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Welcome to Cash in the Attic. We help you find the hidden treasures | 0:00:02 | 0:00:05 | |
around your home and help you sell them at auction. | 0:00:05 | 0:00:08 | |
Well, today I've come to the Kent town of Cranbrook, which is very picturesque. | 0:00:08 | 0:00:12 | |
And this is a fantastic windmill in good working order. | 0:00:12 | 0:00:16 | |
This is Union Mill and it's believed to be the second tallest surviving windmill in the British Isles. | 0:00:16 | 0:00:22 | |
Originally built for a lady called Mary Dobell to set up her son Henry in business, | 0:00:22 | 0:00:28 | |
the Union Windmill was built in 1814. | 0:00:28 | 0:00:31 | |
It measures 72 ft to the top of the cap. | 0:00:31 | 0:00:35 | |
When the mill went bankrupt in 1819, a union of farmers and businessmen took it over, | 0:00:35 | 0:00:39 | |
resulting in the name, Union Mill. | 0:00:39 | 0:00:41 | |
It has four sails, known as "sweeps" in the south-east, which wind permitting, | 0:00:41 | 0:00:46 | |
drive the mill to grind wheat and produce wholemeal flour. | 0:00:46 | 0:00:49 | |
So let's hope we find plenty of antiques and collectibles that will make us lots of "dough" | 0:00:49 | 0:00:54 | |
when they go under the hammer at auction! | 0:00:54 | 0:00:57 | |
Coming up on today's Cash in the Attic - | 0:01:20 | 0:01:22 | |
a pair of hand-painted plates prove to be more valuable than expected. | 0:01:22 | 0:01:27 | |
Crumbs! | 0:01:27 | 0:01:29 | |
-You take this - I'm going to drop it! -OK, follow me! | 0:01:29 | 0:01:32 | |
Jonty learns that the antiques are not just confined to the house. | 0:01:32 | 0:01:36 | |
-£50-£100. -Wow! -Well, I don't want you to have them in the garden a minute longer! | 0:01:36 | 0:01:40 | |
They must be rushed off to the auction sale. | 0:01:40 | 0:01:42 | |
There are pleasant surprises in store at auction. | 0:01:42 | 0:01:45 | |
£85. That's not bad, is it? Considering you thought they weren't worth anything! | 0:01:45 | 0:01:50 | |
Let's see what happens when the final hammer falls. | 0:01:50 | 0:01:53 | |
I'm on the way to meet two sisters who are very close | 0:01:55 | 0:01:58 | |
and have called in the Cash In The Attic team to help them | 0:01:58 | 0:02:01 | |
raise some funds for a family reunion abroad. | 0:02:01 | 0:02:04 | |
This beautiful six-bedroomed country house in rural Kent | 0:02:08 | 0:02:12 | |
is the cherished home of former catwalk model, Maureen Jackson. | 0:02:12 | 0:02:16 | |
She's lived in this house for nearly 40 years and it's been the perfect family home. | 0:02:16 | 0:02:21 | |
But her three daughters have long since flown the nest. | 0:02:21 | 0:02:25 | |
Unsurprisingly, Maureen misses them dearly, but with help from her sister Lynn, the girls have a plan. | 0:02:25 | 0:02:32 | |
Ah! Good morning, Jonty. | 0:02:34 | 0:02:36 | |
-This is fantastic, isn't it? -Beautiful day, isn't it? | 0:02:36 | 0:02:39 | |
-A fantastic house to go through. -Yeah? | 0:02:39 | 0:02:41 | |
We're meeting two sisters today, one of whom has got a very glamorous past. | 0:02:41 | 0:02:45 | |
-So glamorous antiques, then? -Well, let's find out, shall we? | 0:02:45 | 0:02:49 | |
I'll meet the family, you find some nice stuff for us. | 0:02:49 | 0:02:51 | |
Good morning, ladies! | 0:02:54 | 0:02:57 | |
-Good morning. -You have started already! | 0:02:57 | 0:02:59 | |
Yes, we have. We're having a little rummage. | 0:02:59 | 0:03:03 | |
Now, Mo, this is your house that we're going to be looking through. | 0:03:03 | 0:03:06 | |
You're the one responsible for calling us in. What have you got in mind? | 0:03:06 | 0:03:10 | |
I have three daughters, | 0:03:10 | 0:03:12 | |
one lives in London, one lives in New York, and one lives Abu Dhabi. | 0:03:12 | 0:03:17 | |
And it's to raise some money towards air fares, basically. | 0:03:17 | 0:03:20 | |
And also, my sister and I don't get much opportunity to get together because of our families, | 0:03:20 | 0:03:25 | |
so we were hoping there would be enough for a nice lunch. | 0:03:25 | 0:03:28 | |
-So, Lynn, does Mo need this clear out? -She does! It's a family thing. | 0:03:28 | 0:03:32 | |
I'm a bit of a squirrel, but this is major squirrel league here going on! | 0:03:32 | 0:03:37 | |
-Has she got a lot of stuff to get rid of? -An enormous amount of stuff! | 0:03:37 | 0:03:41 | |
Now what sort of figure have you got in mind, then? | 0:03:41 | 0:03:45 | |
I'd like to raise about 500 to go towards the air fares. | 0:03:45 | 0:03:49 | |
-And how much of that would be for lunch, Lynn?! -Well... | 0:03:49 | 0:03:54 | |
As much as possible, really! We'd like to go somewhere and be driven. Be driven home. | 0:03:54 | 0:03:58 | |
If we go to lunch in Tunbridge Wells or Eastbourne, we have to drive. It's always a devil to park. | 0:03:58 | 0:04:03 | |
-And we'd like to have a nice glass of wine, would we? -We would indeed. | 0:04:03 | 0:04:07 | |
-And chill and toast each other. -OK, so we need to raise £500 towards the air ticket | 0:04:07 | 0:04:14 | |
and so the two of you can get out and have a jolly nice lunch. | 0:04:14 | 0:04:17 | |
-Yes. -OK. Perhaps we'd better get on with some rummaging and find some stuff to sell. Come on. | 0:04:17 | 0:04:22 | |
'It sounds like the house is going to be full of items to look at today. | 0:04:22 | 0:04:25 | |
'Which is exactly what's needed if we're going to afford Mo's plane tickets to Abu Dhabi. | 0:04:25 | 0:04:30 | |
'One man who has travelled extensively in search of antiques and collectibles | 0:04:30 | 0:04:35 | |
'is our very own antiques expert, Mr Jonty Hearndon.' | 0:04:35 | 0:04:38 | |
-There you are, Jonty. -Hello. -Hi. | 0:04:38 | 0:04:40 | |
I found the most amazing throw I've ever seen. | 0:04:40 | 0:04:43 | |
-It's beautiful. I love the colours. -Where is it from? | 0:04:43 | 0:04:46 | |
It's from a relation, but my husband's family were all musicians, so they travelled widely. | 0:04:46 | 0:04:53 | |
So I have no idea of the origin of it. | 0:04:53 | 0:04:56 | |
I believe that it was something they draped over pianos at one point. | 0:04:56 | 0:05:00 | |
Now, the peonies give us an indication as to where this throw was made. | 0:05:00 | 0:05:04 | |
I don't know if you've ever looked at Chinese ceramics, for instance? | 0:05:04 | 0:05:08 | |
More often than not, the flowers that you see are peonies. This throw is from China, too. | 0:05:08 | 0:05:13 | |
But what's so extraordinary about Chinese embroidery and Chinese works of art | 0:05:13 | 0:05:18 | |
is that everything is hand-done. | 0:05:18 | 0:05:19 | |
-So everything you see here is all hand-done. -What is the fabric? | 0:05:19 | 0:05:25 | |
-What is it? -The embroidery-work is silk. | 0:05:25 | 0:05:28 | |
