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Welcome to the show that searches out your hidden treasures | 0:00:02 | 0:00:05 | |
and helps you sell them at auction. | 0:00:05 | 0:00:08 | |
I'm on the River Thames at Greenwich, | 0:00:08 | 0:00:11 | |
a site well-known for its World Heritage Status. | 0:00:11 | 0:00:15 | |
It's the oldest borough in London and the home of Greenwich Mean Time. | 0:00:15 | 0:00:19 | |
It marks the starting point of every time zone in the world, | 0:00:19 | 0:00:23 | |
measured from the Prime Meridian, based at Sir Christopher Wren's Royal Observatory. | 0:00:23 | 0:00:29 | |
So no shortage of magnificent sights here then. | 0:00:29 | 0:00:32 | |
Let's just hope the trend continues as we search out antiques to go under the hammer. | 0:00:32 | 0:00:38 | |
Coming up on Cash In the Attic - Paul gets an offer he can't refuse. | 0:00:58 | 0:01:03 | |
-I can give you a pump. -It's still working! -Next stop the stars. | 0:01:03 | 0:01:07 | |
-Accusations are running high. -Unscrupulous people used to take the bell off. -Ah... How very dare you?! | 0:01:07 | 0:01:14 | |
It gets too much in the saleroom. | 0:01:14 | 0:01:17 | |
-Fantastic. -£360. | 0:01:17 | 0:01:19 | |
-I'm crying! -Oh, don't cry. | 0:01:19 | 0:01:21 | |
But will we be pleased with the result when the final hammer falls? | 0:01:21 | 0:01:25 | |
I'm on my way to meet Robert Gray. | 0:01:25 | 0:01:28 | |
He's called us to raise some funds in time for the Olympic Games. | 0:01:28 | 0:01:34 | |
Robert Gray has run a small guesthouse in Greenwich | 0:01:34 | 0:01:40 | |
for seven years and, when he's not chained to the kitchen sink, he's treading the boards, | 0:01:40 | 0:01:45 | |
which he's done professionally for the last 30 years. | 0:01:45 | 0:01:50 | |
With his friend Julia, he's hoping to clear out clutter he's managed | 0:01:50 | 0:01:54 | |
to accumulate in collectables from Greenwich Antiques Market. | 0:01:54 | 0:02:00 | |
-Good morning, Paul. -Good morning. -What do you think of Greenwich? | 0:02:00 | 0:02:04 | |
-It's fantastic. The history here is amazing. -Some nice shops as well. | 0:02:04 | 0:02:08 | |
-I won't go there! -Right. -Today we've got a gentleman who's got a lot of stuff to get through. | 0:02:08 | 0:02:14 | |
-There's a sporting collection somewhere. -Well, yes, sort of. | 0:02:14 | 0:02:17 | |
The connection will become apparent later. Shall we go in? | 0:02:17 | 0:02:21 | |
-OK. -You can start rummaging, and I'll meet the gang. -Great. | 0:02:21 | 0:02:26 | |
-Ah, good morning. -Hello. | 0:02:26 | 0:02:29 | |
-Hello. -I've come to find out why you've called in Cash In the Attic. | 0:02:29 | 0:02:33 | |
Well, we've got so much toot lying around and we thought | 0:02:33 | 0:02:39 | |
as the Olympics are coming, we should jush the place up a bit. | 0:02:39 | 0:02:45 | |
And if there's anything left over, I'd like to take Julia for a day out. | 0:02:45 | 0:02:51 | |
-I'd like that, too. -What sort of day out? | 0:02:51 | 0:02:54 | |
-Well, that's a surprise. -Oh. -That's something to look forward to, then. | 0:02:54 | 0:02:59 | |
-Julia, what do you think? -I think it's great. | 0:02:59 | 0:03:01 | |
Robert is not a minimalist, so there's an awful lot of gorgeous things around. | 0:03:01 | 0:03:07 | |
Some he'd ever get rid of, but lots of which, I don't suppose you'd care if they went. | 0:03:07 | 0:03:12 | |
-It's nice that somebody else should have it. -Money needs to be raised. | 0:03:12 | 0:03:17 | |
We've got to keep the standards flying. | 0:03:17 | 0:03:19 | |
So where's all the stuff come from, Robert? | 0:03:19 | 0:03:23 | |
I am a bit of a kleptomaniac sort of thing and I go to Greenwich market an awful lot. | 0:03:23 | 0:03:29 | |
-I don't know if you've ever been? -I have. -You have! | 0:03:29 | 0:03:33 | |
-Greenwich market is actually in here. -Is it? | 0:03:33 | 0:03:36 | |
-Yes, it is. -I think you're right. It started over there. | 0:03:36 | 0:03:40 | |
We're giving back to all the poor dealers with nothing left to sell. | 0:03:40 | 0:03:45 | |
So how much are you actually looking to raise? | 0:03:45 | 0:03:48 | |
Well, if we could raise £500 that would be fantastic. | 0:03:48 | 0:03:52 | |
£500?! Is that how much you're going to spend on my day out? | 0:03:52 | 0:03:56 | |
-No, that's not on the day out, is it? -No, it's not! | 0:03:56 | 0:04:00 | |
So if we make some extra, what have you got in mind for the day out? | 0:04:00 | 0:04:05 | |
Well, I think I might take Julia out in my very old car. | 0:04:05 | 0:04:10 | |
It's a 1959 Morris Oxford estate. | 0:04:10 | 0:04:13 | |
-Lovely. -So actually Julia can lie out flat in the back... | 0:04:13 | 0:04:17 | |
-What are you implying? -I dunno. -I don't know! | 0:04:17 | 0:04:20 | |
So we need to raise £500 so you can redecorate and also take Julia out. | 0:04:20 | 0:04:26 | |
Cos she works so hard. | 0:04:26 | 0:04:29 | |
-What a laugh. -We'd better do some hard work instead of staying here. | 0:04:29 | 0:04:33 | |
-Come on, let's go! -Oh, we're going to start. | 0:04:33 | 0:04:37 | |
I think we've got our hands full! | 0:04:37 | 0:04:39 | |
Robert's place is littered with fabulous collectables | 0:04:39 | 0:04:43 | |
from ferreting around the local antique market every week. | 0:04:43 | 0:04:47 | |
With such an eclectic mix of goodies on display, our expert, Paul Hayes, has certainly got his work cut out, | 0:04:47 | 0:04:54 | |
but that hasn't stopped him homing in on this miniature classic. | 0:04:54 | 0:04:58 | |
-Ah, hello. -Ah, hi, Paul. Isn't this an amazing place? -It's fantastic! | 0:04:58 | 0:05:03 | |
Julia's here to help. Have you found something already? | 0:05:03 | 0:05:06 | |
They do say small is beautiful. | 0:05:06 | 0:05:08 | |
Super quality. The mark's a blue beehive, can you see that? | 0:05:08 | 0:05:12 | |
They're made at a wonderful porcelain factory in Vienna. | 0:05:12 | 0:05:16 | |
-I love the pictures in the middle. -Hand-painted, I should think. | 0:05:16 | 0:05:22 | |
They are. This one on the front here says "Venus & Adonis". | 0:05:22 | 0:05:26 | |
Venus is the Goddess of love and Adonis is the man that was irresistible to all women. | 0:05:26 | 0:05:31 | |
-Yes, yes! -Well, it could be me and you, Lorne. | 0:05:31 | 0:05:34 | |
Yes, shall I be Adonis this time? | 0:05:34 | 0:05:36 | |
-But joking apart, these are fantastic. -A rare pair. | 0:05:36 | 0:05:40 | |
Can't stress how beautiful these are, actually. | 0:05:40 | 0:05:43 | |
You've got this wonderful parcel-gilt finish, which is almost like a gold leaf. | 0:05:43 | 0:05:48 | |
And then hand-embellished with the garden of paradise with these birds. | 0:05:48 | 0:05:53 | |
Super-super quality. | 0:05:53 | 0:05:55 | |
It's always very interesting seeing something through somebody else's eyes. | 0:05:55 | 0:06:01 | |
You suddenly point something out that I hadn't noticed and it's always | 0:06:01 | 0:06:07 | |
quite fun that somebody looks at something that you'd known a long time and you're putting a new... | 0:06:07 | 0:06:13 | |
-Spin on it? -Yeah. | 0:06:13 | 0:06:15 | |
-What value are we talking about? -They are collectable, but what's a Greek urn, at the end of the day? | 0:06:15 | 0:06:21 | |
-About two and six a week. -Yeah! But you must be looking at £80-£150. -No! | 0:06:21 | 0:06:27 | |
Super quality. | 0:06:27 | 0:06:29 | |
-Your day out's getting better. -Better and better, yes. | 0:06:29 | 0:06:32 | |
-So you're happy about them being sold? -I think so. -Very much so. | 0:06:32 | 0:06:36 | |
-Good. -OK, well, we'll see if we can find something else. | 0:06:36 | 0:06:40 | |
-Come on, guys. -Thank you. | 0:06:40 | 0:06:42 | |
I think they're a bit too smart for me and so I think perhaps they ought to go to auction. | 0:06:42 | 0:06:49 | |
I'm a bit shabby really. | 0:06:49 | 0:06:51 | |
More pieces like these, we'll have no problem reaching our £500 target. | 0:06:51 | 0:06:56 | |
But we need to hunt high and low in this Aladdin's cave of treasures to uncover as much as we possibly can. | 0:06:56 | 0:07:03 | |
And it's all aboard on the stairs with this 20th-century model boat, valued at £40-£60. | 0:07:03 | 0:07:09 | |
Sadly, with no famous name though, it could bring us bad luck. | 0:07:09 | 0:07:14 | |
And Paul's childhood fear of going to the dentist is brought bubbling | 0:07:14 | 0:07:18 | |
