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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:06 | |
-a classic car... -We're going around. | 0:00:06 | 0:00:08 | |
..and a goal - to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:14 | |
The aim - to make the biggest profit at auction but it's no mean feat. | 0:00:14 | 0:00:17 | |
Oh, no! | 0:00:17 | 0:00:18 | |
There'll be worthy winners... | 0:00:18 | 0:00:20 | |
-We've done it! -..and valiant losers. | 0:00:20 | 0:00:23 | |
You are kidding me on! | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -You've got a deal. | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip! | 0:00:31 | 0:00:33 | |
It's round two of our West Country rummage | 0:00:37 | 0:00:40 | |
around the rugged Cornish rocks. | 0:00:40 | 0:00:43 | |
Look at the views, look at the views! | 0:00:43 | 0:00:45 | |
-Holy Moses! -What's that rock over there? | 0:00:45 | 0:00:48 | |
Not a clue! | 0:00:48 | 0:00:49 | |
Absorbing the southwest weather in a vintage Alfa Romeo are dealer | 0:00:49 | 0:00:54 | |
Margie Cooper and auctioneer Paul Laidlaw. | 0:00:54 | 0:00:56 | |
What a remote corner of the country! | 0:00:56 | 0:00:59 | |
You do feel a bit distant from the hustle and bustle and that. | 0:00:59 | 0:01:02 | |
-Everything's a bit chilled! -It's like an island. | 0:01:02 | 0:01:05 | |
Unfortunately, they were a bit chilled in that auction as well. | 0:01:05 | 0:01:08 | |
It certainly wasn't a cool one for either of our experts | 0:01:08 | 0:01:11 | |
but Margie's posh tools were a particular disappointment. | 0:01:11 | 0:01:15 | |
How much loss is that? | 0:01:15 | 0:01:17 | |
That's just a lot. I think we'll just call it a lot! | 0:01:17 | 0:01:20 | |
Not that her competitive companion would ever harp on about it, | 0:01:20 | 0:01:23 | |
of course. | 0:01:23 | 0:01:25 | |
Margie, Margie, Margie... | 0:01:25 | 0:01:26 | |
We're in the right place after all! HE CACKLES | 0:01:26 | 0:01:29 | |
-Sorry, Margie. -You're rubbing it in! | 0:01:29 | 0:01:32 | |
It's a rich vein this and I'm obliged to mine it till it's exhausted! | 0:01:32 | 0:01:35 | |
They both set out with £200 but Margie has so far shrunk hers | 0:01:35 | 0:01:40 | |
to just £138.56p. | 0:01:40 | 0:01:43 | |
While Paul's managed a modest increase of £18.46p. | 0:01:43 | 0:01:49 | |
So, not a lot to boast about, either of you. | 0:01:49 | 0:01:52 | |
Between us, what have we got? | 0:01:52 | 0:01:53 | |
-300 quid? -Yeah. -That'll buy us two surf boards! | 0:01:53 | 0:01:56 | |
Come on! | 0:01:56 | 0:01:57 | |
Hang on, we want money makers, not beach bums. | 0:01:57 | 0:02:01 | |
Our trip begins close to England's most westerly point, | 0:02:02 | 0:02:05 | |
at St Buryan and heads both north and east. | 0:02:05 | 0:02:08 | |
We then take a round-about trip through Wales, | 0:02:08 | 0:02:10 | |
before arriving at Newent, in Gloucestershire. | 0:02:10 | 0:02:13 | |
Today, we're starting out in Cornwall, at Wadebridge | 0:02:16 | 0:02:18 | |
and ending up at an auction on the Devon coast at Seaton. | 0:02:18 | 0:02:22 | |
Around here, it's all about the bridges. | 0:02:26 | 0:02:28 | |
The River Camel runs through here | 0:02:28 | 0:02:31 | |
and until they built the first crossing in the 15th century | 0:02:31 | 0:02:33 | |
the town was just called Wade, it then became Wadebridge. | 0:02:33 | 0:02:37 | |
Ah, very straightforward. | 0:02:37 | 0:02:39 | |
There'd be bargains! | 0:02:39 | 0:02:41 | |
You don't say bargains in this business, you say good buys! | 0:02:41 | 0:02:44 | |
-Oh, right. -Like we haven't done. | 0:02:44 | 0:02:47 | |
More bridges followed and there's even one from 1991 that was | 0:02:47 | 0:02:50 | |
built for the TV series Challenge Anneka. | 0:02:50 | 0:02:53 | |
Speaking of challenges... | 0:02:53 | 0:02:55 | |
-Morning! -Morning. -Morning, Margie. | 0:02:55 | 0:02:58 | |
-Hi, I'm Mike. -Hi, Mike, how are you doing? I'm Paul. Good to see you. | 0:02:58 | 0:03:02 | |
There are three very full floors at Victoria Antiques. | 0:03:02 | 0:03:06 | |
What you might call a proper antique shop, including oodles of fine | 0:03:06 | 0:03:10 | |
furniture that will surely be out of their bracket. | 0:03:10 | 0:03:12 | |
And for those with a thing about barometers... | 0:03:12 | 0:03:15 | |
Erm, clockwise. | 0:03:15 | 0:03:17 | |
..Paul's as rigorous as ever but Margie's wandered off-piste. | 0:03:18 | 0:03:22 | |
It seems the dealer's son, Carl, has a backgammon set for sale. | 0:03:22 | 0:03:26 | |
-And it's complete? -Yeah, yeah, it's got all the doubling dice. | 0:03:26 | 0:03:29 | |
-Probably not old, it's probably about 1970s, '80s. -Right... | 0:03:29 | 0:03:34 | |
Why bother with antiques when you can't make money at auction? | 0:03:34 | 0:03:37 | |
Well, that's right. You can have it for £15. | 0:03:37 | 0:03:40 | |
Couldn't do ten, though? That would be a real insult. | 0:03:40 | 0:03:42 | |
-It would, yeah. -I withdraw that comment, immediately. | 0:03:42 | 0:03:45 | |
Paul's cribbage board was certainly | 0:03:45 | 0:03:47 | |
a bit of a letdown at the last auction, Margie. | 0:03:47 | 0:03:49 | |
It's a good size, that's the thing with it, it's the size that matters. | 0:03:49 | 0:03:53 | |
Yeah, size isn't everything, though, is it? | 0:03:53 | 0:03:56 | |
Meanwhile, Paul's found something very familiar. | 0:03:56 | 0:04:00 | |
Sexy lady! | 0:04:00 | 0:04:02 | |
The ticket price on that card tray is £55. | 0:04:02 | 0:04:05 | |
Just slacken the price of that one, testing the water. | 0:04:05 | 0:04:08 | |
-Pretty well lot of slack, to be honest with you but... -£30. | 0:04:08 | 0:04:12 | |
It's getting in the right direction. | 0:04:12 | 0:04:15 | |
Well, she's certainly a bit pricier than the little Belle Epoque | 0:04:15 | 0:04:18 | |
dress seal that he acquired earlier on the trip. | 0:04:18 | 0:04:21 | |
This is going to sound so wrong, she's cheap! | 0:04:21 | 0:04:24 | |
Yeah...but Paul seems equally enthused. Second time around, then! | 0:04:24 | 0:04:29 | |
A nice piece of full period, Art Nouveau metal work here. | 0:04:29 | 0:04:33 | |
That could sit in your hallway for visiting cards or whatever. | 0:04:33 | 0:04:37 | |
I like that fact that you've got quality modelling here. | 0:04:37 | 0:04:39 | |
Look at the visage on this lady here. | 0:04:39 | 0:04:42 | |
She's demure, | 0:04:42 | 0:04:43 | |
she is holding this oversized tray in a provocative stance. | 0:04:43 | 0:04:49 | |
-I love this piece! -Calm down, Paul. | 0:04:49 | 0:04:52 | |
Mike's telling me that it could be£30. | 0:04:52 | 0:04:56 | |
Now, there is one fault, you've just got a wee crack there. | 0:04:56 | 0:05:00 | |
I don't think it's catastrophic, it doesn't help it | 0:05:00 | 0:05:03 | |
but it may help me get the price down a wee bit more. | 0:05:03 | 0:05:06 | |
Ah, Margie's made a bit of a find now too. | 0:05:06 | 0:05:09 | |
-(I'm not sure whether we're allowed in here.) -It's in the kitchen. | 0:05:09 | 0:05:14 | |
Wow! A collection of elephants. | 0:05:14 | 0:05:17 | |
-Ebony. -And ivory, unfortunately. | 0:05:17 | 0:05:20 | |
These tusks and his little ivory toes... | 0:05:21 | 0:05:24 | |
these are pre-1940s. | 0:05:24 | 0:05:27 | |
Otherwise, we don't want to go anywhere near them! | 0:05:27 | 0:05:30 | |
You're supposed to have them in your house, facing the door, | 0:05:30 | 0:05:32 | |
