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Welcome to Cash In The Attic, the programme that finds antiques around your home, | 0:00:02 | 0:00:07 | |
then sells them with you at auction. | 0:00:07 | 0:00:09 | |
Today, I'm in the very picturesque harbour town of Tenby in South Wales. | 0:00:09 | 0:00:15 | |
Known locally as "the little fortress of the fish", this walled town overlooks a stunning harbour. | 0:00:15 | 0:00:21 | |
There's evidence of human habitation here from over 10,000 years ago, | 0:00:21 | 0:00:26 | |
but the walls were built in 1093 in defence of the Welsh nationalists. | 0:00:26 | 0:00:30 | |
During the 1800s, Tenby became something of a health spa hot spot | 0:00:30 | 0:00:34 | |
when wealthy Victorians flocked to this coast to take the healing waters. | 0:00:34 | 0:00:39 | |
These days, Tenby is more a tonic for the soul | 0:00:39 | 0:00:42 | |
with its very pretty pastel-washed houses, its cobbled streets and its glorious sunny beaches. | 0:00:42 | 0:00:49 | |
I could stay here a bit longer, but I've got a busy day ahead of me. | 0:00:49 | 0:00:54 | |
'Coming up today, a family with a psychedelic background.' | 0:01:15 | 0:01:19 | |
-I've got to ask you, Tricia, were you a bit of a hippy chick? -In my dreams I'd have liked to have been. | 0:01:19 | 0:01:25 | |
'An expert with a playful streak.' | 0:01:25 | 0:01:28 | |
You've caught me again in the boys' toys corner. | 0:01:28 | 0:01:31 | |
-'And an auction that defies all the usual rules.' -I'll put £5 towards your bid, sir. | 0:01:31 | 0:01:37 | |
'So will normal service have resumed when the final hammer falls?' | 0:01:37 | 0:01:41 | |
Thank you very much, everybody. | 0:01:42 | 0:01:44 | |
I've come to this really lovely Welsh coastal town | 0:01:44 | 0:01:48 | |
to meet a woman who's called us in | 0:01:48 | 0:01:51 | |
to help her realise a literary ambition. | 0:01:51 | 0:01:54 | |
'Tricia Putwain has lived in Tenby nearly all of her life. | 0:01:54 | 0:01:58 | |
'She has a huge range of interests, including working as the weather recorder for the local Met Office. | 0:01:58 | 0:02:04 | |
'She took over from husband Dickie when he passed away five years ago. | 0:02:04 | 0:02:09 | |
'Daughter Rosie has returned home from Southampton where she's doing a doctorate in Maths | 0:02:09 | 0:02:15 | |
'to help her mother tot up the antiques today.' | 0:02:15 | 0:02:18 | |
John, isn't it nice to be beside the seaside, get a lungful of that fresh sea air? | 0:02:18 | 0:02:23 | |
I live by the seaside, Portsmouth, home of HMS Victory, | 0:02:23 | 0:02:27 | |
-but this is a very charming place, absolutely wonderful, picture postcard. -It's lovely. | 0:02:27 | 0:02:33 | |
I don't know that there are too many nautical references inside the house, but there are a lot of books, | 0:02:33 | 0:02:39 | |
-so shall we go and get started? -Come on. | 0:02:39 | 0:02:42 | |
-Hi, Rosie, Trish. -Hi. -You've got a house full of stuff here. -I know. | 0:02:42 | 0:02:48 | |
-Why have you called us in? -I write as a hobby | 0:02:48 | 0:02:52 | |
and I'd like to go on a trip and perhaps get some literary inspiration. | 0:02:52 | 0:02:57 | |
-Some of these things have got to go to auction to help you achieve that? -Yes. -What will we find in the house? | 0:02:57 | 0:03:03 | |
I inherited a lot from my parents. Dickie, my late husband, inherited a lot from his | 0:03:03 | 0:03:08 | |
-and we got various clutter as we went along as well. -"Clutter", that's an interesting word, Rosie. | 0:03:08 | 0:03:14 | |
-Do you reckon it's all clutter? -Probably. | 0:03:14 | 0:03:17 | |
-None of it that you fancy having yourself? -No, she did offer me, but I haven't got anywhere to put it. | 0:03:17 | 0:03:23 | |
-So it's got to go? -Yeah, I think so. -How much do you want to raise then? | 0:03:23 | 0:03:28 | |
Well, £400, say. If we got more, so much the better, but 400 would do me fine. | 0:03:28 | 0:03:35 | |
