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The nation's favourite antiques experts, £200 each, one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
-What's my wife up to? -The aim is trade up and hope each antique turns a profit. | 0:00:12 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
Do I hear £1,500? | 0:00:21 | 0:00:22 | |
So will it be the fast lane to success or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
I can't keep this posture up for much longer! | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
This week, we've been out on the road with a pair of old codgers, | 0:00:37 | 0:00:40 | |
auctioneers Charlie Ross and James Braxton. | 0:00:40 | 0:00:42 | |
I can't see where we're going! | 0:00:42 | 0:00:45 | |
Charlie Ross is an auctioneer who oozes charm and sophistication. | 0:00:45 | 0:00:48 | |
-Well, sort of. -You are what they call a temptress! | 0:00:48 | 0:00:52 | |
Auctioneer surveyor and general fashionista James Braxton | 0:00:52 | 0:00:56 | |
goes straight to the point. | 0:00:56 | 0:00:59 | |
-You don't mess about, do you? -No. | 0:00:59 | 0:01:01 | |
-I go straight in there, don't I? -You do. -Straight in. | 0:01:01 | 0:01:04 | |
Charlie's week kicked off to a flying start when his £8 | 0:01:04 | 0:01:08 | |
Staffordshire elephant roared away for an astronomical £2,700. | 0:01:08 | 0:01:14 | |
-GAVEL STRIKES -I fear my Road Trip is already over! | 0:01:14 | 0:01:18 | |
James, bless him, had a week of exciting ups. | 0:01:19 | 0:01:22 | |
Well done, James. Brilliant. Absolutely brilliant. | 0:01:22 | 0:01:28 | |
-And devastating lows. -Oh, dear. -Dear, oh, dear. | 0:01:28 | 0:01:31 | |
But coming into the last leg, they're two-all in auction victories. | 0:01:31 | 0:01:35 | |
-It's all to play for on the last one. -All to play for. -How exciting! | 0:01:35 | 0:01:39 | |
Two-all with five minutes to go! | 0:01:39 | 0:01:41 | |
After his win at auction number four, | 0:01:41 | 0:01:43 | |
-James' original £200 has increased to a whopping £245.76. -GAVEL STRIKES | 0:01:43 | 0:01:50 | |
After his amazing victory in the first auction, Charles' £200 | 0:01:50 | 0:01:55 | |
rocketed and he starts the last leg with an enormous £2,227.10. | 0:01:55 | 0:02:03 | |
It's their last voyage together today | 0:02:04 | 0:02:08 | |
and they're zipping along in their beautiful 1954 Sunbeam Alpine. | 0:02:08 | 0:02:12 | |
Can there really be an antiques shop in the middle of nowhere? | 0:02:12 | 0:02:16 | |
There can. It's amazing. | 0:02:16 | 0:02:18 | |
You're m-m-m... | 0:02:18 | 0:02:20 | |
Do you want to get that out again? THEY LAUGH | 0:02:20 | 0:02:22 | |
This week's route has taken our experts from Cromarty | 0:02:24 | 0:02:28 | |
down the stunning north-east of Scotland over to the west, | 0:02:28 | 0:02:31 | |
to their final destination in Ayrshire. | 0:02:31 | 0:02:34 | |
On today's last leg, they're heading for the final auction in Ayr. | 0:02:36 | 0:02:39 | |
First stop is the village of Kilbarchan. | 0:02:39 | 0:02:44 | |
SPLUTTERING Oh! My hat's come off. | 0:02:44 | 0:02:46 | |
There must be easier ways to make a living, mustn't there. | 0:02:46 | 0:02:49 | |
A village in the west Central Lowlands, | 0:02:51 | 0:02:54 | |
Kilbarchan's church steeple dominates the village skyline. | 0:02:56 | 0:02:59 | |
Built in 1755, it houses a bronze statue | 0:02:59 | 0:03:02 | |
of Robert 'Habbie' Simpson, Kilbarchan's famous left-handed piper. | 0:03:02 | 0:03:08 | |
Not a lot of people know that! | 0:03:08 | 0:03:10 | |
(SCOTTISH ACCENT) There's plenty for you to get your teeth into. | 0:03:10 | 0:03:14 | |
Established in 1950, | 0:03:16 | 0:03:17 | |
Gardners Antiques has a vast array of antiques and collectables. | 0:03:17 | 0:03:21 | |
And with its strict "no haggling" policy, | 0:03:21 | 0:03:25 | |
I wonder how the chaps will get on. | 0:03:25 | 0:03:27 | |
-It goes a long way. -Goodness me. -Look up there! | 0:03:27 | 0:03:30 | |
Oh, oh, oh, God. | 0:03:30 | 0:03:32 | |
-Good luck, Brackers. -Good hunting. | 0:03:32 | 0:03:35 | |
And with that, Charlie gets straight to work with owner, David. | 0:03:35 | 0:03:38 | |
-That's rather a sweet, very sweet little propelling pencil. -Mm-hmm. | 0:03:39 | 0:03:44 | |
Tell me, | 0:03:46 | 0:03:48 | |
it would be too much for me to expect that to be gold, wouldn't it? | 0:03:48 | 0:03:51 | |
-I think probably. -It looks gold to me. -I'll have a look. | 0:03:51 | 0:03:53 | |
-I certainly don't see any marks on it. -It's not priced, no. -It's not priced as gold, certainly. | 0:03:53 | 0:03:58 | |
-It isn't but I was just wondering whether it might be! -I don't see any marks on it. | 0:03:58 | 0:04:02 | |
Perhaps I should be taking a little gamble. | 0:04:02 | 0:04:05 | |
Lets do a bit of Sherlock Holmes work on here. | 0:04:05 | 0:04:08 | |
I think that's absolutely charming. | 0:04:08 | 0:04:12 | |
And the price of that is...£20. | 0:04:12 | 0:04:18 | |
This would've been kept in a small purse belonging to a lady, | 0:04:18 | 0:04:22 | |
perhaps if she went out dancing and had a little dance card | 0:04:22 | 0:04:26 | |
and wanted to write down the names | 0:04:26 | 0:04:28 | |
of the people that she had been chosen to dance with. | 0:04:28 | 0:04:32 | |
That's the sort of thing you'd find in a smart purse. | 0:04:32 | 0:04:36 | |
I think it's a charming little lot. | 0:04:36 | 0:04:38 | |
-I'd like to make an investment, if I may? -Absolutely welcome to do that. | 0:04:38 | 0:04:42 | |
It's not a big one but hopefully, I'm going to find more. | 0:04:42 | 0:04:45 | |
£20 well spent, Charlie. | 0:04:45 | 0:04:47 | |
David's "no haggling" policy sure makes for speedy negotiations. | 0:04:47 | 0:04:51 | |
This looks interesting. | 0:04:51 | 0:04:53 | |
I'm going to sit down. Look at this! | 0:04:53 | 0:04:55 | |
Oh, 'ello! Ha! | 0:04:55 | 0:04:58 | |
All damages to be paid for. Oh! | 0:04:58 | 0:05:00 | |
Slightly vulnerable to damage, this one. | 0:05:00 | 0:05:04 | |
Erm, but what a piece! | 0:05:04 | 0:05:06 | |
Ahem! Damage caused by you, I think, James. | 0:05:06 | 0:05:09 | |
This is what the impressionists and the Victorians, | 0:05:09 | 0:05:13 | |
that 1850 period to 1900, this is what they love. | 0:05:13 | 0:05:17 | |
We've got some deterioration, like a sort of dry rot, there. | 0:05:17 | 0:05:21 | |
Putting the dry rot, the cracks and the other damage aside, | 0:05:21 | 0:05:26 | |
this is still quite a nice piece, isn't it? | 0:05:26 | 0:05:29 | |
-Yeah, OK then, James. So what is it? -What have we got on this? | 0:05:29 | 0:05:33 | |
£68?! | 0:05:33 | 0:05:35 | |
This is my first purchase. | 0:05:35 | 0:05:37 | |
