:40 | |
I think he's let himself down a bit with the sake cups. | 0:30:40 | 0:30:45 | |
One of them's chipped, £50. | 0:30:45 | 0:30:48 | |
I think Father Roscoe may struggle to get out of that one, | 0:30:48 | 0:30:52 | |
but knowing his luck, he might get away with it. | 0:30:52 | 0:30:55 | |
His best buy - undoubtedly the large frames. | 0:30:55 | 0:30:57 | |
They are great, I think they'll double his money. | 0:30:57 | 0:30:59 | |
Our experts have been on a voyage of discovery | 0:30:59 | 0:31:03 | |
from Tarland to Montrose, | 0:31:03 | 0:31:04 | |
Letham to Barry, | 0:31:04 | 0:31:06 | |
finally crossing to the west | 0:31:06 | 0:31:07 | |
and arriving in Hamilton. | 0:31:07 | 0:31:09 | |
Hamilton is a town in South Lanarkshire, | 0:31:09 | 0:31:13 | |
in the west central lowlands of Scotland, | 0:31:13 | 0:31:15 | |
and it's home to Hamilton auction market, | 0:31:15 | 0:31:17 | |
one of the biggest auctioneers in Lanarkshire. | 0:31:17 | 0:31:20 | |
Do you think, when you see your frames, they'll only be three-sided, | 0:31:20 | 0:31:24 | |
that they will have rotted away? | 0:31:24 | 0:31:27 | |
I don't know how long my bookcase is, because I could only see one end. | 0:31:27 | 0:31:31 | |
You both certainly took a gamble with your rather large purchases, | 0:31:31 | 0:31:35 | |
but it's auction day and we'll soon find out if it's paid off. | 0:31:35 | 0:31:40 | |
LS Smellie & Sons Ltd were established in 1874 | 0:31:40 | 0:31:45 | |
and are a sixth-generation family-run business. | 0:31:45 | 0:31:49 | |
Oh, look! In all their splendour. | 0:31:50 | 0:31:53 | |
Fabulous. And yours. | 0:31:53 | 0:31:56 | |
-Oh, good Lord, so it is! -What a fine piece, what a fine piece. | 0:31:56 | 0:31:59 | |
-A decorator's piece, isn't it? -Very much so. | 0:31:59 | 0:32:02 | |
-Will they appreciate it up here? -Of course they will. | 0:32:02 | 0:32:05 | |
-Shall we find our other things? -Yes, come on. | 0:32:05 | 0:32:07 | |
Let's go and see the auctioneer. | 0:32:07 | 0:32:08 | |
James Henderson is our auctioneer for the day | 0:32:08 | 0:32:12 | |
and he's kindly cast his eye over our experts' purchases. | 0:32:12 | 0:32:16 | |
The sake cups - I particularly like those. | 0:32:16 | 0:32:19 | |
Although they're both damaged, they are quite nice. | 0:32:19 | 0:32:22 | |
There would be a bit of interest, I would imagine, | 0:32:22 | 0:32:24 | |
I think they'll do quite well. | 0:32:24 | 0:32:26 | |
The large gilt wood frames, | 0:32:26 | 0:32:27 | |
three metre by two metre. | 0:32:27 | 0:32:30 | |
It's the size that may put folk off. They are pretty big. | 0:32:32 | 0:32:35 | |
James Braxton started today's show with £301.06 | 0:32:35 | 0:32:41 | |
and spent exactly £301.06 | 0:32:41 | 0:32:45 | |
on five auction lots. | 0:32:45 | 0:32:46 | |
