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Welcome to Cash In The Attic, the show that tracks down the hidden treasures in your home | 0:00:02 | 0:00:06 | |
and helps you sell them at auction. Today I am in north London and I fancy a bit of culture, | 0:00:06 | 0:00:11 | |
so I've stopped off at one of the capital's most famous theatres, the Sadler's Wells. | 0:00:11 | 0:00:16 | |
The name is taken from the theatre's original founder, Richard Sadler, | 0:00:16 | 0:00:20 | |
and the wells discovered on this site. | 0:00:20 | 0:00:22 | |
The first theatre opened in 1683, but there have been six Sadler's Wells buildings here in total. | 0:00:22 | 0:00:29 | |
The current theatre opened in 1998 and is a landmark in theatre design, | 0:00:29 | 0:00:33 | |
with its stylish glass, steel and brick decor. | 0:00:33 | 0:00:36 | |
Let's hope we can dramatically impress the saleroom | 0:00:36 | 0:00:39 | |
when we offer up plenty of antiques and collectibles that will take centre stage | 0:00:39 | 0:00:43 | |
when they go under the hammer at auction. | 0:00:43 | 0:00:46 | |
Coming up on Cash In The Attic: A lady with great taste in antiques. | 0:01:06 | 0:01:10 | |
-I have to say, Pauline, you are pure style. -Ooh-la-la! | 0:01:10 | 0:01:15 | |
But where have they all come from? | 0:01:15 | 0:01:17 | |
I have had a number of admirers. Have you now?! | 0:01:17 | 0:01:20 | |
When we get to auction, we find a forgotten cache of cash. | 0:01:20 | 0:01:24 | |
-Did you realise you'd left that in there? -No, of course not! -How funny! | 0:01:24 | 0:01:29 | |
Find out where when today's collectibles go under the hammer. | 0:01:29 | 0:01:33 | |
I'm on my way to meet a pair of very sophisticated ladies who have | 0:01:34 | 0:01:38 | |
called in our team to help raise some funds for a home project. | 0:01:38 | 0:01:42 | |
Pauline Graham has led a remarkable life. | 0:01:43 | 0:01:46 | |
Born in Egypt to Spanish parents, she married an Englishman in 1944 and has lived in London ever since. | 0:01:46 | 0:01:52 | |
Retired from working as an accountant, lecturer and writer, | 0:01:52 | 0:01:56 | |
Pauline now wants to convert her study into another bedroom. | 0:01:56 | 0:01:59 | |
She's asked her friend Pamela and the Cash In The Attic team to help with a clearout. | 0:01:59 | 0:02:05 | |
-Morning, James. -Morning, Lorne! You've been to the ballet, so where's the tutu? | 0:02:05 | 0:02:10 | |
-I left the tutu behind, but I can still pirouette. -Oh, I love it! | 0:02:10 | 0:02:14 | |
It's worth leaving behind for this. | 0:02:14 | 0:02:16 | |
-What a fantastic place! -I know. | 0:02:16 | 0:02:18 | |
We've got a lovely lady, so I really hope the items will be as good as this property. | 0:02:18 | 0:02:23 | |
-It's great, isn't it? -Let's go and have a look. -Come on, then. | 0:02:23 | 0:02:26 | |
-Good morning, ladies! -Hello, hello! | 0:02:26 | 0:02:28 | |
-I understand it's your house, Pauline. -It is, yes. | 0:02:28 | 0:02:32 | |
You've called in Cash In The Attic, so what is it you want us for? | 0:02:32 | 0:02:36 | |
Well, I'm downsizing, and I thought that Cash In The Attic | 0:02:36 | 0:02:42 | |
would be a tremendous impetus for me to get the thing going. | 0:02:42 | 0:02:46 | |
I want to use the space I have more efficiently and get rid of some things and so on. | 0:02:46 | 0:02:52 | |
I thought that Cash In The Attic was such a wonderful programme, | 0:02:52 | 0:02:58 | |
and it would be of great help to me for various reasons - | 0:02:58 | 0:03:02 | |
in terms of getting a valuation of the stuff and really doing some of the donkey work for me! | 0:03:02 | 0:03:10 | |
And so that's one of the reasons. | 0:03:13 | 0:03:15 | |
Also, of course, it will be interesting to see | 0:03:15 | 0:03:19 | |
how much they are worth and it will give me the impetus to get on with it | 0:03:19 | 0:03:23 | |
-and to really do the work I want to do. -Rather than keep putting that job off? | 0:03:23 | 0:03:27 | |
