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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:05 | |
a classic car, and a goal - to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
-Going, going, gone. -Yes. | 0:00:10 | 0:00:13 | |
Hello! | 0:00:13 | 0:00:14 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
Yes! | 0:00:18 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
I'm going to try and win. | 0:00:22 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-The sun shines on the brave, doesn't it? -Exactly. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:33 | |
It's the third leg of our road trip in the West Country, | 0:00:39 | 0:00:43 | |
with Tom Scott and Phil Serrell. | 0:00:43 | 0:00:46 | |
-Do you know what I love about a road trip? -Go on. -The weather. | 0:00:46 | 0:00:50 | |
-This is just right. Lovely, isn't it? -A little bit of soft top. | 0:00:50 | 0:00:53 | |
Shouldn't we have gone down there? | 0:00:53 | 0:00:55 | |
Part-time Lancia navigator Phil, | 0:00:55 | 0:00:57 | |
from Worcester, is an auctioneer by day, with a wealth of knowledge. | 0:00:57 | 0:01:01 | |
That's a fairly grotesque bit, isn't it? | 0:01:01 | 0:01:04 | |
Dealer Tom, from the county of Rutland, | 0:01:04 | 0:01:07 | |
may have only just slipped behind the wheel | 0:01:07 | 0:01:09 | |
but he is already proving to be a smart, speedy | 0:01:09 | 0:01:12 | |
and extremely determined chap. | 0:01:12 | 0:01:15 | |
Watch out, Phil, he means business. | 0:01:15 | 0:01:17 | |
Done. | 0:01:17 | 0:01:18 | |
I got quite excited when they said to me, | 0:01:18 | 0:01:20 | |
"We've got this new chap coming on. He hasn't done it before." | 0:01:20 | 0:01:23 | |
-I thought, "That will be all right." -This is my first time. -Get out. | 0:01:23 | 0:01:26 | |
"Your cheque is in the post and I will still love you in the morning." | 0:01:26 | 0:01:29 | |
I've heard all that! | 0:01:29 | 0:01:31 | |
Well, Tom started out with £200 and he has managed to increase that | 0:01:31 | 0:01:34 | |
to £220.24, | 0:01:34 | 0:01:37 | |
whilst Phil also began with £200 | 0:01:37 | 0:01:40 | |
but has a slim lead with £240.08. | 0:01:40 | 0:01:44 | |
I'm going to blow the lot on clotted cream and pasties. | 0:01:44 | 0:01:47 | |
That should even things up. | 0:01:47 | 0:01:49 | |
Our trip begins at the far south-west corner of Britain, | 0:01:49 | 0:01:53 | |
at St Buryan, before wending its way around several counties, | 0:01:53 | 0:01:57 | |
but always hugging the coast, to reach Wareham in Dorset. | 0:01:57 | 0:02:02 | |
On this leg, we're starting out in Cornwall, at Lostwithiel. | 0:02:02 | 0:02:05 | |
After a brief excursion into Devon, | 0:02:05 | 0:02:07 | |
ending up back there for the auction as well. | 0:02:07 | 0:02:10 | |
"Lostwithiel. Ancient stannary town." What's a stannary town? | 0:02:12 | 0:02:16 | |
Well, any number of things to do with tin mining in Cornwall | 0:02:16 | 0:02:21 | |
and Devon actually. | 0:02:21 | 0:02:22 | |
Lostwithiel was the administrative centre of a mining area | 0:02:22 | 0:02:25 | |
where tin coinage was once collected | 0:02:25 | 0:02:28 | |
for the Crown or the Duchy of Cornwall. | 0:02:28 | 0:02:29 | |
-This is lovely, isn't it? -It's beautiful. | 0:02:29 | 0:02:34 | |
-There we go. -Let's go. See what we can find. | 0:02:34 | 0:02:37 | |
-We've got some nice bits. -Good, mate. -See you later. Have a good day. | 0:02:38 | 0:02:42 | |
Take care. | 0:02:42 | 0:02:43 | |
-Hello. How are you? -I'm fine, thanks. | 0:02:44 | 0:02:47 | |
Not only will the auction be a general sale, | 0:02:47 | 0:02:49 | |
so no rock ephemera, please, but it will be just down the street. | 0:02:49 | 0:02:54 | |
Mike, though, might be able to point Phil at something | 0:02:54 | 0:02:56 | |
he can see a profit in. | 0:02:56 | 0:02:58 | |
I like this mirror. | 0:02:58 | 0:03:00 | |
-Don't give me a price on it yet, but is that by anybody? -No, it's not. | 0:03:00 | 0:03:04 | |
It's just a nice design. The shape is right. | 0:03:04 | 0:03:08 | |
It fits in with that mid-century look. | 0:03:08 | 0:03:11 | |
I would see that making 20 to 40 quid, | 0:03:11 | 0:03:13 | |
something like that, in an auction. | 0:03:13 | 0:03:15 | |
I think Mike just realised what Phil will be offering. | 0:03:15 | 0:03:18 | |
-Can I have a look at the back of it? -Yeah. It's quite hefty. | 0:03:18 | 0:03:21 | |
-It looks to me like it's come out of Star Trek. -It does, it does. | 0:03:21 | 0:03:25 | |
It's got the right look. | 0:03:25 | 0:03:26 | |
I can just see that in Mr Spock's living quarters. | 0:03:26 | 0:03:28 | |
Logical! | 0:03:28 | 0:03:29 | |
Could you do that for ten or 15 quid? | 0:03:29 | 0:03:33 | |
-I'd do it for 15. I couldn't go any lower. -That's all right. | 0:03:33 | 0:03:37 | |
I'm going to buy that off you for 15 quid. I think... | 0:03:37 | 0:03:40 | |
In the right auction, | 0:03:41 | 0:03:43 | |
I would hope that that could make 50 or 60 quid. | 0:03:43 | 0:03:47 | |
General sale around the corner. Don't get carried away. | 0:03:47 | 0:03:51 | |
I think that's a bit of fun. I quite like that. | 0:03:51 | 0:03:54 | |
OK, Tom's turn. | 0:03:54 | 0:03:56 | |
-Morning. -Morning. -You must be Judith. -Yes. -Tom. | 0:03:57 | 0:04:00 | |
-Lovely to meet you. -Hello. | 0:04:00 | 0:04:03 | |
So far this week, Tom has sniffed out something in no time flat. | 0:04:03 | 0:04:07 | |
He seems to have relaxed a bit this morning, though. | 0:04:07 | 0:04:10 | |
This is another piece of wood. I love bits of wood. | 0:04:10 | 0:04:14 | |
It's just a beech rolling pin. I love that, though. | 0:04:14 | 0:04:19 | |
A couple of terracotta plant pots. | 0:04:19 | 0:04:22 | |
They are pretty recent, obviously, but they are quite nice. | 0:04:22 | 0:04:25 | |
It's good as a pair. | 0:04:25 | 0:04:26 | |
The ticket price on these is £28. | 0:04:26 | 0:04:29 | |
They are worth a quick go. | 0:04:29 | 0:04:30 | |
Perfect for a general sale. | 0:04:30 | 0:04:32 | |
Good seasonal piece as well. | 0:04:32 | 0:04:34 | |
He's definitely getting the hang of it. | 0:04:34 | 0:04:36 | |
Something like these eight glasses up here, these are quite fun. | 0:04:36 | 0:04:39 | |
These eight... | 0:04:39 | 0:04:40 | |
They are quite fun. Very, very fine. | 0:04:42 | 0:04:45 | |
They could be quite good. | 0:04:46 | 0:04:47 | |
The ticket price is £18. | 0:04:47 | 0:04:49 | |
Time to speak to Judith. | 0:04:49 | 0:04:51 | |
You've got a pair of terracotta garden urns upstairs. | 0:04:51 | 0:04:56 | |
You've got £28 on them. | 0:04:56 | 0:04:58 | |
I know what you're going to ask for. | 0:04:58 | 0:04:59 | |
Interesting. | 0:04:59 | 0:05:00 | |
-How about 20? -Exactly. | 0:05:00 | 0:05:02 | |
-Can we do 20? -We'll say 20. | 0:05:02 | 0:05:05 | |
Perfect. Thank you very much. I appreciate that. | 0:05:05 | 0:05:08 | |
To help the deal, because you've given me that little more off, | 0:05:08 | 0:05:11 | |
-you've got another little set of eight green glasses... -Glasses. | 0:05:11 | 0:05:15 | |
..up on the shelf. Those are quite fun. Those are on at £18, I think. | 0:05:15 | 0:05:21 | |
He would go down to 15 but definitely no more. | 0:05:21 | 0:05:24 | |
-Because they are worth it. -That's fair. | 0:05:24 | 0:05:26 | |
-So we could do the two for 35. -Yeah. -Perfect. | 0:05:26 | 0:05:29 | |
-Right. -Two purchases. Done. Thank you very much. | 0:05:29 | 0:05:32 | |
I'd better get you some money. | 0:05:32 | 0:05:34 | |
So, with his younger rival off to another good start, | 0:05:35 | 0:05:39 | |
what's the next move for the silver fox? | 0:05:39 | 0:05:41 | |
Aye aye... | 0:05:45 | 0:05:46 | |
-Hello, how are you? -Very well, thank you. -Good, good. | 0:05:46 | 0:05:49 | |
Can I have a grapefruit juice, please? | 0:05:49 | 0:05:51 | |
With at least ten antique shops to choose from, why come here? | 0:05:51 | 0:05:56 | |
You've got some interesting bits hanging on the walls or whatever. | 0:05:56 | 0:05:59 | |
Can I tempt you to flog any of those to me? | 0:05:59 | 0:06:02 | |
Well, it depends how much you offer, but, yeah. | 0:06:02 | 0:06:05 | |
-Story of my life, that is. -That's it. -I'll have a look round. -OK. | 0:06:05 | 0:06:08 | |
Here we go. | 0:06:08 | 0:06:10 | |
That's quite interesting because this would have hung on a bar | 0:06:10 | 0:06:13 | |
over a fireplace not too dissimilar to that. | 0:06:13 | 0:06:15 | |
And by adjusting this, | 0:06:17 | 0:06:18 | |
you have a saucepan or a pan on the bottom or a kettle | 0:06:18 | 0:06:21 | |
and you could've adjusted this up and down | 0:06:21 | 0:06:23 | |
so that it was either really low on the fire or higher or. | 0:06:23 | 0:06:26 | |
Oh, right. | 0:06:26 | 0:06:28 | |
Jackie, my budget is little, all right? And I mean really little. | 0:06:28 | 0:06:31 | |
-We are talking a few pounds here, not big time. -Okey-dokey. | 0:06:31 | 0:06:35 | |
And I think that bit of metal is interesting. | 0:06:35 | 0:06:37 | |
You've got two of those, haven't you? You might not miss one of those. | 0:06:37 | 0:06:40 | |
-Right, yeah. -Is there anything outside we could have a look at? -Yes. | 0:06:40 | 0:06:44 | |
Now, for a trip up the beer garden path. | 0:06:44 | 0:06:47 | |
I like that. | 0:06:47 | 0:06:48 | |
-Don't suppose you've got another one, have you? -I'm afraid not. | 0:06:48 | 0:06:52 | |
She's a pub landlady, Phil, not a scrap-metal dealer. | 0:06:52 | 0:06:55 | |
That has come off something like a railway porter's trolley. Yeah. | 0:06:55 | 0:06:59 | |
-I think it's a bit of fun. -Yeah. | 0:06:59 | 0:07:02 | |
