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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
We help you hunt for hidden valuables around your home and then sell them with you at auction. | 0:00:03 | 0:00:08 | |
Today, I'm in Northamptonshire which has got its fair share of stately homes and grand houses | 0:00:08 | 0:00:14 | |
and I've stopped off to take a closer look at one of them, | 0:00:14 | 0:00:17 | |
Boughton House. | 0:00:17 | 0:00:19 | |
This magnificent property miles just four miles from Kettering | 0:00:19 | 0:00:23 | |
started life as a monastery | 0:00:23 | 0:00:25 | |
before it was purchased by Edward Montague in 1528 and transformed into a mansion. | 0:00:25 | 0:00:30 | |
The house has changed in appearance many times over the years culminating | 0:00:30 | 0:00:34 | |
from the French-inspired additions of the 17th century that lead many | 0:00:34 | 0:00:38 | |
to consider Boughton House England's Versailles. | 0:00:38 | 0:00:42 | |
Well, let's hope that this is the first of many treasures we'll find today | 0:00:42 | 0:00:46 | |
as we look for antiques and collectables that will go under the hammer at auction. | 0:00:46 | 0:00:52 | |
'Coming up on Cash In The Attic, we get a history lesson in fashion...' | 0:01:10 | 0:01:15 | |
I don't have my hair in a Victorian bun very often. | 0:01:15 | 0:01:18 | |
'..can't believe our luck...' | 0:01:18 | 0:01:20 | |
That's not bad for a freebie out of a cracked safe! | 0:01:20 | 0:01:22 | |
That's right, no. | 0:01:22 | 0:01:24 | |
'..and struggle to keep emotions under control.' | 0:01:24 | 0:01:26 | |
-I might shed a tear. -I've got my hanky at the ready. -I think I'm going to need it. | 0:01:26 | 0:01:31 | |
'But will we all be happy at the end of the day? Find out when the final hammer falls.' | 0:01:31 | 0:01:36 | |
I'm about to meet a lady who's called in | 0:01:36 | 0:01:39 | |
the Cash In The Attic team to help her find antiques and collectables | 0:01:39 | 0:01:43 | |
so that she can give her garden a whole new lease of life. | 0:01:43 | 0:01:46 | |
This five bedroom barn conversion in the village of Brigstock | 0:01:46 | 0:01:50 | |
is home to Sara Underwood and her partner Andrew York. | 0:01:50 | 0:01:53 | |
Sadly, due to his work commitments, he can't be with us today and has sent along his sister Sam instead | 0:01:53 | 0:01:59 | |
to help clear out some of the clutter and raise funds for an animal-friendly garden makeover. | 0:01:59 | 0:02:06 | |
Morning, Jonty. | 0:02:06 | 0:02:08 | |
-Isn't this a fabulous place? -It's glorious. | 0:02:08 | 0:02:10 | |
You know, this house used to be the grain store to the mill which is next door | 0:02:10 | 0:02:15 | |
and the lady that lives here, as I think you can already see from the front door, has got amazing taste. | 0:02:15 | 0:02:20 | |
-Let's get inside. -Shall we? | 0:02:20 | 0:02:22 | |
-Sara, Sam, good morning. -Hello. | 0:02:25 | 0:02:28 | |
Sara, this house is fantastic. | 0:02:28 | 0:02:31 | |
-It's a riot of colour. -Thank you. | 0:02:31 | 0:02:32 | |
You've got a great eye for detail and design. | 0:02:32 | 0:02:35 | |
Where does that come from? | 0:02:35 | 0:02:37 | |
I think it came from my mum, actually, she's very artistic | 0:02:37 | 0:02:40 | |
and yeah, I take a lot of inspiration from my mum. | 0:02:40 | 0:02:43 | |
You've been a great pupil, it's fantastic. | 0:02:43 | 0:02:45 | |
So, why have you called in Cash In The Attic? | 0:02:45 | 0:02:48 | |
Well, I'm a bit of a hoarder and I've got far too many things to store in this house. | 0:02:48 | 0:02:52 | |
We've been here about two years and I need to clear some space. | 0:02:52 | 0:02:55 | |
-I'm under pressure from my partner to clear some space. -Definitely. | 0:02:55 | 0:02:59 | |
Of course, her partner is your brother so he's going to approve. | 0:02:59 | 0:03:02 | |
Yes, and Andrew gets very cross about it and he's tried to get rid of loads of stuff but she just won't have it. | 0:03:02 | 0:03:09 | |
-So you're going to be a willing helper? -Definitely. -Out with everything. | 0:03:09 | 0:03:13 | |
-definitely. -OK. So what are we going to raise the money for? What is it you want it for? | 0:03:13 | 0:03:18 | |
Well, um, I've got two dogs and they've wrecked my lawn, basically. | 0:03:18 | 0:03:23 | |
They charge around and play like mad and so we're going to lay fake lawn | 0:03:23 | 0:03:27 | |
which sounds silly but I think it will solve a lot of problems. | 0:03:27 | 0:03:30 | |
-How much do you think that's going to cost? -We're not sure | 0:03:30 | 0:03:33 | |
but if we can raise £1,500 it will go a long way towards getting there. | 0:03:33 | 0:03:38 | |
£1,500 the target for a fake lawn, and you've got a house full of goodies. | 0:03:38 | 0:03:43 | |
-Yeah. -I can't wait to get started. Let's go and find Jonty. Come on. | 0:03:43 | 0:03:47 | |
Sara's home is full of colour and all the possessions that she's hoarded over the years | 0:03:48 | 0:03:54 | |
so there's certainly a lot for us to get through. | 0:03:54 | 0:03:56 | |
Already making his mark is our expert Jonty Hearnden who can't resist a challenge | 0:03:56 | 0:04:01 | |
and he's pinning his hopes on the first discovery being the star of the show at auction. | 0:04:01 | 0:04:07 | |
What have you found there? | 0:04:07 | 0:04:09 | |
-Take a look at this. -What a beautiful colour that is, turquoise. | 0:04:09 | 0:04:13 | |
Apparently, it is the colour of communication. | 0:04:13 | 0:04:15 | |
So very cool, very pretty. | 0:04:15 | 0:04:18 | |
Not only is it a pendant | 0:04:18 | 0:04:20 | |
but look on the reverse, it's a brooch as well. | 0:04:20 | 0:04:22 | |
-And more to the point, we've got this matching hairpin as well. -Oh. | 0:04:22 | 0:04:27 | |
-Have you worn it at all? -I wore it as a pendant, actually. | 0:04:27 | 0:04:30 | |
-I don't have my hair in a Victorian bun very often so I didn't tend to wear it as a hairpin. -Right. | 0:04:30 | 0:04:35 | |
But I wore it as a pendant and I wear a lot of turquoise so yeah, it's very pretty. | 0:04:35 | 0:04:40 | |
Let's take a closer look at it, it really demands a closer look | 0:04:40 | 0:04:43 | |
because first of all, we're set in this nine carat gold setting | 0:04:43 | 0:04:47 | |
but within that you've got these beautiful | 0:04:47 | 0:04:50 | |
graduated turquoise stones and also graduated pearls as well. | 0:04:50 | 0:04:54 | |
I believe this to be Edwardian because at the time, | 0:04:54 | 0:04:59 | |
stars were very popular and, of course, the fashion leaders were the royals themselves | 0:04:59 | 0:05:04 | |
so that's Edward VII and his princess, Princess Alexandra. | 0:05:04 | 0:05:07 | |
She was very taken by jewellery from the East. When I say the East, | 0:05:07 | 0:05:12 | |
I'm talking India, so here we're looking at the sort of | 0:05:12 | 0:05:15 | |
the Indian star effect because whatever they wore, jewellery designers | 0:05:15 | 0:05:20 | |
followed from there. | 0:05:20 | 0:05:22 | |
I think it's really charming, very elegant, very saleable. | 0:05:22 | 0:05:25 | |
So are you happy to sell it now? | 0:05:25 | 0:05:28 | |
Yes, I'm definitely happy to part with it. | 0:05:28 | 0:05:31 | |
