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'It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
'a classic car and a goal - to scour Britain for antiques.' | 0:00:05 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:11 | |
'The aim? To make the biggest profit at auction, | 0:00:12 | 0:00:16 | |
'but it's no mean feat.' | 0:00:16 | 0:00:18 | |
'There'll be worthy winners and valiant losers.' | 0:00:18 | 0:00:21 | |
So much?! | 0:00:21 | 0:00:22 | |
'So will it be the high road to glory or the slow road to disaster?' | 0:00:22 | 0:00:27 | |
SHE LAUGHS | 0:00:27 | 0:00:29 | |
'This is the Antiques Road Trip!' | 0:00:29 | 0:00:31 | |
'Yeah!' | 0:00:33 | 0:00:35 | |
'It's the final leg of our Antiques Road Trip | 0:00:38 | 0:00:41 | |
'with experts David Barby and Margie Cooper | 0:00:41 | 0:00:44 | |
'in the 1979 Mercedes convertible.' | 0:00:44 | 0:00:47 | |
'They've had a jolly old jaunt, | 0:00:47 | 0:00:50 | |
'covering many miles, but it's all about to come to a head.' | 0:00:50 | 0:00:53 | |
So I think it's all to play for. | 0:00:53 | 0:00:56 | |
All to play for. | 0:00:56 | 0:00:58 | |
Now, I think your tactics should be to spend the lot. | 0:00:58 | 0:01:02 | |
Oh. And your tactics should be not to spend much. | 0:01:02 | 0:01:05 | |
It's all in the luck of the gods and which shop you go to. | 0:01:05 | 0:01:09 | |
Yeah. | 0:01:09 | 0:01:11 | |
'With a passion for antiques, David is the master of ceramics | 0:01:11 | 0:01:15 | |
'and the supremo of seduction.' | 0:01:15 | 0:01:17 | |
-Can I give you a kiss? -Yes. | 0:01:17 | 0:01:21 | |
'Ha! He also knows if you want to get ahead, you need to get a hat.' | 0:01:21 | 0:01:26 | |
'And what's good for the goose is good for the gander.' | 0:01:30 | 0:01:35 | |
It must be for amateur theatricals! | 0:01:35 | 0:01:38 | |
'But who will be crowned the winner after the final auction?' | 0:01:38 | 0:01:42 | |
'During the road trip, Margie has increased her initial £200 | 0:01:42 | 0:01:48 | |
'to an admirable £339.30.' | 0:01:48 | 0:01:51 | |
'David, on the other hand, | 0:01:51 | 0:01:54 | |
'has grown his pot of cash to an impressive £517.34.' | 0:01:54 | 0:02:00 | |
'The route for the week takes our intrepid travellers | 0:02:02 | 0:02:05 | |
'from Alnwick in Northumberland, down the Northeast coast | 0:02:05 | 0:02:08 | |
'and onto the final destination of Lincoln.' | 0:02:08 | 0:02:11 | |
'But today's trip begins in Heanor in Derbyshire.' | 0:02:11 | 0:02:14 | |
'Heanor is a small town | 0:02:16 | 0:02:18 | |
'in the Amber Valley and in 2006 it was awarded the special accolade | 0:02:18 | 0:02:22 | |
'of being the second most English place in the country.' | 0:02:22 | 0:02:26 | |
'So what's the plan, boys and girls?' | 0:02:26 | 0:02:28 | |
Over the last week, we've done it all - silver, ceramics, furniture, | 0:02:28 | 0:02:34 | |
we've done quirky... What do we do now? | 0:02:34 | 0:02:37 | |
More quirky! | 0:02:37 | 0:02:39 | |
THEY LAUGH | 0:02:39 | 0:02:41 | |
'The first stop of the day is the local antiques centre.' | 0:02:41 | 0:02:45 | |
'With over 200 dealers here, there should be something for them both.' | 0:02:45 | 0:02:50 | |
I hate being in the same shop as you. I'm intimidated by David Barby. | 0:02:50 | 0:02:56 | |
I think I'll get there before you! | 0:02:56 | 0:02:58 | |
'No need to run, children!' | 0:02:58 | 0:03:00 | |
I'm first! | 0:03:00 | 0:03:02 | |
-Hello! -Good morning. -Hello there. What an Aladdin's cave! | 0:03:02 | 0:03:07 | |
-Which way are you heading? -I'll go that way. -OK, I'll go this way. | 0:03:07 | 0:03:11 | |
-See you later. -OK, good luck. | 0:03:11 | 0:03:14 | |
Oohhh. Oh, that's quite nice. | 0:03:22 | 0:03:24 | |
'With at least 180 cabinets to look through, this could take time, | 0:03:24 | 0:03:29 | |
'unless, of course, you know exactly what you're after.' | 0:03:29 | 0:03:33 | |
This is a nice little beaker and it's got three legs, | 0:03:33 | 0:03:37 | |
so if the table's uneven, | 0:03:37 | 0:03:39 | |
this is going to remain static cos it's on three ball legs. | 0:03:39 | 0:03:43 | |
'The Danish beaker is 18th century in style, | 0:03:43 | 0:03:46 | |
'but this is a 20th century copy | 0:03:46 | 0:03:48 | |
'by designer David Anderson - highly collectable.' | 0:03:48 | 0:03:51 | |
Nice piece of silver. £169 - that really is over the top. | 0:03:51 | 0:03:55 | |
-Dare I say, it's got to be under 100. -Right, OK. | 0:03:55 | 0:03:59 | |
Well, I can see what I can do. | 0:03:59 | 0:04:02 | |
'As manager Jane phones the dealer, | 0:04:02 | 0:04:04 | |
'magpie David has spotted a Norwegian silver brooch.' | 0:04:04 | 0:04:08 | |
This is magnificent. This is early 20th century, | 0:04:08 | 0:04:11 | |
Scandinavian silver. | 0:04:11 | 0:04:13 | |
And it's not silver. We can't classify it as silver, | 0:04:13 | 0:04:17 | |
it's 830, not 925, | 0:04:17 | 0:04:20 | |
so it's white metal. | 0:04:20 | 0:04:22 | |
But I might just enquire the price on that. | 0:04:22 | 0:04:26 | |
When's he gonna go? | 0:04:26 | 0:04:29 | |
-I can hear his dulcet tones. -'Wait your turn, Margie.' | 0:04:29 | 0:04:32 | |
-What's your best on that? -25's going to be the best. | 0:04:32 | 0:04:36 | |
-You couldn't do it any lower? -Not really. I'm struggling to go lower. | 0:04:36 | 0:04:42 | |
Because you're getting it down from 49, so... | 0:04:42 | 0:04:46 | |
And that would be at... £100. | 0:04:46 | 0:04:51 | |
These belong to the same people. | 0:04:51 | 0:04:53 | |
These belong to the same people, yeah. | 0:04:53 | 0:04:56 | |
You've already quoted me £20 on that. | 0:04:56 | 0:04:59 | |
20... I said 25! | 0:04:59 | 0:05:01 | |
'Cheeky beggar!' | 0:05:01 | 0:05:03 | |
-Not 20? -Oh, dear, you drive a hard bargain, don't you? | 0:05:03 | 0:05:08 | |
-THEY CHUCKLE -So if we say £20 on that, | 0:05:08 | 0:05:11 | |
can you come down to 70 on that one? | 0:05:11 | 0:05:14 | |
So 90 for the two? Yes, go on, then. | 0:05:14 | 0:05:18 | |
OK. Thank you. | 0:05:18 | 0:05:20 | |
What have I done?! | 0:05:20 | 0:05:23 | |