This is really mean. Can I give you a fiver for the two? A fiver. | 0:07:02 | 0:07:06 | |
-Is that all? -I am mean. | 0:07:06 | 0:07:07 | |
I don't know how to show a girl a good time. | 0:07:07 | 0:07:10 | |
-Go on, then, a fiver will do. -You're an angel. | 0:07:10 | 0:07:12 | |
-Thank you so much. -Thank you. I'll get myself a drink with that. | 0:07:12 | 0:07:15 | |
I'll pay for mine first. | 0:07:15 | 0:07:17 | |
Well, for a price like that, it's hard to go wrong, | 0:07:17 | 0:07:20 | |
whatever those old lumps make. | 0:07:20 | 0:07:22 | |
Ideally what I'm looking for is someone at the auction room who | 0:07:22 | 0:07:25 | |
has a saucepan that they want to warm over a fire, and a one-wheel trolley. | 0:07:25 | 0:07:29 | |
Well, good luck, Phil. | 0:07:29 | 0:07:31 | |
Meanwhile, they are back on the road, | 0:07:31 | 0:07:33 | |
heading east from Lostwithiel towards Liskeard. | 0:07:33 | 0:07:36 | |
-Is that my shop there? -Oh, there you go. | 0:07:37 | 0:07:40 | |
-That looks all right. -Yeah, absolutely. -Get in there, mate. | 0:07:40 | 0:07:43 | |
-Have fun. -Yeah, have a good time. -See you later. -Bye. | 0:07:43 | 0:07:46 | |
-Hi, how are you? -Fine, thanks. Welcome to Liskeard. -Yeah, cheers. | 0:07:50 | 0:07:54 | |
-Good to see you. How are you doing? -Yeah, really good. | 0:07:54 | 0:07:57 | |
Bay Tree Trading doesn't sell trees. | 0:07:57 | 0:08:00 | |
Not many traditional antiques here either. | 0:08:00 | 0:08:02 | |
Just the job for Phil then. | 0:08:02 | 0:08:04 | |
I think the term is second-hand. | 0:08:04 | 0:08:06 | |
It's not often that I'm speechless, but I am. | 0:08:07 | 0:08:12 | |
Hang on. Has Alexis got something? | 0:08:12 | 0:08:15 | |
Nice piece of Doulton plate. Absolutely perfect. | 0:08:15 | 0:08:18 | |
18th-century Royal Doulton. | 0:08:18 | 0:08:21 | |
-That's not 18th-century. That's about 1930. -1930, is it? | 0:08:22 | 0:08:26 | |
Made in England - anything that's got Made in England, it's 20th century. | 0:08:26 | 0:08:30 | |
There we are. | 0:08:31 | 0:08:33 | |
Oh, dear. Good luck, Phil. | 0:08:35 | 0:08:37 | |
But while Phil struggles, Tom motors on, | 0:08:41 | 0:08:44 | |
heading south-east from Liskeard to St Germans... | 0:08:44 | 0:08:48 | |
..to visit an ancient and magical home. | 0:08:49 | 0:08:52 | |
It's beautiful, this, isn't it? | 0:08:52 | 0:08:54 | |
Little bit bumpy for the old Lancia but... | 0:08:54 | 0:08:58 | |
It's going to be an impressive view when we get round this corner, | 0:08:58 | 0:09:01 | |
I think. | 0:09:01 | 0:09:03 | |
Port Eliot has been the home of the Eliots of St Germans | 0:09:07 | 0:09:11 | |
for 500 years and Tom's here to see | 0:09:11 | 0:09:13 | |
a few of its accumulated treasures, with the lady of the house. | 0:09:13 | 0:09:17 | |
-Lady St German. -Hello. -Hello. | 0:09:17 | 0:09:19 | |
-A pleasure to meet you. I'm Tom. -Lovely to see you. | 0:09:19 | 0:09:22 | |
-Thank you so much for having me at this wonderful house. -Come in. | 0:09:22 | 0:09:27 | |
Not forgetting Roo and Lark. | 0:09:27 | 0:09:29 | |
The nation's oldest continually inhabited dwelling | 0:09:31 | 0:09:34 | |
and now open to the public every summer, Port Eliot is vast, | 0:09:34 | 0:09:38 | |
with over 100 rooms and an air of faded grandeur about each one. | 0:09:38 | 0:09:43 | |
The house might almost have inspired Gormenghast. | 0:09:43 | 0:09:47 | |
I think one of the things I love about Port Eliot | 0:09:47 | 0:09:49 | |
and it's known for is its patina. | 0:09:49 | 0:09:50 | |
It's an extremely old house | 0:09:50 | 0:09:53 | |
and it really hasn't been redecorated for several generations. | 0:09:53 | 0:09:56 | |
For example, this wallpaper is 19th-century. | 0:09:56 | 0:09:59 | |
It's beautiful, isn't it? | 0:09:59 | 0:10:01 | |
It's green, as you can see, | 0:10:01 | 0:10:03 | |
and the green dye contained arsenic and people died from this wallpaper. | 0:10:03 | 0:10:08 | |
-Of course. But we'll be OK today. -You should be. Yes. | 0:10:08 | 0:10:11 | |
There is no recorded cases of anyone dying from the wallpaper here. | 0:10:11 | 0:10:14 | |
During the Middle Ages, Port Eliot really was a flourishing port | 0:10:15 | 0:10:19 | |
and an Augustinian priory. | 0:10:19 | 0:10:21 | |
But in the 18th century the Eliots employed landscape painter | 0:10:21 | 0:10:24 | |
Humphry Repton to build a dam | 0:10:24 | 0:10:26 | |
and create what is now a Grade I listed park and garden. | 0:10:26 | 0:10:32 | |
Now it's a perfect, perfect classical landscape. | 0:10:32 | 0:10:35 | |
-It's a kind of pastoral ideal, and it does change hourly. -Yes. | 0:10:35 | 0:10:39 | |
And also, it would have been a bit inconvenient | 0:10:39 | 0:10:41 | |
-to have to wait for the tide to get home. -It's a bit of a wait. | 0:10:41 | 0:10:45 | |
Yes, it would have been every 12 hours you could have made it home. | 0:10:45 | 0:10:48 | |
Neoclassical architect Sir John Soane, | 0:10:48 | 0:10:50 | |
who designed the old Bank of England, | 0:10:50 | 0:10:53 | |
also got to work on the house at that time, | 0:10:53 | 0:10:55 | |
demolishing much that was medieval to create an enfilade. | 0:10:55 | 0:10:59 | |
Incredible, isn't it? | 0:10:59 | 0:11:01 | |
The first Baron Eliot, and the man who paid for that refit, | 0:11:01 | 0:11:05 | |
can be seen in this family portrait by Joshua Reynolds. | 0:11:05 | 0:11:09 | |
-He was a patron of Joshua Reynolds all his life. -Right. | 0:11:09 | 0:11:12 | |
And Reynolds was so grateful to Edward Eliot that | 0:11:12 | 0:11:16 | |
when he died he left him his snuffbox, which we have here. | 0:11:16 | 0:11:20 | |
Which is beautiful. | 0:11:20 | 0:11:22 | |
And when Reynolds academics come here and they sit on the sofa | 0:11:22 | 0:11:25 | |
to study this picture and the others in the room, | 0:11:25 | 0:11:27 | |
if you give them this to hold and they open it, | 0:11:27 | 0:11:30 | |
they almost pass out | 0:11:30 | 0:11:31 | |
because they can't quite believe what they're looking at. | 0:11:31 | 0:11:33 | |
We're very lucky to have it here. | 0:11:33 | 0:11:35 | |
And if you're not keen on Reynolds, there's plenty more, | 0:11:35 | 0:11:38 | |
like the van Dyck in the morning room, | 0:11:38 | 0:11:40 | |
as well as several more modern works. | 0:11:40 | 0:11:43 | |
But the house's undoubted masterpiece is the huge mural | 0:11:46 | 0:11:52 | |
in Sir John Soane's round room. | 0:11:52 | 0:11:54 | |
-It is all incredible, isn't it? -It's so powerful, the mural. | 0:11:54 | 0:11:57 | |
You actually can't read a book sitting in here. | 0:11:57 | 0:11:59 | |
-Yeah, it distracts you. -Yes. | 0:11:59 | 0:12:01 | |
All you can think about when you're in here | 0:12:01 | 0:12:03 | |
is the mural and what it's saying. | 0:12:03 | 0:12:05 | |
The Riddle, by the controversial Plymouth-based artist | 0:12:05 | 0:12:09 | |
Robert Lenkiewicz, was commissioned in 1980 | 0:12:09 | 0:12:12 | |
and took over 20 years to complete. | 0:12:12 | 0:12:14 | |
Hidden amongst the dragons and destruction | 0:12:14 | 0:12:17 | |
are several references to the family's history. | 0:12:17 | 0:12:20 | |
Every time I come in here I see something different. | 0:12:22 | 0:12:24 | |
-You suddenly spot something. -I've just spotted a Harley-Davidson. | 0:12:24 | 0:12:27 | |
Absolutely, that's my husband's. | 0:12:27 | 0:12:29 | |
-He rode to Morocco on that in the '60s. -Fabulous. | 0:12:29 | 0:12:31 | |
-And it gives you some sense of the scale of the room. -Absolutely, yes. | 0:12:31 | 0:12:35 | |
You can lose a seven-foot-long motorcycle | 0:12:35 | 0:12:38 | |
in the corner of the room! | 0:12:38 | 0:12:39 | |
Thank you so much for showing me around. | 0:12:41 | 0:12:43 | |
-It's been absolutely brilliant. -Maybe I should show you the way out. | 0:12:43 | 0:12:46 | |
-Do you mind? -It's not that easy, it's not that straightforward. | 0:12:46 | 0:12:49 | |
Brilliant. Thank you. | 0:12:49 | 0:12:50 | |
Now, what's Phil been up to? | 0:12:54 | 0:12:56 | |
Last time we saw him he was a bit stuck. | 0:12:59 | 0:13:02 | |
An antique shop would be useful, though. | 0:13:02 | 0:13:05 | |
You've got to think laterally in this business. | 0:13:05 | 0:13:08 | |
Quite, Phil. | 0:13:08 | 0:13:09 | |
I suppose after his trip to the pub earlier, | 0:13:09 | 0:13:11 | |
anything is possible. | 0:13:11 | 0:13:14 | |
Time to get Owen over for a chat. | 0:13:14 | 0:13:16 | |
These barrels, are they ex-beer barrels or are they just barrels | 0:13:16 | 0:13:19 | |
that are made for garden centres? | 0:13:19 | 0:13:21 | |
They're whisky barrels, they are ex-whisky barrels. | 0:13:21 | 0:13:23 | |
If you've got a sensitive nose you can smell the aroma. | 0:13:23 | 0:13:26 | |
-Actually, you can smell some booze, can't you? -Yes. -That's fantastic. | 0:13:26 | 0:13:31 | |
THEY LAUGH | 0:13:31 | 0:13:32 | |
It's a bit like the pub all over again! | 0:13:32 | 0:13:35 | |
£20, £19. | 0:13:35 | 0:13:38 | |
-Can we take the best-looking one of the £19-ers? -I would say... | 0:13:38 | 0:13:42 | |
-Well, that one looks quite nice. -OK, can we take that out? -Certainly. | 0:13:42 | 0:13:46 | |
Right, and to put in Sir's pot? | 0:13:46 | 0:13:49 | |
Now, what I want is something that looks really, really big | 0:13:49 | 0:13:51 | |
-and is really, really cheap. -OK. | 0:13:51 | 0:13:53 | |
You could have something like a rhododendron. | 0:13:53 | 0:13:55 | |
Shorter, but it will fill out the container better. | 0:13:55 | 0:13:58 | |
I am not sure how Phil's big and cheap approach | 0:13:58 | 0:14:01 | |
