Browse content similar to Episode 20. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts | 0:00:01 | 0:00:04 | |
-'with £200 each...' -I love that. | 0:00:04 | 0:00:06 | |
..a classic car | 0:00:06 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
Yippee! | 0:00:10 | 0:00:12 | |
My heart is slightly racing. | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There will be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Evening, all. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Johnny, are we going to end up in a dead end? | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:33 | |
Yeah! | 0:00:33 | 0:00:34 | |
Today, we are on the road for the final adventure | 0:00:41 | 0:00:44 | |
with our bewitching antique experts, Anita Manning and Jonathan Pratt. | 0:00:44 | 0:00:48 | |
# Bread of heaven | 0:00:48 | 0:00:50 | |
# Bread of heaven, feed me now... # | 0:00:50 | 0:00:53 | |
No... | 0:00:53 | 0:00:55 | |
# Feed me till I want no more | 0:00:55 | 0:00:57 | |
# I want no more | 0:00:57 | 0:00:58 | |
# Feed me till I want no more. # | 0:00:58 | 0:01:02 | |
That's right, we're in Wales. | 0:01:03 | 0:01:06 | |
Anita Manning is a no-nonsense auctioneer that plays it supercool | 0:01:08 | 0:01:11 | |
when she goes in for a deal. | 0:01:11 | 0:01:14 | |
Give me a better price on it. Give me it for a fiver. | 0:01:14 | 0:01:17 | |
And she has a real passion for hats. | 0:01:17 | 0:01:20 | |
-That is for your granny's wedding. -Yeah, I know! | 0:01:20 | 0:01:24 | |
This is Jonathan Pratt. | 0:01:24 | 0:01:27 | |
He is a rather savvy auctioneer who knows how to make a buck or two. | 0:01:27 | 0:01:32 | |
Let me come around. If anyone comes in, I'll serve them. | 0:01:32 | 0:01:34 | |
-By all means. -Ten per cent, is that all right? -Yeah, you're right. | 0:01:34 | 0:01:38 | |
But he doesn't hang about when it comes to making decisions. | 0:01:38 | 0:01:42 | |
Oh, no! I was doing so well. | 0:01:42 | 0:01:45 | |
At auction, Jonathan has had his highs... | 0:01:46 | 0:01:49 | |
..and his lows. | 0:01:51 | 0:01:53 | |
But Anita's gamble on unusual items has really paid off. | 0:01:55 | 0:02:01 | |
Jonathan has tried, though, his very, very best. | 0:02:01 | 0:02:04 | |
From his original £200, | 0:02:04 | 0:02:06 | |
he has a rather tidy sum of £337.77 weighing down his purse. | 0:02:06 | 0:02:12 | |
But seizing the lead is the winning Anita Manning. | 0:02:12 | 0:02:16 | |
From her original £200, she has an impressive £471.03. | 0:02:16 | 0:02:23 | |
She looks pleased, doesn't she? | 0:02:23 | 0:02:25 | |
And our excitable antiques luvvies will be making their final journey | 0:02:27 | 0:02:31 | |
in, of course, the 1964 stylish MG. | 0:02:31 | 0:02:34 | |
Who needs to go to the South of France when you can come to Wales? | 0:02:34 | 0:02:38 | |
Quite right. | 0:02:39 | 0:02:41 | |
Anita and Jonathan are travelling over 400 miles from the city | 0:02:44 | 0:02:47 | |
of Glasgow all the way to Llangefni, | 0:02:47 | 0:02:49 | |
on the Isle of Anglesey. | 0:02:49 | 0:02:51 | |
On today's show, first up is the town of Colwyn Bay. | 0:02:53 | 0:02:57 | |
And they will auction in Llangefni. | 0:02:57 | 0:02:59 | |
-Don't you love the sea? -Oh, lovely! | 0:03:01 | 0:03:04 | |
The seaside town of Colwyn Bay is the birthplace of former | 0:03:06 | 0:03:09 | |
007 actor Timothy Dalton, | 0:03:09 | 0:03:12 | |
and is the location for Anita's first shopping assignment. | 0:03:12 | 0:03:15 | |
And she is like a whirling dervish who is licensed to spend. | 0:03:15 | 0:03:20 | |
Oh, Lordy, standby. | 0:03:20 | 0:03:22 | |
I am feeling a wee bit dangerous today. | 0:03:23 | 0:03:25 | |
Is this the shop I could spend all my money in? | 0:03:25 | 0:03:29 | |
It seems Anita is on a mission, | 0:03:29 | 0:03:31 | |
and her first task is to cosy up to owner, Frank. | 0:03:31 | 0:03:35 | |
-Hello! -Hi. -Good luck, Frank. | 0:03:35 | 0:03:37 | |
-I'm Anita. -How are you? -Is this your shop? -It is, yes. | 0:03:37 | 0:03:40 | |
-Oh, it's a great shop. -You like it? | 0:03:40 | 0:03:43 | |
The charming Anita sure is cosying up to the owner. | 0:03:43 | 0:03:46 | |
It's usually small, sparkly jewellery Anita falls for. | 0:03:46 | 0:03:48 | |
But there is nothing tiny about this chandelier. | 0:03:48 | 0:03:51 | |
Oh, no, just look at it, it is a brute. | 0:03:51 | 0:03:53 | |
When I looked at it, it is moulded glass, it is not quite crystal. | 0:03:53 | 0:03:57 | |
Fairly modern. | 0:03:57 | 0:03:59 | |
But there is nice quality to it. There is a lot of weight, you see? | 0:03:59 | 0:04:03 | |
Yeah. Yeah. Hold it up, Frank. | 0:04:03 | 0:04:05 | |
If there were two of them, you could use them as earrings. | 0:04:06 | 0:04:10 | |
It'd be a big lady who could wear a pair of earrings that size. | 0:04:10 | 0:04:13 | |
No need to say it like that, Frank. | 0:04:13 | 0:04:16 | |
Quite a lot of quality there, isn't there? | 0:04:16 | 0:04:18 | |
Well, it's not bad, but it's not the best. | 0:04:18 | 0:04:22 | |
Maybe we can do something with that for you, | 0:04:22 | 0:04:25 | |
if you have got your eye on that. | 0:04:25 | 0:04:27 | |
Well, I'll tell you, there's another couple of items. | 0:04:27 | 0:04:30 | |
-Let's go. -What I want to do, Frank... | 0:04:30 | 0:04:34 | |
-Is marry a few things together. -I want to spend, spend, spend! | 0:04:34 | 0:04:37 | |
Right. | 0:04:37 | 0:04:40 | |
Oh, Lordy, he looks frightened. | 0:04:40 | 0:04:42 | |
I fancy this wee table, | 0:04:42 | 0:04:44 | |
because I like the idea that it is like a miniature. | 0:04:44 | 0:04:48 | |
I like the idea that you can use it as a single table, or you can | 0:04:48 | 0:04:52 | |
-separate it out. -That's right. | 0:04:52 | 0:04:54 | |
-I like these things. -It's functional. | 0:04:54 | 0:04:56 | |
And I like the idea that it's functional. | 0:04:56 | 0:04:58 | |
Another item that I was looking at, | 0:04:58 | 0:05:01 | |
and again, I'm thinking for function... | 0:05:01 | 0:05:03 | |
What is she up to now, then? | 0:05:03 | 0:05:06 | |
Very unusual for Anita to get so excited about furniture, | 0:05:06 | 0:05:09 | |
but she has found yet another decorative table. | 0:05:09 | 0:05:12 | |
I hope she is all right. | 0:05:12 | 0:05:13 | |
-This is... It's a Louis Cannes style. -That's right. | 0:05:13 | 0:05:17 | |
And it's...the type of lady that might buy it, | 0:05:17 | 0:05:21 | |
I think, is the type of lady who would have | 0:05:21 | 0:05:24 | |
a nice guesthouse. | 0:05:24 | 0:05:27 | |
She likes luxurious surroundings. | 0:05:27 | 0:05:29 | |
And I think that sort of thing would, kind of, fit in the bill. | 0:05:29 | 0:05:33 | |
