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Welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the programme that searches out all those treasures | 0:00:03 | 0:00:07 | |
and antiques around your house and sells them for you at auction. | 0:00:07 | 0:00:10 | |
Today, I'm in Croydon, which is south of London, | 0:00:10 | 0:00:13 | |
and I've taken time out to stop off at the quite stunning Selsdon Park hotel. | 0:00:13 | 0:00:18 | |
Selsdon Park dates back to the Anglo-Saxon period. | 0:00:18 | 0:00:22 | |
It was originally known as "Sel Dun" meaning mansion on the hill. | 0:00:22 | 0:00:26 | |
Over the centuries, it belonged to several different aristocratic families | 0:00:26 | 0:00:29 | |
with notable guests including Queen Elizabeth I, | 0:00:29 | 0:00:32 | |
who is said to have planted a cedar tree in the grounds. | 0:00:32 | 0:00:35 | |
In 1924, the mansion was converted into a luxurious hotel | 0:00:35 | 0:00:41 | |
which even has its own 18-hole golf course. | 0:00:41 | 0:00:43 | |
Well, there will be no stopping for a round of golf, | 0:00:43 | 0:00:46 | |
or indeed a visit to the 19th hole today. | 0:00:46 | 0:00:49 | |
I've got to march on now and find all those antiques | 0:00:49 | 0:00:51 | |
and collectibles to take to auction. | 0:00:51 | 0:00:53 | |
'Today on Cash In The Attic, Jonty's getting some special attention.' | 0:01:14 | 0:01:18 | |
-Follow me. -Oh, I'll follow you, all right. | 0:01:18 | 0:01:21 | |
'But we seem to be missing something.' | 0:01:21 | 0:01:24 | |
It says here is Barbie and Ken, but I can't find a Ken. | 0:01:24 | 0:01:26 | |
-What have you done with Ken? -Bless his heart. | 0:01:26 | 0:01:30 | |
'And emotions run high at auction.' | 0:01:30 | 0:01:33 | |
Give me a hug then, Rosemary. | 0:01:33 | 0:01:35 | |
'Will we still be smiling when the final hammer falls?' | 0:01:36 | 0:01:39 | |
I'm on my way to meet | 0:01:41 | 0:01:42 | |
a very lively lady, and | 0:01:42 | 0:01:44 | |
she's hoping that Cash In The Attic | 0:01:44 | 0:01:46 | |
can help her move around | 0:01:46 | 0:01:48 | |
just that little bit faster. | 0:01:48 | 0:01:50 | |
This semi-detached house in Croydon has been home to Rosemary May for 18 years. | 0:01:50 | 0:01:54 | |
She grew up in Wales, but moved to London as a teenager | 0:01:54 | 0:01:57 | |
and worked as a secretary in various banks until her retirement. | 0:01:57 | 0:02:03 | |
Rosemary's great friend, Lynn, lives just round the corner and the two are very close. | 0:02:03 | 0:02:08 | |
-Jonty, good morning. -How are you? | 0:02:08 | 0:02:10 | |
I'm good, thank you. It's very sunny, but a bit nippy. | 0:02:10 | 0:02:13 | |
-It's beautiful. -I hope you've taken your energy tablets. | 0:02:13 | 0:02:16 | |
-Why's that? -This lady is just fantastic. | 0:02:16 | 0:02:19 | |
75 years of age, more energy than the whole team all put together. | 0:02:19 | 0:02:23 | |
-You need to be up for it. And, by the way, quite fancies you. -Really? | 0:02:23 | 0:02:28 | |
-Can you cope with an older woman? -I can. | 0:02:28 | 0:02:30 | |
You can cope with me, can you? | 0:02:30 | 0:02:32 | |
Shall we go and meet her? She's fabulous. | 0:02:32 | 0:02:34 | |
Rosemary's her name, by the way. | 0:02:34 | 0:02:35 | |
Rosemary, Miss Energy herself, how are you? | 0:02:40 | 0:02:43 | |
So looking forward to seeing you. | 0:02:43 | 0:02:44 | |
-Wonderful to meet you. -This is Lynn, your friend. | 0:02:44 | 0:02:47 | |
-Hello, Gloria. -How did you get roped in for today, Lynn? | 0:02:47 | 0:02:50 | |
I've known Rosemary for about 25 years. | 0:02:50 | 0:02:52 | |
She's a very good friend of mine. | 0:02:52 | 0:02:54 | |
Like a second mum. I'm here to support her today. | 0:02:54 | 0:02:58 | |
She's a lovely friend. Couldn't wish for a more loyal friend. | 0:02:58 | 0:03:01 | |
That's what we like on Cash in the Attic. Good friends, good stuff. | 0:03:01 | 0:03:05 | |
What sort of things, Rosemary, are we likely to find? | 0:03:05 | 0:03:08 | |
There are so many things up in that loft and I go up and down that ladder. I enjoy it. | 0:03:08 | 0:03:13 | |
Having said that, it would be nice if someone else could benefit from some of the things. | 0:03:13 | 0:03:17 | |
It's a real Cash In The Attic attic today, is it? | 0:03:17 | 0:03:20 | |
Indeed. Indeed it is. | 0:03:20 | 0:03:21 | |
And are these things that you've inherited? | 0:03:21 | 0:03:24 | |
I have accumulated many of these things. | 0:03:24 | 0:03:27 | |
I've been very lucky, people have given me things. | 0:03:27 | 0:03:30 | |
