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Welcome to Cash In The Attic, the programme that comes into your home | 0:00:02 | 0:00:04 | |
and hunts for antiques and collectables with you | 0:00:04 | 0:00:07 | |
and then sells them with you at auction. | 0:00:07 | 0:00:09 | |
Today I'm in Nottinghamshire | 0:00:09 | 0:00:11 | |
and I've come to the historic market town of Newark-on-Trent | 0:00:11 | 0:00:15 | |
and these ancient, crumbling walls behind me | 0:00:15 | 0:00:18 | |
are all that are left of the original Castle of Newark, | 0:00:18 | 0:00:22 | |
which has stood proudly on this site, | 0:00:22 | 0:00:24 | |
on the banks of the River Trent, for the best part of 900 years. | 0:00:24 | 0:00:28 | |
The first castle was built here in the 11th century | 0:00:28 | 0:00:32 | |
and its position and strength meant that it was known for a long time | 0:00:32 | 0:00:35 | |
as "The key of the north." | 0:00:35 | 0:00:37 | |
During the Baronial and English Civil Wars, | 0:00:37 | 0:00:39 | |
the castle survived five sieges, although it was severely damaged. | 0:00:39 | 0:00:44 | |
All that remains now is the gatehouse, | 0:00:44 | 0:00:46 | |
the curtain wall and north west tower, | 0:00:46 | 0:00:49 | |
but it is still open to the public all the year round | 0:00:49 | 0:00:51 | |
and well worth a visit. | 0:00:51 | 0:00:54 | |
Well, we can hardly begin to imagine all the scenes that these walls | 0:00:54 | 0:00:58 | |
have witnessed over the years with those battles and bloodshed, | 0:00:58 | 0:01:02 | |
but we're about to launch a bit of an invasion of our own now | 0:01:02 | 0:01:05 | |
as we go in search of antiques and collectables | 0:01:05 | 0:01:07 | |
that we can take to auction. | 0:01:07 | 0:01:09 | |
Coming up on today's Cash In The Attic - | 0:01:30 | 0:01:32 | |
we're going into battle with antiques to hand. | 0:01:32 | 0:01:35 | |
-What have you got there? -Careful, I'm armed and dangerous! | 0:01:35 | 0:01:38 | |
We've got a real hoarder to tackle. | 0:01:38 | 0:01:40 | |
I think I'm a magpie, that's what it is. It was shiny and I thought... | 0:01:40 | 0:01:44 | |
-So you haven't used it? -Never! | 0:01:44 | 0:01:47 | |
And there are some satisfied customers when we go to auction. | 0:01:47 | 0:01:50 | |
Excellent, isn't it! | 0:01:50 | 0:01:51 | |
That's made my day! | 0:01:51 | 0:01:53 | |
But will be feeling victorious when the final hammer falls? | 0:01:53 | 0:01:58 | |
I'm about to meet a lady that I think is going to be a lot of fun. | 0:01:58 | 0:02:02 | |
She's called in the Cash In The Attic team | 0:02:02 | 0:02:04 | |
because she wants to raise funds to take her husband | 0:02:04 | 0:02:07 | |
on a much-needed and well-deserved break. | 0:02:07 | 0:02:10 | |
This delightful cottage in the heart of the Nottinghamshire countryside | 0:02:10 | 0:02:14 | |
is home to retired businesswoman Sue Goodess. | 0:02:14 | 0:02:18 | |
Sue's spent years trawling boot fairs and junk shops | 0:02:18 | 0:02:21 | |
and her purchases are piled high all around this charming home. | 0:02:21 | 0:02:25 | |
But she's decided to turn some of her collectables into cash | 0:02:25 | 0:02:28 | |
for a very special surprise trip, | 0:02:28 | 0:02:31 | |
and her close friend, Carol, is here to lend a helping hand. | 0:02:31 | 0:02:34 | |
-Good morning, Jonty. -How are you? -I'm very well. | 0:02:36 | 0:02:39 | |
Welcome to Newark, | 0:02:39 | 0:02:40 | |
the home of one of the country's largest international antiques fairs. | 0:02:40 | 0:02:43 | |
And I have just spent the morning at Newark Castle, | 0:02:43 | 0:02:46 | |
which means that between us, we are absolutely in the mood | 0:02:46 | 0:02:49 | |
for all things antique and ancient, | 0:02:49 | 0:02:52 | |
which is absolutely right because the lady we're about to meet | 0:02:52 | 0:02:54 | |
is desperate to clear her house of a load of clutter. | 0:02:54 | 0:02:58 | |
-Sounds like a job for me. -I think it does. | 0:02:58 | 0:03:00 | |
Lots of things that we can take to auction, I hope. | 0:03:00 | 0:03:03 | |
Shall we go and see them? | 0:03:03 | 0:03:04 | |
This is a classic Mary Poppins moment, isn't it? Feed the birds! | 0:03:05 | 0:03:10 | |
As long as we don't sing! | 0:03:10 | 0:03:13 | |
No, no singing today because we've got lots of things to do | 0:03:13 | 0:03:17 | |
with Jonty later on, finding stuff to take to auction. | 0:03:17 | 0:03:20 | |
So why have you called us in? | 0:03:20 | 0:03:23 | |
Well, I've got that much stuff, anyway, | 0:03:23 | 0:03:25 | |
and this person next to me, Carol, has been onto me | 0:03:25 | 0:03:29 | |
for the last few years to get rid, de-clutter. | 0:03:29 | 0:03:32 | |
Carol, I know you're an interior designer. | 0:03:32 | 0:03:35 | |
You must come into this house and want to go, "Pow!" and get rid of everything? | 0:03:35 | 0:03:38 | |
I want to black-bag it, collect everything in a black bag, I do. | 0:03:38 | 0:03:42 | |
She keeps saying, "When you see me coming down the lane," | 0:03:42 | 0:03:45 | |
because there's this lane here, it goes to nowhere, | 0:03:45 | 0:03:47 | |
she says, "And I've got black bags..." | 0:03:47 | 0:03:49 | |
-I'm coming to black-bag! -No, no, please! | 0:03:49 | 0:03:51 | |
-And I'm sure she hides! -Yeah, I do, I do, honestly! | 0:03:51 | 0:03:54 | |
You must be thrilled that she's called in | 0:03:54 | 0:03:56 | |
the Cash In The Attic team to take some things to auction? | 0:03:56 | 0:03:59 | |
-I am. -Oh, yes! -We told her to go. | 0:03:59 | 0:04:02 | |
Now what are we raising the money for? | 0:04:02 | 0:04:05 | |
Well, it's a bit of a secret, really. | 0:04:05 | 0:04:07 | |
Right, OK. I won't tell anybody. | 0:04:07 | 0:04:09 | |
-Promise? -Well, I might tell Jonty. | 0:04:09 | 0:04:11 | |
No, it's for Nigel, my husband. | 0:04:11 | 0:04:14 | |
I'm still recovering from a really big operation on my back | 0:04:14 | 0:04:18 | |
and he was brilliant and I've got, well I did have, | 0:04:18 | 0:04:23 | |
we've got rid of it now, I had a shop and a catering business | 0:04:23 | 0:04:26 | |
and Nigel just took it over and came home and looked after me | 0:04:26 | 0:04:31 | |
when the shop was closed. | 0:04:31 | 0:04:32 | |
So, you know, it's just thank you, really. | 0:04:32 | 0:04:34 | |
So this is something very special for a very special man! | 0:04:34 | 0:04:37 | |
It is, very much, yes. | 0:04:37 | 0:04:39 | |
How much are we going to raise for this, then? | 0:04:39 | 0:04:41 | |
Well, I thought about £250, £300. | 0:04:41 | 0:04:43 | |
-About £300? -Yeah, I thought that would be, you know, really nice. | 0:04:43 | 0:04:46 | |
Do you reckon she's got £300 worth of stuff in there? | 0:04:46 | 0:04:49 | |
Oh, definitely! | 0:04:49 | 0:04:51 | |
We're going to let Jonty in on the secret | 0:04:51 | 0:04:54 | |
-and let's go see what we can find! -Fantastic! | 0:04:54 | 0:04:58 | |
With such a very special trip to plan, | 0:04:58 | 0:05:00 | |
we need to keep our eyes fixed firmly on the target today | 0:05:00 | 0:05:04 | |
and we've got our expert Jonty Hearnden here to head up the search. | 0:05:04 | 0:05:08 | |
With years of antiques trade experience under his belt, | 0:05:08 | 0:05:11 | |