Absolutely right. Absolutely. | 0:03:27 | 0:03:30 | |
-How much money are you looking to raise? -As a starter, | 0:03:30 | 0:03:33 | |
about £1,000. | 0:03:33 | 0:03:34 | |
-That will get me going. -So what's the plan? | 0:03:34 | 0:03:39 | |
I am going to start by physically downsizing myself - that's to say losing weight. | 0:03:39 | 0:03:44 | |
So I'm going to book into a health farm and spend a week there. | 0:03:44 | 0:03:48 | |
You've come along to help out as well? | 0:03:48 | 0:03:50 | |
-I'm a supporting friend. -Right! So how long have you been playing a supporting role to Pauline? | 0:03:50 | 0:03:56 | |
We met some years ago through the Society of Women Writers and Journalists, | 0:03:56 | 0:04:00 | |
-because we're both writers. That's how we met. -What do you think of this idea? | 0:04:00 | 0:04:04 | |
I think it's fabulous! I wish I had something to contribute! | 0:04:04 | 0:04:08 | |
OK, so we need to raise £1,000 so you can take a trip to a health farm, | 0:04:08 | 0:04:13 | |
in which case we need to start having a good look around. | 0:04:13 | 0:04:16 | |
-Is this all stuff you've collected over the years? -Yes, yes. | 0:04:16 | 0:04:19 | |
So you should be able to tell us a little about its history, then. | 0:04:19 | 0:04:23 | |
We need an expert, don't we? Shall we crack on and find someone to value it? | 0:04:23 | 0:04:27 | |
-Yes, by all means. -Come on, then. | 0:04:27 | 0:04:30 | |
This house is a real reflection of Pauline's interesting life, | 0:04:30 | 0:04:34 | |
with books, works of art and mementoes from all over the world. | 0:04:34 | 0:04:37 | |
In amongst the myriad of antiques is James, with today's first surprise. | 0:04:37 | 0:04:41 | |
HE CHUCKLES | 0:04:41 | 0:04:44 | |
-Morning! -Morning. -Pauline, you had me fooled with this. | 0:04:44 | 0:04:50 | |
I couldn't figure out what it was when I picked it up. I just love it. | 0:04:50 | 0:04:54 | |
It may not be fashionable any more, but a cigarette dispenser. | 0:04:54 | 0:04:59 | |
It's very much in the form of an oriental pagoda. | 0:04:59 | 0:05:03 | |
We've got this wonderful simulated cloisonne ware on the side, | 0:05:03 | 0:05:08 | |
which is Oriental - Chinese and Japanese - | 0:05:08 | 0:05:11 | |
technique of inlaying enamels with little soldered wires onto it. | 0:05:11 | 0:05:15 | |
That's the sort of overall effect that you've got. Then the pagoda roof doubles up as your ashtray. | 0:05:15 | 0:05:20 | |
My goodness me! | 0:05:20 | 0:05:22 | |
-I didn't know that. -Then out it comes. | 0:05:23 | 0:05:25 | |
What price would you put on it for auction? | 0:05:25 | 0:05:27 | |
-I'm hoping around £100. -Goodness! Really? -Let's wait and see, but it's a nice talking piece. | 0:05:27 | 0:05:33 | |
I like the fact that it's £100. | 0:05:33 | 0:05:35 | |
A good start. Another £900 to go, so come on. | 0:05:35 | 0:05:40 | |
'Unusual, practical, attractive, collectible - what more could we ask for | 0:05:40 | 0:05:45 | |
'from our first find of the day? | 0:05:45 | 0:05:48 | |
'I can't wait to see what else we come up with in this house.' | 0:05:48 | 0:05:51 | |
We soon find this pair of Bisto rainbow jugs. In 1906, | 0:05:53 | 0:05:57 | |
the Staffordshire pottery's famous advertising slogan was "The sun never sets on Bisto wares!" | 0:05:57 | 0:06:03 | |
Let's hope the same is true today, and they fetch their £40- £70 estimate. | 0:06:03 | 0:06:07 | |
In the meantime, James joins Pauline upstairs, | 0:06:07 | 0:06:10 | |
where he stumbles across an object from the Orient. | 0:06:10 | 0:06:13 | |
Ooh, I've seen lurking on the floor here a nice vase! | 0:06:14 | 0:06:20 | |
This, with the greens and the pinks, | 0:06:20 | 0:06:23 | |
is absolutely typical of Cantonese porcelain. | 0:06:23 | 0:06:28 | |
-Probably made towards the end of the 19th century. -19th century? | 0:06:28 | 0:06:31 | |
Yes, it's over 100 years old. The quality is superb. | 0:06:31 | 0:06:34 | |
You've got these little vignettes of Chinese people, | 0:06:34 | 0:06:40 | |
