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It's the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
-I love that. -..a classic car and a goal - to scour Britain for antiques. | 0:00:05 | 0:00:11 | |
-Yippee! -Have I just done a terrible thing? | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction but it's no mean feat. | 0:00:13 | 0:00:18 | |
There will be worthy winners and valiant users. | 0:00:18 | 0:00:22 | |
-Am I going to flip a coin? -So will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
I can't believe it. It went rubbish. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's leg three of our trip in a 1980s Mini, | 0:00:37 | 0:00:41 | |
with Catherine Southon and David Harper | 0:00:41 | 0:00:43 | |
-and the suspension is killing them. -Here we go. -Oh...! | 0:00:43 | 0:00:46 | |
We're just so close to the ground. | 0:00:46 | 0:00:50 | |
David is an antiques expert with a simple creed - | 0:00:50 | 0:00:53 | |
I think he calls it "blow the lot". | 0:00:53 | 0:00:55 | |
That's it. I'm absolutely wiped out. | 0:00:55 | 0:00:58 | |
Catherine is an auctioneer whose slightly more cautious tactics | 0:00:58 | 0:01:01 | |
have been equally unsuccessful thus far. | 0:01:01 | 0:01:04 | |
-So get more money spent, missus. -No, I will, I will. | 0:01:04 | 0:01:08 | |
-Well, I haven't got an awful lot to spend, to be honest. -Neither have I! | 0:01:08 | 0:01:12 | |
We're rubbish, you and I. | 0:01:12 | 0:01:14 | |
-In fact... -He has a point. | 0:01:14 | 0:01:17 | |
In fact, after ten shops and over 100 miles, things have gone a bit, well, flat. | 0:01:17 | 0:01:21 | |
BURSTING AND HISSING | 0:01:21 | 0:01:23 | |
Catherine started with £200 and has made a measly £2.16. | 0:01:28 | 0:01:32 | |
Huh! | 0:01:32 | 0:01:34 | |
And David's not much better. | 0:01:35 | 0:01:37 | |
His starting stake of £200 has crept up to just £231.24, | 0:01:37 | 0:01:42 | |
leaving him a whisker in front. | 0:01:42 | 0:01:45 | |
-There's lots of colours. -I'm going with the midweek stubble look. | 0:01:45 | 0:01:50 | |
Go and buy yourself an antique cut-throat razor. | 0:01:50 | 0:01:52 | |
-Oh, nice one! You'd like that, wouldn't you? -Yeah, I'd like to do that. | 0:01:52 | 0:01:57 | |
Our trip begins at Eccleston in Lancashire | 0:01:59 | 0:02:02 | |
and heads south for about 350 miles through Wales and the West Country | 0:02:03 | 0:02:07 | |
to Seaton on the south coast of England. | 0:02:07 | 0:02:09 | |
Today's jaunt makes for an auction in Llanelli | 0:02:09 | 0:02:13 | |
but starts out at Rhayader in mid Wales. | 0:02:13 | 0:02:16 | |
This is the Elan Valley Reservoir just outside the town. | 0:02:19 | 0:02:23 | |
We've got our own Victoria Falls in Elan Valley. | 0:02:23 | 0:02:27 | |
And it's also one of Wales' finest bird sanctuaries. | 0:02:27 | 0:02:30 | |
Oh, look! A red kite. | 0:02:32 | 0:02:33 | |
KITE MEWING | 0:02:33 | 0:02:36 | |
-Oh, my Lord! Look at that. -Wow. | 0:02:36 | 0:02:38 | |
In Rhayader itself, it's the town clock which rather grabs your attention. | 0:02:41 | 0:02:46 | |
Well, it is shopping time. | 0:02:46 | 0:02:48 | |
-That's what we want. -We want antiques. | 0:02:48 | 0:02:50 | |
Let's see what they can uncover in what was once the local court. | 0:02:50 | 0:02:55 | |
Go! No, that's not fair! | 0:02:55 | 0:02:58 | |
-You are a sneaky one. -I know I am. | 0:02:59 | 0:03:02 | |
Nowadays, of course, this place is full of antiques. | 0:03:02 | 0:03:05 | |
But they still have the old lock-ups. | 0:03:06 | 0:03:08 | |
It's not very nice in here, is it? | 0:03:09 | 0:03:12 | |
What's more, David's been here before. | 0:03:12 | 0:03:15 | |
-Good to see. How are you? -And you. Yeah, good. | 0:03:15 | 0:03:17 | |
The shop that is - not prison. | 0:03:17 | 0:03:19 | |
Catherine and Sarah are new cell-mates | 0:03:19 | 0:03:23 | |
but David and Robin have previous and that may give him an advantage. | 0:03:23 | 0:03:27 | |
-It's a temple piece, isn't it? -It is a temple piece, yeah. | 0:03:27 | 0:03:31 | |
-I would say it was India. -Yeah? -Possibly used as an altar. | 0:03:31 | 0:03:35 | |
It's an interesting thing. It's a hardwood, isn't it? | 0:03:35 | 0:03:38 | |
Yeah. And it's quite solid. It's heavy. | 0:03:38 | 0:03:40 | |
-Is it very heavy? -Very heavy. | 0:03:40 | 0:03:42 | |
Deeply carved. Gorgeous columns. Can you see how it's been painted? | 0:03:42 | 0:03:46 | |
-I mean, that when it was first created... -It would have been very bright. | 0:03:46 | 0:03:50 | |
It would have been as bright as my pants. | 0:03:50 | 0:03:52 | |
Not quite. | 0:03:52 | 0:03:54 | |
That comparison probably wasn't blasphemous | 0:03:54 | 0:03:57 | |
but do be careful, David - we are in a court. | 0:03:57 | 0:04:00 | |
This is a very, very risky object, let me tell you that. | 0:04:00 | 0:04:03 | |
Because this is the kind of thing that could just totally bomb in auction. | 0:04:03 | 0:04:08 | |
Sounds like David's trying to get the price down to me. | 0:04:08 | 0:04:10 | |
Only trouble is, it doesn't have one because Robin's only just put it on display. | 0:04:10 | 0:04:15 | |
And now you're going to lay offerings to me. | 0:04:15 | 0:04:17 | |
I'm going to lay an offering to you. | 0:04:17 | 0:04:19 | |
Gosh. I think...would 80 quid buy it? | 0:04:21 | 0:04:24 | |
-Seriously? -Yeah. -To you. | 0:04:27 | 0:04:29 | |
-Seriously? -Seriously. | 0:04:29 | 0:04:30 | |
-To you. -Could I have bought it for less money, Robin? -No! | 0:04:30 | 0:04:33 | |
Because you've done business with me before. | 0:04:33 | 0:04:36 | |
Whoops! Did Catherine see that? | 0:04:36 | 0:04:38 | |
-Catherine... -I'm just interested to know if you're making an offer on something. | 0:04:38 | 0:04:43 | |
-Rob and I... -Don't let him rob you. | 0:04:43 | 0:04:45 | |
-There is a cell... -I'm surprised they let you out, missus. | 0:04:45 | 0:04:48 | |
Ooh! | 0:04:48 | 0:04:49 | |
David's quick work seems to be unnerving her. | 0:04:49 | 0:04:52 | |
It's looking like deja vu all over again. | 0:04:52 | 0:04:55 | |
Do you remember when Catherine accidentally spied another David buy? | 0:04:57 | 0:05:01 | |
-Maybe I should have gone for that. -Mm! This could be interesting. | 0:05:01 | 0:05:04 | |
-Gorgeous. -I don't like this at all | 0:05:06 | 0:05:08 | |
because he's sold something to you very cheaply. | 0:05:08 | 0:05:11 | |
-Well... -Have you? -I don't know whether it's cheap. | 0:05:11 | 0:05:13 | |
-It's very, very risky. -You're happy and I don't like it. -I know! | 0:05:13 | 0:05:18 | |
LAUGHTER | 0:05:18 | 0:05:19 | |
Now, come on, Catherine. Pip-pip. | 0:05:19 | 0:05:22 | |
-Right. Mr Harper, this is war. -Ooh! | 0:05:22 | 0:05:26 | |
That's the spirit. | 0:05:26 | 0:05:28 | |
What about this screen? Oak framed, sort of pressed copper, isn't it? | 0:05:28 | 0:05:34 | |
