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Welcome to Cash In The Attic - | 0:00:02 | 0:00:03 | |
the show that searches out hidden treasures in your home, and then sells them at auction. | 0:00:03 | 0:00:07 | |
Today I'm on the outskirts of north London. | 0:00:07 | 0:00:11 | |
I called in at the beautiful Capel Manor Gardens in Enfield. | 0:00:11 | 0:00:14 | |
The manor takes its name from the Capel family who first lived here in the 15th and 16th centuries. | 0:00:14 | 0:00:20 | |
For many years the grounds lay derelict | 0:00:20 | 0:00:23 | |
but when a horticultural college was established here 40 years ago, | 0:00:23 | 0:00:26 | |
it breathed new life into the landscape. | 0:00:26 | 0:00:29 | |
Well, there is something for everyone here. | 0:00:29 | 0:00:32 | |
From Japanese gardens to this stunning Italianate maze. | 0:00:32 | 0:00:36 | |
Now I'm on my way to try and find a house full of antiques. | 0:00:36 | 0:00:40 | |
I've just got to find the exit! | 0:00:40 | 0:00:42 | |
No, it's not that way. | 0:00:43 | 0:00:44 | |
Aha! | 0:00:44 | 0:00:46 | |
Today on Cash In The Attic, | 0:01:07 | 0:01:09 | |
John gets saucy with his betters. | 0:01:09 | 0:01:11 | |
I'm just eyeing up Queen Vic. | 0:01:11 | 0:01:14 | |
-Really? You could have been executed for that, couldn't you? -Probably. | 0:01:14 | 0:01:17 | |
And he just can't stop the carry on. | 0:01:17 | 0:01:20 | |
I think it was the proportions of the chest. It was quite a nice size. | 0:01:20 | 0:01:24 | |
What is he like? | 0:01:24 | 0:01:26 | |
-Good grief. -I'm shocked. -So am I. | 0:01:26 | 0:01:29 | |
But forget the humour, will he make the cash we need? | 0:01:29 | 0:01:33 | |
Blimey... | 0:01:33 | 0:01:35 | |
Find out when the final hammer falls. | 0:01:35 | 0:01:38 | |
I just managed to find my way out of that one. | 0:01:39 | 0:01:42 | |
I've come a couple of miles up the road where I'll meet two sisters, | 0:01:42 | 0:01:45 | |
who have called in the Cash in the Attic team to help them raise some funds for a long overdue honeymoon. | 0:01:45 | 0:01:50 | |
This Victorian terrace was once the family home of sisters, Janice Philbin and Debbie Graham. | 0:01:50 | 0:01:57 | |
Family has always been important to them. | 0:01:57 | 0:01:59 | |
So they were terrible shocked when earlier this year, their mum, Betty, | 0:01:59 | 0:02:03 | |
took ill, and passed away at the relatively young age of 65. | 0:02:03 | 0:02:07 | |
-Morning, John, how are you? -I'm good, thanks. -Where did you go for your honeymoon? | 0:02:10 | 0:02:14 | |
-Oh, many years ago I went to Lanzarote. -That was obviously before you hit the big time! | 0:02:14 | 0:02:18 | |
Now, listen, our ladies today are trying to raise some money for a long overdue honeymoon, | 0:02:18 | 0:02:23 | |
but they also have a task at hand for us because their mother died last year | 0:02:23 | 0:02:27 | |
and they now want to clear the house and raise some money that way. Are you ready for that challenge? | 0:02:27 | 0:02:32 | |
I'm here to help and raring to go. | 0:02:32 | 0:02:33 | |
Come on. | 0:02:33 | 0:02:35 | |
Aha! Hello! Are you looking through...? Who's that, then? | 0:02:37 | 0:02:42 | |
-That's photos of our mum... -Right. | 0:02:42 | 0:02:45 | |
throughout the various years. | 0:02:45 | 0:02:47 | |
When did she pass away? | 0:02:47 | 0:02:49 | |
It was about seven months ago now, it was at the beginning of March. | 0:02:49 | 0:02:52 | |
Right, so, how do you feel about doing today, then? | 0:02:52 | 0:02:55 | |
We have cleared out some of the stuff, but we need advice on the antique stuff and how to sell them. | 0:02:55 | 0:03:03 | |
So we thought we'd call in Cash In The Attic. | 0:03:03 | 0:03:05 | |
What sort of money are you liking to raise? | 0:03:05 | 0:03:08 | |
We're thinking about £600. | 0:03:08 | 0:03:10 | |
In terms of what you want to spend the money on, any ideas? | 0:03:10 | 0:03:15 | |
-Yes, well... -A honeymoon. -A honeymoon, who got married, then? | 0:03:15 | 0:03:19 | |
Debbie got married last year, I got married four years ago and neither of us have had a honeymoon, yet. | 0:03:19 | 0:03:23 | |
So whose honeymoon are we paying for here? | 0:03:23 | 0:03:26 | |
Janice's. She's been married a lot longer than me. | 0:03:26 | 0:03:29 | |
So next year we're aiming to go on safari. | 0:03:29 | 0:03:32 | |
