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Welcome to Cash In The Attic, the programme that hunts for antiques | 0:00:02 | 0:00:05 | |
in your home and sells them at auction. | 0:00:05 | 0:00:07 | |
Today, I'm in Colchester, which has the distinction of being the oldest town in Britain, | 0:00:07 | 0:00:12 | |
because it has records going back to AD77. | 0:00:12 | 0:00:16 | |
With a mixture of both ancient and modern standing shoulder to shoulder, | 0:00:16 | 0:00:21 | |
it's still home to a number of historic sites. | 0:00:21 | 0:00:24 | |
This magnificent fortress is Colchester Castle. | 0:00:24 | 0:00:27 | |
It was built around 1070, and it's the largest Norman keep in the whole of Europe. | 0:00:27 | 0:00:35 | |
Over the years, this Norman stronghold has been used to incarcerate criminals, | 0:00:35 | 0:00:39 | |
interrogate suspected witches, and now entertains over 100,000 visitors every year. | 0:00:39 | 0:00:45 | |
This is a truly spectacular historical site, | 0:00:45 | 0:00:48 | |
but I'm sure our next location is also going to be pretty fascinating. | 0:00:48 | 0:00:52 | |
'Coming up on today's Cash In The Attic, we're seeking help in unusual places...' | 0:01:13 | 0:01:18 | |
-No! -Come on out, Vivienne. | 0:01:18 | 0:01:19 | |
'..getting up to no good, given half a chance...' | 0:01:21 | 0:01:23 | |
No tobogganing down the stairs on it, Paul. | 0:01:23 | 0:01:26 | |
OK, Oh, you spoil all the fun! | 0:01:26 | 0:01:27 | |
'..but still trying to impress at auction.' | 0:01:27 | 0:01:30 | |
Well, get your best frock on, Norman. Here they come. | 0:01:30 | 0:01:33 | |
'Will all our efforts pay off at the end of the day? | 0:01:33 | 0:01:36 | |
'Find out when the hammer falls.' | 0:01:36 | 0:01:39 | |
I'm on my way to meet a fascinating lady. | 0:01:39 | 0:01:42 | |
She's a gardener, a traveller, and a former catwalk model. | 0:01:42 | 0:01:46 | |
'For nearly nine years, this fine suburban residence has been home to Gail Butler, | 0:01:46 | 0:01:50 | |
'who, after travelling extensively around the world during her modelling career, | 0:01:50 | 0:01:55 | |
'loves to spend most of her time out of doors. | 0:01:55 | 0:01:57 | |
'Now retired, her garden is her pride and joy, and gets most of her attention. | 0:01:57 | 0:02:02 | |
'But in the last couple of years, she's been grateful for a reliable pair of hands to help her out. | 0:02:02 | 0:02:08 | |
'Neighbour and fellow gardener, Norman Clark, | 0:02:08 | 0:02:11 | |
'has been roped in to assist today, to get her home ready for the winter months.' | 0:02:11 | 0:02:16 | |
-Hello, hello. -Good morning Paul, I'm very well indeed. | 0:02:16 | 0:02:18 | |
I think we're going to have a great day, she's got some nice things. | 0:02:18 | 0:02:21 | |
She's got some very fashionable items, yes. Are you ready for this? | 0:02:21 | 0:02:25 | |
I am indeed. We've a model contributor, and a model for an expert. | 0:02:25 | 0:02:29 | |
Oh, well, there you are, thank you very much. | 0:02:29 | 0:02:31 | |
Gail, Norman, two friends united with a love of gardening, I think, yes? | 0:02:34 | 0:02:40 | |
Yes, we are. | 0:02:40 | 0:02:42 | |
-That's very true, we are. -So, Gail, why have you called in Cash In The Attic? | 0:02:42 | 0:02:46 | |
Over the years I've accumulated so many bits and pieces, not just from my travels, | 0:02:46 | 0:02:51 | |
but things handed down from my family, and I just felt it was time for a clear out, really. | 0:02:51 | 0:02:57 | |
-So we'll have a good rummage today, then? -Oh, yes. I'm in for that. | 0:02:57 | 0:03:00 | |
Right. So what are you going to spend the money on? | 0:03:00 | 0:03:03 | |
Well, I'm hoping to do up this room, | 0:03:03 | 0:03:06 | |
-and particularly have one of those log-burning stoves here, the gas log-burning stoves. -Right. | 0:03:06 | 0:03:12 | |
So I'm hoping to raise enough money to have one of those put in. | 0:03:12 | 0:03:15 | |
Norman, as you seem to be the person who does the odd jobs around here, will you have to fit the new fire? | 0:03:15 | 0:03:21 | |
No, I stick to the small jobs. I'll leave that to the professionals, | 0:03:21 | 0:03:24 | |
and come down with some wine and christen it! | 0:03:24 | 0:03:27 | |
-THEY LAUGH -So, how much is this going to cost? | 0:03:27 | 0:03:29 | |
In the region of about £500, I think. Something like that. | 0:03:29 | 0:03:33 | |
I think we ought to be able to raise £500, because you have some smashing things in the house. | 0:03:33 | 0:03:38 | |
Let's go and see what we can take to auction. Come on. | 0:03:38 | 0:03:41 | |
'Gail's beautifully decorated home offers a wealth of rooms rich with collectables. | 0:03:41 | 0:03:46 | |
'So we should have no problem finding enough to take to auction. | 0:03:46 | 0:03:49 | |
'However, we are going to need the advice of expert Paul Hayes to identify the best goods possible, | 0:03:49 | 0:03:54 | |
'and he's way ahead when it comes to valuations, having been born into the antiques business. | 0:03:54 | 0:04:00 | |
'Although he's not the only leader of the pack on our rummage today.' | 0:04:00 | 0:04:04 | |
-He's at work already. What have you found? -I've found something unbelievable. | 0:04:04 | 0:04:08 | |
-It's a letter from Winston Churchill. -Where did this come from, Gail? | 0:04:08 | 0:04:12 | |
My cousin used to send a birthday card to Winston Churchill every year, | 0:04:12 | 0:04:16 | |
because she shared the same birthday. | 0:04:16 | 0:04:18 | |
-And then one year he replied with this letter. -What does it say? | 0:04:18 | 0:04:21 | |
It says, "It has given me great pleasure to receive | 0:04:21 | 0:04:25 | |
"your kind message on my birthday. Winston Churchill, Nov 30th, 1947." | 0:04:25 | 0:04:32 | |
Is something like that very collectable? | 0:04:32 | 0:04:34 | |
It's extremely collectable. Churchill is very important in British culture. | 0:04:34 | 0:04:39 | |
He's an iconic figure, isn't he? | 0:04:39 | 0:04:40 | |
I think if there was anybody that summed up the 20th Century, | 0:04:40 | 0:04:44 | |
I think Winston Churchill's near the top. He's the main man. | 0:04:44 | 0:04:47 | |
He spent most of the war wearing the boiler suit, and with the big cigar, always, of course. | 0:04:47 | 0:04:52 | |
Well, he was Prime Minister twice. Once during the War, and then in the 1950s, 1951 to '55. | 0:04:52 | 0:04:56 | |
So he's got a lot going for him, as a statesman, as a fantastic character. | 0:04:56 | 0:05:02 | |
And it's very unusual to have a signed letter like that. | 0:05:02 | 0:05:05 | |
-Yes, hand written. -What do you think we might get for it at auction? | 0:05:05 | 0:05:08 | |
Well, these things are very rare, and it's hard to authenticate. | 0:05:08 | 0:05:11 | |
What you need with any bit of memorabilia is provenance. | 0:05:11 | 0:05:15 | |
You know that, your auntie, did you say, wrote? | 0:05:15 | 0:05:18 | |
-Cousin. -Your cousin wrote off to him. | 0:05:18 | 0:05:20 | |
Lots of celebrities today have people signing things for them when they get letters. | 0:05:20 | 0:05:24 | |
But this does look like the real McCoy. | 0:05:24 | 0:05:26 | |
