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Welcome to Cash In The Attic. We're the team that work with you | 0:00:02 | 0:00:05 | |
to find valuables around your home and then sell them at auction. | 0:00:05 | 0:00:08 | |
Today I am in the Yorkshire Pennines and I have come to the really beautiful village of Haworth. | 0:00:08 | 0:00:14 | |
Now, Haworth, of course, is world famous as the home of the Bronte sisters, Charlotte, Emily and Anne. | 0:00:14 | 0:00:21 | |
The sisters lived in this parsonage with their family from 1820 to 1861, | 0:00:21 | 0:00:27 | |
and it is now a museum, attracting fans from around the globe. | 0:00:27 | 0:00:30 | |
It was here they wrote some of the most famous books in the English language, | 0:00:30 | 0:00:34 | |
including Jane Eyre and Wuthering Heights. | 0:00:34 | 0:00:37 | |
Well, perhaps we will find a few classics of our own today, | 0:00:37 | 0:00:40 | |
because we are about to go in search of antiques and collectibles that will go under the hammer at auction. | 0:00:40 | 0:00:46 | |
'Coming up on today's Cash In The Attic, we are getting all literary.' | 0:01:06 | 0:01:11 | |
You have your Heathcliff moments, out there on the moors. | 0:01:11 | 0:01:14 | |
'While our two heroines may have big plans...' | 0:01:14 | 0:01:17 | |
You could have a full-blown croquet tournament out there! | 0:01:17 | 0:01:20 | |
And a day out! THEY LAUGH | 0:01:20 | 0:01:24 | |
Will our antiques be bestsellers when it comes to auction? | 0:01:24 | 0:01:27 | |
They are worth a bit more. I think we will try those next week again. | 0:01:27 | 0:01:31 | |
I have crossed the Pennines from Haworth into Calderdale, | 0:01:31 | 0:01:35 | |
where I am about to meet two ladies who would like to raise money | 0:01:35 | 0:01:39 | |
for what they hope is going to be a rather relaxing hobby. | 0:01:39 | 0:01:42 | |
This beautiful 17th century house in the heart of rural Yorkshire | 0:01:42 | 0:01:47 | |
is home to company director and keen walker, Lesley Parkinson. | 0:01:47 | 0:01:51 | |
Lesley comes from a family of hoarders and antique enthusiasts, so collecting is in her blood. | 0:01:51 | 0:01:56 | |
And her home is overflowing with beautiful possessions. | 0:01:56 | 0:02:00 | |
But with so many rooms to keep on top of, she has decided it is time | 0:02:00 | 0:02:04 | |
to rein in the clutter, and her good friend Shirley is on hand to help. | 0:02:04 | 0:02:09 | |
-Good morning, John. -Morning, Angela. | 0:02:09 | 0:02:11 | |
-Where have you been? -I have been off to the parsonage, Bronte country, | 0:02:11 | 0:02:15 | |
and I tell you, with the weather, it was very Wuthering Heights up there! | 0:02:15 | 0:02:19 | |
It looks Wuthering Heights round here, with these rolling hills and stone walls. | 0:02:19 | 0:02:23 | |
-These houses have got some amazing things inside. -Who are we meeting today? | 0:02:23 | 0:02:27 | |
We are going to meet two very lively ladies, and I warn you, | 0:02:27 | 0:02:31 | |
they both know a fair bit about antiques, so you'll have to be on your mettle. | 0:02:31 | 0:02:35 | |
-We're in for some fun! -I think so! | 0:02:35 | 0:02:37 | |
-Good morning, ladies. -Good morning! | 0:02:41 | 0:02:44 | |
Lesley and Shirley. Lesley, what a fabulous house you have got up here. | 0:02:44 | 0:02:49 | |
Yes, it is quite nice. | 0:02:49 | 0:02:51 | |
Absolutely beautiful. Why have you called in Cash In The Attic? | 0:02:51 | 0:02:54 | |
Well, we have just had a new lawn laid, and I would love to raise about £500 to buy a croquet set. | 0:02:54 | 0:03:00 | |
We used to play croquet when I was a child, and it's something I used to really enjoy. | 0:03:00 | 0:03:05 | |
And now I've got the space, I'd really like a nice croquet set. | 0:03:05 | 0:03:09 | |
And Shirley, you're going to help? | 0:03:09 | 0:03:12 | |
Yes, I'm going to help. | 0:03:12 | 0:03:14 | |
But how do you two know each other, then? | 0:03:14 | 0:03:16 | |
We met 12 years ago on the day Lesley moved in, and we are still chatting. | 0:03:16 | 0:03:22 | |
It's a massive house, so we've got our work cut out. | 0:03:22 | 0:03:25 | |
-Shall we roll up our sleeves and get started? -Yes! | 0:03:25 | 0:03:30 | |
With such a beautiful view, I can understand why Lesley loves spending time in her garden. | 0:03:30 | 0:03:35 | |