I love this piece and it's going to make me a large profit. | 0:05:37 | 0:05:41 | |
I really hope so, James. | 0:05:41 | 0:05:43 | |
This rare early Meiji period Japanese container | 0:05:43 | 0:05:45 | |
could've been used to house kimonos or even Japanese jim-jams. | 0:05:45 | 0:05:50 | |
David, can you tell me about this fellow? | 0:05:50 | 0:05:52 | |
It's rather taken me eye. | 0:05:52 | 0:05:54 | |
Erm, Japanese. Probably early 20th century, possibly a bit earlier. | 0:05:54 | 0:06:00 | |
Quite a lot of Japanese import brought into Glasgow. | 0:06:00 | 0:06:02 | |
With it being a bit port city. | 0:06:02 | 0:06:05 | |
A lot of ships captains and crews bring back, brought things home. | 0:06:05 | 0:06:08 | |
-You haven't got the lid for it? -We don't have the lid to that. | 0:06:08 | 0:06:11 | |
This one's as it stands, I'm afraid. | 0:06:11 | 0:06:13 | |
-A few wee knocks and bumps but a bit unusual. -Yeah. | 0:06:13 | 0:06:17 | |
-I know the terms. There you are, my good man. -Thank you. | 0:06:17 | 0:06:20 | |
I shall take the ticket off it, then. | 0:06:20 | 0:06:22 | |
£68 spent. Well done, James. | 0:06:22 | 0:06:24 | |
What about Charlie? | 0:06:24 | 0:06:26 | |
There's something rather ornate and small. | 0:06:28 | 0:06:33 | |
I imagine an inkwell. | 0:06:33 | 0:06:36 | |
Yes, it is an inkwell. French. | 0:06:36 | 0:06:40 | |
Champleve enamel. | 0:06:40 | 0:06:42 | |
Not brilliant enamelling, but really not bad quality. | 0:06:42 | 0:06:47 | |
And then we've got a little porcelain plaque at the bottom, here. | 0:06:47 | 0:06:52 | |
It's really quite a charming object. It is... £54. | 0:06:52 | 0:06:59 | |
I think this is worth more money than £54. I really do. | 0:06:59 | 0:07:05 | |
Champleve is a technique in which troughs or cells | 0:07:05 | 0:07:08 | |
are carved out with a metal object and filled with enamel. | 0:07:08 | 0:07:12 | |
-I think that's really quite sweet. I'll have that, sir, if I may. -Thank you very much indeed. | 0:07:12 | 0:07:17 | |
That's two very nice purchases under your belt, Charlie. | 0:07:17 | 0:07:21 | |
Brackers, take me away before I spend any more money. | 0:07:21 | 0:07:24 | |
-THEY LAUGH -How many items have you bought? -That's for you to find out, Brackers. | 0:07:24 | 0:07:29 | |
-I haven't spent much money but I'm pleased with what I've bought. -No! | 0:07:29 | 0:07:33 | |
But then I'm always pleased with what I've bought until the hammer falls! | 0:07:33 | 0:07:36 | |
Until the hammer falls. | 0:07:36 | 0:07:38 | |
On the road, the boys are heading seven miles east to Paisley, | 0:07:41 | 0:07:45 | |
where Charlie's giving himself a little treat. | 0:07:45 | 0:07:48 | |
Now Paisley is the largest town in Renfrewshire, | 0:07:48 | 0:07:52 | |
with a beautiful 12th century medieval abbey. | 0:07:52 | 0:07:55 | |
By the 19th century, Paisley had established itself as a centre of the weaving industry | 0:07:55 | 0:07:59 | |
and today, Charlie Ross has come to the Paisley Museum to find out more. | 0:07:59 | 0:08:03 | |
Mm. Agile for his age. | 0:08:03 | 0:08:05 | |
-Don't forget to pick me up! -Will do, bye. -Bossy! | 0:08:05 | 0:08:08 | |
The Paisley Museum is home to the world's finest collection | 0:08:08 | 0:08:12 | |
of Paisley shawls and pattern books. | 0:08:12 | 0:08:14 | |
Charlie is meeting curator of textiles, Dan. | 0:08:14 | 0:08:17 | |
Dan, where did it all start? That's what I want to know. | 0:08:17 | 0:08:21 | |
The Paisley shawl was an imitation of the Kashmir shawl, | 0:08:21 | 0:08:25 | |
which came to Europe in the 1770s. | 0:08:25 | 0:08:28 | |
It was a really expensive item | 0:08:28 | 0:08:31 | |
so the European manufacturers tried to produce a cheaper version | 0:08:31 | 0:08:35 | |
-of this, and that's what gave birth to the Paisley shawl. -Right. | 0:08:35 | 0:08:39 | |
Mechanical production techniques cut the time taken to weave | 0:08:39 | 0:08:43 | |
the intricate designs which include the boteh, resembling a teardrop. | 0:08:43 | 0:08:48 | |
The kidney-shaped Paisley pattern is therefore Indian in origin, | 0:08:48 | 0:08:52 | |
copying the costly silk and wool Kashmir jobbies. | 0:08:52 | 0:08:57 | |
These are designs done out the same size and colour | 0:08:57 | 0:09:00 | |
-as they will appear in a finished cloth. -Right. | 0:09:00 | 0:09:02 | |
And then you'll see there's a grid, | 0:09:02 | 0:09:04 | |
a pencil grid, superimposed on it. | 0:09:04 | 0:09:06 | |
This has now to be put on what we call point paper or design paper. | 0:09:06 | 0:09:11 | |
The design is transferred from the point paper | 0:09:11 | 0:09:14 | |
into a series of punched cards. | 0:09:14 | 0:09:16 | |
You put in a blank card into this here, | 0:09:16 | 0:09:18 | |
and then I read across each line and I have eight punches here | 0:09:18 | 0:09:22 | |
at the back and I punch the card according to the design. | 0:09:22 | 0:09:25 | |
The cards are punched one at the time, | 0:09:25 | 0:09:28 | |
usually one for each horizontal line in the design. | 0:09:28 | 0:09:31 | |
The thing about the Paisley shawl | 0:09:31 | 0:09:34 | |
is you need one card for every colour. | 0:09:34 | 0:09:36 | |
We have five colours in the line, you're going to have five cards. | 0:09:36 | 0:09:39 | |
That's why some of the Paisley shawls have over 50,000 cards. | 0:09:39 | 0:09:43 | |
50,000! | 0:09:43 | 0:09:45 | |
When the whole of the design has been punched into the cards, | 0:09:45 | 0:09:48 | |
they are placed in sequence | 0:09:48 | 0:09:49 | |
and laced together to form a continuous band. | 0:09:49 | 0:09:52 | |
The chain of cards is then placed on top of the loom. | 0:09:52 | 0:09:55 | |
The card select the threads to be raised | 0:09:55 | 0:09:57 | |
to produce the pattern on the cloth. | 0:09:57 | 0:10:00 | |
If you look here, you have a gap, which we call a shed. | 0:10:00 | 0:10:03 | |
-There's some yarns raised and the others are down. -Yup. | 0:10:03 | 0:10:06 | |
The ones that are raised are where I've punched the holes. | 0:10:06 | 0:10:09 | |
The ones that are down is where I've left blanks. | 0:10:09 | 0:10:13 | |
The weaver throws the shuttle carrying weft yarn through the shed. | 0:10:13 | 0:10:16 | |
This action is repeated | 0:10:16 | 0:10:18 | |
for every card until the pattern is produced on the cloth. | 0:10:18 | 0:10:21 | |
How long would it take? | 0:10:21 | 0:10:23 | |
It depends on what type of cloth you're producing, | 0:10:23 | 0:10:25 | |
because if you're weaving a tweed, | 0:10:25 | 0:10:27 | |
-you could weave maybe 30 yards a day. -Really? | 0:10:27 | 0:10:30 | |
If you're weaving a figured velvet, | 0:10:30 | 0:10:32 | |
you'd be working equally as hard and you'd produce an inch a day. | 0:10:32 | 0:10:35 | |
