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It is the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
I love that. | 0:00:05 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:12 | |
I want pieces that could fly. | 0:00:12 | 0:00:14 | |
The end? To make the biggest profit at auction, but it is no mean feat. | 0:00:14 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Hello, ladies. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
-But there is nobody bidding. -This is the Antiques Road Trip. | 0:00:27 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
This week we're out on the road with antique aficionados Mark Stacey | 0:00:37 | 0:00:42 | |
and Paul Laidlaw. | 0:00:42 | 0:00:43 | |
That horrible word strategy comes up, but again I haven't | 0:00:43 | 0:00:47 | |
got one, actually, cos the one I used on the first occasion | 0:00:47 | 0:00:51 | |
didn't work, so I think I'll give up on them. | 0:00:51 | 0:00:53 | |
Antiques dealer Mark Stacey is a bit of a joker. | 0:00:56 | 0:01:00 | |
You know, I don't think Paul is very happy about being in this show. | 0:01:00 | 0:01:03 | |
No. I mean, he's furious. | 0:01:03 | 0:01:06 | |
And he is game for anything. | 0:01:06 | 0:01:08 | |
-Would you like to have a go? -No, not really. | 0:01:08 | 0:01:11 | |
Auctioneer Paul Laidlaw simply fizzes with energy. | 0:01:13 | 0:01:17 | |
I want pieces that could fly, and that is a good feeling. | 0:01:17 | 0:01:20 | |
Loving it! | 0:01:21 | 0:01:22 | |
And he is a tough-talking Scotsman when it comes to naming his price. | 0:01:24 | 0:01:27 | |
I wish I hadn't asked you the price now cos I want to buy that | 0:01:27 | 0:01:30 | |
for a tenner, to be honest with you. | 0:01:30 | 0:01:32 | |
At the last auction, Mark's biggest profit was a measly £12.50. | 0:01:33 | 0:01:38 | |
Oh! | 0:01:38 | 0:01:40 | |
Paul, however, enjoyed small, | 0:01:40 | 0:01:42 | |
steady profits to make him the winner by a whisker. | 0:01:42 | 0:01:46 | |
Cheers, buddy. | 0:01:46 | 0:01:47 | |
From his original £200, Mark Stacey has a portly £186.46 | 0:01:49 | 0:01:55 | |
rattling around in his back pocket. | 0:01:55 | 0:01:58 | |
And just ahead by a nose is Paul Laidlaw. | 0:01:58 | 0:02:01 | |
He managed to add just under a tenner to his £200 kitty, | 0:02:01 | 0:02:07 | |
giving him £209.92 to spend. | 0:02:07 | 0:02:10 | |
-The first day of our second leg, Paul. -Yeah! | 0:02:11 | 0:02:14 | |
I've got you in my sights. | 0:02:14 | 0:02:16 | |
I've got that £24 lead in my sights. | 0:02:16 | 0:02:21 | |
The 1967 Sunbeam Alpine GT is the chaps' vehicle of choice, | 0:02:23 | 0:02:28 | |
and sometimes she ain't as smooth as she could be. | 0:02:28 | 0:02:31 | |
RATTLING | 0:02:31 | 0:02:33 | |
That doesn't sound good, does it? | 0:02:33 | 0:02:36 | |
Mark and Paul will, one way or another, | 0:02:38 | 0:02:41 | |
travel over 300 miles from Sabden, Lancaster, | 0:02:41 | 0:02:45 | |
to Bridgwater, in Somerset. | 0:02:45 | 0:02:47 | |
And on today's show, we begin our shopping | 0:02:47 | 0:02:49 | |
mission in the village of Holywell Green, West Yorkshire. | 0:02:49 | 0:02:53 | |
And we'll auction in Cobridge, in Stoke-on-Trent, Staffordshire. | 0:02:53 | 0:02:57 | |
The boys are sharing their first shop of the day | 0:02:59 | 0:03:02 | |
in Barnyard Antiques. | 0:03:02 | 0:03:03 | |
Come on, stop gassing, we need to get in there. | 0:03:03 | 0:03:06 | |
Time is ticking. | 0:03:06 | 0:03:07 | |
Here's a tip, boys, | 0:03:08 | 0:03:09 | |
you're selling at a general auction that specialises in ceramics. | 0:03:09 | 0:03:13 | |
So, first to have a go is the ever-youthful Mark Stacey. | 0:03:13 | 0:03:17 | |
I have found this model of a collie dog. | 0:03:23 | 0:03:26 | |
You know, it's pottery. | 0:03:26 | 0:03:28 | |
Capstone pottery, and I've never heard of them. | 0:03:28 | 0:03:31 | |
It's priced at £15. | 0:03:31 | 0:03:33 | |
So, if we can get it for five or something, | 0:03:33 | 0:03:36 | |
that might be a possibility. | 0:03:36 | 0:03:38 | |
Well, Paul is also thinking ceramics. | 0:03:41 | 0:03:45 | |
Appears to be late 19th century | 0:03:45 | 0:03:50 | |
Austrian, Viennese porcelain. | 0:03:50 | 0:03:53 | |
Of its period. | 0:03:53 | 0:03:56 | |
A classical form to the urn, | 0:03:56 | 0:03:59 | |
but the prominent feature is a scantily-clad maiden. | 0:03:59 | 0:04:04 | |
But we turn it upside down and, yes, | 0:04:04 | 0:04:07 | |
we see the triangular pad mark | 0:04:07 | 0:04:11 | |
associated with Royal Dux. | 0:04:11 | 0:04:14 | |
But...at auction... | 0:04:15 | 0:04:17 | |
Price...£60. | 0:04:19 | 0:04:23 | |
And dealer Richard arrives to talk money. | 0:04:24 | 0:04:27 | |
Well, I'm just going to beg you, cos I don't want to waste your time. | 0:04:28 | 0:04:31 | |
I'll make you an offer and you can say, "No, it'll never happen." | 0:04:31 | 0:04:34 | |
I need to buy them for 20 quid. | 0:04:34 | 0:04:36 | |
-It needs to be more than that. I'd go to 40 quid. -Nah. | 0:04:37 | 0:04:42 | |
I'll keep looking. You think about 20 quid. | 0:04:42 | 0:04:45 | |
But I'll keep looking. | 0:04:45 | 0:04:47 | |
I can't go to 40, I just... Bah! | 0:04:47 | 0:04:49 | |
We'll both do a bit of thinking and we'll come back. | 0:04:51 | 0:04:54 | |
Excellent, thanks very much. | 0:04:54 | 0:04:56 | |
Keep looking. | 0:04:56 | 0:04:58 | |
And it's not long before something else takes his eye. | 0:04:58 | 0:05:01 | |
Two vintage fishing reels. | 0:05:04 | 0:05:07 | |
Technically, they are centre pinned Nottingham wheels. | 0:05:07 | 0:05:11 | |
They could have been made anywhere, but they're decorative. | 0:05:11 | 0:05:15 | |
They're priced at 18 for the two. | 0:05:15 | 0:05:20 | |
If I could get those for a single-digit sum... | 0:05:21 | 0:05:26 | |
It's a big ask, but not a horrendous one. | 0:05:26 | 0:05:29 | |
I'm going to give that a go. | 0:05:29 | 0:05:30 | |
You know I'm going to be cheeky. | 0:05:31 | 0:05:33 | |
I'll try to be accommodative for everyone. | 0:05:33 | 0:05:36 | |
-Are they ever going to be 20 quid? -I'll take 30 for them. | 0:05:36 | 0:05:39 | |
If I give you the 30 quid for them... | 0:05:39 | 0:05:42 | |
..can they be a pittance? | 0:05:45 | 0:05:48 | |
I could have 40 quid, I'd have to leave it at that. | 0:05:48 | 0:05:52 | |
I think I'm giving it to you as I am. | 0:05:52 | 0:05:54 | |
-Deal? -You're a good man, good man. | 0:05:58 | 0:06:01 | |
So, £30 for the pair of the vases and ten pounds | 0:06:01 | 0:06:04 | |
