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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
With £200 each, a classic car | 0:00:04 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:10 | |
My sap is rising. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
There'll be worthy winners and valiant losers. | 0:00:17 | 0:00:21 | |
Could you do 50 quid on that? | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Your steering is a bit lamentable. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
This week we're out on the road with a right pair of rascals, | 0:00:37 | 0:00:41 | |
auctioneers James Braxton and Charles Hanson. | 0:00:41 | 0:00:44 | |
James Braxton is the grown-up one, well, sort of, | 0:00:46 | 0:00:49 | |
and keeps young Charles in check. | 0:00:49 | 0:00:51 | |
-Don't say sorry, just do it. -Sorry. | 0:00:51 | 0:00:53 | |
-Don't say sorry. -Sorry. | 0:00:53 | 0:00:54 | |
-Don't say sorry! -OK, OK, OK. | 0:00:54 | 0:00:57 | |
Once he sniffs out antiques there's no stopping him. | 0:00:57 | 0:01:01 | |
Oh, smells of antiques. | 0:01:01 | 0:01:03 | |
This is Charles Hanson. He's having a bit of trouble with his helmet. | 0:01:05 | 0:01:09 | |
Can't get it on. | 0:01:09 | 0:01:10 | |
And he's a right scaredy-cat too. | 0:01:10 | 0:01:13 | |
If you turn the handle... | 0:01:13 | 0:01:14 | |
-Will it hurt me or not? -No. | 0:01:14 | 0:01:16 | |
-Is it a trick? Is it a trick? -No. | 0:01:16 | 0:01:19 | |
James is keeping his chin up despite being the current loser. | 0:01:19 | 0:01:24 | |
£10 all done. | 0:01:24 | 0:01:26 | |
Oh, dear, that was cheap. | 0:01:26 | 0:01:28 | |
Charles Hanson, meanwhile, had a splendid first outing | 0:01:28 | 0:01:31 | |
with a glittering array of profits, especially the antique toolbox. | 0:01:31 | 0:01:35 | |
At £220 if you're all done. Last time. | 0:01:35 | 0:01:39 | |
Oh, thanks, Jim. | 0:01:39 | 0:01:41 | |
From his original £200, James now has £246.80 to flash about. | 0:01:41 | 0:01:48 | |
And streaking ahead is the young Charles Hanson. | 0:01:51 | 0:01:55 | |
He managed to add to his £200 kitty with a wondrous £373.10. | 0:01:55 | 0:02:02 | |
Ho, ho, ho. | 0:02:02 | 0:02:03 | |
And James's pride and joy, a stylish 1952 MG, will ferry them about. | 0:02:03 | 0:02:08 | |
He's slightly nervous because Charles is at the wheel. | 0:02:08 | 0:02:11 | |
And quite rightly. | 0:02:11 | 0:02:13 | |
And with no hood they're at the mercy of the weather. | 0:02:13 | 0:02:16 | |
-Now, Charles, are you getting to grips with this? -Yes. | 0:02:16 | 0:02:21 | |
-Oh! -Exactly. Your steering is a bit lamentable. -Sorry. | 0:02:21 | 0:02:26 | |
-Concentrate. -I think There's some grease on the road. -No, it isn't. | 0:02:26 | 0:02:30 | |
This week on the Antiques Road Trip | 0:02:30 | 0:02:32 | |
James and Charles will travel 400 miles from Dulverton, West Somerset | 0:02:32 | 0:02:37 | |
via the Isle of Wight to the land of golden beaches, | 0:02:37 | 0:02:41 | |
Truro in Cornwall. | 0:02:41 | 0:02:42 | |
On today's show they're starting at the Dorset coastal town of Poole | 0:02:42 | 0:02:46 | |
and heading for auction two in Shanklin on the Isle of Wight. | 0:02:46 | 0:02:50 | |
First stop is the Dorset coastal town of Poole. | 0:02:50 | 0:02:56 | |
Would we be lucky here? Would we? | 0:02:56 | 0:02:59 | |
I don't know, James, in these difficult times. | 0:02:59 | 0:03:02 | |
What's on the water then? | 0:03:02 | 0:03:05 | |
Oh, that's a kite. Kite surfing. | 0:03:05 | 0:03:08 | |
Oh, yes, it is, look. | 0:03:08 | 0:03:10 | |
Poole has Europe's largest natural harbour | 0:03:10 | 0:03:13 | |
and attracts many looking for lashings and lashings of adventure. | 0:03:13 | 0:03:18 | |
Instead of blazing sunshine our intrepid antiques hunters are faced with lashing rain. | 0:03:18 | 0:03:24 | |
Just ignore the parking lines, Charles, eh? | 0:03:24 | 0:03:26 | |
This is young Charles's first stop where he hopes to splash the cash. | 0:03:29 | 0:03:33 | |
-Hello, sir. -Hiya. -Good morning. -All right. -How's life? | 0:03:36 | 0:03:40 | |
-Very well, nice to see you. -What a wonderful shop. Charles Hanson. | 0:03:40 | 0:03:43 | |
-Brian, Ethan. -Good to see you as well. What a fantastic shop. | 0:03:43 | 0:03:47 | |
Charles has a meticulous eye for the unusual. | 0:03:47 | 0:03:51 | |
Oh, wow! | 0:03:51 | 0:03:53 | |
This drinks decanter was made to stop the servants | 0:03:57 | 0:04:00 | |
from having a quick snifter. | 0:04:00 | 0:04:01 | |
It's unusual because it's also a games compendium. | 0:04:01 | 0:04:05 | |
The evergreen, the fairly boring, but the fairly attractive | 0:04:07 | 0:04:11 | |
oak and brass mounted three-glass Tantalus. | 0:04:11 | 0:04:15 | |
495 is a bit steep even for "have-a-go Hanson". | 0:04:15 | 0:04:21 | |
The name Tantalus comes from a Greek mythological figure who was tantalised by objects | 0:04:22 | 0:04:27 | |
that he could never reach. | 0:04:27 | 0:04:29 | |
We've also got inside a chess set, the draughts, | 0:04:29 | 0:04:33 | |
the cribbage board, the pack of cards, the die, | 0:04:33 | 0:04:38 | |
and everything else. | 0:04:38 | 0:04:41 | |
The really important matter is to check the condition of the decanters, Brian. | 0:04:41 | 0:04:46 | |
-Are they OK? -They're OK. -These are OK, nice Tantalus. | 0:04:46 | 0:04:51 | |
Oops, goodness me. No, it's OK. | 0:04:51 | 0:04:55 | |
-There's a few chips. There's a chip there. -Is there a chip? | 0:04:55 | 0:04:59 | |
Brian, there's a chip there, mate. | 0:04:59 | 0:05:02 | |
-There's a chip there. -Let me have a look. | 0:05:02 | 0:05:04 | |
They could be cheaper. They could be cheaper. | 0:05:04 | 0:05:06 | |
Do you know, I never knew that. | 0:05:06 | 0:05:08 | |
-So... -I feel guilty now. | 0:05:08 | 0:05:11 | |
There's a few nibbles, Brian, there's a few nibbles. | 0:05:11 | 0:05:14 | |
-There's a few bites on that one! -There's a few bites. | 0:05:14 | 0:05:17 | |
-My word! -Might put the price down a bit. -I'll drop it to 150 then. I'll lose money on it. | 0:05:17 | 0:05:21 | |
Well, Brian, that's good of you. It's just the chips. | 0:05:21 | 0:05:25 | |
We've dropped another tenner, to 140. | 0:05:26 | 0:05:29 | |
Would you take 120? | 0:05:29 | 0:05:31 | |
I'll take 130, I'll meet you halfway. | 0:05:31 | 0:05:33 | |
-130... -Is that OK with you, Ethan? Is that all right? -Yeah. | 0:05:33 | 0:05:37 | |