And the problem with silk, quite quickly, it does perish. | 0:05:28 | 0:05:31 | |
But I see this as very, very good condition indeed. | 0:05:31 | 0:05:34 | |
What very, very good price do you put on it then, Jonty?! | 0:05:34 | 0:05:37 | |
I wish I could put a very, very good price on it. | 0:05:37 | 0:05:40 | |
Because the bottom line is, what do you do with something like this? | 0:05:40 | 0:05:44 | |
Well, I can help you out there a bit, Jonty, | 0:05:44 | 0:05:46 | |
because there is a shop on the King's Road that takes these | 0:05:46 | 0:05:49 | |
and turns them into very, very, expensive but desirable dresses. | 0:05:49 | 0:05:53 | |
-I was going to say, you could wear it. -Well, yes, as spotted on Gerry Halliwell, no less. | 0:05:53 | 0:05:58 | |
I was going to wear it as a shawl on one occasion. | 0:05:58 | 0:06:01 | |
The only thing I could think of was, I didn't want it on my piano! | 0:06:01 | 0:06:04 | |
But it really does pain me to put a very low value on it at auction. | 0:06:04 | 0:06:08 | |
Somebody will spend quite a lot of time doing something with it. | 0:06:08 | 0:06:11 | |
My hunch is that we're looking only at about £50 at auction. | 0:06:11 | 0:06:14 | |
-£40-£60. Which is terrible. -It's a travesty, isn't it? | 0:06:14 | 0:06:18 | |
But that's the value at auction. How do you feel about that? | 0:06:18 | 0:06:21 | |
If I could put a reserve on it - it is so beautiful. | 0:06:21 | 0:06:24 | |
Maybe I'll come up with an idea of where to use it. | 0:06:24 | 0:06:27 | |
So if I put a reserve on it, and it doesn't go, | 0:06:27 | 0:06:29 | |
-then I'd be happy about that as well. -Well, if it's displayed properly... | 0:06:29 | 0:06:34 | |
-Yes, exactly. -..then I think we've got a good chance of it selling for more than that. | 0:06:34 | 0:06:38 | |
But we do need to raise a bit more money towards these flights, | 0:06:38 | 0:06:42 | |
not to mention lunch for the ladies, so shall we crack on? | 0:06:42 | 0:06:45 | |
'£40 doesn't sound like a lot of money for such a beautiful throw, but with high hopes for the auction, | 0:06:47 | 0:06:52 | |
'it's time to split up and commence a thorough search of Mo's stunning home. | 0:06:52 | 0:06:57 | |
'I can't resist looking at some of the wonderful outfits Mo has collected from her catwalk days. | 0:06:57 | 0:07:03 | |
'While upstairs, Mo herself decides that a set of four original paintings | 0:07:03 | 0:07:07 | |
'by artist A Hulk can go off to auction. | 0:07:07 | 0:07:10 | |
'Jonty thinks they should fetch between £100-£200.' | 0:07:10 | 0:07:14 | |
-Jonty? -What have we got there? | 0:07:15 | 0:07:19 | |
Well, they jump out a bit because they are not the blue. | 0:07:19 | 0:07:23 | |
-I actually remember Mo buying these. -Oh, right? | 0:07:23 | 0:07:27 | |
I remember her telling us they were five bob for the two. Two pounds, seven and six each. | 0:07:27 | 0:07:31 | |
An interesting back stamp here. This is Copeland and Garrett. Now, this is from the Spode factory. | 0:07:31 | 0:07:37 | |
-Oh, is it? -Have you heard of Spode? -Yes. I've got Spode at home. -Have you? | 0:07:37 | 0:07:41 | |
Well, Spode were the factory that really championed what you see around us here now. | 0:07:41 | 0:07:46 | |
She's got a lot of Spode as well here. | 0:07:46 | 0:07:48 | |
But in 1833, the factory changed its name. | 0:07:48 | 0:07:51 | |
And it changed its name to, as you can see here, Copeland and Garrett. | 0:07:51 | 0:07:55 | |
-Oh! -OK? And they were only Copeland and Garrett until 1844. | 0:07:55 | 0:08:00 | |
So you can date these plates between 1833 and 1847. | 0:08:00 | 0:08:05 | |
Crumbs! | 0:08:05 | 0:08:06 | |
Simple as that. Now we are seeing on this one, | 0:08:06 | 0:08:10 | |
a hand-painted rather than transfer printed decoration of a very early Hampton Court. | 0:08:10 | 0:08:16 | |
-That's hand-painted? -Yes. It would be. -Good grief! | 0:08:16 | 0:08:20 | |
And you can see that, if you hold it closely, | 0:08:20 | 0:08:23 | |
and also run your finger across it, it's slightly raised. | 0:08:23 | 0:08:27 | |
-Can you feel that? -That is amazing! | 0:08:27 | 0:08:29 | |
The whole thing is hand-painted? | 0:08:29 | 0:08:32 | |
And that is the same on this plate too. If you run your finger across there. | 0:08:32 | 0:08:36 | |
-That's amazing. These are actually hand...? -Yeah. | 0:08:36 | 0:08:40 | |
The decoration that runs round the outside is gilding. So again, that is real gold. | 0:08:40 | 0:08:45 | |
And on the inset here, that's gold leaf as well. | 0:08:45 | 0:08:49 | |
-Good grief! -So they are very, very special plates. | 0:08:49 | 0:08:52 | |
-Good Lord! -They are wonderful. -I don't think she knows about this. | 0:08:52 | 0:08:56 | |
-What value are they? -Well, we are looking at £100-£150. -You're joking me! -Is that good? | 0:08:56 | 0:09:01 | |
Two pounds, seven and six?! | 0:09:01 | 0:09:03 | |
It's not bad. Not a bad return. | 0:09:03 | 0:09:05 | |
-That's fantastic news. -Shall we go and tell her? | 0:09:05 | 0:09:07 | |
-Yes. -Come on. -No, you take this, I'm going to drop it! -OK, come on! | 0:09:07 | 0:09:12 | |
The plates, I was completely blown away with. The valuation was phenomenal. | 0:09:14 | 0:09:19 | |
But to look at the detail, they are exquisite. | 0:09:19 | 0:09:23 | |
'I think Lynn was somewhat taken aback with hand-painted plates. | 0:09:23 | 0:09:26 | |
'Let's hope they have the same effect on the bidders when they get to auction. | 0:09:26 | 0:09:30 | |
'Up in the bedroom, Jonty discovers a Staffordshire china box | 0:09:30 | 0:09:34 | |
'from the Queen's Jubilee which he values at £20-£30. | 0:09:34 | 0:09:39 | |
'And I find a Limoges decanter and glasses depicting Napoleon | 0:09:40 | 0:09:44 | |
'which Jonty thinks could add another £40-£70 to the flight fund. | 0:09:44 | 0:09:49 | |
'We seem to be progressing nicely towards our £500 target. | 0:09:49 | 0:09:54 | |
'So I head out into the garden to find out more about the history of our former catwalk model.' | 0:09:54 | 0:10:00 | |
Now I know Lynn doesn't live too far away, | 0:10:00 | 0:10:02 | |
but you do seem to have an extraordinarily close bond, the two of you. | 0:10:02 | 0:10:06 | |
Yes, we do. Because our parents had a pub in the East End of London. | 0:10:06 | 0:10:12 | |
And of course, family life is very difficult. | 0:10:12 | 0:10:15 | |
And it was more so in those days. | 0:10:15 | 0:10:17 | |
And so, being the big sister, I used to take her everywhere with me. | 0:10:17 | 0:10:22 | |
And then when I eventually got married, she more or less... | 0:10:22 | 0:10:26 | |
well, she did, she moved in with us. | 0:10:26 | 0:10:28 | |
I understand you were married to someone rather famous? Tell me who you were married to? | 0:10:28 | 0:10:33 | |
A singer called Lonnie Donegan. | 0:10:33 | 0:10:34 | |