Wow! That would be fantastic. | 0:03:32 | 0:03:34 | |
-So some of the money is to go towards that, is it? -Yeah. | 0:03:34 | 0:03:37 | |
So raise £600, so that amongst other things, you can go on safari for your honeymoon. Fantastic. | 0:03:37 | 0:03:44 | |
-So, shall we have a look around? -Yeah. -Come on, then. | 0:03:44 | 0:03:46 | |
I'm looking forward to this rummage. | 0:03:46 | 0:03:50 | |
This handsome Victorian terrace is like entering a time capsule with echoes everywhere of a bygone era. | 0:03:50 | 0:03:56 | |
Well, John Cameron may be a thoroughly modern man, but he certainly knows | 0:03:56 | 0:04:01 | |
the difference between a load of old crock and genuine Victoriana. | 0:04:01 | 0:04:05 | |
There you are, John. What have you got for us? | 0:04:05 | 0:04:09 | |
I've found a secret cupboard, or pretty much a secret cupboard | 0:04:09 | 0:04:12 | |
-and found Mum's collection of royal commemoratives. So was she a fan of the royals? -No, not really. | 0:04:12 | 0:04:18 | |
I know you would think she was but it was just that these were easy to collect. | 0:04:18 | 0:04:23 | |
Most of them are here are late 20th century. | 0:04:23 | 0:04:25 | |
We have the Queen's Silver Jubilee, Charles and Di and Andrew and Sarah Ferguson ones as well | 0:04:25 | 0:04:30 | |
which are very, very common - today, a lot of these make nothing. | 0:04:30 | 0:04:35 | |
But this is my favourite here. | 0:04:35 | 0:04:37 | |
It is Queen Victoria's Diamond Jubilee but it's not pottery. | 0:04:37 | 0:04:40 | |
This is enamel, nice, interesting - haven't seen one before. | 0:04:40 | 0:04:43 | |
Very nice. You have others there - George V and Mary, um, | 0:04:43 | 0:04:47 | |
and also George VI and the Queen Mother, or Queen Elizabeth as she was then. What I would suggest | 0:04:47 | 0:04:53 | |
is making one big lot and whoever buys them will have to take, as we say, the rough with the smooth. | 0:04:53 | 0:04:59 | |
Estimate wise, put a tempting estimate of £40 to £60. | 0:04:59 | 0:05:02 | |
Gives it somewhere to start and hopefully we'll do better than that. | 0:05:02 | 0:05:05 | |
We can close the doors on that lot. Probably best to keep it safe. | 0:05:05 | 0:05:08 | |
Let's see what else we can find. Come on. | 0:05:08 | 0:05:10 | |
Well, bottoms up to a great start and, speaking of toasts, | 0:05:10 | 0:05:14 | |
Debbie has found this fabulous green decanter and set of glasses which John thinks | 0:05:14 | 0:05:18 | |
could easily hold £50 to £80. | 0:05:18 | 0:05:22 | |
So many of the items around the house hold family memories | 0:05:22 | 0:05:26 | |
for the girls, but even so they are happy to part with certain family heirlooms. | 0:05:26 | 0:05:31 | |
John, what do you think of this? | 0:05:31 | 0:05:35 | |
-What, the writing slab, Debbie? -No, the chest of drawers. | 0:05:35 | 0:05:38 | |
-Is this a family piece? -Yes, it is. It was passed down from my nan, my mum's side. | 0:05:38 | 0:05:42 | |
-So, it's been in the family a while? -A long time. | 0:05:42 | 0:05:44 | |
-What do you know about it? How old do you think it is? -50 years old? | 0:05:44 | 0:05:48 | |
-It's older than that. -Really? -Try about 200 years old. | 0:05:48 | 0:05:53 | |
-Does that surprise you? -Yeah, it does. Yeah. | 0:05:53 | 0:05:56 | |
It's a Georgian chest of drawers, George III, | 0:05:56 | 0:05:58 | |
probably about 1800-1820. It's a pine carcass, mahogany veneer on the top. | 0:05:58 | 0:06:02 | |
The other features that tell us that it's that period, | 0:06:02 | 0:06:06 | |
if you look, this nice bow front and, moving down, | 0:06:06 | 0:06:09 | |
you see those splayed bracket feet and that nice, shaped apron | 0:06:09 | 0:06:13 | |
that really break up the severity of the piece | 0:06:13 | 0:06:17 | |
and make it is more feminine looking. | 0:06:17 | 0:06:19 | |
Also you can see the lock's come out. So it does warrant | 0:06:19 | 0:06:23 | |
a nice trip through a good restoration workshop. | 0:06:23 | 0:06:26 | |
If it were in better condition, I would say probably £200 or £300, | 0:06:26 | 0:06:29 | |
as it is, it does require work, I'm going to say £120 to £160. | 0:06:29 | 0:06:33 | |
-How does that sound? -That's lovely. -Happy with that? -Yeah, very. -It's a very good find. | 0:06:33 | 0:06:38 | |
Shall we go and see what Janice and Lorne are up to? | 0:06:38 | 0:06:41 | |
-Yes. -Come on then. | 0:06:41 | 0:06:43 | |