we're in very capable hands. | 0:05:11 | 0:05:13 | |
-Hi, Jonty! What have you got there? -Careful, I'm armed and dangerous! | 0:05:13 | 0:05:16 | |
-Ha, ha, ha! What is it? -It's a coal scuttle. | 0:05:16 | 0:05:19 | |
Well, it's not really a coal scuttle, it's more a coal scoop. | 0:05:19 | 0:05:22 | |
A coal scuttle really is designed to house your coal, | 0:05:22 | 0:05:25 | |
but here you've got these two handles and there's nowhere to stand it. | 0:05:25 | 0:05:29 | |
So, of course, it's something to scoop up | 0:05:29 | 0:05:31 | |
and to place into possibly the fire, into an engine. Where is it from? | 0:05:31 | 0:05:36 | |
I think we bought that from Sheffield. | 0:05:36 | 0:05:38 | |
-We were shopping for a day and I spotted that. -And? | 0:05:38 | 0:05:44 | |
Nigel wasn't very keen! | 0:05:44 | 0:05:46 | |
What did he have to say about it? | 0:05:46 | 0:05:48 | |
"What do you want that for?" | 0:05:48 | 0:05:49 | |
And what did you want it for? | 0:05:49 | 0:05:51 | |
I don't really know! I don't know! | 0:05:51 | 0:05:54 | |
As you've seen, I've got lots of things I don't really know! | 0:05:54 | 0:05:58 | |
There must have been something about it that appealed to you? | 0:05:58 | 0:06:01 | |
I think it was because it's quite rustic and, you know, | 0:06:01 | 0:06:03 | |
I really thought, "That's different." | 0:06:03 | 0:06:06 | |
It's so tactile. The timber is elm, and elm is a relatively soft timber. | 0:06:06 | 0:06:12 | |
You can tell it's elm by this very wavy grain. Can you see that? | 0:06:12 | 0:06:16 | |
-Yes. -But you can see also how soft the timber is, | 0:06:16 | 0:06:18 | |
because where it has been used, and it must have been used | 0:06:18 | 0:06:21 | |
for quite some time, it really has worn away. | 0:06:21 | 0:06:24 | |
So this would have been probably a square edge, | 0:06:24 | 0:06:26 | |
but now can you see how it's all lovely and rounded? | 0:06:26 | 0:06:29 | |
And if you look at the handles here, these two handles, | 0:06:29 | 0:06:32 | |
there's a lovely balance to it. So is this something we can sell? | 0:06:32 | 0:06:36 | |
Yes, I think so. I think so, yes. | 0:06:36 | 0:06:38 | |
-How much did you pay for it? -Ooh, I can't remember, Angela! | 0:06:38 | 0:06:41 | |
-Roughly? -About 30, I think. | 0:06:41 | 0:06:42 | |
-Might have been a little bit more. -Will we get that back, Jonty? | 0:06:42 | 0:06:46 | |
-I think we can get your money back on that. -Great! | 0:06:46 | 0:06:48 | |
It's definitely worth a good £30 for this, so I would put £30 to £40 | 0:06:48 | 0:06:52 | |
-most definitely for it to sell. -Brilliant, that's great! | 0:06:52 | 0:06:55 | |
Well, it may not be scooping up some coal, | 0:06:55 | 0:06:57 | |
but it will be scooping up some profit, hopefully, | 0:06:57 | 0:07:00 | |
-towards the secret! -Sshh! | 0:07:00 | 0:07:02 | |
-OK. -I think we're going to get more money. | 0:07:02 | 0:07:04 | |
Shall we go and find out if you've got anything else? | 0:07:04 | 0:07:06 | |
What am I saying? The house is full of stuff! Let's go! | 0:07:06 | 0:07:10 | |
Coal scuttle, £30 to £40. | 0:07:10 | 0:07:13 | |
It's about, that's what I paid for it. | 0:07:13 | 0:07:16 | |
Very interesting knowing its history. | 0:07:16 | 0:07:18 | |
It's a tactile object, it's really good | 0:07:18 | 0:07:21 | |
and I think Nigel will be glad to see the back of it! | 0:07:21 | 0:07:25 | |
Well that's the first few pounds towards the trip, | 0:07:25 | 0:07:28 | |
but it's onwards and upwards as there's £300 to find today. | 0:07:28 | 0:07:33 | |
Carol has been braving the cold outside, but it's proved worthwhile | 0:07:33 | 0:07:38 | |
as she spots this iron fire surround, which Jonty values | 0:07:38 | 0:07:41 | |
at a very warming £30 to £40. | 0:07:41 | 0:07:44 | |
Back inside, Sue has got something that she thinks | 0:07:44 | 0:07:46 | |
our expert might take a shine to. | 0:07:46 | 0:07:49 | |
Where's this from? | 0:07:49 | 0:07:50 | |
It was an antique shop in Southwell where we used to live. Yes. | 0:07:50 | 0:07:54 | |
And you were thirsty? | 0:07:54 | 0:07:55 | |
Well...daft again! | 0:07:55 | 0:07:57 | |
I bought something...I think I'm a magpie. I think that's what it is. | 0:07:57 | 0:08:01 | |
It was shiny, and I thought... | 0:08:01 | 0:08:03 | |
-So have you ever used it? -Never! Never! | 0:08:03 | 0:08:07 | |
Now, in style, this is 18th century in style, | 0:08:07 | 0:08:10 | |
but really what we're looking for are those hallmarks | 0:08:10 | 0:08:12 | |
because if it has hallmarks, it's worth quite a bit of money. | 0:08:12 | 0:08:16 | |
And we're looking for that sideways lion, the hallmarks. | 0:08:16 | 0:08:20 | |
That will tell us that it's solid silver, | 0:08:20 | 0:08:22 | |
but there's no markings here at all, | 0:08:22 | 0:08:24 | |
but we've got a stamp on the underside and it says, | 0:08:24 | 0:08:27 | |
"Best Britannia Metal, Sheffield." | 0:08:27 | 0:08:29 | |
Sheffield plate. | 0:08:29 | 0:08:31 | |
But if it had been solid silver, | 0:08:31 | 0:08:32 | |
we would have been talking a lot of money, | 0:08:32 | 0:08:34 | |
because it's in the sort of style of the 18th century, | 0:08:34 | 0:08:38 | |
but I would suppose this is around the turn of the century. | 0:08:38 | 0:08:42 | |
-When I say turn of the century, it's about 100 years old. -Right. | 0:08:42 | 0:08:45 | |
So what we're looking at here is, that's still either bone or ivory. | 0:08:45 | 0:08:49 | |
It's a little bit difficult to tell exactly what that is | 0:08:49 | 0:08:52 | |
because it's a little grubby | 0:08:52 | 0:08:54 | |
and I can't really see underneath all of that. | 0:08:54 | 0:08:56 | |
-Would that come off? -It would clean. | 0:08:56 | 0:08:58 | |
That would clean without any problem at all, | 0:08:58 | 0:09:00 | |
but all this chased decoration around the outside, | 0:09:00 | 0:09:03 | |
it has a very 18th century-feel, | 0:09:03 | 0:09:06 | |
and you see there's also this ribbed decoration as well. | 0:09:06 | 0:09:09 | |
-That's all 18th century. -Right. | 0:09:09 | 0:09:12 | |
-So what have we got there? We've got a creamer as well. -Yes. | 0:09:12 | 0:09:15 | |
-Did that come with it? -No. | 0:09:15 | 0:09:16 | |
It was bought separately, yeah. | 0:09:16 | 0:09:18 | |
But we've got all sorts of other goodies as well! | 0:09:18 | 0:09:20 | |
-Lots of bits in there. -Let me have a look for you. | 0:09:20 | 0:09:24 | |
Have a look at this one. | 0:09:24 | 0:09:26 | |
There we go. | 0:09:26 | 0:09:28 | |
-Hallmarks. -Fantastic! | 0:09:28 | 0:09:30 | |
That's what we're looking for, solid silver, | 0:09:30 | 0:09:32 | |
so we've got a few more in there. | 0:09:32 | 0:09:34 | |
That's definitely worth putting into the auction sale. | 0:09:34 | 0:09:37 | |
You'd put those in as one? | 0:09:37 | 0:09:38 | |
-Sell the whole lot together. -Right. Yeah. | 0:09:38 | 0:09:40 | |
So this whole basket here, | 0:09:40 | 0:09:43 | |
-you put that into the basket. -Right. | 0:09:43 | 0:09:45 | |
£40 to £60. Just like that! | 0:09:45 | 0:09:47 | |
-Yep, that's good! -So we're really getting there. | 0:09:47 | 0:09:50 | |
-We're kind of like sorting it out for you, aren't we? -Yes, you are. | 0:09:50 | 0:09:53 | |
