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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:04 | |
a classic car and a goal to scour Britain for antiques. | 0:00:04 | 0:00:10 | |
-Going, going, gone. -Yes! | 0:00:10 | 0:00:13 | |
-I'm loving that bird. -The aim - | 0:00:13 | 0:00:14 | |
-to make the biggest profit at auction, but it's no mean feat. -Yes! | 0:00:14 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:22 | |
Don't I look handsome? | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:27 | |
or the slow road to disaster? | 0:00:27 | 0:00:28 | |
I'm going now. | 0:00:28 | 0:00:31 | |
This is the Antiques Road Trip. | 0:00:31 | 0:00:33 | |
They may be zipping along the beautiful roads of Somerset | 0:00:39 | 0:00:42 | |
but there's a whiff of competition emanating from antiques experts | 0:00:42 | 0:00:46 | |
Charlie Ross and Thomas Plant. | 0:00:46 | 0:00:48 | |
Are you going to be gentle with me today? | 0:00:48 | 0:00:50 | |
I'm going to be so gentle with you, Thomas, | 0:00:50 | 0:00:52 | |
you won't even notice I'm here. | 0:00:52 | 0:00:53 | |
Charlie Ross is no slouch wielding the gavel. | 0:00:53 | 0:00:56 | |
He ran his own auction house for 25 years | 0:00:56 | 0:00:58 | |
and knows the business like the back of his hand. | 0:00:58 | 0:01:01 | |
One thing I can say is I'm now completely lost. | 0:01:01 | 0:01:04 | |
Thomas Plant is a Road Trip veteran. | 0:01:04 | 0:01:07 | |
With 20 years in the trade, he's a supreme judge of style and taste. | 0:01:07 | 0:01:12 | |
Could look like a pirate now, couldn't I? | 0:01:12 | 0:01:15 | |
Our experts started the week with £200 each | 0:01:15 | 0:01:18 | |
but one auction later, it's all change. | 0:01:18 | 0:01:21 | |
Are you all done? 100 falling. | 0:01:21 | 0:01:24 | |
# I'm in the money. # | 0:01:24 | 0:01:26 | |
Thomas made a small profit, so starts this leg with £225.08. | 0:01:27 | 0:01:33 | |
Charlie, however, had an exceptionally good sale, | 0:01:34 | 0:01:37 | |
giving him a healthy £295.20 to spend, spend, spend. | 0:01:37 | 0:01:41 | |
Our dapper chappies are heading off on the second leg of their voyage | 0:01:44 | 0:01:48 | |
in their trusty friend, a natty little 1971 Triumph Spitfire. | 0:01:48 | 0:01:52 | |
-Don't they look dashing, eh? | 0:01:52 | 0:01:54 | |
This week's Road Trip takes us over 400 miles from deepest Somerset | 0:01:54 | 0:01:58 | |
right up to Shropshire via North Wales, before looping back | 0:01:58 | 0:02:02 | |
down to finish at an auction and showdown in Bedford, Bedfordshire. | 0:02:02 | 0:02:06 | |
Today, we're starting our journey in Bath, Somerset, | 0:02:06 | 0:02:09 | |
then heading north via Kingswood in Bristol to the charming Cotswolds, | 0:02:09 | 0:02:13 | |
and finally onto an auction in Stroud, Gloucestershire. | 0:02:13 | 0:02:17 | |
And we're firmly on Thomas' patch. | 0:02:17 | 0:02:20 | |
He's cut his teeth in the antiques trade in Bath | 0:02:20 | 0:02:23 | |
and members of his family are still in the business here. | 0:02:23 | 0:02:26 | |
So, today, we're going into Bath, you're going to meet Caroline, | 0:02:26 | 0:02:29 | |
my aunt. She's lovely. It will be an experience. | 0:02:29 | 0:02:33 | |
Not long before we find out. | 0:02:33 | 0:02:35 | |
Ah! The beautiful Georgian city of Bath and the jewel in its crown, | 0:02:36 | 0:02:40 | |
the world-famous Royal Crescent, built in the late 1760s. | 0:02:40 | 0:02:44 | |
I can't wait to meet your aunt. | 0:02:46 | 0:02:48 | |
If she's anything like you, I'm in trouble. | 0:02:48 | 0:02:51 | |
I hope she doesn't give you a good deal. Come on. | 0:02:51 | 0:02:53 | |
Auntie Caroline runs her shop in an old grocery store which is | 0:02:54 | 0:02:57 | |
now home to cats Heidi and Siki and a smorgasbord of antiques, | 0:02:57 | 0:03:02 | |
and this must be... Caroline the kisser. | 0:03:02 | 0:03:05 | |
Lovely to see you, Caroline. | 0:03:05 | 0:03:07 | |
-This is my good friend, Charlie. -Caroline, lovely to meet you. Mwah! | 0:03:07 | 0:03:11 | |
-Charmer. -Look after him. -I will. | 0:03:11 | 0:03:15 | |
Please, don't give him too much of a good deal. | 0:03:15 | 0:03:18 | |
-Look, I'm running a business here. -I know you are, I know you are. | 0:03:18 | 0:03:22 | |
-Oh, that means everything must go. -Including you, Thomas. Off you pop. | 0:03:22 | 0:03:27 | |
Now, what's this Caroline is slipping out of the cabinet? | 0:03:27 | 0:03:30 | |
I bet you've never seen one of these. | 0:03:30 | 0:03:33 | |
It's a bar of soap! | 0:03:35 | 0:03:36 | |
-1937. -Mmm. | 0:03:36 | 0:03:39 | |
-It's a Coronation bar of soap. -Yes. -And it's never been used. -Yes. | 0:03:39 | 0:03:43 | |
Isn't that extraordinary? What a priceless object. | 0:03:43 | 0:03:46 | |
-That's what I thought. -Yes. | 0:03:46 | 0:03:49 | |
Marvellous. How much is it? | 0:03:49 | 0:03:51 | |
-I could do it for £12. -Could you? | 0:03:51 | 0:03:54 | |
Not sure Charlie's in a lather over that one yet. Still, moving on. | 0:03:54 | 0:03:58 | |
Hang on, hold on. Hold...on. | 0:03:58 | 0:04:01 | |
That's a little bit damaged. | 0:04:03 | 0:04:04 | |
It's not damaged, it's completely and utterly knackered. | 0:04:04 | 0:04:07 | |
SHE LAUGHS | 0:04:07 | 0:04:10 | |
Well, that bit... | 0:04:10 | 0:04:11 | |
I think to say this is damaged is the understatement of the year. | 0:04:11 | 0:04:15 | |
This Regency desk stand would have been made in the early 19th century | 0:04:15 | 0:04:20 | |
when George IV was acting as Prince Regent. | 0:04:20 | 0:04:23 | |
It would once have held two glass inkwells | 0:04:23 | 0:04:26 | |
and a space for wafers, but sadly, this one is now showing its age. | 0:04:26 | 0:04:30 | |
It's clapped out. | 0:04:30 | 0:04:31 | |
I notice there's no price on this either. | 0:04:31 | 0:04:33 | |
Well, I didn't really want to sell it. | 0:04:33 | 0:04:35 | |
-Oh, didn't you? -Cos it's so nice. | 0:04:35 | 0:04:37 | |
Didn't want to sell it because it's so nice. | 0:04:39 | 0:04:42 | |
Caroline, look me in the eye and say that again. | 0:04:42 | 0:04:45 | |
I could do it for £40. | 0:04:46 | 0:04:49 | |
I think that is the nicest thing in your shop, | 0:04:50 | 0:04:52 | |
without a shadow of a doubt. It's absolutely beautiful workmanship. | 0:04:52 | 0:04:57 | |
Caroline, I'm going to ask you a straightforward question here. | 0:04:57 | 0:05:01 | |
-You can say yes or no. -No! -Right, let's move on. No, no, no. | 0:05:01 | 0:05:05 | |
-You've said no. -Go on. -I was going to say would you take £20 for that? | 0:05:05 | 0:05:09 | |
-No. -No, fine. You've just got to try. | 0:05:09 | 0:05:12 | |
I think at £20 it might make 25 at auction. | 0:05:12 | 0:05:14 | |
I'm sure. | 0:05:14 | 0:05:16 | |
But I can't do it for 20, Charlie, I'm sorry. | 0:05:16 | 0:05:19 | |
Charlie, I knew you were in for trouble here. | 0:05:19 | 0:05:22 | |
So that's still no deal for either the soap or the desk stand. | 0:05:22 | 0:05:26 | |
I would never be forgiven by Thomas | 0:05:26 | 0:05:27 | |
if I walked out of here without buying something, so... | 0:05:27 | 0:05:31 | |
I wonder how he's getting on down at the other place. | 0:05:31 | 0:05:34 | |
Probably famously. | 0:05:34 | 0:05:36 | |
Yes, how is the incorrigible nephew getting on? | 0:05:38 | 0:05:42 | |
He's down the road at the Old Bank Antiques Centre, where, | 0:05:42 | 0:05:45 | |
-of course, he knows the owner Alex. -So nice to see you again. | 0:05:45 | 0:05:49 | |
-Nice to see you, too. -We go back some way. -Yes, a very long way. | 0:05:49 | 0:05:53 | |
Now, surely there must be something sweet here to tempt our expert? | 0:05:53 | 0:05:58 | |
That's just fabulous, isn't it? Isn't that wonderful? | 0:05:58 | 0:06:01 | |
Sadly, we do not have the key for it. | 0:06:01 | 0:06:03 | |
So what would you do? You'd put your bubble gum in there? | 0:06:03 | 0:06:06 | |
-Put your coin in there. -Coin in there. | 0:06:06 | 0:06:09 | |
-And you never see either again. -And it's an original one, isn't it? | 0:06:09 | 0:06:12 | |
-Yes, a lovely thing. -1950s. Can that be very cheap? -What's on it? -55. | 0:06:12 | 0:06:18 | |
-How about 35? -I was more thinking 20! | 0:06:19 | 0:06:22 | |
-But... -Well, I'll ask about that. | 0:06:24 | 0:06:26 | |
-Do you mind? -Yes. -That's a great fun thing. | 0:06:26 | 0:06:28 | |
It's a great fun thing, but as you say, | 0:06:28 | 0:06:29 | |
-you can't get into it! -Can't get it open! | 0:06:29 | 0:06:31 | |
Alex needs to check the price with his partner. | 0:06:31 | 0:06:35 | |
Just every schoolboy | 0:06:35 | 0:06:37 | |
and schoolgirl's absolute dream to be able to come home, | 0:06:37 | 0:06:40 | |
put their little penny in, | 0:06:40 | 0:06:42 | |
turn the knob and out comes a load of sweeties. | 0:06:42 | 0:06:45 | |
It's just fantastic. | 0:06:45 | 0:06:47 | |
-He wasn't all that pleased at £20. -No, I bet he wasn't. -How about 25? | 0:06:47 | 0:06:51 | |
Perfect. That is a deal. I would very much like to buy that. | 0:06:51 | 0:06:55 | |
Well done, Thomas. First purchase of the day. Now the boy's on a roll. | 0:06:56 | 0:07:01 | |
Look at that. This is a piece of Art Nouveau. | 0:07:01 | 0:07:05 | |
Just going to move it over here because, | 0:07:05 | 0:07:08 | |
you know, my strength is slightly going. | 0:07:08 | 0:07:11 | |
So an Art Nouveau copper coal or log bin. | 0:07:11 | 0:07:13 | |
It will come up beautifully. | 0:07:13 | 0:07:15 | |
Look at these fantastic stylised flower heads here. | 0:07:15 | 0:07:19 | |
You've got these pretty, pretty hearts on the domed lid, | 0:07:19 | 0:07:23 | |
and it's been planished, which is hammer beaten. | 0:07:23 | 0:07:26 | |
