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It is the nation's favourite antiques experts with ?200 each... | 0:00:03 | 0:00:06 | |
I love that. | 0:00:06 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:13 | |
I want pieces that could fly. | 0:00:13 | 0:00:15 | |
The aim? To make the biggest profit at auction, but it is no mean feat. | 0:00:15 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
Hello, ladies. | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
But there's nobody bidding. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
We're out on the road with antique aficionados | 0:00:38 | 0:00:41 | |
Mark Stacey and Paul Laidlaw. | 0:00:41 | 0:00:44 | |
That horrible word strategy comes up, but again I haven't | 0:00:44 | 0:00:48 | |
got one, actually, cos the one I used on the first occasion | 0:00:48 | 0:00:51 | |
didn't work, so I think I'll give up on them. | 0:00:51 | 0:00:54 | |
Antiques dealer Mark Stacey is a bit of a joker. | 0:00:56 | 0:01:00 | |
You know, I don't think Paul is very happy about being in this show. | 0:01:00 | 0:01:03 | |
No. I mean, look, he's furious. | 0:01:03 | 0:01:06 | |
Auctioneer Paul Laidlaw simply fizzes with energy. | 0:01:08 | 0:01:11 | |
I want pieces that could fly, and that is a good feeling. | 0:01:11 | 0:01:14 | |
Loving it! | 0:01:15 | 0:01:17 | |
From his original ?200, Mark Stacey has a paltry ?186.46 | 0:01:20 | 0:01:26 | |
rattling around in his back pocket. | 0:01:26 | 0:01:28 | |
And just ahead by a nose is Paul Laidlaw. | 0:01:30 | 0:01:33 | |
He managed to add just under a tenner to his ?200 kitty, | 0:01:33 | 0:01:38 | |
giving him ?209.92 to spend. | 0:01:38 | 0:01:41 | |
The 1967 Sunbeam Alpine GT is the chaps' vehicle of choice, | 0:01:44 | 0:01:49 | |
and sometimes she ain't as smooth as she could be. | 0:01:49 | 0:01:53 | |
RATTLING | 0:01:53 | 0:01:55 | |
That doesn't sound good, does it? | 0:01:55 | 0:01:58 | |
Mark and Paul will, one way or another, | 0:02:00 | 0:02:03 | |
travel over 300 miles from Sabden, Lancashire, | 0:02:03 | 0:02:07 | |
to Bridgwater, in Somerset. | 0:02:07 | 0:02:08 | |
And on this leg, we begin our shopping | 0:02:08 | 0:02:11 | |
mission in the village of Holywell Green, West Yorkshire. | 0:02:11 | 0:02:15 | |
And we'll auction in Cobridge, in Stoke-on-Trent, Staffordshire. | 0:02:15 | 0:02:19 | |
The boys are sharing their first shop, Barnyard Antiques. | 0:02:19 | 0:02:23 | |
Come on, stop gassing, we need to get in there. | 0:02:23 | 0:02:26 | |
Time is ticking. | 0:02:26 | 0:02:28 | |
Here's a tip, boys - | 0:02:28 | 0:02:29 | |
you're selling at a general auction that specialises in ceramics. | 0:02:29 | 0:02:32 | |
So, first to have a go is the ever-youthful Mark Stacey. | 0:02:32 | 0:02:36 | |
I have found this model of a collie dog. | 0:02:38 | 0:02:42 | |
You know, it's pottery. | 0:02:42 | 0:02:44 | |
Capstone pottery, and I've never heard of them. | 0:02:44 | 0:02:46 | |
It's priced at ?15. | 0:02:46 | 0:02:49 | |
So, if we can get it for five or something, | 0:02:49 | 0:02:52 | |
that might be a possibility. | 0:02:52 | 0:02:54 | |
Well, Paul is also thinking ceramics. | 0:02:56 | 0:03:00 | |
Purports to be late 19th century | 0:03:00 | 0:03:06 | |
Austrian, Viennese porcelain. | 0:03:06 | 0:03:09 | |
Of its period. | 0:03:09 | 0:03:12 | |
A classical form to the urn, | 0:03:12 | 0:03:14 | |
but the prominent feature is a scantily-clad maiden. | 0:03:14 | 0:03:19 | |
But we turn it upside down and, yes, | 0:03:19 | 0:03:23 | |
we see the triangular pad mark | 0:03:23 | 0:03:27 | |
associated with Royal Dux. | 0:03:27 | 0:03:29 | |
But...at auction... | 0:03:30 | 0:03:33 | |
Price...?60. | 0:03:35 | 0:03:38 | |
And dealer Richard arrives to talk money. | 0:03:40 | 0:03:42 | |
Well, I'm just going to beg you, cos I don't want to waste your time. | 0:03:44 | 0:03:47 | |
I'll make you an offer and you can say, "No, it'll never happen." | 0:03:47 | 0:03:49 | |
I need to buy them for 20 quid. | 0:03:49 | 0:03:51 | |
It needs to be more than that. I'd go to 40 quid. Nah. | 0:03:53 | 0:03:57 | |
I'll keep looking. | 0:03:57 | 0:03:59 | |
And it's not long before something else takes his eye. | 0:04:01 | 0:04:03 | |
Two vintage fishing reels. | 0:04:05 | 0:04:07 | |
Technically, they are centre pinned Nottingham wheels. | 0:04:07 | 0:04:12 | |
They could have been made anywhere, but they're decorative. | 0:04:12 | 0:04:16 | |
They're priced at 18 for the two. | 0:04:16 | 0:04:21 | |
If I could get those for a single-digit sum... | 0:04:22 | 0:04:27 | |
It's a big ask, but not a horrendous one. | 0:04:27 | 0:04:30 | |
I'm going to give that a go. | 0:04:30 | 0:04:32 | |
Are they ever going to be 20 quid? I'll take 30 for them. | 0:04:32 | 0:04:35 | |
If I give you the 30 quid for them... | 0:04:35 | 0:04:38 | |
..can they be a pittance? | 0:04:41 | 0:04:44 | |
I could have 40 quid, I'd have to leave it at that. | 0:04:44 | 0:04:47 | |
Deal? You're a good man, good man. | 0:04:51 | 0:04:54 | |
So, ?30 for the pair of the vases and ten pounds | 0:04:54 | 0:04:57 | |
for the fishing reels. It's a great start, Paul. | 0:04:57 | 0:05:00 | |
Finally, Mark gets a chance to speak with Richard. | 0:05:02 | 0:05:05 | |
It's this. Oh, Lassie! Yeah. | 0:05:05 | 0:05:09 | |
I mean, you haven't got much on it anyway, but I think the price | 0:05:09 | 0:05:12 | |
that you've got on it, it's going to make that in the auction. | 0:05:12 | 0:05:16 | |
I've got to pay a fiver for it, Richard. | 0:05:16 | 0:05:18 | |
I've got to, that's all I can pay for it. | 0:05:19 | 0:05:22 | |
Make it eight quid. | 0:05:22 | 0:05:24 | |
I tell you what, just could we go to seven? | 0:05:24 | 0:05:27 | |
OK, I've been fair with you both, then. | 0:05:27 | 0:05:30 | |
Lovely. Are you sure? | 0:05:30 | 0:05:31 | |
Seems Paul wants to spend, spend, spend | 0:05:33 | 0:05:36 | |
because he's found something else. | 0:05:36 | 0:05:38 | |
Riding crop? Yeah. For sale? | 0:05:38 | 0:05:41 | |
For a reasonable offer, yeah. | 0:05:41 | 0:05:44 | |
Can I have a look. Did it just come in? | 0:05:44 | 0:05:46 | |
Well, just one of my stalls, really. | 0:05:46 | 0:05:50 | |
I was going to do a bit more research on them before... | 0:05:50 | 0:05:54 | |
Quite right, too. Swaine and Adeney. | 0:05:54 | 0:05:57 | |
Swaine and Adeney were established in 1750 | 0:05:57 | 0:06:01 | |
and were an exclusive London-based company | 0:06:01 | 0:06:03 | |
specialising in equestrian and leather goods. | 0:06:03 | 0:06:06 | |
Because they're relatively modern, late 20th century, | 0:06:06 | 0:06:09 | |
they are, um...they're usable. | 0:06:09 | 0:06:12 | |
Can I just make you an offer? Yeah. 40 quid. | 0:06:12 | 0:06:17 | |
You need to come a little bit more. | 0:06:17 | 0:06:19 | |
I'll give you 50 quid. I think I've done well with you before. | 0:06:21 | 0:06:25 | |
And I think I'll have to stick at 60 quid. | 0:06:25 | 0:06:28 | |
Meet me in the middle, fiver, 55. All right. Good man. | 0:06:28 | 0:06:32 | |
The first shop of this leg has proved a mixed bag. | 0:06:32 | 0:06:36 | |
While Paul has splashed ?95, | 0:06:36 | 0:06:38 | |
Mark's spent just ?7. | 0:06:38 | 0:06:41 | |
They're back on the road | 0:06:41 | 0:06:43 | |
and Paul's dropping Mark off five miles away in Sowerby Bridge. | 0:06:43 | 0:06:46 | |
Mark's visiting Bridge Antiques. | 0:06:47 | 0:06:50 | |
He's only spent ?7, | 0:06:50 | 0:06:52 | |
so will he spend more of the folding stuff in here? | 0:06:52 | 0:06:55 | |
This is very vintage. This is very 1970s. | 0:06:55 | 0:06:58 | |
So, punch bowl, ladle and glasses. | 0:06:58 | 0:07:01 | |
So, you could make your fruit cocktail punch in there | 0:07:03 | 0:07:06 | |
and then you come over with your glass, lift it up. | 0:07:06 | 0:07:10 | |
And pour it, either side actually, there's a little lip on both sides. | 0:07:10 | 0:07:15 | |
No price, we might ask about that. | 0:07:15 | 0:07:17 | |
So, over to Stan to talk business. | 0:07:19 | 0:07:21 | |
Stan's holding the fort for the owner today. | 0:07:21 | 0:07:23 | |
Do you know how much the punch set is? The punch set is ?40. | 0:07:23 | 0:07:27 | |
?40, mmm... | 0:07:27 | 0:07:29 | |
Quite a fun set. | 0:07:30 | 0:07:33 | |
I have no idea what it would make in the saleroom. | 0:07:33 | 0:07:36 | |
Stan phones the owner to get the best price. | 0:07:36 | 0:07:38 | |
OK, very well, bye-bye. | 0:07:38 | 0:07:41 | |
Yeah, so we'll do it for 20. My God! | 0:07:42 | 0:07:46 | |
What have I done? I need a cocktail. | 0:07:46 | 0:07:49 | |
You could say he's as pleased as punch with that buy. | 0:07:49 | 0:07:52 | |
I'm happy! | 0:07:53 | 0:07:54 | |
Keen to keep his lucky streak going, | 0:07:56 | 0:07:58 | |
Mark heads to the small town of Holmfirth, in West Yorkshire. | 0:07:58 | 0:08:02 | |