But our attention is focused inside today, and it looks like our expert | 0:03:35 | 0:03:39 | |
-John has already found a good prospect. Hello, John. -Hi, girls. | 0:03:39 | 0:03:43 | |
It's a bit early in the day for you to be thinking | 0:03:43 | 0:03:46 | |
-you're going to have a snooze in a rocking chair. -Busted again! | 0:03:46 | 0:03:49 | |
Where did this one come from? | 0:03:49 | 0:03:51 | |
Well, this was in my grandparents' house, and I remember it in the kitchen. | 0:03:51 | 0:03:56 | |
It was quite a large kitchen, with a huge, big, old-fashioned range, and this used to sit in front of it. | 0:03:56 | 0:04:01 | |
Now, looking at this piece, we've got some lovely slender shapes to it. | 0:04:01 | 0:04:05 | |
Nice scrolled arms there. | 0:04:05 | 0:04:08 | |
Obviously, the slender curve in the back here, | 0:04:08 | 0:04:10 | |
the turning, and those bearers on the bottom, this is all done by hand. | 0:04:10 | 0:04:16 | |
But the great thing about it is how old this is. | 0:04:16 | 0:04:18 | |
This is well over 200 years old. | 0:04:18 | 0:04:20 | |
It's an 18th century piece. | 0:04:20 | 0:04:22 | |
You can tell that by when you look at the colour, the natural patination | 0:04:22 | 0:04:26 | |
and the fact that this has been made completely by hand. | 0:04:26 | 0:04:29 | |
-What is the wood of this chair? -We've got some walnut in the back. | 0:04:29 | 0:04:33 | |
I've also noticed some mahogany graining. | 0:04:33 | 0:04:35 | |
-So they utilised whatever's available. -What sort of money do you think we're looking at? | 0:04:35 | 0:04:40 | |
Well, I would be looking to estimate it at auction at about £80 to £120, something like that. | 0:04:40 | 0:04:45 | |
It's a bit lower than I'd hoped, but I have made the decision for it to go. | 0:04:45 | 0:04:51 | |
So, we've got a minimum of £80 in the pot already and we haven't even scratched the surface, John. | 0:04:51 | 0:04:58 | |
-Shall we get to work? -I think we ought to. | 0:04:58 | 0:05:00 | |
So that's number one found, and it's onwards and upwards with our search. | 0:05:02 | 0:05:07 | |
In the hallway, Shirley has spotted these woolwork embroidery pieces. | 0:05:07 | 0:05:11 | |
John hopes they'll weave their way to an auction success | 0:05:11 | 0:05:14 | |
with a £50 to £100 price tag. | 0:05:14 | 0:05:16 | |
'And in the bedroom, I've spotted a rather beautiful item.' | 0:05:16 | 0:05:21 | |
Very pretty piece of furniture, Lesley, where did this come from? | 0:05:21 | 0:05:24 | |
I bought this several years ago at an antique shop. | 0:05:24 | 0:05:29 | |
When I saw it, I really liked it. | 0:05:29 | 0:05:31 | |
It seems it's a bit surplus now and I keep moving it from room to room, so...it's time. | 0:05:31 | 0:05:37 | |
It's Georgian in date. | 0:05:37 | 0:05:39 | |
It's probably around 1760, 1770, something like that. | 0:05:39 | 0:05:42 | |
They're referred to as toilet mirrors or platform mirrors, the sort of thing a lady would have had | 0:05:42 | 0:05:47 | |
in her boudoir or closet, and typically have drawers for their toiletries | 0:05:47 | 0:05:52 | |
and as you see, you have these lovely shaped bracket feet | 0:05:52 | 0:05:55 | |
which would have been consistent with a Georgian chest of drawers, | 0:05:55 | 0:05:59 | |
as is this nice, vertical reading on the side here. | 0:05:59 | 0:06:02 | |
Looks like the original glass. We can see the silver starting to perish, | 0:06:02 | 0:06:06 | |
but that's the original glass in there as well. So quite a nice thing. | 0:06:06 | 0:06:10 | |
What sort of figure are we looking at, John? | 0:06:10 | 0:06:12 | |
-I'm going to say £80 to £120 for it. -How does that compare with what you paid? | 0:06:12 | 0:06:16 | |
I paid a lot more than that for it, but if I keep it, | 0:06:16 | 0:06:20 | |
and I keep moving it about, it'll get damaged, so I think it's time to go. | 0:06:20 | 0:06:25 | |
So one more move to go from here to the auction house. | 0:06:25 | 0:06:28 | |
After that, it goes to the highest bidder. | 0:06:28 | 0:06:30 | |
With such a big house to search through, it's all hands on deck, | 0:06:30 | 0:06:34 | |
and our expert spots this lovely pair of figurines. | 0:06:34 | 0:06:37 | |