'With so much to choose from, | 0:05:23 | 0:05:26 | |
'it was only a matter of time before Margie found silver of her own.' | 0:05:26 | 0:05:30 | |
Not had a chance to date it, only just come in, to be honest. | 0:05:30 | 0:05:34 | |
I mean, I can let you have it for 150, I think it's worth that. | 0:05:34 | 0:05:38 | |
Yeah, that'd have to be... I'd insult you. | 0:05:38 | 0:05:42 | |
You won't insult me, I've got a thick skin, I'm a dealer! | 0:05:42 | 0:05:47 | |
-I'd want to buy that at 95. -No. -I quite understand. | 0:05:47 | 0:05:51 | |
Has David bought something? | 0:05:51 | 0:05:53 | |
Yes. So maybe I SHOULD let you have it for that. | 0:05:53 | 0:05:57 | |
Have you been doing deals with him? | 0:05:57 | 0:05:59 | |
If you find anything, I will do a deal with you. | 0:05:59 | 0:06:03 | |
-Just found that. -Yeah, I know. | 0:06:03 | 0:06:05 | |
-You can have it for 95 if you want. -Oh, no, I don't want pity. | 0:06:05 | 0:06:10 | |
'But while they haggle | 0:06:10 | 0:06:12 | |
'over the silver box, Jane has something else up her sleeve.' | 0:06:12 | 0:06:16 | |
-This is... That's very, very pretty, this one. -Carlton Ware. | 0:06:16 | 0:06:21 | |
-That one... That one can be 45 to you. -Mmm. | 0:06:21 | 0:06:25 | |
It's a lidded jar, maybe one of a pair. | 0:06:25 | 0:06:28 | |
Made by Carlton Ware. | 0:06:28 | 0:06:30 | |
Wiltshaw and Robinson. W&R, Wiltshaw and Robinson from Stoke-on-Trent. | 0:06:30 | 0:06:36 | |
Did David see this? No. Or has he seen it? | 0:06:36 | 0:06:39 | |
No. | 0:06:39 | 0:06:40 | |
That, you said was... | 0:06:40 | 0:06:42 | |
-45. -45, yeah. | 0:06:42 | 0:06:45 | |
'What about that silver box, Margie? It was £150, but for you - 95.' | 0:06:45 | 0:06:51 | |
It's 1922, the hallmark tells me, which is there. | 0:06:51 | 0:06:55 | |
And it's, uh, | 0:06:55 | 0:06:57 | |
tortoiseshell lid with silver, uh, inlay. | 0:06:57 | 0:07:00 | |
Silver and tortoiseshell were made for each other. | 0:07:00 | 0:07:04 | |
'Now it's illegal to sell pieces containing tortoiseshell after 1947, | 0:07:04 | 0:07:08 | |
'but this box dates from 1922.' | 0:07:08 | 0:07:12 | |
So, Jane, can I have both or don't you want to do that? | 0:07:12 | 0:07:15 | |
No, you can have that for... for... 95. | 0:07:15 | 0:07:19 | |
-You're very kind! -Uhhhh! | 0:07:19 | 0:07:22 | |
THEY LAUGH I feel awful now. | 0:07:22 | 0:07:25 | |
'For a silver box at £95 | 0:07:25 | 0:07:27 | |
'and a Carlton Ware vase for £45?' | 0:07:27 | 0:07:30 | |
'The job's a good 'un!' | 0:07:30 | 0:07:32 | |
'With two purchases each, they're back on the road.' | 0:07:32 | 0:07:35 | |
'David is driving Margie to Newstead Abbey in Nottinghamshire, | 0:07:35 | 0:07:41 | |
'former home of the original bad boy of poetry, Lord Byron.' | 0:07:41 | 0:07:44 | |
'The Abbey was founded in 1163, | 0:07:44 | 0:07:46 | |
'but after the dissolution of the monasteries in the 16th century, | 0:07:46 | 0:07:50 | |
'it was secured by the Barons Byron and is best known as the home | 0:07:50 | 0:07:55 | |
'of the romantic poet Lord George Byron.' | 0:07:55 | 0:07:58 | |
'Margie is meeting with Penny Beniston to find out more.' | 0:07:58 | 0:08:02 | |
This is our grand salon. | 0:08:02 | 0:08:04 | |
Oh, another beautiful room. There he is. | 0:08:04 | 0:08:08 | |
-Lovely portrait of him, isn't it? Very handsome. -Yes. | 0:08:08 | 0:08:12 | |
-Painted by Thomas Phillips. -And how old was he? | 0:08:12 | 0:08:16 | |
It was painted in 1813, | 0:08:16 | 0:08:18 | |
-so 22. -Oh, his prime. | 0:08:18 | 0:08:21 | |
He was like a pop star, wasn't he? | 0:08:21 | 0:08:24 | |
Yes. He was, uh, a very, erm... big celebrity. | 0:08:24 | 0:08:28 | |
-And had he started writing then? -Yes, he started at a very young age. | 0:08:28 | 0:08:33 | |
-Very young age. -All that wonderful talent. | 0:08:33 | 0:08:36 | |
He was starting to get his work published, starting to get known. | 0:08:36 | 0:08:41 | |
'Born in 1788, Byron's literary reputation was often overshadowed | 0:08:46 | 0:08:52 | |
'by his shocking aristocratic excesses.' | 0:08:52 | 0:08:55 | |
When Byron came here aged 21, | 0:08:58 | 0:09:00 | |
he... dug the cloisters, | 0:09:00 | 0:09:04 | |
looking for treasure. | 0:09:04 | 0:09:06 | |
Didn't find any, but found some skulls, | 0:09:06 | 0:09:10 | |
so, Byron being Byron, | 0:09:10 | 0:09:12 | |
decided to send it to a local silversmith | 0:09:12 | 0:09:15 | |
and have it mounted to make it into a drinking vessel. | 0:09:15 | 0:09:19 | |
-Very disrespectful, wasn't it? -It was. | 0:09:19 | 0:09:23 | |
'Byron's rebellious temperament was often a mark of his poems - | 0:09:23 | 0:09:29 | |
'among them Don Juan and Childe Harold's Pilgrimage.' | 0:09:29 | 0:09:32 | |
This is the iconic room. This is Byron's study. | 0:09:32 | 0:09:36 | |
-Where all his inspiration came from. -Yes. Yes. | 0:09:36 | 0:09:39 | |
Did he ever write down WHAT inspired him to write? | 0:09:39 | 0:09:43 | |
He wrote a lot about how Newstead Abbey had inspired him | 0:09:43 | 0:09:47 | |
and his loves of his life inspired him, | 0:09:47 | 0:09:50 | |
his mother inspired him, | 0:09:50 | 0:09:52 | |
his dog - he was inspired by everything. | 0:09:52 | 0:09:55 | |
'It was Byron's sexual exploits that he's best remembered for.' | 0:09:55 | 0:09:59 | |
'One lover, married Lady Caroline Lamb, described him as "mad, bad | 0:09:59 | 0:10:04 | |
'"and dangerous to know".' | 0:10:04 | 0:10:06 | |
Oh, my word. Did I ever think that I would go into Byron's bedroom? | 0:10:06 | 0:10:12 | |
This is Byron's bed. | 0:10:12 | 0:10:14 | |
-Gosh. He was known as a great Lothario, wasn't he? -He was. | 0:10:14 | 0:10:18 | |
He was young when he died, he was only 36, | 0:10:18 | 0:10:21 | |
but in that time, he'd had well over 200 lovers. | 0:10:21 | 0:10:25 | |
When did he write his poetry?! | 0:10:25 | 0:10:27 | |
He was inspired by everything that he did here, | 0:10:27 | 0:10:31 | |
so he must've stayed up very late at night. | 0:10:31 | 0:10:34 | |
So if these walls could speak... | 0:10:34 | 0:10:36 | |
Oh, yes. I wonder what they'd say. | 0:10:36 | 0:10:39 | |