Charlie Ross began with £2,396.10 | 0:32:48 | 0:32:52 | |
and spent a splendid £508 | 0:32:52 | 0:32:55 | |
on five auction lots. | 0:32:55 | 0:32:57 | |
It's the day of reckoning. | 0:32:57 | 0:32:58 | |
Should Charlie have listened to the experts? | 0:32:58 | 0:33:00 | |
-First under the hammer is his bookcase. -What's it worth, £100? | 0:33:02 | 0:33:06 | |
100, for it now. 100. To get it off, 50... 30 then, for it now. | 0:33:06 | 0:33:11 | |
Oh, dear, this isn't looking good. | 0:33:11 | 0:33:14 | |
30 bid, surely one more? 30 bid. | 0:33:14 | 0:33:16 | |
30, five, 35, and 40. | 0:33:16 | 0:33:20 | |
45. Come on, sir. | 0:33:20 | 0:33:22 | |
45 and 50, 50 bid, 55, and 60 now. | 0:33:22 | 0:33:27 | |
At 60. At 60 bid. | 0:33:27 | 0:33:30 | |
60 bid, it's too cheap. | 0:33:30 | 0:33:33 | |
-At 60 bid, five, 65... -Keep going! | 0:33:33 | 0:33:36 | |
70 bid, 70 bid, | 0:33:36 | 0:33:38 | |
-70 bid, 70 bid. -One more. -70 bid... | 0:33:38 | 0:33:42 | |
All done at £70. | 0:33:42 | 0:33:44 | |
Roscoe. You only fell a little. | 0:33:46 | 0:33:49 | |
Never listen to the experts, eh? | 0:33:49 | 0:33:51 | |
Oh, Brackers! | 0:33:51 | 0:33:54 | |
James, next in the spotlight are your rather large frames. | 0:33:55 | 0:33:59 | |
£100, 100 for them, | 0:33:59 | 0:34:02 | |
for the pair, 100, £50. | 0:34:02 | 0:34:05 | |
Straight in. | 0:34:05 | 0:34:07 | |
50 I'm bid, a 50 bid... | 0:34:09 | 0:34:12 | |
There must be some opposition. | 0:34:12 | 0:34:14 | |
At 55, 60, and five, 65, and 70... | 0:34:14 | 0:34:18 | |
70 bid, 70 bid. | 0:34:18 | 0:34:22 | |
Come on! | 0:34:22 | 0:34:23 | |
-70 bid... -A bit more. | 0:34:23 | 0:34:26 | |
All done at £70. | 0:34:26 | 0:34:28 | |
-A steal, Brackers, a steal. -I thought I had the deal of the century. | 0:34:30 | 0:34:34 | |
Ouch, not what you were expecting, eh? | 0:34:34 | 0:34:38 | |
-Do you know what I am now thinking? -What? | 0:34:38 | 0:34:40 | |
Thank God I let you buy them! | 0:34:40 | 0:34:42 | |
Next in the line of fire is Charlie's lady's writing desk. | 0:34:44 | 0:34:48 | |
150, 100 I'm bid, at 100 I'm bid... | 0:34:48 | 0:34:52 | |
110, at 110... | 0:34:53 | 0:34:55 | |
120, at 120, 130, at 140... | 0:34:55 | 0:35:00 | |
150, 160, 170, 180, 190, 200... | 0:35:00 | 0:35:07 | |
200 I'm bid, at 210. | 0:35:07 | 0:35:10 | |
210, at 210, I'm bid. | 0:35:10 | 0:35:14 | |
220 now, 230. | 0:35:14 | 0:35:16 | |
I'm sort of getting my money back. | 0:35:16 | 0:35:19 | |
-At 230... -Come on! -230... | 0:35:19 | 0:35:23 | |
-230... All done? -Try one more. -230. | 0:35:23 | 0:35:27 | |
-Well done, Roscoe. -Well... -Could have been a lot worse, couldn't it? | 0:35:28 | 0:35:32 | |
-Brave move, wasn't it? -It could have been a picture frame. | 0:35:32 | 0:35:35 | |
Very lucky, Charlie. | 0:35:35 | 0:35:36 | |