Lesley bought them at an auction in Cornwall, but we're hoping that | 0:06:37 | 0:06:40 | |
they'll woo the northern bidders with an estimate of £50 to £100. | 0:06:40 | 0:06:44 | |
'Lesley's clearly passionate about her antiques, but will the promise | 0:06:44 | 0:06:48 | |
'of some outdoor entertainment help her to part with them?' | 0:06:48 | 0:06:51 | |
You want to buy the croquet set. You played it as a child? | 0:06:51 | 0:06:54 | |
My grandparents had a big croquet lawn at the front, and my godmother had one as well. | 0:06:54 | 0:07:00 | |
So we were always playing it. | 0:07:00 | 0:07:03 | |
We just had some marvellous fun. | 0:07:03 | 0:07:05 | |
We used to laugh a lot, and it can be quite a ruthless game as well. | 0:07:05 | 0:07:11 | |
Can be a vicious game, can't it? | 0:07:11 | 0:07:13 | |
-Yeah, yeah... -You've got to be careful what you do with the mallet! | 0:07:13 | 0:07:16 | |
So, are you gonna play as well, Shirley? | 0:07:16 | 0:07:19 | |
Er, yes, if I learn the rules, I'll have a go. | 0:07:19 | 0:07:23 | |
You were actually born in this very valley, in classic Bronte country. | 0:07:23 | 0:07:28 | |
You can just tell straight away that it's Yorkshire and it's this area. | 0:07:28 | 0:07:32 | |
Whenever you see it on television, you just recognise it straight away. | 0:07:32 | 0:07:37 | |
You have your Heathcliff moments, out there on the moors. | 0:07:37 | 0:07:40 | |
No Heathcliff, I'm afraid, but we have got lots more wonderful items | 0:07:40 | 0:07:44 | |
in the house that I'm sure we'll be able to take to auction. I think it's gonna rain again, | 0:07:44 | 0:07:49 | |
-we're gonna lose the view. Shall we get back to work? -Yeah. -Come on, then. | 0:07:49 | 0:07:54 | |
With a £500 target, we need to keep working hard, and Lesley wastes no time in digging out | 0:07:54 | 0:08:00 | |
this silver sugar shaker and cream jug, which she inherited from her grandmother. | 0:08:00 | 0:08:05 | |
John hopes they'll sweet talk the bidders | 0:08:05 | 0:08:08 | |
with the price tag of £70 to £90. | 0:08:08 | 0:08:10 | |
Next door, something colourful has caught Shirley's eye. | 0:08:10 | 0:08:14 | |
-John, what about that? -It's quite a nice thing. Yes, it's not bad. | 0:08:14 | 0:08:19 | |
-I'm not quite sure what it is. -What do you think it is? -A giant ice cream dish? | 0:08:19 | 0:08:23 | |
I like that, yes, that's my type of sundae glass, definitely! | 0:08:23 | 0:08:27 | |
You'd get a whole handful of spoons round there, wouldn't you? I don't think I'd want to share, anyway! | 0:08:27 | 0:08:32 | |
It's part of a garniture set, I would say. | 0:08:32 | 0:08:34 | |
19th century. It would have been made in Bohemia, in the old part of the Austro-Hungarian Empire. | 0:08:34 | 0:08:40 | |
It's completely handmade and would have started with the glassblower first having to shape this bowl. | 0:08:40 | 0:08:47 | |
They would then create the stem, two separate entities at that point. | 0:08:47 | 0:08:51 | |
The piece is then encased in an outer layer of white, opaque glass. | 0:08:51 | 0:08:56 | |
-At that stage, the whole thing would have appeared opaque white. -So how do they get this? | 0:08:56 | 0:09:01 | |
That was the job of the engraver or the cutter. | 0:09:01 | 0:09:05 | |
He would take a revolving, grinding wheel. He would have to cut this | 0:09:05 | 0:09:09 | |
crinolation around here and these panels, cut them away to reveal that clear, glass layer beneath. | 0:09:09 | 0:09:15 | |
This is in good condition and I think at auction we'd be looking at about £70 to £90, something like that. | 0:09:15 | 0:09:20 | |
I think that will be quite a good offering. | 0:09:20 | 0:09:23 | |
Another brilliant find. This house really is overflowing with saleable treasures. | 0:09:23 | 0:09:28 | |
'Out in the hallway, | 0:09:28 | 0:09:30 | |
'I dig out this pair of cloisonne pottery vases. | 0:09:30 | 0:09:33 | |
'They were part of a collection built up by Lesley's mother, | 0:09:33 | 0:09:37 | |
'and John estimates their value at £20 to £30.' | 0:09:37 | 0:09:39 | |
Meanwhile, upstairs, Lesley has a rather unusual piece, on which she wants an expert opinion. | 0:09:39 | 0:09:45 | |
John, what do you think of this? | 0:09:45 | 0:09:48 | |