-Shall we go and find John and see if we can get you top of the bestsellers' list? -Right. | 0:03:35 | 0:03:40 | |
'So we're hoping to find £400-worth of items to sell, so that Trisha can head off into the unknown | 0:03:40 | 0:03:47 | |
'and find fresh inspiration for her writing. | 0:03:47 | 0:03:50 | |
'John Cameron is pretty inspired when it comes to spotting antiques and collectables, | 0:03:50 | 0:03:56 | |
'but is his vision being blurred by the purple haze?' | 0:03:56 | 0:03:59 | |
-Hello, girls. -Knowing your taste in music and love of all things from the '60s, | 0:03:59 | 0:04:05 | |
-I should think you're in seventh heaven here. -I am. | 0:04:05 | 0:04:08 | |
These are fantastic. Everything we need to know is on the posters. | 0:04:08 | 0:04:13 | |
This one here is advertising Jimi Hendrix at the Fillmore Auditorium in San Francisco. | 0:04:13 | 0:04:18 | |
This one here is the UFO Club in London and everything we need to know is on the bottom. | 0:04:18 | 0:04:24 | |
We can see who the design team were - Hapshash & The Coloured Coat. | 0:04:24 | 0:04:28 | |
That was essentially a design team comprising Michael English and Nigel Waymouth | 0:04:28 | 0:04:34 | |
who set up to pretty much produce posters like this for the growing psychedelic movement. | 0:04:34 | 0:04:40 | |
-Things like this are very collectable? -There is a lot of interest in pop memorabilia. | 0:04:40 | 0:04:45 | |
Estimate-wise, in this condition, I'd be looking at £80 to £120. | 0:04:45 | 0:04:49 | |
-Each or together? -Together. I wouldn't be surprised if they made more because they are wonderful. | 0:04:49 | 0:04:56 | |
-OK, shall we rock on and see what else we can find? -Groovy. | 0:04:56 | 0:05:00 | |
'So the '60s posters make the grade, but there's a long way to go. | 0:05:00 | 0:05:04 | |
'Hey, Joe, I mean Rosie, time to stop grooming and get stuck in. | 0:05:04 | 0:05:09 | |
'I've found something that bidders might snap up. | 0:05:09 | 0:05:13 | |
'These cigarette cases could make £20 to £30. | 0:05:13 | 0:05:16 | |
'In one of the bedrooms, something shiny has caught John's attention.' | 0:05:16 | 0:05:21 | |
-Rosie, I've got a couple of interesting mugs I want to ask you about. -Ah, the christening mugs. | 0:05:21 | 0:05:27 | |
-Yes. Whose are they? -I think they would be my grandparents'. | 0:05:27 | 0:05:31 | |
The tradition of giving christening gifts stems from Christ | 0:05:31 | 0:05:35 | |
and the Three Wise Men giving gifts of gold, frankincense and myrrh | 0:05:35 | 0:05:39 | |
and sadly, with the decline of the amount of people getting christened, | 0:05:39 | 0:05:43 | |
it's something that isn't done as frequently as it was early last century or in the Victorian period. | 0:05:43 | 0:05:49 | |
You get christening mugs for all budgets. This one would be slightly cheaper because it's silver-plated. | 0:05:49 | 0:05:55 | |
If we look on the base, we can see it's got "EPNS" which stands for electro-plated nickel silver. | 0:05:55 | 0:06:01 | |
On the other hand, this one is solid silver | 0:06:01 | 0:06:05 | |
and we can tell that because we have this set of useful hallmarks on the side here. | 0:06:05 | 0:06:10 | |
-Value-wise, I think we'd be looking at about £30 to £50, something like that. -That much? | 0:06:10 | 0:06:16 | |
-Does that surprise you? -I wouldn't pay that much for them myself. | 0:06:16 | 0:06:20 | |
Do you think Mum might have more silver objects around the house? | 0:06:20 | 0:06:24 | |
-Yeah, I think she's had some that are in the family. -Let's go and see what we can do. | 0:06:24 | 0:06:30 | |
-'I prefer a spot of brass.' -TOOTS HORN | 0:06:30 | 0:06:33 | |
'Rosie is true to her word and finds these silver cigarette boxes. | 0:06:33 | 0:06:38 | |
'Date-stamped 1943, they could attract attention in the auction | 0:06:38 | 0:06:42 | |
'at £40-£60 which would bring us closer to Tricia's target | 0:06:42 | 0:06:46 | |
'of £400 for her horizon-expanding trip. | 0:06:46 | 0:06:50 | |
