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It's the nation's favourite antiques experts, | 0:00:02 | 0:00:04 | |
with £200 each, a classic car... | 0:00:04 | 0:00:06 | |
We're going roond! | 0:00:06 | 0:00:08 | |
..and a goal - to scour Britain for antiques... | 0:00:08 | 0:00:11 | |
I want to spend lots of money! | 0:00:11 | 0:00:13 | |
..the aim - to make the biggest profit at auction, | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:17 | |
Oh, it's you! | 0:00:17 | 0:00:18 | |
There'll be worthy winners... | 0:00:18 | 0:00:21 | |
-Yes! -We've done it! | 0:00:20 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:23 | |
You are kidding me on! | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -Got a deal. | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip. | 0:00:31 | 0:00:33 | |
Yeah! | 0:00:34 | 0:00:35 | |
Welcome back to Wales | 0:00:38 | 0:00:40 | |
and the final instalment of Laidlaw versus Cooper, | 0:00:40 | 0:00:43 | |
that's auctioneer Paul | 0:00:43 | 0:00:44 | |
and dealer Marvellous Margie. | 0:00:44 | 0:00:47 | |
Well, I'm not talking to you. THEY LAUGH | 0:00:47 | 0:00:50 | |
You might no' be talking but you're breathing down my neck! | 0:00:50 | 0:00:54 | |
I'm not talking to you cos I don't want you to read my mind. | 0:00:54 | 0:00:58 | |
Oh, come on, you two! Don't go keeping mum. | 0:00:58 | 0:01:01 | |
All this way as friendly rivals and now it's suddenly nip and tuck. | 0:01:01 | 0:01:06 | |
-Here she comes, here she comes! -I'm coming. I'm a-coming! | 0:01:06 | 0:01:09 | |
-Right, I'll tell you what. -Yep? | 0:01:09 | 0:01:11 | |
I preferred it when I was miles ahead of you! | 0:01:11 | 0:01:14 | |
Perhaps it's the damp weather that has brought about a cooling | 0:01:14 | 0:01:18 | |
in the Alfa Romeo Spider. | 0:01:18 | 0:01:20 | |
Or it might well be Paul's calamitous purchase of | 0:01:20 | 0:01:22 | |
a grandmother clock! | 0:01:22 | 0:01:24 | |
-Any advance, £20? No? £20 only. -No! | 0:01:24 | 0:01:27 | |
That certainly swung the pendulum in Margie's direction. | 0:01:27 | 0:01:30 | |
-What?! -I think you lost money there. | 0:01:30 | 0:01:33 | |
Margie set out with £200, and her roller-coaster ride has | 0:01:35 | 0:01:38 | |
so far brought her £317.36. | 0:01:38 | 0:01:42 | |
While Paul, who also began with £200, has about £60 more, | 0:01:44 | 0:01:49 | |
with £376.78 and a suspicious mind. | 0:01:49 | 0:01:54 | |
Are you dressed to kill by any chance? | 0:01:54 | 0:01:56 | |
Is this another strategy? | 0:01:56 | 0:01:58 | |
"Mr and Mrs Antique Dealer, is there any way those brooches could be...?" | 0:01:58 | 0:02:03 | |
THEY LAUGH | 0:02:03 | 0:02:05 | |
You've got it in one! | 0:02:05 | 0:02:07 | |
Ooh, I love it when they talk tactical. | 0:02:07 | 0:02:10 | |
Our trip begins close to England's most westerly point at St Buryan, | 0:02:10 | 0:02:15 | |
and heads both north and east. | 0:02:15 | 0:02:17 | |
We then take a round-about trip through Wales | 0:02:17 | 0:02:19 | |
before arriving at Newent in Gloucestershire. | 0:02:19 | 0:02:22 | |
Today we're starting out in Monmouthshire at Chepstow, | 0:02:24 | 0:02:27 | |
and ending up at our deciding auction in Newent. | 0:02:27 | 0:02:30 | |
On the border between England and Wales, Chepstow is noted | 0:02:34 | 0:02:37 | |
both for its racecourse and its fortress on the River Wye. | 0:02:37 | 0:02:41 | |
A ruin since the Civil War, the castle was built by the Normans | 0:02:41 | 0:02:44 | |
as a base for their conquest of South Wales. | 0:02:44 | 0:02:47 | |
It's reckoned by some to be the oldest surviving castle in Britain. | 0:02:47 | 0:02:51 | |
-Hello, good morning. -Good to see you, I'm Paul. | 0:02:51 | 0:02:54 | |
-Good morning, welcome to Chepstow. -And you are? -Dawn. | 0:02:54 | 0:02:57 | |
Dawn, it is great to be here. | 0:02:57 | 0:02:58 | |
Dawn patrol, eh? And he's off, leading by a short head | 0:02:58 | 0:03:02 | |
with the winning post in sight. | 0:03:02 | 0:03:04 | |
Stand out at auction and likely to generate a profit. | 0:03:04 | 0:03:09 | |
Yep, that's the mantra, Paul. | 0:03:09 | 0:03:11 | |
Maybe I should be playing a tactical game here. | 0:03:11 | 0:03:14 | |
If I buy five things and make a little profit on each of them... | 0:03:14 | 0:03:18 | |
..I could win this. | 0:03:20 | 0:03:21 | |
It's certainly been done. | 0:03:21 | 0:03:24 | |
Parking the bus, I think they call it. | 0:03:24 | 0:03:26 | |
Just a nice little Japanese lacquered box. | 0:03:26 | 0:03:29 | |
It's lacquered and then gilded, but the gilding's raised. | 0:03:29 | 0:03:33 | |
This is a technique called "takamakie". | 0:03:33 | 0:03:36 | |
It's not a throwaway piece. | 0:03:36 | 0:03:38 | |
This isn't junk. | 0:03:38 | 0:03:40 | |
It's priced like junk. | 0:03:40 | 0:03:43 | |
So, he is boxing clever. There's another! | 0:03:43 | 0:03:46 | |
That's a model of Buckingham Palace, is it not? | 0:03:46 | 0:03:51 | |
Tin plate, embossed, transfer printed. | 0:03:51 | 0:03:55 | |
See the window recesses there? | 0:03:55 | 0:03:57 | |
And then here, look inside, very pleasingly done. | 0:03:57 | 0:04:01 | |
But read this. | 0:04:01 | 0:04:02 | |
It's a model of the Queen's doll's house. | 0:04:02 | 0:04:06 | |
Chubb & Son's Lock & Safe Company supply a miniature Chubb safe | 0:04:06 | 0:04:11 | |
to protect the Queen's dolls' jewels. | 0:04:11 | 0:04:14 | |
That's great, isn't it?! | 0:04:14 | 0:04:16 | |
What a lovely little object. Not come across one before. | 0:04:16 | 0:04:19 | |
No money, look at that, £12. Easy peasy. | 0:04:19 | 0:04:22 | |
Nice, but is that the best you can come up with? | 0:04:22 | 0:04:24 | |
Time for a word with Dawn. | 0:04:24 | 0:04:26 | |
I'm struggling, I don't mind telling you. What have I missed? | 0:04:26 | 0:04:29 | |
We do a lot of antique jewellery here. | 0:04:29 | 0:04:31 | |
It's something I specialise in, the antique jewellery. | 0:04:31 | 0:04:34 | |
-So is that yours, the material over there? -Yes. -In that cab... | 0:04:34 | 0:04:37 | |
The very rich cabinet to the right. | 0:04:37 | 0:04:39 | |
Sounds like he might be about to stray into Margie territory. | 0:04:39 | 0:04:42 | |
-It's a little mourning piece that, erm... -Turquoise and pearl? | 0:04:42 | 0:04:46 | |
Turquoise and pearl but it's in lovely condition, nine carat gold. | 0:04:46 | 0:04:50 | |
The Victorians popularised these lockets, | 0:04:50 | 0:04:52 | |
often containing a lock of the deceased's hair. | 0:04:52 | 0:04:55 | |
Minute you get hair inclusions half your audience are icky. | 0:04:55 | 0:04:58 | |
-Americans love it. The Americans do love mourning jewellery. -Yeah? -Mm. | 0:04:58 | 0:05:02 | |
And that can be 45. | 0:05:02 | 0:05:04 | |
-You're a temptress, Dawn. -I know. Well, I want you to win, don't I? | 0:05:04 | 0:05:08 | |
