Browse content similar to Episode 11. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:05 | |
a classic car, and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
Going, going...gone. | 0:00:10 | 0:00:11 | |
-Yes! -I think I've arrived! | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it is no mean feat. | 0:00:13 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:19 | |
-There will be worthy winners and valiant losers. -Tails. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
Agh, agh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
CAR HORN BEEPS | 0:00:35 | 0:00:37 | |
Today sees the start of a new journey with two Road Trip veterans. | 0:00:37 | 0:00:41 | |
Auctioneer Paul Laidlaw has a passion for militaria... | 0:00:45 | 0:00:48 | |
an eye for detail... | 0:00:48 | 0:00:50 | |
..and is always keen to pass on his specialist knowledge. | 0:00:51 | 0:00:55 | |
What more can the antiques expert tell you about it? Not a lot, really! | 0:00:55 | 0:00:59 | |
Trying to beat him at auction is antique dealer David Harper. | 0:01:01 | 0:01:05 | |
He enjoys taking a risk... | 0:01:05 | 0:01:08 | |
all things oriental... | 0:01:08 | 0:01:10 | |
and isn't afraid of a bit of hard graft. | 0:01:10 | 0:01:13 | |
-Look at that. -I've never seen a man work like this! -Have you not? | 0:01:13 | 0:01:17 | |
Never seen me work like this! | 0:01:17 | 0:01:19 | |
Ha-ha, well, with £200 each in their wallets, | 0:01:19 | 0:01:22 | |
the best of the British springtime, and this 1968 Triumph Herald, | 0:01:22 | 0:01:27 | |
our experts are in for the trip of a lifetime. | 0:01:27 | 0:01:30 | |
I'll tell you what, Paul, it's very good to be back in a classic. | 0:01:32 | 0:01:35 | |
-You like it? -Oh, and the sun shining. | 0:01:35 | 0:01:38 | |
-You are lapping this up, aren't you? -It's wonderful! | 0:01:38 | 0:01:42 | |
-I'm back in the zone, says David Harper! -I'm back in the zone, I am! | 0:01:42 | 0:01:45 | |
What fun! | 0:01:45 | 0:01:47 | |
On this route, our boys set off from Windermere | 0:01:47 | 0:01:50 | |
in the English Lake District and cover almost 600 miles. | 0:01:50 | 0:01:55 | |
They will cross the border into Scotland, | 0:01:55 | 0:01:57 | |
ending the week in the city of Dundee. | 0:01:57 | 0:01:59 | |
On this leg, they will start at the Cumbrian town of Windermere and | 0:02:03 | 0:02:07 | |
weave their way towards the auction in East Boldon in Tyne and Wear. | 0:02:07 | 0:02:11 | |
-Kendal, my adopted home. -Yeah. -And where are we going to end up? -I have no idea. | 0:02:14 | 0:02:19 | |
-Where are we going to end up? -God's own country. -We're going to Scotland. | 0:02:19 | 0:02:23 | |
-But what a journey for us! -Aye, my grandmother was Scottish... | 0:02:23 | 0:02:26 | |
-Very good. -..a proper Scot. | 0:02:26 | 0:02:28 | |
-So there's Scottish blood running in these veins. -Freedom! | 0:02:28 | 0:02:32 | |
-Rargh! -THEY LAUGH | 0:02:32 | 0:02:34 | |
Oh, Lordy! | 0:02:34 | 0:02:35 | |
Windermere was named after the railway station | 0:02:37 | 0:02:40 | |
built in the mid-19th century | 0:02:40 | 0:02:42 | |
and had, before then, been known as Birthwaite. | 0:02:42 | 0:02:46 | |
Our experts' first stop is tucked away in a little courtyard | 0:02:48 | 0:02:52 | |
-and run by Jean and Barry. -Hi, I'm David. -Barry. | 0:02:52 | 0:02:54 | |
Barry, nice to meet you. Where do you want to go? | 0:02:54 | 0:02:57 | |
-You want me to go that way? What do you want me to do? -Go to hell! | 0:02:57 | 0:03:00 | |
Oh, no, oh, no! Oh, charming! | 0:03:00 | 0:03:02 | |
What a great start. Do you hear that? Mm. | 0:03:02 | 0:03:04 | |
The gloves are off now, Harper! | 0:03:04 | 0:03:06 | |
Now, now, fellas, don't fall out so early in the trip. | 0:03:06 | 0:03:10 | |
So what have we got, then, you two? Come on, dealer to dealer, | 0:03:10 | 0:03:13 | |
what have we got in here that stands you at no money? | 0:03:13 | 0:03:16 | |
-I've come up with two little pieces for you. -OK. | 0:03:16 | 0:03:19 | |
Might be good. You never know. It's probably saved me hours. | 0:03:19 | 0:03:22 | |
Jean and Barry have got some hidden gems, | 0:03:22 | 0:03:25 | |
including this 19th century Staffordshire character pepper pot. | 0:03:25 | 0:03:29 | |
Ticket price, £95. | 0:03:29 | 0:03:31 | |
He's a big, portly fellow. He's a happy, well-fed chap. | 0:03:34 | 0:03:38 | |
I would love to have a go at him, I would, because I think he's rare. | 0:03:38 | 0:03:42 | |
But in auction, I think it might be, | 0:03:42 | 0:03:45 | |
because of the damage, £20-£30. | 0:03:45 | 0:03:48 | |
-If you'd take £20 for him... -I couldn't do it, David. No. | 0:03:48 | 0:03:51 | |
-I couldn't do it. -Barry's not having that. | 0:03:51 | 0:03:54 | |
Some objects do get you, you know. There's just something. | 0:03:54 | 0:03:57 | |
They just grab you. And he grabs me because he's just got that... | 0:03:57 | 0:04:02 | |
-quirky appeal, hasn't he? -Yeah. | 0:04:02 | 0:04:05 | |
I'd have a go at 20 quid. It would be my first purchase. | 0:04:05 | 0:04:08 | |
-We can't do 20. Will you do 30? -I tell you what, I'll spin a coin. | 0:04:08 | 0:04:13 | |
Oh, crikey. Really? | 0:04:13 | 0:04:14 | |
-25, 35. Are you going to do that? -Go on, then. | 0:04:14 | 0:04:19 | |
25 if I win, 35 if you win. You ready? | 0:04:19 | 0:04:22 | |
-Good luck, everyone. -I'll win this. | 0:04:22 | 0:04:24 | |
Tails. | 0:04:24 | 0:04:25 | |
And Harper wins with heads. | 0:04:27 | 0:04:29 | |
Thank you very much, you two. My first purchase. | 0:04:29 | 0:04:33 | |
-Can I have my 10p back? -THEY LAUGH | 0:04:33 | 0:04:35 | |
And with the flip of a coin, he's bought his first item for £25. | 0:04:35 | 0:04:39 | |
With David now done with shopping, | 0:04:41 | 0:04:43 | |
can Barry and Jean tempt Paul with a little treasure? | 0:04:43 | 0:04:47 | |
-That's a Stanhope, isn't it? The wee... -No, it isn't. -Is it not? -No. | 0:04:49 | 0:04:55 | |
-How much is that? -That can be...a fiver. | 0:04:55 | 0:04:58 | |
I'd like to spend more. But I'm not talking you up! | 0:05:00 | 0:05:03 | |
Come on, Paul, give us the lowdown on your tiny find. | 0:05:03 | 0:05:06 | |
-Yeah, I've got to come clean. It's a Stanhope. -It isn't! -It is. -It's not! | 0:05:08 | 0:05:14 | |
It is. And I wouldn't want to do the dirty on you and walk outside and go, | 0:05:14 | 0:05:17 | |
"Do you know...?" | 0:05:17 | 0:05:19 | |
What a decent chap. And so full of knowledge. | 0:05:19 | 0:05:21 | |
Stanhope, named after the man, in the 19th century, developed... | 0:05:23 | 0:05:28 | |
If I say "microfilm", it's painting a picture. | 0:05:28 | 0:05:31 | |
It is photography greatly diminished in scale. | 0:05:31 | 0:05:35 | |
And you look down them, and there are two little views. | 0:05:35 | 0:05:38 | |
So you get two Stanhopes for the price of one there. | 0:05:38 | 0:05:40 | |
Ooh, I think he spies great profits with these little binoculars. | 0:05:40 | 0:05:44 | |
-Have we got a deal at a fiver then, yeah? -I can't go back on it, can I? | 0:05:46 | 0:05:50 | |
You're a gentleman, Barry. Wish me luck. Pray to God I'm right! | 0:05:50 | 0:05:54 | |
You're going to get some luck with that! | 0:05:54 | 0:05:56 | |
One of the smallest things we've seen on the Road Trip. | 0:05:56 | 0:05:58 | |
Next, I'll buy a wardrobe. | 0:05:58 | 0:06:01 | |
He's certainly eyed up a bargain with this one. | 0:06:02 | 0:06:06 | |
I still can't see it. | 0:06:07 | 0:06:09 | |
Paul is heading towards the next stop of the trip - | 0:06:14 | 0:06:17 | |
the historic market town of Kendal. | 0:06:17 | 0:06:20 | |
Since the Roman settlers began dealing with the local tribes over | 0:06:22 | 0:06:25 | |
2,000 years ago, trading has been an important part of Kendal's history. | 0:06:25 | 0:06:30 | |
Today, it is still famed for its variety of shops, | 0:06:31 | 0:06:34 | |
and Paul's heading for one with a past. | 0:06:34 | 0:06:37 | |
Housed in a listed 17th century manor house, owners Robert and Andy | 0:06:40 | 0:06:44 | |
have packed it full of eclectic and tempting antiques. | 0:06:44 | 0:06:49 | |
I did say before I was looking for somewhere to rummage. | 0:06:49 | 0:06:52 | |
I think I've arrived! | 0:06:52 | 0:06:54 | |
The trick is to turn this treasure trove into your own pot of gold. | 0:06:54 | 0:06:58 | |
The context is bric-a-brac. That's car-boot sale on a table, is it not? | 0:07:01 | 0:07:06 | |
Oh, cheeky! | 0:07:06 | 0:07:08 | |
And in amongst it is rather a rich thing. | 0:07:08 | 0:07:11 | |
So, period - | 0:07:12 | 0:07:14 | |
second half of the 19th century. | 0:07:14 | 0:07:16 | |
Medium gilt brass. | 0:07:16 | 0:07:19 | |
With applied enamelled porcelain plaque there. | 0:07:19 | 0:07:24 | |
It is a rich piece of Victorian, very decorative, metalwork. | 0:07:24 | 0:07:30 | |
He's taken with this gilt brass chalice-like vessel, | 0:07:31 | 0:07:34 | |
but it's not the only item he's got his eye on. | 0:07:34 | 0:07:37 | |
African...carved wooden stool. | 0:07:39 | 0:07:43 | |