-130. -130. | 0:05:37 | 0:05:39 | |
I'm going... It's almost a third of my budget. | 0:05:39 | 0:05:42 | |
But, at 130, Brian, I'm going, going...going...going... | 0:05:42 | 0:05:48 | |
gone. | 0:05:48 | 0:05:49 | |
Thanks very much, Ethan. | 0:05:49 | 0:05:50 | |
I'm delighted with that. Thanks ever so much, guys. | 0:05:50 | 0:05:53 | |
It certainly pays to be thorough, Charles. Excellent work. | 0:05:53 | 0:05:57 | |
Meanwhile, James has tootled forth, nine miles away, | 0:05:57 | 0:06:02 | |
to the village of Lytchett Minster. | 0:06:02 | 0:06:04 | |
Ooh. | 0:06:04 | 0:06:05 | |
Running. | 0:06:05 | 0:06:06 | |
Button Shop Antiques is the first on his list | 0:06:06 | 0:06:09 | |
and, by Jove, he's certainly keen. | 0:06:09 | 0:06:11 | |
Hello. | 0:06:11 | 0:06:12 | |
Hello. | 0:06:12 | 0:06:13 | |
Hello! | 0:06:13 | 0:06:14 | |
Hello, I'm James. | 0:06:14 | 0:06:15 | |
Hello, James, I'm Thelma. | 0:06:15 | 0:06:18 | |
-Hello, Thelma, how are you? -Nice to meet you. | 0:06:18 | 0:06:20 | |
-Hello, young man. -This is Matthew. | 0:06:20 | 0:06:23 | |
Ooh, there's a lot of little helpers here in Dorset. | 0:06:23 | 0:06:26 | |
-Everybody needs a right-hand man. -They do. | 0:06:26 | 0:06:28 | |
This is rather nice, isn't it? | 0:06:28 | 0:06:31 | |
Poole Pottery. | 0:06:31 | 0:06:33 | |
I love the glaze of them. | 0:06:33 | 0:06:36 | |
-It's like an eggshell. -It is. | 0:06:36 | 0:06:38 | |
-It's satiny, it's lovely. -Very tactile. | 0:06:38 | 0:06:41 | |
If you were a blind person, that would be a treat. | 0:06:41 | 0:06:44 | |
It's a sort of beaker, I'd imagine, isn't it? | 0:06:44 | 0:06:47 | |
Yes, it is, really, yes. | 0:06:47 | 0:06:48 | |
And the plate, also, is Poole Pottery. | 0:06:48 | 0:06:52 | |
Poole Pottery, that's lovely. | 0:06:52 | 0:06:53 | |
The price on the beaker is £6 and the plate is £12. | 0:06:53 | 0:06:57 | |
And here's a pottery tray, also £12. | 0:06:57 | 0:07:01 | |
Now, this... What is this? | 0:07:01 | 0:07:04 | |
This is Devon Ware. | 0:07:04 | 0:07:05 | |
Devon Ware. | 0:07:05 | 0:07:06 | |
"A place for everything and everything in its place." | 0:07:06 | 0:07:10 | |
It's not very well done, but I think... | 0:07:10 | 0:07:13 | |
-Is there a Branscombe? -Yeah, it's Branscombe. | 0:07:13 | 0:07:16 | |
-It's Branscombe. -It's Branscombe, yes. | 0:07:16 | 0:07:18 | |
Definitely not Torquay. | 0:07:18 | 0:07:19 | |
It's a lovely...sort of generically known as Devon Ware, motto ware. | 0:07:19 | 0:07:25 | |
"A place for everything and everything in its place." | 0:07:25 | 0:07:28 | |
Yeah, it's lovely. | 0:07:28 | 0:07:29 | |
And, hold on, something's winking at me. | 0:07:29 | 0:07:31 | |
Look at that. | 0:07:31 | 0:07:33 | |
I like it, I like that stiff leaf pattern. | 0:07:33 | 0:07:36 | |
When buying antiques, it pays to have a few tricks up your sleeve. | 0:07:36 | 0:07:40 | |
It's so beautiful. | 0:07:41 | 0:07:43 | |
-It is cracked. -Oh, I see what you mean. | 0:07:43 | 0:07:46 | |
Dead as a dodo, isn't it? | 0:07:46 | 0:07:48 | |
-Terrible shame! -I know. | 0:07:48 | 0:07:50 | |
One little crack makes the whole of it sound dead. | 0:07:50 | 0:07:54 | |
It does, doesn't it? That's what happens when anything's cracked. | 0:07:54 | 0:07:57 | |
Um, Thelma, is this very cheap? | 0:07:57 | 0:08:00 | |
Yeah, it is about £20, I would think. | 0:08:00 | 0:08:02 | |
Has somebody tried to restore it? | 0:08:02 | 0:08:03 | |
Well, it might be, because the jug that goes with it | 0:08:03 | 0:08:07 | |
has had some horrible gold bits put on the top of it. | 0:08:07 | 0:08:14 | |
-Somebody's had a go... -Somebody's had a... -They have. | 0:08:14 | 0:08:18 | |
-There's a little amateur restorer out there, isn't there? -Yeah. | 0:08:18 | 0:08:22 | |
I'm just going to do a little test if you don't mind. | 0:08:22 | 0:08:25 | |
It looks very vicious, but I promise it's not very vicious | 0:08:25 | 0:08:27 | |
because I'm going to do it very lightly. | 0:08:27 | 0:08:29 | |
The coin test is pretty nifty | 0:08:29 | 0:08:31 | |
because it highlights any lumps and bumps of repair work. | 0:08:31 | 0:08:36 | |
Now, I'm not doing it on the paint, just on the glaze. | 0:08:39 | 0:08:42 | |
-Yes, I know. -And it's not sticking at all. | 0:08:42 | 0:08:44 | |
-So it hasn't been restored. -I don't think it has. | 0:08:44 | 0:08:47 | |
No, it's just that crack there. | 0:08:47 | 0:08:50 | |
What do you have on the jug, Thelma? | 0:08:50 | 0:08:53 | |
-£10. -£10. | 0:08:53 | 0:08:56 | |
I like the Motto Ware as well. | 0:08:56 | 0:08:57 | |
Yes, it's nice, isn't it? | 0:08:57 | 0:08:59 | |
And I like these two. | 0:08:59 | 0:09:01 | |
It seems to be a shop of companion pieces, doesn't it? | 0:09:01 | 0:09:06 | |
It does, doesn't it? | 0:09:06 | 0:09:08 | |
Everything comes in two. I like those two. | 0:09:08 | 0:09:11 | |
-They all came in separately. -Could you do the whole lot for 40? | 0:09:11 | 0:09:14 | |
Yes, all right. | 0:09:19 | 0:09:21 | |
It's being a bit mean on that one... Well, say 45, then. | 0:09:21 | 0:09:24 | |
But quite realistic on the others. | 0:09:24 | 0:09:26 | |
Say 45. | 0:09:26 | 0:09:27 | |
I shouldn't have opened my big mouth! | 0:09:27 | 0:09:29 | |
You said it! | 0:09:29 | 0:09:31 | |
Well, you know, I've got to eat. | 0:09:31 | 0:09:33 | |
Can you do 40? | 0:09:33 | 0:09:35 | |
I'll tell you what, shall we break the difference? | 0:09:35 | 0:09:38 | |
-OK. -Do you want to do, what, 42? | 0:09:38 | 0:09:40 | |
-42. -42. I'm very happy with that, Thelma. | 0:09:40 | 0:09:42 | |
-Thank you very much indeed. -Lovely, thank you. | 0:09:42 | 0:09:46 | |
-Thank you, Matthew. -Thank you. | 0:09:46 | 0:09:48 | |
To clarify, James paid £30 for the Royal Worcester jug and bowl, | 0:09:48 | 0:09:53 | |
£7 for the Branscombe Ware pottery tray, | 0:09:53 | 0:09:56 | |
and a fiver for the Poole Pottery Coronation plate and beaker. | 0:09:56 | 0:10:00 | |
The big wheels are moving once more. | 0:10:00 | 0:10:04 | |
The chaps are together again and it's dry. | 0:10:04 | 0:10:08 | |
The boys are heading to Christchurch, | 0:10:08 | 0:10:11 | |
the most easterly coastal town in Dorset. | 0:10:11 | 0:10:14 | |
So how's Charles getting on with the driving? | 0:10:14 | 0:10:16 | |
I would go down again, double de-clutch. | 0:10:16 | 0:10:19 | |
-Nice flip. -Sorry! -No, too far. | 0:10:19 | 0:10:21 | |