-You're a...! -THEY LAUGH | 0:05:08 | 0:05:10 | |
Hey! Dawn also has a gold chain for Paul to peruse. | 0:05:10 | 0:05:13 | |
-I love guard chains, yeah. -Yes, it's quite nice. I do too. | 0:05:13 | 0:05:17 | |
A guard chain is a very long neck chain, | 0:05:17 | 0:05:20 | |
and it would be worn by ladies, certainly in the latter half | 0:05:20 | 0:05:23 | |
of the 19th century with perhaps a swivel to carry their fob watch. | 0:05:23 | 0:05:29 | |
This one, er, of pretty dull belcher links | 0:05:29 | 0:05:33 | |
is elevated immensely by these, er, little jewels. | 0:05:33 | 0:05:39 | |
And that transforms it from just a long neck chain to something | 0:05:40 | 0:05:45 | |
altogether superior. | 0:05:45 | 0:05:46 | |
I wonder what it'll cost, though. | 0:05:46 | 0:05:48 | |
I think a fair price on that for you to sell on, maybe 160. | 0:05:48 | 0:05:52 | |
Crikey! | 0:05:52 | 0:05:53 | |
-You've utterly seduced me, Dawn. -Oh! | 0:05:53 | 0:05:56 | |
I'm sure she has, Paul! | 0:05:56 | 0:05:58 | |
A deal can't be far away now. | 0:05:58 | 0:06:00 | |
I spotted this earlier on and fell in love with it. | 0:06:00 | 0:06:04 | |
And you also showed me the pearl and turquoise mourning locket. | 0:06:04 | 0:06:09 | |
Mourning locket, yes. | 0:06:09 | 0:06:11 | |
What's the price on the three? | 0:06:11 | 0:06:13 | |
Yes, I can see... I can feel it working for you now! | 0:06:14 | 0:06:18 | |
I know you've got a price in mind, I can almost see that! | 0:06:18 | 0:06:22 | |
200 the lot, bargain. | 0:06:22 | 0:06:23 | |
Pleasure, Dawn. | 0:06:25 | 0:06:27 | |
Lightning quick. | 0:06:27 | 0:06:28 | |
That is the thick end of two thirds of my budget | 0:06:28 | 0:06:31 | |
you've just extracted from me. That's not easily done. | 0:06:31 | 0:06:34 | |
I've had a lot of practice. | 0:06:36 | 0:06:37 | |
Thanks to Dawn, the floodgates have opened. | 0:06:37 | 0:06:40 | |
It's amazing what a bit of gold can do. | 0:06:40 | 0:06:42 | |
Now, time to get back on the road, | 0:06:45 | 0:06:48 | |
motoring from Chepstow over to Newport. | 0:06:48 | 0:06:51 | |
In the city centre, | 0:06:53 | 0:06:54 | |
there are several fine statues including those which | 0:06:54 | 0:06:56 | |
commemorate the Chartist uprising of 1839 as well as one of | 0:06:56 | 0:07:01 | |
the Newport poet WH Davies. | 0:07:01 | 0:07:05 | |
He penned the lines, | 0:07:05 | 0:07:06 | |
"What is this life if full of care? | 0:07:06 | 0:07:08 | |
"We have no time to stand and stare." | 0:07:08 | 0:07:11 | |
-Right, I wish you well. -Good luck. We're both lying to one another! | 0:07:14 | 0:07:18 | |
I'm not supposed to be talking to you! | 0:07:18 | 0:07:21 | |
-Get in there and buy a clock! -Bye! | 0:07:21 | 0:07:23 | |
-John. Hi, John, I'm Margie. -Hi, nice to meet you. | 0:07:25 | 0:07:28 | |
-Right, so I'm just going to have a quick look round if I may. -Yep. | 0:07:28 | 0:07:31 | |
Now, I wonder how Margie's going to play this one. | 0:07:31 | 0:07:34 | |
She's so close to Paul that one good buy could easily put her ahead! | 0:07:36 | 0:07:40 | |
Certainly won't be buying one of those, will I? | 0:07:40 | 0:07:43 | |
Just as one mistake might mean the end! | 0:07:43 | 0:07:46 | |
-I've bought tools before, John, and fell flat on my... -Your bum. | 0:07:46 | 0:07:50 | |
That's enough. No sale. | 0:07:50 | 0:07:52 | |
She's clearly learned from her error. | 0:07:52 | 0:07:54 | |
Oh, I don't know what to do. | 0:07:54 | 0:07:56 | |
This could take some time. | 0:07:56 | 0:07:57 | |
Margie's other notable blunder on this trip was | 0:07:57 | 0:08:00 | |
a pair of wooden elephants. | 0:08:00 | 0:08:01 | |
But this time she's got something very different in mind - crocodiles! | 0:08:03 | 0:08:06 | |
-What is it, Mr and Mrs, is it? -Brother and sister. | 0:08:06 | 0:08:09 | |
MARGIE LAUGHS | 0:08:09 | 0:08:11 | |
-So they're what? £25. -It's a bargain. | 0:08:11 | 0:08:15 | |
D'you think so? MARGIE LAUGHS | 0:08:15 | 0:08:17 | |
And if the old crocs don't do the trick, | 0:08:17 | 0:08:18 | |
there are always John's lions. | 0:08:18 | 0:08:21 | |
-Oh-h! -These are apparently done by, erm, Polish prisoners of war. | 0:08:21 | 0:08:25 | |
Prisoner or war work? So there's a prisoner camp nearby? | 0:08:25 | 0:08:28 | |
-Yeah, about 20 miles down the road. -Yeah. Right. | 0:08:28 | 0:08:30 | |
What sort of money are these, then? £24 for the pair? | 0:08:30 | 0:08:33 | |
So you're not highly rating these, are you? | 0:08:33 | 0:08:36 | |
Not a great deal, I think you're in with a chance, though. | 0:08:36 | 0:08:39 | |
Time to introduce the pride to the rest of her fledgling ark | 0:08:39 | 0:08:43 | |
and get down to brass tacks. | 0:08:43 | 0:08:45 | |
-They're a gamble, aren't they? -Yeah. | 0:08:45 | 0:08:47 | |
-Life's a gamble, though, innit? -Oh, yes. | 0:08:47 | 0:08:49 | |
-You know what? £18 a pair, there you go. -£18 for the pair. | 0:08:50 | 0:08:54 | |
Then we've got these two fierce little chaps. | 0:08:55 | 0:08:57 | |
-So how much are those, then, John? -18 quid the pair. | 0:08:59 | 0:09:02 | |
-18, it's like this is your price today, innit? -Seems to be. | 0:09:02 | 0:09:06 | |
Despite John's generous discounts, Margie's dithering continues. | 0:09:06 | 0:09:11 | |
Time for one more trip around the shop. | 0:09:11 | 0:09:13 | |
I've always wondered what I'd look like... | 0:09:13 | 0:09:16 | |
blonde. | 0:09:16 | 0:09:18 | |
Nah, I wouldn't look right blonde. | 0:09:18 | 0:09:20 | |
I wouldn't like to be blonde, I'd rather be natural. | 0:09:20 | 0:09:22 | |
But with the animals still on hold, | 0:09:24 | 0:09:25 | |
there's still a bit of carving to be considered. | 0:09:25 | 0:09:29 | |
Ignore the price on that. | 0:09:29 | 0:09:31 | |
Sounds promising. | 0:09:31 | 0:09:32 | |
Aren't they clever, these things? | 0:09:32 | 0:09:34 | |
You see these quite a lot without the lids on | 0:09:34 | 0:09:36 | |
and they're made out of bamboo and they're sort of called brush pots, | 0:09:36 | 0:09:39 | |
whereby they stand their brushes in them. | 0:09:39 | 0:09:42 | |
-There's a bit of paper inside. -Is there? | 0:09:42 | 0:09:44 | |
-Which... -That says? -..strangely says more like, erm... | 0:09:44 | 0:09:47 | |
-..circa 1840. -Really? Who said that? | 0:09:49 | 0:09:52 | |
No idea. It came with the box. | 0:09:52 | 0:09:54 | |
Has that been another dealer had that? | 0:09:54 | 0:09:57 | |
-Might have been. -These antique dealers, | 0:09:57 | 0:09:59 | |
they get very optimistic, don't they? | 0:09:59 | 0:10:00 | |
MARGIE LAUGHS | 0:10:00 | 0:10:02 | |
Bamboo is one of the fastest growing plants on Earth. | 0:10:02 | 0:10:05 | |
When conditions are right, it can grow almost in front of your eyes. | 0:10:05 | 0:10:09 | |
Now, can Margie just move along a bit quicker? | 0:10:09 | 0:10:12 | |