'But why would she need to travel for writing inspiration | 0:06:50 | 0:06:54 | |
'when on her doorstep is a window to a whole new world?' | 0:06:54 | 0:06:58 | |
Trish, this is such a wonderful place to live. When did you first come to Tenby? | 0:06:58 | 0:07:04 | |
My parents moved the family down when I was five and we lived over on the south side of the town, | 0:07:04 | 0:07:10 | |
then we moved back 23 years ago. | 0:07:10 | 0:07:12 | |
-Did you meet your husband here in Tenby? -No, I met him at a party in London. It was a terrible party. | 0:07:12 | 0:07:19 | |
Very dull. And he walked through | 0:07:19 | 0:07:22 | |
and he had long hair, a suede jacket with fringes, flared trousers and I thought, "Wow!" | 0:07:22 | 0:07:27 | |
-Anybody would, wearing that. -Well, I did, definitely. | 0:07:27 | 0:07:31 | |
-So we went out for about three weeks, then he left me and went home to Mother. -Oh, the rotter! -Yes. | 0:07:31 | 0:07:38 | |
We got back together again about five years later and it was plain sailing from then on. | 0:07:38 | 0:07:44 | |
-27 years of happy marriage? -Yes. | 0:07:44 | 0:07:46 | |
-And came back to Tenby? -Yes. | 0:07:46 | 0:07:49 | |
-And you were a teacher, weren't you? -Yes, I was. | 0:07:49 | 0:07:52 | |
I taught all the age range from four up to 18. | 0:07:52 | 0:07:56 | |
You've got your degree in Chemistry, but also you're now working on a degree in Philosophy. Why's that? | 0:07:56 | 0:08:03 | |
I don't want my brain to seize up completely and Philosophy is a fascinating subject. | 0:08:03 | 0:08:08 | |
-I'd never done any before. -You're doing a writing course as well. Why's that? | 0:08:08 | 0:08:13 | |
We've got a writers' circle in Tenby. We give each other constructive criticism. I have written a novel. | 0:08:13 | 0:08:20 | |
-What's that about? -A girl growing up in Tenby. | 0:08:20 | 0:08:23 | |
-So not a lot of research there? -No, that was cunning. | 0:08:23 | 0:08:26 | |
-We used to do bed and breakfast, so there's anecdotes I've weaved in about that. -Sounds like a good book. | 0:08:26 | 0:08:32 | |
I was happy with it, but I'd like to polish it up a bit. | 0:08:32 | 0:08:36 | |
So this trip that you're going to go on to get inspiration - where would you really like to go? | 0:08:36 | 0:08:42 | |
-Dublin sounds very attractive. -We want inspiration to find a few more things to help you make that trip. | 0:08:42 | 0:08:48 | |
-Shall we leave this wonderful scenery behind and pop back into the house? -Right. Yes. | 0:08:48 | 0:08:54 | |
'And back in the house, John is still weighing up the options. | 0:08:54 | 0:08:58 | |
'He's found these Griffin and George scientific scales in a glass case | 0:08:58 | 0:09:03 | |
'and thinks £30-£50 is a fair price. | 0:09:03 | 0:09:06 | |
'Tricia has accumulated some interesting objects over the years. Some are more refined than others.' | 0:09:06 | 0:09:12 | |
Tricia, what about these decanter and four glasses? Is this something we can consider for auction? | 0:09:12 | 0:09:18 | |
-Yes, definitely. -Have you ever used them? | 0:09:18 | 0:09:21 | |
No, they're so delicate that I'm scared to use them, so they might as well go. | 0:09:21 | 0:09:26 | |
That's why people don't use them. They're too frightened of damaging antique glass. | 0:09:26 | 0:09:32 | |
The other more important reason people don't use decanters so much | 0:09:32 | 0:09:36 | |
is because of modern wine production techniques. | 0:09:36 | 0:09:39 | |
They used to decant wine as wine bottles had sediment in the bottom, | 0:09:39 | 0:09:43 | |
so you'd have to put a wine funnel in with a fine wire gauze in, | 0:09:43 | 0:09:48 | |
pour the wine off, trying to keep as much in the bottle. Anything that came out was caught in the gauze. | 0:09:48 | 0:09:54 | |
You decanted it to get the muck out, but this is nice. | 0:09:54 | 0:09:57 | |
-Any idea of how old it is? -None really. | 0:09:57 | 0:10:00 | |