with his trunk up - it's lucky. | 0:05:32 | 0:05:35 | |
I've got one in my bedroom. | 0:05:35 | 0:05:37 | |
It's not bringing me much luck yesterday, did it? | 0:05:37 | 0:05:39 | |
Oh, very nice, Margie, but they're not for sale! | 0:05:39 | 0:05:41 | |
I wonder what Mike will make of you | 0:05:41 | 0:05:44 | |
rooting about in his private collection. | 0:05:44 | 0:05:46 | |
I'm sorry, that's rude. I shall be annoyed if someone did this to me. | 0:05:46 | 0:05:49 | |
No, it's OK. | 0:05:49 | 0:05:51 | |
-Occasionally, I do sell them when people ask. -Do you? | 0:05:51 | 0:05:54 | |
How much are the bigger ones like him? He's a nice one. | 0:05:54 | 0:05:57 | |
-He's a nice one, isn't he? -That's a good one. -Yeah. | 0:05:57 | 0:06:00 | |
I believe 45 for that one and he's worth every penny. | 0:06:00 | 0:06:03 | |
You need an elephant that's got a purpose really. | 0:06:03 | 0:06:06 | |
Book-ends are good, they don't just sit there | 0:06:06 | 0:06:09 | |
but I need to get 45 for them and that is it. | 0:06:09 | 0:06:12 | |
He's lost his tusks, bless him. | 0:06:12 | 0:06:14 | |
They've dropped out over the years, | 0:06:14 | 0:06:16 | |
although he's got his... his little toes are all right. | 0:06:16 | 0:06:19 | |
They've got to go for 60 | 0:06:19 | 0:06:20 | |
and then we've got to take off the commission. | 0:06:20 | 0:06:22 | |
I just don't think I'm going to make it, do you? | 0:06:22 | 0:06:25 | |
My last price, I'll give you right now, | 0:06:25 | 0:06:27 | |
this is the bargain of the day, £35. | 0:06:27 | 0:06:29 | |
They're just delightful, aren't they? | 0:06:29 | 0:06:32 | |
-35. -OK, you've got yourself a deal. | 0:06:32 | 0:06:35 | |
Now, with Margie and her ebony herd back to the usual customer | 0:06:35 | 0:06:39 | |
areas, Paul's after a bit of walnut. | 0:06:39 | 0:06:42 | |
Nice piece of woodcarving, that, isn't it? | 0:06:42 | 0:06:44 | |
Nice, substantial piece. It's a Victorian piece, late 18th century. | 0:06:44 | 0:06:49 | |
But who wants such a thing? No-one's got a butler any more. | 0:06:49 | 0:06:52 | |
Erm, £30, not a lot of money. | 0:06:52 | 0:06:55 | |
It's good work, it's good work. | 0:06:55 | 0:06:57 | |
I think I'll find Mike and see what we can do here. | 0:06:57 | 0:07:01 | |
At least it's not part of his private collection, ha! | 0:07:01 | 0:07:04 | |
Another well spotted...bargain, erm, £30 on it, you can have it for 20. | 0:07:06 | 0:07:10 | |
-That's in at 20. What was the lady, 30 or 35? -30, I think, yeah. | 0:07:12 | 0:07:16 | |
Would you give me a deal on the two? | 0:07:16 | 0:07:18 | |
That's got to be 50, hasn't it? | 0:07:18 | 0:07:20 | |
Does it have to be 50? I'd rather it was a wee bit less than 50. | 0:07:20 | 0:07:23 | |
-Just a tad. -No. | 0:07:23 | 0:07:26 | |
He's standing his ground. | 0:07:26 | 0:07:27 | |
-It's cheap. -It's cheap, isn't it? -That's why you've got a deal. Good. | 0:07:27 | 0:07:30 | |
-Pleasure. -You've got some profit there. -All right, I hope so! | 0:07:30 | 0:07:33 | |
Another lightning raid there, Paul, but what about Margie? | 0:07:33 | 0:07:36 | |
She'll be after a real bargain to go with her heffalump, | 0:07:36 | 0:07:39 | |
I shouldn't wonder. | 0:07:39 | 0:07:41 | |
Just looking at this silk-work picture. | 0:07:41 | 0:07:44 | |
It's quite nice. The amount of work that's gone into that! | 0:07:44 | 0:07:46 | |
It's probably early 19th century. | 0:07:46 | 0:07:49 | |
Maybe earlier probably earlier, 18th century. | 0:07:49 | 0:07:52 | |
Look at the work that's been done here. | 0:07:52 | 0:07:54 | |
Beautiful silk-work. | 0:07:54 | 0:07:56 | |
Look at the window...look at that! It's beautiful! | 0:07:56 | 0:07:59 | |
Very attractive but it's just been messed up in this awful frame. | 0:07:59 | 0:08:03 | |
If you were a wealthy lady, what did you do all day? | 0:08:03 | 0:08:06 | |
You had the life where you executed stuff like this. | 0:08:06 | 0:08:08 | |
From someone who can't sew a button on, I just think that's amazing! | 0:08:08 | 0:08:13 | |
£48...think it's worth asking him if it's any cheaper. | 0:08:13 | 0:08:17 | |
Look out, Mike, Margie's on a mission! | 0:08:17 | 0:08:20 | |
This is something that's just taken my eye. | 0:08:20 | 0:08:23 | |
-Oh, yeah. -It needs a lot of work, doesn't it? -£25, there you go. | 0:08:23 | 0:08:27 | |
You've got to buy it for that! | 0:08:27 | 0:08:29 | |
I reckon there's got to be a profit in that. | 0:08:29 | 0:08:31 | |
Yeah, I know, but everybody keeps telling me that and that's | 0:08:31 | 0:08:34 | |
when I get devastated at the auction. | 0:08:34 | 0:08:37 | |
She's got a point. | 0:08:37 | 0:08:38 | |
-Yeah, but it's a good content. -Yeah. | 0:08:38 | 0:08:41 | |
-So, how much was the other piece you bought for? -35. | 0:08:41 | 0:08:44 | |
-35... -Yeah. -If I said 55 for the two, there you go. | 0:08:44 | 0:08:47 | |
You're a wonderful man, Michael. | 0:08:47 | 0:08:49 | |
-All right. -I'll come and see you again. | 0:08:49 | 0:08:51 | |
£20 for the silk-work, not bad, Margie. And for added value... | 0:08:51 | 0:08:56 | |
I'm giving my little elephants a bit of a clean up... | 0:08:56 | 0:08:59 | |
SHE GIGGLES | 0:08:59 | 0:09:01 | |
..in an effort to make a profit. | 0:09:01 | 0:09:03 | |
Oh...she's certainly trying her best. | 0:09:03 | 0:09:06 | |
Now, where's Paul got to? | 0:09:06 | 0:09:08 | |
Seems our military buff has spotted a shop called The Bunker. | 0:09:09 | 0:09:13 | |
Stand by. | 0:09:13 | 0:09:15 | |
Hello, morning. | 0:09:15 | 0:09:17 | |
-How are you doing? -I'm Paul. -Hello, Paul, I'm Bob. -You're Bob? -Yeah. | 0:09:17 | 0:09:20 | |
Good to see you, Bob. | 0:09:20 | 0:09:22 | |
Yeah, apparently, they've just moved here, | 0:09:22 | 0:09:24 | |
so most of Bob's stock is still boxed up. | 0:09:24 | 0:09:27 | |
That won't discourage Paul, though. | 0:09:27 | 0:09:29 | |
-What's the rocket? -No, Paul, not that...no! | 0:09:29 | 0:09:34 | |
Medals, yes, but rockets... | 0:09:34 | 0:09:36 | |
It's a drone. RAF tow that behind a | 0:09:36 | 0:09:39 | |
pilot aircraft and the guys track it | 0:09:39 | 0:09:44 | |
and they open fire on it, basically. | 0:09:44 | 0:09:47 | |
Man alive, what an interesting thing! | 0:09:47 | 0:09:49 | |
It's a precision piece of engineering, that, isn't it? | 0:09:49 | 0:09:52 | |
-Lovely. -These flash bolts. -Yeah, yeah, yeah. | 0:09:52 | 0:09:55 | |
Would you sell it or not? | 0:09:55 | 0:09:57 | |
Erm, I'd have to think about it. | 0:09:57 | 0:09:59 | |
How much is that missile in the window? | 0:09:59 | 0:10:02 | |
Thankfully for Seaton, it doesn't seem to be for sale. | 0:10:02 | 0:10:06 | |
Margie, meanwhile, | 0:10:06 | 0:10:08 | |
has travelled south from Wadebridge to St Columb Major. | 0:10:08 | 0:10:11 | |
It may be peaceful here today but not when they play | 0:10:11 | 0:10:14 | |
the ancient game of hurling through the streets of St Columb. | 0:10:14 | 0:10:19 | |
It involves several hundred people fighting over a tiny silver ball | 0:10:19 | 0:10:23 | |
and all hell breaking loose! | 0:10:23 | 0:10:24 | |
The town crest features the ball and bears the motto - | 0:10:24 | 0:10:28 | |
"Town and country, do your best". Go on, Margie, you do your best. | 0:10:28 | 0:10:32 | |
Oh, no, not another elephant! | 0:10:32 | 0:10:35 | |
SHOP BELL RINGS | 0:10:35 | 0:10:36 | |
