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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:05 | |
a classic car, and a goal to scour Britain | 0:00:05 | 0:00:08 | |
-for antiques. -That hurts. | 0:00:08 | 0:00:10 | |
The aim? To make the biggest profit at auction, | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
We've really lost. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
There's always another auction, Mark. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:32 | 0:00:35 | |
It's the beginning of a whole new week and a whole new road trip, | 0:00:35 | 0:00:39 | |
This time, our duelling duo are Mark Stacey and Mark Hales. | 0:00:39 | 0:00:43 | |
Two Marks in one car. Mark what I say. | 0:00:43 | 0:00:47 | |
Is it true, two Marks are better than one? | 0:00:47 | 0:00:49 | |
-Absolutely right. -If you say so. | 0:00:49 | 0:00:52 | |
Veteran Roadtripper Mark Stacey is an auctioneer and valuer from Brighton. | 0:00:54 | 0:00:58 | |
He's a smart operator whose wits are as sharp as his tongue. | 0:00:58 | 0:01:02 | |
-Mark. -Yes. -You couldn't give me a hand, could you? | 0:01:02 | 0:01:04 | |
Could I give you a hand? | 0:01:04 | 0:01:06 | |
You asked for a hand! | 0:01:06 | 0:01:08 | |
Ceramics expert Mark Hales runs a Devon auction house. | 0:01:08 | 0:01:12 | |
He's a relative newcomer | 0:01:12 | 0:01:14 | |
with just one previous road trip under his belt. | 0:01:14 | 0:01:18 | |
So, could this upstart be chasing victory this time? | 0:01:18 | 0:01:20 | |
-I've got to beat Mark over there, haven't I? -Definitely. | 0:01:20 | 0:01:24 | |
-It's the name of the game. -He's such a veteran, he must be beaten. | 0:01:24 | 0:01:27 | |
Because it's the start of the week, they both have full wallets - | 0:01:27 | 0:01:32 | |
£200 to spend on antiques which they'll later sell at auction | 0:01:32 | 0:01:35 | |
aiming to make a tidy profit. | 0:01:35 | 0:01:36 | |
Today, our brave boys are driving a dashingly red | 0:01:38 | 0:01:41 | |
1968 Triumph Spitfire MK3. | 0:01:41 | 0:01:43 | |
That is two Marks in a MK3. | 0:01:43 | 0:01:47 | |
Oh, good grief! | 0:01:47 | 0:01:49 | |
I'm not terribly good on cars, but I do like the colour red. | 0:01:49 | 0:01:52 | |
-It's a lovely red, isn't it? -I think we could have a hoot in it. | 0:01:52 | 0:01:55 | |
Sexy red. | 0:01:55 | 0:01:56 | |
Now, don't get carried away! | 0:01:56 | 0:01:58 | |
This week's epic journey sees the two Marks drive nearly 300 miles, | 0:01:58 | 0:02:03 | |
from Finedon in Northamptonshire... | 0:02:03 | 0:02:05 | |
through Norwich in East Anglia... | 0:02:05 | 0:02:07 | |
to Colchester in Essex. | 0:02:07 | 0:02:09 | |
On today's show, they're heading for their first auction | 0:02:11 | 0:02:14 | |
in Stamford, Lincolnshire. | 0:02:14 | 0:02:16 | |
The pretty village of Finedon in Northamptonshire effortlessly | 0:02:16 | 0:02:20 | |
combines the ancient and the modern. | 0:02:20 | 0:02:22 | |
It's mentioned as a significant settlement | 0:02:22 | 0:02:24 | |
in the Domesday book of 1086. | 0:02:24 | 0:02:27 | |
Let's hope it's not too Domesday for our boys. | 0:02:27 | 0:02:30 | |
-Affleck Bridge Antiques. -There we are. | 0:02:30 | 0:02:32 | |
That's the idea. Right. | 0:02:32 | 0:02:35 | |
Oh, I'm itching to get started, aren't you? | 0:02:35 | 0:02:38 | |
Well, this is exciting. This is it. | 0:02:38 | 0:02:40 | |
-The thrill of the chase. This is it. -Oh, gosh! | 0:02:40 | 0:02:45 | |
Not as young as you used to be, are you, chaps? | 0:02:45 | 0:02:49 | |
-I'm glad to be out of that thing! -I nearly had to ask you to help me out, then! | 0:02:49 | 0:02:53 | |
I wouldn't have, I would have left you in there. | 0:02:53 | 0:02:55 | |
More chance of me finding the bargains. | 0:02:55 | 0:02:57 | |
-Are you feeling nervous? -Just a little bit. -Come on, good luck. | 0:02:57 | 0:03:03 | |
-I'm going over there, I think. -And have a lousy morning. | 0:03:03 | 0:03:06 | |
-I hope things go badly for you. -Yeah, thank you so much. | 0:03:06 | 0:03:09 | |
I'm only joking. Bye. | 0:03:09 | 0:03:11 | |
First, Mark Hales is scouting out Affleck Bridge Antiques. | 0:03:11 | 0:03:15 | |
Robert Cheney is on hand to give him a warm welcome. | 0:03:15 | 0:03:18 | |
-Hello, Robert, how do you do? -All right, thank you. | 0:03:18 | 0:03:20 | |
-Would it be all right if I have a browse? -Yes, carry on. -Thank you very much indeed. | 0:03:20 | 0:03:24 | |
Mark Hales is new to this game than his battle-hardened adversary. | 0:03:27 | 0:03:31 | |
So, does he have a master plan, other than just rubbing his hands? | 0:03:31 | 0:03:36 | |
Well, no plan as such, just keep looking, keep looking, | 0:03:37 | 0:03:40 | |
don't lose my cool. | 0:03:40 | 0:03:42 | |
I am a little bit nervous I'm always nervous | 0:03:42 | 0:03:44 | |
until I've got that first buy out of the way. | 0:03:44 | 0:03:47 | |
Yes. | 0:03:49 | 0:03:51 | |
The mallet, Robert, | 0:03:53 | 0:03:55 | |
-is it a presentation piece? -Yeah. | 0:03:55 | 0:03:58 | |
It IS a presentation mallet, made for the builder | 0:03:58 | 0:04:00 | |
of Chelmsford School in 1906 and crafted from ebony. | 0:04:00 | 0:04:04 | |
Mark's convinced it may be of interest to a particular buyer. | 0:04:04 | 0:04:08 | |
There are a lot of builders out there, | 0:04:08 | 0:04:11 | |
-and builders love to collect things, don't they, Robert? -They do, yes. | 0:04:11 | 0:04:14 | |
Builders, if you have 20 collectors in a room, I'm sorry, | 0:04:14 | 0:04:18 | |
but probably 12 of them would be builders. Isn't that right? | 0:04:18 | 0:04:21 | |
The ticket price is £65, can Mark haggle it down? | 0:04:21 | 0:04:26 | |
Can I buy it for £35? Because that would give me a profit, won't it? | 0:04:26 | 0:04:30 | |
-It would, but it wouldn't give us one. -£40. | 0:04:30 | 0:04:33 | |
-Just. -Because if I bought that for £40, | 0:04:33 | 0:04:35 | |
-I reckon I've got a profit in that, I really do. -That would be, yeah. | 0:04:35 | 0:04:39 | |
As long as the auctioneer does his job, puts it out there | 0:04:39 | 0:04:42 | |
and those collectors, those collecting builders spot it, | 0:04:42 | 0:04:46 | |
I think it could do well. | 0:04:46 | 0:04:48 | |
-Yeah? -Yeah. -£40 for the mallet? -That's it, yeah. | 0:04:48 | 0:04:51 | |
Thank you, Robert, we'll have the mallet, thank you very much indeed. | 0:04:51 | 0:04:55 | |
Yes, yes, yes, yes, yes, yes, YES! | 0:04:56 | 0:04:58 | |
We've started, we have started, good. | 0:04:58 | 0:05:00 | |
Meanwhile, Mark Stacey is next door | 0:05:00 | 0:05:03 | |
in MC Chapman Antiques, with proprietor, Mike. | 0:05:03 | 0:05:07 | |
This Roadtripper is a formidable competitor | 0:05:07 | 0:05:11 | |
but what does he make of his new rival? | 0:05:11 | 0:05:13 | |
I think Mark's going to be very tough competition, actually, | 0:05:13 | 0:05:17 | |
I think he jabbers a lot, because we've only just met | 0:05:17 | 0:05:21 | |
and he might be a little bit nervous, but I think he has a good eye. | 0:05:21 | 0:05:24 | |