He was the originator of the skiffle movement and he went on to have many hits. | 0:10:34 | 0:10:42 | |
I think you're being quite modest, | 0:10:42 | 0:10:44 | |
because Lonnie Donegan was pretty much the hottest pop star of the day, really. | 0:10:44 | 0:10:48 | |
He was, at that time, yes. | 0:10:48 | 0:10:50 | |
-So how did you two meet? -We met in a jazz club, actually. | 0:10:50 | 0:10:53 | |
I was only 16. | 0:10:53 | 0:10:55 | |
And we got talking and of course, in those days, | 0:10:57 | 0:11:00 | |
the band that was playing, you know, the girls made eyes at them. | 0:11:00 | 0:11:04 | |
And that's how it started, you know. | 0:11:04 | 0:11:07 | |
I understand you also then went into being a model, is that right? | 0:11:07 | 0:11:11 | |
Well, that was when the marriage broke up. | 0:11:11 | 0:11:13 | |
And I had two, well, babies to me. | 0:11:13 | 0:11:15 | |
One of two-and-a-half and one of five. | 0:11:15 | 0:11:18 | |
And I had to do something. | 0:11:18 | 0:11:21 | |
I was tall and, at that time, I was quite thin. | 0:11:21 | 0:11:25 | |
And so I tried it and was able to make a decent living. | 0:11:25 | 0:11:30 | |
I did that until I moved down here, by which time I had married again. | 0:11:30 | 0:11:34 | |
-You have a beautiful home here. It's fantastic. How long have you lived here? -39 years. | 0:11:34 | 0:11:39 | |
Everybody comes and stays here. | 0:11:39 | 0:11:41 | |
It's one of those houses, you know. I looked after my father. | 0:11:41 | 0:11:45 | |
I even had one of his friends who lived here as well! | 0:11:45 | 0:11:48 | |
It seems you've been looking after everybody for a long time. | 0:11:48 | 0:11:52 | |
I think it's time someone looked after you. | 0:11:52 | 0:11:54 | |
Which we will be able to do if we make the money we need. | 0:11:54 | 0:11:57 | |
So shall we see if Jonty's been busy working? | 0:11:57 | 0:12:00 | |
Come on, then. | 0:12:00 | 0:12:02 | |
'Well, Mo has certainly led quite a life. | 0:12:02 | 0:12:05 | |
'And the excitement doesn't look like ending any time soon | 0:12:05 | 0:12:08 | |
'with her plans to fly out to visit her daughter in Abu Dhabi. | 0:12:08 | 0:12:12 | |
'And looks like Mo's not the only one planning a trip.' | 0:12:12 | 0:12:16 | |
-Hello! -I'm off on my travels! | 0:12:21 | 0:12:23 | |
Are you now? This is lovely. | 0:12:23 | 0:12:25 | |
I know, this is a fabulous quality travelling case. | 0:12:25 | 0:12:28 | |
All these bottles here are silver-topped. | 0:12:28 | 0:12:30 | |
We've got hallmarks here, which is wonderful. Really fantastic quality. | 0:12:30 | 0:12:34 | |
-So is this another family piece then, Mo? -No, I bought it at an auction. | 0:12:34 | 0:12:38 | |
Which I thought was a good idea until I tried to lift it! | 0:12:38 | 0:12:42 | |
Yes, it's very heavy empty - imagine it full! | 0:12:42 | 0:12:46 | |
This is a really good quality gentleman's travelling case. | 0:12:46 | 0:12:50 | |
And I say that because we've got gentleman's brushes here on the side. | 0:12:50 | 0:12:54 | |
And the reason why suitcases like this became popular, because travel became more popular. | 0:12:54 | 0:12:59 | |
In the late 19th century, the railways expanded to the whole of Britain. | 0:12:59 | 0:13:03 | |
So this case here would have been made around the turn of the century. | 0:13:03 | 0:13:07 | |
Now, it's monogrammed and this is obviously the owner. We've got WBA. | 0:13:07 | 0:13:12 | |
West Bromwich Albion! | 0:13:12 | 0:13:14 | |
You're absolutely right! | 0:13:14 | 0:13:16 | |
So the whole football team could fit in here! Do you remember how much you paid for it? | 0:13:16 | 0:13:20 | |
Well. it was about 10 shillings. So I guess roughly a pound, I suppose, today. | 0:13:20 | 0:13:25 | |
Did it have these marks on the top? | 0:13:25 | 0:13:27 | |
Some of them. Some of them were there. But I didn't know that there was anything inside it. | 0:13:27 | 0:13:32 | |
-Really? Until you bought it? -No. Until I got it home. | 0:13:32 | 0:13:35 | |
That was a surprise! | 0:13:35 | 0:13:37 | |
So what sort of value are we talking about? | 0:13:37 | 0:13:40 | |
Well, your 10 shillings has turned into more like £100-£150. | 0:13:40 | 0:13:45 | |
-Wow! -Oh, I didn't realise it was going to be as much as that. | 0:13:45 | 0:13:50 | |
But it's a nice feature piece. | 0:13:50 | 0:13:52 | |
But, you know, if the price is right, then maybe I will. | 0:13:52 | 0:13:57 | |
Well it sounds to me, Jonty, that you can't count on this being at auction on the day. | 0:13:57 | 0:14:02 | |
-So shall we find something else, just in case you decide not to bring it along? -Yes, OK. -Come on, then. | 0:14:02 | 0:14:07 | |
It's a very good reminder of times gone by. | 0:14:07 | 0:14:11 | |
I'll possibly put it into the sale, but I'm still thinking about what I should do with that. | 0:14:11 | 0:14:18 | |
Well, we'll just have to wait and see if Mo decides to bring the travel case to auction. | 0:14:19 | 0:14:24 | |
So, we need to keep on looking for items we can definitely sell. | 0:14:24 | 0:14:29 | |
In the dining room, Jonty discovers a hallmarked silver canteen | 0:14:29 | 0:14:34 | |
which he values at £60-£80. | 0:14:34 | 0:14:36 | |
-Jonty, there's something here you might want to look at. -What have we got there? | 0:14:37 | 0:14:42 | |
-Four. -Pocket watches, OK. What are you doing with four pocket watches in your house? | 0:14:42 | 0:14:48 | |
Well, I've got four pockets! | 0:14:48 | 0:14:51 | |
-So where are they from? -Just collected them actually over the years. | 0:14:51 | 0:14:55 | |
-Is this collection something you might consider selling then? -Yes. -OK. | 0:14:55 | 0:15:00 | |
Let's take a look at this one particularly because this is very typical | 0:15:00 | 0:15:04 | |
of a pocket watch around the turn of the century. | 0:15:04 | 0:15:06 | |
And for gents, particularly, who would own pocket watches like this, they were their pride and joy. | 0:15:06 | 0:15:12 | |
It was a big event to take this out of your breast pocket on your very grand fob chain | 0:15:12 | 0:15:19 | |
and, of course, it's down to the quality of your timepiece as well. | 0:15:19 | 0:15:23 | |
It shows you just how wealthy you are | 0:15:23 | 0:15:25 | |
and that's the reason why a lot of people would have spent in real terms | 0:15:25 | 0:15:29 | |
an awful lot of money on a pocket watch. | 0:15:29 | 0:15:31 | |
This one here particularly I see has lost its second hand. | 0:15:31 | 0:15:35 | |
That's not the end of the world, it could be replaced. | 0:15:35 | 0:15:37 | |
And I notice, which is wonderful news, that this is hallmarked so this is a silver case and, again, | 0:15:37 | 0:15:43 | |
if you look at this stylised engine turning, that's going to be around the turn of the century. | 0:15:43 | 0:15:48 | |