for the fishing reels. It's a great start to the day, Paul. | 0:06:04 | 0:06:07 | |
Reel 'em in! | 0:06:07 | 0:06:08 | |
Finally, Mark gets a chance to speak with Richard. | 0:06:08 | 0:06:12 | |
-It's this. -Oh, Lassie! -Yeah. | 0:06:12 | 0:06:16 | |
I mean, you haven't got much on it anyway, but I think the price | 0:06:16 | 0:06:19 | |
that you've got on it, it's going to make that in the auction. | 0:06:19 | 0:06:22 | |
I've got to pay you a fiver for it, Richard. | 0:06:22 | 0:06:25 | |
I've got to, that's all I can pay for it. | 0:06:26 | 0:06:29 | |
Make it eight quid. | 0:06:29 | 0:06:31 | |
I tell you what, just could we go to seven? | 0:06:31 | 0:06:34 | |
OK, I've been fair with you both, then. | 0:06:34 | 0:06:36 | |
Lovely. Are you sure? | 0:06:36 | 0:06:38 | |
Thankfully, Mark has managed to buy something. | 0:06:39 | 0:06:43 | |
Well, you could say it's...interesting? | 0:06:43 | 0:06:46 | |
Seems Paul wants to spend, spend, spend today | 0:06:46 | 0:06:49 | |
because he's found something else. | 0:06:49 | 0:06:51 | |
-Riding crop? -Yeah. -For sale? | 0:06:51 | 0:06:55 | |
For a reasonable offer, yeah. | 0:06:55 | 0:06:57 | |
Can I have a look. Did it just come in? | 0:06:57 | 0:07:00 | |
Well, just one of my stalls, really. | 0:07:00 | 0:07:04 | |
I was going to do a bit more research on them before... | 0:07:04 | 0:07:08 | |
Quite right. Two Swaine and Adeney. | 0:07:08 | 0:07:11 | |
Swaine and Adeney were established in 1750 | 0:07:11 | 0:07:14 | |
and were an exclusive London-based company | 0:07:14 | 0:07:17 | |
specialising in equestrian and leather goods. | 0:07:17 | 0:07:20 | |
Because they're relatively modern, late 20th century, | 0:07:20 | 0:07:23 | |
they are...they're usable. | 0:07:23 | 0:07:26 | |
-Can I just make you an offer? -Yeah. -40 quid. | 0:07:26 | 0:07:31 | |
You need to come a little bit more. | 0:07:31 | 0:07:33 | |
-I'll give you 50 quid. -I think I've done well with you before. | 0:07:35 | 0:07:38 | |
And I think I'll have to stick at 60 quid. | 0:07:38 | 0:07:42 | |
-Meet me in the middle, fiver, 55. -All right. -Good man. | 0:07:42 | 0:07:46 | |
The first shop of the day has proved a mixed bag. | 0:07:47 | 0:07:50 | |
While Paul has splashed £95, Mark has spent | 0:07:50 | 0:07:53 | |
just seven pounds. | 0:07:53 | 0:07:54 | |
They're back on the road | 0:07:54 | 0:07:56 | |
and Paul is dropping Mark off five miles away in Sowerby Bridge. | 0:07:56 | 0:08:00 | |
The market town lies in the district of Calderdale | 0:08:03 | 0:08:06 | |
and is overlooked by Wainhouse Tower, | 0:08:06 | 0:08:09 | |
the tallest folly in the world. | 0:08:09 | 0:08:12 | |
Mark's visiting Bridge Antiques. | 0:08:12 | 0:08:14 | |
He's only spent seven pounds, | 0:08:14 | 0:08:16 | |
so will he spend more of the folding stuff in here? | 0:08:16 | 0:08:20 | |
-Hi, Mark, I'm Stan. -Nice to meet you, Stan. | 0:08:22 | 0:08:25 | |
This is very vintage. This is very 1970s. | 0:08:26 | 0:08:30 | |
So, punch bowl, ladle and glasses. | 0:08:30 | 0:08:33 | |
So you could make your fruit cocktail punch in there | 0:08:34 | 0:08:38 | |
and then you come over with your glass, lift it up. | 0:08:38 | 0:08:42 | |
And pour it, either side actually, there is a little lip on both sides. | 0:08:42 | 0:08:46 | |
And I'm not sure how popular they are these days. | 0:08:46 | 0:08:50 | |
They are extremely fragile | 0:08:50 | 0:08:53 | |
and it is very unusual to find a whole set, actually. | 0:08:53 | 0:08:56 | |
No price, we might ask about that. | 0:08:56 | 0:09:00 | |
So, over to Stan to talk business. | 0:09:01 | 0:09:03 | |
Stan is holding the fort for the owner today. | 0:09:03 | 0:09:06 | |
-Do you know how much the punch set is? -The punch set is £40. | 0:09:06 | 0:09:10 | |
£40, mmm... | 0:09:10 | 0:09:12 | |
Quite a fun set. | 0:09:13 | 0:09:14 | |
I have no idea what it would make in the saleroom. | 0:09:14 | 0:09:18 | |
Stan phones the owner to get the best price. | 0:09:18 | 0:09:21 | |
OK, very well, bye-bye. | 0:09:21 | 0:09:23 | |
-Yeah, so we will do it for 20. -My God! | 0:09:25 | 0:09:28 | |
What have I done? I need a cocktail. | 0:09:28 | 0:09:31 | |
-Are you sure? -Absolutely. | 0:09:31 | 0:09:33 | |
-Stan, thank you very much indeed. -It's not a problem. | 0:09:33 | 0:09:35 | |
£20, how good is that? | 0:09:35 | 0:09:37 | |
It must be worth a go at £20, mustn't it? | 0:09:37 | 0:09:40 | |
You could say he's as pleased as punch with that buy. | 0:09:40 | 0:09:44 | |
I'm happy! | 0:09:45 | 0:09:47 | |
Paul, meanwhile, is on his way to Huddersfield. | 0:09:49 | 0:09:52 | |
Look at what Laidlaw has gone and done, | 0:09:52 | 0:09:54 | |
I've blown half my budget again! | 0:09:54 | 0:09:56 | |
With two more shots to go. | 0:09:56 | 0:10:00 | |
He who dares, wins. | 0:10:00 | 0:10:01 | |
That's the spirit, Paul! | 0:10:01 | 0:10:04 | |
Paul is visiting the Tolson Museum, | 0:10:04 | 0:10:08 | |
which houses collections on the history of Huddersfield. | 0:10:08 | 0:10:11 | |
He is meeting with Joanne Catlow to talk about the social | 0:10:11 | 0:10:14 | |
uprising of the Luddite movement. | 0:10:14 | 0:10:17 | |
Huddersfield has a strong link with radicalism and the museum has | 0:10:17 | 0:10:22 | |
a large exhibition dedicated to civil unrest. | 0:10:22 | 0:10:26 | |
Today, we often use the term Luddite to describe someone | 0:10:28 | 0:10:31 | |
who is stubbornly opposed to new technology. | 0:10:31 | 0:10:34 | |
But at the start of the 19th century, | 0:10:34 | 0:10:37 | |
the Luddites were mainly textile artisans who were fiercely | 0:10:37 | 0:10:41 | |
opposed to the new machinery that was going to replace their jobs | 0:10:41 | 0:10:45 | |
and make them destitute. | 0:10:45 | 0:10:46 | |
The museum has a model of the revolutionary shearing frame | 0:10:47 | 0:10:52 | |
that started the crisis. | 0:10:52 | 0:10:53 | |
A machine like this could do the work of five men. | 0:10:53 | 0:10:57 | |
Oh, my word, yeah. | 0:10:57 | 0:10:58 | |
An initial outlay for the mill owner, | 0:10:58 | 0:11:00 | |
but then you have got less workforce. | 0:11:00 | 0:11:02 | |
Yeah. Four men are going to be pretty upset... | 0:11:02 | 0:11:06 | |
-Absolutely. -..at that prospect. -Exactly. | 0:11:06 | 0:11:09 | |
-And so those four men were up in arms about this. -Right. | 0:11:09 | 0:11:13 | |
-And wanted to get rid of this machinery... -Yeah, sure. | 0:11:13 | 0:11:16 | |
..and so met in secret, | 0:11:16 | 0:11:18 | |