What does she mean, "fit in the bill?" Doesn't she mean, fit the bill? | 0:05:33 | 0:05:36 | |
Anyway, this is Louis, Louis XVI style, I reckon. | 0:05:36 | 0:05:40 | |
It looks a lot more than you what you would be expecting | 0:05:40 | 0:05:43 | |
to pay for it. | 0:05:43 | 0:05:45 | |
These plaques, for instance, you see on here, | 0:05:45 | 0:05:47 | |
-are porcelain. And as you say, it's got that Louis look. -Yes. | 0:05:47 | 0:05:52 | |
And the thick marble, so it is not going to just be knocked over, | 0:05:52 | 0:05:55 | |
you know, it is a good all-around piece. | 0:05:55 | 0:05:58 | |
Now, it looks like Anita is going in for a multi-buy. | 0:05:58 | 0:06:02 | |
The original ticket price on the chandelier is £150. | 0:06:02 | 0:06:06 | |
£75 for the twin pedestal table | 0:06:06 | 0:06:09 | |
and £85 for the marble-top table, | 0:06:09 | 0:06:11 | |
giving a combined total of £310. | 0:06:11 | 0:06:14 | |
Wow, this is chancy. | 0:06:14 | 0:06:16 | |
I was thinking... | 0:06:16 | 0:06:17 | |
50, | 0:06:17 | 0:06:19 | |
50, | 0:06:19 | 0:06:21 | |
80. | 0:06:21 | 0:06:22 | |
That's 180. | 0:06:24 | 0:06:26 | |
To help you to sell them, and I can more or less guarantee | 0:06:26 | 0:06:29 | |
-you'll make a good profit on these. -Uh-huh. | 0:06:29 | 0:06:31 | |
Not a pound or so. I will do 200 for the three for you. | 0:06:31 | 0:06:35 | |
200 for the three? You're a darling! | 0:06:35 | 0:06:39 | |
Oh. You are enjoying that, Frank. | 0:06:39 | 0:06:41 | |
Well, we got there in the end with a master class | 0:06:41 | 0:06:44 | |
of smiley negotiations from the alluring Anita. | 0:06:44 | 0:06:47 | |
Jonathan, meanwhile, is in nearby Rhos on Sea. | 0:06:51 | 0:06:54 | |
And the smallest chapel in Britain, | 0:06:55 | 0:06:58 | |
Capel St Trillo, is located here. | 0:06:58 | 0:07:00 | |
How is our young gun getting on in his first shop of the day? | 0:07:04 | 0:07:09 | |
OK, so a little brooch. It has got a '50s style about it, | 0:07:09 | 0:07:12 | |
doesn't it? It is sort of like a... almost a Scandinavian influence. | 0:07:12 | 0:07:15 | |
Stamped 18K, so it's continental. | 0:07:15 | 0:07:18 | |
A brooch, eh? | 0:07:19 | 0:07:20 | |
Well, the lad's done well on jewellery before | 0:07:20 | 0:07:23 | |
and owner, Shawna, has a cabinet full of the stuff. | 0:07:23 | 0:07:26 | |
Would you mind if I see this gold and diamond circular brooch? | 0:07:26 | 0:07:30 | |
-The Victorian one. -Uh-huh. | 0:07:30 | 0:07:32 | |
A few diamonds in. Nicely made, isn't it? | 0:07:35 | 0:07:39 | |
This sort of beadwork, I wonder why it has got a milled edge, though. | 0:07:39 | 0:07:41 | |
Isn't that funny? It is almost like a coin. | 0:07:41 | 0:07:44 | |
It does look a bit like a coin, doesn't it? | 0:07:44 | 0:07:47 | |
Diamond is a nice colour, but it is internally flawed. | 0:07:47 | 0:07:50 | |
-Yes, it is just a dress brooch. -But it's a pretty thing. | 0:07:50 | 0:07:54 | |
Pretty thing. | 0:07:54 | 0:07:55 | |
Seems Jonathan's in brooch heaven today. | 0:07:55 | 0:07:59 | |
And he's not finished shopping yet. He is on the prowl for more booty. | 0:07:59 | 0:08:05 | |
I am going to step away from the cabinets for a moment | 0:08:05 | 0:08:07 | |
and have a look around. | 0:08:07 | 0:08:09 | |
The little spill vase with the sort of 1970's style, | 0:08:13 | 0:08:17 | |
with the rustic base. | 0:08:17 | 0:08:19 | |
It is by Deakin and Francis, by the way, is it, D&F? | 0:08:19 | 0:08:22 | |
I mean, you would call it a spill vase. | 0:08:22 | 0:08:25 | |
It would be for something like putting a little flower in. | 0:08:25 | 0:08:28 | |
I think spill was something else, | 0:08:28 | 0:08:29 | |
I think it was like rushes for lighting fires and things, | 0:08:29 | 0:08:32 | |
but you have got this lovely little rusticated base. | 0:08:32 | 0:08:34 | |
It is weighted all right and it has got a little bit of age. | 0:08:34 | 0:08:38 | |
And he has got his eye on something else. | 0:08:38 | 0:08:40 | |
Crikey, Jonathan, there is no stopping you today. | 0:08:40 | 0:08:44 | |
I quite like that design. That is quite sweet, isn't it? | 0:08:44 | 0:08:48 | |
It has a sort of almost carpet pattern, | 0:08:49 | 0:08:51 | |
sort of Spanish-Mexican or something. | 0:08:51 | 0:08:53 | |
Basically, what we've got here is a vesta case. | 0:08:53 | 0:08:55 | |
Vesta case is a matchbox case. | 0:08:55 | 0:08:57 | |
And you'd carry your matches around with you. | 0:08:57 | 0:08:59 | |
It is a sort of 19th century thing. | 0:08:59 | 0:09:01 | |
So, Jonathan decides to go in for a job lot on the Victorian gold | 0:09:01 | 0:09:06 | |
brooch, the '50s gold brooch and the silver vesta case and vase. | 0:09:06 | 0:09:11 | |
The combined ticket price on all four is a whopping £520. | 0:09:11 | 0:09:17 | |
-Make it 290 then. -290. -Uh-huh. | 0:09:17 | 0:09:21 | |
And that will do me just fine. That is what I was going to ask. | 0:09:21 | 0:09:24 | |
£290? Thank you very much. | 0:09:24 | 0:09:26 | |
Four items, one shop. | 0:09:27 | 0:09:31 | |
£290 blown already. | 0:09:31 | 0:09:33 | |
The boy is certainly going for it. God! | 0:09:33 | 0:09:37 | |
And Jonathan even has Auntie Anita providing a chauffeur service. | 0:09:37 | 0:09:41 | |
She is taking him onwards and upwards to his next shop | 0:09:41 | 0:09:43 | |
in Llandudno Junction. | 0:09:43 | 0:09:46 | |
And it looks like she is taking the scenic route, look at that. | 0:09:46 | 0:09:49 | |
How did we manage to go the wrong way, Jonathan? | 0:09:51 | 0:09:54 | |
It is your blethering. Your blethering has put me off. | 0:09:54 | 0:09:57 | |
Of course it has, Anita. Of course it has! | 0:09:57 | 0:10:02 | |
Oh, he is such a chatterbox, isn't it? | 0:10:02 | 0:10:04 | |
Well, Anita, well driven. Easy to go the wrong way. | 0:10:04 | 0:10:08 | |
Watch it, Johnny. | 0:10:08 | 0:10:09 | |
Drive safely. Do you know where you are going now? Do you want a map? | 0:10:09 | 0:10:13 | |
-Are you all right? -Shut up. -Yes, you tell him, Anita. | 0:10:13 | 0:10:16 | |
-Have a good time. -And you, see you. | 0:10:16 | 0:10:18 | |
We'll catch up with Jonathan later, | 0:10:18 | 0:10:19 | |
but for now, Anita is travelling to Conwy | 0:10:19 | 0:10:22 | |
to visit a splendid and ancient townhouse. | 0:10:22 | 0:10:25 | |
And she has decided to treat us to a medley of Bassey hits. | 0:10:28 | 0:10:33 | |
# The minute you walked in the joint I could tell... # | 0:10:33 | 0:10:37 | |
No. | 0:10:37 | 0:10:38 | |
Oh, crikey! | 0:10:38 | 0:10:40 | |
Try again. | 0:10:40 | 0:10:41 | |