It does have a bit of age to it. It's Edwardian. We can tell that primarily from the decoration. | 0:10:00 | 0:10:06 | |
It's not been over-decorated and it's a break from the Victorians. | 0:10:06 | 0:10:11 | |
The Edwardians considered themselves a little more sophisticated, | 0:10:11 | 0:10:15 | |
so their decoration tends to be light and elegant. | 0:10:15 | 0:10:18 | |
-We ought to be looking at least £30 to £50 for the decanter and four glasses. -Good. | 0:10:18 | 0:10:24 | |
-Are you happy with that? -Smashing. | 0:10:24 | 0:10:26 | |
'There's no time to test the decanter with an afternoon tipple as there's work to be done. | 0:10:26 | 0:10:32 | |
'Rosie has found a tribe of figures. | 0:10:32 | 0:10:35 | |
'This diorama of Malayan figures of tea plantation workers | 0:10:35 | 0:10:39 | |
'is tricky to date, | 0:10:39 | 0:10:41 | |
'but John thinks someone might part with £40-£80 for it. | 0:10:41 | 0:10:45 | |
'And speaking of tea plantations, anyone for a cuppa?' | 0:10:45 | 0:10:50 | |
What a very nice tea caddy! | 0:10:50 | 0:10:52 | |
-And what's this inside it? -Did I hear someone say "tea caddy"? | 0:10:53 | 0:10:57 | |
John, you take a look at that a moment. | 0:10:57 | 0:11:00 | |
While you're looking at it, Tricia, what's this letter tucked away inside? | 0:11:00 | 0:11:05 | |
It says here, "Muswell Hill, May the 16th, 1931." | 0:11:05 | 0:11:11 | |
It's "to my very dear Bess", which was my mother-in-law. It's from "Grandpa". | 0:11:11 | 0:11:17 | |
He says here, "I've been keeping a little present for you for quite a long time now. | 0:11:17 | 0:11:22 | |
"It's an inlaid, antique, maplewood tea caddy." | 0:11:22 | 0:11:27 | |
-Had Grandad got it right, John? -Yes, it is a maplewood tea caddy. | 0:11:27 | 0:11:32 | |
It's a lovely classic tea caddy. This one is 19th century, a Victorian one. | 0:11:32 | 0:11:37 | |
It's a classic shape, that sarcophagus shape. | 0:11:37 | 0:11:40 | |
You do see a lot of tea caddies of this form, but it's the materials that enhance the beauty of them. | 0:11:40 | 0:11:47 | |
It's nice to see this lovely burr maplewood which is beautiful. It's a deep, rich colour. | 0:11:47 | 0:11:52 | |
When you open it up inside, you're not disappointed, this lovely crushed purple velvet in here. | 0:11:52 | 0:11:58 | |
You've still got the covers to the caddies, which are great, and the little ivory pulls on there. | 0:11:58 | 0:12:04 | |
-We can see where the tea once went. -If that went to auction, what sort of price might we get? | 0:12:04 | 0:12:10 | |
I'd see no trouble in it making about £80-£120. | 0:12:10 | 0:12:13 | |
-That's good. Excellent. -Shall we go and see what else we can find? -Come on then. | 0:12:13 | 0:12:19 | |
'We've been making great progress towards our £400 target and Tricia's found another little antique | 0:12:19 | 0:12:25 | |
'which just might prove to be a flawless find. This Edwardian compact could make £30-£50. | 0:12:25 | 0:12:31 | |
'But we do need one other item to drive us into profit.' | 0:12:31 | 0:12:35 | |
-So what do you think about these? Do you think we can sell some of these? -It's an extensive collection. | 0:12:35 | 0:12:42 | |
-How did it start? -This was my dad's collection. | 0:12:42 | 0:12:46 | |
-Apparently, he started when he was eight years old. -Do you have any favourites among this lot? | 0:12:46 | 0:12:52 | |
I remember him telling me about the ones that are quite old. There's this fire engine. | 0:12:52 | 0:12:58 | |
This one as well. These were some of the ones he'd had the longest, so they were important to my dad. | 0:12:58 | 0:13:04 | |
The Matchbox ones started in the '50s, probably when Dad got them. | 0:13:04 | 0:13:08 | |
Matchbox was formed by Jack O'Dell and the company was set up to compete with Dinky. | 0:13:08 | 0:13:13 | |
And Dinky itself was originally Meccano Miniatures, | 0:13:13 | 0:13:17 | |
being part of Frank Hornby's toy railway system until they coined the name Dinky. | 0:13:17 | 0:13:23 | |