But it's not special. I want something special. | 0:05:34 | 0:05:36 | |
OK, all right. I'm going to wander around. | 0:05:36 | 0:05:39 | |
Well, get a wiggle on because David's already got something else in his sights. | 0:05:39 | 0:05:43 | |
-That is... -That's a nice piece, isn't it? | 0:05:43 | 0:05:46 | |
VASE RINGS | 0:05:46 | 0:05:48 | |
Beautiful sound. | 0:05:49 | 0:05:51 | |
That's a very, very good piece of glass. | 0:05:51 | 0:05:53 | |
Keep the volume down, David. | 0:05:53 | 0:05:55 | |
In this shop, your rival's never very far away. | 0:05:55 | 0:05:59 | |
I think he's already buying another item | 0:05:59 | 0:06:01 | |
and I haven't bought anything yet and then that starts to worry me | 0:06:01 | 0:06:05 | |
and I get all upset. | 0:06:05 | 0:06:07 | |
Oh, lordy. | 0:06:07 | 0:06:09 | |
So that's a 19th century goblet or vase. | 0:06:09 | 0:06:13 | |
-What I love about the engraving is the scene. -Yeah. | 0:06:13 | 0:06:16 | |
That's what makes it, yeah. | 0:06:16 | 0:06:18 | |
And these fisherman that I deal with will spend big money | 0:06:18 | 0:06:22 | |
on anything to do with fishing. | 0:06:22 | 0:06:24 | |
-What kind of money's that, Robin? -The death on it is 50. -50? -Yes. | 0:06:24 | 0:06:30 | |
It couldn't be just a trickle, just a trickle less? | 0:06:30 | 0:06:33 | |
-Not a trickle. -Seriously? -That is... That is on the knuckle, yeah. | 0:06:33 | 0:06:38 | |
-Is she watching me? -I am. -She IS watching me. | 0:06:39 | 0:06:41 | |
-I could sense your eyes. -Leave me alone, David. | 0:06:41 | 0:06:45 | |
-I'm getting all stressed. -OK, Robin. Do it very quietly. | 0:06:45 | 0:06:49 | |
Don't say a word but what I'm going to do, just as a celebration, | 0:06:49 | 0:06:52 | |
right, I'm going to do this. | 0:06:52 | 0:06:55 | |
VASE RINGS | 0:06:56 | 0:06:58 | |
And if we can just hide that somewhere. | 0:06:58 | 0:07:00 | |
Two buys and just over 20 minutes later, David's done. | 0:07:00 | 0:07:04 | |
-Thank you very much. Thanks again. -Thank you. | 0:07:04 | 0:07:06 | |
I'll see you later, Catherine. | 0:07:06 | 0:07:08 | |
-Nice to see you, Robin. All the best. -You're welcome. -OK, bye. | 0:07:08 | 0:07:11 | |
Plus, Catherine, not surprisingly, seems to know exactly what he's bought. | 0:07:11 | 0:07:15 | |
He's such a cheeky monkey. I don't know how he does it. | 0:07:15 | 0:07:19 | |
He's going to make a whopping great profit with what you've just sold him. | 0:07:19 | 0:07:24 | |
He's probably going to make about £150 on that, I should think. | 0:07:24 | 0:07:29 | |
-Probably a bit more, actually. -Oh, good! | 0:07:29 | 0:07:32 | |
Ouch! Maybe cut out the jokes. | 0:07:32 | 0:07:34 | |
Oh! | 0:07:34 | 0:07:36 | |
Now, it's Robin's turn to give Catherine a hand | 0:07:36 | 0:07:39 | |
and hopefully she can stop worrying about what her rival's already nabbed. | 0:07:39 | 0:07:43 | |
-That, you would make money on. -I don't really like it. | 0:07:43 | 0:07:46 | |
-No. -Come on, Robin - keep trying. | 0:07:46 | 0:07:50 | |
How about a nice Charlotte Rhead plate? | 0:07:50 | 0:07:52 | |
-This is just boring, isn't it? -Please yourself. | 0:07:52 | 0:07:56 | |
You'd be better to take something like that little chair. | 0:07:56 | 0:07:58 | |
But I just can't find anything quite special. | 0:07:58 | 0:08:01 | |
If it was special, it would be a lot of money. | 0:08:01 | 0:08:04 | |
-And if it is unusual, it's already gone. -That's helpful. | 0:08:05 | 0:08:08 | |
I think that's lovely. It's beautifully etched. | 0:08:08 | 0:08:12 | |
It's lovely and there's an awful lot going on, there. | 0:08:12 | 0:08:14 | |
-Aye, aye. -It's got the name of Peter Chambers, whoever he was, | 0:08:14 | 0:08:19 | |
-and as such, it's going to put a lot of people off, isn't it? -It will. | 0:08:19 | 0:08:23 | |
Oh, dear. Nothing's quite right, is it? | 0:08:23 | 0:08:27 | |
The little copper drinking... They don't rock your boat? | 0:08:27 | 0:08:31 | |
Turn of the century, I'd have thought. | 0:08:31 | 0:08:33 | |
Copper, sorts of Arts and Craftsy in style. | 0:08:33 | 0:08:35 | |
I mean, they're simple and you can imagine them all lined up. | 0:08:35 | 0:08:38 | |
If you had a nice inglenook fireplace, | 0:08:38 | 0:08:40 | |
you can imagine them all lined up. | 0:08:40 | 0:08:42 | |
-£10 the set. -They're quite nice, actually. | 0:08:42 | 0:08:45 | |
Right. A fiver on those. | 0:08:47 | 0:08:49 | |
Go on, then. Yes. | 0:08:49 | 0:08:50 | |
That is good. | 0:08:50 | 0:08:53 | |
-You're lovely. -There you go. Your first little buy. | 0:08:53 | 0:08:55 | |
What would you sell them for, normally? | 0:08:55 | 0:08:58 | |
Those? I had them up for about £80. | 0:08:58 | 0:09:00 | |
Blimey, Catherine! He has been kind to you. | 0:09:01 | 0:09:04 | |
This is all taking a while and we might be a bit longer yet | 0:09:06 | 0:09:10 | |
because Catherine, encouraged by that last deal, | 0:09:10 | 0:09:13 | |
is back at the goblet. | 0:09:13 | 0:09:15 | |
It's really beautifully etched, isn't it? Really high quality. | 0:09:15 | 0:09:20 | |
-But what could you do on this? -Not a lot. | 0:09:20 | 0:09:23 | |
-£80. -You really couldn't do any less than £80 on it? No? | 0:09:23 | 0:09:28 | |
No. I paid too much for it. | 0:09:28 | 0:09:30 | |
-My best offer - 40. -Phew! No! The best ever on it would be 60. | 0:09:32 | 0:09:37 | |
-I'd take a £20 loss on it. -Would you? -Yeah. | 0:09:37 | 0:09:40 | |
-Sneaky. -How much did David pay? -50. | 0:09:40 | 0:09:44 | |
Could I pay 50 for that and then, only because we've got a competition | 0:09:44 | 0:09:49 | |
and then we can see who's actually bought the best piece of glass. | 0:09:49 | 0:09:52 | |
-Go on, then. -Am I asking the world? -Yes, you are | 0:09:54 | 0:09:56 | |
but I will do it for you because you're so pretty. | 0:09:56 | 0:09:59 | |
Ah! | 0:09:59 | 0:10:01 | |
She's finally got a smile on her face. | 0:10:03 | 0:10:06 | |
Bye! | 0:10:06 | 0:10:08 | |
Oh! Eventually. | 0:10:08 | 0:10:10 | |
My goodness me, what have you got in there? | 0:10:10 | 0:10:14 | |
Don't try and be all friendly with me, Mr Harper. | 0:10:14 | 0:10:18 | |
I know what you bought. | 0:10:18 | 0:10:20 | |
She may have been an awfully long time | 0:10:20 | 0:10:21 | |
but Catherine spent less than half as much as David. | 0:10:21 | 0:10:24 | |
And now can the tortoise and the hare power the Mini up through the mountains? | 0:10:27 | 0:10:31 | |
Heading east from Rhayader towards the little village of Abbeycwmhir... | 0:10:31 | 0:10:36 | |
where David's come to see a very unusual home. | 0:10:38 | 0:10:40 | |
This is The Hall, built in 1833 | 0:10:46 | 0:10:49 | |
and then enlarged into a Victorian Gothic Revival mansion a few years later. | 0:10:49 | 0:10:54 | |
By the 1990s, though, it was in a very sorry state | 0:10:54 | 0:10:58 | |