So 45, | 0:10:12 | 0:10:14 | |
but it's going to have to be a real cheap deal, that. | 0:10:14 | 0:10:18 | |
How about 25? | 0:10:18 | 0:10:19 | |
-20 quid, then. -20 quid. Oh, yeah, got to go for it. -OK. -Yes. | 0:10:25 | 0:10:29 | |
-Hope it does well for you. -Yeah, so do I, John, so do I! | 0:10:29 | 0:10:32 | |
Well done, Margie! Finally off the... | 0:10:32 | 0:10:34 | |
A-a-agh! | 0:10:34 | 0:10:37 | |
Oh! Whoops. | 0:10:35 | 0:10:37 | |
Oh, dear. | 0:10:37 | 0:10:38 | |
Oh, no, John, what have I done? | 0:10:38 | 0:10:41 | |
I've dropped it. | 0:10:41 | 0:10:42 | |
SHE SIGHS ANGRILY | 0:10:42 | 0:10:44 | |
And now it's split there. | 0:10:46 | 0:10:47 | |
Oh, no. | 0:10:47 | 0:10:48 | |
I've already bought it, haven't I? That's it. | 0:10:48 | 0:10:51 | |
I'll tell you what, if you still want it, it's yours for a tenner. | 0:10:51 | 0:10:54 | |
-Oh, now I feel awful! -Well, it'll save your bacon. | 0:10:54 | 0:10:56 | |
Oh, gosh! | 0:10:56 | 0:10:58 | |
-Are you sure? -Mm. | 0:10:58 | 0:11:00 | |
What a nice man, eh? | 0:11:00 | 0:11:01 | |
Oh, you're very kind. Thank you very much indeed. | 0:11:01 | 0:11:04 | |
I think you got off there very lightly, Margie. | 0:11:04 | 0:11:06 | |
No clangers dropped, just a bamboo pot! | 0:11:06 | 0:11:09 | |
There's surely a profit now despite the crack. | 0:11:09 | 0:11:12 | |
Meanwhile... | 0:11:14 | 0:11:15 | |
..up the Taff Valley... | 0:11:16 | 0:11:18 | |
..Paul's steamed on towards Merthyr Tydfil, the location | 0:11:19 | 0:11:22 | |
in 1804 of the world's first railway steam locomotive journey. | 0:11:22 | 0:11:27 | |
Hard to believe that this cradle of the Industrial Revolution, | 0:11:29 | 0:11:33 | |
a very long way from Ogden, Utah, | 0:11:33 | 0:11:36 | |
is also the town that the Osmond family traced their Welsh roots to. | 0:11:36 | 0:11:40 | |
-I'm Paul. You are? -Kelly. | 0:11:40 | 0:11:41 | |
Kelly, it's lovely to see you. | 0:11:41 | 0:11:43 | |
Gee whizz! I can't imagine Paul will struggle to buy | 0:11:44 | 0:11:47 | |
at this establishment. Look at this lot. | 0:11:47 | 0:11:49 | |
God, I love that. A telly, isn't it? | 0:11:49 | 0:11:51 | |
Despite ominous reminders of a previous gaffe... | 0:11:51 | 0:11:54 | |
Steady on! | 0:11:55 | 0:11:57 | |
You know what? I could murder a slice of toast. | 0:11:57 | 0:12:00 | |
Ta-da! | 0:12:00 | 0:12:01 | |
Here's one I prepared earlier. Nice slice of bread. | 0:12:01 | 0:12:05 | |
Hey, are we watching a cookery programme all of a sudden? | 0:12:05 | 0:12:08 | |
-HE SNIFFS -Oh, that smells lovely, doesn't it? | 0:12:08 | 0:12:10 | |
Did you see it?! | 0:12:11 | 0:12:13 | |
It's like Nigella in tweed(!) | 0:12:13 | 0:12:15 | |
Once more, look at this! I could do this all day. | 0:12:15 | 0:12:17 | |
Give me some time. | 0:12:17 | 0:12:18 | |
Simple pleasures, eh? | 0:12:18 | 0:12:20 | |
I'm in my element. Pun intended. | 0:12:20 | 0:12:23 | |
But there are a few more practical items to be found up here as well. | 0:12:25 | 0:12:29 | |
This is the one I'm interested in. | 0:12:29 | 0:12:31 | |
Bow fronted, pierced, | 0:12:31 | 0:12:35 | |
Georgian, early 19th century, | 0:12:35 | 0:12:38 | |
steel fender. | 0:12:38 | 0:12:40 | |
And it sits in front of the hearth | 0:12:40 | 0:12:42 | |
and it protects to a degree against sparks and so on. | 0:12:42 | 0:12:46 | |
The bolts are handmade, they're offset, and this is what | 0:12:46 | 0:12:50 | |
marks this out as full period as opposed to reproduction. | 0:12:50 | 0:12:53 | |
Be interested to see the price on that. | 0:12:53 | 0:12:56 | |
That's actually a door porter. Door porter is a door stop, yeah? | 0:12:56 | 0:13:01 | |
An interior door stop. | 0:13:01 | 0:13:03 | |
And typically they are somewhat tall | 0:13:03 | 0:13:06 | |
and have a handle so they can be moved about. | 0:13:06 | 0:13:09 | |
This is a Victorian cast iron affair. | 0:13:09 | 0:13:12 | |
And it depicts this knight here underneath this Gothic canopy, see? | 0:13:12 | 0:13:17 | |
And that's a good thing. | 0:13:17 | 0:13:19 | |
Two good pieces of 19th century domestic metalwork. | 0:13:19 | 0:13:22 | |
I rate those. These are good. | 0:13:22 | 0:13:24 | |
Time to consult Kelly. | 0:13:24 | 0:13:26 | |
Dear? Cheap? | 0:13:26 | 0:13:28 | |
Somewhere in between? | 0:13:28 | 0:13:30 | |
Or cheap? Did I say cheap? | 0:13:30 | 0:13:32 | |
THEY LAUGH | 0:13:32 | 0:13:35 | |
-If we say 55 for the two, is that too much? -Aw-w, it is. | 0:13:35 | 0:13:40 | |
-Old iron, any old iron. -Yeah. | 0:13:40 | 0:13:42 | |
-Erm, could offer you 20 quid for the two. -Aw-w! | 0:13:42 | 0:13:46 | |
-Hey! -I think they cost me more than that to buy | 0:13:46 | 0:13:48 | |
so probably about 35 would be the best for the two. | 0:13:48 | 0:13:53 | |
Don't get me wrong, I do like them. | 0:13:54 | 0:13:56 | |
Yeah, I think he does. | 0:13:56 | 0:13:58 | |
We just need something else. | 0:13:58 | 0:14:00 | |
Fireside reading maybe? | 0:14:00 | 0:14:02 | |
Practical Masonry back in the day. | 0:14:02 | 0:14:04 | |
Gilt tooled spine. | 0:14:04 | 0:14:06 | |
And it's quite solid. Oh, look at that! | 0:14:06 | 0:14:08 | |
Gilt tooled calf bookplate. | 0:14:08 | 0:14:12 | |
Thomas Conwell owned this book in 1840, that's a joy. | 0:14:12 | 0:14:16 | |
But look at these diagrams. They are joyous, are they not? | 0:14:16 | 0:14:20 | |
There you go! | 0:14:20 | 0:14:22 | |
Thomas Telford's suspension bridge over the Menai Strait! | 0:14:22 | 0:14:26 | |
Isn't that good fun? I love it. | 0:14:26 | 0:14:29 | |
-What's the price on that? -25. | 0:14:29 | 0:14:33 | |
Was exactly the right thing to say, Kelly. | 0:14:33 | 0:14:36 | |
Oh, I only wanted to buy one thing in your shop, | 0:14:36 | 0:14:38 | |
but I don't mind telling you, you've got me hooked, because | 0:14:38 | 0:14:41 | |
I like the two pieces of metalwork and I like the book as well. | 0:14:41 | 0:14:44 | |
Can we do a wee bit of a deal on the lot? That was 35. | 0:14:44 | 0:14:48 | |
That was 25. Can we knock a fiver off each of them? 30 and 20? | 0:14:48 | 0:14:53 | |
-Yeah, go on. -Kelly, wonderful! I shall give you £50. | 0:14:53 | 0:14:58 | |
-Thanks very much. -Thank you. | 0:14:58 | 0:15:01 | |
-I'm going with my booty. See you later. -Bye. | 0:15:01 | 0:15:03 | |
While Paul's been getting to grips with Practical Masonry, | 0:15:03 | 0:15:08 | |
Margie's let her hair down in the mountains. | 0:15:08 | 0:15:11 | |
I must say, this car's really grown on me, | 0:15:12 | 0:15:15 | |
so I'm prepared to accept that I'm going to get my hair blown around. | 0:15:15 | 0:15:19 | |
Margie's making her reckless way to Craig-y-Nos Castle | 0:15:20 | 0:15:24 | |
in the Brecon Beacons National Park, | 0:15:24 | 0:15:27 | |
once the home of the world's greatest opera singer. | 0:15:27 | 0:15:31 | |