because it was illegal for groups of men to meet at that time. | 0:11:18 | 0:11:21 | |
-All right. -Yeah, no trade unions. | 0:11:21 | 0:11:24 | |
They met in secret and planned their attacks on mills that had | 0:11:24 | 0:11:28 | |
-these type of shearing frames, to smash them. -Right. | 0:11:28 | 0:11:32 | |
By 1812, the Industrial Revolution was gathering momentum | 0:11:32 | 0:11:37 | |
just as the attacks were increasing in and around Huddersfield. | 0:11:37 | 0:11:42 | |
Often they used these type of things. | 0:11:42 | 0:11:44 | |
It look like a hammer to me. | 0:11:44 | 0:11:46 | |
Your mill owners aren't going to take kindly to their new plant | 0:11:46 | 0:11:50 | |
-being smashed up. -Not at all. | 0:11:50 | 0:11:52 | |
They did lots of things to defend themselves. | 0:11:52 | 0:11:54 | |
-Some people built barricades with cannons. -Really? | 0:11:54 | 0:11:58 | |
And mill owners slept in their mills with the local militia. | 0:11:58 | 0:12:02 | |
In fact, they were so scared that they had 1,000 troops | 0:12:02 | 0:12:06 | |
-stationed in Huddersfield in 1812. -Really? | 0:12:06 | 0:12:10 | |
The Luddites' fight for their livelihoods threatened social | 0:12:10 | 0:12:14 | |
harmony so much that the British government, | 0:12:14 | 0:12:17 | |
fearing revolution, committed more troops on the ground | 0:12:17 | 0:12:20 | |
in Yorkshire and Lancashire than they did in the field | 0:12:20 | 0:12:23 | |
against Napoleon. | 0:12:23 | 0:12:24 | |
The Luddites liked to use elements of surprise in their attacks. | 0:12:24 | 0:12:30 | |
That always worked. | 0:12:30 | 0:12:31 | |
A big, big attack on the mill | 0:12:31 | 0:12:34 | |
at Rawfolds near Cleckheaton, | 0:12:34 | 0:12:37 | |
where the mill owner was ready for them, | 0:12:37 | 0:12:40 | |
fired, two Luddites were killed | 0:12:40 | 0:12:42 | |
and that was the last big attack on their mill. | 0:12:42 | 0:12:45 | |
After that, they decided to attack the mill owners themselves. | 0:12:45 | 0:12:49 | |
Oh, my word. | 0:12:49 | 0:12:50 | |
And this sword was reputedly owned by William Horsfall, | 0:12:50 | 0:12:55 | |
-who was a local mill owner... -Yeah. | 0:12:55 | 0:12:57 | |
..who had proudly stated that he would ride up | 0:12:57 | 0:13:00 | |
-to his saddle girth in Luddite blood. -Bring it on. | 0:13:00 | 0:13:04 | |
Unfortunately for him, on his way home on 28th April, 1812, | 0:13:04 | 0:13:09 | |
he was ambushed and shot and killed. | 0:13:09 | 0:13:12 | |
And this was reputedly the sword he was carrying at the time. | 0:13:12 | 0:13:15 | |
It is down and dirty and really horrific, isn't it? | 0:13:15 | 0:13:18 | |
Because on either side, arguably, | 0:13:18 | 0:13:19 | |
there are parties fighting for their livelihood. | 0:13:19 | 0:13:22 | |
-That's right. -The tensions are... | 0:13:22 | 0:13:25 | |
-It doesn't get any more important to you than that, does it? -No. | 0:13:25 | 0:13:28 | |
Putting bread on the table. | 0:13:28 | 0:13:30 | |
So what is the upshot of this incident? | 0:13:30 | 0:13:33 | |
Well, after they had interrogated and rounded up a lot | 0:13:33 | 0:13:36 | |
of the suspected Luddites, | 0:13:36 | 0:13:39 | |
almost 70 of them that were put on trial at York Castle. | 0:13:39 | 0:13:42 | |
This is a pamphlet detailing the trial there. | 0:13:42 | 0:13:46 | |
Interestingly, the jury was all made of local landowners | 0:13:46 | 0:13:51 | |
and mill owners and magistrates. | 0:13:51 | 0:13:54 | |
-So really, they didn't really stand a chance. -Good job. | 0:13:54 | 0:13:57 | |
In the end, three Luddites were convicted of the murder | 0:13:57 | 0:14:03 | |
of William Horsfall, the mill owner, | 0:14:03 | 0:14:05 | |
were sentenced to be hanged and dissected. | 0:14:05 | 0:14:09 | |
A few days later, 14 further Luddites were | 0:14:09 | 0:14:13 | |
sentenced to be hanged | 0:14:13 | 0:14:15 | |
for their party machine breaking and entering mills. | 0:14:15 | 0:14:19 | |
How big an incident is this within the scheme of the whole uprising? | 0:14:19 | 0:14:23 | |
The government wanted to quickly end this | 0:14:23 | 0:14:26 | |
because they were very scared of a revolution similar to France. | 0:14:26 | 0:14:30 | |
Oh, my word, of course. | 0:14:30 | 0:14:32 | |
That was a fascinating story, Joanne, | 0:14:32 | 0:14:33 | |
thanks very much for telling it to me. | 0:14:33 | 0:14:35 | |
-You are very welcome. -Thank you. | 0:14:35 | 0:14:37 | |
While Paul has been having a lesson in social history, | 0:14:40 | 0:14:42 | |
Mark has travelled to the small town of Holmfirth, in West Yorkshire. | 0:14:42 | 0:14:47 | |
The town and the surrounding countryside is | 0:14:49 | 0:14:51 | |
the setting of the popular TV series Last Of The Summer Wine. | 0:14:51 | 0:14:55 | |
Hopefully, Mark won't bump into Nora Batty as he heads | 0:14:57 | 0:15:01 | |
for his last shop of the day. | 0:15:01 | 0:15:02 | |
-Hello. -Hi, how are you? Rachel. -Nice to meet you, Rachel. | 0:15:05 | 0:15:08 | |
-Nice to meet you. -Right, tell me about this. | 0:15:08 | 0:15:10 | |
Well, we have got a bit of everything, really. | 0:15:10 | 0:15:12 | |
Just have a look around and see what you think. | 0:15:12 | 0:15:14 | |
I like a bit of everything. Darling, you and I are going to get on. | 0:15:14 | 0:15:19 | |
Nice wiggle, Mark, if you like that sort of thing. | 0:15:19 | 0:15:22 | |
Right, what have we got in here? Interesting. | 0:15:33 | 0:15:35 | |
Those are quite sweet, aren't they? | 0:15:39 | 0:15:41 | |
Little heart-shaped silver boxes for her lady to put her pills or | 0:15:41 | 0:15:46 | |
something like that in in her bag. | 0:15:46 | 0:15:48 | |
But there is a little bit of a problem with them. | 0:15:48 | 0:15:51 | |
When there's... | 0:15:53 | 0:15:54 | |
When you polish silver like this, it's quite thin. | 0:15:54 | 0:15:58 | |
And if you are over-vigorous with the silver polish, you can actually | 0:15:58 | 0:16:02 | |
wear the pattern away, and there is a little bit of wear on these two. | 0:16:02 | 0:16:07 | |
But they are only priced at £40 for the pair, | 0:16:07 | 0:16:09 | |
which is good because they're a cute shape, aren't they? | 0:16:09 | 0:16:11 | |
What would be the lowest on those? | 0:16:11 | 0:16:14 | |
Um...I've got 40 on them, they could be £30. | 0:16:14 | 0:16:17 | |
30. We couldn't get down to 25? | 0:16:17 | 0:16:21 | |
-Go on, then, 25. -Are you sure? -Yeah, that's it. | 0:16:21 | 0:16:24 | |