Huh! Looks like he's not the only one! | 0:05:24 | 0:05:28 | |
This is... | 0:05:28 | 0:05:30 | |
That's rather pretty as well, isn't it? It's a little... | 0:05:30 | 0:05:34 | |
-I THINK it's continental silver. -I think so. | 0:05:34 | 0:05:37 | |
There's some sort of mark on the bottom. I haven't got my eye glasses with me. | 0:05:37 | 0:05:41 | |
What he's fiddling with here is a miniature white metal | 0:05:41 | 0:05:44 | |
continental candleholder, list price, £22. And now, | 0:05:44 | 0:05:48 | |
he's spied something else, too. | 0:05:48 | 0:05:50 | |
-This is a rather unusual thing as well, isn't it? -Yeah. | 0:05:50 | 0:05:52 | |
What do you think it is? | 0:05:52 | 0:05:55 | |
-Pin tray? -Yeah, mother-of-pearl? | 0:05:56 | 0:05:59 | |
Quite a big piece as well, mounted in a sort of... | 0:05:59 | 0:06:01 | |
-Almost an arts and crafts... -It has actually, | 0:06:01 | 0:06:04 | |
I can't see any marks on, but it feels silver. | 0:06:04 | 0:06:06 | |
It feels silver, doesn't it, yeah? | 0:06:06 | 0:06:08 | |
On the ticket, £55. Mark Stacey is an absolute magpie this morning. | 0:06:08 | 0:06:13 | |
He's found yet another shiny object. | 0:06:13 | 0:06:16 | |
My eyes are wandering and I'm seeing things I didn't see before. | 0:06:16 | 0:06:21 | |
And it's just...oops! | 0:06:22 | 0:06:24 | |
It's just good to have a look at things, because you never know, | 0:06:24 | 0:06:28 | |
you might just find that extra something, you know? | 0:06:28 | 0:06:31 | |
It's a little... You could call it a sort of compote, | 0:06:31 | 0:06:36 | |
or a tazza, I suppose. | 0:06:36 | 0:06:37 | |
A tazza is a shallow cup or vase usually on a decorative pedestal. | 0:06:37 | 0:06:42 | |
1882, so it dates it to the late 19th century. | 0:06:42 | 0:06:45 | |
-How much is that, Mike? -£45. -£45. | 0:06:45 | 0:06:48 | |
In the other room, Mark's alighted on something else he likes. | 0:06:48 | 0:06:51 | |
-There's no stopping him! -Gosh! That's rather nice. | 0:06:51 | 0:06:55 | |
Gosh, it's reasonable, isn't it? | 0:06:58 | 0:07:00 | |
-Just lovely quality. -It's lovely quality. | 0:07:00 | 0:07:02 | |
What we have here is a 19th-century cribbage board. | 0:07:02 | 0:07:06 | |
This is all mother-of-pearl here | 0:07:06 | 0:07:08 | |
and you've got... Is this rosewood? | 0:07:08 | 0:07:12 | |
-If you got that made today, how much would it cost? -Well, yeah. | 0:07:12 | 0:07:15 | |
£300 or £400, at least? | 0:07:15 | 0:07:17 | |
Right, I've got to make some decisions, Mike, haven't I? | 0:07:17 | 0:07:20 | |
Let's have a little look at what we've got. | 0:07:20 | 0:07:22 | |
We've got that bit which I quite like. | 0:07:22 | 0:07:24 | |
That which I like, this which I like, and that which I like. | 0:07:24 | 0:07:28 | |
Four bits already, isn't it? | 0:07:28 | 0:07:30 | |
So, this is going incredibly well... | 0:07:30 | 0:07:33 | |
-or very worryingly. -Almost too well, really. | 0:07:33 | 0:07:38 | |
The ticket price for all four items combined is £172, | 0:07:38 | 0:07:42 | |
so what can masterful Mark get shaved off that hefty lump sum? | 0:07:42 | 0:07:46 | |
-£145...so far, is that right, Mike? -Yeah. | 0:07:46 | 0:07:52 | |
I've really pretty much given you... | 0:07:54 | 0:07:56 | |
The best on the lot, so I can't twist your arm? | 0:07:56 | 0:08:00 | |
-You can twist my arm for another fiver off. -I must be absolutely mad, | 0:08:00 | 0:08:03 | |
but your charm has beguiled me | 0:08:03 | 0:08:07 | |
-and I'm going to buy them, thank you very much. -Thank you. | 0:08:07 | 0:08:11 | |
He's managed to negotiate £32 off, | 0:08:11 | 0:08:14 | |
so that's £140 for all four items. | 0:08:14 | 0:08:17 | |
-Good work! -I suppose you want the money. -That would be good, as well! | 0:08:17 | 0:08:21 | |
That would come in handy! I'll be quite honest, | 0:08:21 | 0:08:23 | |
I've got my whole budget here. | 0:08:23 | 0:08:25 | |
So, the easiest thing to do is just to take £60 away | 0:08:25 | 0:08:29 | |
and give you the rest, actually! | 0:08:29 | 0:08:31 | |
-Thank you very much. -Thank you again. | 0:08:31 | 0:08:33 | |
This bold strategy shows a whole new side to Mark Stacey. | 0:08:33 | 0:08:36 | |
How's he feeling after his buying bonanza? | 0:08:36 | 0:08:40 | |
I've been in a few awkward positions in my life | 0:08:40 | 0:08:42 | |
but I've never been in this position before | 0:08:42 | 0:08:44 | |
of having bought four items and spent most of my budget | 0:08:44 | 0:08:47 | |
in the very, very first shop. | 0:08:47 | 0:08:50 | |
Meanwhile, Mark Hales is now in Mike's shop. | 0:08:50 | 0:08:53 | |
It's been a boon for Mr Stacey, | 0:08:53 | 0:08:55 | |
will Mark Hales hit the jackpot, too? | 0:08:55 | 0:08:59 | |
First pick, a 20th-century cast-iron helmet. | 0:08:59 | 0:09:02 | |
-That hurts. -Suits you, Mark. | 0:09:02 | 0:09:05 | |
But upstairs, is something much more promising... | 0:09:07 | 0:09:10 | |
Happy as a king! | 0:09:10 | 0:09:12 | |
Lovely! | 0:09:12 | 0:09:15 | |
It's a coloured 19th-century print, | 0:09:16 | 0:09:19 | |
Pears print, Pears soap | 0:09:19 | 0:09:21 | |
and it's always been a favourite painting of mine. Mike! | 0:09:21 | 0:09:26 | |
The print is of a painting by 19th-century artist William Collins. | 0:09:26 | 0:09:30 | |
I'll help you with a fiver, I'll do you it for 20 quid. | 0:09:30 | 0:09:33 | |
You know, that's what I was thinking of. | 0:09:33 | 0:09:36 | |
Yes! Yes, I've got to have a go, haven't I? I've got to have a go! | 0:09:40 | 0:09:46 | |
Another buy for Mark Hales. | 0:09:46 | 0:09:48 | |
Actually, I'm as happy as a king. | 0:09:48 | 0:09:51 | |
I'll do the jokes! Thank you, Mark. | 0:09:51 | 0:09:54 | |
Time for the lads to leave Finedon | 0:09:56 | 0:09:59 | |
and head 21 miles south to Northampton. | 0:09:59 | 0:10:02 | |
This large market town boasts some fine architecture. | 0:10:03 | 0:10:07 | |
The Grade II listed Northampton Guildhall was opened in 1864. | 0:10:07 | 0:10:11 | |
But it's the local museum Mark's heading for, | 0:10:11 | 0:10:13 | |
Northampton has been the life and soul | 0:10:13 | 0:10:16 | |
of the British shoe-making industry for centuries. | 0:10:16 | 0:10:18 | |
He's come to meet Rebecca | 0:10:18 | 0:10:20 | |
who will walk him through the extensive collection of footwear. | 0:10:20 | 0:10:25 | |
Shoemaking in the area is a proud tradition | 0:10:37 | 0:10:40 | |
that survives today. | 0:10:40 | 0:10:42 | |
Even the local football team is known as the Cobblers. | 0:10:42 | 0:10:46 | |
Rebecca and Mark are kicking off in a room | 0:10:47 | 0:10:50 | |
that explains the traditional shoe-manufacturing process | 0:10:50 | 0:10:53 | |
which has employed generations of local workers. | 0:10:53 | 0:10:56 | |
So, in here we've got the shoe machinery | 0:10:57 | 0:11:00 | |
and we start as well with the first, with the last. | 0:11:00 | 0:11:03 | |
-The last? -It's just really, usually, | 0:11:03 | 0:11:06 | |
a wooden foot-shaped sort of block | 0:11:06 | 0:11:09 | |
