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It's the nation's favourite antiques experts with £200 each, | 0:00:01 | 0:00:05 | |
a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
Going, going, gone. BOTH: Yes! | 0:00:10 | 0:00:12 | |
Hello! | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
-Yes! -There'll be worthy winners and valiant losers. | 0:00:17 | 0:00:21 | |
I've got to try and win. | 0:00:21 | 0:00:23 | |
So will it be the high road to glory or slow road to disaster? | 0:00:23 | 0:00:27 | |
-Sun shines on the brave, doesn't it? -Exactly. | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
It's day three of our romp round the West Country in a bright red Lancia | 0:00:39 | 0:00:44 | |
but it's not all about antiques for Phil Serrell and Tom Scott. | 0:00:44 | 0:00:48 | |
-I'd much rather go for an afternoon tea than a pasty. -Would you? | 0:00:48 | 0:00:51 | |
-Yeah, yeah. -You like your clotted cream, do you? | 0:00:51 | 0:00:54 | |
These are nice, aren't they? | 0:00:54 | 0:00:56 | |
Cream tea enthusiast Tom is a dealer from Rutland who adores | 0:00:56 | 0:01:00 | |
big French furniture. | 0:01:00 | 0:01:02 | |
-New to the Road Trip but with a nose for a bargain. -It smells. | 0:01:02 | 0:01:06 | |
Worcester man Phil is an auctioneer and philosopher... | 0:01:07 | 0:01:11 | |
-AS FORREST GUMP: -Life is like a box of chocolates. | 0:01:11 | 0:01:13 | |
..with a refreshing approach to the world of antiques. | 0:01:13 | 0:01:16 | |
This old stuff, no-one wants it. | 0:01:16 | 0:01:19 | |
So how are our two getting on? | 0:01:19 | 0:01:21 | |
Is that a natural look, the Hugh Grant, foppish look? | 0:01:21 | 0:01:24 | |
-HE LAUGHS -I hate working with young people. | 0:01:24 | 0:01:28 | |
-Do you feel a bit like you're doing the school run? -Yeah, I do. | 0:01:28 | 0:01:32 | |
Ha! They'll be fine. | 0:01:32 | 0:01:34 | |
Tom started out with £200 and he's managed to increase that | 0:01:35 | 0:01:38 | |
to £230.02 whilst Phil, | 0:01:38 | 0:01:41 | |
who also began with £200, has a bit of a lead with £309.08. | 0:01:41 | 0:01:48 | |
-Give it a bit of a tweak or something. -Squirt it again. | 0:01:48 | 0:01:53 | |
-Nice work, Tom. -Yeah! Get in there! | 0:01:53 | 0:01:55 | |
Our trip begins at the far southwest corner of Britain | 0:01:57 | 0:02:00 | |
at St Buryan before winding its way across several counties, | 0:02:00 | 0:02:04 | |
whilst always hugging the coast to reach Wareham in Dorset. | 0:02:04 | 0:02:07 | |
Today we're starting out near Dartmoor at Ashburton | 0:02:09 | 0:02:12 | |
before heading off round Devon | 0:02:12 | 0:02:14 | |
and arriving at an auction just up the road at Chudleigh. | 0:02:14 | 0:02:18 | |
The first town to elect a Monster Raving Loony candidate | 0:02:20 | 0:02:23 | |
to public office, Ashburton sits on the south-east corner of Dartmoor. | 0:02:23 | 0:02:27 | |
Now, one of my favouritest films was The Hound Of The Baskervilles | 0:02:27 | 0:02:31 | |
with Peter Cushing. I like Peter Cushing. | 0:02:31 | 0:02:33 | |
-Was that on Dartmoor? -It was. | 0:02:33 | 0:02:35 | |
And the Great Grimpen Mire in the Sherlock Holmes story | 0:02:35 | 0:02:38 | |
was inspired by the nearby Fox Tor Mire. | 0:02:38 | 0:02:42 | |
It's a nice little place, Ashburton. | 0:02:42 | 0:02:44 | |
This is really, really pretty along here. | 0:02:44 | 0:02:47 | |
-I love these hung tile clinkers. -Clinkers. -Clinkers. | 0:02:47 | 0:02:49 | |
Now, what can our detectives track down? | 0:02:50 | 0:02:53 | |
-You go that way and I'll go this way. -See you later. -Catch you later. | 0:02:53 | 0:02:56 | |
This looks just like my kind of shop, this. | 0:03:00 | 0:03:04 | |
Love things like this. | 0:03:04 | 0:03:05 | |
I mean, what the hell are you ever going to do with that? | 0:03:05 | 0:03:08 | |
This shop promises to be an Aladdin's cave... | 0:03:08 | 0:03:11 | |
-when he finally gets into it. -Beep, beep, beep, beep, beep... | 0:03:11 | 0:03:15 | |
Actually, this is the ultimate... Hello? | 0:03:15 | 0:03:17 | |
-HIS VOICE ECHOES -That's scary! | 0:03:17 | 0:03:19 | |
Hello! | 0:03:19 | 0:03:21 | |
A pair of boat funnels. You can't argue with that. | 0:03:21 | 0:03:26 | |
£175. You can argue with that. | 0:03:26 | 0:03:28 | |
-Good to see you. -Lovely to see you. -Do you know, I love your funnels. | 0:03:28 | 0:03:32 | |
-They're good. Just need the boat to go with them really, don't we? -Yeah. | 0:03:32 | 0:03:35 | |
-Careful, Paula. Don't give him ideas. -That's fun. -Yes. | 0:03:35 | 0:03:38 | |
-Perfect weather for it as well. -Don't hold your breath! | 0:03:38 | 0:03:40 | |
-Can I bring that in with me and have a look round? -Course you can. | 0:03:40 | 0:03:44 | |
-Come and have a look round. -How much is this? | 0:03:44 | 0:03:46 | |
That is £25 so the best would be about £20. | 0:03:46 | 0:03:50 | |
"About". I like the "about"! | 0:03:50 | 0:03:52 | |
"About" is cool with me. I can live with it. | 0:03:52 | 0:03:54 | |
You can start with "about". | 0:03:54 | 0:03:55 | |
-Let's put that to one side cos I can live with that - about. -Right. | 0:03:55 | 0:03:58 | |
Who could blame you, Phil? There's so much more Shambles to enjoy. | 0:03:58 | 0:04:03 | |
-No need to plump for anything yet. -Ah! He's sweet! -He's in a good mood. | 0:04:03 | 0:04:09 | |
That's quite rude, I would have thought. | 0:04:09 | 0:04:12 | |
You know, far be it from me to say! | 0:04:12 | 0:04:14 | |
That's by a local artist | 0:04:14 | 0:04:16 | |
and we bought several of his pieces at a local auction. | 0:04:16 | 0:04:19 | |
-Can I put it on the table? -Course you can. | 0:04:19 | 0:04:21 | |
-She's a big girl, isn't she? -Got a nice bottom, hasn't she? | 0:04:21 | 0:04:25 | |
I haven't got round to her bottom yet. How much is the...? | 0:04:25 | 0:04:28 | |
What's the very, very best you can do on that, | 0:04:28 | 0:04:30 | |
-that's nowhere near...£90? -SHE LAUGHS | 0:04:30 | 0:04:34 | |
-Depends what else you buy. -OK. | 0:04:34 | 0:04:37 | |
I'm sure we could put a lot together. | 0:04:37 | 0:04:39 | |
While Phil gets in touch with his artistic side | 0:04:39 | 0:04:42 | |
let's see what Tom's up to. | 0:04:42 | 0:04:44 | |
-Morning. -Good morning. -How're you doing? -Fine, thank you. | 0:04:44 | 0:04:46 | |
-Tom. Nice to meet you. -Mike. Pleased to meet you, Tom. | 0:04:46 | 0:04:49 | |
I think Tom should enjoy himself at Ashton House. | 0:04:49 | 0:04:52 | |
Some of that old wood that he's very fond of, | 0:04:52 | 0:04:55 | |
as well as lamps and even the sort of bed he specialises in. | 0:04:55 | 0:04:59 | |
What a lovely shop! | 0:04:59 | 0:05:02 | |
Loads and loads of really, really nice pieces. | 0:05:02 | 0:05:05 | |
He has to buy for that general sale, though, and he knows it. | 0:05:05 | 0:05:08 | |
My goal has got to be to beat Serrell. | 0:05:08 | 0:05:11 | |
2-0 down is not a good start. | 0:05:11 | 0:05:13 | |
That's the spirit. Ah, a hanger. Don't get hung up on it, Tom. | 0:05:13 | 0:05:19 | |
That's a good curtain pole, isn't it? That's nice, isn't it? | 0:05:21 | 0:05:24 | |
-A bit of a beast, that one. -It's a big 'un, isn't it? | 0:05:24 | 0:05:27 | |
I've got two dozen rings that go with it as well. | 0:05:27 | 0:05:29 | |