# The minute you walked in the joint | 0:10:41 | 0:10:45 | |
# I could tell you were a real big spender | 0:10:45 | 0:10:49 | |
# A man of distinction... # | 0:10:49 | 0:10:52 | |
No, that's not it. | 0:10:52 | 0:10:54 | |
# I...I who have nothing... # | 0:10:56 | 0:10:59 | |
# I... | 0:10:59 | 0:11:00 | |
No. | 0:11:00 | 0:11:01 | |
# I...I who have nothing | 0:11:01 | 0:11:05 | |
# I...I who have no-one. # | 0:11:05 | 0:11:08 | |
I will get arrested if I do any more of this stuff. | 0:11:12 | 0:11:14 | |
That's exactly right. | 0:11:14 | 0:11:16 | |
Anyway, that might be a good thing. Stick to the day job, Anita. | 0:11:16 | 0:11:19 | |
I wonder who this was to keep out. | 0:11:19 | 0:11:22 | |
Uh... Ha-ha, the Welsh? | 0:11:22 | 0:11:24 | |
The town of Conwy is enclosed within a ring of 13th-century walls | 0:11:27 | 0:11:32 | |
and protected by a mighty Norman castle. | 0:11:32 | 0:11:34 | |
In the narrow streets, stands Plas Mawr. | 0:11:38 | 0:11:42 | |
It is a townhouse built for the influential Welsh merchant, | 0:11:42 | 0:11:45 | |
Robert Wynn. | 0:11:45 | 0:11:48 | |
Wynn was a world travelled courtier and trader | 0:11:48 | 0:11:52 | |
and the house stands as a symbol of a prosperous, buoyant age. | 0:11:52 | 0:11:56 | |
The style and design symbolizes Wynn's wealth and status. | 0:11:56 | 0:12:01 | |
This architectural delight is considered to be the finest | 0:12:02 | 0:12:06 | |
surviving Elizabethan townhouse in Britain. | 0:12:06 | 0:12:09 | |
Anita is meeting with property manager, Rachel Skelly, | 0:12:09 | 0:12:13 | |
-to learn more. -It's lovely to be in Plas...? -Mawr. | 0:12:13 | 0:12:17 | |
Tell me, what does that mean? | 0:12:17 | 0:12:19 | |
Plas Mawr means "big house" or, as we like to say, great hall. | 0:12:19 | 0:12:23 | |
It is the finest example of an Elizabethan merchant's townhouse. | 0:12:23 | 0:12:26 | |
It has been compared to a modern day footballer's house. | 0:12:26 | 0:12:29 | |
It would have been the latest fashion of the period - | 0:12:29 | 0:12:32 | |
modern, up-to-date. | 0:12:32 | 0:12:33 | |
-So, it is a big bit of bling. -It certainly is. | 0:12:33 | 0:12:36 | |
-Can we go up and have a look? -You certainly can. | 0:12:36 | 0:12:40 | |
I'm looking forward to this. | 0:12:40 | 0:12:41 | |
Robert wanted to demonstrate his success | 0:12:47 | 0:12:49 | |
and wealth, with the latest in 16th century design. | 0:12:49 | 0:12:53 | |
-Here we have Robert Wynn's bedchamber. -Right. | 0:12:56 | 0:13:00 | |
So he would have his big four-poster here. | 0:13:00 | 0:13:03 | |
He certainly would, in front of the fire. | 0:13:03 | 0:13:05 | |
-And this is his coat of arms here? -This is the Wynn coat of arms. | 0:13:05 | 0:13:08 | |
And that is 1577. | 0:13:08 | 0:13:12 | |
And as we were talking about the footballer's modern-day house, | 0:13:12 | 0:13:16 | |
-here we have a garderobe. -Oh, right. | 0:13:16 | 0:13:19 | |
-Oh, so this is a 16th century en suite. -It certainly is. | 0:13:19 | 0:13:24 | |
-Very modern. -I wouldn't like to smell that, though. | 0:13:24 | 0:13:28 | |
-I can't see Wayne Rooney in there. -No. | 0:13:28 | 0:13:32 | |
Wynn was proud of his Welsh ancestry and commissioned | 0:13:33 | 0:13:37 | |
specialist plasterers to create decorative schemes | 0:13:37 | 0:13:40 | |
that incorporated heraldic emblems of his family. | 0:13:40 | 0:13:44 | |
Again, this symbolized the might of Wynn's wealth. | 0:13:44 | 0:13:48 | |
Ah, now, Rachel, this... | 0:13:51 | 0:13:55 | |
-..this is the room that I can see myself in. -It certainly is. | 0:13:55 | 0:13:58 | |
I think this is wonderful! And the first thing that strikes me | 0:13:58 | 0:14:02 | |
really, is this very colourful plasterwork. | 0:14:02 | 0:14:06 | |
I mean, what are these female figures all about? | 0:14:06 | 0:14:08 | |
These are called caryatids and they are what | 0:14:08 | 0:14:11 | |
we believe to be Robert's interpretation | 0:14:11 | 0:14:14 | |
of the Greek priestesses on the columns. | 0:14:14 | 0:14:15 | |
So, he was a well-educated man who had travelled | 0:14:15 | 0:14:19 | |
and what he wanted to do was show the world and his guests... | 0:14:19 | 0:14:24 | |
-He was showing off again. -He was showing off again. | 0:14:24 | 0:14:27 | |
I mean, look at the ceiling, it's like a Christmas cake! | 0:14:27 | 0:14:31 | |
It is absolutely wo... It is very cheerful. | 0:14:31 | 0:14:35 | |
But again, it's a bit over the top. There is no subtlety here. | 0:14:35 | 0:14:39 | |
-No. -It is bling all the way. | 0:14:39 | 0:14:42 | |
And what I love, as well, is the light, the windows. | 0:14:42 | 0:14:47 | |
These windows are marvellous. | 0:14:47 | 0:14:48 | |
They certainly are and they, again, show his wealth. | 0:14:48 | 0:14:51 | |
And did you know, back in that day, | 0:14:51 | 0:14:54 | |
if you moved house, you took your windows with you? | 0:14:54 | 0:14:57 | |
-Because glass was very expensive. -So expensive. | 0:14:57 | 0:15:00 | |
While Anita enjoys the grandeur of this splendid Elizabethan | 0:15:00 | 0:15:04 | |
townhouse, let's find out how Jonathan is getting on | 0:15:04 | 0:15:08 | |
in Llandudno Junction. | 0:15:08 | 0:15:10 | |
Well, he doesn't have much money left in his purse, | 0:15:12 | 0:15:15 | |
but owner, Nicky, tries to points Jonathan in the right direction. | 0:15:15 | 0:15:18 | |
That's not bad. What about something like that? | 0:15:18 | 0:15:20 | |
I know it's a bit... gaudy, Welsh-looking. | 0:15:20 | 0:15:23 | |
Oh, I see what you are talking... Yes, yes. | 0:15:23 | 0:15:26 | |
I know it's not... But, in your budget. | 0:15:26 | 0:15:29 | |
This Staffordshire tea service is in this style of gaudy Welsh | 0:15:29 | 0:15:33 | |
pottery, which was made in England and Wales | 0:15:33 | 0:15:35 | |
between about 1820 and 1860. | 0:15:35 | 0:15:38 | |
There's four pieces and a teapot and stand. | 0:15:38 | 0:15:42 | |
Would you take £20 for it? | 0:15:42 | 0:15:44 | |
-I'd take £30 for it. -There you go. -But it's not mad, is it? | 0:15:44 | 0:15:47 | |
Eh... Well, you know, the condition... It is a good look. | 0:15:47 | 0:15:51 | |
-You know, it's showy. -Four pieces. | 0:15:51 | 0:15:53 | |
It looks like the sort of Crown Derby, that sort of thing. | 0:15:53 | 0:15:56 | |
-It has got a chance, hasn't it? -Maybe it has got a chance. | 0:15:56 | 0:15:59 | |
OK, that's one item rooted out, what's next? | 0:15:59 | 0:16:02 | |
All right. | 0:16:02 | 0:16:04 | |
That's a big one. I haven't seen one that large before. | 0:16:06 | 0:16:09 | |
You probably know more about that sort of thing than I do. | 0:16:09 | 0:16:11 | |
Embossed metal badge for the Royal Welsh Fusiliers. | 0:16:11 | 0:16:17 | |
Big, isn't it? I've never seen one that big, have you? | 0:16:19 | 0:16:23 | |