-I mean, that's what they're worth about. -Thank you. | 0:16:24 | 0:16:27 | |
Well, after such a packed day of shopping, it's time for the boys | 0:16:29 | 0:16:32 | |
to put their feet up. Nighty-night. | 0:16:32 | 0:16:35 | |
The chaps are up and at it, | 0:16:39 | 0:16:40 | |
rejuvenated after a good night's rest. | 0:16:40 | 0:16:43 | |
You just don't know what you get, though, do you, Paul? | 0:16:43 | 0:16:46 | |
-Yeah, that's it. -You just don't know. | 0:16:46 | 0:16:49 | |
No matter what plan you have, it goes out that window. | 0:16:49 | 0:16:52 | |
It goes out that window. | 0:16:52 | 0:16:54 | |
So far, that cautious cat Mark has spent £52 on three | 0:16:56 | 0:16:59 | |
auction lots - the Staffordshire collie dog, | 0:16:59 | 0:17:02 | |
the 1970s punch bowl set and a pair of hard-shaped pillboxes, | 0:17:02 | 0:17:07 | |
leaving 134.46 for the day ahead. | 0:17:07 | 0:17:11 | |
Meanwhile, Paul has gone hell for leather | 0:17:15 | 0:17:17 | |
and spent £95 in one shop, buying a pair of vases, | 0:17:17 | 0:17:21 | |
two fishing reels and a whip and riding crop. | 0:17:21 | 0:17:24 | |
This antiques booty has left him with £114.92 in his kitty. | 0:17:24 | 0:17:30 | |
Paul and Mark have left Holmfirth and are travelling to | 0:17:34 | 0:17:37 | |
the town of Oldham, in Greater Manchester. | 0:17:37 | 0:17:40 | |
During the Industrial Revolution, Oldham was the most | 0:17:40 | 0:17:44 | |
productive cotton-spinning mill town in the world. | 0:17:44 | 0:17:47 | |
-Cheers. -See you later, Paul. Bye. | 0:17:47 | 0:17:51 | |
Mark is very kindly dropping Paul off at his next shop, | 0:17:52 | 0:17:56 | |
but it is no ordinary shop. | 0:17:56 | 0:17:58 | |
RJ O'Brien & Son is a huge warehouse selling to both trade | 0:17:58 | 0:18:03 | |
and the public. | 0:18:03 | 0:18:04 | |
-Whoa! Hello there, hi. -Morning. -Paul Laidlaw. -Ronan O'Brien. | 0:18:04 | 0:18:07 | |
Ronan, you're the man with the name! | 0:18:07 | 0:18:08 | |
-You're right! -Hi, how are you doing? -I'm OK. | 0:18:08 | 0:18:12 | |
-And this is it? -This is it. -Expansive. | 0:18:12 | 0:18:15 | |
Goodness, what a shop, I hope. | 0:18:17 | 0:18:19 | |
Blimey, I think we might be here for some time. | 0:18:20 | 0:18:23 | |
Ah. Hummel. | 0:18:38 | 0:18:40 | |
Utterly distinctive modelling and decoration. | 0:18:41 | 0:18:44 | |
Now, is it Hummel or a looky-likey? | 0:18:44 | 0:18:48 | |
Hummel. That's the name, that's what they're looking for. | 0:18:48 | 0:18:52 | |
The Hummel figurines are based on the drawings | 0:18:52 | 0:18:56 | |
of German nun Sister Maria Innocentia Hummel. | 0:18:56 | 0:19:00 | |
The figurines became popular souvenirs with American GIs | 0:19:00 | 0:19:03 | |
stationed in Germany after World War II. | 0:19:03 | 0:19:07 | |
I hate it, that would give me nightmares. | 0:19:08 | 0:19:11 | |
But... | 0:19:11 | 0:19:12 | |
..that's a seller. | 0:19:14 | 0:19:15 | |
I'm going to put that down there. | 0:19:15 | 0:19:17 | |
There's a lot of stuff in there. Holy Moses! | 0:19:19 | 0:19:23 | |
How much time have we got? | 0:19:23 | 0:19:24 | |
Maybe there is just too much to look at, Paul. | 0:19:24 | 0:19:27 | |
I'll see you in a moment. Bric-a-brac overload. | 0:19:27 | 0:19:30 | |
But he's found something that has really grabbed his attention. | 0:19:30 | 0:19:35 | |
I think I love this. | 0:19:40 | 0:19:43 | |
I'm looking at a tea set. | 0:19:43 | 0:19:44 | |
I like the form, OK? | 0:19:44 | 0:19:46 | |
Let me show you the form first of all, OK? | 0:19:46 | 0:19:48 | |
I'm going to shock you folks. Because you're going to go, "What?" | 0:19:48 | 0:19:52 | |
What do you see there? | 0:19:54 | 0:19:55 | |
Are they swastikas? | 0:19:55 | 0:19:57 | |
You are thinking, "Oh, my word, it's German." | 0:19:57 | 0:20:00 | |
And that is arguably an offensive symbol. | 0:20:00 | 0:20:04 | |
Not so in this context. | 0:20:04 | 0:20:06 | |
We're not looking at a swastika, no, rule that out. | 0:20:06 | 0:20:09 | |
We're looking at a hooked cross. | 0:20:09 | 0:20:13 | |
Before the Third Reich claimed the swastika, it was an ancient | 0:20:13 | 0:20:17 | |
symbol of good luck in many cultures around the world. | 0:20:17 | 0:20:20 | |
It certainly has got wow on its side. | 0:20:20 | 0:20:24 | |
I really, really rate that. | 0:20:24 | 0:20:26 | |
And he's not finished yet. | 0:20:26 | 0:20:29 | |
I've never seen one of these. | 0:20:29 | 0:20:32 | |
What's inside? | 0:20:32 | 0:20:33 | |
What I would call a trio, which is a cup, saucer and tea plate. | 0:20:34 | 0:20:40 | |
In isolation, what's it worth? | 0:20:40 | 0:20:41 | |
Five to ten pounds would be a good result. | 0:20:41 | 0:20:44 | |
In its box, I think it is transformed. | 0:20:44 | 0:20:47 | |
Worth £20, £30. | 0:20:47 | 0:20:49 | |
£40 if you really like it. | 0:20:49 | 0:20:52 | |
Paul now has three things on his shopping list. | 0:20:52 | 0:20:55 | |
But will owner Ronan deliver? | 0:20:55 | 0:20:57 | |
Can I have, please, the Hummel lamp, the trio, the tea for not quite six? | 0:20:57 | 0:21:04 | |
-Yes. -Tenner a pop and be cheeky and say... | 0:21:04 | 0:21:07 | |
-I spotted that wee punter on the way past. -Yep. -You throw him in? | 0:21:07 | 0:21:11 | |
-Yeah, of course we will. -Gentleman. -No problem. -Thanks. | 0:21:11 | 0:21:15 | |
The Hummel figurine is a cheeky freebie, that's | 0:21:15 | 0:21:17 | |
another big Laidlaw swoop as he scoops four items for £30. | 0:21:17 | 0:21:23 | |
Mark, meanwhile has travelled north to Ramsbottom, | 0:21:23 | 0:21:26 | |
in the Borough of Bury, 16 miles away. | 0:21:26 | 0:21:29 | |
And he is ready for a rummage in Memory's Antiques. | 0:21:31 | 0:21:34 | |
Oh, no! | 0:21:38 | 0:21:40 | |
Where am I going to start? | 0:21:42 | 0:21:45 | |
Cabinets, cabinets, cabinets, cabinets... | 0:21:45 | 0:21:48 | |
This might be some time. Hello, ladies. | 0:21:48 | 0:21:51 | |
-ALL: Hello. -How are we all? | 0:21:51 | 0:21:54 | |
We are all very well, thank you, and you? | 0:21:54 | 0:21:56 | |
-I am very well. -Good. -I think. | 0:21:56 | 0:21:58 | |
-I'm Mavis. -Hello, Mavis, Mark. -Hello. | 0:21:58 | 0:22:03 | |
-We can be M and M. -We could, couldn't we? | 0:22:03 | 0:22:05 | |
Somebody might eat us. | 0:22:05 | 0:22:07 | |
Be rather nice, wouldn't it? | 0:22:07 | 0:22:10 | |
It's going to be one of those days, you know, I can feel it. | 0:22:10 | 0:22:14 | |
I know what you mean. | 0:22:15 | 0:22:18 | |
Now, this is rather nice. | 0:22:18 | 0:22:20 | |