That's tidied away a decent sum towards our honeymoon fund | 0:06:43 | 0:06:47 | |
and this Corgi Silver Jubilee horse | 0:06:47 | 0:06:49 | |
and royal carriage, still boxed, can only add to it | 0:06:49 | 0:06:52 | |
with an estimate of £30 to £50. | 0:06:52 | 0:06:55 | |
That brings our total to £240 | 0:06:55 | 0:06:59 | |
towards our £600 target for a honeymoon for Janice. | 0:06:59 | 0:07:03 | |
One glance around the house reveals that the girls' mum, Elizabeth, | 0:07:03 | 0:07:07 | |
seemed to have collected a huge amount of royal memorabilia. | 0:07:07 | 0:07:11 | |
Janice, I can understand | 0:07:11 | 0:07:14 | |
Queen Victoria a bit but this, of course, is our current Queen, | 0:07:14 | 0:07:18 | |
and it's another photograph of royalty. | 0:07:18 | 0:07:20 | |
You said that your mum wasn't a great royalty fan, so what is this all about? | 0:07:20 | 0:07:26 | |
Absolutely no idea. It seemed to be, when she was collecting something, that was it, she went the whole hog. | 0:07:26 | 0:07:33 | |
-Do you think it was to do with the fact that your mum's name was Elizabeth? -No. | 0:07:33 | 0:07:36 | |
No way. She hated being called Elizabeth. | 0:07:36 | 0:07:39 | |
She liked to be called Betty if you called her Elizabeth she would not reply. | 0:07:39 | 0:07:42 | |
Even the doctors at the hospital she blanked, when she was poorly, | 0:07:42 | 0:07:46 | |
until we told them to call her Betty, then she acknowledged them. | 0:07:46 | 0:07:49 | |
She sounds quite a formidable woman but I understand she had five children, is that right? | 0:07:49 | 0:07:54 | |
Yes, she had five of us. After the fifth one, she refused to go back to the doctors | 0:07:54 | 0:07:58 | |
because every time she went to them she was told she was pregnant. | 0:07:58 | 0:08:01 | |
-Did it work? Did she stop at five? -Yes, that was it. That was the lot. | 0:08:01 | 0:08:05 | |
Now some of the money is going to be spent on your honeymoon so tell me more about that. | 0:08:05 | 0:08:10 | |
I've always liked Africa and the safari side. | 0:08:10 | 0:08:13 | |
I'd just like to wake up and have the animals going past | 0:08:13 | 0:08:17 | |
where you have breakfast in the morning. It's just nice, romantic. | 0:08:17 | 0:08:21 | |
OK. Well, if we're going to raise the £600 and help you | 0:08:21 | 0:08:25 | |
to get on that honeymoon, I think we better crack on. Come on. | 0:08:25 | 0:08:28 | |
There is certainly plenty to do. The large house is full to bursting with all sorts of memorabilia. | 0:08:28 | 0:08:36 | |
I found a piece of Victorian furniture that could close the deal | 0:08:36 | 0:08:39 | |
on £100 to £150. | 0:08:39 | 0:08:41 | |
And in the living room it looks like John has a glint in his eye. | 0:08:41 | 0:08:45 | |
-Janice, come here a second. -What's that? | 0:08:45 | 0:08:48 | |
Are these something in the family that anybody is attached to? | 0:08:48 | 0:08:52 | |
No, I think mum just liked red glass and bought them. | 0:08:52 | 0:08:55 | |
-You have a pair of them there, pass me the other one. -This one here? -Yeah. What is remarkable, | 0:08:55 | 0:08:59 | |
looking at them, is that they're in such good condition. | 0:08:59 | 0:09:04 | |
These are of a type of glass commonly known as ruby glass or cranberry glass | 0:09:04 | 0:09:08 | |
which was very popular in the 19th century. | 0:09:08 | 0:09:10 | |
It was actually produced by adding a precipitate of colloidal gold | 0:09:10 | 0:09:14 | |
to the actual mix to actually achieve this ruby red colour. | 0:09:14 | 0:09:19 | |
These have been made completely by hand. | 0:09:19 | 0:09:22 | |
-Oh, really? -They have indeed. | 0:09:22 | 0:09:24 | |
So the glass blower, firstly, | 0:09:24 | 0:09:25 | |
had to produce the initial vessel, the clear glass vessel, by blowing | 0:09:25 | 0:09:29 | |
and keeping it moving and rolling to maintain the shape. | 0:09:29 | 0:09:33 | |
Then they case it in a successive layer of this rich, ruby glass so the whole piece is red. | 0:09:33 | 0:09:38 | |
Finally, when the piece is cooled, the engraver or the cutter | 0:09:38 | 0:09:42 | |
will cut through that top layer to produce various decorative effects. | 0:09:42 | 0:09:47 | |
Here we have these nice floral sprays and nice plain panels which, when you hold it up to the light, | 0:09:47 | 0:09:53 | |