would go down on our Gardeners' Question Time, but it's a plan. | 0:14:01 | 0:14:04 | |
So that's about the right size. | 0:14:04 | 0:14:06 | |
-Would it be possible to put some stuff in there? -Er, stuff? | 0:14:06 | 0:14:09 | |
-Soil I guess is what we're looking for. -Compost, yeah, we can do that. | 0:14:09 | 0:14:12 | |
And how much could you do that for? | 0:14:12 | 0:14:14 | |
So we've got the barrel, 19, the rhododendron is 25... | 0:14:14 | 0:14:19 | |
Could you do it for £20 the two, cos I'm stuffed? | 0:14:19 | 0:14:22 | |
-I, I, I, I think we could, yes. -Thank you. | 0:14:22 | 0:14:24 | |
Shake hands. Let me get you some money out. | 0:14:24 | 0:14:26 | |
That's the quickest I've ever seen Phil move. | 0:14:26 | 0:14:29 | |
Look at that. | 0:14:33 | 0:14:34 | |
Back together again, our experts are heading into Devon | 0:14:36 | 0:14:39 | |
and to the Port of Plymouth. | 0:14:39 | 0:14:41 | |
You and I haven't done the same shop yet, have we? | 0:14:44 | 0:14:46 | |
No, mate, this is another new experience. | 0:14:46 | 0:14:48 | |
This is going to be tussles and tussles, isn't it? | 0:14:48 | 0:14:50 | |
They did say you're a very, very fair man. | 0:14:50 | 0:14:52 | |
Let me tell you, they lied. | 0:14:52 | 0:14:54 | |
-This is a brilliant little place, isn't it? -This is really cool. | 0:14:55 | 0:14:58 | |
This looks quite something. | 0:14:58 | 0:15:00 | |
Hello, John. | 0:15:00 | 0:15:02 | |
This is the oppo, Tom. | 0:15:02 | 0:15:03 | |
Charming, Phil! | 0:15:03 | 0:15:04 | |
All right? Pleased to meet you. | 0:15:04 | 0:15:08 | |
Crikey! What to choose? | 0:15:08 | 0:15:12 | |
Ah, Phil's spotted something. | 0:15:14 | 0:15:16 | |
Can I get that down and have a look at it, please? I like that. | 0:15:16 | 0:15:20 | |
This is a Victorian woolwork piece of militaria, | 0:15:20 | 0:15:23 | |
relating to the Battle of Ladysmith and other battles. | 0:15:23 | 0:15:27 | |
The latest one was Ladysmith, | 0:15:27 | 0:15:30 | |
so we're talking about just before 1900. | 0:15:30 | 0:15:34 | |
Actually it's the Gloucester Regiment. | 0:15:34 | 0:15:36 | |
The Glorious Glosters were one of the most honoured units | 0:15:36 | 0:15:39 | |
in the British Army, although since 2005 they've merged | 0:15:39 | 0:15:43 | |
with some other regiments to become the 1st Battalion, The Rifles. | 0:15:43 | 0:15:47 | |
-What would that come for? -35. | 0:15:47 | 0:15:50 | |
-And that's the death on that? -That's the death. | 0:15:50 | 0:15:52 | |
OK, I'll have that. | 0:15:52 | 0:15:54 | |
I think Phil's mojo is definitely on the rise. | 0:15:54 | 0:15:58 | |
-Can I just have a look at that? What is that? -It's a loudspeaker. | 0:15:58 | 0:16:02 | |
It's called the Sterling Baby, probably a 1910, 1920 early speaker. | 0:16:04 | 0:16:09 | |
I really like that. | 0:16:10 | 0:16:12 | |
What would that come for? | 0:16:12 | 0:16:14 | |
-I would do it for 20. -OK. | 0:16:14 | 0:16:16 | |
If you put a light in there, wouldn't that make a great lamp? | 0:16:16 | 0:16:22 | |
Yes, it would, actually. | 0:16:22 | 0:16:24 | |
I suppose that could be described as a lamp bulb moment. | 0:16:24 | 0:16:27 | |
TING! | 0:16:27 | 0:16:28 | |
Two buys to Phil. | 0:16:28 | 0:16:31 | |
-I better give you some money. -Yes, that would be good. | 0:16:31 | 0:16:34 | |
£55 the total. | 0:16:34 | 0:16:35 | |
-Thanks very much. -Thank you very much. | 0:16:35 | 0:16:37 | |
Phil's finally content, it seems. | 0:16:37 | 0:16:40 | |
Time for Tom to get a turn with the proprietor. | 0:16:40 | 0:16:43 | |
What about Buddhas? You can't go wrong with Buddhas. | 0:16:43 | 0:16:46 | |
Too easy to reach, I think, John! | 0:16:46 | 0:16:48 | |
Tom's intent on a rummage. | 0:16:48 | 0:16:50 | |
-That's a camel saddle. -You could convert that and stick a... | 0:16:50 | 0:16:53 | |
You could even turn it into a coffee table, couldn't you? | 0:16:53 | 0:16:56 | |
Or, if you had a camel... | 0:16:56 | 0:16:57 | |
That's great, isn't it? I like that. | 0:16:57 | 0:17:00 | |
What would you do something like that for? | 0:17:00 | 0:17:02 | |
-Has it got a ticket on it, actually? -It does. -What does it say? | 0:17:02 | 0:17:04 | |
-Do you want me to be honest or not? -Yeah, tell me. -It is at 75. | 0:17:04 | 0:17:07 | |
I'll do it for 50. How's that? | 0:17:07 | 0:17:10 | |
50's probably still a bit steep for me, but I do like it. | 0:17:10 | 0:17:14 | |
All right, 40. Now that I look at it in the light, I must admit, | 0:17:14 | 0:17:17 | |
it's not inspiring me either. | 0:17:17 | 0:17:19 | |
It's been through the wars, hasn't it? | 0:17:19 | 0:17:22 | |
I tell you what, I'd go for it at £30. | 0:17:22 | 0:17:24 | |
-OK, cheers. -Deal. I like that, that's brilliant. Thanks, John. | 0:17:24 | 0:17:28 | |
Tom has jumped back into the Lancia with more shopping to do. | 0:17:32 | 0:17:37 | |
He's returning to Cornwall to the town of Callington, | 0:17:37 | 0:17:40 | |
with plenty of cash in his pocket too. | 0:17:40 | 0:17:43 | |
I've still got £150 left to get rid of, so, erm... | 0:17:43 | 0:17:47 | |
I'm sure we'll find something. | 0:17:47 | 0:17:49 | |
I still need a hairband. | 0:17:49 | 0:17:50 | |
Or maybe a haircut. | 0:17:50 | 0:17:52 | |
The little town of Callington is famous for its murals. | 0:17:54 | 0:17:58 | |
Pasties too. | 0:17:58 | 0:18:00 | |
-Afternoon. -Good afternoon. -Tom. Nice to meet you. -Dave Williams. | 0:18:00 | 0:18:04 | |
Welcome to my humble emporium, Tom. | 0:18:04 | 0:18:07 | |
Despite its moderate size, Goldings has a good mix, | 0:18:07 | 0:18:10 | |
with a bit of Eastern promise too. | 0:18:10 | 0:18:13 | |
What is this, Dave? | 0:18:13 | 0:18:15 | |
-DAVE LAUGHS -It's something quite rare. | 0:18:15 | 0:18:17 | |
Pick it up, it's very light. | 0:18:17 | 0:18:20 | |
Like a great big finial, isn't it? | 0:18:20 | 0:18:22 | |
DAVE LAUGHS | 0:18:22 | 0:18:23 | |
It's actually a rice container. | 0:18:23 | 0:18:25 | |
-I was going to say a rice container, OK. -Made in Burma. | 0:18:25 | 0:18:28 | |
You'll see them in Burma still in use, by monks, | 0:18:28 | 0:18:32 | |
to get their daily rice ration. | 0:18:32 | 0:18:34 | |
But they're very much smaller than those. | 0:18:34 | 0:18:36 | |
The other useful fact is that the wood contains a particular | 0:18:36 | 0:18:39 | |
sort of resin which discourages any insects or rodents | 0:18:39 | 0:18:43 | |
who might have designs on your rice. | 0:18:43 | 0:18:46 | |
-We'll keep that one in mind. -Mm-hmm. | 0:18:46 | 0:18:48 | |
Dave's also got a storeroom at the back. Might there be a bargain? | 0:18:48 | 0:18:52 | |
-Nice oval frames there. -Very nice Regency frames there. | 0:18:52 | 0:18:56 | |
Very nice. | 0:18:56 | 0:18:57 | |
Dig 'em out for you. | 0:18:57 | 0:18:58 | |
They're prints by Angelica Kauffmann | 0:18:58 | 0:19:02 | |
that were extremely popular in that period. | 0:19:02 | 0:19:05 | |
Angelica Kauffmann was a Swiss-born artist | 0:19:05 | 0:19:08 | |
who was one of the only two female founding members | 0:19:08 | 0:19:10 | |
of the Royal Academy in 1768. | 0:19:10 | 0:19:13 | |
Where would you see these at? What would you do these for me at? | 0:19:13 | 0:19:17 | |
Make me a reasonable offer. | 0:19:17 | 0:19:18 | |
I'm probably looking at about £20 for the pair. | 0:19:18 | 0:19:22 | |
Phwooh. | 0:19:22 | 0:19:23 | |
Despite Dave's reaction, I think they're making progress. | 0:19:23 | 0:19:26 | |
Let's look at the rice container again. | 0:19:26 | 0:19:29 | |
I've got 85 on it. | 0:19:29 | 0:19:32 | |
It's a very unusual piece. | 0:19:32 | 0:19:35 | |
How about 85 for all three? | 0:19:35 | 0:19:37 | |
If I knew a little bit more about the sale, | 0:19:38 | 0:19:41 | |
then I'd be a little more... | 0:19:41 | 0:19:43 | |
..eager. But I'm just... | 0:19:45 | 0:19:48 | |
-Well, I bought it! -I know you bought it. | 0:19:48 | 0:19:50 | |
But then again, I buy odd things. | 0:19:50 | 0:19:51 | |
That's the thing, you've got it in your lovely shop. | 0:19:51 | 0:19:55 | |
A steering wheel for an elephant. | 0:19:55 | 0:19:58 | |
Obviously(!) | 0:19:58 | 0:20:00 | |
That's an ankus. | 0:20:00 | 0:20:01 | |
You have got some brilliant little pieces lying around. | 0:20:01 | 0:20:03 | |
-Do you know how they use them? -I'm assuming it's kind of... | 0:20:03 | 0:20:08 | |
Probably not very nicely, by the looks of that. | 0:20:08 | 0:20:10 | |
Hook that behind the elephant's ear. Either left or right. | 0:20:10 | 0:20:13 | |
Just give it a tug to tell it to go left or right. | 0:20:13 | 0:20:16 | |
I could have done with that with Philip earlier. | 0:20:16 | 0:20:18 | |
It would take more than that. | 0:20:18 | 0:20:20 | |
You're at 85, aren't you, with the rice container and the two frames? | 0:20:20 | 0:20:24 | |
Yup. | 0:20:24 | 0:20:26 | |
-You've got 30 on here. -How about 100 for the four pieces? | 0:20:26 | 0:20:30 | |
-Well, I was going to say 90. -Ooh. Painful. | 0:20:30 | 0:20:35 | |
-95. -Shall we meet in the middle? | 0:20:35 | 0:20:39 | |
-92.50? -Go on, you've got a deal. | 0:20:39 | 0:20:41 | |
Brilliant. | 0:20:41 | 0:20:42 | |
So, £62.50 for the rice pot and elephant goad, | 0:20:42 | 0:20:46 | |
plus £30 for the Kauffmann prints. | 0:20:46 | 0:20:48 | |
With the shopping done, | 0:20:50 | 0:20:51 | |
let's remind ourselves of what they've bought. | 0:20:51 | 0:20:55 | |
Phil began with £240.08, and he spent just £95 | 0:20:55 | 0:21:00 | |
on five auction lots - | 0:21:00 | 0:21:01 | |
the regimental woolwork, | 0:21:01 | 0:21:03 | |
the Stirling baby horn, | 0:21:03 | 0:21:06 | |