Um, normally they're a quarter of the size. I rather like that. | 0:16:23 | 0:16:27 | |
-It has got the military touch, but it also was a Welsh Regiment then. -Yeah. | 0:16:27 | 0:16:30 | |
Actually, Jonathan, this is a pioneer's apron clasp. | 0:16:30 | 0:16:34 | |
The pioneer would lead the Fusiliers when on ceremonial duties. | 0:16:34 | 0:16:41 | |
Nicky must be taking pity on Jonathan, | 0:16:41 | 0:16:44 | |
he has dropped the price of the tea set by a tenner. | 0:16:44 | 0:16:47 | |
So, 20 quid...there. And then how much is this chap here? | 0:16:47 | 0:16:52 | |
I'd do that for 20 quid as well. | 0:16:52 | 0:16:53 | |
Uh... If I bought both, would you give me a better... | 0:16:53 | 0:16:56 | |
..would you give me a little more off? Would you say... | 0:16:56 | 0:17:00 | |
20 and 10? | 0:17:00 | 0:17:02 | |
HE LAUGHS | 0:17:02 | 0:17:05 | |
No. No, 20 and 20. | 0:17:05 | 0:17:08 | |
20 and 20,I'd do for you, wouldn't I? | 0:17:08 | 0:17:11 | |
-20 and 15. -Oh, go on. -£35 on. -OK, brilliant. | 0:17:11 | 0:17:14 | |
Well, that was a busy bout of shopping, Jonathan. Splendid work! | 0:17:15 | 0:17:19 | |
And as the day draws to a close, | 0:17:19 | 0:17:22 | |
it's time for our intrepid adventurers to have | 0:17:22 | 0:17:25 | |
a well-earned rest. Nighty-night, you two. | 0:17:25 | 0:17:28 | |
It is a brand-new day, and, oh dear, | 0:17:33 | 0:17:36 | |
Anita and Jonathan are having to brave | 0:17:36 | 0:17:38 | |
the rainy weather of Blighty once again. | 0:17:38 | 0:17:41 | |
-So, our final shopping day, Anita. -Yeah. | 0:17:41 | 0:17:44 | |
You looked pretty happy about what you bought yesterday, Johnny. | 0:17:44 | 0:17:48 | |
-Eh... -Oh, you don't want to give anything away. | 0:17:48 | 0:17:52 | |
Oh, Jonathan is getting competitive. | 0:17:52 | 0:17:55 | |
Here is a reminder of what they have bought so far. | 0:17:57 | 0:17:59 | |
Jonathan is really going for it. He spent £325 on five lots. | 0:18:01 | 0:18:06 | |
The Victorian gold brooch, the '50s brooch, | 0:18:06 | 0:18:09 | |
the silver lot with the little vase and vesta case, | 0:18:09 | 0:18:12 | |
the Staffordshire tea service | 0:18:12 | 0:18:15 | |
and the Royal Welsh Fusiliers' badge. | 0:18:15 | 0:18:17 | |
Lordy, he has only got £12.77 for the day ahead! | 0:18:17 | 0:18:22 | |
And Anita has spent £200 on three lots - | 0:18:23 | 0:18:27 | |
the cut glass chandelier, the miniature Regency-style table, | 0:18:27 | 0:18:31 | |
the Louis XVI style marble-top table | 0:18:31 | 0:18:34 | |
and this leaves a nice portion of £271.03 to spend. | 0:18:34 | 0:18:40 | |
Our daring duo have travelled to the town of Penmaenmawr, | 0:18:42 | 0:18:47 | |
on the North Wales coast. | 0:18:47 | 0:18:48 | |
The town is famous for its spectacular mountain | 0:18:48 | 0:18:51 | |
and coastal walks and lies within Snowdonia National Park. | 0:18:51 | 0:18:55 | |
Anita and Jonathan are sharing their first shop of the day. | 0:18:58 | 0:19:02 | |
Mick, the owner, meets them as they arrive. | 0:19:02 | 0:19:05 | |
Let's begin with young Jonathan. | 0:19:07 | 0:19:09 | |
He already has five lots, so there isn't any pressure to buy. | 0:19:09 | 0:19:12 | |
But surprisingly, Jonathan has found something straightaway. | 0:19:14 | 0:19:18 | |
I learnt to ski on skis this long, actually. | 0:19:18 | 0:19:21 | |
They would have seemed this long | 0:19:21 | 0:19:22 | |
cos I was probably only about that high when I learnt. | 0:19:22 | 0:19:24 | |
But now everyone skis on skis about this long. | 0:19:24 | 0:19:27 | |
They're not made of wood. These are made of oak. | 0:19:27 | 0:19:30 | |
£32. £32.50? | 0:19:33 | 0:19:35 | |
That's in the realms of possibility, I'd say. | 0:19:35 | 0:19:38 | |
I can be persuasive if I want to be. | 0:19:38 | 0:19:42 | |
Oh! Fighting talk from JP. | 0:19:42 | 0:19:45 | |
-Would you take a tenner for them? -Um... | 0:19:45 | 0:19:47 | |
Dear, I don't know if I could do that, you know? | 0:19:47 | 0:19:50 | |
OK, will you take the whole lot? If I give you £12.77... | 0:19:50 | 0:19:53 | |
I can't do any more than that. Just will you take the lot? | 0:19:53 | 0:19:56 | |
-Go on then. -OK, thank you very much. 12.77, thank you very much. | 0:19:56 | 0:20:00 | |
-Good. -Brilliant. | 0:20:00 | 0:20:01 | |
Well done, Jonathan. | 0:20:01 | 0:20:03 | |
Every last penny blown, I love your bravado. | 0:20:03 | 0:20:06 | |
Whoops-a-daisy! | 0:20:07 | 0:20:09 | |
Meanwhile, where is our lovely Anita? | 0:20:09 | 0:20:12 | |
Mick, these are just so beautiful. | 0:20:14 | 0:20:17 | |
And you've got a wee notice saying that they are Welsh tapestries. | 0:20:17 | 0:20:21 | |
-Yes. -I mean, tell me a bit about them. | 0:20:21 | 0:20:23 | |
I didn't know they made this type of thing in Wales. | 0:20:23 | 0:20:26 | |
Well, they are double woven, so there are actually negative | 0:20:26 | 0:20:29 | |
and positive. It you look on the blankets, | 0:20:29 | 0:20:32 | |
-can you see it goes that way? -Uh-huh. | 0:20:32 | 0:20:35 | |
And turn to the opposite side and it's the negative. | 0:20:35 | 0:20:37 | |
-I have got to buy one of these. -Oh, dear. | 0:20:37 | 0:20:40 | |
-Oh, dear. -Do you not want to sell them? | 0:20:40 | 0:20:43 | |
No, I love them all so much I don't like selling them. | 0:20:43 | 0:20:46 | |
I don't like selling these. What do you mean? | 0:20:46 | 0:20:49 | |
No, you're not going to buy them. | 0:20:49 | 0:20:52 | |
-You don't want me to buy one of these? -No. | 0:20:52 | 0:20:54 | |
Uh, that might be tricky. | 0:20:54 | 0:20:57 | |
-I mean, you'll maybe not miss one? -No, I might not miss one. | 0:20:57 | 0:21:00 | |
Yeah, OK. | 0:21:00 | 0:21:01 | |
What you have got to make sure of is the condition inside. | 0:21:01 | 0:21:04 | |
-OK. -I'll pull that out. | 0:21:04 | 0:21:06 | |
Oh, yeah, I like that, that's my colours, isn't it? | 0:21:06 | 0:21:10 | |
-God, they're awful dear, Mick. -Yeah, they are. | 0:21:10 | 0:21:12 | |
They fetch more than that when they sell them in sales. | 0:21:12 | 0:21:15 | |
Welsh blankets have been produced in North Wales for centuries. | 0:21:15 | 0:21:19 | |
This one is named after the mill it was made in - Tregwynt. | 0:21:19 | 0:21:23 | |
The original ticket price on this blanket is £125. | 0:21:23 | 0:21:27 | |
-Is this one that you would let go? -I would let go of this one, yes. | 0:21:27 | 0:21:31 | |
Would you let it go for 50 quid? | 0:21:31 | 0:21:33 | |
Oh, Anita! That's breaking my heart. It's like taking a friend away, | 0:21:33 | 0:21:37 | |
it's like kidnapping one of my friends. | 0:21:37 | 0:21:39 | |
You can't really go for 50 quid. | 0:21:39 | 0:21:42 | |