-It's a good thing. -Ah, you've found our hidden treasure. -Yes. | 0:07:26 | 0:07:30 | |
It's got 85 on it. | 0:07:30 | 0:07:32 | |
-D'you think they'd take 60? -Probably not, actually. -No. -Probably not. | 0:07:32 | 0:07:36 | |
-Five, 65? -Go on then, 65. | 0:07:36 | 0:07:38 | |
-Yeah? -Yes. -Is that all right? You won't get in too much trouble? | 0:07:38 | 0:07:42 | |
Oh, I'm sure I'll get my arm broken. | 0:07:42 | 0:07:44 | |
-Shake my hand before my arm gets broken. -Don't want that to happen. | 0:07:44 | 0:07:48 | |
Nice work from the nifty nephew. | 0:07:48 | 0:07:50 | |
One coal bin and one bubble gum dispensing machine for a smart £90. | 0:07:50 | 0:07:55 | |
But still no deal for Charlie over at Auntie Caroline's, | 0:07:57 | 0:08:00 | |
unless she can tempt him with something else. Stand-by. | 0:08:00 | 0:08:04 | |
How about this little collection of napkin rings? Knives and forks. | 0:08:04 | 0:08:09 | |
-What absurd things! Aren't they rather jolly? -Mm. | 0:08:09 | 0:08:13 | |
-How much are those? -They're £40. | 0:08:13 | 0:08:16 | |
They're polishing up a treat. | 0:08:16 | 0:08:19 | |
-Would you do those for 20 quid? -I... -Give you 20 quid for those. | 0:08:19 | 0:08:24 | |
-Watch my eyes... -25. | 0:08:24 | 0:08:28 | |
-25? -Yup. | 0:08:28 | 0:08:29 | |
-Sold. -Good job you caught... Oh! | 0:08:31 | 0:08:34 | |
-I'm disappointed you don't need the soap. -How much was the soap? -12. | 0:08:34 | 0:08:40 | |
-What were they? 25? -Mm. | 0:08:40 | 0:08:42 | |
Can I chuck that in there, make it 35? | 0:08:42 | 0:08:45 | |
-All right then. -Thank you. | 0:08:45 | 0:08:48 | |
Crikey, A deal at last, but he's determined | 0:08:48 | 0:08:50 | |
not to give up on that desk stand. | 0:08:50 | 0:08:52 | |
You're not going to sell me the stand for 25? | 0:08:52 | 0:08:54 | |
-I can try one last time. -We could toss for either 25 or 30. | 0:08:54 | 0:08:59 | |
So, if Charlie wins, he gets the desk stand for £25. | 0:08:59 | 0:09:03 | |
If Caroline wins, it's £30. Stand by your beds now. | 0:09:03 | 0:09:07 | |
-Right. -Right. | 0:09:07 | 0:09:10 | |
-Tails. -You know what they say - tails never fails. -Really? | 0:09:10 | 0:09:15 | |
-But on this occasion it has. -Oh! | 0:09:15 | 0:09:19 | |
-Ha-ha! -Zounds! -Get me that dish. | 0:09:19 | 0:09:23 | |
Ooh! Lady Luck is on your side today, Charlie. | 0:09:23 | 0:09:26 | |
So he gets his wicked way with the desk stand, | 0:09:26 | 0:09:30 | |
along with a 1937 bar of soap | 0:09:30 | 0:09:33 | |
and a set of napkin rings from the lovely Caroline, all for £60. | 0:09:33 | 0:09:37 | |
-How's that? -There we are. | 0:09:37 | 0:09:38 | |
On the quest for even more lucky finds, Sir Roscoe | 0:09:38 | 0:09:43 | |
has travelled 11 miles north-west to Kingswood in Bristol. | 0:09:43 | 0:09:47 | |
He's come to Odds And Todds to see if he can sniff out a deal. | 0:09:47 | 0:09:51 | |
On hand to assist is Jay. Watch out. | 0:09:51 | 0:09:53 | |
-Hi, nice to see you. Charlie's the name. -OK. | 0:09:53 | 0:09:57 | |
What an enormous emporium you have here. | 0:09:57 | 0:09:59 | |
-Any antiques amongst this lot? -There is probably a few here and there. | 0:09:59 | 0:10:03 | |
Right, eyes peeled, Charlie. | 0:10:04 | 0:10:06 | |
Surely you can find your way through this lot. | 0:10:06 | 0:10:09 | |
Crikey! It's like a maze. | 0:10:09 | 0:10:13 | |
I've been there. | 0:10:13 | 0:10:14 | |
The front's this way. Ah! | 0:10:16 | 0:10:19 | |
Downstairs. | 0:10:19 | 0:10:21 | |
I need something old or quirky. | 0:10:21 | 0:10:24 | |
Yes, I can spot one right there. | 0:10:24 | 0:10:27 | |
-God! -Steady. | 0:10:27 | 0:10:30 | |
Mind the step. | 0:10:30 | 0:10:32 | |
This isn't easy. This is not easy. | 0:10:32 | 0:10:34 | |
Ah. There IS a way out. Ooh, God. | 0:10:34 | 0:10:39 | |
Oops-a-daisy! Now, talking of Daisy... | 0:10:39 | 0:10:42 | |
-Oh, look. Love your farm set. Isn't that fantastic? -Yeah. -Gosh! | 0:10:42 | 0:10:48 | |
-There's a lot there for the money as well. -A huge amount. | 0:10:48 | 0:10:52 | |
Isn't that lovely? Turkeys. Swans. | 0:10:52 | 0:10:56 | |
Now, I can see the price is 150 quid. I can't refuse asking. | 0:10:56 | 0:11:01 | |
-Is there an unforgettable price on this lot? -An unforgettable price? | 0:11:01 | 0:11:06 | |
-The death would be £100 for me on that. -It would? | 0:11:06 | 0:11:08 | |
-That would be the death. -Would you take £90 cash? | 0:11:08 | 0:11:11 | |
-Oh, my God, that is hard! -Or is that too hard? | 0:11:11 | 0:11:14 | |
That is a little bit too hard for me. | 0:11:14 | 0:11:17 | |
-I mean... I do see it £100 all day long. -Do you? | 0:11:17 | 0:11:19 | |
-I'll split the difference with you. -Would you? Are you sure? -Yeah. | 0:11:19 | 0:11:22 | |
-I don't want to... -That's all right. | 0:11:22 | 0:11:24 | |
95, just psychologically a bit of a barrier. | 0:11:24 | 0:11:26 | |
Gives you a bit more to play with. | 0:11:26 | 0:11:28 | |
-Happy with that? -I'm happy with that. | 0:11:28 | 0:11:29 | |
-The farmyard is mine. -No problem. -That's really kind of you. Thank you. | 0:11:29 | 0:11:32 | |
I'm really pleased with that. | 0:11:32 | 0:11:34 | |
Now, Charlie, all you have to do, old love, | 0:11:34 | 0:11:37 | |
is to reconvene with Thomas... | 0:11:37 | 0:11:38 | |
to travel the 52 miles north-east | 0:11:38 | 0:11:42 | |
to the pretty town of Burford in Oxfordshire. | 0:11:42 | 0:11:45 | |
Right. I think you're down there. | 0:11:48 | 0:11:50 | |
-I'm down there. -I'm up by the roundabout. | 0:11:50 | 0:11:52 | |
In fact - | 0:11:52 | 0:11:53 | |
-SCOTTISH ACCENT: -# I'll take the high road and you'll take the low road | 0:11:53 | 0:11:56 | |
# And I'll be in profit before you! # | 0:11:56 | 0:11:59 | |
No, you won't! You'll struggle up that hill, Roscoe! | 0:11:59 | 0:12:01 | |
-Lordy! -I need a walking stick. | 0:12:01 | 0:12:04 | |
So, while Charlie marches off to his shop, | 0:12:06 | 0:12:10 | |
Thomas is distinctly ambling to his. | 0:12:10 | 0:12:13 | |
So, what will Bygones have in store for you? | 0:12:13 | 0:12:17 | |
-Morning. -Hello. -I'm Thomas. -Hello, Thomas. I'm Bryda. | 0:12:17 | 0:12:21 | |
-Bryda? -Yes. -Where's that from? -Wales. | 0:12:21 | 0:12:24 | |
-From Wales? -Yes. -So you're Welsh. | 0:12:24 | 0:12:27 | |
Clever boy, Thomas(!) | 0:12:27 | 0:12:29 | |
So, this is a piece of... | 0:12:33 | 0:12:35 | |
It's silver plate. It's a model I've seen a lot of. | 0:12:35 | 0:12:38 | |
It's by a German manufacturer. | 0:12:38 | 0:12:41 | |
It's called WMF and it's got a very small mark there. | 0:12:41 | 0:12:44 | |
It's not the oldest thing ever to walk this Earth. | 0:12:46 | 0:12:48 | |
But it's still quite iconic. And it's only 20 quid. | 0:12:48 | 0:12:52 | |
That's what I would call a TP backup if I don't find anything else. | 0:12:52 | 0:12:55 | |
But it still might be worth buying. | 0:12:55 | 0:12:57 | |
WHISPERS INDISTINCTLY For sure. | 0:12:57 | 0:13:00 | |
Not bad, not bad. | 0:13:00 | 0:13:01 | |
So, how's Roscoe getting on? Steady on, old boy. | 0:13:01 | 0:13:04 | |
You'll do yourself a mischief. Look at that. He's so agile. | 0:13:04 | 0:13:08 | |
Heading for the large Antiques Centre, and this is not | 0:13:08 | 0:13:11 | |
the first time Charlie's been in here, so watch out. | 0:13:11 | 0:13:13 | |
-You must be Giovanni. -I am, yes. -How are you? -Nice to see you. | 0:13:13 | 0:13:18 | |
-I don't think we've met, have we? -No, we haven't. | 0:13:18 | 0:13:20 | |
-How long have you been here? -Ooh, 25 years. | 0:13:20 | 0:13:23 | |
-I know who was here before you. -Back in the Dark Ages... | 0:13:23 | 0:13:27 | |
Now, this place is huge! | 0:13:27 | 0:13:29 | |
-I've seen about four things I like so far. -Oh, God! | 0:13:29 | 0:13:32 | |
-And I'm going to go upstairs. -That's encouraging. | 0:13:32 | 0:13:36 | |
Now, what about these? | 0:13:36 | 0:13:37 | |
Aren't they lovely? | 0:13:37 | 0:13:39 | |
Yes, it says £250 but there's a word after that I don't like - "each". | 0:13:39 | 0:13:44 | |
You don't like the "each", I understand, yes. | 0:13:44 | 0:13:46 | |
-We can work it out...something. We can do something. -They're gorgeous. | 0:13:46 | 0:13:50 | |
They're very good decorator's items. | 0:13:50 | 0:13:53 | |
-Very nice, very nice, yes, yes, yes. -But you have to have two, don't you? | 0:13:53 | 0:13:56 | |
The fact that there's a pair of them either side of a fireplace, | 0:13:56 | 0:13:59 | |
and if they were of a period, erm, | 0:13:59 | 0:14:03 | |
they would be hugely valuable. But I like those, and I think if | 0:14:03 | 0:14:06 | |
the saleroom show them off well, I think they could do well. | 0:14:06 | 0:14:10 | |
Very nice. You probably do a BOGOF offer here, don't you? | 0:14:10 | 0:14:14 | |
-Do you know what a BOGOF is? -No. -Buy one, get one free. | 0:14:14 | 0:14:17 | |
Erm, perhaps, perhaps. If we get to the right money, yes. | 0:14:17 | 0:14:22 | |
The right money... | 0:14:22 | 0:14:23 | |
Er, even as a BOGOF, | 0:14:23 | 0:14:25 | |
that's still £110 more than you've got in your wallet, Charlie. | 0:14:25 | 0:14:29 | |
But, someone's not letting go of the idea. | 0:14:29 | 0:14:32 | |
-Well, you know what I want to do, but I... -Let's sit down and relax. | 0:14:32 | 0:14:37 | |
-Yes? -I want to buy your two candelabra. -Two... | 0:14:37 | 0:14:42 | |
-But I've got £140.20. -That's too little. You can keep the 20p. | 0:14:42 | 0:14:46 | |
Well, I'm very happy to give you everything I have in life but... | 0:14:46 | 0:14:49 | |
-No, it's all right. -For an old man? -Well, not very old but OK, yes. | 0:14:49 | 0:14:55 | |
We can do a deal, I think, yes. Yes. Yes. All right? | 0:14:55 | 0:14:58 | |
-Are you really happy? -Yes, I am. | 0:14:58 | 0:15:00 | |