Might learn a thing or two! | 0:10:39 | 0:10:41 | |
'Leaving behind a trail of broken hearts, | 0:10:41 | 0:10:46 | |
'Byron fled Britain in 1816 and died fighting for Greek independence.' | 0:10:46 | 0:10:50 | |
'His heart was buried in Greece, his body was buried | 0:10:50 | 0:10:54 | |
'near Newstead Abbey, making him a part of England evermore.' | 0:10:54 | 0:10:58 | |
'Leaving Margie in Byron's bedroom, | 0:10:58 | 0:11:01 | |
'the other man in her life, David Barby, | 0:11:01 | 0:11:05 | |
'has travelled 30 miles east to Newark.' | 0:11:05 | 0:11:09 | |
'Situated on the River Trent, | 0:11:09 | 0:11:11 | |
'the town's skyline is dominated by the remains of Newark Castle, | 0:11:11 | 0:11:16 | |
'but as magnificent as it is, | 0:11:16 | 0:11:18 | |
'David isn't here for sightseeing.' | 0:11:18 | 0:11:22 | |
'It's the last shop of the day and time is short.' | 0:11:24 | 0:11:28 | |
I like that. | 0:11:31 | 0:11:33 | |
-'What is it, David?' -They've labelled it a peat bucket. | 0:11:33 | 0:11:36 | |
It's nice and heavy. | 0:11:36 | 0:11:38 | |
It's got some age to it. | 0:11:38 | 0:11:41 | |
I like the brass banding on it. | 0:11:41 | 0:11:44 | |
I'm going to ask how much this can be. I rather like this. | 0:11:44 | 0:11:48 | |
Still filthy. | 0:11:48 | 0:11:50 | |
'It's £48. I wonder if David can work his magic.' | 0:11:50 | 0:11:54 | |
'The dealer isn't on site, so manager Janet makes a call.' | 0:11:54 | 0:11:58 | |
'But with the shop about to close, negotiating time is limited.' | 0:11:58 | 0:12:02 | |
'Over to you, Janet.' | 0:12:02 | 0:12:04 | |
Well, we managed to get 40 on this. | 0:12:05 | 0:12:09 | |
-Just 40? -I'm sorry, that's all we could get. | 0:12:09 | 0:12:13 | |
-Oh, dear, this is terrible. -'What, spending money?' | 0:12:13 | 0:12:16 | |
One... | 0:12:20 | 0:12:22 | |
..two. Thank you. | 0:12:24 | 0:12:26 | |
'Cheer up, David. It's not that bad.' | 0:12:26 | 0:12:29 | |
HE SIGHS | 0:12:29 | 0:12:31 | |
'Let's hope the peat bucket doesn't PAIL into insignificance | 0:12:31 | 0:12:35 | |
'when it hits the auction, eh? Night-night, David.' | 0:12:35 | 0:12:38 | |
'It's a brand-new day and as our experts head onto the open road, | 0:12:38 | 0:12:43 | |
'David is worried that Margie is gaining ground.' | 0:12:43 | 0:12:48 | |
You're poised to beat me. | 0:12:48 | 0:12:50 | |
-You're like a praying mantis, you're there... -SHE LAUGHS | 0:12:50 | 0:12:54 | |
-..on my heels! -I know. | 0:12:54 | 0:12:56 | |
I knew you'd be a formidable opponent. | 0:12:56 | 0:12:59 | |
'So far, David has spent £130 on three lots - | 0:12:59 | 0:13:04 | |
'a Norwegian brooch, a Danish silver beaker and a peat bucket - | 0:13:04 | 0:13:08 | |
'which leaves him £387.34 to splash.' | 0:13:08 | 0:13:13 | |
'Margie, meanwhile, has spent £140 on two items - | 0:13:15 | 0:13:19 | |
'a Carlton Ware vase with lid and a silver and tortoiseshell box - | 0:13:19 | 0:13:23 | |
'leaving her with £199.30 for the day ahead.' | 0:13:23 | 0:13:28 | |
'With David in the driving seat, | 0:13:29 | 0:13:31 | |
'our happy campers head north to their next destination in Worksop.' | 0:13:31 | 0:13:36 | |
-Ah, last drop-off. -I feel very emotional about this. | 0:13:36 | 0:13:41 | |
-Very, very emotional. -THEY LAUGH | 0:13:41 | 0:13:43 | |
-Looks interesting. -It certainly does. | 0:13:43 | 0:13:46 | |
-All the very best. -And to you. | 0:13:48 | 0:13:50 | |
-OK, enjoy it. -See you later. -Bye. | 0:13:50 | 0:13:54 | |
-I'm Margie. -I'm David. | 0:13:58 | 0:14:00 | |
-If I can have a quick look round? -By all means. | 0:14:00 | 0:14:03 | |
'Now & Then, as the name suggests, | 0:14:03 | 0:14:05 | |
'is a mixture of old and new.' | 0:14:05 | 0:14:08 | |
Hmm. Sort of, retro 1960s dressing table. | 0:14:11 | 0:14:16 | |
I like the price. | 0:14:16 | 0:14:19 | |
And Meredew is quite a well-known maker. | 0:14:19 | 0:14:22 | |
And, sort of,... veneer. Let's just have a look. | 0:14:24 | 0:14:28 | |
Dave, can I have a word, please? | 0:14:28 | 0:14:30 | |
Can we do a good deal on that? | 0:14:30 | 0:14:33 | |
-We can. -SHE GIGGLES | 0:14:33 | 0:14:35 | |
I can do that for 15 for you. | 0:14:35 | 0:14:37 | |
-Ohh... That's ridiculous. -It is. Giveaway. -Absolute giveaway. | 0:14:37 | 0:14:42 | |
Put it there. SHE LAUGHS | 0:14:42 | 0:14:45 | |
'Oh, groovy, Barby.' | 0:14:46 | 0:14:48 | |
'From retro to Retford - David has driven on to Empire Antiques, | 0:14:50 | 0:14:54 | |
'his final shop of the day.' | 0:14:54 | 0:14:56 | |
Dealer looks busy at the moment, | 0:15:07 | 0:15:09 | |
so I'm going to start perambulating around here. | 0:15:09 | 0:15:13 | |
'Good idea! A bit of perabulating will always | 0:15:13 | 0:15:17 | |
'get you somewhere.' | 0:15:17 | 0:15:19 | |
What is interesting about this selection | 0:15:19 | 0:15:22 | |
is that it is all contained | 0:15:22 | 0:15:24 | |
in a pine cabinet-maker's box. | 0:15:24 | 0:15:27 | |
I would put the box at £40-50. | 0:15:27 | 0:15:30 | |
The planes - | 0:15:30 | 0:15:32 | |
and there's 40 of them - I'd put at round about a fiver each. | 0:15:32 | 0:15:37 | |
So, potentially, | 0:15:37 | 0:15:39 | |
this could go between | 0:15:39 | 0:15:41 | |
£200 and £250, | 0:15:41 | 0:15:43 | |
if not more. | 0:15:43 | 0:15:45 | |
-Hiya. -Hello. -Hello, David. | 0:15:45 | 0:15:48 | |
-You're? -Doug Goddard. -You own this place? -Yes, sir. | 0:15:48 | 0:15:51 | |
Oh, well done. Don't call me "sir"! It's David! | 0:15:51 | 0:15:55 | |
-I'm looking at this box of tools. -Right, OK. | 0:15:55 | 0:15:58 | |
-Erm, I see you've got £180 on it... -Yeah. | 0:15:58 | 0:16:03 | |
-HE EXHALES -What's your best... -Too cheap?! | 0:16:03 | 0:16:06 | |
THEY LAUGH | 0:16:06 | 0:16:08 | |
You've hit the nail on the head! | 0:16:09 | 0:16:12 | |
No, what's the very best you can do on that? | 0:16:12 | 0:16:15 | |
What about 140? | 0:16:15 | 0:16:18 | |
-Would you consider coming down a little lower? -Make me an offer. | 0:16:22 | 0:16:26 | |
I'd like to see it round about 100. | 0:16:26 | 0:16:29 | |