I tell you what I'll do, give me another tenner | 0:21:42 | 0:21:44 | |
-and you can have it, there we are. -Another tenner? 60 quid? | 0:21:44 | 0:21:47 | |
60 quid and you got a bargain. There we are. | 0:21:47 | 0:21:49 | |
I think that for 60 quid, | 0:21:49 | 0:21:54 | |
we are buying something of beauty and craftsmanship. | 0:21:54 | 0:21:58 | |
Absolutely. | 0:21:58 | 0:22:01 | |
-Very well. -Absolutely. -Mick, it's a deal. | 0:22:01 | 0:22:04 | |
-Thank you very much. -Thank you very much. Thank you. | 0:22:04 | 0:22:07 | |
Aw, Mick obviously loves Scottish women and Welsh blankets. | 0:22:07 | 0:22:10 | |
Thank goodness Anita managed to prise one out of his collection. | 0:22:10 | 0:22:14 | |
There is a labyrinth of rooms through there. | 0:22:14 | 0:22:17 | |
They're all packed full of stuff, it's wonderful. | 0:22:17 | 0:22:20 | |
But this thing caught my eye and I really like it. | 0:22:20 | 0:22:23 | |
It's colourful and it's fun. | 0:22:23 | 0:22:26 | |
It's the front part of a gaming machine, | 0:22:26 | 0:22:29 | |
which has maybe been broken up but they've kept this bit here. | 0:22:29 | 0:22:33 | |
Viva Las Vegas. And it tells you there is a new six-pound jackpot. | 0:22:33 | 0:22:39 | |
That must have been a lot of money, | 0:22:39 | 0:22:41 | |
so we're maybe talking about 1960's, 1970's. | 0:22:41 | 0:22:43 | |
It's totally useless, but I like it. | 0:22:43 | 0:22:48 | |
It has got £17 on it. That is not a lot of money. | 0:22:48 | 0:22:52 | |
Anita collars Mick to go in for a deal. | 0:22:52 | 0:22:56 | |
-You have had it for years? -Years and years. | 0:22:56 | 0:22:58 | |
-Could you make it cheaper than that? -A little bit, yeah. | 0:22:58 | 0:23:01 | |
-What were you thinking of? -I was thinking of...the jackpot. | 0:23:01 | 0:23:04 | |
Do you know, I'm feeling very generous, | 0:23:04 | 0:23:06 | |
so I think you should take the six pounds, there we are, | 0:23:06 | 0:23:09 | |
-cos you've hit the jackpot. -You are about to be embraced | 0:23:09 | 0:23:12 | |
-by a grateful customer. -Oh, dear, again? | 0:23:12 | 0:23:16 | |
Oh, thank you so much. | 0:23:16 | 0:23:18 | |
Thanks. | 0:23:18 | 0:23:19 | |
God, she likes the fellows, doesn't she? | 0:23:19 | 0:23:22 | |
So, that's the Welsh blanket and the gaming machine fascia | 0:23:22 | 0:23:25 | |
for £66, but... | 0:23:25 | 0:23:27 | |
I don't like 66. It has either got to be 65 or 67. | 0:23:27 | 0:23:32 | |
Oh. | 0:23:32 | 0:23:33 | |
-So what do you think we should do? -I think we should go for 67. | 0:23:33 | 0:23:37 | |
-Are you sure? -Yeah. | 0:23:37 | 0:23:38 | |
That will do me then. It pays for the lighting. | 0:23:38 | 0:23:41 | |
-The extra pound... -Another quid. Every quid counts. | 0:23:41 | 0:23:44 | |
He's a one, that Mick. | 0:23:44 | 0:23:47 | |
But Anita has now bought all her items. Where is Jonathan then? | 0:23:47 | 0:23:51 | |
He's travelling to Llanberis, in Gwynedd, | 0:23:51 | 0:23:53 | |
to find out about a vital part of Welsh heritage. | 0:23:53 | 0:23:57 | |
Dinorwic Slate Quarry is home to the Welsh National Slate Museum. | 0:24:10 | 0:24:15 | |
It was the second largest slate quarry in Wales, | 0:24:15 | 0:24:18 | |
indeed in the world, | 0:24:18 | 0:24:20 | |
and it covered more than 700 acres. | 0:24:20 | 0:24:23 | |
Wales is rich in slate deposits, | 0:24:23 | 0:24:25 | |
which have been quarried here for over 1,800 years. | 0:24:25 | 0:24:28 | |
But the slate industry really took off with the dawn | 0:24:28 | 0:24:31 | |
of the Industrial Revolution. | 0:24:31 | 0:24:34 | |
At its peak in the late 19th century, | 0:24:34 | 0:24:37 | |
it was producing 100,000 tons of slate annually. | 0:24:37 | 0:24:40 | |
The museum is a time capsule of a once vibrant | 0:24:40 | 0:24:44 | |
and bustling industry and celebrates its 40th anniversary this year. | 0:24:44 | 0:24:48 | |
Jonathan is meeting with Dr Dafydd Roberts to find out more. | 0:24:48 | 0:24:52 | |
This place was built in 1870 as the engineering workshops | 0:24:52 | 0:24:55 | |
-for Dinorwic Slate Quarry. -Uh-huh. I thought it was... | 0:24:55 | 0:24:58 | |
It seemed to me that it would have been around a lot older than that. | 0:24:58 | 0:25:01 | |
-You know, a lot longer. -Well, the quarry itself has been going | 0:25:01 | 0:25:04 | |
since the 1780's and it had an early engineering workshop, | 0:25:04 | 0:25:07 | |
but this was built when the place was going | 0:25:07 | 0:25:09 | |
absolutely flat out employing over 3,000 men. | 0:25:09 | 0:25:12 | |
See, if I were to take a holiday somewhere in Europe, | 0:25:12 | 0:25:15 | |
where would I find a Welsh slate on a roof? | 0:25:15 | 0:25:17 | |
Literally almost, any city in Western Europe, | 0:25:17 | 0:25:20 | |
but certainly if you went to Hamburg, | 0:25:20 | 0:25:22 | |
-lots of Welsh slate there. -Wow. | 0:25:22 | 0:25:24 | |
Dublin, Belfast. | 0:25:24 | 0:25:25 | |
-But to go further afield as well, if we went to New Orleans. -Really? | 0:25:25 | 0:25:29 | |
Or Melbourne, Sydney, you'll see Welsh slate there. | 0:25:29 | 0:25:32 | |
-Really? -This was a product that made its impact worldwide. | 0:25:32 | 0:25:36 | |
The working life of the quarry may have come to an end in 1969, | 0:25:37 | 0:25:41 | |
but there was one man who didn't want the memory | 0:25:41 | 0:25:43 | |
and story of this quarry to disappear. | 0:25:43 | 0:25:46 | |
My predecessor, a wonderful man called Hugh Richard Jones, | 0:25:46 | 0:25:49 | |
literally stopped the scrap merchants from moving in, | 0:25:49 | 0:25:52 | |
-he saved this place. -Absolutely. | 0:25:52 | 0:25:54 | |
Tucked things away so the scrap merchants | 0:25:54 | 0:25:56 | |
and the bailiffs couldn't see them. | 0:25:56 | 0:25:58 | |
You wouldn't have had a museum had they had the opportunity to do that, | 0:25:58 | 0:26:01 | |
because all of this stuff you can look at now, would have | 0:26:01 | 0:26:04 | |
-been completely melted. -That's right, and it would have been a huge shame | 0:26:04 | 0:26:07 | |
if we had lost all of this. This is part of our heritage for heaven's sake. | 0:26:07 | 0:26:10 | |
Yeah, absolutely, yeah. | 0:26:10 | 0:26:12 | |
The slate blocks quarried from the mountainside would be split | 0:26:12 | 0:26:16 | |
with a mallet and chisel and required great skill. | 0:26:16 | 0:26:20 | |
Quarryman Dafydd Davies lets Jonathan have a go. | 0:26:20 | 0:26:24 | |
So, I have to sit down here. | 0:26:24 | 0:26:25 | |
Sorry, I've got a bit of a bad back at the minute. | 0:26:25 | 0:26:27 | |
Well then, it is very comfortable. | 0:26:27 | 0:26:30 | |