You've made an old man extremely happy. | 0:15:00 | 0:15:02 | |
With a reduction of £360, I don't blame you. | 0:15:02 | 0:15:05 | |
-Thank you very much. -That's really, really... I appreciate that, hugely. | 0:15:07 | 0:15:11 | |
I think they're absolutely delightful. | 0:15:11 | 0:15:13 | |
Well, let's hope the buyers think so, too, eh? | 0:15:13 | 0:15:16 | |
Now, with Charlie spent out, bar 20p, let's rejoin Thomas | 0:15:16 | 0:15:20 | |
and see if he's any closer to spending some cash. | 0:15:20 | 0:15:23 | |
And, like a mythological dragon, | 0:15:23 | 0:15:25 | |
he's been attracted by a piece of gold. | 0:15:25 | 0:15:28 | |
This little ring here, can I have a quick look at that little ring? | 0:15:28 | 0:15:32 | |
Little ring? | 0:15:32 | 0:15:33 | |
The ring and the earrings, actually. That little box, the whole thing. | 0:15:33 | 0:15:37 | |
So, what I'm looking for is any semblance of a mark | 0:15:37 | 0:15:41 | |
of any...nature. There's one there. | 0:15:41 | 0:15:46 | |
And these little emeralds. | 0:15:46 | 0:15:48 | |
So, what I'm looking for is whether these are a gold | 0:15:48 | 0:15:52 | |
or whether they're a silver-gilt. I'm pretty sure... | 0:15:52 | 0:15:55 | |
-I'm pretty sure they're gold. -I'm pretty sure that they are gold. | 0:15:55 | 0:15:59 | |
I do like them. | 0:15:59 | 0:16:01 | |
Could you do them for 80? | 0:16:02 | 0:16:04 | |
Could I ask for 95? | 0:16:04 | 0:16:07 | |
Erm...can I meet you halfway at 85? | 0:16:07 | 0:16:11 | |
-90? -I'd prefer 85 and...well, I... | 0:16:11 | 0:16:16 | |
I could buy something else. I've seen something else I'd like to buy. | 0:16:17 | 0:16:21 | |
Ah, the Thomas Plant back-up item, the WMF vase, marked at £20. | 0:16:21 | 0:16:27 | |
Could we do 90 for the lot? | 0:16:27 | 0:16:30 | |
I had thought of 95. | 0:16:30 | 0:16:34 | |
-95 for the lot. -95 for the lot. | 0:16:34 | 0:16:37 | |
So, that would cost a tenner and these would cost 85. | 0:16:37 | 0:16:40 | |
-So, are you sure you can't do 90? -I'd rather not. | 0:16:40 | 0:16:43 | |
You'd rather not. Well that's fine. That's fine, I get that. | 0:16:43 | 0:16:47 | |
I think we'll do that. | 0:16:47 | 0:16:49 | |
Nicely done, Thomas. | 0:16:49 | 0:16:51 | |
Our chaps are leaving Burford in the dust | 0:16:51 | 0:16:53 | |
and motoring on to the charming Cotswold town | 0:16:53 | 0:16:56 | |
of Bourton-on-the-Water, in Gloucestershire. | 0:16:56 | 0:16:59 | |
-Charlie's dropping Thomas off for his next shop. -Right, out you get. | 0:16:59 | 0:17:04 | |
-Looking glass. -Looking glass. | 0:17:04 | 0:17:06 | |
Do you think I'll find something to eat me, that'll make me grow big? | 0:17:06 | 0:17:09 | |
It can't make you any bigger! | 0:17:09 | 0:17:12 | |
THEY LAUGH | 0:17:12 | 0:17:13 | |
While Thomas finds his way inside, Charlie has an appointment to keep. | 0:17:13 | 0:17:17 | |
He's heading north, to the village of Stow-on-the-Wold, | 0:17:17 | 0:17:20 | |
where there's a museum dedicated to one of his greatest passions - | 0:17:20 | 0:17:25 | |
cricket. | 0:17:25 | 0:17:26 | |
-He's come to meet the man who set up the museum, Andy Collier. -A-ha! | 0:17:30 | 0:17:35 | |
-Nice to meet you. -Andy, is it? -Welcome to Cotswold Cricket Museum. | 0:17:35 | 0:17:38 | |
Thank you very much indeed. Lovely to see you. | 0:17:38 | 0:17:41 | |
Andy gave up his life as an electrician to devote himself | 0:17:41 | 0:17:45 | |
to his favourite sport | 0:17:45 | 0:17:46 | |
and has spent the last 20 years collecting cricket memorabilia, | 0:17:46 | 0:17:49 | |
some of which tells the story of the game from its earliest beginnings. | 0:17:49 | 0:17:53 | |
Luckily, Charlie appears to have come prepared. | 0:17:53 | 0:17:56 | |
Let's hope he's not wearing his box. | 0:17:56 | 0:17:58 | |
-But actually... -Now, I'm going to make myself more appropriate. | 0:17:58 | 0:18:02 | |
I hope you'll approve. | 0:18:02 | 0:18:03 | |
Ooh, look...member of the MCC. I'm impressed! | 0:18:03 | 0:18:08 | |
So, competitive cricket really began to get going | 0:18:08 | 0:18:11 | |
in the 19th century, with one particular player changing | 0:18:11 | 0:18:14 | |
the uniform for ever due to a terrible accident. | 0:18:14 | 0:18:16 | |
Alfred Mynn was reputed to be the first man to wear pads in cricket. | 0:18:16 | 0:18:20 | |
-When he... -Really?! -He had his leg severely bruised | 0:18:20 | 0:18:23 | |
-by Samuel Redgate from Nottingham... -Yeah. | 0:18:23 | 0:18:25 | |
..and nearly had his leg amputated. | 0:18:25 | 0:18:27 | |
And then after two years convalescence, | 0:18:27 | 0:18:30 | |
he started wearing a pad inside his sock. | 0:18:30 | 0:18:33 | |
Early bats and stumps were quite different to those | 0:18:34 | 0:18:37 | |
we all know today. | 0:18:37 | 0:18:39 | |
Bowling, too, would not be recognisable in today's game. | 0:18:40 | 0:18:44 | |
Watch out! I think Roscoe's determined to demonstrate. | 0:18:44 | 0:18:48 | |
-How did they first start? -Underarm. -Really? | 0:18:48 | 0:18:51 | |
Underarm, yeah, a little bit like bowls now, really. | 0:18:51 | 0:18:54 | |
People have got much bigger and therefore taller, | 0:18:54 | 0:18:57 | |
and therefore the ball must be coming faster. | 0:18:57 | 0:18:59 | |
If a tall, for example, West Indian is coming along and bowling at you, | 0:18:59 | 0:19:02 | |
between him letting go of the ball and me hitting the ball, | 0:19:02 | 0:19:08 | |
how much time have I got? | 0:19:08 | 0:19:10 | |
Between half a second and three quarters of a second. | 0:19:10 | 0:19:12 | |
Half a second! It's extraordinary, isn't it? | 0:19:12 | 0:19:16 | |
Andy's museum pays tribute to the two greatest cricketers of all time. | 0:19:16 | 0:19:21 | |
He has WG Grace's actual bat and a wall dedicated to Donald Bradman. | 0:19:21 | 0:19:27 | |
This man, Bradman, who was Australian - how good was he? | 0:19:27 | 0:19:31 | |
He was the best ever. | 0:19:31 | 0:19:33 | |
Can you put that into statistics? | 0:19:33 | 0:19:36 | |
Average of 99.94. | 0:19:36 | 0:19:38 | |
Which means every time he went out to bat, | 0:19:38 | 0:19:40 | |
the chances are he was going to score 100. | 0:19:40 | 0:19:42 | |
-Every third innings, he got 100. -That's amazing. | 0:19:42 | 0:19:45 | |
Whereas a good batsman today would average 50 if they're really good. | 0:19:45 | 0:19:49 | |
You're a good player if you get 45. | 0:19:49 | 0:19:51 | |
So, he was twice as good as any other player that ever lived! | 0:19:51 | 0:19:55 | |
Donald Bradman epitomised the enduring cricketing rivalry | 0:19:55 | 0:19:59 | |
between Australia and England, | 0:19:59 | 0:20:01 | |
one that continues today with the greatest battle of all, The Ashes. | 0:20:01 | 0:20:06 | |
That's a replica Ashes. | 0:20:06 | 0:20:07 | |
That's a replica of The Ashes. | 0:20:07 | 0:20:09 | |
It's always surprising to see how tiny it is. | 0:20:09 | 0:20:11 | |
The Ashes were so named after a satirical obituary | 0:20:11 | 0:20:16 | |
was printed in The Times after Australia beat England | 0:20:16 | 0:20:19 | |
for the first time on English soil. | 0:20:19 | 0:20:21 | |
Inside the original urn are reputedly the ashes of a burnt bale. | 0:20:21 | 0:20:26 | |
-I raise my cap to you. -Thank you very much indeed. | 0:20:26 | 0:20:29 | |
-Thank you so much for having me. -Absolute pleasure, Charlie. | 0:20:29 | 0:20:31 | |
Now, let's catch up with Thomas. | 0:20:31 | 0:20:33 | |
I hope he's not going to be stumped for what to buy in his | 0:20:33 | 0:20:36 | |
last shop of the day. | 0:20:36 | 0:20:38 | |
Well, I've got £40...£40! | 0:20:38 | 0:20:43 | |
Which isn't a great deal. | 0:20:43 | 0:20:44 | |
But I could buy a little knick-knack. | 0:20:44 | 0:20:47 | |
What's new? And there's plenty to feast your eyes on in this shop, | 0:20:47 | 0:20:50 | |
especially if you have magpie eyes like our Thomas. | 0:20:50 | 0:20:54 | |
So this is a vesta case, so you put your matches in there | 0:20:54 | 0:20:58 | |
and you strike them on the bottom, | 0:20:58 | 0:21:00 | |
but it's got die in here. | 0:21:00 | 0:21:02 | |
It's quite a fun thing. | 0:21:02 | 0:21:04 | |
It's quite unusual that's it got this gaming set in it, isn't it? | 0:21:04 | 0:21:08 | |
Time to call over shop owner Norman. | 0:21:08 | 0:21:11 | |
-What can that be? Please, please? -30. | 0:21:11 | 0:21:15 | |
30, thank you. | 0:21:15 | 0:21:17 | |
-Can you do that for 25? -I'll go 28. -OK. | 0:21:17 | 0:21:22 | |
But that's a bit fun, that, isn't it? | 0:21:22 | 0:21:25 | |
-That's unusual. -It's a fun thing. It's different. -It is different. | 0:21:25 | 0:21:29 | |
-Do you know, 25 and you've got a deal. -I'll do it. -Yeah? -Cheers. | 0:21:29 | 0:21:33 | |
-Thank you very much. -God bless. | 0:21:33 | 0:21:35 | |
Hope you strike it lucky with that one. | 0:21:35 | 0:21:37 | |
-So, Thomas is all shopped out. -It's been a pleasure, thanks. | 0:21:37 | 0:21:40 | |
-I've enjoyed myself. -Great to see you. -I hope I do well with it. | 0:21:40 | 0:21:44 | |
Charlie began with £295.20 and spent exactly £295 on five auction lots. | 0:21:44 | 0:21:48 | |
A Regency desk stand, a set of eight serviette rings, | 0:21:50 | 0:21:55 | |
a pair of ornate wall lights, a 1937 Coronation bar of soap | 0:21:55 | 0:22:00 | |
and a 130-piece farmyard set. | 0:22:00 | 0:22:02 | |
As you do. Thomas started this leg with £225.08 | 0:22:03 | 0:22:06 | |
and spent a grand total of £210 on five auction lots. | 0:22:06 | 0:22:11 | |
A 1950 sweet dispenser, an Art Nouveau copper coal bin, | 0:22:11 | 0:22:16 | |
a WMF vase, a vesta case with three gaming dies | 0:22:16 | 0:22:20 | |
and an emerald dress ring with gold earrings. | 0:22:20 | 0:22:23 | |