The town and the surrounding countryside | 0:08:04 | 0:08:06 | |
is the setting of the popular TV series Last Of The Summer Wine. | 0:08:06 | 0:08:10 | |
Hopefully, Mark won't bump into Nora Batty. | 0:08:12 | 0:08:15 | |
Hello. Hi, I'm Rachel. Nice to meet you, Rachel. Nice to meet you. | 0:08:18 | 0:08:22 | |
Darling, you and I are going to get on. | 0:08:22 | 0:08:24 | |
Nice wiggle, Mark, if you like that sort of thing. | 0:08:24 | 0:08:26 | |
Right, what have we got in here? | 0:08:32 | 0:08:34 | |
Those are quite sweet, aren't they? | 0:08:34 | 0:08:36 | |
Little heart-shaped silver boxes for her lady to put her pills, | 0:08:37 | 0:08:41 | |
or something like that in in her bag. | 0:08:41 | 0:08:44 | |
But there's a little bit of a problem with them. | 0:08:44 | 0:08:47 | |
When there's... | 0:08:48 | 0:08:50 | |
When you polish silver like this, it's quite thin. | 0:08:50 | 0:08:53 | |
And if you're over-vigorous with the silver polish, you can actually | 0:08:53 | 0:08:57 | |
wear the pattern away, and there's a little bit of wear on these two. | 0:08:57 | 0:09:01 | |
But they are only priced at ?40 for the pair, | 0:09:01 | 0:09:04 | |
which is good because they're a cute shape, aren't they? | 0:09:04 | 0:09:07 | |
What could be the lowest on those? | 0:09:07 | 0:09:09 | |
Um...I've got 40 on them, | 0:09:09 | 0:09:11 | |
they can be ?30. | 0:09:11 | 0:09:13 | |
30. We couldn't get down to 25? | 0:09:13 | 0:09:16 | |
Go on, then, 25. Are you sure? Yeah, that's it. | 0:09:16 | 0:09:19 | |
I mean, that's what they're worth about. Thank you. | 0:09:19 | 0:09:22 | |
Paul and Mark have reunited and left Holmfirth, | 0:09:24 | 0:09:28 | |
now they're travelling to the town of Oldham, in Greater Manchester. | 0:09:28 | 0:09:32 | |
During the Industrial Revolution, Oldham was the most | 0:09:33 | 0:09:36 | |
productive cotton-spinning mill town in the world. | 0:09:36 | 0:09:40 | |
Cheers. See you later, Paul. Bye. | 0:09:40 | 0:09:43 | |
Mark is very kindly dropping Paul off at his next shop, | 0:09:44 | 0:09:48 | |
but it's no ordinary shop. | 0:09:48 | 0:09:50 | |
RJ O'Brien Son is a huge warehouse selling to both trade | 0:09:50 | 0:09:55 | |
and the public. | 0:09:55 | 0:09:56 | |
Whoa! Hello there, hi. Morning. Paul Laidlaw. Ronan O'Brien. | 0:09:56 | 0:09:59 | |
Ronan, you're the man with the name! | 0:09:59 | 0:10:01 | |
And this is it? This is it. Expansive. | 0:10:01 | 0:10:04 | |
Goodness, away to shop, I hope. | 0:10:06 | 0:10:08 | |
Blimey, I think we might be here for some time. | 0:10:11 | 0:10:13 | |
Ah. Hummel. | 0:10:16 | 0:10:17 | |
Utterly distinctive modelling and decoration. | 0:10:19 | 0:10:22 | |
Now, is it Hummel or a looky-likey? | 0:10:22 | 0:10:26 | |
Hummel. That's the name, that's what they're looking for. | 0:10:26 | 0:10:29 | |
The Hummel figurines are based on the drawings | 0:10:29 | 0:10:33 | |
of German nun Sister Maria Innocentia Hummel. | 0:10:33 | 0:10:38 | |
The figurines became popular souvenirs with American GIs | 0:10:38 | 0:10:41 | |
stationed in Germany after World War II. | 0:10:41 | 0:10:44 | |
I hate it, that would give me nightmares. | 0:10:45 | 0:10:48 | |
But... | 0:10:48 | 0:10:49 | |
..that's a seller. | 0:10:51 | 0:10:53 | |
I'm going to pop that down there. | 0:10:53 | 0:10:55 | |
I think I love this. | 0:11:03 | 0:11:07 | |
I'm looking at a tea set. | 0:11:07 | 0:11:08 | |
I like the form, OK? | 0:11:08 | 0:11:09 | |
Let me show you the form first of all, OK? | 0:11:09 | 0:11:12 | |
I'm going to shock you folks. Cos you're going to go, "What?" | 0:11:12 | 0:11:15 | |
What do you see there? | 0:11:17 | 0:11:19 | |
Are they swastikas? | 0:11:19 | 0:11:21 | |
You're thinking, "Oh, my word, it's German." | 0:11:21 | 0:11:24 | |
And that's arguably an offensive symbol. | 0:11:24 | 0:11:27 | |
Not so in this context. | 0:11:27 | 0:11:29 | |
We're not looking at a swastika, no, rule that out. | 0:11:29 | 0:11:33 | |
We're looking at a hooked cross. | 0:11:33 | 0:11:35 | |
Before the Third Reich claimed the swastika, it was an ancient | 0:11:36 | 0:11:40 | |
symbol of good luck in many cultures around the world. | 0:11:40 | 0:11:43 | |
It's certainly got 'wow' on its side. | 0:11:43 | 0:11:48 | |
I really, really rate that. | 0:11:48 | 0:11:50 | |
And he's not finished yet. | 0:11:50 | 0:11:52 | |
I've never seen one of these. | 0:11:52 | 0:11:55 | |
What's inside? | 0:11:55 | 0:11:57 | |
What I would call a trio, which is a cup, saucer and tea plate. | 0:11:58 | 0:12:03 | |
In isolation, what's it worth? | 0:12:03 | 0:12:05 | |
Five to ten pounds would be a good result. | 0:12:05 | 0:12:08 | |
In its box, I think it is transformed. | 0:12:08 | 0:12:10 | |
Worth ?20, ?30. | 0:12:10 | 0:12:13 | |
?40 if you really like it. | 0:12:13 | 0:12:15 | |
Paul now has three things on his shopping list. | 0:12:15 | 0:12:18 | |
But will owner Ronan deliver? | 0:12:18 | 0:12:21 | |
Can I have, please, the Hummel lamp, the trio, the tea for not quite six? | 0:12:21 | 0:12:27 | |
Yes. Tenner a pop and be cheeky and say... | 0:12:27 | 0:12:31 | |
I spotted that wee punter on the way past. Yep. You throw him in? | 0:12:31 | 0:12:34 | |
Yeah, of course we will. Gentleman. No problem. Thanks. | 0:12:34 | 0:12:38 | |
The Hummel figurine is a cheeky freebie, | 0:12:38 | 0:12:41 | |
that's another big Laidlaw swoop, as he scoops four items for ?30. | 0:12:41 | 0:12:46 | |
Mark, meanwhile has travelled north to Ramsbottom, | 0:12:46 | 0:12:50 | |
in the Borough of Bury, 16 miles away. | 0:12:50 | 0:12:53 | |
And he is ready for a rummage in Memory's Antiques. | 0:12:55 | 0:12:58 | |
Hello, ladies. | 0:12:58 | 0:12:59 | |
ALL: Hello. How are we all? | 0:12:59 | 0:13:02 | |
We are all very well, thank you, and you? | 0:13:02 | 0:13:04 | |
I'm very well. Good. I think. | 0:13:04 | 0:13:07 | |
I'm Mavis. Hello, Mavis, I'm Mark. | 0:13:07 | 0:13:10 | |
Now, this is rather nice. | 0:13:10 | 0:13:12 | |
This little box looks like tortoiseshell | 0:13:17 | 0:13:20 | |
but it's actually plastic, otherwise known as faux. | 0:13:20 | 0:13:24 | |
It's a little ladies' dressing table set. | 0:13:24 | 0:13:28 | |
These are silver gilt. | 0:13:28 | 0:13:30 | |
So, a little powder pot, a little pill jar there, | 0:13:30 | 0:13:33 | |
little nail file and cuticle thing. | 0:13:33 | 0:13:36 | |
And I love little boxes, I love little outiles. | 0:13:36 | 0:13:39 | |
This one is Edwardian, I think. | 0:13:39 | 0:13:42 | |
It is probably going to be looking at the mark, early 1900s. | 0:13:42 | 0:13:46 | |
1905, 1908, so an antique item. | 0:13:46 | 0:13:48 | |
Paul WILL be impressed, won't he? | 0:13:50 | 0:13:53 | |
An antique, from me! | 0:13:53 | 0:13:55 | |
LID SQUEAKS | 0:13:55 | 0:13:59 | |
That's saying, "Buy me, buy me, buy me." | 0:14:00 | 0:14:04 | |
Oh, that's rather interesting. | 0:14:09 | 0:14:11 | |
This is a jug, maybe from a set of three. | 0:14:11 | 0:14:14 | |
I love this sort of octagonal shape. It is copper lustre. | 0:14:14 | 0:14:19 | |
And then they have applied these little panels on so they | 0:14:19 | 0:14:23 | |
cut the panels out and then apply them on and fire them. | 0:14:23 | 0:14:27 | |
Now, date. This is a genuine antique, I mean, a real antique. | 0:14:27 | 0:14:30 | |
Cos the date on this would be something like 1850, 1860. | 0:14:30 | 0:14:36 | |
So, we're looking at something that is 160 years old. | 0:14:36 | 0:14:39 | |
But completely out of fashion. | 0:14:40 | 0:14:42 | |
And today this is priced up at... | 0:14:42 | 0:14:45 | |
..?8. I think that is an amazing value. | 0:14:46 | 0:14:49 | |
Time to talk money with Mavis. | 0:14:49 | 0:14:52 | |
The jug is priced at a modest ?8, | 0:14:52 | 0:14:55 | |
but I would love to get it, if possible, for ?5. | 0:14:55 | 0:14:59 | |
I think that would be fine. Is that all right? Yes, that's fine. | 0:15:05 | 0:15:08 | |
Let's count that as sold. | 0:15:08 | 0:15:10 | |
I'm going to have that one. | 0:15:10 | 0:15:12 | |
This little box is charming. | 0:15:12 | 0:15:16 | |
The manicure box belongs to another dealer, | 0:15:16 | 0:15:20 | |
so Mavis had a word with them about the price. | 0:15:20 | 0:15:23 | |
She thinks she'd let it go at 60. | 0:15:23 | 0:15:26 | |
60. Is that any use to you? | 0:15:26 | 0:15:30 | |
Is there any chance we could get nearer 50? | 0:15:30 | 0:15:33 | |
If that was at all possible. I think she'll be happy with 50. | 0:15:33 | 0:15:37 | |
Are you sure? Yes, I'm sure she would. | 0:15:37 | 0:15:39 | |
Because, honestly, I don't know what it's going to do. | 0:15:39 | 0:15:41 | |
She'd be happy with 50. Are you sure? Yes. | 0:15:41 | 0:15:43 | |
Then, Mavis, you have done a wonderful job for me. | 0:15:43 | 0:15:46 | |
Thank you so much. You're welcome. | 0:15:46 | 0:15:47 | |