My children could have told you that. What more can the... | 0:07:43 | 0:07:47 | |
the antiques expert tell you about it? | 0:07:47 | 0:07:50 | |
Not a lot, really! | 0:07:50 | 0:07:51 | |
At least he's honest. | 0:07:53 | 0:07:55 | |
That has a pleasing...patina. | 0:07:55 | 0:08:00 | |
It's got wear and tear. | 0:08:00 | 0:08:02 | |
It's unlikely to have been brought about over here. | 0:08:03 | 0:08:09 | |
Because over here, | 0:08:09 | 0:08:10 | |
it sits in the corner with a plant on it, does it not? | 0:08:10 | 0:08:13 | |
Um, any port in a storm. | 0:08:13 | 0:08:14 | |
In this case, it could be an African port. | 0:08:14 | 0:08:16 | |
We'll give that a try later on, shall we? | 0:08:16 | 0:08:18 | |
A man on a mission with two items in his sights and no sign of surrender. | 0:08:18 | 0:08:22 | |
That is an officer's service dress. That's the correct terminology. | 0:08:25 | 0:08:31 | |
Royal Army Medical Corps captain. | 0:08:31 | 0:08:34 | |
Why am I looking at it? Well, it's a strong market. Military, hot. | 0:08:34 | 0:08:41 | |
It's all there. It has its belt and it also has its trousers. | 0:08:41 | 0:08:47 | |
With a passion for militaria, Paul's gunning for glory. | 0:08:47 | 0:08:50 | |
Here's another one. | 0:08:50 | 0:08:52 | |
In this instance... That was Royal Army Medical Corps. | 0:08:52 | 0:08:56 | |
This one has collar badges of the Royal West Kent Regiment. | 0:08:56 | 0:08:59 | |
And, of course, collectors chase relics of particular regiments. | 0:08:59 | 0:09:04 | |
OK, another one I can ask about. | 0:09:04 | 0:09:06 | |
This place certainly has him all lit up. | 0:09:06 | 0:09:08 | |
-And he has also found a Chinese carved table lamp. -Chinese. | 0:09:10 | 0:09:15 | |
Carved hardwood. | 0:09:17 | 0:09:19 | |
I love it. I must admit, I absolutely love these things. | 0:09:19 | 0:09:24 | |
Bags of character there. | 0:09:24 | 0:09:26 | |
And you put yourself a nice silk shade or a pagoda form shade on that, | 0:09:26 | 0:09:29 | |
what's not to love? | 0:09:29 | 0:09:32 | |
What about the £185 price tag, Paul? It's worth a shot. | 0:09:32 | 0:09:39 | |
A few wee bits and bobs. The likes of the officer's service dress there. | 0:09:39 | 0:09:42 | |
-We're looking for £87 for that. -OK. That's unlucky, but c'est la vie. | 0:09:42 | 0:09:48 | |
-You've got a Victorian cup. -We've been looking for £150 for that. | 0:09:48 | 0:09:52 | |
-I know, I know, I know. -So where would you want to be? | 0:09:52 | 0:09:54 | |
Oh, I'll say my limit and not play any games. At 50, I take a punt. | 0:09:54 | 0:09:59 | |
We'll let you have a deal at 50 and see how you go with that. | 0:09:59 | 0:10:03 | |
Laidlaw's gaining ground with a third off the Victorian brass. | 0:10:03 | 0:10:07 | |
There's a wee African stool sitting on the floor in front of you. | 0:10:07 | 0:10:11 | |
That's unusual. Anything ethnic these days, | 0:10:11 | 0:10:14 | |
-again, we're looking about £45 for that. -Yeah. | 0:10:14 | 0:10:16 | |
It was going to be my parting shot, just because you've asked, | 0:10:16 | 0:10:19 | |
a tenner, to be honest with you. | 0:10:19 | 0:10:21 | |
Have a go with that, just for interest, to see what it'll bring... | 0:10:21 | 0:10:24 | |
Take a punt at those two, then. | 0:10:24 | 0:10:26 | |
It's another great deal at £10 for the stool. | 0:10:26 | 0:10:29 | |
And now for his final strike. | 0:10:31 | 0:10:34 | |
-Strike while the iron's hot. Long shot. Two more things. -Yes. | 0:10:34 | 0:10:38 | |
There was the two service dress tunics. | 0:10:38 | 0:10:41 | |
I didn't even ask you about it - | 0:10:41 | 0:10:42 | |
the Chinese carved hardwood for your lamp... | 0:10:42 | 0:10:44 | |
-Yes. -..at the top of the stairs. | 0:10:44 | 0:10:46 | |
-It's got a massive price tag on it. -You're welcome to bid us on that. | 0:10:46 | 0:10:49 | |
Yeah, so no pressure at all. | 0:10:49 | 0:10:52 | |
-I want to pay 70 quid, the lot. -Two tunics... -And the Chinese lamp. | 0:10:52 | 0:10:56 | |
-..at £70... -70 quid, plus stool at 10, brass at 50. -No problem. | 0:10:56 | 0:11:01 | |
-Pleasure, Andrew. -You're welcome. -Good man. | 0:11:02 | 0:11:06 | |
Well, I never! That's a saving of almost £600. | 0:11:06 | 0:11:11 | |
Parting with over half his cash, Paul's making off with four items. | 0:11:11 | 0:11:14 | |
Thank you. | 0:11:14 | 0:11:17 | |
Meanwhile, David is en route to West Burton | 0:11:18 | 0:11:21 | |
in the Yorkshire Dales National Park. | 0:11:21 | 0:11:24 | |
Where he has been met by a slower pace of rural life. | 0:11:24 | 0:11:29 | |
SHEEP BLEAT | 0:11:29 | 0:11:31 | |
Hurry along, girls! | 0:11:31 | 0:11:32 | |
David has still got £175, | 0:11:32 | 0:11:36 | |
heading to his appointment at Old Smithy Antiques with owner Elaine. | 0:11:36 | 0:11:40 | |
-Hello. -Hello. -Hi there, gosh, this is gorgeous. Lovely to meet you. | 0:11:41 | 0:11:45 | |
-What a gorgeous place. -It is, it's lovely, isn't it? | 0:11:45 | 0:11:48 | |
-And a lovely heat source. -Yeah, it is. | 0:11:48 | 0:11:49 | |
-It's lovely on a cold day like today, isn't it? -Absolutely. | 0:11:49 | 0:11:52 | |
And I've been... Feel my hands. | 0:11:52 | 0:11:53 | |
-Oh, they are cold! Oh, my word! -Bitter. But a warm heart. | 0:11:53 | 0:11:56 | |
A very warm heart. | 0:11:56 | 0:11:58 | |
Crikey! | 0:11:58 | 0:11:59 | |
And with only one purchase so far, you had better warm up fast, David. | 0:11:59 | 0:12:03 | |
I think it's Japanese, but... | 0:12:05 | 0:12:07 | |
It's a silver cigarette case, but the inside is quite something. | 0:12:07 | 0:12:11 | |
The silver cigarette case has a ticket price of £85 and an engraved | 0:12:14 | 0:12:19 | |
picture of the volcano, Mount Fuji, the highest mountain in Japan. | 0:12:19 | 0:12:24 | |
That's copper laid on top of silver. It's got a good weight. | 0:12:24 | 0:12:28 | |
-Put it aside for now, is that OK? -I will, yes. I'll leave it there. -Right, I'll dive in here again. | 0:12:28 | 0:12:32 | |
Will the cigarette case erupt into profits at the auction? | 0:12:32 | 0:12:35 | |
Or perhaps this little 19th century glass dish will? | 0:12:36 | 0:12:40 | |
I know it's masonic, | 0:12:40 | 0:12:42 | |
but I think that has quite a bit of an age to it. | 0:12:42 | 0:12:45 | |
I'm pleased you pointed that out to me, because anything | 0:12:45 | 0:12:48 | |
with any sort of masonic emblem is sought-after, isn't it? | 0:12:48 | 0:12:51 | |
And they can do quite well. | 0:12:51 | 0:12:52 | |
I mean, that's a good chunk of hand-blown glass. | 0:12:52 | 0:12:55 | |
I think it's some kind of... It's a paperweight of some sort. | 0:12:55 | 0:12:58 | |
-Yeah, but... Yeah. -For anything. Pins... | 0:12:58 | 0:13:01 | |
-You never know with the Masons, do you? -You don't know. | 0:13:01 | 0:13:03 | |
-Let's shake your hand. -Oh, gosh! -Oh, you're one of those, aren't you? | 0:13:03 | 0:13:06 | |
Er, well, er, no! | 0:13:06 | 0:13:08 | |
No, women aren't allowed, of course. I'm sorry, I'm sorry! | 0:13:08 | 0:13:11 | |
Ticket price is £18, | 0:13:11 | 0:13:12 | |
but maybe another handshake could bring that down, David? | 0:13:12 | 0:13:16 | |
Can it be a tenner? | 0:13:16 | 0:13:17 | |
-Yeah, I think it could. -OK, let me have that for a tenner, Elaine. | 0:13:17 | 0:13:20 | |
Thank you very much. That's the first one. Thank you. | 0:13:20 | 0:13:23 | |
Now let's go to the Japanese cigarette box. | 0:13:23 | 0:13:26 | |
It's nicely engraved, but you have got some silver polish, | 0:13:26 | 0:13:29 | |
-so if I buy it, can I buff it up? -I would think so. -All right. | 0:13:29 | 0:13:32 | |
How much can it be? Go on. Give me the double-best death price. | 0:13:32 | 0:13:35 | |
-65 is the death on that, I'm sorry. -Oh, no! I'll have it for 50. | 0:13:35 | 0:13:38 | |
If you say yes, I'll take a chance on it. | 0:13:38 | 0:13:40 | |
I could do it at 60, maybe, at a push. | 0:13:40 | 0:13:42 | |
-I can't, I can't. -No, 55 is the very death. The very death. | 0:13:42 | 0:13:46 | |
65, really, but I would do it at 55 and that's as far as I can go. | 0:13:46 | 0:13:49 | |
-OK, I can see it in your eyes, I'll have it. Thank you very much. -OK, thank you very much. | 0:13:49 | 0:13:52 | |
He's not finished yet, you know! | 0:13:52 | 0:13:54 | |
They are depicting typical Chinese scenes. | 0:13:56 | 0:13:59 | |
We've got people here, we've got landscape, outcrops of rock, | 0:13:59 | 0:14:03 | |
and we've got some age to them. But they're probably tourist pieces. | 0:14:03 | 0:14:06 | |
No price, which probably means they're free... Elaine? | 0:14:06 | 0:14:11 | |
I don't know how much those are. How much do think they should be? | 0:14:11 | 0:14:14 | |
-Shall I tell you? -Go on, then. | 0:14:14 | 0:14:15 | |
-I think they should be, for the pair, a few pounds. -A few pounds. | 0:14:15 | 0:14:20 | |
-Well, I was thinking more like a tenner apiece. -Oh, gosh! | 0:14:20 | 0:14:25 | |
-But I suppose I could do the pair for 15. -A fiver for the pair. | 0:14:25 | 0:14:30 | |