you can see what a lovely effect that is, isn't it? | 0:09:53 | 0:09:56 | |
-What do you think we'd get at auction? -I'm not sure. I have no idea of value. | 0:09:56 | 0:10:00 | |
I reckon we should look at £100 to £150 for these, | 0:10:00 | 0:10:03 | |
-something like that... -OK. -..possibly more. They are nice. | 0:10:03 | 0:10:07 | |
Did Mum like this sort of thing? | 0:10:07 | 0:10:09 | |
I think she liked | 0:10:09 | 0:10:10 | |
the red colour of the glass. So, yes, I think she went for that. | 0:10:10 | 0:10:14 | |
-Have any more pieces around the house? -There's the odd one or two pieces, yes. | 0:10:14 | 0:10:18 | |
So what am I doing standing here? Come on, take me around. | 0:10:18 | 0:10:21 | |
John is certainly a hard task master. Janice was right, | 0:10:21 | 0:10:24 | |
John spotted more glass on the shelf, which he assembles into a job lot | 0:10:24 | 0:10:28 | |
that could go to auction | 0:10:28 | 0:10:31 | |
at around £80 to £120. | 0:10:31 | 0:10:32 | |
All the time being watched by a real presence, but John is not about to be stared down. | 0:10:34 | 0:10:39 | |
-Aye aye, what are you doing there, then? -Eyeing up Queen Vic. -Really? | 0:10:39 | 0:10:45 | |
-I think you could have been executed for that in those days, couldn't you? -Probably. I'm not amused. | 0:10:45 | 0:10:50 | |
-Shall we see if this is something that we can sell? -I think so. -I'll see if Debbie's around. Debbie? Hi. | 0:10:50 | 0:10:55 | |
-Is this something you'd consider sending to the auction? -Yes. Yes. | 0:10:55 | 0:10:59 | |
This caught my eye. It's a very striking portrait of Queen Victoria | 0:10:59 | 0:11:03 | |
in what I would say is a rather forbidding kind of pose. | 0:11:03 | 0:11:07 | |
Now the medium is a mezzotint. It's a monochrome print produced, | 0:11:07 | 0:11:11 | |
as you can see, in about 1886 - only one year before her Golden Jubilee. | 0:11:11 | 0:11:15 | |
-She's aged about 67 here. -Right. -So, you know, still going strong and had a few more years in her. | 0:11:15 | 0:11:20 | |
-Still looking good at of 67, I must say. -She is indeed. I notice you've got | 0:11:20 | 0:11:25 | |
a few prints around the house, some nice lithographs, some good colourful ones with advertising slogans. | 0:11:25 | 0:11:30 | |
Those are interesting. They may well cross over to collectors | 0:11:30 | 0:11:34 | |
who are interested in the firms that are advertising. | 0:11:34 | 0:11:38 | |
What sort of value are we talking about, John? Are you suggesting to put them together in one big lot? | 0:11:38 | 0:11:45 | |
Put them together. They're nicely framed. They make a good lot. | 0:11:45 | 0:11:48 | |
We should go for £40 to £60. It gives us somewhere to start. | 0:11:48 | 0:11:51 | |
So we know what's happening to the Victorian and Victoria portraits | 0:11:51 | 0:11:56 | |
so let's see if we can find something not royalty to sell! Come on. | 0:11:56 | 0:12:00 | |
Well, we're almost there, but before we can start the triumphal march we need a few more items. | 0:12:02 | 0:12:08 | |
John has found yet another cranberry glass piece tucked away. | 0:12:08 | 0:12:12 | |
This vase with prisms could attract bids | 0:12:12 | 0:12:15 | |
between £80 and £120 in the sale. Oops, there's another royal! | 0:12:15 | 0:12:19 | |
In the kitchen, John's lifting the lid on another prospect for auction. | 0:12:19 | 0:12:25 | |
-Hi, John, I see you found the table. -I have indeed. Is this a family piece? | 0:12:25 | 0:12:29 | |
Yeah, we've had it for about 20 years. My dad went and bought it from a charity shop. | 0:12:29 | 0:12:33 | |
What do you know about it? | 0:12:33 | 0:12:35 | |
I know it is 19th century, I think it is oak. | 0:12:35 | 0:12:38 | |
-Correct. -That's as far as I know. | 0:12:38 | 0:12:41 | |
This sort of drop-leaf table has been around for several centuries, but this is more like | 0:12:41 | 0:12:46 | |
what we call a Pembroke table and took it's name from the Earl of Pembroke | 0:12:46 | 0:12:49 | |
who reputedly had tables like this at Wilton House. | 0:12:49 | 0:12:52 | |
Typically we have a cutlery drawer at this end and a faux drawer at the other end or a fake drawer. | 0:12:52 | 0:12:58 | |
-Right. -So you have an opposing fake drawer. | 0:12:58 | 0:13:00 | |
-I didn't know that was a fake one. -Just a turned pull on there but it does not do anything. -Oh, OK. | 0:13:00 | 0:13:06 | |