This little box looks like tortoiseshell | 0:22:25 | 0:22:27 | |
but it is actually plastic, otherwise known as faux. | 0:22:27 | 0:22:31 | |
It is a little ladies' dressing table set. | 0:22:31 | 0:22:36 | |
These are silver gilt. | 0:22:36 | 0:22:37 | |
So, a little powder pot, a little pill jar there, | 0:22:37 | 0:22:40 | |
little nail file and cuticle thing. | 0:22:40 | 0:22:43 | |
And I love little boxes, I love little outiles. | 0:22:43 | 0:22:47 | |
This one is Edwardian, I think. | 0:22:47 | 0:22:49 | |
It is probably going to be looking at the mark, early 1900s. | 0:22:49 | 0:22:53 | |
1905, 1908, so an antique item. | 0:22:53 | 0:22:56 | |
Paul will be impressed, won't he? | 0:22:58 | 0:23:00 | |
An antique, from me! | 0:23:00 | 0:23:02 | |
LID SQUEAKS | 0:23:02 | 0:23:06 | |
That is saying, "Buy me, buy me, buy me." | 0:23:08 | 0:23:11 | |
Oh, that's rather interesting. | 0:23:15 | 0:23:17 | |
This is antique. | 0:23:19 | 0:23:21 | |
This is a jug, maybe from a set of three. | 0:23:21 | 0:23:24 | |
I love this sort of octagonal shape. It is copper lustre. | 0:23:24 | 0:23:29 | |
And then they have applied these little panels on so they | 0:23:29 | 0:23:34 | |
cut the panels out and then apply them on and fire them. | 0:23:34 | 0:23:37 | |
Now, date. This is a genuine antique, I mean, a real antique. | 0:23:37 | 0:23:41 | |
Cos the date on this would be something like 1850, 1860. | 0:23:41 | 0:23:47 | |
So, we're looking at something that is 160 years old. | 0:23:47 | 0:23:50 | |
But completely out of fashion. | 0:23:51 | 0:23:53 | |
And today this is priced up at... | 0:23:53 | 0:23:56 | |
..eight pounds. I think that is an amazing value. | 0:23:57 | 0:24:00 | |
But it is not amazing enough, not for me to try to get in lower. | 0:24:00 | 0:24:04 | |
Time to talk money with Mavis. | 0:24:06 | 0:24:08 | |
The jug is priced at a modest eight pounds, | 0:24:08 | 0:24:11 | |
but I would love to get it if possible, for five pounds. | 0:24:11 | 0:24:16 | |
-I think that would be fine. -Is that all right? -Yes, that's fine. | 0:24:21 | 0:24:25 | |
Let's count that as sold. | 0:24:25 | 0:24:27 | |
I'm going to have that one. | 0:24:27 | 0:24:28 | |
This little box is charming. | 0:24:28 | 0:24:32 | |
The manicure box belongs to another dealer, | 0:24:32 | 0:24:36 | |
so Mavis had a word with them about the price. | 0:24:36 | 0:24:40 | |
She thinks she would let it go at 60. | 0:24:40 | 0:24:42 | |
-60. -Is that any use to you? | 0:24:42 | 0:24:46 | |
Is there any chance we could get nearer 50? | 0:24:46 | 0:24:49 | |
-If that was at all possible. -I think she will be happy with 50. | 0:24:49 | 0:24:53 | |
-Are you sure? -Yes, I'm sure she would. | 0:24:53 | 0:24:55 | |
Because, honestly, I don't know what it's going to do. | 0:24:55 | 0:24:58 | |
-She'd be happy with 50. -Are you sure? -Yes. | 0:24:58 | 0:24:59 | |
Then, Mavis, you have done a wonderful job for me. | 0:24:59 | 0:25:02 | |
-Thank you so much. -You're welcome. | 0:25:02 | 0:25:03 | |
With his shopping done, Mark heads ten miles south to Rochdale. | 0:25:03 | 0:25:08 | |
Oh, wow. | 0:25:11 | 0:25:12 | |
Mark is visiting Greater Manchester Fire Service Museum. | 0:25:12 | 0:25:16 | |
Housed in a former fire engine workshop, | 0:25:16 | 0:25:18 | |
the museum was opened in 1983 to the public. | 0:25:18 | 0:25:22 | |
The collection tells the story of the proud achievements | 0:25:22 | 0:25:24 | |
and development of the Greater Manchester Fire Brigades. | 0:25:24 | 0:25:28 | |
Mark is meeting with Bob Bonner, retired fireman | 0:25:28 | 0:25:31 | |
and volunteer at the museum. | 0:25:31 | 0:25:33 | |
-Hello, I'm Mark. -Hello. Welcome to the Fire Service Museum, I'm Bob. | 0:25:34 | 0:25:38 | |
The early 1800s hailed the beginning of the municipal fire service. | 0:25:39 | 0:25:43 | |
Prior to this, | 0:25:43 | 0:25:45 | |
fire services were only available to those who could afford insurance. | 0:25:45 | 0:25:50 | |
In the 1860s, Alfred Tozer arrived from London | 0:25:50 | 0:25:54 | |
to organise the fire service in Manchester | 0:25:54 | 0:25:56 | |
and developed one of the finest in the country. | 0:25:56 | 0:26:00 | |
As a result, thousands of lives have been saved. | 0:26:00 | 0:26:04 | |
Tozer began a dynasty of fire chiefs that continues to this day. | 0:26:05 | 0:26:10 | |
In the early days, firemen had to work | 0:26:10 | 0:26:12 | |
with some pretty primitive equipment. | 0:26:12 | 0:26:14 | |
We are going to have a look now | 0:26:14 | 0:26:16 | |
at what the earliest kind of fire engines looked like, | 0:26:16 | 0:26:18 | |
which were known as manual fire pumps. The clue is in the name. | 0:26:18 | 0:26:21 | |
They were manually operated by firefighters | 0:26:21 | 0:26:24 | |
and willing volunteers who would help them. | 0:26:24 | 0:26:26 | |
This is very typical of a small manual fire engine. | 0:26:26 | 0:26:29 | |
What age is this? | 0:26:29 | 0:26:30 | |
This is a typical mid-19th century one, | 0:26:30 | 0:26:33 | |
which was built by Tilley of London in 1847. | 0:26:33 | 0:26:36 | |
-Wow, it's that old? -Yes. | 0:26:36 | 0:26:37 | |
I mean, looking at it as a layman, | 0:26:37 | 0:26:40 | |
how on earth can a cart help you fight a fire? | 0:26:40 | 0:26:43 | |
Well, inside the cart, is a fire pump, an iron fire pump. | 0:26:43 | 0:26:46 | |
The whole thing is just a wooden cart, as you say, | 0:26:46 | 0:26:49 | |
and the bottom part of it is known as a cistern, so that holds water. | 0:26:49 | 0:26:52 | |
It must be filled first before the fire engine will do anything. | 0:26:52 | 0:26:56 | |
So, water's poured into there from buckets | 0:26:56 | 0:26:58 | |
and sat inside the bottom of the fire engine is this fire pump... | 0:26:58 | 0:27:02 | |
-Oh, right. -..which is then worked by the mechanism. -You grab that end. | 0:27:02 | 0:27:06 | |
-So the firemen and the helpers would be pumping furiously like this. -Yep. | 0:27:06 | 0:27:11 | |
And then something will be plugged onto this. | 0:27:11 | 0:27:13 | |
The hose pipe would be connected to the outwards and as we pump, | 0:27:13 | 0:27:16 | |
the water goes up the hose, back to the firefighter at the end. | 0:27:16 | 0:27:19 | |
As you are doing all of this, | 0:27:19 | 0:27:21 | |
you have then got a team of other helpers | 0:27:21 | 0:27:24 | |
who are filling that water all the time. | 0:27:24 | 0:27:26 | |
Yes, you continually need to keep it filled | 0:27:26 | 0:27:29 | |
unless it's set into a river or something. | 0:27:29 | 0:27:31 | |