Why do you think the time is right now to take them to auction? | 0:03:30 | 0:03:33 | |
What I want to do is to buy a new car. | 0:03:33 | 0:03:37 | |
I would love to have a new car. | 0:03:37 | 0:03:39 | |
Are hoping to find enough in the attic to buy a car? | 0:03:39 | 0:03:42 | |
Well, no, not the whole lot for a car, but something towards a car. | 0:03:42 | 0:03:47 | |
I'm looking for about £750... | 0:03:47 | 0:03:49 | |
Towards a car. | 0:03:49 | 0:03:51 | |
Towards a car. | 0:03:51 | 0:03:53 | |
The big bonus today is you've got Jonty in the attic. | 0:03:53 | 0:03:57 | |
Lovely. Jonty. The people don't know what they've missed. | 0:03:57 | 0:04:03 | |
Seeing him in person, wonderful. | 0:04:03 | 0:04:05 | |
The thing is, I know that he's already rummaging so maybe we should go and find him. | 0:04:05 | 0:04:10 | |
You'll be in your element then, Rosemary. | 0:04:10 | 0:04:12 | |
I will, indeed. I can't wait. | 0:04:12 | 0:04:15 | |
Don't chat him up too much, eh? | 0:04:15 | 0:04:16 | |
-No, No. -Come on, Lynn, we'll go and find him. | 0:04:16 | 0:04:22 | |
I'm hoping Rosemary's not going to distract our expect too much | 0:04:22 | 0:04:25 | |
because her home is packed with items | 0:04:25 | 0:04:27 | |
that she's collected over the years. | 0:04:27 | 0:04:29 | |
If we're going to raise a decent amount of cash to go towards | 0:04:29 | 0:04:33 | |
a new car, we'll need to be firing on all cylinders. | 0:04:33 | 0:04:36 | |
With Rosemary being such a fan of Jonty, let's hope he doesn't disappoint her. | 0:04:36 | 0:04:40 | |
Luckily, he's already on the job and has our first find. | 0:04:40 | 0:04:43 | |
-Jonty, a special lady who wants to say hello. -Hello. | 0:04:43 | 0:04:47 | |
-Hello, Rosemary, how are you? -Just like the man I see on the telly. | 0:04:47 | 0:04:51 | |
-He's lovely. -She's rather partial to you, I have to warn you. | 0:04:51 | 0:04:54 | |
Now, listen, I'm very partial to these pair of pictures here. | 0:04:54 | 0:04:59 | |
The more you look, the more detail you can find. | 0:04:59 | 0:05:02 | |
Take a look at this one, for instance. | 0:05:02 | 0:05:04 | |
We've got this lovely delicate basket of flowers. | 0:05:04 | 0:05:07 | |
The basket itself is mother-of-pearl, but all these flower heads, they're wonderful. | 0:05:07 | 0:05:13 | |
We have a mixture here of silk and mother-of-pearl. | 0:05:13 | 0:05:17 | |
The detail is really stunning. | 0:05:17 | 0:05:19 | |
It means they have to be 19th century. | 0:05:19 | 0:05:22 | |
When I say 19th century, they are probably early 19th century. | 0:05:22 | 0:05:25 | |
-And how could you tell that? -It is just simply the detail. | 0:05:25 | 0:05:29 | |
This kind of work was done around, I suppose 1840-1860, really. | 0:05:29 | 0:05:34 | |
I suppose that they're mid-19th century. | 0:05:34 | 0:05:37 | |
This one, we have the basket of flowers, but this one here is an urn of flowers | 0:05:37 | 0:05:42 | |
so they've always been a pair, but they are quite different. | 0:05:42 | 0:05:45 | |
So what happened here? | 0:05:45 | 0:05:48 | |
Jonty, this is really sad. | 0:05:48 | 0:05:51 | |
Very, very sad to me. | 0:05:51 | 0:05:53 | |
With my house moves, | 0:05:53 | 0:05:55 | |
unfortunately, this one was damaged. | 0:05:55 | 0:05:58 | |
We do have to take this into consideration, so I think, from | 0:05:58 | 0:06:02 | |
a value point of view, they're about £50 each. | 0:06:02 | 0:06:06 | |
We are looking around the £100 mark. | 0:06:06 | 0:06:09 | |
At auction, I would put an estimate of £80-120. | 0:06:09 | 0:06:13 | |
What do you think of that amount, Rosemary? | 0:06:13 | 0:06:15 | |
-Do you think that's enough? -Indeed, yes. | 0:06:15 | 0:06:17 | |
I will expect you to give them a huge kiss goodbye when you come to auction. | 0:06:17 | 0:06:22 | |
Now, we still got to try and raise £750, so we're off to a reasonable start there. | 0:06:24 | 0:06:29 | |
We've got to keep working. | 0:06:29 | 0:06:31 | |
-Shall we go this way? -Follow Gloria. | 0:06:31 | 0:06:33 | |
I'm going to follow you. | 0:06:33 | 0:06:35 | |
-You can follow me. -We'll try a different place this time. | 0:06:35 | 0:06:38 | |
Anywhere, Jonty, anywhere. | 0:06:38 | 0:06:40 | |
It's a shame about the damage to one of the pictures, | 0:06:40 | 0:06:43 | |
but £80 is still a very healthy start towards our car fund. | 0:06:43 | 0:06:46 | |
Whilst Jonty begins a thorough search of the house, | 0:06:46 | 0:06:49 | |
Rosemary decides to let go of her gate-legged dining table. | 0:06:49 | 0:06:53 | |
Inherited from her Aunt Gwen, she no longer uses it | 0:06:53 | 0:06:56 | |