That's quite a nice woolwork picture, Lesley, what's the story behind it? | 0:09:48 | 0:09:52 | |
I bought this about 15 years ago from an antiques centre. | 0:09:52 | 0:09:55 | |
Woolwork pictures do turn up quite a lot at auction. | 0:09:55 | 0:09:58 | |
They tend to be around the Regency period or 19th century, there or thereabouts. | 0:09:58 | 0:10:03 | |
It's the subject matter which really dictates whether they'll sell well or not. | 0:10:03 | 0:10:07 | |
I think this is a really charming subject matter, a fish woman unloading the catch. | 0:10:07 | 0:10:12 | |
I don't recall seeing one like that, and I can see this would have | 0:10:12 | 0:10:16 | |
appealed to the rising middle classes of the 19th century. | 0:10:16 | 0:10:20 | |
If you have a look, in the foreground, | 0:10:20 | 0:10:22 | |
there we are, she's got several varieties of fish there, | 0:10:22 | 0:10:25 | |
and her dress, the more I look at it, the more detail there is. | 0:10:25 | 0:10:28 | |
When you bought it, Lesley, did you have a look that far or have you kind of looked further over the years? | 0:10:28 | 0:10:34 | |
I suppose I've looked further over the years, | 0:10:34 | 0:10:37 | |
but I liked it because of the detail of her dress and her top, | 0:10:37 | 0:10:41 | |
and selling the fish, and all the straw hanging down, and the rigging as well. | 0:10:41 | 0:10:46 | |
I just thought it was quite detailed and very unusual. | 0:10:46 | 0:10:49 | |
Well with regards to value, I mean, she's got all the pluses. | 0:10:49 | 0:10:52 | |
Nice subject matter, good condition, great colour and the contemporary frame. | 0:10:52 | 0:10:57 | |
I think we ought to be looking at £200 or £300 for this. | 0:10:57 | 0:11:00 | |
Something like that, would that be OK? | 0:11:00 | 0:11:02 | |
Yes, I wouldn't like to see it go for less than 200. | 0:11:02 | 0:11:06 | |
-I think somebody would take the bait and go for this at auction, so off to auction it goes. -Jolly good. | 0:11:06 | 0:11:12 | |
'It's another good amount, but auctions are always unpredictable, | 0:11:12 | 0:11:16 | |
'so it's best to keep up the search to ensure we reach our £500 total for that croquet set.' | 0:11:16 | 0:11:22 | |
Lesley's attention is drawn towards this cased pen and pencil set, | 0:11:22 | 0:11:26 | |
which John values at an impressive £30 to £50. | 0:11:26 | 0:11:30 | |
While Shirley carries on searching next door, | 0:11:30 | 0:11:32 | |
John thinks he's found an item that's large in value, if not in size. | 0:11:32 | 0:11:35 | |
Lesley, Angela, come and have a look at these. | 0:11:35 | 0:11:39 | |
These are rather interesting, there are four of them. | 0:11:39 | 0:11:42 | |
-They're lovely. -What's the story behind these, Lesley? | 0:11:42 | 0:11:45 | |
Well, I bought these about 20 years ago at a local antique shop near to where I lived at the time. | 0:11:45 | 0:11:50 | |
I never really took to them, but I bought them because they were cheap, | 0:11:50 | 0:11:55 | |
I thought they were cheap, and they are pretty fine. | 0:11:55 | 0:11:59 | |
But what's interesting about these are the colours and the size, | 0:11:59 | 0:12:04 | |
because those colours remind me of Sevres porcelain factory, | 0:12:04 | 0:12:07 | |
as does this gilding, and then it's been burnished, which is very typical of Sevres. | 0:12:07 | 0:12:13 | |
Once they've applied it, they literally take a hobnail from their boot, and they use that | 0:12:13 | 0:12:18 | |
to gradually burnish parts, so you have this beautiful contrast of shiny gilding and matt gilding. | 0:12:18 | 0:12:25 | |
I would like to take one out at some point and have a look on the back to see if it tells us anything. | 0:12:25 | 0:12:30 | |
It may well have somebody's mark on there, | 0:12:30 | 0:12:32 | |
and sadly, we probably may never find out who the sitters are, or who painted them. | 0:12:32 | 0:12:37 | |
We could have a guess, and that's what collectors really like. | 0:12:37 | 0:12:42 | |
I think we ought to suggest £200 to £300 on these, something like that. | 0:12:42 | 0:12:46 | |
-So how do you feel about that, bearing in mind you know what you paid for them? -Well... | 0:12:46 | 0:12:50 | |
I wouldn't like them to go for less than maybe 280. | 0:12:50 | 0:12:55 | |