You went from fourth to second. You should have gone into third. | 0:10:21 | 0:10:25 | |
Christchurch is an ancient market town | 0:10:26 | 0:10:30 | |
based between the rivers Avon and Stour. | 0:10:30 | 0:10:32 | |
It boasts an 11th-century priory | 0:10:32 | 0:10:34 | |
that attracts pilgrims from all over the world. | 0:10:34 | 0:10:37 | |
Charles is taking some time out from shopping. | 0:10:38 | 0:10:41 | |
He's off to visit one of the most intriguing museums in the country. | 0:10:41 | 0:10:45 | |
This is it, Jim. | 0:10:45 | 0:10:46 | |
Looks good, doesn't it? | 0:10:46 | 0:10:48 | |
The Museum of Leccy. | 0:10:48 | 0:10:50 | |
-I'll see you later. -Good luck. | 0:10:50 | 0:10:52 | |
Bzzzzzzz! | 0:10:54 | 0:10:55 | |
-See you later, OK? Have a good shop. -Yeah, bye. | 0:10:55 | 0:10:59 | |
Housed within an old power station, | 0:11:02 | 0:11:05 | |
the museum provides a potted history of the world of electricity. | 0:11:05 | 0:11:10 | |
Bright spark Charles is meeting with Ian Peterson to find out more. | 0:11:12 | 0:11:16 | |
OK, so where are we going, Ian? | 0:11:16 | 0:11:20 | |
If you'd like to come through to the demonstration room. | 0:11:20 | 0:11:23 | |
OK. | 0:11:23 | 0:11:25 | |
-Now... -Who's this great man here standing before us? | 0:11:25 | 0:11:29 | |
Indeed a great man. This is Michael Faraday, | 0:11:29 | 0:11:33 | |
who is the father of electricity. He discovered more things about electricity than anybody else. | 0:11:33 | 0:11:37 | |
And what was really marvellous about Michael Faraday is he believed in sharing it. | 0:11:37 | 0:11:43 | |
Basically, he gave everybody the components they need for future invention and discovery. | 0:11:43 | 0:11:48 | |
Yes. | 0:11:48 | 0:11:50 | |
The power station was originally built in 1903 | 0:11:50 | 0:11:54 | |
to supply the trams that ran directly from Poole to Christchurch. | 0:11:54 | 0:11:58 | |
The museum's pride and joy is the electric number 85 tram. | 0:11:59 | 0:12:04 | |
She was built in 1914 | 0:12:04 | 0:12:05 | |
and is the last complete surviving Bournemouth tram in existence. | 0:12:05 | 0:12:11 | |
This tram's reasonably unique, | 0:12:11 | 0:12:13 | |
because in this part of the world, one of the main industries was holidaymaking. | 0:12:13 | 0:12:17 | |
So you could afford to have nice, luxuriant seating inside. | 0:12:17 | 0:12:20 | |
Yes. | 0:12:20 | 0:12:22 | |
It's the beginning of affordable commuting. | 0:12:22 | 0:12:25 | |
You could live in Christchurch and easily work in one of the hotels in Bournemouth, for example. | 0:12:25 | 0:12:30 | |
So trams like this were quite revolutionary. | 0:12:30 | 0:12:33 | |
DING | 0:12:33 | 0:12:34 | |
We've got some light bulbs on in here | 0:12:34 | 0:12:38 | |
and that was how it was back in the day. | 0:12:38 | 0:12:40 | |
You had lighting, as with these bulbs, back in 1905, 1910. | 0:12:40 | 0:12:44 | |
-Yeah. -Amazing. | 0:12:44 | 0:12:46 | |
Fine. I can see over here it says, on the number 85, | 0:12:46 | 0:12:49 | |
"Please do not spit in the car." | 0:12:49 | 0:12:52 | |
-Yes, well, it's an unhealthy thing, isn't it? -I think so! | 0:12:52 | 0:12:56 | |
I should jolly well think so, Charles! | 0:12:56 | 0:12:58 | |
Not only did electricity have a huge impact on the commuter, | 0:12:58 | 0:13:01 | |
it also revolutionised the 20th-century household. | 0:13:01 | 0:13:05 | |
Domestic appliances were rare in postwar Britain. | 0:13:05 | 0:13:11 | |
The freezer was almost unknown | 0:13:11 | 0:13:14 | |
and in 1957 only 15% of the population owned a fridge. | 0:13:14 | 0:13:19 | |
Ian and Charles step back in time. | 0:13:19 | 0:13:22 | |
-Obviously, electricity has changed people's lives. -Yes. | 0:13:22 | 0:13:25 | |
Electricity has made life easier. | 0:13:25 | 0:13:27 | |
Things like washing machines have had such a fundamental social effect. | 0:13:27 | 0:13:32 | |
And this is what people actually forget about electricity, because everybody's used to having a fridge. | 0:13:32 | 0:13:38 | |
Everybody's used to having a washing machine. | 0:13:38 | 0:13:41 | |
At one time people used to talk about washing day and it was complicated and everything else. | 0:13:41 | 0:13:46 | |
But it's also given us all sorts of things which would have been luxuries, which we take for granted. | 0:13:46 | 0:13:51 | |
This is a Morphy Richards toaster here. | 0:13:51 | 0:13:54 | |
What, 1980s? | 0:13:54 | 0:13:56 | |
-No, it's 1950s. -Oh, I'm sorry! | 0:13:56 | 0:13:58 | |
That is a design classic. | 0:13:58 | 0:14:01 | |
That is still being emulated today. I can't say copied, | 0:14:01 | 0:14:03 | |
but it certainly inspires a lot of the modern toasters. | 0:14:03 | 0:14:07 | |
But the one I really like, which I think you'll like as well, | 0:14:07 | 0:14:10 | |
this is an American toaster. It was made in about 1935. | 0:14:10 | 0:14:14 | |
You put it in the centre of the table | 0:14:14 | 0:14:16 | |
and you put a slice of bread in each... | 0:14:16 | 0:14:20 | |
-Yes. -And then you just closed it up, | 0:14:20 | 0:14:22 | |
and when you wanted to do the other side, you carefully did that. | 0:14:22 | 0:14:25 | |
Isn't that wonderful? | 0:14:25 | 0:14:26 | |
-And it's just brilliant, isn't it? -Isn't it? | 0:14:26 | 0:14:29 | |
Yeah, wonderful. | 0:14:29 | 0:14:30 | |
This is our representation | 0:14:30 | 0:14:33 | |
of a 1950s, early '60s kitchen. | 0:14:33 | 0:14:37 | |
You've got all sorts of mod cons that we take for granted. | 0:14:37 | 0:14:41 | |
We've got a beautiful cooker, a washing machine, | 0:14:41 | 0:14:44 | |
we've got a fridge. | 0:14:44 | 0:14:45 | |
A lot of these things you'd have to be earning a fair bit of money | 0:14:45 | 0:14:49 | |
for something like this. | 0:14:49 | 0:14:51 | |
All these items, all these things that we rely on today, | 0:14:51 | 0:14:55 | |
they became possible because of electricity. | 0:14:55 | 0:14:58 | |
And they really did change people's lives. | 0:14:58 | 0:15:02 | |
So, without electricity, we would certainly have a very different world. | 0:15:02 | 0:15:06 | |
Time to say cheerio to Charles | 0:15:06 | 0:15:08 | |
and find out what live-wire James is up to. | 0:15:08 | 0:15:11 | |
He's on his way to sunny Lymington, in Hampshire. | 0:15:15 | 0:15:18 | |
The good weather is definitely raising his spirits. | 0:15:18 | 0:15:21 | |
And for the first time the sun has come out! | 0:15:21 | 0:15:24 | |