and David wants to see how the present owners have restored it. | 0:10:58 | 0:11:02 | |
-Hello! -Welcome, David. Welcome to The Hall at Abbeycwmhir. | 0:11:02 | 0:11:05 | |
-Thank you very much. Paul, isn't it? -It is indeed. | 0:11:05 | 0:11:08 | |
I can see already, that is a feast. | 0:11:08 | 0:11:10 | |
It certainly is. | 0:11:10 | 0:11:12 | |
Grade II listed and with original features in all 52 rooms. | 0:11:14 | 0:11:17 | |
The Hall is now open to the public, | 0:11:20 | 0:11:21 | |
thanks to Paul and his wife's boundless enthusiasm, | 0:11:21 | 0:11:25 | |
not to mention life savings. | 0:11:25 | 0:11:27 | |
I'm loving this. Now, this is original, isn't it? | 0:11:29 | 0:11:31 | |
Totally. But we're not slavish to 1869. | 0:11:31 | 0:11:35 | |
This is a house that's full of interest and quirkiness. | 0:11:35 | 0:11:39 | |
He's right, you know. This home is most definitely not stately. | 0:11:40 | 0:11:45 | |
It's too much fun for that. | 0:11:45 | 0:11:47 | |
Take the snooker room, for example. | 0:11:47 | 0:11:49 | |
Now, I do like this billiard room. | 0:11:49 | 0:11:51 | |
Original features aplenty here, | 0:11:51 | 0:11:53 | |
like the ceiling with the vents for releasing the gentlemen's cigar smoke | 0:11:53 | 0:11:57 | |
and it also features a bizarre Arthurian theme | 0:11:57 | 0:12:01 | |
that was all Paul's idea. | 0:12:01 | 0:12:03 | |
And round the wall here are the knights of the Round Table | 0:12:03 | 0:12:07 | |
in old English script. | 0:12:07 | 0:12:08 | |
There is a historian that claims this is Camelot. | 0:12:08 | 0:12:11 | |
What? This is getting even wilder and wilder here, Paul. | 0:12:11 | 0:12:14 | |
Because he was a 5th-century Welsh prince, | 0:12:14 | 0:12:16 | |
-so we created the Arthurian Room. -That's great. | 0:12:16 | 0:12:20 | |
There are plenty of other weird and wonderful additions, too, | 0:12:20 | 0:12:23 | |
like the safe from the custard factory where Paul used to work. | 0:12:23 | 0:12:26 | |
Visitors, we always ask them to describe this when they leave | 0:12:26 | 0:12:31 | |
-and they can't. -Well, I'm struggling. | 0:12:31 | 0:12:33 | |
It almost like an adventure playground, | 0:12:33 | 0:12:36 | |
something that is fantastically eccentric, | 0:12:36 | 0:12:40 | |
very British and puts a big smile on your face. | 0:12:40 | 0:12:43 | |
I suppose that having rescued the place Paul, quite rightly, wants to put his stamp on it. | 0:12:46 | 0:12:50 | |
Goodness knows what the National Trust would make | 0:12:50 | 0:12:52 | |
of Paul's little collections, though. | 0:12:52 | 0:12:54 | |
-King Henry and his wives. -Yeah. | 0:12:56 | 0:12:58 | |
And here's some Thunderbirds heads. | 0:12:59 | 0:13:02 | |
-Are they Doulton? -They're Doulton. | 0:13:02 | 0:13:04 | |
-There's not too many of them around. -No, they're pretty rare. | 0:13:04 | 0:13:08 | |
I can value them for the look around the house. | 0:13:08 | 0:13:10 | |
Even the library has a cheeky secret or two. | 0:13:12 | 0:13:14 | |
It is the only Boys' and Girls' Adventure library in Wales | 0:13:15 | 0:13:19 | |
and they're all in their original bindings. | 0:13:19 | 0:13:21 | |
This is the way the world should have been but never quite was. | 0:13:21 | 0:13:25 | |
You see, I think people like you should run the world. | 0:13:25 | 0:13:28 | |
I think it would be a happier place. | 0:13:28 | 0:13:29 | |
-I'm not sure that David Cameron would agree with you. -I don't know! | 0:13:29 | 0:13:33 | |
But perhaps the best illustration of Paul's Tracy Island philosophy | 0:13:33 | 0:13:36 | |
is the garden room. | 0:13:36 | 0:13:38 | |
And now for something completely different. | 0:13:38 | 0:13:41 | |
Featuring 136 original signs and goodness knows what else besides. | 0:13:44 | 0:13:49 | |
This is our childhood. | 0:13:49 | 0:13:52 | |
When people come here, memories come flooding back. | 0:13:52 | 0:13:55 | |
It's bonkers, that's what it is. It's absolutely bonkers. | 0:13:57 | 0:14:00 | |
Well, you ought to know. | 0:14:00 | 0:14:02 | |
Do you know what? Thinking of Thunderbirds, | 0:14:05 | 0:14:08 | |
Catherine and David don't half resemble Lady Penelope and Parker. | 0:14:08 | 0:14:11 | |
Nighty-night, milady. | 0:14:13 | 0:14:16 | |
We are right in the thick of it. | 0:14:20 | 0:14:22 | |
Next day, our two just can't get enough of those Welsh mountains. | 0:14:22 | 0:14:26 | |
-We're on top of the world, David. -On top of the world. | 0:14:26 | 0:14:28 | |
Do you feel on top of the world? I think we pretty much are. | 0:14:28 | 0:14:31 | |
We keep climbing. | 0:14:31 | 0:14:33 | |
Yesterday, David really leapt in, spending £130 on a temple piece and an ale goblet... | 0:14:35 | 0:14:41 | |
leaving £101.24 to spend today. | 0:14:42 | 0:14:45 | |
Whilst Catherine spent a mere £55 on another goblet | 0:14:47 | 0:14:50 | |
and some copper pots, leaving her with £147.16 to spend today. | 0:14:50 | 0:14:56 | |
You're so pretty! | 0:14:56 | 0:14:58 | |
Ugh, I'm getting wet now. My map has other uses. | 0:15:00 | 0:15:05 | |
-Have you got two maps? -No, get your own. | 0:15:06 | 0:15:08 | |
They're heading for an auction in Llanelli | 0:15:12 | 0:15:14 | |
but the next stop is the little village of Penybont. | 0:15:14 | 0:15:17 | |
Catherine's about to visit a unique shop, | 0:15:22 | 0:15:24 | |
which many regard as a blueprint for modern retail. | 0:15:24 | 0:15:28 | |
A-ha! Thomas Shop. | 0:15:28 | 0:15:30 | |
Hello, Thomas Shop. | 0:15:30 | 0:15:33 | |
-Hello! I'm Catherine. -I'm Derek. Hello. Welcome to the Thomas Shop. | 0:15:37 | 0:15:41 | |
Thank you very much indeed. | 0:15:41 | 0:15:43 | |
I'm oozing with excitement. This is wonderful! | 0:15:43 | 0:15:46 | |
When Derek came to Penybont 12 years ago, | 0:15:48 | 0:15:51 | |
he discovered that there had been a successful business here | 0:15:51 | 0:15:54 | |
as far back as 1730. | 0:15:54 | 0:15:57 | |
Not just selling groceries because the original owners established a drapery | 0:15:57 | 0:16:02 | |
and a gentlemen's outfitters, as well as an inn, a cooper's | 0:16:02 | 0:16:05 | |
and a blacksmith's. Huh! | 0:16:05 | 0:16:07 | |
The shop was having to provide something for the whole community. | 0:16:08 | 0:16:12 | |
This was the precursor to the development of a department store. | 0:16:12 | 0:16:18 | |
See, that is fascinating, isn't it? | 0:16:18 | 0:16:20 | |
How it then developed into this mass thing that we see today. | 0:16:20 | 0:16:23 | |
Not that you'd get today a grocer's, necessarily, with... | 0:16:23 | 0:16:27 | |
-It's a bit of an odd combination. -Marks and Spencer's do. | 0:16:27 | 0:16:30 | |
That's true. | 0:16:30 | 0:16:31 | |
Nowadays, reminders of those departments are squeezed | 0:16:35 | 0:16:38 | |
into this gloriously eclectic collection. | 0:16:38 | 0:16:41 | |