I've come across his signature before, and it is identical to that. | 0:05:26 | 0:05:30 | |
-Provenance is important? -Provenance is very important, | 0:05:30 | 0:05:33 | |
you get lots of fakes of these sorts of items. This seems very genuine. It's on House of Commons paper. | 0:05:33 | 0:05:38 | |
So I think that's dead right. And as a collectable, it is very collectable indeed. | 0:05:38 | 0:05:42 | |
I'd say at least £150, and I would expect it to bring several hundred. | 0:05:42 | 0:05:48 | |
-Does that make any sense? -Yes, not bad! | 0:05:48 | 0:05:50 | |
What else have you got tucked in the nooks and crannies of this house? | 0:05:50 | 0:05:55 | |
-Let's go and see what we can find. -Let's soldier on. | 0:05:55 | 0:05:57 | |
I had a vague idea that was the sort of figure, the bottom figure should be around £100, £150. | 0:05:58 | 0:06:05 | |
And I'm very aware that the final price depends on how many people are interested on the day. | 0:06:05 | 0:06:11 | |
Let's hope there are loads of people interested. | 0:06:11 | 0:06:13 | |
'With valuables and an expert of such high standard, I don't think that's going to be a problem. | 0:06:13 | 0:06:19 | |
'But with a £500 target to meet, | 0:06:19 | 0:06:21 | |
'we're going to need plenty of quality goodies to entice our bidders. | 0:06:21 | 0:06:24 | |
And in the home of such a fashion-conscious lady, Paul's stylish find comes as no surprise.' | 0:06:24 | 0:06:31 | |
I must say, these are fantastic, aren't they? | 0:06:31 | 0:06:33 | |
-They're gorgeous. -Are these a family heirloom? | 0:06:33 | 0:06:36 | |
No, they belonged to a lady I knew, | 0:06:36 | 0:06:38 | |
and I believe it was probably an insert on a beautiful dress she wore in the '20s, sort of flapper style. | 0:06:38 | 0:06:46 | |
The 1920s was the age where people used to recycle, materials were very expensive. | 0:06:46 | 0:06:52 | |
So what they would do, they would have items like this that would sew on to your dress, | 0:06:52 | 0:06:56 | |
and once your material had worn away, you could reuse it, and put them on something else. | 0:06:56 | 0:07:00 | |
But this is all beadwork. | 0:07:00 | 0:07:02 | |
Yes, it's magnificent. This is jet, I understand. | 0:07:02 | 0:07:05 | |
Well, it's a French jet. | 0:07:05 | 0:07:06 | |
Jet is quite distinctive when you look at it, this is shiny, almost glass-like. | 0:07:06 | 0:07:12 | |
And it tends to be made in France. | 0:07:12 | 0:07:15 | |
And what they would do was to make these wonderful patterns, and sell them separately. | 0:07:15 | 0:07:20 | |
so you could go along, and you could buy any design. | 0:07:20 | 0:07:22 | |
But this is very 1920s, very Art Deco. | 0:07:22 | 0:07:25 | |
-Oh, yes, very. And would those have been hand sewn? -All hand sewn. -That's what I thought, | 0:07:25 | 0:07:31 | |
because they're minute, these little ones here. | 0:07:31 | 0:07:33 | |
Yes, it's taken someone an awful long time to do that. | 0:07:33 | 0:07:36 | |
But the whole jazz era was like that. | 0:07:36 | 0:07:38 | |
You had the short haircuts and the slim dresses. | 0:07:38 | 0:07:41 | |
I mean the dances that they had, the cocktail parties, the motor cars, it sums up that era. | 0:07:41 | 0:07:47 | |
Well, if we said at least £40. Does that sound OK? | 0:07:47 | 0:07:50 | |
Yes, that sounds good. | 0:07:50 | 0:07:52 | |
-Great, let's hope we find a good home for them. -Good. -Excellent. | 0:07:52 | 0:07:55 | |
I've always thought it was hand beaded, but I was never really sure, because it's such an amazing thing, | 0:07:57 | 0:08:02 | |
when you look at it there must be thousands and thousands of beads there, all sewn on by hand. | 0:08:02 | 0:08:08 | |
So Paul did clarify that for me. | 0:08:08 | 0:08:11 | |
'There are so many exquisite items on display in Gail's home, | 0:08:11 | 0:08:15 | |
'that choosing what goes and what stays is no easy task. | 0:08:15 | 0:08:17 | |
'Eagle-eyed Paul thinks this French brass-cased carriage clock, | 0:08:17 | 0:08:22 | |
'which has stood on the mantelpiece since Gail was a child, | 0:08:22 | 0:08:26 | |
'could fetch £50 to £80. | 0:08:26 | 0:08:28 | |
'Gail's home is far removed from her exuberant past, and I'm keen to find out more about those early days.' | 0:08:28 | 0:08:35 | |
Gail, you have such a wonderfully colourful home. | 0:08:35 | 0:08:40 | |
It's vibrant with colour everywhere. | 0:08:40 | 0:08:43 | |
-I love it, yes. Mediterranean. -Is that what the influence is? | 0:08:43 | 0:08:47 | |
Yeah, I'm pretending I'm in a hot country. | 0:08:47 | 0:08:49 | |
But is that because of all the travelling you've done as well? | 0:08:49 | 0:08:52 | |
Probably, yes. I love bright colours and bright-coloured flowers, and that sort of thing. | 0:08:52 | 0:08:57 | |
You were a model. How did that come about? | 0:08:57 | 0:09:00 | |
It was really from a friend at school. | 0:09:00 | 0:09:02 | |
I really wanted to do languages, and her mother's best friend was in fashion in London. | 0:09:02 | 0:09:10 | |
And they nicknamed me Long Shanks, because I was tall and skinny, | 0:09:10 | 0:09:14 | |
and said, "You should be a model." | 0:09:14 | 0:09:16 | |
I went to modelling school, and the rest is history. | 0:09:16 | 0:09:19 | |
But you were a catwalk model, what did that entail? | 0:09:19 | 0:09:23 | |
Well, looking snooty and wearing gorgeous clothes, really. | 0:09:23 | 0:09:28 | |
You must have had some fantastic times as a model, | 0:09:28 | 0:09:30 | |
but is there one occasion that stands out in your memory? | 0:09:30 | 0:09:33 | |
Probably the show we did for Princess Margaret. | 0:09:33 | 0:09:39 | |
She was the guest of honour. it was a charity show. | 0:09:39 | 0:09:41 | |
Each model was given a detective who was in charge of her at her booth. | 0:09:41 | 0:09:48 | |
And you'd go out onto the stage in your full-length chinchilla, and bedecked out in all the diamonds, | 0:09:48 | 0:09:55 | |
and directly you got back to the booth, the fur coats were dragged off you by one guy, | 0:09:55 | 0:09:59 | |
and the diamonds and the necklaces were torn off you by another, | 0:09:59 | 0:10:02 | |
and you were left standing there in your cami knickers, and waiting for the next fur coat to be put on. | 0:10:02 | 0:10:07 | |
So these guys had quite a giggle. | 0:10:07 | 0:10:09 | |
And because Princess Margaret was there, | 0:10:09 | 0:10:11 | |
not only was the security horrendous for the jewels and the furs, but obviously for her as well. | 0:10:11 | 0:10:15 | |
Now, your house is not just colourful, it's full of wonderful things. | 0:10:15 | 0:10:19 | |
Are these things you've inherited, or that you've kind of picked up on your travels? | 0:10:19 | 0:10:24 | |
Mostly inherited. Mostly family, my mother's family had some lovely bits, | 0:10:24 | 0:10:30 | |
and obviously my mother now is unfortunately no longer with us, so I've now got them. | 0:10:30 | 0:10:35 | |
We have a £500 target to get a new fire for your front room. | 0:10:35 | 0:10:38 | |
Your friends all think that's a bit of a special room. | 0:10:38 | 0:10:41 | |