-So if you put your legs straight out in front of you. -I'm not sure I can. | 0:26:30 | 0:26:33 | |
OK, there we go. | 0:26:33 | 0:26:35 | |
-Put that over you to keep you clean. -OK. Right. | 0:26:35 | 0:26:37 | |
-That goes in the left hand. -That goes in the left hand, OK. | 0:26:37 | 0:26:39 | |
-And this in your right hand. -Right. | 0:26:39 | 0:26:41 | |
-Now, that's not a hammer, it's a mallet. -Mallet. | 0:26:41 | 0:26:43 | |
Made out of plastic these days. | 0:26:43 | 0:26:45 | |
-Now, that chisel needs to be perfectly centred. -OK. | 0:26:45 | 0:26:49 | |
-Straight in the centre? -Yeah. -Yes. | 0:26:49 | 0:26:51 | |
-And on the same angle as the slate. -Uh... Yes. -Are you happy with that? | 0:26:51 | 0:26:56 | |
Uh.. Yes. | 0:26:56 | 0:26:58 | |
OK, make sure it lies flat and now you hit it, but not too hard. | 0:26:58 | 0:27:03 | |
And again. | 0:27:03 | 0:27:04 | |
And again. | 0:27:04 | 0:27:06 | |
-One more. That's for luck, by the way. -All right. | 0:27:07 | 0:27:10 | |
-But you are lucky, you are quite safe. -Now, what do I do? | 0:27:10 | 0:27:13 | |
-Now you give me the mallet back. -All right. | 0:27:13 | 0:27:15 | |
-Place your left hand on the face there and hold the chisel. -Yes. | 0:27:15 | 0:27:19 | |
And then just lever them apart. | 0:27:19 | 0:27:22 | |
If the chisel is a little bit loose, | 0:27:22 | 0:27:23 | |
you can push it in or you can tap it in. | 0:27:23 | 0:27:25 | |
-Woo! -And there you are. That's how we do it. | 0:27:25 | 0:27:29 | |
Look at that! Well, Dafydd, thank you very, very much. | 0:27:29 | 0:27:33 | |
I'm so proud now to have a new skill and it may, you never know, | 0:27:33 | 0:27:37 | |
come in handy in the future. | 0:27:37 | 0:27:38 | |
Yeah, I wouldn't bank on it really, Jonathan, but, you know, | 0:27:38 | 0:27:41 | |
you did very, very well. | 0:27:41 | 0:27:42 | |
So, if I were you though, I would stick to antiques. | 0:27:42 | 0:27:45 | |
Well, after the next auction, I might need another career change. | 0:27:45 | 0:27:48 | |
Come on, Jonathan, time to meet up with Anita | 0:27:50 | 0:27:53 | |
and have a look at one another's bids. | 0:27:53 | 0:27:55 | |
Oh, sugar, hang on. | 0:27:55 | 0:27:57 | |
HE HUMS | 0:27:57 | 0:28:00 | |
-All right! -There we go. | 0:28:00 | 0:28:02 | |
Oh, I like this. | 0:28:02 | 0:28:05 | |
That. Gold, Victorian gold and diamond-set target brooch. | 0:28:05 | 0:28:10 | |
-I got it for £150. -Look at the size of that diamond. | 0:28:10 | 0:28:14 | |
Could Anita be a teensy bit jealous? | 0:28:14 | 0:28:17 | |
And then I bought this one, this is 18 carat gold, yellow gold, | 0:28:17 | 0:28:21 | |
1950's, with this lovely leaping fawn, deer, | 0:28:21 | 0:28:23 | |
and a little scallop border. | 0:28:23 | 0:28:25 | |
Weighs in at five grams, paid £90 for it, 18 carat gold. | 0:28:25 | 0:28:29 | |
-I really hate this. -Right. | 0:28:29 | 0:28:31 | |
It's not my style, but you have got a teapot cover and stand. | 0:28:31 | 0:28:34 | |
You have got a water jug. You have got a sugar bowl and a milk jug. | 0:28:34 | 0:28:37 | |
-£20. -It is good for £20. I love these. | 0:28:37 | 0:28:42 | |
I love that little vesta box. | 0:28:42 | 0:28:44 | |
There are lots of vesta boxes about, but the ones that tend to | 0:28:44 | 0:28:47 | |
get the money are ones which are a wee bit unusual, | 0:28:47 | 0:28:49 | |
-and I think that is absolutely lovely. -£25 for that. -25! | 0:28:49 | 0:28:54 | |
Yeah. And I bought it with this, which is a 1970's... | 0:28:54 | 0:28:57 | |
It is 1974 silver spill vase. | 0:28:57 | 0:29:00 | |
-That was another £25. -Good buy. | 0:29:00 | 0:29:02 | |
And maybe I'll have to say goodbye to the lead. | 0:29:02 | 0:29:06 | |
Well, I don't know. There is one other purchase. | 0:29:06 | 0:29:09 | |
Being a very, very keen skier, I bought these two. | 0:29:09 | 0:29:12 | |
-A pair of... -Old skis. -Old skis. About 90 years old. | 0:29:12 | 0:29:18 | |
-This should make about 20 quid. -Yeah, about £20. | 0:29:18 | 0:29:20 | |
And I need every little helps, every little helps. | 0:29:20 | 0:29:23 | |
It does, Jonathan, but what will you think of Anita's buys? | 0:29:23 | 0:29:27 | |
So, what I went for was... a little coffee table. | 0:29:27 | 0:29:31 | |
-Six good knees. -Well, I've only got one, so... | 0:29:31 | 0:29:35 | |
Um, no, I like the look of it, but I must say that | 0:29:35 | 0:29:38 | |
reproduction furniture is not the easiest thing to sell | 0:29:38 | 0:29:40 | |
-in the rooms. How much did you pay for it? -£50. | 0:29:40 | 0:29:44 | |
-I think it has potential. -Yeah. -OK, what else have you got? | 0:29:44 | 0:29:48 | |
My favourite thing was this wonderful piece of Welsh tapestry. | 0:29:48 | 0:29:53 | |
And I just couldn't resist these wonderful colours. | 0:29:53 | 0:29:55 | |
Yeah, but how much did you pay for it? | 0:29:55 | 0:29:57 | |
-I paid £60 for that. -Oh, God, that's cheap enough, isn't it? -I know. | 0:29:57 | 0:30:00 | |
So, I found this in a corner, in a back room, down the bottom. | 0:30:00 | 0:30:07 | |
What's this off? Is this off a fruit machine or something? | 0:30:07 | 0:30:09 | |
It could be a photograph frame. | 0:30:09 | 0:30:12 | |
That's really good, isn't it? | 0:30:12 | 0:30:14 | |
Well, he's not so sure. It's certainly different. | 0:30:14 | 0:30:18 | |
It has come from a pinball machine, of the maybe '60s or '70s. | 0:30:18 | 0:30:22 | |
-How much was that? -Well, I was wanting to pay that for it. | 0:30:22 | 0:30:26 | |
-Six quid? -Uh-huh. But I paid seven. | 0:30:26 | 0:30:29 | |
Gee whiz, you don't stop, do you? | 0:30:29 | 0:30:33 | |
-You don't stop. Seven pounds. -My last item is a chandelier. | 0:30:33 | 0:30:38 | |
-Oh, wonderful. A bit of age? -It is not a Victorian one. | 0:30:38 | 0:30:41 | |
I would say latter part of the 20th century. | 0:30:41 | 0:30:44 | |
-OK, so relatively new. -Uh-huh. | 0:30:44 | 0:30:46 | |
Chandeliers don't go out of fashion, | 0:30:46 | 0:30:48 | |
people still want to buy chandeliers. | 0:30:48 | 0:30:50 | |
-Mm. How much was that then? -£100. | 0:30:50 | 0:30:52 | |
OK. Crikey. Yeah. | 0:30:52 | 0:30:55 | |
So, are you feeling lucky? | 0:30:55 | 0:30:57 | |
Yeah, well, I think I may have taken a big gamble with six quid. | 0:30:57 | 0:31:01 | |
Oh, I don't think so. Don't think so. | 0:31:01 | 0:31:03 | |
But what do they really think? | 0:31:03 | 0:31:05 | |
The skis? Well, he is a skier, so he had to buy them, | 0:31:05 | 0:31:08 | |
but they're full of wood worm. | 0:31:08 | 0:31:10 | |
She has paid too much for the chandelier and she won't be able | 0:31:10 | 0:31:14 | |
to sell the modern '50s awful Louis XV-XVI style table. | 0:31:14 | 0:31:19 | |
