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On this beautiful day, | 0:00:02 | 0:00:03 | |
it's hello and welcome to Cash In The Attic, | 0:00:03 | 0:00:05 | |
the programme that searches out treasures around your home | 0:00:05 | 0:00:07 | |
and then sells them for you at auction. | 0:00:07 | 0:00:09 | |
Today, I'm in the very charming village of Ightham, | 0:00:09 | 0:00:12 | |
near Sevenoaks in Kent. | 0:00:12 | 0:00:13 | |
And this place is home to the very famous Ightham Mote. | 0:00:13 | 0:00:17 | |
It's a truly spectacular manor home | 0:00:17 | 0:00:19 | |
dating back some 650 years to the medieval period. | 0:00:19 | 0:00:23 | |
Previous lucky owners of the manor include Sheriffs, MPs and courtiers, | 0:00:25 | 0:00:30 | |
and in the 1500s, it was bought | 0:00:30 | 0:00:32 | |
by one of Henry VIII's favourite servants, Sir Richard Clement. | 0:00:32 | 0:00:36 | |
The house is surrounded by a deep moat | 0:00:36 | 0:00:38 | |
and it's a location that just oozes history. | 0:00:38 | 0:00:41 | |
Even the dog house is Grade 1 listed, and you know what? | 0:00:41 | 0:00:44 | |
I'm going to be in it if I don't head off and start looking | 0:00:44 | 0:00:47 | |
for antiques and collectibles to sell under the hammer. | 0:00:47 | 0:00:50 | |
Coming up on today's Cash In The Attic... | 0:01:12 | 0:01:15 | |
We give a family some good news. | 0:01:15 | 0:01:17 | |
I'm surprised. I didn't think it'd be as much as that. | 0:01:17 | 0:01:19 | |
And it just gets better and better. | 0:01:19 | 0:01:22 | |
Between £350, maybe £550. | 0:01:22 | 0:01:26 | |
Fantastic! That is good money, isn't it? | 0:01:26 | 0:01:30 | |
But will the outlook be so sunny when we get to auction? | 0:01:30 | 0:01:33 | |
Does anybody else want to come in? 140. Not enough. | 0:01:33 | 0:01:37 | |
We'll find out when the hammer falls. | 0:01:37 | 0:01:39 | |
I've come to this very picturesque village in Kent to meet a couple | 0:01:41 | 0:01:45 | |
who just love all things Spanish, | 0:01:45 | 0:01:47 | |
so they're hoping that the Cash In The Attic team can help them | 0:01:47 | 0:01:50 | |
raise enough money at auction to enjoy living La Vida Loca. | 0:01:50 | 0:01:54 | |
This large detached house is the picture of peace and tranquillity, | 0:01:55 | 0:01:59 | |
and it's home to retired banker Trevor Baker and his wife Jan. | 0:01:59 | 0:02:03 | |
They've been married for 16 years and both have children | 0:02:03 | 0:02:07 | |
from previous marriages, and now they have grandchildren as well. | 0:02:07 | 0:02:10 | |
When they're not with family, this pair share a love of golf and gardening, two hobbies | 0:02:10 | 0:02:15 | |
harmonious with the other passion in their life, the Costa Blanca. | 0:02:15 | 0:02:19 | |
-Good morning, Jonty. -How are you? | 0:02:22 | 0:02:24 | |
I'm good. I do take you to the best places, don't I? | 0:02:24 | 0:02:27 | |
You do, because I know that you live in Kent. | 0:02:27 | 0:02:29 | |
I do. I live about five miles away as the crow flies. | 0:02:29 | 0:02:32 | |
You can drop in for tea on the way home! | 0:02:32 | 0:02:34 | |
But strange enough, beautiful area and yet the people we're going to meet, they just adore Spain. | 0:02:34 | 0:02:39 | |
So, a lot of Spanish around today. How is your Spanish? | 0:02:39 | 0:02:42 | |
It's not that good, but you haven't seen me dance the salsa, have you? | 0:02:42 | 0:02:46 | |
You're right. I think life's too short for that! But have you got your castanets? | 0:02:46 | 0:02:50 | |
-Oh, I do, I do. -"Oh, I do, I do" that's good. Let's go and meet them. | 0:02:50 | 0:02:54 | |
Jan and Trevor, how very nice to meet you both. | 0:02:54 | 0:02:57 | |
-Gloria. -Thank you for allowing us to come and see you today. | 0:02:57 | 0:03:00 | |
-It's no problem at all. -Beautiful area. Do you love living here? | 0:03:00 | 0:03:03 | |
Yes, it's very nice and quiet. | 0:03:03 | 0:03:05 | |
Let's establish why you've called in the Cash In The Attic team. | 0:03:05 | 0:03:08 | |
-Well, we want to change one or two things in the house, Gloria. -The house in Spain? | 0:03:08 | 0:03:13 | |
The house in Spain and we're going to change some things here as well. | 0:03:13 | 0:03:17 | |
But some of the items that I inherited from my parents' grandparents don't really fit, | 0:03:17 | 0:03:22 | |
and it would be nice to see them put to good use | 0:03:22 | 0:03:25 | |
and we will obviously benefit when we do the refurbishment here and in Spain. | 0:03:25 | 0:03:30 | |
So, Jan, what are we likely to find? | 0:03:30 | 0:03:33 | |
Well, we've got some...furniture. | 0:03:33 | 0:03:35 | |
There's a nice little desk which is quite small, | 0:03:35 | 0:03:39 | |
and Trevor's father used to sit at the desk and do the farm accounts when Trevor was a little boy. | 0:03:39 | 0:03:46 | |
There are some ceramics and a little bit of silver. | 0:03:46 | 0:03:50 | |
But ironically, it would have all probably finished up in the skip | 0:03:50 | 0:03:53 | |
if Trevor had been getting rid of it all, because... | 0:03:53 | 0:03:57 | |
he didn't think that there was any value there, | 0:03:57 | 0:04:00 | |
and we didn't really want it - we're not collectors. | 0:04:00 | 0:04:03 | |
So I rescued a few items and brought them back here. | 0:04:03 | 0:04:08 | |
-So Jan saved it all in a way? -She did indeed, yes. | 0:04:08 | 0:04:10 | |
She probably recognised there was something there anyway that I didn't. | 0:04:10 | 0:04:14 | |
I was just happy for clearing the house and getting on. | 0:04:14 | 0:04:17 | |
How much are you looking for? | 0:04:17 | 0:04:19 | |
What would you be happy with? | 0:04:19 | 0:04:21 | |
I supposed if we raised something like 800 to 1,000, | 0:04:21 | 0:04:24 | |
that would be ideal, | 0:04:24 | 0:04:25 | |
because what we are really looking to do first | 0:04:25 | 0:04:27 | |
is develop or refurbish the dining room in Spain. | 0:04:27 | 0:04:30 | |
And to be able to buy some nice pieces of Spanish furniture | 0:04:30 | 0:04:33 | |
for the house there would be great. | 0:04:33 | 0:04:35 | |
Well, I'm looking forward to seeing what you have | 0:04:35 | 0:04:38 | |
in this very beautiful house. | 0:04:38 | 0:04:39 | |
-So, shall we go and start rummaging a bit and meet Jonty? -Yes. | 0:04:39 | 0:04:42 | |
It sounds like we could be in for a treat today. | 0:04:42 | 0:04:45 | |
Old family heirlooms can hold surprising value. | 0:04:45 | 0:04:49 | |
But a quick look round this spick and span house | 0:04:49 | 0:04:52 | |
suggests we might have to rummage hard to find them. | 0:04:52 | 0:04:55 | |
Everything is tucked well out of sight. | 0:04:55 | 0:04:57 | |
Well, almost everything, but Jonty's not fobbed off easily. | 0:04:57 | 0:05:01 | |
Jonty, are you sure you've got the time | 0:05:01 | 0:05:03 | |
to be lolling around looking at things? | 0:05:03 | 0:05:05 | |
I've always got time to look at a good clock. | 0:05:05 | 0:05:08 | |
It's a very pretty clock, I have to say. | 0:05:08 | 0:05:10 | |
-Where's it from? -It's from the farm house. | 0:05:10 | 0:05:12 | |
It's from the days of my grandmother and father, | 0:05:12 | 0:05:16 | |