Let's find out what they thought of each other's lots, eh? | 0:22:23 | 0:22:26 | |
Thank you very much. | 0:22:26 | 0:22:28 | |
Thomas Plant! | 0:22:28 | 0:22:30 | |
Your gold is, frankly, stolen, | 0:22:30 | 0:22:33 | |
and will make you a huge profit. | 0:22:33 | 0:22:36 | |
I do not like the girandoles, those lights. | 0:22:36 | 0:22:39 | |
They could make a lot of money but I don't think they're going to. | 0:22:39 | 0:22:42 | |
It's really on a knife edge, this one. Really on a knife edge. | 0:22:42 | 0:22:45 | |
The race is on! Watch this space. | 0:22:45 | 0:22:49 | |
We're on the edge of our seats, you know (!) | 0:22:49 | 0:22:51 | |
Thomas and Charlie's second day began in Bath, Somerset, | 0:22:51 | 0:22:56 | |
travelled north to Kingswood in Bristol, | 0:22:56 | 0:22:58 | |
then onto the Cotswolds and now we'll conclude at an | 0:22:58 | 0:23:01 | |
auction showdown in Stroud, in Gloucestershire. | 0:23:01 | 0:23:04 | |
-Here we are. Well driven, sir. -Marvellous, thank you. | 0:23:05 | 0:23:08 | |
The boys' battle ground for today is Stroud Auction Rooms, | 0:23:08 | 0:23:11 | |
a large, busy auction house with all manner of antiques | 0:23:11 | 0:23:14 | |
and collectables, poised to go under the hammer. | 0:23:14 | 0:23:17 | |
First up is Thomas' bubble gum dispenser, don't you know! | 0:23:19 | 0:23:23 | |
Straight in at £38, 40. At £38 bid with me, now 40. | 0:23:23 | 0:23:27 | |
42, still with me. Is there five? | 0:23:27 | 0:23:29 | |
At £42, the bid's still with me. 45, 48. Is there 50? | 0:23:29 | 0:23:32 | |
At £48, it's still on the book, now looking for 50. | 0:23:32 | 0:23:35 | |
-Wow! Fantastic. -It's in there. | 0:23:35 | 0:23:38 | |
That's phenomenal. | 0:23:39 | 0:23:41 | |
You said it, Roscoe. A sweet profit for Thomas. | 0:23:41 | 0:23:44 | |
Thomas Plant... | 0:23:44 | 0:23:47 | |
I'm going now! | 0:23:47 | 0:23:49 | |
It's Charlie's favourite next, his Regency desk stand. | 0:23:49 | 0:23:53 | |
Straight in at £18, is there 20? £18, the bid's with me. Looking for 20. | 0:23:53 | 0:23:57 | |
I thought it was going to be 80. | 0:23:57 | 0:23:59 | |
At £18, 20, takes me straight out on the internet. Is there two? | 0:23:59 | 0:24:01 | |
At 22 on the net, is there five? | 0:24:01 | 0:24:03 | |
At £22 on the internet, 25 on the net, now is there eight? | 0:24:03 | 0:24:06 | |
-At £25, the bid's on the internet. -Doing well, doing well. -It's not. | 0:24:06 | 0:24:09 | |
I'm not into a profit yet. | 0:24:09 | 0:24:10 | |
Caroline's done me over good. | 0:24:12 | 0:24:14 | |
Don't blame the auntie, Charlie. | 0:24:14 | 0:24:17 | |
The right buyer just wasn't out there today. Bad luck. | 0:24:17 | 0:24:20 | |
Thomas' copper coal bin is next. Will his luck continue? | 0:24:20 | 0:24:24 | |
-At £55, is there 60? At £55, the bid's with me. -You're a genius. | 0:24:24 | 0:24:29 | |
-There's somebody on the phone! -70. And five's with me. 80. | 0:24:29 | 0:24:34 | |
80 takes me out on the telephone now, is there five? | 0:24:34 | 0:24:37 | |
At £80, the bid's on the phone. Now it's for five. 85's on the net, 90. | 0:24:37 | 0:24:40 | |
They're on the net! Go on. | 0:24:40 | 0:24:42 | |
90, at £85 on the internet now, is there 90? | 0:24:42 | 0:24:45 | |
-At £85, I'm selling. -I don't like to gloat, but that's a £20 profit. | 0:24:45 | 0:24:49 | |
Well, you are gloating, Thomas, and it's not pretty. Well done, though. | 0:24:49 | 0:24:53 | |
Another excellent profit. | 0:24:53 | 0:24:55 | |
Thomas, if I may say so, | 0:24:55 | 0:24:57 | |
it is a privilege merely to be in the same room with a man who... | 0:24:57 | 0:25:00 | |
Now, will Charlie make up some lost ground with his | 0:25:00 | 0:25:04 | |
-novelty napkin rings? -And what can we say? £20 to get started? | 0:25:04 | 0:25:07 | |
No bid at all. | 0:25:07 | 0:25:08 | |
-£20, surely? £10, then, to get them on the move. -Ten. | 0:25:08 | 0:25:11 | |
-Ten quid for them. -Roscoe. | 0:25:11 | 0:25:13 | |
-AUCTIONEER DROWNS OUT SPEECH -Calm down! | 0:25:13 | 0:25:16 | |
18 now on the net. Is there 20? At £18, I'm selling. To the net now, 18. | 0:25:16 | 0:25:21 | |
Whoops! | 0:25:21 | 0:25:23 | |
A loss to add to Charlie's woes. | 0:25:23 | 0:25:25 | |
-I'm not downhearted. -Don't be down in the mouth. -I'm British. | 0:25:25 | 0:25:29 | |
Thomas' WMF vase is up next. | 0:25:29 | 0:25:32 | |
Bid's straight in with me at £20. Is there two? | 0:25:32 | 0:25:34 | |
At £20, the bid's with me. Now looking for two. | 0:25:34 | 0:25:37 | |
At 22 on the net, 25 still with me, is there eight? | 0:25:37 | 0:25:39 | |
At £25, the bid's 28. 30 is still with me, is there two? | 0:25:39 | 0:25:42 | |
At £30, it's still on commission. | 0:25:42 | 0:25:43 | |
-Now looking for two. -Wow! | 0:25:43 | 0:25:44 | |
32 on the net takes me out. Is there five? At £32, 35 on the net. | 0:25:44 | 0:25:48 | |
Now, is there eight? At 35, 38 on the net, now, is there 40? | 0:25:48 | 0:25:51 | |
At £38 on the internet, looking for 40. | 0:25:51 | 0:25:53 | |
40's on the net now, looking for two. | 0:25:53 | 0:25:55 | |
At £42 on the internet, looking for five. At £42, I'm selling. | 0:25:55 | 0:25:59 | |
All online. All online. Probably bought by a man in Bangkok. | 0:25:59 | 0:26:03 | |
Yeah, all right! Doesn't matter if it is. | 0:26:03 | 0:26:05 | |
Whoever bought it, they've given Thomas yet another profit. | 0:26:05 | 0:26:08 | |
-You are on fire... -This is not... | 0:26:09 | 0:26:11 | |
Now it's Charlie's big purchase. | 0:26:11 | 0:26:13 | |
His gilt metal wall lights. Could they light up his day? | 0:26:13 | 0:26:17 | |
-Can we say £40 to get me started? £40 for someone? -Uh-oh! | 0:26:17 | 0:26:21 | |
£30, then, to get them on the move... | 0:26:21 | 0:26:22 | |
-Oh, no, Roscoe, Roscoe. -They only cost £140. | 0:26:22 | 0:26:25 | |
-Oh, lordy. -30's bid on the internet. Thank you. Is there two? | 0:26:25 | 0:26:29 | |
-A £30 bid on the net now, looking for two. -Oh, Roscoe! | 0:26:29 | 0:26:31 | |
At £30 on the internet, now looking for two. At £30, selling away... | 0:26:31 | 0:26:35 | |
Our Father who art in heaven! | 0:26:35 | 0:26:37 | |
-Hallowed be thy name... -Oh! -Thy kingdom come... | 0:26:37 | 0:26:40 | |
Roscoe, I feel your pain. | 0:26:40 | 0:26:42 | |
-..Thy will be done. -And so do I! | 0:26:42 | 0:26:45 | |
A shuddering, earth-crashing loss of £110 for Roscoe. | 0:26:45 | 0:26:50 | |
Do you know, it's not pain, Thomas. It's agony! | 0:26:50 | 0:26:54 | |
Next up is the little vesta case. | 0:26:56 | 0:27:00 | |
At £55, the bid's with me, now looking for 60. | 0:27:00 | 0:27:02 | |
At £60 on the internet, looking for five. 65? 65's bid in the room. | 0:27:02 | 0:27:06 | |
Thank you. Is there 70? At £65, it's in the room. Now looking for 70. | 0:27:06 | 0:27:09 | |
At 65, 70's on the internet, 75. £75 bid in the room, now, is there 80? | 0:27:09 | 0:27:13 | |
-At £75, the bid's in the room. Now looking for 80. -Wow, wow. | 0:27:13 | 0:27:16 | |
At £75, I'm selling to the room now. At 75... | 0:27:16 | 0:27:19 | |
-That's fantastic. -Brilliant. | 0:27:21 | 0:27:23 | |
Brilliant indeed. Thomas is most definitely on a roll today. | 0:27:23 | 0:27:27 | |
£25 to get us all started. £25, surely? | 0:27:28 | 0:27:31 | |
Do you know, I hate to say it's coming down to Roscoe's bar of soap, | 0:27:31 | 0:27:35 | |
but it is. | 0:27:35 | 0:27:36 | |
I have £8 to start it off. Is there ten? | 0:27:36 | 0:27:39 | |
At £8... Ten takes me out of the room now. Is there 12? At £10. | 0:27:39 | 0:27:42 | |
The bid's in the room now. Looking for 12. 14, sir? 14 in the room. | 0:27:42 | 0:27:45 | |
Is there 16? At £14 in the room, 16 on the net. 18, sir? | 0:27:45 | 0:27:49 | |
At £18, already jumped on the internet, now is there 20? | 0:27:49 | 0:27:51 | |
-Could make 100. -Is there five? At £22. 25 in the room? | 0:27:51 | 0:27:54 | |
25's bid in the room. Is there eight? At £25. I'm selling. | 0:27:54 | 0:27:58 | |
In the room, at 25... | 0:27:58 | 0:27:59 | |
-# Sweet Caroline... -Bam-bam... # | 0:28:01 | 0:28:06 | |
At last! Who'd have thought it? A shining profit for Charlie. | 0:28:06 | 0:28:10 | |
Talk about coming up smelling of roses! It's not over yet. | 0:28:10 | 0:28:14 | |
True. But Thomas' next lot would have to crash quite badly to help | 0:28:14 | 0:28:18 | |
you out, old boy. It's the gold ring and earrings. | 0:28:18 | 0:28:21 | |
Straight in at £200. Is there 220? | 0:28:21 | 0:28:24 | |
At £200, the bid's with me, now looking for 220. At £200... | 0:28:24 | 0:28:28 | |
-What did they cost? -85. | 0:28:28 | 0:28:29 | |
At £200, on commission now, looking for 220. 230, still with me. | 0:28:29 | 0:28:33 | |
Is there 240? | 0:28:33 | 0:28:35 | |
-At 230, still on commission. Looking for 240. -Wow. -At £240, I sell. | 0:28:35 | 0:28:40 | |
-Wow. -£240! Thomas...you've had a cracker of a day. | 0:28:40 | 0:28:46 | |
He certainly has. Great profit there, Thomas. | 0:28:46 | 0:28:50 | |
There's a spring in your step, isn't there? | 0:28:50 | 0:28:52 | |
Not really cos I've hurt my ankle but there is a slight spring. | 0:28:52 | 0:28:55 | |
It's the last lot of the day, Charlie's farmyard animals. | 0:28:55 | 0:28:59 | |
They need to make at least £382 for him - ha! - to triumph on this leg. | 0:28:59 | 0:29:05 | |
Still, you never know. | 0:29:05 | 0:29:06 | |
-At £95, the bid's with me now... -That's what it cost. | 0:29:06 | 0:29:09 | |
At 95, 100 on the net, 110 still with me. | 0:29:09 | 0:29:11 | |
Is there 120? At 120... 120, 130. Still with me. | 0:29:11 | 0:29:14 | |
-Is there 140? -Up to 500! -Bid's with me now. Looking for 140. | 0:29:14 | 0:29:18 | |