to the surface when he lays eyes on this tired, old chair. | 0:07:18 | 0:07:22 | |
Robert! I won't ask you the question. Where's this come from? | 0:07:22 | 0:07:26 | |
Well, it's got a history. | 0:07:26 | 0:07:29 | |
-It was in a Hammer House Of Horror movie. -Well, that's amazing. | 0:07:29 | 0:07:33 | |
-I mean, have you any provenance? -Unfortunately not. -What a shame. | 0:07:33 | 0:07:37 | |
Hammer House Of Horror is really popular. It's one of Britain's best-known film companies. | 0:07:37 | 0:07:42 | |
They used actors like Christopher Lee, Peter Cushing. | 0:07:42 | 0:07:47 | |
An old stuck chair. Have you heard that before? | 0:07:47 | 0:07:51 | |
-A what chair? -Stuck - S-T-T-U-C-K. -It's stuck here for some time. | 0:07:51 | 0:07:55 | |
It is rather heavy, but the idea was that it progressed... | 0:07:55 | 0:07:59 | |
I mean, these were a dentist's chair and it progressed | 0:07:59 | 0:08:03 | |
from four legs to having a disc at the bottom, which could be stuck or nailed into the ground. | 0:08:03 | 0:08:08 | |
It stays in situ, and the reason being is that, because it tilts up, if you had an ordinary chair, | 0:08:08 | 0:08:15 | |
they would tilt all the way. | 0:08:15 | 0:08:17 | |
-They have a hydraulic action. -And I can give you a pump, look. | 0:08:17 | 0:08:20 | |
-It's still working! -Next stop the stars. -Unlike some actors, this one is still working. | 0:08:20 | 0:08:26 | |
Good, yes. | 0:08:26 | 0:08:28 | |
But joking apart, these are very collectable items. If you could say, "Peter Cushing sat in this chair," | 0:08:28 | 0:08:34 | |
it's extremely valuable - no way we can prove that? | 0:08:34 | 0:08:38 | |
I'm afraid we can't, but I use it for guests who don't pay. | 0:08:38 | 0:08:42 | |
-Right! -I tie them in it. -And experts that get it wrong? | 0:08:42 | 0:08:45 | |
Well, are you offering? | 0:08:45 | 0:08:48 | |
No! But joking apart... Was it very expensive when you bought it? | 0:08:48 | 0:08:52 | |
-Well, it was like 100 or so. -Well, that sounds about right. | 0:08:52 | 0:08:56 | |
I mean, I'd like to see that go to auction with £100 upwards and see how it goes, really. | 0:08:56 | 0:09:03 | |
Well, it will be "unstuck" here and it can go up. It'll be marvellous. | 0:09:03 | 0:09:08 | |
-You carry it. -It will go through the floor. -Come on. -Marvellous. | 0:09:08 | 0:09:13 | |
Made in the 1900s by DMC Ltd, this chair may look painful, but that estimate certainly isn't. | 0:09:13 | 0:09:20 | |
But there's still plenty of rummaging to be done. | 0:09:20 | 0:09:23 | |
Paul finds this fine wheel barometer by manufacturer Potsie and Co in a rich mahogany. | 0:09:23 | 0:09:30 | |
And although damaged, he still thinks it could make £80-£120, | 0:09:30 | 0:09:34 | |
as long as the mercury column works. | 0:09:34 | 0:09:37 | |
I'm enchanted by these adorable trinkets that Robert | 0:09:37 | 0:09:41 | |
has collected over the years, and grab him to find out more about his other passions in life. | 0:09:41 | 0:09:47 | |
I love everything you've got in this house. Absolutely fantastic. | 0:09:47 | 0:09:51 | |
It's not as though you've collected one particular thing, but just lots of really interesting bits. | 0:09:51 | 0:09:57 | |
Was that intentional? | 0:09:57 | 0:09:59 | |
It's a sort of mish-mash of all sorts of things. I think that's more interesting, don't you? | 0:09:59 | 0:10:05 | |
Absolutely. I like odd bits that maybe you change the purpose of them and what have you. | 0:10:05 | 0:10:10 | |
You've got a real interest in this and a lot of experience. | 0:10:10 | 0:10:14 | |
But tell me a little bit about the acting. How did you get into that? | 0:10:14 | 0:10:19 | |
Well, about 112 years ago, | 0:10:19 | 0:10:21 | |
I went to drama school with that fantastic actress Brenda Blethyn. | 0:10:21 | 0:10:27 | |
And we giggled our way through drama school and she's gone on to bigger and greater things, | 0:10:28 | 0:10:35 | |
but I went on into repertory theatre at Farnham in Surrey. | 0:10:35 | 0:10:40 | |
And then I went and sort of did plays in the West End and all over. | 0:10:40 | 0:10:45 | |
It's been marvellous and I can still stand up and do it from time to time. | 0:10:45 | 0:10:50 | |
Now they say, that for actors, 90% of the time is waiting tables? Is that what you've found? | 0:10:50 | 0:10:57 | |
They want younger and prettier people than me, so I wait my own table doing bed and breakfast every morning. | 0:10:57 | 0:11:04 | |
So, in fact, I do do a show every morning at breakfast, which is another way of acting, I suppose. | 0:11:04 | 0:11:11 | |
I love this house. But you want to do a bit of refurbishment? | 0:11:11 | 0:11:15 | |
Well, if we raise some money. | 0:11:15 | 0:11:18 | |
What's actually happening in a few years' time, they're having the Olympics here. | 0:11:18 | 0:11:23 | |
The equestrian bits are going to be in Greenwich Park, I'm not sure. | 0:11:23 | 0:11:28 | |
So we'd better be smart and ready for the Olympics, don't you think? | 0:11:28 | 0:11:33 | |
-I'm running in a race myself. -Are you? -It's the slow-coach one. | 0:11:33 | 0:11:37 | |
-Let's see if they've found anything else we can sell, I guess. -Come on. | 0:11:37 | 0:11:42 | |
-You first. -Thank you. | 0:11:42 | 0:11:44 | |
Robert may have up until 2012 to do up the place, but we haven't got that long. | 0:11:44 | 0:11:51 | |
To raise £500, we need to find as many top-notch goods as we can. | 0:11:51 | 0:11:56 | |
And investigating a little more, Julia's made an historic find. | 0:11:56 | 0:12:01 | |
I think I might have found something quite interesting here. | 0:12:01 | 0:12:05 | |
-Which door are you? This one. -Yeah. -I'm getting lost today. | 0:12:05 | 0:12:09 | |
-Look at these! -All right. | 0:12:09 | 0:12:11 | |
They're very old. They're very dilapidated anyway. | 0:12:11 | 0:12:14 | |
These are scrap albums. Are these something Robert's done? | 0:12:14 | 0:12:19 | |
No, I know for a fact that Robbie's parents bought these in some junk shop in the '60s. | 0:12:19 | 0:12:25 | |
They are a bit of an heirloom and this one's got the kings and queens of England. | 0:12:25 | 0:12:30 | |
A couple about Victoria. One about visiting Buckingham Palace. | 0:12:30 | 0:12:35 | |
-So they're dead sort of 1890, 1900, that sort of time. -Mmm. | 0:12:35 | 0:12:39 | |
-She's very pretty. -She is very pretty. -Yeah. -Very buxom. Oh, look. | 0:12:39 | 0:12:44 | |
This is all about Mother Hubbard. | 0:12:44 | 0:12:46 | |
"Old Mother Hubbard went to the cupboard to get the poor dog a bone. | 0:12:46 | 0:12:50 | |
"When she got there the cupboard was bare and so the poor dog had none." | 0:12:50 | 0:12:54 | |
Very colourful. | 0:12:54 | 0:12:56 | |
"The Dame made a curtsey, the dog made a bow. | 0:12:56 | 0:12:59 | |
The Dame said, 'Your servant.' The dog said, 'Bow-wow!'" Ha-ha! | 0:12:59 | 0:13:03 | |
That's sweet. I like that. | 0:13:03 | 0:13:05 | |
Wow, yes. Are they worth anything? | 0:13:05 | 0:13:07 | |
Yes. The more topical, the better. | 0:13:07 | 0:13:10 | |
The pages are very colourful, and that one, in particular, with the nursery rhyme, is very good. | 0:13:10 | 0:13:16 | |
I think you're looking £40-£60. | 0:13:16 | 0:13:20 | |
-Gosh. -Does that sound all right? | 0:13:20 | 0:13:22 | |
-I'm sure, yes. -Are these the only two, or are there more? -There might be another somewhere. | 0:13:22 | 0:13:27 | |
-All right. -It'd be worth a look. -OK, well, if I said a minimum of 40 and see how we get on. | 0:13:27 | 0:13:32 | |
-OK. -No point in fighting over it. Let's keep looking. -All righty. | 0:13:32 | 0:13:37 | |
They may be scrap by nature, but at £40-£60, they're far | 0:13:37 | 0:13:42 | |
from being rubbish and it looks like Julia has found that extra one, too. | 0:13:42 | 0:13:47 | |
But Robert's sumptuous home still has plenty more rooms for us to explore. | 0:13:47 | 0:13:53 | |
Hopefully, the guests won't miss this large, copper boiling pot. | 0:13:53 | 0:13:56 | |
Once found in the kitchen of the Savoy, it has a £50-£80 price tag. | 0:13:56 | 0:14:02 | |
And I'm hoping my next find will perform well in the saleroom, too. | 0:14:02 | 0:14:08 | |
I've found some really lovely Pelham puppets here, including Big Ears! | 0:14:08 | 0:14:14 | |
-I haven't found Noddy yet. -These are fantastic, aren't they? | 0:14:14 | 0:14:18 | |