-You'd want to put a reserve on them? -I think so. | 0:12:55 | 0:12:57 | |
In which case, as an auction house, if you publish an estimate, | 0:12:57 | 0:13:00 | |
you can't have your reserve above the lower estimate. | 0:13:00 | 0:13:03 | |
So that would mean we'd have to increase our estimate | 0:13:03 | 0:13:06 | |
to, say, £300 to £400, and then the reserve is just below. | 0:13:06 | 0:13:09 | |
Shirley, come and join us a second. | 0:13:09 | 0:13:11 | |
Come and join us, because we've just been looking at these rather lovely four miniatures, | 0:13:11 | 0:13:16 | |
even though John's only got one of them there. | 0:13:16 | 0:13:19 | |
It means that I can now give you all a final total | 0:13:19 | 0:13:21 | |
on what we hope to raise at auction, taking John's lowest estimates. | 0:13:21 | 0:13:26 | |
We're actually going to raise rather more than £500. | 0:13:26 | 0:13:29 | |
Hopefully, we should be able to raise £950, which means you can get | 0:13:29 | 0:13:34 | |
not just the croquet set, but enough chairs to have an entire festival of croquet! | 0:13:34 | 0:13:40 | |
-Oh, wow! -(BOTH) And a day out! | 0:13:40 | 0:13:42 | |
THEY LAUGH | 0:13:42 | 0:13:45 | |
But it all depends what happens when the hammer comes down, | 0:13:45 | 0:13:49 | |
so let's just keep fingers crossed that everything is gonna go well when we get to auction. | 0:13:49 | 0:13:54 | |
Lesley's home has been such a delight to search through today, | 0:13:54 | 0:13:58 | |
and we've got a huge variety of items to pack off to auction. | 0:13:58 | 0:14:02 | |
There's the stylish Georgian bathroom mirror, | 0:14:02 | 0:14:05 | |
which John valued at £80 to £120. | 0:14:05 | 0:14:08 | |
The colourful tapestry of the lady fish seller, which we're hoping | 0:14:08 | 0:14:12 | |
will reel in the bidders with a £200 to £300 price tag. | 0:14:12 | 0:14:16 | |
And, of course, the exquisite hand painted miniatures | 0:14:16 | 0:14:20 | |
with John's boosted price tag of £300 to £400. | 0:14:20 | 0:14:24 | |
Still to come on Cash In The Attic... | 0:14:24 | 0:14:26 | |
'Where's Heathcliff when you need him?' | 0:14:26 | 0:14:30 | |
Oh, on the telephone! | 0:14:30 | 0:14:31 | |
This plot definitely has some twists and turns. | 0:14:32 | 0:14:36 | |
'How will it end when the hammer falls?' | 0:14:36 | 0:14:38 | |
Well it's been a week or two since we joined Lesley Parkinson | 0:14:43 | 0:14:47 | |
and her friend, Shirley, at that beautiful house that Lesley has in West Yorkshire. | 0:14:47 | 0:14:51 | |
We were looking for antiques and collectibles that we could sell | 0:14:51 | 0:14:55 | |
today, here at Cato Crane Auctioneers in Liverpool. | 0:14:55 | 0:14:58 | |
Lesley wants a really fabulous croquet set, | 0:14:58 | 0:15:02 | |
so that she and her friends and family can all play the game on that new lawn that she's had laid. | 0:15:02 | 0:15:07 | |
It's gonna cost her about £500, so we're really hoping | 0:15:07 | 0:15:10 | |
that all the bidders are gonna be on form today | 0:15:10 | 0:15:13 | |
when her items go under the hammer. | 0:15:13 | 0:15:16 | |
This auction house in the heart of the docks | 0:15:16 | 0:15:18 | |
has been selling the antiques and collectibles of the people of Liverpool for over 20 years. | 0:15:18 | 0:15:23 | |
John is certainly hoping that our items will sit well with the buyers. | 0:15:23 | 0:15:28 | |
Well, I see the rocking chair made it safely in one piece. | 0:15:28 | 0:15:31 | |
I thought she might change her mind - there was quite an attachment, | 0:15:31 | 0:15:35 | |
-wasn't there? -What are the things that you think will do well today? | 0:15:35 | 0:15:38 | |
I love those Sevres style porcelain miniatures, and also that fish woman tapestry. | 0:15:38 | 0:15:44 | |
Vivid colours, nice, unusual subject matter. | 0:15:44 | 0:15:46 | |
I'm eager to see how those perform. | 0:15:46 | 0:15:48 | |
I wonder which are going to be Lesley's favourite lots today? | 0:15:48 | 0:15:52 | |
-Shall we go and ask her? -Come on. | 0:15:52 | 0:15:54 | |
The room is slowly filling up and Lesley and Shirley have arrived, | 0:15:54 | 0:15:58 | |
excited to see their miniatures on display. | 0:15:58 | 0:16:01 | |
-Good morning, Lesley and Shirley. -Good morning. | 0:16:03 | 0:16:05 | |