that the shoe is then moulded and made round. | 0:11:09 | 0:11:13 | |
There were over 200 individual processes | 0:11:13 | 0:11:15 | |
involved in the traditional manufacture of shoes. | 0:11:15 | 0:11:17 | |
This room describes | 0:11:17 | 0:11:19 | |
how each of them added up to an natty pair of brogues. | 0:11:19 | 0:11:23 | |
This machinery didn't wear out easily, did it? | 0:11:23 | 0:11:25 | |
-It was built to last, wasn't it? -Well, yes. | 0:11:25 | 0:11:28 | |
Certain things have changed, you know, | 0:11:28 | 0:11:31 | |
they've got better machines and improved machines, | 0:11:31 | 0:11:35 | |
-but there are certain processes that are the same today, so they use the same machines. -Yes. | 0:11:35 | 0:11:39 | |
-Isn't that lovely? -Lovely. | 0:11:39 | 0:11:41 | |
As a special treat, Rebecca has agreed to show Mark | 0:11:41 | 0:11:44 | |
behind-the-scenes of the museum. This is the backstage area | 0:11:44 | 0:11:48 | |
where some of their rarest items are stored. | 0:11:48 | 0:11:50 | |
They have a vast collection of footwear from ancient to modern. | 0:11:50 | 0:11:56 | |
This is where everything that's not on display is kept, | 0:11:56 | 0:11:58 | |
-including the 11,000 pairs of shoes. -11,000 pairs of shoes, right. | 0:11:58 | 0:12:04 | |
Promise me, you won't tell my wife! | 0:12:04 | 0:12:07 | |
So, we have a few prime examples on the table here. | 0:12:07 | 0:12:12 | |
So, I think maybe you ought to pop a pair of gloves on | 0:12:12 | 0:12:15 | |
and uncover what lies in these boxes. | 0:12:15 | 0:12:19 | |
-Right, yes. -This is one of our very earliest shoes in the collection, | 0:12:19 | 0:12:24 | |
-It's an Egyptian sandal sole. -Right. | 0:12:24 | 0:12:26 | |
It's from 300 BC, actually. | 0:12:26 | 0:12:28 | |
It's difficult to believe that's 300 years BC. | 0:12:28 | 0:12:31 | |
Next, Rebecca's got a surprise for Mark - | 0:12:33 | 0:12:35 | |
a pair of shoes worn by a special lady on her very special day. | 0:12:35 | 0:12:39 | |
-It's not going to jump out at me, is it? -No. -No. | 0:12:39 | 0:12:41 | |
It's not going to be the smelly pair? | 0:12:41 | 0:12:44 | |
-These are probably one of our most popular pairs. -Really? -Yes. | 0:12:44 | 0:12:48 | |
-They really... -Oh, goodness me! | 0:12:48 | 0:12:52 | |
Oh! Now, 19th-century? | 0:12:52 | 0:12:56 | |
-Yes, they're Queen Victoria's wedding shoes. -Wow! | 0:12:56 | 0:12:59 | |
Just look at the size of the young Queen's feet, how delicate. | 0:12:59 | 0:13:03 | |
They are. They are about a 3½. And incredibly narrow. | 0:13:03 | 0:13:08 | |
-Do you think I might, just, could I possibly pick one up? -Yes, you can. | 0:13:08 | 0:13:12 | |
If I'm very, very careful. Could you hold that for me? | 0:13:12 | 0:13:15 | |
I mean, I have to hold... my hand's shaking... | 0:13:15 | 0:13:19 | |
I have to hold Queen Victoria's... | 0:13:19 | 0:13:21 | |
Oh, look at that! | 0:13:21 | 0:13:23 | |
That's it - made by shoemakers to the Queen and the Royal Family, | 0:13:23 | 0:13:26 | |
Gundry & Sons, in London. | 0:13:26 | 0:13:28 | |
I think that's a bit of a special moment, don't you? | 0:13:28 | 0:13:31 | |
Isn't that fabulous? | 0:13:31 | 0:13:33 | |
If you think of all the prints and paintings that you see of Victoria | 0:13:33 | 0:13:37 | |
on her wedding day and these are the actual shoes she was wearing. | 0:13:37 | 0:13:41 | |
And then these are very interesting, I think you'll find. | 0:13:42 | 0:13:46 | |
Oh, dear! | 0:13:47 | 0:13:50 | |
You know, I was enjoying myself until I saw those! | 0:13:50 | 0:13:53 | |
-Well... -These are from the 1930s, | 0:13:53 | 0:13:57 | |
-which is quite amazing. Fetish style. -Really? -Yeah. | 0:13:57 | 0:14:00 | |
-Goodness me, from the '30s?! -It's quite unbelievable. | 0:14:00 | 0:14:03 | |
It is, isn't it? Oh, they're horrible! | 0:14:03 | 0:14:06 | |
I mean, seriously horrid! No. | 0:14:06 | 0:14:09 | |
-Anyway, moving on... -Rebecca, | 0:14:09 | 0:14:13 | |
-it's been absolutely fascinating. -Great. | 0:14:13 | 0:14:15 | |
I mean that, thank you. I really have enjoyed myself, so, so much. | 0:14:15 | 0:14:20 | |
-Thank you very much for having me. -You're welcome. -Thank you. | 0:14:20 | 0:14:23 | |
Just down the road, Mark Stacey is continuing his shopping extravaganza. | 0:14:23 | 0:14:28 | |
He's heading for Northampton's largest retailer | 0:14:28 | 0:14:30 | |
of antique and vintage goods and proprietor, Gilly Burgess. | 0:14:30 | 0:14:34 | |
-Hello. -I'm Mark. -Hello there, I'm Gilly. -Nice to meet you, Gilly. | 0:14:34 | 0:14:39 | |
-Gosh, it's a lot bigger on the inside! -Size isn't everything! | 0:14:39 | 0:14:42 | |
-Time is ticking already. -Sharp! | 0:14:50 | 0:14:52 | |
It's not long before Mark's spotted something - | 0:14:54 | 0:14:56 | |
an Italian silver candlestick with a familiar motif. | 0:14:56 | 0:14:59 | |
Thank you, my love. | 0:15:00 | 0:15:03 | |
I bought this cherub candlestick this morning and I was just thinking | 0:15:03 | 0:15:07 | |
that if in the sale there was a cherub lover there... | 0:15:07 | 0:15:11 | |
-It would complement it. -It might complement it. | 0:15:11 | 0:15:15 | |
Sounds like it's time to strike a deal, Mark, | 0:15:15 | 0:15:18 | |
but after your big spend this morning, | 0:15:18 | 0:15:20 | |
what can you afford to offer? | 0:15:20 | 0:15:22 | |
The candlestick is silver, after all. | 0:15:22 | 0:15:24 | |
Do you think they would take £5 for it? | 0:15:26 | 0:15:28 | |
LAUGHTER | 0:15:28 | 0:15:30 | |
I think that's a no, then, is it? | 0:15:30 | 0:15:32 | |
I think that's a no, is it? | 0:15:32 | 0:15:36 | |
I thought they might have said, "As you've got the other cherub, | 0:15:36 | 0:15:42 | |
"it'd be a shame to see them not reunited." | 0:15:42 | 0:15:46 | |
-For your cheek, you can have it for -£5. Give me a kiss. | 0:15:46 | 0:15:50 | |
-On one condition. -Oh, no! What's the condition? | 0:15:50 | 0:15:54 | |
This comes with another cheeky bottom. | 0:15:55 | 0:15:59 | |
-Does it? -It's part of a pair. -Oh, yes? | 0:15:59 | 0:16:02 | |
And if you will consent to take this other cheeky bottom with you | 0:16:02 | 0:16:07 | |
and have it as part of your... | 0:16:07 | 0:16:09 | |
-You can have that for £5. -What's the other cheeky bottom? | 0:16:09 | 0:16:12 | |
-I'll go and fetch it. -(What's going on here?) | 0:16:12 | 0:16:15 | |
Do I look a cheeky bottom type of person? Don't answer that. | 0:16:17 | 0:16:22 | |
Oh, I can't look. Shall I cover my eyes? | 0:16:22 | 0:16:25 | |
-This week's objet d'art. -Is it really cheeky? | 0:16:25 | 0:16:29 | |
-It's very cheeky. -Can I look? -You can look. | 0:16:29 | 0:16:33 | |
LAUGHTER | 0:16:33 | 0:16:35 | |
If you can shift that, I'll eat my hat. | 0:16:39 | 0:16:45 | |
Cos I can't shift it. | 0:16:45 | 0:16:47 | |
-Is that or is that not... -The vilest thing you've ever seen. -Yes! | 0:16:49 | 0:16:54 | |
Words fail me. | 0:16:54 | 0:16:56 | |