the pan hook and wheel, | 0:21:06 | 0:21:08 | |
the Star Trek mirror, | 0:21:08 | 0:21:10 | |
and the barrel and plant. | 0:21:10 | 0:21:11 | |
Tom started out with £220.24, | 0:21:15 | 0:21:18 | |
and he spent £157.50, also on five auction lots. | 0:21:18 | 0:21:23 | |
The green glasses, | 0:21:23 | 0:21:25 | |
the rice container and elephant crop, | 0:21:25 | 0:21:28 | |
the Angelica Kauffman prints, | 0:21:28 | 0:21:30 | |
the terracotta urns, | 0:21:30 | 0:21:32 | |
and the camel saddle. | 0:21:32 | 0:21:33 | |
So now it's time to hit the road and head for auction. | 0:21:36 | 0:21:41 | |
After beginning in Lostwithiel, | 0:21:41 | 0:21:43 | |
the third leg will conclude at an auction | 0:21:43 | 0:21:45 | |
right back in Lostwithiel. | 0:21:45 | 0:21:48 | |
I wonder what Lostwithiel means. | 0:21:48 | 0:21:50 | |
Well, since you asked, Phil, it's reckoned to come | 0:21:50 | 0:21:53 | |
from an old Cornish expression meaning tail end of the woodland. | 0:21:53 | 0:21:56 | |
There was a battle here too, back in 1644, | 0:21:56 | 0:21:59 | |
probably not fought with elephant prods and rhododendrons though. | 0:21:59 | 0:22:04 | |
Up and at 'em, Tom-o. | 0:22:04 | 0:22:05 | |
Who's going to win, you or me? | 0:22:05 | 0:22:06 | |
Come on, let's get in. | 0:22:06 | 0:22:08 | |
Jeffreys have been here in Lostwithiel for almost 150 years, | 0:22:08 | 0:22:13 | |
so I suppose they must have sold a potted plant before. | 0:22:13 | 0:22:17 | |
The bad news for Tom, though, | 0:22:17 | 0:22:18 | |
is that two of his items have been damaged in transit. | 0:22:18 | 0:22:21 | |
He's lost one green glass | 0:22:21 | 0:22:24 | |
and the bamboo rice container has become even more misshapen. | 0:22:24 | 0:22:28 | |
Because Tom's items were insured, though, | 0:22:28 | 0:22:31 | |
the auctioneer's valuation guarantees a minimum payout - | 0:22:31 | 0:22:34 | |
£25 for the glasses and £50 for the rice device. | 0:22:34 | 0:22:39 | |
In charge of proceedings is auctioneer Ian Morris. | 0:22:39 | 0:22:45 | |
Phil's first into battle with his Glorious Glosters' woolwork. | 0:22:45 | 0:22:49 | |
I've got two bids of £20. | 0:22:49 | 0:22:51 | |
Exactly the same, and that's where we'll start with me, at £20. | 0:22:51 | 0:22:54 | |
£20, £20, 22, 22, 25, 28... £30? | 0:22:54 | 0:23:00 | |
At £28... 30, 32... 35? 35. 38? 38. £40? | 0:23:00 | 0:23:06 | |
-38 in the middle... -That's good. Is that good? | 0:23:06 | 0:23:10 | |
-I'll tell you in a minute. -..45. 48? £50? £50. | 0:23:10 | 0:23:13 | |
55, 60? 60. Five? | 0:23:13 | 0:23:16 | |
At £60 we bid, at £60, all done. | 0:23:16 | 0:23:20 | |
The buyer, 50, thank you. | 0:23:20 | 0:23:23 | |
First skirmish to Phil, well done. | 0:23:23 | 0:23:26 | |
That's record-breaking for me, that is. | 0:23:26 | 0:23:28 | |
Double-figure profit? Get in. | 0:23:28 | 0:23:31 | |
And speaking of things being broken, Tom's SEVEN green glasses. | 0:23:31 | 0:23:36 | |
£30 away? £20 away, very nice-looking. | 0:23:36 | 0:23:39 | |
£20? At ten, I'll take 12... | 0:23:39 | 0:23:42 | |
Be nice to get him over the 25. | 0:23:42 | 0:23:45 | |
At £16, 18 now? We all done? Going...and £16. | 0:23:45 | 0:23:50 | |
£16, to 184. | 0:23:50 | 0:23:52 | |
Just a pound more than he paid, but remember, | 0:23:52 | 0:23:55 | |
because they were damaged in transit, | 0:23:55 | 0:23:58 | |
the £25 insurance valuation applies. | 0:23:58 | 0:24:00 | |
So I would have made a pound, I've actually made ten. | 0:24:00 | 0:24:04 | |
I'm going to start breaking more of my stuff, I tell you, | 0:24:04 | 0:24:07 | |
it's the way forward. | 0:24:07 | 0:24:09 | |
How about Phil's horn? | 0:24:09 | 0:24:10 | |
-I think that's got real potential. -I hope so, I hope so. | 0:24:10 | 0:24:14 | |
-I've got three bids, and I'm going to start at £40. -Ooh, profit. | 0:24:14 | 0:24:17 | |
At £40, I'll take five. | 0:24:17 | 0:24:19 | |
45, £50, 55, £60. | 0:24:19 | 0:24:22 | |
£60 still with me, at 60. 65. | 0:24:22 | 0:24:26 | |
£70. Is it five? £70 still with me. | 0:24:26 | 0:24:29 | |
At £70... | 0:24:29 | 0:24:30 | |
£70. Five, no? We all done? At £70, to 729. | 0:24:30 | 0:24:35 | |
After all the angst, Phil's doing very well here. | 0:24:35 | 0:24:38 | |
-That's good, really good. -Phew. -Well done, mate. | 0:24:38 | 0:24:42 | |
Now for Tom's elephant steering device and damaged rice container. | 0:24:42 | 0:24:47 | |
Actually, I don't mind the bamboo pot, | 0:24:47 | 0:24:49 | |
it's the elephant steering wheel I can't quite get my head around. | 0:24:49 | 0:24:52 | |
There we are, that one's carrying a little bit of damage. | 0:24:52 | 0:24:54 | |
For those two together, can I say £50 away? £30 away? £20 I'm bid. | 0:24:54 | 0:24:58 | |
At £20 to get on then. 22, 25, 28, £30, | 0:24:58 | 0:25:04 | |
32, 35? 35, 38? | 0:25:04 | 0:25:08 | |
At £35 I'm bid. £35, are we all done? | 0:25:08 | 0:25:12 | |
At £35, to 721. | 0:25:12 | 0:25:15 | |
Thanks to the guaranteed insurance price of £50, | 0:25:15 | 0:25:18 | |
based on the auctioneer's valuation, the loss is nowhere near as heavy. | 0:25:18 | 0:25:23 | |
I think he really wanted the elephant steering wheel | 0:25:23 | 0:25:25 | |
and he's hoping in the next sale there's going to be | 0:25:25 | 0:25:28 | |
a set of brakes, wing mirrors and lights to go with it! | 0:25:28 | 0:25:31 | |
Time for Tom's frames. Prints too, if you like. | 0:25:31 | 0:25:35 | |
£50 away? £30 away? £30 I'm bid. | 0:25:35 | 0:25:40 | |
-Got bids in the book. -£50, 55, 60. Five? | 0:25:40 | 0:25:43 | |
65. 65, bid's to the room, at £65... | 0:25:43 | 0:25:48 | |
-That's a good one. -Good price, isn't it? | 0:25:48 | 0:25:50 | |
-65...65. -That's better, Tom. | 0:25:50 | 0:25:55 | |
-I'm pleased with that cos it's... -Don't rub it in, Tom. | 0:25:55 | 0:25:58 | |
It's a result, no need to labour the point. | 0:25:58 | 0:26:01 | |
Now for Phil's pub acquisitions. | 0:26:01 | 0:26:03 | |
That's the way forward, | 0:26:05 | 0:26:06 | |
you start buying lumps of metal, watch him try and bust that. | 0:26:06 | 0:26:09 | |
It's probably that what rolled into my boxes. | 0:26:09 | 0:26:11 | |
PHIL LAUGHS | 0:26:11 | 0:26:13 | |
-Can I say £20 away? £20? I've got £15 on the book. -Get in. | 0:26:13 | 0:26:17 | |
18, 20, is it two? At £20 I'm bid. | 0:26:17 | 0:26:20 | |
£20 the bid, two or not? | 0:26:20 | 0:26:22 | |
Are we done? | 0:26:22 | 0:26:24 | |
I'll sell them at the £20. | 0:26:24 | 0:26:27 | |
-Nice little tenner profit. -Lovely. -Pleased with that. | 0:26:27 | 0:26:30 | |
Yes, almost anything would have been good. | 0:26:30 | 0:26:33 | |
It's your urns next, isn't it? How much is a Greek urn? | 0:26:33 | 0:26:36 | |
Not a lot these days. Not an awful lot. | 0:26:36 | 0:26:38 | |
Tom's looking for a couple of keen gardeners here. | 0:26:38 | 0:26:41 | |
Can I say £30 away? £20 I've got on the book. | 0:26:41 | 0:26:45 | |
Know what, I thought he said £200 there. | 0:26:45 | 0:26:48 | |
£30. 32, 35...38, £40. | 0:26:48 | 0:26:53 | |
-Bid's on the book. -Is that it? | 0:26:53 | 0:26:56 | |
At 42 to my left. At 42 over there then, 45, no? | 0:26:56 | 0:27:01 | |
Done at 42, to 307. | 0:27:01 | 0:27:04 | |
Not bad. If only he'd stuck some rhododendrons in them. | 0:27:04 | 0:27:08 | |
-They were very cheap for somebody. -Yeah. Sorry. | 0:27:08 | 0:27:12 | |
Phil's Star Trek mirror. | 0:27:14 | 0:27:15 | |
-DRAMATIC VOICE: -How boldly will the bidders go? | 0:27:15 | 0:27:18 | |
-The retro-style oval and bevel wall mirror. -Why, why, why, why? | 0:27:18 | 0:27:24 | |
Lovely wall mirror there, £30 away? £20 away? £10, pretty as a picture. | 0:27:24 | 0:27:29 | |
12, is it 14? | 0:27:29 | 0:27:31 | |
Isn't that Alexis from Bay Tree Trading? | 0:27:31 | 0:27:35 | |
22, 25? At 22, the bid's right in the middle. At £22, 25, no? | 0:27:35 | 0:27:41 | |
Absolutely flabbergasted. | 0:27:41 | 0:27:43 | |
That's made me a profit, how the hell is that? | 0:27:44 | 0:27:47 | |
Not out of this world, but better than some expectations. | 0:27:47 | 0:27:51 | |
Always knew that'd make a profit, always knew, | 0:27:51 | 0:27:53 | |
had confidence all the way through. | 0:27:53 | 0:27:55 | |
It's the one Lostwithiel's been waiting for - | 0:27:55 | 0:27:58 | |
Phil's plant and pot lot. | 0:27:58 | 0:28:01 | |
Very antique, it's a rhododendron, called the Rocket, | 0:28:01 | 0:28:05 | |
hopefully it will fly. | 0:28:05 | 0:28:07 | |
-I've got two bids very close together. -Get in there! | 0:28:07 | 0:28:10 | |
I've got to start at £28. | 0:28:10 | 0:28:13 | |
-Get in there! -At £28... | 0:28:13 | 0:28:18 | |
Are we done? £28 the bid, 30, no? | 0:28:18 | 0:28:21 | |
Both bids on the books, very close together. At £28. To buyer 79. | 0:28:21 | 0:28:25 | |
Should have bought two, shouldn't I? | 0:28:25 | 0:28:27 | |
Don't push your luck, Phil. | 0:28:27 | 0:28:29 | |
So, just Tom's camel saddle between Phil and a comfortable victory. | 0:28:29 | 0:28:34 | |
Wish me luck, mate, come on. | 0:28:34 | 0:28:36 | |
I do wish you luck actually, I do. | 0:28:36 | 0:28:38 | |
Not much, but a little bit. | 0:28:38 | 0:28:40 | |
Can I say £30 away? £20 away? | 0:28:40 | 0:28:42 | |
At £10, a bid, I'll take 12. 12, 14, 16. | 0:28:42 | 0:28:48 | |
Come on, come on, come on. | 0:28:48 | 0:28:50 | |
At 16, 18, 20. 22? | 0:28:50 | 0:28:52 | |
-22. 25? -I think that's a bit harsh, mate. -At £22, five, no? Going? | 0:28:54 | 0:29:00 | |
-Shocker. -Going at £22. | 0:29:00 | 0:29:04 | |
An even bigger loss after auction costs means | 0:29:04 | 0:29:07 | |