-One last look before they end up on somebody else's wall. -Yeah. | 0:16:05 | 0:16:09 | |
-Are you having second thoughts? -Not really. | 0:16:09 | 0:16:11 | |
They are pretty, but no. | 0:16:11 | 0:16:13 | |
But have you put a reserve on them? | 0:16:13 | 0:16:15 | |
Yes, I have, yeah. I thought £300, they're easily worth that. | 0:16:15 | 0:16:21 | |
-They're very attractive. -That's a good idea, John. | 0:16:21 | 0:16:23 | |
That's what they should be worth, but we're in the hands of the Gods now. | 0:16:23 | 0:16:27 | |
Nothing more we can do, we're at the auction. | 0:16:27 | 0:16:30 | |
-Shirley, you're giving lots of support today? -Oh, certainly. | 0:16:30 | 0:16:34 | |
-The more money, the merrier! -Absolutely. | 0:16:34 | 0:16:37 | |
I think we should take our places, because everyone's started to arrive for the auction. | 0:16:37 | 0:16:41 | |
If you're interested in selling or buying at auction, do bear in mind | 0:16:41 | 0:16:46 | |
that you'll have commission, VAT and other charges to pay. | 0:16:46 | 0:16:51 | |
With the auctioneer in position and under way, we take our places just in time for our first lot. | 0:16:51 | 0:16:57 | |
Have you written tomes with this? | 0:16:57 | 0:16:59 | |
I've written absolutely nothing with it! It's never been out of its box. | 0:16:59 | 0:17:03 | |
So it's in pristine condition? | 0:17:03 | 0:17:06 | |
-It is indeed. -It's just about to come under the hammer, so let's see how it does. | 0:17:06 | 0:17:10 | |
What do we say, £20, Mrs Jay? £20 is bid there. | 0:17:10 | 0:17:13 | |
£20. We're staying five, sir. | 0:17:13 | 0:17:16 | |
Times are hard. £25 there. | 0:17:16 | 0:17:18 | |
30 with you, sir. 35, 40, 45, 50. | 0:17:18 | 0:17:22 | |
£45 here. Any advance on 45? | 0:17:22 | 0:17:27 | |
I'll take 46 if you like. | 0:17:27 | 0:17:29 | |
We're having to work hard today. | 0:17:29 | 0:17:31 | |
£45 on my right, are we all done? | 0:17:31 | 0:17:34 | |
There we go, £45. A nice object. | 0:17:34 | 0:17:38 | |
-£45. -Excellent. | 0:17:38 | 0:17:39 | |
I was quite pleased with that. | 0:17:39 | 0:17:42 | |
Quite pleased, it's been hanging around for years. I was amazed. | 0:17:42 | 0:17:46 | |
Well, that's the first sale crossed off the list. | 0:17:46 | 0:17:49 | |
'Let's hope our next lot continues in the same vein.' | 0:17:49 | 0:17:52 | |
I can start the bidding, straight in at £40 on the telephone. | 0:17:52 | 0:17:55 | |
£40 with me. 40, any advance on 40? | 0:17:55 | 0:17:59 | |
50, a gentleman down the room now. | 0:17:59 | 0:18:01 | |
There is somebody there, 50. 60 on the telephone. | 0:18:01 | 0:18:05 | |
-Oh, on the telephone! -And five, sir. | 0:18:05 | 0:18:07 | |
60 on the telephone. £60 and 65. | 0:18:07 | 0:18:10 | |
70 with you. | 0:18:10 | 0:18:12 | |
70. | 0:18:12 | 0:18:13 | |
65? Come on. | 0:18:13 | 0:18:16 | |
67.50, I know who's on the phone. | 0:18:16 | 0:18:18 | |
67.50 is bid now. All done at 67.50, Jonathan, with you. | 0:18:18 | 0:18:23 | |
Come on. | 0:18:29 | 0:18:31 | |
Yes, 67.50, we've got a bid at 67.50. | 0:18:31 | 0:18:33 | |
All done, then? | 0:18:33 | 0:18:36 | |
What an unusual amount! £67.50. | 0:18:36 | 0:18:42 | |
Just a touch under estimate, but a good sale. | 0:18:42 | 0:18:46 | |
The cloisonne vases are up next and sell... | 0:18:46 | 0:18:49 | |
£14 all done. Got to go. | 0:18:49 | 0:18:53 | |
Again, just under the lower estimate at £14. | 0:18:53 | 0:18:57 | |
So far so good, but there seems to be a trend developing here, | 0:18:57 | 0:19:01 | |
when the Lancashire rocking chair, that John had high hopes for, sells... | 0:19:01 | 0:19:05 | |
-65. -..for £15 under the estimate. | 0:19:05 | 0:19:09 | |
Lesley's philosophical. | 0:19:09 | 0:19:11 | |
The rocking chair, I was disappointed, | 0:19:11 | 0:19:13 | |
but it saves taking it home and bringing it back again another day. | 0:19:13 | 0:19:18 | |
That's the spirit, Lesley! | 0:19:18 | 0:19:20 | |
We're hoping that our next lot will bring in a pretty penny. | 0:19:20 | 0:19:23 | |
The hand painted miniature portraits set in gold coloured frames. | 0:19:23 | 0:19:28 | |
-You've put a reserve on these, haven't you? -I have, yes. -Of? -300. | 0:19:28 | 0:19:32 | |
So, let's see how they do. | 0:19:32 | 0:19:35 | |