So, Mark's bagged himself a silver candlestick for a fiver | 0:16:56 | 0:17:00 | |
and a cheeky bonus. | 0:17:00 | 0:17:02 | |
On that bombshell, it's the end of a very busy day. | 0:17:03 | 0:17:07 | |
Plenty of purchases and more than a little tomfoolery, | 0:17:07 | 0:17:11 | |
so nighty-night, boys. | 0:17:11 | 0:17:13 | |
It's a new day and our tussling twosome are back on the road. | 0:17:16 | 0:17:19 | |
This is where it all happens today. | 0:17:19 | 0:17:21 | |
So far, Mark Stacey's spent £145 on five lots - | 0:17:21 | 0:17:26 | |
the two cherub candlesticks, a cribbage board, | 0:17:26 | 0:17:28 | |
the mother of pearl pin tray, the bronze tazza | 0:17:28 | 0:17:31 | |
and the interesting vase. | 0:17:31 | 0:17:33 | |
He only has £55 for the day ahead. | 0:17:33 | 0:17:37 | |
Mark Hales has only bought two items - the 19th century print | 0:17:39 | 0:17:44 | |
and the ebony presentation mallet, all at a cost of £60, | 0:17:44 | 0:17:48 | |
leaving him with £140 to play with. | 0:17:48 | 0:17:52 | |
So, onwards and upwards, boys, | 0:17:52 | 0:17:54 | |
as they head to Weedon Bec in Northamptonshire. | 0:17:54 | 0:17:58 | |
Yes! Woo! We're here, good, right, OK. Here we go. | 0:17:58 | 0:18:04 | |
Heart of the shires. Oh, looks quite big. | 0:18:05 | 0:18:08 | |
They're aiming for Shires Antiques | 0:18:08 | 0:18:10 | |
hoping to find their next round of bargains. | 0:18:10 | 0:18:14 | |
I'm not sure that I want to share this shop with you. | 0:18:14 | 0:18:17 | |
-Do you not like sharing, Mark? -I do with some people, Mark. | 0:18:17 | 0:18:20 | |
It seems a good night's sleep hasn't made them any less competitive. | 0:18:20 | 0:18:23 | |
Tut-tut. | 0:18:23 | 0:18:25 | |
-Nice, very nice. -Children! | 0:18:27 | 0:18:29 | |
-Shame on you. -I know, I'm not really normally like that. | 0:18:30 | 0:18:34 | |
We're shopping together, OK? | 0:18:34 | 0:18:35 | |
-We certainly are not. -We stick together. -I'm going over there. | 0:18:35 | 0:18:39 | |
You stick down... Don't you dare follow me! | 0:18:39 | 0:18:43 | |
Lawrence and Alison Spencer will be helping them | 0:18:43 | 0:18:46 | |
and might be called on to referee. | 0:18:46 | 0:18:48 | |
Both are competing on the same turf this morning | 0:18:48 | 0:18:50 | |
and it's all getting a bit tense. | 0:18:50 | 0:18:53 | |
You are in the wrong side of the shop, Mark. | 0:18:53 | 0:18:56 | |
You should be over there. | 0:18:56 | 0:18:58 | |
Rubbish, there's no right or wrong side to the shop. | 0:18:58 | 0:19:01 | |
There's no point trying to follow me if you're looking for inspiration. | 0:19:01 | 0:19:04 | |
-You've got to find your own. -Simmer down, now. | 0:19:04 | 0:19:08 | |
Honestly... What are you going to buy, Mark? | 0:19:09 | 0:19:13 | |
That quite interesting, isn't it? | 0:19:13 | 0:19:16 | |
Little sort of silver quality... | 0:19:16 | 0:19:19 | |
unmarked silver-plated wine funnel. | 0:19:19 | 0:19:24 | |
This is what you'd serve, you'd serve your wine through this | 0:19:24 | 0:19:28 | |
in the days when there was often a lot of sediment. | 0:19:28 | 0:19:31 | |
That's right. | 0:19:31 | 0:19:33 | |
You'd use this to pour through | 0:19:33 | 0:19:36 | |
and the wind would pour out, decanted into the decanter. | 0:19:36 | 0:19:40 | |
From my point of view, I would love it to be unmarked silver. | 0:19:41 | 0:19:45 | |
But then it'd be slightly higher in price. | 0:19:45 | 0:19:49 | |
Unless the dealer didn't know that. | 0:19:49 | 0:19:53 | |
I've got £55 left. | 0:19:53 | 0:19:54 | |
Is it worth having a little word with him? | 0:19:54 | 0:19:57 | |
I'll quite happily give him a ring. | 0:19:57 | 0:19:59 | |
That wine funnel was marked up at £85, | 0:19:59 | 0:20:03 | |
so he's going to need a substantial reduction. | 0:20:03 | 0:20:06 | |
As Lawrence phones the dealer, Mark Hales is looking lost. | 0:20:06 | 0:20:10 | |
-You couldn't give me a hand, could you? -Could I give you a hand? | 0:20:10 | 0:20:13 | |
That was almost a joke. Thank you for your help anyway. | 0:20:13 | 0:20:16 | |
You're very welcome. | 0:20:16 | 0:20:18 | |
Any time I can be of any assistance, by all means, feel free. | 0:20:18 | 0:20:23 | |
-Thank you so much. -Think of my name and I'll be there. -Of course. | 0:20:23 | 0:20:26 | |
Don't know what all that was about. | 0:20:26 | 0:20:28 | |
I never know with Mark whether he's trying to unnerve me | 0:20:28 | 0:20:35 | |
or whether he genuinely is panicking. | 0:20:35 | 0:20:37 | |
Naturally, being the friendly and helpful person I am, | 0:20:37 | 0:20:40 | |
I'm hoping it's the latter. | 0:20:40 | 0:20:42 | |
Oh, charming! On the other side of the shop, | 0:20:42 | 0:20:45 | |
Mark Hales has found some picture frames that take his interest. | 0:20:45 | 0:20:48 | |
Alison's on hand to help. | 0:20:48 | 0:20:51 | |
Not my subject at all | 0:20:51 | 0:20:56 | |
but there's two of them here and it says, | 0:20:56 | 0:20:59 | |
"Northumberland Fusiliers" and "York and Lancashire Regiment." | 0:20:59 | 0:21:04 | |
-Militaria. Militaria's quite saleable, isn't it? -Very. | 0:21:04 | 0:21:08 | |
-Collectible. -Yes, and they're nice quality. -Might do well at auction. | 0:21:08 | 0:21:13 | |
Price on the ticket is £70. | 0:21:13 | 0:21:15 | |
Without messing about, if I could buy the two for £45, I buy them. | 0:21:15 | 0:21:20 | |
-Tell him I'm desperate. -Oh, dear! -I'm not really that desperate. | 0:21:20 | 0:21:24 | |
You shouldn't admit things like that. | 0:21:24 | 0:21:27 | |
And now we've got an answer from the dealer | 0:21:27 | 0:21:29 | |
selling Mark Stacey's wine funnel. | 0:21:29 | 0:21:31 | |
It's your lucky day, she's accepted your offer. | 0:21:31 | 0:21:35 | |
And there's an answer for Mark Hales too. | 0:21:35 | 0:21:39 | |
55 is her very best. | 0:21:39 | 0:21:40 | |
-That her bottom line, is it? -It is, yes. | 0:21:40 | 0:21:42 | |
-I think I'd better buy, then, hadn't I? -Yeah. | 0:21:42 | 0:21:46 | |
-I think I'd better buy them at £55, thank you very much. -You're welcome. | 0:21:46 | 0:21:50 | |
Not quite the deal he wanted, unlike adversary Mark Stacey | 0:21:50 | 0:21:52 | |
who's bagged yet another item. | 0:21:52 | 0:21:54 | |
It seems Mr Hales has some work to do. | 0:21:54 | 0:21:57 | |
They're in the car again | 0:21:57 | 0:21:59 | |
and heading the ten miles back towards Northampton. | 0:21:59 | 0:22:02 | |
Mark Hales is in Old Bakehouse Antiques with Linda Grant. | 0:22:03 | 0:22:08 | |
Thank you very much. Would it be all right | 0:22:08 | 0:22:11 | |
-if I have a jolly good look around? -Of course. | 0:22:11 | 0:22:14 | |
It seems he's spotted some 1970s retro chairs | 0:22:20 | 0:22:24 | |
which just might turn a tidy profit. | 0:22:24 | 0:22:26 | |
-Far out, man. -Blonde Ercol. -Yeah, they're all Ercol. | 0:22:26 | 0:22:30 | |
I'm not very knowledgeable in retro but, you know, | 0:22:30 | 0:22:33 | |
these have been quite popular. | 0:22:33 | 0:22:34 | |
Founded in 1920, Ercol is a great British furniture manufacturer | 0:22:34 | 0:22:39 | |