You can't keep everything and the most important thing is I need a new lawn so it's got to go. | 0:05:31 | 0:05:36 | |
How much do you think it's worth? | 0:05:36 | 0:05:38 | |
It's really good news. This is £300 to £600 of anybody's money. | 0:05:38 | 0:05:42 | |
-Great. -Is that good? -Fantastic. | 0:05:42 | 0:05:44 | |
£300 to £600 gets us well on our way to our £1,500. | 0:05:44 | 0:05:47 | |
-Let's go see what else we can find to top up that amount. -Excellent. -Right. | 0:05:47 | 0:05:51 | |
What a fantastic start to the day. | 0:05:52 | 0:05:55 | |
With fine pieces like this stashed away, we need to keep digging and track down any more hidden gems. | 0:05:55 | 0:06:01 | |
Sam's weighing up whether this bygone set of brass scales | 0:06:01 | 0:06:07 | |
by Salter will get the bidder's interest. | 0:06:07 | 0:06:10 | |
Jonty values them at a very reasonable £20 to £30. | 0:06:10 | 0:06:13 | |
Sara's next find might come in handy for packing them up | 0:06:13 | 0:06:17 | |
for the saleroom and add a bit more to the total at the same time. | 0:06:17 | 0:06:20 | |
-Wow, what have we got here? Boxes, boxes. -Yeah. | 0:06:20 | 0:06:23 | |
-Wow. -Collection of nice old advertising boxes -Is this part of your collection? | 0:06:23 | 0:06:27 | |
Yes. The house I lived in previously lent itself to having things like this around | 0:06:27 | 0:06:32 | |
and so I was happy to collect them at the time | 0:06:32 | 0:06:35 | |
-but now I've moved to my new house, they don't fit in any more. -OK, let's take a look at them. | 0:06:35 | 0:06:40 | |
Now this one, Pears soap, | 0:06:40 | 0:06:42 | |
now, people will still recognise Pears soap today | 0:06:42 | 0:06:44 | |
but the concept of Pears soap was invented by Andrew Pears at the end of the 18th century. | 0:06:44 | 0:06:52 | |
He was a barber from Mevagissey in Cornwall and he started selling toiletries in his shop. | 0:06:52 | 0:06:57 | |
He came up with this idea of a clear soap because, soap in those days, was very aggressive, | 0:06:57 | 0:07:04 | |
some of it had lead, some of it had arsenic in it, very dangerous stuff. | 0:07:04 | 0:07:08 | |
Now, this one here, the Wellington knife polish, | 0:07:08 | 0:07:12 | |
this is John Oakey & Sons' knife polish powder. | 0:07:12 | 0:07:16 | |
They started business in the 1830s, | 0:07:16 | 0:07:19 | |
and knife polishing was a very, very big business, | 0:07:19 | 0:07:23 | |
certainly in the Georgian times and in the 19th century, as well. | 0:07:23 | 0:07:27 | |
And this one here, Cadbury's. | 0:07:27 | 0:07:30 | |
Now Cadbury's was a coffee business | 0:07:30 | 0:07:34 | |
that was started by John Cadbury in 1824. | 0:07:34 | 0:07:36 | |
He opened up a coffee shop and he started to sell | 0:07:36 | 0:07:41 | |
coffee drinks as well as cocoa as well. | 0:07:41 | 0:07:45 | |
Chocolate drinks were very, very popular. | 0:07:45 | 0:07:47 | |
-You think of hot chocolate being a relatively modern concept. -Yeah. | 0:07:47 | 0:07:51 | |
-But the Georgian's loved their drinking chocolate. -Oh, right. | 0:07:51 | 0:07:54 | |
The Victorians loved it too. | 0:07:54 | 0:07:56 | |
So, the great thing about all of these is that people can identify them and also, | 0:07:56 | 0:08:00 | |
the wonderful thing about packaging is that it tells something about the people of the time, of the moment. | 0:08:00 | 0:08:06 | |
-Yeah. -Today, we're in our disposable world so you talk about disposable cardboard boxes. | 0:08:06 | 0:08:11 | |
Look at these, they're still around today. | 0:08:11 | 0:08:14 | |
-Fantastic. -And most of these | 0:08:14 | 0:08:15 | |
will be maybe a good 100 years old, these boxes, they're wonderful. | 0:08:15 | 0:08:20 | |
That's really good, we can put these four boxes into the sale. We're talking like £50 to £100. | 0:08:20 | 0:08:25 | |
-That's brilliant. -All right? -I'm very happy with that. -Good. | 0:08:25 | 0:08:28 | |
-Right, we'll leave these here, let's go out this way. -OK. | 0:08:28 | 0:08:31 | |
Another tidy sum towards our £1,500 target, | 0:08:33 | 0:08:37 | |
although it has stirred up some unwanted childhood memories for Sara. | 0:08:37 | 0:08:42 | |
The Pears one I was attached to | 0:08:42 | 0:08:44 | |
because when I was a baby, my mum entered me | 0:08:44 | 0:08:46 | |
for the Pears baby competition. | 0:08:46 | 0:08:48 | |
Every mum thinks their baby is the one. I came absolutely nowhere. | 0:08:48 | 0:08:52 | |
But that's my only association so to be quite honest, they've got to go towards the lawn. | 0:08:52 | 0:08:57 | |
Getting the money for that much needed artificial lawn | 0:08:57 | 0:09:00 | |
is a top priority today and every little bit helps. | 0:09:00 | 0:09:03 | |
So hopefully this antique brass door knocker of a diving dolphin | 0:09:03 | 0:09:08 | |
will tempt the bidder's to splash out at a price tag of £25 to £45. | 0:09:08 | 0:09:12 | |
While Jonty and Sam carry on the search I take the opportunity | 0:09:12 | 0:09:16 | |
to find out more about our colourful host and her equally colourful home. | 0:09:16 | 0:09:21 | |
Sara, this is a fabulous house but the history must be fascinating | 0:09:21 | 0:09:25 | |
because didn't this used to be the barn for the mill? | 0:09:25 | 0:09:28 | |
That's right. This was the grain barn, | 0:09:28 | 0:09:30 | |
it's called the granary, basically, | 0:09:30 | 0:09:31 | |
you've got the mill next door and this stored all the grain in there | 0:09:31 | 0:09:35 | |
but I think it was converted about 15 years ago | 0:09:35 | 0:09:38 | |
and we've owned it for two years. | 0:09:38 | 0:09:40 | |
How much have you done to the house? | 0:09:40 | 0:09:41 | |
Quite a lot, we haven't changed anything structurally, obviously, | 0:09:41 | 0:09:45 | |
but we've decorated quite a lot throughout, | 0:09:45 | 0:09:47 | |
but we're still decorating in the rooms full of boxes from when I moved. | 0:09:47 | 0:09:51 | |
We're gradually sweeping through the house. | 0:09:51 | 0:09:54 | |
But the decorating, of course, is where your wonderful eye for colour and shape and form, | 0:09:54 | 0:09:59 | |
you love doing all of that. | 0:09:59 | 0:10:01 | |
I do, yeah. I do a lot of craft things, I do a lot with fabrics, | 0:10:01 | 0:10:04 | |
I love vintage fabrics and I make a lot of presents for people | 0:10:04 | 0:10:08 | |
so I don't keep a lot myself, I end up giving it away but love doing it. | 0:10:08 | 0:10:12 | |
That's why you need the rooms in the house? | 0:10:12 | 0:10:14 | |
Exactly, and one room is dedicated just to my fabrics and sewing so I'm very lucky. | 0:10:14 | 0:10:19 | |
Which came first, your friendship with Sam which is how you met Andy | 0:10:19 | 0:10:24 | |
or did you meet Andy and then become friends with Sam? | 0:10:24 | 0:10:27 | |
I knew Andy first, I worked with Andy for quite a long time | 0:10:27 | 0:10:30 | |
and then we got together and then through Andy | 0:10:30 | 0:10:33 | |
I met Sam who I get on really, really well with so that's lucky, it's a bonus. | 0:10:33 | 0:10:37 | |
You get involved in lots of projects together. | 0:10:37 | 0:10:39 | |
We're into craft. Sam does a lot of card making which she's really good at, | 0:10:39 | 0:10:44 | |
and I do a lot of sewing so she uses ribbons and buttons and textiles | 0:10:44 | 0:10:47 | |