so I'm assuming it came into the family some time between | 0:05:16 | 0:05:19 | |
buying the farm in 1914 to when I can remember it in the early '50s. | 0:05:19 | 0:05:23 | |
What do you know about the clock? | 0:05:23 | 0:05:25 | |
The only thing I know about it is somebody in the family, | 0:05:25 | 0:05:28 | |
probably my grandmother, said she thought it had a French background | 0:05:28 | 0:05:31 | |
when she actually acquired it, | 0:05:31 | 0:05:33 | |
but that's from vague recollections of my childhood, | 0:05:33 | 0:05:38 | |
-and that's many years ago now. -OK. | 0:05:38 | 0:05:40 | |
Well, this clock can only be French. | 0:05:40 | 0:05:43 | |
All this gilded decoration here, all this mounted, gilded decoration is Rococo - French. | 0:05:43 | 0:05:50 | |
18th century. But it's not 18th century. It's more turn of the century. | 0:05:50 | 0:05:54 | |
When I say, "Turn of the century", we're talking about a clock that's about 100 years in date. | 0:05:54 | 0:05:59 | |
-So this is a reproduction of an earlier style. -Right. | 0:05:59 | 0:06:03 | |
Originally, if this was going to be an 18th century clock, | 0:06:03 | 0:06:07 | |
then these mounts here would be gilded bronze or brass, known as ormolu, | 0:06:07 | 0:06:13 | |
and a very, very expensive process to do, and very tricky as well. | 0:06:13 | 0:06:18 | |
It involved mercury, so if you can imagine just how dangerous that would have been. | 0:06:18 | 0:06:23 | |
And today, you can't make ormolu like you used to. | 0:06:23 | 0:06:26 | |
It's now an illegal process. | 0:06:26 | 0:06:28 | |
And you were about to say, | 0:06:28 | 0:06:29 | |
"Had it been ormolu, it would be worth a fortune." | 0:06:29 | 0:06:33 | |
-We could be talking about a lot of money. -How much? | 0:06:33 | 0:06:36 | |
The clocks really would range from £10,000 to £30,000, | 0:06:36 | 0:06:39 | |
but it would have been a larger clock and they really are works of art, these mantle clocks. | 0:06:39 | 0:06:46 | |
Now, Mr Picky has noticed that there's a chip here. | 0:06:46 | 0:06:52 | |
Has that happened recently or have you always known that chip? | 0:06:52 | 0:06:55 | |
I've not been conscious of having made that chip, | 0:06:55 | 0:06:58 | |
so I think it's always been there. At least not in my time. | 0:06:58 | 0:07:01 | |
That's an enamelled dial and, as a consequence, quite difficult to repair. | 0:07:01 | 0:07:06 | |
So how much would you expect to get for this clock? | 0:07:06 | 0:07:09 | |
It's going to be in excess of £100, so we're talking about £120, £180, that sort of ballpark. | 0:07:09 | 0:07:15 | |
-I think it's a really pretty clock. -It is good, yes. | 0:07:15 | 0:07:18 | |
So it's going to be interesting to see what it sells for. | 0:07:18 | 0:07:20 | |
We're very interested to see what happens. | 0:07:20 | 0:07:23 | |
-Right, we have to move on if we're to get your £800 to £1,000. -Yes, indeed. | 0:07:23 | 0:07:27 | |
But at least we're over £100 with this one, hopefully. That's good. | 0:07:27 | 0:07:30 | |
So, Trevor's happy, but how does Jan feel? | 0:07:30 | 0:07:34 | |
I'm quite happy to let it go. | 0:07:34 | 0:07:36 | |
I was never very attached to it. It's not really my sort of thing. | 0:07:36 | 0:07:41 | |
And because we don't use the lounge all that much, | 0:07:41 | 0:07:44 | |
we just never got round to winding it up. | 0:07:44 | 0:07:47 | |
Well, now it's time to get down to business. | 0:07:47 | 0:07:49 | |
Hold on - maybe I was wrong about it being difficult to find things. | 0:07:49 | 0:07:54 | |
Already, I've come across this gorgeous Victorian punch bowl. | 0:07:54 | 0:07:57 | |
It's Staffordshire, always popular with collectors, but as it has | 0:07:57 | 0:08:01 | |
some hairline cracks on the bass, Jonty values it at a low £30 to £40. | 0:08:01 | 0:08:07 | |
Downstairs in the dining room, Jan's raiding the family silver. | 0:08:07 | 0:08:10 | |
Jonty, look, I've got all this silver stuff. | 0:08:10 | 0:08:13 | |
There must be something here that's worth something. | 0:08:13 | 0:08:16 | |
Wow, look at that! | 0:08:16 | 0:08:17 | |
-It's got an inscription on the tray here. -Yes. | 0:08:17 | 0:08:21 | |
What's all that about? "Presented by the Greenwich London Borough Council to Daniel McCayna." | 0:08:21 | 0:08:28 | |
That's my father, and this set, | 0:08:28 | 0:08:31 | |
the tray with the coffee and tea pots, the sugar bowl and the milk jug, | 0:08:31 | 0:08:35 | |
were presented to him on the occasion of him working | 0:08:35 | 0:08:39 | |
for 30 years for what was Woolwich Borough Council | 0:08:39 | 0:08:42 | |
and then in 1965, with the creation of the Greater London Council, | 0:08:42 | 0:08:46 | |
it became Greenwich Borough Council. | 0:08:46 | 0:08:49 | |
Well, always when I look at silver items, you've got two completely different prices, | 0:08:49 | 0:08:54 | |
one for solid silver, so we're looking for the hallmark, and one for plated silver. | 0:08:54 | 0:08:58 | |
So we need to establish, right from the outset, | 0:08:58 | 0:09:01 | |
from this coffee pot, what we're looking at. | 0:09:01 | 0:09:04 | |
And can you see? Even though it's rubbed away, this says | 0:09:04 | 0:09:08 | |
-"EPNS",- electroplated nickel silver. -Yes. | 0:09:08 | 0:09:11 | |
So this is all plated, I'm assuming, | 0:09:11 | 0:09:12 | |
because if the coffee pot is, everything else will be as well. | 0:09:12 | 0:09:16 | |
So this is not really worth very much? | 0:09:16 | 0:09:18 | |
It's, sadly, not worth a great deal at all, | 0:09:18 | 0:09:21 | |
because collectors, people who trade with this kind of ware, | 0:09:21 | 0:09:25 | |
really are looking for silver, | 0:09:25 | 0:09:27 | |
and the market for electroplated silver has really fallen by the way. | 0:09:27 | 0:09:31 | |
But if you have to sell it... Are you keen on selling it? | 0:09:31 | 0:09:34 | |
Because of the inscription, I think I'd like to keep the tray. | 0:09:34 | 0:09:39 | |
-The actual set can go. -So, for your whole collection, you're looking really between £50 and £100. | 0:09:39 | 0:09:44 | |
I'm surprised. I didn't think it would be as much as that. | 0:09:44 | 0:09:48 | |
It's the only item that we're selling | 0:09:48 | 0:09:51 | |
that was from my side of the family, and yes, | 0:09:51 | 0:09:54 | |
it did have a small amount of sentimental value, but, | 0:09:54 | 0:09:58 | |
quite honestly, we drink our tea out of a mug these days, don't we? | 0:09:58 | 0:10:02 | |
Not a silver tea pot. | 0:10:02 | 0:10:03 | |
And it's one less thing to polish as well. | 0:10:05 | 0:10:07 | |
This house is like a treasure trove, each room contains another gem. | 0:10:07 | 0:10:11 | |
Trevor's found this pair of Victorian opaline vases. | 0:10:11 | 0:10:14 | |
Opaline is a form of glass and it has a gorgeous opaque sheen | 0:10:14 | 0:10:18 | |
which is created by adding tin or stannic oxide and, | 0:10:18 | 0:10:21 | |
unlike a ceramic, it can't be fired, | 0:10:21 | 0:10:23 | |
so the floral image would have had to have been hand painted | 0:10:23 | 0:10:26 | |
using specialised enamelled paints. | 0:10:26 | 0:10:28 | |