still going strong in Buckinghamshire. | 0:22:39 | 0:22:41 | |
Their vintage designs from the 20th century | 0:22:41 | 0:22:44 | |
are popular with retro furniture enthusiasts. | 0:22:44 | 0:22:47 | |
Have they been restored? They're absolutely as they were? | 0:22:47 | 0:22:52 | |
They're great, aren't they? | 0:22:53 | 0:22:56 | |
The thing is, I've sold these, and you're absolutely right, | 0:22:56 | 0:23:00 | |
there's nothing wrong with the price, | 0:23:00 | 0:23:01 | |
but I've sold these in my auction room in Devon | 0:23:01 | 0:23:05 | |
and I've sold them for £10 each, and I've sold them for £25 each. | 0:23:05 | 0:23:10 | |
It just depends who's there on the day and what's happening. | 0:23:10 | 0:23:12 | |
I can do a deal on those. You can have the four at £10 each. | 0:23:12 | 0:23:17 | |
-That's 40, isn't it? -Correct. | 0:23:17 | 0:23:19 | |
I'm not being mean or anything, I've got to ask anyway, | 0:23:19 | 0:23:22 | |
don't be insulted, but I was thinking if I could get those for 30... | 0:23:22 | 0:23:27 | |
-I mean, they take up space. -35. -Oh, you're a hard woman. | 0:23:27 | 0:23:30 | |
You've got profit, we've got profit. | 0:23:30 | 0:23:34 | |
I can't say fairer than that. Fine, thank you. | 0:23:34 | 0:23:36 | |
Thank you, Linda, I've bought those, that's wonderful. | 0:23:36 | 0:23:39 | |
Big strapping lad like me, I can carry those. Wish me lots of luck. | 0:23:39 | 0:23:43 | |
-Good luck, hope you win! -Bye! | 0:23:43 | 0:23:46 | |
Oh dear, oh dear, oh dear. What have I done? | 0:23:46 | 0:23:50 | |
Retro chair man. Right. | 0:23:51 | 0:23:55 | |
Retro chair man. | 0:23:55 | 0:23:57 | |
Let's hope he doesn't live to regret it. Careful. | 0:23:57 | 0:24:01 | |
Meanwhile, Mark Stacey has hijacked the car and is heading towards | 0:24:04 | 0:24:07 | |
Rockingham Castle near Corby in Northamptonshire. | 0:24:07 | 0:24:11 | |
Wouldn't we all love a driveway like this? | 0:24:12 | 0:24:15 | |
Mark's here at Rockingham to meet head guide David | 0:24:15 | 0:24:18 | |
who's going to show him around this stately pile | 0:24:18 | 0:24:22 | |
which boasts impressive connections | 0:24:22 | 0:24:24 | |
to both grand monarchs and a famous writer. | 0:24:24 | 0:24:28 | |
That's what I call a door knocker. ..Hello, David. | 0:24:30 | 0:24:33 | |
-Welcome to Rockingham Castle. -That's very kind, I'm Mark. | 0:24:33 | 0:24:37 | |
Built by William the Conqueror, the castle was home | 0:24:37 | 0:24:40 | |
to medieval kings and queens until King Henry VIII | 0:24:40 | 0:24:43 | |
granted it to Edward Watson, the 16th century ancestor | 0:24:43 | 0:24:47 | |
of the current family who still live here. | 0:24:47 | 0:24:50 | |
Its Royal Tudor pedigree is indicated | 0:24:50 | 0:24:52 | |
by this magnificent portrait of Elizabeth I. | 0:24:52 | 0:24:57 | |
400 years after the Tudors, | 0:24:57 | 0:24:58 | |
Rockingham Castle took on another life | 0:24:58 | 0:25:01 | |
as the playground of the great English novelist Charles Dickens. | 0:25:01 | 0:25:05 | |
Dickens would visit his good friends, | 0:25:05 | 0:25:07 | |
owners Richard and Lavinia Watson | 0:25:07 | 0:25:10 | |
and try out several of his plays on the castle's guests. | 0:25:10 | 0:25:13 | |
During the time that Dickens was here in the early Victorian period, | 0:25:13 | 0:25:17 | |
this was the room in which they entertained and came up to | 0:25:17 | 0:25:22 | |
after their great meals, and in which, on one occasion in 1851, | 0:25:22 | 0:25:26 | |
he put a play on. We have the playbill | 0:25:26 | 0:25:28 | |
in the cabinet round the corner. | 0:25:28 | 0:25:30 | |
In this cabinet, we have various items connected to Dickens. | 0:25:30 | 0:25:36 | |
Here, a playbill for a performance | 0:25:36 | 0:25:40 | |
he put on in this room in 1851. | 0:25:40 | 0:25:44 | |
He put on three plays in which he acted himself. | 0:25:44 | 0:25:47 | |
You can see his name there. | 0:25:47 | 0:25:49 | |
Sir Charles Colestree - Mr Charles Dickens. | 0:25:49 | 0:25:52 | |
He also acted as Colonel Freelove. | 0:25:52 | 0:25:55 | |
Then he went down to just being a doctor. | 0:25:55 | 0:25:58 | |
He was a doctor in Animal Magnetism. | 0:25:58 | 0:26:00 | |
He stayed here on several occasions | 0:26:00 | 0:26:02 | |
but one of these things that connects him to Rockingham | 0:26:02 | 0:26:05 | |
is that one of his novels, Bleak House, | 0:26:05 | 0:26:07 | |
in it features a house called Chesney Wold, a great house. | 0:26:07 | 0:26:10 | |
Many of the features of that house are based on Rockingham. | 0:26:10 | 0:26:14 | |
The long gallery here is the model for the drawing room in Bleak House. | 0:26:14 | 0:26:20 | |
And the castle's not just famous for its place in literary history. | 0:26:20 | 0:26:25 | |
Its location by the Welland Valley gives it stunning views | 0:26:25 | 0:26:29 | |
across five counties. The best place for sightseeing | 0:26:29 | 0:26:32 | |
-is up the castle tower. -I'm sure it's going to be worth it. | 0:26:32 | 0:26:35 | |
I think the views are definitely worth the climb. | 0:26:35 | 0:26:38 | |
Here we are. A little bit breezy. | 0:26:38 | 0:26:42 | |
-Oh, wow. -We have a great panorama. | 0:26:42 | 0:26:46 | |
David, what a wonderful way | 0:26:47 | 0:26:50 | |
of ending our visit in Rockingham Castle. | 0:26:50 | 0:26:53 | |
-Thank you so much for your time. -I'm glad you enjoyed it. | 0:26:53 | 0:26:55 | |
I've thoroughly enjoyed it and hope I can come back some other time. | 0:26:55 | 0:26:59 | |
-Look forward to seeing you. -Thank you. | 0:26:59 | 0:27:01 | |
Would you like to lead the way down? | 0:27:01 | 0:27:04 | |
So if I fall, you can land on me. | 0:27:04 | 0:27:08 | |
12 miles to the east, Mark Hales has one more shop left | 0:27:08 | 0:27:12 | |
to visit in the ancient market town of Oundle. | 0:27:12 | 0:27:14 | |
With £50 left to spend, he's heading towards Green Man Antiques. | 0:27:14 | 0:27:19 | |
-Hi. -Hi! | 0:27:19 | 0:27:21 | |
-I'm Mark. -I'm Vicky, nice to meet you. | 0:27:21 | 0:27:24 | |
Hello, Vicky, how do you do? | 0:27:24 | 0:27:26 | |
-Would it be all right if I had a browse? -Please do. | 0:27:26 | 0:27:29 | |
Fabulous! | 0:27:30 | 0:27:33 | |
With shopping time running out, | 0:27:39 | 0:27:42 | |
Mark's resorting to an unusual shopping tactic. | 0:27:42 | 0:27:46 | |
What springs to mind that's £50? | 0:27:46 | 0:27:49 | |
-Just in case, have a little think for me. -Yeah, I will. | 0:27:49 | 0:27:52 | |
I don't have to buy something but it would be nice | 0:27:52 | 0:27:54 | |
to get rid of that last little bit of money. | 0:27:54 | 0:27:56 | |
Give myself another item. | 0:27:56 | 0:27:58 | |
-Determined to spend all your money? -Yes. | 0:27:58 | 0:28:02 | |
We do have a couple of barometers, wood-framed barometers. | 0:28:02 | 0:28:06 | |
-Ah, these. -Yes. | 0:28:06 | 0:28:09 | |
These. I didn't look at these. | 0:28:09 | 0:28:11 | |
I could do the two of those for 46, but that is my absolute final. | 0:28:11 | 0:28:17 | |