Mm. The handbags well and truly out, then. | 0:31:19 | 0:31:21 | |
Let's get back on the road and head to auction. | 0:31:21 | 0:31:24 | |
Long, old go this, isn't it? | 0:31:26 | 0:31:28 | |
Cor, it has been an ambitious finale with Anita and Jonathan | 0:31:34 | 0:31:38 | |
battling it out, from Colwyn Bay | 0:31:38 | 0:31:40 | |
along the North Wales coast, to Llangefni on the Isle of Anglesey. | 0:31:40 | 0:31:45 | |
This is the famous Menai Bridge that connects mainland Wales to Anglesey. | 0:31:48 | 0:31:53 | |
I wonder if Anita knows when it was built. | 0:31:53 | 0:31:56 | |
This was opened in 1826, John. | 0:31:56 | 0:31:58 | |
-Was it really? -Yep. It said it up there. | 0:31:58 | 0:32:03 | |
Cheeky! | 0:32:03 | 0:32:05 | |
Our pair of road trippers are travelling through the Anglesey | 0:32:05 | 0:32:08 | |
countryside, heading for today's auction, but, Lordy, | 0:32:08 | 0:32:11 | |
who will be this week's Road Trip winner? | 0:32:11 | 0:32:14 | |
-This is your last chance to catch me up, Johnny. -I know! | 0:32:16 | 0:32:22 | |
Founded in 1964, Morgan Evans and Co | 0:32:22 | 0:32:25 | |
has a long-established reputation. | 0:32:25 | 0:32:28 | |
Jonathan Pratt started today with £337.77, | 0:32:32 | 0:32:38 | |
and spent every penny on six auction lots. | 0:32:38 | 0:32:42 | |
Anita began with £471.03 and spent £267 | 0:32:42 | 0:32:48 | |
on five lots. | 0:32:48 | 0:32:50 | |
Right then, quiet please, the auction is about to begin. | 0:32:50 | 0:32:55 | |
Oh, oh! Here we go. | 0:32:55 | 0:32:57 | |
First up, it is Jonathan's antique wooden skis. | 0:32:57 | 0:33:01 | |
Who will give me £50? 50? 30? | 0:33:01 | 0:33:05 | |
£15, I've got. At 15 bid. | 0:33:05 | 0:33:08 | |
You're in profit! | 0:33:08 | 0:33:10 | |
20? £20 bid? £20 bid. | 0:33:10 | 0:33:12 | |
22? 22 bid. 22 bid. 22 bid. | 0:33:12 | 0:33:14 | |
25? 25 bid. 25 bid. | 0:33:14 | 0:33:17 | |
£25 I have. | 0:33:17 | 0:33:20 | |
For a pair of skis, not dear, are they at 25? | 0:33:20 | 0:33:22 | |
For 25...and sold. | 0:33:22 | 0:33:25 | |
-That's a good start! That is a good start. -Double the money. | 0:33:25 | 0:33:29 | |
Good old Jonathan, splendid start. | 0:33:29 | 0:33:31 | |
I'm pleased, pleased that people like a bit of skiing style, you know, | 0:33:33 | 0:33:36 | |
a bit of vintage. | 0:33:36 | 0:33:38 | |
Moving on then, next it's Anita's big, sparkly chandelier. | 0:33:40 | 0:33:46 | |
Am I going to make 100 quid on this chandelier? | 0:33:46 | 0:33:49 | |
I'm starting to get a wee bit worried now. | 0:33:49 | 0:33:52 | |
£40 then. 40? | 0:33:52 | 0:33:53 | |
30? Chandelier. | 0:33:53 | 0:33:55 | |
-The lovely sound of clinking glass. -Hold it up! | 0:33:55 | 0:33:58 | |
15. Can't go any lower. Lovely chandelier, 15. | 0:33:58 | 0:34:01 | |
Ten, I'm bid, at ten. Ten pound bid. Ten, I'm bid. | 0:34:01 | 0:34:04 | |
12. 15. | 0:34:04 | 0:34:06 | |
20. £20, I'm bid. | 0:34:06 | 0:34:08 | |
Worth another? 25. | 0:34:08 | 0:34:11 | |
-25. -30. At £30. | 0:34:11 | 0:34:13 | |
30, I'm bid. Cheap enough at 30. In the back at £30. | 0:34:13 | 0:34:17 | |
32 did you say, sir? 35. | 0:34:17 | 0:34:19 | |
-When someone went 30, he went like that with his fingers. -All right. | 0:34:19 | 0:34:24 | |
£40, I'm bid. Fair play, ladies' bid, all gents out there. | 0:34:24 | 0:34:28 | |
Hammer's up at £40...and sold. | 0:34:28 | 0:34:30 | |
-106. -Bad luck. -60. | 0:34:30 | 0:34:35 | |
It is only your first lot, Anita. Chin up, girl. | 0:34:35 | 0:34:39 | |
-But that for me... -Is wonderful. | 0:34:39 | 0:34:41 | |
..is a perfect start! | 0:34:41 | 0:34:44 | |
You naughty, naughty boy. | 0:34:44 | 0:34:47 | |
He is a naughty boy. | 0:34:47 | 0:34:50 | |
Now, it's Jonathan's tea service next, the one he can't stand. | 0:34:50 | 0:34:55 | |
Ten pound, I'm bid | 0:34:55 | 0:34:56 | |
on the blue gilt Staffordshire pottery tea service. | 0:34:56 | 0:34:59 | |
At 15. Bid at 15. 18. 20. 22. | 0:34:59 | 0:35:02 | |
-There you go, profit. -Good boy! | 0:35:02 | 0:35:04 | |
28. 30. 32. 35. | 0:35:04 | 0:35:07 | |
Just the thing for this sale room! | 0:35:07 | 0:35:10 | |
£35. 38. New bidder. Puts you all out? | 0:35:10 | 0:35:13 | |
At £38. Hammer's up at 38. And away then. | 0:35:13 | 0:35:17 | |
Just goes to show you, Jonathan, buy for the auction | 0:35:19 | 0:35:22 | |
and not for your own tastes. | 0:35:22 | 0:35:24 | |
Oh, you're catching me up! | 0:35:24 | 0:35:26 | |
It's Anita's beautiful Welsh blanket next. | 0:35:28 | 0:35:31 | |
£40, I'm bid. | 0:35:31 | 0:35:32 | |
40 bid. Five. 45 bid. 45, 50. | 0:35:32 | 0:35:35 | |
-55. 60. -Good. -65. | 0:35:35 | 0:35:38 | |
-Profit. -75. | 0:35:38 | 0:35:41 | |
80. 85. 90. | 0:35:41 | 0:35:44 | |
£90, I'm bid. | 0:35:44 | 0:35:46 | |
Standing bid then. Still cheap, under 100. At 90 bid. | 0:35:46 | 0:35:49 | |
Lovely bedspread at £90. | 0:35:49 | 0:35:51 | |
Hammer's up, and sold at 90 then. | 0:35:51 | 0:35:53 | |
-Very good. -Excellent. -Ye of little faith. | 0:35:53 | 0:35:56 | |
I know. | 0:35:56 | 0:35:57 | |
This is a first, Anita receiving counsel from Jonathan? | 0:35:57 | 0:36:02 | |
Anyway, a good local buy from Anita. | 0:36:02 | 0:36:04 | |
Next, it's Jonathan's silver lot. | 0:36:07 | 0:36:09 | |
-Will it push him further into the lead? -80? 60? | 0:36:09 | 0:36:14 | |
30, I'm bid for the two. £30 bid. | 0:36:14 | 0:36:16 | |
30, I'm bid. Two nice, clean bits of silver. | 0:36:16 | 0:36:18 | |
35. 35 bid. 40. | 0:36:18 | 0:36:21 | |
45. 50. | 0:36:21 | 0:36:23 | |
55. | 0:36:23 | 0:36:24 | |
-That's profit again. -Not quite yet, though. | 0:36:24 | 0:36:26 | |
-Yes, we are now. -70. -There we go. | 0:36:26 | 0:36:28 | |
-75. -Now it's going. 75 quid. | 0:36:28 | 0:36:31 | |
Standing the bid then, at £75 for the two. | 0:36:31 | 0:36:34 | |
Not dear, but away they go at £75. Hammer's up, then. | 0:36:34 | 0:36:38 | |
-Well done, Jonathan. -75 quid. -You are on a roll. | 0:36:38 | 0:36:42 | |
Jonathan is trying hard to hide his excitement. Yet another profit. | 0:36:42 | 0:36:48 | |
Can Anita win the jackpot with this unusual glass | 0:36:48 | 0:36:52 | |
fascia from a...gaming machine? Oh, Lordy, here we go. | 0:36:52 | 0:36:56 | |
£15. Ten. | 0:36:56 | 0:36:59 | |
Come on! | 0:36:59 | 0:37:01 | |
Five. Five, I'm bid. Five-pound bid. | 0:37:01 | 0:37:04 | |
Five-pound bid. Five-pound bid. | 0:37:04 | 0:37:06 | |
A nice little fun item. Six, if you like. | 0:37:06 | 0:37:09 | |
At five-pound bid. Five-pound bid. Five-pound bid. I'll take six. | 0:37:09 | 0:37:13 | |
Maiden bid, the one and only bid, at five pounds. | 0:37:13 | 0:37:15 | |