Dated... You said 19th century. I'd put it mid 19th century, and I'll tell you why. | 0:13:06 | 0:13:12 | |
Have a look down at the leg. We can see it's tuned. The turning is neat and quite restrained. | 0:13:12 | 0:13:17 | |
As we go further into the Victorian period that turning becomes fussier and quite messy. | 0:13:17 | 0:13:24 | |
It is oak. Not the most attractive oak I have seen | 0:13:24 | 0:13:27 | |
but it is in good order. | 0:13:27 | 0:13:29 | |
So I think in putting it into auction at today's prices, I'd be looking at | 0:13:29 | 0:13:34 | |
£80 to £120. | 0:13:34 | 0:13:36 | |
Yeah, that would be fine. We'd be quite happy to sell it and let it go now. | 0:13:36 | 0:13:39 | |
-Janice, I think you may well have had your last supper on this table. -Yes. -Hello. -Hi, Lorne. | 0:13:39 | 0:13:44 | |
I'm afraid we've run out of time. I hope you've found something for us. | 0:13:44 | 0:13:48 | |
Yes, we are going to take this 19th century oak table to auction | 0:13:48 | 0:13:51 | |
with an estimate of £80 to £120. | 0:13:51 | 0:13:52 | |
-You wanted to raise £600. Do you think we have come near that figure? -Hopefully. -I think we are near that. | 0:13:52 | 0:13:58 | |
-Adding up everything that's going to auction, it comes to £720. -That's not bad. -So a bit extra there. | 0:13:58 | 0:14:04 | |
There might be a little bit left over for you to have a honeymoon, even if it is a day trip to Bognor! | 0:14:04 | 0:14:10 | |
It's been a real treat to be invited to the rummage today. | 0:14:12 | 0:14:15 | |
We found some lovely items to take to auction which include: | 0:14:15 | 0:14:19 | |
The collection of royal memorabilia, | 0:14:19 | 0:14:21 | |
with everyone from Victoria to Charles on display. | 0:14:21 | 0:14:25 | |
John thinks this will present a cracking deal for an enthusiast | 0:14:25 | 0:14:28 | |
at £40 to £60. | 0:14:28 | 0:14:29 | |
A set of Georgian drawers, | 0:14:32 | 0:14:34 | |
which have been in the family for at least three generations. | 0:14:34 | 0:14:36 | |
It could bring in between £120 and £160 at auction. | 0:14:36 | 0:14:40 | |
The cranberry carafes, this fine example | 0:14:41 | 0:14:44 | |
of decorative glass might attract the bidders at £100 to £150. | 0:14:44 | 0:14:49 | |
Still to come on Cash In The Attic. We're raising that money | 0:14:51 | 0:14:55 | |
for the honeymoon. | 0:14:55 | 0:14:56 | |
That'll pay for the taxi to the airport. | 0:14:56 | 0:14:59 | |
But it's slow going. | 0:14:59 | 0:15:01 | |
That's the taxi back. | 0:15:01 | 0:15:04 | |
But what about actual the trip? Will we make enough. | 0:15:04 | 0:15:07 | |
Not sold. | 0:15:07 | 0:15:09 | |
Find out when the final hammer falls. | 0:15:09 | 0:15:12 | |
Now it's been a couple of weeks since we had a good look around | 0:15:17 | 0:15:20 | |
Janice and Debbie's mum's home in Enfield. | 0:15:20 | 0:15:23 | |
Where we found a right royal collection of items to bring here | 0:15:23 | 0:15:26 | |
to Sworders auction house in Stansted Mountfitchet in Essex. | 0:15:26 | 0:15:30 | |
Now remember, we're looking to raise £600 for a long delayed honeymoon. | 0:15:30 | 0:15:34 | |
So let's hope that the bidders are feeling very generous when our items go under the hammer today. | 0:15:34 | 0:15:40 | |
There's a quiet hum in the room as buyers peruse the items on display. | 0:15:40 | 0:15:43 | |
John is here, deep in contemplation, or just imagining how well our antiques will go down. | 0:15:43 | 0:15:50 | |
Good morning, John. Fancy a tipple already? | 0:15:50 | 0:15:53 | |
-A bit early in the day. -These are lovely, aren't they? | 0:15:53 | 0:15:56 | |
They are, and one of the few items that don't have a royal connection. | 0:15:56 | 0:15:59 | |
You're right. I mean that royal memorabilia, absolutely tonnes of stuff, isn't there? | 0:15:59 | 0:16:03 | |
Indeed. It looks quite impressive | 0:16:03 | 0:16:06 | |
like it is but we have earlier ones with the later ones, of which most of are later. | 0:16:06 | 0:16:09 | |
Hopefully the whole lot will get sold at once. | 0:16:09 | 0:16:12 | |
My experience with Sworders is that should do well as it is traditional here in terms of buyers and dealers. | 0:16:12 | 0:16:17 | |
Shall we see how they are feeling about the sale? Come on, then. | 0:16:17 | 0:16:21 | |
There are 275 antiques in the catalogue today, so our items will have plenty of competition, | 0:16:23 | 0:16:30 | |