the old hand triumphs again. | 0:29:07 | 0:29:09 | |
-Loser drives? -All right, again. It's always me. | 0:29:09 | 0:29:13 | |
Tom began with £220.24 and, after paying auction costs, | 0:29:13 | 0:29:18 | |
he made a profit of £9.78, leaving him with £230.02. | 0:29:18 | 0:29:24 | |
Phil started out with £230.08 | 0:29:25 | 0:29:29 | |
and, after paying auction costs, he made a profit of £69. | 0:29:29 | 0:29:32 | |
So he has £309.08 to spend next time. | 0:29:32 | 0:29:38 | |
-Well, there we go. -Well done, Phil. | 0:29:38 | 0:29:39 | |
Perhaps wary of young Tom's capacity to fight back, | 0:29:39 | 0:29:42 | |
-Phil is not rubbing it in, though. -Tenner up, aren't you? | 0:29:42 | 0:29:46 | |
-I am a tenner up. -You're not a loser, Tom. -A tenner up. | 0:29:46 | 0:29:49 | |
-Ooh, look out. -Ay, we're off. | 0:29:49 | 0:29:53 | |
On the third leg, we're starting out near Dartmoor at Ashburton | 0:29:53 | 0:29:57 | |
before heading off round Devon | 0:29:57 | 0:29:59 | |
and arriving at an auction just up the road at Chudleigh. | 0:29:59 | 0:30:02 | |
The first town to elect a Monster Raving Loony candidate | 0:30:05 | 0:30:09 | |
to public office, Ashburton sits on the south-east corner of Dartmoor. | 0:30:09 | 0:30:13 | |
Now, one of my favouritest films was The Hound Of The Baskervilles | 0:30:13 | 0:30:16 | |
-with Peter Cushing. -I like Peter Cushing. | 0:30:16 | 0:30:18 | |
-Was that on Dartmoor? -It was. | 0:30:18 | 0:30:20 | |
And the Great Grimpen Mire in the Sherlock Holmes story | 0:30:20 | 0:30:24 | |
was inspired by the nearby Fox Tor Mire. | 0:30:24 | 0:30:28 | |
It's a nice little place, Ashburton. | 0:30:28 | 0:30:30 | |
This is really, really pretty along here. | 0:30:30 | 0:30:32 | |
-I love these hung tile clinkers. -Clinkers. -Clinkers. | 0:30:32 | 0:30:36 | |
Now, what can our detectives track down? | 0:30:36 | 0:30:38 | |
-You go that way and I'll go this way. -See you later. -Catch you later. | 0:30:38 | 0:30:41 | |
Phil's starting this leg with a generous £309.08. | 0:30:41 | 0:30:45 | |
This looks just like my sort of of shop, this. | 0:30:45 | 0:30:49 | |
Love things like this. | 0:30:49 | 0:30:50 | |
I mean, what the hell are you ever going to do with that? | 0:30:50 | 0:30:54 | |
This shop promises to be an Aladdin's cave... | 0:30:54 | 0:30:56 | |
-when he finally gets into it. -Beep, beep, beep, beep, beep... | 0:30:56 | 0:31:00 | |
Actually, this is the ultimate... Hello? | 0:31:00 | 0:31:02 | |
HIS VOICE ECHOES That's scary! | 0:31:02 | 0:31:04 | |
Hello! | 0:31:04 | 0:31:06 | |
A pair of boat funnels. You can't argue with that. | 0:31:06 | 0:31:11 | |
£175. You can argue with that. | 0:31:11 | 0:31:13 | |
-Good to see you. -Lovely to see you. -Do you know, I love your funnels. | 0:31:13 | 0:31:17 | |
-They're good. Just need the boat to go with them really, don't we? -Yeah. | 0:31:17 | 0:31:20 | |
-Careful, Paula. Don't give him ideas. -That's fun. -Yes. | 0:31:20 | 0:31:24 | |
-Perfect weather for it as well. -Don't hold your breath! | 0:31:24 | 0:31:27 | |
-Can I bring that in with me and have a look round? -Course you can. | 0:31:27 | 0:31:30 | |
-Come and have a look round. -How much is this? | 0:31:30 | 0:31:31 | |
That is £25 so the best would be about £20. | 0:31:31 | 0:31:35 | |
"About". I like the "about"! | 0:31:35 | 0:31:37 | |
"About" is cool with me. I can live with it. | 0:31:37 | 0:31:39 | |
You can start with "about". | 0:31:39 | 0:31:41 | |
-Let's put that to one side cos I can live with that - about. -Right. | 0:31:41 | 0:31:43 | |
Who could blame you, Phil? There's so much more Shambles to enjoy. | 0:31:43 | 0:31:48 | |
No need to plump for anything yet. | 0:31:48 | 0:31:51 | |
Ah! He's sweet! | 0:31:51 | 0:31:52 | |
He's in a good mood. | 0:31:52 | 0:31:54 | |
Meanwhile, Tom's starting this leg with £230.02. | 0:31:55 | 0:31:58 | |
-Tom. Nice to meet you. -Mike. Pleased to meet you, Tom. | 0:32:00 | 0:32:02 | |
I think Tom should enjoy himself at Ashton House. | 0:32:02 | 0:32:05 | |
Some of that old wood that he's very fond of, | 0:32:05 | 0:32:08 | |
as well as lamps and even the sort of bed he specialises in. | 0:32:08 | 0:32:12 | |
What a lovely shop! | 0:32:12 | 0:32:15 | |
Loads and loads of really, really nice pieces. | 0:32:15 | 0:32:18 | |
He has to buy for that general sale, though, and he knows it. | 0:32:18 | 0:32:21 | |
My goal has got to be to beat Serrell. | 0:32:21 | 0:32:24 | |
2-0 down is not a good start. | 0:32:24 | 0:32:27 | |
That's the spirit. Ah, a hanger. Don't get hung up on it, Tom. | 0:32:27 | 0:32:32 | |
That's a good curtain pole, isn't it? That's nice, isn't it? | 0:32:34 | 0:32:37 | |
-A bit of a beast, that one. -It's a big 'un, isn't it? | 0:32:37 | 0:32:40 | |
I've got two dozen rings that go with it as well. | 0:32:40 | 0:32:43 | |
They're in very good condition, actually. | 0:32:43 | 0:32:45 | |
They are nice, aren't they? I like that a lot. | 0:32:45 | 0:32:48 | |
Might win in the big and awkward stakes | 0:32:48 | 0:32:49 | |
between me and Philip as well. | 0:32:49 | 0:32:51 | |
Nice. | 0:32:52 | 0:32:54 | |
How many people will be looking for one of those in Chudleigh, eh? | 0:32:54 | 0:32:57 | |
Nice oval frame. That's really nice. I like that. | 0:32:57 | 0:33:01 | |
Good bevelled glass. | 0:33:01 | 0:33:03 | |
Nice late... Kind of more turn of the century, but that's nice. | 0:33:03 | 0:33:07 | |
A few bits of damage, again, | 0:33:07 | 0:33:08 | |
but these are quite easy to sort out. | 0:33:08 | 0:33:11 | |
What's the price on this one? | 0:33:11 | 0:33:12 | |
£115. | 0:33:13 | 0:33:15 | |
I think on reflection he's serious about this one. | 0:33:15 | 0:33:18 | |
Time to talk to Mike. | 0:33:18 | 0:33:20 | |
-The very best I can do that is 85. -85. | 0:33:20 | 0:33:24 | |
If I can twist your arm a little more... | 0:33:24 | 0:33:26 | |
..maybe getting to something around about 55. | 0:33:27 | 0:33:32 | |
Do you need to sit down or lie down? | 0:33:32 | 0:33:35 | |
-I'll come down to 70 but 55 is too far down. -55 is too far. | 0:33:35 | 0:33:39 | |
-No. I can't do 55. -How about 65? | 0:33:39 | 0:33:43 | |
-Deal? -Deal. -Brilliant. | 0:33:43 | 0:33:44 | |
Thank you very much. Appreciate it. | 0:33:44 | 0:33:47 | |
Tom's off to his usual flying start but what of Phil | 0:33:47 | 0:33:50 | |
and those pricy funnels? | 0:33:50 | 0:33:52 | |
What I want is your ship funnels but they're not going to come, are they? | 0:33:52 | 0:33:55 | |
-Depends how you can persuade me. -Hello. | 0:33:55 | 0:33:59 | |
Seems he's fallen in love with a nice pair of funnels. | 0:33:59 | 0:34:03 | |
I'd like to buy them for £40 and you're not going to sell them | 0:34:03 | 0:34:05 | |
-for £40, are you? -No. -What's the very best you could do on those? | 0:34:05 | 0:34:08 | |
The very best would be £80. | 0:34:08 | 0:34:12 | |
Still quite a lot of money, Phil. | 0:34:12 | 0:34:14 | |
I think they're lovely. | 0:34:14 | 0:34:16 | |
He's talking himself into this. | 0:34:16 | 0:34:19 | |
Here we go. | 0:34:19 | 0:34:20 | |
I would like to give you £50 for the two funnels | 0:34:20 | 0:34:23 | |
and £10 for that hamper, which is £60 for the two. | 0:34:23 | 0:34:27 | |
Cheeky! | 0:34:27 | 0:34:29 | |
-Is that your very last offer? -Absolutely positive. | 0:34:29 | 0:34:31 | |
-£60 for those, there. -Oh, go on, then. | 0:34:31 | 0:34:34 | |
You're an angel. I love you. | 0:34:34 | 0:34:36 | |
You've made that quite clear. | 0:34:36 | 0:34:38 | |
Right, the hamper might come in, I suppose. | 0:34:38 | 0:34:40 | |
Let's just hope Tom doesn't go equally bonkers in Etcetera. | 0:34:40 | 0:34:45 | |
-Hello. -Hello, there. -Hi, I'm Tom. -Hello, Tom. | 0:34:45 | 0:34:49 | |
-Nice to meet you. -And you. | 0:34:49 | 0:34:51 | |
Nice big frame. | 0:34:57 | 0:35:00 | |
See, that would make a brilliant mirror frame. | 0:35:00 | 0:35:02 | |
That is nice. | 0:35:04 | 0:35:06 | |
French sort of late 19th century. | 0:35:06 | 0:35:08 | |
Would have been a picture. | 0:35:08 | 0:35:10 | |
That's got real potential. | 0:35:12 | 0:35:14 | |
He's quite excited about that one. | 0:35:14 | 0:35:16 | |
Yeah, and at £200 that's worth having a chat with Moira. | 0:35:16 | 0:35:20 | |
I'd need to do something pretty spectacular | 0:35:20 | 0:35:22 | |
with the price to help me on that. | 0:35:22 | 0:35:24 | |
Time to adopt a poker face. | 0:35:24 | 0:35:26 | |
I spotted your carved French gilded frame upstairs. | 0:35:27 | 0:35:32 | |
Do you remember what price was on it? | 0:35:32 | 0:35:34 | |
It's on at £200. | 0:35:34 | 0:35:36 | |
I'm kind of looking about half that. | 0:35:36 | 0:35:38 | |
-Trying to get it to £100, really. -Did my jaw drop open? | 0:35:38 | 0:35:42 | |
It did a little bit. | 0:35:42 | 0:35:43 | |
I'm not surprised, love! | 0:35:43 | 0:35:44 | |
It must be your lucky day, actually, | 0:35:44 | 0:35:46 | |
because it belongs to a dealer who has recently joined us. | 0:35:46 | 0:35:50 | |
She's actually on holiday in Bali at the moment | 0:35:50 | 0:35:52 | |
so I can't get hold of her. | 0:35:52 | 0:35:54 | |
She needs a little bit extra to spend. | 0:35:54 | 0:35:56 | |
-She has given me some discretion. -OK. | 0:35:56 | 0:35:58 | |
-I think she would probably let it go at 100. -Would she? -Yeah. | 0:35:58 | 0:36:02 | |
-That has to be a deal. Thank you very, very much. -You're welcome. | 0:36:02 | 0:36:05 | |
-I love it. I think that's going to be great. -It's a lovely piece. | 0:36:05 | 0:36:08 | |
That's got some potential, I think. | 0:36:08 | 0:36:10 | |