That's jolly reasonable, they're ever so good. | 0:28:18 | 0:28:21 | |
They are beautiful. | 0:28:21 | 0:28:23 | |
-And they're useable, aren't they? -They are, yes. | 0:28:23 | 0:28:26 | |
That's the beauty of things like this. | 0:28:26 | 0:28:28 | |
You hang them on the wall and use them. | 0:28:28 | 0:28:30 | |
They're 19th century, aren't they, Vicky? | 0:28:30 | 0:28:32 | |
They're 19th century and they're sort of... 1870s. | 0:28:32 | 0:28:36 | |
-Yes. -That sort of period. | 0:28:36 | 0:28:38 | |
They should be snatched from the shop, shouldn't they? | 0:28:38 | 0:28:41 | |
-They should, before I change my mind. -Oh, bless your heart. | 0:28:41 | 0:28:44 | |
-That was very good. -That's you told, Mark. | 0:28:44 | 0:28:46 | |
Better hand over the cash and get out of there - quick. 50. | 0:28:46 | 0:28:51 | |
Right, that's good news, isn't it? That's good news. I've done it. | 0:28:54 | 0:28:58 | |
I spent all my money. Well, £4 left. | 0:28:58 | 0:29:00 | |
Marvellous. Maybe. | 0:29:00 | 0:29:02 | |
Now it's time for the boys to reveal their purchases to each other | 0:29:02 | 0:29:06 | |
and they've chosen a picturesque but out-of-the-way setting. | 0:29:06 | 0:29:09 | |
Wait for it. I'm revealing again. | 0:29:09 | 0:29:14 | |
That's two reveals. | 0:29:14 | 0:29:16 | |
It's all about quality, not quantity, Mark. | 0:29:16 | 0:29:18 | |
Right, Mark, what do you think of that? | 0:29:18 | 0:29:21 | |
You've really gone across the board, haven't you? These look interesting. | 0:29:21 | 0:29:26 | |
-Are they regimental? -They certainly are. | 0:29:26 | 0:29:29 | |
It says on there "Northumberland" and it says on here, look at this, | 0:29:29 | 0:29:34 | |
"York and Lancaster." | 0:29:34 | 0:29:36 | |
-I think those are very commercial. -Early 20th? | 0:29:36 | 0:29:39 | |
I think they're very nice, actually. Did you pay a lot for them? | 0:29:39 | 0:29:43 | |
-They cost £55. -For the pair? -Yes. -That doesn't sound much to me. | 0:29:43 | 0:29:47 | |
Good, I'm pleased to hear that. | 0:29:47 | 0:29:49 | |
-Are those Ercol, the chairs? -They are. | 0:29:49 | 0:29:52 | |
They're very nice, they're very commercial, | 0:29:52 | 0:29:55 | |
I would have thought. They're very in at the moment, | 0:29:55 | 0:29:58 | |
-the revival stuff. -They certainly are. -Expensive? | 0:29:58 | 0:30:01 | |
I think they were actually a bargain. | 0:30:01 | 0:30:03 | |
-£35. -For the four? -For the four. -You can't go wrong. | 0:30:03 | 0:30:07 | |
Have a look at this. Feel the weight. | 0:30:07 | 0:30:09 | |
I think it's lovely. I love the turning. | 0:30:10 | 0:30:12 | |
It's so nice to have that plaque on the front. | 0:30:12 | 0:30:14 | |
I think that should be very, very saleable. | 0:30:14 | 0:30:17 | |
How much was that? | 0:30:17 | 0:30:18 | |
It cost £40. | 0:30:18 | 0:30:20 | |
-I would have gone for that if I had seen it. -Good. | 0:30:20 | 0:30:23 | |
-I think that's the charming item. -Compliments! | 0:30:23 | 0:30:25 | |
-Can I just say something? -Yes. -You've rather impressed me. | 0:30:25 | 0:30:28 | |
Praise indeed! | 0:30:28 | 0:30:30 | |
Well, I didn't expect to, actually. | 0:30:30 | 0:30:32 | |
-I think I'm going to have to mind my step with you, Mr Hales. -Really? | 0:30:32 | 0:30:34 | |
Thank you very much. Would you like to reveal? | 0:30:34 | 0:30:37 | |
-Are you ready? -Yes, I am ready. | 0:30:37 | 0:30:39 | |
I'm going to try and be... | 0:30:39 | 0:30:41 | |
-Oh, my goodness! -I've knocked one down already. -Is that a wine funnel? | 0:30:41 | 0:30:44 | |
It is. It's absolutely gorgeous. | 0:30:44 | 0:30:46 | |
I absolutely love it to bits. | 0:30:46 | 0:30:48 | |
I need to know, and it's no good me guessing, actually, | 0:30:48 | 0:30:51 | |
what did you pay for that? | 0:30:51 | 0:30:52 | |
-£55. -Did you? | 0:30:52 | 0:30:54 | |
Well, I tell you what, | 0:30:54 | 0:30:56 | |
if the auctioneer does his job, there's a profit in that. | 0:30:56 | 0:30:59 | |
-I'm now going to ask you a huge favour. -Right, go on, then. | 0:30:59 | 0:31:02 | |
-Because I do have one hidden item. -Of course! | 0:31:02 | 0:31:05 | |
-Could you cover your eyes for one moment? -Right. That's easy. | 0:31:05 | 0:31:09 | |
-Or turn your back. Cover your eyes. -I wonder what's coming up here. | 0:31:09 | 0:31:12 | |
I want your opinion | 0:31:13 | 0:31:16 | |
as the king of pots... | 0:31:16 | 0:31:19 | |
What do you think about my modernist vase? | 0:31:20 | 0:31:24 | |
You can turn around now. | 0:31:24 | 0:31:25 | |
I'm not terribly good at 20th century when it comes to porcelain... | 0:31:25 | 0:31:28 | |
Oh, my goodness me! What have you bought? | 0:31:28 | 0:31:31 | |
What have you bought?! What have you bought?! | 0:31:31 | 0:31:35 | |
Don't drop it. | 0:31:35 | 0:31:37 | |
No, I think, in the right place... | 0:31:37 | 0:31:41 | |
Mark, handling! | 0:31:41 | 0:31:42 | |
..with the right person. | 0:31:42 | 0:31:44 | |
In the right place with the right person, I think, yes, | 0:31:44 | 0:31:46 | |
you could do very well with that, yes, yes. No. Good for you. | 0:31:46 | 0:31:50 | |
-Actually, I quite like it. -Do you really? -How much was it? | 0:31:50 | 0:31:54 | |
-It didn't cost me anything, actually. -Really? Oh, isn't that typical? | 0:31:54 | 0:31:57 | |
I thought we were supposed to go in and pay for things. | 0:31:57 | 0:31:59 | |
No, well, I was, but the woman would only sell me that | 0:31:59 | 0:32:04 | |
for the price I paid for it, if I would take that as a gift. | 0:32:04 | 0:32:07 | |
I see, so you were doing her a favour, were you, | 0:32:07 | 0:32:09 | |
by removing it from the shop? | 0:32:09 | 0:32:11 | |
But what do they REALLY think of each other's purchases? | 0:32:11 | 0:32:14 | |
There's a lot of silver content there, so it could be scrapped, | 0:32:14 | 0:32:18 | |
so the value's there. | 0:32:18 | 0:32:19 | |
He can't go wrong. He's played it very, very, safely. | 0:32:19 | 0:32:23 | |
I'm very pleased with the items I've bought | 0:32:23 | 0:32:25 | |
and if there's any justice in the world | 0:32:25 | 0:32:27 | |
they will do reasonably well, but Mark has surprised me. | 0:32:27 | 0:32:30 | |
There's one or two things there that might sell very well. | 0:32:30 | 0:32:32 | |
It's too close to call. This is going to be a right royal ding-dong. | 0:32:32 | 0:32:36 | |
On this leg of the road trip our two Marks have travelled | 0:32:36 | 0:32:39 | |
from Finedon, Northamptonshire | 0:32:39 | 0:32:41 | |
to end up today in Stamford, Lincolnshire. | 0:32:41 | 0:32:44 | |
Stamford's proud past stretches right back to the Anglo-Saxon period. | 0:32:44 | 0:32:48 | |
It's justly celebrated for its pretty, historic streets. | 0:32:48 | 0:32:52 | |
-Well, here we are in Stamford. -Beautiful, sunny Stamford. | 0:32:52 | 0:32:56 | |
A little bit of old England, isn't it? | 0:32:56 | 0:32:59 | |
They're on their way to Batemans Auctioneers and Valuers. | 0:32:59 | 0:33:02 | |