and so it works really well together. So we enjoy it. | 0:10:47 | 0:10:51 | |
-You're a real softy when it comes to dogs aren't you? -I love my dogs. | 0:10:51 | 0:10:54 | |
Andy is a little more tense about it, let's say, | 0:10:54 | 0:10:57 | |
because he's the poor thing who has to mow the lawn. | 0:10:57 | 0:11:00 | |
But you can't stop them playing so I think the fake lawn will be the answer | 0:11:00 | 0:11:05 | |
cos the dogs can play and Andy can look at it and it will still look lovely. | 0:11:05 | 0:11:08 | |
We better go and see what else is lurking in this lovely house of yours. | 0:11:08 | 0:11:13 | |
Sam's been busy searching for more antiques | 0:11:15 | 0:11:18 | |
and Jonty has decided to take the weight off his feet. | 0:11:18 | 0:11:22 | |
Ah, Sam, come and take a pew. | 0:11:22 | 0:11:25 | |
-Thank you. -It feels a bit like a pew. | 0:11:25 | 0:11:27 | |
-It does, doesn't it? -So this is a stripped pine bench. | 0:11:27 | 0:11:30 | |
Is this something that might be considered for the auction sale? | 0:11:30 | 0:11:34 | |
I think so, yes. I believe it's from Hungary and Sara bought it in an antique shop a few years ago. | 0:11:34 | 0:11:39 | |
She says Hungarian, it's quite interesting that. | 0:11:39 | 0:11:41 | |
-Yes. -Because you wouldn't necessarily think of furniture | 0:11:41 | 0:11:45 | |
landing in this part of the world coming from Hungary or from anywhere from Eastern Europe. | 0:11:45 | 0:11:50 | |
It's due to the collapse of the Berlin Wall. | 0:11:50 | 0:11:52 | |
After that time, furniture could freely move, or more freely move. | 0:11:52 | 0:11:56 | |
Now, we're part of the same European Union, borders are open | 0:11:56 | 0:12:00 | |
and furniture like this appears in almost every antique shop in Britain. | 0:12:00 | 0:12:04 | |
So, this makes sense that this particular piece of furniture, | 0:12:04 | 0:12:07 | |
probably about 100 years old, is certainly from that neck of the woods. | 0:12:07 | 0:12:12 | |
-Have you got any pine furniture in your house? -Yes. | 0:12:12 | 0:12:15 | |
-Have you? -Yes. | 0:12:15 | 0:12:16 | |
Because the fashion now is not necessarily | 0:12:16 | 0:12:19 | |
to have stripped pine furniture, but to sometimes paint it, as well. | 0:12:19 | 0:12:23 | |
I notice Sara's done that with some of her furniture. | 0:12:23 | 0:12:26 | |
Very much pink and aqua. | 0:12:26 | 0:12:28 | |
Would you have pink and aqua in your house? | 0:12:28 | 0:12:30 | |
Probably, yes, but not quite as much. | 0:12:30 | 0:12:34 | |
So, bench value, do you remember what she paid for it? | 0:12:34 | 0:12:36 | |
I think she paid roughly £200 for it. | 0:12:36 | 0:12:39 | |
OK. Value at auction, because there's no inflation in the market at all... | 0:12:39 | 0:12:43 | |
-No. -We're looking at, I'm afraid, half that, about £100 to £200, | 0:12:43 | 0:12:48 | |
but it would be very exciting if we get more towards the 200. | 0:12:48 | 0:12:52 | |
-Definitely. -Good. -Good. -Let's crack on. -Thank you. | 0:12:52 | 0:12:55 | |
Sara has a lot of vintage items that no longer suit her new home | 0:12:55 | 0:12:59 | |
so she's keen to turn them into cash. | 0:12:59 | 0:13:01 | |
She's leaving no part of the house unchecked | 0:13:01 | 0:13:03 | |
and spots this platinum and diamond ring which is valued | 0:13:03 | 0:13:06 | |
at between £40 and £70. | 0:13:06 | 0:13:09 | |
Although some of her goodies may be harder to give up than others. | 0:13:09 | 0:13:12 | |
Jonty, do you want to come and play with us? | 0:13:12 | 0:13:16 | |
-We've got a whole box of toys here. -What are you doing? | 0:13:16 | 0:13:19 | |
Well, we're playing. | 0:13:19 | 0:13:20 | |
Look, look at all these toys. | 0:13:20 | 0:13:22 | |
Look at this. A black poodle. | 0:13:22 | 0:13:26 | |
He's a bit moth-eaten, isn't he? Are they all a bit, um...? | 0:13:26 | 0:13:29 | |
-They're all injured. -So is this the equivalent of the Battersea Dogs Home here? | 0:13:29 | 0:13:34 | |
The toys are very well loved, a little bit worn. | 0:13:34 | 0:13:38 | |
Where's this one from, Jonty? | 0:13:38 | 0:13:40 | |
-Well, I'm looking for labels and here we go, Merrythought. -Yeah. | 0:13:40 | 0:13:44 | |
You can take this label to the late 1950s | 0:13:44 | 0:13:46 | |
because the early Merrythought labels were white ground with red lettering on the top. | 0:13:46 | 0:13:52 | |
So, he's late 1950s, around about my sort of age. | 0:13:52 | 0:13:56 | |
He's a bit lumpy for a supposedly soft toy, what's he filled with? | 0:13:56 | 0:14:00 | |
-A-ha. -Newspaper. | 0:14:00 | 0:14:02 | |
So what would he have been in there? | 0:14:02 | 0:14:04 | |
He would probably have been a nightdress case. | 0:14:04 | 0:14:07 | |
-You laid him on your bed. -Yes, a nice... | 0:14:07 | 0:14:09 | |
And you know, your little pet, yes. | 0:14:09 | 0:14:11 | |
-What else have we got here? Can I have a look? -Yes. | 0:14:11 | 0:14:14 | |
-Yes, now, very James Bond. -Yes, he is. -Yeah? | 0:14:14 | 0:14:18 | |
We're looking for labels. | 0:14:18 | 0:14:20 | |
-And what have we got here? A-ha, you see that Angela? -Yeah. | 0:14:20 | 0:14:24 | |
-A little Steiff label. -A button. | 0:14:24 | 0:14:26 | |
That's really good news. | 0:14:26 | 0:14:27 | |
That's very good news. | 0:14:27 | 0:14:29 | |
-Good. -I suppose collectively here, we're looking at 120 - £180... | 0:14:29 | 0:14:32 | |
-That's good. -..Worth of toys here. | 0:14:32 | 0:14:35 | |
-That's good news. -You happy to let them go? | 0:14:35 | 0:14:37 | |
-I'm happy to let them go. -OK, put them back in the kennels. | 0:14:37 | 0:14:41 | |
The Steiff cat is the real star of this lot and should attract the attention of collectors. | 0:14:41 | 0:14:46 | |
The money will certainly improve playtime for Sara's real pets, | 0:14:46 | 0:14:50 | |
but our £1,500 target is still only a distant dream. | 0:14:50 | 0:14:53 | |
So, it's a good thing that Sam finds this stunning 18 carat gold bracelet. | 0:14:53 | 0:14:59 | |
Hallmarked 1964 and in its original box, | 0:14:59 | 0:15:02 | |
the £600 to £800 estimate certainly changes things. | 0:15:02 | 0:15:06 | |
Sara, come and have a look at this picture. | 0:15:06 | 0:15:08 | |
It's not so much a picture, it's very much a sketch, really. | 0:15:08 | 0:15:11 | |
-Yeah. -What's the story? | 0:15:11 | 0:15:13 | |
-Well, I used to look after an old lady that lived next door to me. -Yeah. | 0:15:13 | 0:15:17 | |
And her husband was a painter and decorator, he used to decorate old manor houses and halls | 0:15:17 | 0:15:23 | |
and 50 years ago somebody in one of the halls gave him this as a gift. | 0:15:23 | 0:15:26 | |
-And just before she died she said she wanted me to have it. -Right. | 0:15:26 | 0:15:30 | |
She'd had it hanging on her wall for 50 years. | 0:15:30 | 0:15:33 | |
-Right. -So it's quite interesting. | 0:15:33 | 0:15:35 | |
There's writing on the back of this gilt frame. | 0:15:35 | 0:15:38 | |
-Have you ever taken the trouble to look at it. -It's difficult to read. | 0:15:38 | 0:15:41 | |
-It's as if someone's describing the picture. -Yes. -I mean it's dated 1789. | 0:15:41 | 0:15:45 | |
That's right, we've got the date there which is the clearest thing. | 0:15:45 | 0:15:49 | |
-Yes. -And then we've got "bridge near Barking," is that right? | 0:15:49 | 0:15:52 | |