-Can you squeeze up to -£8? Oh, go on, only cos you're gorgeous! | 0:14:30 | 0:14:34 | |
Oh, go on, then! Thank you. | 0:14:34 | 0:14:36 | |
So, with these 19th or 20th century early Chinese stone carvings, | 0:14:36 | 0:14:41 | |
-he's walking off with three items. -Very good. | 0:14:41 | 0:14:44 | |
Meanwhile, Paul is braving the British spring weather | 0:14:47 | 0:14:50 | |
en route to Hawes in North Yorkshire. | 0:14:50 | 0:14:52 | |
Sitting to the east of the Penines, this picture postcard market town makes it | 0:14:53 | 0:14:59 | |
particularly popular with visitors. | 0:14:59 | 0:15:01 | |
And one big draw is Paul's next stop, the proud home of Wensleydale cheese. | 0:15:02 | 0:15:08 | |
This crumbly cheese has a rich heritage, going back to the 12th century. | 0:15:09 | 0:15:12 | |
it is now enjoyed globally, including by animation stars Wallace and Gromit. | 0:15:12 | 0:15:18 | |
Although there are other producers of Wensleydale in the UK, this is where it all started, | 0:15:21 | 0:15:26 | |
And as such, houses a museum charting its cheesy past. | 0:15:26 | 0:15:31 | |
Today, it is still made only using milk from local farms, | 0:15:31 | 0:15:35 | |
and has been the recipient of almost 400 awards in the last decade alone. | 0:15:35 | 0:15:40 | |
So, pucker up, Paul, for a real taste of Yorkshire history, | 0:15:42 | 0:15:46 | |
courtesy of managing director David. | 0:15:46 | 0:15:48 | |
This is not what I expected. I know whe are in a museum setting, | 0:15:48 | 0:15:52 | |
I expected farmhouse sort of environment and I see | 0:15:52 | 0:15:56 | |
Norman arches. | 0:15:56 | 0:15:57 | |
Where are in, yes, because the story of Wensleydale cheese really started | 0:15:57 | 0:16:01 | |
with those first monks who came over from France, | 0:16:01 | 0:16:05 | |
after WIlliam the Conqueror had taken over the country. | 0:16:05 | 0:16:08 | |
So they arrived in the 11th and 12 century and they were | 0:16:08 | 0:16:11 | |
the people who really brought cheese making to these parts. | 0:16:11 | 0:16:14 | |
It wasn't until 1897 when cheese was made commerically in the area, | 0:16:17 | 0:16:22 | |
when local merchant Edward Chapman sought to standardise quality. | 0:16:22 | 0:16:26 | |
But it was the now legendary local business man Kit Calvert MBE | 0:16:26 | 0:16:32 | |
captured here on the left, who rescued the business from closure in the 1930s | 0:16:32 | 0:16:37 | |
and started the creamery as we know it today in 1953. | 0:16:37 | 0:16:42 | |
We've got a fantastic document here, which is the souvenir of the opening of the new creamery, | 0:16:43 | 0:16:48 | |
but there is just a fantastic paragraph there, it just really sums the picture up. | 0:16:48 | 0:16:53 | |
"This new creamery is only what our industry deserves, | 0:16:53 | 0:16:57 | |
"and if treated with much care and respect as it was by our predecessors, | 0:16:57 | 0:17:02 | |
"it will pay its trustees worthy compensations." | 0:17:02 | 0:17:05 | |
-A heritage! -That's brilliant. -It runs through, doesn't it? | 0:17:05 | 0:17:09 | |
The current custodians of this heritage and taste | 0:17:09 | 0:17:12 | |
continue to invent new cheeses, | 0:17:12 | 0:17:15 | |
including the Kit Calvert Wensleydale, | 0:17:15 | 0:17:17 | |
which is hand crafted to an old, traditional recipe. | 0:17:17 | 0:17:21 | |
Wensleydale cheese changed during the Second World War when the Ministry of Food | 0:17:22 | 0:17:26 | |
really encouraged cheese makers to have cheese ready and available, faster. | 0:17:26 | 0:17:31 | |
Therefore the moisture went up, and that's where the characteristic white crumbly | 0:17:31 | 0:17:37 | |
style of Wensleydale, still very milky, still very appealing, | 0:17:37 | 0:17:40 | |
came to the fore. | 0:17:40 | 0:17:42 | |
And probably these older recopies of Wensleydale cheese got forgotten a little bit. | 0:17:42 | 0:17:46 | |
But it is just as a way of commemorating Kit Calvert, we were encouraged by customers | 0:17:46 | 0:17:50 | |
who said, "Can you make us an old style Wensleydale?" | 0:17:50 | 0:17:53 | |
Which is what we did. | 0:17:53 | 0:17:55 | |
So if you just break a little bit off the end of there. | 0:17:55 | 0:17:57 | |
-Just a little bit? -Have a generous bit. | 0:17:57 | 0:17:58 | |
It's worth it. | 0:17:58 | 0:18:00 | |
-You'll see how smooth and creamy... -Tangy. | 0:18:03 | 0:18:06 | |
-Tangy. -From the nose | 0:18:06 | 0:18:09 | |
to the palette, man alive, David! | 0:18:09 | 0:18:13 | |
You're my new best friend, you know that? | 0:18:13 | 0:18:15 | |
-So you really enjoyed it? -Love it! | 0:18:15 | 0:18:19 | |
-Wonderful, thanks very much. -Pleasure. | 0:18:19 | 0:18:21 | |
And back in the Triumph with David, | 0:18:25 | 0:18:28 | |
they head to their final shopping destination. | 0:18:28 | 0:18:30 | |
Nine miles east in the down of Middleham. | 0:18:30 | 0:18:33 | |
This is my territory, Mr Laidlaw. This is... Am I on your patch? | 0:18:33 | 0:18:37 | |
-You're on my patch. -THEY LAUGH | 0:18:37 | 0:18:39 | |
The town's castle was the childhood home of Richard III and still | 0:18:39 | 0:18:43 | |
rises over its inhabitants today. | 0:18:43 | 0:18:46 | |
As it was left to go to rack and ruin by the Tudors, | 0:18:48 | 0:18:51 | |
the stone was used to build many of the local houses. | 0:18:51 | 0:18:55 | |
PAUL CHUCKLES Is that handbrake on? | 0:18:57 | 0:18:59 | |
Er, yeah, I think so! | 0:18:59 | 0:19:01 | |
If it isn't, it's going down the hill with you. | 0:19:01 | 0:19:04 | |
-And I think, Paul... -Good luck, yeah? -..you are that direction. | 0:19:04 | 0:19:08 | |
-If you can find five things. -It's all downhill for you from now on. | 0:19:08 | 0:19:10 | |
-See you later. -See you. -What a carry on! | 0:19:10 | 0:19:14 | |
He's got £65 to spend in Middleham Antiques where he is meeting Road Trip regular, Angela. | 0:19:14 | 0:19:19 | |
Hi, Ange! | 0:19:19 | 0:19:21 | |
-Paul, pleased to meet you. -Yes, I know. | 0:19:21 | 0:19:23 | |
-One of me favourite presenters. -I'm loving you! -You talk a lot of sense. | 0:19:23 | 0:19:27 | |
And you're one of my favourite antique dealers! | 0:19:27 | 0:19:29 | |
Because you're talking a lot of sense. I'll do my "thang". | 0:19:29 | 0:19:32 | |
-Just shout when you want me. -Thanks, Angela. -Yeah. | 0:19:32 | 0:19:34 | |
They're like old friends already. | 0:19:34 | 0:19:36 | |
Oi, oi, oi, oi, oi, that's good. | 0:19:39 | 0:19:41 | |
He's getting warmer in this room. | 0:19:41 | 0:19:43 | |
-Angela... -Yes? | 0:19:49 | 0:19:51 | |
One of the daftest things for me to pick up is an old stoneware... | 0:19:51 | 0:19:56 | |
I'm not going to call it a flagon, but a jar. | 0:19:56 | 0:20:00 | |
-SRD. -Mm-hmm. | 0:20:00 | 0:20:03 | |
The best story I've heard yet - Services Ration Department. | 0:20:03 | 0:20:08 | |
You know what these stored? Rum. | 0:20:08 | 0:20:10 | |
But the SRD makes it appealing to me because it's a military thing. | 0:20:10 | 0:20:14 | |
-It's got 22 quid on it! Oh, yeah. -I think we can do something on that. | 0:20:14 | 0:20:17 | |
I need you to knock £20 off that. | 0:20:17 | 0:20:20 | |
-I could let it go for 5, not 2. -Sell us that for a fiver? -Uh huh. | 0:20:20 | 0:20:23 | |
-I'm not going to be silly about it. -Old stock, everything is movable. | 0:20:23 | 0:20:27 | |
-It is not set in stone. -I am loving your work! | 0:20:27 | 0:20:30 | |
I have got one good military lot that just got better | 0:20:32 | 0:20:36 | |
by virtue of a rum jar. | 0:20:36 | 0:20:37 | |
He's excited. | 0:20:37 | 0:20:39 | |
But has David been having as much luck with his shopping endeavours | 0:20:39 | 0:20:43 | |
with the help of Richard? | 0:20:43 | 0:20:44 | |
-I did walk by the window just now and I saw that. -The Chinese pot? | 0:20:44 | 0:20:48 | |
-I mean, it's new, isn't it? -That's right, it is 20th century. | 0:20:48 | 0:20:52 | |
I've got it in for 695, | 0:20:52 | 0:20:55 | |
which I think is about an average price for that. | 0:20:55 | 0:20:58 | |
-OK, I think you're probably right. It's a big lump, isn't it? -Yes. | 0:20:58 | 0:21:00 | |
I bought it to put the wife in, but she wouldn't fit. | 0:21:00 | 0:21:03 | |
Hey, I hope your wife's not watching, Richard. | 0:21:03 | 0:21:05 | |
There's going to be pillow talk. | 0:21:05 | 0:21:07 | |
It seems like you might have Chinese on your mind. | 0:21:07 | 0:21:10 | |
Oh, I've always got Chinese on my mind, that's for sure! | 0:21:10 | 0:21:13 | |
-I have this, this one here. -Is it a teapot? | 0:21:13 | 0:21:16 | |
Yes, it's an interesting piece, isn't it? | 0:21:16 | 0:21:18 | |
-It's pretty modern, isn't it? -Mm. | 0:21:18 | 0:21:20 | |
He's tempted by the cockerel-shaped teapot, | 0:21:20 | 0:21:22 | |
but at £75, he's not counting his chickens just yet. | 0:21:22 | 0:21:25 | |
-Hmm, can the jade teapot be... Are you ready for a bid? -Go on. | 0:21:29 | 0:21:34 | |
-..40 quid? -No, I couldn't do it for that. | 0:21:34 | 0:21:37 | |