-Hello. -Margie, and you are? -I'm Janet. | 0:10:36 | 0:10:39 | |
-Hi, Janet. -Hello, hello. -Unusual name, your shop. | 0:10:39 | 0:10:42 | |
-It's good, isn't it? -It is. | 0:10:42 | 0:10:44 | |
Ah, yeah, part Brothers Grimm and part Lewis Carroll. | 0:10:44 | 0:10:47 | |
Very apt for the curiosities collected herein | 0:10:47 | 0:10:50 | |
and just right for our silver specialist. | 0:10:50 | 0:10:52 | |
-Look at her, oh, what a little cutie! -I can't find who she is! | 0:10:52 | 0:10:58 | |
A little continental thing. | 0:10:58 | 0:11:00 | |
-She's lovely, isn't she? -With a little petal hat. | 0:11:00 | 0:11:04 | |
She's slightly spooky, isn't she? | 0:11:04 | 0:11:06 | |
-Yes, she is a bit. -Don't you think? | 0:11:06 | 0:11:08 | |
-Yeah, little face peeping out. -I love her! | 0:11:08 | 0:11:10 | |
Looks like a Cornish Piskie, I'd say. | 0:11:10 | 0:11:12 | |
I don't think I've ever had a money box. | 0:11:12 | 0:11:14 | |
Now, why doesn't that surprise me?! | 0:11:14 | 0:11:18 | |
Mmm, bit strange. | 0:11:18 | 0:11:19 | |
It's a silver belt buckle. | 0:11:19 | 0:11:21 | |
I suppose you were bought this when you passed your exams and qualified. | 0:11:21 | 0:11:25 | |
So, it's quite old, yeah. | 0:11:25 | 0:11:28 | |
-It's 1901 or '02. How much have you got on it? -I've got 89 on it. | 0:11:28 | 0:11:32 | |
Yeah...she'd wear it on her belt buckle. | 0:11:32 | 0:11:34 | |
They are nice things but that's way out of my league, | 0:11:34 | 0:11:37 | |
unless you want to be extremely generous. | 0:11:37 | 0:11:39 | |
Ah, well, at least they're enjoying themselves! | 0:11:39 | 0:11:42 | |
Early patent Eugen Sandow dumbbells. | 0:11:42 | 0:11:46 | |
Hey! | 0:11:46 | 0:11:48 | |
You go like that. | 0:11:48 | 0:11:50 | |
-They're Sandow, he was the... -He was Mr Universe or whatever. | 0:11:50 | 0:11:55 | |
He was, he was the father of modern bodybuilding. | 0:11:55 | 0:11:58 | |
Wow, yes! | 0:11:58 | 0:12:00 | |
The former circus strongman invented displays of bulging muscles, | 0:12:00 | 0:12:04 | |
as well as several devices like these. | 0:12:04 | 0:12:06 | |
Edwardian merchandising, eh? | 0:12:06 | 0:12:08 | |
Sandow even coined the term bodybuilding. | 0:12:08 | 0:12:11 | |
There he is, yeah... | 0:12:11 | 0:12:13 | |
-with his six-pack. -Yeah. | 0:12:13 | 0:12:15 | |
I don't think they're very attractive, six-packs, do you? | 0:12:15 | 0:12:18 | |
-Not very cuddly. -It's men who want six-packs but we don't. -I think so. | 0:12:18 | 0:12:22 | |
I'd rather have a nice smile. | 0:12:22 | 0:12:24 | |
-I like a nice smile, that's what we want. -And a good bum. | 0:12:24 | 0:12:28 | |
I think muscles are overrated. | 0:12:28 | 0:12:30 | |
When you finish working out what you really want, | 0:12:31 | 0:12:34 | |
you might think about buying something. | 0:12:34 | 0:12:37 | |
How about another look at that buckle, eh? | 0:12:37 | 0:12:39 | |
Paul did all right with one at the last auction. | 0:12:39 | 0:12:41 | |
I've never seen a heart-shaped one. | 0:12:41 | 0:12:43 | |
She would have been so thrilled to receive that, wouldn't she? | 0:12:43 | 0:12:46 | |
-When she became...then an SRN, it would be, wouldn't it? -Or an SEN. | 0:12:46 | 0:12:49 | |
Meaning either State Enrolled or State Registered Nurse. | 0:12:49 | 0:12:53 | |
But it's not going to make the money that I want it to make, | 0:12:53 | 0:12:57 | |
otherwise I'd love to buy it. | 0:12:57 | 0:13:00 | |
SHE PANTS | 0:13:00 | 0:13:02 | |
You keep coming back to that. | 0:13:02 | 0:13:04 | |
Oh, yes, I think her heart's set on it. | 0:13:04 | 0:13:07 | |
With her limited funds, | 0:13:07 | 0:13:08 | |
she can only afford about half of that ticket price, though. | 0:13:08 | 0:13:11 | |
Is 38 going to buy it? | 0:13:11 | 0:13:13 | |
Mmm, no. | 0:13:13 | 0:13:15 | |
I have had it a while and, you know... | 0:13:15 | 0:13:18 | |
Get the money, get it into new stock. | 0:13:18 | 0:13:20 | |
It would be nice to turn it around into something else, wouldn't it? | 0:13:20 | 0:13:23 | |
-Oh, bless her. -40 would do it. | 0:13:23 | 0:13:26 | |
It's just a lovely tactile piece of silver. Oh, come on! | 0:13:26 | 0:13:31 | |
40 sounds better for you, 38 sounds better for me. | 0:13:31 | 0:13:33 | |
THEY LAUGH | 0:13:33 | 0:13:35 | |
Go on, Janet, I'll have it. I'm not going to argue with you. | 0:13:35 | 0:13:38 | |
-I'll have it. -Lovely. -Shake hands on that. | 0:13:38 | 0:13:40 | |
-We will indeed. -Lovely! | 0:13:40 | 0:13:42 | |
That £40 leaves Margie with just £43.56p left to spend. | 0:13:42 | 0:13:46 | |
But what about Paul, alone in the Alfa? | 0:13:46 | 0:13:49 | |
North from Wadebridge to the Cornish coast at Tintagel... | 0:13:52 | 0:13:55 | |
..to visit a ruined castle of Arthurian legend. | 0:13:57 | 0:14:01 | |
Wow! Do you think I'll ever find a more dramatic parking place? | 0:14:03 | 0:14:07 | |
-Hello, is it Matt? -Hi, Paul, pleased to meet you. | 0:14:09 | 0:14:12 | |
Man alive, that is a view! | 0:14:12 | 0:14:15 | |
-Are you feeling fit? -Do I need to? | 0:14:16 | 0:14:18 | |
Well, we've got to climb up there to see the castle | 0:14:18 | 0:14:21 | |
but there's a few steps. | 0:14:21 | 0:14:22 | |
-Lead on. -I'll come and show you. | 0:14:22 | 0:14:24 | |
Whether he was real or just a myth, King Arthur has fascinated us | 0:14:24 | 0:14:29 | |
for many hundreds of years | 0:14:29 | 0:14:31 | |
and this romantic spot is where it all starts. | 0:14:31 | 0:14:34 | |
Everyone in Cornwall loves Arthur. | 0:14:34 | 0:14:36 | |
The Cornish people and the Celts have taken Arthur really to heart. | 0:14:36 | 0:14:39 | |
You know, it's a great legend! | 0:14:39 | 0:14:40 | |
And if a legend can't be born here, where can it be born?! | 0:14:40 | 0:14:45 | |
Cornwall's association with Arthur dates back to 1156, | 0:14:45 | 0:14:48 | |
when Geoffrey of Monmouth, the cleric and scholar | 0:14:48 | 0:14:52 | |
wrote the unreliable | 0:14:52 | 0:14:53 | |
but influential History Of The Kings Of Britain, | 0:14:53 | 0:14:56 | |
in which he claimed King Arthur was conceived at Tintagel. | 0:14:56 | 0:14:59 | |
My word! | 0:15:02 | 0:15:03 | |
So, what we're standing in here, | 0:15:03 | 0:15:05 | |
this is the courtyard of the old medieval castle. | 0:15:05 | 0:15:08 | |
So, this was built in 1256 by Earl Richard of Cornwall, | 0:15:08 | 0:15:10 | |
who was Henry II's half brother. | 0:15:10 | 0:15:13 | |
He wanted to boost his power by association with | 0:15:13 | 0:15:15 | |
the Arthurian legend, so he built a grand wall around the outside | 0:15:15 | 0:15:19 | |
and this big, great hall to make himself look more powerful. | 0:15:19 | 0:15:23 | |
So, Earl Richard's main castle was at Launceston | 0:15:23 | 0:15:25 | |
but this was kind of his holiday cottage. | 0:15:25 | 0:15:27 | |
So, he came here a few times a year | 0:15:27 | 0:15:29 | |
and then he'd spend a couple of weeks down here but the seaside. | 0:15:29 | 0:15:31 | |
As you do. Once the Earl died, | 0:15:31 | 0:15:33 | |
his castle of no strategic value soon turned into a romantic ruin but | 0:15:33 | 0:15:38 | |
Tintagel's association with The Once and Future King just got stronger. | 0:15:38 | 0:15:43 | |
What people have done with the legend of King Arthur, | 0:15:43 | 0:15:45 | |
they've just re-written it, | 0:15:45 | 0:15:47 | |