but Janice and Debbie are confident that their collectables will reign over the room! | 0:16:30 | 0:16:35 | |
-Good morning, ladies. -Hi. | 0:16:35 | 0:16:37 | |
-Hello. -She looks very stern for this time in the morning. | 0:16:37 | 0:16:42 | |
-Saying a fond farewell? -Yes, a last look. | 0:16:42 | 0:16:45 | |
-Now, we did have a lot of royal memorabilia. How do you feel about that going now? -Very relieved. | 0:16:45 | 0:16:50 | |
-I bet it's created a bit of space? -Yeah, it has - a lot of space. | 0:16:50 | 0:16:54 | |
We had a look at the lovely decanters. They're fantastic, aren't they? | 0:16:54 | 0:16:57 | |
They do but I did notice that we had the two sets of green decanters | 0:16:57 | 0:17:01 | |
and some other bits and pieces and I couldn't see them anywhere. | 0:17:01 | 0:17:04 | |
One of our brothers and sisters, decided that they wanted them. | 0:17:04 | 0:17:07 | |
Oh, well, that knocks about £50 off our intended target, to start with, but never mind. | 0:17:07 | 0:17:12 | |
So, as you can see, it is really filling up and getting noisy, | 0:17:12 | 0:17:15 | |
-so shall we find somewhere safe to stand? -Yep. -Come on then. | 0:17:15 | 0:17:19 | |
If you are buying or selling at auction, please remember | 0:17:21 | 0:17:24 | |
that VAT, commission and other charges may apply. So always check | 0:17:24 | 0:17:28 | |
the terms and conditions with your auction house. We take our places | 0:17:28 | 0:17:31 | |
at back of the room in time for the first lot - | 0:17:31 | 0:17:34 | |
the cranberry lustre vases with prisms, valued at £80 to £120. | 0:17:34 | 0:17:40 | |
We'll start the bidding at £60. At 60 I'm bid. | 0:17:40 | 0:17:43 | |
Any advance on £60? £65. | 0:17:43 | 0:17:46 | |
70. 5. 80. | 0:17:46 | 0:17:48 | |
At £80 now. All done? | 0:17:48 | 0:17:50 | |
It's against the room now. | 0:17:50 | 0:17:52 | |
£85 takes it there. | 0:17:52 | 0:17:54 | |
At £85... | 0:17:54 | 0:17:57 | |
£85, how do you feel about that? | 0:17:57 | 0:18:00 | |
-Not bad. Good. -Good. All adds to the coffers, doesn't it? | 0:18:00 | 0:18:03 | |
That'll pay the taxi to the airport! | 0:18:03 | 0:18:06 | |
It's always good to start off with a warm glow. | 0:18:07 | 0:18:10 | |
That's the first of our three cranberry glass lots. | 0:18:10 | 0:18:13 | |
We are hoping for £80 to £120 for the next grouping. | 0:18:13 | 0:18:17 | |
Our next lot is the pair of ruby flashed glass vases. I'm not sure what that means, flashed? | 0:18:17 | 0:18:22 | |
That's when they dip in a glass solution, rather than case it in a thicker layer of glass. | 0:18:22 | 0:18:27 | |
It was a cheaper way of production, to aim the products at a lower market. | 0:18:27 | 0:18:31 | |
You should be interested in these at £50. | 0:18:31 | 0:18:33 | |
£55 I'll take if you wish, on the pillar. At £50. 55? No? | 0:18:33 | 0:18:38 | |
55? 55. 60. 5. | 0:18:38 | 0:18:42 | |
70. 5. There we are on my right at £75. | 0:18:42 | 0:18:45 | |
Are we all done at £75? | 0:18:45 | 0:18:50 | |
Just a little under what you wanted there at £75. Is that OK? | 0:18:50 | 0:18:54 | |
-Yeah, that is OK. -It is all adding up, that is the taxi back! -Yes. | 0:18:54 | 0:18:58 | |
£75 is still a good sum | 0:19:00 | 0:19:02 | |
and we're serving up yet another lot | 0:19:02 | 0:19:04 | |
with cranberry glass, the beautiful decanters. | 0:19:04 | 0:19:08 | |
One of the stoppers is firmly stuck in the neck of the bottle. | 0:19:08 | 0:19:12 | |
I did try to get out it with hot, soapy water. It didn't come out. | 0:19:12 | 0:19:15 | |
I didn't want to force it. I'm glad none of the buyers here today have done the same. | 0:19:15 | 0:19:19 | |
I know collectors that have them with stoppers stuck in. They leave them there, they're for display. | 0:19:19 | 0:19:24 | |
60 is bid. At £60. Good decorative lot here. At 60. | 0:19:24 | 0:19:29 | |
5. 70. 5. 80. 5. | 0:19:29 | 0:19:33 | |
90. 5. 95. 100 if you wish? 100. | 0:19:33 | 0:19:37 | |
And 10. £110! | 0:19:37 | 0:19:42 | |
£110. Was that a bid? | 0:19:42 | 0:19:45 | |
120. | 0:19:45 | 0:19:47 | |
130. | 0:19:47 | 0:19:48 | |
£130. All done at 130? | 0:19:48 | 0:19:53 | |
-Let's just hope the buyer gets that stopper out, shall we? -Yes. | 0:19:53 | 0:19:57 | |
I'm sure they'll find a way. A right royal run | 0:19:57 | 0:19:59 | |