Jonty thinks £25 to £35 would be a fair price for these. | 0:10:28 | 0:10:33 | |
Our collection of items | 0:10:33 | 0:10:35 | |
is steadily growing, so I take a moment to find out more about Jan and Trevor. | 0:10:35 | 0:10:40 | |
Jan, I know I'm partial to Kent - I only live about five miles away, | 0:10:40 | 0:10:44 | |
but what do you like about Kent? | 0:10:44 | 0:10:46 | |
I was born and brought up here, so it's home to me. | 0:10:46 | 0:10:49 | |
We actually lived nearby for a few years before we came here | 0:10:49 | 0:10:53 | |
and Ightham is just a very attractive area to live. | 0:10:53 | 0:10:56 | |
But what is it about Spain you really like? | 0:10:56 | 0:10:58 | |
Climate is a good start. | 0:10:58 | 0:10:59 | |
It is a lovely way to spend the deepest part of winter. | 0:10:59 | 0:11:03 | |
It's the local culture that I like most of all about Spain, actually, | 0:11:03 | 0:11:07 | |
the fact that I've now been learning Spanish for a few years | 0:11:07 | 0:11:10 | |
-and I can communicate with people. -Have you made any faux pas? | 0:11:10 | 0:11:15 | |
No, but Trevor's daughter made an interesting one when she was there recently. | 0:11:15 | 0:11:19 | |
She was there last week with some friends for her hen party | 0:11:19 | 0:11:23 | |
and they were having a nice meal out together, | 0:11:23 | 0:11:25 | |
but one of the friends has an allergy against butter, | 0:11:25 | 0:11:29 | |
and they asked whether the paella had a "burra", | 0:11:29 | 0:11:34 | |
and that means, did the paella have a donkey in it? | 0:11:34 | 0:11:39 | |
So, with your brand new house in Spain, this lovely villa, and the Cash In The Attic team, | 0:11:39 | 0:11:44 | |
what exactly are you going to spend the money on? | 0:11:44 | 0:11:47 | |
I think generally we'd like to replace the dining room furniture, | 0:11:47 | 0:11:51 | |
because the custom in Spain is for houses to be sold furnished, and the | 0:11:51 | 0:11:56 | |
Dutch people who sold the house to us left a rather unattractive orange pine dining suite. | 0:11:56 | 0:12:03 | |
-It sounds delectable(!) -Yes, so it needs to go at the first opportunity. | 0:12:03 | 0:12:08 | |
I know that Jonty will be missing us, so enough slacking on our behalf. | 0:12:08 | 0:12:12 | |
I think we'd better go and find some more lovely things to take to auction. | 0:12:12 | 0:12:16 | |
You've got so many rooms - show me which one I'm going to. | 0:12:16 | 0:12:18 | |
Well, it sounds like Jan and Trevor have plenty of projects on the go, | 0:12:20 | 0:12:24 | |
and we'd better find some more items before we vamoose to auction. | 0:12:24 | 0:12:28 | |
Jan's come across a handy mahogany occasional table | 0:12:28 | 0:12:31 | |
on a tripod support. This versatile little table | 0:12:31 | 0:12:33 | |
could carry a value of £40 to £60 at auction. | 0:12:33 | 0:12:38 | |
With its rich brown hue and fine grain, mahogany was a favourite of the Victorians. | 0:12:38 | 0:12:44 | |
And in the hall, Jonty's discovered another historic object. | 0:12:44 | 0:12:48 | |
I had to come and see this famous desk, | 0:12:48 | 0:12:50 | |
because you were saying earlier on, Trevor, this is the one | 0:12:50 | 0:12:53 | |
that your grandfather and father used to write all the bills at. | 0:12:53 | 0:12:57 | |
Certainly my father. I couldn't remember my grandfather. | 0:12:57 | 0:13:00 | |
But this used to sit at the end of the what we'd call the living room, | 0:13:00 | 0:13:04 | |
ie the room we actually lived in, as opposed to the front room. | 0:13:04 | 0:13:07 | |
What's your opinion of it, Jonty? | 0:13:07 | 0:13:09 | |
A lot of people say brown furniture is dead, | 0:13:09 | 0:13:12 | |
but pedestal desks are not dead. | 0:13:12 | 0:13:14 | |
A good quality pedestal desk will always sell | 0:13:14 | 0:13:17 | |
because people still can use it. | 0:13:17 | 0:13:19 | |
To me, this looks like dainty, almost like lady's size. | 0:13:19 | 0:13:22 | |
I agree. It's quite a small desk. | 0:13:22 | 0:13:24 | |
And as far as pedestal desks are concerned, | 0:13:24 | 0:13:27 | |
this is really as small as they get, because the name "pedestal desk" | 0:13:27 | 0:13:32 | |
really explains what it is. | 0:13:32 | 0:13:34 | |
The writing surface sits on two pillars, two columns of drawers, and this is what we've got here. | 0:13:34 | 0:13:39 | |
So if it was any narrower, you literally couldn't get your legs into the hole. | 0:13:39 | 0:13:43 | |
-You certainly wouldn't! -No, I would have a problem with this one! | 0:13:43 | 0:13:46 | |
You're much too tall for that. So what's the wood exactly? | 0:13:46 | 0:13:49 | |
This is mahogany. Mahogany tends to be quite a red colour, | 0:13:49 | 0:13:52 | |
but this has faded into a nice sort of nutty brown colour, but the grain tells me that it's mahogany. | 0:13:52 | 0:13:57 | |
The great thing about desks, for me, is always look inside a drawer. | 0:13:57 | 0:14:02 | |
I pulled this out earlier. | 0:14:02 | 0:14:04 | |
Can you see? Inside an old desk has to be sign of ink. | 0:14:04 | 0:14:08 | |
There's always ink stains inside an old desk. | 0:14:08 | 0:14:12 | |
-And not a nail in sight as far as I can see. -No, that's all dovetails. | 0:14:12 | 0:14:16 | |
You're going to miss it! I don't know how you're letting this go. | 0:14:16 | 0:14:19 | |
-I really don't, honestly. -What age would you put on it, Jonty? | 0:14:19 | 0:14:22 | |
You can date furniture by the handles, | 0:14:22 | 0:14:25 | |
because the pedestal desk was fashionable really in the middle part of the 18th century, | 0:14:25 | 0:14:30 | |
all the way through to this period, where we're talking 1860, 1870. | 0:14:30 | 0:14:35 | |
-Ask him how much. Quickly. -Go on. How much do you think, then? | 0:14:35 | 0:14:39 | |
Well, we're going to look at a really great figure | 0:14:39 | 0:14:42 | |
of between £350, maybe £550. | 0:14:42 | 0:14:45 | |
-Fantastic! That is good money. -That's good. | 0:14:45 | 0:14:48 | |
I might have to knock them all down to get to it first! | 0:14:48 | 0:14:53 | |
-Let's keep searching, though. -Let's go this way. | 0:14:53 | 0:14:56 | |
That's a great total. And we continue our search bolstered by our progress. | 0:14:56 | 0:15:01 | |
I find this charming silver cruet set. | 0:15:01 | 0:15:03 | |
It could make a stylish centrepiece at someone's dinner table for £20 to £30. And speaking of dining... | 0:15:03 | 0:15:09 | |
Hey, Jonty, you're not thinking of selling all my blue and white China, are you? | 0:15:09 | 0:15:14 | |
I thought I might. I have to say, my eye has gone to these huge lovely good quality meat plates here. | 0:15:14 | 0:15:21 | |
-Can we sell these? -Yes, I think so. | 0:15:21 | 0:15:23 | |
They're a little bit large for today's living, I think. | 0:15:23 | 0:15:26 | |
I'd like to hang on to the rest, | 0:15:26 | 0:15:28 | |
because it's quite decorative here on my dresser. | 0:15:28 | 0:15:31 | |
These are the ones that have got real age to them. Where are these from? | 0:15:31 | 0:15:35 | |
These, of course, are from the farmhouse in the Cotswolds. | 0:15:35 | 0:15:38 | |