-That's great! -I'm going to take that away, | 0:09:53 | 0:09:55 | |
-for a bit of packing. -OK. | 0:09:55 | 0:09:58 | |
Well, that's another great step towards the £300. | 0:09:58 | 0:10:01 | |
Sue really does have an eye for quality, | 0:10:01 | 0:10:03 | |
and Carol also seems to have a real knack for spotting collectables, | 0:10:03 | 0:10:07 | |
as she has found a collection of brass. | 0:10:07 | 0:10:10 | |
Jonty packs it off to auction with a very shiny £30 to £50 price tag. | 0:10:10 | 0:10:15 | |
We're making excellent progress, | 0:10:15 | 0:10:17 | |
so I leave the rummaging in Jonty's capable hands. | 0:10:17 | 0:10:20 | |
So, Sue and Carol, how did you both meet? Carol? | 0:10:20 | 0:10:24 | |
Once I had the shop and Sue came to my shop, didn't you? | 0:10:24 | 0:10:28 | |
This was your interior design shop? | 0:10:28 | 0:10:30 | |
-Yes. -What were you doing in that instead of an antique shop? | 0:10:30 | 0:10:33 | |
It looked so interesting! | 0:10:33 | 0:10:35 | |
Of course, a lot of the stuff in the house actually came from France. | 0:10:35 | 0:10:39 | |
What was the story there? | 0:10:39 | 0:10:41 | |
We saw this school and school house. | 0:10:41 | 0:10:44 | |
It was really a lot of property for the money, | 0:10:44 | 0:10:47 | |
and that was the start of it. | 0:10:47 | 0:10:51 | |
Nigel wanted to live there, full-time, at one stage | 0:10:51 | 0:10:54 | |
and I think 13, 15 years later we'd still not finished | 0:10:54 | 0:10:59 | |
all of the work that needed doing. | 0:10:59 | 0:11:01 | |
And, well, England is beautiful, it is, we're very lucky, | 0:11:01 | 0:11:06 | |
and we're lucky where we are now, so we've got our own France here. | 0:11:06 | 0:11:10 | |
So what made you give up France? | 0:11:10 | 0:11:13 | |
I used to come back on the boat, after maybe a month out there, | 0:11:13 | 0:11:17 | |
and I'd be covered in paint, I'd have broken nails, white skin | 0:11:17 | 0:11:23 | |
and I'd look around the boat and there's all these relaxed people | 0:11:23 | 0:11:27 | |
with lovely nails and I'd think, | 0:11:27 | 0:11:29 | |
"This is not right, something is wrong here." | 0:11:29 | 0:11:33 | |
So I looked and then I used to go back to work | 0:11:33 | 0:11:36 | |
and I'd feel awful, I'd feel really, really tired. | 0:11:36 | 0:11:39 | |
Because you'd spent the whole time decorating? | 0:11:39 | 0:11:42 | |
Decorating, plumbing, mixing cement, gardening, | 0:11:42 | 0:11:46 | |
because it was a big garden over there as well, so... | 0:11:46 | 0:11:49 | |
Now, you're an interior designer, Carol, | 0:11:49 | 0:11:51 | |
so when you came into this house for the first time, | 0:11:51 | 0:11:54 | |
what did you think? | 0:11:54 | 0:11:55 | |
I thought, "Do we need any more furniture in here?" | 0:11:55 | 0:11:58 | |
SHE LAUGHS | 0:11:58 | 0:12:00 | |
Yes... | 0:12:02 | 0:12:03 | |
And, "Please can I get my hands on it and do something with it?" | 0:12:03 | 0:12:06 | |
-"Please can I clear it?" -Yeah! -"Can we sort it?" | 0:12:06 | 0:12:09 | |
You may not be able to do a job on the place with a black bin bag, | 0:12:09 | 0:12:13 | |
but we are at least making a start. | 0:12:13 | 0:12:15 | |
So the money is, of course, going to go to something very, very special. | 0:12:15 | 0:12:19 | |
-Shall we go and see what else Jonty has managed to find? -Yes! | 0:12:19 | 0:12:22 | |
We've only scratched the surface of Sue's collection, | 0:12:23 | 0:12:27 | |
so it's back to work to raise that £300. | 0:12:27 | 0:12:30 | |
Jonty has been tackling one of the bedrooms and he's topped up our fund | 0:12:30 | 0:12:34 | |
with another £10 to £20 when he spots this silver bracelet, | 0:12:34 | 0:12:38 | |
and I've made a rather unusual find. | 0:12:38 | 0:12:41 | |
I know that's a gardening glove... | 0:12:42 | 0:12:44 | |
-What have you got there? What have you got? -It's a gardening glove! | 0:12:44 | 0:12:48 | |
but did you know you'd put them in there? | 0:12:48 | 0:12:50 | |
About three years ago, I think! | 0:12:50 | 0:12:52 | |
-Put them back! -You wondered where your gardening gloves went? | 0:12:52 | 0:12:56 | |
Do you know, I knew I'd put them somewhere! | 0:12:56 | 0:12:58 | |
But these are wonderful old kettles, aren't they, Jonty? | 0:12:58 | 0:13:01 | |
They're great. Let me have a look at these. We've got a pair here. Whoa! | 0:13:01 | 0:13:05 | |
-They're so heavy! Cast iron! -Where have they come from? | 0:13:05 | 0:13:09 | |
Originally? | 0:13:09 | 0:13:10 | |
From, I think it was Newark, the market in Newark, there yes. | 0:13:10 | 0:13:13 | |
-The one in the middle of town? -Yes. | 0:13:13 | 0:13:15 | |
-What are they, Jonty? -Well, they are designed to boil water. | 0:13:15 | 0:13:20 | |
The flat bottom is so you can actually place them onto the range, | 0:13:20 | 0:13:23 | |
but you therefore, can also do that because of your flat bottom, | 0:13:23 | 0:13:28 | |
but the other thing you can do, of course, is hang them on a hook | 0:13:28 | 0:13:30 | |
and put them on more of an exposed fire, | 0:13:30 | 0:13:32 | |
so you've got the dual purpose for a kettle like this. | 0:13:32 | 0:13:36 | |
So a stove and open fire? | 0:13:36 | 0:13:38 | |
And because you can be so near, | 0:13:38 | 0:13:42 | |
or if you are so near to the fire itself, you've got this extended tap, | 0:13:42 | 0:13:47 | |
the brass tap at the bottom, so you don't have to scald yourself | 0:13:47 | 0:13:50 | |
every time you want to access the hot water. | 0:13:50 | 0:13:52 | |
But it's more a kettle for boiling water than an urn for making tea? | 0:13:52 | 0:13:56 | |
Yeah, yeah. It's for boiling the hot water, | 0:13:56 | 0:13:59 | |
and I can see you've leaded them, somewhat. | 0:13:59 | 0:14:01 | |
It's coming off on my hands, but they're not identical, are they? | 0:14:01 | 0:14:05 | |
Because this one is slightly taller | 0:14:05 | 0:14:07 | |
and we've got the hook on the top there. | 0:14:07 | 0:14:09 | |
And it says, "Two gallons," on them. | 0:14:09 | 0:14:11 | |
They would have been really heavy, wouldn't they? | 0:14:11 | 0:14:14 | |
They still are! Yes. | 0:14:14 | 0:14:16 | |
What sort of period are we talking about here? | 0:14:16 | 0:14:19 | |
Well, this sort of range, I suppose, | 0:14:19 | 0:14:22 | |
would be designed for around the turn of the century | 0:14:22 | 0:14:25 | |
and they would also be used, say, on barges for instance, as well. | 0:14:25 | 0:14:29 | |
Ah, that's what the chap said, actually, yes. | 0:14:29 | 0:14:32 | |
They would be designed for that sort of purpose. | 0:14:32 | 0:14:35 | |
All right! So he was right. | 0:14:35 | 0:14:37 | |
The time before, of course, you had electric kettles. | 0:14:37 | 0:14:40 | |
A kettle like this will always be designed to be placed onto the range | 0:14:40 | 0:14:44 | |
and you would have instant access to boiling water, almost 24/7. | 0:14:44 | 0:14:48 | |
-Do you remember how much you paid for these? -I think... | 0:14:48 | 0:14:51 | |
I think it was about £40, £30...it could have been £50, I'm not sure. | 0:14:51 | 0:14:56 | |
What do you reckon we might get for them now at auction, Jonty? | 0:14:56 | 0:14:59 | |