Yes, they do. They call it my "posh room," and I never know why, really. | 0:10:41 | 0:10:46 | |
I feel I should make more use of it, and once I have the fire, | 0:10:46 | 0:10:50 | |
that will be a focal point, and make it really special. | 0:10:50 | 0:10:53 | |
If we're going to raise that money, I think we should take our tea with us, and see what else we can find. | 0:10:53 | 0:10:58 | |
'Getting Gail's home warmed up for winter, though, | 0:10:58 | 0:11:01 | |
'means that lots more precious bits and bobs need to be found. | 0:11:01 | 0:11:04 | |
'Tucked away in a cupboard, I find an exquisite Art Deco tea set for two, | 0:11:04 | 0:11:09 | |
'which once belonged to her mother. | 0:11:09 | 0:11:11 | |
'This could top up our funds by at least £40 to £50. | 0:11:11 | 0:11:14 | |
'Although, if we don't raise enough money today, we may still be needing Norman's next discovery.' | 0:11:14 | 0:11:20 | |
What have we got, Norman? | 0:11:20 | 0:11:21 | |
Candlesticks, we've got a pair of them here. | 0:11:21 | 0:11:23 | |
-What do you think? -That's quite nice, isn't it? | 0:11:23 | 0:11:26 | |
Are these something that you use a lot, or just now and again? | 0:11:26 | 0:11:29 | |
They have a candle in them and they sit on the mantelpiece, | 0:11:29 | 0:11:32 | |
and I usually light them at Christmas time. | 0:11:32 | 0:11:35 | |
That's exactly what people do with them. | 0:11:35 | 0:11:37 | |
The candlestick itself goes back well before electricity and gas. | 0:11:37 | 0:11:42 | |
This was the only form of light at one point. | 0:11:42 | 0:11:45 | |
These are French. Have you any French connection? | 0:11:45 | 0:11:48 | |
Not as far as I know. | 0:11:48 | 0:11:50 | |
They were always in my grandmother's home, and my mother used to joke and say, "Mind the Rouen candlesticks." | 0:11:50 | 0:11:56 | |
So she wasn't far out when she said Rouen, | 0:11:56 | 0:11:59 | |
so she obviously knew perhaps they were French, | 0:11:59 | 0:12:01 | |
but obviously I was too young to appreciate anything like that. | 0:12:01 | 0:12:05 | |
So, no, I've never lived anywhere where they haven't been there on the mantelpiece. | 0:12:05 | 0:12:09 | |
Funny you should Rouen, actually, cos that is the region where these come from. | 0:12:09 | 0:12:13 | |
It's known as faience, actually, in French, it's a type of earthenware. | 0:12:13 | 0:12:18 | |
What you've got to remember is that the Chinese had the secret of making real porcelain for over 2,000 years. | 0:12:18 | 0:12:24 | |
All the European factories were trying to make that. | 0:12:24 | 0:12:27 | |
And the way that this particular model was done, | 0:12:27 | 0:12:30 | |
is that you would have an earthenware body, almost like a brick, like rough clay, | 0:12:30 | 0:12:34 | |
and they covered it with a tin glaze, which is this white glaze. | 0:12:34 | 0:12:38 | |
And the way to tell it, it's very easily damaged, | 0:12:38 | 0:12:40 | |
if you look at the edge, you get lots and lots of little chips, and that's a trademark of this style. | 0:12:40 | 0:12:46 | |
-But very colourful, these colours are typically French, probably 1890, 1900, that sort of time. -Really? | 0:12:46 | 0:12:53 | |
-Yeah. So let's have a look at the other one, Norman. -A good find, then? | 0:12:53 | 0:12:56 | |
-There we are, yes. -Well done. | 0:12:56 | 0:12:59 | |
-Oh, this one's a little bit damaged. -Yes, I know. | 0:12:59 | 0:13:01 | |
Right. If I said sort of £30 to £50, does that sound all right? | 0:13:01 | 0:13:06 | |
-Yeah. -All right with you, Norman? -Yes, that's fine by me. | 0:13:06 | 0:13:09 | |
All right, so let's keep looking. | 0:13:09 | 0:13:12 | |
The price, obviously, | 0:13:15 | 0:13:17 | |
I'm not... I don't know what they're worth. | 0:13:17 | 0:13:21 | |
I wish they were in perfect condition, and then they'd be worth a lot more, | 0:13:21 | 0:13:25 | |
but there you are. There you go. | 0:13:25 | 0:13:27 | |
'Perhaps if Gail had listened to her mother and "minded the Rouen," | 0:13:27 | 0:13:30 | |
'the faience candlesticks might be worth a bit more. | 0:13:30 | 0:13:33 | |
'But we'll need extra treasures if we're going to hit that £500 target. | 0:13:33 | 0:13:38 | |
'Norman comes across these five | 0:13:38 | 0:13:40 | |
'19th century leather-bound miniature ambrotypes, | 0:13:40 | 0:13:43 | |
'or photographs on glass to you and me. | 0:13:43 | 0:13:45 | |
'We're hoping to put a smile on their faces, and ours, | 0:13:45 | 0:13:48 | |
'to the tune of £60 to £70.' | 0:13:48 | 0:13:50 | |
'Meanwhile, it looks like Gail's got designs on our Paul in the bedroom!' | 0:13:50 | 0:13:56 | |
All right, what about this, Paul? | 0:13:56 | 0:13:58 | |
Ah, look at that, wow! | 0:13:58 | 0:14:00 | |
-There's a history to that. -Really? | 0:14:00 | 0:14:02 | |
Go on then. | 0:14:02 | 0:14:03 | |
I wore that in two fashion shows in London, | 0:14:03 | 0:14:07 | |
-and it was made in Paris by Cerruti. -OK. | 0:14:07 | 0:14:12 | |
At the time, I was modelling for ICI, who were, with DuPont, | 0:14:12 | 0:14:18 | |
at the forefront of promoting man-made fibres, | 0:14:18 | 0:14:20 | |
which, strangely enough, this is. | 0:14:20 | 0:14:23 | |
Probably crimplene, I don't really remember to be sure. | 0:14:23 | 0:14:27 | |
That's amazing. ICI did actually try and pioneer that whole nylon and polyester clothing, | 0:14:27 | 0:14:33 | |
it was the new fabric. | 0:14:33 | 0:14:35 | |
This was one of their huge shows to promote the fabrics. | 0:14:35 | 0:14:38 | |
Really? So it's quite an early sort of work, right. | 0:14:38 | 0:14:41 | |
Do you know whether these would have been expensive at the time? | 0:14:41 | 0:14:44 | |
Well, that would have been quite pioneering and probably, yes, | 0:14:44 | 0:14:48 | |
expensive to produce, because they were made it Paris for us specially. | 0:14:48 | 0:14:52 | |
As were a load of things that were in this particular show. | 0:14:52 | 0:14:55 | |
The firm is best known, actually, for employing Giorgio Armani. | 0:14:55 | 0:14:59 | |
Really? I didn't know that. | 0:14:59 | 0:15:01 | |
So it's got a great pedigree. | 0:15:01 | 0:15:03 | |
And they went on to produce lots of things for movies, like Pretty Woman and The Witches Of Eastwick. | 0:15:03 | 0:15:08 | |
Well, there's certainly an interest there, | 0:15:08 | 0:15:11 | |
anything that's the first of anything, | 0:15:11 | 0:15:14 | |
if we came across the first miniskirt by Mary Quant, | 0:15:14 | 0:15:16 | |
or, I'll tell you what's having tremendous success at the moment, is Vivienne Westwood. | 0:15:16 | 0:15:20 | |
Of course, she went through all that punk era, and those old punky items now are worth a fortune. | 0:15:20 | 0:15:26 | |
So, fashion does dictate it slightly. This is very elegant, | 0:15:26 | 0:15:29 | |
but not as striking or off the wall as some of these other creations. | 0:15:29 | 0:15:32 | |
But if that goes to auction, again, if I try to be a little conservative, | 0:15:32 | 0:15:36 | |
it's not got the following like Westwood or Chanel or Dior, or any of the big names, | 0:15:36 | 0:15:42 | |
-but I think somebody would wear that today, and that's in its favour. -Yes. | 0:15:42 | 0:15:46 | |