what we call courtiers in palace scenes. | 0:06:40 | 0:06:43 | |
Alternating with those, you've got these fantastic little | 0:06:43 | 0:06:48 | |
vignettes with flowers, butterflies, | 0:06:48 | 0:06:53 | |
birds. The detail is so intricate. It's wonderful. I think, | 0:06:53 | 0:06:59 | |
for a single vase like that, we would probably be looking at between £300 and £500. | 0:06:59 | 0:07:04 | |
-So that's a good chunk towards your total. -Yes. | 0:07:04 | 0:07:07 | |
This Cantonese vase is certainly full of Eastern promise, | 0:07:07 | 0:07:10 | |
so let's hope it fulfils its potential at auction. | 0:07:10 | 0:07:14 | |
As we continue our search, we find more oriental treasure. | 0:07:14 | 0:07:18 | |
This 1920s Japanese, lacquered | 0:07:18 | 0:07:20 | |
mantle clock is valued at between £50 and £100. | 0:07:20 | 0:07:24 | |
'Leaving the rummage to James and Pamela for a while, | 0:07:24 | 0:07:27 | |
'I take a moment with Pauline to find out more about how she came to live in England.' | 0:07:27 | 0:07:31 | |
Where are you from originally? | 0:07:31 | 0:07:33 | |
I was born in Cairo in Egypt. | 0:07:34 | 0:07:35 | |
-What made you come over to this country? -Love! | 0:07:35 | 0:07:39 | |
Actually I met an English officer during the war in Cairo, | 0:07:41 | 0:07:45 | |
and we fell in love and we married. | 0:07:45 | 0:07:48 | |
-And here I am, 60 years thereafter. -I understand you lost your husband at quite a young age. | 0:07:48 | 0:07:55 | |
Yes, yes. I was 23 and had two children, aged two and three. | 0:07:55 | 0:08:00 | |
There was no money at all, so it was difficult, very difficult. | 0:08:00 | 0:08:06 | |
Was it very difficult moving to this country? | 0:08:06 | 0:08:09 | |
Well, it was difficult because I didn't speak English - | 0:08:09 | 0:08:13 | |
although I understood the chap when he told me, "Will you marry me?" | 0:08:13 | 0:08:18 | |
-So you're quite happy to see some of his stuff go now? -Yes. | 0:08:20 | 0:08:23 | |
-Shall we find out what the others are up to? -Yes, yes. | 0:08:23 | 0:08:27 | |
'On that note, I really hope we can do all we can today to help Pauline | 0:08:27 | 0:08:31 | |
'raise £1,000 so she can enjoy a trip to a health farm.' | 0:08:31 | 0:08:36 | |
I'm delighted to find this majolica Wedgwood dessert set, comprising of three dishes and six plates | 0:08:36 | 0:08:42 | |
with a lovely leaf pattern. Dated around 1880, it's worth between | 0:08:42 | 0:08:46 | |
£50 and £80 today. | 0:08:46 | 0:08:48 | |
James finds this spelter oil lamp, also dating from 1880 - | 0:08:48 | 0:08:52 | |
a wonderful reminder of life pre-electricity. Let's hope collectors of | 0:08:52 | 0:08:56 | |
domestic Victoriana will come out of the shadows at auction | 0:08:56 | 0:09:00 | |
and bid between £40 and £60 for it. | 0:09:00 | 0:09:03 | |
As our rummage continues, James finds this gorgeous sampler, sown by Dagmar Marshall, | 0:09:03 | 0:09:08 | |
clearly a very talented needlewoman. This fabulous piece of handiwork | 0:09:08 | 0:09:12 | |
commemorates the months between D Day and VE Day in 1945. | 0:09:12 | 0:09:17 | |
Hopefully it will be victorious at auction and fetch at least £60. | 0:09:17 | 0:09:21 | |
Meanwhile, James's next find is just my bag. | 0:09:21 | 0:09:25 | |
-James, what have you got there? -I know it's a girly thing, | 0:09:26 | 0:09:29 | |
but the most fantastic collection of handbags! | 0:09:29 | 0:09:32 | |
-I know this is close to your heart, Lorne. -Chanel! -Look at this! | 0:09:32 | 0:09:36 | |
Pauline, where did you get this Chanel handbag from? | 0:09:36 | 0:09:39 | |
-Well, I have been a widow for a very long time, so I have had a number of admirers. -Have you now?! | 0:09:39 | 0:09:45 | |
You'll have to give me a few tricks of the trade, cos my admirers don't give me Chanel handbags. | 0:09:45 | 0:09:51 | |
The trademark Chanel bag actually came out first in the 1950s, with this gold-coloured chain, | 0:09:51 | 0:09:56 | |