and Jonty values it at £100 to £140. | 0:06:56 | 0:06:59 | |
That's one of the car doors paid for. | 0:06:59 | 0:07:01 | |
Meanwhile, the search heads upstairs and Jonty's spotted another interesting piece of furniture. | 0:07:01 | 0:07:07 | |
Lynn, tell me about this chest of drawers. | 0:07:07 | 0:07:11 | |
Nice mahogany chest of drawers. | 0:07:11 | 0:07:13 | |
I believe Rosemary got these from a house clearance sale in Purley. | 0:07:13 | 0:07:17 | |
I'm not sure exactly how much she paid for it, but I know it wouldn't have been very much indeed. | 0:07:17 | 0:07:23 | |
I think I have just discovered just down here, | 0:07:23 | 0:07:26 | |
I've had a quick look and I've got four legs perched at the bottom here. | 0:07:26 | 0:07:31 | |
I'm assuming that these are the legs for this particular chest of drawers. | 0:07:31 | 0:07:36 | |
Look at the colour. | 0:07:36 | 0:07:38 | |
This is the original colour to the whole chest of drawers. | 0:07:38 | 0:07:41 | |
Can you see how it's changed over the years? | 0:07:41 | 0:07:44 | |
Originally, in the mid-19th century, when a chest of drawers like this would have been made, | 0:07:44 | 0:07:49 | |
it would have been that colour. | 0:07:49 | 0:07:51 | |
The rest of the carcass here is veneer work. | 0:07:51 | 0:07:56 | |
You can tell that very clearly, you can see the line down the middle here. | 0:07:56 | 0:08:00 | |
That's two sections of veneer. | 0:08:00 | 0:08:04 | |
You can also see the depth of the veneer, can you see that? | 0:08:04 | 0:08:08 | |
That is how thinly cut these veneers are. | 0:08:08 | 0:08:12 | |
Bow front chest of drawers became popular in the mid-18th century. | 0:08:12 | 0:08:17 | |
This chest of drawers is mid-19th century. | 0:08:17 | 0:08:20 | |
Beyond this point, the bow front became less popular. | 0:08:20 | 0:08:25 | |
Chests of drawers beyond this point were much squarer on the front. | 0:08:25 | 0:08:28 | |
Would these be part of a set? | 0:08:28 | 0:08:31 | |
Like a bedroom suite? Are they chest of drawers on their own? | 0:08:31 | 0:08:35 | |
A piece like this would be much more of a stand-alone piece. | 0:08:35 | 0:08:38 | |
Value-wise, we are looking at around the £100 mark. | 0:08:38 | 0:08:41 | |
The auction estimate for this chest of drawers will be £80-120. | 0:08:41 | 0:08:45 | |
-Is that all right? -That's fine. | 0:08:45 | 0:08:47 | |
Very good. Excellent. | 0:08:47 | 0:08:48 | |
So another great find. We seem to be on a roll with another significant | 0:08:48 | 0:08:53 | |
contribution towards our £750 target for Rosemary's new set of wheels. | 0:08:53 | 0:08:58 | |
The search continues with Lynn scouring the ornaments then Jonty | 0:08:58 | 0:09:02 | |
picks out this pretty Albion pottery jug along with a matching bowl, | 0:09:02 | 0:09:06 | |
shaving mug and soap dish estimated at £55-75. | 0:09:06 | 0:09:11 | |
I think it would look fantastic on a lucky buyer's dressing-table. | 0:09:11 | 0:09:16 | |
It's a beautiful day outside and still a hive of activity inside. | 0:09:16 | 0:09:19 | |
I reckon it's time for a quick breather. | 0:09:19 | 0:09:22 | |
While Jonty carries on, I grab some time for a girlie gossip | 0:09:22 | 0:09:25 | |
with Rosemary and Lynn to find out what's made them so close. | 0:09:25 | 0:09:29 | |
I can see why you call this one "Cosy Rosie!" | 0:09:29 | 0:09:32 | |
Actually, it's very cosy coming into your sitting room. It's lovely. | 0:09:32 | 0:09:36 | |
What else do you call her? | 0:09:36 | 0:09:38 | |
She has been known as a "unique antique". | 0:09:38 | 0:09:42 | |
-Thank you very much. -And nutty as a fruitcake as well. -I'll answer to anything, Gloria. | 0:09:42 | 0:09:47 | |
How long have the pair of you been friends? | 0:09:47 | 0:09:49 | |
Rosemary became one of my customers for a certain cosmetic company | 0:09:49 | 0:09:53 | |
and we've been friends ever since. | 0:09:53 | 0:09:55 | |
About 25 years, we've known each other. | 0:09:55 | 0:09:58 | |
Good friends by the look of it. | 0:09:58 | 0:09:59 | |
Wonderful. Wonderful. | 0:09:59 | 0:10:02 | |
It's lovely to know there's somebody there when you need them. | 0:10:02 | 0:10:05 | |
With all the things that have happened to me, | 0:10:05 | 0:10:08 | |
Lynn has always been there. | 0:10:08 | 0:10:10 | |
I can turn to her and it's lovely to know that you've got somebody like that. | 0:10:10 | 0:10:14 | |
What has happened over the years where you've been able to share and care? | 0:10:14 | 0:10:18 | |
Let me see, it's a long story. How long have you got? | 0:10:18 | 0:10:22 | |