-I wouldn't cover my costs on it, David. -Really? -Yeah. -Are you sure? | 0:21:37 | 0:21:41 | |
-Yeah. -OK. -If you offer me 50, I'll take it. | 0:21:41 | 0:21:45 | |
-There we go. -You know where we've got to go with this, Robert. | 0:21:45 | 0:21:50 | |
You know where we have to go. | 0:21:50 | 0:21:51 | |
-45... -Good man! | 0:21:51 | 0:21:53 | |
Thank you very much. Chinese jade teapot. | 0:21:53 | 0:21:57 | |
With that final purchase, David spent £143 | 0:21:57 | 0:22:01 | |
of his original £200 and is offering up five lots, consisting of | 0:22:01 | 0:22:04 | |
a Staffordshire pepperpot, | 0:22:04 | 0:22:06 | |
a silver Japanese cigarette case, a 19th century masonic glass dish, | 0:22:06 | 0:22:11 | |
a Chinese teapot and a pair of Chinese stone carvings. | 0:22:11 | 0:22:14 | |
Paul began with £200 and spend £143 on five lots, | 0:22:15 | 0:22:20 | |
a Stanhope viewer, modelled as miniature binoculars, | 0:22:20 | 0:22:23 | |
an African wooden stool, | 0:22:23 | 0:22:25 | |
two Second World War tunics | 0:22:25 | 0:22:27 | |
and a First World War rum jar, | 0:22:27 | 0:22:29 | |
a Chinese hardwood lamp and a Victorian gothic chalice. | 0:22:29 | 0:22:32 | |
But, what do our experts think of each other's items? | 0:22:33 | 0:22:36 | |
Some shrewd purchases. I know why he bought every single piece. | 0:22:36 | 0:22:40 | |
And he's only made one mistake, that being the Staffordshire pepperette. | 0:22:40 | 0:22:45 | |
It's a loser. But everything else, I think, has got some potential. | 0:22:45 | 0:22:50 | |
It's a good offering, good portfolio, as I said. Like it. | 0:22:50 | 0:22:53 | |
I think it'll be a close call. | 0:22:53 | 0:22:54 | |
I don't think any of us are going to be embarrassed by the things that we bought, and it is anyone's game. | 0:22:54 | 0:22:59 | |
And bizarrely, we've both spent about the same amount of money, too. | 0:22:59 | 0:23:03 | |
So, very interesting. | 0:23:03 | 0:23:05 | |
Will their purchases pay off? | 0:23:05 | 0:23:08 | |
Time to find out as they head to auction in East Boldon. | 0:23:08 | 0:23:11 | |
-So, the auction, Paul Laidlaw, the auction. -This is it. D-day. | 0:23:13 | 0:23:16 | |
The first one. And I'm feeling remarkably, stupidly, confident. | 0:23:16 | 0:23:20 | |
No-one else will build you up other than yourself, so you might | 0:23:20 | 0:23:23 | |
as well get yourself on a pedestal and chop yourself off at the base. | 0:23:23 | 0:23:27 | |
-Why don't we build one another up? -Shall we do that? -I've always said you were amazing. | 0:23:27 | 0:23:30 | |
-Paul, you know what? I think I love you. -Oh, Lordy. | 0:23:30 | 0:23:35 | |
The Boldons are a group of three villages | 0:23:35 | 0:23:37 | |
surrounded by green belt land with a deep connection to mining. | 0:23:37 | 0:23:41 | |
Today's auction is at Boldon Auction Galleries. | 0:23:42 | 0:23:45 | |
-After you, Paul. -Thank you very much. | 0:23:45 | 0:23:47 | |
-Ladies first. -PAUL CHUCKLES | 0:23:47 | 0:23:49 | |
And while our experts get their teeth stuck into the competition, | 0:23:49 | 0:23:53 | |
auctioneer Giles Hodges starts the bidding! | 0:23:53 | 0:23:56 | |
First up is David's pepper pot. | 0:23:57 | 0:24:00 | |
Tenner to start me. | 0:24:00 | 0:24:01 | |
-Fiver, off we go. -Oh, Paul. | 0:24:01 | 0:24:04 | |
-£5 here, at five, at five. Eight, 10, -£10. You were wrong. | 0:24:04 | 0:24:09 | |
-£10, a bid down there. You're both out. -Come on, go on! | 0:24:09 | 0:24:12 | |
-15. At £15, a lady's bid at the moment. -Go on. Go on, lady. | 0:24:12 | 0:24:16 | |
£15 you are bid, all done at 15... | 0:24:16 | 0:24:19 | |
Paul was right about that one. | 0:24:19 | 0:24:21 | |
It's a loss. | 0:24:21 | 0:24:22 | |
Not a bloodbath. | 0:24:22 | 0:24:24 | |
Over to Paul now and his Gothic piece of Victorian gilt bronze. | 0:24:26 | 0:24:30 | |
10, 15, 20, five, 30, five, 40, £40 upstairs. Another fiver? | 0:24:31 | 0:24:38 | |
That's got to be. | 0:24:38 | 0:24:40 | |
45. 45 downstairs. The bid is downstairs. All done at £45. | 0:24:40 | 0:24:46 | |
GAVEL BANGS | 0:24:46 | 0:24:48 | |
Mmm, close, close. A small loss. | 0:24:48 | 0:24:50 | |
£5, to be precise, David. | 0:24:50 | 0:24:52 | |
Even more after commission. | 0:24:52 | 0:24:54 | |
Not a great start, fellas. | 0:24:54 | 0:24:56 | |
David is hoping to carve out better profits | 0:24:57 | 0:25:00 | |
with his two pieces of Chinese stone. | 0:25:00 | 0:25:02 | |
£5 bid downstairs, at five, at five... | 0:25:04 | 0:25:07 | |
Eight, 10, 12, 15... | 0:25:07 | 0:25:11 | |
-At 15... -Come on. I need that tenner, but I... Go on! | 0:25:11 | 0:25:16 | |
At £15, we're away. At 15... | 0:25:16 | 0:25:20 | |
I'm crawling back, Paul. I'm crawling back with desperation! | 0:25:20 | 0:25:24 | |
You'll be up and walking in no time with that £7. | 0:25:24 | 0:25:27 | |
Now for Paul's Chinese carved table lamp. | 0:25:29 | 0:25:32 | |
I've got two commission bids. I start at £30, I've started. | 0:25:32 | 0:25:36 | |
35, 40, five... | 0:25:36 | 0:25:39 | |
-Anybody else? -It's cheap. | 0:25:39 | 0:25:40 | |
50, five, 60, five, 70... | 0:25:40 | 0:25:44 | |
It's hotting up. | 0:25:44 | 0:25:45 | |
-At £75, gentleman's bid upstairs to the left... -I'd buy it at that. | 0:25:45 | 0:25:49 | |
-I still think it's cheap. -It's still cheap. -Yeah. | 0:25:49 | 0:25:51 | |
-At 75... -I'll take it. -Take it, Paul, take it. I'm giving it to you. | 0:25:51 | 0:25:55 | |
That's kind of him. | 0:25:56 | 0:25:59 | |
And that £25 puts Paul in front. | 0:25:59 | 0:26:01 | |
Is his next lot sitting on yet more profits? | 0:26:04 | 0:26:07 | |
Got two commission bids and 20 starts me straight in. | 0:26:08 | 0:26:11 | |
25, 30, 35, bid is upstairs on the balcony. | 0:26:11 | 0:26:16 | |
At £35, if we're all done... | 0:26:16 | 0:26:19 | |
At £35... | 0:26:19 | 0:26:21 | |
Another £25 helps Paul increase his lead. | 0:26:23 | 0:26:26 | |
-It's a nice earner. Well done. -It's all right. -Steady away, that. | 0:26:27 | 0:26:30 | |
Right, David, | 0:26:30 | 0:26:32 | |
let's hope your masonic engraved glass can dish out more cash. | 0:26:32 | 0:26:36 | |
-Somebody bid me £5 for the masonic. -No... | 0:26:37 | 0:26:41 | |
Gentleman at the forefront at five, 10, 15, 20, five... | 0:26:41 | 0:26:46 | |
25 at the forefront, 30, £30 on the right-hand side. | 0:26:46 | 0:26:50 | |
-£30, ladies and gents. -Come on! | 0:26:50 | 0:26:53 | |
-Are we all done at 30? -No, we're not! | 0:26:53 | 0:26:56 | |
He's catching up now, though, with a £20 profit all of his own. | 0:26:56 | 0:26:59 | |
I wanted...and I got 10% back! | 0:27:01 | 0:27:03 | |
Up next is his big risk - the Chinese jade teapot. | 0:27:05 | 0:27:09 | |
Somebody start me at £50. 50 bid, straight in at 50. | 0:27:11 | 0:27:15 | |
55, 60, £60 down to the left. | 0:27:15 | 0:27:19 | |
-At £60, are we all done, ladies and gents? -Egg them on, egg them on! | 0:27:19 | 0:27:23 | |
-At £60, the first and the last time... -Egg them on! Egg them on! | 0:27:23 | 0:27:25 | |
Love you though I do, you're on your own. | 0:27:25 | 0:27:27 | |
GAVEL BANGS | 0:27:27 | 0:27:29 | |
Not pouring out much of a profit, but it's good at £15. | 0:27:29 | 0:27:33 | |
I wanted 120, I got half. | 0:27:33 | 0:27:35 | |
Can Paul's miniature lot give him a big return? | 0:27:37 | 0:27:41 | |
Bid at 15 to start me. At £15. 18, anybody else? 18. | 0:27:41 | 0:27:46 | |
20, 22, 25, 28. | 0:27:46 | 0:27:49 | |
All done, ladies and gents? At £28... | 0:27:49 | 0:27:53 | |
You've got your eyes on the prize now. | 0:27:53 | 0:27:56 | |
-That is a good profit. -From a fiver. | 0:27:56 | 0:27:59 | |
It's better than my blinking jade Chinese pot! | 0:27:59 | 0:28:02 | |
David's last offering - the silver Japanese cigarette case. | 0:28:05 | 0:28:09 | |
Will it be a smokin' lot or not? | 0:28:09 | 0:28:12 | |
20 to start it, 25, 30, five, 40, five, 50, five, 60... | 0:28:12 | 0:28:19 | |
Come on, come on! | 0:28:19 | 0:28:20 | |
-At £65 and all done... At 65... -Come on! No! | 0:28:20 | 0:28:25 | |
Not exactly a towering mountain of profit, I'm afraid, David. | 0:28:25 | 0:28:29 | |
HE GROANS | 0:28:29 | 0:28:31 | |
And for Paul's last lot, he has combined his Second World War | 0:28:34 | 0:28:38 | |
dress tunics with the First World War rum jar. | 0:28:38 | 0:28:41 | |
Can it seal his victory? | 0:28:41 | 0:28:43 | |
Somebody bid me a fiver, the lot, please. Bid at the back of the hall. | 0:28:43 | 0:28:46 | |
Five, 10, 15, 20, five, 30, five, | 0:28:46 | 0:28:52 | |
40, five, 50, 55, 60, five, | 0:28:52 | 0:28:57 | |
70, five. | 0:28:57 | 0:28:59 | |
Downstairs at 75. Are we all done? | 0:28:59 | 0:29:03 | |
At £75, we are away at £75. | 0:29:03 | 0:29:07 | |
And that profit is bang on £50, which gives victory to Laidlaw. | 0:29:08 | 0:29:12 | |
-A good day out. -No bloodshed there. Pie and a pint, my man? | 0:29:14 | 0:29:17 | |
Pie and a pint sounds marvellous! You're great, you are, Laidlaw. | 0:29:17 | 0:29:21 | |
David Harper started with £200 and after auction costs, | 0:29:23 | 0:29:26 | |