So these are your puppets? | 0:14:18 | 0:14:20 | |
Yes, I got them when I went to school and I started to put | 0:14:20 | 0:14:24 | |
on plays with them and that's what encouraged me to become an actor. | 0:14:24 | 0:14:28 | |
So they've got a provenance. | 0:14:28 | 0:14:31 | |
Well, these are fantastic toys. | 0:14:31 | 0:14:33 | |
A whole generation has never seen anything like this. | 0:14:33 | 0:14:37 | |
We're so used to using computers and board games. | 0:14:37 | 0:14:40 | |
-To actually have hands-on items is great. -Alive after 40 years. | 0:14:40 | 0:14:45 | |
I think with Bob Pelham, he originally... | 0:14:45 | 0:14:48 | |
In WW2, how he got into all this... | 0:14:48 | 0:14:50 | |
When you say about your acting... He invented the Wonky Donkey. | 0:14:50 | 0:14:55 | |
-What's that? -It's that donkey that moves around when you press a button. -Oh, I know! Yes. | 0:14:55 | 0:15:01 | |
And that was a real success. | 0:15:01 | 0:15:04 | |
After the war, | 0:15:04 | 0:15:06 | |
he made these sort of puppets, but because lots of things were scarce really, materials, | 0:15:06 | 0:15:12 | |
he'd get bits of door knobs, bits of rubber from the gas masks, bits of old wood. | 0:15:12 | 0:15:17 | |
So there's no two the same. | 0:15:17 | 0:15:19 | |
-All hand crafted. -They're rather beautifully sort of modelled. | 0:15:19 | 0:15:24 | |
I mean, that is part of the charm. | 0:15:24 | 0:15:27 | |
There's a lot of love gone into these and a real art. | 0:15:27 | 0:15:31 | |
-I think there's about five or six. I mean, have you got any more? -Well, yes, there's a suitcase full of them. | 0:15:31 | 0:15:37 | |
-So I don't know how many we've got. -Ah. Let me out, let me out! | 0:15:37 | 0:15:41 | |
-I don't think they've seen the light of day for...years. -A bit like my career then. -Yeah. | 0:15:41 | 0:15:46 | |
But given the significance for you, are you happy to sell these? | 0:15:46 | 0:15:51 | |
Well, do you know, I think it's very selfish keeping them and not letting anybody else play with them. | 0:15:51 | 0:15:57 | |
It's nice that they'll live again. | 0:15:57 | 0:16:00 | |
I hope somebody looks after them like I have. | 0:16:00 | 0:16:03 | |
So, Paul, what do you think of what they may make at auction? | 0:16:03 | 0:16:07 | |
-Well, if we said about £150? -Really? -Does that sound all right? | 0:16:07 | 0:16:12 | |
-That's fantastic. -OK, shall we see if we can find something else? | 0:16:12 | 0:16:16 | |
-We're bound to find more stuff. -Marvellous. Let's go over here. | 0:16:16 | 0:16:20 | |
There might be a few more around. I think there are, in a suitcase. | 0:16:20 | 0:16:24 | |
I haven't seen it for a long time. | 0:16:24 | 0:16:27 | |
We might have a rummage and find it. | 0:16:27 | 0:16:30 | |
So with eight puppets in tip-top condition, and a suitcase | 0:16:30 | 0:16:34 | |
from Robert's boarding school days full of them, too, we could be in for a fantastic show at auction. | 0:16:34 | 0:16:39 | |
We're finding some delightful items today, including this 1930s Art Deco | 0:16:39 | 0:16:43 | |
walnut mantel clock. | 0:16:43 | 0:16:47 | |
But if we want to get Julia | 0:16:47 | 0:16:50 | |
on that fabulous day out, we'll need plenty more and I find out if Robert really is the perfect date. | 0:16:50 | 0:16:57 | |
-It's a fantastic room. -Isn't it? -The house is amazing. Do you like his taste? | 0:16:58 | 0:17:04 | |
-I particularly like this room. -So how did you two meet then? | 0:17:04 | 0:17:08 | |
I met Robbie 18 months ago, when we did a job together in Farnham. | 0:17:08 | 0:17:13 | |
So what do you think made you connect? | 0:17:13 | 0:17:16 | |
I think, um... | 0:17:16 | 0:17:18 | |
I think most actors are very nice and Robbie is a particularly funny, | 0:17:18 | 0:17:24 | |
quite wise sometimes, a bit hysterical... | 0:17:24 | 0:17:27 | |
He won't thank me for saying that. | 0:17:27 | 0:17:30 | |
Just lots of fun to be around, and has enormous amounts of knowledge | 0:17:30 | 0:17:35 | |
of antiques and things and any area that he decides to concentrate on, he puts 100% into it. | 0:17:35 | 0:17:42 | |
-We're aiming at making money to have this shushy, whoosy... -Jushy. | 0:17:42 | 0:17:47 | |
Jushy, yes. Jushing up. But also, of course, a day out, so... | 0:17:47 | 0:17:51 | |
That's the only reason I'm doing it! | 0:17:51 | 0:17:53 | |
What would your grand day out be? | 0:17:53 | 0:17:56 | |
-I think there has to be an awful lot of champagne involved. -Well, yes. | 0:17:56 | 0:18:01 | |
I don't care what it is, as long as it's a surprise. I love surprises. | 0:18:01 | 0:18:04 | |
And he's promised to take me out in his beautiful car and he has a boat. | 0:18:04 | 0:18:08 | |
I wouldn't mind a little boat called Christabel. | 0:18:08 | 0:18:11 | |
I wouldn't mind a day out on the Solent or down to Faversham or something. Just an adventure. | 0:18:11 | 0:18:17 | |
I'd like it all to be a big surprise. | 0:18:17 | 0:18:21 | |
Well, you'll have a nasty surprise if we don't make enough money. Let's see what they're up to. | 0:18:21 | 0:18:27 | |
And I'm glad to see they have kept up the rummage in our absence. | 0:18:27 | 0:18:31 | |
However, it's me that discovers these two bronze, patinated, classical figurines. | 0:18:31 | 0:18:37 | |
Bought by Robert's dad, no-one is sure of their provenance. | 0:18:37 | 0:18:41 | |
I do hope the slight damage won't affect our £100-£200 asking price. | 0:18:41 | 0:18:46 | |
There's all sorts of bits and bobs here today. | 0:18:46 | 0:18:49 | |
But, with so many antiques around, it's impossible to have them all on display. | 0:18:49 | 0:18:54 | |
-Oh, what have we got? -I've got something here. | 0:18:54 | 0:18:58 | |
I've been sent up into the attic. | 0:18:58 | 0:19:01 | |
-OK. -She's such a task master. -Right. -I don't know whether it's worth anything, but have a look. | 0:19:01 | 0:19:06 | |
-It's amazing what you do find. -I've got a car. -A car? Oh, right. | 0:19:06 | 0:19:11 | |
Oh, that's a good one, isn't it? Well, this is the top of the range really. This is the Spot-On range. | 0:19:11 | 0:19:16 | |
So where did they come from? | 0:19:16 | 0:19:17 | |
I bought them when I was about six or seven in the early '60s. | 0:19:17 | 0:19:23 | |
And not many people know this, but there used to be | 0:19:23 | 0:19:25 | |
a Co-op in Haslemere, in Surrey, and they had a little toy department. | 0:19:25 | 0:19:30 | |
And these weren't selling. They were all in a big basket. | 0:19:30 | 0:19:33 | |
-And if you look, it's got the price on it. -Oh, right. | 0:19:33 | 0:19:36 | |
What's it say? | 0:19:36 | 0:19:38 | |
-Is it something and four pence? -So, four shillings. | 0:19:38 | 0:19:42 | |
-There we are. -In those days... Well, I was trained well by my dad, who used to collect things. | 0:19:42 | 0:19:47 | |
So I said, "Well, I'd like to buy them all." | 0:19:47 | 0:19:49 | |
So I paid two and six, which is 12.5p, isn't it, each? | 0:19:49 | 0:19:54 | |
Wow! I mean, these really are the Rolls-Royce examples of these collectors' toys. | 0:19:54 | 0:20:00 | |
But they were introduced by Tri-ang, | 0:20:00 | 0:20:02 | |
who were actually the Lines brothers, and there was three brothers who started the factory. | 0:20:02 | 0:20:08 | |
Three brothers make a triangle, or three lines make a triangle. | 0:20:08 | 0:20:12 | |
But these really now are in remarkable condition and they're collected by some of the more | 0:20:12 | 0:20:17 | |
enthusiastic collectors and they do tend to pay quite large amounts. | 0:20:17 | 0:20:21 | |
-Now look at that one. -Oh, wow, look at that. Z-Cars. | 0:20:21 | 0:20:25 | |
It's Z-Cars. Now that was probably long before your time, but I remember watching Z-Cars. | 0:20:25 | 0:20:30 | |
And the well-known actor Brian Blessed used to drive that. | 0:20:30 | 0:20:34 | |
I don't think he'd fit in it now, but there is a little model of Brian. | 0:20:34 | 0:20:40 | |
You've got people who collect cars and toy vehicles, but also anybody | 0:20:40 | 0:20:44 | |
that collects TV memorabilia, and that has a massive market. | 0:20:44 | 0:20:49 | |
So we need to find somebody who understands them in depth. | 0:20:49 | 0:20:54 | |
-Right, yeah. -How many do you think you've got? -About 14. -Really? | 0:20:54 | 0:20:58 | |
You kept the boxes and that's what you look for. They're all in tip-top condition. | 0:20:58 | 0:21:04 | |