fitting for their time and history. | 0:15:47 | 0:15:49 | |
So, once Geoffrey wrote his book, | 0:15:49 | 0:15:51 | |
then you've got Morte d'Arthur being written in about 1485 by Malory | 0:15:51 | 0:15:54 | |
and that time was a time of knights and shining armour and jousting | 0:15:54 | 0:15:57 | |
and chivalries. | 0:15:57 | 0:15:59 | |
-Then Tennyson came down here... -The Romantic Revival. | 0:15:59 | 0:16:02 | |
Yeah, so he took one look at Tintagel | 0:16:02 | 0:16:03 | |
and he wrote The Idylls Of The King | 0:16:03 | 0:16:05 | |
and that's kind of why we're here today because without Tennyson | 0:16:05 | 0:16:08 | |
and those rich Victorians starting to be the first holiday makers | 0:16:08 | 0:16:11 | |
and wanting to come and see where all these legends were set, | 0:16:11 | 0:16:14 | |
and so now we get up to 190,000 visitors a year. | 0:16:14 | 0:16:16 | |
Tennyson's poems embellished what Geoffrey of Monmouth | 0:16:18 | 0:16:22 | |
and Malory had already come up with, | 0:16:22 | 0:16:25 | |
as well as adding a whole new tourist angle to Tintagel | 0:16:25 | 0:16:27 | |
when he pronounced that this was Merlin's Cave. | 0:16:27 | 0:16:31 | |
He said that when the baby Arthur was born at the castle, | 0:16:31 | 0:16:33 | |
Merlin who lived in this cave was given to him at the entrance | 0:16:33 | 0:16:36 | |
and he took him through the cave and whisked him away. | 0:16:36 | 0:16:39 | |
-It does have a magical feel to it, doesn't it? -Doesn't it just! | 0:16:39 | 0:16:42 | |
And maybe some of that magic will rub off on you! | 0:16:42 | 0:16:45 | |
THEY LAUGH | 0:16:45 | 0:16:46 | |
Is the tide coming in or going out, Mike? | 0:16:46 | 0:16:48 | |
Well, it's supposed to be going out but I think the waves are coming in. | 0:16:48 | 0:16:51 | |
Maybe we should start to leave. Come on! | 0:16:51 | 0:16:53 | |
I quite agree but just when it seemed founded on myth | 0:16:53 | 0:16:56 | |
and legend, archaeologists discovered that Tintagel | 0:16:56 | 0:17:00 | |
really did once play an important role in history, | 0:17:00 | 0:17:03 | |
several hundred years before the castle was ever built. | 0:17:03 | 0:17:06 | |
During the 5th, 6th century, | 0:17:06 | 0:17:08 | |
so you're talking the early medieval period, | 0:17:08 | 0:17:10 | |
it was a trading port to the Mediterranean, | 0:17:10 | 0:17:12 | |
so you've got these rough ingots of tin coming down off Bodmin Moor | 0:17:12 | 0:17:15 | |
and the guys who lived here were trading with those. | 0:17:15 | 0:17:18 | |
So, there was boats coming in from North Africa, | 0:17:18 | 0:17:20 | |
from the Greek Islands, from Southern Spain and they were | 0:17:20 | 0:17:23 | |
bringing these big amphoras filled with olive oils and spices. | 0:17:23 | 0:17:26 | |
You've got to imagine it's the middle of summer, | 0:17:26 | 0:17:28 | |
there's maybe a thousand people living up here. | 0:17:28 | 0:17:30 | |
They've got all these boats coming in | 0:17:30 | 0:17:32 | |
there's this trade going on and subsequently we've found more | 0:17:32 | 0:17:35 | |
bits of pottery here from that period than anywhere | 0:17:35 | 0:17:37 | |
else in Western Europe. | 0:17:37 | 0:17:39 | |
So, arguably, the 6th, 7th century is its real historic heyday. | 0:17:39 | 0:17:42 | |
And that's the Arthur period. | 0:17:42 | 0:17:44 | |
So, was Arthur really here? | 0:17:44 | 0:17:46 | |
Recently, this 6th century piece of slate was discovered | 0:17:46 | 0:17:49 | |
inscribed with the name Arthnoo. | 0:17:49 | 0:17:52 | |
It's evident that the name Arthur or Artus was being used back then. | 0:17:52 | 0:17:56 | |
So, if there was a historical Arthur | 0:17:56 | 0:17:58 | |
and he was born at Tintagel, it kind of fits in. | 0:17:58 | 0:18:02 | |
It does! It is astonishing! | 0:18:02 | 0:18:04 | |
Ah, well, back to our own particular Holy Grail. | 0:18:07 | 0:18:11 | |
Is it possible, Paul, to lose all your money? | 0:18:11 | 0:18:15 | |
THEY LAUGH | 0:18:15 | 0:18:18 | |
That's certainly one way of becoming a legend, Margie. | 0:18:18 | 0:18:20 | |
Night-night, you two. | 0:18:20 | 0:18:22 | |
Next morning there seems to be an issue with the brakes. | 0:18:24 | 0:18:27 | |
How brave are you feeling this morning? | 0:18:27 | 0:18:30 | |
What's happened? | 0:18:30 | 0:18:32 | |
If I told we have a slight problem with the brakes, | 0:18:32 | 0:18:34 | |
I would be understating the case. | 0:18:34 | 0:18:36 | |
What are we going to do, Paul? We've got the whole day to finish! | 0:18:36 | 0:18:39 | |
-How are your legs? -Fine! -Can I jump on, then? | 0:18:39 | 0:18:42 | |
Piggyback? | 0:18:42 | 0:18:43 | |
Well, there's nothing in the rules | 0:18:43 | 0:18:45 | |
to say this can't be done on foot, I suppose. | 0:18:45 | 0:18:47 | |
Gosh! | 0:18:47 | 0:18:49 | |
Yesterday, Paul bought a walnut Arts and Crafts tray | 0:18:49 | 0:18:52 | |
and a silver plated card tray. | 0:18:52 | 0:18:54 | |
I love this! | 0:18:54 | 0:18:56 | |
Those set him back £50, leaving almost £170 in his wallet, | 0:18:56 | 0:19:00 | |
whilst Margie plumped for a heart-shaped buckle, | 0:19:00 | 0:19:04 | |
a silk-work picture and a pair of elephant book-ends, as you do. | 0:19:04 | 0:19:07 | |
-Quite nice. -They are, aren't they? | 0:19:07 | 0:19:10 | |
Yeah, that lot cost £95. This leaves her with just over £40. | 0:19:10 | 0:19:14 | |
She'll have to be canny with that today. | 0:19:14 | 0:19:17 | |
Now, later, they'll be making for an auction in Devon, at Seaton | 0:19:17 | 0:19:21 | |
but our next stop is Boscastle. | 0:19:21 | 0:19:23 | |
Come on, Margie, we don't have all day, girl. Buck up! | 0:19:25 | 0:19:29 | |
This delightful little harbour is a popular tourist destination, | 0:19:34 | 0:19:38 | |
not least for its connection with Thomas Hardy falling in love | 0:19:38 | 0:19:41 | |
with his first wife here back in 1870. | 0:19:41 | 0:19:45 | |
He called Cornwall "Lioness" to evoke the myth and magic | 0:19:45 | 0:19:48 | |
of the area and Margie's here to find out | 0:19:48 | 0:19:51 | |
more about the ancient practice of witchcraft. | 0:19:51 | 0:19:53 | |
-Good morning. You're Joyce? -I am indeed. | 0:19:53 | 0:19:56 | |
It's beautiful surroundings. | 0:19:56 | 0:19:58 | |
-It is. It's a lovely, very magical place here. -I'm sure it is. | 0:19:58 | 0:20:01 | |
Oh, yes. | 0:20:03 | 0:20:04 | |
The museum covers everything from Wiccans to white witches | 0:20:04 | 0:20:08 | |
and from Mother Earth to mandrakes. | 0:20:08 | 0:20:10 | |
It was founded by a witch called Cecil Williamson in 1951 | 0:20:10 | 0:20:15 | |
and is said to be the largest of its kind in the world. | 0:20:15 | 0:20:17 | |
I mean, I'm superstitious like anybody | 0:20:19 | 0:20:22 | |
so are the roots in witchcraft? Is that where I got my superstition? | 0:20:22 | 0:20:25 | |
Yes. I mean, what people don't realise is that magic was a hugely | 0:20:25 | 0:20:29 | |
-important part of people's daily lives. -Yeah. | 0:20:29 | 0:20:32 | |
And we still have the vestiges of that in modern times, | 0:20:32 | 0:20:35 | |
I mean, people still put horse shoes on their doors. | 0:20:35 | 0:20:38 | |
They still send good luck cards with pictures of black cats on. | 0:20:38 | 0:20:41 | |
And witchcraft was essentially what happened when this | 0:20:43 | 0:20:48 | |
traditional folk magic was demonised. | 0:20:48 | 0:20:50 | |