he made a profit of £8.70. | 0:29:26 | 0:29:29 | |
Ha! Which gives him £208.70 to spend next time. | 0:29:29 | 0:29:34 | |
Paul Laidlaw also started with £200 | 0:29:38 | 0:29:41 | |
and has made an impressive profit of £71.56 after costs. | 0:29:41 | 0:29:45 | |
That puts him in the lead with £271.56 to spend on the next leg. | 0:29:45 | 0:29:52 | |
Well done. | 0:29:52 | 0:29:53 | |
-Ready? -Yes! | 0:29:54 | 0:29:56 | |
Way-hey! | 0:29:56 | 0:29:58 | |
The boys are continuing their journey in Sunderland | 0:30:00 | 0:30:02 | |
in the North East and will make their way to the next auction in the North Yorkshire town | 0:30:02 | 0:30:07 | |
of Northallerton. | 0:30:07 | 0:30:08 | |
David's first shop of this leg is in the area of Roker, | 0:30:09 | 0:30:13 | |
a popular tourist destination since the early 20th century. | 0:30:13 | 0:30:17 | |
-Good luck, man, yeah. -You have a great day. Good luck, Paul. | 0:30:17 | 0:30:21 | |
-Catch you later. -I'm in. -He's raring to go. | 0:30:21 | 0:30:23 | |
-Oh. -BELL RINGS | 0:30:25 | 0:30:27 | |
Oh! | 0:30:27 | 0:30:28 | |
Traditional bell. I love that, don't you? My gosh. | 0:30:28 | 0:30:32 | |
Giraffes. There's giraffes everywhere. | 0:30:32 | 0:30:34 | |
Someone here really likes giraffes. | 0:30:35 | 0:30:39 | |
It's chock-a-block-a-look. | 0:30:39 | 0:30:41 | |
The shop itself transports you back to another time. | 0:30:41 | 0:30:44 | |
I mean, talk about Empire days, | 0:30:44 | 0:30:45 | |
this goes way back, this building, | 0:30:45 | 0:30:47 | |
I'd imagine, looking at it. | 0:30:47 | 0:30:49 | |
The structure of the shop now, even with candles burning, | 0:30:49 | 0:30:51 | |
you feel like you're in circa 1880 and it's just magnificent. | 0:30:51 | 0:30:55 | |
All credit to the owner, | 0:30:58 | 0:31:00 | |
who must be in here somewhere... | 0:31:00 | 0:31:02 | |
-My God, the giraffes keep coming... Hello. -Good morning. | 0:31:02 | 0:31:04 | |
-Hello, I'm David. -Pleased to meet you, I'm David Whitfield. | 0:31:04 | 0:31:07 | |
Hi, David. Two Davids. That makes life much easier for me, | 0:31:07 | 0:31:10 | |
because I'm absolutely horrific with names. | 0:31:10 | 0:31:12 | |
So I won't forget that one. | 0:31:12 | 0:31:14 | |
Well, I do hope not. | 0:31:15 | 0:31:17 | |
David's run this shop for around 25 years | 0:31:17 | 0:31:20 | |
and his kids collected most of the giraffes. | 0:31:20 | 0:31:22 | |
Well, you need a long neck | 0:31:22 | 0:31:24 | |
to get a look at a lot of the stuff in this place! | 0:31:24 | 0:31:28 | |
I don't know musical instruments very well at all, | 0:31:28 | 0:31:30 | |
but I do know that they can do surprisingly well. | 0:31:30 | 0:31:35 | |
What's that there? Is it a trumpet or trombone? | 0:31:35 | 0:31:37 | |
-Are you any good on instruments? -No. | 0:31:37 | 0:31:40 | |
This is going to be a laugh then, isn't it? | 0:31:40 | 0:31:43 | |
They're not blowing their own trumpets - or tubas in this case. | 0:31:43 | 0:31:46 | |
"Soldier of Pitsea Corps". | 0:31:47 | 0:31:50 | |
Corps. Ah. | 0:31:50 | 0:31:53 | |
So we've got a slight military connection here - and Paul Laidlaw. | 0:31:53 | 0:31:56 | |
And he is the military expert. | 0:31:56 | 0:31:59 | |
What kind of money can that be? | 0:31:59 | 0:32:01 | |
35. | 0:32:01 | 0:32:03 | |
And there's another one. | 0:32:03 | 0:32:06 | |
Starting a band, David? | 0:32:06 | 0:32:08 | |
So, I might have a punt at these. | 0:32:08 | 0:32:11 | |
I think there's a potential profit in them. | 0:32:11 | 0:32:13 | |
-Can I make you a bid? -Make me a bid. | 0:32:13 | 0:32:14 | |
-I'll make you a bid - 30 quid for the pair. -I can't do it. | 0:32:14 | 0:32:17 | |
-I wouldn't be making any money. -OK. | 0:32:17 | 0:32:19 | |
I tell you what I'll do - buy one, get one free. | 0:32:19 | 0:32:22 | |
-45 quid the two. -DAVID LAUGHS | 0:32:22 | 0:32:25 | |
Deal or no deal? | 0:32:25 | 0:32:26 | |
-I'll spin you 30 or 40. -Go on, to a gambling man. | 0:32:27 | 0:32:30 | |
Good man, have you got a coin? | 0:32:30 | 0:32:32 | |
Oh, no. On the last leg he won on a coin toss. | 0:32:32 | 0:32:36 | |
Can he do it again? | 0:32:36 | 0:32:37 | |
-Are you ready? -Yep. -Happy? -Yep. -Go. | 0:32:37 | 0:32:39 | |
Tails. | 0:32:39 | 0:32:41 | |
It's tails. | 0:32:41 | 0:32:42 | |
Apparently not. | 0:32:42 | 0:32:44 | |
40 quid. Thank you very much, David. | 0:32:44 | 0:32:46 | |
But losing hasn't put him off eyeing up more stuff. | 0:32:46 | 0:32:51 | |
Hang on a minute. I'm not leaving just yet, David, | 0:32:51 | 0:32:53 | |
I'm just having a quick look at something. | 0:32:53 | 0:32:56 | |
It's miniature furniture | 0:32:56 | 0:32:57 | |
and it's absolutely charming. So what is it? | 0:32:57 | 0:33:00 | |
Well, it's a miniature chest of drawers. | 0:33:00 | 0:33:02 | |
But this one, I've got to say, is a bit bonkers, | 0:33:02 | 0:33:05 | |
because I can see | 0:33:05 | 0:33:07 | |
that the front four sets of drawers, | 0:33:07 | 0:33:10 | |
three are blank | 0:33:10 | 0:33:12 | |
and one opens. | 0:33:12 | 0:33:14 | |
Oh, my gosh. | 0:33:14 | 0:33:15 | |
-David? -Yes? | 0:33:15 | 0:33:16 | |
Three blank drawers, one opening with a well. | 0:33:16 | 0:33:20 | |
My son made me laugh the other week, he said, | 0:33:20 | 0:33:22 | |
"Dad, is that an inkwell?" I said, "No." He said, "What is it?" | 0:33:22 | 0:33:25 | |
-A moneybox. -It's a moneybox, yeah. | 0:33:25 | 0:33:27 | |
So when that goes in, that drops. | 0:33:27 | 0:33:30 | |
-And your money goes into the bottom. -Let me try that. | 0:33:30 | 0:33:33 | |
I'll put it in, it's there. There it is. Close it. | 0:33:33 | 0:33:36 | |
-Go on. -HE GASPS | 0:33:36 | 0:33:38 | |
Beautiful. What kind of money can it be? | 0:33:38 | 0:33:40 | |
-I'll do it for a fiver is the best I can do. -I can't... | 0:33:40 | 0:33:43 | |
You know, I can't chip you on that. Drop-dead gorgeous. | 0:33:43 | 0:33:46 | |
David may be working out ways to save some pennies... | 0:33:48 | 0:33:51 | |
..but Paul's been travelling the few miles to Cleadon to spend his... | 0:33:53 | 0:33:57 | |
Sitting just outside the city, | 0:34:00 | 0:34:02 | |
this village was first recorded in the 12th century. | 0:34:02 | 0:34:05 | |
And Paul's travelled to meet Judith at Cleadon Antiques And Gifts. | 0:34:06 | 0:34:10 | |
May I have a wee look round? | 0:34:12 | 0:34:14 | |
Spend some money, I hope? Excellent. | 0:34:14 | 0:34:16 | |
Paul won the first leg, | 0:34:18 | 0:34:20 | |
but can he whip up a storm at the next auction? | 0:34:20 | 0:34:23 | |
We have a pot lid. | 0:34:25 | 0:34:28 | |
Now, these date to the Victorian era, | 0:34:28 | 0:34:32 | |
and things that could be bought in such pots | 0:34:32 | 0:34:36 | |
were pastes and preserves and spreads, | 0:34:36 | 0:34:39 | |
for consumption. | 0:34:39 | 0:34:41 | |
And pastes and cosmetics | 0:34:41 | 0:34:44 | |
for dressing and grooming. | 0:34:44 | 0:34:46 | |
There are two here. | 0:34:46 | 0:34:48 | |
One is all of £12 and the other is £9, | 0:34:48 | 0:34:51 | |
so £21 for the pair. | 0:34:51 | 0:34:52 | |
I think that's pretty darn fair, if you want them. | 0:34:52 | 0:34:55 | |
Victorian pots to World War I binoculars, | 0:34:55 | 0:34:59 | |
and now he's spied a silver box. | 0:34:59 | 0:35:01 | |
That's a wee charmer, a little silver pocket snuff. | 0:35:01 | 0:35:06 | |
Look at that. | 0:35:06 | 0:35:08 | |
What we see all the time - engine turning. | 0:35:08 | 0:35:11 | |
We see foliate scrollwork. | 0:35:11 | 0:35:12 | |
What we don't see are lovely little Gothic arches and trefoils | 0:35:12 | 0:35:18 | |
there's a touch of the Rococo in there with these sea scrolls. | 0:35:18 | 0:35:22 | |
Ticket price £52. Right, Paul, are you actually going to buy anything? | 0:35:22 | 0:35:27 | |
May I pop a few things on the counter and have a conversation with you? | 0:35:29 | 0:35:33 | |
-Right. -We might buy everything, we might buy nothing, or something, | 0:35:33 | 0:35:36 | |
but let's just go at it? Do you mind? | 0:35:36 | 0:35:38 | |
I mean, I could give you a good price on this, | 0:35:38 | 0:35:40 | |
because I only paid 20 quid for it, although it's got a dear price on! | 0:35:40 | 0:35:43 | |
-If that would get you a good profit. -Ooh! | 0:35:43 | 0:35:46 | |
A great tip on a silver-topped claret jug | 0:35:46 | 0:35:49 | |
with a hefty ticket price of £485. | 0:35:49 | 0:35:53 | |
Paul, you could be on to a winner here. | 0:35:54 | 0:35:58 | |
We saw the pot lids. | 0:35:58 | 0:35:59 | |
To start with, he's grabbing the pots AND the binoculars. | 0:35:59 | 0:36:04 | |
Shoplifter! | 0:36:04 | 0:36:05 | |
He's amassing a hoard. | 0:36:05 | 0:36:07 | |
Your whip stand there. | 0:36:09 | 0:36:11 | |
So what are you telling me comes for £75? | 0:36:11 | 0:36:14 | |
Is it the stand and the whips? | 0:36:14 | 0:36:17 | |
No, without the whips. The whips are just loaned off my friend. | 0:36:17 | 0:36:20 | |
I don't know why she has whips! | 0:36:20 | 0:36:22 | |