We need to find a couple of collectors, get them into a good sale and I'd be very surprised. | 0:21:04 | 0:21:09 | |
-You'll certainly make a profit. -A profit? -On what you paid for them. | 0:21:09 | 0:21:13 | |
-Well, that's fantastic. -I have to find out more about them... -There might even be an early 4x4 for Lorne. | 0:21:13 | 0:21:20 | |
A field kitchen. That's marvellous. | 0:21:20 | 0:21:23 | |
Spot-On was the brand name for a line of toy cars, | 0:21:23 | 0:21:26 | |
introduced by British toy manufacturer Tri-ang in 1959. | 0:21:26 | 0:21:31 | |
Sadly, the series only lasted six years, which is why today some of the rarer models | 0:21:31 | 0:21:36 | |
are highly collectable and I look forward to getting some specialist advice on Robert's collection later. | 0:21:36 | 0:21:41 | |
But we must see what other treats we can find. | 0:21:41 | 0:21:44 | |
Keeping it in the family is this complete set of Wade pottery pigs. | 0:21:44 | 0:21:49 | |
Promotional 1980s pieces given away by NatWest Bank to children, | 0:21:49 | 0:21:54 | |
and sought after now by collectors, they could be topping up our funds by a further £80-£100. | 0:21:54 | 0:22:00 | |
-Give it a press. -Oh! -Kerr-ching! Isn't that marvellous? | 0:22:00 | 0:22:04 | |
And maybe we could tot up just how much money we've raised so far | 0:22:04 | 0:22:08 | |
with the help of our next item. | 0:22:08 | 0:22:10 | |
Oh, I love it. | 0:22:10 | 0:22:12 | |
-Paul! -Yep. -We've got something here. | 0:22:12 | 0:22:14 | |
-I don't know whether it's of any use. -Which door are you? -Here we are. -Do you want to have a look? | 0:22:14 | 0:22:20 | |
-Oh, dear. -There goes the bell. -That's fantastic, isn't it? Where's that been? | 0:22:20 | 0:22:25 | |
That was in a shop in Greenwich, which I believe was the Co-op. | 0:22:25 | 0:22:31 | |
It goes back to pre-decimalisation. You've got your pounds, shillings and pence. | 0:22:31 | 0:22:36 | |
-So we know it's pre-1970, but most of these are generally early 20th century, sort of 1910, 1920. -Right. | 0:22:36 | 0:22:41 | |
There was a guy called James Ritty and he had a retail shop and he wanted to make a cash register | 0:22:41 | 0:22:49 | |
that he could trust, cos people were pilfering his money. | 0:22:49 | 0:22:52 | |
So every time the drawer is open, the bell rings, so he knows when anybody's getting any money. | 0:22:52 | 0:22:59 | |
But unscrupulous people took the bell off. | 0:22:59 | 0:23:01 | |
-So come on, Robert. -Ah. How very dare you?! -So people can get in. | 0:23:01 | 0:23:06 | |
Well, these things aren't used any more | 0:23:06 | 0:23:09 | |
and are still working in pound, shillings and pence. | 0:23:09 | 0:23:13 | |
So if you're looking for a theatre or a theme in a room or a shop... | 0:23:13 | 0:23:17 | |
I mean, they're nice things to have. | 0:23:17 | 0:23:20 | |
So if I said sort of £30-£50? | 0:23:20 | 0:23:23 | |
-What do you think? -I think you should keep it. -I think it's all right. | 0:23:23 | 0:23:28 | |
It all goes towards the target. £30 is quite a lot. | 0:23:28 | 0:23:31 | |
There is Cash In The Attic. OK? | 0:23:31 | 0:23:34 | |
Cash register in the attic. Let's keep looking. | 0:23:34 | 0:23:37 | |
Well, I think it certainly should be worth 14p, cos it's got 14p in it. | 0:23:37 | 0:23:43 | |
Julia didn't want me to sell it. | 0:23:43 | 0:23:45 | |
So I think we will, but don't tell her and if she kicks up any fuss, I'll sort her out. | 0:23:45 | 0:23:52 | |
I think Julia's quite attached to the cash register, but it's all pennies towards her big day out | 0:23:52 | 0:23:57 | |
and shushing up the B&B, so it's all got to go. | 0:23:57 | 0:24:01 | |
I get a sense we're finding some useful treasures, but we still need to get on searching. | 0:24:01 | 0:24:06 | |
Time for one last push to be certain we reach our £500 target. | 0:24:06 | 0:24:10 | |
But I see Paul's already packed up. | 0:24:10 | 0:24:13 | |
-Robert, Lorne, have a look at this. -What have you found now? | 0:24:13 | 0:24:17 | |
Well, it looks like an ordinary chest | 0:24:17 | 0:24:20 | |
or trunk or what have you, but inside, this has actually been a military campaign chest. | 0:24:20 | 0:24:26 | |
-Right. -Look at that! -Can you see what it says there? | 0:24:26 | 0:24:29 | |
"Military and camouflage warehouse. | 0:24:29 | 0:24:32 | |
"Suppliers of bedding, camp tea and coffee and military canteens." | 0:24:32 | 0:24:38 | |
-What sort of age do you think it is? -Well, judging by the calligraphy, a beautiful emblem there. | 0:24:38 | 0:24:44 | |
-To do with the military. -Yeah. | 0:24:44 | 0:24:47 | |
You could be looking at early 19th century - Napoleonic Wars. | 0:24:47 | 0:24:51 | |
What was it used for though, Paul? | 0:24:51 | 0:24:53 | |
Well, when you were travelling around during your campaigns... | 0:24:53 | 0:24:58 | |
Trafalgar, the Battle of Waterloo... you'd need an item like this to put all your items in. | 0:24:58 | 0:25:03 | |
So you'd have your boots or perhaps your shirts folded up here. | 0:25:03 | 0:25:07 | |
And in a damp environment, these are great things | 0:25:07 | 0:25:11 | |
-to lock everything away. -What's it worth? | 0:25:11 | 0:25:14 | |
The paintwork doesn't match the date you're giving, really. | 0:25:14 | 0:25:19 | |
No, that sort of detracts to me, I think, from the overall appeal. | 0:25:19 | 0:25:24 | |
Whatever was on the front, it's disappeared and someone has painted this modern design on the front. | 0:25:24 | 0:25:31 | |
So that needs to be restored really. | 0:25:31 | 0:25:34 | |
And what sort of value might we be talking about then? | 0:25:34 | 0:25:37 | |
If I was being conservative with this, just by the condition, really, | 0:25:37 | 0:25:42 | |
I'd like to say maybe £100, £150, and see how it goes. | 0:25:42 | 0:25:46 | |
Well, I like it and I think I might have even paid more than that, | 0:25:46 | 0:25:51 | |
so shall we put it on the back burner and think about it? | 0:25:51 | 0:25:56 | |
Shall I give Julia a call then to tot up our totals? Julia? | 0:25:56 | 0:25:59 | |
-Coming down. -Ah. | 0:25:59 | 0:26:02 | |
-We've found a nice piece but we're not sure whether it's going to auction. -Oh, yes, this is lovely. | 0:26:02 | 0:26:08 | |
Excluding this, the value of everything comes to £770. | 0:26:08 | 0:26:13 | |
My day out's looking good. | 0:26:13 | 0:26:15 | |
-But if we sold that for £100, it looks even better. -Fish and chips. | 0:26:15 | 0:26:20 | |
-And don't forget, we've got all those cars as well. -They really could surprise us all. | 0:26:20 | 0:26:26 | |
Some of those are very collectable. | 0:26:26 | 0:26:28 | |
I'll let you know as soon as I find anything out. | 0:26:28 | 0:26:32 | |
They could go rather well with the puppets. All my childhood things are going. I'm growing up, Lorne. | 0:26:32 | 0:26:38 | |
There's been an abundance of antiques and collectables | 0:26:38 | 0:26:42 | |
here today and Robert's so pleased with the day's rummage, | 0:26:42 | 0:26:46 | |
he's cleaning his classic car in preparation for Julia's day out. | 0:26:46 | 0:26:50 | |
But first we need the following items to do well at auction. | 0:26:50 | 0:26:54 | |
The cast-iron dentist's chair, valued at £100-£150. | 0:26:54 | 0:27:00 | |
A pair of porcelain, twin-handled vases, with a price tag of £80-£150. | 0:27:00 | 0:27:06 | |
Taking to the stage at £150-£200, the eight, boxed Pelham puppets. | 0:27:07 | 0:27:13 | |
And that military chest, if Robert can bear to part with it. | 0:27:14 | 0:27:21 | |
Still to come - it's a battle to sell our goods. | 0:27:24 | 0:27:27 | |
There's a bit of a scrap going on | 0:27:27 | 0:27:29 | |
with the auctioneer trying to get people to bid, isn't there? | 0:27:29 | 0:27:33 | |
Scrap in the attic, wasn't it? | 0:27:33 | 0:27:36 | |
And it's secrets all round. | 0:27:36 | 0:27:38 | |
Don't tell Julia - she'll want an extra bottle of bubbly. | 0:27:38 | 0:27:41 | |
But will we hear the popping of corks when the final hammer falls? | 0:27:41 | 0:27:46 | |
Now it's been a couple of weeks since we had a good look around | 0:27:50 | 0:27:54 | |
Robert Gray's delightful bed and breakfast in Greenwich. | 0:27:54 | 0:27:57 | |
It was absolutely jammed packed with some fantastic antiques, some of which we've brought here | 0:27:57 | 0:28:02 | |
to Sworder's Auction House in Stansted, Mountfitchet in Essex. | 0:28:02 | 0:28:06 | |