Half price! Tom's got quite a deal, there. | 0:36:10 | 0:36:12 | |
That's it. Shopping done. That was an absolute bargain. I'm off, now. | 0:36:12 | 0:36:16 | |
Phil, though, is still on the premises. | 0:36:18 | 0:36:22 | |
What's he after in that back garden? Not a potted plant again, surely? | 0:36:22 | 0:36:27 | |
Oh, no. A pump trough. | 0:36:27 | 0:36:29 | |
Trust you to find things that aren't even in the shop. | 0:36:29 | 0:36:32 | |
So what is it? It's stone, isn't it? | 0:36:32 | 0:36:34 | |
That'll go nicely with those funnels. | 0:36:34 | 0:36:37 | |
I'll give you £50 for it. | 0:36:37 | 0:36:38 | |
You give me £70 and it's yours. | 0:36:40 | 0:36:42 | |
No. I can't do that, honestly I can't. | 0:36:42 | 0:36:45 | |
Fine. If you can lift it and carry it out... | 0:36:45 | 0:36:47 | |
No way, Jose! | 0:36:47 | 0:36:50 | |
65 and it's yours. Nobody else is going to have one, are they? | 0:36:50 | 0:36:53 | |
I tell you what, £55. Can you do that? | 0:36:53 | 0:36:56 | |
-Yeah, go on. -You're an angel. Thank you very much indeed. -Pleasure. | 0:36:56 | 0:36:59 | |
I don't know how I'm going to get that away from here. | 0:36:59 | 0:37:02 | |
First bend ze knees, ze back straight. | 0:37:02 | 0:37:06 | |
Oh! | 0:37:08 | 0:37:09 | |
Steady! | 0:37:09 | 0:37:11 | |
This is heavy. | 0:37:11 | 0:37:12 | |
Now, remember how close they are to Dartmoor? | 0:37:19 | 0:37:22 | |
It's time for Phil to head deep into the national park, | 0:37:25 | 0:37:28 | |
making his way from Ashburton to Princetown | 0:37:28 | 0:37:31 | |
and the Dartmoor Prison Museum. | 0:37:31 | 0:37:33 | |
This is my first time on Dartmoor | 0:37:40 | 0:37:42 | |
and I just think it's absolutely stunning. | 0:37:42 | 0:37:45 | |
Look at that - it's glorious! Absolutely glorious! | 0:37:45 | 0:37:48 | |
A Dartmoor pony! There's my first one, look! | 0:37:48 | 0:37:51 | |
It's a real, proper, genuine Dartmoor pony! | 0:37:51 | 0:37:54 | |
I think I might buy one for the next auction. | 0:37:54 | 0:37:57 | |
Do you want to get in my car? | 0:37:57 | 0:37:59 | |
See you, matey, bye-bye. | 0:37:59 | 0:38:01 | |
The free-roaming ponies belong in this wilderness | 0:38:03 | 0:38:06 | |
but the barren terrain can be tough for humans | 0:38:06 | 0:38:10 | |
so like Alcatraz, Dartmoor's environment | 0:38:10 | 0:38:12 | |
makes it difficult to escape from. | 0:38:12 | 0:38:14 | |
Nowadays, it's a working Category C jail | 0:38:14 | 0:38:18 | |
but Phil's here to learn about the time | 0:38:18 | 0:38:20 | |
it once held some of Britain's most serious offenders. | 0:38:20 | 0:38:23 | |
-Hi, you must be Jeff. -That's right. -Philip. How are you? | 0:38:25 | 0:38:28 | |
-Very well, thank you. -Good to see you. -And good to see you. Welcome. | 0:38:28 | 0:38:31 | |
I feel a bit nervous about being here, in case I get locked up. | 0:38:31 | 0:38:34 | |
We've got a couple of spare cells! | 0:38:34 | 0:38:36 | |
The prison was first built over 200 years ago, | 0:38:40 | 0:38:42 | |
when Britain was at war with France. | 0:38:42 | 0:38:44 | |
Thousands of French prisoners who had been confined in derelict | 0:38:44 | 0:38:48 | |
prison hulks near Plymouth were then moved to this isolated spot. | 0:38:48 | 0:38:53 | |
But the modern history of Dartmoor began in 1850, | 0:38:53 | 0:38:56 | |
when it was commissioned for convicts. | 0:38:56 | 0:38:59 | |
Tell me, every museum has got a black museum. Have you got one? | 0:38:59 | 0:39:01 | |
-Yes. -Can we have a look? -Just round the corner. This way? -After you. | 0:39:01 | 0:39:05 | |
The museum pulls few punches about how tough life inside can be. | 0:39:05 | 0:39:09 | |
Take this selection of confiscated weapons. | 0:39:09 | 0:39:12 | |
So, which is the oldest sort of device in here? | 0:39:12 | 0:39:16 | |
-It's the small weapon right in the middle. -That's a weapon? | 0:39:16 | 0:39:20 | |
-That's a weapon. -What would that have been used for? | 0:39:20 | 0:39:22 | |
Before 1932, a little hole that the prison officer used to look through | 0:39:22 | 0:39:27 | |
wouldn't have had a glass in it. | 0:39:27 | 0:39:29 | |
The person on the other side would be waiting for him to come | 0:39:29 | 0:39:33 | |
along and then... | 0:39:33 | 0:39:35 | |
-Bodge him in the eye. -..bodge him in the eye. | 0:39:35 | 0:39:37 | |
Prisoners at Dartmoor worked hard, usually outside the confines | 0:39:37 | 0:39:41 | |
of the jail, breaking rocks, | 0:39:41 | 0:39:44 | |
clearing fields and building walls and paths. | 0:39:44 | 0:39:47 | |
That, of course, meant opportunities for escape, | 0:39:47 | 0:39:49 | |
although the forbidding countryside | 0:39:49 | 0:39:51 | |
would deter all but the most desperate. | 0:39:51 | 0:39:53 | |
Who's the most notorious escapee? | 0:39:53 | 0:39:56 | |
The most notorious escapee was probably Frank Mitchell. | 0:39:56 | 0:40:00 | |
He was one of the Kray gang. | 0:40:00 | 0:40:02 | |
Frank Mitchell, AKA the Mad Axeman, | 0:40:02 | 0:40:05 | |
escaped from Dartmoor in December 1966, | 0:40:05 | 0:40:07 | |
almost certainly with help from the Krays gang. | 0:40:07 | 0:40:10 | |
-We really think he was broken out of here for a publicity stunt. -Really? | 0:40:10 | 0:40:15 | |
So the Krays could prove they could break somebody out. | 0:40:15 | 0:40:18 | |
-What happened to him then? -11 days later, they shot him. -Why? | 0:40:18 | 0:40:22 | |
We don't know. But at the trial, the Krays were found not guilty. | 0:40:22 | 0:40:28 | |
Picking that page there, from August through to December, | 0:40:28 | 0:40:31 | |
you had one, two, three, four, five, six, seven people try and escape. | 0:40:31 | 0:40:34 | |
-Was that a regular occurrence? -Yes, it was. | 0:40:34 | 0:40:37 | |
Unless they've got somebody like Mitchell picking them up, | 0:40:37 | 0:40:41 | |
-they weren't going to be out for very long. -That's amazing. | 0:40:41 | 0:40:44 | |
Those who failed in their escape attempt faced punishment | 0:40:44 | 0:40:47 | |
and in the basement of the museum is another grisly reminder | 0:40:47 | 0:40:50 | |
of what Dartmoor Prison life was once like. | 0:40:50 | 0:40:53 | |
-This is the A-frame. -Yeah. That looks a right instrument of torture. | 0:40:53 | 0:40:57 | |
-It's a very fine example. -That depends on your perspective. | 0:40:57 | 0:41:00 | |
-You stood here like this, did you? -Yeah. | 0:41:00 | 0:41:02 | |
And your hands would have been strapped... | 0:41:02 | 0:41:05 | |
-There. -There and there. | 0:41:05 | 0:41:07 | |
And your feet would have been strapped to the straps here | 0:41:07 | 0:41:11 | |
and then they would administer the beating. | 0:41:11 | 0:41:15 | |
Oh, Lord. | 0:41:15 | 0:41:16 | |
The flogging was done with this little item. | 0:41:16 | 0:41:20 | |
-That is a cat-o'-nine-tails. -This is a cat-o'-nine-tails. | 0:41:20 | 0:41:23 | |
Did anyone ever have two lots of floggings? | 0:41:23 | 0:41:25 | |
One would put you off, wouldn't it? | 0:41:25 | 0:41:27 | |
Frank Mitchell is recorded to have received a flogging twice. | 0:41:27 | 0:41:32 | |
It's deterrent enough for me. | 0:41:32 | 0:41:33 | |
I'm going to shake you by the hand and thank you very much indeed. | 0:41:33 | 0:41:36 | |
Enjoyed it, but you half frightened me to death. | 0:41:36 | 0:41:39 | |
-Take care. -Will do. -I'm off! | 0:41:39 | 0:41:41 | |
Having broken out of Dartmoor, Phil's rejoined Tom | 0:41:41 | 0:41:46 | |
and they're heading for Okehampton. | 0:41:46 | 0:41:48 | |
This is the Okement River which runs through the town | 0:41:50 | 0:41:53 | |
and once drove its wool mills. | 0:41:53 | 0:41:55 | |
Makes quite a contribution to its name, too. | 0:41:55 | 0:41:58 | |
Wish me luck. | 0:42:01 | 0:42:03 | |
You'll be fine, mate. I'll see you later. | 0:42:03 | 0:42:05 | |
Yeah, drive carefully. Bye. | 0:42:05 | 0:42:07 | |
-Morning. -Good morning. -How are you, all right? -Very well. | 0:42:09 | 0:42:13 | |
-Is it all right if I have a look round? -Absolutely, help yourself. | 0:42:13 | 0:42:16 | |
Lovely, thank you. | 0:42:16 | 0:42:17 | |
Now what in this packed shop will catch Phil's eye? | 0:42:17 | 0:42:21 | |
A sign saying 50% off?! | 0:42:21 | 0:42:24 | |
I can't resist half price. I do like half price. | 0:42:24 | 0:42:28 | |
It's good stuff, half price is. | 0:42:28 | 0:42:30 | |
There's something in here I quite like. | 0:42:30 | 0:42:32 | |
-The old fire extinguisher? -Yeah. | 0:42:32 | 0:42:34 | |
Ah, that looks familiar. | 0:42:34 | 0:42:36 | |
-My travelling companion, Tom, bought one of these. -Oh, right. | 0:42:36 | 0:42:40 | |
And he thought it was fantastic. | 0:42:40 | 0:42:42 | |
But it only made a tiny profit. | 0:42:42 | 0:42:44 | |
-Nicer one than that, too. -So you've got that at 34? | 0:42:44 | 0:42:47 | |
Yeah, so 17, but, again, anything in here is open to offers. | 0:42:47 | 0:42:51 | |
I got this wrong. I'm doing myself, here. | 0:42:51 | 0:42:54 | |
It's 24 quid, it says on there. | 0:42:54 | 0:42:56 | |
-Even less. -So it's 12 quid? -Yep. | 0:42:56 | 0:43:00 | |
He likes it here. More brass, though? | 0:43:00 | 0:43:03 | |
Those are nice. And this is a... | 0:43:03 | 0:43:05 | |
Do you know, I always get pestle and mortar mixed up. | 0:43:05 | 0:43:09 | |
Which one's which? | 0:43:09 | 0:43:12 | |
-One's pestle... -That's the mortar. | 0:43:12 | 0:43:14 | |
It's quite a nice bit of spun brass. | 0:43:14 | 0:43:16 | |
Can I put that with that? | 0:43:16 | 0:43:18 | |
-I might be able to have a little bit of a brass lot. -Absolutely. | 0:43:18 | 0:43:20 | |
That's 24. | 0:43:20 | 0:43:22 | |