140 on the phone. | 0:29:18 | 0:29:19 | |
On the phone! | 0:29:19 | 0:29:21 | |
-140 takes me out the telephone now. Is there 150? -Ooh! | 0:29:21 | 0:29:24 | |
-At £140, the bid's on the phone. -I want to bid 150! -At £140, | 0:29:24 | 0:29:27 | |
I'm selling away to the telephone now at 140... | 0:29:27 | 0:29:31 | |
Yes! | 0:29:31 | 0:29:33 | |
So excited for you, Roscoe. | 0:29:33 | 0:29:35 | |
OK, so, not the stonking profit he needed | 0:29:35 | 0:29:39 | |
but it is a profit nevertheless, so well done! | 0:29:39 | 0:29:42 | |
-Well done. -I needed that. I needed that so badly. | 0:29:45 | 0:29:48 | |
Cor! How the tables have turned. | 0:29:50 | 0:29:53 | |
Charlie started this leg with a robust £295.20 | 0:29:53 | 0:29:57 | |
and has made a loss of £99.84 after auction costs. | 0:29:57 | 0:30:01 | |
That leaves him with a rather depleted total of £195.36 | 0:30:01 | 0:30:06 | |
to carry forward. | 0:30:06 | 0:30:08 | |
Gloomy. Thomas, on the other hand, has had a bumper day. | 0:30:08 | 0:30:12 | |
He kicked off this leg with £225.08 | 0:30:12 | 0:30:16 | |
and made a handsome profit of £191.80 after costs. | 0:30:16 | 0:30:20 | |
Meaning he ends up with £416.88 to spend next time. | 0:30:20 | 0:30:25 | |
Well done, old fruit. | 0:30:25 | 0:30:28 | |
-Are you going to drive? -I'm going to drive. | 0:30:28 | 0:30:30 | |
Surely you can afford a chauffeur now! | 0:30:30 | 0:30:33 | |
-Come on. You drove when you won last time. -Oh, all right. | 0:30:33 | 0:30:35 | |
-So it's my turn to drive now. -You're a rotter. -I'm not a rotter. -You are. | 0:30:35 | 0:30:39 | |
I'm not! Brilliant! | 0:30:39 | 0:30:42 | |
And modest. On this third leg, | 0:30:42 | 0:30:43 | |
we're kicking off in Tewkesbury, Gloucestershire, | 0:30:43 | 0:30:46 | |
then heading for Worcestershire, | 0:30:46 | 0:30:48 | |
before motoring north for an auction | 0:30:48 | 0:30:50 | |
in Wrexham, North Wales. | 0:30:50 | 0:30:52 | |
Sitting near the River Severn is the town of Tewkesbury - | 0:30:53 | 0:30:57 | |
a little piece of the Middle Ages preserved in time - | 0:30:57 | 0:31:00 | |
although some parts are better preserved than others. | 0:31:00 | 0:31:03 | |
HE LAUGHS | 0:31:03 | 0:31:06 | |
-What a splendid establishment. -Oh, look at that! | 0:31:06 | 0:31:09 | |
BOTH: Oh! | 0:31:09 | 0:31:10 | |
-Good luck, old bean. -Good luck to you. | 0:31:10 | 0:31:13 | |
I'm off. Bye-bye. Find yourself a shop. | 0:31:13 | 0:31:15 | |
Be careful with your £400. | 0:31:15 | 0:31:17 | |
Shh! | 0:31:17 | 0:31:19 | |
Look at him go! | 0:31:19 | 0:31:21 | |
Charlie's shop du jour is Coach House Antiques. | 0:31:22 | 0:31:25 | |
He has £195.36 to spend on an eclectic mix of pieces. | 0:31:25 | 0:31:31 | |
And after a good old sniff about... | 0:31:33 | 0:31:35 | |
I'm inexorably drawn back to this cabinet. | 0:31:35 | 0:31:38 | |
Which is owned by dealer John, who, luckily, is here today. | 0:31:38 | 0:31:42 | |
These are fabulous pot lids. | 0:31:42 | 0:31:44 | |
The Duke of Wellington's funeral. | 0:31:44 | 0:31:47 | |
-Framed, ready to go. -Yeah. | 0:31:47 | 0:31:49 | |
-How much is that one? -195. -Yeah. | 0:31:49 | 0:31:52 | |
But it is quite a rare one. | 0:31:52 | 0:31:53 | |
That's a rare lid. That's such a wonderful thing, isn't it? | 0:31:53 | 0:31:57 | |
Yeah. | 0:31:57 | 0:31:58 | |
Blow your money on one thing, Roscoe... | 0:31:58 | 0:32:01 | |
Uh-oh... In the mid-19th century, | 0:32:02 | 0:32:04 | |
new printing technology allowed multicoloured transfers | 0:32:04 | 0:32:07 | |
to be printed on pot lids and other everyday wares. | 0:32:07 | 0:32:11 | |
Pot lids like these are now highly sought after | 0:32:11 | 0:32:13 | |
for their technical excellence, variety, | 0:32:13 | 0:32:16 | |
and their value as social and historical records. | 0:32:16 | 0:32:19 | |
This one depicts the funeral of the Duke of Wellington | 0:32:19 | 0:32:21 | |
and has a ticket price of £195. | 0:32:21 | 0:32:24 | |
-How much is that? -To you? -To me. Well, 600 to me! | 0:32:24 | 0:32:30 | |
CHARLIE LAUGHS | 0:32:30 | 0:32:31 | |
-I'll give that to you for £100. -Would you really? -I will. | 0:32:31 | 0:32:35 | |
That is a good buy. | 0:32:35 | 0:32:37 | |
I'm going to ask one question from a psychological point of view, | 0:32:37 | 0:32:40 | |
not really a financial one. | 0:32:40 | 0:32:42 | |
Could it be £95? | 0:32:42 | 0:32:44 | |
Only in so much that it's psychologically better than 100. | 0:32:44 | 0:32:48 | |
-Yes. -Are you sure? -Yes. | 0:32:48 | 0:32:50 | |
That's just under half your entire budget, Charlie! | 0:32:50 | 0:32:53 | |
You are a brave man. | 0:32:53 | 0:32:55 | |
A wonderful man, sir. Thank you. | 0:32:55 | 0:32:56 | |
WOMAN CLAPS | 0:32:56 | 0:32:57 | |
A round of applause! | 0:32:57 | 0:32:59 | |
A round of applause. | 0:32:59 | 0:33:00 | |
Charlie's not finished yet. | 0:33:02 | 0:33:03 | |
There's something else tempting in John's cabinet - | 0:33:03 | 0:33:06 | |
a very old-looking bottle, possibly Roman. | 0:33:06 | 0:33:09 | |
Extraordinary condition, isn't it? | 0:33:09 | 0:33:12 | |
"Riga Balsam." | 0:33:12 | 0:33:14 | |
-That's quite a rare thing, isn't it? -Yeah. | 0:33:14 | 0:33:16 | |
I don't know that it's Roman. So I'd be taking... | 0:33:16 | 0:33:19 | |
They are very hard to... | 0:33:19 | 0:33:21 | |
I'd be taking a complete gamble. | 0:33:21 | 0:33:23 | |
It's in extraordinary condition if it is Roman, isn't it? | 0:33:23 | 0:33:25 | |
It is, yeah. | 0:33:25 | 0:33:27 | |
The ticket price on the bottle is £35. | 0:33:28 | 0:33:30 | |
Can John do another deal? | 0:33:30 | 0:33:33 | |
-It can be yours for £20. -Could it really? | 0:33:33 | 0:33:36 | |
-There's no downside, is there, at 20 quid? -That's right. | 0:33:36 | 0:33:38 | |
Oh, what the heck. I like this. | 0:33:38 | 0:33:40 | |
No downside at all. | 0:33:42 | 0:33:43 | |
So, Charlie's raid on John's cabinet | 0:33:43 | 0:33:45 | |
has resulted in a Victorian pot lid and possibly Roman bottle | 0:33:45 | 0:33:48 | |
both for £115. | 0:33:48 | 0:33:50 | |
Now, let's see if Thomas is as flash with his cash in Attica. | 0:33:50 | 0:33:53 | |
He's got £416.88 to spend. | 0:33:53 | 0:33:56 | |
Hello, I'm Thomas, Thomas Plant. | 0:33:56 | 0:33:58 | |
-What's your name? -Mark Turner. | 0:33:58 | 0:34:00 | |
Mark, nice to meet you. | 0:34:00 | 0:34:03 | |
Get browsing, Thomas. | 0:34:03 | 0:34:05 | |
Ooh, I think something's caught his eye, | 0:34:05 | 0:34:08 | |
with a ticket price of £20. | 0:34:08 | 0:34:10 | |
Solid pair of field glasses. | 0:34:11 | 0:34:14 | |
But what's interesting about them | 0:34:16 | 0:34:18 | |
is they've got the broad arrow mark for military issue. | 0:34:18 | 0:34:23 | |
"11089" - that's interesting. | 0:34:24 | 0:34:28 | |
So these are probably First World War. | 0:34:28 | 0:34:30 | |
So those, you've got 20 on. | 0:34:30 | 0:34:33 | |
What can be the best on the binoculars, please? | 0:34:33 | 0:34:35 | |
-15. -15...OK, cool. | 0:34:35 | 0:34:38 | |
Could I offer you 12? | 0:34:38 | 0:34:39 | |
MARK SIGHS | 0:34:39 | 0:34:40 | |
-Make it 14. -Make it 14. -Yeah. -And it's a deal. -Yeah. | 0:34:40 | 0:34:44 | |
All right, OK. I'll have those. | 0:34:44 | 0:34:46 | |
First World War binoculars at 14 can't be bad. | 0:34:46 | 0:34:49 | |
I'll have those, thank you very much. | 0:34:49 | 0:34:52 | |
Not bad at all - in fact, quite an eye opener. | 0:34:53 | 0:34:56 | |
Ha! | 0:34:56 | 0:34:57 | |
Is it me, or does our Thomas remind you of a teddy bear? | 0:34:57 | 0:35:01 | |
Now, here's something Winnie the Pooh | 0:35:01 | 0:35:03 | |
would definitely like. | 0:35:03 | 0:35:04 | |
I do love that. | 0:35:07 | 0:35:08 | |
It's for drizzling honey. | 0:35:09 | 0:35:11 | |
Honey pourer/drizzler. | 0:35:11 | 0:35:13 | |
The honey goes in there and you drizzle it out. | 0:35:13 | 0:35:16 | |
You can see, it's almost like a honeycomb | 0:35:16 | 0:35:19 | |
but the construction of that is just beautiful. | 0:35:19 | 0:35:21 | |
That has been made on a wheel. | 0:35:21 | 0:35:25 | |
I think it's incredibly stylish, actually... | 0:35:25 | 0:35:27 | |
It is so stylish. | 0:35:27 | 0:35:29 | |
What can that be? | 0:35:29 | 0:35:30 | |
I wouldn't want to go lower than 12. | 0:35:32 | 0:35:34 | |
It's something quite quirky, quite unusual, | 0:35:35 | 0:35:38 | |
it's got a real charm about it. | 0:35:38 | 0:35:40 | |
It has got a charm. It has got a charm. | 0:35:40 | 0:35:42 | |
West Country, Bristolian charm. | 0:35:42 | 0:35:44 | |
All right, all right... | 0:35:44 | 0:35:46 | |
You're pressing my buttons. You know you are, Mark. | 0:35:46 | 0:35:50 | |
So, what's the best on that? | 0:35:50 | 0:35:52 | |
12 on that. I couldn't go any lower. | 0:35:52 | 0:35:54 | |
-So that makes those two 26... -14 and 12, 26. | 0:35:54 | 0:35:58 | |
Can we do the two for 25? | 0:35:58 | 0:36:00 | |
-Um...yes. -Keeps it... | 0:36:00 | 0:36:02 | |
No, that's fine, I'm happy with that. | 0:36:02 | 0:36:04 | |
-Thank you very much. -Thank you very much. | 0:36:04 | 0:36:06 | |
Well done, Thomas! Two items in the old bag. | 0:36:06 | 0:36:09 | |
Thomas is travelling to the small town of Upton-Upon-Severn | 0:36:10 | 0:36:13 | |
for a spot more shopping. | 0:36:13 | 0:36:15 | |
Now, what does this rather fetching establishment have in store? | 0:36:15 | 0:36:19 | |
-Hello. -Hello, how are you? | 0:36:21 | 0:36:23 | |
-I'm Thomas. -Hi, Thomas. I'm Lee. -Lee, nice to meet you. -You too. | 0:36:23 | 0:36:27 | |
Everything in Croome Antiques has been chosen by owner Lee | 0:36:27 | 0:36:31 | |
and there's all kind of quirky things lurking about. | 0:36:31 | 0:36:34 | |
And now, anyone for the races? | 0:36:37 | 0:36:39 | |