THEY LAUGH | 0:36:22 | 0:36:25 | |
Can she throw parties? | 0:36:25 | 0:36:27 | |
Oh, naughty! | 0:36:27 | 0:36:29 | |
Cut to the chase. Everything there - | 0:36:29 | 0:36:32 | |
give me the bottom line. | 0:36:32 | 0:36:35 | |
-Be gentle with me. -I could do these for ten. | 0:36:35 | 0:36:37 | |
And I could do 20 on those. | 0:36:37 | 0:36:40 | |
I could do 30 on that. | 0:36:40 | 0:36:43 | |
Looking good so far. | 0:36:43 | 0:36:45 | |
And John, who owns the whip stand, | 0:36:45 | 0:36:47 | |
has also dropped its price to £40. | 0:36:47 | 0:36:49 | |
So, Paul, one item to go. | 0:36:49 | 0:36:51 | |
Judith only paid £20 for that silver-topped jug, | 0:36:51 | 0:36:55 | |
so there's a great opportunity to capitalise on claret here. | 0:36:55 | 0:36:59 | |
That's the big one that could hurt, but you got that cheap, | 0:37:01 | 0:37:05 | |
so how much profit do you need | 0:37:05 | 0:37:08 | |
to be happy with me walking out the door with it? | 0:37:08 | 0:37:10 | |
Well, if I had a Scottish cuddle, | 0:37:10 | 0:37:14 | |
-you could have it for 50. -£50?! | 0:37:14 | 0:37:17 | |
The ticket says ten times that price! | 0:37:17 | 0:37:20 | |
I am going to give you a cuddle | 0:37:20 | 0:37:22 | |
and I'm no' going to haggle any further. | 0:37:22 | 0:37:25 | |
That's excellent. | 0:37:25 | 0:37:27 | |
You've been very fair. | 0:37:27 | 0:37:29 | |
That's no' how we cuddle in Scotland. | 0:37:29 | 0:37:34 | |
-That's how we cuddle in Scotland! -What an incredible deal, eh? | 0:37:34 | 0:37:39 | |
£150 in his first shop, | 0:37:39 | 0:37:42 | |
for the World War I binoculars, | 0:37:42 | 0:37:44 | |
two Victorian pots and lids, | 0:37:44 | 0:37:47 | |
a silver-engraved snuff box, | 0:37:47 | 0:37:49 | |
the massively discounted claret jug | 0:37:49 | 0:37:51 | |
and the riding-whip stand. | 0:37:51 | 0:37:53 | |
And they've only thrown in a military crop for him too. | 0:37:53 | 0:37:57 | |
There's a lot there to get excited about. | 0:37:57 | 0:38:00 | |
Meanwhile, David has made his way 13 miles south to Durham, | 0:38:01 | 0:38:04 | |
to the indoor market. | 0:38:04 | 0:38:08 | |
Housed in a restored Victorian hall, | 0:38:11 | 0:38:13 | |
this place has been trading since 1851. | 0:38:13 | 0:38:17 | |
There are over 50 stalls, | 0:38:17 | 0:38:19 | |
selling everything from fish to footwear. | 0:38:19 | 0:38:22 | |
But our David is only looking for something he can turn into profits | 0:38:23 | 0:38:27 | |
and has come straight to Mike, | 0:38:27 | 0:38:29 | |
who's been here for 20 years. | 0:38:29 | 0:38:31 | |
-There we are. -1925. | 0:38:33 | 0:38:35 | |
-Yeah. -Nice dish. | 0:38:35 | 0:38:37 | |
OK, let's have a look at that, then. | 0:38:37 | 0:38:40 | |
-I hope it's going to be an absolute stonking bargain. -Well, we'll see. | 0:38:40 | 0:38:44 | |
He's got a smile on his face, I don't like the look of that at all. | 0:38:44 | 0:38:47 | |
So that is absolutely gorgeous. | 0:38:47 | 0:38:49 | |
So we've got stamp, Mappin & Webb, very upmarket, | 0:38:49 | 0:38:52 | |
very good quality. | 0:38:52 | 0:38:54 | |
Known as a tazza, Italian for stemmed cup, | 0:38:54 | 0:38:57 | |
which is often used to describe objects | 0:38:57 | 0:39:00 | |
with a shallow bowl shape. | 0:39:00 | 0:39:02 | |
I love the shape of it, that is almost Grecian, isn't it? | 0:39:03 | 0:39:06 | |
-Really nice, yes. -Or Roman maybe, in its influence. | 0:39:06 | 0:39:08 | |
Sounds like David's falling for it, | 0:39:08 | 0:39:10 | |
but how much is he willing to pay? | 0:39:10 | 0:39:13 | |
I could make you a bid and I don't think I'm going to buy it. | 0:39:14 | 0:39:17 | |
-Do you want me to make a bid? -You can, yes, if you like. | 0:39:17 | 0:39:19 | |
OK, I'd have a go at 40 quid. This is not going to be a flyer. | 0:39:19 | 0:39:24 | |
No-one can criticise it for being anything other | 0:39:24 | 0:39:26 | |
than fantastic quality and drop-dead gorgeous, | 0:39:26 | 0:39:28 | |
it's not going to make 200 quid, is it? | 0:39:28 | 0:39:30 | |
50 might buy it. Seeing it's you. | 0:39:30 | 0:39:33 | |
It's got to be 40. | 0:39:33 | 0:39:35 | |
I know I'm being hard, I know I am. | 0:39:35 | 0:39:37 | |
45. | 0:39:37 | 0:39:38 | |
-There might be a trickle of profit. -You'll make a profit on that. | 0:39:39 | 0:39:43 | |
-Do you think I will? -You will. -There's a trickle there. | 0:39:43 | 0:39:46 | |
He doesn't seem bowled over with this purchase, | 0:39:46 | 0:39:50 | |
but he's now got three items under his belt. | 0:39:50 | 0:39:53 | |
Together again briefly, the boys | 0:39:53 | 0:39:55 | |
are driving across Durham towards a taste of the Orient. | 0:39:55 | 0:39:59 | |
Oh, gosh, that was a quick arrival! | 0:39:59 | 0:40:01 | |
That was braking, that. | 0:40:01 | 0:40:04 | |
Well, see you later, darling. See you in Darlington later. | 0:40:04 | 0:40:09 | |
-What are we turning into? This is really worrying. -Enjoy, brother! | 0:40:09 | 0:40:12 | |
See you, have a good day. | 0:40:12 | 0:40:13 | |
It's onward for Paul, but as an Oriental enthusiast, David | 0:40:13 | 0:40:20 | |
is in for the treat of the trip at Durham University's Oriental Museum. | 0:40:20 | 0:40:24 | |
And one of the greatest collections of Chinese | 0:40:29 | 0:40:31 | |
antiques in the country is watched over by curator Craig Barclay. | 0:40:31 | 0:40:36 | |
-David Harper. Nice to meet you, Craig. -Welcome to the Oriental Museum. | 0:40:36 | 0:40:40 | |
Honestly, I can't begin to tell you what it's like for me to be here. | 0:40:40 | 0:40:44 | |
This is just... This is a snapshot of heaven. | 0:40:44 | 0:40:47 | |
This slice of heaven owes its existence to British politician | 0:40:50 | 0:40:54 | |
and diplomat Malcolm MacDonald. | 0:40:54 | 0:40:57 | |
The son of former Prime Minister Ramsay MacDonald, | 0:40:57 | 0:41:00 | |
Malcolm was himself a member of the Cabinet before taking up imperial | 0:41:00 | 0:41:04 | |
posts, and later was appointed Chancellor of Durham University. | 0:41:04 | 0:41:08 | |
Passionate about education and antiques, Malcolm started | 0:41:14 | 0:41:18 | |
donating his extensive collection to the university in the 1950s. | 0:41:18 | 0:41:22 | |
And David has been given permission to handle the first item | 0:41:22 | 0:41:26 | |
he acquired, a ceramic Ming Dynasty lion dog. | 0:41:26 | 0:41:29 | |
I suppose the reason I like it is because it represents the beginning of a collector's journey. | 0:41:29 | 0:41:36 | |
It is not an expensive object at all. | 0:41:36 | 0:41:38 | |
They made these in the thousands of them, millions over many years. | 0:41:38 | 0:41:41 | |
-But it is still gorgeous. -It's still gorgeous, yes. | 0:41:41 | 0:41:45 | |
Mmm, almost want to kiss it. Is that really wrong? | 0:41:45 | 0:41:48 | |
-I'm afraid that would be a step too far. -It probably would be. | 0:41:48 | 0:41:51 | |
I won't do that! But let me just have one last stroke. | 0:41:51 | 0:41:54 | |
Malcolm's legacy lies not only in this impressive collection, | 0:41:54 | 0:41:58 | |
but also in his central role in the decolonisation | 0:41:58 | 0:42:01 | |
of the British Empire and the shaping of the Commonwealth. | 0:42:01 | 0:42:05 | |
But he was no ordinary diplomat. | 0:42:06 | 0:42:09 | |
He made a very, very good friend. | 0:42:09 | 0:42:12 | |
And the friend that he made was a man in Sarawak by the name of Temenggong Koh. | 0:42:12 | 0:42:16 | |
And Temenggong Koh was a collector. He collected two things. | 0:42:16 | 0:42:22 | |
He collected Chinese porcelain, | 0:42:22 | 0:42:25 | |
but also, as the chief of the Iban tribe, he collected heads. | 0:42:25 | 0:42:30 | |
His close relationship with Koh led to an unconventional gift | 0:42:32 | 0:42:36 | |
that now forms part of the museum's collection. | 0:42:36 | 0:42:39 | |
-This is Temenggong Koh's actual sword. -This is the head-taker? | 0:42:41 | 0:42:46 | |
-This is the head-taker. -Oh, gosh. | 0:42:46 | 0:42:49 | |
Now a historic museum piece, | 0:42:49 | 0:42:51 | |
these two enthusiasts are taking a closer look. | 0:42:51 | 0:42:54 | |
We have got the human hair, then we've got the bone handle, profusely carved. | 0:42:54 | 0:42:59 | |
I have a feeling that that is a piece of furniture. | 0:42:59 | 0:43:02 | |
This is recycling, here. | 0:43:02 | 0:43:04 | |
And then just before the blade, the little protector here, | 0:43:04 | 0:43:08 | |
that to me is... | 0:43:08 | 0:43:10 | |
It's a coin. | 0:43:10 | 0:43:11 | |
I will confess that I had always looked at it as simply | 0:43:11 | 0:43:14 | |
being a copper alloy ring, but as you say, if you look at it really | 0:43:14 | 0:43:19 | |
closely, you can see there are letters on that copper alloy ring. | 0:43:19 | 0:43:22 | |
And, yeah, you're absolutely right, it's a coin. | 0:43:22 | 0:43:24 | |
That's brilliant. It couldn't get any better, could it? | 0:43:24 | 0:43:26 | |
-It's made my day. -It's made my day. My gosh! -Thank you for that. | 0:43:26 | 0:43:30 | |
Thank you, marvellous! | 0:43:30 | 0:43:31 | |