Before commission, that's a small £10 profit. | 0:35:36 | 0:35:39 | |
Your turn, James. What will Hamilton make of your 1950s print? | 0:35:39 | 0:35:43 | |
30 for it now. 20, ten, £10, surely now? | 0:35:43 | 0:35:47 | |
-Ten I'm bid. Thank you, sir. -Ten? | 0:35:47 | 0:35:50 | |
-Go on. -There's a lady bidding now. | 0:35:50 | 0:35:52 | |
12, 14, at 14, 16... | 0:35:52 | 0:35:56 | |
At 16, 18. At 18, 20, at 22, five... | 0:35:56 | 0:36:02 | |
At 25 and eight, 30 now, 32, 32 I'm bid. | 0:36:02 | 0:36:07 | |
At 32, 32... | 0:36:07 | 0:36:10 | |
-Another bidder. -Five now. 35 and eight. | 0:36:10 | 0:36:14 | |
Brackers, you're on fire now! | 0:36:14 | 0:36:16 | |
38, eight, 38... | 0:36:16 | 0:36:20 | |
-All done at £38? -38. | 0:36:20 | 0:36:22 | |
I feel as though | 0:36:24 | 0:36:25 | |
I've almost painted it myself! | 0:36:25 | 0:36:27 | |
Well done, James, it might be small, but at least it's a profit. | 0:36:27 | 0:36:32 | |
-13 in the pot. -Charlie, it's time for your overmantle mirror. | 0:36:32 | 0:36:36 | |
£50. 30 then, 30 I'm bid. | 0:36:36 | 0:36:39 | |
Your buyer. | 0:36:39 | 0:36:41 | |
30 bid and five, 40, five, 50... | 0:36:41 | 0:36:45 | |
At 50 bid, five, and 60, 60 bid. | 0:36:45 | 0:36:48 | |
Come on. | 0:36:48 | 0:36:50 | |
60 bid, 60... | 0:36:50 | 0:36:54 | |
Five now, at 65, at 70, at 70 bid. | 0:36:54 | 0:36:57 | |
At 70 bid... | 0:36:57 | 0:37:02 | |
All done at £70? | 0:37:02 | 0:37:03 | |
£45 is a great profit. | 0:37:06 | 0:37:09 | |
James, the pressure's on, can your sash window slash your losses? | 0:37:10 | 0:37:15 | |
£20 for them, ten then, £10. | 0:37:15 | 0:37:17 | |
Your man's at it again. | 0:37:17 | 0:37:20 | |
Ten I'm bid, ten... | 0:37:20 | 0:37:23 | |
12 now, 14, 16, 18, 20... | 0:37:23 | 0:37:27 | |
And two, and five, and eight. At 28. | 0:37:27 | 0:37:32 | |
-Go on. -28 I'm bid. 28 I'm bid... | 0:37:32 | 0:37:36 | |
At £28, at 28, 28... | 0:37:36 | 0:37:40 | |
All done? At £28. 30 now, just in time. | 0:37:40 | 0:37:44 | |
-Oh, 30. -30. -30 bid, two now. | 0:37:44 | 0:37:48 | |
At 32, 35, 38, at 38. | 0:37:48 | 0:37:52 | |
At 38, 38 I'm bid... | 0:37:52 | 0:37:54 | |
Well done, my man. | 0:37:54 | 0:37:56 | |
Brackers, you're working them from behind. | 0:37:56 | 0:37:59 | |
All done at £38... | 0:37:59 | 0:38:01 | |
-Well done, the auctioneer. -You've slipped out of that one. | 0:38:01 | 0:38:04 | |
I did slip out of that one. | 0:38:04 | 0:38:07 | |
I'm afraid, after commission, that's not a whole lot. | 0:38:07 | 0:38:10 | |
Next on show is Charlie's set of | 0:38:11 | 0:38:13 | |
Royal Doulton coffee cups. | 0:38:13 | 0:38:15 | |
£30, 30 for them now. | 0:38:15 | 0:38:19 | |
20, ten. A bid at ten. Ten I'm bid... | 0:38:19 | 0:38:24 | |
12, 14, | 0:38:24 | 0:38:27 | |