Our image of a witch on her broom dates largely from the late | 0:20:50 | 0:20:55 | |
Middle Ages when men and especially women with supposed magical | 0:20:55 | 0:20:59 | |
powers came to be seen as a threat to society. | 0:20:59 | 0:21:02 | |
What's a white witch then? | 0:21:02 | 0:21:04 | |
Somebody who used their magic for benevolent purposes | 0:21:04 | 0:21:07 | |
but it was still frowned upon. | 0:21:07 | 0:21:10 | |
Not amongst ordinary people but by the authorities | 0:21:10 | 0:21:13 | |
because, essentially, it was quite subversive. | 0:21:13 | 0:21:16 | |
It was something that gave power to ordinary people | 0:21:16 | 0:21:18 | |
and, in particular, power to women. | 0:21:18 | 0:21:20 | |
This idea was society turned upside down. | 0:21:20 | 0:21:23 | |
Witch-hunts began in mainland Europe | 0:21:23 | 0:21:26 | |
but soon spread to Britain where men like Matthew Hopkins accused | 0:21:26 | 0:21:31 | |
hundreds of women of sorcery and making a covenant with the devil. | 0:21:31 | 0:21:35 | |
It's been estimated that of the many thousands of deaths | 0:21:35 | 0:21:37 | |
throughout the world that resulted from this persecution, | 0:21:37 | 0:21:40 | |
at least three quarters were women. | 0:21:40 | 0:21:42 | |
So, we have some really old books here in the library | 0:21:42 | 0:21:47 | |
dating from the time of the witch-hunts. | 0:21:47 | 0:21:49 | |
This was written in 1681. | 0:21:49 | 0:21:53 | |
One of the particularly interesting pictures is this one. | 0:21:53 | 0:21:56 | |
This was actually a meeting of witches that took place near Wincanton | 0:21:56 | 0:22:00 | |
in Somerset and you see you've got the group of witches gathered | 0:22:00 | 0:22:05 | |
-round the devil who actually looks kind of... -He looks like a minister. | 0:22:05 | 0:22:08 | |
He does, doesn't he? He doesn't look very devilish at all really. | 0:22:08 | 0:22:11 | |
And they're holding a little wax image which of course is very much | 0:22:11 | 0:22:15 | |
the stereotypical image of how you put a curse on somebody. | 0:22:15 | 0:22:19 | |
So, here you see how magic was being demonised instead of it being | 0:22:19 | 0:22:23 | |
this natural energy which is what people who practise magic saw it as. | 0:22:23 | 0:22:27 | |
That the devil is actually giving the magical power to the witches. | 0:22:27 | 0:22:32 | |
Nowadays, of course, thanks to Harry Potter, witchcraft and wizardry | 0:22:32 | 0:22:36 | |
has an altogether cuddlier image and as this museum demonstrates, magic | 0:22:36 | 0:22:40 | |
and especially superstition, are still very much part of our lives. | 0:22:40 | 0:22:44 | |
So, I recognise the famous witch ball. | 0:22:44 | 0:22:47 | |
Yes, and of course those belonged to a long tradition of using | 0:22:47 | 0:22:51 | |
shiny things to reflect away bad luck. | 0:22:51 | 0:22:55 | |
Things like horse brasses belong to a similar tradition. | 0:22:55 | 0:22:58 | |
They are also the origin of the Christmas tree decorations but | 0:22:58 | 0:23:02 | |
there was very much a superstition that you shouldn't sell them. | 0:23:02 | 0:23:05 | |
One good luck charm that is for sale is this little chap. | 0:23:05 | 0:23:08 | |
This is actually one from the First World War. | 0:23:10 | 0:23:14 | |
It's called a thumbs up doll. | 0:23:14 | 0:23:17 | |
He's got a little wooden head so that you can touch wood | 0:23:17 | 0:23:20 | |
and these were given by sweethearts | 0:23:20 | 0:23:23 | |
and family to soldiers who were heading off to the war. | 0:23:23 | 0:23:27 | |
But his...his hands are held with the thumbs up gesture. | 0:23:27 | 0:23:31 | |
-Look at that! -..and although they're kind of slightly bizarre little | 0:23:31 | 0:23:35 | |
objects, there was behind them this very real awareness that these | 0:23:35 | 0:23:40 | |
soldiers were going off into deadly peril. | 0:23:40 | 0:23:44 | |
Another bit of magic that once enjoyed huge popularity was | 0:23:44 | 0:23:47 | |
the practice of tasseography or the reading of tea leaves. | 0:23:47 | 0:23:51 | |
Margie could certainly do with a peek into her auction future! | 0:23:51 | 0:23:54 | |
-You need to drink a bit of that. -Shall I let you into a secret? | 0:23:54 | 0:23:59 | |
-I hate tea! -Swirl it around and tip it into the saucer. That's right. | 0:23:59 | 0:24:05 | |
-Ah! Right. -Have we got it? -We have. Ah, Ooh! | 0:24:05 | 0:24:08 | |
Now, that's really interesting. | 0:24:08 | 0:24:10 | |
You've got quite a lot gathered around the snake. | 0:24:10 | 0:24:13 | |
-Do you see the snake? -Yeah. -That's the symbol of wisdom. | 0:24:13 | 0:24:16 | |
So, you may think that you have made some bad decisions | 0:24:16 | 0:24:19 | |
but I reckon it's going to turn out... | 0:24:19 | 0:24:22 | |
And then here, you see, we've got some gathered around the four-leaf | 0:24:22 | 0:24:25 | |
-clover, so that's a really powerful sign of good luck. -Oh, terrific. | 0:24:25 | 0:24:30 | |
Well, I just jolly well hope you're right, Joyce. | 0:24:30 | 0:24:33 | |
-Magic never lies. -Well said, Joyce. | 0:24:33 | 0:24:36 | |
Better not tell Paul, though, | 0:24:36 | 0:24:37 | |
he might think Margie's enjoyed an unfair advantage. | 0:24:37 | 0:24:41 | |
-Thank you very much indeed. -Well, thank you. I'm glad. | 0:24:41 | 0:24:44 | |
We'd like to give you this witch ball to put up for sale in the auction. | 0:24:44 | 0:24:48 | |
-Yeah. -But don't forget that it's unlucky to actually sell them | 0:24:48 | 0:24:51 | |
directly so you need to sell some kind of token item | 0:24:51 | 0:24:55 | |
and give the witch ball away with it. | 0:24:55 | 0:24:57 | |
OK. | 0:24:57 | 0:24:58 | |
-And to say thanks... -How about if I buy you a cup of tea? | 0:24:58 | 0:25:01 | |
-That sounds good to me. -Let's go. | 0:25:01 | 0:25:03 | |
We'll be taking that out of your budget, though. | 0:25:03 | 0:25:05 | |
But while Margie's been in Boscastle for a spell, Paul's made his way | 0:25:08 | 0:25:13 | |
over to Okehampton in Devon. | 0:25:13 | 0:25:16 | |
This town's on the northern edge of Dartmoor which, | 0:25:16 | 0:25:18 | |
just like most of Cornwall, has its fair share of myths | 0:25:18 | 0:25:21 | |
and legends, ghosts, pixies, hairy hounds | 0:25:21 | 0:25:26 | |
and even the devil himself have been spotted hereabouts. | 0:25:26 | 0:25:29 | |
And speaking of the old devil... | 0:25:29 | 0:25:31 | |
This is where the pigpen once stood. | 0:25:34 | 0:25:37 | |
Hello there. How are you doing? | 0:25:37 | 0:25:39 | |
-Very well. -You are? -I'm Jo. -Jo, it's good to see you. | 0:25:39 | 0:25:42 | |
-You must be Paul? -I'm Paul. That's right. How goes it? | 0:25:42 | 0:25:44 | |
-Oh, pretty good. -Jo's shop has a bit of everything. | 0:25:44 | 0:25:47 | |
Antiques, collectables and a dollop of retro. | 0:25:47 | 0:25:51 | |
Plenty to go at. | 0:25:51 | 0:25:53 | |
And whichever way you rummage, it could take some time. | 0:25:53 | 0:25:56 | |
I like a piece that's been buried. | 0:25:57 | 0:26:00 | |
Yeah, he likes that sort of thing, too. | 0:26:00 | 0:26:02 | |
I love period lighting, full stop. | 0:26:02 | 0:26:05 | |
Rather nice little counter weighted lamp. | 0:26:05 | 0:26:07 | |
You think to yourself, "It's just a brass lamp like my granny had, | 0:26:07 | 0:26:10 | |
"who cares?" Why does it do that? Could be a railway carriage. | 0:26:10 | 0:26:16 | |