-What about 120? -Split the difference at 110. -Done. | 0:16:31 | 0:16:36 | |
-And that's how you do business! -Absolutely! -THEY LAUGH | 0:16:36 | 0:16:40 | |
I'll continue on my perambulations. I need one more other item. | 0:16:40 | 0:16:45 | |
-If you need me, you know where I am. -Thank you very much. -Pleasure. | 0:16:45 | 0:16:49 | |
'A little more perambulating | 0:16:49 | 0:16:51 | |
'and magpie David is drawn to the silver once more.' | 0:16:51 | 0:16:55 | |
What's the best price on these? | 0:16:55 | 0:16:57 | |
I can't really go any lower than 30 on them, I'm afraid. | 0:16:57 | 0:17:01 | |
So these would be, what,... about 1960? | 0:17:01 | 0:17:05 | |
Yeah. They're fairly modern. | 0:17:05 | 0:17:07 | |
-They're still photograph frames. -Yeah, they're still pretty. | 0:17:07 | 0:17:12 | |
30 quid. | 0:17:12 | 0:17:15 | |
You know, I never buy anything modern. | 0:17:15 | 0:17:18 | |
-No. -Never. | 0:17:18 | 0:17:20 | |
But they're not modern, they're vintage. THEY LAUGH | 0:17:20 | 0:17:24 | |
-And they're a pair, aren't they? -Yeah. | 0:17:25 | 0:17:29 | |
At £30. | 0:17:29 | 0:17:31 | |
Done. | 0:17:31 | 0:17:33 | |
HE LAUGHS Did I jump the gun, then? | 0:17:34 | 0:17:38 | |
Oh, no, | 0:17:39 | 0:17:41 | |
I'm not going to get you down on those! | 0:17:41 | 0:17:44 | |
Well, that's my two objects. | 0:17:44 | 0:17:46 | |
So that's 110 for the box | 0:17:46 | 0:17:49 | |
and, uh, £30 for these, so £140. | 0:17:49 | 0:17:52 | |
Right. I'm so delighted I've bought from you. | 0:17:52 | 0:17:55 | |
'Shopping complete, David drives onto Gainsborough | 0:17:57 | 0:18:01 | |
'where he plans to let the train take the strain.' | 0:18:01 | 0:18:05 | |
-ON TANNOY: -"Bing-bong! Will passenger David Barby please go to platform one | 0:18:06 | 0:18:11 | |
"to meet Richard Wood. Bing-bong!" | 0:18:11 | 0:18:15 | |
Wow, wow, wow! This reminds me of my youth. | 0:18:20 | 0:18:23 | |
I had a train set when I was quite young. | 0:18:23 | 0:18:26 | |
I don't think mine was as grand as that, probably a bit larger. | 0:18:26 | 0:18:30 | |
Well, the models that would be available in your youth, | 0:18:30 | 0:18:34 | |
manufactured by Hornby and Bassett-Lowke, | 0:18:34 | 0:18:38 | |
were crude replicas of the real thing, | 0:18:38 | 0:18:41 | |
whereas these are scale models of the real thing. | 0:18:41 | 0:18:44 | |
Right, so I had the crude version. | 0:18:44 | 0:18:46 | |
I'm sorry about that! | 0:18:46 | 0:18:49 | |
In fact, at the time, | 0:18:50 | 0:18:52 | |
-my father played with it more than I did! -That's often the case. | 0:18:52 | 0:18:56 | |
'The Gainsborough Model Railway Society was established in 1946 | 0:18:56 | 0:19:01 | |
'by a group of like-minded enthusiasts.' | 0:19:01 | 0:19:04 | |
'Within four years, their collection had grown so large, | 0:19:04 | 0:19:07 | |
'they found a new home in this former school.' | 0:19:07 | 0:19:10 | |
If I'm a member of the public, where do you start this tour? | 0:19:10 | 0:19:15 | |
The first thing we do is walk down past King's Cross. | 0:19:15 | 0:19:19 | |
The buildings, signal box and all of this here | 0:19:19 | 0:19:22 | |
is modelled on the real King's Cross. | 0:19:22 | 0:19:25 | |
-This is absolutely magical. -Yes. | 0:19:25 | 0:19:28 | |
Absolutely magical. You've got no idea, | 0:19:28 | 0:19:32 | |
until you get to this level, the people... | 0:19:32 | 0:19:35 | |
The hours and hours of work it took to create it, it's tremendous. | 0:19:35 | 0:19:39 | |
-How long did it take? -This was done over about ten years. | 0:19:39 | 0:19:43 | |
Looking through here, you get some idea of the perspective. | 0:19:43 | 0:19:47 | |
And the passengers, | 0:19:47 | 0:19:49 | |
this is brilliant. | 0:19:49 | 0:19:52 | |
Is there something of a child still in you? | 0:19:52 | 0:19:55 | |
-That you love playing with these? -I think there must be. | 0:19:55 | 0:19:58 | |
And what a wonderful form of relaxation. | 0:19:58 | 0:20:01 | |
Well, it doesn't get you into so much trouble as other hobbies! | 0:20:01 | 0:20:06 | |
'And what a hobby. This collection recreates | 0:20:06 | 0:20:09 | |
'the line from King's Cross to Leeds | 0:20:09 | 0:20:12 | |
'using a mile and a half of track and 160 trains.' | 0:20:12 | 0:20:16 | |
'All the locos are hand-made and take 200-300 hours to produce.' | 0:20:16 | 0:20:21 | |
'It's a Boy's Own dream!' | 0:20:21 | 0:20:24 | |
-Now, then, David. -Yes. | 0:20:27 | 0:20:29 | |
Would you like to have a go at operating one of the trains? | 0:20:29 | 0:20:33 | |
-Do I have a controller's hat? -Definitely. I think it's there. | 0:20:33 | 0:20:36 | |
-Is it really? -Yes. THEY LAUGH | 0:20:36 | 0:20:39 | |
Right, Mick. Please stand by me. | 0:20:39 | 0:20:41 | |
-I will do that. -So I don't press the wrong buttons | 0:20:41 | 0:20:45 | |
or throw the wrong switches - I think that's the expression! | 0:20:45 | 0:20:49 | |
Right. Now, what happens? | 0:20:49 | 0:20:51 | |
That's your bell to King's Cross, | 0:20:51 | 0:20:54 | |
-that's your controller from King's Cross. -Right. | 0:20:54 | 0:20:57 | |
That's off. That's on. | 0:20:57 | 0:20:59 | |
-OK. -That's full speed. -Right, OK. | 0:20:59 | 0:21:03 | |
BELL SOUNDS | 0:21:03 | 0:21:06 | |
It's leaving King's Cross. | 0:21:06 | 0:21:08 | |
'Not sure if that's Thomas the Tank Engine, | 0:21:08 | 0:21:11 | |
'but I just spotted the Fat Controller. Sorry, David.' | 0:21:11 | 0:21:14 | |
Ohhh! There we are! | 0:21:16 | 0:21:18 | |
What a sight - look at that! | 0:21:22 | 0:21:24 | |
'Boys and their toys, eh?' | 0:21:24 | 0:21:26 | |
'Look at him.' | 0:21:26 | 0:21:29 | |
-Where's it going to come through? -Through the tunnel over there. | 0:21:29 | 0:21:33 | |
Top or bottom? | 0:21:35 | 0:21:37 | |
-Bottom. -Whoa! There we are. | 0:21:37 | 0:21:40 | |
-Don't forget the controller. -Yes, sorry. | 0:21:40 | 0:21:43 | |
Now switch it off. | 0:21:43 | 0:21:45 | |
Beautiful. | 0:21:48 | 0:21:49 | |
The only thing that was missing - | 0:21:49 | 0:21:52 | |
my father used to put the end of his cigarette into the funnel! | 0:21:52 | 0:21:57 | |