They're in very good condition, actually. | 0:05:29 | 0:05:31 | |
They are nice, aren't they? I like that a lot. | 0:05:31 | 0:05:35 | |
Might win in the big and awkward stakes between me and Philip as well. | 0:05:35 | 0:05:38 | |
-Nice. -How many people will be looking for one of those in Chudleigh, eh? | 0:05:39 | 0:05:44 | |
Nice oval frame. That's really nice. I like that. | 0:05:44 | 0:05:48 | |
Good bevelled glass. | 0:05:48 | 0:05:49 | |
Nice late... Kind of more turn of the century, but that's nice. | 0:05:49 | 0:05:53 | |
A few bits of damage, again, | 0:05:53 | 0:05:55 | |
but these are quite easy to sort out. | 0:05:55 | 0:05:57 | |
What's the price on this one? | 0:05:57 | 0:05:59 | |
£115. | 0:06:00 | 0:06:02 | |
I think on reflection he's serious about this one. | 0:06:02 | 0:06:05 | |
-Time to talk to Mike. -The very best I can do that is 85. -85. | 0:06:05 | 0:06:11 | |
-OK. -Does that make it more attractive for you? | 0:06:12 | 0:06:15 | |
-Makes it a little more attractive. -A little more, right. | 0:06:15 | 0:06:17 | |
-A little more attractive. -OK. | 0:06:17 | 0:06:19 | |
If I can twist your arm a little more... | 0:06:19 | 0:06:21 | |
..maybe getting to something around about 55. | 0:06:22 | 0:06:27 | |
Do you need to sit down or lie down? | 0:06:27 | 0:06:30 | |
-I'll come down to 70 but 55 is too far down. -55 is too far. | 0:06:30 | 0:06:34 | |
-No. I can't do 55. -How about 65? Deal? -Deal. -Brilliant. | 0:06:34 | 0:06:39 | |
Thank you very much. Appreciate it. | 0:06:39 | 0:06:41 | |
Tom's off to his usual flying start but what of Phil | 0:06:41 | 0:06:45 | |
and those pricy funnels? | 0:06:45 | 0:06:47 | |
What I want is your ship funnels but they're not going to come, are they? | 0:06:47 | 0:06:50 | |
-Depends how you can persuade me. -Hello. | 0:06:50 | 0:06:54 | |
Seems he's fallen in love with a nice pair of funnels. | 0:06:54 | 0:06:58 | |
I'd like to buy them for £40 and you're not going to sell them | 0:06:58 | 0:07:00 | |
-for £40, are you? -No. -What's the very best you could do on those? | 0:07:00 | 0:07:03 | |
The very best would be £80. | 0:07:03 | 0:07:07 | |
-Still quite a lot of money, Phil. -I think they're lovely. | 0:07:07 | 0:07:11 | |
He's talking himself into this. | 0:07:11 | 0:07:14 | |
If I put those into auction and they make £80... | 0:07:14 | 0:07:17 | |
They're not going to make any more than £80. | 0:07:17 | 0:07:20 | |
No, I'm not going to do this because this is stupid. | 0:07:20 | 0:07:23 | |
-This is utterly stupid. -Is it all over? -I want to own these. | 0:07:23 | 0:07:27 | |
-This is one of those daft things, I want to own these. -Oh, Lordy. | 0:07:27 | 0:07:30 | |
I don't think they're going to make much of a profit, | 0:07:30 | 0:07:33 | |
-if anything at all for me. -Now don't. | 0:07:33 | 0:07:36 | |
Paula just has to smile. | 0:07:36 | 0:07:38 | |
There we go. | 0:07:38 | 0:07:40 | |
I would like to give you £50 for the two funnels | 0:07:40 | 0:07:42 | |
and £10 for that hamper, which is £60 for the two. | 0:07:42 | 0:07:46 | |
Cheeky! | 0:07:46 | 0:07:48 | |
-Is that your very last offer? -Absolutely positive. | 0:07:48 | 0:07:51 | |
-£60 for those, there. -Oh, go on, then. -You're an angel. I love you. | 0:07:51 | 0:07:56 | |
You've made that quite clear. Right, the hamper might come in, I suppose. | 0:07:56 | 0:08:00 | |
Let's just hope Tom doesn't go equally bonkers in Etcetera. | 0:08:00 | 0:08:04 | |
-Hello. -Hello, there. -Hi, I'm Tom. -Hello, Tom. | 0:08:04 | 0:08:08 | |
-Nice to meet you. -And you. | 0:08:08 | 0:08:11 | |
This looks great. Fantastic. What a great collection of...all sorts! | 0:08:11 | 0:08:16 | |
There seems little chance of him acquiring any boat parts from Moira. | 0:08:17 | 0:08:21 | |
Not that sort of place. Apart from that old binnacle, that is. | 0:08:21 | 0:08:25 | |
What can he navigate towards, though? | 0:08:25 | 0:08:28 | |
This is The Sage Of The East. | 0:08:31 | 0:08:33 | |
-It says here, "Tom in full sail." I don't think that's me. -Nonsense. | 0:08:33 | 0:08:37 | |
If you'd seen your rival buying those funnels just now, | 0:08:37 | 0:08:40 | |
you'd certainly get a second wind. | 0:08:40 | 0:08:42 | |
Nice big frame. | 0:08:43 | 0:08:46 | |
See, that would make a brilliant mirror frame. | 0:08:46 | 0:08:49 | |
That is nice. French sort of late 19th century. | 0:08:51 | 0:08:55 | |
Would have been a picture. | 0:08:55 | 0:08:57 | |
-That's got real potential. -He's quite excited about that one. | 0:08:58 | 0:09:03 | |
Yeah, and at £200 that's worth having a chat with Moira. | 0:09:03 | 0:09:06 | |
I'd need to do something pretty spectacular | 0:09:06 | 0:09:08 | |
with the price to help me on that. | 0:09:08 | 0:09:10 | |
Time to adopt a poker face. | 0:09:10 | 0:09:12 | |
I spotted your carved French gilded frame upstairs. | 0:09:14 | 0:09:19 | |
I'm just kind of thinking, price-wise, | 0:09:20 | 0:09:22 | |
what we might be able to do? | 0:09:22 | 0:09:24 | |
-Do you remember what price was on it? -It's on at £200. | 0:09:24 | 0:09:27 | |
I'm kind of looking about half that. | 0:09:27 | 0:09:29 | |
-Trying to get it to £100, really. -Did my jaw drop open? | 0:09:29 | 0:09:32 | |
-It did a little bit. -I'm not surprised, love! | 0:09:32 | 0:09:35 | |
It must be your lucky day, actually, | 0:09:35 | 0:09:37 | |
because it belongs to a dealer who has recently joined us. | 0:09:37 | 0:09:40 | |
She's actually on holiday in Bali at the moment | 0:09:40 | 0:09:43 | |
-so I can't get hold of her. -She needs a little bit extra to spend. | 0:09:43 | 0:09:46 | |
She has given me some discretion. OK. | 0:09:46 | 0:09:49 | |
-I think she would probably let it go at 100. -Would she? -Yeah. | 0:09:49 | 0:09:52 | |
-That has to be a deal. Thank you very, very much. -You're welcome. | 0:09:52 | 0:09:55 | |
-I love it. I think that's going to be great. -It's a lovely piece. | 0:09:55 | 0:09:58 | |
That's got some potential, I think. | 0:09:58 | 0:10:00 | |
Half price! Tom's got quite a deal, there. | 0:10:00 | 0:10:03 | |
That's it. Shopping done. That was an absolute bargain. I'm off, now. | 0:10:03 | 0:10:07 | |
Phil, though, is still on the premises. | 0:10:09 | 0:10:13 | |
What's he after in that back garden? Not a potted plant again, surely? | 0:10:13 | 0:10:18 | |
Oh, no. A pump trough. | 0:10:18 | 0:10:20 | |
Trust you to find things that aren't even in the shop. | 0:10:20 | 0:10:23 | |
So what is it? It's stone, isn't it? | 0:10:23 | 0:10:25 | |
-That'll go nicely with those funnels. -I'll give you £50 for it. | 0:10:25 | 0:10:29 | |
-You give me £70 and it's yours. -No. I can't do that, honestly I can't. | 0:10:31 | 0:10:35 | |
Fine. If you can lift it and carry it out... | 0:10:35 | 0:10:38 | |
No way, Jose! | 0:10:38 | 0:10:41 | |
65 and it's yours. Nobody else is going to have one, are they? | 0:10:41 | 0:10:44 | |
I tell you what, £55. Can you do that? | 0:10:44 | 0:10:47 | |
-Yeah, go on. -You're an angel. Thank you very much indeed. -Pleasure. | 0:10:47 | 0:10:50 | |
I don't know how I'm going to get that away from here. | 0:10:50 | 0:10:53 | |
First bend ze knees, ze back straight. | 0:10:53 | 0:10:57 | |