Yes, that's what it looks like, yes. | 0:15:52 | 0:15:54 | |
-And this label here is the original picture framer's label. -Yes. | 0:15:54 | 0:15:59 | |
So, the frame itself has real age to it | 0:15:59 | 0:16:03 | |
and the date I believe to be absolutely correct | 0:16:03 | 0:16:05 | |
because what we're looking at here is a sketch from somebody's sketch book | 0:16:05 | 0:16:12 | |
and it was such a sentimental scene that somebody's taken the trouble | 0:16:12 | 0:16:15 | |
to take it out of the sketch book and have it mounted. | 0:16:15 | 0:16:18 | |
So, the scene here is of this simple arched bridge and there is a river running through | 0:16:18 | 0:16:23 | |
and the trees are in full growth, | 0:16:23 | 0:16:26 | |
it looks like summer even though that this is just a black wash, | 0:16:26 | 0:16:30 | |
there was never colour meant to be here. | 0:16:30 | 0:16:32 | |
-Oh, right. -So, it's literally just a snapshot of time. | 0:16:32 | 0:16:36 | |
Value at auction £40 to £60. | 0:16:36 | 0:16:39 | |
-Does that help? -That helps a lot. -Helps the lawn fund? | 0:16:39 | 0:16:41 | |
-It helps the lawn fund. -Come on. | 0:16:41 | 0:16:43 | |
If we want that picture perfect lawn for Sara, a few more treasures like this are required. | 0:16:46 | 0:16:51 | |
This Victorian gold, diamond and opal crucifix pendant on a chain, | 0:16:51 | 0:16:56 | |
with its blue leaf design should add £150 to £200 to our new lawn fund. | 0:16:56 | 0:17:02 | |
But now I'm rather keen to meet the guilty parties who are behind all our hard labour today. | 0:17:02 | 0:17:08 | |
-These are the culprits? -I'm afraid so. | 0:17:08 | 0:17:10 | |
Which is which then? | 0:17:10 | 0:17:12 | |
This is Guy and this is Ronnie. | 0:17:12 | 0:17:14 | |
-Talk about little and large. -I know. | 0:17:14 | 0:17:16 | |
There couldn't be more contrast in their body shapes. | 0:17:16 | 0:17:19 | |
What made you get two so different dogs? | 0:17:19 | 0:17:22 | |
We started off with Ron, the bulldog, | 0:17:22 | 0:17:24 | |
that was our choice, and then one day on the way to work, I actually found Guy | 0:17:24 | 0:17:28 | |
in the road running towards my car | 0:17:28 | 0:17:31 | |
and the poor thing got knocked over by another car and I rescued him. | 0:17:31 | 0:17:36 | |
So, he's with us, as well now, so it's little and large. | 0:17:36 | 0:17:39 | |
I can see the lawn is worn away there and holes. | 0:17:39 | 0:17:42 | |
-They dig as well? -Yeah. They get very excited | 0:17:42 | 0:17:45 | |
and when they get together one starts digging | 0:17:45 | 0:17:47 | |
and then the other joins in and you can see what's happened. | 0:17:47 | 0:17:51 | |
Am I guessing, Sam, that your brother is going to be thrilled | 0:17:51 | 0:17:54 | |
when you get this artificial lawn down? | 0:17:54 | 0:17:56 | |
Yeah, it really gets him down because he has to look after it | 0:17:56 | 0:18:00 | |
and obviously it's... there's holes dug in it | 0:18:00 | 0:18:02 | |
and in the summer it gets scorched and in the winter it's just like mud. | 0:18:02 | 0:18:06 | |
It will be so much easier for him to look after and it will just make him happier. | 0:18:06 | 0:18:10 | |
Have you got any samples? | 0:18:10 | 0:18:12 | |
I have, here actually. | 0:18:12 | 0:18:13 | |
There we are. There's lots of different types we can have. | 0:18:14 | 0:18:17 | |
You lay it and you put sand on the top | 0:18:17 | 0:18:19 | |
and it's supposed to be greyhound-proof so we'll see. | 0:18:19 | 0:18:23 | |
They'll be able to run around to their heart's content. | 0:18:23 | 0:18:25 | |
-And we'll all be happy. -And you won't have to cut it. | 0:18:25 | 0:18:28 | |
-Exactly. -So, we reckon what? | 0:18:28 | 0:18:30 | |
£1,500 to get us started on this? | 0:18:30 | 0:18:33 | |
I think that will be a good way towards it. | 0:18:33 | 0:18:35 | |
We should go and show Jonty these samples and give him | 0:18:35 | 0:18:38 | |
-a bit of inspiration to find some more stuff in the house. -Definitely. | 0:18:38 | 0:18:42 | |
Look they're quiet for five minutes so let's creep away. | 0:18:42 | 0:18:44 | |
There's a long way to go if we want to raise enough to fund | 0:18:46 | 0:18:49 | |
Sara's evergreen garden, but amongst all the boxes | 0:18:49 | 0:18:52 | |
Jonty's uncovered a stash of antique "kitchenalia" dating back to the 1920s. | 0:18:52 | 0:18:58 | |
This could appeal to someone decorating a traditional country kitchen | 0:18:58 | 0:19:02 | |
and should top up our fund by at least £30 to £50. | 0:19:02 | 0:19:07 | |
But can this gem that I found which Sara's been keeping safe for years | 0:19:07 | 0:19:12 | |
unlock some extra cash for us today? | 0:19:12 | 0:19:14 | |
Oh Sara, turquoise again, | 0:19:14 | 0:19:19 | |
gold and a bracelet. This is so pretty. | 0:19:19 | 0:19:24 | |
Where did this come from? | 0:19:24 | 0:19:27 | |
There's a really interesting story with this. | 0:19:27 | 0:19:29 | |
When I lived at my old house, my neighbours inherited their house | 0:19:29 | 0:19:33 | |
and there was some furniture and a safe in there | 0:19:33 | 0:19:35 | |
and, basically, this safe hadn't been opened for 100 years | 0:19:35 | 0:19:39 | |
and one night they decided to have a safe opening evening, like you do, | 0:19:39 | 0:19:43 | |
and invited us round and and they said | 0:19:43 | 0:19:46 | |
you can have ten per cent of anything we find in the safe. | 0:19:46 | 0:19:49 | |
And it was all a bit of a joke and anyway, started opening the safe | 0:19:49 | 0:19:53 | |
and it was unbelievable, it was packed full of treasure. | 0:19:53 | 0:19:56 | |
Wait a minute, rewind there. | 0:19:56 | 0:19:58 | |
-Are we talking about safecracker, Sara, here? -Yes, yeah. | 0:19:58 | 0:20:02 | |
Not me personally, but we managed to get into the safe, definitely. | 0:20:02 | 0:20:06 | |
-And there it was. -And there it was in amongst lots of other rings | 0:20:06 | 0:20:09 | |
and treasure and carriage clocks and all sorts, photographs, it was amazing. | 0:20:09 | 0:20:13 | |
That was a terrific story, but I tell you what, | 0:20:13 | 0:20:16 | |
I think we ought to get Jonty to take a look at this. Jonty. | 0:20:16 | 0:20:19 | |
Come and look, we've got turquoise again. | 0:20:19 | 0:20:22 | |
-Yeah, again. -And gold and Sam. | 0:20:22 | 0:20:24 | |
Have you ever seen this before Sam? | 0:20:24 | 0:20:26 | |
-No. -Look at this. -Wow, isn't that charming? | 0:20:26 | 0:20:29 | |
-Isn't it lovely? -That's very clever where that concertinas. | 0:20:29 | 0:20:32 | |
Very clever because whatever size wrist you have it will fit. | 0:20:32 | 0:20:36 | |
And look at the stones, turquoise and pearls again. | 0:20:36 | 0:20:39 | |
Date-wise, it's around the same kind of period | 0:20:39 | 0:20:42 | |
so we're looking at an Edwardian piece again. | 0:20:42 | 0:20:44 | |
Do you remember the pendant that we looked at earlier? | 0:20:44 | 0:20:47 | |
That's really very, very beautiful. | 0:20:47 | 0:20:49 | |
The gold will be nine-carat-gold because of the colour | 0:20:49 | 0:20:53 | |
and because of its action it makes it very, very saleable, as well. | 0:20:53 | 0:20:57 | |
-Good. -Which is very good news indeed. | 0:20:57 | 0:20:59 | |