the metal chain, and then of course these iconic interwoven Cs that stand for Coco Chanel. | 0:09:56 | 0:10:04 | |
What I love about it is it's utterly timeless. It's as timeless now as it was 50 years ago. | 0:10:04 | 0:10:09 | |
It just it oozes quality and style. | 0:10:09 | 0:10:12 | |
We've actually got a number of bags, but I think we should | 0:10:12 | 0:10:16 | |
put the Chanel one in a lot by itself with an estimate of, let's say between £80 and £150. | 0:10:16 | 0:10:22 | |
I think it's going to make a bit more than that. | 0:10:22 | 0:10:25 | |
Then the rest of the bags, which are all fantastic quality, Pauline - | 0:10:25 | 0:10:30 | |
-- you are a lady of great taste and discernment, I have to say... -Her admirers are men of great taste! | 0:10:30 | 0:10:37 | |
..I think we'll put all of those in a lot with maybe £40-£60 on them, | 0:10:37 | 0:10:41 | |
and let's see them go on and make a bit more. | 0:10:41 | 0:10:44 | |
If I saw those for £40-£60, I'd bid on them, as I'm sure you would! | 0:10:44 | 0:10:48 | |
-HE WHISPERS: -Something tells me that someone over here might be bidding! | 0:10:48 | 0:10:54 | |
If only I could afford Chanel, darling! At the moment we can't afford very much, | 0:10:54 | 0:10:58 | |
because we need to find more stuff to sell. Follow me and let's have another look round. | 0:10:58 | 0:11:02 | |
'So many admirers, so many handbags. | 0:11:02 | 0:11:04 | |
'What am I doing wrong?' | 0:11:04 | 0:11:07 | |
So the black velvet Chanel bag will be sold as a separate lot, | 0:11:07 | 0:11:11 | |
while the collection of six other bags, all different styles, | 0:11:11 | 0:11:15 | |
will be sold together for between £40 and £60. | 0:11:15 | 0:11:18 | |
'I wonder how much of our final find of the day was also given to Pauline by admirers?' | 0:11:18 | 0:11:24 | |
It's another Aladdin's cave! | 0:11:26 | 0:11:28 | |
-I don't believe it. -Fantastic - handbags, | 0:11:28 | 0:11:31 | |
-and now look at this jewellery. -I have to say, Pauline, you are pure style. | 0:11:31 | 0:11:35 | |
-Ooh-la-la! -I just love it. | 0:11:35 | 0:11:39 | |
Look at this. What a great name! | 0:11:39 | 0:11:42 | |
Christian Dior Bijoux - jewels! I love it. | 0:11:42 | 0:11:46 | |
Look at this. Isn't that fantastic? | 0:11:46 | 0:11:49 | |
So stylish, so timeless, absolutely timeless. | 0:11:49 | 0:11:54 | |
And then a completely different style... | 0:11:54 | 0:11:56 | |
Yep, and there's the Dior stamp on the back. That's obviously a great name. | 0:11:56 | 0:12:02 | |
Funnily enough, I think the box will help this. | 0:12:02 | 0:12:05 | |
It's going to be very difficult to give an upfront valuation on this. All I can say - | 0:12:05 | 0:12:11 | |
and I gather you have got lots more - all I can say is what I can just see on this bed, | 0:12:11 | 0:12:16 | |
it's gonna be a few hundred pounds upwards. Let's say it's £300. | 0:12:16 | 0:12:20 | |
We'll use that as our baseline. Whether we end up with 5, 6, 7, £800, who knows? | 0:12:20 | 0:12:25 | |
That depends on how much you bring. | 0:12:25 | 0:12:28 | |
But the important thing is that it's separated out into sensible lots. | 0:12:28 | 0:12:34 | |
-Are you happy with that? -Yes, I am, and I'll follow whatever advice you say about how to mix them. | 0:12:34 | 0:12:40 | |
It's also a great contribution to our total, because we want to raise £1,000. | 0:12:40 | 0:12:46 | |
-How do you think we've done, ladies? -I have no idea. What d'you think? -I haven't the faintest. | 0:12:46 | 0:12:52 | |
I'm very pleased to report that the value of everything going to auction comes to... | 0:12:52 | 0:12:58 | |
£1,060! | 0:12:58 | 0:13:00 | |
Wow! That's wonderful. | 0:13:00 | 0:13:03 | |
After a really great day's rummaging, here's a selection of Pauline's antiques | 0:13:03 | 0:13:08 | |
that will soon be taken to auction. | 0:13:08 | 0:13:10 | |
The 1950s pagoda-shaped cigarette dispenser... | 0:13:10 | 0:13:14 | |
..The black, velvet Chanel handbag, given to Pauline by an admirer... | 0:13:17 | 0:13:21 | |