Now I notice all these other three are particularly in relatively poor condition. | 0:15:48 | 0:15:53 | |
It makes sense to sell all of these four together so our collection here | 0:15:53 | 0:15:57 | |
has got to be worth still a very handsome, what, £100 to £150? | 0:15:57 | 0:16:01 | |
Well, that's very good. I didn't expect it to be that much. | 0:16:01 | 0:16:05 | |
-Oh, good. -That's a bonus. | 0:16:05 | 0:16:07 | |
-Shall I gather these up for you? -Yes. -It's all mounting up. -It is. | 0:16:07 | 0:16:11 | |
-That's the whole point. -This way. | 0:16:11 | 0:16:13 | |
The watches were a great surprise to me because most of them were broken | 0:16:14 | 0:16:20 | |
and I was very surprised at the price that Jonty suggested could possibly be achieved. | 0:16:20 | 0:16:28 | |
Well, only time will tell if the pocket watches reach their estimates but it's another good find. | 0:16:28 | 0:16:34 | |
In the drawing room Mo decides it's time to part with some of her old books | 0:16:39 | 0:16:43 | |
including a copy of The Life Of Napoleon Bonaparte by Sir Walter Scott, | 0:16:43 | 0:16:47 | |
which Jonty values at £50 to £100. | 0:16:47 | 0:16:51 | |
We're progressing nicely towards our £500 target but ideally we want to raise more | 0:16:52 | 0:16:57 | |
as the sisters have high hopes that they'll be able to treat themselves to a meal out before Mo's big trip. | 0:16:57 | 0:17:03 | |
Oh, I remember this. This came from our father's pub. | 0:17:05 | 0:17:08 | |
She's been polishing that for all those years, God bless her. | 0:17:08 | 0:17:12 | |
-She clearly doesn't want to throw anything away. -Oh, no, she doesn't. | 0:17:12 | 0:17:16 | |
This worries me. I don't know. | 0:17:16 | 0:17:18 | |
You're very close as sisters, but it must be difficult getting time together. | 0:17:18 | 0:17:22 | |
-Everyone's life is so busy now. -We're both very busy. | 0:17:22 | 0:17:25 | |
I've got five kids and, you know, seven grandchildren, | 0:17:25 | 0:17:30 | |
and she's in and out and rushing around like a lunatic. | 0:17:30 | 0:17:34 | |
This is why we'd love to have this lunch, just us, just the two of us, | 0:17:34 | 0:17:38 | |
and not having to drive there or back and that to us would be bliss. | 0:17:38 | 0:17:43 | |
So how important do you think it is for Mo to be able to get to Abu Dhabi? | 0:17:43 | 0:17:47 | |
Oh, it's vitally important. It really is. | 0:17:47 | 0:17:50 | |
She's got Leo now, her baby grandson, and Rebecca and Andrew, they're lovely, | 0:17:50 | 0:17:57 | |
but Rebecca with a young baby and it's the Middle East, | 0:17:57 | 0:18:02 | |
it's not like going to the Med, Spain or whatever, | 0:18:02 | 0:18:05 | |
yes, it's vitally important she goes over there. | 0:18:05 | 0:18:07 | |
Now obviously Mo's told me that she's bought stuff before at auction | 0:18:07 | 0:18:11 | |
-and I'm a little bit worried about that. -This is what concerns me. | 0:18:11 | 0:18:15 | |
I think that possibly if the shawl does reach its reserve and it goes that she'll say, | 0:18:15 | 0:18:20 | |
"Oh, I quite like that." She'll say, "I quite like that, I quite like that," | 0:18:20 | 0:18:25 | |
so we may come back with more than we sell, | 0:18:25 | 0:18:28 | |
but I don't think so because I think Abu Dhabi is a prime objective here. | 0:18:28 | 0:18:33 | |
-It's a good focus for her to have. -And the lunch? -I shan't forget the lunch! | 0:18:33 | 0:18:36 | |
Go on then, let's find some more stuff to sell, shall we? | 0:18:36 | 0:18:40 | |
Righty-ho. | 0:18:40 | 0:18:43 | |
'Well, there'll be no lunch for the sisters if we fail to raise the £500 for the flights for the Middle East, | 0:18:43 | 0:18:48 | |
'so it's on with the search and Mo's treasures aren't just confined to the house.' | 0:18:48 | 0:18:53 | |
I've brought you into the garden today | 0:18:55 | 0:18:57 | |
because I've got these two pots that I've been using in the garden. | 0:18:57 | 0:19:01 | |
I wondered what you thought as they're a pair? | 0:19:01 | 0:19:03 | |
They're nice and decorative. You may want to use them in the garden | 0:19:03 | 0:19:07 | |
but they're far too nice to be out in the garden. Where were they from? | 0:19:07 | 0:19:10 | |
They're from my in-laws' house, my father-in-law and mother-in-law's house. I've no idea. | 0:19:10 | 0:19:15 | |
I can't see any markings on them. | 0:19:15 | 0:19:19 | |
They're porcelain vases. | 0:19:19 | 0:19:20 | |
This is a very typical base to a Chinese ceramic, glazed vase like this. | 0:19:20 | 0:19:27 | |
Now the decoration here of these wonderful stylised dragons, Chinese dragons, is famille verte | 0:19:27 | 0:19:34 | |
and famille verte was very, very popular from a design point of view in the early 18th century. | 0:19:34 | 0:19:40 | |
This decoration here is not early 18th century, | 0:19:40 | 0:19:43 | |
the decoration isn't good enough, | 0:19:43 | 0:19:46 | |
so they're probably turn of the century vases, about 100 years of age. | 0:19:46 | 0:19:50 | |
The history of Chinese ceramics for me is fascinating. | 0:19:50 | 0:19:54 | |
They first started crafting... moulding pots 8,000 years ago. I find that quite extraordinary. | 0:19:54 | 0:20:01 | |
Absolutely. | 0:20:01 | 0:20:03 | |
And we as Europeans were spellbound by this form known as porcelain. | 0:20:03 | 0:20:09 | |
We had no idea how they were made. | 0:20:09 | 0:20:10 | |
It was only at the beginning of the 18th century that we as Europeans discovered that art. | 0:20:10 | 0:20:15 | |
The rest is history because we ended up having our own historical referencing to ceramics | 0:20:15 | 0:20:21 | |
and creating ceramics in our own taste. | 0:20:21 | 0:20:23 | |
These are great, we can certainly put these into the sale. | 0:20:23 | 0:20:27 | |
Ballpark, £50 to £100. | 0:20:27 | 0:20:29 | |
Wow, that's very good. | 0:20:29 | 0:20:31 | |
-I don't want you to have them in the garden more than a minute longer. -No, I'll take them straight in. | 0:20:31 | 0:20:36 | |
'That really is quite remarkable for two unloved vases left out in the cold. | 0:20:36 | 0:20:42 | |
'Back indoors, Lynn finds a Clarice Cliff honey pot with an accompanying ladle | 0:20:42 | 0:20:47 | |
'which Jonty values at £45-£75. | 0:20:47 | 0:20:50 | |
'And I spot something in the lounge I think would go even further towards our target.' | 0:20:50 | 0:20:57 | |
Jonty? Ladies? | 0:20:57 | 0:20:59 | |
This is a beautiful, beautiful picture. | 0:20:59 | 0:21:02 | |
I love the frame. Where is this from? | 0:21:02 | 0:21:04 | |
What's the family connection to this picture, Mo? | 0:21:04 | 0:21:06 | |
It came from my husband's uncle by marriage. | 0:21:06 | 0:21:11 | |
So it was inherited by my husband. | 0:21:11 | 0:21:14 | |
The etching itself, we're looking at Caroline, Queen of England. | 0:21:14 | 0:21:18 | |
She married the Prince of Wales, the son and heir to the throne | 0:21:18 | 0:21:24 | |