on sales. Now it's time for another stately selection - | 0:19:59 | 0:20:02 | |
the coronation and the royal collection valued at £40 to £60. | 0:20:02 | 0:20:08 | |
There is a lot in there. I think that somebody who buys them, may well take some nice pieces, | 0:20:08 | 0:20:13 | |
cherry pick it and leave the rest behind. | 0:20:13 | 0:20:15 | |
-If the auctioneers aren't not looking that is! -OK. | 0:20:15 | 0:20:19 | |
I will start at £20. 22. 25. 28. | 0:20:19 | 0:20:22 | |
30. 32. 35. 38. 40. 42. | 0:20:22 | 0:20:27 | |
45. 48. | 0:20:27 | 0:20:29 | |
£48, close by, now. £48. Are we all done? | 0:20:29 | 0:20:33 | |
50. | 0:20:33 | 0:20:35 | |
5. 60 now? | 0:20:35 | 0:20:37 | |
£55. Still there. | 0:20:37 | 0:20:39 | |
It will sell. | 0:20:39 | 0:20:41 | |
-£55. -He is more than welcome! | 0:20:41 | 0:20:45 | |
With that sale we're making solid progress. | 0:20:45 | 0:20:48 | |
So far we have tucked away £345 | 0:20:48 | 0:20:50 | |
towards our target of £600 for Janice's belated safari honeymoon. | 0:20:50 | 0:20:56 | |
Our next lot is the 19th century walnut chest of drawers | 0:20:56 | 0:21:00 | |
valued at £100 to £150. | 0:21:00 | 0:21:03 | |
Burr walnut and cross-banded chest, | 0:21:03 | 0:21:06 | |
two short and two long drawers. | 0:21:06 | 0:21:07 | |
There is some interest. I'll start it at £100. It's on the market. | 0:21:07 | 0:21:11 | |
110. 120. 130. 140. 150. | 0:21:11 | 0:21:15 | |
60. £160 on commission. | 0:21:15 | 0:21:18 | |
Any further interest? I'll sell then at £160. | 0:21:18 | 0:21:24 | |
What a sale. That is £10 above John's highest estimate. | 0:21:24 | 0:21:29 | |
We're moving forward in leaps and bounds here. | 0:21:29 | 0:21:32 | |
So when our next item, | 0:21:32 | 0:21:34 | |
the Corgi Silver Jubilee carriage | 0:21:34 | 0:21:36 | |
fails to pick up a buyer and is... | 0:21:36 | 0:21:38 | |
Not sold. | 0:21:38 | 0:21:40 | |
..followed by the Pembroke drop-leaf table, | 0:21:40 | 0:21:42 | |
-which also fails to lift the lid on the room... -Not sold. | 0:21:42 | 0:21:46 | |
..we're slightly concerned. | 0:21:46 | 0:21:49 | |
But with several more items to come, we're hoping we will make up the shortfall. | 0:21:49 | 0:21:52 | |
In keeping with most of our antiques, | 0:21:52 | 0:21:55 | |
our next lot has a majestic appearance. | 0:21:55 | 0:21:58 | |
-Royal! -Again. -Yes. -Afraid so. -Yes. | 0:21:58 | 0:22:01 | |
Goodness. Now is that a good thing that the subject is royal? | 0:22:01 | 0:22:06 | |
Well, they are a decent collection. | 0:22:06 | 0:22:08 | |
We are banking on some royalists here but, also, some were issued as advertising ephemera. | 0:22:08 | 0:22:13 | |
So let's hope that there's someone who buys that type of thing and then we've some competition. | 0:22:13 | 0:22:17 | |
We'll start here at £20. | 0:22:17 | 0:22:19 | |
Any advance? 22. 25. | 0:22:19 | 0:22:21 | |
28. 30. | 0:22:21 | 0:22:23 | |
32. 35. | 0:22:23 | 0:22:25 | |
38. On the pillar, £38. 40. | 0:22:25 | 0:22:28 | |
42. 45. | 0:22:28 | 0:22:31 | |
48. 50. | 0:22:31 | 0:22:33 | |
£50 on the stool, now. £50. And we'll sell. | 0:22:33 | 0:22:38 | |
Right in the middle of John's estimate, | 0:22:38 | 0:22:41 | |
That's another jewel in the crown, | 0:22:41 | 0:22:43 | |
but is it enough to get us towards our £600 target | 0:22:43 | 0:22:45 | |
for Janice's honeymoon? | 0:22:45 | 0:22:48 | |
We've got a lot riding on our last item, | 0:22:48 | 0:22:50 | |
the Georgian chest of drawers | 0:22:50 | 0:22:53 | |
but furniture is always a bit difficult to shift. | 0:22:53 | 0:22:56 | |
Now, that was in your mum's home, but it wasn't something either of you fancied fancy housing. | 0:22:56 | 0:23:01 | |
No, not at all, too big and old-fashioned. | 0:23:01 | 0:23:03 | |
-Well, it is old-fashioned. Is there still a market for brown furniture? -Well, we have readjusted our price. | 0:23:03 | 0:23:08 | |
Ten years ago, even five years ago, | 0:23:08 | 0:23:10 | |
this would've made £200 or £300 but let's see. The bidders are here, it's about to go under the hammer. | 0:23:10 | 0:23:15 | |
A host of interest here. | 0:23:15 | 0:23:17 | |
-I'll start straight in here at £350. -No! You're joking! | 0:23:17 | 0:23:23 | |
360. 370. | 0:23:23 | 0:23:26 | |
-380. 390. 400. -Wow! -420. | 0:23:26 | 0:23:30 | |
-430. 440. -Blimey. -Good grief. -460. 480. 490 I'll take. | 0:23:30 | 0:23:36 | |