On the market, it's at five pounds. Hammer's up, five and away then. | 0:37:15 | 0:37:20 | |
-They didn't like it. -That's a shame. | 0:37:22 | 0:37:25 | |
Well, at least somebody bought it. | 0:37:25 | 0:37:27 | |
Next, it is the pioneer apron clasp from the Royal Welsh Fusiliers. | 0:37:28 | 0:37:35 | |
Can Jonathan continue his profit-making streak? | 0:37:35 | 0:37:38 | |
Bid from me, interest to start at £15. | 0:37:38 | 0:37:40 | |
15 bid. 15 bid. 15 bid. | 0:37:40 | 0:37:43 | |
18. 20. 22. | 0:37:43 | 0:37:45 | |
25. 28. 30. | 0:37:45 | 0:37:48 | |
At 30 bid for a lovely badge. | 0:37:48 | 0:37:51 | |
Fair play. At £30. Any more quickly? | 0:37:51 | 0:37:54 | |
Hammer is up then at £30 and away. | 0:37:54 | 0:37:57 | |
This young man is definitely on a roll. | 0:37:57 | 0:38:00 | |
It is usually Anita that's flying high. | 0:38:00 | 0:38:03 | |
Come on, girl, let's see | 0:38:06 | 0:38:07 | |
if the miniature table can help you up the profit stakes. | 0:38:07 | 0:38:11 | |
Ten pounds, I'm bid. Ten pound bid. Ten pound bid. | 0:38:11 | 0:38:14 | |
On the little coffee table, at ten pound bid. Ten pound bid. | 0:38:14 | 0:38:17 | |
-12. £12 bid. -Come on. -15. 18. | 0:38:17 | 0:38:20 | |
-There we go, now we're seeing it. -20. 22. 25. | 0:38:20 | 0:38:24 | |
28. 30. | 0:38:24 | 0:38:27 | |
32. 35. 38. | 0:38:27 | 0:38:30 | |
At £38, I'm bid, nice, clean, little table at £38. | 0:38:30 | 0:38:33 | |
On the market at 38 and away then. | 0:38:33 | 0:38:36 | |
£38. | 0:38:36 | 0:38:37 | |
-Ooh! -Oooh... | 0:38:37 | 0:38:40 | |
Oooh... Seems they have adopted a new language, eh? | 0:38:40 | 0:38:43 | |
Oh, dear! Yet another loss to add to Anita's collection. | 0:38:44 | 0:38:50 | |
God, I've lost... That's another 12 quid I've lost. | 0:38:50 | 0:38:53 | |
Ah! | 0:38:53 | 0:38:54 | |
Right, it is Jonathan's 1950's gold brooch next. | 0:38:55 | 0:38:59 | |
40 bid. At £40 bid. Lovely gold brooch at 40 bid. | 0:38:59 | 0:39:02 | |
£40. 40 bid. | 0:39:02 | 0:39:04 | |
40, I'm bid. 40 bid. Five. 50. | 0:39:04 | 0:39:06 | |
55. 60. 65. | 0:39:06 | 0:39:10 | |
At £65, I'm bid. 70 now, then. | 0:39:10 | 0:39:13 | |
70. 75. | 0:39:13 | 0:39:15 | |
Sounds cheap, but away it goes on the market, then. At £75 and away. | 0:39:15 | 0:39:20 | |
Oh, dear. Jonathan's run of profit has just come to an end. | 0:39:20 | 0:39:24 | |
It is Anita's marble-top Louis XVI style table next. | 0:39:27 | 0:39:31 | |
Can she claw back a big chunk of profit? | 0:39:31 | 0:39:34 | |
That's got to make 100 quid. | 0:39:34 | 0:39:36 | |
Lovely quality little table, isn't it? Starting at £50 on it. | 0:39:36 | 0:39:39 | |
50? 40 on that little marble-top table. | 0:39:39 | 0:39:42 | |
20, I'm bid. £20 bid. | 0:39:42 | 0:39:44 | |
£20 bid. 25. 30. | 0:39:44 | 0:39:47 | |
-At £30, I'm bid. -Come on, come on. | 0:39:47 | 0:39:50 | |
30 bid. It'll be sold, should be more. At £30. | 0:39:50 | 0:39:53 | |
Hammer's up then, at 30 and away. | 0:39:53 | 0:39:55 | |
Oh, God, another loss! | 0:39:55 | 0:39:58 | |
That is Anita's last item, too. | 0:39:58 | 0:40:00 | |
So, can Jonathan push through to the finishing line? | 0:40:00 | 0:40:04 | |
It's exciting, isn't this? It all depends on the very last lot. | 0:40:04 | 0:40:12 | |
That is right, Anita. | 0:40:12 | 0:40:14 | |
How will Jonathan fare with his Victorian gold brooch? | 0:40:14 | 0:40:18 | |
The one that is studded with diamonds! | 0:40:18 | 0:40:21 | |
Breathe in... | 0:40:21 | 0:40:22 | |
And relax. | 0:40:25 | 0:40:26 | |
-Are you all right? -Yeah. | 0:40:27 | 0:40:29 | |
100 bid. Down at the very bottom. £100 on bid. Lovely gold brooch. | 0:40:31 | 0:40:34 | |
Come on, come on, please! | 0:40:34 | 0:40:36 | |
110. 120. 130. | 0:40:36 | 0:40:40 | |
140. 150. 160. | 0:40:40 | 0:40:43 | |
170. 180. 190. | 0:40:43 | 0:40:46 | |
-At 190 bid. -Come, don't stop now, don't stop now. | 0:40:46 | 0:40:49 | |
At 190. 200. | 0:40:49 | 0:40:51 | |
-200 bid. 210. -There we are. -You've done it. | 0:40:51 | 0:40:54 | |
230. At 230 bid. | 0:40:54 | 0:40:56 | |
Still room to go on him. At 230. On the market at 230. | 0:40:56 | 0:41:00 | |
The last lot! | 0:41:01 | 0:41:02 | |
Yippee! | 0:41:05 | 0:41:06 | |
Jonathan's won today's auction, but who will be the overall winner? | 0:41:06 | 0:41:11 | |
Let's do the maths. | 0:41:11 | 0:41:13 | |
-Shall we go and get some fresh air? -Yeah. -Come on. | 0:41:13 | 0:41:16 | |
Anita started today's leg with £471.03. | 0:41:19 | 0:41:24 | |
And, after paying auction costs, made a loss of £100.54, | 0:41:24 | 0:41:30 | |
bringing her final earnings to £370.49. | 0:41:30 | 0:41:36 | |
Jonathan, meanwhile, started with £337.77 | 0:41:38 | 0:41:43 | |
and made a profit of £50.09, netting him £387.86. | 0:41:43 | 0:41:49 | |
Hey, Jonathan, settle down, that's almost scary. | 0:41:49 | 0:41:54 | |
So, the winner for this week's Road Trip by less than £20 is... | 0:41:56 | 0:42:02 | |
..Jonathan! | 0:42:02 | 0:42:03 | |
Oh, that is unbelievable, isn't it? | 0:42:07 | 0:42:11 | |
-I honestly thought I was going to be... -I know! | 0:42:11 | 0:42:14 | |
-Oh, I'm sorry. -No, that is great. -That's brilliant. -Well done. | 0:42:14 | 0:42:18 | |
All profits our experts make go to Children In Need. | 0:42:18 | 0:42:23 | |
Sadly though, Anita and Jonathan's adventure is over. | 0:42:24 | 0:42:27 | |
# So long, farewell Auf wiedersehen, good night... # | 0:42:27 | 0:42:31 | |
But in the past week, we have had a brush with the law... | 0:42:31 | 0:42:34 | |
This is the pride of Glasgow police. | 0:42:34 | 0:42:37 | |
..Jonathan couldn't make up his mind... | 0:42:37 | 0:42:40 | |
I don't really want to blow all my money on the first day. | 0:42:40 | 0:42:44 | |
..Anita just couldn't keep away from hats... | 0:42:44 | 0:42:47 | |
Evening, all. | 0:42:47 | 0:42:49 | |
Ah! | 0:42:49 | 0:42:50 | |
..and through it all, this pair were inseparable. | 0:42:50 | 0:42:54 | |
You are a bad boy. | 0:42:54 | 0:42:56 | |
And Jonathan defied the odds to actually win. | 0:42:56 | 0:43:00 | |
Farewell, road trippers. You've been great. | 0:43:00 | 0:43:03 | |
Next week on the Antiques Road Trip, we have a new couple - | 0:43:08 | 0:43:11 | |
rivals David Harper and Catherine Southon. | 0:43:11 | 0:43:15 | |
There are some things money just can't buy. | 0:43:15 | 0:43:18 | |
No! | 0:43:18 | 0:43:19 | |
Which is just as well. | 0:43:19 | 0:43:20 | |
We have got to make something somewhere along the line. | 0:43:20 | 0:43:23 | |
-Well, I can't remember what it's like to make money. -I know! | 0:43:23 | 0:43:27 | |
Until next time. | 0:43:27 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:31 | 0:43:34 |