Another giant leap in knowledge, and all thanks to our David. | 0:43:32 | 0:43:36 | |
Meanwhile, back in the Triumph, Paul is making his way to Coxhoe in County Durham. | 0:43:40 | 0:43:44 | |
With a history that goes back as far as the Bronze Age, the | 0:43:46 | 0:43:49 | |
present village grew up with mining in the 18th and 19th centuries. | 0:43:49 | 0:43:53 | |
So, can Paul dig deep and find yet another gem in Nursery Antiques? | 0:43:56 | 0:44:01 | |
Hello there! | 0:44:01 | 0:44:03 | |
-Ah, morning, Paul. -Hi, I'm Paul. -Pleased to meet you. | 0:44:03 | 0:44:05 | |
-Good to see you. You are? -Len. -Len, what a pleasure. -Thank you. | 0:44:05 | 0:44:08 | |
-May I have a wee wander round? -You certainly can. | 0:44:08 | 0:44:11 | |
If you want any help, just give me a shout. | 0:44:11 | 0:44:13 | |
With six items to his name already, the pressure's off, | 0:44:15 | 0:44:18 | |
unless something else can tempt him. | 0:44:18 | 0:44:20 | |
If it's not expensive, and I suspect it's not going to be, | 0:44:23 | 0:44:26 | |
sitting down there, that wee tea set doesn't have a price on it. | 0:44:26 | 0:44:29 | |
Right. I mean, I could do that for, what, £12. | 0:44:29 | 0:44:33 | |
I'm glad you're in the right ballpark. | 0:44:35 | 0:44:37 | |
He's interested in this 19th century doll's tea set. | 0:44:37 | 0:44:40 | |
A wee bit more than... To be honest with you, it's no' money. | 0:44:41 | 0:44:44 | |
-Can I just bid you... -Yeah, sure. -..parting shot... | 0:44:44 | 0:44:48 | |
a fiver? | 0:44:48 | 0:44:49 | |
Um, eight and it's yours. | 0:44:50 | 0:44:53 | |
That's a deal then. | 0:44:54 | 0:44:56 | |
-Thank you very much indeed. -Sweet. | 0:44:56 | 0:44:58 | |
It may be for dolls, but he is not playing around, | 0:44:58 | 0:45:00 | |
and has added the tea set to his bulging bundle of antiques. | 0:45:00 | 0:45:04 | |
And back on the road, | 0:45:06 | 0:45:08 | |
Paul is only too well aware of his shopping excess. | 0:45:08 | 0:45:12 | |
-Maniac! -You are a maniac, all right. | 0:45:12 | 0:45:14 | |
Can you do me a favour and just come with me and punch me | 0:45:14 | 0:45:19 | |
-when I pick things up? -Oh, would you mind? | 0:45:19 | 0:45:21 | |
I've been dreaming about that for the last couple of days! | 0:45:21 | 0:45:23 | |
Oh, you silly boys! At least they're still laughing. | 0:45:23 | 0:45:26 | |
They are now heading to Darlington. | 0:45:27 | 0:45:30 | |
With the historic market town at its centre, Darlington is | 0:45:31 | 0:45:34 | |
famed for being the terminus of the world's first passenger railway. | 0:45:34 | 0:45:38 | |
-There you go, welcome to sunny Darlington. -Sunny indeed. | 0:45:40 | 0:45:43 | |
It's absolutely fabulous. | 0:45:43 | 0:45:45 | |
-Paul, good luck. All the best. -All the best! I'll see you soon, yeah? | 0:45:45 | 0:45:49 | |
-I'll see you later. -Last shop of the day. -OK, cheerio. | 0:45:49 | 0:45:52 | |
Paul's final chance to buy is Blackwell Antiques & Curios. | 0:45:52 | 0:45:55 | |
-Hello. -Paul. -How are you doing? -How are we doing? | 0:45:56 | 0:45:59 | |
-Gordon, pleased to meet you. -Pleased to meet you. -A fellow Scotsman. | 0:45:59 | 0:46:02 | |
-May I have a wee look around... -Please do. -..and see if we can...? | 0:46:02 | 0:46:05 | |
I will leave you to your devices and we will be over here. | 0:46:05 | 0:46:08 | |
Meanwhile, David's last shop is in what was a house for rail workers. | 0:46:08 | 0:46:13 | |
-Tony. -Hello, young David. -Well... | 0:46:13 | 0:46:16 | |
It is now owned by Tony, who started his career in the railways | 0:46:16 | 0:46:19 | |
before becoming an artist and moving into antiques. | 0:46:19 | 0:46:22 | |
I'm looking for general sale stuff, but something a bit sort of quirky. | 0:46:22 | 0:46:28 | |
Here we go, that's a bit quirky. | 0:46:28 | 0:46:30 | |
That's... I mean, that's absolutely superb. | 0:46:30 | 0:46:33 | |
That is a cigarette box made out of Bakelite. | 0:46:33 | 0:46:37 | |
It's bang on Art Deco, circa 1930. | 0:46:37 | 0:46:39 | |
It could just be... | 0:46:39 | 0:46:41 | |
-It could be made into a jewellery box, but it's got the look. -Yeah. | 0:46:41 | 0:46:45 | |
It's also got a ticket price of £30. | 0:46:45 | 0:46:48 | |
I'd love to pay £10 for it. | 0:46:48 | 0:46:50 | |
TONY LAUGHS | 0:46:50 | 0:46:52 | |
-What happened then? -How many Gs in jugular?! | 0:46:52 | 0:46:56 | |
-Yeah, that one sure packed a punch. -I tell you what we'll do. | 0:46:57 | 0:47:02 | |
Do it for £15. Go on. | 0:47:02 | 0:47:05 | |
You don't fancy having a bit of a gamble, do you? | 0:47:05 | 0:47:07 | |
-David, I've lost ten in a row! -You haven't? You've lost ten spins? | 0:47:07 | 0:47:11 | |
-I've lost ten in a row. -Let's have another go. | 0:47:11 | 0:47:14 | |
Huh! Any excuse to flip a coin, eh, David? | 0:47:14 | 0:47:17 | |
-You can call. Call. -Heads. | 0:47:17 | 0:47:20 | |
Tony, has your bad luck broken? | 0:47:20 | 0:47:24 | |
-Tony, it hasn't. -Eh?! -It's tails. | 0:47:26 | 0:47:29 | |
Turn it round. Oh, Tony. Oh! | 0:47:31 | 0:47:35 | |
# Don't cry for me Argentina... # | 0:47:37 | 0:47:41 | |
I didn't know you had it in you, Harper! | 0:47:41 | 0:47:44 | |
-OK, let me give you some money for that. -Right. | 0:47:44 | 0:47:46 | |
-And then I'll continue looking, cos you never know. -OK, David. Yes. | 0:47:46 | 0:47:49 | |
All right, leave that there, that's mine. | 0:47:49 | 0:47:52 | |
David's got one item and counting, but Paul is struggling. | 0:47:52 | 0:47:55 | |
With the profitable claret jug on his side, | 0:47:57 | 0:47:59 | |
not even militaria can tempt him to part with more cash. | 0:47:59 | 0:48:03 | |
I'm afraid it's going to be a flying visit, my friend. | 0:48:05 | 0:48:08 | |
That's all right, that's all right. | 0:48:08 | 0:48:10 | |
Although you should know, | 0:48:10 | 0:48:12 | |
I have bought more things than sense would dictate already! | 0:48:12 | 0:48:18 | |
Laidlaw is out of the game, | 0:48:19 | 0:48:21 | |
but David's warming up with these brass sovereign scales. | 0:48:21 | 0:48:24 | |
Right, this little object was absolutely vital to anybody | 0:48:24 | 0:48:29 | |
that dealt in gold but also that used gold to purchase, | 0:48:29 | 0:48:33 | |
because, there's your half sovereign and your full sovereign. | 0:48:33 | 0:48:36 | |
They have to weigh a certain weight. A real necessity. | 0:48:36 | 0:48:39 | |
Ticket price is £38. Now, Harper, go easy! | 0:48:39 | 0:48:43 | |
-Some investor will love those. -They would. | 0:48:45 | 0:48:47 | |
-Especially if I paid a tenner and they paid 20. -No. | 0:48:47 | 0:48:51 | |
-No. -That would be a winner. -No, no. -No? -No. -No. -No. | 0:48:51 | 0:48:54 | |
-No. -They are just not easy to find. | 0:48:54 | 0:48:57 | |
After carefully weighing it up, the scales go back in the cabinet. | 0:48:57 | 0:49:02 | |
-I can half them for you and we can say £19... -Can't do it. | 0:49:02 | 0:49:07 | |
-Honestly, I can't. -This is the real world, unfortunately. | 0:49:07 | 0:49:11 | |
Oh, I don't like the real world! | 0:49:11 | 0:49:14 | |
Like it or not, David, your tenner's going nowhere. | 0:49:14 | 0:49:17 | |
How about if we go 12 on the scales? | 0:49:17 | 0:49:21 | |
-What do you reckon? -That was the... That's... | 0:49:21 | 0:49:24 | |
You shouldn't be eating butter! | 0:49:24 | 0:49:26 | |
HE LAUGHS | 0:49:26 | 0:49:27 | |
What do we reckon? | 0:49:27 | 0:49:29 | |
-13. -Done. -Right, go on. -Thank you very much. -At last. | 0:49:33 | 0:49:38 | |
The scales have tipped for David and he's walking away with two items. | 0:49:38 | 0:49:43 | |
David spent £113 and is offering up five lots, comprising... | 0:49:43 | 0:49:47 | |
a mahogany money box, | 0:49:47 | 0:49:49 | |
two tubas, | 0:49:49 | 0:49:50 | |
a silver tatsa, an art deco cigarette box, | 0:49:50 | 0:49:53 | |
and a set of brass sovereign scales. | 0:49:53 | 0:49:56 | |
Paul is also presenting five lots, | 0:49:57 | 0:49:59 | |
but at a total cost of £158 | 0:49:59 | 0:50:02 | |
for a silver snuff box, two Victorian transfer printed pots, | 0:50:02 | 0:50:05 | |
combined with the tea set, | 0:50:05 | 0:50:07 | |
First World War British Army binoculars, | 0:50:07 | 0:50:10 | |
a silver and glass claret jug | 0:50:10 | 0:50:12 | |
and an oak whip stand and riding crop. | 0:50:12 | 0:50:16 | |
But what do our experts have to say for themselves? | 0:50:16 | 0:50:19 | |
First auction, I thought I'd got it. I really did. I thought my pieces were better. | 0:50:19 | 0:50:22 | |
But, you know, you've got to believe in your own stuff. | 0:50:22 | 0:50:25 | |
And I've got to tell you, I think, | 0:50:25 | 0:50:27 | |
take out the claret jug of Paul's, destroy that, I'd get him. | 0:50:27 | 0:50:32 | |
Introduce the claret jug, I think if it is going to go Paul's way, | 0:50:32 | 0:50:35 | |
he's got to kill me with claret. | 0:50:35 | 0:50:36 | |
At the risk of jinxing the whole affair... | 0:50:36 | 0:50:40 | |
um, I should win that auction. | 0:50:40 | 0:50:42 | |