So we've got some early ones in this collection. Largely, they look to be more modern examples. | 0:13:23 | 0:13:29 | |
-How many vehicles do you think are in the collection? -About 270 altogether. | 0:13:29 | 0:13:34 | |
-What do you think it's worth? -Even if we get £1 for each, that's still a few hundred pounds. | 0:13:34 | 0:13:39 | |
That's not a bad guestimate, Rosie. And Angela has caught me again in the boys' toys corner! | 0:13:39 | 0:13:45 | |
These cars are very collectable and some are very rare. | 0:13:45 | 0:13:49 | |
I would expect them to make between £200 and £400 and, who knows, possibly a bit more than that. | 0:13:49 | 0:13:55 | |
That's absolutely great news, John, because I've done some maths now. | 0:13:55 | 0:13:59 | |
And I reckon that we should be able to make at least £580. | 0:13:59 | 0:14:06 | |
-Wow! -How much is that more than your mother wants? -180. | 0:14:06 | 0:14:10 | |
She didn't get a first in Maths for nothing! | 0:14:10 | 0:14:13 | |
£580 is what we might make when we go to auction. Let's truck on and see what we can get. | 0:14:13 | 0:14:20 | |
'It's been plain sailing on our rummage today in south-west Wales and we've got lots of great antiques | 0:14:20 | 0:14:26 | |
'with which to cruise off to auction. | 0:14:26 | 0:14:29 | |
'There's the original '60s Hendrix and Pink Floyd posters | 0:14:29 | 0:14:33 | |
'which belonged to Tricia's husband, valued at £80-£120. | 0:14:33 | 0:14:37 | |
'And the fleet of Corgi, Matchbox and Dinky toys | 0:14:37 | 0:14:40 | |
'which, together as a dealer's lot, could fetch £200-£400. | 0:14:40 | 0:14:45 | |
'Still to come on Cash In The Attic, it's mixed emotions as some items take our breath away.' | 0:14:45 | 0:14:51 | |
I stopped breathing for a moment there. | 0:14:51 | 0:14:53 | |
'While others need a helping hand.' | 0:14:53 | 0:14:56 | |
£50, Geoff? And a crispy £5 note. Come on, £50... | 0:14:56 | 0:15:00 | |
'And one sale defies logic altogether.' | 0:15:00 | 0:15:04 | |
I don't think HE knows why! | 0:15:04 | 0:15:06 | |
-'So will it be a happy ending when the final hammer falls?' -Sold! | 0:15:06 | 0:15:11 | |
A week or two has passed since we were with Tricia and Rosie Putwain | 0:15:15 | 0:15:20 | |
at their home in the wonderfully picturesque Welsh town of Tenby. | 0:15:20 | 0:15:24 | |
We've brought some of their family heirlooms here to Liverpool to sell today at Cato Crane Auctioneers. | 0:15:24 | 0:15:31 | |
Now, Tricia wants £400, so that she can go on a bit of a literary trip | 0:15:31 | 0:15:36 | |
to give her some inspiration for a new book. | 0:15:36 | 0:15:39 | |
Obviously, what we're hoping is that we'll have a lot of bestsellers when her things go under the hammer. | 0:15:39 | 0:15:45 | |
'Fortunately, there are plenty of bidders in the saleroom, | 0:15:45 | 0:15:49 | |
'some having a very close look at the items, so hopefully that's a good sign. | 0:15:49 | 0:15:54 | |
'I spot John Cameron eyeing up one of the most vivid lots on the list today.' | 0:15:54 | 0:15:59 | |
-John, don't they speak of an era! -Don't they? Aren't they so bold? | 0:15:59 | 0:16:03 | |
I'm glad the auctioneers have laid them out like this. | 0:16:03 | 0:16:07 | |
And you had that amazing collection of cars and lorries collected by her husband. | 0:16:07 | 0:16:13 | |
-Do we think they'll do well? -They were great fun. I'm sure Tricia hasn't missed them around the house. | 0:16:13 | 0:16:19 | |
I think she was keen to get them off the wall. | 0:16:19 | 0:16:22 | |
Tricia and Rosie have just arrived, so shall we ask her if she's hung on to any of them? | 0:16:22 | 0:16:28 | |
'It's been a cross-country trek for Tricia and Rosie from their home in Wales to the auction in Liverpool, | 0:16:28 | 0:16:35 | |
'but let's hope they do well enough to make sure Tricia's got a more worthwhile trip on the horizon.' | 0:16:35 | 0:16:41 | |
-Hi, Tricia, Rosie. -Good morning. | 0:16:41 | 0:16:43 | |