Robert's looking for £500 to jazz up his bed and breakfast, | 0:28:06 | 0:28:10 | |
ahead of the Olympic Games arriving in town. | 0:28:10 | 0:28:13 | |
So let's hope that all his items put in a top performance when they go under the hammer today. | 0:28:13 | 0:28:19 | |
It's a busy day with keen experts and amateur enthusiasts | 0:28:19 | 0:28:23 | |
wanting to get their hands on the quality goods that are up for sale. | 0:28:23 | 0:28:27 | |
And checking out our collectables is expert Paul Hayes. | 0:28:27 | 0:28:31 | |
And he's hoping we won't be pulling teeth in the saleroom. | 0:28:31 | 0:28:34 | |
-A-ha! -Ah, how are you? All right? | 0:28:34 | 0:28:37 | |
-This would petrify you if you got to the dentist. It looks like a torture chair. -Well, exactly, yes. | 0:28:37 | 0:28:42 | |
They can use it for whatever they like! | 0:28:42 | 0:28:45 | |
It does say in the catalogue, "This chair was used in a Hammer House Of Horror film." | 0:28:45 | 0:28:50 | |
Now if you could prove that, | 0:28:50 | 0:28:52 | |
this chair would be worth quite a lot of money, but we can't prove it. | 0:28:52 | 0:28:56 | |
A good excuse to watch every single movie to spot it. | 0:28:56 | 0:28:59 | |
It's got the wrong lot number on it. | 0:28:59 | 0:29:02 | |
It should be lot number "tooth-hurty". | 0:29:02 | 0:29:05 | |
Oh, dear. Well, apart from your bad jokes, we do have some very good Pelham puppets in, don't we? | 0:29:05 | 0:29:11 | |
The auctioneer's taken them out of the boxes and displayed them. | 0:29:11 | 0:29:15 | |
They look great, so I think they could do quite well. | 0:29:15 | 0:29:18 | |
-We don't know about the campaign box? -That is a wonderful item, but people need to see inside it. | 0:29:18 | 0:29:24 | |
I think all our bits today are going to do quite well. | 0:29:24 | 0:29:27 | |
OK, well, let's see what Robert thinks, shall we? Come on. | 0:29:27 | 0:29:31 | |
I have to agree with Paul, we have some splendid pieces here today. | 0:29:31 | 0:29:34 | |
And while the bidders work out what to put their money on, we find Robert and Julia | 0:29:34 | 0:29:40 | |
saying farewell to some cherished goods. | 0:29:40 | 0:29:43 | |
-Hello. How lovely to see you. -How are things? | 0:29:43 | 0:29:46 | |
Oh, yes. Aren't they lovely? | 0:29:46 | 0:29:48 | |
They're marvellous, aren't they? Do you think anybody will want them? | 0:29:48 | 0:29:52 | |
-I think they are super quality. -Well, that's good. She might get a good date out. | 0:29:52 | 0:29:57 | |
-You never know. -With a bit of luck. | 0:29:57 | 0:29:59 | |
Now what we're dying to know, is did you bring the campaign chest? | 0:29:59 | 0:30:03 | |
Well, don't tell them, but they were so keen on my chest, | 0:30:03 | 0:30:07 | |
I'm gonna let it go. | 0:30:07 | 0:30:09 | |
-Oh, so it's here? -Yes, it's here. -Well, that's good news, isn't it? | 0:30:09 | 0:30:12 | |
-Do you think anybody else will like it? -I think so, yes. -Fantastic. | 0:30:12 | 0:30:17 | |
-And you've got lots of other bits and pieces. -I'm a bit worried actually! | 0:30:17 | 0:30:22 | |
-I'm very nervous. -Don't be nervous. They're very nice people in Essex. | 0:30:22 | 0:30:26 | |
-Well, I've heard that. -Yes, they are, believe me. | 0:30:26 | 0:30:29 | |
-We're very kind to those from south of the river, or from up north. -Well, they are, yes. | 0:30:29 | 0:30:34 | |
-Morecambe. -Well, listen, it's really, busy, so shall we get into position? | 0:30:34 | 0:30:39 | |
-Great. -Fantastic. | 0:30:39 | 0:30:42 | |
Remember, if you're planning on buying or selling at auction, | 0:30:42 | 0:30:45 | |
you will have to pay commission and, possibly, other charges. | 0:30:45 | 0:30:49 | |
So do contact your local auction house for more details. | 0:30:49 | 0:30:52 | |
And as auctioneer Guy Schooling takes to the stand... | 0:30:52 | 0:30:57 | |
Good afternoon and welcome. | 0:30:57 | 0:30:58 | |
..We take our place, just in time for our first item. | 0:30:58 | 0:31:02 | |
Lot 17 is the 1930s, Art Deco, walnut mantel clock. Lot 17. There we are. | 0:31:02 | 0:31:08 | |
50. 20. | 0:31:08 | 0:31:11 | |
£10, somebody? Any bid. Somebody bid. | 0:31:11 | 0:31:14 | |
£10. 10 I'm bid. A sympathy bid. | 0:31:14 | 0:31:16 | |
A maiden bid of £10. | 0:31:16 | 0:31:20 | |
-It's going down a bit. -It's going down the drain a bit! -Ten quid. | 0:31:20 | 0:31:24 | |
They'll be heading to the fish and chip shop at this rate. | 0:31:24 | 0:31:29 | |
But £10 is a start and all good money towards our £500 target. | 0:31:29 | 0:31:33 | |
Let's just hope the bidders are prepared to spend a lot more on our remaining items, as up next is one | 0:31:33 | 0:31:39 | |
of our oldest lots, although it's probably not the most comfortable. | 0:31:39 | 0:31:44 | |
OK, now our next lot is the Victorian dentist's chair, | 0:31:44 | 0:31:48 | |
which looks like something out of a horror film. | 0:31:48 | 0:31:51 | |
-I think it is, Lorne, yes. -What made you think about that Hammer House Of Horror connection? | 0:31:51 | 0:31:56 | |
Well, when I actually bought it, the two gentlemen I bought it from said it had been in a horror movie. | 0:31:56 | 0:32:01 | |
- There we are. - And I start the bidding at £100. | 0:32:01 | 0:32:04 | |
I'll take ten. 110. 20. 30. 40. 150. | 0:32:04 | 0:32:08 | |
60. 170. 80. 190. 200. | 0:32:08 | 0:32:11 | |
-Yes! -Gosh! | 0:32:11 | 0:32:13 | |
You're out in the room. | 0:32:13 | 0:32:15 | |
At 240. 60 anywhere? | 0:32:15 | 0:32:17 | |
- No! - At £240. | 0:32:17 | 0:32:22 | |
-Result. -Whey-hey! -£240. Now what did you pay for it? | 0:32:22 | 0:32:25 | |
Was it that sort of money? | 0:32:25 | 0:32:28 | |
-Woah, sort of. -It costs that much now to have a filling, so... | 0:32:28 | 0:32:31 | |
-You're pleased. -Very pleased. | 0:32:31 | 0:32:33 | |
A staggering £240 for the rather intimidating dentist's chair. | 0:32:33 | 0:32:38 | |
I hope it doesn't give the new owners nightmares. | 0:32:38 | 0:32:41 | |
But if we want to renovate Robert's B&B, there's still a long way to go. | 0:32:41 | 0:32:46 | |
Hopefully, we'll make our estimate of £40-£60 on our next catch. | 0:32:46 | 0:32:50 | |
40. 20. Surely. That's cheap. 20 I'm bid. At £20. Five anywhere? | 0:32:50 | 0:32:56 | |
Giving it away. | 0:32:56 | 0:32:58 | |
-At £20. 25. 30. Five. -Here we go. | 0:32:58 | 0:33:01 | |
- You were right. - Sold at £35. | 0:33:01 | 0:33:05 | |
-There you go. -£35. There we go, yes. | 0:33:05 | 0:33:09 | |
We got there in the end, selling just under estimate at £35. | 0:33:09 | 0:33:15 | |
We need bidders to be hot for our goodies. | 0:33:15 | 0:33:18 | |
And hoping to drum up some business is our copper pot that once graced the kitchen of the Savoy Hotel. | 0:33:18 | 0:33:24 | |
OK now, who said size didn't matter? | 0:33:24 | 0:33:27 | |
We've got a huge saucepan here now. | 0:33:27 | 0:33:29 | |
Well, I heard you know that. | 0:33:29 | 0:33:31 | |
It's massive and it has the Savoy connection. | 0:33:31 | 0:33:35 | |
-I start the bidding at £50. -Ooh, we're in at 50 quid! How's that? | 0:33:35 | 0:33:40 | |
£50. 55. 60. Five. 70. Selling at 70. Commission bid. | 0:33:40 | 0:33:44 | |
You're out in the room. | 0:33:44 | 0:33:46 | |
Eh, there you go. | 0:33:46 | 0:33:48 | |
-55. -Spot on. | 0:33:48 | 0:33:50 | |
-Isn't he clever? -He is quite good. He's done it before. | 0:33:50 | 0:33:53 | |
He's done it before. | 0:33:53 | 0:33:55 | |
What a marvellous result and it tops up our fund by another £70. | 0:33:55 | 0:34:00 | |
Will they be fighting to get their hands on our next lot? | 0:34:00 | 0:34:04 | |
OK, lot 30, we have three Victorian scrap albums. | 0:34:04 | 0:34:08 | |
Can I say £50? | 0:34:08 | 0:34:11 | |
£30. 20. £20 I'm bid. At £20. 25. | 0:34:11 | 0:34:16 | |
Thank you, madam. 30. £30. 35. 35. | 0:34:16 | 0:34:20 | |
40. It's at the back. | 0:34:20 | 0:34:22 | |
I'll shall sell at £40. | 0:34:22 | 0:34:25 | |
The bottom end of the estimate. I just thought they'd make more. | 0:34:25 | 0:34:29 | |
-A scrap between the auctioneer trying to get people to bid. -Scrap in the attic, wasn't it? | 0:34:29 | 0:34:35 | |
-Good show. -I've written it, yeah. | 0:34:35 | 0:34:38 | |
Proving they weren't scrap and bang on estimate, | 0:34:38 | 0:34:41 | |
the Gray family collections bring us a very reasonable £40. | 0:34:41 | 0:34:45 | |