With his shopping done, Mark heads ten miles south to Rochdale. | 0:15:47 | 0:15:52 | |
Oh, wow. | 0:15:55 | 0:15:56 | |
Mark is visiting Greater Manchester Fire Service Museum. | 0:15:56 | 0:15:59 | |
Housed in a former fire engine workshop, | 0:15:59 | 0:16:02 | |
the museum was opened in 1983 to the public. | 0:16:02 | 0:16:05 | |
The collection tells the story of the proud achievements | 0:16:05 | 0:16:08 | |
and development of the Greater Manchester Fire Brigades. | 0:16:08 | 0:16:12 | |
Mark is meeting with Bob Bonner, retired fireman | 0:16:12 | 0:16:15 | |
and volunteer at the museum. | 0:16:15 | 0:16:17 | |
Hello, I'm Mark. Hello. Welcome to the Fire Service Museum, I'm Bob. | 0:16:17 | 0:16:21 | |
The early 1800s hailed the beginning of the municipal fire service. | 0:16:23 | 0:16:27 | |
Prior to this, | 0:16:27 | 0:16:28 | |
fire services were only available to those who could afford insurance. | 0:16:28 | 0:16:33 | |
In the 1860s, Alfred Tozer arrived from London | 0:16:35 | 0:16:38 | |
to organise the fire service in Manchester | 0:16:38 | 0:16:41 | |
and developed one of the finest in the country. | 0:16:41 | 0:16:43 | |
As a result, thousands of lives have been saved. | 0:16:43 | 0:16:46 | |
Tozer began a dynasty of fire chiefs that continues to this day. | 0:16:48 | 0:16:53 | |
In the early days, firemen had to work | 0:16:53 | 0:16:56 | |
with some pretty primitive equipment. | 0:16:56 | 0:16:58 | |
We are going to have a look now | 0:16:58 | 0:16:59 | |
at what the earliest kind of fire engines looked like, | 0:16:59 | 0:17:01 | |
which were known as manual fire pumps. The clue is in the name. | 0:17:01 | 0:17:05 | |
They were manually operated by firefighters | 0:17:05 | 0:17:07 | |
and willing volunteers who would help them. | 0:17:07 | 0:17:09 | |
Inside the cart, is a fire pump, an iron fire pump. | 0:17:09 | 0:17:13 | |
The whole thing is just a wooden cart, as you say, | 0:17:13 | 0:17:15 | |
and the bottom part of it is known as a cistern, so that holds water. | 0:17:15 | 0:17:19 | |
It must be filled first before the fire engine will do anything. | 0:17:19 | 0:17:23 | |
So, water's poured into there from buckets | 0:17:23 | 0:17:25 | |
and sat inside the bottom of the fire engine is this fire pump... | 0:17:25 | 0:17:29 | |
Oh, right. ..which is then worked by the mechanism. You grab that end. | 0:17:29 | 0:17:33 | |
So the firemen and the helpers would be pumping furiously like this. Yep. | 0:17:33 | 0:17:38 | |
And then something will be plugged onto this. | 0:17:38 | 0:17:40 | |
The hose pipe would be connected to the outwards and as we pump, | 0:17:40 | 0:17:43 | |
the water goes up the hose, back to the firefighter at the end. | 0:17:43 | 0:17:45 | |
Lovely, that's my exercise for the day. | 0:17:45 | 0:17:50 | |
Who needs a gym? You just buy a fire pump. | 0:17:50 | 0:17:54 | |
Mark has spotted a pretty intriguing piece of wood. | 0:17:54 | 0:17:56 | |
What on earth is a mahogany door doing in the middle of this? | 0:17:56 | 0:17:59 | |
Isn't that a beautiful door? Very, very fond of that. | 0:17:59 | 0:18:02 | |
There is a very good reason why a door would be that shape. | 0:18:02 | 0:18:05 | |
Because behind that door is a hole in the floor. | 0:18:05 | 0:18:08 | |
Passing through the hole in the floor is the sliding pole. | 0:18:08 | 0:18:12 | |
So this is the way the firemen got from upstairs to downstairs | 0:18:12 | 0:18:15 | |
when there was a fire call. | 0:18:15 | 0:18:17 | |
So this is... This would've been completely open? | 0:18:17 | 0:18:19 | |
Completely open, you'd be looking down now onto the roof | 0:18:19 | 0:18:22 | |
of a fire engine. | 0:18:22 | 0:18:23 | |
You heard the bell and you just went instinctively. | 0:18:23 | 0:18:26 | |
You don't jump, you grip it and slide. Grip it and slide. | 0:18:26 | 0:18:29 | |
This looks like I'm pole dancing. | 0:18:29 | 0:18:32 | |
And down you go. | 0:18:33 | 0:18:35 | |
And down you go. But how tall would this...? | 0:18:35 | 0:18:37 | |
This particular pole was in this building, | 0:18:37 | 0:18:40 | |
which was four storeys high. | 0:18:40 | 0:18:41 | |
Oh. Most of them go down from one floor to the next floor. Wow. | 0:18:41 | 0:18:45 | |
Thank you very much for coming. You have been very entertaining. | 0:18:46 | 0:18:49 | |
Lovely. Nice to meet you. Nice to have met you. | 0:18:49 | 0:18:52 | |
Well, that looked fun didn't it? | 0:18:52 | 0:18:53 | |
Now both boys have finished their shopping, | 0:18:53 | 0:18:55 | |
so let's remind ourselves of what they bought. | 0:18:55 | 0:18:58 | |
Paul began this leg with ?209.92 and spent ?125 on five auction lots. | 0:18:58 | 0:19:04 | |
They are a pair of Art Nouveau vases, | 0:19:04 | 0:19:06 | |
two Victorian fishing reels | 0:19:06 | 0:19:08 | |
a whip and a hunting crop, | 0:19:08 | 0:19:11 | |
a Hummer Goebel lamp with a Hummel figure, | 0:19:11 | 0:19:14 | |
and a coronation commemorative cup, saucer and tea plate, | 0:19:14 | 0:19:17 | |
paired with a 1920s tea set. | 0:19:17 | 0:19:20 | |
Mark, meanwhile, started this leg with ?186.46 | 0:19:21 | 0:19:25 | |
and spent a total of ?107 also on five lots. | 0:19:25 | 0:19:28 | |
A 1950s Staffordshire pottery dog, | 0:19:28 | 0:19:30 | |
a 1970s glass punch set, | 0:19:30 | 0:19:33 | |
two heart-shaped silver pill boxes, | 0:19:33 | 0:19:36 | |
a 19th century copper lustred jug, | 0:19:36 | 0:19:38 | |
and an Edwardian manicure box. | 0:19:38 | 0:19:40 | |
Wow. | 0:19:40 | 0:19:41 | |
So what do the chaps think of each other's purchases? | 0:19:42 | 0:19:45 | |
Who is going to win? Please, make it be me. | 0:19:46 | 0:19:49 | |
The jug, that's landfill, isn't it? | 0:19:49 | 0:19:52 | |
It is got a whopping great, big crack in it! | 0:19:52 | 0:19:56 | |
Please let it be me! | 0:19:56 | 0:19:57 | |
It's been an exciting second leg, travelling from Holywell Green | 0:20:01 | 0:20:05 | |
via Sowerby Bridge, Holmfirth, Oldham, Ramsbottom, | 0:20:05 | 0:20:10 | |
Rochdale, to Cobridge, in Stoke-on-Trent, | 0:20:10 | 0:20:13 | |
the venue of today's auction. | 0:20:13 | 0:20:16 | |
Are you ready? Is this a crash and burn or...fortunes made? | 0:20:16 | 0:20:22 | |
This is it, come on, let's get in, shall we? | 0:20:22 | 0:20:25 | |
ASH Auctions has been established | 0:20:25 | 0:20:29 | |
since 1994 and hold weekly general sales. | 0:20:29 | 0:20:33 | |
Oh, where are they? | 0:20:33 | 0:20:35 | |
Ah, there they are. And auctioneer Lee Sherratt is poised to begin. | 0:20:35 | 0:20:40 | |
First up, it's Mark's retro-style punch bowl set. | 0:20:42 | 0:20:46 | |
Big enough to drown your sorrows in, that. | 0:20:46 | 0:20:49 | |
Yeah, it is, I might need to. | 0:20:49 | 0:20:51 | |
20? Bid me somebody. Start me off. ?15 for it. | 0:20:52 | 0:20:56 | |
?15. Oh, no! | 0:20:56 | 0:20:58 | |
Ten I'm bid. Ten on the right-hand side at ten. | 0:20:58 | 0:21:00 | |
At ten. At 12 on the phone. 14. | 0:21:00 | 0:21:03 | |
14. 16. 16. 18? 18. 18. | 0:21:03 | 0:21:05 | |
Right-hand side, against you on the phone again. 20. | 0:21:05 | 0:21:07 | |
At two. At 22. 22. 24, is it now? | 0:21:07 | 0:21:10 | |
At four. At six. At six. | 0:21:10 | 0:21:12 | |
26 is bid in the room. Against you on the phone, eight. At 30. | 0:21:12 | 0:21:16 | |
At 30 bid now. Two on the phone. | 0:21:16 | 0:21:18 | |
It's in the room, it's going to be sold. | 0:21:18 | 0:21:20 | |
At ?30, once... Two. 32. 34. At 34. 34. | 0:21:20 | 0:21:24 | |
Once, twice... | 0:21:24 | 0:21:25 | |
?34. Good result. That is a ?14 profit. | 0:21:26 | 0:21:32 | |
Get in! | 0:21:32 | 0:21:33 | |
Well, who would've thought it? A nice profit from the get-go, Mark. | 0:21:33 | 0:21:37 | |
MARK SIGHS | 0:21:37 | 0:21:38 | |
It's going well. | 0:21:40 | 0:21:42 | |
Don't relax too soon, | 0:21:45 | 0:21:47 | |
Mark, it is your 19th-century jug next. | 0:21:47 | 0:21:50 | |
Ten pounds. Come on, it's worth ten. Ten pounds. | 0:21:50 | 0:21:53 | |
Ten on bid. Ten pounds. At ten. Ten pound bid. | 0:21:53 | 0:21:56 | |
Down here at ten pounds. Come on, keep going. At ten pounds. At 12. | 0:21:56 | 0:22:00 | |
Sell it for ten, first maiden bid. | 0:22:00 | 0:22:02 | |
I've doubled my money, I can't really argue with that. | 0:22:02 | 0:22:06 | |
So far, so good, Mark. | 0:22:06 | 0:22:08 | |
It's Paul's two Victorian fishing reels next. | 0:22:09 | 0:22:13 | |
Can he reel in a corker of a profit? | 0:22:13 | 0:22:16 | |
Shall we say ?20 for two fishing reels there? | 0:22:16 | 0:22:19 | |
Who's going to bid me? Come on, only ten. Ten on bid. | 0:22:19 | 0:22:22 | |
We're off at ten pounds. Where? All over the place. 12 on bid. | 0:22:22 | 0:22:25 | |
14. 16. 18. | 0:22:25 | 0:22:27 | |
20. Come on. Valued at ?20. | 0:22:27 | 0:22:31 | |
Two. At 22. 24. | 0:22:31 | 0:22:33 | |