So that's 12 and that's 12, but no reasonable offer refused. | 0:43:22 | 0:43:25 | |
-Absolutely, not in this room. -The thing is, is it reasonable? | 0:43:25 | 0:43:28 | |
That's what we've got to think about. | 0:43:28 | 0:43:30 | |
OK, let's go and have a look, then. | 0:43:30 | 0:43:32 | |
He seems set on his little brass section. | 0:43:32 | 0:43:35 | |
I think at auction they're going to make... | 0:43:35 | 0:43:37 | |
perhaps 15-30 quid, the two, which mean's I've got to try | 0:43:37 | 0:43:41 | |
and buy them for somewhere between 5-10 quid. | 0:43:41 | 0:43:44 | |
-That's all I can do. -Goodness me! -It's mean as hell, isn't it? | 0:43:44 | 0:43:46 | |
But they were in the no reasonable offer refused section. | 0:43:46 | 0:43:49 | |
They were in the no reasonable offer. | 0:43:49 | 0:43:51 | |
Are we going to get to ten? | 0:43:51 | 0:43:53 | |
-Whatever you can do for me. I'm not going to... -A fiver each. | 0:43:53 | 0:43:57 | |
-Can we do that? I'm happy with that. -There we are, my love. | 0:43:57 | 0:44:01 | |
I wonder what Tom will make of Phil's fire extinguisher. | 0:44:01 | 0:44:04 | |
-Cheers! -Bye! | 0:44:05 | 0:44:06 | |
Meanwhile, the man himself is pressing on... | 0:44:08 | 0:44:11 | |
..making his way east from Okehampton towards Crediton... | 0:44:12 | 0:44:16 | |
..the birthplace of St Boniface, the Apostle of Germany. | 0:44:18 | 0:44:22 | |
Morning. | 0:44:27 | 0:44:28 | |
-Ah, good morning. -I'm Tom. | 0:44:28 | 0:44:30 | |
-Hello, Tom, nice to meet you. I'm Jim. -Hi, Jim. | 0:44:30 | 0:44:34 | |
Ah, he's Jim and the shop's called James Antiques. Ha! | 0:44:34 | 0:44:38 | |
Tom's not got an awful lot of cash left, | 0:44:38 | 0:44:41 | |
but perhaps one of the smaller items might tempt him. | 0:44:41 | 0:44:43 | |
It's just a little barrel, isn't it? It would have had your tap on here. | 0:44:43 | 0:44:48 | |
Very little one, though, isn't it? | 0:44:50 | 0:44:52 | |
Another little bit of wood. | 0:44:53 | 0:44:55 | |
Good mallet. | 0:44:55 | 0:44:56 | |
It's £22. | 0:44:57 | 0:44:58 | |
I do like that. | 0:45:01 | 0:45:02 | |
In good working order. French, possibly, too. | 0:45:04 | 0:45:06 | |
That's all quite nice, isn't it? Nice little stool? | 0:45:11 | 0:45:13 | |
That's got quite a bit of age to it. | 0:45:13 | 0:45:15 | |
That's got to be early-mid 19th century, isn't it? | 0:45:15 | 0:45:18 | |
Very little. | 0:45:18 | 0:45:19 | |
Might also be French. Perfect for a milk maid. | 0:45:19 | 0:45:23 | |
Doesn't wobble too much, that's all right. | 0:45:23 | 0:45:26 | |
I'm drawn to these little bits of wood, aren't I? | 0:45:26 | 0:45:30 | |
Not many people are, that's the trouble. | 0:45:30 | 0:45:31 | |
Oh, it's a crying shame, Tom. | 0:45:31 | 0:45:34 | |
It's £28. | 0:45:34 | 0:45:36 | |
That's a possibility. | 0:45:36 | 0:45:37 | |
Time for a little entente cordiale. | 0:45:37 | 0:45:40 | |
-That's nice. That's got some stories. -Lovely, yes. | 0:45:40 | 0:45:43 | |
You've got £22 on there. | 0:45:43 | 0:45:45 | |
Mmm-hmm. | 0:45:45 | 0:45:47 | |
What sort of friendly deal could you do for me, | 0:45:47 | 0:45:50 | |
bearing in mind I'm holding a mallet. | 0:45:50 | 0:45:52 | |
Yes! | 0:45:52 | 0:45:54 | |
How does 15 sound? | 0:45:54 | 0:45:56 | |
15 sounds better, but... | 0:45:56 | 0:45:58 | |
-..it's not great. I was hoping for a tenner. -Oh-ho-ho! | 0:46:00 | 0:46:03 | |
12. How about 11? | 0:46:03 | 0:46:07 | |
-OK, you've got a deal. -Deal on that one. | 0:46:07 | 0:46:09 | |
-Jolly good. -That's nice, I like that. | 0:46:09 | 0:46:11 | |
One nailed. | 0:46:11 | 0:46:13 | |
So what can we do on here? You've got... | 0:46:13 | 0:46:15 | |
28. | 0:46:15 | 0:46:17 | |
Try 20 on that? | 0:46:17 | 0:46:19 | |
How about 25 for... | 0:46:20 | 0:46:22 | |
..the two? | 0:46:23 | 0:46:24 | |
I've got 11 here. | 0:46:24 | 0:46:27 | |
28. | 0:46:27 | 0:46:28 | |
Mallet versus stool, eh? | 0:46:28 | 0:46:30 | |
-26. -Like scissors, paper, stone. | 0:46:30 | 0:46:33 | |
OK, we've got a deal. | 0:46:33 | 0:46:35 | |
-Brilliant, thanks, Jim. -We won't argue over £1. -That is brilliant. | 0:46:35 | 0:46:38 | |
So 26. | 0:46:38 | 0:46:41 | |
That's me done, four lots. | 0:46:41 | 0:46:43 | |
Let's hope I don't get hammered in the auction. | 0:46:43 | 0:46:48 | |
However, with more shopping on his mind, | 0:46:48 | 0:46:50 | |
Phil's commandeered the Lancia. | 0:46:50 | 0:46:53 | |
Charming(!) Just like a baby. | 0:46:53 | 0:46:56 | |
He's heading south west to Bovey Tracey. | 0:46:56 | 0:47:00 | |
This town is also named after its river - the Bovey, in this instance. | 0:47:00 | 0:47:04 | |
Hi, I'm Philip. How are you? | 0:47:08 | 0:47:10 | |
-I'm Tina. -Good to see you. | 0:47:10 | 0:47:11 | |
You couldn't get much more in here, could you? | 0:47:11 | 0:47:14 | |
Yeah. You can hardly see the wood for the trees. | 0:47:14 | 0:47:17 | |
This is a nice mahogany mirror | 0:47:17 | 0:47:20 | |
and it's so far out of taste it isn't true. | 0:47:20 | 0:47:23 | |
Another mirror, eh? | 0:47:23 | 0:47:24 | |
With a price tag of £95. | 0:47:24 | 0:47:27 | |
Right, so what we've got here is a 19th century mirror. | 0:47:27 | 0:47:30 | |
This is made out of mahogany. | 0:47:32 | 0:47:34 | |
This is cross-banded in satinwood. | 0:47:34 | 0:47:36 | |
Do you remember Arthur Negus? "Beautiful dovetails. | 0:47:37 | 0:47:41 | |
"Wonderful dovetails." | 0:47:41 | 0:47:42 | |
Could you do that for 40? | 0:47:42 | 0:47:44 | |
-I wanted 48. I'll come down to 45. -OK. | 0:47:45 | 0:47:49 | |
So, I think... | 0:47:49 | 0:47:51 | |
..I'm going to buy that off you. | 0:47:53 | 0:47:54 | |
So one mirror for £45 and Phil's done with a kiss. | 0:47:54 | 0:47:58 | |
Take care now. | 0:47:58 | 0:48:00 | |
With shopping done, what have they got? | 0:48:00 | 0:48:03 | |
Tom started out with £230.02, and he spent £191 on four auction lots - | 0:48:05 | 0:48:11 | |
the mallet, | 0:48:11 | 0:48:12 | |
the three-legged stool, | 0:48:12 | 0:48:14 | |
the oval mirror, | 0:48:14 | 0:48:16 | |
and the picture frame. | 0:48:16 | 0:48:17 | |
While Phil began with £309.08, and he spent £170 on five auction lots - | 0:48:19 | 0:48:26 | |
the dressing table mirror, | 0:48:26 | 0:48:28 | |
the fire extinguisher and brass mortar, | 0:48:28 | 0:48:32 | |
the picnic hamper, | 0:48:32 | 0:48:33 | |
the ship's funnels, | 0:48:33 | 0:48:36 | |
and the pump trough. | 0:48:36 | 0:48:37 | |
Does anything stand out? | 0:48:39 | 0:48:41 | |
A real good gamble is that frame, | 0:48:41 | 0:48:43 | |
because the most he could possibly lose on that is £30-40 | 0:48:43 | 0:48:48 | |
and he might make 200 quid, so it's really going to be game on. | 0:48:48 | 0:48:51 | |
He could catch me up just in one item. | 0:48:51 | 0:48:53 | |
Thanks, Tom. | 0:48:53 | 0:48:54 | |
I'm confident that that frame is going to do really, really well. | 0:48:54 | 0:48:58 | |
Would be great to beat him at this auction. | 0:48:58 | 0:49:00 | |
He's 2-0 up at the moment, so I need to get one. | 0:49:00 | 0:49:02 | |
After beginning in Ashburton and almost circumnavigating Dartmoor, | 0:49:04 | 0:49:08 | |
today's trip will conclude at an auction in nearby Chudleigh. | 0:49:08 | 0:49:12 | |
-This is it. -An ancient wool town. | 0:49:12 | 0:49:14 | |
-Perhaps we should have bought some wool. -Should have done. | 0:49:14 | 0:49:18 | |
Poetry too. | 0:49:18 | 0:49:20 | |
The great 17th century poet John Dryden | 0:49:20 | 0:49:23 | |
wrote some of his most famous works hereabouts, | 0:49:23 | 0:49:25 | |
thanks to having a local lord for a patron. | 0:49:25 | 0:49:28 | |
-My frame's going to beat your funnels. -Get out of here. | 0:49:28 | 0:49:31 | |
-It is, clearly. -That is just the innocence of youth. | 0:49:31 | 0:49:34 | |
My funnels or your mirror? | 0:49:34 | 0:49:36 | |
-It's going to be my frame, isn't it? -Oh, get out. -It is! | 0:49:36 | 0:49:39 | |
Auctioneer Michael J Bowman's been holding regular auctions | 0:49:42 | 0:49:46 | |
at Chudleigh Town Hall for over 25 years now, | 0:49:46 | 0:49:48 | |
so get ready Chudleigh! | 0:49:48 | 0:49:53 | |
First up is Phil's dressing table mirror. | 0:49:56 | 0:49:59 | |
-What do you think? -I think it's going to go for £45. -Don't say that. | 0:49:59 | 0:50:03 | |
-I think it will. -Think or hope? | 0:50:03 | 0:50:05 | |
Both, to be fair. | 0:50:05 | 0:50:06 | |
Start me at £10 for the mirror. 10 bid, thank you. | 0:50:06 | 0:50:09 | |
At £10. At 10. | 0:50:09 | 0:50:11 | |
12, 15, | 0:50:11 | 0:50:14 | |
17, 20, | 0:50:14 | 0:50:16 | |
22, 25, | 0:50:16 | 0:50:18 | |
27, 30... | 0:50:18 | 0:50:21 | |
It's getting there. | 0:50:21 | 0:50:22 | |
At 30. Lot 64 at £30. | 0:50:22 | 0:50:25 | |
At 30. 32. | 0:50:25 | 0:50:27 | |
35. | 0:50:27 | 0:50:29 | |
At £35. 37. | 0:50:29 | 0:50:31 | |
40. | 0:50:31 | 0:50:33 | |
It's going, it's going. | 0:50:33 | 0:50:34 | |
40. Front of the room. | 0:50:34 | 0:50:36 | |
All done? | 0:50:36 | 0:50:37 | |
At £40... | 0:50:37 | 0:50:38 | |
Oh, dear - a losing start. | 0:50:41 | 0:50:43 | |
Even more after commission. | 0:50:43 | 0:50:45 | |
I was bang on. | 0:50:45 | 0:50:47 | |
40 quid. | 0:50:47 | 0:50:48 | |
Or did I say 45? | 0:50:48 | 0:50:50 | |
Mallet under the hammer, anyone? | 0:50:53 | 0:50:56 | |
How do you know it's French? | 0:50:56 | 0:50:57 | |
-I just think it is. -Why? Did you go, "Ooh, ma-llette?" | 0:50:58 | 0:51:02 | |
The old mallet, there. Well patinated. Start me at £10. | 0:51:02 | 0:51:06 | |
Come on, £10, come on, £10. | 0:51:06 | 0:51:08 | |
Item... 10 bid, thank you. | 0:51:08 | 0:51:10 | |