With all this money, we might need those piggy banks after all. | 0:34:45 | 0:34:50 | |
-How much did you pay for these? -I think I paid 20 quid for the lot. | 0:34:50 | 0:34:54 | |
-A very good buy. -You'd know. -At one time, they were about £250 a set, weren't they, Paul? | 0:34:54 | 0:35:00 | |
But to be honest with you, whether you like these or not, | 0:35:00 | 0:35:04 | |
you can't deny they have a collectors' value and are a bargain. | 0:35:04 | 0:35:09 | |
Start the bidding at £50. | 0:35:09 | 0:35:11 | |
Take five anywhere. 55. Thank you. | 0:35:11 | 0:35:13 | |
£60. | 0:35:13 | 0:35:15 | |
65. | 0:35:15 | 0:35:17 | |
70. Not you, madam. 75? 75. | 0:35:17 | 0:35:21 | |
80. At £80 I'm bid. £85. | 0:35:21 | 0:35:25 | |
£90. £90 on my right-hand side. | 0:35:25 | 0:35:27 | |
I'll sell them at £90. | 0:35:27 | 0:35:29 | |
850. £90. | 0:35:29 | 0:35:31 | |
-Eh! -I'm definitely going to come shopping with you. | 0:35:31 | 0:35:34 | |
-If you buy things for £20 and sell them for 90, that's very impressive. -Do you think that's OK? | 0:35:34 | 0:35:40 | |
-Absolutely! -Who would want those piggy banks? -It's very nice. | 0:35:40 | 0:35:44 | |
I love them. Thank you so much. | 0:35:44 | 0:35:46 | |
It doesn't matter who bought them, | 0:35:46 | 0:35:50 | |
they banked us a tremendous £90. | 0:35:50 | 0:35:53 | |
But how close to our target has it taken us? | 0:35:53 | 0:35:56 | |
That's the end of the first part of the sale. Now, you wanted £500? | 0:35:56 | 0:36:01 | |
For a few little bits and pieces... | 0:36:01 | 0:36:03 | |
-Jush up the... -Jush up. | 0:36:03 | 0:36:05 | |
Yes, the bed and breakfast. Now how do you think we've done? | 0:36:05 | 0:36:09 | |
-Well, I don't think we've got anywhere near 500, have we? No. -What do you think? | 0:36:09 | 0:36:14 | |
-I would say we're about halfway. -Do you think? -We've actually made £485. | 0:36:14 | 0:36:20 | |
-Well, that's marvellous. -My date's getting more and more expensive. | 0:36:20 | 0:36:23 | |
-We can do a lot of jushing, can't we? -Champagne. | 0:36:23 | 0:36:26 | |
You can tell me your plans later. We've got the break now, so come on. | 0:36:26 | 0:36:30 | |
So while we head off to relax and talk interior design, Paul takes a moment to stretch his legs. | 0:36:35 | 0:36:41 | |
We all know that Robert loves to buy quirky items. I mean, look at that dentist's chair for a start. | 0:36:41 | 0:36:47 | |
But isn't that fantastic? | 0:36:47 | 0:36:50 | |
I know what you're thinking. It's a Dursley-Pedersen from about 1905. | 0:36:50 | 0:36:53 | |
Not only do we know that, we have a catalogue dated 1912 that has this very bike for sale. | 0:36:53 | 0:36:59 | |
"Now's the time to clinch a bargain. | 0:36:59 | 0:37:02 | |
"Send your leg measurements, and we will quote you by returns." | 0:37:02 | 0:37:06 | |
This would be the ultimate form of transport all that time ago. | 0:37:06 | 0:37:10 | |
And joking apart, this really is a pioneering item. | 0:37:10 | 0:37:13 | |
They've used a hammock for the seat. | 0:37:13 | 0:37:15 | |
You know, it's the first time we've seen two wheels the same size. | 0:37:15 | 0:37:19 | |
Before this there was penny farthings. This is actually in the catalogue for between £600-£800. | 0:37:19 | 0:37:24 | |
I think that's an absolute bargain. | 0:37:24 | 0:37:27 | |
And I think if Robert was to buy it, he might even enter the Olympics. It'll do you very well indeed. | 0:37:27 | 0:37:33 | |
Back in the auction room, the second part of the sale is about to begin and as we return | 0:37:37 | 0:37:42 | |
to our positions, Robert's national treasure from a south London antique market takes to the stand. | 0:37:42 | 0:37:48 | |
But will it furnish our funds with the £30-£50 asking price? | 0:37:48 | 0:37:52 | |
Now the next lot is that lovely cash register. | 0:37:52 | 0:37:55 | |
Now what's the story behind this? | 0:37:55 | 0:37:57 | |
I think it came from a shop in Greenwich. | 0:37:57 | 0:38:01 | |
We're hoping to get more than 14p because it's got 14p in the drawer. | 0:38:01 | 0:38:06 | |
-So anything over 14p, we're doing OK. -Well, it obviously works, cos I've heard it several times. | 0:38:06 | 0:38:11 | |
-Yes. -So that's good news. | 0:38:11 | 0:38:13 | |
There we are - 100. 50. | 0:38:13 | 0:38:16 | |
20. Help to count your money, Frank. You should like it. | 0:38:16 | 0:38:20 | |
20 I'm bid. 25. 30. Five. 40. | 0:38:20 | 0:38:23 | |
Well, we're over 14p. | 0:38:23 | 0:38:26 | |
40's cheap. At £45 only. 50. | 0:38:26 | 0:38:30 | |
£50. Lady's bid at £50 only. | 0:38:30 | 0:38:34 | |
-There you go. -You were right. -You should have kept it. -I should. | 0:38:34 | 0:38:38 | |
-You wanted more than £50? -Well, she won't get that bottle of champagne, will she? | 0:38:38 | 0:38:44 | |
-Not your Bollie. -Bollie, no. | 0:38:44 | 0:38:46 | |
-So what were you hoping for that then? -Well, what were we hoping for? | 0:38:46 | 0:38:50 | |
-£30-£50. -We're all right. I'm being greedy! | 0:38:50 | 0:38:54 | |
-We were quite happy. -Yeah. | 0:38:54 | 0:38:56 | |
Checking out for the final time the cash register reaches its estimate. | 0:38:56 | 0:39:02 | |
But I'm not sure our next lot will fare so well, with its broken front glass removed and not replaced. | 0:39:02 | 0:39:09 | |
A barometer with a thermometer in a mahogany, | 0:39:09 | 0:39:12 | |
inlaid case, lot 121. | 0:39:13 | 0:39:16 | |
-OK, so no pressure here. -No. -Looking for about £100. | 0:39:16 | 0:39:20 | |
Start the bidding at £50. | 0:39:20 | 0:39:22 | |
Lot 125. I'll take five anywhere. 55. | 0:39:22 | 0:39:24 | |
60. Five. 70. Five. 80. I'm selling. | 0:39:24 | 0:39:29 | |
You're out in the room. 85. 90. Five. | 0:39:29 | 0:39:32 | |
100. Ten. 120. Commission bid, £120. | 0:39:32 | 0:39:37 | |
30 anywhere? You're out in the room. | 0:39:37 | 0:39:40 | |
Commission bid, £120. | 0:39:40 | 0:39:44 | |
-Excellent. -That's good. -That's good, isn't it? -Yeah. | 0:39:44 | 0:39:47 | |
-Are you pleased with that? -It didn't have the glass. Don't tell anybody. | 0:39:47 | 0:39:52 | |
Ah, OK. | 0:39:52 | 0:39:54 | |
Robert definitely has an eye for the finer antiques. | 0:39:54 | 0:39:59 | |
But some are harder to recognise than others, | 0:39:59 | 0:40:02 | |
including this magnificent military trunk he was tempted to keep. | 0:40:02 | 0:40:07 | |
This is the one I fancy. | 0:40:07 | 0:40:09 | |
You like my chest best of all, don't you? | 0:40:09 | 0:40:12 | |
Yes, it's the naval interest. Not this navel... | 0:40:12 | 0:40:14 | |
I was quite keen on it as well. | 0:40:14 | 0:40:17 | |
-It's come from Greenwich, you know, what a naval connection and then you've got this lovely case. -Yep. | 0:40:17 | 0:40:22 | |
80 I'm bid and I'm selling at £80. | 0:40:22 | 0:40:25 | |
Take 90 anywhere. At 80. 90. 100. | 0:40:25 | 0:40:30 | |
110. 120. | 0:40:30 | 0:40:32 | |
130. 140. 150. Selling it. 150. | 0:40:32 | 0:40:37 | |
Take 60 anywhere? | 0:40:37 | 0:40:39 | |
Or shall sell at 150. | 0:40:39 | 0:40:42 | |
Sold at 150. | 0:40:42 | 0:40:43 | |
My chest was all right. | 0:40:43 | 0:40:45 | |
It packed away the bids there, so it made the money you wanted. | 0:40:45 | 0:40:49 | |
And the journey continues. | 0:40:49 | 0:40:52 | |
Off on its travels again at £150. | 0:40:52 | 0:40:55 | |
It's all cash towards revamping the bed and breakfast. | 0:40:55 | 0:40:59 | |
And not in keeping with the refurbishments are these figurines, | 0:40:59 | 0:41:03 | |
valued at £100-£200, but they seem to have got Paul stumped. | 0:41:03 | 0:41:08 | |
I had a bit of a struggle with these ones actually. | 0:41:08 | 0:41:12 | |
It's those two bronze figures. And I couldn't quite make out... | 0:41:12 | 0:41:16 | |
-They could be very, very old, or they're very crudely made. -Right. -Where did they come from? | 0:41:16 | 0:41:21 | |
I think my father bought them. Do you think they're sort of grand tour stuff, you know? | 0:41:21 | 0:41:27 | |
Well, it's difficult to tell. | 0:41:27 | 0:41:29 | |
They are quite crude but he had very good taste. | 0:41:29 | 0:41:33 | |
-So I suspect it's age rather than not particularly good examples. -No. | 0:41:33 | 0:41:39 | |
50. 20. Any bid? 20. Five. 30. Five. | 0:41:39 | 0:41:43 | |
40. Five. 50. | 0:41:43 | 0:41:45 | |
Selling them at £50. Five anywhere? | 0:41:45 | 0:41:48 | |
Sold then at £50. | 0:41:48 | 0:41:54 | |