26. 28. 30. 32. 34. | 0:22:33 | 0:22:36 | |
36. 38. 40. 42. | 0:22:36 | 0:22:39 | |
44. 46. 48. | 0:22:39 | 0:22:41 | |
48. 50. | 0:22:41 | 0:22:42 | |
?50. At ?50 on the second row for the fishing reels, then. | 0:22:42 | 0:22:46 | |
At ?50. | 0:22:46 | 0:22:48 | |
I can't believe it, Paul. | 0:22:48 | 0:22:49 | |
I'll do that all day long. Relief! | 0:22:49 | 0:22:52 | |
Well, he certainly did. Great start, Paul. | 0:22:52 | 0:22:55 | |
I'm just going to go home. | 0:22:55 | 0:22:57 | |
Oh, come on, Mark, it's early days. | 0:22:57 | 0:22:59 | |
It's Paul again with the Hummel lamp and figurine. | 0:22:59 | 0:23:03 | |
15 I'm bid on the front row. At ?15, 16. | 0:23:03 | 0:23:05 | |
We're off again at 16. 18 I'm bid. | 0:23:05 | 0:23:08 | |
At 20 bid now. Two. | 0:23:08 | 0:23:09 | |
22. 24. 26. | 0:23:09 | 0:23:11 | |
28 on the front row. 30. ?30. | 0:23:11 | 0:23:15 | |
Against you on the phone, 32, is it now? 32. 34. | 0:23:15 | 0:23:18 | |
36? 36. 38? | 0:23:18 | 0:23:19 | |
Is it 40 on the phone? 40 I'm bid. | 0:23:19 | 0:23:23 | |
42? 44. 46. | 0:23:23 | 0:23:24 | |
Are you saying no? At ?44. | 0:23:24 | 0:23:26 | |
Anybody else? Selling on the phone at ?44. | 0:23:26 | 0:23:30 | |
Another hefty profit for Paul. Good steady work, Mr Laidlaw. | 0:23:32 | 0:23:36 | |
Paul is on again with these Royal Dux-style vases. | 0:23:36 | 0:23:41 | |
Come on, where are we going to start? Give me ?30. | 0:23:41 | 0:23:43 | |
?30. 35. 40. 45. | 0:23:43 | 0:23:46 | |
50 fresh money. 55. 60. | 0:23:46 | 0:23:50 | |
60 bid. 65. | 0:23:50 | 0:23:51 | |
At 65. 70. 70, yes or no? | 0:23:51 | 0:23:54 | |
70. 75. Keep going, show your money. At ?70. | 0:23:54 | 0:23:57 | |
?70, on the right-hand side at ?70. | 0:23:57 | 0:23:59 | |
At ?70, sells, then, at 70 for the pair. | 0:23:59 | 0:24:02 | |
What a lovely pair, as they say, | 0:24:03 | 0:24:05 | |
and even better, it is yet another sizable profit for Paul. | 0:24:05 | 0:24:09 | |
?70 is quite a lot for those. Yeah, yeah, yeah. | 0:24:09 | 0:24:13 | |
Yeah, yeah, yeah. | 0:24:14 | 0:24:16 | |
Now, Mark, can your pottery doggie help you claim some lovely profit? | 0:24:16 | 0:24:20 | |
On the front row, at ten. 12 all over the place. 12 on bid against you. 14 if you want it. | 0:24:20 | 0:24:24 | |
14 bid. 16 if you want it. 16 on bid. 18. | 0:24:24 | 0:24:27 | |
18 on bid now. Is it 20, yes or no? 18 in the front row. | 0:24:27 | 0:24:30 | |
20. Fresh money. At ?20. 22? 24. 24 bid. 24. 26. | 0:24:30 | 0:24:35 | |
26 on bid. 28. 28 bid. 30. | 0:24:35 | 0:24:38 | |
?30 now. 32. 32. 34. | 0:24:38 | 0:24:41 | |
34. 36. That's all right. Decent, yeah. | 0:24:41 | 0:24:45 | |
Are we all finished? | 0:24:45 | 0:24:46 | |
Well, Lassie really did come home with a profit. | 0:24:48 | 0:24:51 | |
It's definitely game on between these two chaps. | 0:24:51 | 0:24:54 | |
Get in, well done! | 0:24:54 | 0:24:56 | |
We are back with Paul. | 0:24:56 | 0:24:57 | |
He has combined the 1920s tea set | 0:24:57 | 0:25:00 | |
and the King Edward VIII coronation collection into one china lot. | 0:25:00 | 0:25:05 | |
Unusual decoration on this, ladies and gentlemen. | 0:25:05 | 0:25:07 | |
Unusual decoration, that's where it is. | 0:25:07 | 0:25:10 | |
Come on, let's start the bidding. Ten pounds the lot. | 0:25:10 | 0:25:12 | |
Unusual lot here. Ten I'm bid. 12 I'm bid. | 0:25:12 | 0:25:14 | |
14. 16. 18. 20. 22. | 0:25:14 | 0:25:18 | |
?20 I'm bid. At ?20. Where's two? | 0:25:18 | 0:25:20 | |
At ?20. | 0:25:20 | 0:25:22 | |
Oh, dear, not the figure you were hoping for, Paul. | 0:25:22 | 0:25:26 | |
It's Mark's pretty faux tortoiseshell manicure box next. | 0:25:26 | 0:25:31 | |
Come on, it needs to be sold. ?20 to get on. | 0:25:31 | 0:25:33 | |
?20, we're off. 20 bid now. 25. 25 on the right. | 0:25:33 | 0:25:37 | |
Decent bid increments as well. | 0:25:37 | 0:25:39 | |
40. 40 bid. 45. | 0:25:39 | 0:25:43 | |
In the room it goes, no mistake. At ?40. | 0:25:43 | 0:25:46 | |
Mark's not wearing a happy face for that result. | 0:25:48 | 0:25:52 | |
I mean, that was a steal for 40. Yeah. | 0:25:52 | 0:25:55 | |
It's Paul's last lot of the day, the exclusive riding crop and whip. | 0:25:55 | 0:26:01 | |
40. 45? 45. 50? 50. | 0:26:01 | 0:26:04 | |
55. 60. 65 there. Bethany's bidding. 70. | 0:26:04 | 0:26:08 | |
Oh, and we have a very keen young lady bidding here. | 0:26:08 | 0:26:11 | |
I bet she's got a horse. | 0:26:11 | 0:26:13 | |
100 on Glenn's phone. 105. | 0:26:13 | 0:26:15 | |
She's still there at 105. | 0:26:15 | 0:26:17 | |
110. With you at 110. | 0:26:17 | 0:26:19 | |
115. 120, is it, yes or no? | 0:26:19 | 0:26:22 | |
120, is it, yes or no? 120, yes. | 0:26:22 | 0:26:25 | |
125 in the room. | 0:26:25 | 0:26:27 | |
125 is bid. 130? | 0:26:27 | 0:26:29 | |
At 130. It's on Glenn at five. At 135. | 0:26:29 | 0:26:32 | |
At 140 bid. At 145. | 0:26:32 | 0:26:35 | |
At 145. Is it 150? At 150. | 0:26:35 | 0:26:40 | |
150. She's still there. At 155. | 0:26:40 | 0:26:43 | |
At 155 against Glenn's phone. 160. | 0:26:43 | 0:26:46 | |
160. 165. 165. 170. 165. 170. | 0:26:46 | 0:26:51 | |
The phone is now out. At 165, it is with you, Bethany, at 165. | 0:26:51 | 0:26:55 | |
At 165 once. | 0:26:55 | 0:26:57 | |
165 twice. | 0:26:57 | 0:26:59 | |
A third and final time at ?165. | 0:26:59 | 0:27:03 | |
?165. 482. | 0:27:03 | 0:27:07 | |
Put your hands together, ladies and gents, to the little bidder. | 0:27:07 | 0:27:11 | |
My goodness, Paul, the biggest profit of the day | 0:27:11 | 0:27:14 | |
so far, thanks to the determined young lady. | 0:27:14 | 0:27:17 | |
Giddy-up! | 0:27:17 | 0:27:18 | |
I'll buy you a drink, you'll be better tomorrow morning. | 0:27:18 | 0:27:21 | |
Yes, well... | 0:27:21 | 0:27:22 | |
I might need a bottle. | 0:27:22 | 0:27:24 | |
Don't lose heart, Mark, you have one last item left. | 0:27:27 | 0:27:30 | |
It is the pair of pillboxes. | 0:27:30 | 0:27:33 | |
I hope that I might not need to take a pill after the sales. | 0:27:33 | 0:27:37 | |
What shall we say for the two of those? | 0:27:37 | 0:27:39 | |
35. On commission, straight off at ?35. | 0:27:39 | 0:27:42 | |
Oh, it was ?50 profit. | 0:27:42 | 0:27:45 | |
At ?35. Can I see 40? ?40 bid. 45. I'm out. | 0:27:45 | 0:27:49 | |
?40 sitting in the front row, at ?40. Can I see five for the two? | 0:27:49 | 0:27:53 | |
At ?40, I'm going to sell then. | 0:27:53 | 0:27:54 | |
At ?40. Oh, well. That went over all right. | 0:27:54 | 0:27:58 | |
It's not the biggie profit he needed, | 0:27:58 | 0:28:01 | |
but it's better than nothing. | 0:28:01 | 0:28:03 | |
Jolly well done. Thanks. Let's have a wee drinky on me. | 0:28:03 | 0:28:07 | |
Come on. Let's have a wee drink on you. | 0:28:07 | 0:28:10 | |
Mark started with ?186.46 | 0:28:10 | 0:28:13 | |
and, after paying auction costs, | 0:28:13 | 0:28:16 | |
made a small profit of ?24.20, | 0:28:16 | 0:28:19 | |
leaving him with a respectable ?210.66 to carry forward. | 0:28:19 | 0:28:25 | |
But there is no stopping Paul. | 0:28:27 | 0:28:29 | |
He began with ?209.92 and after costs, | 0:28:29 | 0:28:33 | |
made a bumper ?161.18 profit. | 0:28:33 | 0:28:37 | |
So that leaves him with a delightful ?371.10 to spend next time. | 0:28:37 | 0:28:43 | |
And that makes him this leg's winner. Well done, Paulus. | 0:28:43 | 0:28:47 | |
Cheers, buddy. Can I say it? Ye of little faith, but it delivered. | 0:28:47 | 0:28:51 | |
For you. | 0:28:51 | 0:28:53 | |
Never fear, Mark. | 0:28:54 | 0:28:57 | |
There's still time to catch up, mate. | 0:28:57 | 0:28:59 | |
Paul and Mark are travelling over 300 miles from Sabden, Lancashire, | 0:29:02 | 0:29:06 | |
to Bridgwater in Somerset. | 0:29:06 | 0:29:08 | |
On this leg, they're beginning in the county town of Stafford, | 0:29:09 | 0:29:13 | |
and will auction 30 miles away in the town of Nantwich, | 0:29:13 | 0:29:16 | |
in Cheshire. | 0:29:16 | 0:29:17 | |
Stafford has a rich history | 0:29:20 | 0:29:21 | |
and is home to the largest timber-framed town house | 0:29:21 | 0:29:25 | |
in the country. But back to present day. | 0:29:25 | 0:29:27 | |
Our antique hunters are ready to spend, spend, spend. | 0:29:27 | 0:29:30 | |
Mark's first shop is just around the corner. | 0:29:32 | 0:29:34 | |
He has ?210.66 to spend. | 0:29:34 | 0:29:38 | |
Assistant Maureen is on duty today. | 0:29:38 | 0:29:40 | |
What a lovely little shop you've got here. It's gorgeous, isn't it? | 0:29:40 | 0:29:43 | |
I love it. Curiosity Shop. It really is, actually. | 0:29:43 | 0:29:46 | |
I don't know where to look first. | 0:29:46 | 0:29:49 | |
This looks quite interesting, doesn't it? | 0:29:51 | 0:29:53 | |
Because when you look at something like this, | 0:29:53 | 0:29:55 | |
what's the first thing that comes to mind? | 0:29:55 | 0:29:57 | |