Now, I'm sure you know the pattern that this is. | 0:15:38 | 0:15:41 | |
This is the willow pattern. | 0:15:41 | 0:15:43 | |
But do you know the story of the willow pattern? | 0:15:43 | 0:15:45 | |
Not really. It's something to do with a father chasing | 0:15:45 | 0:15:48 | |
the young woman and her lover across the bridge. | 0:15:48 | 0:15:51 | |
But I don't know very much about it. | 0:15:51 | 0:15:53 | |
Well, that's exactly who you can see here. | 0:15:53 | 0:15:56 | |
The story really is based in the palace, here. | 0:15:56 | 0:15:58 | |
It starts off at the palace, here. | 0:15:58 | 0:16:00 | |
There was a rich Mandarin, he had a daughter called Koong-se. | 0:16:00 | 0:16:05 | |
and a lowly accountant named Chung who fell in love with Koong-se. | 0:16:05 | 0:16:11 | |
They eventually eloped before the arranged marriage | 0:16:11 | 0:16:16 | |
to a very wealthy Duke could take place. | 0:16:16 | 0:16:19 | |
So this is the wealthy Duke sailing towards the palace | 0:16:19 | 0:16:24 | |
on the day the blossom fell from the willow tree. | 0:16:24 | 0:16:28 | |
They managed to escape and they lived for many a happy year on this island here. | 0:16:28 | 0:16:34 | |
Well, I'm very pleased to hear that, then! | 0:16:34 | 0:16:36 | |
It didn't end as a happy end. There was no happy ending there. | 0:16:36 | 0:16:40 | |
The Duke eventually caught up with them, | 0:16:40 | 0:16:43 | |
took his revenge and killed them both. | 0:16:43 | 0:16:46 | |
The gods took pity and turned them into two beautiful birds. | 0:16:46 | 0:16:50 | |
So that is the story of the willow pattern. | 0:16:50 | 0:16:53 | |
And it is, by far, the most popular pattern | 0:16:53 | 0:16:55 | |
that the ceramics factories of the 19th and 20th centuries produced. | 0:16:55 | 0:17:00 | |
If it had been a rarer pattern, | 0:17:00 | 0:17:02 | |
these plates would be worth quite a substantial sum of money because, | 0:17:02 | 0:17:06 | |
if you are collecting blue and white transfer wares, you're looking for something really quite unusual. | 0:17:06 | 0:17:12 | |
Definitely worth selling. Ballpark £50 to £100. | 0:17:12 | 0:17:15 | |
Yeah. Yeah. | 0:17:15 | 0:17:17 | |
-Happy? -Yeah, I think I'd feel happier if it was nearer the 100. | 0:17:17 | 0:17:21 | |
Well, we'll see because also... | 0:17:21 | 0:17:23 | |
-I have to be cautious because of the pattern itself, OK? -Yeah. | 0:17:23 | 0:17:26 | |
-If it had been any other pattern, £100 no problem. All right? -Fine. | 0:17:26 | 0:17:30 | |
I'll leave those here and we'll carry on searching. | 0:17:30 | 0:17:33 | |
I had in mind a figure of about £50 each for them 40 to 50 each, I think. | 0:17:33 | 0:17:40 | |
So I would be disappointed if we only got 50, | 0:17:40 | 0:17:44 | |
but we'll see what happens on the auction day. | 0:17:44 | 0:17:47 | |
We certainly will. | 0:17:47 | 0:17:48 | |
And another item to test out is this willow pattern bowl. | 0:17:48 | 0:17:52 | |
Jan wrestled with sending it to auction | 0:17:52 | 0:17:55 | |
and decided it could join the meat plates at £20 to £30. | 0:17:55 | 0:17:58 | |
As Jan has already mentioned, most of the antiques in the house | 0:17:58 | 0:18:02 | |
come from Trevor's family home in the Cotswolds. | 0:18:02 | 0:18:05 | |
While the others continue the search, I take a moment to find out more about his family. | 0:18:05 | 0:18:09 | |
Trevor, tell me a little bit about your farming background. | 0:18:09 | 0:18:13 | |
I grew up on a farm on the eastern edge of the Cotswolds. | 0:18:13 | 0:18:16 | |
In fact, the farm had been in the family for, I think, three generations. | 0:18:16 | 0:18:21 | |
Did you never fancy yourself, then, as Farmer Trevor? | 0:18:21 | 0:18:24 | |
No, my dad asked me and we did talk about it, but I always intended doing something else. | 0:18:24 | 0:18:29 | |
Then what's the history on your mother's side? | 0:18:29 | 0:18:32 | |
My mum's history is actually quite interesting. | 0:18:32 | 0:18:35 | |
She came over here just before the war from Germany | 0:18:35 | 0:18:38 | |
because she was Jewish and, obviously, at that time, | 0:18:38 | 0:18:41 | |
you needed to get away from Germany. | 0:18:41 | 0:18:43 | |
So she became a nurse in the Radcliffe hospital | 0:18:43 | 0:18:46 | |
and met my father in Oxford. | 0:18:46 | 0:18:49 | |
So our background is sort of all her family split up | 0:18:49 | 0:18:52 | |
by what happened in the Second World War. | 0:18:52 | 0:18:55 | |
I'm taking it there weren't too many German speaking people | 0:18:55 | 0:18:58 | |
in the Cotswolds at that time? How did she adapt? | 0:18:58 | 0:19:01 | |
I think she always found life different from what she was used to | 0:19:01 | 0:19:04 | |
when she was a girl growing up in Germany, | 0:19:04 | 0:19:07 | |
but those are the times where people | 0:19:07 | 0:19:10 | |
had to make as good a life as they can and she had her own life there, | 0:19:10 | 0:19:13 | |
but it was a very different life to the one she was used to. | 0:19:13 | 0:19:17 | |
What does your family overall feel about | 0:19:17 | 0:19:19 | |
all these things that have very special memories | 0:19:19 | 0:19:22 | |
being broken up and sold off through Cash in the Attic? | 0:19:22 | 0:19:25 | |
Well, I think, as generations pass, things that you find... | 0:19:25 | 0:19:31 | |
memorable and have a history to them, they lose track of, | 0:19:31 | 0:19:35 | |
and it is probably time for those pieces to move on. | 0:19:35 | 0:19:39 | |
I think we'd better get on with looking at some more of these things that did come from the farm. | 0:19:39 | 0:19:44 | |
So, Farmer Trevor, let's go. | 0:19:44 | 0:19:46 | |
While we've been chatting, Jonty has found another fine example of Victorian furniture. | 0:19:48 | 0:19:53 | |
This tilt top table would have been used for cards and games in the Victorian parlour | 0:19:53 | 0:19:59 | |
and Jonty puts a value of £200 to £300 on it. | 0:19:59 | 0:20:02 | |
And in the garden, Trevor's made a surprising find in the shed. | 0:20:02 | 0:20:07 | |
Someone likes to see their plants up close. | 0:20:07 | 0:20:09 | |
Jonty, I've just been looking for these. Are these of any interest? | 0:20:09 | 0:20:14 | |
Opera glasses. Yes. | 0:20:14 | 0:20:15 | |
Now, what I find absolutely intriguing about these opera glasses | 0:20:15 | 0:20:19 | |
is that they are from Paris and they've got "Le Jockey Club" | 0:20:19 | 0:20:23 | |
stamped on them as well. | 0:20:23 | 0:20:24 | |
So what are you doing with a pair of Parisian opera glasses? | 0:20:24 | 0:20:28 | |
Well, that's a good question because whereas I actually have been to the opera with Jan | 0:20:28 | 0:20:33 | |
in the last couple of months, my father never did in his whole life. | 0:20:33 | 0:20:37 | |
He actually had these in the cupboard at home and unless somebody else in | 0:20:37 | 0:20:41 | |
the family were opera goers, he certainly wasn't. | 0:20:41 | 0:20:44 | |
These were very fashionable in the 19th century. | 0:20:44 | 0:20:48 | |
This style of glass is known as Galilean | 0:20:48 | 0:20:50 | |
and this was invented in 1820. | 0:20:50 | 0:20:54 | |