The sampler, stitched between D Day and VE Day, 1945... | 0:13:24 | 0:13:28 | |
..And Pauline's amazing collection of costume jewellery. | 0:13:31 | 0:13:35 | |
Coming up next: | 0:13:39 | 0:13:40 | |
Once we get to auction, which of Pauline's antiques will be the belles of the ball? | 0:13:40 | 0:13:45 | |
That's wonderful! I'm absolutely amazed! | 0:13:45 | 0:13:49 | |
And which will be the wallflowers? | 0:13:49 | 0:13:51 | |
-Oh, dear. -Didn't sell! | 0:13:52 | 0:13:55 | |
It's all to come when today's collectibles go under the hammer. | 0:13:55 | 0:13:58 | |
It's been a few weeks since we had a good look around Pauline Graham's lovely North London home. | 0:14:02 | 0:14:08 | |
She had so many beautiful things, it was hard to choose which ones to bring here | 0:14:08 | 0:14:13 | |
to Sworders auction house in Essex. | 0:14:13 | 0:14:16 | |
We've done the job now and we're looking to raise £1,000 so she can indulge in a fantastic spa retreat. | 0:14:16 | 0:14:22 | |
Let's just hope the bidders are ready to splash out on our items today. | 0:14:22 | 0:14:28 | |
Before the sale gets under way, I join James for a last, admiring look | 0:14:28 | 0:14:31 | |
at one of our favourite items from Pauline's collection. | 0:14:31 | 0:14:35 | |
Good morning, James. I love this piece. What a great gimmick that is. | 0:14:35 | 0:14:39 | |
I do, too. It may not be PC, but it is so retro cool. | 0:14:39 | 0:14:43 | |
-I've got high hopes for this today. -And we've got lots of costume jewellery. | 0:14:43 | 0:14:47 | |
Lots of costume jewellery, and the auction is divided up into lots. | 0:14:47 | 0:14:51 | |
That was a good idea. I think that will help it. | 0:14:51 | 0:14:53 | |
-And my favourite handbags. -Oh! | 0:14:53 | 0:14:57 | |
-You would remember that, wouldn't you?! -How can you forget Chanel? | 0:14:57 | 0:15:01 | |
So, are you looking forward to the auction today? | 0:15:01 | 0:15:04 | |
Yeah. I think big variety, interesting objects, I'm sure we'll do well. | 0:15:04 | 0:15:07 | |
They're all really good quality, so shall we go and find out how Pauline feels about the sale? | 0:15:07 | 0:15:13 | |
'Pauline and Pamela are waiting for us | 0:15:13 | 0:15:15 | |
'on the other side of the auction room in anticipation of the sale.' | 0:15:15 | 0:15:19 | |
-Good morning, ladies. -Good morning. -You're looking as beautiful as ever. | 0:15:19 | 0:15:24 | |
-Ooh-la-la! -But minus a few handbags because they're here, I see. | 0:15:24 | 0:15:29 | |
-Are you going to miss any of those at all? -Yes. They're very nice. | 0:15:29 | 0:15:33 | |
-Are you looking forward to the auction today? -Yes, very much so. | 0:15:33 | 0:15:37 | |
There's already people having a good look. Before it fills up too much more shall we get in our position? | 0:15:37 | 0:15:42 | |
If you catch the auction bug, remember that you'll be | 0:15:42 | 0:15:45 | |
charged commission on your purchases, so check this with your local auction room first. | 0:15:45 | 0:15:49 | |
Before the sale begins, auctioneer Richard Harrison has picked our Pauline's costume jewellery | 0:15:49 | 0:15:55 | |
as being of particular interest. | 0:15:55 | 0:15:58 | |
The costume jewellery could either make £20, it could make £200. | 0:15:58 | 0:16:02 | |
Dealers are looking in these sort of things for specific things, which could do really well. | 0:16:02 | 0:16:07 | |
We've got a few lots to get through before we find out. | 0:16:07 | 0:16:10 | |
But it's time now for our first lot of the day to go under the hammer. | 0:16:10 | 0:16:14 | |
It's the Chinese antiquity found in Pauline's bedroom. | 0:16:14 | 0:16:18 | |
-Canton baluster vase. -It makes it sound very posh, and it IS posh. | 0:16:18 | 0:16:23 | |
Late 19th century Cantonese vase, cracking quality. | 0:16:23 | 0:16:28 | |
So, £300-£500. It's got a profit price as well. Let's just see how we get on. | 0:16:28 | 0:16:34 | |
Lot number 62, the Canton baluster vase, decorated with panels of figures on terraces. | 0:16:34 | 0:16:40 | |