So it would smoke as it went round! | 0:21:57 | 0:21:59 | |
Mick, you've given me great pleasure. All of you, thank you. | 0:21:59 | 0:22:04 | |
'Whilst David was train spotting, | 0:22:05 | 0:22:07 | |
'Margie has made tracks of her own to Market Rasen.' | 0:22:07 | 0:22:11 | |
Well, wish me luck. | 0:22:11 | 0:22:13 | |
'Her final port of call is Wold Antiques.' | 0:22:13 | 0:22:16 | |
'Be bold!' | 0:22:16 | 0:22:18 | |
-Good afternoon. -Hello. -DOOR BELL JANGLES | 0:22:18 | 0:22:22 | |
-I'm Margie. -How do you do? | 0:22:22 | 0:22:24 | |
-And you're? -Lynn. -Right, Lynn, | 0:22:24 | 0:22:27 | |
-I'll just shoot round. -I'm here to help. -Thank you. Lovely shop. | 0:22:27 | 0:22:32 | |
Thank you. | 0:22:32 | 0:22:34 | |
These are nice, aren't they? | 0:22:36 | 0:22:40 | |
Surveyor's tape. Measuring tape. | 0:22:40 | 0:22:43 | |
Extremely good condition. | 0:22:44 | 0:22:47 | |
£34. That's cheap, isn't it? | 0:22:47 | 0:22:50 | |
It's nice. Very nice. | 0:22:50 | 0:22:53 | |
-They do sell well. -Yeah, I'm sure. | 0:22:55 | 0:22:58 | |
Distracted. | 0:22:58 | 0:22:59 | |
-I'm going to look upstairs if that's all right. -Please do. | 0:22:59 | 0:23:03 | |
'Come on, Margie. Tick-tock.' | 0:23:03 | 0:23:06 | |
Here we go. Oooh... | 0:23:07 | 0:23:10 | |
'These mirrors date from around 1890.' | 0:23:10 | 0:23:13 | |
'Oriental in style, they feature carved dragons | 0:23:13 | 0:23:17 | |
'with ivory eyes.' | 0:23:17 | 0:23:20 | |
I like those. Yeah. | 0:23:20 | 0:23:22 | |
Lynn? Have you got a minute? | 0:23:22 | 0:23:25 | |
Yes, no problem. | 0:23:25 | 0:23:27 | |
I rather like these two mirrors, | 0:23:27 | 0:23:31 | |
being a pair, being Oriental. | 0:23:31 | 0:23:33 | |
-They're stunning. -How much are they? | 0:23:33 | 0:23:36 | |
Well, the best I can do | 0:23:36 | 0:23:38 | |
is 125. | 0:23:38 | 0:23:40 | |
-125. That's absolute... -It is, I'm afraid. | 0:23:40 | 0:23:44 | |
-125. -OK? | 0:23:44 | 0:23:47 | |
-Deal done. -Deal done. | 0:23:47 | 0:23:49 | |
'That's a big purchase by Margie's standards and a bit of a gamble.' | 0:23:49 | 0:23:54 | |
That's one, two, three, | 0:23:54 | 0:23:56 | |
four, five, six. | 0:23:56 | 0:23:59 | |
-Thank you. -And £5. -Lovely. | 0:23:59 | 0:24:01 | |
You were very helpful. | 0:24:01 | 0:24:03 | |
'And she's not done yet.' | 0:24:03 | 0:24:05 | |
Lynn, shall I go for something else? | 0:24:05 | 0:24:08 | |
You should go for the measure. | 0:24:08 | 0:24:10 | |
-Surveyor's measure. -Yeah. £20, please. -Oh, done. | 0:24:10 | 0:24:14 | |
Done! | 0:24:14 | 0:24:16 | |
-Thank you. -There you go. | 0:24:16 | 0:24:19 | |
-Yeah, bye. -Bye! -Thank you. | 0:24:21 | 0:24:25 | |
'So, with the shopping over, it's time to show and tell.' | 0:24:26 | 0:24:30 | |
Margie, this is the last reveal. | 0:24:30 | 0:24:33 | |
And as a gentleman, | 0:24:33 | 0:24:35 | |
I think ladies should go first. | 0:24:35 | 0:24:37 | |
-Are you ready? -Yes. | 0:24:37 | 0:24:40 | |
SHE HUMS | 0:24:40 | 0:24:42 | |
Daa! | 0:24:42 | 0:24:44 | |
How very, very brave. | 0:24:44 | 0:24:48 | |
I'm just going to stand and look at this... dressing table. | 0:24:48 | 0:24:52 | |
-Who's it by? -A company called Meredew. | 0:24:52 | 0:24:55 | |
Is it 1956? '58? | 0:24:55 | 0:24:57 | |
-I think '60s. -'60s. -Definitely '60s. | 0:24:57 | 0:25:00 | |
I imagine, because it's brave, you paid very little. I think about £20. | 0:25:00 | 0:25:05 | |
-15. -15... | 0:25:05 | 0:25:07 | |
'It's a bargain.' | 0:25:07 | 0:25:09 | |
What could you get for £15? | 0:25:09 | 0:25:12 | |
A Meredew dressing table! | 0:25:12 | 0:25:14 | |
-I'm quite pleased with it. -I think it's very nice. | 0:25:14 | 0:25:18 | |
-How pretty is that? -Is it Carlton? -Yeah. Early Carlton. | 0:25:18 | 0:25:22 | |
Ooh, that's lovely. | 0:25:22 | 0:25:24 | |
-Lovely colour. -Yes. | 0:25:24 | 0:25:26 | |
-I love that. I think it'll make 60 at the auction. -Is that all? | 0:25:26 | 0:25:32 | |
It's rubbed on the top and a crack on the bottom, but it's very nice! | 0:25:32 | 0:25:37 | |
-You cheeky monkey. -It's very nice. I like that. | 0:25:39 | 0:25:42 | |
And my third choice has to be this lovely, lovely silver piece. | 0:25:42 | 0:25:47 | |
-Tortoiseshell. -Yeah, that's lovely. | 0:25:47 | 0:25:50 | |
With inlay decoration. Oh, that's beautiful. | 0:25:50 | 0:25:53 | |
-Yeah. -Yeah. Those two, I love. | 0:25:53 | 0:25:57 | |
And I paid...? | 0:25:57 | 0:25:59 | |
-50? -Oh... -60? | 0:25:59 | 0:26:01 | |
-No! -How much? | 0:26:01 | 0:26:03 | |
-You can't buy that for 60. -How much did you pay for it? | 0:26:03 | 0:26:06 | |
95. | 0:26:06 | 0:26:08 | |
'I'm not sure David would've paid that.' | 0:26:08 | 0:26:12 | |
-Right, it's my turn now. -Yes, your turn. -Oh, dear, oh, dear. | 0:26:12 | 0:26:17 | |
-Is that a tool box? -Yes. | 0:26:17 | 0:26:20 | |
Oh, my goodness. You've done well there. | 0:26:20 | 0:26:23 | |
Do you think so? | 0:26:23 | 0:26:25 | |
-Well, whatever you've paid. How much? -Have a guess. | 0:26:25 | 0:26:29 | |
Er, 150? | 0:26:29 | 0:26:32 | |
No. No, I didn't. | 0:26:32 | 0:26:34 | |
-200? -No, I didn't. | 0:26:34 | 0:26:36 | |
Go on, tell me. | 0:26:38 | 0:26:40 | |
I paid 110. | 0:26:41 | 0:26:44 | |
I think you have done amazingly. | 0:26:44 | 0:26:46 | |
Right, what's the next thing? | 0:26:46 | 0:26:49 | |
It's this. | 0:26:50 | 0:26:53 | |
-Tell me about that. -Well, I think this is stunning. | 0:26:53 | 0:26:57 | |
-Isn't it sweet? -Absolutely stunning. | 0:26:57 | 0:26:59 | |
-How much did you pay? -Er, that's probably one of my expensive buys. | 0:26:59 | 0:27:04 | |
-Have a guess. -No, I'm not. I'm too fed up to guess! | 0:27:04 | 0:27:08 | |
I paid... £20. | 0:27:08 | 0:27:12 | |
And which shop was that? | 0:27:14 | 0:27:17 | |
The shop we went in together! | 0:27:17 | 0:27:20 | |
-That is well found. -I love that. | 0:27:21 | 0:27:24 | |
-I wanted that for myself. -Fantastic. | 0:27:24 | 0:27:26 | |
Absolutely beautiful. | 0:27:26 | 0:27:28 | |
-And are these silver? -Er, yes. | 0:27:28 | 0:27:31 | |
-Yeah. -They're a pair. | 0:27:31 | 0:27:34 | |