There was a time when she fell off the ladder painting the house. | 0:10:22 | 0:10:26 | |
Up the ladder I go and Crystal Palace were playing football. | 0:10:26 | 0:10:30 | |
I love football, I love sport. | 0:10:30 | 0:10:33 | |
They scored three, I forgot I was up the ladder | 0:10:33 | 0:10:35 | |
and what does Rosemary do? | 0:10:35 | 0:10:37 | |
I jump for joy and down I come with the ladder and I ended up | 0:10:37 | 0:10:41 | |
in hospital with a broken foot for four months | 0:10:41 | 0:10:45 | |
and I was on a stick for two. | 0:10:45 | 0:10:47 | |
This is where my friend Lynn, quite frankly, she was brilliant. | 0:10:47 | 0:10:52 | |
She was gold-dust to me. | 0:10:52 | 0:10:54 | |
What other things spring to mind that she got up to? | 0:10:54 | 0:10:57 | |
She's been gardening and using a pick axe which ended up stuck in her back. | 0:10:57 | 0:11:03 | |
-Excuse me? -A pickaxe. She went like that and it... | 0:11:03 | 0:11:06 | |
I forgot about that. | 0:11:06 | 0:11:08 | |
That's absolutely right. I was lucky. | 0:11:08 | 0:11:11 | |
It just skimmed my shoulder, I was really lucky, honestly. | 0:11:11 | 0:11:15 | |
I'm not laughing at you, I'm just laughing at the idea. | 0:11:15 | 0:11:18 | |
A pickaxe ending up in your back? | 0:11:18 | 0:11:20 | |
You have to laugh, honestly. | 0:11:20 | 0:11:22 | |
You have to keep active, sometimes, I really have to push myself a bit. | 0:11:22 | 0:11:26 | |
What she means is, she's a fidget-bottom. | 0:11:26 | 0:11:29 | |
There's another name to add to the list. | 0:11:29 | 0:11:31 | |
We've got "Cosy Rosie", we've got "unique antique" and we've got "fidget-bottom". | 0:11:31 | 0:11:36 | |
You know what, fidget-bottom, I'm going to make you work some more | 0:11:36 | 0:11:40 | |
cos we have to get enough money for this car of yours. | 0:11:40 | 0:11:43 | |
Or at least towards a car. OK, lead on, MacDuff. | 0:11:43 | 0:11:46 | |
-Let's go somewhere else. -Will do. | 0:11:46 | 0:11:50 | |
From one unique antique to another - no, not Jonty - | 0:11:50 | 0:11:54 | |
this French-style mantle clock | 0:11:54 | 0:11:56 | |
valued at a very useful £40 to £60. | 0:11:56 | 0:11:59 | |
Jonty appears to be living up to Rosemary's high expectations so far today. | 0:11:59 | 0:12:03 | |
He is spoilt for choice with items in the attic. | 0:12:03 | 0:12:06 | |
It seems he really is a ladies' man as he unearths our next find. | 0:12:06 | 0:12:11 | |
Come and have a look at this collection of Barbie dolls. | 0:12:11 | 0:12:14 | |
-Wow. -Look at this. | 0:12:14 | 0:12:16 | |
Gosh. How colourful and bright and gorgeous. | 0:12:16 | 0:12:20 | |
Where did you get this collection? | 0:12:20 | 0:12:22 | |
Some friends of mine came over from Canada, | 0:12:22 | 0:12:25 | |
some friends of friends, and they gave them to me. | 0:12:25 | 0:12:28 | |
They knew I loved dolls so much. | 0:12:28 | 0:12:30 | |
I was very happy about that. | 0:12:30 | 0:12:31 | |
-You were pleased to add it to your collection? -Pleased as Punch. | 0:12:31 | 0:12:35 | |
How many do you reckon you have in there? | 0:12:35 | 0:12:37 | |
Oh, ten. | 0:12:37 | 0:12:40 | |
-I lose count. -We've got quite a few here. | 0:12:40 | 0:12:43 | |
Now, I must close the box first of all, because it's the box that really gets me excited. | 0:12:43 | 0:12:48 | |
This has real age to it. | 0:12:48 | 0:12:50 | |
We've actually got the date here, 1963. This is really good. | 0:12:50 | 0:12:53 | |
Did they come in this box? | 0:12:53 | 0:12:55 | |
They did come in a box. | 0:12:55 | 0:12:57 | |
What it says here is Barbie and Ken, but I can't find a Ken. | 0:12:57 | 0:13:00 | |
Poor Ken's missing. | 0:13:00 | 0:13:02 | |
Aw, bless his heart. | 0:13:02 | 0:13:04 | |
You can't do without a man, can you? | 0:13:04 | 0:13:07 | |
-You've got your man for the day, you see! -I should be so lucky. | 0:13:07 | 0:13:11 | |
Shall I be your Ken for the day? How about that? | 0:13:11 | 0:13:13 | |
-And in the attic, as well! -Anything you like, dear. | 0:13:13 | 0:13:17 | |
Now, let's have a look at the dolls themselves. | 0:13:17 | 0:13:21 | |
I like this one. | 0:13:21 | 0:13:22 | |
I'm keeping this one. She's special, this one. | 0:13:22 | 0:13:25 | |
Barbie was invented by an American designer by the name of Ruth Handler. | 0:13:25 | 0:13:31 | |
She had a daughter, wait for it, | 0:13:31 | 0:13:34 | |
you don't have to be a rocket scientist to put two and two together. | 0:13:34 | 0:13:37 | |
Her daughter was called Barbara. | 0:13:37 | 0:13:40 | |