I'm feeling rather jolly about this. | 0:15:24 | 0:15:27 | |
This is glorious. | 0:15:28 | 0:15:30 | |
Lymington, here we come! | 0:15:30 | 0:15:32 | |
Oh, dear, he spoke too soon. | 0:15:33 | 0:15:36 | |
The clouds are back. | 0:15:36 | 0:15:38 | |
But once again he's as keen as mustard. | 0:15:41 | 0:15:44 | |
He's very sprightly today, isn't he? Running everywhere. | 0:15:44 | 0:15:47 | |
-Hello. James. -Hello. Frank. -Hello. Nice to meet you. -And you. | 0:15:47 | 0:15:51 | |
-May I have a good look round? -Certainly. | 0:15:51 | 0:15:53 | |
Frankly Frank is the owner of Browse, in Lymington. | 0:15:53 | 0:15:57 | |
And already something has caught James's eye. | 0:15:57 | 0:16:00 | |
I like this. It looks like a tea caddy, doesn't it? | 0:16:00 | 0:16:03 | |
It's a biscuit tin. | 0:16:03 | 0:16:05 | |
I think it's rather fun. | 0:16:05 | 0:16:07 | |
Huntley & Palmers were very famous for these | 0:16:07 | 0:16:10 | |
and they produced a range for Christmas and other occasions, | 0:16:10 | 0:16:14 | |
where they would produce this rather fun range of novelty biscuit tins. | 0:16:14 | 0:16:20 | |
There would have been custard creams in there, Hobnobs and whatever. | 0:16:20 | 0:16:25 | |
But they were packaged in different boxes | 0:16:25 | 0:16:28 | |
and people started collecting them. | 0:16:28 | 0:16:31 | |
William Crawford & Sons Ltd was founded in Leith in 1813 | 0:16:31 | 0:16:35 | |
as the local bakery. | 0:16:35 | 0:16:37 | |
And like many biscuit manufacturers, | 0:16:37 | 0:16:39 | |
they produced an array of novelty tins | 0:16:39 | 0:16:41 | |
which can be rather popular at auction. | 0:16:41 | 0:16:44 | |
It's this novel packaging that induced people to buy their wares | 0:16:45 | 0:16:51 | |
and retain them as loyal customers. | 0:16:51 | 0:16:53 | |
Crumbs! There's no stopping this cream cracker. | 0:16:57 | 0:17:00 | |
This little fellow, Frank, I can't see a price tag on it. | 0:17:01 | 0:17:06 | |
-Can that be a cheap fella? -It can be a cheap fella. -Ah-ha. -Erm... -Tenner? | 0:17:06 | 0:17:11 | |
-Tenner... Say 15. -15? | 0:17:11 | 0:17:16 | |
You've got yourself a deal, Frank. Thanks a lot. | 0:17:16 | 0:17:19 | |
There's another quickie deal for James. | 0:17:20 | 0:17:23 | |
Now, James, this is it. This is glorious, isn't it? | 0:17:26 | 0:17:29 | |
-The Isle of Wight. -Amongst the yachters. -We're like pirates! | 0:17:29 | 0:17:32 | |
THEY LAUGH | 0:17:32 | 0:17:35 | |
-Pirates are like this! -Yeah, exactly. | 0:17:35 | 0:17:37 | |
Let's go and make our fortune, mate. | 0:17:37 | 0:17:40 | |
It's been a packed day for the boys and, as a finale, they've got | 0:17:40 | 0:17:44 | |
a trip across the water to the Isle Of Wight. | 0:17:44 | 0:17:47 | |
Nighty-night. | 0:17:49 | 0:17:51 | |
The chaps are up and at it, | 0:17:57 | 0:17:58 | |
rejuvenated after a good night's rest. | 0:17:58 | 0:18:01 | |
So far, James has been a very busy boy. He spent £57 | 0:18:05 | 0:18:09 | |
on four auction lots - the Poole pottery coronation plate and beaker, | 0:18:09 | 0:18:13 | |
the Royal Worcester jug and bowl, the Branscombe ware pottery tray | 0:18:13 | 0:18:17 | |
and the novelty biscuit tin, | 0:18:17 | 0:18:19 | |
leaving £189.80 for the day ahead. | 0:18:19 | 0:18:24 | |
Meanwhile, Hawk-Eye Carlos managed to get an excellent deal | 0:18:26 | 0:18:31 | |
on the chipped tantalus. He spent a total of £130 on one lot. | 0:18:31 | 0:18:35 | |
He has £243.10 to splash around town. | 0:18:35 | 0:18:40 | |
The boys are heading along the coast of the Isle of Wight. | 0:18:43 | 0:18:47 | |
First stop is the village of Chale. | 0:18:47 | 0:18:50 | |
James and Charles have adventured over the Solent to the largest | 0:18:52 | 0:18:57 | |
island in England. | 0:18:57 | 0:18:59 | |
From east to west, the Isle of Wight measures just over 20 miles. | 0:18:59 | 0:19:04 | |
The village of Chale is situated on the south coast of the island | 0:19:04 | 0:19:07 | |
and is in the area known as "the back of the Wight". | 0:19:07 | 0:19:11 | |
Don't you know? | 0:19:11 | 0:19:13 | |
The fellows are sharing their first stop of the day - Chale Antiques - | 0:19:13 | 0:19:17 | |
and with three barns crammed full, | 0:19:17 | 0:19:21 | |
they should hopefully find something to tickle their fancy. | 0:19:21 | 0:19:25 | |
With four lots in the bag, | 0:19:25 | 0:19:27 | |
James is wasting no time getting the lie of the land. | 0:19:27 | 0:19:30 | |
Let's have a look. Look at this. | 0:19:30 | 0:19:32 | |
We've got a vice. | 0:19:32 | 0:19:34 | |
We've got two metal... two metal winders here | 0:19:34 | 0:19:39 | |
and two huge mahogany... | 0:19:39 | 0:19:44 | |
mahogany cheeks here, | 0:19:44 | 0:19:47 | |
which are bound here, but on a very sturdy table. | 0:19:47 | 0:19:51 | |
That is the objet trouve - the found object. | 0:19:51 | 0:19:56 | |
An object of practical use that has aesthetic beauty. | 0:19:56 | 0:20:00 | |
And that is why... That's lovely. | 0:20:00 | 0:20:03 | |
Heavy old fellow. You could... | 0:20:03 | 0:20:05 | |
They... You could move that around. | 0:20:05 | 0:20:08 | |
Maybe, you know, we're near the coast, | 0:20:08 | 0:20:10 | |
maybe something to do with the ship. | 0:20:10 | 0:20:13 | |
Rather nice. | 0:20:13 | 0:20:14 | |
Meanwhile, I'm going to find out a little more about that fellow. | 0:20:14 | 0:20:19 | |
Do you have names for these barns? | 0:20:19 | 0:20:21 | |
He's tracked down the owner Michael, who thinks he knows what it is. | 0:20:21 | 0:20:25 | |
-Out of there. Out of there! -What's up? What's up, mate? Excuse me. | 0:20:25 | 0:20:30 | |
-Out of there. -It's first come first served! -Out of there. -Michael... | 0:20:30 | 0:20:33 | |
-Out of there. -Can I go in this barn, Michael? Ow! | 0:20:33 | 0:20:38 | |
Oh, steady! He's serious about defending his patch, you know! | 0:20:38 | 0:20:42 | |
This is a 19th-century bookbinder's vice. | 0:20:42 | 0:20:46 | |
-Bookbinder? I thought it had a purpose. -Volume in there. | 0:20:46 | 0:20:50 | |
It's a very unusual thing, but now it's very sculptural | 0:20:50 | 0:20:53 | |
and decorative and could be used in all sorts of places. | 0:20:53 | 0:20:57 | |
-Restaurants, glass top... -It's a sort of found object, isn't it? | 0:20:57 | 0:21:02 | |
-You won't get another one. -No. And how much is that? | 0:21:02 | 0:21:05 | |