-Oh! -Steady! -This is heavy. | 0:10:59 | 0:11:02 | |
Now, remember how close they are to Dartmoor? | 0:11:10 | 0:11:13 | |
It's time for Phil to head deep into the national park, | 0:11:16 | 0:11:20 | |
making his way from Ashburton to Princetown | 0:11:20 | 0:11:22 | |
and the Dartmoor Prison Museum. | 0:11:22 | 0:11:24 | |
This is my first time on Dartmoor | 0:11:31 | 0:11:33 | |
and I just think it's absolutely stunning. | 0:11:33 | 0:11:36 | |
Look at that - it's glorious! Absolutely glorious! | 0:11:36 | 0:11:39 | |
A Dartmoor pony! There's my first one, look! | 0:11:39 | 0:11:42 | |
It's a real, proper, genuine Dartmoor pony! | 0:11:42 | 0:11:45 | |
I think I might buy one for the next auction. | 0:11:45 | 0:11:48 | |
Do you want to get in my car? | 0:11:48 | 0:11:50 | |
See you, matey, bye-bye. | 0:11:50 | 0:11:52 | |
The free-roaming ponies belong in this wilderness | 0:11:54 | 0:11:57 | |
but the barren terrain can be tough for humans | 0:11:57 | 0:12:00 | |
so like Alcatraz, Dartmoor's environment | 0:12:00 | 0:12:02 | |
makes it difficult to escape from. | 0:12:02 | 0:12:05 | |
Nowadays, it's a working Category C jail | 0:12:05 | 0:12:09 | |
but Phil's here to learn about the time | 0:12:09 | 0:12:11 | |
it once held some of Britain's most serious offenders. | 0:12:11 | 0:12:14 | |
-Hi, you must be Jeff. -That's right. -Philip. How are you? | 0:12:16 | 0:12:19 | |
-Very well, thank you. -Good to see you. -And good to see you. Welcome. | 0:12:19 | 0:12:22 | |
I feel a bit nervous about being here, in case I get locked up. | 0:12:22 | 0:12:25 | |
We've got a couple of spare cells! | 0:12:25 | 0:12:27 | |
The prison was first built over 200 years ago, | 0:12:31 | 0:12:33 | |
when Britain was at war with France. | 0:12:33 | 0:12:35 | |
Thousands of French prisoners who had been confined in derelict | 0:12:35 | 0:12:39 | |
prison hulks near Plymouth were then moved to this isolated spot. | 0:12:39 | 0:12:43 | |
But the modern history of Dartmoor began in 1850, | 0:12:43 | 0:12:47 | |
when it was commissioned for convicts. | 0:12:47 | 0:12:50 | |
Tell me, every museum has got a black museum. Have you got one? | 0:12:50 | 0:12:52 | |
-Yes. -Can we have a look? -Just round the corner. This way? -After you. | 0:12:52 | 0:12:55 | |
The museum pulls few punches about how tough life inside can be. | 0:12:55 | 0:13:00 | |
Take this selection of confiscated weapons. | 0:13:00 | 0:13:03 | |
So, which is the oldest sort of device in here? | 0:13:03 | 0:13:06 | |
-It's the small weapon right in the middle. -That's a weapon? | 0:13:07 | 0:13:10 | |
-That's a weapon. -What would that have been used for? | 0:13:10 | 0:13:13 | |
Before 1932, a little hole that the prison officer used to look through | 0:13:13 | 0:13:18 | |
wouldn't have had a glass in it. | 0:13:18 | 0:13:20 | |
The person on the other side would be waiting for him to come | 0:13:20 | 0:13:24 | |
along and then... | 0:13:24 | 0:13:26 | |
-Bodge him in the eye. -..bodge him in the eye. | 0:13:26 | 0:13:28 | |
Prisoners at Dartmoor worked hard, usually outside the confines | 0:13:28 | 0:13:32 | |
of the jail, breaking rocks, | 0:13:32 | 0:13:34 | |
clearing fields and building walls and paths. | 0:13:34 | 0:13:37 | |
That, of course, meant opportunities for escape, | 0:13:37 | 0:13:40 | |
although the forbidding countryside | 0:13:40 | 0:13:42 | |
would deter all but the most desperate. | 0:13:42 | 0:13:44 | |
Who's the most notorious escapee? | 0:13:44 | 0:13:47 | |
The most notorious escapee was probably Frank Mitchell. | 0:13:47 | 0:13:50 | |
He was one of the Kray gang. | 0:13:50 | 0:13:52 | |
Frank Mitchell, AKA the Mad Axeman, | 0:13:52 | 0:13:56 | |
escaped from Dartmoor in December 1966, | 0:13:56 | 0:13:58 | |
almost certainly with help from the Krays gang. | 0:13:58 | 0:14:01 | |
-We really think he was broken out of here for a publicity stunt. -Really? | 0:14:01 | 0:14:06 | |
So the Krays could prove they could break somebody out. | 0:14:06 | 0:14:09 | |
-What happened to him then? -11 days later, they shot him. -Why? | 0:14:09 | 0:14:13 | |
We don't know. But at the trial, the Krays were found not guilty. | 0:14:13 | 0:14:18 | |
Picking that page there, from August through to December, | 0:14:18 | 0:14:22 | |
you had one, two, three, four, five, six, seven people try and escape. | 0:14:22 | 0:14:25 | |
-Was that a regular occurrence? -Yes, it was. | 0:14:25 | 0:14:28 | |
Unless they've got somebody like Mitchell picking them up, | 0:14:28 | 0:14:32 | |
-they weren't going to be out for very long. -That's amazing. | 0:14:32 | 0:14:35 | |
Those who failed in their escape attempt faced punishment | 0:14:35 | 0:14:38 | |
and in the basement of the museum is another grisly reminder | 0:14:38 | 0:14:41 | |
of what Dartmoor Prison life was once like. | 0:14:41 | 0:14:44 | |
-This is the A-frame. -Yeah. That looks a right instrument of torture. | 0:14:44 | 0:14:48 | |
-It's a very fine example. -That depends on your perspective. | 0:14:48 | 0:14:51 | |
-You stood here like this, did you? -Yeah. | 0:14:51 | 0:14:53 | |
And your hands would have been strapped... | 0:14:53 | 0:14:55 | |
-There. -There and there. | 0:14:55 | 0:14:58 | |
And your feet would have been strapped to the straps here | 0:14:58 | 0:15:02 | |
and then they would administer the beating. | 0:15:02 | 0:15:06 | |
Oh, Lord. | 0:15:06 | 0:15:07 | |
The flogging was done with this little item. | 0:15:07 | 0:15:11 | |
-That is a cat-o'-nine-tails. -This is a cat-o'-nine-tails. | 0:15:11 | 0:15:14 | |
Did anyone ever have two lots of floggings? | 0:15:14 | 0:15:16 | |
One would put you off, wouldn't it? | 0:15:16 | 0:15:18 | |
Frank Mitchell is recorded to have received a flogging twice. | 0:15:18 | 0:15:23 | |
It's deterrent enough for me. | 0:15:23 | 0:15:24 | |
I'm going to shake you by the hand and thank you very much indeed. | 0:15:24 | 0:15:27 | |
Enjoyed it, but you half frightened me to death. | 0:15:27 | 0:15:29 | |
-Take care. -Will do. -I'm off! | 0:15:29 | 0:15:31 | |
Well, it looks like Phil's got his freedom back, | 0:15:36 | 0:15:38 | |
but not for good behaviour, surely. | 0:15:38 | 0:15:40 | |
-We're not on the run, are we? -No, no, no. | 0:15:40 | 0:15:43 | |
But if you hear any sirens... | 0:15:43 | 0:15:45 | |
Ha-ha! Night-night. | 0:15:45 | 0:15:46 | |
Next morning and the Lancia's making quite an impression. | 0:15:50 | 0:15:54 | |
Look at this - goes like a bird. | 0:15:54 | 0:15:56 | |
Albatross. | 0:15:58 | 0:15:59 | |
Too early to say if our boys' luck was in yesterday, | 0:15:59 | 0:16:02 | |
although Tom was certainly very pleased with his frame. | 0:16:02 | 0:16:06 | |
That's got real potential. | 0:16:06 | 0:16:08 | |
He spent a total of £165 on two auction lots, | 0:16:08 | 0:16:11 | |
leaving him with £65.02 to spend today. | 0:16:11 | 0:16:15 | |
Ooh! | 0:16:16 | 0:16:18 | |
I'm not sure if Phil still considers himself fortunate | 0:16:18 | 0:16:21 | |
to have acquired those ship's funnels, | 0:16:21 | 0:16:24 | |
or his picnic hamper and pump trough, | 0:16:24 | 0:16:26 | |
but they set him back £115, leaving £194.08 at his disposal. | 0:16:26 | 0:16:32 | |
This is heavy! | 0:16:32 | 0:16:34 | |