-Hence the reason why we have Barbie. -Oh, yes. | 0:13:40 | 0:13:42 | |
Because we've got these accessories, which is good, and the fact that I love this case, | 0:13:42 | 0:13:48 | |
I think that this case has got real value because it's so early, | 0:13:48 | 0:13:51 | |
and the dolls are right, in so far that they look around 1970s, a lot of these, | 0:13:51 | 0:13:55 | |
I think these are definitely worth selling. | 0:13:55 | 0:13:58 | |
As a collection, we're looking at roughly £50 to £70. | 0:13:58 | 0:14:03 | |
You're joking, for a bit of plastic and the case. | 0:14:03 | 0:14:06 | |
Without Ken! | 0:14:06 | 0:14:08 | |
You know what I think? I think this attic is perfect for this programme. | 0:14:10 | 0:14:15 | |
You talk about cash in the attic, this is brilliant. I love this. | 0:14:15 | 0:14:18 | |
-I call it Aladdin's cave. -I want you two to go and find more stuff. | 0:14:18 | 0:14:22 | |
You go over there, please. You go over there. | 0:14:22 | 0:14:24 | |
We've got to go back to work here. No more playing with dolls. | 0:14:24 | 0:14:28 | |
Never mind, it's interesting, it's enjoyable. | 0:14:28 | 0:14:31 | |
'The Barbie dolls are a great addition, | 0:14:31 | 0:14:33 | |
'but I have a feeling they're the tip of the iceberg up here. | 0:14:33 | 0:14:37 | |
'I continue rummaging and uncover this collection of | 0:14:37 | 0:14:39 | |
'postcards and cigarette cards which should make us another | 0:14:39 | 0:14:42 | |
'£30 to £40 that surely would buy us at least a car bumper. | 0:14:42 | 0:14:48 | |
'But we still have plenty to do if we're going to make our £750 target. | 0:14:48 | 0:14:52 | |
'While we carry on in the attic, Jonty heads off to find Lynn, | 0:14:52 | 0:14:55 | |
'who hasn't been slacking while we've been away.' | 0:14:55 | 0:14:58 | |
-Lynn, we've got a whole collection of ceramic pigs here. -You have indeed. | 0:14:58 | 0:15:04 | |
What's the story? | 0:15:04 | 0:15:05 | |
Rosemary used to work at the NatWest Bank and I believe | 0:15:05 | 0:15:09 | |
-she purchased these from the manager for a measly sum of £6. -£6? | 0:15:09 | 0:15:15 | |
-That's right. -How long ago was that? | 0:15:15 | 0:15:17 | |
Around about 1986/87. | 0:15:17 | 0:15:21 | |
These were issued to children in the '80s | 0:15:21 | 0:15:26 | |
and the whole idea is once you saved up a certain amount, you were issued with another pig. | 0:15:26 | 0:15:31 | |
We have actually got the whole family here. | 0:15:31 | 0:15:34 | |
We have the father, who's Sir Nathaniel Westminster | 0:15:34 | 0:15:38 | |
and his wife Lady Hillary and their two children, | 0:15:38 | 0:15:43 | |
this is Maxwell and this is Annabel and baby Woody. | 0:15:43 | 0:15:48 | |
-But somehow we've got twins and four baby Woodys. -Right. | 0:15:48 | 0:15:53 | |
They were made by the famous Wade factory, | 0:15:53 | 0:15:57 | |
you can see that printed into the mould on the underside of these pigs. | 0:15:57 | 0:16:02 | |
Originally, they were made by the Sunshine factory, | 0:16:02 | 0:16:05 | |
but Wade took over because this, as an advertising campaign, | 0:16:05 | 0:16:10 | |
-as a promotion, was very successful indeed. -Right. | 0:16:10 | 0:16:13 | |
About ten years ago, when internet selling first became fashionable, | 0:16:13 | 0:16:18 | |
sets like these were selling for between £200 and £300. | 0:16:18 | 0:16:22 | |
I can't put that figure on it now and I'm not exactly sure where | 0:16:22 | 0:16:25 | |
the market is at the moment, but we're still looking at a very healthy £80 to £120. | 0:16:25 | 0:16:31 | |
-Great. -Yes? Excellent. | 0:16:31 | 0:16:33 | |
I'll leave those there and carry on searching. | 0:16:33 | 0:16:36 | |
What's over here? | 0:16:36 | 0:16:38 | |
Well, having been bought for a mere £6, | 0:16:38 | 0:16:41 | |
these little piggies can be banked on to bring home the bacon | 0:16:41 | 0:16:44 | |
when they head off to market. | 0:16:44 | 0:16:46 | |
Lynn's discovered this collection of dolls which Rosemary's collected over 40 years, | 0:16:46 | 0:16:51 | |
but she's very happy to let them go and Jonty reckons it could make us £30 to £50. | 0:16:51 | 0:16:55 | |
Unsurprisingly for someone so active, Rosemary loves the outdoors and her garden is her pride and joy. | 0:16:55 | 0:17:01 | |
I couldn't miss an opportunity to take a look and find out | 0:17:01 | 0:17:05 | |
what keeps her so enthusiastic about life. | 0:17:05 | 0:17:08 | |
Rosemary, here we are in your beloved garden. | 0:17:08 | 0:17:10 | |
I gather you really love gardening? | 0:17:10 | 0:17:12 | |