Oh, it's got to make around about 150, which is... | 0:21:07 | 0:21:11 | |
-Bookbinder's vice. -And if you had to have it made... | 0:21:13 | 0:21:17 | |
-..I think that will be worth... -It's great fun, isn't it? -Very unusual. | 0:21:18 | 0:21:24 | |
-Michael, could you do 100 on that? -HE GASPS | 0:21:24 | 0:21:28 | |
-I could do a little bit off that but not a great deal. -A little off 100? | 0:21:28 | 0:21:32 | |
Off the 150. I would take... | 0:21:32 | 0:21:35 | |
..squeezed, 120. I think that's a good buy. | 0:21:37 | 0:21:41 | |
Michael, you have a deal. | 0:21:41 | 0:21:44 | |
Crikey, James. No flies on you! That's his fifth buy of the day. | 0:21:44 | 0:21:49 | |
No wonder he's looking so pleased with himself. | 0:21:49 | 0:21:52 | |
James, wait for me! | 0:21:53 | 0:21:55 | |
But no luck for young Charles, and if he doesn't hurry up, | 0:21:55 | 0:21:58 | |
-he'll miss his lift. -Wait! James! | 0:21:58 | 0:22:00 | |
Next stop for our excitable road trippers | 0:22:08 | 0:22:10 | |
is the fair town of Shanklin. | 0:22:10 | 0:22:12 | |
-And the sun's so nearly got his hat on! -So nearly? -And now... | 0:22:14 | 0:22:18 | |
-The sun has got his hat on. -Almost! Hip, hip, hip, hooray! | 0:22:18 | 0:22:23 | |
-The sun has got his hat on and he's coming out to... -Play! | 0:22:23 | 0:22:28 | |
With us! With us! | 0:22:28 | 0:22:30 | |
Don't give up the day job, chaps! | 0:22:30 | 0:22:32 | |
Shanklin is a charming seaside town lined with thatched cottages | 0:22:34 | 0:22:39 | |
and is usually famed for its glorious weather. | 0:22:39 | 0:22:42 | |
Sadly, the sun doesn't have her hat on today as the boys roar into town. | 0:22:42 | 0:22:47 | |
But let's hope the prospects are brighter for Charles, | 0:22:49 | 0:22:51 | |
because so far he has only bought one item. | 0:22:51 | 0:22:54 | |
Eeks! | 0:22:54 | 0:22:56 | |
-Hello. Good afternoon. Charles, nice to meet you. Your name is? -John. | 0:22:57 | 0:23:02 | |
-Hi, John. And you are? -Sally. -Able assistant? Hello, Sally. | 0:23:02 | 0:23:06 | |
That's the spirit, Charles. Go get 'em! | 0:23:06 | 0:23:10 | |
I'm not going to hang around, I've got to really pull it out of the bag. | 0:23:10 | 0:23:14 | |
And it's not long before he spies some old treasure. | 0:23:18 | 0:23:22 | |
And we're not talking about the owner. | 0:23:22 | 0:23:24 | |
I love Roman coins and here you've got a wonderful hoard of Roman coins. | 0:23:24 | 0:23:31 | |
This could be the handsome hoard of Roman coins going to auction. | 0:23:31 | 0:23:35 | |
If only these coins could talk, you wonder how many hands have patinated | 0:23:35 | 0:23:40 | |
the coins and given them real pedigree. | 0:23:40 | 0:23:44 | |
And John, have they come from one hoard or have they come from... | 0:23:44 | 0:23:48 | |
-They were found on the mainland. -On the Isle of Wight? | 0:23:48 | 0:23:51 | |
-No, on the mainland. -Were they really? -Yes. | 0:23:51 | 0:23:53 | |
-These were all found in one place? -Yes. -That's wonderful. | 0:23:53 | 0:23:56 | |
See, I would happily... | 0:23:56 | 0:23:58 | |
All of these coins were dug out of the ground and this is real treasure. | 0:23:58 | 0:24:05 | |
And let's say, John, for example, I said, "John..." | 0:24:05 | 0:24:09 | |
If I was an English pirate and I've come to the Isle of Wight | 0:24:09 | 0:24:14 | |
with my hoard of Roman coins found on mainland Britain, | 0:24:14 | 0:24:18 | |
to make my fortune on the Isle of Wight, if I said, | 0:24:18 | 0:24:21 | |
"John, I'll buy the whole lot..." | 0:24:21 | 0:24:24 | |
-Right. -How much would they cost me? -That lot there? -Tell me. One price. | 0:24:24 | 0:24:29 | |
-John, think about it. -50 quid. -£50. There we are. | 0:24:29 | 0:24:32 | |
A handsome hoard of Roman coins for £50. | 0:24:32 | 0:24:37 | |
I'm very tempted to buy these. | 0:24:37 | 0:24:39 | |
What do I think? I've done quite well, John. | 0:24:39 | 0:24:42 | |
I've done quite well, but sometimes... | 0:24:42 | 0:24:45 | |
If I gave you them for 40 quid you'd double your money. | 0:24:45 | 0:24:48 | |
Oh, don't say that, John. Don't say that. Don't say that, John! | 0:24:48 | 0:24:52 | |
Go on then, £30. | 0:24:53 | 0:24:55 | |
-Come on, £30. -The Hanson hoard is going, going... | 0:24:57 | 0:25:01 | |
I told James I wanted treasure and Pirate Hanson has found his loot. | 0:25:01 | 0:25:06 | |
Sold! You're a good man. £30. Isn't that wonderful? | 0:25:06 | 0:25:10 | |
£30 for a hoard of Roman coins. | 0:25:10 | 0:25:12 | |
Ah-har, me hearties! | 0:25:12 | 0:25:15 | |
Finally, more booty for Pirate Hanson. | 0:25:15 | 0:25:18 | |
Meanwhile, James is also in Shanklin. | 0:25:21 | 0:25:23 | |
He's visiting the home of an extraordinary artist. | 0:25:23 | 0:25:27 | |
-Hello. -Hello. -James. -Elizabeth Meek. You're very welcome. | 0:25:36 | 0:25:40 | |
Nice to meet you. Thank you. | 0:25:40 | 0:25:41 | |
Elizabeth Meek is one of today's greatest miniaturists | 0:25:41 | 0:25:46 | |
and portrait painters. | 0:25:46 | 0:25:48 | |
For the past 20 years, | 0:25:48 | 0:25:49 | |
Elizabeth has created jewel-like miniature portraits | 0:25:49 | 0:25:53 | |
from all walks of life, including royalty. | 0:25:53 | 0:25:57 | |
-These are a few samples of my work. -They're lovely, aren't they? | 0:25:57 | 0:26:02 | |
-Is the demand for miniatures growing? -Absolutely huge demand. | 0:26:06 | 0:26:11 | |
I've got a waiting list that's going to take me till the end of next year. | 0:26:11 | 0:26:14 | |
I think this is because you are a rather special miniature artist, | 0:26:14 | 0:26:18 | |
-aren't you? -Well, thank you. | 0:26:18 | 0:26:20 | |
And what's your current title? | 0:26:20 | 0:26:23 | |
-My current title is President of the Royal Miniature Society. -I see. | 0:26:23 | 0:26:26 | |
And Elizabeth's commissions can cost up to £2,000. | 0:26:26 | 0:26:31 | |
Portrait miniatures were at the height of their popularity | 0:26:31 | 0:26:36 | |
in the late 16th century in the court of Elizabeth I. | 0:26:36 | 0:26:39 | |
The pre-eminent miniaturist then was Nicholas Hilliard. | 0:26:39 | 0:26:43 | |
Hilliard was the greatest English miniature painter | 0:26:48 | 0:26:52 | |
and he wrote this extensive book, which was to teach artists | 0:26:52 | 0:26:58 | |
how to paint portrait miniatures, and he gave lots of little tips, | 0:26:58 | 0:27:02 | |
some of which are applicable today. | 0:27:02 | 0:27:04 | |