-Hi, Len! -Hello, Margie. | 0:15:31 | 0:15:33 | |
What a fantastic place. | 0:15:33 | 0:15:35 | |
-Yes, it is, isn't it? -And a lovely situation. | 0:15:35 | 0:15:38 | |
Craig-y-Nos was first built in the early 1840s by a local | 0:15:38 | 0:15:41 | |
magistrate, and then just over 30 years later, it was snapped up | 0:15:41 | 0:15:45 | |
and extensively remodelled by Adelina Patti, | 0:15:45 | 0:15:48 | |
the Italian prima donna, then at the height of her fame. | 0:15:48 | 0:15:52 | |
She would visit this part of the world. | 0:15:52 | 0:15:54 | |
She met up with Lord Swansea | 0:15:54 | 0:15:56 | |
and she said that she was looking for a new home... | 0:15:56 | 0:15:59 | |
-Mmm. -..and he said, "Well, Craig-y-Nos is for sale." | 0:15:59 | 0:16:03 | |
She came up and saw it and bought it. | 0:16:03 | 0:16:05 | |
The Gothic part on the right finishes here | 0:16:05 | 0:16:08 | |
-directly in front of us. -Yeah. | 0:16:08 | 0:16:10 | |
And then the red sandstone, | 0:16:10 | 0:16:12 | |
which continues all the way round to the clock tower and beyond... | 0:16:12 | 0:16:16 | |
-Right. -That was built in the 1880s by Patti. | 0:16:16 | 0:16:19 | |
By now she was commanding £100,000 for a tour. | 0:16:19 | 0:16:24 | |
Good gracious! | 0:16:24 | 0:16:26 | |
That is mega! | 0:16:26 | 0:16:28 | |
All of the extension... | 0:16:28 | 0:16:30 | |
-Yeah. -..cost £100,000. | 0:16:30 | 0:16:31 | |
So she financed it on a tour. | 0:16:31 | 0:16:34 | |
Impressive, isn't it? | 0:16:37 | 0:16:39 | |
But while today's rock stars might content themselves with | 0:16:39 | 0:16:42 | |
building a pool or a recording studio, | 0:16:42 | 0:16:44 | |
Patti's new pad simply had to have an opera house. | 0:16:44 | 0:16:47 | |
This miniature version of the Milanese La Scala seats 150 | 0:16:48 | 0:16:52 | |
and features a mechanical floor | 0:16:52 | 0:16:54 | |
which can be raised to create a ballroom. | 0:16:54 | 0:16:57 | |
Look at that. | 0:16:57 | 0:16:59 | |
Oh, isn't that amazing? | 0:16:59 | 0:17:01 | |
That's Patti herself in the backdrop riding a chariot in a Rossini opera. | 0:17:01 | 0:17:06 | |
She came here in 1878 and obviously fell in love with the place... | 0:17:06 | 0:17:10 | |
-Yeah. -..because she stayed here for the rest of her life. | 0:17:10 | 0:17:13 | |
But she travelled all over the world from here? | 0:17:13 | 0:17:15 | |
All over the world, yes, from here. | 0:17:15 | 0:17:18 | |
The train would take her anywhere, | 0:17:18 | 0:17:20 | |
and she would contact the railway company | 0:17:20 | 0:17:22 | |
and they would send an engine up. | 0:17:22 | 0:17:25 | |
And a very old signalman once told me | 0:17:25 | 0:17:28 | |
that all of the lights were on green until she landed in her destination. | 0:17:28 | 0:17:32 | |
-So she was like royalty? -She was. Absolutely. | 0:17:32 | 0:17:35 | |
-She was a family friend of the Tsar. -Yeah. | 0:17:35 | 0:17:37 | |
-Personal friend of the Kaiser. -Mm. | 0:17:37 | 0:17:41 | |
Napoleon III was at her wedding. | 0:17:41 | 0:17:44 | |
Oh, gosh! MARGIE LAUGHS | 0:17:44 | 0:17:48 | |
-And she sang to Queen Victoria for 25 years. -Yes. | 0:17:48 | 0:17:51 | |
Born in Madrid to opera-singing parents, Patti sang professionally | 0:17:52 | 0:17:56 | |
from childhood and remained at the very top for years. | 0:17:56 | 0:18:00 | |
She even achieved what Henry VIII famously failed to by having | 0:18:00 | 0:18:03 | |
her marriage annulled by the Pope. | 0:18:03 | 0:18:06 | |
-Girl power, yeah? -Girl power, yes, | 0:18:06 | 0:18:08 | |
although she belonged to the time before feminism. | 0:18:08 | 0:18:11 | |
-Yes, the Suffrage Movement. -I'm not quite sure when that began, | 0:18:11 | 0:18:14 | |
but it certainly wasn't in the 19th century. | 0:18:14 | 0:18:18 | |
-But she overcame... -She did! -..all of the disadvantages... -Yeah. | 0:18:18 | 0:18:22 | |
..of being a woman in those days. | 0:18:22 | 0:18:25 | |
Unfortunately, Patti's prime came before the invention of | 0:18:26 | 0:18:30 | |
sound recording, and at the end of the 19th century, | 0:18:30 | 0:18:32 | |
when it became possible to make phonograph cylinders, | 0:18:32 | 0:18:35 | |
the soprano was reluctant. | 0:18:35 | 0:18:37 | |
But surely that would be very exciting for her. | 0:18:37 | 0:18:39 | |
Why didn't she want to? | 0:18:39 | 0:18:41 | |
-Well, because of the quality of the recordings in those days. -Yeah. | 0:18:41 | 0:18:44 | |
But then, at the end of the 1890s, the gramophone was perfected | 0:18:44 | 0:18:49 | |
-and she was asked again and she said she would. -Right. | 0:18:49 | 0:18:53 | |
But only here at Craig-y-Nos, in her boudoir. | 0:18:53 | 0:18:56 | |
CRACKLY RECORDING: "Home Sweet Home" | 0:18:56 | 0:18:59 | |
The technique was that you had to withdraw on the high notes | 0:18:59 | 0:19:04 | |
-from the horn. -Right. | 0:19:04 | 0:19:06 | |
And then go into the low notes into the horn. | 0:19:06 | 0:19:09 | |
If you did it the other way around, it was unintelligible. | 0:19:09 | 0:19:12 | |
She had to be grasped around the waist and pulled in and out | 0:19:12 | 0:19:15 | |
according to the technical needs of the time. | 0:19:15 | 0:19:18 | |
But she got through the first one, | 0:19:18 | 0:19:21 | |
and she said, "Before I continue, I want to hear this." | 0:19:21 | 0:19:25 | |
-And she listened, and then she said, in French, so I understand... -Yeah. | 0:19:29 | 0:19:33 | |
"Now I know why I'm loved so much." | 0:19:33 | 0:19:36 | |
Recording resumed, and those precious tracks which sold so well | 0:19:36 | 0:19:40 | |
that they are credited with transforming the industry | 0:19:40 | 0:19:43 | |
and are now all we have to remind us of the voice of the queen of song. | 0:19:43 | 0:19:47 | |
But as well as a glorious soprano, | 0:19:52 | 0:19:53 | |
Margie still has a certain "tenner" on her mind. | 0:19:53 | 0:19:56 | |
I only bought one item, | 0:19:57 | 0:19:59 | |
-and guess what I did - I dropped it after we'd done the deal? -What? | 0:19:59 | 0:20:03 | |
-I dropped it! -What?! | 0:20:03 | 0:20:05 | |
Nothing like a bit of sympathy, is there? Night-night, you two. | 0:20:05 | 0:20:08 | |
COWS MOO | 0:20:10 | 0:20:12 | |
As the deciding day dawns, our two look back on a tumultuous week. | 0:20:12 | 0:20:17 | |
Ups and downs, ups and downs. | 0:20:17 | 0:20:19 | |
Have you ever played Buckaroo? | 0:20:19 | 0:20:21 | |
THEY LAUGH | 0:20:21 | 0:20:23 | |
Yesterday, Margie managed just one tiny purchase... | 0:20:23 | 0:20:26 | |
Oh, no! | 0:20:26 | 0:20:28 | |
..which she then broke. | 0:20:28 | 0:20:30 | |
But the shopkeeper kindly reduced it to just £10, | 0:20:30 | 0:20:34 | |
leaving her with over £300 to spend today. | 0:20:34 | 0:20:37 | |
Paul, meanwhile, just about bought the shop, picking up a book, | 0:20:37 | 0:20:41 | |