You've got a sort of Eastern style, | 0:29:57 | 0:29:59 | |
all this very busy chasing with foliage. | 0:29:59 | 0:30:02 | |
This is almost certainly silver-plate. | 0:30:02 | 0:30:03 | |
Now, there's three pieces to this. | 0:30:03 | 0:30:06 | |
You've got the teapot, the rather big sugar bowl, | 0:30:06 | 0:30:11 | |
again with the same sort of decoration, | 0:30:11 | 0:30:14 | |
and you've got a charming little cream jug. | 0:30:14 | 0:30:18 | |
Again, the same decoration. | 0:30:18 | 0:30:21 | |
It's actually made in England for the Indian market. | 0:30:21 | 0:30:26 | |
We're probably looking at something that was made in about 1860. | 0:30:26 | 0:30:30 | |
The only problem is, again, the price. | 0:30:30 | 0:30:33 | |
?150. | 0:30:34 | 0:30:36 | |
The owner isn't here, | 0:30:37 | 0:30:39 | |
so Mark gets on the telephone to find out the very best price. | 0:30:39 | 0:30:42 | |
Could we do it for 50, please? | 0:30:43 | 0:30:46 | |
Oh, please, 50. | 0:30:46 | 0:30:48 | |
OK, listen, I'm not going to argue over a fiver. | 0:30:50 | 0:30:53 | |
Honestly, Stuart, that's very kind of you. | 0:30:53 | 0:30:55 | |
If you are happy to let it go for 55. | 0:30:55 | 0:30:57 | |
Listen, thank you so much. Bye-bye, Stuart. | 0:30:57 | 0:31:01 | |
?55, Mark?! You're a very lucky boy. | 0:31:02 | 0:31:07 | |
Paul and his ?371.10, meanwhile, | 0:31:08 | 0:31:10 | |
are heading to Browse Antiques, also in Stafford. | 0:31:10 | 0:31:15 | |
Hello. Hello. How are you doing? I'm Paul. Hello, Paul, Hugh. | 0:31:15 | 0:31:19 | |
Pleased to meet you. This is your emporium? This is it, yep. | 0:31:19 | 0:31:21 | |
Come and have a wander around. | 0:31:21 | 0:31:23 | |
Oh, what have you got there then? | 0:31:30 | 0:31:33 | |
A carved meerschaum pipe. | 0:31:33 | 0:31:38 | |
It is actually probably a cigarette pipe. | 0:31:38 | 0:31:42 | |
Meerschaum is a soft white mineral, | 0:31:42 | 0:31:44 | |
often used to make highly decorative smoking pipes. | 0:31:44 | 0:31:47 | |
We have what I think | 0:31:47 | 0:31:50 | |
is a rather little charming 17th century tavern scene. | 0:31:50 | 0:31:54 | |
OK, bank that. | 0:31:55 | 0:31:56 | |
Paul definitely has an eye for the unusual, | 0:31:58 | 0:32:01 | |
and now he has found a real little rarity. | 0:32:01 | 0:32:04 | |
We have a little silver cylinder, | 0:32:04 | 0:32:09 | |
this cockerel finial, I don't know what he's doing there. | 0:32:09 | 0:32:11 | |
We've got this little knob here that clearly turns this carousel | 0:32:11 | 0:32:16 | |
and they appear to be cocktail recipes. | 0:32:16 | 0:32:19 | |
Now, if I turn this, do these just like...? | 0:32:19 | 0:32:21 | |
Look at... Oh! | 0:32:21 | 0:32:23 | |
Oh, please! | 0:32:23 | 0:32:24 | |
Oh, I love a gadget. | 0:32:27 | 0:32:28 | |
Bank that. What a hoot. | 0:32:28 | 0:32:31 | |
Well, that's a good couple of items rooted out, | 0:32:34 | 0:32:37 | |
maybe he'll start buying soon. | 0:32:37 | 0:32:39 | |
Oh, hang onto your hats, Paul has that glint in his eye again. | 0:32:39 | 0:32:44 | |
We see a little enamelled white metal brooch. | 0:32:44 | 0:32:47 | |
I like that very much. | 0:32:47 | 0:32:50 | |
Could this be Tut-mania? | 0:32:50 | 0:32:53 | |
What, Tut-mania? | 0:32:53 | 0:32:55 | |
Howard Carter, 1922 I think, has uncovered Tutankhamen's tomb. | 0:32:55 | 0:33:00 | |
And there was a huge revival and interest in such, | 0:33:00 | 0:33:04 | |
and we get all of these Egyptianate | 0:33:04 | 0:33:07 | |
Tut-mania influenced pieces. | 0:33:07 | 0:33:11 | |
And we have a little look | 0:33:11 | 0:33:13 | |
and we see two cracking little initials - we see CH. | 0:33:13 | 0:33:17 | |
CH is Charles Horner, famed for his enamelled silver work, | 0:33:17 | 0:33:24 | |
his Art Nouveau silver work, small silver brooches, hat pins and so on. | 0:33:24 | 0:33:29 | |
That's a name to conjure with. | 0:33:29 | 0:33:31 | |
Have we made a Road Trip discovery? | 0:33:31 | 0:33:34 | |
Ten pounds?! | 0:33:36 | 0:33:39 | |
We have also got a big smile on our face. | 0:33:39 | 0:33:43 | |
Right, let's keep going. | 0:33:44 | 0:33:45 | |
But before he begins negotiations, | 0:33:47 | 0:33:49 | |
he wants to have a nosy in the back storeroom. | 0:33:49 | 0:33:52 | |
He's just such good fun. | 0:33:53 | 0:33:55 | |
We know the pe... we know the origin. Chinese. | 0:33:55 | 0:33:57 | |
We know the period - it's going to be inter-war. | 0:33:57 | 0:34:00 | |
In carved hardwood. | 0:34:00 | 0:34:03 | |
But we have carved bone and horn eyes and a full set of dentures here. | 0:34:03 | 0:34:10 | |
Look at his smiling face. | 0:34:10 | 0:34:11 | |
We have the problem that it is lighting and lighting can frighten. | 0:34:11 | 0:34:15 | |
You know I am passionate about it, | 0:34:15 | 0:34:17 | |
But the end user at auction can worry. They go, | 0:34:17 | 0:34:20 | |
"Who am I going to get to wire that? | 0:34:20 | 0:34:21 | |
"Will I get a socket to fit? Does a modern bulb go in it? | 0:34:21 | 0:34:24 | |
"Is it safe?" | 0:34:24 | 0:34:25 | |
And this a hurdle you would overcome at auction, so ignore my enthusiasm. | 0:34:25 | 0:34:31 | |
This is cold, rational... This is business. | 0:34:31 | 0:34:34 | |
Um... Is there money in it? | 0:34:34 | 0:34:36 | |
We'll see. It starts at 75. That's a lot of money. | 0:34:37 | 0:34:41 | |
Right. He's certainly picked out enough. Let's get buying Paul, eh? | 0:34:41 | 0:34:45 | |
Hugh, how are you doing? Fine. | 0:34:45 | 0:34:47 | |
Sort anything out? Uh, yeah. | 0:34:47 | 0:34:50 | |
I mean, there are things I'm interested in. | 0:34:50 | 0:34:52 | |
Cheeky Paul asked for a combo price for the laughing Buddha, | 0:34:52 | 0:34:56 | |
the pipe, the cocktail menu and the brooch. | 0:34:56 | 0:34:59 | |
150, that sounds like a good price. | 0:35:00 | 0:35:03 | |
And the brooch is in there? | 0:35:07 | 0:35:09 | |
If you do it at 150, the brooch is in today. | 0:35:09 | 0:35:14 | |
Lovely work. Thank you. Yep. Excellent. | 0:35:14 | 0:35:16 | |
?150? That's almost a quarter off the combined ticket price | 0:35:16 | 0:35:21 | |
of ?195. Who's laughing now then, Buddha? | 0:35:21 | 0:35:24 | |
Paul's shopping spree continues | 0:35:26 | 0:35:29 | |
He's planning to splash his cash in Windmill Antiques. | 0:35:29 | 0:35:32 | |
Our savvy Scot has already bought four items and he's hungry for more. | 0:35:32 | 0:35:37 | |
Ian? Hi, Paul. Yes, how are you? How are you doing? | 0:35:37 | 0:35:40 | |
Nice to meet you. Good to see you. | 0:35:40 | 0:35:42 | |
Is that a travelling pipe? It is, isn't it? | 0:35:46 | 0:35:49 | |
Yeah, I've seen them. | 0:35:49 | 0:35:51 | |
They're mad, aren't they? It all disappears into itself. | 0:35:51 | 0:35:55 | |
How totally insane. | 0:35:55 | 0:35:57 | |
Is that...? That's not dear, is it? What's the price on that? | 0:35:57 | 0:36:00 | |
Out of interest. Tenner. I'm going to put it back, but it's... | 0:36:00 | 0:36:06 | |
To be honest with you, I've already bought a pipe. | 0:36:06 | 0:36:09 | |
And that's why it resonates. I knew what it was. | 0:36:09 | 0:36:13 | |
In this treasure trove, it is not long before he finds something else. | 0:36:13 | 0:36:18 | |
Sugar tongs. Modelled as a wishbone. | 0:36:18 | 0:36:22 | |
Delightful. Good fun. | 0:36:24 | 0:36:26 | |
Decent set of assay marks. | 0:36:26 | 0:36:28 | |
What's on those? ?20 to you, Paul. | 0:36:29 | 0:36:32 | |
20 quid on the sugar tongs isn't expensive | 0:36:32 | 0:36:35 | |
but you know I'm going to... bid you on it. | 0:36:35 | 0:36:39 | |
HE LAUGHS | 0:36:39 | 0:36:42 | |
That was a given. Right, yeah. | 0:36:42 | 0:36:44 | |
So what am I really going to pay for them before I shake your hand, | 0:36:44 | 0:36:48 | |
wish you well and bid you adieu? | 0:36:48 | 0:36:49 | |
?15. As a goodwill gesture. I'm going to do it. Cheers, man. | 0:36:49 | 0:36:53 | |
Thanks very much. | 0:36:53 | 0:36:54 | |
I'll get you some money. One last parting shot. | 0:36:54 | 0:36:57 | |
We looked at your wee travelling combination, your pipe thing. | 0:36:57 | 0:37:01 | |
It is missing its... It is lacking that. | 0:37:01 | 0:37:05 | |
Take a couple quid for it? Parting shot? I don't see why not. | 0:37:05 | 0:37:08 | |
You can put it with the others. Exactly. | 0:37:08 | 0:37:10 | |
It all grist to the mill. Thank you. | 0:37:10 | 0:37:12 | |
We keep doing this. I know. We're on a roll. | 0:37:12 | 0:37:14 | |
Crikey Moses, with a total of six items, Paul's going to | 0:37:15 | 0:37:19 | |
combine the small travel pipe with the meerschaum pipe | 0:37:19 | 0:37:22 | |
and the silver sugar tongs with the silver broach. Got it? | 0:37:22 | 0:37:25 | |
Time to hook back up with Mark, and they boys are raring to go, | 0:37:26 | 0:37:30 | |
even though the heavens have descended. | 0:37:30 | 0:37:32 | |
Cheshire. | 0:37:32 | 0:37:34 | |