-About 1960s. -Are they marked up? -Yes. -Where? | 0:27:34 | 0:27:37 | |
-Margie,... -Ahh! -..just like a damn inquisition! | 0:27:37 | 0:27:40 | |
-I'm a bit grumpy, to be honest. -Why? | 0:27:40 | 0:27:43 | |
-SHE EXHALES -There - you breathed on them! | 0:27:43 | 0:27:46 | |
I'm trying hard to be a good sport! | 0:27:46 | 0:27:49 | |
And I'm finding it a bit difficult! | 0:27:49 | 0:27:52 | |
-You've done well. -No glass on that one. -How much? | 0:27:52 | 0:27:55 | |
-Again, that was an expensive buy. -Oh, don't start. Go on. | 0:27:55 | 0:27:59 | |
£30, the two. | 0:27:59 | 0:28:02 | |
SHE CHUCKLES | 0:28:02 | 0:28:04 | |
-£15 each. -Well done! Give me your hand, my friend. | 0:28:04 | 0:28:08 | |
'They spied the buys, but who will win the final prize?' | 0:28:08 | 0:28:12 | |
My favourite item of Margie's | 0:28:12 | 0:28:14 | |
would be the silver box with the tortoiseshell inlay. I like that. | 0:28:14 | 0:28:19 | |
I'd buy it myself. Wouldn't pay £90 though! | 0:28:19 | 0:28:22 | |
'It was £95, David. Pay attention. What about you, Margie?' | 0:28:22 | 0:28:26 | |
The tool box. You know, they usually empty them out or leave a couple in. | 0:28:26 | 0:28:31 | |
He's got 40 in there! | 0:28:31 | 0:28:33 | |
They're worth, 10, 15, £20 each. | 0:28:33 | 0:28:35 | |
Ahhh... | 0:28:35 | 0:28:37 | |
But it couldn't happen to a nicer person | 0:28:37 | 0:28:40 | |
than David Barby. But I'm still a bit miffed! | 0:28:40 | 0:28:45 | |
'There's just one last stop | 0:28:47 | 0:28:49 | |
'as our experts head for the final auction in Lincoln.' | 0:28:49 | 0:28:52 | |
'St Mary's Cathedral was reputedly the tallest building in the world | 0:28:57 | 0:29:01 | |
'until 1549. The town's other accolade - | 0:29:01 | 0:29:04 | |
'it's the finishing line for this road trip. Ha!' | 0:29:04 | 0:29:09 | |
Margie, I... I feel sad, almost bordering on tears. | 0:29:09 | 0:29:12 | |
You know, it's the end of an affair. | 0:29:12 | 0:29:16 | |
THEY LAUGH Shhh! | 0:29:16 | 0:29:18 | |
It is like that, isn't it? | 0:29:18 | 0:29:20 | |
-Don't tell everybody! -You've been such a part of my life! | 0:29:20 | 0:29:25 | |
And you in mine. | 0:29:25 | 0:29:27 | |
-It's been fabulous. I -know so much about you - those intimate moments. | 0:29:27 | 0:29:33 | |
'Ahem. Moving swiftly on. Today, our experts | 0:29:33 | 0:29:36 | |
'are going head to head at Unique Auctions.' | 0:29:36 | 0:29:39 | |
'Let's see what auctioneer Terry Woodcock thinks of their buys.' | 0:29:39 | 0:29:44 | |
I think the one that will surprise me today is going to be | 0:29:44 | 0:29:48 | |
the retro dressing table. | 0:29:48 | 0:29:51 | |
That could do £20, it could do £120. | 0:29:51 | 0:29:54 | |
It's one of those unknown quantities. | 0:29:54 | 0:29:57 | |
But it is very, very clean. | 0:29:57 | 0:30:00 | |
And the tool box. The box on its own | 0:30:00 | 0:30:02 | |
has a good value, but you've got the tools inside too. It's a nice set. | 0:30:02 | 0:30:08 | |
It'll be a good day. | 0:30:08 | 0:30:09 | |
'David began today's road trip with £517.34 | 0:30:09 | 0:30:15 | |
'and has spent £270 on five lots, | 0:30:15 | 0:30:18 | |
'leaving him with a cash stash of £247.34.' | 0:30:18 | 0:30:23 | |
'Margie started out with £339.30 | 0:30:25 | 0:30:29 | |
'and has also bought five lots, costing £300, | 0:30:29 | 0:30:32 | |
'leaving her with a reserve of £39.30.' | 0:30:32 | 0:30:36 | |
'First up, it's Margie's 1930's surveyor's tape.' | 0:30:38 | 0:30:41 | |
'But will it measure up?' | 0:30:41 | 0:30:44 | |
Who'll start me at £20? £10, then? | 0:30:44 | 0:30:47 | |
£10 I've got. | 0:30:47 | 0:30:49 | |
At 10, I'll take 12 now. At £12, at £12. At £14. | 0:30:49 | 0:30:53 | |
At 16, seated. | 0:30:53 | 0:30:55 | |
At 16. No? At 16. I'll take 17 if it'll help. | 0:30:55 | 0:30:59 | |
17, back in at £17. | 0:30:59 | 0:31:01 | |
He's trying hard. | 0:31:01 | 0:31:03 | |
-At £17. 17 it is. -HE BANGS GAVEL | 0:31:03 | 0:31:06 | |
-That's a ripping start(!) -Hasn't done the trick, has it, Margie? | 0:31:06 | 0:31:10 | |
'The measuring tape falls short for Margie with a loss of £3.' | 0:31:10 | 0:31:15 | |
Shouldn't've bought it! | 0:31:15 | 0:31:17 | |
'David's first item is the peat bucket with brass bands.' | 0:31:17 | 0:31:21 | |
Start somewhere sensible. £30? | 0:31:21 | 0:31:23 | |
-Sensible, 30. -£20, then? | 0:31:23 | 0:31:26 | |
Start it with me at £10 only. 10. I'm now looking for 12. At 12. | 0:31:26 | 0:31:31 | |
14, 16, 18, 20, | 0:31:31 | 0:31:34 | |
22, 24, 26, 28... | 0:31:34 | 0:31:38 | |
-Go on... -Oh, heaven's sake! | 0:31:38 | 0:31:41 | |
-THEY ALL LAUGH -30. | 0:31:41 | 0:31:43 | |
Another one. 32. | 0:31:43 | 0:31:45 | |
At £32. I'm looking now for 34. | 0:31:45 | 0:31:47 | |
Have you all done? Selling at 32. | 0:31:47 | 0:31:50 | |
Oh, I'm sorry, love. | 0:31:50 | 0:31:52 | |
'Oh, love, I'm sorry too. There's a hole in your bucket, dear David!' | 0:31:52 | 0:31:57 | |
It's only £8 loss. | 0:31:57 | 0:31:59 | |
-How much was yours? 3? -3. | 0:31:59 | 0:32:02 | |
'Don't tell me it's going to be another battle of the losses.' | 0:32:02 | 0:32:06 | |
'Brace yourself. Margie's charming Carlton Ware vase and lid next.' | 0:32:06 | 0:32:10 | |
Start it straight in at 30. | 0:32:10 | 0:32:12 | |
-What are we on at the moment? -It's your lot. Telephone bid on it. | 0:32:12 | 0:32:18 | |
-'Keep up, Margie.' -45. 50 on commission. At £50. | 0:32:18 | 0:32:22 | |
55 has put me out. 55 it is. | 0:32:22 | 0:32:25 | |
60 on the phone. 65. | 0:32:25 | 0:32:28 | |
65 against you. Yes. | 0:32:28 | 0:32:30 | |
70 on the phone. 75. | 0:32:30 | 0:32:33 | |
-75. Yes. -80 on the phone. | 0:32:33 | 0:32:37 | |
90. | 0:32:37 | 0:32:39 | |
< 90... 95. | 0:32:39 | 0:32:42 | |
95. | 0:32:42 | 0:32:44 | |
-Gosh. -100. -100 straight in. | 0:32:44 | 0:32:48 | |
-100 it is. -I'm looking for 105. -Looking for... 105. | 0:32:48 | 0:32:52 | |
105. 110 I'm looking for. | 0:32:52 | 0:32:54 | |
110. | 0:32:54 | 0:32:57 | |
This is unbelievable. Oh, my God, what's happening? | 0:32:57 | 0:33:01 | |