But normally, you need a bucket changer to work very quickly | 0:27:31 | 0:27:34 | |
-to keep it supplied. -Yeah, because... Yeah. | 0:27:34 | 0:27:36 | |
Because even doing this, you can feel it's really working. | 0:27:36 | 0:27:39 | |
-You would empty it very quickly. -Yeah, you would. You can see that. | 0:27:39 | 0:27:42 | |
It's very efficient. | 0:27:42 | 0:27:44 | |
Lovely, that's my exercise for the day. | 0:27:44 | 0:27:48 | |
Who needs a gym? You just buy a fire pump. | 0:27:48 | 0:27:51 | |
Mark has spotted a pretty intriguing piece of wood. | 0:27:53 | 0:27:56 | |
What on earth is a mahogany door doing in the middle of this? | 0:27:56 | 0:27:59 | |
Isn't that a beautiful door? Very, very fond of that. | 0:27:59 | 0:28:01 | |
There is a very good reason why a door would be that shape. | 0:28:01 | 0:28:04 | |
Because behind that door is a hole in the floor. | 0:28:04 | 0:28:08 | |
Passing through the hole in the floor is the sliding pole. | 0:28:08 | 0:28:12 | |
So this is the way the firemen got from upstairs to downstairs | 0:28:12 | 0:28:15 | |
when there was a fire call. | 0:28:15 | 0:28:17 | |
So this is... This would've been completely open? | 0:28:17 | 0:28:19 | |
Completely open, you'd be looking down now onto the roof | 0:28:19 | 0:28:22 | |
of a fire engine. | 0:28:22 | 0:28:23 | |
You heard the bell and you just went instinctively. | 0:28:23 | 0:28:25 | |
-You don't jump, you grip it and slide. -Grip it and slide. | 0:28:25 | 0:28:29 | |
This looks like I'm pole dancing. | 0:28:29 | 0:28:32 | |
And down you go. | 0:28:33 | 0:28:34 | |
And down you go. But how tall would this...? | 0:28:34 | 0:28:37 | |
This particular pole was in this building, | 0:28:37 | 0:28:39 | |
which was four storeys high. | 0:28:39 | 0:28:41 | |
-Oh. -Most of them go down from one floor to the next floor. -Wow. | 0:28:41 | 0:28:45 | |
The thing to remember with the firemen's pole is that | 0:28:45 | 0:28:47 | |
when you land at the bottom, | 0:28:47 | 0:28:48 | |
to run away quickly, else you'll have five more firemen on your head. | 0:28:48 | 0:28:51 | |
Yes. Well, I think that is amazing. I just love the door. | 0:28:51 | 0:28:55 | |
-Gorgeous door, isn't it? -That... | 0:28:55 | 0:28:58 | |
I thought it was a library, a secret door. | 0:28:58 | 0:29:00 | |
That's wonderful, isn't it? | 0:29:00 | 0:29:02 | |
-Thank you very much for coming. -You have been very entertaining. | 0:29:04 | 0:29:07 | |
-Lovely. Nice to meet you. -Nice to have met you. | 0:29:07 | 0:29:09 | |
Good luck with the fund-raising. | 0:29:09 | 0:29:11 | |
-Yes, fingers crossed. Thank you. -Bye-bye. -Bye now. | 0:29:11 | 0:29:14 | |
It is now time for the boys to meet up with one another | 0:29:14 | 0:29:17 | |
and have a gander at their antiques booty. | 0:29:17 | 0:29:19 | |
-I don't believe it! -Yeah. | 0:29:21 | 0:29:25 | |
There's certainly one thing - I would have never put Paul Laidlaw | 0:29:25 | 0:29:28 | |
and Hummel figures together in my life. | 0:29:28 | 0:29:31 | |
I am sorry, Paul, I'm going to have to... | 0:29:31 | 0:29:34 | |
Because I really don't believe this. I really don't believe this. | 0:29:34 | 0:29:38 | |
Oh, yes, it's marked West Germany. | 0:29:38 | 0:29:41 | |
-But it's a great find! -It's everything there. | 0:29:41 | 0:29:45 | |
You simply can't go wrong, honestly. | 0:29:45 | 0:29:47 | |
Ten. | 0:29:47 | 0:29:48 | |
-For the two? Oh, that's cheap. -Should be fine, shouldn't it? | 0:29:48 | 0:29:51 | |
-There's so much the falls in that category. -Yes. | 0:29:51 | 0:29:55 | |
-Reproduction Royal Dux. -But they are a pair and they're decorative. | 0:29:55 | 0:30:01 | |
You are being so kind. | 0:30:01 | 0:30:04 | |
There are large and they are a pair. | 0:30:04 | 0:30:08 | |
Well, listen, I don't... | 0:30:10 | 0:30:12 | |
I really don't know, this one. | 0:30:12 | 0:30:14 | |
I mean, I'm going to go, obviously, | 0:30:14 | 0:30:16 | |
for the - shall I say? - quality item. | 0:30:16 | 0:30:19 | |
-Whip and the crop. -Nicely silver mounted there. -Yep. | 0:30:19 | 0:30:23 | |
The most prestigious of retailers' makers. | 0:30:23 | 0:30:27 | |
-Swaine and Adeney, by appointment to HM. -Oh. | 0:30:27 | 0:30:33 | |
-It depends what you paid for them. -55. -For the pair? -Yeah. | 0:30:33 | 0:30:36 | |
That's cheap! Well, I congratulate you, Paul. | 0:30:36 | 0:30:39 | |
-I mean, you've shocked me here. -I shocked myself, | 0:30:39 | 0:30:41 | |
believe me. Show me what you've bought. | 0:30:41 | 0:30:44 | |
I'm not sure you're ready for this. | 0:30:44 | 0:30:46 | |
I don't feel dirty. | 0:30:46 | 0:30:48 | |
But I am going to be very careful here, Paul, | 0:30:49 | 0:30:52 | |
because there is quite a bit. | 0:30:52 | 0:30:54 | |
-Explain. -Well, that was my first purchase. | 0:30:54 | 0:30:58 | |
Look, I'm not going to pretend it's anything special, Paul, | 0:30:58 | 0:31:00 | |
but it was seven pounds. | 0:31:00 | 0:31:01 | |
-In the market we're going to... -I know why you did it. | 0:31:01 | 0:31:05 | |
15 quid, 20 if you are lucky. | 0:31:05 | 0:31:07 | |
-Yeah. -The jug, I wanted to get something antique. | 0:31:07 | 0:31:11 | |
It is a copper lustre jug. | 0:31:11 | 0:31:13 | |
I love the little spout, it's like a lion's had. | 0:31:13 | 0:31:17 | |
-OK, yeah, but it's damaged. -There is a crack. | 0:31:17 | 0:31:19 | |
There is a crack in it. | 0:31:19 | 0:31:21 | |
-That was single-digit. -Five quid. -OK, fair enough. -This I love. | 0:31:22 | 0:31:27 | |
-Yeah. -I love it. -OK. -It was only 20 quid. | 0:31:27 | 0:31:31 | |
-For the lot. This was my really big purchase. -OK. | 0:31:31 | 0:31:36 | |
-Silver guilt. -Hallmarked on the hinges. -Yeah, I see that. | 0:31:38 | 0:31:43 | |
-And I've actually cataloged it as faux tortoiseshell. -Yeah, yeah. | 0:31:43 | 0:31:48 | |
-What did you pay for it? -50. | 0:31:48 | 0:31:50 | |
-Seems all right. -This is too close to call. | 0:31:50 | 0:31:53 | |
-I'm liking your work. This is going to be good, isn't it? -I think so. | 0:31:53 | 0:31:57 | |
-Roll on the auction. -Yeah. -Well done. -Roll on the drinkies. | 0:31:57 | 0:32:00 | |
-I'm off, are you coming? -Yeah, come on, let's do that. | 0:32:00 | 0:32:04 | |
But what do they really think? | 0:32:04 | 0:32:06 | |
Who is going to win? Please, make it be me. | 0:32:06 | 0:32:09 | |
The jug, that's landfill, isn't it? | 0:32:09 | 0:32:13 | |
It is got a whopping big crack in it! | 0:32:13 | 0:32:15 | |