The Thomas Shop is packed with goods stretching back over 200 years. | 0:16:41 | 0:16:46 | |
This is fantastic. I love the packets, I love the tins, the jars, the pots, | 0:16:46 | 0:16:51 | |
-because really, they tell us about social history. -They do. | 0:16:51 | 0:16:55 | |
I love the adverts. I mean, take this one, for example. | 0:16:55 | 0:16:59 | |
-Colman's tin. -Colman's Mustard, yes. | 0:17:00 | 0:17:02 | |
-I presume it would have been used in a shop... -It would have been a display. -..once upon a time. | 0:17:02 | 0:17:07 | |
Although right now Penybont doesn't have a village shop, | 0:17:08 | 0:17:11 | |
the establishment that Mr Thomas bought in 1799 was a thriving concern. | 0:17:11 | 0:17:19 | |
It then stayed in the family, perfectly preserved, | 0:17:21 | 0:17:23 | |
until closing in the 1950s. | 0:17:23 | 0:17:26 | |
When Derek set about restoring things, | 0:17:26 | 0:17:29 | |
his biggest problem was finding some stock. | 0:17:29 | 0:17:31 | |
People over the last ten years have come along with all sorts of things | 0:17:31 | 0:17:37 | |
that you see on the shelves. | 0:17:37 | 0:17:38 | |
For example, I mean, we've got this collection of shoes. | 0:17:38 | 0:17:41 | |
A man drove into our car park and said, "I've got three boxes in the back of car..." | 0:17:41 | 0:17:46 | |
-And he just gave you them? They look Victorian. -They're Victorian shoes. | 0:17:46 | 0:17:49 | |
I'd never seen a hobnailed boot before. | 0:17:49 | 0:17:53 | |
No, I've never seen one before, either. | 0:17:53 | 0:17:55 | |
The nice thing here is that we encourage people to pick them up. | 0:17:55 | 0:17:59 | |
To touch them - not like a museum. | 0:17:59 | 0:18:00 | |
Also in the collection are objects that might never have been sold here | 0:18:02 | 0:18:06 | |
but are nevertheless fascinating pieces of social history, | 0:18:06 | 0:18:10 | |
like the Welsh Not. | 0:18:10 | 0:18:12 | |
-This brings tears to the eyes of many people who speak Welsh. -Does it? Why's that then? | 0:18:12 | 0:18:17 | |
Because children were forbidden to speak Welsh in school. | 0:18:17 | 0:18:20 | |
When children were found speaking Welsh, | 0:18:20 | 0:18:22 | |
they were made to wear the Welsh Not. | 0:18:22 | 0:18:24 | |
-"You will not speak Welsh." -Ah! Really? | 0:18:24 | 0:18:26 | |
-And so they had to wear it. -Round their neck. -Round their neck. | 0:18:26 | 0:18:29 | |
Oh, gosh. That's terrible, isn't it? | 0:18:29 | 0:18:31 | |
The hated Not was introduced in 1870s | 0:18:31 | 0:18:35 | |
and lasted until the 20th century, | 0:18:35 | 0:18:38 | |
altogether a very different state of affairs from what we have today. | 0:18:38 | 0:18:42 | |
Welsh as a language is growing and it's very exciting. | 0:18:42 | 0:18:45 | |
So do you speak a bit of Welsh? | 0:18:45 | 0:18:47 | |
I mean - bore da. | 0:18:47 | 0:18:49 | |
-Bore da. Bore da is hello? -Good morning. -Good morning. | 0:18:49 | 0:18:53 | |
-Ti'n iawn. -Ti'n iawn. -How are you? | 0:18:53 | 0:18:56 | |
Ti'n iawn. Fine, thanks. How are you? | 0:18:56 | 0:19:00 | |
Bore da. Bore da. | 0:19:00 | 0:19:02 | |
Mm. Could be useful when she gets down to some proper shopping again later. | 0:19:02 | 0:19:06 | |
Time to go climbing. | 0:19:06 | 0:19:08 | |
And travel south from Penybont towards the Beacons and Brecon. | 0:19:13 | 0:19:17 | |
Now, I'm sure this fine old market town has produced | 0:19:19 | 0:19:22 | |
many famous sons and daughters | 0:19:22 | 0:19:24 | |
but the Duke of Wellington, apparently, isn't one of them, | 0:19:24 | 0:19:28 | |
despite his rather prominent statue. | 0:19:28 | 0:19:30 | |
Still, perhaps his influence will rub off on our two combatants. | 0:19:30 | 0:19:34 | |
Well, I've decided that it's no good | 0:19:36 | 0:19:39 | |
just buying these piddly things at £20, £30 | 0:19:39 | 0:19:42 | |
and making £5, £10 profit. | 0:19:42 | 0:19:45 | |
-Oh! -Is there? -I'm with you, I'm with you. | 0:19:45 | 0:19:47 | |
Because it's just not going to get us anywhere | 0:19:47 | 0:19:50 | |
-and we both really need a big push. -We do. | 0:19:50 | 0:19:54 | |
-So today I'm going for it. -Oh, I love that. | 0:19:54 | 0:19:58 | |
I'm going to risk it all. | 0:19:58 | 0:20:01 | |
Fighting talk, eh? | 0:20:01 | 0:20:03 | |
And they can safely park the car for a few hours now | 0:20:03 | 0:20:06 | |
because they're going to battle it out in Brecon. | 0:20:06 | 0:20:09 | |
Ah! The cavalry. | 0:20:13 | 0:20:15 | |
It's the back of a fire, I'm sure. | 0:20:15 | 0:20:17 | |
Whoa, my gosh! | 0:20:17 | 0:20:19 | |
Probably the 18th or 19th century. | 0:20:19 | 0:20:22 | |
That thing would sit in the back of the fire. | 0:20:22 | 0:20:25 | |
It's cast iron. It's absolutely monstrously heavy. | 0:20:25 | 0:20:28 | |
And there's another one. | 0:20:28 | 0:20:30 | |
This is probably more interesting. | 0:20:30 | 0:20:32 | |
Dated 1635, if that really is in period, | 0:20:32 | 0:20:38 | |
an early 17th-century fireback, | 0:20:38 | 0:20:41 | |
it's worth £1,000 of anybody's money. | 0:20:41 | 0:20:43 | |
That's dated 1635. Do you think that's period or not? | 0:20:43 | 0:20:47 | |
-I would say so, yes. -Really? | 0:20:47 | 0:20:49 | |
Tony's standing in for the owner and doing a great job | 0:20:49 | 0:20:52 | |
but it's time for a closer look. | 0:20:52 | 0:20:55 | |
-It'll be a monstrously heavy thing. -It is very, very heavy. | 0:20:55 | 0:20:58 | |
Shall I get one side? | 0:20:58 | 0:20:59 | |
HE GRUNTS | 0:20:59 | 0:21:01 | |
-Here you are, I've got one side. -Now you can. -There you go. Look at that. | 0:21:01 | 0:21:04 | |
That is one big, heavy lump of cast iron. | 0:21:04 | 0:21:08 | |
Charles I, royal coat of arms. | 0:21:08 | 0:21:11 | |
What do you think? What's your instinct? | 0:21:11 | 0:21:13 | |
It wouldn't come out of Queen Victoria's place, would it? | 0:21:13 | 0:21:16 | |
No. Might have done. | 0:21:16 | 0:21:17 | |
-That's what I normally tell people. -Do you? | 0:21:17 | 0:21:20 | |
It comes out of her abode. That's how I manage to sell things. | 0:21:20 | 0:21:23 | |
Ah! I wouldn't be admitting that on telly. | 0:21:23 | 0:21:26 | |
THEY LAUGH | 0:21:26 | 0:21:27 | |
Do you know what I think? I think it's mid 20th century. | 0:21:27 | 0:21:29 | |
-It could be. -1950s. -It could very well be. | 0:21:29 | 0:21:32 | |
Well, that at least puts them within David's price range. | 0:21:32 | 0:21:35 | |
-What kind of money are they? -I would say over £100. -Really? | 0:21:35 | 0:21:40 | |
-You wouldn't get two for one here, then, would you? -That was yesterday. | 0:21:40 | 0:21:43 | |
-Really? -Oh, yeah, we had a big day here yesterday. -Two for one deals? -Cheaper than Asda yesterday. -Never! | 0:21:43 | 0:21:48 | |
But that was only yesterday. | 0:21:48 | 0:21:50 | |