You've bought the right thing. | 0:33:01 | 0:33:03 | |
Out. 120 in the room. At £120. | 0:33:05 | 0:33:08 | |
At 120 I've got on my left. At 120. | 0:33:08 | 0:33:11 | |
120 it is. HE BANGS GAVEL | 0:33:11 | 0:33:13 | |
Ohh! | 0:33:19 | 0:33:21 | |
'Cor, it was a slow burn, but the vase puts Margie in the lead | 0:33:21 | 0:33:24 | |
'with a healthy profit indeed.' | 0:33:24 | 0:33:27 | |
-Are you upset? -Of course I'm not! I'm delighted for you. | 0:33:27 | 0:33:31 | |
Bless you, you're such a good sport. | 0:33:31 | 0:33:34 | |
'Can David fight back with a pair of silver picture frames?' | 0:33:34 | 0:33:38 | |
To save time, I'm going straight in at £80. | 0:33:38 | 0:33:41 | |
-How much? -It should make twice that. -18? | 0:33:41 | 0:33:44 | |
£80 with me. At £80. | 0:33:44 | 0:33:47 | |
At 80. There's £40 each. | 0:33:47 | 0:33:49 | |
At £40. 85. | 0:33:49 | 0:33:51 | |
-90... -Ooh! -..95, 100, | 0:33:51 | 0:33:54 | |
-and 10, 120, 130... -Oh, my gosh. | 0:33:54 | 0:33:58 | |
..145, 150... | 0:33:58 | 0:34:01 | |
-Oh, my goodness. -They're worth more than that. -Shut up! | 0:34:01 | 0:34:06 | |
At 150 I've got it. | 0:34:06 | 0:34:08 | |
Back in, 155, and it puts me out at 155. | 0:34:08 | 0:34:11 | |
-155! -Why tell me that? | 0:34:11 | 0:34:14 | |
I think you've been lucky. | 0:34:14 | 0:34:16 | |
GAVEL BANGS That is ridiculous. 155 for two modern frames?! | 0:34:16 | 0:34:20 | |
-But congratulations. -Thank you, Margie. | 0:34:20 | 0:34:23 | |
'The master has done it again and turned a £30 spend | 0:34:23 | 0:34:27 | |
'into a £125 profit. Wow.' | 0:34:27 | 0:34:30 | |
Well, you've really rushed ahead now. | 0:34:30 | 0:34:33 | |
We've still got your silver box to come up. | 0:34:33 | 0:34:37 | |
'And here it is. Can the silver and tortoiseshell box | 0:34:37 | 0:34:41 | |
'put Margie back in contention?' | 0:34:41 | 0:34:43 | |
One of the nicest examples I've seen for a long time | 0:34:43 | 0:34:46 | |
and I think I'll save time, like 367, | 0:34:46 | 0:34:50 | |
and go straight in at £50. | 0:34:50 | 0:34:52 | |
At £50. I'm now looking for 55. | 0:34:52 | 0:34:55 | |
At £50 I've got. At £50. Come on, now. Got a long way to go. | 0:34:55 | 0:34:59 | |
-Oh, for... -55, the lady. £60 with me. 65. | 0:34:59 | 0:35:03 | |
£70 with me. At £70, still on commission. | 0:35:03 | 0:35:07 | |
75 has put my commissions out. | 0:35:07 | 0:35:09 | |
At 75. At 75, I'm now looking for 80. 80, fresh bid. | 0:35:09 | 0:35:14 | |
At £80 at the back, she shakes her head. £80. | 0:35:14 | 0:35:17 | |
It is yours at 80, yes. £80, have you all done? | 0:35:17 | 0:35:21 | |
-80 it is. -I think it should've gone for more. | 0:35:21 | 0:35:25 | |
Should've gone for about 120. | 0:35:25 | 0:35:27 | |
'Slow off the mark, | 0:35:27 | 0:35:29 | |
'the tortoiseshell box proves unfashionable here.' | 0:35:29 | 0:35:32 | |
Oh, flip, flip, flip. I'm going off silver, you know. | 0:35:32 | 0:35:36 | |
'Next up for David, it's the Norwegian brooch, | 0:35:36 | 0:35:39 | |
'but will it A-FJORD him a big profit?' | 0:35:39 | 0:35:42 | |
I've got two, three commissions on it | 0:35:42 | 0:35:45 | |
and I can go straight in at £20. | 0:35:45 | 0:35:47 | |
-Oh... -At 20, I'm looking for 25. | 0:35:47 | 0:35:50 | |
-25... -There you go. -..30, 35, 40, | 0:35:50 | 0:35:54 | |
45, 50, 55, 60... | 0:35:54 | 0:35:57 | |
-No? -Yeah, yeah, yeah. | 0:35:57 | 0:35:59 | |
-It's worth more than that. -65, 70, | 0:35:59 | 0:36:01 | |
75, 80, | 0:36:01 | 0:36:04 | |
-85, 90... -Come on, come on. | 0:36:04 | 0:36:07 | |
-Come on. -95 behind you. -Make it 100. | 0:36:07 | 0:36:11 | |
-Right on the back wall. -This is superb. | 0:36:11 | 0:36:14 | |
-This is... -100, back in. -100, good. | 0:36:14 | 0:36:16 | |
100, he shakes his head. 100 I've got. | 0:36:16 | 0:36:19 | |
-That is still cheap. -That's fantastic. | 0:36:19 | 0:36:21 | |
100 I've got. At £100, have you all done? | 0:36:21 | 0:36:24 | |
HE BANGS GAVEL Streaking ahead. Buy a pen with the profit. | 0:36:24 | 0:36:29 | |
'Another remarkable mark-up for the master. Give the man a medal!' | 0:36:29 | 0:36:33 | |
-Smile. -That was good. | 0:36:35 | 0:36:38 | |
'Enter the dragon... mirrors.' | 0:36:38 | 0:36:41 | |
'They're Margie's most expensive buy. Oh, crumbs.' | 0:36:41 | 0:36:45 | |
£45 on the lowest commission. I'm now looking for 50. | 0:36:45 | 0:36:49 | |
At 45 I've got. At 45, have you all finished? | 0:36:49 | 0:36:52 | |
-Oh, for... Oh, you're joking. -50. | 0:36:52 | 0:36:55 | |
55, 60, 65, | 0:36:55 | 0:36:59 | |
70, 75, | 0:36:59 | 0:37:01 | |
80 I'm out. At £80. At £80, it's in the room. | 0:37:01 | 0:37:05 | |
£80. Have you all done? | 0:37:05 | 0:37:07 | |
-HE BANGS GAVEL -11 has bought them. -Darn it. | 0:37:07 | 0:37:10 | |
Don't worry, more to come. | 0:37:10 | 0:37:12 | |
'Oh, lordy. Not a wise buy, Margie.' | 0:37:12 | 0:37:15 | |
That is such a shame. £40 for each of those. Darn it. | 0:37:17 | 0:37:22 | |
'Will David's next item give cause for celebration?' | 0:37:22 | 0:37:25 | |
'The Danish silver beaker.' | 0:37:25 | 0:37:27 | |
Lovely piece. And I've got several commissions. | 0:37:27 | 0:37:30 | |
I'm going straight in at 50 and I want 60. | 0:37:30 | 0:37:34 | |
60, 70, | 0:37:34 | 0:37:37 | |
80, 85 with me. | 0:37:37 | 0:37:40 | |
Ohh... | 0:37:40 | 0:37:42 | |
No, he shakes his head. £85. That's not even scrap. | 0:37:42 | 0:37:45 | |
90, 95. | 0:37:45 | 0:37:48 | |
100. And 10. | 0:37:49 | 0:37:51 | |
I've got 110 on commission, I'm now looking for 115. | 0:37:53 | 0:37:56 | |
At 110, have you all done? | 0:37:56 | 0:37:58 | |
115, the lady. 120. | 0:37:58 | 0:38:02 | |
125. | 0:38:05 | 0:38:07 | |
130. | 0:38:07 | 0:38:09 | |
135, fresh bid. | 0:38:09 | 0:38:11 | |
136. | 0:38:11 | 0:38:14 | |
Ohh... | 0:38:14 | 0:38:16 | |
136. I've got the gentleman there at 136. | 0:38:16 | 0:38:19 | |
At... Sorry? | 0:38:19 | 0:38:22 | |
137 I've got there, then. At 137. | 0:38:22 | 0:38:25 | |
At 137. It's better than money in the bank, but he's got it. | 0:38:25 | 0:38:29 | |