This family business is run by two generations of Batemans. | 0:33:02 | 0:33:05 | |
Auctioneer David Palmer will be wielding the gavel | 0:33:05 | 0:33:08 | |
but before kick-off, what does he think of their lots? | 0:33:08 | 0:33:11 | |
There's one or two that are interesting | 0:33:13 | 0:33:15 | |
and purchased with feeling, I would imagine. | 0:33:15 | 0:33:18 | |
There's one curious thing there I didn't understand at all what that was. | 0:33:18 | 0:33:22 | |
The mother of pearl circular dish with what appears to be | 0:33:22 | 0:33:25 | |
silver mounts around it. | 0:33:25 | 0:33:26 | |
I can't imagine anyone these days knowing what to do with it. | 0:33:26 | 0:33:30 | |
The bit I love the most | 0:33:30 | 0:33:32 | |
is the jug. The female shape of the jug. | 0:33:32 | 0:33:36 | |
You've only got to look at it and instantly I'm thinking of my wife. | 0:33:36 | 0:33:39 | |
Oh, really?! | 0:33:39 | 0:33:41 | |
Mark Stacey started this leg with £200 | 0:33:42 | 0:33:44 | |
and has spent it all on six lots. | 0:33:44 | 0:33:46 | |
Mark Hales also started with £200 and has spent 196 on five lots. | 0:33:47 | 0:33:54 | |
But, don't forget, they'll have to pay auction costs on each sale. | 0:33:54 | 0:33:57 | |
So, who will be victorious in the first all-Mark showdown? | 0:33:57 | 0:34:01 | |
On your Marks! Oh, sorry. | 0:34:01 | 0:34:04 | |
First up, Mark Hales's groovy Ercol chairs. | 0:34:05 | 0:34:08 | |
Rather attractive design there. Put them in £20. 20 I'm bid. | 0:34:08 | 0:34:12 | |
20, 22, 25, 28. | 0:34:12 | 0:34:13 | |
At 28 now, I'll take 30. 30, 2, 32. | 0:34:13 | 0:34:16 | |
You in again? 35. | 0:34:16 | 0:34:18 | |
Goes then seated at 35... 38 net. | 0:34:18 | 0:34:20 | |
38, 40. In the room at 40. | 0:34:20 | 0:34:23 | |
50 in the room. Net, you out? 55. | 0:34:23 | 0:34:25 | |
At 55. Done then, at 55. | 0:34:25 | 0:34:28 | |
They sell on the net at 55. They are proper chairs! | 0:34:28 | 0:34:30 | |
At 55. Is that a 60? | 0:34:30 | 0:34:32 | |
-It is 60. -Oh, put the hammer down! | 0:34:32 | 0:34:34 | |
-In the room at 60. -No, keep going, please! | 0:34:34 | 0:34:37 | |
Take a five if you want. | 0:34:37 | 0:34:38 | |
Nobody else at 60? | 0:34:38 | 0:34:40 | |
Great start, and not one to be sniffed at. | 0:34:42 | 0:34:47 | |
-It's terribly brave of me. -Was it? | 0:34:47 | 0:34:50 | |
-That's the first bit of Ercol I've bought in my life. -Was it? -Oh, yes! | 0:34:50 | 0:34:52 | |
I'm quite proud of myself, actually. | 0:34:52 | 0:34:54 | |
Well, if you're proud of yourself, Mark... | 0:34:54 | 0:34:56 | |
-That's all that matters, isn't it? -Absolutely! | 0:34:56 | 0:34:59 | |
Goodness! What are they like, eh? | 0:34:59 | 0:35:02 | |
Next, Mark Hales's pair of 19th-century barometers. | 0:35:02 | 0:35:05 | |
But has he gauged the pressure of the saleroom correctly? | 0:35:05 | 0:35:08 | |
These are the most fashionable and sought-after of all barometers. | 0:35:08 | 0:35:11 | |
Put them in at, what, 20 quid? 20 I'm bid. Straight down the front. | 0:35:11 | 0:35:15 | |
Yes, thank you. 20, two. Here at 22. | 0:35:15 | 0:35:17 | |
25? 25. | 0:35:17 | 0:35:19 | |
In the room at 25. | 0:35:19 | 0:35:20 | |
-With you, sir, at 25. At £25. -That's not good at all. | 0:35:20 | 0:35:24 | |
-Done and finished, then, at 25. -Oh! | 0:35:24 | 0:35:26 | |
Oh, dear. A loss of £21. | 0:35:27 | 0:35:31 | |
It was almost like a BOGOF, that. Buy one, get one free. | 0:35:31 | 0:35:34 | |
Good of you to point that out, Mark. | 0:35:34 | 0:35:37 | |
Now, Mark Hales's print of Happy As A King is up, | 0:35:37 | 0:35:40 | |
but will it put a smile on the punters' faces? | 0:35:40 | 0:35:43 | |
£10? | 0:35:43 | 0:35:45 | |
-Five anywhere? -It's a pretty picture, isn't it? -A fiver... | 0:35:45 | 0:35:49 | |
Oh, dear, someone's looking glum. And it's not even his lot! | 0:35:49 | 0:35:52 | |
For the Pears' print. Five I am bid, thank you sir. At five only. | 0:35:52 | 0:35:56 | |
And I sell it then at £5. | 0:35:56 | 0:35:57 | |
At a fiver, six. | 0:35:57 | 0:35:59 | |
Do you want seven? Seven. | 0:35:59 | 0:36:02 | |
Eight, nine, ten. Ten down here. | 0:36:02 | 0:36:07 | |
It goes at ten, and I sell at ten. | 0:36:07 | 0:36:09 | |
All done at £10. | 0:36:10 | 0:36:11 | |
Oh dear, oh dear, oh dear. Another loss. | 0:36:13 | 0:36:17 | |
You do know the nature of the game is to buy things | 0:36:17 | 0:36:20 | |
-and then hopefully make a profit, Mark? -Oh! | 0:36:20 | 0:36:23 | |
It's not to buy something | 0:36:23 | 0:36:24 | |
and then sell it for half of what you paid for it. | 0:36:24 | 0:36:27 | |
Profit, I remember that! | 0:36:27 | 0:36:28 | |
So, let's see if you can do any better, Mark Stacey. | 0:36:28 | 0:36:31 | |
Here comes your inlaid cribbage board. | 0:36:31 | 0:36:33 | |
I am not hopeful for this one, actually. | 0:36:33 | 0:36:36 | |
But I do like it and I think it looks nice up there. | 0:36:36 | 0:36:39 | |
And they are popular. | 0:36:39 | 0:36:41 | |
Ten for it? Straight in at £10. | 0:36:41 | 0:36:42 | |
Ten I'm bid. | 0:36:42 | 0:36:44 | |
With the lady at ten, take two now. | 0:36:44 | 0:36:46 | |
12, 15, 18, 20, | 0:36:46 | 0:36:49 | |
22, 25, 28, | 0:36:49 | 0:36:52 | |
30. | 0:36:52 | 0:36:54 | |
32, 35, 38. | 0:36:54 | 0:36:58 | |
At 38, I sell in the seats at £38. | 0:36:58 | 0:37:01 | |
I sell at 38. | 0:37:01 | 0:37:02 | |
Not so bright now, Mark Stacey. A £7 loss for you too. | 0:37:05 | 0:37:10 | |
Well, that's one thing on my list now, no more cribbage boards! | 0:37:10 | 0:37:13 | |
THEY CHUCKLE | 0:37:13 | 0:37:14 | |
We're going to have a very long list of things not to buy. | 0:37:14 | 0:37:17 | |
Let's see if Mark Stacey can redeem himself with his bronze tazza. | 0:37:17 | 0:37:21 | |
Put it in a £30. | 0:37:21 | 0:37:23 | |
-30 to start. -Come on! | 0:37:23 | 0:37:25 | |
30 I'm bid. | 0:37:25 | 0:37:26 | |
At 30 now, I sell standing at 30, right at the back at 30. | 0:37:26 | 0:37:29 | |
Take a two anywhere? It goes then at £30. | 0:37:29 | 0:37:32 | |
In the blue at 30, the maiden bid of 30. | 0:37:32 | 0:37:35 | |
-Sell, then, at £30. -Can you believe that? -Bid if you want it! | 0:37:35 | 0:37:37 | |
-So it's not just me, then, is it? -30. -£30. -Right at the back, 30. | 0:37:37 | 0:37:42 | |
Nothing on the net? 32. | 0:37:42 | 0:37:44 | |
Do you want 35? 35. In the room at 35. | 0:37:44 | 0:37:47 | |
Every little helps. In the room at 35. | 0:37:47 | 0:37:49 | |
At 35, I sell with the sporting gent there at 35. Here at 38, 40? | 0:37:49 | 0:37:53 | |
I'm getting too carried away here! | 0:37:53 | 0:37:55 | |
-For God's sake, I think that's plenty, don't you? -I sell at 40. | 0:37:55 | 0:37:58 | |
It holds its value | 0:38:00 | 0:38:01 | |
but there's still a loss after the auction house has taken commission. | 0:38:01 | 0:38:05 | |
I think we both going to have to chalk this down to experience today, Mark. | 0:38:05 | 0:38:09 | |
We got an awful lot of lots to go yet. | 0:38:09 | 0:38:11 | |