The Jockey Club of Paris still is in existence today. | 0:20:54 | 0:20:57 | |
It houses the International Federation of Jockey Clubs | 0:20:57 | 0:21:02 | |
-essentially it's almost like the HQ of racing. -Right. | 0:21:02 | 0:21:06 | |
They were very big in the 19th century, which is when these would have been made. | 0:21:06 | 0:21:10 | |
Because they've...seen better days, and the case, | 0:21:10 | 0:21:15 | |
we're not going to get top dollar for them, but £20, £30. | 0:21:15 | 0:21:20 | |
Yeah. As I said, they were in my father's desk, | 0:21:20 | 0:21:22 | |
I think, or cabinet and just sat there for years. I never saw him use them. | 0:21:22 | 0:21:27 | |
Excellent. Now, where's Gloria? | 0:21:27 | 0:21:29 | |
She's not down there. | 0:21:29 | 0:21:31 | |
Where am I? Well, I wish I could say I'm having a siesta, | 0:21:31 | 0:21:34 | |
but I am working jolly hard, Jonty. | 0:21:34 | 0:21:36 | |
There's so much to sift through, we've all fallen into a kind of a daze, | 0:21:36 | 0:21:40 | |
but it looks like Jan is on form. | 0:21:40 | 0:21:42 | |
Jonty, what do you think of this? | 0:21:42 | 0:21:46 | |
We're talking about the cabinet? | 0:21:46 | 0:21:48 | |
-Yes. -OK. Where's this come from? Is this part of your family? | 0:21:48 | 0:21:51 | |
This is something else that came from Trevor's family home | 0:21:51 | 0:21:54 | |
and I don't really know anything about it. | 0:21:54 | 0:21:56 | |
This is a mahogany display cabinet | 0:21:56 | 0:21:58 | |
and the inlay gives us an indication as to what age this cabinet is. | 0:21:58 | 0:22:04 | |
This inlay work was revived from earlier Georgian designs | 0:22:04 | 0:22:07 | |
in the latter half of the 19th century, so you're talking 1880 onwards. | 0:22:07 | 0:22:12 | |
An interesting point - if you look at the shape of the door, | 0:22:12 | 0:22:15 | |
more often than not, that door would have glazing bars. | 0:22:15 | 0:22:20 | |
I like the fact that we have this shaped door. | 0:22:20 | 0:22:22 | |
I also love the gallery around the top - French in influence. | 0:22:22 | 0:22:25 | |
So this cabinet is much better quality than most | 0:22:25 | 0:22:28 | |
Edwardian or late 19th century cabinets that you will see. | 0:22:28 | 0:22:31 | |
-Is it English, or is it a French cabinet? -This is English. -It is? | 0:22:31 | 0:22:35 | |
English display cabinet. Definitely worth putting in the auction sale. | 0:22:35 | 0:22:39 | |
-Where have the other two got to? -I think they're... | 0:22:39 | 0:22:41 | |
You know, Jonty, I'm never far away from you! | 0:22:41 | 0:22:44 | |
So you were talking about an interesting piece. | 0:22:44 | 0:22:46 | |
-This is it, is it? -Yes, it is. | 0:22:46 | 0:22:48 | |
-Beautiful cabinet. -It's really good quality. Really good quality. | 0:22:48 | 0:22:51 | |
-At auction, £200 to £300. -Wow. -That's not bad. | 0:22:51 | 0:22:55 | |
That's a good price, isn't it? | 0:22:55 | 0:22:56 | |
-You wouldn't have thought so. -I didn't expect that. | 0:22:56 | 0:22:59 | |
I'm thrilled to bits to tell you | 0:22:59 | 0:23:00 | |
that, already, if everything goes to plan at auction, you have £1,125. | 0:23:00 | 0:23:07 | |
-Wow. -Isn't that good? -Where did that come from? | 0:23:07 | 0:23:12 | |
Aren't we glad that she saved all those pieces from the skip! | 0:23:12 | 0:23:16 | |
So, it's muy bueno all round. What a fabulous result. | 0:23:16 | 0:23:21 | |
And some of the items that Jan and Trevor will be saying adios to include... | 0:23:21 | 0:23:26 | |
the reproduction of a French mantle clock. | 0:23:26 | 0:23:29 | |
This ornate time piece could fetch as much as £120 to £180. | 0:23:29 | 0:23:33 | |
This gaudy Welsh Staffordshire bowl | 0:23:34 | 0:23:36 | |
could pack some punch at auction at between £30 and £40. | 0:23:36 | 0:23:40 | |
And will this table tip the balance? | 0:23:41 | 0:23:43 | |
Their Victorian antique could bring in £200 to £300. | 0:23:43 | 0:23:49 | |
Coming up next on Cash in the Attic, | 0:23:49 | 0:23:51 | |
someone's getting into the Spanish vibe. | 0:23:51 | 0:23:54 | |
-Buena suerte en la subasta. -Excuse me. Hark at him! | 0:23:54 | 0:23:57 | |
But will the bidders be so enthusiastic? | 0:23:57 | 0:24:00 | |
It's like extracting teeth. | 0:24:00 | 0:24:02 | |
With more and more surprises in store. | 0:24:02 | 0:24:05 | |
I can't believe that. | 0:24:05 | 0:24:07 | |
Will our items be pulling in the bids? | 0:24:07 | 0:24:09 | |
Find out when the hammer falls. | 0:24:09 | 0:24:12 | |
Now, a few weeks ago, we visited Jan and Trevor Baker in their home near Sevenoaks in Kent | 0:24:17 | 0:24:22 | |
and we brought all their collectibles here to the Chiswick Auction Rooms in West London. | 0:24:22 | 0:24:26 | |
Just to remind you, they want to raise £800 to help decorate their holiday home. | 0:24:26 | 0:24:31 | |
So let's hope they have lots of good bidders in here today so they can live the Spanish high life in style. | 0:24:31 | 0:24:38 | |
Ole! | 0:24:38 | 0:24:39 | |
The sale room in this charming Victorian building | 0:24:40 | 0:24:43 | |
is brimming with anticipation as buyers keen to find a bargain sift through the antiques on display. | 0:24:43 | 0:24:49 | |
Ever punctual, Jonty has his eye on the ornate mantle timepiece. | 0:24:49 | 0:24:53 | |
Spot on time, Jonty. I like this clock, actually. It's good. | 0:24:55 | 0:24:58 | |
Looking forward to meeting the Bakers again? | 0:24:58 | 0:25:00 | |
I am. I've been practising my Spanish. Buena suerte en la subasta. | 0:25:00 | 0:25:03 | |
Excuse me. Hark at him! No idea what it means, but it sounds good. | 0:25:03 | 0:25:08 | |
It means, "Good luck at the auction", or at least I think it does! | 0:25:08 | 0:25:12 | |
We shall see. At least you can't do hasta manana because this auction is going to start pretty soon. | 0:25:12 | 0:25:17 | |
-Absolutely. -But the clock, of course, we know might do all right. | 0:25:17 | 0:25:21 | |
-What else did you like? -I liked the Victorian postal desk. | 0:25:21 | 0:25:24 | |
It's clean and it's good quality, so it should walk out the door. | 0:25:24 | 0:25:27 | |
-It's a lovely desk, I must say. Shall we find the family? -Let's do it. | 0:25:27 | 0:25:31 | |
It is certainly packed here at Chiswick, | 0:25:31 | 0:25:34 | |
but it's always difficult to tell which way an auction will go. | 0:25:34 | 0:25:37 | |
Now, generally, the smaller items tend to appeal to collectors, | 0:25:37 | 0:25:41 | |
and modern tastes means that antique furniture doesn't always sell so well. | 0:25:41 | 0:25:45 | |
We have a few items in that category. | 0:25:45 | 0:25:47 | |
Fingers crossed they catch the eye of the bidders. | 0:25:47 | 0:25:50 | |
Jan is here, but where's Trevor? | 0:25:50 | 0:25:52 | |
Jan, taking a lingering look at your lovely unit! | 0:25:52 | 0:25:54 | |
-Yes, it's looking good, isn't it? -And no Trevor. | 0:25:54 | 0:25:57 | |
No, I'm afraid he had a long standing arrangement | 0:25:57 | 0:26:00 | |
for a golf day today, so that took precedence, I'm afraid. | 0:26:00 | 0:26:02 | |
So his handsome stand-in is who? | 0:26:02 | 0:26:05 | |
-This is my son, Mike. My eldest son. -Hello. | 0:26:05 | 0:26:07 | |