Later, they'll be making for the auction in Chudleigh, | 0:16:34 | 0:16:37 | |
but our first stop is on the northern edge of Dartmoor | 0:16:37 | 0:16:40 | |
at Okehampton. | 0:16:40 | 0:16:41 | |
This is the Okement River which runs through the town | 0:16:43 | 0:16:46 | |
and once drove its wool mills. | 0:16:46 | 0:16:48 | |
Makes quite a contribution to its name, too. | 0:16:48 | 0:16:51 | |
Wish me luck. | 0:16:53 | 0:16:55 | |
You'll be fine, mate. I'll see you later. | 0:16:55 | 0:16:57 | |
Yeah, drive carefully. Bye. | 0:16:57 | 0:16:59 | |
-Morning. -Good morning. -How are you, all right? -Very well. | 0:17:02 | 0:17:05 | |
Is it all right if I have a look round? | 0:17:05 | 0:17:07 | |
-Absolutely, help yourself. -Lovely, thank you. | 0:17:07 | 0:17:09 | |
Now, this looks like a proper antique shop to me, | 0:17:09 | 0:17:12 | |
so Phil's more outrageous tendencies could be reined in. | 0:17:12 | 0:17:15 | |
Well, most of them, anyway. | 0:17:17 | 0:17:18 | |
I'm not going to buy them, but I just like making a noise. | 0:17:18 | 0:17:22 | |
That's a shame - "bongo-playing auctioneer" | 0:17:22 | 0:17:25 | |
would be quite something. | 0:17:25 | 0:17:26 | |
It hasn't taken him long to beat a path to Jo's bargain section either. | 0:17:26 | 0:17:30 | |
This is our 50% room. Everything in here... | 0:17:30 | 0:17:34 | |
-I like the sound of that. -..half its marked price. | 0:17:34 | 0:17:36 | |
I can't resist half price. I do like half price. | 0:17:36 | 0:17:39 | |
It's good stuff, half price is. | 0:17:39 | 0:17:41 | |
There's something in here I quite like. | 0:17:41 | 0:17:43 | |
-The old fire extinguisher? -Yeah. | 0:17:43 | 0:17:45 | |
Ah, that looks familiar. | 0:17:45 | 0:17:47 | |
-My travelling companion, Tom, bought one of these. -Oh, right. | 0:17:47 | 0:17:51 | |
And he thought it was fantastic. | 0:17:51 | 0:17:53 | |
But it only made a tiny profit. | 0:17:53 | 0:17:56 | |
-Nicer one than that, too. -So you've got that at 34? | 0:17:56 | 0:17:59 | |
Yeah, so 17, but, again, anything in here is open to offers. | 0:17:59 | 0:18:02 | |
I got this wrong. I'm doing myself, here. | 0:18:03 | 0:18:05 | |
It's 24 quid, it says on there. | 0:18:05 | 0:18:08 | |
-Even less. -So it's 12 quid? -Yep. | 0:18:08 | 0:18:10 | |
He likes it here. More brass, though? | 0:18:12 | 0:18:14 | |
Those are nice. And this is a... | 0:18:14 | 0:18:17 | |
Do you know, I always get pestle and mortar mixed up. | 0:18:17 | 0:18:21 | |
Which one's which? | 0:18:21 | 0:18:23 | |
-One's pestle... -That's the mortar. | 0:18:23 | 0:18:26 | |
It's quite a nice bit of spun brass. | 0:18:26 | 0:18:28 | |
Can I put that with that? | 0:18:28 | 0:18:29 | |
-I might be able to have a little bit of a brass lot. -Absolutely. | 0:18:29 | 0:18:32 | |
That's 24. | 0:18:32 | 0:18:34 | |
So that's 12 and that's 12, but no reasonable offer refused. | 0:18:34 | 0:18:37 | |
-Absolutely, not in this room. -The thing is, is it reasonable? | 0:18:37 | 0:18:40 | |
That's what we've got to think about. | 0:18:40 | 0:18:42 | |
OK, let's go and have a look, then. | 0:18:42 | 0:18:44 | |
He seems set on his little brass section. | 0:18:44 | 0:18:46 | |
I think at auction they're going to make... | 0:18:46 | 0:18:49 | |
perhaps 15-30 quid, the two, which mean's I've got to try | 0:18:49 | 0:18:52 | |
and buy them for somewhere between 5-10 quid. | 0:18:52 | 0:18:55 | |
-That's all I can do. -Goodness me! -It's mean as hell, isn't it? | 0:18:55 | 0:18:58 | |
But they were in the no reasonable offer refused section. | 0:18:58 | 0:19:01 | |
They were in the no reasonable offer. | 0:19:01 | 0:19:03 | |
Are we going to get to ten? | 0:19:03 | 0:19:05 | |
-Whatever you can do for me. I'm not going to... -A fiver each. | 0:19:05 | 0:19:09 | |
-Can we do that? I'm happy with that. -There we are, my love. | 0:19:09 | 0:19:13 | |
I wonder what Tom will make of Phil's fire extinguisher. | 0:19:13 | 0:19:16 | |
-Cheers! -Bye! | 0:19:17 | 0:19:18 | |
Meanwhile, the man himself is pressing on... | 0:19:20 | 0:19:23 | |
..making his way east from Okehampton towards Crediton... | 0:19:24 | 0:19:27 | |
..the birthplace of St Boniface, the Apostle of Germany. | 0:19:30 | 0:19:34 | |
Morning. | 0:19:39 | 0:19:40 | |
-Ah, good morning. -I'm Tom. | 0:19:40 | 0:19:42 | |
-Hello, Tom, nice to meet you. I'm Jim. -Hi, Jim. | 0:19:42 | 0:19:46 | |
Ah, he's Jim and the shop's called James Antiques. Ha! | 0:19:46 | 0:19:50 | |
Tom's not got an awful lot of cash left, | 0:19:50 | 0:19:52 | |
but perhaps one of the smaller items might tempt him. | 0:19:52 | 0:19:55 | |
It's just a little barrel, isn't it? It would have had your tap on here. | 0:19:55 | 0:19:59 | |
Very little one, though, isn't it? | 0:20:01 | 0:20:03 | |
Another little bit of wood. | 0:20:05 | 0:20:07 | |
Good mallet. | 0:20:07 | 0:20:08 | |
It's £22. | 0:20:09 | 0:20:11 | |
I do like that. | 0:20:12 | 0:20:14 | |
In good working order. French, possibly, too. | 0:20:15 | 0:20:18 | |
-Don't need any more mirrors. -Yep, I think we can all agree on that. | 0:20:23 | 0:20:27 | |
That's a nice little stool, isn't it? | 0:20:27 | 0:20:29 | |
Good to see him back in the window. | 0:20:29 | 0:20:31 | |
That's all quite nice, isn't it? Nice little stool? | 0:20:32 | 0:20:35 | |
That's got quite a bit of age to it. | 0:20:35 | 0:20:36 | |
That's got to be early-mid 19th century, isn't it? | 0:20:36 | 0:20:39 | |
-Very little. -Might also be French. | 0:20:39 | 0:20:42 | |
Perfect for a milk maid. | 0:20:42 | 0:20:44 | |
Doesn't wobble too much, that's all right. | 0:20:44 | 0:20:46 | |
I'm drawn to these little bits of wood, aren't I? | 0:20:47 | 0:20:50 | |
Not many people are, that's the trouble. | 0:20:51 | 0:20:53 | |
-Oh, it's a crying shame, Tom. -It's £28. | 0:20:53 | 0:20:57 | |
That's a possibility. | 0:20:57 | 0:20:59 | |
-Time for a little entente cordiale. -That's nice. That's got some stories. | 0:20:59 | 0:21:03 | |
Lovely, yes. | 0:21:03 | 0:21:05 | |
You've got £22 on there. | 0:21:05 | 0:21:06 | |
Mmm-hmm. | 0:21:06 | 0:21:09 | |
What sort of friendly deal could you do for me, | 0:21:09 | 0:21:11 | |
bearing in mind I'm holding a mallet. | 0:21:11 | 0:21:13 | |
Yes! | 0:21:13 | 0:21:15 | |
How does 15 sound? | 0:21:15 | 0:21:16 | |
15 sounds better, but... | 0:21:17 | 0:21:19 | |
-..it's not great. I was hoping for a tenner. -Oh-ho-ho! | 0:21:21 | 0:21:25 | |
-12. -How about 11? | 0:21:25 | 0:21:28 | |
-OK, you've got a deal. -Deal on that one. | 0:21:28 | 0:21:30 | |
-Jolly good. -That's nice, I like that. | 0:21:30 | 0:21:33 | |
One nailed. | 0:21:33 | 0:21:35 | |
So what can we do on here? You've got... | 0:21:35 | 0:21:37 | |
28. | 0:21:37 | 0:21:39 | |
Try 20 on that? | 0:21:39 | 0:21:40 | |
How about 25 for... | 0:21:42 | 0:21:43 | |
..the two? | 0:21:44 | 0:21:46 | |
I've got 11 here. | 0:21:46 | 0:21:48 | |
28. | 0:21:48 | 0:21:49 | |
Mallet versus stool, eh? | 0:21:49 | 0:21:51 | |
-26. -Like scissors, paper, stone. -OK, we've got a deal. | 0:21:51 | 0:21:56 | |
-Brilliant, thanks, Jim. -We won't argue over £1. -That is brilliant. | 0:21:56 | 0:21:59 | |
So 26. | 0:21:59 | 0:22:01 | |