I think we'll be able to get your money back or thereabouts. | 0:14:59 | 0:15:02 | |
I'd probably put a lower estimate at auction, so I would say £30 to £40. | 0:15:02 | 0:15:07 | |
That's great! | 0:15:07 | 0:15:08 | |
But there are people out there that still want to decorate their range, | 0:15:08 | 0:15:12 | |
because a fireplace like this looks so much better | 0:15:12 | 0:15:15 | |
with just the odd object on it, rather than just the range itself. | 0:15:15 | 0:15:19 | |
You've got to have the objects around it. | 0:15:19 | 0:15:20 | |
Jonty, you can carry them to auction. | 0:15:20 | 0:15:23 | |
Sue and I are going to see what else she's got in the house. | 0:15:23 | 0:15:25 | |
I'm going to flex my muscles. Watch this, girls! Watch this. | 0:15:25 | 0:15:29 | |
The £30 to £40, the estimate, is roughly what I paid for them. | 0:15:34 | 0:15:39 | |
They're not everybody's cup of tea, | 0:15:39 | 0:15:44 | |
and you've got to black-lead them as well. | 0:15:44 | 0:15:46 | |
So, yes, it's good. It's all money in the pot and that's good. | 0:15:46 | 0:15:50 | |
That's the attitude, Sue. | 0:15:50 | 0:15:52 | |
As we continue the search, I find a framed map of Lincolnshire, | 0:15:52 | 0:15:55 | |
which Jonty hopes will show the bidders | 0:15:55 | 0:15:57 | |
the way towards £10 or £20 worth of cold, hard, cash. | 0:15:57 | 0:16:02 | |
There's another good addition to the kitty when Sue also decides | 0:16:02 | 0:16:05 | |
to part with these five framed nautical pictures. | 0:16:05 | 0:16:09 | |
They could top up our fund by £30 to £40. | 0:16:09 | 0:16:12 | |
Jonty has spotted our first piece of furniture today. | 0:16:12 | 0:16:16 | |
Carol, come and have a look at this chair. | 0:16:16 | 0:16:18 | |
I know you're an interior designer. | 0:16:18 | 0:16:20 | |
-Have you ever really noticed this chair before? -I haven't. | 0:16:20 | 0:16:23 | |
Do you know anything about it? | 0:16:23 | 0:16:25 | |
Sue bought it from the Newark Antique Fair, | 0:16:25 | 0:16:27 | |
about 15 years ago and paid £20, £25 for it. | 0:16:27 | 0:16:32 | |
OK. OK. | 0:16:32 | 0:16:34 | |
Did she buy it thinking that it was an antique? | 0:16:34 | 0:16:37 | |
I think she did, actually. | 0:16:37 | 0:16:39 | |
Well, I have to say, it's not, | 0:16:39 | 0:16:41 | |
and there's all sorts of reasons as to why it's not. | 0:16:41 | 0:16:44 | |
First of all, it's the colour. | 0:16:44 | 0:16:46 | |
Now, when you look at reproduction furniture, | 0:16:46 | 0:16:49 | |
to me, they're kind of like two tonal - | 0:16:49 | 0:16:52 | |
either light or dark. | 0:16:52 | 0:16:54 | |
But when you look at really old antique furniture, | 0:16:54 | 0:16:58 | |
150-year-old furniture, it really goes from very light to very dark | 0:16:58 | 0:17:03 | |
and all the shades in between. | 0:17:03 | 0:17:05 | |
So when it comes to antique furniture, | 0:17:05 | 0:17:08 | |
many antiques, turn it upside down. | 0:17:08 | 0:17:10 | |
This business is such a feely, touchy business. | 0:17:10 | 0:17:14 | |
So if I turn this chair upside down here. | 0:17:14 | 0:17:16 | |
Have a look at that underside of that chair. | 0:17:16 | 0:17:18 | |
-Can you see that's just one colour tone? -Yeah. | 0:17:18 | 0:17:21 | |
If this was a proper antique, | 0:17:21 | 0:17:23 | |
you'd have all sorts of different shades under there, | 0:17:23 | 0:17:26 | |
possibly even marks under the side where hands have been as well. | 0:17:26 | 0:17:30 | |
And have a look at the wear, or the lack of wear, on the feet here. | 0:17:30 | 0:17:34 | |
There's a bit of wear, but not 150 years' worth of wear, | 0:17:34 | 0:17:38 | |
because this chair should be 100 to 150 years old. | 0:17:38 | 0:17:41 | |
It's "in the style of." | 0:17:41 | 0:17:43 | |
So for all those reasons, it's not the real McCoy. | 0:17:43 | 0:17:47 | |
So value. | 0:17:47 | 0:17:48 | |
If this chair HAD been 150 years old in this sort of condition, | 0:17:48 | 0:17:53 | |
then it would be £200 to £300 at auction, | 0:17:53 | 0:17:57 | |
but because it's a reproduction, we have to take the zeros off of that, | 0:17:57 | 0:18:01 | |
so we're really looking at only £20 to £30. | 0:18:01 | 0:18:04 | |
-Definitely time to de-clutter? -Definitely. -Yes? -Yes. | 0:18:04 | 0:18:08 | |
-Fits in with your grand scheme of things? -It does. | 0:18:08 | 0:18:10 | |
Yes? Off to the auction sale? | 0:18:10 | 0:18:13 | |
-Definitely. -Good. OK. Well, we'll leave that there. -OK. | 0:18:13 | 0:18:16 | |
But at £20-30, it means we've got a lot more searching to do, yeah? | 0:18:16 | 0:18:19 | |
-A lot to look for. -OK. Come on, I'll leave that there. | 0:18:19 | 0:18:22 | |
It just goes to show, not everything is what it seems. | 0:18:22 | 0:18:26 | |
It may not be 150 years old, | 0:18:26 | 0:18:28 | |
but it is another few pounds towards our target. | 0:18:28 | 0:18:31 | |
It's nearly the end of our day here, | 0:18:31 | 0:18:34 | |
but Sue and I just might have one more find up our sleeves. | 0:18:34 | 0:18:37 | |
Jonty, can you come and take a pause from your rummaging | 0:18:37 | 0:18:41 | |
-and just have a look at the clock? -The clock? | 0:18:41 | 0:18:43 | |
-Yes. -Wow! Let's have a closer look at this. | 0:18:43 | 0:18:45 | |
It's quite handsome, isn't it? | 0:18:45 | 0:18:47 | |
We're looking at a mantel clock here, | 0:18:47 | 0:18:49 | |
and if you just look at the outer casing, | 0:18:49 | 0:18:52 | |
if you look at all the inlaid work and the style of the casing as well, | 0:18:52 | 0:18:57 | |
it has almost like a pagoda top to it, | 0:18:57 | 0:19:00 | |
and then we're looking at all the inlay. | 0:19:00 | 0:19:02 | |
That gives it a date, essentially. | 0:19:02 | 0:19:05 | |
-So this clock would have been made about 100 years ago. -Oh, right. | 0:19:05 | 0:19:09 | |
It's about a turn of the century mantel clock. | 0:19:09 | 0:19:11 | |
Mantel clocks are always designed with these flat bottoms | 0:19:11 | 0:19:14 | |
to literally be placed on top of a mantel shelf | 0:19:14 | 0:19:17 | |
-and this is slightly larger than the norm. -Oh, right. | 0:19:17 | 0:19:22 | |
Have you ever had it on a very large mantel shelf at all? | 0:19:22 | 0:19:24 | |
I don't think we have. | 0:19:24 | 0:19:26 | |
I can't remember it being, no. I can't remember it being, no. | 0:19:26 | 0:19:29 | |
But presumably then it would come from a rather grand house, Jonty? | 0:19:29 | 0:19:33 | |
Yes, it would have done. Yes. | 0:19:33 | 0:19:35 | |
The bigger the mantel shelf, the bigger your mantel clock! | 0:19:35 | 0:19:38 | |
And if you look at the features at the top there, | 0:19:38 | 0:19:40 | |
do you see it says, "Silent," and "Chime?" | 0:19:40 | 0:19:42 | |
Now, that means that you can have this clock on silent | 0:19:42 | 0:19:46 | |
if you wish, and from a retail perspective, | 0:19:46 | 0:19:49 | |
that's a really good item to have. | 0:19:49 | 0:19:52 | |
That's a really good addition to a clock like this, | 0:19:52 | 0:19:55 | |
simply because not everyone wants their timepiece chiming at three, | 0:19:55 | 0:20:00 | |
four, or five or even six o'clock in the morning. | 0:20:00 | 0:20:03 | |
So you can set it to silent, | 0:20:03 | 0:20:04 | |