What do we say on this? They are, in actual fact, most attractive. | 0:19:35 | 0:19:40 | |
Let's make of it what we can. | 0:19:40 | 0:19:42 | |
-He likes them. -Well, yeah. -I think they're really attractive. | 0:19:42 | 0:19:45 | |
£40, £10 to start? | 0:19:45 | 0:19:47 | |
-£40? £10? -40, 50, 50, 60, 70, 80, | 0:19:47 | 0:19:54 | |
90, 100, 120, 140, 160, 180, 200. | 0:19:54 | 0:20:00 | |
You're at 220, madam. I'll sell at 220. | 0:20:00 | 0:20:03 | |
Would you like 210, then? | 0:20:03 | 0:20:04 | |
Just get me over this. 210. OK, £210. | 0:20:04 | 0:20:08 | |
You're very kind. Thank you. | 0:20:08 | 0:20:10 | |
210. I wasn't being sarcastic, incidentally! | 0:20:10 | 0:20:13 | |
You are genuinely kind. | 0:20:13 | 0:20:15 | |
£210. I can sell for £210. | 0:20:15 | 0:20:19 | |
-210. -Yeah. -Again or not? Yes? | 0:20:19 | 0:20:22 | |
£210 now. | 0:20:22 | 0:20:24 | |
210. Not the reserve you put on them, but the sort of estimate that John had for them originally. | 0:20:24 | 0:20:31 | |
So Lesley agreed to let the auctioneer take the bid | 0:20:31 | 0:20:34 | |
below its reserve. It's not the result she was hoping for, | 0:20:34 | 0:20:37 | |
but 210 is £10 over what John originally estimated. | 0:20:37 | 0:20:42 | |
The miniatures, I was a little disappointed, but I thought | 0:20:42 | 0:20:47 | |
it was time perhaps to let them go. | 0:20:47 | 0:20:49 | |
It was a pretty good price, really, I suppose. | 0:20:49 | 0:20:53 | |
Chin up, Lesley. Despite a couple of disappointing sales, | 0:20:53 | 0:20:57 | |
we are on our way to our £500 target for that croquet set, so we've got plenty to be pleased about. | 0:20:57 | 0:21:03 | |
And now it's time for our first lot of tapestries to go before the room. | 0:21:03 | 0:21:08 | |
What do we reckon for this little trio? | 0:21:08 | 0:21:10 | |
It's a mixed lot, something for everyone in there - £50-100. | 0:21:10 | 0:21:13 | |
What do we say on these, ladies and gentlemen? Lot 181. | 0:21:13 | 0:21:17 | |
Start the bidding at £40 on these. | 0:21:17 | 0:21:19 | |
They're not expensive at 40. £40. | 0:21:19 | 0:21:21 | |
£40 is bid, 40. | 0:21:21 | 0:21:23 | |
45 anywhere? 45 anywhere? | 0:21:23 | 0:21:26 | |
Anywhere at all? 45, 50. Can you do 55, Mrs Jones, please, for this? | 0:21:26 | 0:21:31 | |
Come on. £50, then. All done at 50. | 0:21:31 | 0:21:35 | |
£50, right on the button at the bottom end of your estimate, John. | 0:21:35 | 0:21:39 | |
That's more like it! Let's hope our luck continues with the next lot. | 0:21:39 | 0:21:43 | |
Next up are our pair of 19th century spelter figures, the blacksmith and the farmhand. | 0:21:43 | 0:21:48 | |
They have their original bases and the gilding is still intact, | 0:21:48 | 0:21:51 | |
so we're looking for £50-100. | 0:21:51 | 0:21:54 | |
£30 to start me off on them. £30. | 0:21:54 | 0:21:56 | |
Anybody? No bidding at £30? Come on, ladies and gentlemen. £30. | 0:21:56 | 0:22:00 | |
Should be bid at 30. 30, 35, 35, 40. | 0:22:00 | 0:22:05 | |
Best we can do at 40? I don't think we can sell them at 40. | 0:22:05 | 0:22:09 | |
I think they're worth a bit more than that, don't you? | 0:22:09 | 0:22:12 | |
-Are you gonna sell at 40? -No. | 0:22:12 | 0:22:16 | |
OK, all done at £40, the best we can do today. | 0:22:16 | 0:22:20 | |
They're worth a bit more. I think we'll try those next week again. | 0:22:20 | 0:22:23 | |
Not sold. | 0:22:23 | 0:22:24 | |
No, but I'm happy to take it back. Didn't want it to sell for that. | 0:22:24 | 0:22:29 | |
It's good that Lesley doesn't mind taking them home, | 0:22:29 | 0:22:32 | |
but there's another blow... | 0:22:32 | 0:22:33 | |
No, we're not gonna sell it at £45, best the bidding goes up to today. | 0:22:33 | 0:22:38 | |
All done, then? | 0:22:38 | 0:22:40 | |
..when the Georgian bathroom mirror also fails to impress the room. | 0:22:40 | 0:22:43 | |
It seems to be one of those fickle days, | 0:22:43 | 0:22:46 | |
with buyers sitting on their hands for our items. | 0:22:46 | 0:22:48 | |
With just a few lots to go, we need something to shake them all up. | 0:22:48 | 0:22:53 | |
Next up is our little lot of silver. | 0:22:53 | 0:22:55 | |
We've got a cream jug and a sugar sifter. | 0:22:55 | 0:22:57 | |
Not in great condition, hence I put £70-90 on them as an estimate. | 0:22:57 | 0:23:01 | |