-Have you been to an auction before? -No. | 0:26:07 | 0:26:09 | |
-But I'm very excited to be here. -So he's the auction virgin, then. | 0:26:09 | 0:26:13 | |
We're always happy to have one. Have you been to many, Jan? | 0:26:13 | 0:26:15 | |
Not many in recent years, but when I was young | 0:26:15 | 0:26:18 | |
and the children were very small, I used to go to quite a lot. | 0:26:18 | 0:26:22 | |
We've been having fun with | 0:26:22 | 0:26:24 | |
-what I think is probably bad Spanish from Jonty. -So bad, I'm not going to repeat it! | 0:26:24 | 0:26:28 | |
Presumably, Mike, you go to Spain quite a bit to have your holidays? | 0:26:28 | 0:26:32 | |
I haven't actually been to the new house, | 0:26:32 | 0:26:34 | |
-but I do enjoy going to Spain. -So you've got a vested interest | 0:26:34 | 0:26:37 | |
-in how much money is raised. -Definitely. | 0:26:37 | 0:26:39 | |
So, Gloria, we'd better get to work, then. | 0:26:39 | 0:26:42 | |
I think we should. We want to raise as much money as possible for Spain. | 0:26:42 | 0:26:46 | |
The auction is about to start. | 0:26:49 | 0:26:51 | |
But if you're interested in selling or buying at auction, | 0:26:51 | 0:26:54 | |
then please bear in mind that you will have commission, VAT | 0:26:54 | 0:26:57 | |
and other charges to pay, so do check first. | 0:26:57 | 0:27:00 | |
We file into our places, | 0:27:00 | 0:27:02 | |
hoping our first item will throw things into focus. | 0:27:02 | 0:27:05 | |
Lot number 20A now. | 0:27:05 | 0:27:06 | |
The pair of binoculars, French Jockey Club binoculars. | 0:27:06 | 0:27:10 | |
The first item up is the pair of binoculars which, mysteriously, | 0:27:10 | 0:27:13 | |
we found in your potting shed. | 0:27:13 | 0:27:15 | |
In the greenhouse, yes! I don't know what they were doing in there. | 0:27:15 | 0:27:18 | |
What's your prediction for these, Jonty? | 0:27:18 | 0:27:20 | |
£20, maybe £30, but just let the market decide on this one. | 0:27:20 | 0:27:24 | |
Here they come. | 0:27:24 | 0:27:25 | |
£20. I'm bid at £20. | 0:27:25 | 0:27:28 | |
I'll take 22, 25, 28, 30. | 0:27:28 | 0:27:33 | |
30, 32, £30. | 0:27:33 | 0:27:35 | |
Gone for £30, then. | 0:27:38 | 0:27:40 | |
-That's really good. -Hey! Your top estimate. | 0:27:40 | 0:27:42 | |
-Very good. -Good start, yeah. | 0:27:42 | 0:27:44 | |
So, Jan's happy, | 0:27:44 | 0:27:46 | |
but we face a challenge with our next item, | 0:27:46 | 0:27:48 | |
the willow pattern meat plates. | 0:27:48 | 0:27:50 | |
In the rummage, Jan was hoping they'd fetch a good price. | 0:27:50 | 0:27:54 | |
I have to be honest and say | 0:27:54 | 0:27:55 | |
I actually really like willow pattern plates, | 0:27:55 | 0:27:57 | |
so I'm sort of sorry you're selling these, | 0:27:57 | 0:27:59 | |
but you're glad to get rid of them, aren't you? | 0:27:59 | 0:28:02 | |
I am. They're just too big. | 0:28:02 | 0:28:03 | |
£20 to start me off. | 0:28:03 | 0:28:05 | |
22? | 0:28:05 | 0:28:07 | |
25, 28, 30? | 0:28:07 | 0:28:10 | |
At £28, | 0:28:10 | 0:28:12 | |
I'm going to sell for £28. | 0:28:12 | 0:28:14 | |
£28, it's gone. £28, then. | 0:28:14 | 0:28:17 | |
-Disappointment, isn't it? -That really is disappointing. | 0:28:17 | 0:28:20 | |
Oh, dear. It seems the large size put off the buyers as well. | 0:28:20 | 0:28:25 | |
Perhaps this more modest sized willow pattern bowl will do better. | 0:28:25 | 0:28:29 | |
26A, Victoria Staffordshire bowl, blue and white. £20 for it? | 0:28:29 | 0:28:34 | |
£10 for it? | 0:28:34 | 0:28:36 | |
No hand moves. | 0:28:36 | 0:28:37 | |
No bid at all at £10? No-one likes it at £10? | 0:28:37 | 0:28:40 | |
No-one's bid, I don't think. | 0:28:40 | 0:28:42 | |
No bids, not sold. | 0:28:42 | 0:28:44 | |
Ouch. A disappointing result. | 0:28:44 | 0:28:46 | |
And when the occasional table then fails to reach its lower estimate... | 0:28:46 | 0:28:51 | |
All out at £38, then? | 0:28:51 | 0:28:52 | |
Sold at £38, you've got it. | 0:28:52 | 0:28:54 | |
..We're beginning to feel a little uneasy. | 0:28:54 | 0:28:57 | |
All eyes are now on the French mantle clock. | 0:28:57 | 0:29:00 | |
I want to tell you, Jan and Mike, I found Jonty this morning, | 0:29:00 | 0:29:03 | |
early, before the auction started, obviously, | 0:29:03 | 0:29:06 | |
really looking very strongly at this little clock. | 0:29:06 | 0:29:08 | |
It's got a great shape, hasn't it? | 0:29:08 | 0:29:10 | |
Yes. Classic French form with ormolu mounts and I valued it over £100. | 0:29:10 | 0:29:15 | |
The room's a little bit asleep at the moment, | 0:29:15 | 0:29:17 | |
but I'm hoping we're going to get that. | 0:29:17 | 0:29:19 | |
Start me at £100 for a cheap start. £100 for it? | 0:29:19 | 0:29:21 | |
Can't believe no one's moving. Gonna bid me £100? | 0:29:21 | 0:29:24 | |
You are - £100? 110? | 0:29:24 | 0:29:25 | |
120, 130, 140, | 0:29:25 | 0:29:29 | |
150, 160, 170, 180. | 0:29:29 | 0:29:34 | |
Take 180 and we're done. 190, 200. | 0:29:34 | 0:29:40 | |
-210, 20... -It's fabulous, isn't it? | 0:29:40 | 0:29:45 | |
..30. | 0:29:45 | 0:29:46 | |
At £220. | 0:29:46 | 0:29:48 | |
230. 240. | 0:29:48 | 0:29:50 | |
You're doing the same. Yes or no, please. | 0:29:50 | 0:29:52 | |
£230. Gone. | 0:29:52 | 0:29:56 | |
-230. -230, fantastic. Isn't that good, Mike? | 0:29:56 | 0:29:59 | |
-Much better. -Yeah, much better. | 0:29:59 | 0:30:01 | |
What a timely comeback that was! | 0:30:01 | 0:30:04 | |
£230 is a handsome sum towards our Spanish villa fund. | 0:30:04 | 0:30:09 | |
Let's hope our next item serves up a similar result. | 0:30:09 | 0:30:13 | |
Lot number 50A now. The Georgian mahogany occasional table. | 0:30:13 | 0:30:17 | |
There it is. Tall top, single pedestal base. | 0:30:17 | 0:30:19 | |
-Do you remember this one? -I do. It has some sentimental value for me | 0:30:19 | 0:30:23 | |
because Mum used to put the Christmas tree on this every year | 0:30:23 | 0:30:26 | |
with all our presents around the bottom. | 0:30:26 | 0:30:28 | |
-So it means something to me. -How can you do it to him? | 0:30:28 | 0:30:31 | |
Are you going to get a tad emotional now? | 0:30:31 | 0:30:33 | |
Yeah, I might do, but I'll forgive her! | 0:30:33 | 0:30:35 | |
Start me at...£200? £200 for it. | 0:30:35 | 0:30:40 | |
£100 for it? £100. | 0:30:40 | 0:30:42 | |
110, 120, 130, 140, 150, 160, 170... | 0:30:42 | 0:30:48 | |
..170, 180, 190, 200. | 0:30:49 | 0:30:53 | |
-And 10, 220... -Can't believe it! | 0:30:53 | 0:30:56 | |
One more bid. 220, 230? | 0:30:56 | 0:30:59 | |
At £220. Selling for 220, all out. | 0:30:59 | 0:31:03 | |
-We got that. -Hey! Result. | 0:31:03 | 0:31:06 | |
-Result. Well done! -Jonty must be the expert. | 0:31:06 | 0:31:10 | |
It may have had memories for Mike, | 0:31:10 | 0:31:12 | |
but with the funds from this table's sale | 0:31:12 | 0:31:14 | |
going to the family's Spanish holiday home, | 0:31:14 | 0:31:16 | |
he'll have a whole new set of experiences to look back on. | 0:31:16 | 0:31:20 | |
It's certainly been an unpredictable morning. | 0:31:20 | 0:31:22 | |
I want to let you know that I'm definitely having a hot flush. | 0:31:22 | 0:31:26 | |