There's more to this horse and rider than meets the eye. | 0:36:39 | 0:36:42 | |
This is a spelter table light. | 0:36:43 | 0:36:45 | |
So what you do, there's meant to be a little... | 0:36:45 | 0:36:48 | |
This is the post where the horse is tethered to the jockey | 0:36:48 | 0:36:51 | |
and there's meant to be a little striker in there | 0:36:51 | 0:36:54 | |
and it's filled with, uh...paraffin. | 0:36:54 | 0:36:58 | |
And you can take it out and you can strike it on there | 0:36:58 | 0:37:00 | |
and you can hand the lighter round to your colleagues after supper | 0:37:00 | 0:37:03 | |
to light one's cigars or cigarettes with. | 0:37:03 | 0:37:06 | |
So it's a Deco table light. | 0:37:06 | 0:37:08 | |
I quite like that. | 0:37:08 | 0:37:10 | |
It's missing its striker and there's some damage to the base, | 0:37:10 | 0:37:13 | |
so the ticket price on this table lighter is £98. | 0:37:13 | 0:37:16 | |
One to think about. | 0:37:16 | 0:37:18 | |
What a fabulous, fabulous spirit kettle on a stand. | 0:37:20 | 0:37:26 | |
Look at that! | 0:37:26 | 0:37:28 | |
Straight out of the Art Nouveau period, by WMF. | 0:37:28 | 0:37:34 | |
Wow! | 0:37:34 | 0:37:35 | |
What a thing. | 0:37:35 | 0:37:37 | |
Oh, look at that cane handle. | 0:37:37 | 0:37:40 | |
What a thing of beauty. | 0:37:40 | 0:37:43 | |
Ho! Ho! | 0:37:43 | 0:37:45 | |
What a fabulous thing. | 0:37:46 | 0:37:48 | |
I think he likes it. | 0:37:48 | 0:37:49 | |
Oh, and it's the early mark, as well. | 0:37:49 | 0:37:51 | |
Oh...! | 0:37:51 | 0:37:52 | |
Right, so this is a really early mark for WMF. | 0:37:52 | 0:37:54 | |
It's the ostrich in the diamond, there. | 0:37:56 | 0:37:59 | |
Badly bashed. | 0:37:59 | 0:38:01 | |
From its early days in the late 19th century | 0:38:01 | 0:38:03 | |
through to the First World War, | 0:38:03 | 0:38:05 | |
German manufacturing company WMF | 0:38:05 | 0:38:08 | |
became one of the most prolific producers of elegant designs | 0:38:08 | 0:38:12 | |
formed in metal and glass. | 0:38:12 | 0:38:14 | |
This piece is stamped with the rare ostrich mark, | 0:38:14 | 0:38:17 | |
which was replaced in 1907 by a simple WMF. | 0:38:17 | 0:38:22 | |
What a thing of absolute...beauty. | 0:38:22 | 0:38:27 | |
What a thing. But it has seen slightly better days. | 0:38:27 | 0:38:31 | |
I like that. I'm going to ask about that, | 0:38:31 | 0:38:34 | |
see what can be done. | 0:38:34 | 0:38:35 | |
That's two items to consider. Could this be a third? | 0:38:35 | 0:38:38 | |
That's lovely, isn't it? | 0:38:38 | 0:38:40 | |
It's Art Nouveau. It's in pewter. | 0:38:40 | 0:38:43 | |
You've got the two flower heads. You've got the sinuous stem. | 0:38:43 | 0:38:48 | |
It would have been a drinks... | 0:38:48 | 0:38:49 | |
It would have been a tray for drinks. | 0:38:49 | 0:38:51 | |
But it is very attractive and that pewter look is good-looking. | 0:38:51 | 0:38:55 | |
And it's so cheap - £18. | 0:38:56 | 0:38:59 | |
I think that's quite a good thing. I think that could make money. | 0:38:59 | 0:39:02 | |
So, there's the pewter plate, the WMF kettle | 0:39:02 | 0:39:06 | |
and the jockey table lighter. | 0:39:06 | 0:39:08 | |
-What can you do? -OK, well, the horse, um...we've got 98 on, | 0:39:08 | 0:39:12 | |
so we'll do that for 80. | 0:39:12 | 0:39:14 | |
-OK. -OK? | 0:39:14 | 0:39:15 | |
The WMF, um... | 0:39:15 | 0:39:17 | |
I haven't got a lot of manoeuvrability with that, | 0:39:19 | 0:39:21 | |
I'll be honest with you. We've got 110 on it. | 0:39:21 | 0:39:24 | |
-Mm, you like it, though, don't you? -I do, I love it. Yeah. | 0:39:24 | 0:39:28 | |
I could hear the noise and the commotion when you... | 0:39:28 | 0:39:30 | |
Yeah, it's very nice, it's a nice thing. | 0:39:30 | 0:39:32 | |
-So, £100. -Oh...! | 0:39:32 | 0:39:34 | |
LEE LAUGHS | 0:39:34 | 0:39:35 | |
Yeah. | 0:39:36 | 0:39:38 | |
-And the Art Nouveau tray is 18. -Yeah. | 0:39:38 | 0:39:41 | |
We'll do that for 15, of course. | 0:39:41 | 0:39:43 | |
Um... | 0:39:43 | 0:39:45 | |
Cos that's damaged, I was thinking that should be...a bit less. 60. | 0:39:45 | 0:39:51 | |
60?! | 0:39:51 | 0:39:53 | |
I was hoping for 70 for the kettle and stand. | 0:39:53 | 0:39:58 | |
-For the tray, I get it. -Yes. -That's fine. | 0:39:58 | 0:40:02 | |
How do those figures grab you? | 0:40:02 | 0:40:04 | |
60, 70, get the tray. | 0:40:04 | 0:40:07 | |
OK - tray at 15, that one...uh... | 0:40:07 | 0:40:10 | |
-I'll accept 60 on that. -OK. | 0:40:10 | 0:40:13 | |
I'll go to 90 on that, but no less. | 0:40:13 | 0:40:15 | |
And I think that's a very good buy at 90. | 0:40:15 | 0:40:18 | |
Make it...150 for the lot, and you've got a deal. | 0:40:18 | 0:40:22 | |
THOMAS LAUGHS | 0:40:25 | 0:40:26 | |
-155. -Oh! | 0:40:28 | 0:40:30 | |
LEE LAUGHS | 0:40:30 | 0:40:31 | |
And that's a good price. | 0:40:31 | 0:40:33 | |
(Oh, 155...) | 0:40:33 | 0:40:35 | |
So that's one, two, three... | 0:40:35 | 0:40:37 | |
OK... | 0:40:38 | 0:40:39 | |
-We're splitting hairs, really, aren't we? -We are. -Come on. | 0:40:41 | 0:40:43 | |
-Thank you very much. -Thank you, Thomas. Appreciate it. | 0:40:43 | 0:40:46 | |
Lee's done you proud there, Thomas. | 0:40:46 | 0:40:48 | |
Now, this should be interesting. | 0:40:48 | 0:40:50 | |
Our sparring partners are heading for Malvern | 0:40:50 | 0:40:53 | |
and their shops are right next door to one another. | 0:40:53 | 0:40:55 | |
-Roscoe. -Do your worst, Planters. | 0:40:55 | 0:40:58 | |
Oh! | 0:40:58 | 0:40:59 | |
Come on, Roscoe! Bounce out! | 0:40:59 | 0:41:02 | |
-You're remarkably lithe, aren't you? -I'm fit, aren't I? | 0:41:02 | 0:41:05 | |
Fit for shopping, I hope. | 0:41:05 | 0:41:07 | |
Thomas has bagged Foley House Antiques Centre. | 0:41:07 | 0:41:10 | |
-Hello, Thomas. I'm Bridget. -Bridget. Very nice to meet you. | 0:41:11 | 0:41:14 | |
-Well, I'll have a good look around, if that's all right? -Please do. | 0:41:14 | 0:41:16 | |
Thank you very much. | 0:41:16 | 0:41:18 | |
Have a good scoot... | 0:41:18 | 0:41:19 | |
Bridget, there's stuff everywhere. | 0:41:19 | 0:41:21 | |
Yes, Thomas - it's a shop, don't you know? | 0:41:21 | 0:41:24 | |
I haven't even looked in these cabinets here. | 0:41:24 | 0:41:27 | |
It's extraordinary. | 0:41:27 | 0:41:28 | |
Um... | 0:41:28 | 0:41:29 | |
Oh, Bridget, I feel your pain. | 0:41:29 | 0:41:32 | |
It's a no. It's a no. God, I'm being a pain. | 0:41:32 | 0:41:35 | |
I give up. Quick, let's go and look next door. | 0:41:35 | 0:41:38 | |
Charlie's making himself at home in Promenade Antiques, | 0:41:40 | 0:41:44 | |
watched by friendly owner Mark. | 0:41:44 | 0:41:46 | |
-Anyway, may I have a look round? -You're more than welcome. | 0:41:46 | 0:41:49 | |
See what I can find. | 0:41:49 | 0:41:50 | |
As long as you do more than just look, Charlie. | 0:41:50 | 0:41:52 | |
That is an enormous dinner service. | 0:41:56 | 0:41:59 | |
That's a real gamble lot, something like that, isn't it? | 0:41:59 | 0:42:01 | |
If you went to buy that, it would cost you... | 0:42:01 | 0:42:04 | |
..£3,000? | 0:42:05 | 0:42:06 | |
-Each plate's £30-£40. -And there's 12 of those. | 0:42:06 | 0:42:09 | |
£50. There's 12 - 5, 12, 60... | 0:42:09 | 0:42:12 | |
I bet there's £3,000 worth of stuff there. | 0:42:12 | 0:42:14 | |
Not sure I've got quite enough money for that. | 0:42:14 | 0:42:17 | |
Yeah, the dinner service has £170 on the ticket. | 0:42:17 | 0:42:21 | |
Best aim for something more suited to your budget, | 0:42:21 | 0:42:23 | |
like this. | 0:42:23 | 0:42:25 | |
-I like your toffee hammer. -Memories of childhood. | 0:42:25 | 0:42:28 | |
Memories of childhood - isn't that wonderful? | 0:42:28 | 0:42:30 | |
Look at that - toffee hammer. | 0:42:30 | 0:42:32 | |
But you have a slab of toffee, | 0:42:32 | 0:42:35 | |
and the retailer would smash up the toffee and sell it in chunks. | 0:42:35 | 0:42:41 | |
That's a wonderful thing, and it says "for toffee". | 0:42:41 | 0:42:44 | |
Isn't that delightful? What a wonderful memory. | 0:42:44 | 0:42:48 | |
That's well worth considering, that is. | 0:42:50 | 0:42:52 | |
I might as well ask a question - um... | 0:42:52 | 0:42:55 | |
That's not something I would normally buy, | 0:42:56 | 0:42:58 | |
that dinner service, as you know - there's so much of it. | 0:42:58 | 0:43:02 | |
And it would be a complete gamble at auction, but...um... | 0:43:02 | 0:43:05 | |
I've got just under 100 quid, it's not going to buy that, is it? | 0:43:05 | 0:43:08 | |
How much just under? | 0:43:08 | 0:43:10 | |
Started with £195 and I've got 80 quid left, | 0:43:10 | 0:43:13 | |
so I don't know whether... | 0:43:13 | 0:43:15 | |
That's probably not going to do the trick, is it? | 0:43:15 | 0:43:17 | |
-I did have some breakfast cups that went with it. -Yes. | 0:43:17 | 0:43:20 | |
-And I sold those yesterday to a lady. -Did you? | 0:43:20 | 0:43:24 | |
To match her own service, presumably? | 0:43:24 | 0:43:26 | |
-And she gave me a good price for them. -Yeah. | 0:43:26 | 0:43:29 | |
So...as that happened, in that case, | 0:43:29 | 0:43:31 | |
I could do that for the money that you're offering. | 0:43:31 | 0:43:34 | |
Could you? | 0:43:34 | 0:43:35 | |
I think that's a phenomenal offer, I have to say. | 0:43:35 | 0:43:38 | |
Heart over head, isn't it? | 0:43:38 | 0:43:40 | |
The thing I like best of all is your toffee... | 0:43:40 | 0:43:43 | |
Yeah. It's good fun. | 0:43:43 | 0:43:45 | |
That's a great thing. | 0:43:45 | 0:43:47 | |
So Charlie's hoping to snaffle up the toffee hammer | 0:43:47 | 0:43:49 | |
AND the dinner service for his remaining cash. | 0:43:49 | 0:43:53 | |
If I gave you £80.36 - and that is my total wipe-out - | 0:43:53 | 0:43:59 | |