Coming in way under estimate at £50, I think the damage may have played | 0:41:54 | 0:41:58 | |
a part in the price, but we can't afford any more sales like that. | 0:41:58 | 0:42:03 | |
And let's not forget, we've still got a whole other sale of those toy cars to come. | 0:42:03 | 0:42:08 | |
But first, we're hoping the bidders will like our beautiful pair of Swiss vases as much as Paul does. | 0:42:08 | 0:42:15 | |
Out of all your items, this is probably my favourite. | 0:42:15 | 0:42:19 | |
These are beautifully painted, absolutely superb. | 0:42:19 | 0:42:24 | |
-Do you think anyone would be keen to have those? -We just need two people to bid. | 0:42:24 | 0:42:28 | |
And I start the bidding at £50. | 0:42:28 | 0:42:30 | |
So I'll take five anywhere. | 0:42:30 | 0:42:32 | |
At 55. 60. Five. 70. | 0:42:32 | 0:42:36 | |
Five. 80. Five. 90. Five anywhere. | 0:42:36 | 0:42:39 | |
Selling on commission at £90. | 0:42:39 | 0:42:44 | |
Sold at 90. | 0:42:44 | 0:42:45 | |
Well, that's marvellous. Well, done, you. | 0:42:45 | 0:42:49 | |
Well, I think that was very good. | 0:42:49 | 0:42:51 | |
Apparently, they were chipped, but don't tell anybody, cos they might come back and want their money back. | 0:42:51 | 0:42:57 | |
The vases, chipped or not, are off to decorate a new home. | 0:42:57 | 0:43:03 | |
And also hoping to be re-housed is our fine puppetry collection. | 0:43:03 | 0:43:07 | |
Well-known in the 1960s and '70s, Pelham marketed a range of puppets | 0:43:07 | 0:43:12 | |
based on popular TV characters, like Muffin the Mule and Sooty. | 0:43:12 | 0:43:15 | |
Let's hope the bidders love them just as much. | 0:43:15 | 0:43:21 | |
Now how much fun is this lot? | 0:43:21 | 0:43:23 | |
This is the boxed Pelham puppets. | 0:43:23 | 0:43:26 | |
Now you've got some in a suitcase, but these are the boxed set, yes? | 0:43:26 | 0:43:30 | |
Now they are just delightful. | 0:43:30 | 0:43:33 | |
They've got them all hanging up. | 0:43:33 | 0:43:36 | |
-Now what do you want for these? -150, which is about £20 each. | 0:43:36 | 0:43:40 | |
£100, I start the bidding. And I shall sell them. | 0:43:40 | 0:43:44 | |
I'll take ten anywhere. | 0:43:44 | 0:43:46 | |
110. 120. 30. 140. 50. 60. 70. 80. | 0:43:46 | 0:43:50 | |
-190. 200. -Yes! -Wow! | 0:43:50 | 0:43:53 | |
220. 240. Commission bid, 240. I'll take 50 if you like. | 0:43:53 | 0:43:58 | |
I'm selling them at £240. | 0:43:58 | 0:44:02 | |
250. 260. | 0:44:02 | 0:44:04 | |
270 for you, sir? | 0:44:04 | 0:44:06 | |
Commission bid, £260. | 0:44:06 | 0:44:10 | |
270? Thinking about it. | 0:44:10 | 0:44:13 | |
270. It's your bid, in the room. | 0:44:13 | 0:44:15 | |
-We love it. -Press bid again, 280. | 0:44:15 | 0:44:18 | |
You're sure this time? Lady's bid at £280. Thank you, madam. | 0:44:18 | 0:44:25 | |
Isn't that brilliant? | 0:44:25 | 0:44:27 | |
It's sad, but it's lovely that somebody else is going to have them. | 0:44:27 | 0:44:30 | |
Absolutely. £280, that's fantastic. There's more to go on, aren't there? | 0:44:30 | 0:44:35 | |
-Yes, there are, yes, yes. -Yeah. -But they were the ones in the boxes. -Oh, right. | 0:44:35 | 0:44:40 | |
The sale of the puppets is an emotional experience, | 0:44:40 | 0:44:45 | |
as Robert still holds fond memories of them. | 0:44:45 | 0:44:50 | |
But will he be able to hold back the tears, as his suitcase assortment is shown to the room? | 0:44:50 | 0:44:56 | |
I knew you had them, but we only saw the boxed ones in the house. | 0:44:56 | 0:45:01 | |
But I've had a quick look at them here. | 0:45:01 | 0:45:04 | |
-There's quite a lot in there. -How many are there? | 0:45:04 | 0:45:06 | |
-Well, yeah, we'll see how they get on. It's a speculate lot. -OK. | 0:45:06 | 0:45:10 | |
I start the bidding at £50. | 0:45:10 | 0:45:12 | |
I'll take 60 anywhere. | 0:45:12 | 0:45:14 | |
At 50. 60. 70. 80. 90. 100. And ten. | 0:45:14 | 0:45:20 | |
120. 30. 140. 50. 160. 70. 180. 90. | 0:45:20 | 0:45:25 | |
200. The bid's in the room now. 220. | 0:45:25 | 0:45:27 | |
240. 260. | 0:45:27 | 0:45:30 | |
How much? Two? | 0:45:30 | 0:45:32 | |
-280. 300. -I can't believe it. | 0:45:32 | 0:45:34 | |
340. 360. | 0:45:34 | 0:45:36 | |
-What?! -At £360. 80 anywhere? | 0:45:36 | 0:45:40 | |
Selling at £360. | 0:45:40 | 0:45:44 | |
-Fantastic. -£360! Oh, don't cry! | 0:45:45 | 0:45:50 | |
-Really? -It's not the childhood, it's just the money. | 0:45:50 | 0:45:54 | |
-Did you think they'd make anything like that? -No way. | 0:45:54 | 0:45:58 | |
I've got to take her out now. | 0:45:58 | 0:46:00 | |
-I know! -Now we are going to Paris. | 0:46:00 | 0:46:02 | |
-All your puppets have made over £600. -They haven't? -Incredible. | 0:46:02 | 0:46:07 | |
A breathtaking £360 and it's all got too much for Robert, | 0:46:07 | 0:46:11 | |
as he says goodbye to part of his personal history. | 0:46:11 | 0:46:15 | |
Time for us to see how our sales have affected our target. | 0:46:15 | 0:46:19 | |
I think you've done rather well. | 0:46:19 | 0:46:22 | |
What was your favourite thing you've sold? | 0:46:22 | 0:46:25 | |
Well, it was very sad to see the puppets go. | 0:46:25 | 0:46:28 | |
It made me rather emotional, I think. | 0:46:28 | 0:46:31 | |
But I think it's better to let somebody else have a go with them. | 0:46:31 | 0:46:36 | |
-I'm thrilled they've gone now. -You did really well, cos you wanted £500. -Yes. | 0:46:36 | 0:46:41 | |
The Pelham puppets did you proud. | 0:46:41 | 0:46:43 | |
We just had those two lots and together alone they made £640. | 0:46:43 | 0:46:49 | |
-That's amazing. -It is good. -Fantastic? -Well, not as fantastic as your overall figure. | 0:46:49 | 0:46:54 | |
-Because you've actually... -We haven't made 1,000, have we? -Will you cry if we've made 1,000? | 0:46:54 | 0:46:59 | |
-No. -Good, cos you've made £1,585. | 0:46:59 | 0:47:03 | |
-Very, very good. -Fantastic! Well, we'll have to go out now. | 0:47:03 | 0:47:08 | |
-So 200 for the B&B and the rest for my day out, yes? -Yes. | 0:47:08 | 0:47:12 | |
Remember those fantastic Tri-ang cars from the Spot-On range? | 0:47:17 | 0:47:20 | |
We still have those to sell, including that terrific tie-in with the legendary cop show Z-Cars. | 0:47:20 | 0:47:25 | |
But our intrepid expert Paul wasn't certain of their value so he's come | 0:47:25 | 0:47:30 | |
to Greenwich antique market to meet stall-holder Colin Morley, | 0:47:30 | 0:47:34 | |
a renowned collector of vintage toy cars, with over 30 years experience, | 0:47:34 | 0:47:39 | |
just the man to assess the Ford Zephyr. | 0:47:39 | 0:47:42 | |
And he's wasted no time laying them out for evaluation. | 0:47:42 | 0:47:45 | |
-How you doing? -Hi, Paul. -Have you had a look at these cars? | 0:47:45 | 0:47:49 | |
-Yes, yes, yes. -What do you think? -Lovely. Very rare. -Any real finds? | 0:47:49 | 0:47:54 | |
I would say all of them because they're all collectable. | 0:47:54 | 0:47:58 | |
-Really? -They're Spot-Ons and Spot-Ons had a very, very small run. | 0:47:58 | 0:48:03 | |
Just eight years from '59 to '67. | 0:48:03 | 0:48:06 | |
Yeah, it's a nice little catch, a nice little find. | 0:48:06 | 0:48:10 | |
Now one of Robert's favourites was the Z-Cars. | 0:48:10 | 0:48:13 | |
-Is that one of the better ones? -It's TV-related, so that's where the money will be. | 0:48:13 | 0:48:19 | |
-What do you really suggest we do? -Into a specialist toy auction would be the best. | 0:48:19 | 0:48:24 | |
Yeah. Is there any particular one that's valued more? I see you've got a price guide here. | 0:48:24 | 0:48:30 | |
-Yeah, yeah. Well, obviously, the Z-Cars because it's TV-related. -OK. | 0:48:30 | 0:48:34 | |
The Morris 1000's very nice. | 0:48:34 | 0:48:36 | |
And the field kitchen, you would get people who like to collect army stuff as well, because, obviously... | 0:48:36 | 0:48:43 | |
-Two of 'em is brilliant. -That's it. | 0:48:43 | 0:48:45 | |
If we could have maybe a ballpark figure, how much do you reckon? | 0:48:45 | 0:48:49 | |
Well, anything between 100 and 150-200. The Z-Cars will be more. | 0:48:49 | 0:48:53 | |
-That's each? -Oh, yes! | 0:48:53 | 0:48:55 | |
Yeah, because they are Spot-On. | 0:48:55 | 0:48:58 | |
That's a catalogue value, obviously. | 0:48:58 | 0:49:01 | |
We go by this because we know what the prices are. | 0:49:01 | 0:49:04 | |
-But you can't always go by that. -OK. -Sometimes you get more, sometimes you get less. | 0:49:04 | 0:49:10 | |