If we said £50 to £80, that sort of price? | 0:15:46 | 0:15:49 | |
Yeah, that sounds good. | 0:15:49 | 0:15:51 | |
-Great. You don't have another one in there have you? -No, sorry! | 0:15:51 | 0:15:54 | |
-Let's have a look just in case! -No! | 0:15:54 | 0:15:56 | |
Come on out, Vivienne! | 0:15:56 | 0:15:58 | |
I suppose I had kind of second thoughts a little bit about the Cerruti trouser suit, | 0:15:58 | 0:16:03 | |
because it brought back memories of how special those days were, | 0:16:03 | 0:16:07 | |
and strutting our stuff, and feeling really great in it. | 0:16:07 | 0:16:11 | |
But I think it should go to a good home where they'll appreciate the nostalgia that goes with it. | 0:16:11 | 0:16:16 | |
'I'm sure it will, Gail, but unfortunately, fires don't come cheap, | 0:16:16 | 0:16:21 | |
'so we must plough on and find heaps more valuables to take to auction, | 0:16:21 | 0:16:25 | |
'like this beautiful Indian gold | 0:16:25 | 0:16:27 | |
'and turquoise brooch in the shape of a floral spray, | 0:16:27 | 0:16:30 | |
'which could bring us another £40 to £50. | 0:16:30 | 0:16:32 | |
'Gail's home is in immaculate condition, | 0:16:32 | 0:16:35 | |
'and that's partly thanks to her handyman friend and neighbour.' | 0:16:35 | 0:16:39 | |
Norman, how did you and Gail meet? | 0:16:39 | 0:16:41 | |
Well, we, generally, when we walk up and down the street, | 0:16:41 | 0:16:45 | |
as people who live in the street, we would say good morning, | 0:16:45 | 0:16:48 | |
and that's how it starts off, and then one thing led to another, | 0:16:48 | 0:16:52 | |
and then she me got involved in doing little jobs for her, | 0:16:52 | 0:16:55 | |
and watering the plants when she was away on holidays, like she quite often is. | 0:16:55 | 0:17:00 | |
She likes to go abroad as much as she can. | 0:17:00 | 0:17:02 | |
And then she returns the favour for me. Comes up when I'm away in the caravan. | 0:17:02 | 0:17:06 | |
So, gardening is a sort of mutual interest? | 0:17:06 | 0:17:11 | |
Well, it's just nice to see things growing, and it's relaxing. | 0:17:11 | 0:17:15 | |
It takes your mind off it. | 0:17:15 | 0:17:16 | |
I used to do a lot of fishing when I was younger, but it's a bit too cold sitting on the river bank. | 0:17:16 | 0:17:21 | |
At least in the back garden I can nip in the shed now and then and have a little... | 0:17:21 | 0:17:25 | |
SHE LAUGHS | 0:17:25 | 0:17:27 | |
Have a beer in the garden shed, can't I? | 0:17:27 | 0:17:30 | |
Have you been to an auction before? | 0:17:30 | 0:17:32 | |
I haven't been, no. I'm looking forward to it. | 0:17:32 | 0:17:34 | |
What do you think you're looking forward to most about the auction? | 0:17:34 | 0:17:38 | |
Just the ambience and the excitement of it, the people, | 0:17:38 | 0:17:42 | |
watching the people after something specific that they want and... | 0:17:42 | 0:17:46 | |
You know, bidding away for it. Yeah, I'm looking forward to it. | 0:17:46 | 0:17:49 | |
Well, that room where she wants the fire seems to be the social centre for you, | 0:17:49 | 0:17:53 | |
your family, and everybody else around here. | 0:17:53 | 0:17:57 | |
I think it's going to make it really nice. | 0:17:57 | 0:17:59 | |
We have a coal effect gas fire, and it's nice, | 0:17:59 | 0:18:02 | |
it makes it homely to sit around. | 0:18:02 | 0:18:05 | |
-You'll have some good nights in there, will you? -Absolutely, with or without the fire! | 0:18:05 | 0:18:10 | |
I think if she's going to get that fire, | 0:18:10 | 0:18:12 | |
-we should go and see what else we can find to take to auction, don't you? -Absolutely. | 0:18:12 | 0:18:16 | |
'We're edging closer to our target, | 0:18:16 | 0:18:19 | |
'and Gail's dream of wintry nights in front of a new fire could soon be a reality if all goes well. | 0:18:19 | 0:18:25 | |
'No longer in the dark is this unusual collection | 0:18:25 | 0:18:27 | |
'of Irish Freemasons ephemera, handed down from a great uncle, | 0:18:27 | 0:18:32 | |
'and Paul is making no secret of his estimated price of £50 to £60. | 0:18:32 | 0:18:36 | |
'But help from Gail's relatives doesn't end there.' | 0:18:36 | 0:18:42 | |
-Gail, this is such a cute little nursing chair, isn't it? -Yes, I love it. | 0:18:42 | 0:18:45 | |
How did it come into the family? | 0:18:45 | 0:18:47 | |
It belonged to my grandmother and her husband, | 0:18:47 | 0:18:50 | |
and it was my grandfather, apparently, so the story goes, | 0:18:50 | 0:18:53 | |
he and his brother used to use it as a toboggan. | 0:18:53 | 0:18:55 | |
Considering that, it's hardly damaged at all, is it? | 0:18:55 | 0:18:59 | |
It's not too bad. | 0:18:59 | 0:19:01 | |
But I just love it. I can never remember it not being around. | 0:19:01 | 0:19:05 | |
-I think we should get Paul to take a look at this. Paul! -Hi, hello. | 0:19:05 | 0:19:09 | |
-What do you make of this, then? -That's quite nice. -Isn't it sweet? | 0:19:09 | 0:19:12 | |
It's an old nursing chair, and the reason it's so close to the ground is so people could nurse the baby. | 0:19:12 | 0:19:17 | |
And what would happen, would be the nanny of the house would look after the small child, | 0:19:17 | 0:19:22 | |
and she would sit and recline close to the ground, so if she did drop the baby, it wouldn't go too far. | 0:19:22 | 0:19:27 | |
It's actually beautifully decorated with these sort of little roses, and the banding down there. | 0:19:27 | 0:19:33 | |
Those are ormolu mounts, and it looks like what they call Empire style. | 0:19:33 | 0:19:37 | |
Right at the beginning of the 19th century, Napoleon tried to be the Emperor of Europe, | 0:19:37 | 0:19:42 | |
which is where the name comes from. | 0:19:42 | 0:19:44 | |
And he was inspired by things he found in Rome and Greece, and places he was visiting. | 0:19:44 | 0:19:48 | |
One of the famous throne chairs that were found is in the shape of an X. | 0:19:48 | 0:19:52 | |
So that's the basic design, this sort of scroll back here. They would decorate them in black, | 0:19:52 | 0:19:56 | |
with gold or ormolu mounts, and that gave the contrast, and that's the style at the time. | 0:19:56 | 0:20:01 | |
It's actually quite elaborate, then, for something that a member of staff would have used. | 0:20:01 | 0:20:06 | |
Don't forget, if you had a member of staff in 1820, you were obviously quite wealthy. | 0:20:06 | 0:20:11 | |
The reason why it's so narrow is if you had a large padded area, | 0:20:11 | 0:20:14 | |
it would sag in the middle, so they made them quite narrow. | 0:20:14 | 0:20:17 | |
This is before the time of the spring. After 1840, they could support it. | 0:20:17 | 0:20:21 | |
So that dates it to before that time. | 0:20:21 | 0:20:24 | |
If it went to auction, what sort of price would it make? | 0:20:24 | 0:20:27 | |
Well, it's seen better days, but I would say at least £40 to £60. | 0:20:27 | 0:20:32 | |
-Does that make any sense? -Right. | 0:20:32 | 0:20:34 | |
£40 to £60, would you be prepared to let it go to auction for that, Gail? | 0:20:34 | 0:20:38 | |
That's a hard one. I'll have to think about that. | 0:20:38 | 0:20:41 | |