More quick work on those two. I think Tom's shopping is complete. | 0:22:01 | 0:22:05 | |
That's me done, four lots. Let's hope I don't get hammered in the auction. | 0:22:06 | 0:22:10 | |
Right, now, our two are back on the road again, | 0:22:11 | 0:22:14 | |
with some very long noses. | 0:22:14 | 0:22:16 | |
-I bought a rocking horse... -A rocking horse? | 0:22:16 | 0:22:18 | |
-..an aquarium... -An aquarium, what else? That sounds fishy. | 0:22:18 | 0:22:21 | |
-..two wheel barrows. -Two wheel barrows? | 0:22:21 | 0:22:24 | |
Always buy things in pairs, don't you? | 0:22:24 | 0:22:26 | |
-Do you want to know what I've bought? -Yeah. | 0:22:26 | 0:22:28 | |
I bought a helter-skelter, | 0:22:28 | 0:22:29 | |
I bought a slide, | 0:22:29 | 0:22:31 | |
a tractor and a flock of sheep. | 0:22:31 | 0:22:33 | |
Now, why does that sound so worryingly plausible, Phil? | 0:22:35 | 0:22:39 | |
They're motoring from Crediton | 0:22:39 | 0:22:41 | |
towards the Devon county town of Exeter. | 0:22:41 | 0:22:43 | |
There's been a settlement here since 250BC, | 0:22:43 | 0:22:47 | |
and Exeter has several historic buildings, | 0:22:47 | 0:22:50 | |
but there were once many more, until World War II, that is, | 0:22:50 | 0:22:54 | |
when the Luftwaffe destroyed or severely damaged | 0:22:54 | 0:22:57 | |
much of the city centre. | 0:22:57 | 0:22:59 | |
Fortunately, photographs survive, though, | 0:22:59 | 0:23:01 | |
and Tom's here to see a unique archive of old Exeter. | 0:23:01 | 0:23:05 | |
-Afternoon. -Hello, Tom, pleased to meet you. | 0:23:08 | 0:23:10 | |
-How are you doing, Peter? -Fine, thank you. -Good. | 0:23:10 | 0:23:13 | |
I hear you've got a bit of a collection to show me. | 0:23:13 | 0:23:15 | |
I think you'll find this pretty interesting. | 0:23:15 | 0:23:17 | |
Sounds good, let's have a look. | 0:23:17 | 0:23:18 | |
Peter Thomas got the photography bug from his godmother | 0:23:23 | 0:23:26 | |
and was given his very first camera at the age of 11. | 0:23:26 | 0:23:29 | |
He grew up to become a camera dealer and collector who, in 1974, | 0:23:29 | 0:23:34 | |
discovered a huge treasure trove | 0:23:34 | 0:23:36 | |
at Exeter's oldest photographic studios. | 0:23:36 | 0:23:40 | |
Going through the negatives, | 0:23:40 | 0:23:41 | |
I was really surprised at what I was looking at, | 0:23:41 | 0:23:45 | |
because in reality, I was looking at the history of Exeter | 0:23:45 | 0:23:48 | |
and as an Exeter boy, didn't recognise what I was looking at. | 0:23:48 | 0:23:53 | |
-OK. -So, again, it started an intense fascination for me | 0:23:53 | 0:23:57 | |
relating to archive photography and, in particular, Exeter, | 0:23:57 | 0:24:01 | |
my own city, which I realised, actually, I didn't know that well. | 0:24:01 | 0:24:05 | |
The man responsible for those photographs | 0:24:07 | 0:24:10 | |
was Australian Henry Wykes, who first set up a studio | 0:24:10 | 0:24:14 | |
in the city in 1914, | 0:24:14 | 0:24:16 | |
documenting Exeter life in portraits, street scenes | 0:24:16 | 0:24:20 | |
and much else besides. | 0:24:20 | 0:24:22 | |
Wykes's archive, which Peter purchased in the '70s, | 0:24:22 | 0:24:25 | |
now forms the basis of his collection | 0:24:25 | 0:24:28 | |
and contains over 42,000 negatives. | 0:24:28 | 0:24:30 | |
The cameras he would have been using back in 1914, | 0:24:30 | 0:24:33 | |
this is the sort of camera it would have been? | 0:24:33 | 0:24:35 | |
These kind of cameras he would have used for external work, | 0:24:35 | 0:24:38 | |
-because they were easy to take around. -Right. | 0:24:38 | 0:24:41 | |
And here you can actually see the original Henry Wykes studio camera. | 0:24:41 | 0:24:46 | |
That is enormous. | 0:24:46 | 0:24:47 | |
And this was so big it was on casters | 0:24:47 | 0:24:50 | |
and it was pushed up and down the studio floor | 0:24:50 | 0:24:53 | |
until he got the correct distance from the subject. | 0:24:53 | 0:24:56 | |
Very artistic. | 0:24:56 | 0:24:57 | |
Henry Wykes became the city's most popular photographer, | 0:25:02 | 0:25:06 | |
with premises at the prestigious Bedford Circus. | 0:25:06 | 0:25:08 | |
And here on the side, Henry Wykes's signature | 0:25:09 | 0:25:14 | |
on a panel telling you it's the Henry Wykes studio. | 0:25:14 | 0:25:18 | |
Fortunately for the archive, however, | 0:25:18 | 0:25:20 | |
Wykes moved elsewhere during World War II, before the bombs | 0:25:20 | 0:25:24 | |
which would destroy so much of the city | 0:25:24 | 0:25:26 | |
fell on the Georgian masterpiece. | 0:25:26 | 0:25:28 | |
-If he hadn't, total devastation. -Gone. | 0:25:28 | 0:25:32 | |
And in the wartime period as well, | 0:25:32 | 0:25:34 | |
Henry was to take photographs like this. | 0:25:34 | 0:25:38 | |
-Oh, I see. -Which actually shows the west front of the cathedral | 0:25:38 | 0:25:42 | |
and they had put bomb blast screens in | 0:25:42 | 0:25:46 | |
-to save the windows. -Isn't that amazing? | 0:25:46 | 0:25:48 | |
And this is where we get | 0:25:48 | 0:25:49 | |
some of the most fascinating images for people today. | 0:25:49 | 0:25:53 | |
-I love this. -This is typical of the street scenes, Exeter street scenes. | 0:25:53 | 0:25:59 | |
There was a huge variety of historic buildings | 0:25:59 | 0:26:02 | |
right throughout the city and, of course, | 0:26:02 | 0:26:04 | |
with the devastation of the war, | 0:26:04 | 0:26:06 | |
a vast amount of that was lost in the central area. | 0:26:06 | 0:26:09 | |
But Henry, thankfully, recorded a lot of this. | 0:26:09 | 0:26:13 | |
By the time Henry Wykes finally retired in the '60s aged 88, | 0:26:13 | 0:26:17 | |
he was Britain's oldest working photographer... | 0:26:17 | 0:26:20 | |
Focus on the left side and you press the button on the front. | 0:26:20 | 0:26:24 | |
This could take a bit of time. | 0:26:24 | 0:26:26 | |
..a Rolleiflex just like this one never far from his side. | 0:26:26 | 0:26:30 | |
-Ready? -Yeah. | 0:26:30 | 0:26:31 | |
Lovely. | 0:26:32 | 0:26:34 | |
But while Tom's been snapping on his Rollei, | 0:26:35 | 0:26:38 | |
Phil's climbed behind the wheel of the Lancia... | 0:26:38 | 0:26:41 | |
Charming. Just like a child. | 0:26:41 | 0:26:43 | |
..heading south west from Exeter to Bovey Tracey. | 0:26:43 | 0:26:47 | |
This town is also named after its river - the Bovey, in this instance. | 0:26:47 | 0:26:52 | |
The other bit comes from the de Tracey family, | 0:26:52 | 0:26:54 | |
who became lords of the manor after the Norman conquest. | 0:26:54 | 0:26:58 | |
One of them, a William de Tracey, | 0:26:58 | 0:27:00 | |
was even implicated in the murder of Archbishop Thomas a Becket in 1170. | 0:27:00 | 0:27:06 | |
Could be tasty! | 0:27:07 | 0:27:09 | |
Hi, I'm Philip. How are you? | 0:27:10 | 0:27:11 | |
-I'm Tina. -Good to see you. | 0:27:11 | 0:27:13 | |
You couldn't get much more in here, could you? | 0:27:13 | 0:27:15 | |
I think you could be right, Phil, | 0:27:15 | 0:27:17 | |
but I'm sure you can do your bit to create a bit more space. | 0:27:17 | 0:27:21 | |
After tea, of course. | 0:27:21 | 0:27:23 | |
There we are, my dear. | 0:27:23 | 0:27:24 | |
That looks excellent. Thank you very, very much indeed. | 0:27:24 | 0:27:26 | |
Cheese and pickle, ham and tomato. | 0:27:26 | 0:27:28 | |