16, 18, 20, | 0:38:27 | 0:38:29 | |
two, five, at 25, | 0:38:29 | 0:38:33 | |
eight, at 28, and 30. 30 bid... | 0:38:33 | 0:38:39 | |
-Fresh bidder, two, 32 and five, at 35, and eight, at 38, and 40. -Ooh. | 0:38:39 | 0:38:46 | |
At 40 now. 40 bid... | 0:38:46 | 0:38:48 | |
Nearly getting my money back now. | 0:38:48 | 0:38:50 | |
-Two, at 42, at five. -Come on! | 0:38:50 | 0:38:54 | |
-At 48 and 50, now. -Yes, that's the way. | 0:38:54 | 0:38:57 | |
50 bid... | 0:38:57 | 0:39:01 | |
All done at £50... | 0:39:01 | 0:39:02 | |
Thank you, sir. | 0:39:02 | 0:39:05 | |
-Well, got me out of trouble. -£50, well done. | 0:39:05 | 0:39:07 | |
Another close call, Charlie, but still a profit. | 0:39:09 | 0:39:12 | |
Next to face the music | 0:39:12 | 0:39:14 | |
are James's dominoes. | 0:39:14 | 0:39:16 | |
-Lovely lot. -Unusual set. | 0:39:16 | 0:39:18 | |
-20, £20 for them. -You're in at 20, you're in at a profit. | 0:39:18 | 0:39:21 | |
At £20 I'm bid. At 20, bid, two now. | 0:39:21 | 0:39:24 | |
At 22, and five, 25 and eight, | 0:39:24 | 0:39:28 | |
at 28, at 30 bid, at two, | 0:39:28 | 0:39:30 | |
32, at five, 35 I'm bid. | 0:39:30 | 0:39:34 | |
-At 35... -A result. | 0:39:34 | 0:39:38 | |
Eight now, at 38, at 40, 40 bid... | 0:39:38 | 0:39:43 | |
Brackers, this is stellar galactic. | 0:39:43 | 0:39:46 | |
40 bid, all done at £40... | 0:39:46 | 0:39:50 | |
Well done, mate. You're a canny man, Braxton! | 0:39:50 | 0:39:53 | |
-Canny man. -What a relief, James, you're back in the game. | 0:39:53 | 0:39:57 | |
Time for Charlie's combined lot - | 0:39:57 | 0:40:01 | |
his bronze Buddha and a pair of sake cups. | 0:40:01 | 0:40:04 | |
£80 surely? £50, no less. 50 bid. | 0:40:04 | 0:40:07 | |
Hang on, look. | 0:40:07 | 0:40:10 | |
At 60, and five, and 70, and five. | 0:40:10 | 0:40:13 | |
You see, I told you that lady would be up for it. | 0:40:13 | 0:40:15 | |
100, at 110, at 110, 120, 120, | 0:40:15 | 0:40:21 | |
130, at 140, at 140 bid. | 0:40:21 | 0:40:25 | |
At 140, 140. At 150 now, fresh bidder. | 0:40:25 | 0:40:29 | |
-I'm into a profit. -160. | 0:40:29 | 0:40:30 | |
I'm into a profit! | 0:40:30 | 0:40:31 | |
At 170, 180, at 190. | 0:40:31 | 0:40:35 | |
-You're a money machine. -220, at 220, | 0:40:35 | 0:40:39 | |
240, at 240... | 0:40:39 | 0:40:42 | |
Try one more. | 0:40:42 | 0:40:44 | |
240 I'm bid. At 240... | 0:40:44 | 0:40:46 | |
-Five, at 245. -245. | 0:40:46 | 0:40:50 | |
All done at £245... | 0:40:50 | 0:40:54 | |
Well done, Roscoe, what's that? | 0:40:56 | 0:41:00 | |
That is an amazing price. | 0:41:00 | 0:41:03 | |
Fantastic result, Charlie, | 0:41:03 | 0:41:04 | |
your Buddha certainly brought you | 0:41:04 | 0:41:06 | |
luck and prosperity. | 0:41:06 | 0:41:08 | |
That is very good. Well done, well done. | 0:41:08 | 0:41:11 | |