If you're going to think about that, we've got to look for some other things to take. | 0:20:41 | 0:20:46 | |
So, let's put the chair back. | 0:20:46 | 0:20:48 | |
No tobogganing down the stairs on it, Paul. | 0:20:48 | 0:20:51 | |
Oh, you spoil all the fun! | 0:20:51 | 0:20:54 | |
The nursing chair is definitely something I'm really not sure about. | 0:20:54 | 0:20:58 | |
I've never been without it in my entire life. | 0:20:58 | 0:21:01 | |
My grandfather brought me up, and the connections with him are pretty strong, | 0:21:01 | 0:21:06 | |
so I've got to do some serious thinking about that. | 0:21:06 | 0:21:09 | |
'That's understandable, and we certainly wouldn't want Gail | 0:21:09 | 0:21:12 | |
'to part with anything she's not 100% sure about it. | 0:21:12 | 0:21:15 | |
'But we will need a final push to secure enough top-notch treats for the saleroom. | 0:21:15 | 0:21:21 | |
'These six hallmarked silver teaspoons in a boxed set by James Walker have caught my eye, | 0:21:21 | 0:21:26 | |
'and Paul values them at very substantial £80 to £100. | 0:21:26 | 0:21:30 | |
'And after years of hard graft, has our expert finally been rewarded for all his efforts?' | 0:21:30 | 0:21:36 | |
This is a fantastic medal. Who does this belong to? | 0:21:36 | 0:21:40 | |
I think it was an uncle. | 0:21:40 | 0:21:43 | |
-A great uncle. -Really? | 0:21:43 | 0:21:45 | |
And he worked for the railway, I believe. | 0:21:45 | 0:21:47 | |
Got you. Well, that fits in, actually. This is an MBE, | 0:21:47 | 0:21:51 | |
which is a Member Of The British Empire. | 0:21:51 | 0:21:53 | |
And they're given to people for outstanding achievements, or dedication to a particular job, | 0:21:53 | 0:21:59 | |
or maybe they've raised lots of money for charity. It's a way officially recognising that. | 0:21:59 | 0:22:04 | |
And there's a hierarchy. It's like a ranking system. | 0:22:04 | 0:22:08 | |
The top one is where you become a Knight or a Dame, | 0:22:08 | 0:22:10 | |
and it works all the way down to this particular medal, which is the MBE. | 0:22:10 | 0:22:14 | |
It says, "To his Majesty the King," | 0:22:14 | 0:22:17 | |
so that's one of the Georges. Now, a little tip, here actually. | 0:22:17 | 0:22:19 | |
This is made by Garrards, who were the Queen's jewellers, | 0:22:19 | 0:22:23 | |
and they had an office in Calcutta, can you see that? | 0:22:23 | 0:22:27 | |
-Yes. -Which they closed in 1930. -Oh. | 0:22:27 | 0:22:29 | |
-So we know that this medal is definitely before that. I would say that's George V. -Yes. | 0:22:29 | 0:22:34 | |
The whole thing's solid silver. | 0:22:34 | 0:22:35 | |
The only unfortunate thing is it hasn't got the gentleman or the lady's name. | 0:22:35 | 0:22:40 | |
No, I thought they were, actually. | 0:22:40 | 0:22:42 | |
I thought the names were printed on the back of the medals. | 0:22:42 | 0:22:45 | |
You find a lot of First World War, a lot of military medals are issued to a person, | 0:22:45 | 0:22:49 | |
and they have the name quite clearly on there. | 0:22:49 | 0:22:51 | |
But these are still collectable, and what you've got is the actual medal itself. | 0:22:51 | 0:22:55 | |
You've got one, and a miniature. | 0:22:55 | 0:22:57 | |
You would wear that at a black tie, or an evening event. | 0:22:57 | 0:23:00 | |
And the fact that it's solid silver, it's made by a reputable company, | 0:23:00 | 0:23:04 | |
and it's collectable little item, actually. If I said at least £100, maybe £150? | 0:23:04 | 0:23:09 | |
-Is that what I would get? -That sound all right? -Yes. Excellent. -Let's tell Norman. | 0:23:09 | 0:23:14 | |
Norman, Angela. | 0:23:14 | 0:23:15 | |
Here we are, we've found a nice medal. | 0:23:15 | 0:23:18 | |
-What is that? -It's an MBE, isn't that fantastic? | 0:23:18 | 0:23:21 | |
How terrific. So, it's nothing you want to keep in the family, we're going to take it to auction. | 0:23:21 | 0:23:26 | |
-How much is this worth? -A minimum of £100. | 0:23:26 | 0:23:29 | |
Wow, that's absolutely terrific. | 0:23:29 | 0:23:30 | |
I can tell you what, the total is that we think you're likely to get now then, Gail. | 0:23:30 | 0:23:36 | |
Because if we add that £100 to everything else that we've looked at today, | 0:23:36 | 0:23:40 | |
and take Paul's lowest estimate, | 0:23:40 | 0:23:42 | |
we should expect to raise £690. | 0:23:42 | 0:23:49 | |
-Ooh, that's not bad, is it? Very good. -It's getting better. | 0:23:49 | 0:23:52 | |
It gets even better, because if we take the little nursing chair as well, | 0:23:52 | 0:23:59 | |
that will take us up to £730. | 0:23:59 | 0:24:01 | |
-Oh, even better! -You could get that cruise after all! | 0:24:01 | 0:24:04 | |
THEY ALL LAUGH | 0:24:04 | 0:24:06 | |
I think you've got to get the fire in first though, Norman. | 0:24:06 | 0:24:09 | |
'I've had a marvellous time looking around Gail's colourful home today, | 0:24:09 | 0:24:13 | |
'and it's provided us with an eclectic mix of choice finds. | 0:24:13 | 0:24:17 | |
'The birthday thank-you to Gail's cousin | 0:24:17 | 0:24:19 | |
'from Winston Churchill, valued at an astounding £150 to £300. | 0:24:19 | 0:24:24 | |
'Hoping to get the bidders in a flap, those hand-sewn | 0:24:24 | 0:24:27 | |
'1920s beadwork panels, with a price tag of £40 to £60. | 0:24:27 | 0:24:32 | |
'Strutting its stuff, the divine Cerruti trouser suit | 0:24:32 | 0:24:36 | |
'worn by Gail at a fashion show in the 1970s, and now worth £50 to £80. | 0:24:36 | 0:24:41 | |
'And finally, another £40 to £60, | 0:24:41 | 0:24:44 | |
'for the Victorian scroll back nursing chair. | 0:24:44 | 0:24:47 | |
'But Gail's still uncertain about letting that one go.' | 0:24:47 | 0:24:50 | |
'Still to come on Cash in the Attic, we're generating surprises all round.' | 0:24:52 | 0:24:57 | |
That's put a smile on your face. | 0:24:57 | 0:24:58 | |
'Living life on the edge.' | 0:24:58 | 0:25:01 | |
All will be revealed. | 0:25:01 | 0:25:03 | |
'But end up creating more jobs for ourselves.' | 0:25:03 | 0:25:06 | |
-You might have to work on that in your shed, Norman. -It's looking that way. | 0:25:06 | 0:25:09 | |
'Will everything go according to plan? | 0:25:09 | 0:25:12 | |
'Find out when the final hammer falls.' | 0:25:12 | 0:25:14 | |
Just last week we were with Gail in that wonderful house that she's got in Colchester, | 0:25:20 | 0:25:24 | |
looking for antiques and collectables that we could sell today, | 0:25:24 | 0:25:28 | |
here at the Chiswick auction rooms in west London. | 0:25:28 | 0:25:30 | |
She wants £500 so she can buy a new fireplace for her front room. | 0:25:30 | 0:25:36 | |
We're hoping that we're going to be able to turn the heat up today, when her items go under and hammer. | 0:25:36 | 0:25:41 | |
'If we want to have a successful day, we're relying on these bidders having deep pockets, | 0:25:41 | 0:25:46 | |
'and an eye for quality goods. | 0:25:46 | 0:25:48 | |
'And, no stranger to the finer things in life is our very own Paul Hayes, | 0:25:48 | 0:25:53 | |
'who's already checking out Gail's valuables.' | 0:25:53 | 0:25:55 | |