That looks excellent. | 0:27:28 | 0:27:30 | |
Well, maybe just a small slice. | 0:27:32 | 0:27:34 | |
And then get back to work. How sweet. | 0:27:34 | 0:27:36 | |
This is a nice mahogany mirror | 0:27:37 | 0:27:39 | |
and it's so far out of taste it isn't true. | 0:27:39 | 0:27:41 | |
At auction, that's going to make between £50-80, I would think. | 0:27:41 | 0:27:45 | |
Another mirror, eh? | 0:27:45 | 0:27:46 | |
How much is that? | 0:27:46 | 0:27:48 | |
Erm, 95. | 0:27:48 | 0:27:50 | |
-Can it come for less than that? -Yes. -Good. | 0:27:51 | 0:27:54 | |
And how much | 0:27:54 | 0:27:55 | |
is that? | 0:27:55 | 0:27:56 | |
-My typewriter? -It makes me laugh, that does. | 0:27:57 | 0:28:00 | |
-40. -That's 40. I can come down on that. | 0:28:00 | 0:28:03 | |
So, to the age-old question - mirror or typewriter? | 0:28:03 | 0:28:07 | |
What's the best on that, and what's the best on that? | 0:28:07 | 0:28:10 | |
The very, very best is 48. | 0:28:10 | 0:28:13 | |
And what about that? | 0:28:13 | 0:28:14 | |
25. | 0:28:14 | 0:28:16 | |
I think we need to have a look at them, don't we? | 0:28:18 | 0:28:21 | |
Take a letter, Miss Tina. | 0:28:21 | 0:28:22 | |
-That works. -I was 15 when I learned on one of these. | 0:28:24 | 0:28:27 | |
Get out of it. | 0:28:27 | 0:28:29 | |
That ain't working either. | 0:28:33 | 0:28:35 | |
-It's all going horribly wrong. -It has. | 0:28:35 | 0:28:37 | |
What's occurring here? That doesn't work, Tina, does it? | 0:28:37 | 0:28:40 | |
-Faulty goods. -Aww. | 0:28:40 | 0:28:43 | |
Mmm, those two might struggle to make the front page, | 0:28:43 | 0:28:46 | |
however long they hold it for. | 0:28:46 | 0:28:47 | |
What about the mirror, then? | 0:28:47 | 0:28:49 | |
That should work, at least. | 0:28:49 | 0:28:51 | |
Right, so what we've got here is a 19th century mirror. | 0:28:51 | 0:28:55 | |
This is made out of mahogany. | 0:28:56 | 0:28:58 | |
This is cross-banded in satinwood. | 0:28:58 | 0:29:00 | |
Do you remember Arthur Negus? "Beautiful dovetails. | 0:29:02 | 0:29:05 | |
"Wonderful dovetails." | 0:29:05 | 0:29:07 | |
Could you do that for 40? | 0:29:07 | 0:29:08 | |
I'll decide on one or the other. | 0:29:08 | 0:29:10 | |
I'll definitely have one or the other. | 0:29:10 | 0:29:12 | |
Could that come for about 15? | 0:29:12 | 0:29:14 | |
No, I've got to get nearly 25 on that one. | 0:29:14 | 0:29:17 | |
OK. What about that? Can that come for 40? | 0:29:17 | 0:29:19 | |
-I wanted 48. I'll come down to 45. -OK. | 0:29:21 | 0:29:25 | |
So, I think... | 0:29:25 | 0:29:26 | |
..I'm going to buy that off you. | 0:29:28 | 0:29:30 | |
-So one mirror for £45 and Phil's done with a kiss. -Take care now. | 0:29:30 | 0:29:35 | |
Time to compare those purchases. | 0:29:35 | 0:29:37 | |
-Hey, Tom, how are you doing? -I'm good. -I wish I'd got here earlier. | 0:29:38 | 0:29:42 | |
-Why's that? -Someone's left an old frame in the woods behind us. | 0:29:42 | 0:29:45 | |
He's right. Or there's antiques growing on trees. | 0:29:45 | 0:29:48 | |
Go on. | 0:29:48 | 0:29:50 | |
Mirror, mirror... I can sense a theme. Oh, I like that. | 0:29:50 | 0:29:52 | |
-Yeah? -I do. -My little stool? -Yeah, I like that. -It's nice, isn't it? | 0:29:52 | 0:29:56 | |
That's got "sale" written all over it. How much was that? | 0:29:56 | 0:29:59 | |
-That was £15. -That's for nothing, isn't it? | 0:29:59 | 0:30:02 | |
-Don't know how old it is, but it doesn't matter, does it? -No. | 0:30:02 | 0:30:05 | |
15 quid. That's cool, I like that. | 0:30:05 | 0:30:08 | |
How much was your mirror? | 0:30:08 | 0:30:09 | |
-Mirror was £65. -Nice thing. | 0:30:09 | 0:30:11 | |
-I like that, good size. -Quality thing. | 0:30:11 | 0:30:14 | |
-That? -£11. | 0:30:14 | 0:30:16 | |
-Yeah. -Not exactly his favourite, I assume. | 0:30:16 | 0:30:18 | |
Are you going to show me this, then? | 0:30:18 | 0:30:20 | |
-Come here. -He's taking me to the woods. Help! | 0:30:20 | 0:30:22 | |
There's a lot of timber in that, isn't there? Oh! | 0:30:24 | 0:30:27 | |
MUSIC: "Teddy Bears' Picnic" | 0:30:27 | 0:30:30 | |
-Lean it up there? -Yeah. | 0:30:30 | 0:30:31 | |
That will be a cracking mirror or a cracking painting. | 0:30:33 | 0:30:36 | |
But isn't it a lovely frame? | 0:30:36 | 0:30:37 | |
Yeah, that's a really, really good frame. | 0:30:37 | 0:30:39 | |
I've fallen in love with that. | 0:30:39 | 0:30:41 | |
That's the danger, | 0:30:41 | 0:30:43 | |
that you see something in it that someone else doesn't. | 0:30:43 | 0:30:46 | |
Yeah, like your pump trough, perhaps, Phil. | 0:30:46 | 0:30:49 | |
It's got a few scars around the edges, but that's... | 0:30:49 | 0:30:51 | |
Just don't get the removal man | 0:30:51 | 0:30:52 | |
who took your last stuff to the auction to touch this. | 0:30:52 | 0:30:55 | |
Mate, this is more likely to break his foot. | 0:30:55 | 0:30:57 | |
-Now, when it comes to breaking feet... -Let's see what you've got. | 0:30:57 | 0:31:01 | |
Now prepare to see something very familiar, Tom. | 0:31:01 | 0:31:04 | |
-We've got... -Got a nice hamper. -I thought we'd have a picnic. | 0:31:04 | 0:31:07 | |
-What else have you got here? -You bought fire extinguishers | 0:31:07 | 0:31:10 | |
so I don't see why I shouldn't buy a fire extinguisher. | 0:31:10 | 0:31:12 | |
Were you so impressed with my buy last time? That's why you bought it? | 0:31:12 | 0:31:16 | |
Where's your bracket? | 0:31:16 | 0:31:17 | |
At a fiver, they don't have brackets. | 0:31:19 | 0:31:21 | |
You're after that £2 profit I made on mine, that's what it is. | 0:31:21 | 0:31:23 | |
-Those two were a tenner. -That's nice. | 0:31:23 | 0:31:26 | |
This was a tenner. | 0:31:26 | 0:31:27 | |
-This is good. It's nice. -I just thought that was OK. | 0:31:27 | 0:31:31 | |
-This is a real "yesterday's antiques". -Yeah, definitely. | 0:31:31 | 0:31:34 | |
It's got replacement handles | 0:31:34 | 0:31:36 | |
-but it's nice enough. -It's nice. It's faded nicely. | 0:31:36 | 0:31:39 | |
And I bought it for £45. | 0:31:39 | 0:31:41 | |
-That should be all right, shouldn't it? -I would hope so. | 0:31:41 | 0:31:43 | |
Do you like those? | 0:31:43 | 0:31:45 | |
-They're brilliant, aren't they? I love these. -I love them. | 0:31:45 | 0:31:47 | |
I don't know what the hell you'd do with them? | 0:31:47 | 0:31:49 | |
What would you do with them? | 0:31:49 | 0:31:50 | |
-I've no idea. -Put them to your ear, you can hear the sea. | 0:31:50 | 0:31:53 | |
And finally, if you want to pick that up... | 0:31:53 | 0:31:56 | |
-TOM GROANS -..you'll have no shoulders left. | 0:31:56 | 0:31:58 | |
-That's a lump, isn't it? -Yeah, that is a lump. | 0:31:58 | 0:32:00 | |
That's lovely. | 0:32:00 | 0:32:02 | |
That was 55 quid. | 0:32:02 | 0:32:03 | |
That's a bargain. | 0:32:03 | 0:32:04 | |
It's nice with the front to it, isn't it? That's a nice shape. | 0:32:04 | 0:32:07 | |
Anyway, let's go back to the woods, shall we? | 0:32:07 | 0:32:09 | |
Let's go back in here and put my picture frame away. | 0:32:09 | 0:32:12 | |
But what did they really think, then? | 0:32:12 | 0:32:14 | |
The funnels, I think they're great, but... | 0:32:14 | 0:32:16 | |
..who's going to buy them? | 0:32:17 | 0:32:20 | |