-HE BANGS GAVEL -137 it is. | 0:38:29 | 0:38:31 | |
I thought that'd run on. And the frames, which aren't worth so much - | 0:38:31 | 0:38:36 | |
-it's funny, isn't it? -Yeah. -It's a puzzle, isn't it? | 0:38:36 | 0:38:40 | |
'A £67 profit is nothing to be puzzled about.' | 0:38:40 | 0:38:43 | |
You've only made one loss today. | 0:38:43 | 0:38:46 | |
'A bit of retro now - Margie's vintage dressing table.' | 0:38:46 | 0:38:50 | |
'Will it MAKE-UP the difference between her and David?' | 0:38:50 | 0:38:53 | |
Who'll start me at £100? Who'll start me at £50, then? | 0:38:53 | 0:38:57 | |
Come on, surely. £30 I'll take to get me started. 20 I've got. | 0:38:57 | 0:39:01 | |
At 20. I'll take 25. 25, the lady. | 0:39:01 | 0:39:04 | |
30, 35, 40... | 0:39:04 | 0:39:07 | |
No? At £40. | 0:39:07 | 0:39:09 | |
-Heaven's sake! -At 40. 45, thank you. | 0:39:09 | 0:39:12 | |
-50... -That's enough, Margie. | 0:39:12 | 0:39:16 | |
-All done? -HE BANGS GAVEL | 0:39:16 | 0:39:18 | |
-Margie... -I've over doubled my money! | 0:39:18 | 0:39:22 | |
'It was a gamble, but it furnishes Margie with a nice profit.' | 0:39:22 | 0:39:26 | |
-Lovely. -That makes more profit | 0:39:26 | 0:39:28 | |
than my lovely circular tortoiseshell and silver box. | 0:39:28 | 0:39:32 | |
'David's final item is the cabinet-maker's box.' | 0:39:32 | 0:39:36 | |
I've got several commissions on this. | 0:39:36 | 0:39:40 | |
-I'll start it at the lowest - £60. -Oh. | 0:39:40 | 0:39:43 | |
I'm looking for 65. 65. | 0:39:43 | 0:39:45 | |
-70, 5... -Oh, here he goes again. | 0:39:45 | 0:39:49 | |
..5, 90. At £90 with me. At £90. | 0:39:49 | 0:39:53 | |
95, 100. | 0:39:53 | 0:39:55 | |
And 5. 110. | 0:39:55 | 0:39:57 | |
115, 120. | 0:39:57 | 0:40:00 | |
125 will put me out. | 0:40:02 | 0:40:04 | |
125. At £125. | 0:40:04 | 0:40:07 | |
-All done? You sure? -HE BANGS GAVEL | 0:40:07 | 0:40:09 | |
You should be relieved. Are you relieved? Come on. | 0:40:09 | 0:40:13 | |
Break even. | 0:40:13 | 0:40:15 | |
'David's tool box SHAVES a small profit, | 0:40:15 | 0:40:18 | |
'wiped out on the commission, | 0:40:18 | 0:40:20 | |
'but has he secured the final victory of the trip?' | 0:40:20 | 0:40:24 | |
'Margie started with £339.30 | 0:40:25 | 0:40:28 | |
'and after auction costs, she's made a small loss of £15.46, | 0:40:28 | 0:40:33 | |
'giving her a final total of £323.84.' | 0:40:33 | 0:40:38 | |
'Poor old love.' | 0:40:38 | 0:40:40 | |
'David started out with £517.34 | 0:40:41 | 0:40:45 | |
'and made a profit of £180.18, | 0:40:45 | 0:40:48 | |
'increasing his final earnings to £697.52, | 0:40:48 | 0:40:53 | |
'with all profits going to Children In Need.' | 0:40:53 | 0:40:56 | |
'So David not only wins this leg, but the entire trip.' | 0:40:56 | 0:41:01 | |
'Double bubble. Well done.' | 0:41:01 | 0:41:03 | |
-There we go. -Margie, the last sale. | 0:41:03 | 0:41:07 | |
-Can I just say one thing? -What? | 0:41:07 | 0:41:10 | |
-The last hug. -Ohh! | 0:41:10 | 0:41:12 | |
-Thank you very much. -Congratulations. | 0:41:12 | 0:41:14 | |
-The joy of this trip has been being with you. -I've enjoyed it too. | 0:41:14 | 0:41:19 | |
-And you're the worthy victor. -I think we acquitted ourselves | 0:41:19 | 0:41:23 | |
-exceedingly well, don't you? -Yeah, but you've been brilliant. | 0:41:23 | 0:41:27 | |
-Right, one last drive. -Yep, one last drive. | 0:41:27 | 0:41:31 | |
Into the sunset. | 0:41:31 | 0:41:33 | |
Ahhh. Are you ready? Here we go. | 0:41:33 | 0:41:37 | |
'As their road trip ends, we say au revoir, Margie, | 0:41:38 | 0:41:41 | |
'and bid a fond farewell to the master.' | 0:41:41 | 0:41:45 | |
'Thank you for so many happy memories. Night-night, David.' | 0:41:45 | 0:41:48 | |
MUSIC: "Don't Stop Me Now" by Queen | 0:41:50 | 0:41:54 | |
# Don't stop me cos I'm havin' a good time, havin' a good time | 0:41:54 | 0:41:59 | |
# I'm a shooting star, leaping through the sky like a tiger | 0:41:59 | 0:42:03 | |
# Defying the laws of gravity... | 0:42:03 | 0:42:07 | |
Drive on, Barby, drive on. | 0:42:07 | 0:42:09 | |
# ..Like Lady Godiva | 0:42:09 | 0:42:11 | |
# I'm gonna go, go, go, there's no stopping me | 0:42:11 | 0:42:16 | |
# I'm burning through the sky, yeah | 0:42:16 | 0:42:19 | |
# 200 degrees, that's why they call me Mr Fahrenheit | 0:42:19 | 0:42:24 | |
# I'm travelling at the speed of light | 0:42:24 | 0:42:26 | |
# I wanna make a supersonic woman of you | 0:42:26 | 0:42:30 | |
# Don't stop me, don't stop me, don't stop me, hey, hey, hey | 0:42:32 | 0:42:34 | |
# Don't stop me, don't stop me, ooh, ooh, ooh | 0:42:34 | 0:42:38 | |
# I like it, don't stop me, don't stop me, have a good time, good time | 0:42:38 | 0:42:41 | |
# Don't stop me, don't stop me... | 0:42:41 | 0:42:44 | |
What's the best on that? | 0:42:45 | 0:42:47 | |
-Shall we shop as a couple? -I'd rather not. We're not married. | 0:42:47 | 0:42:50 | |
-They're 70. -70?! | 0:42:50 | 0:42:54 | |
Is that your VERY best? | 0:42:54 | 0:42:55 | |
What do you mean? Is that "your very best"? | 0:42:55 | 0:42:59 | |
Why don't we celebrate? | 0:42:59 | 0:43:01 | |
# ..Burning through the sky, yeah | 0:43:01 | 0:43:04 | |
# 200 degrees, that's why they call me Mr Fahrenheit | 0:43:04 | 0:43:08 | |
# Travelling at the speed of light | 0:43:08 | 0:43:11 | |
# I wanna make a supersonic man outta you | 0:43:11 | 0:43:15 | |
# Don't stop me now | 0:43:15 | 0:43:17 | |
# I'm havin' such a good time, I'm havin' a ball... | 0:43:17 | 0:43:21 | |
-Are you a shopholic? -Absolutely. | 0:43:21 | 0:43:23 | |
You're good. | 0:43:23 | 0:43:25 | |
Don't say it! Oh, don't! | 0:43:25 | 0:43:28 | |
# I don't wanna stop at all... # | 0:43:28 | 0:43:30 | |
I've enjoyed this trip so unbelievably. | 0:43:30 | 0:43:34 | |
It's been a lovely experience | 0:43:34 | 0:43:36 | |
and such a happy team, it's like a family. | 0:43:36 | 0:43:39 | |
I don't feel as though I've been in a competition. | 0:43:39 | 0:43:44 | |
It's been good, it's been good. One of the best experiences I've had. | 0:43:44 | 0:43:48 | |
Subtitles by Red Bee Media Ltd | 0:43:55 | 0:43:59 |