-Ah, hello. -They are so pretty, aren't they, those faience candlesticks? | 0:25:55 | 0:26:00 | |
They're beautiful. They remind me of Norman in a way, cos he found them. | 0:26:00 | 0:26:03 | |
He found them, didn't he? | 0:26:03 | 0:26:05 | |
But Gail was such a stylish lady, she had some really lovely things. | 0:26:05 | 0:26:09 | |
Yeah, very elegant. You can tell that she's been in that sort of fashion business. | 0:26:09 | 0:26:13 | |
The trouser suit was amazing. | 0:26:13 | 0:26:15 | |
She had lots of things. A real panache. | 0:26:15 | 0:26:17 | |
But I tell you what I haven't seen, and that's that very pretty little nursing chair, | 0:26:17 | 0:26:22 | |
which had very strong family associations for her. | 0:26:22 | 0:26:26 | |
Yes, I think I would be quite reluctant, | 0:26:26 | 0:26:28 | |
because she has an idea who had that originally, and that's priceless sometimes. | 0:26:28 | 0:26:32 | |
I suspect that that probably won't arrive. | 0:26:32 | 0:26:35 | |
-We'd better go and ask her. -OK. | 0:26:35 | 0:26:36 | |
'As the prospective bidders inspect the treasures set for the auction, | 0:26:36 | 0:26:40 | |
'Gail is transported back to her modelling heyday, | 0:26:40 | 0:26:43 | |
'and Norman's on hand with words of encouragement.' | 0:26:43 | 0:26:47 | |
Honestly, I think you should wear it. | 0:26:47 | 0:26:49 | |
-Hi, guys. -Good morning. | 0:26:49 | 0:26:51 | |
Do you know, I think Norman's got a point. | 0:26:51 | 0:26:54 | |
I think if you were to model that, you know, up and down... | 0:26:54 | 0:26:57 | |
Well, I'd need a fee, obviously! | 0:26:57 | 0:26:59 | |
Not you, Norman, you go nowhere near it, mate. | 0:26:59 | 0:27:02 | |
But it does look lovely in the saleroom. | 0:27:02 | 0:27:04 | |
-Are you looking forward to today? -Oh, yes. | 0:27:04 | 0:27:06 | |
Yeah, very much. | 0:27:06 | 0:27:08 | |
But what we haven't seen is that very lovely little nursing chair, | 0:27:08 | 0:27:12 | |
-that your relatives used to use as a toboggan. Have you brought it? -I'm afraid not. | 0:27:12 | 0:27:17 | |
-No? -I had long a hard think about it over the weekend. | 0:27:17 | 0:27:20 | |
-But no, I just want to keep it, I'm afraid. -Lots of memories, in the bedroom. | 0:27:20 | 0:27:25 | |
But lots of other stuff we think is going to do well today, Paul? | 0:27:25 | 0:27:28 | |
I think all your items will do well, | 0:27:28 | 0:27:30 | |
but the Churchill letter, that's such an unusual item, and it's hard to put a price on it. | 0:27:30 | 0:27:35 | |
To the right person, it could go anywhere. So fingers crossed. | 0:27:35 | 0:27:39 | |
-We just need two or three people who are interested. -Exactly. | 0:27:39 | 0:27:43 | |
There are considerably more than two or three people in the auction room. | 0:27:43 | 0:27:46 | |
-So I think we ought to go and take our place. -OK. | 0:27:46 | 0:27:50 | |
'Remember, if you're thinking of buying or selling at auction, | 0:27:50 | 0:27:53 | |
'you'll be responsible for paying commission, | 0:27:53 | 0:27:56 | |
'so do check with your local auction house for further details.' | 0:27:56 | 0:28:00 | |
We're just about to start the sale. | 0:28:03 | 0:28:05 | |
'With auctioneer Tom Keane in position, we find a spot with a clear vantage point, | 0:28:05 | 0:28:10 | |
'as Gail's first family heirloom takes centre stage.' | 0:28:10 | 0:28:13 | |
Lot 128 now, a pair of French decorative candlesticks, 128. | 0:28:13 | 0:28:18 | |
The candlesticks are coming up, then, Norman, | 0:28:18 | 0:28:21 | |
these are things that you found, weren't they? | 0:28:21 | 0:28:23 | |
Yeah, these will be top notch. | 0:28:23 | 0:28:25 | |
What are they worth? £50? | 0:28:25 | 0:28:26 | |
£30? | 0:28:26 | 0:28:29 | |
£20? Somebody give me £20, please, our first lot. | 0:28:29 | 0:28:32 | |
A bid of £20. | 0:28:32 | 0:28:35 | |
Take 22, at £20. 22. | 0:28:35 | 0:28:37 | |
Who will give me 22? 22? 25. 22. | 0:28:37 | 0:28:41 | |
Take 5 at £22. £22. At £22. 25. | 0:28:41 | 0:28:45 | |
28. You say no? We had three people bid, we've got £25! | 0:28:45 | 0:28:49 | |
I'm selling at £25, all done at 25. | 0:28:49 | 0:28:53 | |
So, £25, you're pleased with? | 0:28:53 | 0:28:54 | |
-That's all right, yes. -Good. | 0:28:54 | 0:28:56 | |
'It may have been a slow sale, but we got there in the end. | 0:28:56 | 0:29:01 | |
'Only £475 left to go. | 0:29:01 | 0:29:03 | |
'I hope that this isn't an early indication of what lies ahead, | 0:29:03 | 0:29:07 | |
'as we need to be hitting our estimates if we want to warm up Gail's home. | 0:29:07 | 0:29:10 | |
'And tea-loving expert Paul thinks our next lot | 0:29:10 | 0:29:13 | |
'could see the bids come pouring in.' | 0:29:13 | 0:29:16 | |
I think it's the Art Deco style that is really collectable with this item, | 0:29:18 | 0:29:21 | |
but it has been a smashing cup of tea, I notice one of the cups has been damaged. | 0:29:21 | 0:29:25 | |
-The sugar bowl. -There you go, OK. We're looking for about £40. | 0:29:25 | 0:29:29 | |
Start me at £40 for it? | 0:29:29 | 0:29:31 | |
-30 for it? -Come on. | 0:29:31 | 0:29:34 | |
I'm bid £30. 32. 35. 38. | 0:29:34 | 0:29:38 | |
-Yes, come on. -40. 42. | 0:29:38 | 0:29:40 | |
42, thank you. 45. 48. | 0:29:40 | 0:29:43 | |
48. 50. 52. | 0:29:45 | 0:29:47 | |
At 50, the bid at £50. | 0:29:48 | 0:29:50 | |
Sold at £50, your last chance has gone. | 0:29:50 | 0:29:52 | |
-Terrific. -Excellent. -£50. | 0:29:52 | 0:29:55 | |
Top end of your estimate, Paul. | 0:29:55 | 0:29:57 | |
Exactly, yes, that's four cups of tea, £50, we could be on the High Street. | 0:29:57 | 0:30:02 | |
'At that price, I'm thinking Kensington High Street.' | 0:30:02 | 0:30:05 | |
That was a good surprise, yes, one of the pieces is slightly cracked. | 0:30:06 | 0:30:11 | |
But the rest is in good condition, and it's very pretty. | 0:30:11 | 0:30:14 | |
Looks lovely in a cabinet, even if you don't use it. | 0:30:14 | 0:30:17 | |
'And maybe the person who bought our glorious tea set would like a silver teaspoon to accompany it? | 0:30:17 | 0:30:23 | |
'Well, six, to be more precise.' | 0:30:23 | 0:30:26 | |
There is a saying, "born with a silver spoon," and I looked at you, Norman. | 0:30:26 | 0:30:32 | |
-But these are great value. -And a good make. | 0:30:32 | 0:30:34 | |
And a good make, yes, James Walker. | 0:30:34 | 0:30:37 | |
Start me at £40. A £40 bid? | 0:30:37 | 0:30:40 | |
At £40. A bid at £40. | 0:30:42 | 0:30:45 | |
The lady with the baby, she wants the silver spoon to go in the baby's mouth. | 0:30:45 | 0:30:50 | |
I'm going to sell at £40, a bid there at £40. | 0:30:50 | 0:30:52 | |
No further interest, I'm going to sell at £40. | 0:30:52 | 0:30:55 | |
'That's a disappointing result, selling £40 under Paul's lowest estimate. | 0:30:55 | 0:31:00 | |
'That lucky baby bagged a bargain there. | 0:31:00 | 0:31:02 | |
'To reach that £500 target and get the home fires burning, | 0:31:04 | 0:31:08 | |
'we're going to need plenty of generous deals coming our way. | 0:31:08 | 0:31:12 | |
'But will the bidders be going "Ooh la la" for Gail's French delight?' | 0:31:12 | 0:31:16 | |
Lot number 108 now, a brass-cased carriage clock. | 0:31:16 | 0:31:19 | |