He suggested that artists wore silk clothes so that the dust | 0:27:04 | 0:27:07 | |
didn't go on to the miniatures, that they must be | 0:27:07 | 0:27:10 | |
very careful not to let dandruff and hairs fall onto the miniature | 0:27:10 | 0:27:14 | |
and also never to speak over the miniature | 0:27:14 | 0:27:18 | |
because of spittle going onto the painting. | 0:27:18 | 0:27:21 | |
As a precursor to photography, | 0:27:21 | 0:27:24 | |
miniatures would even be valuable for proposals of marriage | 0:27:24 | 0:27:28 | |
and this was precisely the method used | 0:27:28 | 0:27:31 | |
when Henry VIII married Anne of Cleves, | 0:27:31 | 0:27:34 | |
which turned out very nicely(!) | 0:27:34 | 0:27:36 | |
Miniatures now encompass everything from landscapes to still life, | 0:27:36 | 0:27:42 | |
to portraits, in every medium. | 0:27:42 | 0:27:45 | |
It's not just portrays nowadays. And people just love them, collectors. | 0:27:45 | 0:27:50 | |
Alas, the clock is ticking, | 0:27:51 | 0:27:54 | |
so we must reluctantly leave the world of miniatures. | 0:27:54 | 0:27:58 | |
Charles, meanwhile, has travelled eight males north to Ryde, | 0:27:58 | 0:28:03 | |
the largest town on the island. | 0:28:03 | 0:28:05 | |
The sun's shining, we're happy. | 0:28:05 | 0:28:07 | |
-Hello, sir. -Hello, my friend, how you doing? -How's life? | 0:28:07 | 0:28:10 | |
Island Antiques is the last shop of the day. | 0:28:10 | 0:28:13 | |
Charles has only got two items, but is he worried? Nah! | 0:28:13 | 0:28:17 | |
This is quite nice. This is a very novel | 0:28:20 | 0:28:23 | |
little oak stationary desk-stand. Probably pewter. | 0:28:23 | 0:28:27 | |
Over the years it has tarnished, but look at that really stylish design, | 0:28:27 | 0:28:32 | |
very much evocative of the Arts and Crafts... | 0:28:32 | 0:28:35 | |
And that's quite stylish. It's 1910 and it could be yours for £30. | 0:28:38 | 0:28:42 | |
That's quite nice. | 0:28:42 | 0:28:44 | |
Think, Hanson, you've got to get thinking now, | 0:28:51 | 0:28:54 | |
what's going to take your fancy? | 0:28:54 | 0:28:56 | |
Got a whole array of plate and silver and jewellery. | 0:29:00 | 0:29:04 | |
And the best price, Anthony, on this little... | 0:29:04 | 0:29:07 | |
-..envelope stand? -20 quid. -20 quid. | 0:29:09 | 0:29:12 | |
Sometimes on your road trip, you need a stocking filler. | 0:29:16 | 0:29:20 | |
That one item which is a stocking filler. Merry Christmas. | 0:29:20 | 0:29:25 | |
-I'll take it, OK? £20. I'm going to take it. -Christmas? Moving on... | 0:29:25 | 0:29:30 | |
Right, time to find out what they think of each other's wares. | 0:29:30 | 0:29:35 | |
JAMES LAUGHS NERVOUSLY | 0:29:35 | 0:29:37 | |
Um, first of all, James, I like the tea caddy, | 0:29:37 | 0:29:41 | |
which of course isn't, is it? It's a little biscuit barrel. I love that. | 0:29:41 | 0:29:45 | |
It's so evocative, what, 1910, 1915? Edwardian biscuit tin. | 0:29:45 | 0:29:50 | |
-I bet it was worth a nibble at what, £30? -15. -You're joking. £15? | 0:29:50 | 0:29:54 | |
Oh, hell. OK, I'm in trouble. | 0:29:54 | 0:29:57 | |
My least favourite is the Worcester, of course, | 0:29:57 | 0:30:00 | |
because it's a bit outdated. | 0:30:00 | 0:30:02 | |
-I can see condition problems. -Don't touch it! -Sorry! | 0:30:02 | 0:30:04 | |
But I have to, because I need to learn the condition of it | 0:30:04 | 0:30:07 | |
and give you an honest opinion. | 0:30:07 | 0:30:09 | |
-I bet you paid £40. -30. -Oh, no. OK. | 0:30:09 | 0:30:12 | |
-Right side! -And of course, you know, | 0:30:12 | 0:30:14 | |
we're on the Isle of Wight, you've got to remember Queen and country. | 0:30:14 | 0:30:17 | |
-Made at Poole? -Yep. -Love it. OK. -Just over...there. -Yeah, OK, love it. | 0:30:17 | 0:30:23 | |
It's dated as well. I'm sorry, I've got to handle, James. | 0:30:23 | 0:30:26 | |
-They're expensive, I must handle. -No, don't. | 0:30:26 | 0:30:28 | |
I love them. I bet you paid, for those two bits together... | 0:30:28 | 0:30:32 | |
£25. | 0:30:32 | 0:30:34 | |
-Five. -You're joking. What are you doing to me? Where did you get these? | 0:30:34 | 0:30:38 | |
I love that. "A place for everything and everything in its place." | 0:30:38 | 0:30:42 | |
I like it. I bet it cost you £25. | 0:30:42 | 0:30:44 | |
-Seven. -Oh, you're joking, seven pounds? | 0:30:44 | 0:30:47 | |
But I did spend some money on this fellow. | 0:30:47 | 0:30:49 | |
I did spend some money on this fellow. Look. | 0:30:49 | 0:30:52 | |
It looks to me to be fairly crippling. | 0:30:52 | 0:30:56 | |
Maybe on your expense, hopefully. | 0:30:56 | 0:30:58 | |
It could be something you put your clothes in. | 0:30:58 | 0:31:00 | |
-It's a book press. -OK. -It's an artisan, artisan tool. | 0:31:00 | 0:31:04 | |
-So you turn there and there? -Yes. | 0:31:04 | 0:31:06 | |
You put your book in there. It's for working on the spine. | 0:31:06 | 0:31:09 | |
I like it. Has it come out of a barn or something? | 0:31:09 | 0:31:12 | |
-Yes, it has. In Chale. -Oh! | 0:31:12 | 0:31:16 | |
James, that could be your nemesis! | 0:31:16 | 0:31:18 | |
I suspect, James, if I bought that, | 0:31:18 | 0:31:20 | |
I would probably want to pay about £35. | 0:31:20 | 0:31:24 | |
-Really? -You paid less than that? I'll bet £10. You paid £10 for it? | 0:31:24 | 0:31:29 | |
-Oh, I can't believe it! -120. -Pence? | 0:31:29 | 0:31:33 | |
-Pounds. -You didn't. Oh, no, you didn't! Give me a press. Good man. | 0:31:33 | 0:31:38 | |
-Go on, let's see yours. -OK. I literally found treasure. | 0:31:38 | 0:31:43 | |
Treasure! | 0:31:43 | 0:31:45 | |
-Look, James. -No, not the games compendium. | 0:31:45 | 0:31:48 | |
Look at the games compendium. Look! | 0:31:48 | 0:31:50 | |
-James, look at that. -That is lovely. I reckon you paid... | 0:31:50 | 0:31:56 | |
-£120 for it. -Yeah, I paid 130. | 0:31:56 | 0:31:59 | |
-130. OK. -Spot on. -Your next purchase? | 0:31:59 | 0:32:02 | |
Roman bronze denominations of coinage going back to the third, | 0:32:02 | 0:32:07 | |
fourth century AD. We're talking 500 years | 0:32:07 | 0:32:11 | |
-before William the Conqueror. -How much? | 0:32:11 | 0:32:13 | |
-Guess. -£35. -Oh, doesn't it show? You're spot on! They were £30. | 0:32:13 | 0:32:19 | |
-Third and final? I like that. I like that. -Do you really? -I do like that. | 0:32:19 | 0:32:22 | |