-Tony, would you mind giving him a ring and just... -Not at all. | 0:21:50 | 0:21:53 | |
-Give me a price, give me a price. -Excuse me a minute. -Cheers. | 0:21:53 | 0:21:56 | |
It might be 20 years old but it doesn't matter - | 0:21:56 | 0:21:58 | |
for the right money as a decorative object, it doesn't matter. | 0:21:58 | 0:22:01 | |
-I was way over with my quote. -Good man! | 0:22:01 | 0:22:05 | |
-It's £55. -For the two? For the two? -No, each. | 0:22:05 | 0:22:09 | |
That's not bad for the two. | 0:22:09 | 0:22:11 | |
Sorry. | 0:22:11 | 0:22:13 | |
Is there any movement on that, do you think? | 0:22:15 | 0:22:17 | |
I think I could go down to 45. | 0:22:17 | 0:22:22 | |
-Can I officially put that on hold? -No problem. | 0:22:22 | 0:22:25 | |
Don't sell it to the Southon woman, right? | 0:22:25 | 0:22:28 | |
-She's not allowed to buy that. -OK. | 0:22:28 | 0:22:30 | |
Those are getting cheaper all the time. | 0:22:30 | 0:22:32 | |
I wonder how Catherine's doing? | 0:22:32 | 0:22:35 | |
-Bore da. -Bore da. | 0:22:35 | 0:22:36 | |
-Bore da. -Ah! She's made a good impression there. | 0:22:36 | 0:22:39 | |
-I'm Lynton. I own the centre. -Right. So you're the man to do the deals with. -Yeah. | 0:22:39 | 0:22:44 | |
-Excellent. -If you want any help, just give us a call. | 0:22:44 | 0:22:47 | |
-We'll see if we can do a little deal. -OK. | 0:22:47 | 0:22:50 | |
Soon, Catherine, having taken note of what's Lynton's, | 0:22:50 | 0:22:53 | |
has found something she quite likes. | 0:22:53 | 0:22:55 | |
It's very sweet. Do you know what I think it was? | 0:22:55 | 0:22:58 | |
-I think it might be for microscope slides. -Yes. | 0:22:58 | 0:23:00 | |
These drawers, I think, once upon a time, were filled | 0:23:00 | 0:23:03 | |
with glass microscope slides. | 0:23:03 | 0:23:07 | |
Solid mahogany. These little bun feet on the bottom. | 0:23:07 | 0:23:12 | |
That would probably date it to about 1830, 1840. | 0:23:12 | 0:23:14 | |
The ticket price is £195, though. | 0:23:14 | 0:23:17 | |
It'll take more than a little Welsh small talk | 0:23:17 | 0:23:20 | |
to get that down, girl. | 0:23:20 | 0:23:21 | |
-Can you do £100 on it? -No. | 0:23:21 | 0:23:24 | |
Right. | 0:23:24 | 0:23:25 | |
OK. | 0:23:25 | 0:23:27 | |
I'll give you my bottom line. I can't go less than, what, 120? | 0:23:31 | 0:23:36 | |
You couldn't do 110? | 0:23:39 | 0:23:42 | |
-Go on, then. -For 110. -For 110. | 0:23:42 | 0:23:44 | |
I'm not going to commit just yet because I'm just going to have a look at the other shops. | 0:23:44 | 0:23:48 | |
I think Lynton expected a handshake then. | 0:23:48 | 0:23:50 | |
Just one thing. If that Mr Harper comes in sniffing around, | 0:23:50 | 0:23:54 | |
please don't let him have that for any... Don't let him have it, full stop. | 0:23:54 | 0:23:58 | |
-Don't give him any big discounts. -He might offer me 185 for it. | 0:23:58 | 0:24:01 | |
Yeah but don't take it because we're friends, aren't we? | 0:24:01 | 0:24:04 | |
We're pals. | 0:24:04 | 0:24:05 | |
Well, friendship's one thing and antiques are quite another. | 0:24:05 | 0:24:10 | |
Meanwhile, David's got his dealer on the line | 0:24:10 | 0:24:12 | |
and he's spied something else. | 0:24:12 | 0:24:14 | |
There's a very simple little Chinese rice bowl, | 0:24:14 | 0:24:18 | |
19th century thing. | 0:24:18 | 0:24:20 | |
Is it buyable at 20? Yeah. | 0:24:20 | 0:24:22 | |
OK. And while I've got you on the phone, the big fireback. | 0:24:23 | 0:24:27 | |
Tony said 45. | 0:24:27 | 0:24:30 | |
Could it be just a little bit less or...? | 0:24:30 | 0:24:33 | |
40 quid. OK, that's fine. | 0:24:33 | 0:24:35 | |
OK, thank you. Bye. | 0:24:35 | 0:24:37 | |
-Right. Little Chinese thing, he said I can have it for 20 quid. -OK, yeah. | 0:24:37 | 0:24:42 | |
-But I'll put that aside for now. -So that's those two reserved | 0:24:42 | 0:24:45 | |
at £20 for the bowl and £40 for the fireback - wow. | 0:24:45 | 0:24:48 | |
-Good man. Cheers. -OK. | 0:24:48 | 0:24:50 | |
Because Brecon does have quite a few antique shops, | 0:24:54 | 0:24:57 | |
it looks like our two intend to play the field. | 0:24:57 | 0:24:59 | |
You see, I like this. We've got an umbrella stand or a walking stick stand | 0:25:00 | 0:25:04 | |
and it's a big lump of cast iron. | 0:25:04 | 0:25:08 | |
I think this would look smashing in a lovely country house. | 0:25:08 | 0:25:14 | |
It's very sort of rococo, the style of it. | 0:25:14 | 0:25:16 | |
I love the shells, I love the grapes | 0:25:16 | 0:25:18 | |
-and there's a lot of sort of swirls and patterns in it. -Mm. | 0:25:18 | 0:25:23 | |
But at £48, there's a bit of a fault. | 0:25:23 | 0:25:25 | |
-What can you do on it? -40. | 0:25:25 | 0:25:27 | |
Bearing in mind that we'd be taking a bit of a gamble. | 0:25:27 | 0:25:30 | |
That would but I still think there's quite a lot left in it, | 0:25:30 | 0:25:35 | |
especially at auction. | 0:25:35 | 0:25:37 | |
-But not at 40. -I'm struggling now a little on it, then. | 0:25:37 | 0:25:41 | |
I think a very, very fair price would be 30. | 0:25:41 | 0:25:44 | |
I could do 35, then, yes. | 0:25:44 | 0:25:48 | |
I think £30 is a really fair offer. | 0:25:48 | 0:25:51 | |
I'm still not biting yet, am I? | 0:25:51 | 0:25:53 | |
-Go on! -Shall we say 35? | 0:25:54 | 0:25:56 | |
Let's see what else and then if we can put that with it... | 0:25:56 | 0:26:00 | |
Good idea, girls. There's plenty inside after all. | 0:26:00 | 0:26:03 | |
Ah, now David's discovered the antiques centre. | 0:26:03 | 0:26:06 | |
-Hello. -Hello. -OK if I just have a wander round? -Of course you can. | 0:26:10 | 0:26:13 | |
If you want any help, just give me a call. | 0:26:13 | 0:26:15 | |
So no welcome badinage for him. Just straight to it. | 0:26:15 | 0:26:19 | |
I wonder how long it will take this time? | 0:26:19 | 0:26:21 | |
-Just a little carrying box. -Not very. | 0:26:21 | 0:26:25 | |
Always, I'm drawn to Oriental things and that is Chinese. | 0:26:25 | 0:26:29 | |
It's possibly 19th century. Let's say it's circa 1900. | 0:26:30 | 0:26:34 | |
In fact, it's got things in it and they seem to belong. | 0:26:34 | 0:26:38 | |
That's Chinese. | 0:26:38 | 0:26:39 | |
That's Chinese. A pair of water buffalos, hand-carved. | 0:26:40 | 0:26:44 | |
They're worth 40 or 50 quid. | 0:26:44 | 0:26:45 | |
There's a lot going on there. | 0:26:45 | 0:26:47 | |
Is it priced with its contents? That's the thing. | 0:26:47 | 0:26:50 | |
90 quid. | 0:26:50 | 0:26:52 | |
Actually, David, that's just for the box. | 0:26:52 | 0:26:54 | |
I'll have to speak to him about that. | 0:26:55 | 0:26:57 | |
What would be sensible for the lot - everything? | 0:26:57 | 0:27:00 | |
Everything's that in it? I'd do it for the 90 quid for everything. | 0:27:00 | 0:27:03 | |
Not bad but remember, David's already reserved those two items up the road. | 0:27:03 | 0:27:07 | |