a moneybox, some old iron, a locket | 0:20:41 | 0:20:45 | |
and gold guard chain for £250... | 0:20:45 | 0:20:48 | |
You have utterly seduced me, Dawn. | 0:20:48 | 0:20:50 | |
..leaving him with just over £125 in his wallet. | 0:20:50 | 0:20:53 | |
-What's platinum scrapping at at the moment? -Very funny! | 0:20:54 | 0:20:58 | |
Let the mind games commence! | 0:20:58 | 0:21:00 | |
Later, they'll be making for their showdown auction at Newent, | 0:21:01 | 0:21:05 | |
but our next stop is Narberth. | 0:21:05 | 0:21:07 | |
Down in Pembrokeshire in south-west Wales, | 0:21:10 | 0:21:12 | |
Narberth was where the leaders of the Rebecca Riots were imprisoned. | 0:21:12 | 0:21:16 | |
Nowadays this splendid little town | 0:21:18 | 0:21:20 | |
boasts carnival parades in both summer and winter, | 0:21:20 | 0:21:23 | |
plus several independent shops. | 0:21:23 | 0:21:26 | |
There's quite a few antique outlets in Narberth as well, | 0:21:26 | 0:21:30 | |
although our two are about to share | 0:21:30 | 0:21:33 | |
and that rarely bodes well. | 0:21:33 | 0:21:34 | |
-Good morning! -Good morning! -Hello. | 0:21:34 | 0:21:37 | |
-Welcome to the Malthouse in Narberth. -Thank you. -I'm Paul. | 0:21:37 | 0:21:39 | |
I'm Peter, this is Jimmy. | 0:21:39 | 0:21:41 | |
-So, is everyone introduced now? -Jimmy, Peter. | 0:21:41 | 0:21:44 | |
Margie, without wishing to be unfriendly, is frantic to get away | 0:21:45 | 0:21:49 | |
and start scouring for the several purchases she needs to make. | 0:21:49 | 0:21:53 | |
Sharpish. | 0:21:53 | 0:21:54 | |
HOLLOW WOODEN KNOCKING | 0:21:54 | 0:21:56 | |
That's my knees knocking! | 0:21:56 | 0:21:57 | |
Ha-ha! Settle down, Margie. | 0:21:57 | 0:21:59 | |
Less cowbell, more Meakin. | 0:21:59 | 0:22:01 | |
That was my first dinner set when I first got married. | 0:22:01 | 0:22:05 | |
God, doesn't it look dated now? | 0:22:05 | 0:22:07 | |
Maybe not. | 0:22:07 | 0:22:09 | |
While Paul's in an altogether different frame of mind. | 0:22:09 | 0:22:12 | |
I'm looking for that thing that if I don't buy it, Margie might. | 0:22:12 | 0:22:15 | |
HE LAUGHS | 0:22:15 | 0:22:16 | |
At that price, I've got to buy it, I've got to buy it! | 0:22:16 | 0:22:19 | |
I've got to stop her buying it. | 0:22:19 | 0:22:21 | |
That's terrible, isn't it? | 0:22:21 | 0:22:22 | |
Shame on you, Paul. Margie's got enough to worry about. | 0:22:22 | 0:22:26 | |
207 for a glass ventilator? | 0:22:26 | 0:22:29 | |
Here comes trouble. | 0:22:31 | 0:22:32 | |
Margie, Margie, Margie! | 0:22:32 | 0:22:34 | |
That's not a good look. You're sweating, you're sweating! | 0:22:34 | 0:22:37 | |
You're not wrong. You're not wrong! | 0:22:39 | 0:22:41 | |
Why not cool off in another part of the shop, then? | 0:22:41 | 0:22:44 | |
Quite nice. White mirrors, | 0:22:44 | 0:22:47 | |
probably early 20th century, that. | 0:22:47 | 0:22:50 | |
But we've got a heart-shaped ticket that says 165 quid. | 0:22:50 | 0:22:55 | |
Is the heart shape to soften the blow? | 0:22:55 | 0:22:57 | |
I can't see that coming down to my level. | 0:22:58 | 0:23:01 | |
Time to reflect. | 0:23:01 | 0:23:02 | |
No need to worry about Paul, either, Margie. | 0:23:03 | 0:23:06 | |
Languor with just a hint of smug, I'd say. | 0:23:06 | 0:23:09 | |
I wonder what Pete makes of the mirror, especially the price bit. | 0:23:10 | 0:23:14 | |
I just quite liked it. | 0:23:14 | 0:23:16 | |
But I don't think it's very old. | 0:23:16 | 0:23:18 | |
-Has it got a price on it? -Yeah, it has, it's got 165 smackers on it. -Oh! | 0:23:18 | 0:23:22 | |
What were you thinking, we'd be looking at, 90? | 0:23:22 | 0:23:25 | |
What price have you got in mind? | 0:23:25 | 0:23:27 | |
Yes, do tell, Margie. | 0:23:27 | 0:23:29 | |
I suppose I would want to be buying that for about 70 quid. | 0:23:30 | 0:23:33 | |
Pete's gone a bit pale. | 0:23:33 | 0:23:35 | |
I think 75 would be a fair price. | 0:23:35 | 0:23:38 | |
I've gone from laughing to drumming. | 0:23:38 | 0:23:40 | |
Could you go from drumming to yessing? | 0:23:40 | 0:23:43 | |
Are we still negotiating here? | 0:23:43 | 0:23:45 | |
We are. I think we might be. | 0:23:45 | 0:23:46 | |
You're in it for the long haul with Margie. | 0:23:46 | 0:23:49 | |
-It's not very old, is it? -No. -It's decorative, that's one thing. | 0:23:49 | 0:23:52 | |
-I'm old. Does that help? -So am I. | 0:23:52 | 0:23:54 | |
We've all just aged considerably, Pete. | 0:23:54 | 0:23:57 | |
If I go away with it at 65, | 0:23:57 | 0:24:00 | |
if I make a tenner, I'll be happy. | 0:24:00 | 0:24:02 | |
I won't dither any more. | 0:24:04 | 0:24:05 | |
-OK. It's a deal. -That's it, we've done it. | 0:24:05 | 0:24:08 | |
A rapid response! Well, that's a relief(!) | 0:24:08 | 0:24:10 | |
I just hope the rest of her shopping won't be quite so protracted. | 0:24:12 | 0:24:16 | |
But whilst Margie's been struggling, | 0:24:19 | 0:24:21 | |
Paul's taking a leisurely drive towards the Pembrokeshire coast. | 0:24:21 | 0:24:24 | |
Travelling from Narberth to Fishguard. | 0:24:25 | 0:24:28 | |
This historic port on the coastline, | 0:24:29 | 0:24:31 | |
once regularly raided by the Vikings, | 0:24:31 | 0:24:34 | |
was the site of the last invasion of Britain. | 0:24:34 | 0:24:36 | |
In 1797, a French force of 1,200 men landed near Fishguard | 0:24:36 | 0:24:41 | |
and after being foiled by a combination of British troops | 0:24:41 | 0:24:44 | |
and stout locals, they soon surrendered. | 0:24:44 | 0:24:47 | |
Paul's here to see a 1997 tapestry which tells this fascinating story. | 0:24:49 | 0:24:54 | |
-Hello. Would you be Mary? -Yes. Welcome, Paul. -How are you doing? | 0:24:54 | 0:24:58 | |
It's good to see you. And this is it. It's exquisite, isn't it? | 0:24:58 | 0:25:02 | |
From the artistry to the execution, | 0:25:02 | 0:25:04 | |
it's a joy. | 0:25:04 | 0:25:06 | |
And we're very proud of it here as well. | 0:25:06 | 0:25:08 | |
The work, cheekily inspired by the Bayeux version of that other, | 0:25:08 | 0:25:12 | |
more successful, 1066 invasion, | 0:25:12 | 0:25:15 | |
is over 30 metres long | 0:25:15 | 0:25:16 | |
and took four years to complete. | 0:25:16 | 0:25:19 | |
Some people locally, they say this isn't the Bayeux Tapestry, | 0:25:19 | 0:25:23 | |
this is the Down Bay-eux Tapestry. | 0:25:23 | 0:25:25 | |
The French hadn't really intended to invade Fishguard. | 0:25:25 | 0:25:28 | |
The force that came here had been headed for Bristol, | 0:25:28 | 0:25:32 | |
just as other divisions made for Newcastle and Ireland. | 0:25:32 | 0:25:36 | |
They thought that the British were ready for invasion, you know, | 0:25:36 | 0:25:40 | |
that the peasants, the workers from the North, they were ready to be... | 0:25:40 | 0:25:45 | |
-Ready for revolution? -Yes. | 0:25:45 | 0:25:47 | |