Footballers' wives territory. Absolutely. | 0:37:34 | 0:37:36 | |
We don't fit into that category. | 0:37:36 | 0:37:39 | |
I don't think, anyway. Are you a WAG? | 0:37:39 | 0:37:41 | |
THEY LAUGH | 0:37:41 | 0:37:44 | |
Ha, ha. | 0:37:44 | 0:37:45 | |
Mark and Paul have travelled to the village of Walgherton, | 0:37:45 | 0:37:48 | |
in Cheshire. | 0:37:48 | 0:37:49 | |
They're heading for Dagfields, a mecca for antique lovers. | 0:37:49 | 0:37:54 | |
There are six giant antiques emporia, with over 200 dealers. | 0:37:54 | 0:37:59 | |
Don't abandon, come on. | 0:37:59 | 0:38:02 | |
You've got to at least give it a try, Mark. | 0:38:02 | 0:38:05 | |
It's not over till it's over. | 0:38:05 | 0:38:07 | |
It's not over, but it is over if you can't get out of the car. It is. | 0:38:07 | 0:38:11 | |
That is a problem. | 0:38:11 | 0:38:13 | |
Stay. | 0:38:13 | 0:38:15 | |
Come on, dearie, it's not that bad. | 0:38:15 | 0:38:18 | |
Mark is first to get stuck in. | 0:38:18 | 0:38:20 | |
We'll have a little mooch in here, I think. | 0:38:21 | 0:38:23 | |
Hello, good morning. I'm Mark. Pleased to meet you, Mark, I'm Jeff. | 0:38:25 | 0:38:29 | |
Nice to meet you, Jeff. | 0:38:29 | 0:38:30 | |
This is your shop, is it? It is, yes. | 0:38:30 | 0:38:32 | |
What will tickle his fancy in here then? | 0:38:32 | 0:38:35 | |
This is rather interesting. We've got... | 0:38:35 | 0:38:38 | |
This is certainly 19th century. | 0:38:38 | 0:38:40 | |
What I think we've got is four 19th century coloured aquatints | 0:38:41 | 0:38:47 | |
or something like that in a later frame. | 0:38:47 | 0:38:50 | |
But then somebody has drawn and water coloured all these | 0:38:50 | 0:38:54 | |
wonderful birds and decoration around them. | 0:38:54 | 0:38:58 | |
And the colours are still quite vibrant on it. | 0:38:58 | 0:39:01 | |
And there's a cockatoo which doesn't look very happy, she's squawking. | 0:39:01 | 0:39:05 | |
Then there is a hummingbird and various other birds. | 0:39:05 | 0:39:09 | |
It's rather fun, though. | 0:39:09 | 0:39:11 | |
It is priced up at ?49. | 0:39:11 | 0:39:14 | |
Which actually is reasonable for all that work, I have to say. | 0:39:14 | 0:39:17 | |
And he's spied something else. | 0:39:18 | 0:39:21 | |
It is a banister-shaped vase with gilt decoration, cobalt blue. | 0:39:21 | 0:39:24 | |
No factory marks. | 0:39:24 | 0:39:26 | |
It feels as though it has a little bit of age, though, I don't know. | 0:39:27 | 0:39:30 | |
Painted with a windmill scene. | 0:39:30 | 0:39:32 | |
So it might be somebody who has just bought a blank and painted it. | 0:39:32 | 0:39:36 | |
There's no hanging about with this Mark. | 0:39:36 | 0:39:39 | |
He is going to strike up a negotiation. | 0:39:39 | 0:39:40 | |
Do you think, Jeff, that I would get this for a tenner? | 0:39:40 | 0:39:44 | |
How about 15? | 0:39:47 | 0:39:49 | |
?15... | 0:39:49 | 0:39:52 | |
Tell me about this vase over here. | 0:39:52 | 0:39:54 | |
I mean, I don't suppose we could say the two for ?15? | 0:39:54 | 0:39:57 | |
Um... Oh. Oh, the pain is growing. | 0:39:59 | 0:40:03 | |
Um, yes, seeing it's you. Are you sure? Yes, I am sure. | 0:40:03 | 0:40:09 | |
What a chancer! | 0:40:09 | 0:40:10 | |
Let's catch up with Paul. | 0:40:10 | 0:40:12 | |
Although he has four lots, he just can't help having a good nosy about. | 0:40:12 | 0:40:16 | |
The old pro. | 0:40:16 | 0:40:18 | |
Check this out. | 0:40:18 | 0:40:20 | |
1920s, 1930s, we see a vogue for pewter tea sets, OK? | 0:40:20 | 0:40:26 | |
What they tend to look like is pretty dull, olde English, yeah? | 0:40:26 | 0:40:31 | |
Just dreary. | 0:40:31 | 0:40:33 | |
And, of course, they oxidise to that pewter, that flat pewter grey, | 0:40:33 | 0:40:37 | |
but in this instance, you've got this geometric form, | 0:40:37 | 0:40:39 | |
you've got compressed forms, | 0:40:39 | 0:40:42 | |
I love that to bits! | 0:40:42 | 0:40:45 | |
And look at the price tag. | 0:40:45 | 0:40:47 | |
?22. | 0:40:47 | 0:40:49 | |
I'm going to have a word, but I need a give-away price. | 0:40:49 | 0:40:52 | |
I'm going to ask... ?22, we'll see what happens. | 0:40:52 | 0:40:55 | |
Philip is calling the dealer of the tea set to find out | 0:40:58 | 0:41:00 | |
if Paul's bid of ?15 is acceptable. | 0:41:00 | 0:41:03 | |
OK, Mark, thank you. | 0:41:03 | 0:41:05 | |
He says for you, sir, he'll do it. | 0:41:08 | 0:41:09 | |
Because you are one of his favourite, he says. | 0:41:09 | 0:41:11 | |
THEY LAUGH | 0:41:11 | 0:41:13 | |
He is now one of mine. | 0:41:13 | 0:41:15 | |
Maybe Mr Laidlaw needs to calm his jets. | 0:41:17 | 0:41:20 | |
Seven items and a total of five auction lots. | 0:41:20 | 0:41:23 | |
Back together again, the Road Trip wheels are on the move once more. | 0:41:25 | 0:41:29 | |
Mark's being dropped off in Leek in Staffordshire. | 0:41:31 | 0:41:34 | |
Did you know that former five-times world professional darts champion | 0:41:36 | 0:41:40 | |
Eric Bristow lives here? | 0:41:40 | 0:41:42 | |
Not a lot of people do. | 0:41:42 | 0:41:43 | |
Anyway, Mark is hoping to score a bull's-eye | 0:41:43 | 0:41:47 | |
and take the lead from Paul. | 0:41:47 | 0:41:48 | |
He is going for a mooch around in Christopher Mudd Design. | 0:41:48 | 0:41:51 | |
I'm Mark. Dealer Natalie is manning the shop today. | 0:41:51 | 0:41:55 | |
This is the sort of thing that Paul Laidlaw would like, you know. | 0:41:55 | 0:41:58 | |
A pair of vases in brass. | 0:41:58 | 0:42:00 | |
But they are made of old shell cases. | 0:42:01 | 0:42:05 | |
And it's known as trench art. | 0:42:05 | 0:42:07 | |
The soldiers in the trenches, | 0:42:07 | 0:42:09 | |
when there were long periods of non-hostility, | 0:42:09 | 0:42:13 | |
they would take these spent shells | 0:42:13 | 0:42:18 | |
and use whatever primitive tools they had to sort of, in this case, | 0:42:18 | 0:42:22 | |
planish the actual shaft of this with the little dots. | 0:42:22 | 0:42:26 | |
And actually beat out that pattern and then shape the top. | 0:42:26 | 0:42:30 | |
I mean, these are not terribly rare, but they are... | 0:42:30 | 0:42:34 | |
they're great fun and really collectible. | 0:42:34 | 0:42:37 | |
And I really like them because I think it just shows you that, | 0:42:37 | 0:42:40 | |
you know, in amongst all that, um, | 0:42:40 | 0:42:42 | |
carnage of the Great War, | 0:42:42 | 0:42:45 | |
life in the trenches must have been absolute hell. | 0:42:45 | 0:42:48 | |
The soldiers had to keep themselves busy | 0:42:48 | 0:42:53 | |
and they turned out, you know, actually, | 0:42:53 | 0:42:56 | |
wonderful pieces of art like that. | 0:42:56 | 0:42:58 | |
And these are priced up at ?48 the pair, which is not very much. | 0:43:00 | 0:43:05 | |
I love the thought of something that was causing such destruction has | 0:43:05 | 0:43:11 | |
now been turned into, you know, a pair of lovely vases to use at home. | 0:43:11 | 0:43:16 | |
Mark is on a mission to find out the very best price from Natalie. | 0:43:16 | 0:43:20 | |
If I buy them, I have got to get them at a very cheeky price. Yes. | 0:43:20 | 0:43:24 | |
OK. You can say no, of course. | 0:43:24 | 0:43:26 | |
There is no obligation on your part, all right? | 0:43:26 | 0:43:29 | |
I'm just trying it on a bit here. | 0:43:29 | 0:43:31 | |
If I buy them, I need to get them for about ?10 for the pair. | 0:43:31 | 0:43:35 | |
That's quite low. It is quite low, I know. 12? We could do 12. | 0:43:35 | 0:43:40 | |
I'm not going to argue, that's fine. Thank you. | 0:43:40 | 0:43:42 | |
Thank you very much, Natalie. You're welcome. | 0:43:42 | 0:43:45 | |
And on that bombshell, let's catch up with Paul. | 0:43:45 | 0:43:49 | |
Paul has travelled three miles away to the large village of Cheddleton, | 0:43:50 | 0:43:54 | |
in the Staffordshire moorlands. | 0:43:54 | 0:43:56 | |
He is visiting the unique Cheddleton Flint Mill, a site once | 0:43:58 | 0:44:02 | |
highly important to the potteries industry in nearby Stoke-on-Trent. | 0:44:02 | 0:44:06 | |
Good for the soul. | 0:44:08 | 0:44:10 | |
In the late 18th century, | 0:44:11 | 0:44:13 | |
when pottery making was reigning supreme in the UK, | 0:44:13 | 0:44:16 | |
Josiah Wedgwood was a pioneer of a type of English earthenware | 0:44:16 | 0:44:20 | |
called creamware. | 0:44:20 | 0:44:22 | |
It was discovered that the baked flint produced by the mills | 0:44:23 | 0:44:27 | |
was an excellent ingredient to provide durability and strength, | 0:44:27 | 0:44:31 | |
therefore allowing a cheaper alternative to expensive porcelain. | 0:44:31 | 0:44:35 | |
At the peak of the pottery boom, | 0:44:35 | 0:44:37 | |
there were dozens of flint mills in and around Stoke-on-Trent. | 0:44:37 | 0:44:40 | |
The Cheddleton Flint Mill Preservation Trust | 0:44:42 | 0:44:45 | |
was formed in 1967 to save the site from dereliction and ruin. | 0:44:45 | 0:44:50 | |