-I've got £41 and so many pennies. -Yes. -Right? | 0:27:07 | 0:27:12 | |
So I'm thinking, how about if we take out the prints, | 0:27:12 | 0:27:16 | |
take out the brass and the gaming boards... | 0:27:16 | 0:27:19 | |
and then we put in these two little characters... | 0:27:21 | 0:27:24 | |
Is that ever going to happen at £41 and something pennies? Never? | 0:27:28 | 0:27:31 | |
-No. -Never? -The box cost me more than that. -Did it? -Yeah. -OK. | 0:27:31 | 0:27:36 | |
-Erm... -Give me a profit on the box and you've got a chance. | 0:27:36 | 0:27:40 | |
I've got to have 50 quid at least on it. That gives me a profit. | 0:27:40 | 0:27:43 | |
Time for a rethink. If he wants the buffalo, he might need to forget about that Chinese bowl. | 0:27:43 | 0:27:48 | |
So my offer to you now is £61.24 for the box and these two fellows. | 0:27:49 | 0:27:57 | |
I could do that. | 0:27:57 | 0:28:00 | |
-That's hard. -It's hard, I know, I know. | 0:28:02 | 0:28:05 | |
-And if I had more... If I had one penny more... -Yeah. | 0:28:05 | 0:28:09 | |
-..I would give you the extra penny. -I know. | 0:28:09 | 0:28:12 | |
That is literally me completely and utterly washed out. | 0:28:12 | 0:28:16 | |
Is it? | 0:28:16 | 0:28:18 | |
-Go on. Go on, then. -Deal? -Yeah, go on. | 0:28:18 | 0:28:21 | |
-Good man. Thank you very much indeed. -OK. | 0:28:21 | 0:28:24 | |
I think that was £40 for the box and the rest for the couple of buffalo. | 0:28:24 | 0:28:28 | |
£61.24. There you go. | 0:28:28 | 0:28:32 | |
-Is that a nice one? -What about Catherine and Martha, then? | 0:28:32 | 0:28:36 | |
I wonder if she's found anything to add to her umbrella stand? | 0:28:36 | 0:28:39 | |
I like that display cabinet there with the rose going through. | 0:28:39 | 0:28:43 | |
-It's pretty, isn't it? -Yes, it's one of my favourites | 0:28:43 | 0:28:45 | |
-and it's cheap. -How cheap is it? -35. | 0:28:45 | 0:28:49 | |
It's quite nice, isn't it? | 0:28:49 | 0:28:51 | |
Now, this is 1950s. | 0:28:51 | 0:28:53 | |
I would have thought it came in as piece of pretty boring brown furniture | 0:28:53 | 0:28:58 | |
but what's happened is Martha's painted it up | 0:28:58 | 0:29:02 | |
to look more sort of shabby chic. | 0:29:02 | 0:29:04 | |
But the problem is you would go along to buy this | 0:29:04 | 0:29:09 | |
in its brown state at auction, dealers would - | 0:29:09 | 0:29:12 | |
they'd pick up for 30 quid, | 0:29:12 | 0:29:14 | |
then transform it, as Martha has done | 0:29:14 | 0:29:18 | |
and probably sell it on for 70 quid. | 0:29:18 | 0:29:22 | |
So I think, really, it would be pretty foolish to buy it | 0:29:22 | 0:29:26 | |
and then send it back to auction. | 0:29:26 | 0:29:29 | |
Quite possibly but that doesn't seem to have put her off taking a closer look. | 0:29:29 | 0:29:34 | |
It must be here. No, that's not going to go in there. | 0:29:34 | 0:29:37 | |
We've got a bit of a problem here. | 0:29:37 | 0:29:38 | |
Another problem, eh? Are you sure, Catherine? | 0:29:38 | 0:29:41 | |
I've got a key somewhere. SHE CHUCKLES | 0:29:41 | 0:29:43 | |
There's absolutely no reason why that shouldn't sell. | 0:29:43 | 0:29:47 | |
Apart from all those we've already heard about, that is. | 0:29:47 | 0:29:51 | |
-What can you do on it? -28. | 0:29:51 | 0:29:54 | |
Remember, Martha still wants £35 for the umbrella stand. | 0:29:54 | 0:29:58 | |
-So would you do the two for 50? -Go on, then. | 0:29:58 | 0:30:01 | |
-Would you? -Yes. | 0:30:01 | 0:30:03 | |
You're very definite about that. Maybe I should do a bit less. | 0:30:03 | 0:30:06 | |
-Hang on... -I tell you what I'll do. -Mm-hm. | 0:30:06 | 0:30:10 | |
-I'll give you 45 in cash. -48. | 0:30:10 | 0:30:13 | |
I'm going to shake your hand because I just think it's got to work. | 0:30:13 | 0:30:16 | |
-Well done. -Right. Here we are. | 0:30:16 | 0:30:19 | |
-OK, there's 20, 40... -This probably isn't the moment to point out | 0:30:20 | 0:30:25 | |
that at this rate she won't be able to afford the mahogany cabinet | 0:30:25 | 0:30:28 | |
she reserved earlier. | 0:30:28 | 0:30:29 | |
-Thank very much indeed. -Bye-bye. -Bye-bye. | 0:30:29 | 0:30:31 | |
-Tony! -Ah! -This is turning into a Brian Rix farce. | 0:30:33 | 0:30:37 | |
That's £40, that is what we said. Thank you very much. | 0:30:37 | 0:30:39 | |
So, David's now got the fireback he reserved, | 0:30:39 | 0:30:42 | |
which means he's once more spent the lot. | 0:30:42 | 0:30:45 | |
But Catherine's big push is a bit bogged down. | 0:30:45 | 0:30:48 | |
Oh, dear. Oh, dear. Oh, dear. | 0:30:48 | 0:30:52 | |
She may have almost £100 but that's £10 short of the price she agreed on the little cabinet. | 0:30:53 | 0:30:58 | |
Aarrgghh! | 0:30:58 | 0:31:00 | |
Panic! | 0:31:00 | 0:31:01 | |
And time is running out to find something else. | 0:31:01 | 0:31:04 | |
That's 105 quid. God, why are things so expensive? | 0:31:04 | 0:31:08 | |
I've gone from feeling quite confident to getting desperate, | 0:31:09 | 0:31:14 | |
which is what I do best, actually - desperation. | 0:31:14 | 0:31:17 | |
I wonder what the Iron Duke would recommend? | 0:31:18 | 0:31:21 | |
Ah! The antiques centre again. | 0:31:21 | 0:31:25 | |
-Hello. I'm back. -Hello. | 0:31:25 | 0:31:27 | |
-Hello. -LYNTON CHUCKLES | 0:31:27 | 0:31:30 | |
-I've got a problem. -Oh... | 0:31:30 | 0:31:32 | |
What's Welsh for pretty please? | 0:31:32 | 0:31:35 | |
-This is all I have in the world. -Oh, no... -Oh, don't be like that. | 0:31:35 | 0:31:39 | |
If it's under 100, don't even bring it out because I told you what it cost me. | 0:31:39 | 0:31:43 | |
-I can't let it go less than that. -Look. | 0:31:43 | 0:31:45 | |
20, 40, | 0:31:45 | 0:31:48 | |
60, 80, | 0:31:48 | 0:31:51 | |
90, | 0:31:51 | 0:31:53 | |
5, 6, 7, 8, 9... | 0:31:53 | 0:31:56 | |
and 16p. | 0:31:58 | 0:32:00 | |
That's all I have in the world. | 0:32:00 | 0:32:02 | |
-I know. -Sad, isn't it? | 0:32:02 | 0:32:04 | |
-LYNTON SIGHS -Oh, lordy. | 0:32:04 | 0:32:06 | |
-It's only £4. -Yeah but I'm negative equity, now. | 0:32:06 | 0:32:12 | |
-It's not even £4. It's £3 and... -I know but that's £2 less than what I paid for it. | 0:32:12 | 0:32:16 | |
Oh, go on. | 0:32:16 | 0:32:18 | |
-HE LAUGHS -Gosh! | 0:32:18 | 0:32:21 | |
-Yeah, go on. -OK, all right. | 0:32:21 | 0:32:22 | |
I think I'm going to do... I just need to breathe for a minute to think and reflect. | 0:32:22 | 0:32:28 | |
Now, is that going to make something at auction? | 0:32:29 | 0:32:31 | |
Don't dither, Catherine. He's doing you a favour. | 0:32:31 | 0:32:34 | |
-It really should. -It's a beautiful little piece. | 0:32:34 | 0:32:37 | |
-It really is a beautiful little piece. -Thank goodness for that. | 0:32:37 | 0:32:39 | |
You know what? I'm going to go for it. I'm going to do the deal. | 0:32:40 | 0:32:45 | |