Creating these amazing shawls was an incredibly complex process | 0:10:36 | 0:10:40 | |
and weavers in the 19th century were highly skilled, | 0:10:40 | 0:10:43 | |
weaving 12 to 18 hours a day. Poor loves. | 0:10:43 | 0:10:45 | |
When the shawl was finished, all these extra threads | 0:10:47 | 0:10:49 | |
had to be clipped off so it leaves a fuzzy back. | 0:10:49 | 0:10:52 | |
This is a very typical Paisley shawl | 0:10:52 | 0:10:54 | |
and it's one of the characteristics which distinguishes it | 0:10:54 | 0:10:58 | |
from the original Kashmir. | 0:10:58 | 0:10:59 | |
The Kashmir won't have a fuzzy back like this but this, | 0:10:59 | 0:11:03 | |
the Paisley or the European shawl will always have a fuzzy back because it had to be cut. | 0:11:03 | 0:11:08 | |
The shawl may have gone out of fashion in the 1870s | 0:11:08 | 0:11:12 | |
but the pattern that has decorated them is still popular today. | 0:11:12 | 0:11:16 | |
-That's glorious, I think. -Different to the original. -Stunning. | 0:11:16 | 0:11:20 | |
So, while Charlie's been enjoying himself, | 0:11:20 | 0:11:23 | |
James has headed 15 miles south-west to Kilbirnie. | 0:11:23 | 0:11:27 | |
Kilbirnie is a small town in North Ayrshire. | 0:11:33 | 0:11:36 | |
Amongst many old buildings stands the Walker Hall, | 0:11:36 | 0:11:39 | |
a memorial hall dedicated to Dr Walker, | 0:11:39 | 0:11:43 | |
one of the first physicians in the town. | 0:11:43 | 0:11:45 | |
Stirrup Cup was originally a dairy farm and is now a horse livery yard. | 0:11:47 | 0:11:51 | |
Five years ago, | 0:11:51 | 0:11:53 | |
owner Greta opened up an antiques shop in their 18th century barn, | 0:11:53 | 0:11:57 | |
which is now home to Stirrup Cup Antiques. | 0:11:57 | 0:12:01 | |
-Greta Logan. -Greta. Very nice to meet you. | 0:12:01 | 0:12:04 | |
I like this, though. Very nice art nouveau sort of like a table centre. | 0:12:04 | 0:12:08 | |
It's definitely art nouveau, very continental colouring, the green and the gilt. | 0:12:08 | 0:12:13 | |
So it's definitely French. | 0:12:13 | 0:12:16 | |
Nicely finished underneath. I rather like that. | 0:12:16 | 0:12:19 | |
It's got a good look to it. It's got £45 on it. | 0:12:19 | 0:12:23 | |
Let's see if I can get something off on that. | 0:12:23 | 0:12:26 | |
Before he gets down to the nitty gritty, | 0:12:26 | 0:12:28 | |
something else catches his eye. | 0:12:28 | 0:12:30 | |
-Look at these bottles. -Well they're Drew of Piccadilly, 1905, I think. | 0:12:30 | 0:12:35 | |
-Drew. -Something like 1905. | 0:12:35 | 0:12:37 | |
They look it. They are fittings out of a travelling case, aren't they? | 0:12:37 | 0:12:41 | |
-I would say so. -Yeah. | 0:12:41 | 0:12:43 | |
In your leather travel case, around the edges, | 0:12:43 | 0:12:45 | |
you had these sort of pockets and they fitted into these things. | 0:12:45 | 0:12:50 | |
Those five, there, and I like your stand there, your nouveau stand. | 0:12:50 | 0:12:58 | |
What sort of price could you do for the two sort of lots there? | 0:13:01 | 0:13:06 | |
Well... | 0:13:06 | 0:13:08 | |
-Very difficult... -Yeah, uh-huh! | 0:13:08 | 0:13:10 | |
The two at the back, I had £120 on just on the two. | 0:13:10 | 0:13:14 | |
Good on you, Greta. | 0:13:14 | 0:13:16 | |
For all five silver bottles, James is looking at a total price of £245. | 0:13:16 | 0:13:20 | |
That's £67.24 more than he's got to spend. | 0:13:20 | 0:13:25 | |
Are you going to put your hand in your pocket for over £300, James? | 0:13:25 | 0:13:28 | |
-No, I haven't got 300. -You haven't got 300. Here we go, here we go! | 0:13:28 | 0:13:32 | |
-How much have we got left? -I think she's got the mark of you, James. | 0:13:32 | 0:13:37 | |
£250 on the lot. | 0:13:37 | 0:13:39 | |
I won't buy all of them. | 0:13:41 | 0:13:44 | |
Haven't really got the money and all that sort of thing, | 0:13:44 | 0:13:47 | |
but that's pretty. | 0:13:47 | 0:13:49 | |
Greta, would you take 140 for that, that, that and that? | 0:13:51 | 0:13:57 | |
-160? -160... | 0:13:59 | 0:14:02 | |
-In the middle? -OK, then. -Ha ha ha! | 0:14:04 | 0:14:07 | |
£150 lighter, and James is still spending. | 0:14:07 | 0:14:10 | |
I'll tell you what, I've hardly got a penny left, | 0:14:10 | 0:14:14 | |
and I forgot about these. | 0:14:14 | 0:14:16 | |
I saw your rather nice, your sort of Hercules doorstops. | 0:14:16 | 0:14:20 | |
What do you call these? Is this a Scottish thing? | 0:14:20 | 0:14:24 | |
I think that's got to be for tying a horse. | 0:14:24 | 0:14:27 | |
You'd put them in the field, and it was just for tethering an animal? | 0:14:27 | 0:14:31 | |
-They did come out of a coach house. -How much are you selling these for? | 0:14:31 | 0:14:35 | |
-30 for the two. -30 for the two? -Yeah. | 0:14:35 | 0:14:38 | |
-Greta, would you take a tenner for this one? -20. -20. I can't do 20. | 0:14:40 | 0:14:45 | |
15, then. | 0:14:45 | 0:14:46 | |
Could you do 12? | 0:14:46 | 0:14:50 | |
-OK, James. -12. That's really kind. Thank you. | 0:14:50 | 0:14:54 | |
-Three items! -Are you happy now? -You need some cash! | 0:14:54 | 0:14:58 | |
-I would like some cash, thank you. -Take me to your till. -OK! | 0:14:58 | 0:15:01 | |
Great work, James. It's the end of day one, and you're nearly spent out. | 0:15:01 | 0:15:05 | |
Charlie's going to be busy tomorrow, though. Night night. | 0:15:05 | 0:15:10 | |
Dawn breaks on the chaps' final push before the grand finale. | 0:15:15 | 0:15:20 | |
James got stuck in to his first day shopping, spending £230 on four lots. | 0:15:20 | 0:15:25 | |
The Japanese box, the silver bottles, | 0:15:25 | 0:15:29 | |
the mirrored stand and the horse tether. | 0:15:29 | 0:15:33 | |
He has a small £15.76 left to spend. | 0:15:33 | 0:15:38 | |
Charlie, meanwhile, has spent £74 on two lots. | 0:15:38 | 0:15:43 | |
The small 19th-century pencil and the enamel inkwell. | 0:15:43 | 0:15:48 | |
He has £2,153.10 left to show us who's boss. | 0:15:48 | 0:15:53 | |
The road trip is moving us on once more, leaving Kilbirnie | 0:15:54 | 0:15:57 | |
and burning a short 10 miles west to Fairlie, | 0:15:57 | 0:16:01 | |
where James has given himself a little treat. | 0:16:01 | 0:16:04 | |
Here we are. Lovely. Nice big gates. This is more me. | 0:16:04 | 0:16:08 | |
-Ah! -This is more me. -Oh, it's a bit like going home for you! | 0:16:08 | 0:16:12 | |
Situated fairly near Fairlie, | 0:16:12 | 0:16:14 | |
Kelburn Castle is James Braxton's first port of call. | 0:16:14 | 0:16:18 | |
What a great, great morning! This will look superb, won't it? | 0:16:18 | 0:16:22 | |
Originally built in the 13th century, Kelburn Castle is the seat of the Earl of Glasgow, | 0:16:22 | 0:16:27 | |