-I'm going to say £28. -It cost me 20. And that's it. -Well done. | 0:32:22 | 0:32:27 | |
Well done, James. I can't wait for the auction, OK? | 0:32:27 | 0:32:31 | |
But what do they really think? | 0:32:31 | 0:32:34 | |
I firmly believe James is a dapper guy from the south | 0:32:34 | 0:32:38 | |
who has a certain swagger. | 0:32:38 | 0:32:40 | |
And, at the moment, my mate, he's just buying a bit of tat. | 0:32:40 | 0:32:45 | |
He is massively in the lead. He has got clear water between us. £100. | 0:32:45 | 0:32:50 | |
But I think I've got him on this one. | 0:32:50 | 0:32:53 | |
It's been an exciting second leg travelling from Poole | 0:32:53 | 0:32:56 | |
via Lytchett Minster, Christchurch, Lymington | 0:32:56 | 0:33:00 | |
and then a voyage to the Isle of Wight, | 0:33:00 | 0:33:03 | |
where we popped into Chale, Shanklin and Ryde. | 0:33:03 | 0:33:06 | |
And the boys love the Isle of Wight so much, | 0:33:06 | 0:33:09 | |
today's auction will take place in Shanklin. | 0:33:09 | 0:33:12 | |
This is their second road trip auction. | 0:33:13 | 0:33:16 | |
-James, this is it. -Into the auction. Yes, stop. That would be good. | 0:33:16 | 0:33:21 | |
-Where dreams are made. The Hanson hoard comes good. -Let's see. | 0:33:21 | 0:33:26 | |
Squeeze a small profit. OK? | 0:33:26 | 0:33:29 | |
-After you. -Great. -"Children not permitted." | 0:33:29 | 0:33:32 | |
Island Auction Rooms has been established since 1850 | 0:33:32 | 0:33:37 | |
and holds two auctions per month. | 0:33:37 | 0:33:38 | |
Today, we have two auctioneers in charge of proceedings - | 0:33:38 | 0:33:42 | |
Tim Smith and Warren Riches. | 0:33:42 | 0:33:45 | |
Warren has a few thoughts on today's items. | 0:33:45 | 0:33:48 | |
The quirkiest lot is the bookbinder, | 0:33:48 | 0:33:50 | |
which is a lumpy piece but I think someone might fall in love with it, | 0:33:50 | 0:33:55 | |
and the Roman coins, they're a kind of speculative lot | 0:33:55 | 0:33:58 | |
which should do well on the internet. | 0:33:58 | 0:34:01 | |
My favourite's the three bottle tantalus and games compendium. | 0:34:01 | 0:34:04 | |
It's just a nice piece of quality and it's quite a handsome piece. | 0:34:04 | 0:34:08 | |
Let's hope it's rags to riches. | 0:34:08 | 0:34:11 | |
James Braxton started today's show with £246.80 | 0:34:11 | 0:34:15 | |
and spent £177 on five lots. | 0:34:15 | 0:34:18 | |
Charles Hanson began with £373.10 | 0:34:22 | 0:34:26 | |
and spent £180 on just three auction lots. | 0:34:26 | 0:34:30 | |
Quiet, please! The auction is about to begin. | 0:34:31 | 0:34:35 | |
The room is absolutely heaving. | 0:34:35 | 0:34:37 | |
And not only that, the auctioneers have the internet bids | 0:34:37 | 0:34:41 | |
in front of them. | 0:34:41 | 0:34:42 | |
First up, it's Charles's magnificent but nibbled tantalus | 0:34:44 | 0:34:47 | |
and games compendium. | 0:34:47 | 0:34:49 | |
-Here we are. -Tantalus. Nice hobnail cut-glass decanters. | 0:34:49 | 0:34:53 | |
-Showing here, sir! -Chest pieces. -Good man. There we are. -There it is. | 0:34:53 | 0:34:58 | |
-Showing there. -Good man. -Someone start me at £100. | 0:34:58 | 0:35:03 | |
-Anywhere? 100 in the middle. -Yes! | 0:35:03 | 0:35:05 | |
We've got 100 right in the middle. 110 anywhere? | 0:35:05 | 0:35:08 | |
110. 120. 130. | 0:35:08 | 0:35:11 | |
140. 150. 160. 170. | 0:35:11 | 0:35:15 | |
180. 190. 200. | 0:35:15 | 0:35:19 | |
210. 200 in the middle. 210 anywhere? | 0:35:19 | 0:35:22 | |
210, the phone? | 0:35:22 | 0:35:24 | |
-On the phone? -210 on the phone. 220. | 0:35:24 | 0:35:27 | |
-230. -I can't believe it, Jim. | 0:35:27 | 0:35:29 | |
240. 250. 260. | 0:35:29 | 0:35:32 | |
270. | 0:35:32 | 0:35:33 | |
280? It's 270 on the phone then. | 0:35:36 | 0:35:39 | |
We're going to sell at 270, all done at 270 on the phone. | 0:35:39 | 0:35:44 | |
-Yes! -Well done. -Thank you. He's over there. Good man. -That's very good. | 0:35:44 | 0:35:49 | |
-I can't believe it. I can't believe it. -140?! -I'm cooking gas, Jim. | 0:35:49 | 0:35:54 | |
I'm cooking gas. | 0:35:54 | 0:35:55 | |
You certainly are, Carlos. | 0:35:55 | 0:35:57 | |
And you're off the starting block and you made a whopping profit. | 0:35:57 | 0:36:01 | |
God, it's always a roller coaster at auctions, | 0:36:01 | 0:36:05 | |
no matter how you get on, you always get nervous and you get butterflies. | 0:36:05 | 0:36:09 | |
So, next up on the road trip roller coaster | 0:36:09 | 0:36:12 | |
is James's Branscombe pottery tray. | 0:36:12 | 0:36:15 | |
Someone start me. £30. 30 anywhere? | 0:36:15 | 0:36:18 | |
20, if you like? 20 is on my right. | 0:36:18 | 0:36:21 | |
-Brilliant. -Two anywhere? | 0:36:21 | 0:36:23 | |
22. 24. | 0:36:23 | 0:36:25 | |
-24. 26. 28. -That is brilliant. | 0:36:25 | 0:36:28 | |
-26 here. 28 anywhere? -Keep going. -£26 right in the centre. | 0:36:28 | 0:36:33 | |
Eight, can I say? 26 then, we're selling in the room at 26. | 0:36:33 | 0:36:38 | |
-Well played, buddy. Good profit. -That's good. 19. | 0:36:38 | 0:36:42 | |
You more than trebled. That is a result. | 0:36:42 | 0:36:45 | |
Keep it going, Jim. | 0:36:45 | 0:36:48 | |
Not such an exciting result for James, but it's still a profit. | 0:36:48 | 0:36:52 | |
And now for Charles's treasure. The hoard of Roman coins. | 0:36:52 | 0:36:58 | |
-Discovered in the south of England... -Quite right. | 0:36:58 | 0:37:02 | |
-We've got quite a lot of interest. Coming in at 55. -Great. | 0:37:02 | 0:37:08 | |
65. That takes him straight out. 70, he's back in. And five? | 0:37:08 | 0:37:12 | |
75? 75 on the net. 80? | 0:37:12 | 0:37:15 | |
£75 then. We're on the internet at 75. | 0:37:15 | 0:37:18 | |
-I am delighted, Jim. -We're going to sell at 75 to the internet. | 0:37:18 | 0:37:22 | |
-Well done, well done. That's great. -I'm delighted, Jim. I am. | 0:37:22 | 0:37:25 | |
-Doubling your money. -I can't grumble. I'm delighted, buddy. | 0:37:25 | 0:37:28 | |
I think you'll get a job at JP Morgan. | 0:37:28 | 0:37:30 | |
You're a great generator of wealth. Just what you need. | 0:37:30 | 0:37:33 | |
Well done. Charles is chuffed to bits. | 0:37:33 | 0:37:36 | |
He's unearthed yet another profit. | 0:37:36 | 0:37:38 | |
It's James's novelty biscuit tin next. | 0:37:40 | 0:37:43 | |
Can it give him a much-needed lift? | 0:37:43 | 0:37:46 | |
Nice lot. Someone start me. £30. | 0:37:46 | 0:37:49 | |
20, then. | 0:37:51 | 0:37:52 | |