Where did this come from? | 0:31:19 | 0:31:21 | |
That's always been around, again, on my family mantelpiece, | 0:31:21 | 0:31:24 | |
and I think it was made in France. It's just something that's always been there. | 0:31:24 | 0:31:29 | |
A nice little timepiece though, Paul? | 0:31:29 | 0:31:31 | |
Yes, exactly. Most of the good quality carriage clocks were made in France. But there is a glass missing. | 0:31:31 | 0:31:37 | |
It needs a bit of attention. | 0:31:37 | 0:31:38 | |
-Well, let's watch it go. -It could be nice, £50? £30? | 0:31:38 | 0:31:43 | |
Come on. | 0:31:43 | 0:31:46 | |
No offers at £30, I'll pass the lot. | 0:31:46 | 0:31:49 | |
No offers at £30. Sorry, no bids. | 0:31:49 | 0:31:51 | |
Potentially that's a very good clock indeed, so don't be disheartened, | 0:31:51 | 0:31:54 | |
but it's the amount of time it takes someone to do it. | 0:31:54 | 0:31:57 | |
-But I think he did right, rather than let it go for any less. -Definitely, yeah. | 0:31:57 | 0:32:01 | |
-You might have to work on that in your shed, Norman. -It's looking that way. | 0:32:01 | 0:32:06 | |
'Paul's rallying efforts are admirable, | 0:32:06 | 0:32:08 | |
'but unfortunately it won't get us the £50 we expected, | 0:32:08 | 0:32:12 | |
'although Gail's not totally dismissed it yet.' | 0:32:12 | 0:32:15 | |
I wasn't so sure about it, it does need a little bit of attention. | 0:32:15 | 0:32:20 | |
So I might even have something done to it and try to sell it later on again. | 0:32:20 | 0:32:25 | |
'That's the spirit, Gail. | 0:32:25 | 0:32:27 | |
'But with our rocky record so far, we're apprehensive about how our remaining lots will fare. | 0:32:27 | 0:32:33 | |
'However, we put on a brave face, as we stand united, hoping for victory with our next iconic piece.' | 0:32:33 | 0:32:40 | |
148 now, a Winston Churchill signed letter, | 0:32:40 | 0:32:44 | |
it's dated, and on House Of Commons paper, | 0:32:44 | 0:32:47 | |
together with a photograph and leather folder. | 0:32:47 | 0:32:50 | |
I've seen two or three people looking at the Churchill letter. | 0:32:50 | 0:32:53 | |
I think there's a lot of interest in it, and it should go fairly well. | 0:32:53 | 0:32:57 | |
I hope the price is high. | 0:32:57 | 0:33:00 | |
-You've put a reserve on this? -Yes, of £100. | 0:33:00 | 0:33:03 | |
I feel it's worth a lot more than that, but it depends who's here. | 0:33:03 | 0:33:08 | |
It's a very difficult market to compare prices with, | 0:33:08 | 0:33:11 | |
but when items do turn up, it does get a lot of interest. | 0:33:11 | 0:33:14 | |
£100, start me, see where it goes, £100. | 0:33:14 | 0:33:16 | |
Should make much more than this. I'm bid £100. | 0:33:16 | 0:33:20 | |
110. 120? | 0:33:20 | 0:33:22 | |
-130. 140. 150. -You've got two people who want it. | 0:33:22 | 0:33:26 | |
140, say 150. At 150 there, thank you. | 0:33:26 | 0:33:29 | |
New bidder. | 0:33:29 | 0:33:31 | |
150. Disappointing. £150. I'll take 160. | 0:33:31 | 0:33:33 | |
At 150, I'm selling at 150. You've got it at 150. Gone. | 0:33:33 | 0:33:37 | |
Above your reserve, £150. | 0:33:37 | 0:33:40 | |
'The great man tops up our fund with a much-needed £150.' | 0:33:40 | 0:33:45 | |
Obviously, I'd hoped for that to go a bit higher. | 0:33:45 | 0:33:50 | |
It was a lack of bids, a lack of people. | 0:33:50 | 0:33:52 | |
If we'd had two or three more people, it would have probably gone double that. | 0:33:52 | 0:33:56 | |
But never mind. Obviously it's gone to someone who will appreciate it. | 0:33:56 | 0:34:01 | |
'But have the buyers shown enough appreciation to take us anywhere near our £500 target?' | 0:34:01 | 0:34:07 | |
Gail and Norman, it's a bit chilly today, | 0:34:07 | 0:34:09 | |
so I'm sure you're both thinking how wonderful it'll be for you and your neighbours | 0:34:09 | 0:34:15 | |
-to join you in the front room in front of a new fire, yes? -Absolutely. | 0:34:15 | 0:34:18 | |
I can tell you that at the halfway stage, | 0:34:18 | 0:34:20 | |
£500 is what you want to raise, half of 500 is 250, | 0:34:20 | 0:34:23 | |
well, you've made £265 so far. | 0:34:23 | 0:34:26 | |
-Oh, that's not bad, is it? -You're doing better than you thought. -Yes, I think I am. | 0:34:26 | 0:34:31 | |
'That's not a bad half-time total, but there's a lot of pressure riding on our outstanding lots, | 0:34:31 | 0:34:38 | |
'and I'm hoping that we'll see our funds rocket soon. | 0:34:38 | 0:34:41 | |
'Can Gail's vintage treat from the 1920s jazz up the saleroom enough | 0:34:41 | 0:34:45 | |
'to persuade the bidders to part with £40 to £60?' | 0:34:45 | 0:34:48 | |
I have seen these framed up before, and they look wonderful. | 0:34:48 | 0:34:51 | |
So anyone who wants an Art Deco theme to a room, they're very visual things. | 0:34:51 | 0:34:56 | |
So, get your best frock on, Norman! | 0:34:56 | 0:34:58 | |
Here they come. | 0:34:58 | 0:34:59 | |
Are they worth £50? | 0:34:59 | 0:35:01 | |
Are they worth £30? Will somebody bid £30? | 0:35:01 | 0:35:06 | |
£20? No lower, £20. | 0:35:06 | 0:35:08 | |
I'm bid at £20. 22. | 0:35:08 | 0:35:10 | |
25. 28. 30. £28, I'm bid at 28. | 0:35:10 | 0:35:16 | |
£28. Bid so far at £28. | 0:35:16 | 0:35:17 | |
30. I'll take £28. | 0:35:17 | 0:35:18 | |
No further bids at £28 then? See me after. | 0:35:18 | 0:35:21 | |
-Right, not sold. -Yes, he's not going to sell them, but he got a bid of 28. | 0:35:21 | 0:35:26 | |
'Another unsold item. | 0:35:26 | 0:35:28 | |
'That's not good news. But I think Paul's earlier suggestion has had an impact on Gail.' | 0:35:28 | 0:35:34 | |
I'm really quite enthusiastic about having, | 0:35:34 | 0:35:36 | |
particularly the brightly-coloured one, framed, and putting it on a wall. | 0:35:36 | 0:35:40 | |
So, I'm not disappointed. | 0:35:40 | 0:35:42 | |
'That no sale does mean reaching our £500 target, | 0:35:42 | 0:35:46 | |
'and fulfilling Gail's dream of a cosy new fireplace | 0:35:46 | 0:35:49 | |
'are looking pretty slim. | 0:35:49 | 0:35:51 | |
'Surely that will all change when they see Gail's stunning Indian gold and turquoise brooch?' | 0:35:51 | 0:35:57 | |
-You've put a reserve on this, haven't you? -Yes, I just think | 0:35:57 | 0:36:00 | |
it's a pretty brooch, again, maybe I'll take it out of the drawer | 0:36:00 | 0:36:04 | |
and start wearing it, but I'm hoping it will sell. | 0:36:04 | 0:36:07 | |
£30 for it. At £30, take 2 at £30. | 0:36:07 | 0:36:12 | |
That can't be it. 32. 35, 38? | 0:36:12 | 0:36:16 | |
You won't buy cheaper stolen. No? | 0:36:18 | 0:36:20 | |
£35 bid. 35. Do you want 38? 40? 42. | 0:36:20 | 0:36:24 | |
45? | 0:36:24 | 0:36:26 | |
48. 50? 5. | 0:36:26 | 0:36:28 | |
50 is bid. Do you want 55? | 0:36:28 | 0:36:30 | |
55. Your bid at £50. 55. You've 5 more to go, haven't you? | 0:36:30 | 0:36:33 | |
Get it out of you. The bid is against you. | 0:36:33 | 0:36:36 | |
55, thank you. 60. | 0:36:36 | 0:36:38 | |
At £55, 55 you've got it. | 0:36:38 | 0:36:41 | |
At £55. | 0:36:41 | 0:36:43 | |
-£55, that's a result. -Excellent. | 0:36:43 | 0:36:47 | |
Yes, I'm pleased with that. | 0:36:47 | 0:36:49 | |