I love my garden, Gloria. | 0:17:12 | 0:17:14 | |
It keeps me busy, but nature's wonderful, you can't beat it. | 0:17:14 | 0:17:18 | |
Knowing that you're very fond of DIY, have you done a lot of the heavy stuff yourself? | 0:17:18 | 0:17:22 | |
I did the crazy paving. I actually revamped the whole garden, redesigned it. | 0:17:22 | 0:17:27 | |
Is it because you come from Wales that you have this great love of the outdoors? | 0:17:27 | 0:17:31 | |
I'm sure it is because I used to spend much of my time | 0:17:31 | 0:17:34 | |
in the Black Mountains near where I was born. | 0:17:34 | 0:17:36 | |
I try and go back every year. | 0:17:36 | 0:17:39 | |
I love it, it is like a magnet to me. | 0:17:39 | 0:17:42 | |
Why is it so important to you to raise this money today towards a new car? | 0:17:42 | 0:17:47 | |
Instead of just being a hermit in my home, | 0:17:47 | 0:17:50 | |
sitting there and watching the TV, which many people do, I know, | 0:17:50 | 0:17:54 | |
but to keep active, it gets me out and about. | 0:17:54 | 0:17:57 | |
I can reach people far and wide. | 0:17:57 | 0:17:59 | |
If we're going to get the car, we better do more work. Rummage more. | 0:17:59 | 0:18:02 | |
Cosy Rosie, too cosy out here! | 0:18:02 | 0:18:06 | |
It's back to the search and this collection of Hummel figurines was started by Rosemary as a child. | 0:18:06 | 0:18:12 | |
She's decided the time has come to wave them off to auction | 0:18:12 | 0:18:16 | |
and Jonty thinks they should fetch another £40 to £60. | 0:18:16 | 0:18:19 | |
Back upstairs, Rosemary finds something | 0:18:19 | 0:18:21 | |
very close to her heart which could seriously help our cause. | 0:18:21 | 0:18:25 | |
Is she going to sell it or is she actually going to present it to Jonty? | 0:18:25 | 0:18:29 | |
Jonty, look what I've found, look what I've found. | 0:18:29 | 0:18:31 | |
What a beautiful ring. It looks like an engagement ring. | 0:18:31 | 0:18:35 | |
-Is it? -We've got, what, four or five, five diamonds in there? | 0:18:35 | 0:18:39 | |
Look at that. | 0:18:39 | 0:18:40 | |
We've got hallmarks as well, that's wonderful. Whose is this ring? | 0:18:40 | 0:18:44 | |
That ring belonged to a lovely aunt of mine, Aunt Gwen, a wonderful lady. | 0:18:44 | 0:18:49 | |
Was she engaged at any point in her life? | 0:18:49 | 0:18:52 | |
-Oh, yes, she was married. -Yes. | 0:18:52 | 0:18:54 | |
Somehow she was determined that she wanted me to have that ring. | 0:18:54 | 0:18:59 | |
My sense is that this ring has not been worn because these hallmarks | 0:18:59 | 0:19:04 | |
are so clear and crisp and we've got the original presentation box. | 0:19:04 | 0:19:09 | |
-That wouldn't surprise me, she was such a lovely lady. -Was she? | 0:19:09 | 0:19:13 | |
-Oh, yes. -When she gave this to you | 0:19:13 | 0:19:15 | |
did she tell you anything about it? What did she say? | 0:19:15 | 0:19:19 | |
Her words were, and I remember them to this day, | 0:19:19 | 0:19:23 | |
"If you are ever in the gutter, Rosemary, that is when you sell that ring." | 0:19:23 | 0:19:27 | |
-You're not in the gutter now? -I'm certainly not in the gutter now. | 0:19:27 | 0:19:31 | |
I'm desperate to get my new car. | 0:19:31 | 0:19:33 | |
I think Aunt Gwen will be pleased I've done the right thing | 0:19:33 | 0:19:37 | |
at the right time. After all, she was a magistrate | 0:19:37 | 0:19:40 | |
so you have to do what she thinks. | 0:19:40 | 0:19:42 | |
-So, we're selling this ring? -Indeed. Yes, indeed. | 0:19:42 | 0:19:45 | |
-I shall get my enjoyment out of it. -Fabulous. | 0:19:45 | 0:19:48 | |
Because it will give a freedom to me, | 0:19:48 | 0:19:50 | |
which I think my aunt would have realised I probably needed. | 0:19:50 | 0:19:54 | |
This is lovely, this is certainly worth putting into the auction sale. | 0:19:54 | 0:19:57 | |
And, we've got some other gold rings in here, too. | 0:19:57 | 0:20:01 | |
If we put them all together, and have a little sort out for you, | 0:20:01 | 0:20:04 | |
I'm sure I'm looking at at least between £100 and £200 here. | 0:20:04 | 0:20:07 | |
-That's wonderful. -All right? That's a real jewel of a find. | 0:20:07 | 0:20:11 | |
Let me put the lid back on there for safe keeping. | 0:20:11 | 0:20:14 | |
Bless his heart. | 0:20:14 | 0:20:16 | |
-I'm so grateful. -Follow me. | 0:20:16 | 0:20:19 | |
Oh, I'll follow you, all right! | 0:20:19 | 0:20:21 | |
I thought for a minute Rosemary was about to propose to Jonty, | 0:20:21 | 0:20:24 | |
but, holding herself back, the rings join the rest of our treasures heading off to auction. | 0:20:24 | 0:20:29 | |