and is thought to be the oldest castle in Scotland | 0:16:27 | 0:16:30 | |
to have been continuously inhabited by the same family. | 0:16:30 | 0:16:34 | |
The present 10th Earl of Glasgow | 0:16:34 | 0:16:36 | |
is meeting the lucky James Braxton to show him round, | 0:16:36 | 0:16:40 | |
and tell him more about two of his extraordinary relations. | 0:16:40 | 0:16:43 | |
Now, who's your fine fellow here? | 0:16:44 | 0:16:46 | |
Oh, I see. This, in fact is my great-grandfather, | 0:16:46 | 0:16:50 | |
and he was a naval captain, and near the end of his career, | 0:16:50 | 0:16:54 | |
-he was made governor of New Zealand. -Oh, fabulous! | 0:16:54 | 0:16:57 | |
He was loved. He had a huge family and he was loved by the Maoris, | 0:16:57 | 0:17:00 | |
and he went round and visited all these various Maori communities all over New Zealand. | 0:17:00 | 0:17:06 | |
Well, he looks a very splendid fellow, doesn't he? | 0:17:06 | 0:17:08 | |
He does. I think he was painted to look splendid. | 0:17:08 | 0:17:11 | |
-Did he bring anything back from New Zealand? -Yes, he brought a lot back. | 0:17:11 | 0:17:14 | |
One of the most interesting ones was this one, which is a Maori cape. | 0:17:14 | 0:17:19 | |
This is... One of the Maori chiefs gave this to my great-grandfather, | 0:17:19 | 0:17:24 | |
and it actually doesn't look particularly interesting, | 0:17:24 | 0:17:28 | |
but it is unique, and this is all made out of Kiwi feathers, | 0:17:28 | 0:17:31 | |
and I don't think you'd be able to do that now. | 0:17:31 | 0:17:34 | |
I think legally, it would be impossible to have a cape like that. | 0:17:34 | 0:17:38 | |
-So this is all feathers? -Absolutely. All kiwi feathers. | 0:17:38 | 0:17:42 | |
A national symbol of New Zealand, the kiwi is a flightless bird | 0:17:42 | 0:17:46 | |
that holds a special significance for the Maori. | 0:17:46 | 0:17:50 | |
It is symbolic of their elder brothers and sisters, | 0:17:50 | 0:17:52 | |
representing protective spirits. | 0:17:52 | 0:17:55 | |
And is this one of many in the world? | 0:17:55 | 0:17:57 | |
There was a Maori who came here to see it, | 0:17:57 | 0:17:59 | |
and he said there were less than a dozen of these in the world. | 0:17:59 | 0:18:03 | |
My great-uncle Alan | 0:18:05 | 0:18:07 | |
was one of those magnificent men in their flying machines, | 0:18:07 | 0:18:10 | |
and he was one of the pioneers of aviation in the very early days, | 0:18:10 | 0:18:14 | |
and he held the record for three weeks when he'd flown his aeroplane | 0:18:14 | 0:18:18 | |
something like 400 yards, and that was the record, | 0:18:18 | 0:18:22 | |
-but the record was broken three weeks later by somebody else who did it better than he did. -Oh, no! | 0:18:22 | 0:18:27 | |
-So they were accumulating... -So he had a glorious three weeks. | 0:18:27 | 0:18:32 | |
Alan Reginald Boyle was born on 8th October 1886, | 0:18:33 | 0:18:37 | |
and was the son of the seventh Earl of Glasgow. | 0:18:37 | 0:18:40 | |
What really fascinates me about it is the fact that | 0:18:40 | 0:18:43 | |
the wheels are just like sort of bicycle wheels. | 0:18:43 | 0:18:46 | |
They're tiny, aren't they? You can see how treacherous they were, | 0:18:46 | 0:18:50 | |
but you can imagine them hitting something and just pitching. | 0:18:50 | 0:18:54 | |
Well, I think that's actually what happened to my great-uncle. | 0:18:54 | 0:18:57 | |
Unfortunately, his aeroplane turned over, and he landed on his head, | 0:18:57 | 0:19:01 | |
and from that moment on, he had a slight memory problem, | 0:19:01 | 0:19:05 | |
so it was jolly dangerous, as you can see, they were hardly protected. | 0:19:05 | 0:19:09 | |
-It must've been a very exciting period if you had the courage. -Yeah. | 0:19:09 | 0:19:13 | |
-Those pioneering Edwardians. -That's right. | 0:19:13 | 0:19:16 | |
The castle is steeped in history, both inside and out, | 0:19:16 | 0:19:19 | |
but one of the more modern aspects is on the south side of the place. | 0:19:19 | 0:19:24 | |
This is a great departure from your normal Scottish castle, isn't it? | 0:19:24 | 0:19:28 | |
Yes, well, it was actually the idea of my son and daughter, | 0:19:28 | 0:19:31 | |
who got to know these Brazilian graffiti artists | 0:19:31 | 0:19:35 | |
who were longing to paint a Scottish castle and do a... | 0:19:35 | 0:19:40 | |
It's a mural, isn't it? We call it graffiti, but it's really a mural. | 0:19:40 | 0:19:44 | |
They came and stayed here. | 0:19:44 | 0:19:46 | |
Anyway, they managed to persuade Historic Scotland to let them do it, | 0:19:46 | 0:19:49 | |
which surprised me. | 0:19:49 | 0:19:50 | |
-Where you rather hoping they might be turned down? -Yeah, I was. | 0:19:50 | 0:19:54 | |
Anyway, he wasn't turned down, and they went ahead with it. | 0:19:54 | 0:19:57 | |
But now that it's been done, | 0:19:57 | 0:19:59 | |
I actually think it's really very, very good. | 0:19:59 | 0:20:01 | |
It's tremendously imaginative. | 0:20:01 | 0:20:03 | |
So, James, a mixture of old and new. | 0:20:03 | 0:20:07 | |
Meanwhile, Charlie is cruising 15 miles south to Kilwinning. | 0:20:07 | 0:20:11 | |
Situated just outside Kilwinning | 0:20:11 | 0:20:13 | |
is the beautiful Dalgarven Mill. | 0:20:13 | 0:20:16 | |
Rising through four floors and powered by a six-metre waterwheel, | 0:20:16 | 0:20:21 | |
this is one of the oldest and tallest grain mills surviving in Scotland. | 0:20:21 | 0:20:26 | |
It's a beautiful rural location, | 0:20:26 | 0:20:28 | |
and it's also home to Byre Antiques And Collectables. | 0:20:28 | 0:20:31 | |
His first shop of the day. | 0:20:31 | 0:20:33 | |
Nice to see you. It's Shane, isn't it? Now, this looks interesting... | 0:20:33 | 0:20:38 | |
What appears to be a leather volume... | 0:20:38 | 0:20:41 | |
I'm going to open it up and see what's what. | 0:20:41 | 0:20:44 | |
Gosh! | 0:20:45 | 0:20:47 | |
Ah, that's good, it's instructions. | 0:20:47 | 0:20:50 | |
This looks a really interesting compendium. | 0:20:50 | 0:20:54 | |
Roulette. | 0:20:54 | 0:20:56 | |
Cribbage boards, chessboard. | 0:20:56 | 0:20:59 | |
Fantastic! | 0:20:59 | 0:21:01 | |
And I suspect here we will have the roulette table. | 0:21:01 | 0:21:06 | |
It's fantastic! And the pack of cards. I think the pack of cards is probably original. | 0:21:06 | 0:21:10 | |
What date is this? | 0:21:10 | 0:21:13 | |
1920s. | 0:21:13 | 0:21:14 | |
I notice, Shane, that it hasn't got a price on it. | 0:21:14 | 0:21:17 | |
It's just in, in actual fact. | 0:21:17 | 0:21:19 | |
-Oh, is it? -It is, it's a new piece in. -What sort of money's that? | 0:21:19 | 0:21:23 | |