The claret jug should do 250 to 350. | 0:50:42 | 0:50:45 | |
There you go, I said it! | 0:50:47 | 0:50:49 | |
Yes, you did! Onwards to auction, fellas, where all will be revealed. | 0:50:51 | 0:50:55 | |
Paul, I have got a prediction for today. | 0:50:56 | 0:50:58 | |
I predict that I am going to be beaten up...by a claret jug. | 0:50:58 | 0:51:03 | |
The new Cluedo - Professor Laidlaw, | 0:51:03 | 0:51:04 | |
with a claret jug, in the auction room. | 0:51:04 | 0:51:07 | |
THEY LAUGH | 0:51:07 | 0:51:08 | |
They are heading to the North Yorkshire town of Northallerton. | 0:51:08 | 0:51:12 | |
Granted a market town status by Royal Charter over 800 years | 0:51:14 | 0:51:18 | |
ago, trading is still an important part of life in Northallerton. | 0:51:18 | 0:51:22 | |
And our experts will be trying their luck in today's general | 0:51:23 | 0:51:26 | |
sale at Northallerton Auctions, held in the cattle market. | 0:51:26 | 0:51:30 | |
Looks rather nice. I hope we don't leave with a couple of cows, Paul. | 0:51:32 | 0:51:35 | |
Look at those pens! | 0:51:35 | 0:51:36 | |
While the boys get in amongst the pens, auctioneer Timothy - | 0:51:36 | 0:51:40 | |
great name - Pennington talks shop. | 0:51:40 | 0:51:44 | |
We're starting with David's musical piece of plumbing. | 0:51:44 | 0:51:48 | |
-Ten bid, at £10 bid... -Ohh, paid 40. -15, 20... | 0:51:48 | 0:51:53 | |
Taking big bid increments. | 0:51:53 | 0:51:54 | |
-30, 30 bid, five... -Come on, you're getting there. | 0:51:54 | 0:51:57 | |
-Try eight, madam. -Go on! -At £35, bid at 35... -No, no! -38, is it? | 0:51:57 | 0:52:01 | |
-Going to sell at 35... -No, no! | 0:52:01 | 0:52:03 | |
GAVEL BANGS | 0:52:03 | 0:52:05 | |
It has hit a bum note with a £5 loss. | 0:52:05 | 0:52:09 | |
Why didn't you bid on those? | 0:52:09 | 0:52:12 | |
Yeah, what's your problem?! | 0:52:12 | 0:52:13 | |
That's no way to behave! Maybe Paul can whip him into shape. | 0:52:15 | 0:52:19 | |
At £10, bid at ten, for the good crop stand. | 0:52:20 | 0:52:24 | |
-15, 20, 20 against you... -No, it's not going to make 20 quid. | 0:52:24 | 0:52:28 | |
-It can't make 20 quid. -25, 30... 30 bid out at the top now. | 0:52:28 | 0:52:33 | |
-Come on, bid. -OK... -I'll give you a couple of quid. | 0:52:33 | 0:52:36 | |
Oh, sorry, Paul, I just missed that, mate! Sorry about that(!) | 0:52:36 | 0:52:39 | |
Ha! The friendship's going to pot, as is their cash, with another loss. | 0:52:39 | 0:52:44 | |
Good job you didn't bid on that one anyway. Well done. | 0:52:45 | 0:52:48 | |
That was a good decision. | 0:52:48 | 0:52:49 | |
Paul's militaria did him proud at the last auction. | 0:52:50 | 0:52:54 | |
Can he do it again? | 0:52:54 | 0:52:56 | |
Ten bid. Little money at ten bid. | 0:52:56 | 0:52:58 | |
-12, 15, 18, 20... -Here we go. -22. -Oh! -22, try another one. | 0:52:58 | 0:53:05 | |
22, 22 bid and selling at 22... | 0:53:05 | 0:53:08 | |
GAVEL BANGS | 0:53:08 | 0:53:09 | |
It's bombed, as all but 4p of that profit | 0:53:09 | 0:53:12 | |
will be eaten up by auction house costs. | 0:53:12 | 0:53:16 | |
At least you've made a bit of profit on paper. | 0:53:16 | 0:53:18 | |
You're the first one today to make a profit on paper! | 0:53:18 | 0:53:21 | |
Can David's next piece help balance the books? | 0:53:21 | 0:53:25 | |
-Five bid... -Oh, here we go. | 0:53:25 | 0:53:27 | |
-Eight, ten, ten against you. -..Bid there. | 0:53:27 | 0:53:30 | |
-Come on. Any more? -At ten bid, 12... -No, go on! | 0:53:30 | 0:53:34 | |
All finished then at £12... | 0:53:34 | 0:53:37 | |
No more gold sovereigns for you, I'm afraid, David. | 0:53:38 | 0:53:41 | |
I wouldn't say there's a feverish atmosphere in the salesroom. | 0:53:41 | 0:53:45 | |
For the next lot, Paul has combined his Victorian pots | 0:53:46 | 0:53:50 | |
and lids with his doll's tea set. | 0:53:50 | 0:53:52 | |
£10 straight in. Ten bid. | 0:53:54 | 0:53:56 | |
At £10 bid, at ten bid... | 0:53:56 | 0:53:58 | |
12, 14, 16... | 0:53:58 | 0:54:00 | |
All out in the ring now. | 0:54:00 | 0:54:02 | |
18, 20, 20 bid. At 20 bid up top now. | 0:54:02 | 0:54:07 | |
At 20 bid, at 20 bid and selling at £20... | 0:54:07 | 0:54:10 | |
GAVEL BANGS | 0:54:10 | 0:54:12 | |
It's a £2 profit, but after costs, he'll have made a loss. | 0:54:12 | 0:54:17 | |
-Did you buy that? -Yes! -But it wasn't mine! | 0:54:17 | 0:54:20 | |
-It was his. You can send them back, you know. -It was nice. | 0:54:20 | 0:54:22 | |
-Behave, Harper! Your Bakelite box is up next. -Five bid. | 0:54:22 | 0:54:28 | |
-At £5 bid... -Go on, go on. -All out, take seven. | 0:54:28 | 0:54:32 | |
Seven, nine, 11, 13, 15, 18... | 0:54:32 | 0:54:37 | |
-18 with me, at £18... -Go on, go on, go on! | 0:54:37 | 0:54:41 | |
-20, 20 against you. 21, is it, madam? -Go on! | 0:54:41 | 0:54:45 | |
20 bid and selling at 20... | 0:54:45 | 0:54:49 | |
Cor, things are looking up! He's just doubled his money. | 0:54:49 | 0:54:53 | |
That's 100%. There's nothing wrong with a 100% margin. | 0:54:53 | 0:54:57 | |
Can his money box help pile up pennies? | 0:54:59 | 0:55:02 | |
Five bid, at £5 bid, at five, ten, 15... | 0:55:02 | 0:55:06 | |
-Well done, good taste. -..20, five, 30... | 0:55:06 | 0:55:09 | |
-All out in the ring now, at 30 I am bid. At 30 I am bid... -Is that you? | 0:55:09 | 0:55:15 | |
Are you all done and finished then at £30? | 0:55:15 | 0:55:18 | |
Harper's pulling ahead in this auction, thanks to his new friend. | 0:55:19 | 0:55:23 | |
-It's a bargain. -I've got two of yours. -A beautiful thing. | 0:55:23 | 0:55:26 | |
Well done. You've got good taste. | 0:55:26 | 0:55:28 | |
Fibber. | 0:55:29 | 0:55:30 | |
Perhaps Paul can pull it back by flashing his silverware. | 0:55:30 | 0:55:34 | |
40 bid. At 40 bid. Five. | 0:55:34 | 0:55:36 | |
-Ooh. -And 50. Five. And 60. | 0:55:36 | 0:55:40 | |
-Five. And 70. -Oh, they like their silver. | 0:55:40 | 0:55:42 | |
-They like their silver. -Two. And five. 75 with me. | 0:55:42 | 0:55:46 | |
-They like their silver. -At £75 only bid. | 0:55:46 | 0:55:48 | |
At 75 bid, and selling at 75. | 0:55:48 | 0:55:51 | |
A sterling £45 profit puts Paul back in front. | 0:55:52 | 0:55:56 | |
Seriously, well done. | 0:55:56 | 0:55:58 | |
-Thank you. -Well done. -Well, you've got silver up next, haven't you? | 0:55:58 | 0:56:01 | |
Can David's silver offering follow suit? | 0:56:03 | 0:56:06 | |
-At 20 only bid. All out in the ring now. -It's a nice little thing, that. | 0:56:06 | 0:56:09 | |
-Five. 30. 35. 35 with me. -Come on! | 0:56:09 | 0:56:14 | |
-At 35. At 35. 40. -No, go on! -40 bid. I'll take two. | 0:56:14 | 0:56:19 | |
-At 40 only bid. At £40. -No! -40 bid against you. 42. | 0:56:19 | 0:56:22 | |
45. 45. | 0:56:22 | 0:56:25 | |
-It should be 90 quid! -48. | 0:56:25 | 0:56:27 | |
48, I'm bid. At 48 bid. I'm going to sell, then, at 48. | 0:56:27 | 0:56:32 | |
Unfortunately, David is yet again beaten by costs. | 0:56:33 | 0:56:38 | |
Oh! | 0:56:38 | 0:56:40 | |
Why didn't you bid on that one? That was a lovely... | 0:56:40 | 0:56:42 | |
PAUL LAUGHS | 0:56:42 | 0:56:43 | |
Have they saved the best for last? | 0:56:43 | 0:56:47 | |
It's the highly anticipated silver claret jug that Paul picked up | 0:56:47 | 0:56:51 | |
for a pittance. | 0:56:51 | 0:56:52 | |
-He's got nothing on the books. -£100 straight in. 100 bid. | 0:56:52 | 0:56:55 | |
-Mm. -£100 bid. 110. | 0:56:55 | 0:56:58 | |
It's already double what he paid. | 0:56:58 | 0:57:00 | |
-140. -Yeah. -150, 160. | 0:57:00 | 0:57:03 | |
All out in the ring, now. At 160 I'm bid. At 160 only bid. | 0:57:03 | 0:57:07 | |
-I'll take five - where? 165. At 165 all out in the ring now. -So cheap. | 0:57:07 | 0:57:12 | |
At 165 are you all done and finished, then, at 165? | 0:57:12 | 0:57:17 | |
Paul, congratulations. And I sincerely mean it. | 0:57:17 | 0:57:21 | |
PAUL LAUGHS | 0:57:21 | 0:57:24 | |
Argh! Argh! Argh! Argh! | 0:57:24 | 0:57:25 | |
Hand-crushing Harper knew it would wipe him out, | 0:57:25 | 0:57:29 | |
and it has, giving victory to Laidlaw once again. | 0:57:29 | 0:57:32 | |
David Harper started this leg with £208.70. | 0:57:34 | 0:57:38 | |
During this trip to auction, he made a profit of £5.90. | 0:57:38 | 0:57:42 | |
HE LAUGHS | 0:57:42 | 0:57:44 | |
Giving him £214.60 to carry forward. | 0:57:44 | 0:57:47 | |
Paul Laidlaw started with £271.56, and has racked up impressive | 0:57:50 | 0:57:54 | |
profits of £97.84 after auction costs, | 0:57:54 | 0:58:00 | |
giving him a very healthy £369.40 to flaunt on the next leg. | 0:58:00 | 0:58:06 | |
Well done. | 0:58:06 | 0:58:07 | |
So is it legal for me to swear at this point, or not? | 0:58:07 | 0:58:10 | |
You can swear but you can't touch the face. You can't hit me. | 0:58:10 | 0:58:13 | |
I can hit you there! | 0:58:13 | 0:58:14 | |
THEY LAUGH | 0:58:14 | 0:58:16 | |
Well done. | 0:58:16 | 0:58:17 | |
-Are you ready? -As ever! -Come on, then. | 0:58:17 | 0:58:21 | |
CAR REVS | 0:58:22 | 0:58:23 | |
-Look at that. -PAUL LAUGHS | 0:58:23 | 0:58:26 |