So collectable and commercial, but what kind of a price tag could you put on it? | 0:20:59 | 0:21:04 | |
-We're looking really at £200 to £300 which is fantastic news. -Great. | 0:21:04 | 0:21:09 | |
That's not bad for a freebie out of a cracked safe, is it? | 0:21:09 | 0:21:12 | |
That's right. Andy will be very pleased. | 0:21:12 | 0:21:15 | |
If we take the lowest estimate on that and add it too all the other things that | 0:21:15 | 0:21:20 | |
you've all found today that Jonty's looked at it, | 0:21:20 | 0:21:22 | |
means that the £1,500 for your imitation lawn, I think is on its way, | 0:21:22 | 0:21:27 | |
because we reckon | 0:21:27 | 0:21:30 | |
we should be able to make at auction £1,675. | 0:21:30 | 0:21:36 | |
-Wow. -Fantastic. | 0:21:36 | 0:21:38 | |
That's really good news, yeah. Andy will be pleased. | 0:21:38 | 0:21:41 | |
THEY ALL LAUGH | 0:21:41 | 0:21:43 | |
-Let's go to auction and see what we can do. -Great, lovely. | 0:21:43 | 0:21:47 | |
With a home full of such wonderful pieces | 0:21:47 | 0:21:49 | |
we've been spoilt for choice and those goods that have made it to auction | 0:21:49 | 0:21:53 | |
are the multi-purpose star shaped pendant | 0:21:53 | 0:21:57 | |
inset with turquoise and pearls worth £300 to £600, | 0:21:57 | 0:22:01 | |
the 19th Century stripped pine bench from Eastern Europe | 0:22:01 | 0:22:06 | |
valued at £100 to £200. | 0:22:06 | 0:22:08 | |
This stunning 18 carat gold mesh bracelet valued at £600 to £800 | 0:22:08 | 0:22:14 | |
and finally Sara's cherished collection of stuffed toys | 0:22:14 | 0:22:18 | |
including a Steiff cat which at £120 to £180 | 0:22:18 | 0:22:22 | |
she knows she must sell, but will find it hard to let go. | 0:22:22 | 0:22:26 | |
Still to come on Cash in the Attic, I do my best to cover up the truth. | 0:22:28 | 0:22:31 | |
Don't watch, don't watch, it's about to go. | 0:22:31 | 0:22:34 | |
Realise that honesty is the best policy. | 0:22:34 | 0:22:37 | |
-You're going to have to take them home. -No. -Yes. | 0:22:37 | 0:22:40 | |
Although, Sara doesn't seem to agree. | 0:22:40 | 0:22:42 | |
Andy won't be happy, but I'll smuggle them in. | 0:22:42 | 0:22:45 | |
But will it all be harmony when the final hammer falls? | 0:22:45 | 0:22:48 | |
I know it doesn't seem like it, | 0:22:53 | 0:22:55 | |
but it's almost three weeks since we were with Sara Underwood | 0:22:55 | 0:22:58 | |
in that beautiful cottage in Northamptonshire | 0:22:58 | 0:23:02 | |
and that's where we were looking for antiques and collectibles | 0:23:02 | 0:23:05 | |
we could bring today to sell at the Chiswick Auction Rooms here in west London. | 0:23:05 | 0:23:09 | |
She's got those two delightful, but very energetic dogs | 0:23:09 | 0:23:13 | |
who race around that little lawn in front of the cottage and dig holes in it. | 0:23:13 | 0:23:17 | |
She wants to raise £1,500 so that she can lay artificial turf | 0:23:17 | 0:23:21 | |
which they won't be able to damage. | 0:23:21 | 0:23:23 | |
Let's hope we get some stiff bidding today when her items go under the hammer. | 0:23:23 | 0:23:28 | |
In order to get such a huge amount, we're going to need the bidders | 0:23:28 | 0:23:32 | |
to fall in love with our goods today as much as our expert Jonty has. | 0:23:32 | 0:23:36 | |
He's taking one final look for himself. | 0:23:36 | 0:23:38 | |
-Morning, Jonty. -Hi, Angela. | 0:23:38 | 0:23:40 | |
-You are fascinated by that piece of jewellery. -I think it's charming. | 0:23:40 | 0:23:44 | |
It's lovely, isn't it? It's a brooch, it's a hairpin, or it's a pendant. | 0:23:44 | 0:23:48 | |
I think it's charming, but I think it would suit you. | 0:23:48 | 0:23:51 | |
Get me behind me, yes, tempting, tempting, tempting. | 0:23:51 | 0:23:56 | |
But she does have some lovely jewellery. | 0:23:56 | 0:23:58 | |
Some wonderful items, so what we need is jewellery buyers in today | 0:23:58 | 0:24:01 | |
and if we can sell all the collection, we're quids in. | 0:24:01 | 0:24:04 | |
There was that bracelet that they found inside the safe. What a story. | 0:24:04 | 0:24:08 | |
Crack open the safe and can you imagine that? | 0:24:08 | 0:24:11 | |
How exciting would that be? | 0:24:11 | 0:24:12 | |
Interestingly, virtually all of her jewellery is all turquoise | 0:24:12 | 0:24:16 | |
cos she does love the colour. | 0:24:16 | 0:24:18 | |
I wonder if she's wearing it today for good luck. Let's go find her. | 0:24:18 | 0:24:23 | |
We'll want more than luck alone. | 0:24:23 | 0:24:24 | |
I think a sprinkling of generous bidding would be favourable too. | 0:24:24 | 0:24:28 | |
That's if Sara can bear to part with all her valuables | 0:24:28 | 0:24:31 | |
which might be difficult so she's brought along some moral support. | 0:24:31 | 0:24:35 | |
Sara, we knew you'd be wearing turquoise. | 0:24:35 | 0:24:37 | |
Turquoise trousers, brooches, bet you made them yourself. | 0:24:37 | 0:24:40 | |
-I didn't, but they're cute. -They are. Where is Sam? | 0:24:40 | 0:24:44 | |
She's working today, so I've brought along my mum Sue to help us. | 0:24:44 | 0:24:48 | |
-Reinforcements. -Yes, exactly. | 0:24:48 | 0:24:49 | |
-Have you been to an auction before? -Yes. | 0:24:49 | 0:24:51 | |
So you're a bit of an expert? | 0:24:51 | 0:24:53 | |
-I am. -Well, keep your hands to yourself today. | 0:24:53 | 0:24:56 | |
-I will. -Because we're here to sell for Sara, not for you to buy. | 0:24:56 | 0:24:59 | |
-Have you said farewell to all of them. -Saying goodbye. | 0:24:59 | 0:25:02 | |
I've had a last-minute cuddle | 0:25:02 | 0:25:03 | |
because I'm very sad that they're going, but it's all for a good cause. | 0:25:03 | 0:25:07 | |
It is. Now, have you told the dogs that they're going to get something new? | 0:25:07 | 0:25:11 | |
I have and they're really excited. | 0:25:11 | 0:25:14 | |
So are we, so let's go and take our places. | 0:25:14 | 0:25:16 | |
Remember, if you're planning to go to auction to buy or sell | 0:25:18 | 0:25:24 | |
you're responsible for paying commission | 0:25:24 | 0:25:26 | |
plus possible other charges so do check with your local sale room for details. | 0:25:26 | 0:25:30 | |
With auctioneer William Rouse about to start proceedings, we head into position | 0:25:30 | 0:25:34 | |
as our collection of vintage | 0:25:34 | 0:25:36 | |
wooden boxes are shown to the room. | 0:25:36 | 0:25:38 | |
We're hoping to clean up £50 to £100 for this little lot. | 0:25:38 | 0:25:43 | |
I've got a £15 bid and I'll take £18 with me. | 0:25:43 | 0:25:46 | |
18 in the room against commission then, at £18 and 20, anybody else? | 0:25:46 | 0:25:51 | |
For £18 are you all done? 20 in the green. | 0:25:51 | 0:25:55 | |
22, nearer to me now at £22. | 0:25:55 | 0:25:57 | |
At 22 it is, then. | 0:25:57 | 0:25:58 | |
That was painful and didn't even reach half of Jonty's estimate. | 0:25:59 | 0:26:05 | |
If we're to raise that £1,500 target | 0:26:05 | 0:26:06 | |
sales need to be a lot better than that. | 0:26:06 | 0:26:10 | |
If too many cooks spoil the broth, what about too many kitchen tools? | 0:26:10 | 0:26:15 | |
Well, let's hope not as coming up is Sara's mixed selection. | 0:26:15 | 0:26:18 | |
Now, a modern young lady like you, Sara, I'm amazed that you even had | 0:26:18 | 0:26:22 | |