My best trade on it for you, Charlie, would be £40. | 0:21:23 | 0:21:27 | |
-And that, the £40 is the absolute death... -Absolutely. | 0:21:27 | 0:21:31 | |
-Leave the door if you don't pay. -Exactly. | 0:21:31 | 0:21:34 | |
-Sold. -Thank you very much. | 0:21:34 | 0:21:35 | |
Thank you very much indeed. I think that's great. | 0:21:35 | 0:21:38 | |
-I love it. -I'm glad you like it. | 0:21:38 | 0:21:39 | |
Another great purchase, Charlie. | 0:21:39 | 0:21:41 | |
-I think all your furniture's been restored, hasn't it? -It has. | 0:21:41 | 0:21:46 | |
-I'm a furniture restorer. -Yeah, yeah. | 0:21:46 | 0:21:48 | |
Have you got anything that's waiting to be restored? | 0:21:48 | 0:21:51 | |
The one piece I have got is the Georgian washstand. | 0:21:51 | 0:21:54 | |
-It doesn't really look as if it needs restoration. -Just tidying. | 0:21:54 | 0:21:58 | |
-If you see the beading... -Oh, yes, I can see. | 0:21:58 | 0:22:03 | |
The drawer fronts... | 0:22:03 | 0:22:04 | |
This lovely piece of Georgian mahogany is being sold | 0:22:04 | 0:22:08 | |
without the bowl and the jug. | 0:22:08 | 0:22:10 | |
Well, I'd better ask, I'm not intending to buy any furniture, | 0:22:10 | 0:22:13 | |
-but that might be irresistible. -I could make it very appealing. | 0:22:13 | 0:22:17 | |
-Could you make it very appealing? -I could. | 0:22:17 | 0:22:19 | |
If I could do it for £50? | 0:22:19 | 0:22:21 | |
CHARLIE SIGHS | 0:22:21 | 0:22:23 | |
I... It's... | 0:22:23 | 0:22:25 | |
-I can see you're struggling with it. -It's a great price. | 0:22:25 | 0:22:29 | |
I mean, I would say I'd give you £35 cash for it, | 0:22:29 | 0:22:32 | |
and if it could be done for that... | 0:22:32 | 0:22:34 | |
Well, if I said to you, if you met me halfway | 0:22:34 | 0:22:37 | |
and we do it for £40, for a piece of Georgian furniture? | 0:22:37 | 0:22:40 | |
I couldn't actually say no, could I? | 0:22:40 | 0:22:43 | |
I think it would be rude to say no. | 0:22:43 | 0:22:45 | |
I think it would be very rude to say no! | 0:22:45 | 0:22:48 | |
This has got to be the deal of the day. Well done, Charlie. | 0:22:48 | 0:22:52 | |
With the auction just around the corner, | 0:22:52 | 0:22:54 | |
our chaps are back on the road, heading north to Largs. | 0:22:54 | 0:22:57 | |
James, you got any money left for this last shop? | 0:22:57 | 0:23:00 | |
-A tiny amount. I've got just over £15 and some pence. -Yeah. | 0:23:00 | 0:23:05 | |
I think, I do want to spend up. | 0:23:05 | 0:23:08 | |
A town on the Firth of Clyde, Largs's most famous monument | 0:23:08 | 0:23:12 | |
is the Pencil - ha - | 0:23:12 | 0:23:14 | |
built in 1912 to commemorate the Battle of Largs | 0:23:14 | 0:23:16 | |
when the Scots defeated Norway's troops on the shore at Largs in 1263. | 0:23:16 | 0:23:21 | |
What took them so long! | 0:23:21 | 0:23:23 | |
This is glorious, isn't it? | 0:23:23 | 0:23:25 | |
Very Scottish Riviera. | 0:23:25 | 0:23:27 | |
A former cinema, Narducci Antiques has been open since 1969 | 0:23:27 | 0:23:32 | |
and is the scene for our final show-stopping showdown of the week. | 0:23:32 | 0:23:36 | |
-Are you feeling lucky, Mr Braxton? -I am. Oh, look, there's a staircase. | 0:23:37 | 0:23:41 | |
Do you think there are things up there? | 0:23:41 | 0:23:43 | |
Oh, that's where the bargains will be! Unseemly rush there. | 0:23:43 | 0:23:48 | |
What have you got for £15.76? | 0:23:50 | 0:23:52 | |
Well, we cater for most pockets so, nothing take your eye? | 0:23:52 | 0:23:56 | |
-Even smaller ones. -It hasn't, really. -Bargain rack at a fiver? -Sorry? | 0:23:56 | 0:24:00 | |
In the bargain rack for a fiver? | 0:24:00 | 0:24:03 | |
What attracts you to any of these items then, Franco? | 0:24:03 | 0:24:06 | |
-That's over to you, you're doing the buying. -Yeah. | 0:24:06 | 0:24:11 | |
Well said, Franco. Come on, James! | 0:24:11 | 0:24:13 | |
Good. Well, I think I'll keep looking but that's very kind. | 0:24:15 | 0:24:19 | |
Thankfully, it's not long before something takes his fancy. | 0:24:19 | 0:24:23 | |
An old Ayrshire salt pot. | 0:24:23 | 0:24:24 | |
Unfortunately, it's cracked but it's Ayrshire glazed. | 0:24:24 | 0:24:29 | |
For keeping salt in. | 0:24:29 | 0:24:30 | |
So was Ayrshire your Stoke-on-Trent, was it your potteries? | 0:24:30 | 0:24:34 | |
-It was, it was. -Was it? -I can do that for a tenner, if it's any good? | 0:24:34 | 0:24:38 | |
It's quite fun, isn't it? You say a salt box. | 0:24:38 | 0:24:41 | |
-Just for keeping the salt dry, keeping the dampness from it. -Yeah. | 0:24:41 | 0:24:46 | |
What about a fiver, Franco? | 0:24:46 | 0:24:49 | |
-Eight quid. I'll meet you in the middle. -Seven and I'll do it. | 0:24:49 | 0:24:52 | |
-On you go, we're here to sell. -Thanks. | 0:24:52 | 0:24:54 | |
Excellent piece of negotiating there, James, and very clever | 0:24:54 | 0:24:59 | |
taking Ayrshire pottery to an Ayrshire auction. | 0:24:59 | 0:25:01 | |
A pair of quite fancy wall brackets over here. | 0:25:05 | 0:25:08 | |
They look as if they're brass. | 0:25:08 | 0:25:11 | |
They are. They're pretty blooming stylish. Chunky! | 0:25:11 | 0:25:19 | |
I think they are originally made for electricity, | 0:25:19 | 0:25:23 | |
but early electricity. They're early 20th century and I like those. | 0:25:23 | 0:25:27 | |
God, I'd love to buy those for less than 100 quid. Ho-ho! | 0:25:29 | 0:25:34 | |
V little chance, I suspect. | 0:25:34 | 0:25:36 | |
Well, if anyone can seal the deal, you can, Charlie. | 0:25:36 | 0:25:39 | |
-You probably forgot they were even here, did you? -No, no, no. | 0:25:39 | 0:25:42 | |
-I know my stock, I know my stock. -Oh, do you! | 0:25:42 | 0:25:44 | |
-They've got nothing on them. -They're nice, aren't they? | 0:25:44 | 0:25:47 | |
Yeah, I mean, they're early 20th century, I suppose. | 0:25:47 | 0:25:50 | |
-What sort of money are they? -£60? | 0:25:50 | 0:25:53 | |
I quite like your opening gambit there. They've got good weight. | 0:25:53 | 0:25:58 | |
-Good look too. -And they're a very good look, aren't they? | 0:25:58 | 0:26:01 | |
I think those are great. They could be cleaned up a treat. | 0:26:03 | 0:26:06 | |
If I pulled out 40 Scottish notes, would that do the deal? | 0:26:06 | 0:26:10 | |
-No, but if you put a friendly 50, you can have them. -A nifty 50? | 0:26:10 | 0:26:15 | |
-A nifty 50 and it's a deal. -I think they're fantastic. -Thanks. | 0:26:15 | 0:26:18 | |
-Thank you very much indeed. -Thank you. | 0:26:18 | 0:26:20 | |
-You look spent up. -I am almost spent up. And you? | 0:26:22 | 0:26:26 | |
-You find something? -Yes, I did, and I'm very pleased with what I bought. | 0:26:26 | 0:26:31 | |
And with that, it's time to go, and for the very last time | 0:26:31 | 0:26:34 | |