but they fell out very quickly and famously she was banished | 0:21:24 | 0:21:28 | |
-from Westminster Abbey. -Can I say something really sacrilegious? | 0:21:28 | 0:21:32 | |
She looks like a man in drag. She wasn't the prettiest. | 0:21:32 | 0:21:36 | |
You can see how the King wasn't very enamoured. | 0:21:36 | 0:21:39 | |
So many people have never heard of Queen Caroline, and certainly don't know the history. | 0:21:39 | 0:21:44 | |
It's because she was banished, almost wiped out of history books | 0:21:44 | 0:21:47 | |
because she was there by default, certainly for the Prince of Wales. | 0:21:47 | 0:21:51 | |
She was just a thorn in his side for most of his life. | 0:21:51 | 0:21:54 | |
I've never seen one with this sort of royalty thing going on at the top here. | 0:21:54 | 0:21:59 | |
I agree with you. This is a very rare thing to find on the top here. | 0:21:59 | 0:22:03 | |
But what you're looking at here is a gilt and gesso frame, which is very typical of a 19th-century frame. | 0:22:03 | 0:22:10 | |
What gesso is is a plaster of Paris mix, | 0:22:10 | 0:22:13 | |
so all this detailing here is plaster of Paris. | 0:22:13 | 0:22:17 | |
Once that's dried, you apply the gilding on top. | 0:22:17 | 0:22:20 | |
What sort of value are we talking about? | 0:22:20 | 0:22:23 | |
My guess is we're looking at probably £100 to £200, that kind of ball park. | 0:22:23 | 0:22:29 | |
Is it something you'd be happy to let go? | 0:22:29 | 0:22:32 | |
With a reserve on it. | 0:22:32 | 0:22:34 | |
What sort of reserve have you got in mind? | 0:22:34 | 0:22:37 | |
I would have thought £200 to £300. | 0:22:37 | 0:22:39 | |
I understand. I'll make sure it doesn't sell for anything you wouldn't be happy with. | 0:22:39 | 0:22:43 | |
We've run out of time for rummaging. | 0:22:43 | 0:22:45 | |
We didn't manage to find a cuddly toy, but apart from that we've found some very nice items. | 0:22:45 | 0:22:50 | |
You wanted £500 towards the flights to Abu Dhabi. | 0:22:50 | 0:22:53 | |
-And a lovely lunch. Do you think you've come anywhere near that figure? -I don't think so. | 0:22:53 | 0:22:58 | |
Well, the value of everything that is going to auction comes to £705. | 0:22:58 | 0:23:03 | |
-You're joking? -You've gotta be kidding! | 0:23:03 | 0:23:06 | |
If you were to send the suitcase, I know you're thinking about that, that would make it £805. | 0:23:06 | 0:23:10 | |
-Mo! -How about that? -I had no idea about that. | 0:23:10 | 0:23:14 | |
-So that lunch you had in mind... -Slap up meal, girls! | 0:23:14 | 0:23:17 | |
It will just about cover the lunch. | 0:23:17 | 0:23:19 | |
-You could turn it into dinner, be there all day. -Good idea! | 0:23:19 | 0:23:22 | |
I'm so pleased for the ladies, and all of the hard work searching Mo's beautiful home has really paid off. | 0:23:22 | 0:23:28 | |
So, heading off to auction, we have two Copeland and Garrett | 0:23:28 | 0:23:32 | |
hand-painted plates valued at £100-£150. | 0:23:32 | 0:23:37 | |
A collection of four silver gents pocket watches with an estimate of £100. | 0:23:37 | 0:23:42 | |
Lynn may have thought it was a man in drag, | 0:23:42 | 0:23:44 | |
but the portrait of Queen Caroline could earn us | 0:23:44 | 0:23:47 | |
a very attractive £100-£200. | 0:23:47 | 0:23:50 | |
But only time will tell if Mo decides to bring the fabulous travel case, complete with | 0:23:51 | 0:23:56 | |
the hallmarked silver top bottles and a manicure set. | 0:23:56 | 0:23:59 | |
It has an estimate of £100-£150, but can Mo bear to part with it? | 0:23:59 | 0:24:04 | |
Still to come on Cash In The Attic... | 0:24:05 | 0:24:08 | |
Jonty's expertise reaches new levels. | 0:24:08 | 0:24:11 | |
£75? | 0:24:11 | 0:24:13 | |
That's really good. | 0:24:13 | 0:24:15 | |
And some items fall way short of expectations. | 0:24:15 | 0:24:19 | |
-I wouldn't let it go for that money. -No. | 0:24:19 | 0:24:22 | |
It's just over a week since we were with Mo Jackson and her sister Lynn at Mo's house in Kent | 0:24:27 | 0:24:32 | |
when we found plenty of antiques and collectibles | 0:24:32 | 0:24:35 | |
that we brought here to Chiswick auction rooms in west London. | 0:24:35 | 0:24:38 | |
Mo's looking to raise £500 towards the cost of flights to Abu Dhabi so she can go and see her daughter | 0:24:38 | 0:24:44 | |
but she also is hoping for a bit extra so she and Lynn can have a slap-up dinner. | 0:24:44 | 0:24:48 | |
So let's just hope the bidders are very hungry for her items when they go under the hammer today. | 0:24:48 | 0:24:54 | |
There's a flurry of activity at the auction house | 0:24:55 | 0:24:58 | |
with potential bidders keen to find out what's on offer. | 0:24:58 | 0:25:01 | |
But there's one person who has yet to discover a real beauty in the auction room. | 0:25:01 | 0:25:07 | |
-Morning, Jonty. -Lorne, she hasn't got much more beautiful, has she? | 0:25:07 | 0:25:12 | |
She hasn't, bless her. | 0:25:12 | 0:25:14 | |
But I wonder if the value of this particular picture is in the frame because... | 0:25:14 | 0:25:18 | |
It's such a shame if somebody separated it, | 0:25:18 | 0:25:20 | |
but this is a bit difficult to live with, isn't it? | 0:25:20 | 0:25:23 | |
She might well be. I think the Prince found that as well. | 0:25:23 | 0:25:27 | |
We've also got that fantastic throw, that gorgeous, huge throw. | 0:25:27 | 0:25:31 | |
Lovely colours. The big question - have they brought the travelling suitcase? | 0:25:31 | 0:25:35 | |
They might have used it on the way up here. Shall we go and find out? | 0:25:35 | 0:25:38 | |
Good morning, Mo. Hi, Lynn. | 0:25:42 | 0:25:45 | |
-So you've brought it then. -We brought it up just in case. | 0:25:45 | 0:25:48 | |
-Looking forward to the auction? -Really. -Very much so. | 0:25:48 | 0:25:51 | |
-Seen anything you like, Mo? -I have, but I can't get it in my handbag. | 0:25:51 | 0:25:55 | |
That's a good thing or you'll never get the money for the flight, | 0:25:55 | 0:25:59 | |
let alone the lunch you're looking forward to. | 0:25:59 | 0:26:01 | |
Have you put any reserves on your items? | 0:26:01 | 0:26:03 | |
Yes, on the Caroline picture in the Royal frame, | 0:26:03 | 0:26:07 | |
I've put on £300 | 0:26:07 | 0:26:08 | |
and on the Chinese silk shawl I've put £80. | 0:26:08 | 0:26:13 | |
-So, ready to crack on and sell some stuff? Come on then. -OK. | 0:26:13 | 0:26:17 | |
It's great news that the travel trunk has arrived at auction. | 0:26:17 | 0:26:22 | |
But with high reserves on some items, | 0:26:22 | 0:26:24 | |
we'll have to hope there's plenty of interest in our items today. | 0:26:24 | 0:26:28 | |
Remember, if you're planning to head to your local auction house | 0:26:28 | 0:26:31 | |
be aware that commission and other charges will be added to your bill. | 0:26:31 | 0:26:35 | |