But bad weather meant that only one of the three armies landed, | 0:25:47 | 0:25:51 | |
and that legion straightaway encountered fierce resistance. | 0:25:51 | 0:25:55 | |
The local people are also getting involved. | 0:25:55 | 0:25:58 | |
-These are the ones with the pitchforks! -Yes. | 0:25:58 | 0:26:01 | |
-This is no skirmish. -No. -This is serious. -Yes. | 0:26:01 | 0:26:04 | |
The Pembroke yeomanry were soon on the march from nearby Haverfordwest, | 0:26:04 | 0:26:08 | |
coming to the aid of the Fishguard soldiers. | 0:26:08 | 0:26:11 | |
But the real work, it seems, was done by everyday heroes. | 0:26:11 | 0:26:15 | |
This is Jemima Nicholas, who was known locally as Jemima Fawr, | 0:26:15 | 0:26:20 | |
which in English means "Big Jemima". | 0:26:20 | 0:26:23 | |
And she, legend has it, | 0:26:23 | 0:26:25 | |
walked around a local hillock called a bigney with a group of local women | 0:26:25 | 0:26:31 | |
dressed in traditional Welsh costume, | 0:26:31 | 0:26:33 | |
which, of course, is the red shawl and the black hat, | 0:26:33 | 0:26:37 | |
to trick the French into thinking | 0:26:37 | 0:26:39 | |
that there were more soldiers than there were. | 0:26:39 | 0:26:42 | |
She's now rounded them up and she's taking them to St Mary's Church, | 0:26:42 | 0:26:46 | |
which is across the road. | 0:26:46 | 0:26:47 | |
-Right, so she got in the thick of it as well. -She certainly did. | 0:26:47 | 0:26:50 | |
I wouldn't like to meet Big Jemima | 0:26:50 | 0:26:52 | |
-with her pitchfork on a dark night, I'll tell you. -No. | 0:26:52 | 0:26:55 | |
The invaders didn't stand a chance | 0:26:55 | 0:26:57 | |
and unconditional surrender soon followed on Goodwick Sands | 0:26:57 | 0:27:01 | |
with the formalities concluded down in the pub. | 0:27:01 | 0:27:04 | |
What becomes of them? Do they ever see France again? | 0:27:04 | 0:27:07 | |
-I know a lot escaped... -Really? | 0:27:07 | 0:27:10 | |
..on the route to Haverford West and funnily enough, there is | 0:27:10 | 0:27:14 | |
-quite a few names, Martineau and Devereux... -In these parts? | 0:27:14 | 0:27:19 | |
-In these parts. -That's a great thought. | 0:27:19 | 0:27:22 | |
As well as the incredible tapestry, | 0:27:22 | 0:27:24 | |
they also have genuine artefacts from the 1797 invasion, | 0:27:24 | 0:27:29 | |
-chilling proof that this ripping yarn was very real. -May I? | 0:27:29 | 0:27:33 | |
-Certainly. -Astonishing. -But don't point it at me. | 0:27:33 | 0:27:36 | |
Well, do you know, appreciate these for what they are but, | 0:27:39 | 0:27:44 | |
to hold one that we know was carried in anger in these parts, | 0:27:44 | 0:27:51 | |
what a thought. Now it becomes real, doesn't it? We're touching history. | 0:27:51 | 0:27:56 | |
Yes, definitely. | 0:27:56 | 0:27:57 | |
There was one other lasting consequence of the | 0:27:57 | 0:28:01 | |
-Battle of Fishguard, however. -A bank note? -A bank note. -Go on. | 0:28:01 | 0:28:05 | |
I see a date there. This is our date. | 0:28:05 | 0:28:09 | |
As you can imagine, people in Britain were very afraid | 0:28:09 | 0:28:13 | |
and started to hoard their gold and there was a run on the Royal Mint, | 0:28:13 | 0:28:18 | |
so they decided to issue the first paper pound. | 0:28:18 | 0:28:20 | |
There were no wallets or purses today, | 0:28:21 | 0:28:24 | |
we're holding things that come about, in a sense, because of this. | 0:28:24 | 0:28:29 | |
-Yes. -How fantastic. | 0:28:29 | 0:28:31 | |
Now, hopefully, Marge is about to splash out, | 0:28:34 | 0:28:36 | |
just a wee bit more than £1, | 0:28:36 | 0:28:39 | |
as our trip moves a few miles up the coast to another Newport. | 0:28:39 | 0:28:43 | |
There's little danger of confusing this destination with the city | 0:28:45 | 0:28:48 | |
we shopped in earlier. | 0:28:48 | 0:28:50 | |
Little Newport's Welsh name means "town on the beach" and our | 0:28:50 | 0:28:54 | |
somewhat desperate Margie's on her way to its only antique shop. | 0:28:54 | 0:28:59 | |
-Good luck, everyone. -Hello, I'm Margie. -Heather. -Hello, Heather. | 0:28:59 | 0:29:03 | |
-Anne. -Hello, Anne. | 0:29:03 | 0:29:05 | |
Anne's got a very nice shop here, but what's already dawning on Margie | 0:29:06 | 0:29:10 | |
is that most of what's for sale is a bit of a foreign land to her. | 0:29:10 | 0:29:14 | |
-No silver, no jewellery? -We don't do silver and jewellery. | 0:29:14 | 0:29:18 | |
-We do do a lot of other things, though. -Right. -Like tools, Margie. | 0:29:18 | 0:29:22 | |
Railway armour too. Lots of that, just up your street. | 0:29:22 | 0:29:26 | |
It's a tricky one, isn't it? Do you understand all this stuff? | 0:29:29 | 0:29:33 | |
Yes, I've been specialising in railway things | 0:29:33 | 0:29:35 | |
-for quite a few years now. -Tell me. That's a whistle. | 0:29:35 | 0:29:38 | |
-That's from a shunting engine. -Yeah. | 0:29:38 | 0:29:41 | |
This one dates from 1950 and it's a British Rail one. | 0:29:41 | 0:29:46 | |
And that's £40? Are you sure this has nothing to do | 0:29:46 | 0:29:50 | |
with Thomas the Tank Engine? | 0:29:50 | 0:29:52 | |
It should be, shouldn't it? | 0:29:52 | 0:29:54 | |
Not her field. | 0:29:54 | 0:29:56 | |
Ah, Skimbleshanks, he's got to be lucky, that fella. | 0:29:56 | 0:29:59 | |
You've got a nice little marking, haven't you, hey? | 0:29:59 | 0:30:03 | |
Doubtful provenance, though. How about a whip holder instead? | 0:30:03 | 0:30:06 | |
For when you're driving your carriage. | 0:30:06 | 0:30:08 | |
You store your whip in there and then it's ready to use. | 0:30:08 | 0:30:12 | |
-A Victorian one. -I should think so, yes. -It's 35. | 0:30:12 | 0:30:16 | |
Interesting little curiosity. | 0:30:16 | 0:30:18 | |
It would be on the side of the carriage | 0:30:18 | 0:30:20 | |
and he'd have his whip in there for when he wanted to whip his horses. | 0:30:20 | 0:30:24 | |
It was a convenient place to put it. | 0:30:24 | 0:30:27 | |
If you put it anywhere else, you'd lose it, wouldn't you? | 0:30:27 | 0:30:29 | |
Course you would. Go on, have a crack at it, Margie. | 0:30:29 | 0:30:32 | |
-15 wouldn't buy it? -No, that is too little, really. | 0:30:32 | 0:30:36 | |
-What's in your mind? -25 would be OK. | 0:30:36 | 0:30:39 | |
-No, not 20? -I don't normally do that amount but, I suppose... | 0:30:40 | 0:30:46 | |
-I'll have it for 20. -Yes, OK. -OK. | 0:30:46 | 0:30:48 | |
Good work and it now seems there's some silver here after all. | 0:30:50 | 0:30:54 | |
-I found this... -Oh! -..this unwanted item. | 0:30:54 | 0:30:58 | |
I must admit, it got lost at the back of the cupboard. | 0:30:58 | 0:31:00 | |
-You never thought to get that out for me? -No. -I thought it was plate. | 0:31:00 | 0:31:03 | |
I had seen it and I just thought it was plate because it looks awful. | 0:31:03 | 0:31:07 | |