Please let it be me! | 0:32:15 | 0:32:17 | |
It has been an exciting second day, travelling from Holywell Green | 0:32:20 | 0:32:25 | |
by Sowerby Bridge, Huddersfield, Holmfirth, Oldham, Ramsbottom, | 0:32:25 | 0:32:30 | |
Rochdale to Cobridge, in Stoke-on-Trent, | 0:32:30 | 0:32:33 | |
the venue of today's auction. | 0:32:33 | 0:32:37 | |
Are you ready? Is this a crash and burn or...fortunes made? | 0:32:37 | 0:32:42 | |
This is it, come on, let's get in, shall we? | 0:32:42 | 0:32:45 | |
ASH Auctions has been established | 0:32:45 | 0:32:49 | |
since 1994 and hold weekly general sales. | 0:32:49 | 0:32:53 | |
Lee Sherratt is proprietor and auctioneer for today's proceedings | 0:32:53 | 0:32:58 | |
and he has a few thoughts on the chaps' wares. | 0:32:58 | 0:33:01 | |
My favourite item is the tortoiseshell and manicure set. | 0:33:01 | 0:33:05 | |
I'm sure it will sell well. | 0:33:05 | 0:33:07 | |
Is there anything I really don't like? | 0:33:07 | 0:33:09 | |
Um, the punch bowl. | 0:33:09 | 0:33:12 | |
They don't seem to realise a good price, really. | 0:33:12 | 0:33:15 | |
Mark Stacey started today's show with £186.43 | 0:33:17 | 0:33:22 | |
and spent £107 on five lots. | 0:33:22 | 0:33:24 | |
Paul Laidlaw began with £209.92 | 0:33:28 | 0:33:31 | |
and spent £125 also on five lots. | 0:33:31 | 0:33:34 | |
Oh, where are they? | 0:33:37 | 0:33:39 | |
Oh, yes, there they are, look. | 0:33:39 | 0:33:41 | |
First up, it's Mark's retro-style punch bowl set. | 0:33:42 | 0:33:47 | |
Big enough to drown your sorrows in, that. | 0:33:47 | 0:33:49 | |
Yeah, it is, I might need to. | 0:33:49 | 0:33:51 | |
Bid me on that little lot there, shall we say 25? | 0:33:53 | 0:33:56 | |
25, the punch set there? | 0:33:56 | 0:33:57 | |
25? 20? Get me somebody. Start me off. £15 for it. | 0:33:57 | 0:34:01 | |
-£15. -Oh, no! | 0:34:01 | 0:34:03 | |
Ten I'm bid. Ten on the right-hand side at ten. | 0:34:03 | 0:34:06 | |
At ten. At 12 on the phone. 14. | 0:34:06 | 0:34:08 | |
14. 16. At 14 in the room, it's against you on the phone. | 0:34:08 | 0:34:11 | |
16. 18? 18. 18. | 0:34:11 | 0:34:13 | |
Right-hand side, against you on the phone again. 20. | 0:34:13 | 0:34:15 | |
At two. At 22. 22. 24, is it now? | 0:34:15 | 0:34:18 | |
At four. At six. At six. | 0:34:18 | 0:34:20 | |
26 is bid in the room. Against you on the phone, eight. At 30. | 0:34:20 | 0:34:24 | |
At 30 bid now. Two on the phone. | 0:34:24 | 0:34:26 | |
It's in the room, it's going to be sold. | 0:34:26 | 0:34:28 | |
At £30, once... Two. 32. 32. 32. | 0:34:28 | 0:34:31 | |
Against you, four. 34. At 34. 34. | 0:34:31 | 0:34:34 | |
Once, twice, third and final time at £34. | 0:34:34 | 0:34:38 | |
That'll be gone... Yes, no? | 0:34:38 | 0:34:39 | |
-£34. -Good result. -That is a £14 profit. | 0:34:40 | 0:34:46 | |
Get in! | 0:34:46 | 0:34:48 | |
Well, who would've thought it? A nice profit from the get go, Mark. | 0:34:48 | 0:34:52 | |
MARK SIGHS | 0:34:52 | 0:34:55 | |
It's going well. | 0:34:55 | 0:34:57 | |
Don't relax too soon, | 0:35:00 | 0:35:02 | |
Mark, it is your 19th-century jug with the hairline crack next. | 0:35:02 | 0:35:07 | |
Nice jug there, 15 for it. Ten for it quickly, let's get it going. | 0:35:07 | 0:35:10 | |
Ten pounds. Come on, it's worth ten. Ten pounds. | 0:35:10 | 0:35:13 | |
Ten on bid. Ten pounds. At ten. Ten pound bid. | 0:35:13 | 0:35:16 | |
Down here at ten pounds. Come on, keep going. At ten pounds. At 12. | 0:35:16 | 0:35:20 | |
Sell it for ten, first maiden bed. | 0:35:20 | 0:35:22 | |
I've doubled my money, I can't really argue with that. | 0:35:22 | 0:35:27 | |
So far, so good, Mark. | 0:35:27 | 0:35:29 | |
You are on a roll, Stinky! | 0:35:29 | 0:35:31 | |
It is Paul's two Victorian fishing reels next. | 0:35:31 | 0:35:35 | |
Can he reel in a corker of a profit? | 0:35:35 | 0:35:38 | |
Shall we say £20 for two fishing reels there? | 0:35:38 | 0:35:42 | |
Who's going to bid me? Come on, only ten. Ten on bid. | 0:35:42 | 0:35:44 | |
We're off at ten pounds. Where? All over the place. 12 on bid. | 0:35:44 | 0:35:47 | |
14. 16. 18. | 0:35:47 | 0:35:49 | |
-20. -Come on. -Valued at £20. | 0:35:49 | 0:35:53 | |
Two. At 22. 24. | 0:35:53 | 0:35:55 | |
26. 28. 30. 32. 34. | 0:35:55 | 0:35:59 | |
36. 38. 40. 42. | 0:35:59 | 0:36:01 | |
44. 46. 48. | 0:36:01 | 0:36:04 | |
48. 50. | 0:36:04 | 0:36:05 | |
£50. At £50 on the second row for the fishing reels, then. | 0:36:05 | 0:36:09 | |
At £50. | 0:36:09 | 0:36:10 | |
I can't believe it, Paul. | 0:36:10 | 0:36:12 | |
I'll do that all day long. Relief! | 0:36:12 | 0:36:14 | |
Well, he certainly did. Great start, Paul. | 0:36:14 | 0:36:18 | |
I'm just going to go home. | 0:36:18 | 0:36:20 | |
Oh, come on, Mark, it's early days. | 0:36:20 | 0:36:22 | |
It's Paul again with the Hummel lamp and figurine. | 0:36:22 | 0:36:27 | |
20. £20 for the two. 15 for the two. Come on, let's start. | 0:36:27 | 0:36:30 | |
15 I'm bid on the front row. At £15, bid only now. | 0:36:30 | 0:36:33 | |
16. We're off again at 16. 18 I'm bid. | 0:36:33 | 0:36:35 | |
At 20 bid now. Two. | 0:36:35 | 0:36:36 | |
22. 24. 26. | 0:36:36 | 0:36:39 | |
28 on the front row. 30. £30. | 0:36:39 | 0:36:42 | |
Against you on the phone, 32, is it now? 32. 34. | 0:36:42 | 0:36:45 | |
36? 36 on the phone, is it? | 0:36:45 | 0:36:48 | |
Now 36. 38? 38 in the room. | 0:36:48 | 0:36:50 | |
Is it 40 on the phone? 40 I'm bid. | 0:36:50 | 0:36:52 | |
42? 44. 46. | 0:36:52 | 0:36:54 | |
Are you saying no? At £44. | 0:36:54 | 0:36:56 | |
-Anybody else? -Selling on the phone at £44. | 0:36:56 | 0:37:00 | |
Another hefty profit for Paul. Good steady work, Mr Laidlaw. | 0:37:01 | 0:37:06 | |
Paul is on again with these Royal Dux-style vases. | 0:37:06 | 0:37:11 | |
Come on, where are we going to start? Give me £30. | 0:37:11 | 0:37:13 | |
£30. 35. 40. 45. | 0:37:13 | 0:37:16 | |
50 flush money. 55. 60. | 0:37:16 | 0:37:20 | |
60 bid. 65. | 0:37:20 | 0:37:21 | |
At 65. 70. 70, yes or no? | 0:37:21 | 0:37:24 | |
70. 75. Keep going, show your money. At £70. | 0:37:24 | 0:37:27 | |
£70, on the right-hand side at £70. | 0:37:27 | 0:37:29 | |
At £70, sells, then, at 70 for the pair. | 0:37:29 | 0:37:32 | |
What a lovely pair, as they say, | 0:37:33 | 0:37:35 | |
and even better, it is yet another sizable profit for Paul. | 0:37:35 | 0:37:39 | |
-£70 is quite a lot for those. -Yeah, yeah, yeah. | 0:37:39 | 0:37:43 | |
Yeah, yeah, yeah. | 0:37:44 | 0:37:45 | |