in a rather theatrical fashion, reveal all from two old thespians. | 0:26:34 | 0:26:39 | |
-This is it. -This is it. | 0:26:39 | 0:26:41 | |
First up is Charlie's Games Compendium. | 0:26:41 | 0:26:44 | |
-I love this. -That doesn't spin. -How much did you pay for that? | 0:26:45 | 0:26:51 | |
-I paid... -Don't say under £30. -£40 for it. -£40. | 0:26:51 | 0:26:58 | |
I think that's a very good buy. | 0:26:58 | 0:27:00 | |
Time for your Japanese box, James. | 0:27:00 | 0:27:03 | |
Here we are. I just bought this very curious item. | 0:27:03 | 0:27:06 | |
-That's gorgeous, where's the lid? -No lid, unfortunately. | 0:27:06 | 0:27:10 | |
-It didn't have a lid. -It's glorious. I'd love that in my house. | 0:27:10 | 0:27:15 | |
-And you paid? -£68. -Well done, Brackers. | 0:27:15 | 0:27:19 | |
Charlie liked your box but what will you make of his wall sconces? | 0:27:19 | 0:27:24 | |
-They look nice. -They're heavy brass wall sconces. -Oh! | 0:27:24 | 0:27:28 | |
How did I miss those? | 0:27:28 | 0:27:29 | |
They are 20th century and made for electricity, | 0:27:29 | 0:27:32 | |
-they haven't been converted. -They're nice. | 0:27:32 | 0:27:34 | |
-I just thought they were the business. Do you like those? -They're a lovely weight. | 0:27:34 | 0:27:38 | |
-I would estimate those at 80-120 at auction. -Yeah. -How much? | 0:27:38 | 0:27:44 | |
-50 quid. -Well done. -Now for James's mirrored plateau. | 0:27:44 | 0:27:49 | |
-Ayyyy. -Yes. -Ay-ay-ay. | 0:27:49 | 0:27:54 | |
-Art nouveau handles are glorious. -Yeah. | 0:27:55 | 0:27:57 | |
I would expect to pay between 60 and 80 pounds for it. | 0:27:59 | 0:28:02 | |
Really, you're being kind. I paid £40 for it. | 0:28:02 | 0:28:05 | |
-I've gone to France for my next lot. -Ohh. -It's a little inkwell. | 0:28:05 | 0:28:09 | |
That's pretty. | 0:28:09 | 0:28:10 | |
Unusually, it's on a little serve style plaque at the bottom | 0:28:10 | 0:28:14 | |
with a couple of decorated puti. | 0:28:14 | 0:28:17 | |
-How much did you pay for that? 50-80. -54 quid. -Really? | 0:28:17 | 0:28:23 | |
-Yeah, what do you think? -I think that's a fair price. | 0:28:23 | 0:28:27 | |
I wonder what he'll make of your stone horse tetherererer. | 0:28:27 | 0:28:30 | |
-There we are. -Good grief! -There we are! | 0:28:30 | 0:28:33 | |
-Magnificent. -I quite like it. | 0:28:33 | 0:28:36 | |
-It's quite like a large egg. -A ship? A horse? | 0:28:36 | 0:28:39 | |
A horse. Well done. | 0:28:39 | 0:28:42 | |
-It's a livestock tetherer. -That was... 25 quid. | 0:28:42 | 0:28:46 | |
You're teasing me. | 0:28:46 | 0:28:48 | |
-It was £12. -Was it really! -What's your next... | 0:28:48 | 0:28:52 | |
What's your next item? | 0:28:52 | 0:28:54 | |
-It's a little propelling pencil. -Is this gold? | 0:28:54 | 0:28:57 | |
There's no hallmark on it. | 0:28:57 | 0:28:59 | |
-That's rather nice, isn't it? -Wonder whether it might be gold. | 0:28:59 | 0:29:03 | |
I paid 20 quid for it. | 0:29:03 | 0:29:04 | |
From possible gold to definite silver. | 0:29:04 | 0:29:07 | |
Hello! | 0:29:10 | 0:29:12 | |
You've got a hundred quid's worth of silver there before you start. | 0:29:12 | 0:29:16 | |
-I paid 110. -Well done. 160, they'll make. | 0:29:16 | 0:29:18 | |
-Do you think so? -Yeah. | 0:29:18 | 0:29:21 | |
Now for Charlie's mahogany washstand. | 0:29:21 | 0:29:23 | |
You as an auctioneer will look at that and say, | 0:29:23 | 0:29:25 | |
"Rosco, that's unsaleable." | 0:29:25 | 0:29:26 | |
No, no, I like a washstand. That looks a nice Regency washstand. | 0:29:26 | 0:29:30 | |
-Is it Regency? -It's George III, Regency - it's 18... | 0:29:30 | 0:29:34 | |
-whatever you like. 1810? -Sheraton, isn't it? | 0:29:34 | 0:29:37 | |
Well, it could be 1790, but you know. | 0:29:37 | 0:29:38 | |
Let's put it at 1800, let's split the difference. | 0:29:38 | 0:29:41 | |
In today's market, what will it make? | 0:29:41 | 0:29:45 | |
-I would say it would make... -Be realistic. -£150. | 0:29:45 | 0:29:50 | |
-Don't be silly, Brackers! -Yeah. -£150! -I think so, yeah. | 0:29:50 | 0:29:56 | |
How much did you pay? | 0:29:56 | 0:29:58 | |
-40 quid. -Well, I think that is a sensational buy. | 0:29:58 | 0:30:02 | |
Indeed, kind words, James, but will Charlie say the same | 0:30:02 | 0:30:05 | |
for your last lot, the Ayrshire lead-glazed bin | 0:30:05 | 0:30:07 | |
which you've eccentrically decided to sell lidless. | 0:30:07 | 0:30:11 | |
Nice object, and presumably if he'd had it for a few years, | 0:30:11 | 0:30:14 | |
-you took that away from under his nose. -I did. | 0:30:14 | 0:30:17 | |
-And you bought that for less than £50, I'll warrant. -Less than 50. | 0:30:17 | 0:30:20 | |
-Did you, what did you pay? -I bought that for less than £10. | 0:30:20 | 0:30:25 | |
You're a thief, Mr Braxton. You are just missing your mask! | 0:30:25 | 0:30:29 | |
The final curtain is about to be drawn but first, | 0:30:30 | 0:30:33 | |
it's time to hear what they really think. | 0:30:33 | 0:30:36 | |
I liked his washstand and at £40, that was daylight robbery, I think. | 0:30:36 | 0:30:40 | |
Dear old Rosco, he likes to pretend he's a bumbling old idiot | 0:30:41 | 0:30:47 | |
but he's on the money, isn't he? | 0:30:47 | 0:30:50 | |
James has bought some really great lots. I like his stoneware trough. | 0:30:50 | 0:30:55 | |
It cost £7! Robbery. | 0:30:55 | 0:30:59 | |
It's been an eventful final leg for our two excited experts, | 0:30:59 | 0:31:04 | |
from Kilbarchan via Kilbirnie, Kilwinning and Largs. | 0:31:04 | 0:31:08 | |
Auction day is here and it's the final showdown for James and Charlie in Ayr. | 0:31:08 | 0:31:12 | |
I've been chasing furniture down for some decades now. | 0:31:13 | 0:31:17 | |
Every time I see something, I say I'm never going to buy any more | 0:31:17 | 0:31:20 | |
English brown furniture and then a piece comes in so cheaply | 0:31:20 | 0:31:24 | |
that you really think that there is a profit, and there never is! | 0:31:24 | 0:31:27 | |
Established in 1933, Thomas R Callan | 0:31:29 | 0:31:32 | |
is a family-run business of auctioneers and valuers, | 0:31:32 | 0:31:37 | |
selling over 25,000 lots every year. | 0:31:37 | 0:31:39 | |
Auctioneer Michael Callan is the third generation of the family | 0:31:39 | 0:31:43 | |
to handle the gavel and he's kindly cast an eye | 0:31:43 | 0:31:46 | |
over our experts' choices. | 0:31:46 | 0:31:48 | |
The Japanese lacquered box is one of my favourite items. | 0:31:48 | 0:31:51 | |
It just oozes quality. | 0:31:51 | 0:31:54 | |
Unfortunately, it hasn't got a cover, it's missing a handle | 0:31:54 | 0:31:57 | |
and it has got issues with condition. | 0:31:57 | 0:31:59 | |