-Thank you very much indeed. -It's a pleasure. | 0:32:45 | 0:32:48 | |
Ooh, you're lovely. Thank you! | 0:32:48 | 0:32:50 | |
-What a nice man. -Bye-bye. -Bye-bye. | 0:32:50 | 0:32:52 | |
Have I just done a terrible thing? | 0:32:55 | 0:32:58 | |
I don't know! | 0:32:58 | 0:32:59 | |
Let's have a look at what they've got. | 0:33:04 | 0:33:06 | |
Are you ready? Da-dah! | 0:33:06 | 0:33:09 | |
Oh-ho-ho! Well, hello. | 0:33:09 | 0:33:12 | |
OK! Well, you've got a cabinet which has been up-cycled. | 0:33:12 | 0:33:17 | |
-It's been painted. -Yes, it has. | 0:33:17 | 0:33:19 | |
-Erm... -But don't you just love the rose? | 0:33:19 | 0:33:21 | |
-Erm... -The mirrored rose going right down? -Do I? | 0:33:21 | 0:33:24 | |
Do I? Should I? Do I? | 0:33:25 | 0:33:28 | |
No. He doesn't. They found the key, though. | 0:33:28 | 0:33:30 | |
That's nice. I don't know whether it's Victorian or not | 0:33:30 | 0:33:33 | |
but it's certainly got a Victorian look, hasn't it? | 0:33:33 | 0:33:36 | |
1850 to 1870 in its style. | 0:33:36 | 0:33:39 | |
And stick stands always do well. | 0:33:39 | 0:33:41 | |
There's always a home for a stick stand. | 0:33:41 | 0:33:43 | |
I do like the goblet. I do like it. | 0:33:43 | 0:33:45 | |
I'm not in love with the copper pots. | 0:33:45 | 0:33:49 | |
You bought them for profit, I can see that. | 0:33:49 | 0:33:52 | |
-You know they'll make a profit. -I bought everything for a profit. | 0:33:52 | 0:33:55 | |
But you know when you buy something because you love it. | 0:33:55 | 0:33:58 | |
-You don't really like anything, do you? -I do, I do. | 0:33:58 | 0:34:01 | |
-Come on, then. -I think Catherine's right. | 0:34:01 | 0:34:03 | |
Now it's her turn for a spot of faint praise. | 0:34:03 | 0:34:06 | |
Da-da, da-da, da-dahh! | 0:34:06 | 0:34:08 | |
-You know this one! -You see, we're so different in our tastes. -I know. | 0:34:08 | 0:34:12 | |
-I can appreciate that. It's quite sort of grand. -Yeah. | 0:34:12 | 0:34:16 | |
-But it's naive. -Yeah. | 0:34:16 | 0:34:19 | |
-Personally, I don't like it because it's not my taste... -Yeah. | 0:34:19 | 0:34:22 | |
..but that doesn't matter because you'll make a profit. | 0:34:22 | 0:34:24 | |
-What about the fireback? -It's dated 1635 but it's not. -Positively not. | 0:34:24 | 0:34:30 | |
-It's just a modern copy. -It's a fireback. | 0:34:30 | 0:34:32 | |
-Well, it's 20th century. -It's the sort of thing that's probably going to make you £10, isn't it? | 0:34:32 | 0:34:36 | |
-Maybe 20. -Well, yes. I have a feeling it might make more. | 0:34:36 | 0:34:41 | |
She's decided to tell it like it is. | 0:34:41 | 0:34:43 | |
Water buffalos. Very important creatures in Chinese culture. | 0:34:43 | 0:34:47 | |
-It's cheap and nasty. -It's hand-carved, it's Chinese. | 0:34:47 | 0:34:50 | |
-But it's... -A pair of. | 0:34:50 | 0:34:51 | |
-You don't rate them? -No, do you? -Yes, I do. | 0:34:51 | 0:34:54 | |
Well, if that what she says to his face... | 0:34:54 | 0:34:57 | |
-What about my box? -Let me see. Er... -Not much, I'm guessing. | 0:34:57 | 0:35:00 | |
My feeling is it's OK and it's a 40 quid box. | 0:35:00 | 0:35:03 | |
-That's about exactly what I paid for it. -Right. -40 quid. -OK. | 0:35:03 | 0:35:07 | |
Come on. Let's get down to comparing goblets. | 0:35:07 | 0:35:10 | |
We've got mine, which is incredibly heavy and... | 0:35:10 | 0:35:13 | |
GLASS RINGS Oh! Heavenly. | 0:35:13 | 0:35:17 | |
It's plain, it's simple, it's sophisticated, it's refined. | 0:35:17 | 0:35:21 | |
Do you really think that's very finely done, honestly? | 0:35:22 | 0:35:24 | |
-GLASS RINGS -Look at the quality of the etching. | 0:35:24 | 0:35:27 | |
I think the etching is not the finest in the world. | 0:35:27 | 0:35:30 | |
That is much finer, is it not? | 0:35:30 | 0:35:32 | |
It's... For me, it's too fussy and Victorian. | 0:35:32 | 0:35:35 | |
-Well, we will see what the Welsh... -Shall give them a little ting? | 0:35:35 | 0:35:38 | |
RINGING | 0:35:38 | 0:35:39 | |
-Have it back. I'm going to have my mine. -You can have yours back. | 0:35:39 | 0:35:42 | |
-I've got the better one here. -But what do they really think? | 0:35:42 | 0:35:46 | |
Mr Harper's temple piece is amazing. | 0:35:46 | 0:35:49 | |
I am incredibly jealous of it and I think it will make a really good profit for him. | 0:35:49 | 0:35:56 | |
I'm quite upset about that. | 0:35:56 | 0:35:58 | |
The 1930s painted cabinet with the rose is truly horrifying. | 0:35:58 | 0:36:03 | |
It really is and I've seen them sell for £1. | 0:36:03 | 0:36:06 | |
I thought David was a little bit harsh on my items. | 0:36:06 | 0:36:10 | |
All of a sudden, we're really getting to one another. | 0:36:10 | 0:36:15 | |
Looking at Catherine's items, I think mine are just so superior | 0:36:15 | 0:36:19 | |
it's unbelievable. | 0:36:19 | 0:36:21 | |
After starting out at Rhayader in mid Wales, | 0:36:23 | 0:36:26 | |
this leg of our trip concludes with an auction in Llanelli | 0:36:26 | 0:36:29 | |
in the Welsh Valleys. | 0:36:29 | 0:36:31 | |
-Here we are. -Where? -Welsh Country Auctions. | 0:36:31 | 0:36:34 | |
Did you know that one of Llanelli's local heroes | 0:36:34 | 0:36:36 | |
was the Concorde test pilot Brian Trubshaw? | 0:36:36 | 0:36:39 | |
He was always mister cool, calm and collected | 0:36:39 | 0:36:42 | |
but how are our two feeling right now? | 0:36:42 | 0:36:44 | |
Come on, you. Let's get this over and done with. | 0:36:45 | 0:36:47 | |
-Are you excited? -No, no, no, no. | 0:36:47 | 0:36:50 | |
Today it's antiques and effects day at Welsh County Auctions. | 0:36:50 | 0:36:54 | |
So while the Llanelli locals scrutinise the goods, | 0:36:54 | 0:36:58 | |
let's hear what auctioneer Richard Williams thinks | 0:36:58 | 0:37:01 | |
about what Catherine and David have acquired. | 0:37:01 | 0:37:03 | |
I think that the painted display cabinet is totally going to bomb. | 0:37:03 | 0:37:07 | |
It's one that I was surprised to see, so that's definitely not... | 0:37:07 | 0:37:11 | |
I'd be surprised if it sells at all. | 0:37:11 | 0:37:13 | |
The temple piece, it's quite unusual, really. | 0:37:13 | 0:37:15 | |
I haven't seen one before | 0:37:15 | 0:37:17 | |
so I couldn't tell you what that will be expected to fetch. | 0:37:17 | 0:37:21 | |
David started out with £231.24 and as usual, he spent it - all of it - on five auction lots. | 0:37:21 | 0:37:28 | |
If we can just hide that. | 0:37:28 | 0:37:30 | |
Catherine began with £202.16 | 0:37:31 | 0:37:33 | |
and she's also spent it all on her five lots. | 0:37:33 | 0:37:36 | |
Llanelli's ready. They've both been bold but will it pay off? | 0:37:36 | 0:37:41 | |
-OK, you're on now. -Right, here we are. | 0:37:43 | 0:37:45 | |
First up, Catherine's bargain set of pots. | 0:37:46 | 0:37:48 | |