A good-looking vase there. Lot number 62, starts away here at £180. | 0:16:40 | 0:16:45 | |
£180 is bid. I'll take 90. | 0:16:45 | 0:16:47 | |
190. 200. 210. 220. 230. 240. | 0:16:47 | 0:16:52 | |
250. 260. 270. 280. | 0:16:52 | 0:16:54 | |
280. 90 if you wish. | 0:16:54 | 0:16:58 | |
£280 is bid in the room here. | 0:16:58 | 0:17:00 | |
At £280, I'm selling. Are we all done and finished? | 0:17:00 | 0:17:03 | |
At £280 and selling, at £280, all done? | 0:17:03 | 0:17:07 | |
-Are you happy with that? -Very, very good. | 0:17:07 | 0:17:11 | |
It's a bit less than we thought, but it's still a good £280 in the kitty. | 0:17:11 | 0:17:16 | |
I think Canton can do! | 0:17:16 | 0:17:18 | |
It's always a relief to have a good first sale, | 0:17:19 | 0:17:22 | |
This elegant vase has done us proud. | 0:17:22 | 0:17:25 | |
Let's hope our next lot lights our way to even greater success. | 0:17:25 | 0:17:29 | |
Our next lot is the 19th-century oil lamp. What have we got on this, James? | 0:17:29 | 0:17:33 | |
We've got £40-£60 on this one, so it's a question of rub the lamp and hope some money comes out! | 0:17:33 | 0:17:39 | |
Lot number 68. We've have a late 19th century oil lamp, | 0:17:40 | 0:17:44 | |
the opaque glass reservoir, painted with flowers, | 0:17:44 | 0:17:46 | |
at £25. £25 is bid. I'll take eight in the room now. | 0:17:46 | 0:17:49 | |
25. 28. 30. 32. 35. | 0:17:49 | 0:17:54 | |
38. 40. | 0:17:54 | 0:17:56 | |
42. 45. 48. £48 is bid. I'll take 50 now. | 0:17:56 | 0:18:00 | |
£48 is bid. All done and finished at £48. | 0:18:00 | 0:18:04 | |
-£48. -Wonderful! | 0:18:04 | 0:18:07 | |
-Absolutely amazing! -A lovely surprise, then. | 0:18:07 | 0:18:11 | |
-Yes, indeed. Really. -And right in the middle of the estimate. That's where we wanted it to be. | 0:18:11 | 0:18:17 | |
Another good sale, and some lucky buyer has got a wonderful | 0:18:17 | 0:18:20 | |
working piece of Victoriana at an almost Victorian price! | 0:18:20 | 0:18:23 | |
Next up is Pauline's lovely example | 0:18:23 | 0:18:27 | |
of pure French style, valued at between £80 and £150. | 0:18:27 | 0:18:29 | |
Lot number 80. We have the Chanel black velvet handbag. | 0:18:33 | 0:18:39 | |
In the original box. | 0:18:39 | 0:18:41 | |
Lot number 80. | 0:18:41 | 0:18:42 | |
-Now, Pauline, understandably, you put a reserve on this. -Yes. -And what is the reserve? | 0:18:42 | 0:18:47 | |
-100. -£100. Well, I can assure you, you cannot buy a new Chanel handbag for £100. | 0:18:47 | 0:18:52 | |
So, let's hope we make that amount, and I'm pretty sure... | 0:18:52 | 0:18:55 | |
-As it comes with its dust jacket and its inner box... -It's all there. -..It should do well. | 0:18:55 | 0:19:00 | |
Starts here at £65. £65 is bid. | 0:19:00 | 0:19:03 | |
I'll take 70 where now? At £65 for the Chanel handbag there. | 0:19:03 | 0:19:08 | |
At 70. 75. 80. 85. 90. 95. | 0:19:08 | 0:19:12 | |
100 has it now. In the room at £100. | 0:19:12 | 0:19:14 | |
I'll take ten now. At £100 bid and selling. All done in the room? | 0:19:14 | 0:19:18 | |
At £100 all done? | 0:19:18 | 0:19:20 | |
-£100. -It's sold for 100, but we've got a bit of a bonus for you on this one | 0:19:20 | 0:19:27 | |
because inside the handbag we found two £20 notes. | 0:19:27 | 0:19:33 | |
-Wow! -So there's another £40, so we're up to £140. | 0:19:33 | 0:19:36 | |
-Pauline, did you not know you had that in there?! -No! | 0:19:36 | 0:19:41 | |
Did you realise you'd left that in there?! | 0:19:41 | 0:19:43 | |
-No, of course not! -How funny! -That was obviously for a nice night out and you never spent it! | 0:19:43 | 0:19:49 | |
I wonder how long that £40 has been stashed away. | 0:19:50 | 0:19:53 | |
It could have been years. What a bonus! | 0:19:53 | 0:19:56 | |
Wonderful. And please remember, the £40 doesn't include the commission. | 0:19:57 | 0:20:02 | |
The auction is commissioned, so it's a clear £40. | 0:20:02 | 0:20:05 | |
In addition to the 100. Very good. | 0:20:05 | 0:20:07 | |