What do we say, £50 for the two? | 0:23:01 | 0:23:04 | |
Should be worth that right away. £50? | 0:23:04 | 0:23:06 | |
Any bidding at £50? 50 is bid, 50. | 0:23:06 | 0:23:09 | |
£50. Well, I'll sell at first and only bid at 50, then. | 0:23:09 | 0:23:13 | |
All done at first and only bid at £50. Only £40 each. | 0:23:13 | 0:23:18 | |
It is the end of the summer. | 0:23:18 | 0:23:19 | |
£50 then, all done. | 0:23:19 | 0:23:22 | |
Oh, dear. This is really disappointing, but it is a sale. | 0:23:22 | 0:23:27 | |
Can we charm the buyers with our final offering? | 0:23:27 | 0:23:30 | |
-What do we reckon on this one, John? -We've got £200-300 for it. | 0:23:30 | 0:23:34 | |
I think it's worth every penny. | 0:23:34 | 0:23:35 | |
As Lesley said, it has its original frame and it's in lovely condition. Here we go. | 0:23:35 | 0:23:40 | |
What do we say? £50 is bid right away. | 0:23:40 | 0:23:43 | |
Straight in at 50. 50 is bid. 50, 50. | 0:23:43 | 0:23:47 | |
60, 70. 80, sir? 80. 90, 100, and 10. | 0:23:47 | 0:23:51 | |
£100 here. | 0:23:51 | 0:23:53 | |
All done at £100? | 0:23:53 | 0:23:55 | |
All done at £100. 100. | 0:23:55 | 0:23:59 | |
Selling at £100 now. | 0:23:59 | 0:24:01 | |
110 in a new place. 120, 130. 130 is bid now. 140, 150. | 0:24:01 | 0:24:05 | |
Are you bidding? 150, 160. 170. | 0:24:05 | 0:24:10 | |
170, 180. 180. | 0:24:10 | 0:24:12 | |
All done at £180 this time? | 0:24:12 | 0:24:16 | |
Last chance, sir. | 0:24:16 | 0:24:17 | |
180 here. | 0:24:17 | 0:24:19 | |
All done. With Jonathan at 180. | 0:24:19 | 0:24:23 | |
-Happy? -Yeah. | 0:24:23 | 0:24:25 | |
We've had quite a turbulent time at the auction today, | 0:24:25 | 0:24:28 | |
but £20 short of John's lowest estimate just about sums up our day. | 0:24:28 | 0:24:33 | |
Lesley had some fabulous items. | 0:24:33 | 0:24:34 | |
It's just a shame that the bidders weren't in more of a mood to splash their cash. | 0:24:34 | 0:24:39 | |
So how did we do at the end of the day? | 0:24:39 | 0:24:41 | |
You wanted to raise £500 for your rather posh croquet set. | 0:24:41 | 0:24:44 | |
-We've actually made £681.50. -50p! -50p. | 0:24:44 | 0:24:51 | |
-Just that difference. -That 50p made all the difference! | 0:24:51 | 0:24:54 | |
Is that my tip? | 0:24:54 | 0:24:56 | |
With the auction a distant memory, Lesley is keen to take advantage of her brand new toy. | 0:25:01 | 0:25:06 | |
I was really pleased with the auction. It went really well. | 0:25:06 | 0:25:10 | |
It was good fun and we went over the target. | 0:25:10 | 0:25:12 | |
'The new set has arrived and I'm looking forward | 0:25:12 | 0:25:15 | |
'to setting it up, getting a few friends in, having a game.' | 0:25:15 | 0:25:21 | |
I've thought about it for years. | 0:25:21 | 0:25:22 | |
Oh, just in time! It's arrived. | 0:25:22 | 0:25:27 | |
With several helpers on hand, it's time to get down to business. | 0:25:27 | 0:25:30 | |
-One, two, three, four. -Why's that one over there? | 0:25:30 | 0:25:35 | |
Once the mystery of the layout is unravelled, it's time to make some noise. | 0:25:35 | 0:25:38 | |
Well, almost! | 0:25:44 | 0:25:46 | |
I've never played it before. | 0:25:46 | 0:25:48 | |
I think the way we're playing is that I think we're gonna join the League, | 0:25:48 | 0:25:52 | |
as the Yorkshire Terriers, or something like that! | 0:25:52 | 0:25:55 | |
THEY ALL CHEER | 0:25:57 | 0:25:59 | |
We're really enjoying this. | 0:25:59 | 0:26:01 | |
The sun's out, good friends, but it's thirsty work. | 0:26:01 | 0:26:04 | |
I think we'll have to crack open a bottle of bubbly. | 0:26:04 | 0:26:07 | |
'We've had a really good day out.' | 0:26:09 | 0:26:11 | |
We'll be playing lots and lots in the future. | 0:26:11 | 0:26:13 | |
-Cheers. -Congratulations. -Cheers, guys. | 0:26:13 | 0:26:17 | |
If you'd like to raise some money and you think you may have antiques and collectibles | 0:26:21 | 0:26:26 | |
that you'd be happy to sell at auction, why not get in touch with the programme? | 0:26:26 | 0:26:30 | |
Just fill in our application form on our website - | 0:26:30 | 0:26:32 | |
And come and join us on Cash In The Attic. | 0:26:34 | 0:26:37 | |
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E-mail [email protected] | 0:26:55 | 0:26:59 |