A real good gamble is that frame, | 0:32:20 | 0:32:22 | |
because the most he could possibly lose on that is £30-40 | 0:32:22 | 0:32:26 | |
and he might make 200 quid, so it's really going to be game on. | 0:32:26 | 0:32:29 | |
He could catch me up just in one item. | 0:32:29 | 0:32:32 | |
Thanks, Tom. | 0:32:32 | 0:32:33 | |
I'm confident that that frame is going to do really, really well. | 0:32:33 | 0:32:36 | |
Would be great to beat him at this auction. | 0:32:36 | 0:32:38 | |
He's 2-0 up at the moment, so I need to get one. | 0:32:38 | 0:32:40 | |
After beginning in Ashburton and almost circumnavigating Dartmoor, | 0:32:42 | 0:32:46 | |
today's trip will conclude at an auction in nearby Chudleigh. | 0:32:46 | 0:32:51 | |
-This is it. -An ancient wool town. | 0:32:51 | 0:32:53 | |
-Perhaps we should have bought some wool. -Should have done. | 0:32:53 | 0:32:57 | |
Poetry too. | 0:32:57 | 0:32:58 | |
The great 17th century poet John Dryden | 0:32:58 | 0:33:01 | |
wrote some of his most famous works hereabouts, | 0:33:01 | 0:33:03 | |
thanks to having a local lord for a patron. | 0:33:03 | 0:33:06 | |
-My frame's going to beat your funnels. -Get out of here. | 0:33:06 | 0:33:09 | |
-It is, clearly. -That is just the innocence of youth. | 0:33:09 | 0:33:11 | |
My funnels or your mirror? | 0:33:13 | 0:33:15 | |
-It's going to be my frame, isn't it? -Oh, get out. -It is! | 0:33:15 | 0:33:18 | |
Auctioneer Michael J Bowman's been holding regular auctions | 0:33:20 | 0:33:24 | |
at Chudleigh Town Hall for over 25 years now, | 0:33:24 | 0:33:27 | |
so I wonder how he rates Tom and Phil's little acquisitions. | 0:33:27 | 0:33:32 | |
My favourite item is the picture frame. | 0:33:32 | 0:33:34 | |
Good condition for its age, | 0:33:34 | 0:33:36 | |
it's a good size, it's decorative, makes a statement. | 0:33:36 | 0:33:39 | |
It's probably worth 100-150. | 0:33:39 | 0:33:41 | |
My least favourite item is the oval mirror, the gilt mirror. | 0:33:41 | 0:33:44 | |
I think it'll struggle. | 0:33:44 | 0:33:46 | |
Mirrors are so cheap to buy brand-new that second-hand ones, | 0:33:46 | 0:33:49 | |
unless they're a bit special, | 0:33:49 | 0:33:50 | |
could be difficult, so I think it's a £15-20 mirror. | 0:33:50 | 0:33:53 | |
So, his best and his worst, courtesy of Tom. | 0:33:54 | 0:33:59 | |
Tom started out with £230.02 and he spent £191 on four auction lots. | 0:33:59 | 0:34:05 | |
What sort of friendly deal could you do for me? | 0:34:05 | 0:34:08 | |
Bearing in mind I'm holding a mallet. | 0:34:08 | 0:34:10 | |
Whilst Phil began with £309.08 and he spent £170 on five auction lots. | 0:34:10 | 0:34:16 | |
OK, Chudleigh. | 0:34:18 | 0:34:19 | |
..£30. | 0:34:19 | 0:34:21 | |
Keep your hair on. | 0:34:21 | 0:34:22 | |
-What's up first? -Your toilet mirror. | 0:34:22 | 0:34:24 | |
I hope it's not my down-the-toilet mirror. | 0:34:24 | 0:34:26 | |
-I think it might be, but... -Cheers(!) | 0:34:26 | 0:34:29 | |
Remember, he narrowly plumped for this instead of an old typewriter. | 0:34:29 | 0:34:33 | |
-What do you think? -I think it's going to go for £45. -Don't say that. | 0:34:33 | 0:34:36 | |
-I think it will. -Think or hope? | 0:34:36 | 0:34:38 | |
Both, to be fair. | 0:34:38 | 0:34:39 | |
Start me at £10 for the mirror. 10 bid, thank you. | 0:34:39 | 0:34:42 | |
At £10. At 10. | 0:34:42 | 0:34:45 | |
12, 15, | 0:34:45 | 0:34:47 | |
17, 20, | 0:34:47 | 0:34:50 | |
22, 25, | 0:34:50 | 0:34:52 | |
27, 30... | 0:34:52 | 0:34:54 | |
It's getting there. | 0:34:54 | 0:34:56 | |
At 30. Lot 64 at £30. | 0:34:56 | 0:34:59 | |
At 30. 32. | 0:34:59 | 0:35:00 | |
35. | 0:35:00 | 0:35:03 | |
At £35. 37. | 0:35:03 | 0:35:05 | |
40. | 0:35:05 | 0:35:06 | |
It's going, it's going. | 0:35:06 | 0:35:08 | |
40. Front of the room. | 0:35:08 | 0:35:10 | |
All done? | 0:35:10 | 0:35:11 | |
At £40... | 0:35:11 | 0:35:12 | |
Oh, dear - a losing start. | 0:35:14 | 0:35:17 | |
Even more after commission. | 0:35:17 | 0:35:19 | |
I was bang on. | 0:35:19 | 0:35:21 | |
40 quid. | 0:35:21 | 0:35:22 | |
Or did I say 45? | 0:35:22 | 0:35:24 | |
Mallet under the hammer, anyone? | 0:35:27 | 0:35:29 | |
How do you know it's French? | 0:35:29 | 0:35:31 | |
-I just think it is. -Why? Did you go, "Ooh, ma-llette?" | 0:35:32 | 0:35:36 | |
The old mallet, there. Well patinated. Start me at £10. | 0:35:36 | 0:35:40 | |
Come on, £10, come on, £10. | 0:35:40 | 0:35:42 | |
Item... 10 bid, thank you. | 0:35:42 | 0:35:43 | |
At £10. At 10. | 0:35:43 | 0:35:45 | |
At £10. We have one bid at 10. At £10 and I'm selling. | 0:35:45 | 0:35:48 | |
-If there's no further bids... -Nobody else wants it? | 0:35:48 | 0:35:51 | |
I wonder why. | 0:35:51 | 0:35:52 | |
-I can't believe that. -I can. | 0:35:52 | 0:35:55 | |
Not an auspicious start. | 0:35:55 | 0:35:58 | |
If that was an English mallet... | 0:35:58 | 0:35:59 | |
Time to worry about Phil's mortar without pestle | 0:36:01 | 0:36:04 | |
and altogether useless fire extinguisher...now! | 0:36:04 | 0:36:07 | |
Both useful in their ways. Start me at £10 for the two. | 0:36:07 | 0:36:12 | |
10, is there? | 0:36:12 | 0:36:14 | |
10 to start. No bid anywhere? There for sale. | 0:36:14 | 0:36:16 | |
10, thank you, sir. At £10. Gentleman's bid now at 10. | 0:36:18 | 0:36:21 | |
-Can I see 12 anywhere? -Trouble, here. -Are you going to struggle? | 0:36:21 | 0:36:24 | |
-Yeah. -Gentleman's bid seated at 10. | 0:36:24 | 0:36:26 | |
I'm selling if there's no further bids at £10. | 0:36:26 | 0:36:28 | |
At £10... | 0:36:28 | 0:36:29 | |
That felt like a good result... | 0:36:31 | 0:36:33 | |
in the circumstances. | 0:36:33 | 0:36:35 | |
I don't like Devon. I'm not coming here again. | 0:36:35 | 0:36:37 | |
That's the end of it. | 0:36:37 | 0:36:38 | |
Devon's famous for its milk, so how about Tom's little stool? | 0:36:40 | 0:36:43 | |
Start me at £10 for the stool. | 0:36:43 | 0:36:45 | |
10 bid, thank you. At 10. | 0:36:47 | 0:36:48 | |
12. | 0:36:48 | 0:36:49 | |
15. | 0:36:49 | 0:36:51 | |
At £15. | 0:36:51 | 0:36:52 | |
-Front of the room at 15. -£15? | 0:36:52 | 0:36:56 | |
-At 15. 17, a gentleman's bid. -Good boy, go on, go on. | 0:36:56 | 0:36:59 | |
£17, in the centre seated at 17, gentleman's bid. Are you all done? | 0:36:59 | 0:37:03 | |
At £17... | 0:37:03 | 0:37:05 | |
A tiny triumph. | 0:37:06 | 0:37:08 | |
I think I've just made 20p. | 0:37:08 | 0:37:10 | |
What can Phil's picnic basket do? | 0:37:13 | 0:37:16 | |
Just a profit would be nice. | 0:37:16 | 0:37:17 | |
Edwardian hamper, right time of year for this. Start me at £10. | 0:37:17 | 0:37:21 | |
-Oh, why doesn't he start it a bit higher? -At £10. | 0:37:21 | 0:37:25 | |
At 10. | 0:37:25 | 0:37:27 | |
At 10, 12. | 0:37:27 | 0:37:28 | |
Hell, I made a profit! | 0:37:29 | 0:37:30 | |
At £12. The hamper at 12, in the doorway. All done, and I'm selling. | 0:37:30 | 0:37:34 | |
I tell you what, this is tough, isn't it? | 0:37:34 | 0:37:36 | |
Three down the toilet. | 0:37:36 | 0:37:37 | |
This is no picnic. | 0:37:39 | 0:37:40 | |
Is it raining out? | 0:37:40 | 0:37:41 | |
I wonder why these people are in here, | 0:37:41 | 0:37:43 | |
cos they're not bidding, are they? | 0:37:43 | 0:37:45 | |