-It's actually silver. -Ticket price is £48 but it's a bit damaged. | 0:31:07 | 0:31:13 | |
-What are you offering for it? -What am I offering? | 0:31:13 | 0:31:16 | |
Seeing as it's been in the back of the cupboard for a while, | 0:31:16 | 0:31:19 | |
-I'll admit... -I was going to say 15, 18. | 0:31:19 | 0:31:23 | |
If you give me 20 for it, I'll go for that. | 0:31:23 | 0:31:27 | |
I'm not going to argue. I'm in too much trouble to argue. | 0:31:27 | 0:31:30 | |
Thank you very much. | 0:31:30 | 0:31:32 | |
Margie is after just one more purchase | 0:31:32 | 0:31:34 | |
but I think she may have to head off piste again to get it. | 0:31:34 | 0:31:37 | |
I think a surveyor would have used this tripod. | 0:31:37 | 0:31:40 | |
Put his equipment on there to do his surveying and nowadays, | 0:31:40 | 0:31:48 | |
it would probably be a quite good, decorative piece to put a lamp on, | 0:31:48 | 0:31:52 | |
you know, these spotlights or these film lights. | 0:31:52 | 0:31:55 | |
That would look very trendy in a corner of a room. | 0:31:55 | 0:31:58 | |
It's just in, though, so there's no ticket price yet. | 0:31:58 | 0:32:01 | |
Anne, darling, dearest. | 0:32:01 | 0:32:03 | |
I want to end this. I've been in here too long. | 0:32:04 | 0:32:07 | |
We're all a bit weary. What's the very best on that? | 0:32:08 | 0:32:13 | |
-30 would be the best for that. -Will it? Not another fiver? | 0:32:13 | 0:32:18 | |
No, I think 30 really is the best. | 0:32:18 | 0:32:20 | |
-Oh, God, what's a fiver between friends? -Well... | 0:32:23 | 0:32:28 | |
-You're getting this fiver. -OK. Thank you. | 0:32:28 | 0:32:31 | |
Well, that's quite a little collection you now have, Margie. | 0:32:31 | 0:32:34 | |
All for £70. | 0:32:34 | 0:32:37 | |
Gosh, after all that. We did it. | 0:32:37 | 0:32:42 | |
So, shopping completed, let's have a look at what they've got. | 0:32:42 | 0:32:46 | |
Paul acquired a gold guard chain, a locket, a moneybox, | 0:32:48 | 0:32:54 | |
some ironwork and an ancient tome for £250... | 0:32:54 | 0:32:57 | |
..while Margie plumped for a whip holder, tripod, a bamboo box, | 0:32:58 | 0:33:03 | |
a cruet set and a mirror for £145. | 0:33:03 | 0:33:09 | |
The mirror, the mirror, the mirror, the mirror, bling-y, | 0:33:10 | 0:33:13 | |
looks like a profit. Holy Moses, it could make £200. | 0:33:13 | 0:33:18 | |
The locket should be 85, paid 40, | 0:33:18 | 0:33:22 | |
don't know what he did in that shop but whatever he did, he can't lose. | 0:33:22 | 0:33:27 | |
The question is, has she pulled it off. The answer is no. | 0:33:27 | 0:33:31 | |
I'm going to jump off the edge. Bye. | 0:33:32 | 0:33:35 | |
After starting out beside the River Wye at Chepstow, this final leg | 0:33:35 | 0:33:39 | |
of our trip concludes at an auction in Gloucestershire at Newent. | 0:33:39 | 0:33:44 | |
Have you practised your, "I'm dying but I'm cool with that smell?" | 0:33:44 | 0:33:48 | |
Have you practised that? Is that rigor mortis? | 0:33:48 | 0:33:51 | |
-I can take this with good humour. -I'm a good sport. -I want them dead. | 0:33:52 | 0:33:59 | |
Newent was the birthplace of legendary rock'n'roll producer, | 0:34:01 | 0:34:04 | |
Joe Meek. | 0:34:04 | 0:34:05 | |
His 1962 hit, Telstar, made The Tornadoes the very first | 0:34:05 | 0:34:10 | |
-British group to top the US charts. -Turn it on, Margie, this is it. | 0:34:10 | 0:34:15 | |
But which of our pop pickers is going to make it here? | 0:34:15 | 0:34:18 | |
Let's hear what auctioneer, Rita, makes of her prospect. | 0:34:18 | 0:34:22 | |
The surveyor's tripod, that's a little bit trendy for us | 0:34:22 | 0:34:25 | |
here in Newent. I'm not sure about that one. | 0:34:25 | 0:34:28 | |
I quite like the fender, it's a really nice traditional, | 0:34:28 | 0:34:30 | |
classic antique, very tasteful. | 0:34:30 | 0:34:33 | |
It may not perform as well as I would like it to. | 0:34:33 | 0:34:36 | |
-Take it away, Rita and the team. -All girls, all ladies. | 0:34:36 | 0:34:40 | |
-Oh, wait a minute. -Wait a minute. | 0:34:40 | 0:34:43 | |
First, we have Margie's silver cruet. | 0:34:43 | 0:34:46 | |
Someone start me at £30. £30 for the cruet set. Start me at 30. | 0:34:47 | 0:34:52 | |
Oh, I've got 32 on the net now. 34 now. | 0:34:53 | 0:34:57 | |
Look at your little face lighting up. | 0:34:57 | 0:35:00 | |
-36, 38, looking for 40. -I said 40. | 0:35:00 | 0:35:02 | |
-42, looking for 44. -Margie. | 0:35:03 | 0:35:07 | |
44, 46, then, looking for 48. | 0:35:07 | 0:35:10 | |
-I've come over all cold. -46 in the room, then. You all done? | 0:35:10 | 0:35:13 | |
You all finished? Selling at £46, then. | 0:35:13 | 0:35:17 | |
-Lovely lady on the rostrum. -Oh, Margie, strong start. -Yes, it is. | 0:35:17 | 0:35:23 | |
She's already cut your lead a little, Paul. | 0:35:23 | 0:35:26 | |
Time to fight back with your fender and door porter. | 0:35:26 | 0:35:28 | |
Interesting, this. Start me at £30 and I'm looking for 32. | 0:35:28 | 0:35:32 | |
-We're away, we're away. -32, 34, 36, at £36. | 0:35:32 | 0:35:38 | |
Cheap. | 0:35:38 | 0:35:40 | |
-Up, I want. -At £36, then, are you all done? | 0:35:41 | 0:35:45 | |
That was it, Margie. It went with a whimper, but it went. | 0:35:45 | 0:35:49 | |
A bit of a disappointment, though. | 0:35:49 | 0:35:51 | |
-But can Margie's bamboo with a crack do better? -Can I see £20 for it? | 0:35:53 | 0:35:57 | |
-£20 I'm bid. Looking for 22. -Grateful. | 0:35:57 | 0:36:02 | |
24, 26, 28, looking for 30, 32. | 0:36:02 | 0:36:05 | |
I've got 30 in the room. | 0:36:06 | 0:36:08 | |
32, 34, 36 on the net, looking for 38. | 0:36:08 | 0:36:11 | |
40 now. Looking for 42, at 42,... | 0:36:11 | 0:36:14 | |
-Bless it and I dropped it. -Perhaps you should drop it again. | 0:36:14 | 0:36:19 | |
At £44, are you all done? | 0:36:19 | 0:36:20 | |
Margie is closing in now. Time for Paul's big buy. | 0:36:24 | 0:36:29 | |
It's still a very good price, though. | 0:36:29 | 0:36:31 | |
I feel sorry for the woman you bought it off. Poor soul. | 0:36:31 | 0:36:34 | |
She obviously rather liked you. | 0:36:34 | 0:36:36 | |
It's taking me 40-odd years | 0:36:36 | 0:36:38 | |
and I've found a woman that liked me. | 0:36:38 | 0:36:40 | |
-Someone start me at £200. -That should be easy. | 0:36:40 | 0:36:45 | |
It must be worth that. £200. Coming in online? | 0:36:45 | 0:36:49 | |
-150, I have in the room... -What's happening? | 0:36:49 | 0:36:53 | |
-What's happening? Come on. -£150 in the room at 150. 160 online. | 0:36:53 | 0:36:58 | |
170, looking for 180. | 0:36:58 | 0:37:01 | |
-Scrap at 280. -It's getting there. -190, looking for 200. 200. 210. | 0:37:01 | 0:37:07 | |
Looking for 220. 220. 230. At £220. | 0:37:07 | 0:37:12 | |
Put the hammer down, will you, please, love? | 0:37:12 | 0:37:15 | |
Love...put the hammer down. | 0:37:15 | 0:37:17 | |