Since then, the mill has undergone substantial renovation | 0:44:50 | 0:44:53 | |
and is open to the public. | 0:44:53 | 0:44:55 | |
Paul is meeting with Treasurer Helen Outram to find out more. | 0:44:57 | 0:45:01 | |
You've got two water wheels here. Two, yes, we have. | 0:45:01 | 0:45:04 | |
And I believe that is unique. | 0:45:04 | 0:45:06 | |
In Britain, at any rate, yes. | 0:45:06 | 0:45:08 | |
So, where does the whole process begin on site? | 0:45:08 | 0:45:11 | |
It begins by the canal. | 0:45:11 | 0:45:13 | |
So, the flint came in by narrow boat from the South East of England, | 0:45:13 | 0:45:18 | |
Kent or Suffolk, or even from the coast of France. | 0:45:18 | 0:45:22 | |
And was unloaded by the crane. | 0:45:22 | 0:45:26 | |
Put into the kilns. | 0:45:26 | 0:45:28 | |
It was layered - a layer of coal, a layer of flint, | 0:45:28 | 0:45:31 | |
a layer of coal, a layer of flint until it was full. | 0:45:31 | 0:45:34 | |
Then they set fire to it and it burned for two days. | 0:45:34 | 0:45:37 | |
Then it was unloaded from the bottom of the kiln | 0:45:37 | 0:45:40 | |
and loaded onto little trucks and it used to come right across here. | 0:45:40 | 0:45:46 | |
And then it's ground in the mills. Right. | 0:45:46 | 0:45:49 | |
This one is about 1800. The other one is earlier. Right. | 0:45:51 | 0:45:55 | |
And this is the rest of the plateway, see? | 0:45:55 | 0:45:58 | |
Oh, I see, yeah, yeah. | 0:45:58 | 0:46:00 | |
And then it did actually turn into here, as well. | 0:46:00 | 0:46:03 | |
That's cool. Yeah. | 0:46:03 | 0:46:06 | |
Inside the mill, Helen has some examples of flint before | 0:46:06 | 0:46:10 | |
and after baking. | 0:46:10 | 0:46:11 | |
I see a couple of pebbles. That's right. | 0:46:11 | 0:46:14 | |
Now, that's the raw flint, which is almost black. Yeah. | 0:46:14 | 0:46:18 | |
And then after it's been calcined, it becomes white. | 0:46:18 | 0:46:22 | |
It's like something you'd rake out the bottom of your hearth. | 0:46:22 | 0:46:26 | |
That's right, and much easier to grind. I see. | 0:46:26 | 0:46:29 | |
The heart of the mill is upstairs. | 0:46:29 | 0:46:32 | |
So, here is the grinding pan. Wow. | 0:46:32 | 0:46:36 | |
And the flints go into the grinding pan. | 0:46:36 | 0:46:40 | |
So, what is the end product, Helen? | 0:46:40 | 0:46:43 | |
The end product is a milky liquid | 0:46:43 | 0:46:46 | |
which is actually a suspension of silica particles in water. | 0:46:46 | 0:46:50 | |
And when it's to the right consistency, it is run off | 0:46:50 | 0:46:53 | |
down the trench there and goes down into the wash tub, | 0:46:53 | 0:46:58 | |
which is on the floor below. | 0:46:58 | 0:47:01 | |
Once washed, the liquid would be baked in the drying kiln. | 0:47:01 | 0:47:05 | |
The finished product would be clay-like blocks, | 0:47:05 | 0:47:09 | |
which would then be transported to The Potteries to be | 0:47:09 | 0:47:11 | |
used for the manufacture of creamware. | 0:47:11 | 0:47:14 | |
Helen, that's a fascinating tale. | 0:47:14 | 0:47:16 | |
Thank you very much for letting me come here today | 0:47:16 | 0:47:19 | |
on such a glorious afternoon. | 0:47:19 | 0:47:21 | |
Lovely to meet you. A real pleasure. Thank you very much. | 0:47:21 | 0:47:23 | |
Thank you. Thank you. | 0:47:23 | 0:47:24 | |
While Paul has been discovering the lost worlds of the flint mill, | 0:47:28 | 0:47:32 | |
Mark Stacey is still in Leek, visiting P Antiques, | 0:47:32 | 0:47:35 | |
his final shop of the day. | 0:47:35 | 0:47:37 | |
Hello, Jo, nice to meet you. | 0:47:37 | 0:47:38 | |
Mark is meeting with proprietor and dealer Jo. | 0:47:38 | 0:47:41 | |
And, as usual, Mark likes to get to the heart | 0:47:41 | 0:47:44 | |
of the dealer's fresh, unsorted stock. | 0:47:44 | 0:47:46 | |
Oh, now what are these, Jo, covered in dust? | 0:47:46 | 0:47:50 | |
There's something I've had for a while. | 0:47:50 | 0:47:52 | |
We think they're Austrian silver, | 0:47:52 | 0:47:54 | |
but we can't really find the hallmark. Oh, is it? | 0:47:54 | 0:47:56 | |
I don't know where you can see. Probably go out there. | 0:47:56 | 0:47:59 | |
Yeah, go outside. | 0:47:59 | 0:48:00 | |
They are in good shape, aren't they? They are nice. | 0:48:06 | 0:48:08 | |
They need a little bit of work on the bottom. | 0:48:08 | 0:48:11 | |
They're all there, aren't they? | 0:48:11 | 0:48:13 | |
I think they're quite nice. | 0:48:13 | 0:48:15 | |
Sort of early 20th century, I would've thought. | 0:48:15 | 0:48:18 | |
They have a slightly classical look, but in a 20th century style, | 0:48:18 | 0:48:21 | |
haven't they? Yeah. They are filled silver, as you know. | 0:48:21 | 0:48:25 | |
How much are they, Jo? | 0:48:26 | 0:48:28 | |
If you don't beat me down, they're ?20 for the pair. | 0:48:31 | 0:48:35 | |
20 for the pair. | 0:48:35 | 0:48:37 | |
He's going to say, "Oh..." I'm not allowed to beat you down then? | 0:48:37 | 0:48:41 | |
That's not fair. Go on, then, try. | 0:48:43 | 0:48:45 | |
If I said ?10, you are going to come back at me and say... 15. | 0:48:48 | 0:48:52 | |
?15. And I am going to say, "Jo, I'll take them." | 0:48:52 | 0:48:56 | |
Thank you very much indeed. | 0:48:56 | 0:48:58 | |
And with that, the boys' shopping is concluded. | 0:48:58 | 0:49:02 | |
So let's refresh our grey matter as to what they bought. | 0:49:02 | 0:49:05 | |
Mark kicked off this leg with ?210.66 and spent only ?97 | 0:49:06 | 0:49:11 | |
on five auction lots. | 0:49:11 | 0:49:13 | |
They are a silver-plated tea set, | 0:49:13 | 0:49:15 | |
a signed late 19th century vase, | 0:49:15 | 0:49:17 | |
a painted photograph frame, | 0:49:17 | 0:49:19 | |
a pair of trench art shell cases, | 0:49:19 | 0:49:21 | |
and a pair of silver table candlesticks | 0:49:22 | 0:49:25 | |
Paul, meanwhile, began with ?371.10 and parted with ?182 for five lots. | 0:49:26 | 0:49:32 | |
He bought a carved figure of a Buddha, | 0:49:32 | 0:49:34 | |
a 1930s silver-plated cocktail recipe menu set, | 0:49:34 | 0:49:39 | |
a pair of pipes, | 0:49:39 | 0:49:40 | |
a 1920s pewter tea service | 0:49:40 | 0:49:42 | |
and an Egyptian revival silver brooch, | 0:49:42 | 0:49:45 | |
paired with a pair of Victorian silver sugar tongs. | 0:49:45 | 0:49:48 | |
So, what do our experts think of each others' items? | 0:49:48 | 0:49:51 | |
HE GROANS | 0:49:51 | 0:49:54 | |
If Stacey had a hat, he's got a rabbit in the hat. | 0:49:54 | 0:49:57 | |
Where did he get the candlesticks from? | 0:49:57 | 0:49:59 | |
Ah! | 0:49:59 | 0:50:00 | |
Oh, dear, oh, dear, oh, dear. | 0:50:00 | 0:50:02 | |
I shan't think Mr Laidlaw is very happy with me, do you? | 0:50:02 | 0:50:05 | |
Let's get back on the road and head to auction. | 0:50:07 | 0:50:09 | |
It has been a competitive third leg, | 0:50:13 | 0:50:15 | |
starting in Stafford via Walgherton, | 0:50:15 | 0:50:18 | |
Leek, Cheddleton, | 0:50:18 | 0:50:20 | |
with the final destination of Nantwich on the horizon. | 0:50:20 | 0:50:23 | |
Here we are, Paul. Looking good. The auction room. | 0:50:26 | 0:50:30 | |
Sun shining on the righteous yet again. Absolutely. | 0:50:30 | 0:50:33 | |
Story of my life! Of course, Paul. | 0:50:33 | 0:50:35 | |
Peter Wilson Auctioneers have been established | 0:50:36 | 0:50:39 | |
in the town for many years and are renowned for their gallery | 0:50:39 | 0:50:42 | |
and fine arts sales. | 0:50:42 | 0:50:44 | |
Not only do we have a packed saleroom, | 0:50:44 | 0:50:47 | |
but we also have an audience live on the web. | 0:50:47 | 0:50:49 | |
And auctioneer Rob Stone is raring to go. | 0:50:49 | 0:50:52 | |
First up, it's Mark's 19th-century vase. | 0:50:52 | 0:50:55 | |
He thinks it could do pretty well. | 0:50:55 | 0:50:56 | |
Who will give me ten to start this off? Ten anywhere? | 0:50:56 | 0:50:59 | |
Do I hear it? ?10 surely. | 0:50:59 | 0:51:00 | |
Lovely decorative vase for somebody at ten. | 0:51:00 | 0:51:02 | |
At ?10 only. Oh, come on. | 0:51:02 | 0:51:04 | |
15. The internet like it. | 0:51:04 | 0:51:06 | |
At ?15 bid. At 15. 20 is it now? | 0:51:06 | 0:51:08 | |
?15 on the internet. At 15. | 0:51:08 | 0:51:10 | |
20 is it now? ?15, bid's on the internet. | 0:51:10 | 0:51:12 | |
?15 only then. | 0:51:12 | 0:51:15 | |
Take hold of your money. It's a profit, isn't it? | 0:51:15 | 0:51:18 | |
Not the profit you were expecting, though, Mark, | 0:51:18 | 0:51:21 | |
but, yes, it is still a profit. | 0:51:21 | 0:51:23 | |
Next up, it's Paul's laughing Buddha. | 0:51:23 | 0:51:26 | |
Let's hope the smile attracts a nice big profit. | 0:51:26 | 0:51:29 | |
I've got ?50 bid for this. Oh, 50 straight in. 55 is it now? | 0:51:30 | 0:51:34 | |
?50 on bid. | 0:51:34 | 0:51:36 | |
55. 60 on commission. | 0:51:36 | 0:51:37 | |
65. 70. 75. 80. | 0:51:37 | 0:51:40 | |