Last look at the cars before they roar off. Will you be sad to see them go? | 0:16:43 | 0:16:48 | |
-A little bit, but I have kept some. -Which ones did you keep? | 0:16:48 | 0:16:52 | |
Ones we bought together when we were on holiday, ones we saved up wrappers for and sent for. | 0:16:52 | 0:16:58 | |
But you have some really lovely things - that tea caddy with that very personal family letter inside. | 0:16:58 | 0:17:05 | |
-Hopefully, someone will appreciate that. -Yeah. | 0:17:05 | 0:17:08 | |
We want to send you off on a trip to get some inspiration for a book. | 0:17:08 | 0:17:13 | |
-Why don't we go and take our place? Come on. -OK. | 0:17:13 | 0:17:16 | |
'If you're going to buy or sell at auction, be aware that commission will be added to your bill, | 0:17:16 | 0:17:23 | |
'so always check the details with the saleroom first. And as the auctioneer gets the day under way... | 0:17:23 | 0:17:29 | |
'..we take our positions for the auction. | 0:17:30 | 0:17:33 | |
'Hopefully, there's a hippy chick happy to part with £80-£120 | 0:17:33 | 0:17:37 | |
'for our first lot - the Hendrix and Pink Floyd posters.' | 0:17:37 | 0:17:41 | |
This was very much the period | 0:17:41 | 0:17:44 | |
when you and your husband were courting and all of that stuff was going on in the '60s. | 0:17:44 | 0:17:49 | |
-It was all happening, yes. -Is it all gonna happen for us in the auction room? | 0:17:49 | 0:17:54 | |
They're great visual pieces and Hendrix and Pink Floyd encapsulate everything about that era, | 0:17:54 | 0:18:01 | |
so I've got high hopes for them. | 0:18:01 | 0:18:03 | |
£50 is bid to start me off. Who's coming in? £50 is bid. | 0:18:03 | 0:18:08 | |
60. 70. 80. | 0:18:08 | 0:18:10 | |
80. 85. | 0:18:10 | 0:18:13 | |
90. £90 now. | 0:18:13 | 0:18:15 | |
I'm gonna sell at £90. | 0:18:15 | 0:18:18 | |
90 over there. All done then...? | 0:18:18 | 0:18:20 | |
Well, it made your estimate and some. | 0:18:21 | 0:18:24 | |
-So they've gone. -Yeah. Oh, well... -Don't feel bad about it? -No. | 0:18:24 | 0:18:29 | |
'The posters really got the saleroom rocking, | 0:18:29 | 0:18:32 | |
'selling over estimate at £90. | 0:18:32 | 0:18:35 | |
'And we're off and running towards our £400 target. | 0:18:35 | 0:18:39 | |
'Next on the list is the George III maplewood tea caddy | 0:18:39 | 0:18:42 | |
'with that hand-written note | 0:18:42 | 0:18:45 | |
'which we hope will add £80-£120 to the total.' | 0:18:45 | 0:18:48 | |
45. 50. 55. 60. | 0:18:48 | 0:18:51 | |
65, sir. 70. 75? | 0:18:51 | 0:18:54 | |
£70 here. We'd like a little bit more if we can. | 0:18:55 | 0:18:59 | |
All done at £75 now? I'm going to sell it for 75... | 0:18:59 | 0:19:04 | |
I'd like a bit more, but that's the way it goes. £75... | 0:19:04 | 0:19:07 | |
On commission at 75. | 0:19:08 | 0:19:11 | |
-I'm happy with that. -'It's not quite as much as we were hoping for. | 0:19:11 | 0:19:15 | |
'But a commissioned bid at just £5 under John's lowest estimate | 0:19:15 | 0:19:19 | |
'is still a pretty good result. | 0:19:19 | 0:19:21 | |
'We hope the bids will pour in for the decanter with five glasses. | 0:19:21 | 0:19:25 | |
'John is expecting £30-£50 and when the bidding comes to an end...' | 0:19:25 | 0:19:29 | |
A nice object at £45, all done...? | 0:19:29 | 0:19:32 | |
'It adds another £45 to the pot, putting us right back on track. | 0:19:33 | 0:19:38 | |
'Next up, if there's any justice in the room, | 0:19:38 | 0:19:41 | |
'these Griffin and George scientific scales should tip the balance | 0:19:41 | 0:19:45 | |
'in our favour to the tune of £30-£50.' | 0:19:45 | 0:19:48 | |
-£20 is bid. -Somebody over there already at 20. | 0:19:48 | 0:19:52 | |
35 anywhere now? OK, £30. | 0:19:52 | 0:19:55 | |
All done at £30...? | 0:19:55 | 0:19:57 | |
£30 is bid. | 0:19:57 | 0:19:59 | |
On our lower estimate. Not too bad. | 0:19:59 | 0:20:02 | |
'There were just a couple of bids on the scales, | 0:20:02 | 0:20:06 | |