Marine environment's another option. | 0:26:16 | 0:26:18 | |
Your cruise ship, your passenger ship. | 0:26:18 | 0:26:20 | |
As the carriage or car rocked, your lamp stayed upright. | 0:26:20 | 0:26:26 | |
Interestingly, the word nausea derives from the Greek for ship. | 0:26:26 | 0:26:30 | |
That's a period piece. | 0:26:30 | 0:26:32 | |
Not some nasty 1980s reproduction which I've probably seen | 0:26:32 | 0:26:36 | |
a lot of, it's brass. | 0:26:36 | 0:26:38 | |
No-one wants brass in their house because we're lazy. | 0:26:38 | 0:26:41 | |
We don't want to polish the stuff and it's not the preferred | 0:26:41 | 0:26:44 | |
metal of choice in interior furnishings at the moment. | 0:26:44 | 0:26:46 | |
Everyone wants white metal. | 0:26:46 | 0:26:48 | |
-Your brushed aluminium, your chrome and your nickel. Jo? -Yes? | 0:26:48 | 0:26:51 | |
-I like your funky little lamp. -I like my funky little lamp. | 0:26:51 | 0:26:54 | |
Out of a railway carriage or a cruise liner? | 0:26:54 | 0:26:56 | |
Well, I've got photographs of that identical lamp on the Titanic. | 0:26:56 | 0:27:00 | |
I'd love to say it came off the Titanic | 0:27:00 | 0:27:03 | |
but obviously it won't have done. | 0:27:03 | 0:27:05 | |
But it's that...that's exactly it. | 0:27:05 | 0:27:07 | |
It's that pattern. Precisely that pattern. I'd love to see the book. | 0:27:07 | 0:27:13 | |
Oh, dear. Not the Titanic. That'll make it pricey for sure. | 0:27:13 | 0:27:17 | |
-I'm looking for £60 for it. -I think he wants to check the facts first. | 0:27:17 | 0:27:22 | |
-This is bad news, Jo. -What's it? | 0:27:22 | 0:27:24 | |
Because there are four lamps in four pictures and none of them | 0:27:24 | 0:27:29 | |
are identical and none of them are identical to ours | 0:27:29 | 0:27:32 | |
but I'm still interested, I don't mind telling you. | 0:27:32 | 0:27:36 | |
Perhaps if he finds something to go with it. | 0:27:36 | 0:27:38 | |
How sturdy is the steamer chair? Can I sit on it? | 0:27:38 | 0:27:41 | |
If I can sit in it, you can sit in it. | 0:27:41 | 0:27:44 | |
Famous last words. I like that very much. Now, what's a steamer chair? | 0:27:44 | 0:27:49 | |
It's a glorified deckchair, | 0:27:49 | 0:27:50 | |
in what looks like walnut we're looking at there and I assume | 0:27:50 | 0:27:55 | |
if we... I don't know, do we lift the seat | 0:27:55 | 0:27:57 | |
and it starts to all move, or what? | 0:27:57 | 0:27:58 | |
Right, you have got to lift these. | 0:28:00 | 0:28:02 | |
Oh, I get it. There's a ratchet at the back. Do you know what I feel? | 0:28:02 | 0:28:06 | |
-In a really lazy mood. Let's go for... -Completely. | 0:28:06 | 0:28:09 | |
I'll have a little sleep. | 0:28:09 | 0:28:11 | |
Did you know the Titanic carried 600 steamer chairs, of which | 0:28:11 | 0:28:14 | |
just six survive? And one of those was sold for £35,000 in 2001. | 0:28:14 | 0:28:19 | |
Here I am. | 0:28:21 | 0:28:22 | |
My man will be with me in just a second. | 0:28:22 | 0:28:24 | |
-Or woman. -Thank you. | 0:28:24 | 0:28:26 | |
PAUL LAUGHS | 0:28:26 | 0:28:27 | |
How apt for Laidlaw. | 0:28:27 | 0:28:29 | |
But I'll tell you, that...is comfortable, isn't it? | 0:28:29 | 0:28:33 | |
He's keen on both the chair and the lamp, although the asking price | 0:28:33 | 0:28:37 | |
for the two is almost £150. He's still on the lookout, though. | 0:28:37 | 0:28:42 | |
Something non-nautical, eh? | 0:28:42 | 0:28:43 | |
I love that. | 0:28:46 | 0:28:47 | |
GIGGLING | 0:28:47 | 0:28:49 | |
1960s... | 0:28:49 | 0:28:51 | |
Kolster-Brandes - | 0:28:51 | 0:28:54 | |
they were high-quality manufacturers of radio and television equipment. | 0:28:54 | 0:28:59 | |
It was an expensive television set, this. | 0:28:59 | 0:29:02 | |
It was the Royal Star. | 0:29:02 | 0:29:04 | |
Arguably, it's a portable telly. Look at this! | 0:29:04 | 0:29:07 | |
This is definitely turning into | 0:29:07 | 0:29:09 | |
a bit of a theme shop. | 0:29:09 | 0:29:11 | |
From the late 1950s, these were installed | 0:29:11 | 0:29:14 | |
on Cunard liners, like the Queen Mary, | 0:29:14 | 0:29:16 | |
hence the cruise-friendly model name. | 0:29:16 | 0:29:19 | |
The price on that is... | 0:29:19 | 0:29:21 | |
£40. It's mad! | 0:29:21 | 0:29:24 | |
Time to have a word with the captain. | 0:29:24 | 0:29:26 | |
I've got a shopping list with three things | 0:29:26 | 0:29:28 | |
that I like, but I want to haggle hard with you. | 0:29:28 | 0:29:31 | |
How about we start at 150? | 0:29:31 | 0:29:33 | |
I'll offer you £100 the lot. | 0:29:33 | 0:29:35 | |
Obviously, I'm not going to accept that. | 0:29:35 | 0:29:38 | |
I think I've got to say 125. | 0:29:38 | 0:29:41 | |
It's just a wee bit rich for me, at 125. If I budge another tenner, | 0:29:41 | 0:29:45 | |
-can we shake hands? -So, what, 110? -Yeah. | 0:29:45 | 0:29:48 | |
115 and you've definitely got a deal. | 0:29:48 | 0:29:52 | |
-I've definitely got a deal, then, haven't I? -You have. Good man. | 0:29:52 | 0:29:56 | |
-Jo, loving your work. -All right, that's great. -Magic! | 0:29:56 | 0:29:58 | |
-Let me give you some money. -With 165 spent, Paul must be almost done. | 0:29:58 | 0:30:03 | |
Time to move on. | 0:30:03 | 0:30:05 | |
-Hello, there. -Hi, there. -Can you take me on? -Yeah, no problem. -Excellent! | 0:30:05 | 0:30:09 | |
Not quite the same, is it? | 0:30:09 | 0:30:11 | |
Margie, meanwhile, is heading east, to Exeter. | 0:30:11 | 0:30:15 | |
You'll be amazed to learn that the county town of Devon | 0:30:18 | 0:30:21 | |
is surprisingly free of myth, magic and ancient ball games. | 0:30:21 | 0:30:24 | |
It does, however, boast several ghosts and, when it comes to | 0:30:24 | 0:30:29 | |
foretelling the future, Exeter has, for the last ten years, | 0:30:29 | 0:30:33 | |
been the home of the Met Office. | 0:30:33 | 0:30:34 | |
-Hello! Good afternoon, Margie. Pleased to meet you. Norman. -Norman. | 0:30:36 | 0:30:40 | |
Although this is an antiques centre, | 0:30:40 | 0:30:43 | |
Stormin' Norman does have quite a few of his own things for sale. | 0:30:43 | 0:30:46 | |
What he doesn't yet know, of course, is just how little Margie has left | 0:30:46 | 0:30:50 | |
to spend. | 0:30:50 | 0:30:52 | |
I've got about £40-odd left. So, I'm not in the best of situations | 0:30:52 | 0:30:57 | |
at the moment! | 0:30:57 | 0:30:58 | |
Certainly aren't. There has got to be something, though, for you here, | 0:30:58 | 0:31:01 | |
love. | 0:31:01 | 0:31:03 | |
Oh, no - tools. Not coming in there! | 0:31:03 | 0:31:06 | |
Ho-ho-ho! Those Imari vases would do nicely, though. | 0:31:06 | 0:31:10 | |
The ticket price is £69 and Margie is nowhere near that. | 0:31:10 | 0:31:13 | |
-Who owns this cabinet? -Guess who? -You. | 0:31:13 | 0:31:17 | |
How did you guess that(?) | 0:31:17 | 0:31:19 | |
HE LAUGHS | 0:31:19 | 0:31:20 | |
-Seriously, yours? -Yes. | 0:31:20 | 0:31:22 | |
-Good luck, you two. -I like them. -They're nice. | 0:31:22 | 0:31:25 | |
-Not very old. -Turn of the century. | 0:31:25 | 0:31:28 | |
It's a good phrase that, innit? | 0:31:28 | 0:31:30 | |
SHE GIGGLES | 0:31:30 | 0:31:31 | |
1910. | 0:31:31 | 0:31:32 | |
BOTH LAUGH | 0:31:32 | 0:31:35 | |
The coy courtship ritual | 0:31:35 | 0:31:37 | |
-of the antiques dealer, eh? -Quite a handsome pair, aren't they? | 0:31:37 | 0:31:40 | |
-Interested? -Well...vaguely. | 0:31:40 | 0:31:42 | |