so from a retail point of view, that's good news. | 0:20:04 | 0:20:07 | |
So what do you reckon if we took it to auction, Jonty? | 0:20:07 | 0:20:10 | |
I would value the clock now at around the £100 mark | 0:20:10 | 0:20:13 | |
in the auction room, so estimate in the catalogue will be £80 to £120. | 0:20:13 | 0:20:17 | |
-Brilliant! -If you want to put a reserve on it, that's fine, | 0:20:17 | 0:20:20 | |
because that's a very good price, a good estimate to put on it. | 0:20:20 | 0:20:23 | |
-I think, because... -To attract the buyers. | 0:20:23 | 0:20:26 | |
I'll tell you what... | 0:20:26 | 0:20:28 | |
Jonty says £80 to £100. If we add that to what he's already looked at | 0:20:28 | 0:20:31 | |
and take the lowest estimate on everything he gave you, | 0:20:31 | 0:20:34 | |
I think we might have some good news for you, | 0:20:34 | 0:20:37 | |
but I think we ought to share it with Carol. | 0:20:37 | 0:20:39 | |
Carol! Come and join us in Ye Olde Curiosity Shop here. | 0:20:39 | 0:20:42 | |
Jonty has just been looking at that clock that Nigel bought, and I've done a quick tot-up | 0:20:42 | 0:20:47 | |
because he says that could be £80 to £100 and knowing that you want to raise £300 at least... | 0:20:47 | 0:20:53 | |
He's not listening, is he? | 0:20:53 | 0:20:56 | |
No! To take Nigel on a trip to London. | 0:20:56 | 0:20:58 | |
I think that on Jonty's lowest estimates, | 0:20:58 | 0:21:03 | |
we should be able to make £310. | 0:21:03 | 0:21:07 | |
That's fantastic! | 0:21:07 | 0:21:08 | |
But that's at the lowest estimate. | 0:21:08 | 0:21:10 | |
-Really? -Yeah. -That would be brilliant. | 0:21:10 | 0:21:12 | |
On a good day, we might actually make a bit more than that! | 0:21:12 | 0:21:15 | |
Oh, that would be fantastic! | 0:21:15 | 0:21:16 | |
Yes, as long as there's enough for a glass or two of bubbly! | 0:21:16 | 0:21:20 | |
Sue's cottage really proved to be an Aladdin's cave and luckily | 0:21:20 | 0:21:25 | |
we've saved all sorts of collectables from ending up in Carol's bin bags. | 0:21:25 | 0:21:29 | |
Heading off to the sale room is the collection of silver items, which we're hoping will put in a | 0:21:29 | 0:21:34 | |
sterling performance and make us £40 to £60, joined by the charming pair of barge kettles | 0:21:34 | 0:21:39 | |
which Jonty valued at £30 to £40 | 0:21:39 | 0:21:41 | |
although I think Sue might be hanging onto the gardening gloves that I found inside... | 0:21:41 | 0:21:46 | |
and we'll be keeping our fingers crossed for our star item - | 0:21:46 | 0:21:49 | |
that lovely mantel clock! | 0:21:49 | 0:21:51 | |
With an estimate of £80 to £120, there's a big chunk of our target riding on it. | 0:21:51 | 0:21:58 | |
Still to come on Cash In The Attic, our expert is being rather cautious with some lots! | 0:21:58 | 0:22:03 | |
-Don't expect miracles, but if it sells, it will be great, OK? -And here it goes. | 0:22:03 | 0:22:07 | |
And has he been giving our family lessons in clock-related jokes? | 0:22:07 | 0:22:12 | |
I think it's chime for it to go! | 0:22:12 | 0:22:14 | |
But, joking aside, will we all be smiling when the final hammer falls? | 0:22:16 | 0:22:20 | |
Well, it's been a week or two now since we were with Sue and her friend Carol | 0:22:25 | 0:22:29 | |
in that charming but definitely very cluttered home of hers in Nottinghamshire | 0:22:29 | 0:22:34 | |
so not surprisingly, we did find lots of lovely things to bring here to sell today | 0:22:34 | 0:22:39 | |
at Chiswick Auctions in West London. | 0:22:39 | 0:22:41 | |
Now just to recap, Sue wants £300 so that she can give her very supportive husband, Nigel, | 0:22:41 | 0:22:46 | |
a surprise weekend in London, | 0:22:46 | 0:22:49 | |
so what we need are lots of very willing bidders and a bit of good luck | 0:22:49 | 0:22:54 | |
to ensure that she makes that target when her things go under the hammer! | 0:22:54 | 0:22:58 | |
It's shaping up to be a busy day here at Chiswick, | 0:22:58 | 0:23:01 | |
with plenty of bidders browsing the sale room already, | 0:23:01 | 0:23:04 | |
but, before things get going, I catch up with Jonty for a quick pre-sale chat. | 0:23:04 | 0:23:10 | |
-Morning, Jonty. -Angela, hi. | 0:23:10 | 0:23:11 | |
Are you checking inside to see if the gloves are still there? | 0:23:11 | 0:23:14 | |
-I was, I was, and they're not! -Do you know, I think Sue was more surprised than we were that they were there! | 0:23:14 | 0:23:20 | |
-I think you're absolutely right! -But she did have... | 0:23:20 | 0:23:22 | |
It was an incredibly cluttered house but weren't there some great things there? | 0:23:22 | 0:23:26 | |
Great fun! Do you remember that coal scoop? There's so much | 0:23:26 | 0:23:30 | |
and I think that mantel clock is very good quality, very good quality. | 0:23:30 | 0:23:33 | |
It is. I must say, I'm hard-pressed to remember what we did bring, | 0:23:33 | 0:23:36 | |
because the house was so full of stuff, but we know that her target is, what, £300? | 0:23:36 | 0:23:41 | |
-Yeah. -So that she can give Nigel that surprise weekend in London! -That's going to be so fantastic! | 0:23:41 | 0:23:46 | |
So we're going to have to be very careful today when we're talking during the auction | 0:23:46 | 0:23:50 | |
because Nigel is not supposed to guess until the very end, | 0:23:50 | 0:23:53 | |
and that's the bit I can't wait for, when we say to him | 0:23:53 | 0:23:56 | |
"Nigel, this is for you!" I should say that quietly, because I think Sue and Carol are here | 0:23:56 | 0:24:00 | |
-so shall we go and see them? -Mum's the word. | 0:24:00 | 0:24:03 | |
We'd better remember to keep our lips sealed about the weekend today. | 0:24:03 | 0:24:07 | |
We spot the ladies having a quick look around the sale room, | 0:24:07 | 0:24:11 | |
but there's no sign of the guest of honour! | 0:24:11 | 0:24:13 | |
-Sue, Carol! -Hi! | 0:24:13 | 0:24:16 | |
-Hi! -The most important question is, is Nigel here? | 0:24:16 | 0:24:20 | |
Yes, but he doesn't know anything! | 0:24:20 | 0:24:22 | |
-You haven't told him yet? -No. -Very good. | 0:24:22 | 0:24:24 | |
-So it's still going to be a surprise? -Yes! | 0:24:24 | 0:24:27 | |
Oh, fantastic! | 0:24:27 | 0:24:28 | |
How have you managed to keep it a secret? | 0:24:28 | 0:24:31 | |
It's been very difficult! | 0:24:31 | 0:24:34 | |
It's been really difficult! | 0:24:34 | 0:24:36 | |
-What have you been saying every time he says "What's the money for?" -Well, I've been naughty. | 0:24:36 | 0:24:40 | |
I've said it's for a bar bill. | 0:24:40 | 0:24:42 | |
THEY LAUGH | 0:24:42 | 0:24:44 | |
-And he believed me! -Oh, dear! -Yeah! | 0:24:44 | 0:24:46 | |
You've been taking a last look at the clock. | 0:24:46 | 0:24:49 | |
Yes, yes. It's a little bit sad, | 0:24:49 | 0:24:51 | |
-but, it's got to go. -Have you put a reserve on it at all? | 0:24:51 | 0:24:55 | |
Yes, yes, it's on its lowest estimate. | 0:24:55 | 0:24:58 | |
-We've put a reserve on, it's £80, so, yeah. -That's good. | 0:24:58 | 0:25:01 | |
I think it's such a lovely clock, I'm sure we'll do very well with that. | 0:25:01 | 0:25:05 | |
Oh, I hope so, I hope so. | 0:25:05 | 0:25:06 | |