As well as Aunt Gwen's engagement ring, | 0:20:29 | 0:20:32 | |
there's also a 22-carat gold wedding band | 0:20:32 | 0:20:34 | |
and a 9-carat gold garnet set ring in the collection. | 0:20:34 | 0:20:37 | |
But despite our efforts, we are still a fair way off making | 0:20:37 | 0:20:40 | |
our target for Rosemary's car so we all give the search a last big push. | 0:20:40 | 0:20:45 | |
Lynn's doing sterling work and picks out something that grabs Jonty's attention. | 0:20:45 | 0:20:49 | |
What are you looking at? | 0:20:49 | 0:20:51 | |
These have been in Rosemary's house all the time I've been visiting her. | 0:20:51 | 0:20:57 | |
I think they came from her Aunty Gwen. | 0:20:57 | 0:20:58 | |
What do think of these? | 0:20:58 | 0:21:01 | |
I think they're beautiful, really lovely. | 0:21:01 | 0:21:03 | |
If you look very closely, can you see that what we're looking at, | 0:21:03 | 0:21:08 | |
this is all very fine embroidery and the thread has to be silk, it's that fine? | 0:21:08 | 0:21:14 | |
This one, particularly, is so charming. | 0:21:14 | 0:21:16 | |
We've got the two, what look like lovers strolling in the park. | 0:21:16 | 0:21:20 | |
They look like they haven't got a care in the world. | 0:21:20 | 0:21:23 | |
And, if you look at their dress, | 0:21:23 | 0:21:25 | |
that gives us an indication of the date we're looking at. | 0:21:25 | 0:21:30 | |
-Date-wise, we are looking at the early 19th century. -Really? | 0:21:30 | 0:21:34 | |
These two pictures would have been made | 0:21:34 | 0:21:37 | |
almost 180 years ago, maybe 200 years ago. | 0:21:37 | 0:21:42 | |
This one here is an image of a classical scene | 0:21:42 | 0:21:47 | |
which was very popular at the time of the Regency period. | 0:21:47 | 0:21:50 | |
They were always designed to be a pair, | 0:21:50 | 0:21:52 | |
but they don't match in their theme at all. | 0:21:52 | 0:21:54 | |
You can see by the shape and size of the frame, they have always been designed to be placed together. | 0:21:54 | 0:22:00 | |
They're beautiful. Let me give you that one back. | 0:22:00 | 0:22:03 | |
They are in relatively poor condition. | 0:22:03 | 0:22:07 | |
When I say poor condition, they somehow have come away from their mountings. | 0:22:07 | 0:22:11 | |
Again, that's easy to get over by probably taking the back off | 0:22:11 | 0:22:16 | |
and remounting them and maybe you can give them a slight clean. | 0:22:16 | 0:22:19 | |
Do you think these are pictures that Rosemary might be interested in selling? | 0:22:19 | 0:22:23 | |
-I'm sure she would. -I think they're so charming. | 0:22:23 | 0:22:26 | |
I think Rosemary would be happy to sell YOU by this stage to raise some money, Jonty! | 0:22:26 | 0:22:30 | |
Actually, I was having a look at these earlier on. | 0:22:30 | 0:22:32 | |
They're so exquisite, aren't they? They're so small. | 0:22:32 | 0:22:35 | |
They are small and perfectly formed, which means they have to have really good value at auction | 0:22:35 | 0:22:41 | |
are we're looking again around the £100 mark, so £80 to £120. | 0:22:41 | 0:22:44 | |
What do you think of that, Rosemary? | 0:22:44 | 0:22:46 | |
Quite funny, is the subject itself. I don't know how that can be appealing. | 0:22:46 | 0:22:52 | |
It surprises me that they're worth that much, quite frankly. | 0:22:52 | 0:22:55 | |
-It's the workmanship that's appealing. -Oh, yes. It's all down to the detail. | 0:22:55 | 0:22:59 | |
Well, with the news that you're happy to let them go to auction, I can now give you the grand total. | 0:22:59 | 0:23:04 | |
Now, we know that you wanted £750 towards getting a new car | 0:23:04 | 0:23:08 | |
to get you out and about to make yourself even more active. | 0:23:08 | 0:23:11 | |
I'm happy to tell you that you have got your £750 and you even have a little bit more. | 0:23:11 | 0:23:17 | |
-With everything sold, you've got £765. -Great! -Yes! | 0:23:17 | 0:23:23 | |
-Thank you so much. -Isn't that good? | 0:23:23 | 0:23:26 | |
-I can see you with that car, yes. -Thank you very much. -Thank you very much, Rosemary. | 0:23:26 | 0:23:30 | |
-Thanks to you. -And, of course, to Lynn. -Thank you. | 0:23:30 | 0:23:33 | |
Rosemary's house has proved to be a real Aladdin's cave. | 0:23:33 | 0:23:37 | |
We've made some fantastic finds, and here are some of the highlights. | 0:23:37 | 0:23:41 | |
These two oval mother-of-pearl flower pictures. | 0:23:41 | 0:23:45 | |
The intricate design of the flowers in these is absolutely beautiful. | 0:23:45 | 0:23:48 | |