all of this wonderful 1920s, was it "kitchenalia", Jonty? | 0:26:22 | 0:26:26 | |
Yes, it was really great fun. Where did you find them all? | 0:26:26 | 0:26:30 | |
I collected them over the years | 0:26:30 | 0:26:31 | |
and I was going to do various craft projects with them, | 0:26:31 | 0:26:34 | |
but it never came off so I've decided they've got to go. | 0:26:34 | 0:26:37 | |
-And you're not going to do any cooking with them? -No. | 0:26:37 | 0:26:40 | |
Let's watch them go. | 0:26:41 | 0:26:42 | |
Again, a little bit of interest in this lot, I'm bit £25 straight off and I'll take 28. | 0:26:42 | 0:26:48 | |
At £25 with me. 28, 30, | 0:26:48 | 0:26:51 | |
32, 35. | 0:26:51 | 0:26:54 | |
£35 with me and a left bid of £35. | 0:26:54 | 0:26:57 | |
It's left bid of £35. | 0:26:57 | 0:26:59 | |
At 35 it is then. | 0:26:59 | 0:27:01 | |
That's great news. | 0:27:01 | 0:27:03 | |
You can buy a brand new food mixer now. | 0:27:03 | 0:27:05 | |
'Fantastic. That takes us £35 closer to ordering that artificial lawn. | 0:27:07 | 0:27:11 | |
'Now we're cooking. | 0:27:11 | 0:27:14 | |
'In order to notch up the notes, though, | 0:27:14 | 0:27:17 | |
'we need all our collectables to sell well, | 0:27:17 | 0:27:20 | |
'but will our next entry sink or swim?' | 0:27:20 | 0:27:22 | |
48 is an antique brass door knocker in the form of a diving dolphin. | 0:27:22 | 0:27:27 | |
£10 for it? £10. | 0:27:27 | 0:27:29 | |
Ten I'm bid, a maiden bid of £10. At £10, it's going to sell for £10. | 0:27:29 | 0:27:34 | |
Are we all done for £10? Going then for £10. | 0:27:34 | 0:27:36 | |
That's not very much is it? | 0:27:36 | 0:27:39 | |
What did we think that might go for, Jonty? | 0:27:39 | 0:27:41 | |
-25, I was hoping for. -Yeah. | 0:27:41 | 0:27:43 | |
-Never mind. -And that was the reason, there was only one bidder in the room. | 0:27:43 | 0:27:47 | |
-Yeah. -Just your luck, isn't it? | 0:27:47 | 0:27:49 | |
Never mind. | 0:27:49 | 0:27:50 | |
'A bargain at only £10, although a disappointing amount for us. | 0:27:50 | 0:27:54 | |
'But Sue and Sara have a cracking treat up their sleeve, | 0:27:54 | 0:27:57 | |
'which they've chosen to separate | 0:27:57 | 0:27:58 | |
'from the rest of the "kitchenalia" stash.' | 0:27:58 | 0:28:00 | |
I'm prepared to bet, Jonty, Sara and Sue, | 0:28:00 | 0:28:02 | |
that this auction room has never seen anything quite like the next item that's coming up, | 0:28:02 | 0:28:07 | |
which is your World War I period egg transport case. | 0:28:07 | 0:28:11 | |
Where did you get it, Sue? | 0:28:11 | 0:28:12 | |
I found it in an antique shop, and I used to have a lot of chickens at the time. | 0:28:12 | 0:28:16 | |
-And you had names for them all. -Exactly. | 0:28:16 | 0:28:18 | |
Eggsactly, as it were. But now, it's got to go. | 0:28:18 | 0:28:20 | |
No more chickens, no more egg box. | 0:28:20 | 0:28:23 | |
'But our auctioneer, William, isn't quite so confident.' | 0:28:23 | 0:28:26 | |
I think it's a really fun item, but it's not really what you'd | 0:28:26 | 0:28:29 | |
call decorative and what do you do with it when you've bought it? | 0:28:29 | 0:28:33 | |
I'm not really sure, so I'm sure somebody will buy it, because it's a bit of a curio, | 0:28:33 | 0:28:37 | |
but whether it's terribly valuable is another matter. | 0:28:37 | 0:28:40 | |
Is it worth £20? Start me for ten then. | 0:28:40 | 0:28:42 | |
£10, 12, 14, 16. £16 in the middle of the room. | 0:28:42 | 0:28:46 | |
At £16. Seems cheap still for 16 but it can be sold for £16. Going then. | 0:28:46 | 0:28:51 | |
£16 is the bid, then. | 0:28:51 | 0:28:54 | |
-Oh, that's not very much, is it? -That was definitely cheap cheap. | 0:28:56 | 0:28:59 | |
-Bit gutted about that. -Oh, yes. | 0:28:59 | 0:29:03 | |
'You'd better watch out, Jonty, | 0:29:03 | 0:29:05 | |
'I don't think your jokes go down well with Sue, | 0:29:05 | 0:29:07 | |
'and that's another worrying result. | 0:29:07 | 0:29:09 | |
'Let's hope our first bit of jewellery | 0:29:10 | 0:29:12 | |
'is what the bidders have been saving themselves for.' | 0:29:12 | 0:29:15 | |
Well, the lovely multi-purpose pendant brooch hairclip is coming up now, | 0:29:15 | 0:29:20 | |
and let's hope we've got a multi-purpose group of people who are buying jewellery in the room, | 0:29:20 | 0:29:24 | |
because we want them to give you more than the £450 reserve you've put on this. | 0:29:24 | 0:29:28 | |
Well, I hope so. At the end of the day, if it's less, I'd rather take it home. | 0:29:28 | 0:29:33 | |
-I'd be happy with that. -What's it worth? Start me for £300 for it. | 0:29:33 | 0:29:36 | |
320 I'll take, 300 I'm bid, a maiden bid at 300. 320. | 0:29:36 | 0:29:41 | |
340, 360, 380, 400. | 0:29:41 | 0:29:45 | |
£400 for it, at £400 and 20 if you like. | 0:29:45 | 0:29:48 | |
£400, £400 it's not selling for £400. | 0:29:48 | 0:29:53 | |
And ten I'll take. For £400. At 400. | 0:29:53 | 0:29:59 | |
Not sold, so you're taking it home. | 0:29:59 | 0:30:01 | |
-I'd rather take it home. -Yeah. | 0:30:01 | 0:30:02 | |
Yeah, that's fine. I'd rather take it home. | 0:30:02 | 0:30:05 | |
'I'm pleased that Sara's happy to take the pendant home, | 0:30:05 | 0:30:08 | |
'but it will have a huge impact on our £1,500 target. | 0:30:08 | 0:30:11 | |
'I'm afraid this is turning into a bit of a grey day.' | 0:30:11 | 0:30:15 | |
Lot 78 is a pen and wash rule study with a bridge over a stream. | 0:30:15 | 0:30:20 | |
What am I bid for that? Start me for £10. £10 for it, surely for £10. | 0:30:20 | 0:30:25 | |
Ten I'm bid, a maiden bid of £10. | 0:30:25 | 0:30:28 | |
£12, £14, to my left at 14. Surely somebody else has viewed it. | 0:30:28 | 0:30:30 | |
£14. At 14, 16 there, 18, 20, 22, 24, | 0:30:30 | 0:30:38 | |
26, 28, 30, 32, 34... | 0:30:38 | 0:30:42 | |
Oh, that's better. | 0:30:42 | 0:30:43 | |
£34 to the original bidder, at £34. At 34. | 0:30:43 | 0:30:48 | |
It had promise, then it petered out. | 0:30:48 | 0:30:50 | |
Then it petered out. But never mind. | 0:30:50 | 0:30:51 | |
-I hope they enjoy it anyway. -They will. | 0:30:51 | 0:30:54 | |
'Nearly reaching its estimate at £34, | 0:30:54 | 0:30:57 | |
'but our sales haven't been great, | 0:30:57 | 0:30:59 | |
'so is the new lawn anywhere in our sights?' | 0:30:59 | 0:31:01 | |
Well, we're at the halfway stage, are you still feeling excited? | 0:31:01 | 0:31:05 | |
-Yeah. Optimistic. -Mother isn't. Mother's looking a bit "hmm", aren't you? | 0:31:05 | 0:31:09 | |
-Yes. -Well, the bad news is that at the halfway stage we've made £117. | 0:31:09 | 0:31:16 | |
-I know. It's a bit disappointing, to be honest, isn't it? -Yes. | 0:31:16 | 0:31:19 | |
So we've only got 1,383 still to go. | 0:31:19 | 0:31:22 | |
To go. Not much then. | 0:31:22 | 0:31:24 | |
However, the good news is you've got fabulous pieces of jewellery coming up, | 0:31:24 | 0:31:28 | |
and a couple of other good things, | 0:31:28 | 0:31:30 | |
-and I have a feeling that the sparklers are really going to bring them in. -I hope so. -Yes. | 0:31:30 | 0:31:34 | |
We're gonna have a look at some other things in the auction room. | 0:31:34 | 0:31:38 | |
Yes, I need to have a closer look, because we've only just arrived, and there's a lot here to look at. | 0:31:38 | 0:31:43 | |
Shall we go and see what we can find? | 0:31:43 | 0:31:45 | |