A, it's very, very hot in the auction room and, | 0:31:26 | 0:31:28 | |
B, with the up and down prices, I am absolutely exhausted. | 0:31:28 | 0:31:32 | |
This is the halfway mark, then. | 0:31:32 | 0:31:34 | |
You're looking for £800 to help with the decoration in Spain. | 0:31:34 | 0:31:37 | |
Well, I am thrilled to be able to tell you at the halfway mark, | 0:31:37 | 0:31:40 | |
you're already at £546. | 0:31:40 | 0:31:43 | |
-My goodness. I can't believe that! -Isn't that fabulous? | 0:31:43 | 0:31:46 | |
-That's really good. -That is so good. | 0:31:46 | 0:31:49 | |
We had a bit of a disappointing start | 0:31:49 | 0:31:51 | |
and then a really exhilarated end as we come up to the halfway mark. | 0:31:51 | 0:31:56 | |
That's fabulous. | 0:31:56 | 0:31:57 | |
After that thrilling first half, it's time for a welcome break. | 0:32:02 | 0:32:06 | |
But while Jan and Mike pop off for a quick cuppa, | 0:32:06 | 0:32:08 | |
Jonty's made a cracking discovery. | 0:32:08 | 0:32:11 | |
I wanted to show you this plate | 0:32:12 | 0:32:14 | |
because I always admire good quality in antiques. | 0:32:14 | 0:32:17 | |
This is what we're looking at here. | 0:32:17 | 0:32:19 | |
This plate is valued between £200 and £300. | 0:32:19 | 0:32:22 | |
I have to say about five years ago, it would be more like £400 to £600. | 0:32:22 | 0:32:26 | |
-Who made it? -If you have a look on the back, | 0:32:26 | 0:32:28 | |
this is an under-glazed blue shape of the beehive. | 0:32:28 | 0:32:33 | |
That means that it's come from Vienna. | 0:32:33 | 0:32:35 | |
There were various factories in the late 19th century, | 0:32:35 | 0:32:38 | |
when this would have been made. | 0:32:38 | 0:32:39 | |
As we see on the back, it says this is Achilles, | 0:32:39 | 0:32:42 | |
so the subject matter here is the learning, | 0:32:42 | 0:32:44 | |
or the education of Achilles. | 0:32:44 | 0:32:46 | |
And is it all hand painted? | 0:32:46 | 0:32:49 | |
-Everything that you see here is all hand done. -Everything? | 0:32:49 | 0:32:55 | |
Absolutely everything. And this is literally...this is literally gold | 0:32:55 | 0:32:58 | |
that you're touching here as well. | 0:32:58 | 0:33:00 | |
This is gold leaf. | 0:33:00 | 0:33:02 | |
Well, this is certainly not a simple plate. | 0:33:02 | 0:33:05 | |
I think it's a great thing. | 0:33:05 | 0:33:06 | |
As I say, I'm not quite sure whether I want it in my own home, | 0:33:06 | 0:33:10 | |
but I can see why people appreciate it. | 0:33:10 | 0:33:12 | |
I'm going to let you carry it down the stairs to the auction room! | 0:33:12 | 0:33:15 | |
With the auction about to recommence, we file into our places | 0:33:21 | 0:33:25 | |
for the second half and a new auctioneer takes the stand. | 0:33:25 | 0:33:29 | |
After the exciting first half, | 0:33:29 | 0:33:30 | |
we're all keen to see what the next part of the sale will bring, | 0:33:30 | 0:33:34 | |
but will our first item after the break cut the mustard? | 0:33:34 | 0:33:38 | |
Lot 322A, the silver three piece cruet set. | 0:33:38 | 0:33:41 | |
-I believe you bought this actually at an antique fair? -I did, yes. | 0:33:41 | 0:33:45 | |
-Where was that? -Several years ago at Ardingly, | 0:33:45 | 0:33:48 | |
the big south of England antiques fair. | 0:33:48 | 0:33:50 | |
What did you pay for them? | 0:33:50 | 0:33:52 | |
I think I paid about £80. | 0:33:52 | 0:33:55 | |
I put it a lot lower than that. | 0:33:55 | 0:33:58 | |
OK, here's the item. | 0:33:58 | 0:33:59 | |
£10? I know this is worth £10. | 0:33:59 | 0:34:01 | |
Ten, I'm bid. Thank you, at last. £10. | 0:34:01 | 0:34:03 | |
It's worth more than that. But I can sell at £10. 12. | 0:34:03 | 0:34:08 | |
It's like extracting teeth. 14, | 0:34:10 | 0:34:12 | |
16. £20, then, in the corner is bid for it at £20. £22. | 0:34:12 | 0:34:18 | |
£22, there in the middle of the room at £22. At £22, then. | 0:34:18 | 0:34:25 | |
Well, the auctioneer did a good job there at pushing the price up | 0:34:25 | 0:34:29 | |
and £22 may not be at much as Jan paid, but it's still on estimate. | 0:34:29 | 0:34:34 | |
So, when the opaline vases sell under estimate at £10, | 0:34:34 | 0:34:38 | |
we're not too concerned. Next up is one of our star lots, | 0:34:38 | 0:34:41 | |
the Victorian writing desk. | 0:34:41 | 0:34:43 | |
Now, this is one of my favourite lots of the sale. | 0:34:43 | 0:34:46 | |
A lovely Victorian pedestal desk. | 0:34:46 | 0:34:48 | |
It's nice and clean, ready to go home. | 0:34:48 | 0:34:50 | |
Whoever wants to buy it, they can just walk out of the auction room. | 0:34:50 | 0:34:53 | |
You put a reserve of £250 on it. | 0:34:53 | 0:34:57 | |
That's fine because I put £350-£450 estimate on it, so we should be OK. | 0:34:57 | 0:35:02 | |
342A is a desk. | 0:35:02 | 0:35:05 | |
342A. | 0:35:05 | 0:35:07 | |
£200 for the desk? 200, 210, 220. | 0:35:07 | 0:35:10 | |
£220 for that desk, at £220. | 0:35:10 | 0:35:13 | |
At 220. At £220. | 0:35:13 | 0:35:16 | |
Nobody else want 230? | 0:35:16 | 0:35:18 | |
£220. 220 then. | 0:35:18 | 0:35:22 | |
Not sold, I'm afraid. | 0:35:22 | 0:35:24 | |
I have a funny feeling that deep down, | 0:35:24 | 0:35:26 | |
although Trevor has said yes, we can sell that | 0:35:26 | 0:35:28 | |
but deep down, I don't think he does want to sell it! | 0:35:28 | 0:35:31 | |
I think you're probably right. | 0:35:31 | 0:35:33 | |
Otherwise, he wouldn't have put on such a high reserve. | 0:35:33 | 0:35:36 | |
It's disappointing that it didn't go above the reserve, | 0:35:36 | 0:35:39 | |
but as the desk came from Trevor's family, it's right and proper | 0:35:39 | 0:35:42 | |
that it should go at a price that reflects its value. | 0:35:42 | 0:35:45 | |
It doesn't help our total, though. | 0:35:45 | 0:35:47 | |
We need our next lot to make a really good show of it. | 0:35:47 | 0:35:50 | |
It's a very fine inlaid Edwardian display cabinet | 0:35:50 | 0:35:53 | |
and we're hoping for £200 to £300. | 0:35:53 | 0:35:57 | |
So, French in its style, Jonty? | 0:35:57 | 0:36:00 | |
Well, it's Art Nouveau style, really. It's late 19th century. | 0:36:00 | 0:36:03 | |
£200 to £300 worth of antique. | 0:36:03 | 0:36:06 | |
You've got a reserve on it, haven't you? | 0:36:06 | 0:36:08 | |
Yes, because we wouldn't like to see it go for next to nothing. | 0:36:08 | 0:36:11 | |
Who will start me for £100 for the display cabinet? | 0:36:11 | 0:36:14 | |
100, 110, 120, | 0:36:14 | 0:36:15 | |
130, 140. | 0:36:15 | 0:36:17 | |
£140 for a display cabinet. | 0:36:17 | 0:36:19 | |
£140. Anybody want me 150? | 0:36:19 | 0:36:21 | |
£140... | 0:36:21 | 0:36:23 | |
Gone at £140, at 140. | 0:36:24 | 0:36:26 | |
Anybody else want to come in? | 0:36:26 | 0:36:28 | |
140. Not enough. | 0:36:28 | 0:36:30 | |
Not enough. | 0:36:30 | 0:36:33 | |
I'll tell you what, though, | 0:36:33 | 0:36:35 | |
I think it's better that it goes home and sits in your sitting room. | 0:36:35 | 0:36:38 | |
I do. I think it's criminal in some ways to give things away, | 0:36:38 | 0:36:41 | |
if they're worth a lot more and if they're worth a lot to your family. | 0:36:41 | 0:36:44 | |