'but they sold bang on John's £30 valuation | 0:20:06 | 0:20:09 | |
'and Tricia moves another step closer to her trip to Dublin. | 0:20:09 | 0:20:13 | |
'Next to go under the hammer is the first of today's silver lots.' | 0:20:13 | 0:20:17 | |
You've got £40-£60 on this as a job lot, John. | 0:20:17 | 0:20:20 | |
I'm hoping for mid to top estimate just for the silver cigarette boxes. | 0:20:20 | 0:20:25 | |
£30 is bid. 30. | 0:20:25 | 0:20:27 | |
35. 40. Where are we, sir? 40. | 0:20:27 | 0:20:29 | |
45. 50. | 0:20:29 | 0:20:31 | |
55. 60? | 0:20:31 | 0:20:33 | |
-No? One more, sir? 55 is bid here. -55. -60? | 0:20:33 | 0:20:38 | |
60 to the lady now? 60 is bid. | 0:20:38 | 0:20:40 | |
-65. -Top end of your estimate, John. -65. 70, madam? | 0:20:40 | 0:20:44 | |
70 is bid. 75? £70 is bid. | 0:20:44 | 0:20:48 | |
Your bid, madam, at £70 now. All done at 70... | 0:20:48 | 0:20:53 | |
-£70. -Brilliant! | 0:20:53 | 0:20:55 | |
-How's it going so far? -Very good. | 0:20:56 | 0:20:59 | |
'The hammer comes down £10 above John's top estimate which bodes well for the silver to follow. | 0:20:59 | 0:21:06 | |
'Next up is the cigarette cases, | 0:21:06 | 0:21:08 | |
'including one with a Motorcycling Club emblem, | 0:21:08 | 0:21:11 | |
'valued as a lot at £20-£30.' | 0:21:11 | 0:21:14 | |
Selling now at 50... | 0:21:14 | 0:21:16 | |
All done? | 0:21:16 | 0:21:18 | |
'That's two and a half times John's estimate. A fantastic result! | 0:21:18 | 0:21:22 | |
'Hopes are high that the silver rush continues | 0:21:22 | 0:21:25 | |
'with the two christening mugs.' | 0:21:25 | 0:21:27 | |
45 is bid down the room now. £45 is bid. | 0:21:27 | 0:21:31 | |
Any further bid? Any advance on £45? | 0:21:31 | 0:21:34 | |
45 is bid. Gentleman right down the room there. | 0:21:34 | 0:21:38 | |
£45. | 0:21:38 | 0:21:40 | |
'With the hammer falling £15 over estimate, it's another great result. | 0:21:40 | 0:21:45 | |
'There are smiles all round as we move on to the Malayan tea planters, | 0:21:45 | 0:21:50 | |
'a highly unusual lot which John guestimates might make £40.' | 0:21:50 | 0:21:54 | |
20 over there. 25. | 0:21:54 | 0:21:56 | |
30. I think they're quite nice. 30. 35. | 0:21:56 | 0:21:59 | |
-£35-worth of interest already. -45? £40. | 0:21:59 | 0:22:03 | |
£40. Well, not bad. | 0:22:03 | 0:22:05 | |
One more. And one more is bid. And Geoffrey, £50 now? | 0:22:05 | 0:22:09 | |
And I'll put £5 towards your bid, sir. £50, Geoff? | 0:22:09 | 0:22:14 | |
And a crispy £5 note. Come on. £50? | 0:22:15 | 0:22:18 | |
Yes or no? | 0:22:18 | 0:22:20 | |
No. £45 here. | 0:22:20 | 0:22:22 | |
All done at 45...? | 0:22:22 | 0:22:25 | |
Thank you very much indeed. | 0:22:25 | 0:22:27 | |
-Did he buy them for the figures, the completed thing or the dome? -I don't know. | 0:22:27 | 0:22:32 | |
The auctioneer was gonna shame him into buying them. I don't think HE knows why he bought them! | 0:22:32 | 0:22:38 | |
'Whatever the reason, it's another £45 towards the 400 Tricia needs | 0:22:38 | 0:22:42 | |
'for her inspirational trip to Ireland. | 0:22:42 | 0:22:46 | |
'John's on more familiar territory when it comes to the silver compact with the blue flower motif.' | 0:22:46 | 0:22:52 | |
All done at 40... Your bid, sir. Buyer 413. | 0:22:52 | 0:22:56 | |
'£40 is right in the middle of John's estimate. | 0:22:56 | 0:23:00 | |
'I have a feeling that things have gone pretty well, | 0:23:00 | 0:23:04 | |
'but next up is the final lot and Tricia's most valuable item. | 0:23:04 | 0:23:08 | |
'With a valuation of £200, the vast collection of toy cars and vans | 0:23:08 | 0:23:13 | |
'could bring in half of the target on their own, | 0:23:13 | 0:23:16 | |
'so we're really hoping for a good result.' | 0:23:16 | 0:23:19 | |
-Mixed feelings about seeing them go? -A little bit. | 0:23:19 | 0:23:23 | |
They look a bit lonely here away from the home. But they've got to go. | 0:23:23 | 0:23:27 | |
I can start it at £50. 50. All done at £50? 50. | 0:23:27 | 0:23:31 | |