So when it came to getting rid of everything that was in the house, | 0:25:06 | 0:25:09 | |
did you manage to make her get rid of any of the clutter? | 0:25:09 | 0:25:12 | |
No, I haven't, no. She won't let me in! | 0:25:12 | 0:25:14 | |
Well, I might, just before. | 0:25:14 | 0:25:16 | |
-I'm going next week. -Well, after today, she might get the bug for it! | 0:25:16 | 0:25:20 | |
-She might, she might. -I can feel it's getting nearer, yeah! | 0:25:20 | 0:25:24 | |
THEY LAUGH | 0:25:24 | 0:25:26 | |
Well, look, there's lots of people here that want to buy your things. | 0:25:26 | 0:25:30 | |
-Ooh, I hope so! -So shall we take our place over in the corner? | 0:25:30 | 0:25:33 | |
Lovely! | 0:25:33 | 0:25:35 | |
Remember, if you're planning on buying or selling at your local auction house, | 0:25:35 | 0:25:40 | |
be aware that commission and other charges may be added to your bill, | 0:25:40 | 0:25:43 | |
so always check the details with the sale room first. | 0:25:43 | 0:25:48 | |
With plenty of bidders and the auctioneer in position... | 0:25:48 | 0:25:51 | |
we find a spot in the corner of the room, and it's finally time to meet the guest of honour. | 0:25:51 | 0:25:56 | |
Well, Nigel, it's lovely to see you! | 0:25:56 | 0:25:58 | |
-Very pleased to be here, Angela. -Have you been to an auction before? | 0:25:58 | 0:26:02 | |
-First time, actually! -Really? | 0:26:02 | 0:26:03 | |
So how do you feel about the first time at auction seeing all of your things go under the hammer? | 0:26:03 | 0:26:08 | |
-A bit nervous! -It's all right. We'll look after you. | 0:26:08 | 0:26:11 | |
-Thank you. -Now the first thing that is going under the hammer is the Windsor armchair. | 0:26:11 | 0:26:16 | |
Is this one that you have sat in for many hours being uncomfortable? | 0:26:16 | 0:26:20 | |
No! | 0:26:20 | 0:26:22 | |
Start me at £20. It's worth more. I'm bid at £20, | 0:26:22 | 0:26:24 | |
£20, 2, £25 there, 28, 30, 32, 35, | 0:26:24 | 0:26:28 | |
-38, 40, 42, 45, 48... -Well done! | 0:26:28 | 0:26:33 | |
It's now at £45. | 0:26:33 | 0:26:34 | |
I'm going to sell it at £45. £45, last chance, selling at 45. | 0:26:34 | 0:26:37 | |
All done at 45. | 0:26:37 | 0:26:39 | |
£45! Pleased with that? | 0:26:40 | 0:26:43 | |
-Very surprised! -Well done! | 0:26:43 | 0:26:44 | |
£15 over Jonty's top estimate. | 0:26:44 | 0:26:48 | |
That's a terrific start to the day | 0:26:48 | 0:26:51 | |
and long may it continue as we're looking to make at least £300. | 0:26:51 | 0:26:54 | |
As our second lot comes up for sale, | 0:26:54 | 0:26:56 | |
we're hoping that it's going to warm the cockles of our bidders' hearts. | 0:26:56 | 0:27:00 | |
It's the wooden coal scoop which Jonty valued at £30 to £40. | 0:27:00 | 0:27:04 | |
Now Carol, you do lots of interior designs. | 0:27:04 | 0:27:07 | |
Is this the kind of thing that would look lovely in somebody else's house? | 0:27:07 | 0:27:10 | |
I would perhaps use it to put French bread in! | 0:27:10 | 0:27:13 | |
-Yes! -In the kitchen, hang it somewhere that you could put bread or something like that. | 0:27:13 | 0:27:17 | |
Oh, perhaps I could change my mind... | 0:27:17 | 0:27:19 | |
No, no, no. | 0:27:19 | 0:27:21 | |
It's about to go under the hammer. | 0:27:21 | 0:27:23 | |
I'm bid £20, at £20, give me 22, at £20, take 2. | 0:27:25 | 0:27:28 | |
Do you want to give me 22? | 0:27:28 | 0:27:31 | |
25, 25, 28, 30, 32, 35, 38, 40, 42, 45, 48, 50. | 0:27:31 | 0:27:37 | |
It's in front of me at £48. All done at £48, then? | 0:27:37 | 0:27:40 | |
The bid is here at £48. Last chance, I'm selling at £48, and gone. | 0:27:40 | 0:27:43 | |
£48! | 0:27:43 | 0:27:45 | |
Brilliant! | 0:27:45 | 0:27:47 | |
-Brilliant! -Not bad for a thing that holds bread! | 0:27:47 | 0:27:50 | |
That's £8 over Jonty's top estimate. | 0:27:50 | 0:27:54 | |
We're all feeling pretty pleased, so far, | 0:27:54 | 0:27:57 | |
but will the mood continue | 0:27:57 | 0:27:58 | |
as the framed map of Lincolnshire tries its luck in the sale room? | 0:27:58 | 0:28:01 | |
Well, Jonty has put, what, £10 to £20 on this. | 0:28:01 | 0:28:04 | |
-Is it a very old map, Jonty? -Not particularly, but it is... | 0:28:04 | 0:28:08 | |
People always want maps, particularly if you live in the county. | 0:28:08 | 0:28:11 | |
It's still a fashionable thing to have it hanging on your wall, | 0:28:11 | 0:28:14 | |
so that's the reason why I selected it and we put it in but don't expect miracles. | 0:28:14 | 0:28:18 | |
-If it sells, it will be great, OK? -Well, here it goes, here it goes. | 0:28:18 | 0:28:21 | |
Right, the good reproduction coloured map of Lincolnshire. £20 for it? £10 for it. | 0:28:21 | 0:28:26 | |
Who will give me £10, £5 for it? | 0:28:26 | 0:28:30 | |
No-one want it at £5? I'm bid at 5, 6 there, 7, 8? | 0:28:30 | 0:28:34 | |
At £7 a bid of £7, you want 8? | 0:28:34 | 0:28:35 | |
You might get lost one day... you might need it! | 0:28:35 | 0:28:38 | |
I'm bid £7, at £7, I'm going to sell it, at £7 that's the bid I've got, at £7, at £7, are you all done? | 0:28:38 | 0:28:43 | |
At £7 it's gone. | 0:28:43 | 0:28:46 | |
It's still better than nothing! | 0:28:46 | 0:28:49 | |
That's a disappointing result but Sue doesn't seem to mind too much. | 0:28:49 | 0:28:53 | |
Hopefully we'll be back on track soon | 0:28:53 | 0:28:55 | |
as the silver bracelet goes under the hammer. | 0:28:55 | 0:28:58 | |
So, £10 to £20, is that about right for this, Jonty? | 0:28:58 | 0:29:01 | |
Yes. I'm convinced it's silver, | 0:29:01 | 0:29:03 | |
but because it's not technically hallmarked, at auction you can't call it silver. | 0:29:03 | 0:29:07 | |
That's the reason why in the catalogue it says "white metal". | 0:29:07 | 0:29:10 | |
£10 for it? £10 for it? £5 for it? | 0:29:10 | 0:29:13 | |
I'm bid at 5, 6 there, 7, 8, 9, 10, 12. | 0:29:13 | 0:29:16 | |
At 10 I'm bid, who will give me 12? At £10. That's the money at £10. | 0:29:16 | 0:29:20 | |
Selling cheap at £10, gone. | 0:29:20 | 0:29:23 | |
That's very cheap. | 0:29:23 | 0:29:24 | |
Well done, that's good. | 0:29:24 | 0:29:26 | |
It doesn't seem much for this charming bracelet | 0:29:26 | 0:29:29 | |
but it is bang on Jonty's estimate. We're making steady progress, | 0:29:29 | 0:29:33 | |
but we do need to bank a lot more cash | 0:29:33 | 0:29:35 | |
if we're going to raise that £300 for Nigel's surprise trip. | 0:29:35 | 0:29:38 | |
We're almost halfway through the sale but there's no time for a rest and a cuppa, | 0:29:38 | 0:29:43 | |
despite our next lot being tea-related. | 0:29:43 | 0:29:47 | |
It's the pair of barge kettles which Jonty valued at £30 to £40. | 0:29:47 | 0:29:50 | |
Lot 160A, now. | 0:29:50 | 0:29:52 | |
The two large cast-iron kettles, with brass spigots, number 160A, industrial kettles. | 0:29:52 | 0:29:58 | |
160A, what are these worth? For the two, £20? | 0:29:58 | 0:30:02 | |
I'm bid at £20, give me 22, 22 there, | 0:30:02 | 0:30:07 | |
25, 28, 30, 32, 35, 38, 40, 42, 45, 48, 50... | 0:30:07 | 0:30:14 | |
-£50! -5, 60, | 0:30:14 | 0:30:16 | |
5, 70? No at £60, take 5? | 0:30:16 | 0:30:21 | |
At £60, take 5, all done? | 0:30:21 | 0:30:22 | |
For £60, are you sure? For £60 and gone. 256. | 0:30:22 | 0:30:25 | |