Lot 120A. | 0:26:35 | 0:26:36 | |
Our first lot to go under the hammer today is the two Chinese vases, | 0:26:36 | 0:26:40 | |
which Mo kept in the garden of all places. | 0:26:40 | 0:26:43 | |
These sound very flash, but you actually had them in the garden. | 0:26:43 | 0:26:47 | |
I did indeed, I wasn't aware they were anything particularly special. | 0:26:47 | 0:26:51 | |
Let's hope the bidders think they're special. | 0:26:51 | 0:26:53 | |
We're after £50. | 0:26:53 | 0:26:55 | |
Am I bid £30? | 0:26:55 | 0:26:57 | |
35, £40. At £40? | 0:26:57 | 0:26:59 | |
Do I see 45? At £40, any advance on £40? | 0:26:59 | 0:27:03 | |
Going then for £40 only, are you sure? | 0:27:03 | 0:27:06 | |
£40 they're selling. £40. | 0:27:06 | 0:27:08 | |
-£40. -Ohh! | 0:27:08 | 0:27:11 | |
£10 below estimate but considering they were found in a flowerbed | 0:27:11 | 0:27:15 | |
I don't think it's that bad at all. | 0:27:15 | 0:27:16 | |
Next up is another lot that Mo doesn't have high hopes for, but at least she kept these in the house. | 0:27:18 | 0:27:25 | |
This is a collection of pocket watches, all those that are damaged. | 0:27:25 | 0:27:28 | |
Yes, I didn't think they were worth anything. | 0:27:28 | 0:27:31 | |
Let's see what they are worth. | 0:27:31 | 0:27:33 | |
We are looking for £100-£150. | 0:27:33 | 0:27:38 | |
40 to start me, 45, 50. | 0:27:38 | 0:27:42 | |
Five, 60, five, 70, five, 80, | 0:27:42 | 0:27:45 | |
At £85 I have. 90 is it now? | 0:27:45 | 0:27:48 | |
At £85, do I see 90? | 0:27:48 | 0:27:51 | |
-I'm selling at 85 unless I see another bid. -One more, one more. | 0:27:51 | 0:27:54 | |
They are going for 85. | 0:27:54 | 0:27:56 | |
£85, that's not bad considering you thought they weren't worth anything. | 0:27:56 | 0:28:01 | |
I wanted a bit more than that. | 0:28:01 | 0:28:03 | |
I'm sorry you're disappointed, Jonty, but Mo's more than happy. | 0:28:03 | 0:28:07 | |
I was very surprised they went for as much as they did, | 0:28:07 | 0:28:10 | |
they were all broken and I'm pleased they've gone and made some money towards the fares. | 0:28:10 | 0:28:17 | |
I think we should be quite satisfied with our progress so far. | 0:28:17 | 0:28:21 | |
Neither of our opening lots held any great sentimental attachment for Mo, | 0:28:21 | 0:28:25 | |
and we've already raised £125 towards the £500 for the flights to Abu Dhabi. | 0:28:25 | 0:28:31 | |
Next up is a collection of old books including the life of Napoleon Bonaparte, by Sir Walter Scott. | 0:28:31 | 0:28:36 | |
We're looking for at least £50. | 0:28:36 | 0:28:38 | |
It's supposed to be one of the earliest and most comprehensive biographies of Napoleon. | 0:28:40 | 0:28:46 | |
-£50-£100 then, Jonty? -Yes, it will be interesting to see how it sells. | 0:28:46 | 0:28:50 | |
Volume in reception on 110A. £100 for that? | 0:28:50 | 0:28:54 | |
30 to start me. At £30. Do I see 35? | 0:28:57 | 0:29:01 | |
At £30, do I see 35 for the book? | 0:29:01 | 0:29:03 | |
Any advance on £30? 35, is it? | 0:29:05 | 0:29:07 | |
Any further bids on 30? No more? | 0:29:07 | 0:29:10 | |
Isn't quite enough, see the desk if you'd like to increase your offer. | 0:29:11 | 0:29:15 | |
-So it's unsold. -No bidders. | 0:29:15 | 0:29:17 | |
So not tonight, Josephine. | 0:29:17 | 0:29:19 | |
Well, that was a surprise. | 0:29:19 | 0:29:21 | |
Obviously no bibliophiles in the room today | 0:29:21 | 0:29:24 | |
and the books remain unsold. | 0:29:24 | 0:29:26 | |
Let's hope there are some royalists in for our next lot. | 0:29:26 | 0:29:30 | |
We're after £20. | 0:29:30 | 0:29:32 | |
-Any advance on £8 for that modest item? -£8? Don't insult us! | 0:29:32 | 0:29:36 | |
I think that might be the lowest bid on record so far. | 0:29:36 | 0:29:39 | |
Failing to attract any serious bids, | 0:29:39 | 0:29:42 | |
the Queen Elizabeth box also fails to sell. | 0:29:42 | 0:29:44 | |
So there are no book fanatics in the room, no royalists, maybe they're all fashion gurus. | 0:29:44 | 0:29:50 | |
Let's hope so for our next lot. | 0:29:50 | 0:29:53 | |
Maybe not! | 0:29:53 | 0:29:54 | |
Lot number 160A now, the oriental silk shawl. | 0:29:54 | 0:29:57 | |
It deserves an audience, it's such a beautiful piece. | 0:29:57 | 0:30:01 | |
And it's got such a provenance as well. | 0:30:01 | 0:30:03 | |
This is the one you put a reserve on. | 0:30:03 | 0:30:05 | |
-Of...? -£80. | 0:30:05 | 0:30:07 | |
Let's hope somebody here's going to be interested. | 0:30:07 | 0:30:10 | |
I'm bid £30 for it, | 0:30:10 | 0:30:13 | |
I'm bid 35 now, 40 I have, | 0:30:13 | 0:30:16 | |
40 with commissions, do I see 45? | 0:30:16 | 0:30:18 | |
At 45, and 50 I'm bid, 55, £60. | 0:30:18 | 0:30:23 | |
Come on. Keep it up. | 0:30:23 | 0:30:24 | |
65, gentleman's bid of 65. Do I see 70? Last chance. | 0:30:24 | 0:30:29 | |
At £65 it's selling. | 0:30:29 | 0:30:31 | |
-Oh! -Not quite enough. | 0:30:31 | 0:30:34 | |
Well, that was disappointing | 0:30:34 | 0:30:36 | |
but at least Mo isn't too downhearted. | 0:30:36 | 0:30:38 | |
I'm surprised the shawl didn't sell because it is so beautiful, | 0:30:38 | 0:30:43 | |
but it didn't reach the reserve... | 0:30:43 | 0:30:46 | |
so I will take it home and try again some other time. | 0:30:46 | 0:30:49 | |
After a promising start, it looks like our latest lots are perhaps too specialised for today's crowd, | 0:30:49 | 0:30:56 | |
but thankfully, now we've got a bit of an old favourite when it comes to auctions. | 0:30:56 | 0:31:01 | |
Now, the next lot is an absolute top collectible name in the world of ceramics, | 0:31:01 | 0:31:07 | |
Clarice Cliff. So where did you get this from? | 0:31:07 | 0:31:10 | |
From a little hardware shop down the road. | 0:31:10 | 0:31:13 | |
Today we're looking for upwards of £45. | 0:31:13 | 0:31:16 | |
Lot 130A, 20 for that, 22, at £22. | 0:31:16 | 0:31:20 | |
25, 28, £30, 35, | 0:31:20 | 0:31:23 | |
£40 I'm bid. At £40 I have, do I see 45? | 0:31:23 | 0:31:27 | |
At £40, I'm selling at £40 unless I see 45 quickly. All done at 40. | 0:31:27 | 0:31:33 | |
-£40. I still think that's good for what you paid for it. -Absolutely. | 0:31:33 | 0:31:38 | |
£40 for the honey pot, I don't think we should be disappointed with that, | 0:31:38 | 0:31:42 | |
considering our recent run of no sales. | 0:31:42 | 0:31:44 | |
Time to do my calculations and work out how much we've raised so far | 0:31:44 | 0:31:49 | |
towards the £500 for Mo's flights to Abu Dhabi, and of course, the meal out. | 0:31:49 | 0:31:54 | |
We are halfway through our lots, we've not done that well really | 0:31:54 | 0:31:59 | |
because the shawl is unsold, the book didn't go, | 0:31:59 | 0:32:03 | |
however, we have started ourselves off a bit towards our fund | 0:32:03 | 0:32:08 | |
because we made £165. | 0:32:08 | 0:32:09 | |