60. I've got bids everywhere. I've got one on here too. 80. 90. | 0:23:31 | 0:23:36 | |
100. And 10. 120. | 0:23:36 | 0:23:39 | |
130. 140. 150? | 0:23:39 | 0:23:42 | |
140 there. I've got 150. | 0:23:42 | 0:23:45 | |
150. 160. 170. 180. | 0:23:45 | 0:23:49 | |
190. 200? 200? | 0:23:49 | 0:23:51 | |
I've got 190 here. 200? | 0:23:51 | 0:23:53 | |
£200. Any more anywhere? | 0:23:53 | 0:23:56 | |
£200 now... | 0:23:56 | 0:23:59 | |
All done...? | 0:23:59 | 0:24:01 | |
210, thank you. 210. 220? | 0:24:03 | 0:24:06 | |
210 down the room. A new bidder at £210 now. | 0:24:07 | 0:24:10 | |
£210 now. Down the room at 210. All done? | 0:24:10 | 0:24:14 | |
Your bid... £210. | 0:24:14 | 0:24:17 | |
Still smiling? Have you gone a bit pink? | 0:24:17 | 0:24:20 | |
I stopped breathing for a moment there when it sort of stuck a bit at about 100. | 0:24:20 | 0:24:25 | |
'We can all start breathing again now | 0:24:25 | 0:24:28 | |
'as £210 is by far the best result of a very successful auction | 0:24:28 | 0:24:32 | |
'here in Liverpool. Let's find out how much we've made.' | 0:24:32 | 0:24:36 | |
-We haven't raised £400. -No. | 0:24:36 | 0:24:39 | |
-We have raised a bit more than that, Tricia. -Good. | 0:24:39 | 0:24:43 | |
-We've raised £700. -Excellent. | 0:24:43 | 0:24:46 | |
-Yeah, fantastic. -So what word are you gonna put on it now? -Oh, wonderful. Best experience ever! | 0:24:46 | 0:24:53 | |
It's been a couple of weeks now since budding novelist Tricia had such a great auction. | 0:24:57 | 0:25:04 | |
As a result of making so much extra cash, she's brought Rosie and her boyfriend Ollie along | 0:25:04 | 0:25:09 | |
on her writing trip to check out the cultural delights of Dublin, | 0:25:09 | 0:25:14 | |
home to Ireland's greatest literary icon, James Joyce. | 0:25:14 | 0:25:18 | |
I'm looking forward to looking at all the attractions. I think it's going to be a fantastic weekend. | 0:25:18 | 0:25:24 | |
I've never been to Ireland before, so I'm looking forward to seeing the sights and going to some pubs. | 0:25:24 | 0:25:31 | |
-Have some Guinness. -Yeah. | 0:25:31 | 0:25:33 | |
The beers will have to wait because this is Tricia's writing-inspired trip. | 0:25:33 | 0:25:38 | |
At the James Joyce Centre, she gets a flavour for the ideas behind some of literature's best known stories. | 0:25:38 | 0:25:44 | |
"Joyce's importance as a writer can be measured more through the authors and artists inspired by him.' | 0:25:44 | 0:25:51 | |
A walking tour of the city is the best way to see the sights | 0:25:51 | 0:25:55 | |
and you can get your own guide to talk you through the key Joyce locations. | 0:25:55 | 0:26:00 | |
The central character comes from Number 7, Eccles Street. | 0:26:00 | 0:26:04 | |
What you see here is the front door from Number 7, Eccles Street. | 0:26:04 | 0:26:08 | |
He was a quite extraordinary dresser and as a result, he appears as a character in Joyce's novel. | 0:26:08 | 0:26:15 | |
But after an inspirational day, it's only right to absorb some of Ireland's second greatest export. | 0:26:15 | 0:26:21 | |
Cheers. I think we've earned this. | 0:26:21 | 0:26:24 | |
It's been a really good trip. I've seen all the sights, been everywhere and even found time to have a pint. | 0:26:24 | 0:26:30 | |
Now all I've got to do is go home and try and manufacture it all into some wonderful book or other. | 0:26:30 | 0:26:36 | |
What a great trip that was for Tricia and let's hope it's given her lots of ideas for a brand-new novel! | 0:26:39 | 0:26:45 | |
If there's something you'd like to raise money for and you have things you'd be happy to send to auction, | 0:26:45 | 0:26:51 | |
get in touch with the programme. You'll find all the details at: | 0:26:51 | 0:26:55 | |
We'll look forward perhaps to seeing you on Cash In The Attic. | 0:26:57 | 0:27:01 | |
Subtitles by Subtext for Red Bee Media Ltd 2009 | 0:27:18 | 0:27:22 | |
Email [email protected] | 0:27:22 | 0:27:25 |