could I have that and the toffee hammer? | 0:43:59 | 0:44:01 | |
Seeing as you like the toffee hammer, I'll do that. | 0:44:01 | 0:44:03 | |
Are you sure? That's really kind of you. | 0:44:03 | 0:44:06 | |
And just like that, Charlie's spent out. | 0:44:06 | 0:44:09 | |
Now, how's Thomas getting on? | 0:44:09 | 0:44:12 | |
I've been perusing. I've been perusing. | 0:44:12 | 0:44:15 | |
And because I have an Art Nouveau pewter plate, | 0:44:15 | 0:44:20 | |
-it would fit quite nicely with this mirror. -Oh, right. | 0:44:20 | 0:44:24 | |
-Because that's Arts and Crafts as well. -Yes, yes. | 0:44:24 | 0:44:26 | |
Um...well, Art Nouveau, Arts and Crafts. | 0:44:26 | 0:44:28 | |
For goodness' sake, for 32, | 0:44:28 | 0:44:29 | |
-you're not going to ask for discount? -I am. | 0:44:29 | 0:44:32 | |
-I am! Come on! -Oh! | 0:44:32 | 0:44:34 | |
Come on. See, they would fit well together. | 0:44:34 | 0:44:37 | |
A plate and a mirror. | 0:44:37 | 0:44:40 | |
Ah, so Thomas wants to put the mirror in the same lot | 0:44:40 | 0:44:43 | |
as the pewter plate he bought earlier - cunning. | 0:44:43 | 0:44:46 | |
-It's quite cheap. -I know it's cheap. So you don't need discount, do you? | 0:44:46 | 0:44:50 | |
-£20 would be buying it. -25 would be buying it. | 0:44:50 | 0:44:54 | |
20 and you've got a deal. | 0:44:54 | 0:44:57 | |
-Go on, then. Go on. -Superb. | 0:44:58 | 0:45:00 | |
You're very sweet. Thank you very much. | 0:45:00 | 0:45:02 | |
Phew! He's bought something at last, | 0:45:02 | 0:45:04 | |
putting us all out of our misery. | 0:45:04 | 0:45:06 | |
Eh? Ha! | 0:45:06 | 0:45:08 | |
The chaps are leaving Malvern behind | 0:45:08 | 0:45:10 | |
and are heading nine-and-a-half miles north | 0:45:10 | 0:45:12 | |
to the city of Worcester. | 0:45:12 | 0:45:14 | |
Worcester is most famous for its well-known sauce - | 0:45:15 | 0:45:19 | |
uh, I mean cathedral, | 0:45:19 | 0:45:20 | |
the earliest parts of which date back to the 11th century. | 0:45:20 | 0:45:24 | |
-Look at the cathedral. -Oh, yes, look at that. | 0:45:24 | 0:45:28 | |
But it's not the cathedral Thomas is here to explore. | 0:45:28 | 0:45:31 | |
He has an appointment with something altogether more grisly. | 0:45:31 | 0:45:34 | |
He's heading to the George Marshall Medical Museum | 0:45:34 | 0:45:36 | |
to meet curator Frank Crompton. | 0:45:36 | 0:45:40 | |
-So, you've got some interesting things to show me. -Absolutely. | 0:45:42 | 0:45:44 | |
-Ah, well, lead on then, Frank. -Right. | 0:45:44 | 0:45:48 | |
Most of the artefacts in this museum | 0:45:48 | 0:45:50 | |
were collected by one man, George Marshall. | 0:45:50 | 0:45:53 | |
He was a consultant surgeon at the Worcester Infirmary | 0:45:53 | 0:45:56 | |
from the 1940s to the 1960s and an enthusiastic collector | 0:45:56 | 0:45:59 | |
of old medical and surgical equipment. | 0:45:59 | 0:46:01 | |
Over the course of 50 years, he amassed several thousand objects, | 0:46:01 | 0:46:06 | |
each telling its own story of the history of medicine - | 0:46:06 | 0:46:09 | |
and some of them are rather macabre. | 0:46:09 | 0:46:13 | |
So, Frank, what are these here? | 0:46:13 | 0:46:16 | |
These are death masks of prisoners | 0:46:16 | 0:46:17 | |
who were hanged at the jail in Worcester. | 0:46:17 | 0:46:20 | |
As soon as the criminal was taken off the rope, so to speak, | 0:46:20 | 0:46:25 | |
-they did a plaster cast of his face. -Yes. | 0:46:25 | 0:46:29 | |
In the 19th century, death masks of criminals were taken | 0:46:29 | 0:46:33 | |
because it was believed they could be used | 0:46:33 | 0:46:35 | |
to predict criminal behaviour. | 0:46:35 | 0:46:37 | |
Whilst studying the workings of the mind was still in its infancy, | 0:46:38 | 0:46:42 | |
so too was 19th-century surgery. | 0:46:42 | 0:46:45 | |
I'll show you the operating chair here. | 0:46:45 | 0:46:48 | |
This was made between 1840 and 1850 | 0:46:48 | 0:46:52 | |
and, basically, if you wanted to do an operation without anaesthetics, | 0:46:52 | 0:46:56 | |
they were actually strapped to this chair. | 0:46:56 | 0:46:58 | |
And so these little holes here would take straps... | 0:46:58 | 0:47:02 | |
Leather straps or webbing straps, we're not sure. | 0:47:02 | 0:47:04 | |
..to strap the poor person down. | 0:47:04 | 0:47:06 | |
There were various techniques which were used to try and dull the pain - | 0:47:06 | 0:47:10 | |
sometimes alcohol was used, the person consumed some alcohol, | 0:47:10 | 0:47:14 | |
which would desensitise them. | 0:47:14 | 0:47:16 | |
But normally, they were simply strapped in there | 0:47:16 | 0:47:20 | |
and there would be some fairly hefty people around | 0:47:20 | 0:47:23 | |
to make sure they didn't squirm about too much. | 0:47:23 | 0:47:25 | |
Doesn't bear thinking about, does it? | 0:47:25 | 0:47:27 | |
Ugh! | 0:47:27 | 0:47:28 | |
The instruments used by surgeons were no less brutal. | 0:47:28 | 0:47:31 | |
-It's actually a surgeon's kit. -Right. | 0:47:31 | 0:47:33 | |
It was in use in the Crimean War and we've got a number of items in here. | 0:47:33 | 0:47:38 | |
You've got the saw for going through bones. | 0:47:38 | 0:47:40 | |
The saw for going through bone, yes. | 0:47:40 | 0:47:42 | |
-Is this...is this a catheter, here? -That's a catheter there. | 0:47:42 | 0:47:46 | |
Oh, my God, that fills me with utter horror. | 0:47:46 | 0:47:48 | |
Before that, you would actually use one of these flesh knives. | 0:47:48 | 0:47:53 | |
You actually cut through the flesh, down to the bone. | 0:47:53 | 0:47:56 | |
Somewhat horrific. | 0:47:56 | 0:47:58 | |
-How far we are removed from it. -Absolutely. -And thank God. | 0:47:58 | 0:48:02 | |
When people say to you, "Do you know what? | 0:48:02 | 0:48:04 | |
"I'd love to live in the 19th century, | 0:48:04 | 0:48:06 | |
"it would have been - or the 18th century"... | 0:48:06 | 0:48:09 | |
I wouldn't even want to have been born in the 1950s, for God's sake. | 0:48:09 | 0:48:12 | |
I was born in the 1940s. | 0:48:12 | 0:48:13 | |
-Yes - I wouldn't even want that! -Primitive. | 0:48:13 | 0:48:16 | |
I'm going to go away feeling, um...a little bit nauseous, | 0:48:16 | 0:48:21 | |
but I think I'll survive. | 0:48:21 | 0:48:23 | |
But, also, I've had my knowledge increased. | 0:48:23 | 0:48:26 | |
-Yeah. -It's been a pleasure. | 0:48:26 | 0:48:28 | |
What a fascinating - albeit rather gruesome - | 0:48:28 | 0:48:31 | |
visit for Thomas. | 0:48:31 | 0:48:32 | |
So, Charlie started this leg with £195.36 | 0:48:33 | 0:48:37 | |
and spent it all on four auction lots. | 0:48:37 | 0:48:41 | |
101-piece Royal Doulton dinner service, a Victorian toffee | 0:48:41 | 0:48:45 | |
mallet, a 19th century Prattware pot lid and a Roman glass bottle. | 0:48:45 | 0:48:50 | |
Thomas began with a whopping £416.88 and spent less than half | 0:48:50 | 0:48:55 | |
- £200 to be precise - on five auction lots. | 0:48:55 | 0:48:59 | |
A terracotta honey drizzler, World War I military binoculars, | 0:48:59 | 0:49:04 | |
an Arts and Crafts oval mirror with an Art Nouveau floral tray, | 0:49:04 | 0:49:08 | |
an early Art Nouveau brass spirit kettle | 0:49:08 | 0:49:12 | |
and an Art Deco spelter table light modelled as a jockey and horse. | 0:49:12 | 0:49:16 | |
The WMF - I thought it might have been Benson or someone like that, | 0:49:18 | 0:49:22 | |
not WMF, but it's very stylish. | 0:49:22 | 0:49:25 | |
But who buys them nowadays? That's the point. | 0:49:25 | 0:49:28 | |
Oh, God, you know...it is awkward, really, isn't it? | 0:49:29 | 0:49:33 | |
Cos I don't really like two of the items he's bought - | 0:49:33 | 0:49:36 | |
the pot lid and the dinner service. | 0:49:36 | 0:49:40 | |
Oh, Roscoe, please make some money, please - | 0:49:40 | 0:49:42 | |
I feel sorry for you. | 0:49:42 | 0:49:44 | |
Crumbs! Is that dinner service a gamble too far? | 0:49:44 | 0:49:47 | |
Will there be tears at tea-time? | 0:49:47 | 0:49:49 | |
Let's get to the auction and find out. | 0:49:49 | 0:49:51 | |
Thomas and Charlie's third leg began in Tewkesbury, Gloucestershire, | 0:49:53 | 0:49:56 | |
continued northwards into the lovely county of Worcestershire, | 0:49:56 | 0:49:59 | |
and now, they're finishing up at an auction in Wrexham, North Wales. | 0:49:59 | 0:50:03 | |
-Blimey! -God, I never realised Wrexham was so busy. | 0:50:05 | 0:50:08 | |
-It's because you're here, Thomas. -No, it's because YOU'RE here, Roscoe. | 0:50:08 | 0:50:11 | |
After you... | 0:50:11 | 0:50:13 | |
All our chaps' items will be going under the hammer here | 0:50:15 | 0:50:18 | |
at Wingetts Auction House, | 0:50:18 | 0:50:20 | |
an establishment which has been selling off goods | 0:50:20 | 0:50:22 | |
for almost 50 years. | 0:50:22 | 0:50:24 | |
In charge of today's proceedings is auctioneer Richard Hughes. | 0:50:24 | 0:50:29 | |
First up is Thomas's honey drizzler. | 0:50:30 | 0:50:32 | |
£10 to start, then - got to be that, surely. | 0:50:32 | 0:50:35 | |
£5, only bid - standing with you, sir, now. | 0:50:35 | 0:50:38 | |
That's the main - but eight in front, if you want it? | 0:50:38 | 0:50:40 | |
At £5, I'm only bid, standing - eight bid. Ten. | 0:50:40 | 0:50:43 | |
Nearly into a profit. | 0:50:43 | 0:50:45 | |
Lady's bid in front. Only bid now. | 0:50:45 | 0:50:47 | |
Is there ten in the room? You're out? | 0:50:47 | 0:50:49 | |
Your bid, madam. | 0:50:49 | 0:50:51 | |
Oh. | 0:50:51 | 0:50:52 | |
But the great thing about only spending £11 - | 0:50:52 | 0:50:55 | |
-you haven't lost a lot. -No. | 0:50:55 | 0:50:57 | |
True, although it will be more than £1 | 0:50:57 | 0:51:00 | |
once the auction house takes its well-earned commission. | 0:51:00 | 0:51:03 | |