Today, in its present condition, about £100. | 0:31:59 | 0:32:03 | |
I quite like the propelling pencil. | 0:32:03 | 0:32:05 | |
Late-19th century, beautifully decorated with light engraving | 0:32:05 | 0:32:10 | |
and a beautiful little purple amethyst at the end. | 0:32:10 | 0:32:13 | |
It's still in perfect working condition | 0:32:13 | 0:32:15 | |
and it should make between £20 and £40. | 0:32:15 | 0:32:18 | |
James started this last leg of the road trip with £245.76 | 0:32:20 | 0:32:26 | |
and spent £237 on five auction lots. | 0:32:26 | 0:32:30 | |
A rolls. Got a rolls for you... | 0:32:31 | 0:32:33 | |
Charlie began with £2,227.10 | 0:32:33 | 0:32:36 | |
and spent £204, also on five auction lots. | 0:32:36 | 0:32:40 | |
Frankly, James was never going to catch Charlie after his mammoth win. | 0:32:43 | 0:32:47 | |
the best he can do is to try to win this final auction. | 0:32:47 | 0:32:51 | |
They're two-all in auction victories, | 0:32:51 | 0:32:54 | |
so, for the last time, let the auction begin. | 0:32:54 | 0:32:56 | |
First to go under the hammer is James's Ayrshire lead-glazed bin. | 0:32:57 | 0:33:02 | |
-Look at that. -It looks gorgeous. -Lovely. | 0:33:02 | 0:33:04 | |
Is there 60 for it? £60. | 0:33:04 | 0:33:07 | |
40? £40? | 0:33:07 | 0:33:10 | |
40 I'm bid in the corner. | 0:33:10 | 0:33:12 | |
At 40, any advance? 45. 50. | 0:33:12 | 0:33:15 | |
Cost seven. | 0:33:15 | 0:33:16 | |
Any advance on the 50? Corner at 50. Are we all out at 50? | 0:33:16 | 0:33:20 | |
I think he's over-egging it a bit. | 0:33:20 | 0:33:22 | |
All finished, then, at £50? | 0:33:22 | 0:33:24 | |
-GAVEL BANGS -Well, well, well. -Mr Braxton! | 0:33:24 | 0:33:27 | |
That's very nice. Sensational. | 0:33:27 | 0:33:30 | |
It certainly was, James. | 0:33:30 | 0:33:31 | |
That's a brilliant profit to start on. | 0:33:31 | 0:33:34 | |
-That's wonderful. -That's good, isn't it? | 0:33:34 | 0:33:38 | |
Now for Charlie's inkwell. | 0:33:38 | 0:33:40 | |
Decorative wee piece with a hand-painted porcelain base, | 0:33:40 | 0:33:43 | |
with its cherubs. | 0:33:43 | 0:33:44 | |
30. £30. | 0:33:46 | 0:33:47 | |
30 I'm bid. 35. 40. 45. 50. | 0:33:47 | 0:33:50 | |
55. 60. | 0:33:50 | 0:33:52 | |
At 60. Any advance on 60? | 0:33:52 | 0:33:54 | |
65. 70. | 0:33:54 | 0:33:56 | |
75. 80. 85. 90. | 0:33:56 | 0:33:59 | |
95. At 95, behind me at 95. At £95. | 0:33:59 | 0:34:04 | |
Any advance on 95? All finished, then, at £95. | 0:34:04 | 0:34:08 | |
Well done, well done, my word. | 0:34:08 | 0:34:12 | |
-My word. -95. | 0:34:12 | 0:34:14 | |
I didn't think that was going to happen, did you? | 0:34:14 | 0:34:17 | |
Oh, ye of little faith. | 0:34:17 | 0:34:19 | |
Fantastic result, Charlie. Just £2, now, behind James. | 0:34:19 | 0:34:23 | |
-We've got a battle on today, Brackers, haven't we? -I know. | 0:34:23 | 0:34:26 | |
We are in lot 103, then. A lovely late-19th century propelling pencil. | 0:34:26 | 0:34:32 | |
There you are. For the pencil, 50 for it? | 0:34:32 | 0:34:34 | |
£50? 40? £20? | 0:34:34 | 0:34:37 | |
£20? | 0:34:37 | 0:34:40 | |
20 I'm bid. 25. | 0:34:40 | 0:34:42 | |
30. 35. 40. | 0:34:42 | 0:34:45 | |
At 40, any advance on 40? | 0:34:45 | 0:34:47 | |
# Double your money and try to get rich... # | 0:34:47 | 0:34:50 | |
At 40. Are you all out? All finished, then, at £40. | 0:34:50 | 0:34:54 | |
-GAVEL BANGS -449. -Very good. Very good. | 0:34:54 | 0:34:58 | |
I'm warming to this auctioneer on every lot he sells. | 0:34:58 | 0:35:02 | |
You're on to a winning streak here, Charlie, | 0:35:02 | 0:35:04 | |
and are edging out in front. | 0:35:04 | 0:35:06 | |
Oh, I tell you what - they look the business. | 0:35:06 | 0:35:09 | |
Let's see if James's silver bottles can shake things up. | 0:35:09 | 0:35:12 | |
£100. £100 for three. 100 I'm bid. At 100. | 0:35:12 | 0:35:17 | |
110. 120. 130. | 0:35:17 | 0:35:20 | |
At 130, any advance on 130? | 0:35:20 | 0:35:22 | |
140. | 0:35:22 | 0:35:24 | |
At 140, any advance on 140? | 0:35:24 | 0:35:26 | |
-At 140, any advance? -140 plus the premium... | 0:35:26 | 0:35:30 | |
All finished then, at £140? | 0:35:30 | 0:35:33 | |
-GAVEL BANGS You got a profit. Got a profit. -Got a profit. | 0:35:33 | 0:35:36 | |
-I got a small profit on that. -But it's a profit, yep, you're all right. | 0:35:36 | 0:35:39 | |
-A couple of quid... -Yeah. -..after commission. | 0:35:39 | 0:35:41 | |
Yes, James. The auction house must take its earnings, | 0:35:41 | 0:35:45 | |
but chin up - it's still a profit. | 0:35:45 | 0:35:47 | |
Lot 177, the games compendium. | 0:35:47 | 0:35:49 | |
Up next is Charlie's games compendium. | 0:35:49 | 0:35:52 | |
80 for it? 80? £60. | 0:35:52 | 0:35:54 | |
£60, compendium? | 0:35:54 | 0:35:56 | |
40? £40? | 0:35:56 | 0:35:59 | |
20, then. 20. 25. 30. At 30. | 0:35:59 | 0:36:03 | |
35, behind me at 35. | 0:36:03 | 0:36:06 | |
40. 45. | 0:36:06 | 0:36:07 | |
At 45, behind at 45. All finished? | 0:36:07 | 0:36:11 | |
-Selling, then, at £45... -GAVEL BANGS | 0:36:11 | 0:36:14 | |
475 at 45. | 0:36:14 | 0:36:16 | |
-Wiped its face. -Yeah, I'm not wildly thrilled about that. | 0:36:16 | 0:36:20 | |
I thought it was a good lot. | 0:36:20 | 0:36:22 | |
What a pity. I really thought that would do better. | 0:36:22 | 0:36:25 | |
I think, with commission, I've lost a couple of quid, there. | 0:36:25 | 0:36:29 | |
A national disaster, Brackers. Never mind. | 0:36:29 | 0:36:32 | |
Time for your mirrored platter next, James. | 0:36:32 | 0:36:36 | |
This is your chance to race into the lead. | 0:36:36 | 0:36:39 | |
-80 for it. 80? -Ooh, that's lovely. | 0:36:39 | 0:36:41 | |
40? £40? Beautiful condition. £40? | 0:36:41 | 0:36:46 | |
Giving me the heebie-jeebies, this is. | 0:36:46 | 0:36:48 | |
-£20. -But that's ridiculous. | 0:36:48 | 0:36:50 | |
At 20. 25. At 30. | 0:36:50 | 0:36:54 | |
35. At 35, are we all out? | 0:36:54 | 0:36:57 | |
All finished, then, at 35... | 0:36:57 | 0:36:59 | |
-GAVEL BANGS -477, 35. | 0:37:02 | 0:37:05 | |
-James, I'm disappointed with that. -So am I. | 0:37:05 | 0:37:08 | |
Chin up, James. Despite the £5 loss, you're still out in front. | 0:37:08 | 0:37:12 | |
-Cor, it's coming down to the wire, this one, Brackers. -I know. | 0:37:12 | 0:37:16 | |
Next on display are Charlie's brass wall sconces. | 0:37:16 | 0:37:20 | |
80 for them, 80? £40? | 0:37:20 | 0:37:23 | |
40 I'm bid. 40, any advance on 40? | 0:37:23 | 0:37:26 | |
45. 50. | 0:37:26 | 0:37:28 | |
At 50. Corner at 50. Any advance on 50? | 0:37:28 | 0:37:31 | |
At £50 for the pair. | 0:37:31 | 0:37:32 | |
They're cheap, aren't they? | 0:37:32 | 0:37:35 | |
-At £50, it's the corner, 55, new bidder. -55, new bidder. | 0:37:35 | 0:37:38 | |