Brilliant, fantastic, thank you! | 0:30:25 | 0:30:27 | |
-Are you happy? -Yes! Great! | 0:30:27 | 0:30:32 | |
Well, Sue is certainly a satisfied customer | 0:30:32 | 0:30:35 | |
and with another £60 towards the trip, it's easy to see why. | 0:30:35 | 0:30:40 | |
Next up is a collection of five paintings, two of St Ives | 0:30:40 | 0:30:43 | |
and three separate nautical paintings, | 0:30:43 | 0:30:45 | |
which Jonty has put together as one lot. We're hoping for £30 to £40 for the five of them. | 0:30:45 | 0:30:50 | |
It sounds like a bargain to me! | 0:30:50 | 0:30:52 | |
Now I'm rather fond of St Ives, and I spent a lot of my childhood in St Ives on holiday | 0:30:52 | 0:30:56 | |
and I thought that the two pictures you had of St Ives | 0:30:56 | 0:31:00 | |
along with the three others that are coming up now are really rather charming. Where did you get them? | 0:31:00 | 0:31:05 | |
I actually got them from a car boot sale, didn't I? | 0:31:05 | 0:31:08 | |
We did, yeah. | 0:31:08 | 0:31:09 | |
-And it was at the end of a car boot sale. -Yes. | 0:31:09 | 0:31:12 | |
-I think I only paid something like a fiver each for them, something like that. -Did you? | 0:31:12 | 0:31:17 | |
Great bargain, fantastic. | 0:31:17 | 0:31:18 | |
What was your intention when you bought them? What did you want to do with them? | 0:31:18 | 0:31:22 | |
You're going to want me to say I put them on the wall, aren't you? | 0:31:22 | 0:31:26 | |
I think I know the answer! | 0:31:26 | 0:31:28 | |
You've sussed me out, you lot! | 0:31:28 | 0:31:30 | |
-So they never made it to the wall? -No, 'fraid not... | 0:31:30 | 0:31:33 | |
Ooh, they did, actually, only one of them, didn't it? | 0:31:33 | 0:31:36 | |
Only one did, yes. | 0:31:36 | 0:31:38 | |
-So I was half right. -It had its moment in the sun! | 0:31:38 | 0:31:43 | |
-It really did! -They're now going to have their moment under the hammer. | 0:31:43 | 0:31:47 | |
We want £20 to £30. Very modest. | 0:31:47 | 0:31:50 | |
Let's see what they make. | 0:31:50 | 0:31:52 | |
For this lot, start me at £20, £20? | 0:31:52 | 0:31:55 | |
I'm bid at £20, give me £22? | 0:31:55 | 0:32:00 | |
I'm at £20, 22, 25, 28, 30, 32? | 0:32:00 | 0:32:05 | |
I'm bid £30, take 2 at £30. | 0:32:05 | 0:32:09 | |
We're at £30. | 0:32:09 | 0:32:11 | |
32, 35, 38. It's your bid at £38. | 0:32:11 | 0:32:15 | |
Take £40, at £38? Last chance at £38, your bid. £38. | 0:32:15 | 0:32:19 | |
-We're sailing! -£38! Terrific! | 0:32:19 | 0:32:25 | |
-That's brilliant. -That was a great return on your original £10! | 0:32:25 | 0:32:30 | |
-It was! -And that's the kind of maths we like, selling just under Jonty's top estimate, | 0:32:30 | 0:32:35 | |
it's another good addition to the London trip kitty. | 0:32:35 | 0:32:38 | |
Can our next lot prove as popular? There's certainly plenty in it. | 0:32:38 | 0:32:43 | |
Silver-plated tea pot, napkin rings and there's a kind of collection of other bits and pieces. | 0:32:43 | 0:32:50 | |
£40 to £60, Jonty? | 0:32:50 | 0:32:52 | |
-Yes. I've put £40 to £60 on it, so it should sell. -Right, that's good. | 0:32:52 | 0:32:56 | |
Start me at £20, here we go £20? | 0:32:56 | 0:33:00 | |
I'm at £20, at £20, take 22, £20, take 2. | 0:33:00 | 0:33:03 | |
22, 25, 28, 30, 32, 35, 38, 40, 42. | 0:33:03 | 0:33:09 | |
40 bid, do you want 42? | 0:33:09 | 0:33:11 | |
Take 2 at £40. Are we done? 42 back in. 45, 48, 50, 5. | 0:33:11 | 0:33:15 | |
50 bid, take 5. | 0:33:15 | 0:33:17 | |
All done at £50 last chance and gone at £50. 418, £50. | 0:33:17 | 0:33:21 | |
-£50! -Yeah, perfect! | 0:33:21 | 0:33:23 | |
Right in the middle of your estimate, Jonty! | 0:33:23 | 0:33:25 | |
Really good. | 0:33:25 | 0:33:28 | |
Our expert's estimates are proving pretty accurate today, and long may it continue | 0:33:28 | 0:33:32 | |
as we're still some way from our £300 target. | 0:33:32 | 0:33:35 | |
Next to try its luck is an item that we're hoping will warm up a somewhat chilly sale room. | 0:33:35 | 0:33:41 | |
It's the iron fire surround which Jonty valued at £30 to £40. | 0:33:41 | 0:33:46 | |
There are lots of fires in your house. | 0:33:46 | 0:33:49 | |
-Yes. -So how come you decided to part with a cast iron fire grate? | 0:33:49 | 0:33:53 | |
Well, actually, it was to be a design feature on a wall | 0:33:53 | 0:33:58 | |
and I don't think I've got a wall free! | 0:33:58 | 0:34:02 | |
I got very, very excited when I saw this part of a Regency cast-iron fireplace, | 0:34:02 | 0:34:09 | |
but I can only see part of it, and there's no grate. | 0:34:09 | 0:34:13 | |
It's only just a part of the fireplace, so you never got the rest of it? | 0:34:13 | 0:34:19 | |
That was my next project! | 0:34:19 | 0:34:21 | |
£20 for it? £10 for it? | 0:34:23 | 0:34:25 | |
I'm bid at 10, give me 12, at £10, take 12, we're on at 10, 12, 15? | 0:34:25 | 0:34:29 | |
15, 18. £15 bid, I'm bid at £15. I'm going to sell it at £15. I'm done at £15. | 0:34:29 | 0:34:34 | |
That's a bid of 15. Gone. | 0:34:34 | 0:34:36 | |
Well, that was disappointing. | 0:34:36 | 0:34:38 | |
Only half Jonty's lowest estimate, but there's no time to dwell on it. The end of the auction is in sight | 0:34:38 | 0:34:44 | |
and we're hoping that it will be onwards and upwards for the rest of our items. | 0:34:44 | 0:34:48 | |
It's another of Sue's much-loved collections up next. | 0:34:48 | 0:34:52 | |
We've got here a lot which I think sums you up, Sue, because we've got a hunting horn, a copper tray, | 0:34:52 | 0:34:59 | |
a copper fire bucket, a copper and brass fire fender and another horn! | 0:34:59 | 0:35:03 | |
-Oh, my goodness! -I mean it's as if we could have gone into any of your rooms and gone... | 0:35:03 | 0:35:08 | |
and just kind of scooped it all up because... Is that a fair comment? | 0:35:08 | 0:35:13 | |
Very, very good, isn't it? | 0:35:13 | 0:35:17 | |
210A now, the copper hunting horn, copper tray, other bits and bobs in that lot. | 0:35:17 | 0:35:22 | |
Five bits in the lot, all copper there, for 210A start me at £20 for it. £20? | 0:35:22 | 0:35:27 | |
£20 I'm bid and 22 there, | 0:35:27 | 0:35:31 | |
-25, 25, 28, 30, 32, 35... -£35! | 0:35:31 | 0:35:36 | |
£40. Bid there at £38. | 0:35:36 | 0:35:38 | |
40, 42, 45, 48, 50, 5. | 0:35:38 | 0:35:43 | |
Just down the back at £50. | 0:35:43 | 0:35:45 | |
Take 55, £50 all done. At £50 last chance and gone. 212, £50. | 0:35:45 | 0:35:49 | |
£50! And the estimate on it was £30 to £50. | 0:35:49 | 0:35:54 | |
Oh, that's brilliant, again! | 0:35:54 | 0:35:56 | |
I'm not blowing my own horn or trumpet! | 0:35:56 | 0:35:59 | |
It's a great price, but don't let it go to your head just yet Jonty, | 0:35:59 | 0:36:03 | |
because we've one more item left to sell, and it's our most highly valued lot today. | 0:36:03 | 0:36:08 | |
With an £80 to £120 valuation, it could really make all the difference to Nigel's surprise break to London. | 0:36:08 | 0:36:15 | |
-This mantel clock that's coming up, this belongs to you, doesn't it, Nigel? -That's right, yes. | 0:36:15 | 0:36:20 | |
I bought it around 30-35 years ago. | 0:36:20 | 0:36:22 | |
I saw it in a shop in Newark, actually, and it was £45 | 0:36:22 | 0:36:26 | |