-It must be raining outside. -I don't know what they're doing. | 0:37:45 | 0:37:47 | |
It may get worse. | 0:37:47 | 0:37:48 | |
Tom's mirror was the auctioneer's least favourite lot, remember. | 0:37:48 | 0:37:51 | |
I want to savour this moment. What did you pay for the mirror, Tom? | 0:37:51 | 0:37:54 | |
-COUGHING: £65. -Sorry, how much? | 0:37:56 | 0:37:58 | |
-The gilt-framed mirror hanging up on the wall. -Come on, come on. | 0:37:58 | 0:38:02 | |
The whole lot, they're all turning round. Come on! | 0:38:03 | 0:38:05 | |
Is there 10 for the mirror? | 0:38:07 | 0:38:08 | |
-Is there 5 for the mirror? -Are you serious? | 0:38:11 | 0:38:14 | |
£5 if you like, it's there for sale. | 0:38:14 | 0:38:16 | |
That's unbelievable. | 0:38:16 | 0:38:18 | |
-No bid. -No bid?! | 0:38:19 | 0:38:20 | |
-5 bid now, at £5. -I would've rather he'd left it. | 0:38:21 | 0:38:25 | |
-He's just done you a disservice. -Yeah, I could have taken that on. | 0:38:25 | 0:38:28 | |
At 5. | 0:38:28 | 0:38:29 | |
-At 5, back of the room, all done? -I'm feeling a bit sick. -At £5. | 0:38:29 | 0:38:33 | |
That's dreadful! A huge loss that leaves Phil nicely in the lead. | 0:38:34 | 0:38:40 | |
Not much to boast about, though. | 0:38:40 | 0:38:41 | |
What you've got to remember is that people watching this | 0:38:41 | 0:38:44 | |
recognise us as being experts in our own field, right. | 0:38:44 | 0:38:47 | |
They recognise that we can go out there, | 0:38:47 | 0:38:49 | |
we can sniff out those little nuggets that other people miss | 0:38:49 | 0:38:52 | |
and we can pay £65 for them | 0:38:52 | 0:38:56 | |
and sell them for £5. | 0:38:56 | 0:38:58 | |
That is a skill that a lot of people don't have. | 0:38:58 | 0:39:01 | |
Phil's funnel might do just as badly and even things up a bit. | 0:39:02 | 0:39:06 | |
I'm not sure this lot are ready for funnels. | 0:39:06 | 0:39:08 | |
Not only useful but attractive. The pair, start me at £20 for the pair. | 0:39:08 | 0:39:13 | |
Big intro. | 0:39:13 | 0:39:15 | |
20? At £20, thank you, sir. 5, may I say? | 0:39:15 | 0:39:18 | |
25. | 0:39:18 | 0:39:19 | |
30. | 0:39:21 | 0:39:22 | |
Hello. | 0:39:22 | 0:39:24 | |
40. | 0:39:24 | 0:39:25 | |
45. | 0:39:25 | 0:39:27 | |
50. Are we all done? | 0:39:27 | 0:39:29 | |
At £50... | 0:39:30 | 0:39:32 | |
Mr Jameson, thank you. | 0:39:32 | 0:39:34 | |
Phew! A relief, but still a loss after commission. | 0:39:34 | 0:39:37 | |
Before the auction, I was concerned I'd only bought four lots. | 0:39:37 | 0:39:40 | |
I'm actually now quite pleased. | 0:39:40 | 0:39:42 | |
-Do you want one of mine? -No! | 0:39:42 | 0:39:43 | |
But the silver fox has one last chance - his pump trough. | 0:39:43 | 0:39:48 | |
This is my Usain Bolt, this is. This is my banker. | 0:39:48 | 0:39:51 | |
If this doesn't run to glory, I'm absolutely up it, mate. | 0:39:51 | 0:39:54 | |
-Start me at £20 for this... -£20?! | 0:39:54 | 0:39:59 | |
-20 bid, thank you. Lady's bid at 20. -At least he got 20. -5, may I say? | 0:39:59 | 0:40:03 | |
At 20. 25. | 0:40:03 | 0:40:05 | |
-30. -That's good. | 0:40:05 | 0:40:07 | |
At 30, 35. 40. | 0:40:07 | 0:40:10 | |
It's getting there. | 0:40:10 | 0:40:11 | |
At £40, in front of me at 40. | 0:40:12 | 0:40:14 | |
45, a new bidder. | 0:40:14 | 0:40:16 | |
At 45. 50. | 0:40:16 | 0:40:18 | |
5. | 0:40:18 | 0:40:20 | |
60. | 0:40:20 | 0:40:21 | |
5. | 0:40:21 | 0:40:22 | |
70. | 0:40:22 | 0:40:23 | |
-5. -That's better. -At 75. Gentleman's bid now at 75. | 0:40:23 | 0:40:26 | |
Standing, at 75. | 0:40:26 | 0:40:28 | |
-At 75. -It just means I've wiped my face for the day. | 0:40:28 | 0:40:31 | |
It's better than... | 0:40:32 | 0:40:34 | |
At £75. | 0:40:34 | 0:40:35 | |
Mr Bainbridge, thank you. | 0:40:36 | 0:40:38 | |
That profit means Phil's now made a small loss overall. | 0:40:38 | 0:40:41 | |
I'm going to go let this auctioneer's tyres down. | 0:40:41 | 0:40:44 | |
I am. I'm going to find out which his car is. | 0:40:44 | 0:40:46 | |
It'll be the Rolls-Royce outside. I'm going to go let the tyres down. | 0:40:46 | 0:40:49 | |
Thanks to his mirror, Tom's gone backwards, | 0:40:50 | 0:40:52 | |
but could the French frame somehow save the day? | 0:40:52 | 0:40:56 | |
-Are you anxious? -I'm very, very, very, very anxious. | 0:40:56 | 0:40:59 | |
Let me tell you, I'm actually quite anxious for you. | 0:40:59 | 0:41:02 | |
The picture frame at 128. | 0:41:02 | 0:41:04 | |
This is it. You can hear that buzz. The whole room's lifted. | 0:41:04 | 0:41:07 | |
The picture frame at 128. | 0:41:07 | 0:41:10 | |
A handsome piece. Start me at £30 for this. | 0:41:10 | 0:41:12 | |
-30 bid, thank you. -Oh, good(!) | 0:41:12 | 0:41:14 | |
50, 60 | 0:41:14 | 0:41:16 | |
70, 80, | 0:41:16 | 0:41:18 | |
90, 100. | 0:41:18 | 0:41:19 | |
-Oh, yeah. -110, a new bidder. | 0:41:19 | 0:41:22 | |
120. | 0:41:22 | 0:41:23 | |
130, 140, | 0:41:23 | 0:41:25 | |
150, 160, | 0:41:25 | 0:41:27 | |
-170... -My heart, mate. -Well done. | 0:41:27 | 0:41:29 | |
At 180. | 0:41:29 | 0:41:31 | |
At 180. 190. | 0:41:31 | 0:41:33 | |
200. | 0:41:33 | 0:41:34 | |
210, 220, | 0:41:34 | 0:41:36 | |
230, 240. | 0:41:36 | 0:41:38 | |
250, 260, | 0:41:40 | 0:41:43 | |
270. | 0:41:43 | 0:41:45 | |
At 270, 280. | 0:41:45 | 0:41:47 | |
290. | 0:41:47 | 0:41:48 | |
At 290. | 0:41:48 | 0:41:50 | |
I tell you, this has got to be one of the best auction houses | 0:41:50 | 0:41:52 | |
-I've ever been to. -Standing, at 290. | 0:41:52 | 0:41:55 | |
Lady's bid at 290. All done? | 0:41:55 | 0:41:57 | |
At £290. | 0:41:57 | 0:41:59 | |
-£290. -Well done, mate. -Thank you. | 0:42:01 | 0:42:05 | |
That fantastic result has changed everything, | 0:42:05 | 0:42:07 | |
putting the new boy on top. | 0:42:07 | 0:42:10 | |
I've won an auction. | 0:42:10 | 0:42:11 | |
Does that mean I've won an auction? | 0:42:11 | 0:42:13 | |
What it does mean is the drinks are on you. | 0:42:13 | 0:42:15 | |
-Loser drives, though, buddy. -Oh, here we go. | 0:42:15 | 0:42:18 | |
Not only has Tom won today, | 0:42:18 | 0:42:20 | |
but he's grabbed the overall lead as well. | 0:42:20 | 0:42:23 | |
Phil started out with £309.08 and after paying auction costs | 0:42:23 | 0:42:27 | |
he made a loss of £16.66. | 0:42:27 | 0:42:30 | |
So, he has £292.42 to spend next time. | 0:42:30 | 0:42:35 | |
While Tom began with £232.02 and after paying auction costs, | 0:42:36 | 0:42:41 | |
he made a profit of £73.04, | 0:42:41 | 0:42:45 | |
leaving him with £303.06 and a narrow lead. | 0:42:45 | 0:42:49 | |
That is a spanking in any sort of language, mate. | 0:42:49 | 0:42:53 | |
-We've had some good ones in there. -Absolute spanking. | 0:42:53 | 0:42:55 | |
-And some real shockers. -I'm delighted for you. | 0:42:55 | 0:42:57 | |
That was brilliant. What a brilliant auction house. | 0:43:00 | 0:43:04 | |
Yeah, yeah, yeah, don't rub it in. | 0:43:04 | 0:43:05 | |
Next on Antiques Road Trip... | 0:43:07 | 0:43:09 | |
This is Philip Serrell. | 0:43:09 | 0:43:11 | |
..some touchy-feely bargaining... | 0:43:11 | 0:43:12 | |
Can I squeeze you a little more? | 0:43:12 | 0:43:15 | |
..and a touching admission. | 0:43:15 | 0:43:17 | |
-My mum made it last week. -Did she? | 0:43:17 | 0:43:20 |