When Robert bought these he paid £2 for the lot. | 0:49:10 | 0:49:13 | |
-Anything like that, we're laughing. -Oh, well, I'll give him a profit. | 0:49:13 | 0:49:18 | |
-So will I! -I've got a fiver here somewhere. | 0:49:18 | 0:49:21 | |
-We'll put these into a good auction. -Yeah. Absolutely. | 0:49:21 | 0:49:25 | |
And who knows where they'll end up? | 0:49:25 | 0:49:27 | |
-But we're in the hundreds? -Oh, yes. | 0:49:27 | 0:49:30 | |
So the Spot-On cars have a guide price of anything from £100-£1,500. | 0:49:30 | 0:49:35 | |
So anything could happen on auction day. | 0:49:35 | 0:49:38 | |
Well, Robert may have had modest hopes of redecorating his bed and breakfast with just £500, | 0:49:43 | 0:49:48 | |
but we've smashed through that target figure - here's what he's spending the money on. | 0:49:48 | 0:49:53 | |
Remember, we've already made £1,585 at the general sale. | 0:49:53 | 0:49:58 | |
And the Spot-On cars are still outstanding, so there's enough for Robert to start making basic plans. | 0:49:58 | 0:50:05 | |
Darren Gooch makes a start | 0:50:05 | 0:50:07 | |
on sprucing up Robert's frontage, and interior designer Julia Johnson tidies up the inside. | 0:50:07 | 0:50:14 | |
-Bung them there. -OK. -And show me what you've got. | 0:50:14 | 0:50:18 | |
And even in my absence, I'm still making an impression. | 0:50:18 | 0:50:22 | |
Lorne, when she was here, was very keen on a shoe shop round the corner. | 0:50:22 | 0:50:28 | |
And she popped out once or twice, and it's all Lorne's idea... | 0:50:28 | 0:50:31 | |
Well, it's inspired by Lorne. | 0:50:31 | 0:50:34 | |
And I want to take this as a colour for the next room, you see. | 0:50:34 | 0:50:38 | |
-Fantastic. -And I just think, you know, it's so Lorne really. | 0:50:38 | 0:50:41 | |
-And I want to get some colours... -So we'll use that as a starting point? -Is that all right? | 0:50:41 | 0:50:46 | |
-Yeah. -You know more about it like that. They're fantastic. -Oh, joyous. | 0:50:46 | 0:50:50 | |
I could almost wear them. | 0:50:50 | 0:50:52 | |
But Robert's got exceedingly high expectations of just what he wants. | 0:50:52 | 0:50:57 | |
I think maybe the twarl could go. | 0:50:57 | 0:50:59 | |
I don't like those. I'm not so keen on that. | 0:50:59 | 0:51:03 | |
-Ghastly! -These are beautiful. -Hmm. | 0:51:03 | 0:51:05 | |
-That would work with your red boots. -They would, wouldn't they? | 0:51:05 | 0:51:09 | |
Julia's perseverance has paid off. | 0:51:09 | 0:51:12 | |
-Let's do it. -Fantastic. | 0:51:12 | 0:51:14 | |
Decision made. | 0:51:14 | 0:51:17 | |
Well, it's look like they'll be raking it in by 2012. | 0:51:21 | 0:51:25 | |
And we've got those fantastic, boxed, very collectable toy cars. | 0:51:25 | 0:51:29 | |
Now Paul has whisked Robert off to auction to sell them, so let's see how they get on. | 0:51:29 | 0:51:35 | |
At today's sale in Chiswick, we're hoping to find some toy car enthusiasts in amongst the bidders. | 0:51:35 | 0:51:41 | |
And keen to make a good impression with his boys' toys is Robert. Will he be moved to tears when they sell? | 0:51:41 | 0:51:47 | |
Ah, good morning, Robert. | 0:51:47 | 0:51:49 | |
-Ah, how nice to see you. -I see your cars are here. | 0:51:49 | 0:51:53 | |
They're all there. They look marvellous. | 0:51:53 | 0:51:56 | |
There's quite a bit of interest. I suspect they're going to be OK. | 0:51:56 | 0:52:00 | |
I went to see a gentleman who specialises in toys and he thinks they're actually quite good items. | 0:52:00 | 0:52:07 | |
-But I'll tell you me in a minute. Let's take our places. -Marvellous. | 0:52:07 | 0:52:11 | |
We really need the bidders to part with some serious cash today, as we've still got Julia's day out | 0:52:12 | 0:52:17 | |
to pay for and the more we raise, the happier I know she'll be. | 0:52:17 | 0:52:21 | |
And as Paul and Robert steer themselves to a suitable position | 0:52:21 | 0:52:25 | |
the toy cars are shown to the room. | 0:52:25 | 0:52:28 | |
Now these cars are rarer than I thought. | 0:52:28 | 0:52:31 | |
Originally, you can buy these for £30, but they were in the box and there were some rare ones. | 0:52:31 | 0:52:37 | |
Now I took them to Colin, who's on the Greenwich market near you. | 0:52:37 | 0:52:41 | |
And he told me that these catalogue at around, wait for it, £1,500. | 0:52:41 | 0:52:48 | |
-Fantastic. -I said maybe £20, so somewhere in the middle. | 0:52:48 | 0:52:52 | |
They're in the catalogue at 300-500. Let's see how we do. | 0:52:52 | 0:52:56 | |
A collection of 14 boxed Tri-ang cars from the Spot-On series. | 0:52:56 | 0:53:01 | |
Take that they're all in good condition in the boxes and, er, £500? I'm bid at £500... | 0:53:01 | 0:53:08 | |
-We're in. -No! -Yeah. -At £500. | 0:53:08 | 0:53:11 | |
Take 520. At £500. Is that it? £500. | 0:53:11 | 0:53:15 | |
Can't believe it. 520, thank you. | 0:53:15 | 0:53:17 | |
540. 560. 580. 600. | 0:53:17 | 0:53:20 | |
And 20. 650. 650. | 0:53:20 | 0:53:23 | |
680. At £650. At 80. At £650. | 0:53:23 | 0:53:27 | |
680. New bidder. 700. 700. | 0:53:27 | 0:53:30 | |
720. | 0:53:30 | 0:53:32 | |
No. £700. Take 20. At £700. | 0:53:32 | 0:53:35 | |
Are we done at £700? Who else wants to come in? | 0:53:35 | 0:53:38 | |
Back in, 720. 750. | 0:53:38 | 0:53:40 | |
720... | 0:53:40 | 0:53:41 | |
-720, we have. -I'm selling at 720. | 0:53:41 | 0:53:44 | |
It's your last chance. All done. | 0:53:44 | 0:53:46 | |
Take a bid now. At 720 then. Gone. | 0:53:46 | 0:53:49 | |
-No. -You could have had my car for that, Robert. | 0:53:49 | 0:53:53 | |
Well, don't tell anybody actually. Keep it quiet because I paid £1.75. | 0:53:53 | 0:53:58 | |
So I think we're into profit. | 0:53:58 | 0:54:01 | |
It was fantastic. Clever old Paul, and I'm very glad that Lorne | 0:54:01 | 0:54:05 | |
sort of got the whip out and made me go to the back of the attic. | 0:54:05 | 0:54:10 | |
Good old Lorne. Thanks, Lorne. | 0:54:10 | 0:54:14 | |
And selling for well over our target at an astonishing £720. | 0:54:14 | 0:54:19 | |
That certainly was Cash In The Attic. | 0:54:19 | 0:54:22 | |
Paul, for once you have the honour of giving Robert the great news about his grand total. | 0:54:22 | 0:54:27 | |
-Now believe it not, we set out to make £500. -Yeah. | 0:54:27 | 0:54:31 | |
We've already had one auction already which made £1,585. | 0:54:31 | 0:54:36 | |
-It did, didn't it? -Now if my numbers are correct add the dinky toys or the toy collection, | 0:54:36 | 0:54:41 | |
that makes a grand total of... | 0:54:41 | 0:54:44 | |
..£2,305. | 0:54:45 | 0:54:48 | |
Don't tell Julia, or she'll want an extra bottle of bubbly. | 0:54:48 | 0:54:52 | |
After another successful day at auction, | 0:54:56 | 0:55:00 | |
Robert is taking friend and fellow rummager Julia for a well-deserved day out by the sea. | 0:55:00 | 0:55:06 | |
He's dressed up and intends to treat her like a true lady. | 0:55:06 | 0:55:10 | |
Not quite what I had in mind but very pretty, Robbie. | 0:55:10 | 0:55:15 | |
-Do you like it? -Not very big, is it? | 0:55:15 | 0:55:17 | |
With the tide not expected in for another hour, he's laid on a fantastic spread for his date. | 0:55:17 | 0:55:24 | |
-I think it'll be OK. Don't you think it's marvellous? -I love wearing this. | 0:55:24 | 0:55:28 | |
Health and safety. Everything has to be done properly. | 0:55:28 | 0:55:31 | |
-Woooh! -Isn't that marvellous? | 0:55:35 | 0:55:37 | |
Robert can't rely on the British weather, so they head to the high seas while they can. | 0:55:38 | 0:55:43 | |
Isn't it lovely? Well, I said it was a cheap date. | 0:55:43 | 0:55:49 | |
Well, I think next stop Holland, don't you? | 0:55:51 | 0:55:55 | |
And it's not long before their spirits are dampened and they're forced back to shore. | 0:55:55 | 0:56:00 | |
-It was slightly damp, wasn't it? -It wasn't exactly my idea of a date. | 0:56:00 | 0:56:04 | |
-Wet and cheap. -Cheap and very wet. The lunch was fabulous, darling. | 0:56:04 | 0:56:09 | |
But next time, I'll settle for the Ritz. | 0:56:09 | 0:56:12 | |
Now if you've got some antiques that you'd like to sell, then why not apply to come on the show? | 0:56:16 | 0:56:22 | |
You'll find an application form and details at our website. Goodbye. | 0:56:22 | 0:56:27 | |
We'll see you next time. | 0:56:27 | 0:56:30 | |
Subtitles by Red Bee Media Ltd | 0:56:50 | 0:56:53 |