It seems the bidders aren't as keen on furniture today, | 0:36:44 | 0:36:48 | |
but Jan could always leave the cabinet | 0:36:48 | 0:36:51 | |
and the writing desk in another sale. | 0:36:51 | 0:36:54 | |
After that poor run, the collection of silver items | 0:36:54 | 0:36:57 | |
with an estimate of £50 also failed to sell. | 0:36:57 | 0:37:01 | |
Start me for £20 for the silver plate. | 0:37:01 | 0:37:03 | |
20, 22, 24, 26. £26 for it? | 0:37:03 | 0:37:07 | |
For £26, I'll take. At £26, it's not selling for 26... | 0:37:07 | 0:37:11 | |
At £26. Anybody want to come in? | 0:37:11 | 0:37:13 | |
No? At £26... | 0:37:13 | 0:37:15 | |
Not sold, I'm afraid. | 0:37:15 | 0:37:16 | |
And we're left feeling a little bewildered. | 0:37:16 | 0:37:19 | |
So disappointing! But on the other hand, | 0:37:19 | 0:37:21 | |
why would it suddenly be a no-sale | 0:37:21 | 0:37:23 | |
with the auctioneer just taking that decision? | 0:37:23 | 0:37:26 | |
He uses his estimate as a guide as to where he should be selling. | 0:37:26 | 0:37:30 | |
So he takes it up to a reasonable figure | 0:37:30 | 0:37:34 | |
and then offers it into the room. | 0:37:34 | 0:37:36 | |
So he went up to £26 and then would have looked round the room for bids, | 0:37:36 | 0:37:40 | |
no bids, bangs the gavel down. | 0:37:40 | 0:37:42 | |
That means that it's unsold. | 0:37:42 | 0:37:44 | |
But we mustn't be too downhearted. | 0:37:44 | 0:37:46 | |
We did brilliantly well in the first part of the auction. | 0:37:46 | 0:37:50 | |
Our last item | 0:37:50 | 0:37:51 | |
on the blot today is this colourful Staffordshire bowl. | 0:37:51 | 0:37:55 | |
This could do really well, but it did have some hairline cracks, | 0:37:55 | 0:37:58 | |
so Jonty is playing it safe with a low estimate. | 0:37:58 | 0:38:01 | |
This bowl is beautiful, | 0:38:01 | 0:38:02 | |
very colourful, and would have been used as a punch bowl, I guess. | 0:38:02 | 0:38:06 | |
So did you ever use it like that? | 0:38:06 | 0:38:08 | |
We just used it as an ornament. | 0:38:08 | 0:38:10 | |
Why did you not put some Pimms or something | 0:38:10 | 0:38:12 | |
out of this beautiful punch bowl? | 0:38:12 | 0:38:14 | |
Probably because we didn't think of it. | 0:38:14 | 0:38:16 | |
-What's your appraisal, Jonty? -The market isn't great for these things. | 0:38:16 | 0:38:19 | |
They're decorative, but no more than that, | 0:38:19 | 0:38:22 | |
so I'll have to put a lower figure on it, | 0:38:22 | 0:38:24 | |
so around the £30 mark is what we're looking for. | 0:38:24 | 0:38:26 | |
Let's console ourselves with the thought that if it doesn't sell... | 0:38:26 | 0:38:30 | |
We'll all have Pimms in the garden. | 0:38:30 | 0:38:32 | |
Here it comes. | 0:38:32 | 0:38:33 | |
Must be worth £10. 12, 14, 16, 18, 20. | 0:38:33 | 0:38:38 | |
£20 for it? | 0:38:38 | 0:38:40 | |
£20, 22. | 0:38:40 | 0:38:41 | |
24, 26, 28, | 0:38:41 | 0:38:44 | |
30, 32, 34. | 0:38:44 | 0:38:47 | |
£34, then. 38, 40, | 0:38:47 | 0:38:51 | |
42, 44, 46, 48, 50, | 0:38:51 | 0:38:56 | |
5, 60, 5. | 0:38:56 | 0:38:58 | |
70, 5, 80, 5. | 0:38:58 | 0:39:02 | |
90, 5, 100. 110, 120. | 0:39:02 | 0:39:06 | |
120 then for the lady at £120. | 0:39:06 | 0:39:09 | |
At 120. At £120, then, it's 120. | 0:39:09 | 0:39:13 | |
-That is fantastic! -What a result, eh? | 0:39:16 | 0:39:18 | |
Why did do you think it went for so much more than you thought? | 0:39:18 | 0:39:22 | |
There's obviously two dealers that really, really wanted this, | 0:39:22 | 0:39:26 | |
and one was determined. | 0:39:26 | 0:39:27 | |
You noticed the card just stayed up until the hammer fell. | 0:39:27 | 0:39:31 | |
She was prepared to buy it, like, almost at any price. | 0:39:31 | 0:39:34 | |
-£120. That's a really great result. -And your wee face was brilliant! | 0:39:34 | 0:39:38 | |
I don't know, talk about highs and lows! | 0:39:41 | 0:39:44 | |
The bowl sold for four times its estimate, | 0:39:44 | 0:39:47 | |
but was that enough to get us to our target? | 0:39:47 | 0:39:49 | |
Just to refresh your memory, of course, £800, we were hoping for | 0:39:49 | 0:39:54 | |
to do a bit of redecoration in your new place in Spain. | 0:39:54 | 0:39:58 | |
Bearing in mind you did exceptionally well | 0:39:58 | 0:40:00 | |
in the first part of your auction, | 0:40:00 | 0:40:02 | |
and in the second part of the auction, you had three no-sales, | 0:40:02 | 0:40:05 | |
which means you're going home with some of your pieces. | 0:40:05 | 0:40:08 | |
Despite that, you've got the grand total | 0:40:08 | 0:40:11 | |
which, I think, is terrific, of £698. | 0:40:11 | 0:40:15 | |
-That's not too bad, is it? -I think that's terrific, don't you? | 0:40:15 | 0:40:18 | |
I'm amazed, considering we had the desk and display cabinet unsold. | 0:40:18 | 0:40:23 | |
Which were the biggest items. | 0:40:23 | 0:40:24 | |
I think your other items did exceptionally well. | 0:40:24 | 0:40:27 | |
You've done very well, considering. | 0:40:27 | 0:40:29 | |
It's one week later | 0:40:33 | 0:40:35 | |
and with just under £700 towards their Spanish casa, | 0:40:35 | 0:40:38 | |
Jan and Trevor have a plan for when they return to Spain. | 0:40:38 | 0:40:42 | |
The money we raise from the auction | 0:40:42 | 0:40:44 | |
we'll use to refurbish the villa in Spain, but it would be nice | 0:40:44 | 0:40:47 | |
to come here today and learn to cook paella | 0:40:47 | 0:40:49 | |
because we've got a group of friends coming in October | 0:40:49 | 0:40:51 | |
and we're looking to see that we can produce a fantastic meal for them. | 0:40:51 | 0:40:55 | |
They've come to Jan's Spanish school | 0:40:55 | 0:40:57 | |
for a very special day with an experienced paella chef. | 0:40:57 | 0:41:01 | |
Let's cook some paella! | 0:41:01 | 0:41:03 | |
I'm really looking forward to learning a bit of Spanish cookery | 0:41:03 | 0:41:06 | |
because we've been eating paella | 0:41:06 | 0:41:08 | |
for years and it's about time I learned how to cook it. | 0:41:08 | 0:41:11 | |
A veritable feast of the senses. | 0:41:11 | 0:41:14 | |
Paella's one of those dishes everyone in Spain has an opinion on. | 0:41:14 | 0:41:17 | |
Originally from Valencia, | 0:41:17 | 0:41:19 | |
we think of it as being a seafood dish, | 0:41:19 | 0:41:21 | |
but all sorts of ingredients can find their way into it. | 0:41:21 | 0:41:24 | |
Perhaps the ordinary people | 0:41:24 | 0:41:26 | |
might not be able to afford the langoustinos. | 0:41:26 | 0:41:30 | |
Rabbit. Very popular. | 0:41:30 | 0:41:33 | |
-In Valencia, they do snails as well? -Yes. It's nice. | 0:41:33 | 0:41:35 | |
The largest ever paella was made in Valencia | 0:41:35 | 0:41:39 | |
and fed over 200,000 people. | 0:41:39 | 0:41:41 | |
I'm sure Jan and Trevor | 0:41:43 | 0:41:45 | |
aren't planning to feed quite that many people, | 0:41:45 | 0:41:48 | |
but they are keen to test out their new skills on their friends. | 0:41:48 | 0:41:52 | |
Looking forward to getting back to Spain, actually, | 0:41:52 | 0:41:55 | |
and entertaining our friends with a wonderful paella meal. | 0:41:55 | 0:41:58 | |
Subtitles by Red Bee Media Ltd | 0:42:22 | 0:42:26 |