All done, selling at 220. | 0:37:17 | 0:37:19 | |
It could have been worse... for Margie. | 0:37:21 | 0:37:24 | |
I'm surprised you didn't do better with that, I really am. | 0:37:24 | 0:37:27 | |
HE LAUGHS | 0:37:27 | 0:37:28 | |
Watch out, Margie, it's Paul's other bit of jewellery. | 0:37:28 | 0:37:31 | |
Is this the same lady that you were left alone in the shop with? | 0:37:31 | 0:37:35 | |
Very suspicious. | 0:37:35 | 0:37:37 | |
-Commission interest starts me at £50. -Keep quiet. | 0:37:37 | 0:37:41 | |
-Now I'm looking for 55 and some. -55 I have. I'm out looking for 60 now. | 0:37:41 | 0:37:46 | |
-At £55. -55 quid. -At £55, then. | 0:37:46 | 0:37:51 | |
-You're not very lucky, are you? -And what is that? | 0:37:51 | 0:37:53 | |
£55. | 0:37:53 | 0:37:55 | |
GAVEL BANGS | 0:37:55 | 0:37:56 | |
Another profit. But Paul can still be caught. | 0:37:56 | 0:38:00 | |
He's got high hopes for his Practical Masonry, though. | 0:38:00 | 0:38:03 | |
I feel one of my headaches coming on. | 0:38:03 | 0:38:05 | |
Interest in this starts me on commission at £30. | 0:38:06 | 0:38:09 | |
-And I'm looking for 32. -Come on, come on. -32. At £30. | 0:38:09 | 0:38:14 | |
32 on the net and I'm out, looking for 34. | 0:38:14 | 0:38:17 | |
-At £32, then, are you all finished? I'm selling at £32. -Oh, gosh. -£32. | 0:38:17 | 0:38:23 | |
£300 to £500 book just made 30 quid. | 0:38:23 | 0:38:27 | |
Oh, well, that's the way of the trip sometimes. | 0:38:28 | 0:38:31 | |
I did something really bad in a past life, didn't I? | 0:38:31 | 0:38:34 | |
Now, what does Newent see in Margie's mirror? | 0:38:34 | 0:38:37 | |
See if this mirror takes off like a rocket. | 0:38:37 | 0:38:39 | |
THEY LAUGH | 0:38:39 | 0:38:41 | |
I shall demand a recount. | 0:38:41 | 0:38:43 | |
SHE LAUGHS | 0:38:43 | 0:38:44 | |
Someone like to start me at £50? £50 for the mirror? 50 anywhere? | 0:38:44 | 0:38:48 | |
Start me at 30, then. £30 for it. | 0:38:49 | 0:38:52 | |
-£30. -Oh, dear. -£20. | 0:38:52 | 0:38:55 | |
-20, someone start me at £20. £20 for the mirror. -This is embarrassing. | 0:38:57 | 0:39:01 | |
£10 for the mirror. 10, must be worth that, must be worth £10. | 0:39:01 | 0:39:09 | |
Nobody want it? No offers? | 0:39:09 | 0:39:11 | |
No? I think we'll have to pass that lot. | 0:39:13 | 0:39:16 | |
THEY LAUGH | 0:39:16 | 0:39:18 | |
-What am I going to do with it? It's the last auction. -Never mind. | 0:39:18 | 0:39:22 | |
It will grace the Road Trip office I'm sure. Paul's looking pleased. | 0:39:22 | 0:39:26 | |
Unsold! | 0:39:26 | 0:39:27 | |
HE LAUGHS | 0:39:27 | 0:39:29 | |
If only you had a whip to go with your holder, eh, Margie? | 0:39:30 | 0:39:34 | |
20 for the whip holder. £20. 20 anyone? | 0:39:34 | 0:39:38 | |
-Oh, everything's going wrong. -£10, then. Start me at 10. | 0:39:38 | 0:39:41 | |
At £10 in the room, looking for 12. | 0:39:41 | 0:39:44 | |
At £10 now. At £10, then, selling at 10 in the room. | 0:39:44 | 0:39:49 | |
I'm on the "slippery" now. | 0:39:50 | 0:39:52 | |
She's right. The game looks to be up. | 0:39:52 | 0:39:55 | |
Paul's little doll's house moneybox now. | 0:39:56 | 0:39:58 | |
It's charming, this little box, it's going to make... | 0:39:58 | 0:40:02 | |
-I honestly refuse to make any forecast. -Very wise, Margie. | 0:40:02 | 0:40:06 | |
Someone start me at 20. 20 anyone? £20? Someone start me at £10, then. | 0:40:06 | 0:40:13 | |
Not again. | 0:40:13 | 0:40:15 | |
Nobody want it for 10? | 0:40:15 | 0:40:17 | |
THEY LAUGH | 0:40:17 | 0:40:20 | |
Nobody want it for £10, then. No? | 0:40:20 | 0:40:24 | |
So much for our experts, eh? | 0:40:24 | 0:40:26 | |
But at least Paul's lost a lot less than Margie. | 0:40:26 | 0:40:30 | |
Oh, got my tripod. Oh. | 0:40:30 | 0:40:33 | |
The auctioneer predicted this might be a bit trendy for Newent. | 0:40:33 | 0:40:37 | |
I'm frightened. I'm not just desperate. | 0:40:37 | 0:40:39 | |
I'm frightened now because we've got the mirror in the back of the car, | 0:40:39 | 0:40:43 | |
how are we going to get a tripod? | 0:40:43 | 0:40:45 | |
You could always leave Paul behind. | 0:40:45 | 0:40:47 | |
Interest in this starts me at £32. | 0:40:47 | 0:40:51 | |
-That is a relief. -36. 38. | 0:40:51 | 0:40:54 | |
At 38 now, looking for 40. 40 on the net. 42, 42, looking for 44. | 0:40:54 | 0:41:00 | |
46, 46, looking for 48. 48, 50. | 0:41:00 | 0:41:05 | |
Getting out of jail. | 0:41:05 | 0:41:06 | |
At 48 on the net. | 0:41:06 | 0:41:07 | |
At 50 on the net now. Looking for 55. | 0:41:07 | 0:41:10 | |
-Well, blow me down with a feather. -55 now. Make it 60 online, then. | 0:41:10 | 0:41:14 | |
-At 55... -We don't know nothing about this trade, do we? | 0:41:14 | 0:41:17 | |
Are you all finished online? Selling at £55, then. | 0:41:17 | 0:41:22 | |
Hip, hooray! | 0:41:22 | 0:41:24 | |
Finally, a sale. | 0:41:24 | 0:41:27 | |
Should help a couple of badly bruised egos. | 0:41:27 | 0:41:29 | |
-I'm telling no-one about this. -Right, OK. | 0:41:29 | 0:41:33 | |
-Seriously, we're in this together. Right? -Yes. -It didn't happen. | 0:41:33 | 0:41:37 | |
Your secret's safe with us, Paul. No-one need ever know. | 0:41:37 | 0:41:41 | |
Margie, who started out with £317.36, she made, | 0:41:41 | 0:41:46 | |
after paying auction costs, | 0:41:46 | 0:41:48 | |
a loss of £17.90 leaving her with a final total of £299.46. | 0:41:48 | 0:41:55 | |
Paul began with £376.78 | 0:41:57 | 0:41:59 | |
and after paying auction costs he made a profit of £31.26, | 0:41:59 | 0:42:04 | |
which means he's the winner with £408.04. | 0:42:04 | 0:42:09 | |
All profits to Children In Need. | 0:42:09 | 0:42:12 | |
Right. Margie! | 0:42:14 | 0:42:17 | |
Margie? Margie? | 0:42:17 | 0:42:19 | |
-Is the coast clear? -Come on! | 0:42:22 | 0:42:24 | |
Now, remember, drive safely and always check your mirror. | 0:42:24 | 0:42:29 | |
-It's quite handy, actually. -It's been a wonderful week for our duo. | 0:42:32 | 0:42:37 | |
Thank you. | 0:42:38 | 0:42:40 | |
# Just me and you. # | 0:42:40 | 0:42:41 | |
Look at the views, look at the views. | 0:42:41 | 0:42:43 | |
# I like the way you walk. # | 0:42:43 | 0:42:45 | |
Get in! | 0:42:45 | 0:42:46 | |
# I like the things you do. # | 0:42:46 | 0:42:48 | |
Yes. | 0:42:48 | 0:42:49 | |
# Oh-h! # | 0:42:49 | 0:42:51 | |
Oh, no. | 0:42:51 | 0:42:52 | |
# One and one is one | 0:42:52 | 0:42:55 | |
# Little darling now | 0:42:58 | 0:42:59 | |
# One and one is one | 0:43:00 | 0:43:03 | |
And on the next Antiques Road Trip we have a brand-new | 0:43:07 | 0:43:10 | |
pair of experts, Thomas Plant and Anita Manning. | 0:43:10 | 0:43:14 | |
Anita gets all competitive... | 0:43:14 | 0:43:16 | |
Am I going to be the winner on this one? | 0:43:16 | 0:43:18 | |
-..and Thomas dazzles us with his knowledge. -It's a bike. | 0:43:19 | 0:43:23 |