At £10. At 10. | 0:51:10 | 0:51:11 | |
At £10. We have one bid at 10. At £10 and I'm selling. | 0:51:11 | 0:51:15 | |
-If there's no further bids... -Nobody else wants it? | 0:51:15 | 0:51:18 | |
I wonder why. | 0:51:18 | 0:51:19 | |
-I can't believe that. -I can. | 0:51:19 | 0:51:21 | |
Not an auspicious start. | 0:51:21 | 0:51:24 | |
If that was an English mallet... | 0:51:24 | 0:51:26 | |
Time to worry about Phil's mortar without pestle | 0:51:28 | 0:51:30 | |
and altogether useless fire extinguisher...now! | 0:51:30 | 0:51:34 | |
Both useful in their ways. Start me at £10 for the two. | 0:51:34 | 0:51:38 | |
10, is there? | 0:51:38 | 0:51:40 | |
10 to start. No bid anywhere? There for sale. | 0:51:40 | 0:51:43 | |
10, thank you, sir. At £10. Gentleman's bid now at 10. | 0:51:44 | 0:51:47 | |
-Can I see 12 anywhere? -Trouble, here. -Are you going to struggle? | 0:51:47 | 0:51:50 | |
-Yeah. -Gentleman's bid seated at 10. | 0:51:50 | 0:51:52 | |
I'm selling if there's no further bids at £10. | 0:51:52 | 0:51:54 | |
At £10... | 0:51:54 | 0:51:55 | |
That felt like a good result... | 0:51:57 | 0:51:59 | |
in the circumstances. | 0:51:59 | 0:52:01 | |
I don't like Devon. I'm not coming here again. | 0:52:01 | 0:52:03 | |
That's the end of it. | 0:52:03 | 0:52:05 | |
Devon's famous for its milk, so how about Tom's little stool? | 0:52:06 | 0:52:10 | |
Start me at £10 for the stool. | 0:52:10 | 0:52:12 | |
10 bid, thank you. At 10. | 0:52:13 | 0:52:15 | |
12. | 0:52:15 | 0:52:16 | |
15. | 0:52:16 | 0:52:17 | |
At £15. | 0:52:17 | 0:52:19 | |
-Front of the room at 15. -£15? | 0:52:19 | 0:52:23 | |
-At 15. 17, a gentleman's bid. -Good boy, go on, go on. | 0:52:23 | 0:52:25 | |
£17, in the centre seated at 17, gentleman's bid. Are you all done? | 0:52:25 | 0:52:29 | |
At £17... | 0:52:29 | 0:52:31 | |
A tiny triumph. | 0:52:33 | 0:52:35 | |
I think I've just made 20p. | 0:52:35 | 0:52:36 | |
What can Phil's picnic basket do? | 0:52:40 | 0:52:42 | |
Just a profit would be nice. | 0:52:42 | 0:52:44 | |
Edwardian hamper, right time of year for this. Start me at £10. | 0:52:44 | 0:52:47 | |
-Oh, why doesn't he start it a bit higher? -At £10. | 0:52:47 | 0:52:52 | |
At 10. | 0:52:52 | 0:52:53 | |
At 10, 12. | 0:52:53 | 0:52:54 | |
Hell, I made a profit! | 0:52:55 | 0:52:57 | |
At £12. The hamper at 12, in the doorway. All done, and I'm selling. | 0:52:57 | 0:53:00 | |
I tell you what, this is tough, isn't it? | 0:53:00 | 0:53:02 | |
Three down the toilet. | 0:53:02 | 0:53:03 | |
This is no picnic. | 0:53:05 | 0:53:07 | |
Is it raining out? | 0:53:07 | 0:53:08 | |
I wonder why these people are in here, | 0:53:08 | 0:53:09 | |
cos they're not bidding, are they? | 0:53:09 | 0:53:11 | |
It must be raining outside. I don't know what they're doing. | 0:53:11 | 0:53:14 | |
Tom needs all the luck he can get with this mirror. | 0:53:14 | 0:53:18 | |
I want to savour this moment. What did you pay for the mirror, Tom? | 0:53:18 | 0:53:21 | |
-COUGHING: -£65. -Sorry, how much? | 0:53:22 | 0:53:24 | |
-The gilt-framed mirror hanging up on the wall. -Come on, come on. | 0:53:24 | 0:53:28 | |
The whole lot, they're all turning round. Come on! | 0:53:29 | 0:53:32 | |
Is there 10 for the mirror? | 0:53:33 | 0:53:34 | |
-Is there 5 for the mirror? -Are you serious? | 0:53:37 | 0:53:40 | |
£5 if you like, it's there for sale. | 0:53:40 | 0:53:43 | |
That's unbelievable. | 0:53:43 | 0:53:44 | |
-No bid. -No bid?! | 0:53:45 | 0:53:47 | |
-5 bid now, at £5. -I would've rather he'd left it. | 0:53:48 | 0:53:51 | |
-He's just done you a disservice. -Yeah, I could have taken that on. | 0:53:51 | 0:53:54 | |
At 5. | 0:53:54 | 0:53:56 | |
-At 5, back of the room, all done? -I'm feeling a bit sick. -At £5. | 0:53:56 | 0:53:59 | |
That's dreadful! A huge loss that leaves Phil nicely in the lead. | 0:54:01 | 0:54:06 | |
Not much to boast about, though. | 0:54:06 | 0:54:08 | |
What you've got to remember is that people watching this | 0:54:08 | 0:54:10 | |
recognise us as being experts in our own field, right. | 0:54:10 | 0:54:13 | |
They recognise that we can go out there, | 0:54:13 | 0:54:15 | |
we can sniff out those little nuggets that other people miss | 0:54:15 | 0:54:19 | |
and we can pay £65 for them | 0:54:19 | 0:54:22 | |
and sell them for £5. | 0:54:22 | 0:54:25 | |
That is a skill that a lot of people don't have. | 0:54:25 | 0:54:27 | |
Phil's funnel might do just as badly and even things up a bit. | 0:54:29 | 0:54:32 | |
I'm not sure this lot are ready for funnels. | 0:54:32 | 0:54:35 | |
Not only useful but attractive. The pair, start me at £20 for the pair. | 0:54:35 | 0:54:40 | |
Big intro. | 0:54:40 | 0:54:42 | |
20? At £20, thank you, sir. 5, may I say? | 0:54:42 | 0:54:45 | |
25. | 0:54:45 | 0:54:46 | |
30. | 0:54:47 | 0:54:49 | |
Hello. | 0:54:49 | 0:54:50 | |
40. | 0:54:50 | 0:54:51 | |
45. | 0:54:51 | 0:54:54 | |
50. Are we all done? | 0:54:54 | 0:54:55 | |
At £50... | 0:54:56 | 0:54:58 | |
Mr Jameson, thank you. | 0:54:58 | 0:55:00 | |
Phew! A relief, but still a loss after commission. | 0:55:00 | 0:55:03 | |
Before the auction, I was concerned I'd only bought four lots. | 0:55:03 | 0:55:06 | |
I'm actually now quite pleased. | 0:55:06 | 0:55:08 | |
-Do you want one of mine? -No! | 0:55:08 | 0:55:10 | |
But the silver fox has one last chance - his pump trough. | 0:55:10 | 0:55:14 | |
This is my Usain Bolt, this is. This is my banker. | 0:55:14 | 0:55:18 | |
If this doesn't run to glory, I'm absolutely up it, mate. | 0:55:18 | 0:55:21 | |
-Start me at £20 for this... -£20?! | 0:55:21 | 0:55:25 | |
-20 bid, thank you. Lady's bid at 20. -At least he got 20. -5, may I say? | 0:55:25 | 0:55:29 | |
At 20. 25. | 0:55:29 | 0:55:31 | |
-30. -That's good. | 0:55:31 | 0:55:33 | |
At 30, 35. 40. | 0:55:33 | 0:55:36 | |
It's getting there. | 0:55:36 | 0:55:37 | |
At £40, in front of me at 40. | 0:55:38 | 0:55:40 | |
45, a new bidder. | 0:55:40 | 0:55:42 | |
At 45. 50. | 0:55:42 | 0:55:45 | |
5. | 0:55:45 | 0:55:46 | |
60. | 0:55:46 | 0:55:47 | |
5. | 0:55:47 | 0:55:48 | |
70. | 0:55:48 | 0:55:49 | |
-5. -That's better. -At 75. Gentleman's bid now at 75. | 0:55:49 | 0:55:53 | |
Standing, at 75. | 0:55:53 | 0:55:55 | |
-At 75. -It just means I've wiped my face for the day. | 0:55:55 | 0:55:57 | |
It's better than... | 0:55:58 | 0:56:00 | |
At £75. | 0:56:00 | 0:56:01 | |
Mr Bainbridge, thank you. | 0:56:03 | 0:56:04 | |
That profit means Phil's now made a small loss overall. | 0:56:04 | 0:56:08 | |
I'm going to go let this auctioneer's tyres down. | 0:56:08 | 0:56:10 | |
I am. I'm going to find out which his car is. | 0:56:10 | 0:56:12 | |
It'll be the Rolls-Royce outside. I'm going to go let the tyres down. | 0:56:12 | 0:56:15 | |
Thanks to his mirror, Tom's gone backwards, | 0:56:17 | 0:56:19 | |
but could the French frame somehow save the day? | 0:56:19 | 0:56:22 | |
-Are you anxious? -I'm very, very, very, very anxious. | 0:56:22 | 0:56:25 | |
Let me tell you, I'm actually quite anxious for you. | 0:56:25 | 0:56:28 | |
The picture frame at 128. | 0:56:28 | 0:56:30 | |
-This is it. You can hear that buzz. -The whole room's lifted. | 0:56:30 | 0:56:33 | |
The picture frame at 128. | 0:56:33 | 0:56:36 | |
A handsome piece. Start me at £30 for this. | 0:56:36 | 0:56:38 | |
-30 bid, thank you. -Oh, good(!) | 0:56:38 | 0:56:41 | |
50, 60 | 0:56:41 | 0:56:43 | |
70, 80, | 0:56:43 | 0:56:44 | |
90, 100. | 0:56:44 | 0:56:46 | |
-Oh, yeah. -110, a new bidder. | 0:56:46 | 0:56:48 | |
120. | 0:56:48 | 0:56:49 | |
130, 140, | 0:56:49 | 0:56:51 | |
150, 160, | 0:56:51 | 0:56:53 | |
-170... -My heart, mate. -Well done. | 0:56:53 | 0:56:56 | |
At 180. | 0:56:56 | 0:56:57 | |
At 180. 190. | 0:56:57 | 0:56:59 | |
200. | 0:56:59 | 0:57:01 | |
210, 220, | 0:57:01 | 0:57:03 | |
230, 240. | 0:57:03 | 0:57:05 | |
250, 260, | 0:57:07 | 0:57:09 | |
270. | 0:57:09 | 0:57:11 | |
At 270, 280. | 0:57:11 | 0:57:13 | |
290. | 0:57:13 | 0:57:15 | |
At 290. | 0:57:15 | 0:57:16 | |
I tell you, this has got to be one of the best auction houses | 0:57:16 | 0:57:18 | |
-I've ever been to. -Standing, at 290. | 0:57:18 | 0:57:21 | |
Lady's bid at 290. All done? | 0:57:21 | 0:57:24 | |
At £290. | 0:57:24 | 0:57:26 | |
-£290. -Well done, mate. -Thank you. | 0:57:27 | 0:57:31 | |
That fantastic result has changed everything, | 0:57:31 | 0:57:34 | |
putting the new boy on top. | 0:57:34 | 0:57:36 | |
I've won an auction. | 0:57:36 | 0:57:37 | |
Does that mean I've won an auction? | 0:57:37 | 0:57:39 | |
What it does mean is the drinks are on you. | 0:57:39 | 0:57:41 | |
-Loser drives, though, buddy. -Oh, here we go. | 0:57:41 | 0:57:44 | |
Not only has Tom won today, | 0:57:44 | 0:57:46 | |
but he's grabbed the overall lead as well. | 0:57:46 | 0:57:49 | |
Phil started out with £309.08 and after paying auction costs | 0:57:49 | 0:57:54 | |
he made a loss of £16.66. | 0:57:54 | 0:57:57 | |
So, he has £292.42 to spend next time. | 0:57:57 | 0:58:01 | |
While Tom began with £232.02 and after paying auction costs, | 0:58:02 | 0:58:08 | |
he made a profit of £73.04, | 0:58:08 | 0:58:11 | |
leaving him with £303.06 and a narrow lead. | 0:58:11 | 0:58:16 | |
That is a spanking in any sort of language, mate. | 0:58:16 | 0:58:19 | |
-We've had some good ones in there. -Absolute spanking. | 0:58:19 | 0:58:21 | |
-And some real shockers. -I'm delighted for you. | 0:58:21 | 0:58:24 | |
That was brilliant. | 0:58:26 | 0:58:28 | |
So newbie Tom is fighting back. | 0:58:28 | 0:58:30 | |
All's to play for. | 0:58:30 | 0:58:32 |