-20. Yeah. -20, I am bid. Two anywhere? | 0:37:52 | 0:37:55 | |
At £20 at the back of the room. At 20. | 0:37:55 | 0:37:58 | |
-22. 24. 26. 30. -Here we go, James. | 0:37:58 | 0:38:02 | |
32. 34. 36. | 0:38:02 | 0:38:04 | |
No money at all? At £34 on my right. £36 anywhere? | 0:38:04 | 0:38:08 | |
-Yeah, go on. -£34 then, all finished at 34? -Oh. | 0:38:08 | 0:38:12 | |
-34. That's all right. That's double. -That's still £19 profit. -Steady work. | 0:38:13 | 0:38:19 | |
-Jim, happy? -Sort of! | 0:38:21 | 0:38:23 | |
At least it's a profit, James. | 0:38:24 | 0:38:26 | |
Steady work, but you need a biggie to overtake Charles. | 0:38:26 | 0:38:30 | |
This Royal Worcester jug and bowl may be damaged, | 0:38:32 | 0:38:34 | |
but can it catapult James into the lead? | 0:38:34 | 0:38:37 | |
Someone start me. £50 and away. | 0:38:37 | 0:38:39 | |
£30, then. | 0:38:41 | 0:38:43 | |
32 on the net. 34 in the room? 32 on the net. 34 anywhere? | 0:38:43 | 0:38:49 | |
The net has it at 32. It goes to the net at 32. | 0:38:49 | 0:38:54 | |
Oh, yippy-do(!) | 0:38:54 | 0:38:56 | |
-Jim, it's a profit. -It's just not happening. | 0:38:56 | 0:38:59 | |
It's just not working for me. Not working. | 0:38:59 | 0:39:02 | |
I don't know what's gone wrong. The wheels are coming off, chief. | 0:39:02 | 0:39:05 | |
Be a good sport, James. It could be worse. | 0:39:05 | 0:39:09 | |
It's Charles's Art Deco letter stand now. | 0:39:11 | 0:39:14 | |
Will it put him even further in the lead? | 0:39:14 | 0:39:16 | |
30 anywhere? 20, if you like then. | 0:39:17 | 0:39:21 | |
20 bid. Two, can I say? I've got 20. | 0:39:21 | 0:39:24 | |
22 in the middle. 24. 26. 28. | 0:39:24 | 0:39:28 | |
And 30. And two. | 0:39:28 | 0:39:30 | |
30 in the middle. Two anywhere? I've got £30. Right in the middle. | 0:39:30 | 0:39:34 | |
Going to sell at 32 in time. 34. | 0:39:34 | 0:39:36 | |
36, will you say? | 0:39:36 | 0:39:39 | |
34 right in the middle, we're going to sell at £34. | 0:39:39 | 0:39:43 | |
Delighted. | 0:39:43 | 0:39:44 | |
-I'm happy, Jim. -34. That's good. -Thank you. -Well done. -I'm delighted. | 0:39:44 | 0:39:49 | |
Small profit. | 0:39:49 | 0:39:50 | |
-Small profit. -Working profit, I always like to say. | 0:39:50 | 0:39:54 | |
-Jim, every pound is a winner, OK? -Spoken like a true pro, Charles. | 0:39:54 | 0:39:59 | |
The pennies look after the pounds. Well done. | 0:39:59 | 0:40:02 | |
Fingers crossed for James. | 0:40:03 | 0:40:05 | |
He's hoping for a right royal profit with his Poole pottery plate | 0:40:05 | 0:40:08 | |
and beaker. | 0:40:08 | 0:40:09 | |
Someone start me, £30 and away. | 0:40:09 | 0:40:11 | |
20 then? £20 I'm bid. 20. | 0:40:13 | 0:40:16 | |
Two anywhere? £20 on my left at 20. 22. 24. | 0:40:16 | 0:40:20 | |
26. 26. 28. They're cheap | 0:40:20 | 0:40:23 | |
at £26, below me at £26. | 0:40:23 | 0:40:25 | |
28 anywhere? 28. | 0:40:25 | 0:40:27 | |
-Well done. -30. 32. 34. | 0:40:27 | 0:40:30 | |
Go on, keep going. | 0:40:30 | 0:40:32 | |
All finished, 32 then. | 0:40:32 | 0:40:34 | |
I sell in the middle of the room at £32. | 0:40:34 | 0:40:37 | |
-Brilliant. -Well done. You got a good buy there. -Fantastic. -Steady work. | 0:40:37 | 0:40:42 | |
Yeah, you're grinding it out. You're grinding. | 0:40:42 | 0:40:44 | |
At last! James is full of smiles. That is his biggest profit yet. | 0:40:44 | 0:40:49 | |
So now it is James's last stab at the lead. | 0:40:52 | 0:40:54 | |
Will that big lump of a bookbinder's vice be the winning ticket? | 0:40:54 | 0:40:59 | |
-Nice lot, this one. Someone start me at £100. -Commission's at 100. | 0:40:59 | 0:41:03 | |
-£100 I'm bid on commissions. -Brilliant! -And 10. 120. | 0:41:03 | 0:41:07 | |
-120, a good thing. 130. 130. 140. -I'd never have thought... | 0:41:07 | 0:41:12 | |
-One more. -140. 150. 160. | 0:41:12 | 0:41:16 | |
Away, buddy. Heck. | 0:41:16 | 0:41:19 | |
160. 170. | 0:41:19 | 0:41:21 | |
At 160, then. It goes at 160. | 0:41:21 | 0:41:26 | |
-Jim, I am in admiration, buddy. -I'm pleased. | 0:41:26 | 0:41:30 | |
-Well done, that man. -I would never | 0:41:30 | 0:41:33 | |
in my wildest dreams have thought that. I commend you, buddy. | 0:41:33 | 0:41:37 | |
-Who would have thought that? Well done, James. -Hanson-Braxton. | 0:41:37 | 0:41:42 | |
-It was good. -Let's get back to England. -Well played. | 0:41:42 | 0:41:46 | |
"Back to England"? Stupid boy. So, has James done enough to win? | 0:41:47 | 0:41:53 | |
He started today's show with £246.80 | 0:41:54 | 0:41:58 | |
and, after paying auction costs, made a small profit of £55.88, | 0:41:58 | 0:42:03 | |
giving him a respectable £302.68 to carry forward. | 0:42:03 | 0:42:08 | |
Well done. | 0:42:08 | 0:42:10 | |
But there's no stopping Charles. | 0:42:13 | 0:42:16 | |
He started with a delightful £373.10 | 0:42:16 | 0:42:20 | |
and accumulated a bumper profit of £130.78, | 0:42:20 | 0:42:24 | |
making him today's clear winner with a whopping £503.88 | 0:42:24 | 0:42:29 | |
going into the next show. | 0:42:29 | 0:42:31 | |
There's something rather engaging about Charles | 0:42:31 | 0:42:33 | |
when he's on a winning roll. | 0:42:33 | 0:42:36 | |
Didn't you have faith in young Hanson? | 0:42:36 | 0:42:38 | |
I did, but I just didn't think that compendium was going | 0:42:38 | 0:42:41 | |
-to make so much money. -I know. I'm delighted. I can't believe it, Jim. | 0:42:41 | 0:42:44 | |
-But listen, we're going back now... -I think almost indecent, | 0:42:44 | 0:42:47 | |
if not vulgar profits! | 0:42:47 | 0:42:49 | |
-Vulgar! -Jim, you make your own luck. I got lucky. -You did get lucky. | 0:42:49 | 0:42:54 | |
-It was really lucky. -Second-time win, then, for Charles. | 0:42:54 | 0:42:58 | |
James is certainly keen to overtake his companion in the profit stakes. | 0:42:58 | 0:43:03 | |
-Really lucky. -Really lucky. | 0:43:03 | 0:43:05 | |
HORN TOOTS | 0:43:05 | 0:43:08 | |
Next time on the Antiques Road Trip, | 0:43:08 | 0:43:10 | |
James and Charles head for Dorchester, | 0:43:10 | 0:43:13 | |
James is flying high... | 0:43:13 | 0:43:14 | |
David, this is amazing. | 0:43:14 | 0:43:16 | |
It feels even bigger within the cockpit. | 0:43:16 | 0:43:19 | |
..and Charles finds a secret location. | 0:43:19 | 0:43:22 | |
Abracadabra! | 0:43:22 | 0:43:24 | |
Am I seeing things? | 0:43:27 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:33 | 0:43:36 |