'While Sara and Sue head off for a strong cup of tea, | 0:31:49 | 0:31:52 | |
'Jonty wants to show me a bowl that will hopefully bear plenty of fruit in the saleroom.' | 0:31:52 | 0:31:57 | |
What's caught your eye there, Jonty? | 0:31:57 | 0:31:58 | |
A bit of silverware. | 0:31:58 | 0:32:00 | |
I've had a look in the catalogue, and I've seen its description, | 0:32:00 | 0:32:04 | |
and from its style, it looks quite arts and craftsy. | 0:32:04 | 0:32:07 | |
It's got that sort of look about it, hasn't it? | 0:32:07 | 0:32:10 | |
Does it actually have a hallmark? | 0:32:10 | 0:32:12 | |
Yes, it's got a clear hallmark round the back. | 0:32:12 | 0:32:14 | |
-Oh, yes. -And that's 1926. | 0:32:14 | 0:32:18 | |
Now, if it was arts and crafts, this banding here particularly would all be hand-crafted, | 0:32:18 | 0:32:23 | |
but I believe this has probably come from a press, | 0:32:23 | 0:32:25 | |
and therefore it's not as crisp as it really should be. | 0:32:25 | 0:32:28 | |
So if it's 1926, just after the arts and crafts movement, | 0:32:28 | 0:32:31 | |
that's obviously someone replicating that whole field, so what sort of price would it have on it now? | 0:32:31 | 0:32:37 | |
In the catalogue it's estimated £150 to £200, but it's going to be more like three to five. | 0:32:37 | 0:32:42 | |
'We return to our places refreshed and ready to do business, | 0:32:46 | 0:32:50 | |
'but with so much money still to make, we need the bidders | 0:32:50 | 0:32:53 | |
'to have expandable wallets, and pay out £200 to £300 for our next lot.' | 0:32:53 | 0:32:57 | |
So, your safe-cracking exercise is about to pay off isn't it? | 0:32:57 | 0:33:01 | |
-I hope so. I do hope so, yes. -With this lovely Edwardian nine carat, pearl and turquoise lady's bracelet. | 0:33:01 | 0:33:07 | |
-Yes. -It's so pretty, I'm surprised you're getting rid of it. | 0:33:07 | 0:33:10 | |
It's beautiful but I never wear it, | 0:33:10 | 0:33:12 | |
and I think somebody else could enjoy it just as much as I have so yeah it's got to go. | 0:33:12 | 0:33:16 | |
-Did you like this one, Sue? -I did, really. | 0:33:16 | 0:33:19 | |
Well, look, don't watch, don't watch, it's about to go. | 0:33:19 | 0:33:22 | |
£50, £50 I'm bid, a maiden bid of 50. | 0:33:22 | 0:33:25 | |
55 everywhere, 60. | 0:33:25 | 0:33:28 | |
65, 70, 75, 80. | 0:33:28 | 0:33:30 | |
£80 in the gallery, 85 there now. | 0:33:30 | 0:33:32 | |
-90, 95. -That's good. | 0:33:32 | 0:33:36 | |
100, 110, 120, 130, 140, 150, | 0:33:36 | 0:33:41 | |
160, 170, 180, 190, 200, 210. | 0:33:41 | 0:33:46 | |
-210. -220, 230, 230, left hand gallery at £230. | 0:33:46 | 0:33:52 | |
At 230 all done. 230 is the bid, then. | 0:33:52 | 0:33:57 | |
-Fantastic. -Yes. -£230. | 0:33:57 | 0:34:01 | |
-Brilliant, brilliant. -That is a relief, as well. -It is, really. | 0:34:01 | 0:34:04 | |
-The man in the gallery was waving away, he was quite determined to get it, wasn't he? -Yeah. -Well done. | 0:34:04 | 0:34:11 | |
'A bit of determination is just what we want, | 0:34:11 | 0:34:14 | |
'adding a whopping £230 towards the new synthetic lawn fund. | 0:34:14 | 0:34:18 | |
'Well, let's just hope that enthusiasm continues and following our poor sales earlier, | 0:34:18 | 0:34:24 | |
'that we get to even the balance with these brass scales, | 0:34:24 | 0:34:28 | |
'valued at £20 to £30.' | 0:34:28 | 0:34:30 | |
Did you just buy them because you liked them, you never used them? | 0:34:30 | 0:34:33 | |
I never used them but I lived in an old cottage, | 0:34:33 | 0:34:35 | |
they suited the room perfectly in the kitchen there, | 0:34:35 | 0:34:38 | |
but they're heavy so you need somewhere strong to hang them, | 0:34:38 | 0:34:41 | |
and I haven't, so they've got to go. | 0:34:41 | 0:34:43 | |
What are they worth? £10 surely? | 0:34:43 | 0:34:44 | |
ten, 12, £12 for them. For £12 anybody? 14 if you like. | 0:34:44 | 0:34:49 | |
For £12 they're not selling. | 0:34:49 | 0:34:51 | |
At £12. | 0:34:51 | 0:34:54 | |
-He's not selling. -No sale. | 0:34:54 | 0:34:56 | |
You've got to take them home. | 0:34:56 | 0:34:57 | |
-Oh, no. -Yes. | 0:34:57 | 0:34:59 | |
And you'll have a gift for you. | 0:34:59 | 0:35:01 | |
'Thanks for the offer, Sara, | 0:35:03 | 0:35:04 | |
'but I've got nowhere to hang them either. | 0:35:04 | 0:35:06 | |
'With our second no sale of the day and only five lots remaining, | 0:35:06 | 0:35:11 | |
'reaching that £1,500 target looks pretty slim, | 0:35:11 | 0:35:14 | |
'so can our bidders be tempted by another piece of fine jewellery?' | 0:35:14 | 0:35:18 | |
Pretty little ring, isn't it? | 0:35:18 | 0:35:20 | |
It's beautiful, and it's quite old, so I hope it goes for a fair bit. | 0:35:20 | 0:35:23 | |
-Fingers crossed. -Start me for £30 for this, £30 for the ring. | 0:35:23 | 0:35:27 | |
30, 5, 40. | 0:35:27 | 0:35:29 | |
£40 for that ring, at £40. Five anybody? | 0:35:29 | 0:35:32 | |
For £40, at £40 for the ring. | 0:35:32 | 0:35:35 | |
Five anywhere. £40 then, not sold. | 0:35:35 | 0:35:38 | |
-Not sold. -Not unhappy about that. | 0:35:38 | 0:35:40 | |
'The auctioneer has reserved his right not to sell the ring | 0:35:40 | 0:35:44 | |
'for its bottom estimate, | 0:35:44 | 0:35:45 | |
'as he thinks on another day, it could fetch more. | 0:35:45 | 0:35:48 | |
'We desperately need our luck to change, | 0:35:50 | 0:35:52 | |
'so we've got our fingers crossed for Sara's Hungarian pine bench | 0:35:52 | 0:35:56 | |
'which is about to go under the hammer.' | 0:35:56 | 0:35:58 | |
-Sara, this is your pine bench. -Yeah. | 0:35:58 | 0:36:00 | |
A lot more space created in your sitting room now it's gone? | 0:36:00 | 0:36:03 | |
-It's quite a big item. I'm really, really happy to sell it. -OK. | 0:36:03 | 0:36:07 | |
A lot of interest in this lot. | 0:36:07 | 0:36:09 | |
I'm already bid £100 for the lot. | 0:36:09 | 0:36:11 | |
With me at £100 for the bench. | 0:36:11 | 0:36:13 | |
At £100 for it, 110, 120, 130, 130, 140. | 0:36:13 | 0:36:17 | |
£140 for it now, 140, 150, 160. | 0:36:17 | 0:36:21 | |
£160 for it, at £160 for the bench. | 0:36:21 | 0:36:25 | |
160 it is. | 0:36:25 | 0:36:27 | |
Brilliant. That's really good news. | 0:36:27 | 0:36:29 | |
They're obviously Hungary for it! | 0:36:29 | 0:36:33 | |
'Even Jonty's jokes aren't going to dampen our spirits, | 0:36:33 | 0:36:36 | |
'as the pine bench is thankfully packed off to a new home. | 0:36:36 | 0:36:40 | |
'But we're still a long way off our £1,500 target. | 0:36:40 | 0:36:43 | |
'It has been an unpredictable day so far, especially when it comes to our jewellery | 0:36:43 | 0:36:47 | |
'so who knows what's going to happen | 0:36:47 | 0:36:49 | |
'as Sara's next treasure, worth £150 to £250, goes up for sale.' | 0:36:49 | 0:36:54 | |
Now as you bought yourself this opal crucifix, I'm amazed that you're selling it at all. | 0:36:54 | 0:37:01 | |
I loved it at the time, and I still love it, but to be honest, | 0:37:01 | 0:37:04 | |
I never really wore it because I like to wear big bright things as you can see, | 0:37:04 | 0:37:08 | |
and it's quite small so I don't really wear it so someone else can get the enjoyment from it. | 0:37:08 | 0:37:13 | |
-But you have put a reserve on this of £250. -I don't want to give it away. | 0:37:13 | 0:37:16 | |