It's not looking useful, it's not looking good. | 0:38:11 | 0:38:14 | |
Another lot for Mark Hales now. | 0:38:14 | 0:38:16 | |
Can he turn this around with his ebony presentation mallet? | 0:38:16 | 0:38:19 | |
Let's start at £30. £30 for it? | 0:38:19 | 0:38:22 | |
30 I'm bid. With the lady at 30. | 0:38:22 | 0:38:24 | |
And I sell at £30. | 0:38:24 | 0:38:26 | |
35. With the lady now at 35. 38. | 0:38:26 | 0:38:29 | |
At 38, sell then. | 0:38:29 | 0:38:31 | |
This is possibly the worst day of my life. | 0:38:31 | 0:38:33 | |
-You are all out in front. -Oh, Mark! | 0:38:33 | 0:38:35 | |
At 38, I sell on the net, then, at 38. | 0:38:35 | 0:38:38 | |
-You're out in the room at 38. -Oh! | 0:38:38 | 0:38:41 | |
It seems the builders Mark hoped might buy the mallet | 0:38:41 | 0:38:44 | |
have not materialised. Another loss. | 0:38:44 | 0:38:48 | |
-Poor Mike! -I have to say, Mark, | 0:38:48 | 0:38:51 | |
that you're not having a good day, and it's not fair. | 0:38:51 | 0:38:54 | |
Next, Mark Stacey's cunningly combined | 0:38:54 | 0:38:57 | |
his two cherub candlesticks into one lot. | 0:38:57 | 0:38:59 | |
Will it be enough to pull him out of this quagmire? | 0:38:59 | 0:39:02 | |
£20 the two? Straight in, £20? | 0:39:02 | 0:39:05 | |
-Come on! -20? They're worth that, a tenner each. | 0:39:05 | 0:39:07 | |
-Come on! -20 quid. 20 I'm bid down here. | 0:39:07 | 0:39:09 | |
-With the lady at 20, I'll take two. -Good, I've got my money back. | 0:39:09 | 0:39:13 | |
Sell, then, at £20. 25. You in again, 28? | 0:39:13 | 0:39:15 | |
28. At 28. | 0:39:15 | 0:39:17 | |
-Internet bidding? -In the room at 28. | 0:39:17 | 0:39:19 | |
A bit more. | 0:39:19 | 0:39:21 | |
A modest profit. Rejoice! | 0:39:22 | 0:39:24 | |
Is this the turnaround? | 0:39:24 | 0:39:26 | |
I mean, I'm happy with a profit, at last. | 0:39:27 | 0:39:29 | |
So fingers crossed anyway, I'm on my way uphill. | 0:39:29 | 0:39:33 | |
We'll see, as his wine funnel goes under the hammer. | 0:39:33 | 0:39:36 | |
Straight in, 20 quid? Decant your wine. 20 I'm bid. | 0:39:36 | 0:39:39 | |
-At the back at 20. Take a two now. -What did it cost? -55. | 0:39:39 | 0:39:42 | |
Sell then, 22 on the net. 25 in the room. | 0:39:42 | 0:39:44 | |
28. 30, £30. | 0:39:44 | 0:39:47 | |
Back standing at 30. | 0:39:47 | 0:39:49 | |
It goes, then, at £30. All done at 30. | 0:39:49 | 0:39:52 | |
No! No turnaround there! | 0:39:54 | 0:39:56 | |
I think it's... | 0:39:57 | 0:39:59 | |
-I think we've entered a new phase of the competition, don't you? -Yes. | 0:39:59 | 0:40:02 | |
-It's who can lose the most. -Yes. | 0:40:02 | 0:40:05 | |
Oh come on, boys, cheer up. It's not that bad. | 0:40:05 | 0:40:08 | |
Next, Mark Hales and his regimental picture frames. | 0:40:08 | 0:40:12 | |
£20 for them? 20? Put the appropriate photographs in them. | 0:40:12 | 0:40:14 | |
-Don't start at 20. -£20? | 0:40:14 | 0:40:16 | |
Oh! 22. Net at 22. Do you want 25? | 0:40:16 | 0:40:19 | |
25. In the room, 25. 28. | 0:40:19 | 0:40:21 | |
-That's ridiculous. -At £28 now. Here at £28. | 0:40:21 | 0:40:24 | |
-Come on. -On the net at £28. -It should be £120. -30 in the room. -32. | 0:40:24 | 0:40:29 | |
You in again? 35? 35. | 0:40:29 | 0:40:31 | |
35, it's in the room. 38. | 0:40:31 | 0:40:33 | |
40 now. | 0:40:33 | 0:40:35 | |
38, 40, 45. The net at 45. | 0:40:35 | 0:40:38 | |
-45, there's two people on the net. -55. -It's going on. | 0:40:38 | 0:40:41 | |
-It should do. -65. | 0:40:41 | 0:40:43 | |
-At 70. At 75. -It's got to go on to next week. | 0:40:43 | 0:40:48 | |
It goes, then, at 75. No-one else at 75? | 0:40:48 | 0:40:51 | |
MARK SIGHS | 0:40:51 | 0:40:52 | |
A £20 profit will have to do. | 0:40:52 | 0:40:55 | |
-It's such a shame, Mark. -Well, you can't win them all! | 0:40:55 | 0:40:59 | |
Surely Mark Stacey's lovely little Arts & Crafts | 0:40:59 | 0:41:01 | |
pin tray can tease this tough crowd. | 0:41:01 | 0:41:05 | |
A tenner for it? £10, the dish? 10? | 0:41:05 | 0:41:08 | |
At ten I am bid now, and I sell, then, at £10. | 0:41:09 | 0:41:12 | |
It goes at ten. Take two. | 0:41:12 | 0:41:14 | |
12 behind you. 15 in front. 15. | 0:41:14 | 0:41:17 | |
18, 20? £20. | 0:41:17 | 0:41:20 | |
In front at £20. With the gent there at £20. I sell at 20. | 0:41:20 | 0:41:23 | |
All done at 20? | 0:41:23 | 0:41:25 | |
Another lot nosedives. | 0:41:27 | 0:41:29 | |
We can't have it our way every auction, can we? | 0:41:31 | 0:41:34 | |
It was a tricky day, wasn't it? | 0:41:35 | 0:41:37 | |
Well, never mind, boys. Here comes the auctioneer's favourite, | 0:41:37 | 0:41:40 | |
that vase that the dealer just wanted to get rid of. | 0:41:40 | 0:41:43 | |
-This is seriously cool. -Fabulous piece. | 0:41:43 | 0:41:45 | |
This in my opinion is the best bit in the sale. | 0:41:45 | 0:41:48 | |
Come on, I want everybody bidding. | 0:41:48 | 0:41:50 | |
It is so cool. 20 quid for it? | 0:41:50 | 0:41:53 | |
Straight in, £20. | 0:41:53 | 0:41:54 | |
-22 I've got on the net. -Oh! | 0:41:54 | 0:41:56 | |
-On the net at 22. -Come on! | 0:41:56 | 0:41:58 | |
25, at 25, down here at 25. | 0:41:58 | 0:42:01 | |
Is that it? In the room now at 25. Anybody else? | 0:42:01 | 0:42:04 | |
28? 30. 32. | 0:42:04 | 0:42:06 | |
Well, blow me! | 0:42:06 | 0:42:08 | |
-At 32. -Come on! One more! | 0:42:08 | 0:42:09 | |
Goes, then, at £32 now. All done? At 32? Nobody else? | 0:42:09 | 0:42:12 | |
Come on! | 0:42:12 | 0:42:14 | |
Yes! | 0:42:14 | 0:42:15 | |
Well, would you believe it? | 0:42:15 | 0:42:18 | |
I think that was the most marvellous price. | 0:42:20 | 0:42:24 | |
Sadly, though, no champagne for either of our experts. | 0:42:24 | 0:42:28 | |
But, at the end of the auction, it's still a close call. | 0:42:28 | 0:42:32 | |
Mark Stacey started today with £200 but after auction costs | 0:42:32 | 0:42:35 | |
he made a loss of £45.84, | 0:42:35 | 0:42:38 | |
leaving him a slimline £154.16 to carry forward to the next leg. | 0:42:38 | 0:42:44 | |
Mark Hales also started with £200 and after auction fees | 0:42:44 | 0:42:48 | |
he made a loss of £25.44, | 0:42:48 | 0:42:51 | |
giving him a healthy £174.56 to play with. | 0:42:51 | 0:42:55 | |
Well, Mark, not our finest hour, I think. | 0:42:57 | 0:43:00 | |
No, no, but it could have been worse. | 0:43:00 | 0:43:02 | |
It could have been a lot worse, | 0:43:02 | 0:43:04 | |
so, we have got at least some money to carry forward. | 0:43:04 | 0:43:07 | |
Money? Not as I remember, Mark! | 0:43:07 | 0:43:10 | |
-So, onto the second leg. Put it down to bitter experience. -Yes. | 0:43:12 | 0:43:16 | |
-And I'm not bitter. -Oh, really?! | 0:43:16 | 0:43:19 | |
Next time on Antiques Road Trip, | 0:43:19 | 0:43:21 | |
our pair of Marks hunt high and low for bargains. | 0:43:21 | 0:43:25 | |
It's easier just to stay down here, frankly. | 0:43:25 | 0:43:28 | |
And might have one or two lucky saves. | 0:43:28 | 0:43:31 | |
Oh! | 0:43:31 | 0:43:33 | |
Subtitles by Red Bee Media Ltd | 0:43:50 | 0:43:54 |