-£480. Here on commission for £480. -Blimey. | 0:23:36 | 0:23:41 | |
-Wow! -OK, so the market for brown furniture has just turned around and gone through the roof. | 0:23:44 | 0:23:48 | |
John, what on earth was that about? | 0:23:48 | 0:23:50 | |
I think it was the proportions of the chest. It was quite a nice size. It wasn't a big, bulky chest, | 0:23:50 | 0:23:56 | |
it was a nice small chest. It also had four long drawers, as opposed to two short and three long drawers, | 0:23:56 | 0:24:02 | |
so made it more unusual, but I didn't factor those points into my estimate and I clearly underdid that. | 0:24:02 | 0:24:08 | |
INDISTINCT CHATTER | 0:24:08 | 0:24:12 | |
That was a pleasant surprise, but will we be honeymooning in Africa, | 0:24:12 | 0:24:17 | |
or will it be a caravan in Morecambe? | 0:24:17 | 0:24:20 | |
Right, OK, well, that is the end of the auction, did you enjoy it? | 0:24:20 | 0:24:24 | |
-Yeah, it was good fun. -What was your favourite lot that you saw sold? | 0:24:24 | 0:24:27 | |
-The royal memorabilia or that chest of drawers? -Chest of drawers... | 0:24:27 | 0:24:31 | |
-But I am pleased to see the back of all the royal memorabilia. -OK. | 0:24:31 | 0:24:37 | |
You wanted to raise £600 for your honeymoon. If you made more what would you spend the money on? | 0:24:37 | 0:24:41 | |
I'll give Deb some. Debbie's not had a honeymoon either, you see. | 0:24:41 | 0:24:45 | |
-Lordy, right. We didn't know that at the start. -Double trouble! | 0:24:45 | 0:24:48 | |
-A double honeymoon? Are you going together? -You never can tell. -OK. | 0:24:48 | 0:24:51 | |
Well, the good news is, Debbie, you may well be going on your honeymoon. | 0:24:51 | 0:24:56 | |
-In total you have actually made £1,035! -Brilliant. -Thank you. Lovely. Shock! | 0:24:56 | 0:25:01 | |
It's a glorious day and Janice, Debbie and their families | 0:25:08 | 0:25:11 | |
have arrived at Longleat Safari Park in Wiltshire for a honeymoon taster. | 0:25:11 | 0:25:15 | |
Debbie and Michael have come with us to the park today. | 0:25:15 | 0:25:18 | |
I'm working on them to try to persuade them to come on honeymoon with us next year. | 0:25:18 | 0:25:22 | |
So who knows, today might persuade them to come along. | 0:25:22 | 0:25:25 | |
Right? I'm Ian. Pleased to meet you. | 0:25:25 | 0:25:29 | |
-Who's going on the safari? You? -Yes. | 0:25:29 | 0:25:32 | |
Janice may have her sights set on Africa but until then, this safari park is the next best thing. | 0:25:32 | 0:25:38 | |
The main thing people notice is the tongue. | 0:25:41 | 0:25:44 | |
It's 15 inches long, it sticks right out and wraps around the trees and pulls all the leaves in. | 0:25:44 | 0:25:50 | |
Right, we are just about at the big cats, so make sure all your windows are closed shut! | 0:25:50 | 0:25:55 | |
Close all your windows! | 0:25:55 | 0:25:57 | |
We may have sold plenty of royal collectables at auction, but the girls are interested | 0:25:57 | 0:26:01 | |
-in another type of nobility all together. -They're chasing us! | 0:26:01 | 0:26:04 | |
Very regal looking. That's why they call it the kings, is it? | 0:26:04 | 0:26:08 | |
These lions certainly have a powerful presence in the green pastures of England. | 0:26:08 | 0:26:12 | |
But has the trip persuaded Debbie to spend the extra cash from the auction | 0:26:12 | 0:26:16 | |
in joining her sister on a real safari? | 0:26:16 | 0:26:19 | |
I've had a fantastic day here today. All of the animals have been absolutely brilliant. | 0:26:19 | 0:26:24 | |
Now, yes, I'm definitely ready to go on safari with my sister on honeymoon. | 0:26:24 | 0:26:28 | |
I can't wait. It'll be brilliant. | 0:26:28 | 0:26:30 | |
It just goes to show, you don't have to be born with a silver spoon in your mouth to make money at auction. | 0:26:36 | 0:26:41 | |
I'm sure that honeymoon will be worth the wait. If you've got antiques and collectables to sell, | 0:26:41 | 0:26:46 | |
why not contact Cash In The Attic? You'll find details on our website: | 0:26:46 | 0:26:50 | |
We'll see you again next time. | 0:26:52 | 0:26:54 | |
For more information about Cash In The Attic, | 0:26:55 | 0:26:59 | |
including how the programme was made, | 0:26:59 | 0:27:02 | |
visit the website at bbc.co.uk | 0:27:02 | 0:27:05 | |
Subtitles by Red Bee Media Ltd. | 0:27:07 | 0:27:10 | |
E-mail [email protected] | 0:27:10 | 0:27:13 |