How much? | 0:31:44 | 0:31:45 | |
BOTH LAUGH | 0:31:45 | 0:31:47 | |
I don't know what's in the tea leaves, but I'm feeling hopeful. | 0:31:47 | 0:31:50 | |
-Seriously, no joking, all I have got is... -£40? -Yeah. | 0:31:50 | 0:31:58 | |
-Is that pushing it? -Ooh. I'd be happy with 40, if you are. | 0:31:58 | 0:32:02 | |
I think you'd do well. | 0:32:02 | 0:32:03 | |
I'm just nearly there. I'm nearly there. | 0:32:03 | 0:32:06 | |
Nearly there. | 0:32:06 | 0:32:08 | |
Hey! Norman's just knocked off over a third, Margie. | 0:32:08 | 0:32:12 | |
Beggars can't be choosers. | 0:32:12 | 0:32:14 | |
40, they're yours. | 0:32:14 | 0:32:17 | |
-I'm boring you now, Norman, aren't I? I can see. -Not at all, no. | 0:32:17 | 0:32:20 | |
My indecision is boring you. | 0:32:20 | 0:32:22 | |
I think our Margie is girding up her loins to make a cheeky offer. | 0:32:22 | 0:32:25 | |
They are not actually a pair, are they? | 0:32:25 | 0:32:27 | |
-Can you see? -Oh, they look identical to me. | 0:32:27 | 0:32:30 | |
They are a pair, but just a slightly different shape. | 0:32:30 | 0:32:33 | |
Different shape. | 0:32:33 | 0:32:34 | |
You can't tip me just a teeny bit more? | 0:32:34 | 0:32:36 | |
You are a very persuasive, aren't you, person, yeah? | 0:32:36 | 0:32:40 | |
No, it's only cos I'm in such trouble, Norman. | 0:32:40 | 0:32:43 | |
HE GUFFAWS | 0:32:43 | 0:32:45 | |
-You have the last say. -35. | 0:32:45 | 0:32:48 | |
-You're a... -Yeah, 35? -35. You're a star. -That's right. | 0:32:49 | 0:32:54 | |
-You are most welcome. -Thank you very much, Norman. | 0:32:54 | 0:32:57 | |
I shall remember you in my will. | 0:32:57 | 0:32:58 | |
BOTH LAUGH | 0:32:58 | 0:33:00 | |
Margie, somehow, managed to magic up five items on a very tight budget, | 0:33:00 | 0:33:04 | |
but as we all know, it's bad luck to auction | 0:33:04 | 0:33:06 | |
-the witch's ball on its own. -So, what I'm going to do, | 0:33:06 | 0:33:10 | |
I'm going to buy a box of matches, which I am going to auction, | 0:33:10 | 0:33:14 | |
and they get this free! | 0:33:14 | 0:33:15 | |
Now, please don't think I have gone mad, | 0:33:19 | 0:33:21 | |
but could I buy a box of matches, please? | 0:33:21 | 0:33:25 | |
20p. | 0:33:25 | 0:33:26 | |
That's magic! | 0:33:26 | 0:33:28 | |
So, short of buying a lottery ticket, our shopping's complete. | 0:33:29 | 0:33:33 | |
But what did they buy? | 0:33:33 | 0:33:34 | |
Well, Paul went for a card tray, | 0:33:36 | 0:33:38 | |
a steamer chair, | 0:33:38 | 0:33:39 | |
a retro TV, | 0:33:39 | 0:33:41 | |
a brass lamp and an Arts and Crafts tray, | 0:33:41 | 0:33:44 | |
spending £165... whilst Margie bagged a buckle, | 0:33:44 | 0:33:50 | |
some book-ends, a silk-work picture, a pair of vases | 0:33:50 | 0:33:53 | |
and a box of matches, not forgetting her witch's ball, | 0:33:53 | 0:33:57 | |
for a cup of tea, making a grand total of £131.70. | 0:33:57 | 0:34:00 | |
-There you are, madam. -Thank you so much. -You are most welcome. | 0:34:00 | 0:34:02 | |
-It's been a pleasure. -Pleasure to meet you. | 0:34:02 | 0:34:04 | |
So, what do Mystic Margie and Predictive Paul foretell? | 0:34:04 | 0:34:08 | |
My favourite of Margie's purchases is the buckle. | 0:34:08 | 0:34:11 | |
I love it. Should I love it? No, because it could make her | 0:34:11 | 0:34:15 | |
a lot of money. | 0:34:15 | 0:34:16 | |
The walnut tray. | 0:34:16 | 0:34:18 | |
I think he'd be lucky to get £10 for that. | 0:34:18 | 0:34:21 | |
Elephants. This is her Achilles heel. Tourist fodder. | 0:34:21 | 0:34:25 | |
They're not finely executed, but they are book-ends. | 0:34:25 | 0:34:28 | |
Book-ends are good. | 0:34:28 | 0:34:29 | |
The steamer chair is interesting. | 0:34:29 | 0:34:31 | |
£45? | 0:34:31 | 0:34:32 | |
It's a bit on the edge. | 0:34:33 | 0:34:35 | |
He could go down with that. | 0:34:35 | 0:34:37 | |
With all hands, eh, Margie? | 0:34:37 | 0:34:39 | |
After starting out beside the River Camel at Wadebridge, | 0:34:39 | 0:34:42 | |
this leg of our trip concludes at an auction in Seaton, | 0:34:42 | 0:34:45 | |
on the Jurassic Coast. And, fortunately, | 0:34:45 | 0:34:48 | |
the brakes have been newly settled. Ha! | 0:34:48 | 0:34:51 | |
-See the wee geek fossil-hunter in me, when I was a wee boy. -Really? | 0:34:51 | 0:34:54 | |
With my wee hammer. | 0:34:54 | 0:34:55 | |
-Really?! -Oh, a place of pilgrimage! | 0:34:55 | 0:34:59 | |
Ah. Back in the 19th century, long before young Paul arrived, | 0:34:59 | 0:35:04 | |
the cliffs and beaches of Lyme Bay were the site of some | 0:35:04 | 0:35:06 | |
of the first discoveries of dinosaur remains | 0:35:06 | 0:35:08 | |
and local resident Mary Anning, who, after several amazing finds, | 0:35:08 | 0:35:13 | |
opened up Anning's Fossil Depot. | 0:35:13 | 0:35:16 | |
Hey! Ah, your auction awaits, ma'am. | 0:35:16 | 0:35:19 | |
-Are you excited? -Stroke terrified?! | 0:35:19 | 0:35:22 | |
BOTH LAUGH | 0:35:22 | 0:35:23 | |
Welcome to Lyme Bay Auctions. | 0:35:24 | 0:35:27 | |
I wonder what auctioneer Kevin Frost thinks of Margie and Paul's | 0:35:31 | 0:35:34 | |
little collection? | 0:35:34 | 0:35:36 | |
Paul's steamer chair, I'm quite excited about selling that one. | 0:35:36 | 0:35:40 | |
That's my favourite of the items. | 0:35:40 | 0:35:41 | |
The ball with the box of matches. | 0:35:41 | 0:35:44 | |
It's got mystical powers, apparently. It certainly made me | 0:35:44 | 0:35:46 | |
feel a bit funny when I saw it. | 0:35:46 | 0:35:48 | |
If I was a betting man, I would like to put my money | 0:35:48 | 0:35:51 | |
on Margie's goods making more money today. | 0:35:51 | 0:35:53 | |
Well, that should keep the chaise longue crowd interested. | 0:35:53 | 0:35:56 | |
Starting off with Paul's Belle Epoque card tray. | 0:35:56 | 0:36:00 | |
-It is my strongest lot. -Yeah, it is. -So, watch this one break even. | 0:36:00 | 0:36:05 | |
-and a grown man cry. -Don't expect sympathy. | 0:36:05 | 0:36:09 | |
I have several commission bids on this. Starting at £25. | 0:36:09 | 0:36:13 | |
£25, I have with me. | 0:36:13 | 0:36:14 | |
25. 30. 35 and 40. | 0:36:14 | 0:36:17 | |
-Hey. -Still with me, at 40. 45. -That's just break even, though. | 0:36:17 | 0:36:19 | |
50. 55? | 0:36:19 | 0:36:22 | |
55. 60. 65? £60, with me, on commission, at £60. | 0:36:22 | 0:36:25 | |
He is still on commission. Come on, bid again! | 0:36:25 | 0:36:28 | |
62. Now in the room at £62. And selling at £62... | 0:36:28 | 0:36:34 | |
-That's all right. -Whew. That bodes all right, yeah. | 0:36:34 | 0:36:37 | |
Spoken like a true seer. | 0:36:37 | 0:36:40 | |
Now, what about your lamp with absolutely no provenance, Paul? | 0:36:40 | 0:36:44 | |
This one was on the Titanic. | 0:36:44 | 0:36:46 | |
-Oh, get off! -This was on the Titanic. | 0:36:47 | 0:36:49 | |
-Why is it not on here? -Just the small matters of legality(!) | 0:36:49 | 0:36:52 | |
You know, the Trade Descriptions and all that. | 0:36:52 | 0:36:54 | |
I have a bid on this. In at £12. £12, I have on the book. 12. | 0:36:54 | 0:36:58 | |
14. 16. 18. 20. 22? £20, I have with me. At 20. 22? 22. | 0:36:58 | 0:37:06 | |
Oh, no, not at all. It's a brass lamp. They don't get it. | 0:37:06 | 0:37:11 | |
25, and you're out? 25. | 0:37:11 | 0:37:12 | |
28. to the lady, at £28. | 0:37:12 | 0:37:15 | |
30, anywhere? 30, anywhere? Selling at £28... | 0:37:15 | 0:37:18 | |