Ten only. At 10. £10. At 10. 15. At 15. | 0:37:48 | 0:37:53 | |
-20. Do we have another? -20. -There you go. | 0:37:53 | 0:37:55 | |
25. 30. | 0:37:55 | 0:37:58 | |
-Five. -Oh! | 0:37:58 | 0:37:59 | |
-At 35. Centre of the room, then. At £35. -Any more? | 0:37:59 | 0:38:03 | |
-GAVEL BANGS Well done, well done. -That was quite good. | 0:38:03 | 0:38:07 | |
A positive start but no-one's getting carried away. | 0:38:07 | 0:38:10 | |
-We've still got a long way to go, though, haven't we? -Yes. | 0:38:10 | 0:38:14 | |
Next, the buffalo Catherine so admired. | 0:38:14 | 0:38:17 | |
So which one's Cheap and which one's Nasty? | 0:38:17 | 0:38:19 | |
10 I'm bid to start. At 10. | 0:38:19 | 0:38:21 | |
15. At £15. | 0:38:21 | 0:38:23 | |
-At 15. -Come on. -20. | 0:38:23 | 0:38:25 | |
-At 20. Any advance on £20? -Come on! | 0:38:25 | 0:38:28 | |
It's in the centre, then, at £20. | 0:38:28 | 0:38:30 | |
20. | 0:38:31 | 0:38:32 | |
-David! -Stop smiling! | 0:38:35 | 0:38:37 | |
Oh, dear. That will be quite a lot more after commission. | 0:38:37 | 0:38:41 | |
Goblet challenge time. Catherine's up first. | 0:38:41 | 0:38:43 | |
-Oh, my stomach's just done a huge flip. -I know how you feel. | 0:38:43 | 0:38:47 | |
20 I'm bid. At £20. At 20. For the presentation goblet. | 0:38:47 | 0:38:51 | |
-At 20. 5. At 25. -Come on. -Come on. | 0:38:51 | 0:38:55 | |
30. At 30. | 0:38:55 | 0:38:57 | |
-Once, twice... -No... -No! -At £30. | 0:38:57 | 0:39:00 | |
-GAVEL BANGS -Another loss. Someone's got a bargain. | 0:39:01 | 0:39:04 | |
That was far too cheap. He was gutted to sell that. | 0:39:04 | 0:39:08 | |
Goblet challenge part two. How will David's fishing version fare? | 0:39:08 | 0:39:14 | |
20 I'm bid. At 20. | 0:39:14 | 0:39:16 | |
-30, five, 40. -Come on. -Five. | 0:39:16 | 0:39:19 | |
-You've won the goblet challenge. -At £50. | 0:39:19 | 0:39:22 | |
At 50... | 0:39:22 | 0:39:23 | |
-GAVEL BANGS -Better but still a loss, really. | 0:39:23 | 0:39:28 | |
-We need a bit of oomph. -We need some oomph. -Oh! | 0:39:28 | 0:39:32 | |
David's slightly battered Chinese box now. | 0:39:32 | 0:39:34 | |
10 I'm bid. At 10. £10. At 10 for the document box. | 0:39:34 | 0:39:38 | |
15. At 15. | 0:39:38 | 0:39:39 | |
£15. 20. At 20. Five. | 0:39:39 | 0:39:43 | |
30. Just in time. At 30 right in the centre. 35. | 0:39:43 | 0:39:46 | |
-Come on. -Ooh. -At 35. -Come on. -Are you sure? | 0:39:46 | 0:39:48 | |
GAVEL BANGS Oh! I can't believe it. | 0:39:48 | 0:39:52 | |
-I can't believe it. We're rubbish. -I know. | 0:39:52 | 0:39:55 | |
He has a point. Only joking! | 0:39:55 | 0:39:57 | |
Now, Catherine got this for almost half price, | 0:39:57 | 0:40:00 | |
so surely there's a profit here? | 0:40:00 | 0:40:03 | |
At 50. Did I hear a voice? 60. | 0:40:03 | 0:40:06 | |
70. 80. | 0:40:06 | 0:40:08 | |
And I've got 90. Rostrum bid at 90. | 0:40:08 | 0:40:11 | |
Five. At 95. | 0:40:11 | 0:40:13 | |
-100. -Please... 100. | 0:40:13 | 0:40:14 | |
At £100. And five. 110. | 0:40:14 | 0:40:17 | |
And I've still got 115 and 120. At 120. | 0:40:18 | 0:40:21 | |
-Ooh... -120. -At 120. | 0:40:21 | 0:40:23 | |
At 120. No more? | 0:40:23 | 0:40:26 | |
All that hard work. All that stress, David! | 0:40:26 | 0:40:29 | |
I know but it shows that it's a very good buy. | 0:40:29 | 0:40:32 | |
Yes, it does. She might be getting the upper hand here, David. | 0:40:32 | 0:40:36 | |
Now for a slightly more questionable buy. | 0:40:36 | 0:40:38 | |
The auctioneer certainly had his doubts. | 0:40:38 | 0:40:41 | |
Any offers for the cabinet? There must somebody that likes it. | 0:40:41 | 0:40:45 | |
No. | 0:40:47 | 0:40:48 | |
No? | 0:40:48 | 0:40:49 | |
£5? | 0:40:50 | 0:40:52 | |
No offers for the cabinet? | 0:40:53 | 0:40:55 | |
Well, we'll just have to pass it by. | 0:40:55 | 0:40:57 | |
-There you go. -We'll say no more, shall we? | 0:40:57 | 0:41:00 | |
Ah, sweetpea, ah! I'm sorry. | 0:41:00 | 0:41:03 | |
Can David make a profit with his royal fireback? | 0:41:03 | 0:41:06 | |
10 I'm bid. At 10. £10. | 0:41:06 | 0:41:08 | |
15. At £15. | 0:41:08 | 0:41:10 | |
At 15. 20. It should make £100, really. | 0:41:10 | 0:41:14 | |
At 20. Five. At 25. | 0:41:14 | 0:41:17 | |
At 25. Nothing to think about, really. 30. | 0:41:18 | 0:41:21 | |
35. At 35. | 0:41:21 | 0:41:24 | |
At 35 for the cast back. | 0:41:24 | 0:41:26 | |
GAVEL BANGS Oh, God. | 0:41:27 | 0:41:29 | |
-Have you made a profit on anything? -I don't think so. | 0:41:29 | 0:41:32 | |
-No, he hasn't, actually. -Well... | 0:41:32 | 0:41:36 | |
Catherine's last stand. She could win today. | 0:41:36 | 0:41:39 | |
20 I'm bid. At 20. At £20 for the cast iron stick stand. | 0:41:39 | 0:41:43 | |
Come on. What's the matter with them? | 0:41:43 | 0:41:45 | |
All done, then, at £20? | 0:41:45 | 0:41:48 | |
-GAVEL BANGS -That's a blow. | 0:41:48 | 0:41:52 | |
David's star buy - could this "altar" everything? | 0:41:52 | 0:41:56 | |
20 I'm bid. At 20. | 0:41:56 | 0:41:58 | |
20, 30, 40. | 0:41:58 | 0:42:00 | |
At 40. 50, 60. | 0:42:00 | 0:42:03 | |
-At £60. -Come on. | 0:42:03 | 0:42:05 | |
All done at £60? | 0:42:05 | 0:42:07 | |
-GAVEL BANGS -60. -Well, someone's happy, at least. | 0:42:07 | 0:42:11 | |
I can't believe it. I can't believe it! | 0:42:11 | 0:42:13 | |
That's it for a disappointing auction | 0:42:15 | 0:42:16 | |
and Catherine is the winner today. | 0:42:16 | 0:42:19 | |
-Just awful. Awful, awful. -Let's go. Don't worry. Don't worry. | 0:42:19 | 0:42:22 | |
Awful. | 0:42:22 | 0:42:24 | |
David started out with £231.24 | 0:42:26 | 0:42:29 | |
and after auction costs, he made a loss of £67.24, | 0:42:29 | 0:42:33 | |
so he now has just £164. | 0:42:33 | 0:42:38 | |
Catherine began with £202.16 | 0:42:40 | 0:42:43 | |
and after paying auction costs, she lost £35.06, | 0:42:43 | 0:42:48 | |
leaving her with a narrow lead and £168.10 to spend tomorrow. | 0:42:48 | 0:42:52 | |
Lovely smile. | 0:42:52 | 0:42:54 | |
-Come on. -Oh, David. -Let's go shopping. | 0:42:54 | 0:42:57 | |
I don't know if I want to shop any more. | 0:42:57 | 0:42:59 | |
Well, we have to absolutely pull something out of the hat, | 0:42:59 | 0:43:03 | |
you know that, because we are rubbish. | 0:43:03 | 0:43:05 | |
Come on. Wahey! | 0:43:05 | 0:43:07 | |
That's it. | 0:43:09 | 0:43:10 | |
-You... -Come on! Reverse it. -I am reversing! | 0:43:10 | 0:43:14 | |
-You were clear, you didn't have to stop. -Oh... | 0:43:14 | 0:43:18 | |
Next time on the Antiques Road Trip, Catherine plays the game. | 0:43:18 | 0:43:22 | |
This is going to make the difference. | 0:43:22 | 0:43:25 | |
While David plays with his toys. | 0:43:25 | 0:43:28 | |
DOG BARKS Can I have a look? Too small. | 0:43:28 | 0:43:31 | |
-Ooh! Zephyr! -OK. | 0:43:31 | 0:43:34 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:37 |