Now, Mark, can your pottery doggie help you claim some lovely profit? | 0:37:45 | 0:37:50 | |
-Fingers crossed. -Three, five, ten pound. | 0:37:50 | 0:37:53 | |
Somebody quickly at ten. On the phone, at ten. | 0:37:53 | 0:37:55 | |
12 all over the place. 12 on bid against you. 14 if you want it. | 0:37:55 | 0:37:58 | |
14 bid. 16 if you want it. 16 on bid. 18. | 0:37:58 | 0:38:01 | |
18 on bid now. Is it 20, yes or no? 18 in the front row. | 0:38:01 | 0:38:04 | |
20. Fresh money. At £20. 22? 24. 24 bid. 24. 26. | 0:38:04 | 0:38:09 | |
26 on bid. 28. 28 bid. 30. | 0:38:09 | 0:38:12 | |
£30 now. 32. 32. 34. | 0:38:12 | 0:38:15 | |
-34. 36. -That's all right. -Decent, yeah. | 0:38:15 | 0:38:19 | |
Are we all finished? | 0:38:19 | 0:38:20 | |
Well, Lassie really did come home with a profit. | 0:38:22 | 0:38:25 | |
It's definitely game on between these two chaps. | 0:38:25 | 0:38:28 | |
Get in, well done! | 0:38:28 | 0:38:30 | |
We are back with Paul. | 0:38:30 | 0:38:31 | |
He has combined the 1920s tea set | 0:38:31 | 0:38:34 | |
and the King Edward VIII coronation collection into one china lot. | 0:38:34 | 0:38:39 | |
Unusual decoration on this, ladies and gentlemen. | 0:38:39 | 0:38:41 | |
Unusual decoration, that's where it is. | 0:38:41 | 0:38:44 | |
Come on, let's start the bidding. Ten pounds the lot. | 0:38:44 | 0:38:46 | |
Unusual lot here. Ten I'm bid. 12 I'm bid. | 0:38:46 | 0:38:48 | |
14. 16. 18. 20. 22. | 0:38:48 | 0:38:52 | |
£20 I'm bid. At £20. Where's two? | 0:38:52 | 0:38:54 | |
At £20. | 0:38:54 | 0:38:56 | |
-You were right. -Sorry. | 0:38:56 | 0:39:00 | |
Oh, dear, not the figure you were hoping for, Paul. | 0:39:00 | 0:39:04 | |
It's Mark's pretty faux tortoiseshell manicure box next. | 0:39:04 | 0:39:09 | |
Come on, it needs to be sold. £20 to get on. | 0:39:09 | 0:39:11 | |
£20, we're off. 20 bid now. 25. 25 on the right. | 0:39:11 | 0:39:14 | |
Decent bid increments as well. | 0:39:14 | 0:39:17 | |
40. 40 bid. 45. £40 bid, lady's bid at £40. | 0:39:17 | 0:39:21 | |
40 bid now. At 45. | 0:39:21 | 0:39:22 | |
In the room it goes, no mistake. At £40. | 0:39:22 | 0:39:26 | |
Mark's not wearing a happy face for that result. | 0:39:27 | 0:39:31 | |
-I mean, that was a steal for 40. -Yeah. | 0:39:31 | 0:39:34 | |
It's Paul's last lot of the day, the exclusive riding crop and whip. | 0:39:34 | 0:39:40 | |
£20 I'm bid. Where's five? | 0:39:40 | 0:39:43 | |
25. 30. | 0:39:43 | 0:39:45 | |
35. 40? | 0:39:45 | 0:39:47 | |
40. 45? 45. 50? 50. | 0:39:47 | 0:39:50 | |
55. 60. 65 there. Bethany's bidding. 70. | 0:39:50 | 0:39:54 | |
Oh, and we have a very keen young lady bidding here. | 0:39:54 | 0:39:57 | |
I bet she's got a horse. | 0:39:57 | 0:39:59 | |
100 on Glenn's phone. 105. | 0:39:59 | 0:40:01 | |
She's still there at 105. | 0:40:01 | 0:40:03 | |
110. With you at 110. | 0:40:03 | 0:40:05 | |
115. 120, is it, yes or no? | 0:40:05 | 0:40:08 | |
120, is it, yes or no? 120, yes. | 0:40:08 | 0:40:11 | |
125 in the room. | 0:40:11 | 0:40:12 | |
125 is bid. 130? | 0:40:12 | 0:40:15 | |
125, is it 130, yes or no? | 0:40:15 | 0:40:17 | |
30. At 130. It's on Glenn at five. | 0:40:17 | 0:40:20 | |
At 135. At 135, it is with Bethany's bid at 140. | 0:40:20 | 0:40:24 | |
At 140 bid. At 145. | 0:40:24 | 0:40:27 | |
At 145. Can I see 150? 145. It's in the room at 145. | 0:40:27 | 0:40:32 | |
Once. 50. At 150. | 0:40:32 | 0:40:35 | |
150. She's still there. At 155. | 0:40:35 | 0:40:38 | |
At 155 against Glenn's phone. 160. | 0:40:38 | 0:40:41 | |
160. 165. 165. | 0:40:41 | 0:40:44 | |
165. 170. 165. 170. | 0:40:44 | 0:40:48 | |
The phone is now out. At 165, it is with you, Bethany, at 165. | 0:40:48 | 0:40:52 | |
At 165 once. | 0:40:52 | 0:40:54 | |
165 twice. | 0:40:54 | 0:40:56 | |
A third and final time at £165. | 0:40:56 | 0:41:00 | |
£165. 482. | 0:41:00 | 0:41:04 | |
Put your hands together, ladies and gents, to the little bidder. | 0:41:04 | 0:41:08 | |
My goodness, Paul, the biggest profit of the day | 0:41:08 | 0:41:11 | |
so far, thanks to the determined young lady. | 0:41:11 | 0:41:14 | |
Giddy-up! | 0:41:14 | 0:41:15 | |
I'll buy you a drink, you'll be better tomorrow morning. | 0:41:15 | 0:41:18 | |
Yeah, as well. | 0:41:18 | 0:41:19 | |
I might need a bottle. | 0:41:19 | 0:41:21 | |
Don't lose heart, Mark, you have one last item left. | 0:41:24 | 0:41:27 | |
It is the pair of pillboxes. | 0:41:27 | 0:41:30 | |
I hope that I might not need to take a pill after this sells. | 0:41:30 | 0:41:34 | |
What shall we say for the two of those? | 0:41:34 | 0:41:36 | |
-35. -On commission, straight off at £35. | 0:41:36 | 0:41:40 | |
Oh, it was £50 profit. | 0:41:40 | 0:41:42 | |
-At £35. Can I see 40? £40 bid. 45. -I'm out. | 0:41:42 | 0:41:46 | |
£40 sitting in the front row, at £40. Can I see five for the two? | 0:41:46 | 0:41:50 | |
At £40, I'm going to sell then. | 0:41:50 | 0:41:51 | |
-At £40. -Oh, well. -That went over all right. | 0:41:51 | 0:41:55 | |
It's not the biggie profit he needed, | 0:41:55 | 0:41:58 | |
but it is better than nothing. | 0:41:58 | 0:42:00 | |
-Jolly well done. -Thanks. Let's have a wee drinky on me. | 0:42:00 | 0:42:04 | |
Come on. Let's have a wee drink on you. | 0:42:04 | 0:42:08 | |
Let's find out who today's winner is. | 0:42:08 | 0:42:10 | |
Mark started this leg with £186.46 | 0:42:13 | 0:42:17 | |
and after paying auction costs, | 0:42:17 | 0:42:19 | |
made a small profit of £24.20, | 0:42:19 | 0:42:22 | |
leaving him with a respectable £210.66 to carry forward. | 0:42:22 | 0:42:28 | |
But there is no stopping Paul. | 0:42:31 | 0:42:33 | |
He began with £209.92 and after costs, | 0:42:33 | 0:42:36 | |
made a bumper £161.18 profit. | 0:42:36 | 0:42:40 | |
So that leaves him with a delightful £371.10 to spend next time. | 0:42:40 | 0:42:46 | |
And makes him today's winner. Well done. | 0:42:46 | 0:42:49 | |
Cheers, buddy. Can I say it? Ye of little faith, but it delivered. | 0:42:51 | 0:42:55 | |
For you. | 0:42:55 | 0:42:56 | |
Oh, dear. | 0:42:56 | 0:42:57 | |
Next time on the Antiques Road Trip, | 0:43:05 | 0:43:07 | |
Mark and Paul head for the county town of Stafford. | 0:43:07 | 0:43:11 | |
Mark goes too far with a bid. | 0:43:11 | 0:43:13 | |
I don't suppose we could say the two for £15? | 0:43:13 | 0:43:16 | |
Um... | 0:43:17 | 0:43:19 | |
Oh, it all depends. | 0:43:19 | 0:43:22 | |
And Paul is Mr Poker Face. | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:49 | 0:43:50 |