so I thought for the price, I thought I must have that, | 0:36:26 | 0:36:29 | |
but I think it's chime for it to go! | 0:36:29 | 0:36:32 | |
-Ooh! -Sorry about that! | 0:36:32 | 0:36:36 | |
I think it's the men thing. They keep coming out with these things! | 0:36:36 | 0:36:40 | |
Now Jonty has put £80 to £120 on it, so if we get anything like that, | 0:36:41 | 0:36:46 | |
that's a really good return on your investment. | 0:36:46 | 0:36:49 | |
-I suppose so, yes. -And you're not sad to see it go? | 0:36:49 | 0:36:52 | |
I am sad to see it go in a way, but you can't hold onto things forever. | 0:36:52 | 0:36:55 | |
A lot for the money here, £100 for it. | 0:36:55 | 0:36:57 | |
Should make £100 for it, should make more. £50 for it? I'm bid at £50. 55 there, 60? | 0:36:57 | 0:37:03 | |
5, 70, 5, 80, 5. 80, 85 there. | 0:37:03 | 0:37:10 | |
I'll come back to you. 90, 95, 100, 110, 120. | 0:37:10 | 0:37:15 | |
Still cheap at £110. 120 I'll take over there. £110. | 0:37:15 | 0:37:18 | |
At 120, 120 there, 130, 140, 150, 160, 170, 180, | 0:37:18 | 0:37:22 | |
more like it, 190, 200, 210, 210, 220, say no? | 0:37:22 | 0:37:28 | |
£200 and £210. | 0:37:28 | 0:37:30 | |
Take 20, at £210 all done. At 210. | 0:37:30 | 0:37:32 | |
Last chance, and gone. Thanks for the bid. | 0:37:32 | 0:37:35 | |
-Very good! -Wow, that was fantastic! | 0:37:35 | 0:37:38 | |
£210! That's a real return. | 0:37:38 | 0:37:41 | |
That was a real result, that. | 0:37:41 | 0:37:43 | |
That was, wasn't it? | 0:37:43 | 0:37:44 | |
-And you were worried! That's good. -That's excellent, isn't it? | 0:37:44 | 0:37:48 | |
That's made my day! | 0:37:48 | 0:37:50 | |
Wow! That's nearly double Jonty's top estimate! | 0:37:50 | 0:37:55 | |
What a terrific end to our day! | 0:37:55 | 0:37:56 | |
It's just left for me now to tot up our total. | 0:37:56 | 0:38:00 | |
I'm going to tell you now what the outcome of this is because you wanted to raise £300, didn't you? | 0:38:00 | 0:38:06 | |
£200 to £300 I thought. | 0:38:06 | 0:38:08 | |
-£200 to £300? -Yes. | 0:38:08 | 0:38:10 | |
Well, you've done a lot better than that. | 0:38:10 | 0:38:12 | |
All of that stuff that was in your house that we brought here, | 0:38:12 | 0:38:18 | |
I make it that you've actually made £543.00! | 0:38:18 | 0:38:23 | |
You're kidding! You're kidding! That's fantastic! | 0:38:23 | 0:38:27 | |
Brilliant! I'm so surprised, I really am. | 0:38:27 | 0:38:30 | |
-I'm really surprised, yes. -I am... That's fantastic. | 0:38:30 | 0:38:33 | |
-Thank you! -Not at all. | 0:38:33 | 0:38:35 | |
Now, is now the moment to tell Nigel what we're raising the money for? | 0:38:35 | 0:38:39 | |
-Yes. -Do you want to tell him? | 0:38:39 | 0:38:41 | |
Well, I do, because he's been so, so good. | 0:38:41 | 0:38:45 | |
Over the last couple of years I've been quite poorly and | 0:38:45 | 0:38:48 | |
-I've had a big operation and he's, hasn't he, he's... -He's been really good. | 0:38:48 | 0:38:52 | |
He's been really fantastic. | 0:38:52 | 0:38:54 | |
He's run my little business for me, he's looked after me and I thought | 0:38:54 | 0:38:57 | |
-well, if I could take him for a day or two days to London. -Wow, that's lovely! | 0:38:57 | 0:39:03 | |
Just the two of us, and I thought that would be really nice, so it's just to say, well, thank you! | 0:39:03 | 0:39:09 | |
-Thanks! -Thank you. | 0:39:09 | 0:39:10 | |
I don't know when you're going to go. | 0:39:10 | 0:39:13 | |
-Yes... -But we've got a little extra for you when you go to London, | 0:39:13 | 0:39:17 | |
just a tiny little extra because I know you both like the theatre as well, don't you? | 0:39:17 | 0:39:21 | |
-Ooh, yes! -The Cameron Mackintosh Organisation have said they would love you to be their guests | 0:39:21 | 0:39:26 | |
at a production of theirs of your choice. | 0:39:26 | 0:39:28 | |
There's a voucher in there. | 0:39:28 | 0:39:31 | |
You just have to choose which one you want to go to and when, | 0:39:31 | 0:39:35 | |
-and enjoy the show. -That's very kind of you. | 0:39:35 | 0:39:37 | |
And enjoy your weekend in London, Nigel! | 0:39:37 | 0:39:40 | |
Angela, thank you so much! | 0:39:40 | 0:39:42 | |
-Thank you very, very much. -That is... Ah, thank you. | 0:39:42 | 0:39:45 | |
That's really lovely! | 0:39:45 | 0:39:46 | |
A few weeks after their triumphant visit to auction, | 0:39:50 | 0:39:53 | |
Sue can finally treat Nigel to that special trip to the capital | 0:39:53 | 0:39:56 | |
and it sounds like she enjoyed her day in the sale room! | 0:39:56 | 0:40:00 | |
Well, the auction went really well. | 0:40:00 | 0:40:04 | |
We were expecting around about £300 but made over £500, which was great, | 0:40:04 | 0:40:08 | |
which means there's more places to visit and that's why we're here today | 0:40:08 | 0:40:15 | |
to come and see London and the sights and it's a lovely crisp day | 0:40:15 | 0:40:18 | |
and I'm really, really looking forward to it. | 0:40:18 | 0:40:20 | |
It'll be great! | 0:40:20 | 0:40:22 | |
But, before they hit the city streets, there's one particular place that Nigel wants to see. | 0:40:22 | 0:40:27 | |
Well, the first stop on the tour is the Museum of London | 0:40:27 | 0:40:32 | |
and hopefully to see some of the places of interest that we can go and look for real. | 0:40:32 | 0:40:39 | |
Yes, it's a place I've always wanted to come to, the Museum of London, and we can see some of the sights. | 0:40:39 | 0:40:45 | |
-Yes. -And then hopefully catch a show later on. -That would be great! | 0:40:45 | 0:40:49 | |
With Nigel's passion for history, the couple enjoy immersing themselves in the city's past. | 0:40:51 | 0:40:56 | |
First stop is an impressive model of St Paul's Cathedral | 0:40:56 | 0:41:00 | |
before it was severely damaged in the Great Fire of London. | 0:41:00 | 0:41:03 | |
We ought to go and see it, didn't we, and see how much it has changed. | 0:41:03 | 0:41:08 | |
And it's not long before our couple brave the chilly streets to see the famous building for real. | 0:41:08 | 0:41:13 | |
St Paul's is one of London's most well-known landmarks and Sue and Nigel seem impressed. | 0:41:13 | 0:41:20 | |
-Look at that! -Incredible, isn't it? -It's... | 0:41:20 | 0:41:22 | |
it's so different, isn't it, to what you see? | 0:41:22 | 0:41:26 | |
-It's nice to see the real thing. -Yeah! | 0:41:26 | 0:41:28 | |
It's a lot different from the model, isn't it? | 0:41:28 | 0:41:32 | |
-It is, yeah. -Look at the carvings! | 0:41:32 | 0:41:34 | |
It's beautiful! No, it looks really different from that. | 0:41:34 | 0:41:39 | |
Then it's on to the bright lights of Theatreland. | 0:41:39 | 0:41:43 | |
This may have been a thank you trip for Nigel, but I'm pretty sure that Sue is enjoying it, too! | 0:41:43 | 0:41:48 | |
-Well, we've had a great time. We've seen some fantastic sights, what we wanted to see. -Absolutely! | 0:41:48 | 0:41:54 | |
-Yeah, it's been a great day. -It's been fabulous, hasn't it? | 0:41:54 | 0:41:57 | |
-Now we've got some tickets that Angela gave us for a show! -Yes, aren't we lucky? -Yes, we are. | 0:41:57 | 0:42:02 | |
Subtitles by Red Bee Media Ltd | 0:42:22 | 0:42:25 |