Apiarists should stay at home and look after their bees. | 0:51:03 | 0:51:06 | |
It's the first of Charlie's big purchases up next - | 0:51:06 | 0:51:10 | |
his pot lid, bought for £95. | 0:51:10 | 0:51:13 | |
Give me £100 for it. | 0:51:13 | 0:51:15 | |
Got to be that, surely. | 0:51:15 | 0:51:17 | |
£50 to start, then. | 0:51:17 | 0:51:19 | |
-All gone quiet... -Oh... | 0:51:20 | 0:51:22 | |
I'm only bid by the doorway there, £20. Now 25... | 0:51:22 | 0:51:26 | |
You'll be fine, it's OK. | 0:51:26 | 0:51:28 | |
£25, the bid, standing at the back of the room. | 0:51:28 | 0:51:31 | |
30 in front, sir. Five, sir. 40. | 0:51:31 | 0:51:34 | |
-And five. 50... -Halfway... | 0:51:34 | 0:51:37 | |
60. And five, sir. 70. | 0:51:38 | 0:51:41 | |
-£65. -Go on... -More! | 0:51:41 | 0:51:44 | |
65 bid standing. | 0:51:44 | 0:51:47 | |
Goes with you, sir. | 0:51:47 | 0:51:48 | |
Thank you. | 0:51:49 | 0:51:50 | |
-Oh-ho-ho... -Oh, shut up, Roscoe. | 0:51:51 | 0:51:54 | |
THOMAS LAUGHS | 0:51:54 | 0:51:55 | |
Ouch! Charlie really needed to make a profit there. | 0:51:55 | 0:51:58 | |
Got any tissues, Thomas? | 0:51:58 | 0:52:00 | |
I'm crying. | 0:52:00 | 0:52:01 | |
There's always the dinner service. | 0:52:02 | 0:52:05 | |
But now it's time for Thomas's binoculars. | 0:52:05 | 0:52:07 | |
£5 to start, then. Five, I'm bid eight. Ten, sir. | 0:52:07 | 0:52:10 | |
There's a man next to me, bidding. | 0:52:10 | 0:52:12 | |
15. 18. 20. | 0:52:12 | 0:52:14 | |
And two. 25. | 0:52:14 | 0:52:17 | |
-28. -Oh... | 0:52:17 | 0:52:19 | |
-30. -Ooh! | 0:52:19 | 0:52:21 | |
30 - fresh bidder, two. | 0:52:21 | 0:52:23 | |
£30, your bid, sir, in the room, in the centre at 30 bid. | 0:52:23 | 0:52:27 | |
32, lady's bid. 35, sir. | 0:52:27 | 0:52:29 | |
If you like? | 0:52:29 | 0:52:31 | |
Sold in front. | 0:52:32 | 0:52:34 | |
-Thomas... -35. | 0:52:34 | 0:52:36 | |
First handshake of the day. | 0:52:36 | 0:52:37 | |
Well done, Thomas. A solid gain. | 0:52:39 | 0:52:41 | |
There's a difference between you and me, isn't there? | 0:52:41 | 0:52:43 | |
What do you mean? | 0:52:43 | 0:52:45 | |
One of us makes a profit. | 0:52:45 | 0:52:46 | |
Now, don't give up, Charlie. | 0:52:47 | 0:52:49 | |
It's your toffee mallet, bought for 36p. | 0:52:49 | 0:52:52 | |
£5 - £5, I've got. Bid eight. | 0:52:52 | 0:52:55 | |
Bid ten, sir? 12. 15. 18... | 0:52:55 | 0:52:57 | |
Roscoe! | 0:52:57 | 0:52:59 | |
20... | 0:52:59 | 0:53:00 | |
£18, now, I'm only bid with you, madam. | 0:53:00 | 0:53:02 | |
Should have bought five of these. | 0:53:02 | 0:53:04 | |
Sold at 18. | 0:53:05 | 0:53:08 | |
Well done, sir. 36p to £18. | 0:53:08 | 0:53:12 | |
Yep, that's the way to do it, boy. | 0:53:12 | 0:53:14 | |
A well-needed sweetener for Charlie. | 0:53:14 | 0:53:17 | |
50 times what it cost. | 0:53:17 | 0:53:20 | |
CHARLIE LAUGHS | 0:53:20 | 0:53:21 | |
Now, what about Thomas's pairing of the pewter dish and the mirror? | 0:53:23 | 0:53:26 | |
£20, then - mirror and the dish for £20. | 0:53:26 | 0:53:29 | |
Got to be that, surely. | 0:53:29 | 0:53:31 | |
£20, I've got - thank you, madam. | 0:53:31 | 0:53:32 | |
We're away now... | 0:53:32 | 0:53:33 | |
Thomas, we're away. | 0:53:33 | 0:53:36 | |
And five. 40. And five. | 0:53:36 | 0:53:38 | |
50. And five. | 0:53:38 | 0:53:41 | |
60. And five. | 0:53:41 | 0:53:43 | |
70... | 0:53:43 | 0:53:44 | |
Good night, Road Trip. | 0:53:44 | 0:53:47 | |
-Shut up, Roscoe! -And seated... | 0:53:47 | 0:53:49 | |
I'm not very good at this, Roscoe. I'm not good at this. | 0:53:49 | 0:53:53 | |
False modesty is most unbecoming, Thomas. | 0:53:53 | 0:53:56 | |
But well done all the same. | 0:53:56 | 0:53:58 | |
-Do you know, Thomas? -What? | 0:53:58 | 0:53:59 | |
I couldn't be thrashed by a nicer person. | 0:53:59 | 0:54:01 | |
Shut up, please. You're not being thrashed. | 0:54:01 | 0:54:03 | |
It's Thomas up again now, this time with his early WMF spirit kettle. | 0:54:03 | 0:54:08 | |
£50. | 0:54:08 | 0:54:10 | |
£20, I've got five bid. 30. Five, sir. | 0:54:10 | 0:54:12 | |
40. And five. | 0:54:12 | 0:54:14 | |
50. Five. | 0:54:14 | 0:54:15 | |
60. Five. | 0:54:15 | 0:54:17 | |
Five bid, 60. | 0:54:17 | 0:54:18 | |
70. 80. | 0:54:18 | 0:54:20 | |
I'll take 75, if you want, then. | 0:54:20 | 0:54:22 | |
At £70, the bid's on the left. £75, madam. 80. | 0:54:22 | 0:54:25 | |
And five. | 0:54:25 | 0:54:26 | |
£80, standing. | 0:54:26 | 0:54:29 | |
All done and finished... | 0:54:29 | 0:54:31 | |
-Ooh... -Well done. Washed your face. | 0:54:31 | 0:54:34 | |
-Mm. -Just a tad... | 0:54:34 | 0:54:35 | |
Certainly not what Thomas expected. That's a loss after commission. | 0:54:35 | 0:54:41 | |
Oh, God, that was quite... | 0:54:41 | 0:54:42 | |
-You're quite pleased, actually, aren't you? -I am. | 0:54:42 | 0:54:44 | |
I am really pleased. | 0:54:44 | 0:54:46 | |
Glad YOU are. | 0:54:46 | 0:54:48 | |
Now it's Charlie's big gamble. He needs to make up a lot of ground | 0:54:49 | 0:54:53 | |
and it all comes down to his enormous dinner service. | 0:54:53 | 0:54:57 | |
£20 - all right, I'm bid, standing on my right with you, sir. | 0:54:57 | 0:55:00 | |
Maiden bid at 20. Now five bid. 30, if you like, sir. | 0:55:00 | 0:55:03 | |
-At £25... -Oh, dear. It's not looking good. | 0:55:03 | 0:55:06 | |
35 bid. 40. And five, sir. | 0:55:06 | 0:55:09 | |
50. 50 at the back. And five. | 0:55:09 | 0:55:11 | |
It's quite a big chunk - | 0:55:11 | 0:55:13 | |
bit of lifting there. | 0:55:13 | 0:55:14 | |
You'd think if someone wants it for...oh. | 0:55:14 | 0:55:17 | |
At 60 bid, seated with you, sir. | 0:55:17 | 0:55:20 | |
We need a little bit more. | 0:55:20 | 0:55:21 | |
You need a LOT more! | 0:55:21 | 0:55:23 | |
CHARLIE SIGHS | 0:55:23 | 0:55:25 | |
I have to say, that's a lot for the money, isn't it? | 0:55:25 | 0:55:28 | |
It certainly is - someone got themselves a bargain. | 0:55:28 | 0:55:33 | |
Stop laughing! I've started with a modest loss. | 0:55:33 | 0:55:35 | |
Now, will Thomas's table lighter make it out of the starter's block? | 0:55:36 | 0:55:40 | |
£20, I've got, then - thank you, madam, at the back. | 0:55:40 | 0:55:43 | |
Five bid. 30. | 0:55:43 | 0:55:44 | |
Five, sir. 40. Five. | 0:55:44 | 0:55:46 | |
45. 50. Five. | 0:55:46 | 0:55:49 | |
55, sir. | 0:55:49 | 0:55:50 | |
60. | 0:55:50 | 0:55:51 | |
Five. 70. | 0:55:51 | 0:55:53 | |
Five. 80. | 0:55:53 | 0:55:56 | |
-Five... -This is a masterclass in dealing. | 0:55:56 | 0:55:59 | |
I'm bid 85. 90. | 0:55:59 | 0:56:01 | |
-Ooh! -Get in there! | 0:56:01 | 0:56:03 | |
100. | 0:56:03 | 0:56:04 | |
110. 110, sir? | 0:56:04 | 0:56:06 | |
Jumping over there. Go on, 105! | 0:56:06 | 0:56:09 | |
105. Ten... | 0:56:09 | 0:56:11 | |
Break the seal. | 0:56:11 | 0:56:12 | |
120. And five. | 0:56:12 | 0:56:14 | |
130. And five. | 0:56:14 | 0:56:18 | |
140. And five. | 0:56:18 | 0:56:20 | |
Selling and going at 140... | 0:56:20 | 0:56:23 | |
Oh! | 0:56:23 | 0:56:25 | |
Roscoe, Roscoe! | 0:56:29 | 0:56:31 | |
A stonking profit for Thomas | 0:56:31 | 0:56:33 | |
as his table lighter streaks across the finishing line. | 0:56:33 | 0:56:36 | |
-Have you ever seen me sulk? -No, and you don't sulk. | 0:56:36 | 0:56:39 | |
-You're about to see me sulk. -You don't sulk. You don't sulk. | 0:56:39 | 0:56:41 | |
I'm going to sulk now. I'm not speaking again today. | 0:56:43 | 0:56:46 | |
Don't be moody. | 0:56:46 | 0:56:47 | |
Now, Charlie, it's the last lot of the day | 0:56:47 | 0:56:49 | |
and it's your Roman bottle. | 0:56:49 | 0:56:51 | |
Nice antiquity there. | 0:56:51 | 0:56:52 | |
Give me £50 for it. | 0:56:52 | 0:56:54 | |
-2,000 years old. -Yeah. | 0:56:56 | 0:56:57 | |
-£20 to start... -Nearly as old as me. | 0:56:57 | 0:57:00 | |
In the corner, now, and I'll take five. | 0:57:00 | 0:57:02 | |
Maiden bid. 25 bid. 30. | 0:57:02 | 0:57:05 | |
Five, sir. 40. | 0:57:05 | 0:57:07 | |
And five. 50. | 0:57:07 | 0:57:10 | |
And five, sir. | 0:57:10 | 0:57:11 | |
-60... -Do you think it's going to make a million? | 0:57:11 | 0:57:14 | |
-£65... -This is at £65,000. | 0:57:14 | 0:57:18 | |
60, back in. Five. | 0:57:18 | 0:57:19 | |
70. | 0:57:19 | 0:57:20 | |
Oh, brilliant. | 0:57:20 | 0:57:22 | |
Go on! | 0:57:22 | 0:57:24 | |
Sold at 65. | 0:57:24 | 0:57:25 | |
That's a very good return on my money. | 0:57:26 | 0:57:29 | |
Well done, Roscoe. | 0:57:29 | 0:57:31 | |
Hurrah! At last, an extremely respectable profit for Roscoe. | 0:57:31 | 0:57:36 | |
This is the nadir of my existence. | 0:57:36 | 0:57:38 | |
You're going to turn a corner and you're going to nail me - | 0:57:38 | 0:57:42 | |
nail me, from now on in. | 0:57:42 | 0:57:43 | |
Well, that remains to be seen. | 0:57:43 | 0:57:45 | |
So, Charlie started off this leg on the back foot | 0:57:45 | 0:57:48 | |
with £195.36 | 0:57:48 | 0:57:50 | |
and has - oh, dear - made a loss of £24.80 after auction costs. | 0:57:50 | 0:57:56 | |
That leaves him with a depleted £170.56 to carry forward. | 0:57:56 | 0:58:01 | |
Don't cry, Charlie, please. It's humiliating. | 0:58:01 | 0:58:04 | |
Thomas's winning streak, though, continues unabated. | 0:58:04 | 0:58:07 | |
He began this leg with £416.88 | 0:58:07 | 0:58:09 | |
and has made a profit of £68.96. | 0:58:09 | 0:58:13 | |
That means his total soars again. | 0:58:13 | 0:58:16 | |
He has £485.84 to spend next time. | 0:58:16 | 0:58:21 | |
Well done. | 0:58:21 | 0:58:22 | |
Right - there's only one way I'm going to win this competition. | 0:58:22 | 0:58:25 | |
Scaring you. | 0:58:25 | 0:58:27 | |
Goodbye, Wrexham. Hope I never see you again! | 0:58:27 | 0:58:30 | |
It wasn't that bad! | 0:58:30 | 0:58:32 |