Thanks, Brackers. | 0:41:11 | 0:41:13 | |
It will take a lot, | 0:41:13 | 0:41:14 | |
but can James's WMF grape dish turn it in his favour? | 0:41:14 | 0:41:17 | |
30 for it now. £30, 30 I'm bid. | 0:41:17 | 0:41:22 | |
30 bid, five, at 35, at 40, | 0:41:22 | 0:41:25 | |
and five, 50, bid of 50. | 0:41:25 | 0:41:29 | |
-Go on. -50 bid. -Come on, come on. | 0:41:29 | 0:41:32 | |
-Five, 55. -55, get in there. | 0:41:32 | 0:41:34 | |
At 55, at 60. | 0:41:34 | 0:41:38 | |
-Well done. -At 60 bid, five, and 70. | 0:41:38 | 0:41:42 | |
-70 bid. -He's working on it. | 0:41:42 | 0:41:44 | |
-Well done. -Working on it. -80, and five, 90. | 0:41:44 | 0:41:49 | |
-Well done. -100... | 0:41:49 | 0:41:52 | |
100, 100, 100... | 0:41:52 | 0:41:56 | |
All done at £100... | 0:41:56 | 0:41:59 | |
I tell you what, I thought it was dying at 50. | 0:42:01 | 0:42:05 | |
-You came with a late burst. -I thought it was dying at 30. | 0:42:05 | 0:42:07 | |
That was a good profit to end on, James, | 0:42:07 | 0:42:10 | |
but I'm afraid it just wasn't enough for auction victory. | 0:42:10 | 0:42:15 | |
-Round three goes to Charlie. -To drop 80... | 0:42:15 | 0:42:19 | |
The one thing... And if you'd said, | 0:42:19 | 0:42:21 | |
"No, after you, Father Roscoe, you have the frames," | 0:42:21 | 0:42:25 | |
I would have lost the money and you'd have been all right. | 0:42:25 | 0:42:28 | |
-You're a canny fella! Aye, canny fella. -Pure luck. | 0:42:28 | 0:42:32 | |
-Come on, let's go for a curry. -Good idea! | 0:42:32 | 0:42:35 | |
James started today's trip with £301.06 | 0:42:37 | 0:42:42 | |
and, after paying auction costs, made a disappointing loss of £66.54. | 0:42:42 | 0:42:47 | |
He's now got £234.52 to carry forward. | 0:42:47 | 0:42:51 | |
Charlie, on the other hand, started today's leg with £2,396.10. | 0:42:51 | 0:42:58 | |
He spent wisely and made a small £37.30 profit. | 0:42:58 | 0:43:03 | |
Charlie still has a sizable £2,433.40 to kick off the next leg. | 0:43:03 | 0:43:10 | |
-Well done, Father Roscoe. -I suppose I'm driving? | 0:43:10 | 0:43:14 | |
You are. Winner takes all. It's rather like golf, you're teeing off. | 0:43:14 | 0:43:19 | |
I'm teeing off, yes. | 0:43:19 | 0:43:22 | |
-Well, another one down. -Another one down. It was fun, wasn't it? | 0:43:22 | 0:43:26 | |
Next time on the Antiques Road Trip, the competition's heating up. | 0:43:26 | 0:43:31 | |
-You're going to be mean, aren't you? -I'm going to be very mean. | 0:43:31 | 0:43:34 | |
-Charlie meets his match. -Could you do that for £80? -No. | 0:43:34 | 0:43:38 | |
And James gets straight to the point. | 0:43:38 | 0:43:40 | |
How does that sound? | 0:43:40 | 0:43:41 | |
-You don't mess about, do you? -No. I go straight in there. | 0:43:41 | 0:43:44 | |
Subtitles by Red Bee Media Ltd | 0:43:58 | 0:44:03 |