-At the end of the day, I'd rather take it home again, but let's see how it goes. -Yeah. | 0:37:16 | 0:37:21 | |
150 I'm bid. 160, 170, 180, 190, 200, | 0:37:21 | 0:37:26 | |
210, 220, 230, 240, 250. | 0:37:26 | 0:37:30 | |
-It made the reserve. -Yes. -260, 270. It made 270 in the middle of the | 0:37:30 | 0:37:34 | |
-room, 280 there now everywhere, 290, 300, and 10, 320, 330. -I'm really happy. | 0:37:34 | 0:37:41 | |
My original bidder at 330, 340 there now with the lady. 340 then. 340. | 0:37:41 | 0:37:47 | |
Yeah! | 0:37:47 | 0:37:49 | |
-And sold to a lady. -Yeah, oh, I'm really pleased. | 0:37:49 | 0:37:51 | |
-Good. -Really, really pleased. -Well, done. -Thank goodness. | 0:37:51 | 0:37:54 | |
'A staggering £340. That's more like it. | 0:37:54 | 0:37:58 | |
'Finally, I think we are heading in the right direction to getting Sara and her dogs their dream garden. | 0:37:58 | 0:38:03 | |
'But it's not quite over yet. | 0:38:03 | 0:38:05 | |
'Will her collection of rather worn | 0:38:05 | 0:38:08 | |
'but incredibly loved stuffed toys sell, and can she bear to watch?' | 0:38:08 | 0:38:12 | |
-I might shed a tear. -Well, I've got my hanky at the ready. -I think I'm going to need it. | 0:38:12 | 0:38:17 | |
Let's start this lot at £100 to get it going. | 0:38:17 | 0:38:19 | |
£120 for that lot, at £120. | 0:38:19 | 0:38:23 | |
Nobody want to come in for 130? | 0:38:23 | 0:38:25 | |
For £120. No more? | 0:38:25 | 0:38:30 | |
£120 for that. 120? Not sold. | 0:38:30 | 0:38:33 | |
They'll have to come home again! | 0:38:33 | 0:38:35 | |
You don't have to cry. No need for a handkerchief! | 0:38:35 | 0:38:38 | |
-I don't think Andy will be very happy. -He'll go mad. | 0:38:38 | 0:38:40 | |
'Once again, the auctioneer has decided the true value | 0:38:40 | 0:38:43 | |
'of the cuddly animals was much higher and he's not sold them. | 0:38:43 | 0:38:46 | |
'I might have known Sara wouldn't be upset. | 0:38:46 | 0:38:48 | |
'This means all the pressure is on our final lot, | 0:38:48 | 0:38:52 | |
'but Sara's not prepared to just give it away. | 0:38:52 | 0:38:56 | |
Now the gold mesh bracelet is coming up. | 0:38:56 | 0:38:58 | |
Classic design, this, and you've put an £800 reserve on it. | 0:38:58 | 0:39:03 | |
Well, I really hope to get £800 for it, at the end of the day, if not, I'd rather take it home. | 0:39:03 | 0:39:08 | |
But I'm really hoping the room's going to be kind to us, so let's keep our fingers crossed. | 0:39:08 | 0:39:12 | |
I'm already bid £800. With me at 800 and 20 I'll take. | 0:39:12 | 0:39:16 | |
820, 840, 860 in the room against commissions then, at £860. | 0:39:16 | 0:39:20 | |
At 860, 880. 880 then, on the table there at £880. | 0:39:20 | 0:39:27 | |
On the table at £880, it's going for 880. | 0:39:27 | 0:39:31 | |
-That's good. -880. Well, done. | 0:39:31 | 0:39:33 | |
-That's good news, isn't it? That's great. -Wow. | 0:39:33 | 0:39:36 | |
-It's worth putting a reserve on it. -Well done. | 0:39:36 | 0:39:38 | |
'What a remarkable end to the day, but have we reached our target? | 0:39:38 | 0:39:43 | |
So, the moment of truth. | 0:39:43 | 0:39:45 | |
-Now at the halfway stage, if you remember, we were all a bit depressed. -We were, weren't we? | 0:39:45 | 0:39:50 | |
Because we'd only made £117. | 0:39:50 | 0:39:52 | |
-Not very good. -Out of 1,500, | 0:39:52 | 0:39:53 | |
and then there were things in the second half that didn't sell at all, so we went kind of "bleugh"! | 0:39:53 | 0:39:58 | |
But I have to tell you, put that to one side, | 0:39:58 | 0:40:02 | |
it's all been good news since, | 0:40:02 | 0:40:03 | |
because first of all, a gentleman who wanted to buy the set of scales | 0:40:03 | 0:40:07 | |
arrived too late to make a bid, | 0:40:07 | 0:40:08 | |
went afterward and said to the auctioneer, "I'll give you 20 quid for them." | 0:40:08 | 0:40:12 | |
-Fantastic. -So that's £20 to add to that. | 0:40:12 | 0:40:14 | |
We've had some fantastic sales on your jewellery. | 0:40:14 | 0:40:17 | |
Well, you wanted to raise £1,500. | 0:40:17 | 0:40:21 | |
What you've actually made, Sara, is... | 0:40:21 | 0:40:25 | |
-you've made £1,747! -Wow! | 0:40:25 | 0:40:27 | |
-I'm really, really happy. That's good news. -Well done. -Brilliant. | 0:40:27 | 0:40:30 | |
I'm really happy about that. | 0:40:30 | 0:40:32 | |
-Oh, good. It's fantastic. -Terrific. | 0:40:32 | 0:40:34 | |
So the dogs have got another £200 worth of grass they can run over. | 0:40:34 | 0:40:38 | |
And I'm taking the toys home! | 0:40:38 | 0:40:40 | |
-Yeah. -Andy won't be happy but I'll smuggle them in, yeah. | 0:40:40 | 0:40:43 | |
It's been a few weeks since Sara raised £1,747 at auction, | 0:40:47 | 0:40:51 | |
and today we've returned to Northamptonshire where her dogs, Guy and Ronnie, | 0:40:51 | 0:40:56 | |
are eagerly awaiting the arrival of their new artificial lawn. | 0:40:56 | 0:40:59 | |
The new lawn is going to completely change our lives, | 0:40:59 | 0:41:02 | |
because at the end of the day, we've got no more muddy feet to worry about, | 0:41:02 | 0:41:05 | |
we've got no more towel drying at the door, no more white floors covered in mud, | 0:41:05 | 0:41:10 | |
and we can just sit, relax, have a glass of wine and enjoy it now, | 0:41:10 | 0:41:13 | |
and it's going to look perfect for the next ten years. That's our plan. | 0:41:13 | 0:41:16 | |
The team arrives and begins work immediately. | 0:41:16 | 0:41:20 | |
Within minutes, the old lawn is being ripped up and moved out, | 0:41:20 | 0:41:24 | |
making way for a new dog-friendly garden. | 0:41:24 | 0:41:27 | |
With the ground flattened and completely prepared, | 0:41:27 | 0:41:30 | |
it's time for the perfect patch of grass to be put into position. | 0:41:30 | 0:41:34 | |
But it's the approval of Sara's pet dogs that's the real test. | 0:41:38 | 0:41:42 | |
There's a good boy. What's this then? | 0:41:42 | 0:41:44 | |
'I am so pleased with the grass. 'The guys did a really, really good job and it looks fantastic, | 0:41:46 | 0:41:51 | |
'and since the dogs have been outside, they haven't stopped playing on it,' | 0:41:51 | 0:41:55 | |
and it still looks absolutely perfect. | 0:41:55 | 0:41:57 | |
It's going to make a big difference to our lives, and the lack of mud is amazing, | 0:41:57 | 0:42:02 | |
so we're really, really pleased with it. | 0:42:02 | 0:42:04 | |
So at last, Sara's lawn is looking neat and tidy, and the dogs can play on it as much as they like. | 0:42:11 | 0:42:17 | |
Now that's what I call a result. | 0:42:17 | 0:42:19 | |
If there's something that you'd like to raise money for, | 0:42:19 | 0:42:21 | |
and you think you have things in the house that you'd be happy to sell at auction, | 0:42:21 | 0:42:26 | |
then why not get in touch with the programme? Just fill in our application form. | 0:42:26 | 0:42:30 | |
You'll find it on our website... | 0:42:30 | 0:42:32 | |
..and come and join us on Cash in the Attic. | 0:42:34 | 0:42:36 | |
For more information about Cash In The Attic, | 0:42:36 | 0:42:39 | |
including how the programme was made, | 0:42:39 | 0:42:42 | |
visit the website at bbc.co.uk. | 0:42:42 | 0:42:44 | |
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