At 55, any advance on 55? Are we all out? | 0:37:38 | 0:37:40 | |
Middle at 55, finished, then, at £55. | 0:37:40 | 0:37:44 | |
-GAVEL BANGS Oh, dear. I really had confidence in those. -A squandered opportunity. | 0:37:44 | 0:37:48 | |
-Another opportunity gone. -I'd have bid more than 55 for them. | 0:37:49 | 0:37:53 | |
So would I. But I couldn't, sorry. Sorry. | 0:37:53 | 0:37:57 | |
And to think, it started off so positively. | 0:37:58 | 0:38:01 | |
I find the wind taken out of my sails. | 0:38:01 | 0:38:04 | |
Next is James's horse-tetherer. | 0:38:05 | 0:38:07 | |
It's an ancient throwing stone from the Highland Games. | 0:38:07 | 0:38:10 | |
-THEY LAUGH -I'll take 40 for it? £40? | 0:38:10 | 0:38:13 | |
20. £20, a tether? | 0:38:13 | 0:38:16 | |
10. At 10, I'm bid, at 10. | 0:38:16 | 0:38:18 | |
15. | 0:38:18 | 0:38:20 | |
Bidding? 20 in the corner. | 0:38:20 | 0:38:22 | |
25. At 25, lady at 25. Any advance on 25? | 0:38:22 | 0:38:26 | |
-Good investment. -Are you all out? | 0:38:26 | 0:38:30 | |
All finished, then, at £25. | 0:38:30 | 0:38:32 | |
-GAVEL BANGS -Well done, that lady. | 0:38:32 | 0:38:35 | |
-Well done, madam. -Well done. | 0:38:35 | 0:38:37 | |
What are you going to tie on to it? | 0:38:37 | 0:38:39 | |
Your husband? | 0:38:39 | 0:38:41 | |
Behave yourself, Roscoe. James, that was a very good investment. | 0:38:41 | 0:38:47 | |
-So, we are down to the wire? -We are down to the wire. | 0:38:47 | 0:38:49 | |
A week's solid toil and we're down to the last lot. | 0:38:49 | 0:38:52 | |
James is currently in the lead, and his Japanese box is up next. | 0:38:52 | 0:38:56 | |
-Oozes quality. -Oozes quality - it's a bit like its owner. | 0:38:56 | 0:39:00 | |
£100 for it? 100? | 0:39:00 | 0:39:02 | |
80? | 0:39:02 | 0:39:04 | |
£40? | 0:39:05 | 0:39:06 | |
£40? | 0:39:08 | 0:39:10 | |
40 I'm bid, at 40. Any advance on 40? | 0:39:10 | 0:39:13 | |
You're away. 45. | 0:39:13 | 0:39:14 | |
50. 55. 60. | 0:39:14 | 0:39:16 | |
65. | 0:39:16 | 0:39:18 | |
70. | 0:39:18 | 0:39:19 | |
-75. 80. 85. -Brackers! -90. | 0:39:19 | 0:39:23 | |
On my left at 90, any advance on 90? | 0:39:23 | 0:39:26 | |
Keep going. | 0:39:26 | 0:39:27 | |
At £90, any advance on £90? Are we all out? | 0:39:27 | 0:39:30 | |
All finished, then, at £90. | 0:39:30 | 0:39:33 | |
GAVEL BANGS Oh... | 0:39:33 | 0:39:35 | |
It's not a bad result, Brackers, to be honest. | 0:39:35 | 0:39:38 | |
JAMES LAUGHS But compared with your purchase price? | 0:39:38 | 0:39:41 | |
-Come on, it's a profit, old boy. -I know, I know. I'm pleased. | 0:39:41 | 0:39:44 | |
-Chin up, Brackers. -I am pleased. | 0:39:44 | 0:39:47 | |
James, you've ended on a high. With one lot to go, you're in the lead. | 0:39:47 | 0:39:50 | |
Charlie, it all comes down to your washstand, mate. | 0:39:50 | 0:39:53 | |
You'd need to make a profit of £36 | 0:39:53 | 0:39:55 | |
to be able to declare victory in today's show. | 0:39:55 | 0:39:58 | |
80? 50, then. | 0:39:58 | 0:40:01 | |
-50, I'm bid. -£50. -At 50. 55. | 0:40:01 | 0:40:04 | |
60. 65. | 0:40:04 | 0:40:06 | |
At 65. 70. | 0:40:06 | 0:40:08 | |
75. 80. | 0:40:08 | 0:40:11 | |
85. 90. 95. | 0:40:11 | 0:40:12 | |
-Well done. -100. 110. | 0:40:12 | 0:40:15 | |
120. | 0:40:15 | 0:40:16 | |
-130. -Oh, Brackers! -130, any advance on 130? | 0:40:16 | 0:40:20 | |
At £130, any advance? It's the back at 130. | 0:40:20 | 0:40:23 | |
Are you all out? All finished then, at £130. | 0:40:23 | 0:40:28 | |
-GAVEL BANGS -Well done. Well done. £130. | 0:40:28 | 0:40:31 | |
Down to wire, though, Brackers. Absolutely down to the wire. | 0:40:31 | 0:40:35 | |
What a result, Charlie, and a fantastic profit | 0:40:35 | 0:40:38 | |
to end this road trip adventure. | 0:40:38 | 0:40:40 | |
-Well done, Roscoe. A deserved winner. -Gosh. | 0:40:40 | 0:40:45 | |
-Down to the last lot though. Doesn't come closer than that, does it? -No. | 0:40:45 | 0:40:49 | |
-Fabulous. -Very good indeed. | 0:40:49 | 0:40:51 | |
James began his last voyage with £245.76. | 0:40:51 | 0:40:57 | |
After paying auction costs, he made a profit of £41.80. | 0:40:57 | 0:41:01 | |
He ends this week with a not-to-be-laughed-at £287.56. | 0:41:01 | 0:41:06 | |
HE LAUGHS | 0:41:06 | 0:41:08 | |
The legendary Charlie Ross | 0:41:08 | 0:41:09 | |
was always going to be a tough nut to beat. | 0:41:09 | 0:41:12 | |
He started this leg with £2,227.10 and made a healthy profit of £95.30. | 0:41:12 | 0:41:19 | |
Charlie wins the week in spectacular fashion | 0:41:19 | 0:41:22 | |
with an enormous £2,322.40, | 0:41:22 | 0:41:26 | |
and all monies raised will go to Children In Need. | 0:41:26 | 0:41:29 | |
-I feel rather deflated now, Brackers. -Where's everybody gone? | 0:41:29 | 0:41:33 | |
-I don't know. -Is it all over? Your last lot was that. | 0:41:33 | 0:41:37 | |
Do you think we can go up to the Black Isle and start again? | 0:41:37 | 0:41:39 | |
JAMES LAUGHS | 0:41:39 | 0:41:41 | |
Yeah, I'll be buying Staffordshire. | 0:41:41 | 0:41:43 | |
THEY LAUGH | 0:41:43 | 0:41:45 | |
MUSIC: "Price Tag" by Jessie J | 0:41:45 | 0:41:49 | |
What a week it's been. | 0:41:49 | 0:41:50 | |
Since leaving Cromarty, our experts have travelled over 600 miles | 0:41:50 | 0:41:54 | |
through the glorious Scottish countryside. | 0:41:54 | 0:41:57 | |
They've embraced the good and the bad of Scotland's weather... | 0:41:57 | 0:42:01 | |
I've never had a better view of the Highlands, Brackers! | 0:42:01 | 0:42:05 | |
..James discovered a soft spot for nice items... | 0:42:05 | 0:42:09 | |
That's a nice start. It's nice to see something I like. | 0:42:09 | 0:42:12 | |
It's very nice. | 0:42:12 | 0:42:13 | |
It's just a nice item. | 0:42:13 | 0:42:14 | |
I like this shop. It's really nice. | 0:42:14 | 0:42:16 | |
It's got some nice things, all nice and clean. | 0:42:16 | 0:42:18 | |
It's lovely. | 0:42:18 | 0:42:19 | |
Nice one, Cyril. ..whilst Charlie went straight for gold. | 0:42:19 | 0:42:22 | |
For the last time, £2,700. | 0:42:22 | 0:42:25 | |
GAVEL BANGS | 0:42:25 | 0:42:27 | |
-APPLAUSE -Take your stand, take a bow. | 0:42:27 | 0:42:31 | |
They laughed from start to finish | 0:42:32 | 0:42:34 | |
and bonded in the most unusual of ways. | 0:42:34 | 0:42:38 | |
Brackers, are you with me? I can't keep this posture up for much longer. | 0:42:39 | 0:42:43 | |
My body is normally like this, over there, but at the moment... | 0:42:43 | 0:42:46 | |
# Price tag | 0:42:46 | 0:42:48 | |
# It ain't about the Cha-ching, cha-ching | 0:42:48 | 0:42:51 | |
# It ain't about the Ba-bling, ba-bling... # | 0:42:51 | 0:42:54 | |
Amazing. | 0:42:54 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:06 | 0:43:09 |