-I'm surprised, are you? -Yes, I'm pleased about that. | 0:32:09 | 0:32:13 | |
At least we'll get lunch if nothing else. | 0:32:13 | 0:32:15 | |
-Let's hope we make more this afternoon. -Fingers crossed. -Come on. | 0:32:15 | 0:32:20 | |
We're only halfway through the auction, so we should keep positive, | 0:32:20 | 0:32:24 | |
but we've still got lots of good items to come, | 0:32:24 | 0:32:27 | |
and while Mo and Lynn take a quick tea-break, Jonty's got something special to show me. | 0:32:27 | 0:32:33 | |
-I wondered where you'd got to. -Come and look at this collection. | 0:32:33 | 0:32:37 | |
This group here is a private collection of Meissen figures. | 0:32:37 | 0:32:41 | |
Meissen being the German factory, they were credited for inventing European porcelain. | 0:32:41 | 0:32:47 | |
Those first figures they produced, everything came from the factory | 0:32:47 | 0:32:52 | |
were Chinese based because that's what they would try to copy. | 0:32:52 | 0:32:56 | |
But soon thereafter they started producing European lines. | 0:32:56 | 0:33:00 | |
This is really what we are looking at here. | 0:33:00 | 0:33:02 | |
This is the earliest piece. | 0:33:02 | 0:33:04 | |
Our little cherub here, believe it or not, is about 1740, 1760 in date. | 0:33:04 | 0:33:09 | |
-Crikey. -If you have a look here, there's a lot of damage. | 0:33:09 | 0:33:13 | |
-What can you expect after that many centuries? -That's true, | 0:33:13 | 0:33:16 | |
but collectors are very fussy and want figures like this to be in mint condition, | 0:33:16 | 0:33:22 | |
then you'll pay top dollar. But he's still worth £200-£300. I can't wait to see where the hammer falls. | 0:33:22 | 0:33:27 | |
You won't have to wait too long, the second half of the auction is about to start. | 0:33:27 | 0:33:32 | |
The next of our items is one of my personal favourites. | 0:33:32 | 0:33:36 | |
Lot number 370A now. | 0:33:36 | 0:33:38 | |
A fitted suitcase with part contents. | 0:33:38 | 0:33:41 | |
It's the travel trunk with the silver-top bottles and manicure set. | 0:33:41 | 0:33:45 | |
We are looking for upwards of £100 and it appears I'm not the only fan. | 0:33:45 | 0:33:50 | |
If that doesn't go, I said I'd buy it for my husband for his birthday | 0:33:50 | 0:33:54 | |
because he's a great West Bromwich Albion supporter. | 0:33:54 | 0:33:57 | |
But if it doesn't go, I don't know if we can carry it home. | 0:33:57 | 0:34:00 | |
Commission interest in this starting at £50 and five, £60, | 0:34:00 | 0:34:04 | |
five, £70, five, £80 I have. | 0:34:04 | 0:34:08 | |
£80. 85 now. At £80. | 0:34:08 | 0:34:12 | |
Any advance on £80? I have £80. | 0:34:12 | 0:34:15 | |
Commission bid. Do I see 85 in the room? | 0:34:15 | 0:34:18 | |
No more, at £80. | 0:34:18 | 0:34:20 | |
£80 then, that's not bad. | 0:34:20 | 0:34:22 | |
-It certainly helps. -A bit towards it. | 0:34:22 | 0:34:26 | |
Goes towards our lunch. | 0:34:26 | 0:34:28 | |
We hoped for more than that, | 0:34:28 | 0:34:29 | |
but £80 is a good addition towards our £500 target for the tickets. | 0:34:29 | 0:34:34 | |
Let's hope our next lot of four watercolours | 0:34:34 | 0:34:38 | |
by the incredible artist, A Hulk, fare even better. | 0:34:38 | 0:34:42 | |
We're after at least £100. | 0:34:42 | 0:34:44 | |
What do you know about the pictures? Where did they come from? | 0:34:44 | 0:34:48 | |
They came from my husband's aunt. | 0:34:48 | 0:34:50 | |
And were just stashed behind an old armchair. | 0:34:50 | 0:34:53 | |
So we took them and had them framed. | 0:34:53 | 0:34:56 | |
50 to start me then. £50. And 60. | 0:34:56 | 0:34:58 | |
At £60, is it? 70 for lot 360A? At £60. Four in the lot at £60. | 0:34:58 | 0:35:04 | |
70 near me. 80. 90. 100. | 0:35:04 | 0:35:08 | |
Are you bidding? I've got 90 here. | 0:35:08 | 0:35:12 | |
Are you bidding 100? £90 the bid is, next to me. | 0:35:12 | 0:35:15 | |
At £90. No more? At £90 then. The bid's here. | 0:35:15 | 0:35:19 | |
-Happy about that? -Yeah. | 0:35:19 | 0:35:20 | |
Not bad! Just £10 under estimate. | 0:35:20 | 0:35:23 | |
I don't think Mo will miss them one little bit! | 0:35:23 | 0:35:26 | |
The Hulk pictures have gone. | 0:35:26 | 0:35:27 | |
I didn't particularly like them. | 0:35:27 | 0:35:30 | |
And so the money's going to a very good cause. So I won't have to put them up on the wall! | 0:35:30 | 0:35:36 | |
Next up, the two Copeland and Garrett hand-painted plates, | 0:35:36 | 0:35:40 | |
which Lynn rather took a shine to. | 0:35:40 | 0:35:42 | |
When you look at them under a magnifying glass, you can see, | 0:35:42 | 0:35:45 | |
particularly the Hampton Court one, | 0:35:45 | 0:35:47 | |
you can see all the reflection in the lake. | 0:35:47 | 0:35:50 | |
And they do look like they've been painted | 0:35:50 | 0:35:52 | |
with a brush the size of an eyelash! | 0:35:52 | 0:35:54 | |
Now, these have the wow factor, don't they? Or the X Factor, what ever factor you want to call it! | 0:35:54 | 0:36:00 | |
One thing is for sure, top quality. | 0:36:00 | 0:36:02 | |
So they're 19th century, Copeland, which is a fantastic name. | 0:36:02 | 0:36:07 | |
Why are these so special? Because in some ways, they're a bit old fashioned, aren't they? | 0:36:07 | 0:36:12 | |
Yes, but the quality is all there. | 0:36:12 | 0:36:14 | |
As we spotted, do you remember, Lynn? We had a good look at them. | 0:36:14 | 0:36:17 | |
And the decoration on the inside of the plates is all hand decorated. | 0:36:17 | 0:36:21 | |
It looks so good, like it should be transfer printed. | 0:36:21 | 0:36:24 | |
But it's all hand done. | 0:36:24 | 0:36:26 | |
-So very fine quality and they should sell. -Let's hope so. | 0:36:26 | 0:36:30 | |
£50 for them. 30 then. £30. 35. | 0:36:30 | 0:36:35 | |
£40. 45. £50. | 0:36:35 | 0:36:38 | |
55? 55 I'm bid. On my left at £55. | 0:36:38 | 0:36:41 | |
At £55. Anybody else? | 0:36:41 | 0:36:44 | |
Those are unsold. | 0:36:45 | 0:36:47 | |
-Unsold, I'm afraid. -Really? -That's a disappointment. | 0:36:47 | 0:36:51 | |
That's well under the estimate of £100-£200. | 0:36:51 | 0:36:54 | |
So he's used his discretion not to sell at that price. | 0:36:54 | 0:36:57 | |
So the plates fail to sell, | 0:36:58 | 0:37:00 | |
which is a real surprise, as we were all feeling rather optimistic about them. | 0:37:00 | 0:37:04 | |
And there's no sign of a smile with our next lot, either. | 0:37:04 | 0:37:08 | |
The portrait of Queen Caroline. | 0:37:08 | 0:37:11 | |
You've got a reserve of £300. | 0:37:11 | 0:37:13 | |
It's an engraving, isn't it? | 0:37:13 | 0:37:15 | |
-That's right. It's the engraving. -Of a man in drag! | 0:37:15 | 0:37:18 | |
300 for it. | 0:37:18 | 0:37:20 | |
I'm bid £100 to start it. | 0:37:20 | 0:37:22 | |
£100 I have. 120. 140. 160. | 0:37:22 | 0:37:26 | |
At £160. Can I take 180? At £160. | 0:37:26 | 0:37:29 | |