85. 90. 95. | 0:51:40 | 0:51:42 | |
I'm liking it a lot more now. | 0:51:42 | 0:51:44 | |
110. 120. 130? | 0:51:44 | 0:51:46 | |
120 is here. | 0:51:46 | 0:51:48 | |
130? 130. | 0:51:48 | 0:51:50 | |
I'm liking it a lot more now! | 0:51:50 | 0:51:53 | |
Anywhere else, at 130 bid? Where's the net? Come on. | 0:51:53 | 0:51:55 | |
I like this very much. At ?130, bid is there. | 0:51:55 | 0:51:58 | |
At 130 and going to be sold at 130. | 0:51:58 | 0:52:00 | |
Paul definitely enjoyed that result. | 0:52:01 | 0:52:03 | |
Not so sure about Mark, though. | 0:52:03 | 0:52:05 | |
Quite ridiculous. | 0:52:05 | 0:52:06 | |
HE LAUGHS | 0:52:06 | 0:52:08 | |
Now, maybe Mark's unusual 19th-century decorative frame | 0:52:11 | 0:52:15 | |
with photographs will claw back some winnings. | 0:52:15 | 0:52:19 | |
I've got ?30. 30 straight in. | 0:52:19 | 0:52:21 | |
35. 40 is it now? 35, bid at 35. | 0:52:21 | 0:52:25 | |
40. 45. 50 now. 50 bid. | 0:52:25 | 0:52:26 | |
And they're off. Yeah, that's going to do you. | 0:52:26 | 0:52:29 | |
Come on, a little bit more. Come on, internet. | 0:52:29 | 0:52:31 | |
50, it's your bid at 50. | 0:52:31 | 0:52:33 | |
At ?50, had its chance, ?50 then and being sold at 50... | 0:52:33 | 0:52:36 | |
Well, that was a great buy, Mark, with a wonderful slice of profit. | 0:52:38 | 0:52:42 | |
Over to Paul and that rare little cocktail carousel. | 0:52:43 | 0:52:47 | |
?50 bid, straightaway at 50. | 0:52:47 | 0:52:49 | |
55 is it now? At ?50, and bid at 50. | 0:52:49 | 0:52:51 | |
And five now do I hear? | 0:52:51 | 0:52:52 | |
55 there. 60. 65. | 0:52:52 | 0:52:54 | |
65 is it now? 65. 65. 65 there. | 0:52:54 | 0:52:59 | |
65, the bid is there now. 70. | 0:52:59 | 0:53:00 | |
Multiple bidding on the internet at 70. | 0:53:00 | 0:53:02 | |
At 70. 75. 80. | 0:53:02 | 0:53:04 | |
It's all the internet. It is now on the internet, 85. | 0:53:04 | 0:53:07 | |
?80 we have. 85. 90 again on the internet. | 0:53:07 | 0:53:10 | |
90 you are bidding. ?85 on bid. | 0:53:10 | 0:53:12 | |
Is that 90? 90 bid now. At 90. | 0:53:12 | 0:53:15 | |
At ?90 only, any more bids? | 0:53:15 | 0:53:17 | |
It's a lovely thing. At ?90 only then. | 0:53:17 | 0:53:19 | |
Put the hammer down. Put the hammer down! | 0:53:19 | 0:53:22 | |
OK, OK. | 0:53:22 | 0:53:25 | |
Yet another sizable profit for Paul. | 0:53:25 | 0:53:28 | |
This is all going very well. | 0:53:28 | 0:53:30 | |
It's Paul again with the silver lot of sugar tongs | 0:53:31 | 0:53:34 | |
and the Egyptian brooch. | 0:53:34 | 0:53:36 | |
?50 bid straightaway. | 0:53:36 | 0:53:38 | |
At 50. I bid at 50. And five now do I hear? 55. | 0:53:38 | 0:53:41 | |
60 on commission. 65? 65. | 0:53:41 | 0:53:44 | |
70. 75? 70 with me on commission. | 0:53:44 | 0:53:46 | |
75, fresh bidder. 75. | 0:53:46 | 0:53:48 | |
80 is it now? 75, your bid at 75. | 0:53:48 | 0:53:51 | |
Going to be sold at ?75 then. | 0:53:51 | 0:53:53 | |
Oh! Well, that's ?50, Paul. | 0:53:53 | 0:53:57 | |
The bidders of Nantwich are loving Paul's lots. | 0:53:57 | 0:54:00 | |
It is yet another chunk of profit. | 0:54:00 | 0:54:02 | |
There, there, Mark. It is your turn next with the Indian tea set. | 0:54:05 | 0:54:10 | |
It should make a ?100, but... | 0:54:10 | 0:54:12 | |
At ?30. ?30 bid down here. | 0:54:12 | 0:54:15 | |
At ?30. I have... 35 is it now? | 0:54:15 | 0:54:17 | |
At 35. 35. 40 now. 40 bid. | 0:54:17 | 0:54:19 | |
45. It's good value at 45. | 0:54:19 | 0:54:21 | |
At 40, the bid is here. At ?40. At 45. Anybody else | 0:54:21 | 0:54:24 | |
for a cup of tea? At ?40. The bid is here ?40. | 0:54:24 | 0:54:27 | |
I can't believe it, Paul. | 0:54:27 | 0:54:29 | |
45. 50 now? Are you sure? | 0:54:29 | 0:54:31 | |
45, the bid is there at 45, going to be sold at 45. | 0:54:31 | 0:54:34 | |
Bid's there at ?45. Going away at ?45 then. | 0:54:34 | 0:54:38 | |
I just don't understand it. | 0:54:38 | 0:54:39 | |
I don't understand that. I don't understand it, Paul, honestly. | 0:54:39 | 0:54:42 | |
I'm not understanding. | 0:54:42 | 0:54:44 | |
Sadly, it didn't make ?100. | 0:54:44 | 0:54:46 | |
That is your first loss of the day, though. | 0:54:46 | 0:54:49 | |
Over to Paul with the charming pipe duo lot next. | 0:54:49 | 0:54:53 | |
At ?50 on bid. | 0:54:53 | 0:54:55 | |
55? 55. 60. 65. | 0:54:55 | 0:54:56 | |
70 is with me. 75 now. | 0:54:56 | 0:54:59 | |
At ?70, the bid is with me at ?70. | 0:54:59 | 0:55:01 | |
At 75 on the internet. 80 here. | 0:55:01 | 0:55:03 | |
85 now. 85. 90. | 0:55:03 | 0:55:05 | |
95 on the internet, at 95. | 0:55:05 | 0:55:07 | |
95, your bid on the internet at 95. | 0:55:07 | 0:55:10 | |
110. Multiple bidding on the internet. 110 now. 110. | 0:55:10 | 0:55:13 | |
120 is there? 120. 130 now. | 0:55:13 | 0:55:15 | |
130 bid. 140 is there? | 0:55:15 | 0:55:18 | |
140 bid. 150 now. 150 do we hear? | 0:55:18 | 0:55:21 | |
150. 150 bid. 160. Multiple bidding on the internet. 160. | 0:55:21 | 0:55:24 | |
160. 170 now. Bid at 180 now. | 0:55:24 | 0:55:27 | |
Bid at 180. At 190 we have now. | 0:55:27 | 0:55:29 | |
At 190. Finished up on the internet? ?200, make it a nice round figure? | 0:55:29 | 0:55:33 | |
200 bid now. At 200. | 0:55:33 | 0:55:35 | |
The bid is there a ?200 | 0:55:35 | 0:55:37 | |
and will be sold at ?200 on the internet. | 0:55:37 | 0:55:40 | |
Multiple bidding. | 0:55:40 | 0:55:41 | |
Congratulations, Paul. Yes. Congratulations. | 0:55:41 | 0:55:44 | |
If I smoked, I'd open a big fat cigar. | 0:55:44 | 0:55:47 | |
What a cracking profit, Paul! That is the best result so far. | 0:55:47 | 0:55:51 | |
It is Mark next with the trench art shell cases. | 0:55:52 | 0:55:57 | |
Straightaway ?30 for these. ?30. | 0:55:57 | 0:55:58 | |
35 anywhere now? 35 there. At 35. | 0:55:58 | 0:56:01 | |
40 with me. 45 now. | 0:56:01 | 0:56:03 | |
45, your bid at 45. | 0:56:03 | 0:56:04 | |
At 50, fresh bidder. Oh, 50. Doing well. | 0:56:04 | 0:56:07 | |
60 now. 60 bid. 65? | 0:56:07 | 0:56:09 | |
At ?65, bid there. At 65... | 0:56:09 | 0:56:11 | |
That was a good break, Mark. That was a very good price. | 0:56:11 | 0:56:15 | |
It was indeed. Thankfully. | 0:56:15 | 0:56:17 | |
That was a great buy, Mark. | 0:56:17 | 0:56:18 | |
Next, it's Paul with the 1920s pewter tea set. | 0:56:19 | 0:56:22 | |
?20 to start it off, please. At 20. 20 anywhere now? | 0:56:23 | 0:56:26 | |
20 bid straightaway. | 0:56:26 | 0:56:27 | |
Hand went up like a demon there. ?20 straightaway. | 0:56:27 | 0:56:30 | |
At ?20. 25 is it now? Disappointing. | 0:56:30 | 0:56:33 | |
What great value for money this is at 20. And five? 25. | 0:56:33 | 0:56:36 | |
30 bid. 35 now. | 0:56:36 | 0:56:37 | |
35, just one more. 35? | 0:56:37 | 0:56:40 | |
At 30, being sold at ?30 then. | 0:56:40 | 0:56:44 | |
Not one of your best results today, though, Paul, | 0:56:44 | 0:56:47 | |
but every penny counts. | 0:56:47 | 0:56:48 | |
You know, you have doubled your money, there is no shame in that. | 0:56:48 | 0:56:51 | |
Yeah. | 0:56:51 | 0:56:52 | |
Now for the final lot of the day, | 0:56:52 | 0:56:54 | |
it's Mark's pair of silver candlesticks | 0:56:54 | 0:56:57 | |
that he managed to buy for a song. | 0:56:57 | 0:56:58 | |
I've got ?80 bid for them straightaway. ?80. | 0:57:00 | 0:57:02 | |
85 is it now? ?80 on bid. | 0:57:02 | 0:57:05 | |
85 now. What value for money. Come on, now. | 0:57:05 | 0:57:07 | |
There's no bidding! There's the net. | 0:57:07 | 0:57:10 | |
85. 90. 95 on the internet. 95. | 0:57:10 | 0:57:13 | |
At 95. 100 anywhere else? | 0:57:13 | 0:57:14 | |
It is going to be the net. But there's nobody bidding! | 0:57:14 | 0:57:17 | |
Super value for money at ?95. And going to be sold at 95. | 0:57:17 | 0:57:20 | |
I mean, this is just unbelievable. | 0:57:20 | 0:57:22 | |
It had to be the damage. It's unbelievable. | 0:57:22 | 0:57:26 | |
Go on, Mark, it is an ?80 profit. | 0:57:27 | 0:57:30 | |
Great results, but not enough to beat Paul. | 0:57:30 | 0:57:33 | |
Congratulations. Cheers, man. The drinks AGAIN are on you. | 0:57:35 | 0:57:38 | |
Mark started this leg with ?210.66, | 0:57:42 | 0:57:46 | |
and after paying auction cost, made a profit of ?124.40. | 0:57:46 | 0:57:51 | |
Mark has ?335.06 to carry forward. | 0:57:51 | 0:57:56 | |
Paul, meanwhile, started with ?371.10 | 0:57:59 | 0:58:02 | |
and after auction costs, | 0:58:02 | 0:58:04 | |
made a bumper profit of ?248.50 | 0:58:04 | 0:58:07 | |
That makes him the winner of this leg | 0:58:07 | 0:58:10 | |
with a whopping ?619.60 to take forward. | 0:58:10 | 0:58:14 | |
Well done, Paul. | 0:58:14 | 0:58:17 | |
Well, Paul, congratulations again. Yes. | 0:58:17 | 0:58:20 | |
I think I'll drive this time. Yeah, good. | 0:58:20 | 0:58:22 | |
You can bask in your own glory. | 0:58:22 | 0:58:26 | |
Home, Jeeves. Onwards and downwards, Paul. | 0:58:26 | 0:58:28 |