We did a thorough search in Pauline's six other handbags before they went under the hammer, | 0:20:07 | 0:20:12 | |
but unfortunately, | 0:20:12 | 0:20:14 | |
there were no more stashes of cash. | 0:20:14 | 0:20:15 | |
Still, they did manage to raise £60, bang on their upper estimate. | 0:20:15 | 0:20:19 | |
Next to go is our 1950s curio, that wonderful pagoda-shaped | 0:20:21 | 0:20:25 | |
cigarette dispenser, valued between £100 and £120. | 0:20:25 | 0:20:30 | |
At £40 for the cigarette dispenser. | 0:20:31 | 0:20:33 | |
I'll take five where now? At £40 for the cigarette dispenser. | 0:20:33 | 0:20:37 | |
All done and finished at £40. | 0:20:37 | 0:20:38 | |
No more interest at £40? | 0:20:38 | 0:20:41 | |
-Not sold. -Oh, dear. -£40, didn't sell. | 0:20:41 | 0:20:44 | |
Unfortunately, this sale went up in smoke, | 0:20:44 | 0:20:46 | |
with the highest bid only reaching £40, | 0:20:46 | 0:20:48 | |
so the auctioneer, quite rightly, didn't let it go. | 0:20:48 | 0:20:52 | |
We're halfway through the auction now and we've made £528, if you include the surprise £40 | 0:20:53 | 0:20:58 | |
we found in the Chanel handbag. | 0:20:58 | 0:21:00 | |
So if we're going to raise £1,000 to get Pauline away to a health farm, | 0:21:03 | 0:21:07 | |
we really need some good sales in the second half. | 0:21:07 | 0:21:10 | |
Will our next item tick all the boxes | 0:21:10 | 0:21:12 | |
and get the bidders' hands moving? | 0:21:12 | 0:21:14 | |
Now, our next lot is the mantle clock. | 0:21:14 | 0:21:17 | |
These clocks always remain popular, don't they, James? | 0:21:17 | 0:21:20 | |
This is the one with that nice Chinoiserie decoration on it. We've got £50-£100. | 0:21:20 | 0:21:24 | |
It doesn't actually sound like a lot of money for something like this. | 0:21:24 | 0:21:28 | |
Lot 178, starts at £30. | 0:21:28 | 0:21:31 | |
At £30. I'll take two where now? For the Chinoiserie mantle clock. | 0:21:31 | 0:21:35 | |
At £30. I'll take two where now? At £30. | 0:21:35 | 0:21:37 | |
Take two? 32. 35. 38. 40. | 0:21:37 | 0:21:40 | |
42. 45. 48. | 0:21:40 | 0:21:42 | |
In the room now and selling at £48. All done and finished at 48. | 0:21:42 | 0:21:46 | |
-£48. -£48. | 0:21:46 | 0:21:48 | |
We sold it, but it could have done better, I think. | 0:21:48 | 0:21:52 | |
I'm happy with it. | 0:21:52 | 0:21:54 | |
-Are you? -You're happy. | 0:21:54 | 0:21:55 | |
If you're happy, we're happy. Definitely! | 0:21:55 | 0:21:59 | |
Just a tad under estimate, but that doesn't seem to bother Pauline. | 0:21:59 | 0:22:02 | |
Things are looking up. | 0:22:02 | 0:22:05 | |
Next to go is the 19th-century Majolica Wedgwood dessert set, | 0:22:05 | 0:22:09 | |
valued between £50-£80. | 0:22:09 | 0:22:11 | |
-Selling at £60. All done at 60? | 0:22:13 | 0:22:16 | |
-That's fine. -Very good. -Right in the estimate, so that's good. | 0:22:16 | 0:22:20 | |
Performed to order. | 0:22:20 | 0:22:23 | |
£60 is a really good price for these lovely pieces, | 0:22:23 | 0:22:26 | |
and we're slowly edging towards our target. | 0:22:26 | 0:22:29 | |
However, the gorgeous pair of Bisto rainbow jugs, | 0:22:30 | 0:22:32 | |
worth at least £40, | 0:22:32 | 0:22:34 | |
was disappointing and didn't attract any interest. | 0:22:34 | 0:22:38 | |
There's another disappointment in store. | 0:22:38 | 0:22:40 | |
The intricately stitched VE Day sampler | 0:22:40 | 0:22:43 | |
failed to get any winning bids and remains unsold. | 0:22:43 | 0:22:46 | |
We've only brought along a fraction of Pauline's | 0:22:48 | 0:22:50 | |
collection of jewellery, but there's so much of it, | 0:22:50 | 0:22:53 | |
that it's been split into three separate lots. | 0:22:53 | 0:22:55 | |
These are our last items today and we really need them all | 0:22:55 | 0:23:00 | |
-to hit our estimates if Pauline's going to get her week at a health spa. | 0:23:00 | 0:23:04 | |
OK, next we've got the first of the three lots of costume jewellery, | 0:23:04 | 0:23:09 | |