It was a delicate little brooch, and hopefully someone's bought it to give to a loved one. | 0:36:49 | 0:36:55 | |
'With that result, maybe our love affair | 0:36:55 | 0:36:57 | |
'with the bidders is back on track, and not a moment too soon, | 0:36:57 | 0:37:01 | |
'as the Freemasons ephemera inherited from Gail's great uncle is up next, | 0:37:01 | 0:37:04 | |
'and we desperately need the £50 to £60 estimate for this.' | 0:37:04 | 0:37:08 | |
It's there at £32. | 0:37:08 | 0:37:10 | |
£32 it is. That's it. £32. | 0:37:10 | 0:37:12 | |
-Presumably you didn't want them in the house any more? -No. | 0:37:12 | 0:37:15 | |
-You'd rather have the £32? -Yes. -That's bought a couple of logs, hasn't it? | 0:37:15 | 0:37:19 | |
'Well, there certainly wasn't much luck of the Irish with that little lot. | 0:37:19 | 0:37:23 | |
'But it could be worse, at least it made us some money, | 0:37:23 | 0:37:26 | |
'and today we've got to be thankful for small mercies. | 0:37:26 | 0:37:29 | |
'It just goes to show, you never can tell what's going to happen at auction. | 0:37:29 | 0:37:34 | |
'If we need Gail to be warming herself by a new fire though, | 0:37:34 | 0:37:37 | |
'we need her fashionable past to change her future.' | 0:37:37 | 0:37:40 | |
378 now. | 0:37:40 | 0:37:42 | |
A Cerruti ladies trouser suit, 1970s design. | 0:37:42 | 0:37:48 | |
Now, let me tell you, you could not go down to Bond Street | 0:37:48 | 0:37:51 | |
and buy a Cerruti trouser suit for between £50 and £80, | 0:37:51 | 0:37:53 | |
-which is the price you put on this lovely suit that you wore in that fashion show. -Yes. | 0:37:53 | 0:37:58 | |
-So we're hoping for good things from this? -We certainly are. | 0:37:58 | 0:38:01 | |
All will be revealed! | 0:38:01 | 0:38:03 | |
And can we have £50 for it? | 0:38:03 | 0:38:07 | |
£40 for it? It's all gone quiet over there. £40? | 0:38:07 | 0:38:09 | |
£40? No bids of £40? I can't believe it. £40? No bids at all. | 0:38:09 | 0:38:13 | |
At £40, I'll have to stop. | 0:38:13 | 0:38:15 | |
Come and see me after if you change your mind. | 0:38:15 | 0:38:17 | |
Ah, there you go. | 0:38:17 | 0:38:20 | |
I'm surprised there wasn't any interest whatsoever. But there again, | 0:38:20 | 0:38:24 | |
I shall take it home and treasure it for a bit longer. | 0:38:24 | 0:38:28 | |
Maybe wear it. | 0:38:28 | 0:38:30 | |
'With a £500 target to make for Gail's roaring new fireplace, | 0:38:30 | 0:38:34 | |
'we can't afford to be taking things home with us. | 0:38:34 | 0:38:38 | |
'So the Victorian leather-cased ambrotypes need to sell, | 0:38:38 | 0:38:41 | |
'and ideally bring us no less than £60.' | 0:38:41 | 0:38:43 | |
For £60, your last chance. It sells, all done. | 0:38:43 | 0:38:47 | |
-That's put a smile on your face. -Yes. | 0:38:47 | 0:38:49 | |
'And not before time. | 0:38:49 | 0:38:51 | |
'A very majestic £60 goes towards Gail's fire fund. | 0:38:51 | 0:38:55 | |
'There's no escaping the fact that today's auction has dealt us some real low blows, | 0:38:55 | 0:39:00 | |
'and I think Gail and Norman deserve an award for their valiant efforts. | 0:39:00 | 0:39:04 | |
'Maybe if our last lot of the day sells, it'll be reward enough.' | 0:39:04 | 0:39:09 | |
Lot 398 now, a case of hallmarked silver MBE medals. | 0:39:09 | 0:39:14 | |
I had a word with the auctioneer, Paul, and he says if you were able to get provenance of this, | 0:39:14 | 0:39:19 | |
the certificate or letter that went with it, then the sky is the limit on the price, | 0:39:19 | 0:39:24 | |
-but you don't have any of those things, do you? -No. | 0:39:24 | 0:39:26 | |
What a shame, but nevertheless a nice thing in its own right in its case. | 0:39:26 | 0:39:30 | |
Yes, as it is I've tried to be conservative just to get it to auction, | 0:39:30 | 0:39:33 | |
but let's see how we get on, eh? | 0:39:33 | 0:39:35 | |
£80, I can see you twittering a bit first. | 0:39:35 | 0:39:39 | |
Now, you've a reserve on this of £100, haven't we? | 0:39:39 | 0:39:42 | |
85. 90. 5. 100. £110. | 0:39:42 | 0:39:45 | |
Past your reserve. | 0:39:45 | 0:39:47 | |
£110. Another bid, £110. Take 120. | 0:39:47 | 0:39:49 | |
£110. Thank you, a new bid. At £130. | 0:39:49 | 0:39:53 | |
At £120, take £130, selling. All done at £120. | 0:39:53 | 0:39:57 | |
There you go. | 0:39:57 | 0:39:59 | |
£120, pleased with that? | 0:39:59 | 0:40:00 | |
-Yes, yes. -You don't sound too convinced? | 0:40:00 | 0:40:03 | |
No, I'm a little bit disappointed. | 0:40:03 | 0:40:07 | |
I thought it would make £150, I really did. | 0:40:07 | 0:40:10 | |
Never mind. | 0:40:10 | 0:40:12 | |
It hit your reserve plus some. | 0:40:12 | 0:40:14 | |
-Yes, yes. -So, £120 for the MBE. | 0:40:14 | 0:40:17 | |
'Well, after the day we've had, £120 is a refreshing change. | 0:40:17 | 0:40:21 | |
'But have the erratic sales taken their toll on our final result?' | 0:40:21 | 0:40:26 | |
Well, Gail and Norman, an interesting day today. Three no sales. | 0:40:26 | 0:40:31 | |
-I hope you've brought a big enough bag to take them all home in? -Just. | 0:40:31 | 0:40:35 | |
Well, £500 was the target so that you could have that new fireplace in the posh front room, | 0:40:35 | 0:40:41 | |
and in spite of the three no sales, | 0:40:41 | 0:40:43 | |
I can tell you what you've actually raised today is £532. | 0:40:43 | 0:40:49 | |
Oh, that's not too bad, then, is it? | 0:40:49 | 0:40:52 | |
Not a bad day's work, is it? | 0:40:52 | 0:40:53 | |
-Yes, not bad. -A fireplace, and maybe a little something to christen it? | 0:40:53 | 0:40:58 | |
-Oh, definitely. -Yeah, just a little! | 0:40:58 | 0:41:01 | |
'Well, it's been a few weeks now since we raised £532 at auction for Gail to buy a new fireplace | 0:41:07 | 0:41:13 | |
'to warm her front room, | 0:41:13 | 0:41:15 | |
'and today she's come along to her local showroom with Norman and his wife Mita.' | 0:41:15 | 0:41:20 | |
My intention is to try and buy a log-burning gas powered stove, | 0:41:21 | 0:41:26 | |
and I've come here today to look around, see what they've got, | 0:41:26 | 0:41:30 | |
and see if I'm going to be able to afford it, that sort of thing. | 0:41:30 | 0:41:33 | |
-Hello, there. Hello, I'm Gail. -I'm Justine. | 0:41:33 | 0:41:37 | |
'With so many to choose from, it's not long before Gail spots one she likes.' | 0:41:37 | 0:41:42 | |
I think that's gorgeous, but it's probably not right for my house, unfortunately, don't you think? | 0:41:42 | 0:41:48 | |
'Well, in that case, how about something more traditional?' | 0:41:48 | 0:41:54 | |
I think that, frankly, is probably as near as what I'm going to get. | 0:41:54 | 0:41:58 | |
In a matt black, and with logs, not with coals. | 0:41:58 | 0:42:03 | |
'With just over £400 spent on the fireplace of her dreams, Gail's still got cash to spare.' | 0:42:03 | 0:42:10 | |
Right, I've sorted it all out, chosen a fireplace, | 0:42:10 | 0:42:14 | |
and now Norman and Mita and I are going off for a drink to celebrate. | 0:42:14 | 0:42:18 | |
-To your new fireplace. -Thank you. | 0:42:18 | 0:42:21 | |
Subtitles by Red Bee Media Ltd | 0:42:47 | 0:42:50 |