Any more? Anybody going on from 160? | 0:37:29 | 0:37:32 | |
No further bids. | 0:37:32 | 0:37:34 | |
-I wouldn't let it go for that. -I think you're quite right. | 0:37:34 | 0:37:39 | |
I'm very fond of her. I know she's not a beauty queen, but believe it or not, I miss her! | 0:37:39 | 0:37:44 | |
I think actually, Mo is very relieved that Caroline didn't sell. | 0:37:44 | 0:37:48 | |
And since Caroline has been taken down, of course, in the drawing room, there's a big hole up there. | 0:37:48 | 0:37:54 | |
And I think she'll be quite pleased. | 0:37:54 | 0:37:56 | |
And it's almost like it wasn't meant to be. | 0:37:56 | 0:37:59 | |
So it's back to the drawing room for Queen Caroline. | 0:37:59 | 0:38:02 | |
I'd have thought that would put a smile on her face, | 0:38:02 | 0:38:04 | |
but obviously not! | 0:38:04 | 0:38:06 | |
Our items are receiving mixed reception from the bidders. | 0:38:06 | 0:38:09 | |
But not just our items fail to achieve top dollar. | 0:38:09 | 0:38:12 | |
The Meissen figure Jonty fell for | 0:38:12 | 0:38:15 | |
sells for just £180. | 0:38:15 | 0:38:17 | |
£20 less than its bottom estimate. | 0:38:17 | 0:38:19 | |
Hopefully there's more interest in our Limoges, depicting Napoleon. | 0:38:21 | 0:38:25 | |
We're after £40. | 0:38:25 | 0:38:28 | |
20 to start me for it. £20 I'm bid here next to me. | 0:38:28 | 0:38:31 | |
At £20. 25. £30. | 0:38:31 | 0:38:34 | |
-35. £40. 45. £50. -That's good. | 0:38:34 | 0:38:37 | |
-55. £60. -Very good. | 0:38:37 | 0:38:40 | |
65. £70. | 0:38:40 | 0:38:43 | |
-Next to me at £70. -That's really good. -I'm selling at 70, then. | 0:38:43 | 0:38:48 | |
Any advance at 70? | 0:38:48 | 0:38:50 | |
That is good. | 0:38:50 | 0:38:51 | |
It's good news, because the drinking vessels really should have been a set of six, but we only had five. | 0:38:51 | 0:38:57 | |
-Of course, yes. -Somebody must have broken one and not told me! | 0:38:57 | 0:39:02 | |
-And not confessed, yes! -I didn't like it! | 0:39:02 | 0:39:05 | |
What a great result! £70 - that's top estimate. | 0:39:05 | 0:39:10 | |
Despite five of our items going unsold today, Mo and Lynn have so far made £405. | 0:39:10 | 0:39:15 | |
With a target of £500 though, we're relying on our last lot, | 0:39:15 | 0:39:19 | |
the silver cutlery, to make up the remaining £95. | 0:39:19 | 0:39:24 | |
Jonty valued it at £60, so fingers crossed. | 0:39:24 | 0:39:28 | |
I'm starting the bidding at £40 after commission interest. 45. | 0:39:28 | 0:39:32 | |
£50. 55. £60. 65. | 0:39:32 | 0:39:35 | |
£70. 75. | 0:39:35 | 0:39:38 | |
75 I have. At 75. Are you all finished in the room now? | 0:39:38 | 0:39:41 | |
75, it goes to my commission bid. | 0:39:41 | 0:39:43 | |
£75! | 0:39:43 | 0:39:46 | |
-That's good! -That is. | 0:39:46 | 0:39:47 | |
That is very good. | 0:39:47 | 0:39:49 | |
The silver canteen sells for £5 short of its estimate. | 0:39:49 | 0:39:52 | |
It's been a turbulent day at auction | 0:39:52 | 0:39:54 | |
and I've got a feeling the Jacksons might not have made their total. | 0:39:54 | 0:39:59 | |
But just before I break the news, there's a great result from the front desk of the sales room. | 0:39:59 | 0:40:04 | |
A couple of late bidders have come forward for two of our unsold items. | 0:40:04 | 0:40:08 | |
OK, thank you. | 0:40:08 | 0:40:10 | |
They've just managed to sell the throw | 0:40:10 | 0:40:12 | |
-for £80. So it's sold. -That's all right then! | 0:40:12 | 0:40:16 | |
And remember the pair of plates? The Hampton Court scene? | 0:40:16 | 0:40:19 | |
And the Folkestone scene? That pair. They have got £55 for them. | 0:40:19 | 0:40:23 | |
Thank you very much, that's fantastic. | 0:40:23 | 0:40:25 | |
So, Lorne, add another £135. | 0:40:25 | 0:40:27 | |
Oh, well, that's good news, isn't it? | 0:40:27 | 0:40:30 | |
Now, we wanted £500, didn't we, for the lunch and flights to Abu Dhabi? | 0:40:30 | 0:40:34 | |
So do you think you've made the £500? | 0:40:34 | 0:40:36 | |
-No, I don't think so. -We may be lucky to have got there, I'd have thought. | 0:40:36 | 0:40:40 | |
Well, actually, you banked £615! | 0:40:40 | 0:40:43 | |
-Oh, wow! -Fantastic! I really didn't.. -We can have pudding as well! | 0:40:43 | 0:40:49 | |
It's the day after the auction and there's no stopping the sisters | 0:40:53 | 0:40:58 | |
heading out for their much-deserved day of culinary delight. | 0:40:58 | 0:41:02 | |
Oh, this is wonderful! | 0:41:02 | 0:41:04 | |
And these girls certainly know how to do it in style. | 0:41:04 | 0:41:07 | |
-Here's to ladies. -Yes. | 0:41:10 | 0:41:12 | |
-I think they think I'm a Spice Girl! -They think they know you! | 0:41:15 | 0:41:19 | |
That you're some celebrity! | 0:41:19 | 0:41:20 | |
After bringing Tunbridge Wells to a virtual standstill, | 0:41:20 | 0:41:24 | |
the girls arrive at their restaurant of choice | 0:41:24 | 0:41:27 | |
ready for some first-class dining. | 0:41:27 | 0:41:29 | |
Well, having raised enough for the air fares to see my daughters, this is a lovely extra bonus. | 0:41:29 | 0:41:36 | |
And I can't say thank you enough to Cash In The Attic. | 0:41:36 | 0:41:40 | |
Hello, good afternoon. | 0:41:40 | 0:41:42 | |
-Welcome. -Thank you very much. | 0:41:42 | 0:41:44 | |
-How are you? -Very well, thank you. | 0:41:44 | 0:41:46 | |
-A nice table for you over here. -Thank you, sir. | 0:41:46 | 0:41:49 | |
For me, to be driven, to not have to worry about driving home, | 0:41:49 | 0:41:53 | |
to have a chance to put the slap on, | 0:41:53 | 0:41:55 | |
and get a little bit doodied up, is very special. | 0:41:55 | 0:41:59 | |
-And special time with my sister. -Bon appetit. | 0:41:59 | 0:42:03 | |
I'm off to Abu Dhabi at six o'clock tomorrow morning. | 0:42:03 | 0:42:06 | |
And I can't wait to see the whole family, especially Leo, my grandson. | 0:42:06 | 0:42:13 | |
My only grandchild. So it's very special. | 0:42:13 | 0:42:16 | |
And I'm staying for two weeks, so I'll have plenty of time to enjoy everything. | 0:42:16 | 0:42:21 | |
Mo and Lynn had a fantastic girly lunch thanks to the money they raised at the auction house. | 0:42:27 | 0:42:33 | |
And of course, there's some to go towards the flights to Abu Dhabi. | 0:42:33 | 0:42:36 | |
Now, if you'd like to raise some money for a particular family event, a trip abroad, | 0:42:36 | 0:42:41 | |
or anything that takes your fancy, | 0:42:41 | 0:42:43 | |
why not get in touch with Cash in the Attic? | 0:42:43 | 0:42:45 | |
You'll find more details at our website which is... | 0:42:45 | 0:42:51 | |
For more information about Cash In The Attic, | 0:42:53 | 0:42:56 | |
including how the programme was made, visit the website at bbc.co.uk. | 0:42:56 | 0:43:01 | |
Subtitles by Red Bee Media Ltd | 0:43:01 | 0:43:03 | |
E-mail [email protected] | 0:43:03 | 0:43:07 |