so I think on the whole lot we reckon around £300-£500. | 0:23:09 | 0:23:14 | |
Oh-la-la. Not a hope! | 0:23:14 | 0:23:16 | |
Let's see how we get on. | 0:23:16 | 0:23:18 | |
At £75, no more interest than £75? | 0:23:18 | 0:23:21 | |
No more? Not sold. | 0:23:21 | 0:23:23 | |
The auctioneer didn't want to accept a £75 bid | 0:23:23 | 0:23:27 | |
on that first lot of jewellery, so back home with Pauline it goes. How about the second batch? | 0:23:27 | 0:23:33 | |
At £40, all done and finished. At £40. No more interest? Not sold. | 0:23:33 | 0:23:38 | |
-Oh, dear, I'm sorry, that's not sold. -I don't mind at all, really. -No? | 0:23:38 | 0:23:42 | |
With the first one, we knew. Today is not a jewellery day. | 0:23:42 | 0:23:47 | |
What's wrong with people? Have they no taste?! | 0:23:47 | 0:23:49 | |
But I'm glad that Pauline doesn't mind, at least. Will we be luckier with lot number three? | 0:23:49 | 0:23:56 | |
Now, our next lot is more costume jewellery, | 0:23:56 | 0:23:58 | |
-and I'm afraid I'm not that hopeful. -Neither am I! | 0:23:58 | 0:24:02 | |
At £45 for the costume jewellery. 45. 50. 55. | 0:24:02 | 0:24:06 | |
60. 65. | 0:24:06 | 0:24:08 | |
65 right at the back. 65. 70, a lady. 75. 80. 85... | 0:24:08 | 0:24:13 | |
..90. 95. 100. 110. | 0:24:14 | 0:24:17 | |
120. 130. 140. | 0:24:17 | 0:24:21 | |
I can't believe it. | 0:24:21 | 0:24:23 | |
160. 170. 180. 190. 200. 210. | 0:24:23 | 0:24:31 | |
-Now I'm a bit worried about what jewels were in there. -I know! -Are you sure it's the right one?! | 0:24:31 | 0:24:37 | |
Gentleman's bidding. Selling at £210. All done at 210? | 0:24:37 | 0:24:40 | |
How much? £210. | 0:24:40 | 0:24:43 | |
-I can't believe it. -That's bonus time because we wanted £300-£500 for the lot. | 0:24:43 | 0:24:49 | |
-We're taking two thirds of them home. -Yes! Yes! I'd call that a result! | 0:24:49 | 0:24:54 | |
Well, what a great result. | 0:24:55 | 0:24:57 | |
Our last lot was definitely helped by the fact | 0:24:57 | 0:24:59 | |
that it included Pauline's Christian Dior jewellery and gave us a sparkling result. | 0:24:59 | 0:25:04 | |
That surprising last sale means Pauline's possibly still in the running for that health farm trip. | 0:25:04 | 0:25:10 | |
I just need to tot up today's totals, including the bonus £40 found in the Chanel handbag. | 0:25:10 | 0:25:17 | |
Obviously, you wanted to raise £1,000 for a trip to the spa. How do you think you've done? | 0:25:17 | 0:25:22 | |
I have no idea. | 0:25:22 | 0:25:23 | |
-Certainly not as much as we had estimated anyway. -OK. Pamela, any idea? | 0:25:23 | 0:25:29 | |
-I think you've made about £750. -Oh, blimey! | 0:25:29 | 0:25:33 | |
Actually, you've done a little bit better than that. | 0:25:33 | 0:25:36 | |
You've made £846! | 0:25:36 | 0:25:38 | |
Wonderful! Really, I'm thrilled. | 0:25:38 | 0:25:41 | |
Absolutely! | 0:25:41 | 0:25:43 | |
Shortly after the auction, Pauline heads off to the Leicestershire countryside | 0:25:46 | 0:25:51 | |
to enjoy a relaxing stay at a health spa in a bid to downsize herself. | 0:25:51 | 0:25:55 | |
Here she indulges in various therapies and exercise, as well as taking time to put her feet up | 0:25:55 | 0:26:02 | |
for a rest and a good think. | 0:26:02 | 0:26:04 | |
I'm having a lovely time. | 0:26:04 | 0:26:06 | |
I'm getting the treatments and so on, I'm getting in good shape | 0:26:06 | 0:26:09 | |
so that I can start rearranging my thinking about the house. | 0:26:09 | 0:26:14 | |
Auctions are always full of surprises, but my goodness, you can make some money. | 0:26:18 | 0:26:22 | |
If you've got a project in mind that you'd like to raise funds for | 0:26:22 | 0:26:26 | |
by selling your antiques and collectibles at auction, | 0:26:26 | 0:26:29 | |
why not apply to come on Cash In The Attic? You'll an application form at our website: | 0:26:29 | 0:26:33 | |
Goodbye, and see you next time. | 0:26:37 | 0:26:39 | |
Subtitles by Red Bee Media Ltd | 0:26:57 | 0:27:00 | |
E-mail [email protected] | 0:27:00 | 0:27:04 |