That's really, really unfortunate! | 0:37:19 | 0:37:22 | |
Oh, control yourself, Margie! | 0:37:24 | 0:37:26 | |
-But it all helps. -Thank goodness we have got each other. | 0:37:26 | 0:37:30 | |
Yeah, cos you're a big consolation, laughing in my face(!) | 0:37:30 | 0:37:33 | |
Her elephants might just wipe that smile off, though. | 0:37:33 | 0:37:37 | |
-Slightly damaged on one of them, unfortunately. -Shut up! -Bit harsh. | 0:37:37 | 0:37:40 | |
Start me at £12. 14, anywhere? | 0:37:40 | 0:37:43 | |
14. 16. 18? | 0:37:43 | 0:37:45 | |
£16, I have. At 16. 18, anywhere? 18. | 0:37:45 | 0:37:49 | |
20. £20. 22, anywhere? | 0:37:49 | 0:37:51 | |
-22, anywhere? 22. -It's creeping. It's creeping. It's creeping. | 0:37:51 | 0:37:57 | |
The lady's bid, at £22... | 0:37:57 | 0:38:00 | |
An even bigger loss, although hardly jumbo. Hoo! | 0:38:00 | 0:38:04 | |
I've never done so badly on a Trip. It's all your fault. | 0:38:04 | 0:38:06 | |
What do you mean? You're employing dark forces now. | 0:38:06 | 0:38:10 | |
You've got witchcraft involved in your battle campaign. | 0:38:10 | 0:38:13 | |
Yes, quite. Now, for Margie's nice matches. | 0:38:13 | 0:38:18 | |
Other brands are available. | 0:38:18 | 0:38:19 | |
Apparently, this witch's ball was given as a free gift. | 0:38:19 | 0:38:21 | |
We are not allowed to sell anything that a witch has given you | 0:38:21 | 0:38:25 | |
and I'm not responsible for anything | 0:38:25 | 0:38:27 | |
that goes wrong in this saleroom. Who will give me a tenner? £10. | 0:38:27 | 0:38:30 | |
You are very cruel. 10? Thank you, sir. £10. | 0:38:30 | 0:38:34 | |
Someone he knows! £10, I have. At 10. | 0:38:34 | 0:38:36 | |
If you get pregnant, it's not my fault. | 0:38:36 | 0:38:39 | |
LAUGHTER | 0:38:39 | 0:38:41 | |
£10, with me. 12? £12, anywhere? | 0:38:41 | 0:38:43 | |
I will sell it. Opening bid of £10. | 0:38:43 | 0:38:45 | |
-Colin! -He did a very good job, there. | 0:38:45 | 0:38:49 | |
Weird. | 0:38:49 | 0:38:50 | |
Yeah, and what is even weirder is that Margie has made a profit! | 0:38:50 | 0:38:55 | |
Well, I wish him luck. I wish that nice man a lot of luck. | 0:38:55 | 0:38:59 | |
Now for Margie's vases. Another profit, please. | 0:38:59 | 0:39:03 | |
Got several commission bids on this, just in at £20. | 0:39:03 | 0:39:06 | |
£20, surely that's got to fetch a lot more than that. | 0:39:06 | 0:39:08 | |
20, 22. 25. | 0:39:08 | 0:39:10 | |
28. 30. 32. Now in the room at £32. | 0:39:10 | 0:39:15 | |
-35. 38. 40. -Yeah, you're all right, it's running. | 0:39:15 | 0:39:18 | |
£40 I have, 45 anywhere? 45 anywhere? | 0:39:18 | 0:39:21 | |
I will sell 'em. At just £40... | 0:39:21 | 0:39:23 | |
-45. Thank you, sir. 45, 50. -He's coming back. -Yeah. | 0:39:23 | 0:39:27 | |
50. 55? No, £50 at the back now. | 0:39:27 | 0:39:30 | |
We're selling at £50... | 0:39:30 | 0:39:34 | |
It's just like the tea leaves foretold. | 0:39:34 | 0:39:36 | |
Time for Paul's other tray, the one Margie thought might make £10. | 0:39:36 | 0:39:41 | |
80 quid? | 0:39:41 | 0:39:42 | |
-Ooh, I like the ambition, the optimism. -60? | 0:39:42 | 0:39:45 | |
-£40... -I like that he's trying. -He is trying. | 0:39:45 | 0:39:48 | |
Nobody? | 0:39:48 | 0:39:50 | |
20? | 0:39:50 | 0:39:51 | |
-20. It's on you, Colin. -That's the dealer man. | 0:39:51 | 0:39:54 | |
£20 I have, at 20. 22 anywhere? | 0:39:54 | 0:39:56 | |
22, 22. Thank you, madam. 25? | 0:39:56 | 0:39:58 | |
28? | 0:39:58 | 0:40:00 | |
30? No? | 0:40:00 | 0:40:01 | |
-£28 to the lady. -Flying. -He's trying very hard for us. -£28... | 0:40:01 | 0:40:06 | |
So, a small profit for Paul, which is TRAY, TRAY bon. | 0:40:08 | 0:40:12 | |
Let's just hope that Margie's star buy pays off. | 0:40:13 | 0:40:16 | |
It's gorgeous. Now, please, let's... let's have a result. | 0:40:16 | 0:40:22 | |
I've got a bid on this, in at £30. | 0:40:22 | 0:40:24 | |
35. 40. | 0:40:24 | 0:40:26 | |
45. 50. 55. | 0:40:26 | 0:40:29 | |
Now in the room at £55, should fetch more. | 0:40:29 | 0:40:31 | |
£55 I have, 60 anywhere? | 0:40:31 | 0:40:33 | |
I will sell it at £55... | 0:40:33 | 0:40:36 | |
Result. | 0:40:36 | 0:40:38 | |
Yet another profit. | 0:40:38 | 0:40:40 | |
Is this the comeback? | 0:40:40 | 0:40:42 | |
-HE TRILLS A DRAMATIC TUNE -The witch's ball. | 0:40:42 | 0:40:45 | |
Not off the Titanic but quite comfy, Paul's steamer chair. | 0:40:45 | 0:40:49 | |
I'm going to start off at £30. | 0:40:49 | 0:40:51 | |
Very nice looking chair, £30 I have. | 0:40:51 | 0:40:53 | |
-Oh, straight in at 30. -32. | 0:40:53 | 0:40:55 | |
35. 38. 40. Still with me at £40. | 0:40:55 | 0:40:58 | |
45. 50. 55? | 0:40:58 | 0:41:01 | |
Now in the room at £55. | 0:41:01 | 0:41:03 | |
I'll take that, that's all right. | 0:41:03 | 0:41:05 | |
£55 and selling... | 0:41:05 | 0:41:08 | |
-Well done. -Fair enough. | 0:41:08 | 0:41:09 | |
So, a small profit after auction costs, eh? | 0:41:09 | 0:41:12 | |
Next, Margie's silk-work. | 0:41:15 | 0:41:17 | |
I've got a commission bid on this, in at £30. | 0:41:17 | 0:41:20 | |
-Get in! -£30 I have straight in. -Get in! | 0:41:20 | 0:41:22 | |
£30 I have with me on the book. 32 anywhere? 32 anywhere? | 0:41:22 | 0:41:26 | |
-32. -Ah, there you go. | 0:41:26 | 0:41:28 | |
In the room at £32. Lady's bid at 32. | 0:41:28 | 0:41:30 | |
35 anywhere? We'll sell it at £32... | 0:41:30 | 0:41:34 | |
All sewn up, eh? | 0:41:35 | 0:41:37 | |
Now, do not adjust your sets, you're on telly, Paul. | 0:41:37 | 0:41:40 | |
No, I mean your telly's on...telly. | 0:41:40 | 0:41:44 | |
I wouldn't have a clue about old televisions. | 0:41:44 | 0:41:47 | |
-See the way you say that! -I'm very proud to say that! | 0:41:47 | 0:41:51 | |
I've got several bids on the books. Going to start it off at £40. | 0:41:51 | 0:41:55 | |
£40 I have with me, 45. | 0:41:55 | 0:41:57 | |
50. 55. In the room at £55. | 0:41:57 | 0:42:00 | |
-60 anywhere? -Come on! | 0:42:00 | 0:42:02 | |
60. 65. | 0:42:02 | 0:42:03 | |
-£65 I have, 65. -Oh, well done! | 0:42:03 | 0:42:06 | |
-70 anywhere? Selling at £65... -Done it! | 0:42:06 | 0:42:09 | |
214. | 0:42:09 | 0:42:10 | |
A timeless classic, eh? And a very fine profit, too. | 0:42:10 | 0:42:14 | |
-Profits, profits! -Happy with that one? | 0:42:14 | 0:42:17 | |
-We are very happy. -Total result. -You did very well. -You da man! | 0:42:17 | 0:42:20 | |
So, a good day all round. But Paul has triumphed again. | 0:42:21 | 0:42:25 | |
Margie began with £138.56, and after paying auction costs | 0:42:25 | 0:42:30 | |
she made a small profit of £6.88, | 0:42:30 | 0:42:33 | |
leaving her with £145.44 to spend next time. | 0:42:33 | 0:42:37 | |
Whilst Paul, who started out with £218.46, made, | 0:42:39 | 0:42:44 | |
after paying auction costs, a profit of £30.16, | 0:42:44 | 0:42:48 | |
so he now has £248.62 and a lead of over £100. | 0:42:48 | 0:42:52 | |
-Well? -Not too bad. -What do you mean, not too bad?! | 0:42:55 | 0:42:57 | |
It was, like, eight profits out of ten purchases. | 0:42:57 | 0:43:00 | |
Eight profits, but you've crept ahead again. Swine. | 0:43:00 | 0:43:04 | |
Next time on Antiques Road Trip, hidden treasures, | 0:43:07 | 0:43:11 | |
nail-biting deals, | 0:43:11 | 0:43:13 | |
and, best of all, firm friends. | 0:43:13 | 0:43:15 | |
The sun's shining, the company could be better... | 0:43:15 | 0:43:19 |