They could bring in anywhere between £80 and £120. | 0:23:48 | 0:23:53 | |
The collection of '60s Barbie dolls, | 0:23:53 | 0:23:55 | |
given to Rosemary by her friends in Canada. | 0:23:55 | 0:23:58 | |
These are probably my favourites. | 0:23:58 | 0:24:00 | |
We're hoping they'll fetch us at least £50. | 0:24:00 | 0:24:03 | |
This family of NatWest piggies | 0:24:03 | 0:24:05 | |
could create lots of interest with the right collectors. | 0:24:05 | 0:24:08 | |
With a bit of luck they should bank us £80 to £120. | 0:24:08 | 0:24:13 | |
Finally, the collection of gorgeous rings that Rosemary has kept for | 0:24:13 | 0:24:16 | |
a rainy day. They include the pretty engagement ring from her Aunt Gwen | 0:24:16 | 0:24:20 | |
and £100 to £200 for these | 0:24:20 | 0:24:22 | |
would go a long way towards our target for Rosemary's new car. | 0:24:22 | 0:24:26 | |
'Coming up on Cash In The Attic, | 0:24:26 | 0:24:29 | |
'Rosemary's still in hot pursuit of Jonty.' | 0:24:29 | 0:24:32 | |
-Well done. -Thanks a lot. | 0:24:32 | 0:24:34 | |
'Not all goes quite to plan.' | 0:24:34 | 0:24:36 | |
-I have to tell you, I think that is disappointing. -I agree. | 0:24:36 | 0:24:40 | |
'But will Rosemary make it through the auction?' | 0:24:40 | 0:24:42 | |
-I've gone all funny now. -Having a funny turn, love. -Indeed, yeah. | 0:24:42 | 0:24:47 | |
'Find out when the hammer falls.' | 0:24:47 | 0:24:49 | |
Yours, sir. | 0:24:49 | 0:24:51 | |
So, it's been a few weeks now since we visited the very lively Rosemary May and her great friend, Lynn. | 0:24:54 | 0:25:00 | |
And I must say, we found some fabulous treasures upstairs and down | 0:25:00 | 0:25:04 | |
and we've brought them here to the Bamford Auction Rooms in Derby. | 0:25:04 | 0:25:06 | |
Now, we need £750 to put Rosemary firmly back in the driving seat. | 0:25:06 | 0:25:11 | |
Let's hope all the bidders today will speed us towards our target | 0:25:11 | 0:25:15 | |
but, you know what, Rosemary is a pretty fast mover herself. | 0:25:15 | 0:25:19 | |
It's still early but looking pretty busy today, | 0:25:19 | 0:25:21 | |
with plenty of bidders scouring the auction room for those all-important treasures. | 0:25:21 | 0:25:25 | |
Jonty's already tracked down some of our star lots. | 0:25:25 | 0:25:28 | |
The embroidered pictures fit right in here in the auction room | 0:25:28 | 0:25:32 | |
and we're hoping they'll help our car fund no end. | 0:25:32 | 0:25:35 | |
Good morning, Jonty, I hope you've taken your vitamin pills today. | 0:25:35 | 0:25:39 | |
Rosemary really fancies you, let's be absolutely honest, | 0:25:39 | 0:25:41 | |
she would have kept you in the attic if she could, permanently. | 0:25:41 | 0:25:45 | |
I'm quite happy to be a kept man! | 0:25:45 | 0:25:47 | |
Anyway, what do you think of hers is going to do well? | 0:25:47 | 0:25:50 | |
Remember the lovely pictures of the flowers in the baskets? | 0:25:50 | 0:25:53 | |
-They're so pretty. -I think they'll do very well. | 0:25:53 | 0:25:56 | |
I actually loved all the Barbie dolls, remember, up in the attic. | 0:25:56 | 0:25:59 | |
And I suddenly realised there was no Ken, so maybe you are her substitute Ken. | 0:25:59 | 0:26:03 | |
Do you think, yes... Barbie, Ken. Rosemary, Jonty. | 0:26:03 | 0:26:05 | |
She would settle for that! | 0:26:05 | 0:26:07 | |
Shall we go and meet her? | 0:26:07 | 0:26:09 | |
-Great, yes. -Yes, let's go and see her. | 0:26:09 | 0:26:11 | |
'I think it's high time we reunited our Barbie and Ken | 0:26:11 | 0:26:15 | |
'so we go in search of Rosemary and Lynn and we find them saying goodbye to some old friends.' | 0:26:15 | 0:26:20 | |
-Good morning. All the little piggies have come to auction. -Hello. | 0:26:20 | 0:26:24 | |
How are you doing? | 0:26:24 | 0:26:26 | |
-Lovely to see you. -How are you? | 0:26:26 | 0:26:28 | |
-Have you missed Jonty? -I have, I have. Honestly, I have. I'd follow him anywhere. | 0:26:28 | 0:26:34 | |
You know what, Lynn, I reckon that Jonty was lucky to escape that day. | 0:26:34 | 0:26:38 | |
He was very lucky. Lucky escape, Jonty. | 0:26:38 | 0:26:41 | |
I decided that Jonty could be your Ken. | 0:26:41 | 0:26:44 | |
Yes, please. | 0:26:44 | 0:26:46 | |
-Now, listen, settle down, settle down. -I'm not going to get jealous. | 0:26:47 | 0:26:50 | |
The auction is about to start, so we need to go and get in position, so shall we head in that direction? | 0:26:50 | 0:26:55 | |
Good idea. | 0:26:55 | 0:26:57 | |
'They really are out in force today, which is promising for the day ahead. | 0:26:57 | 0:27:01 | |
'If you're thinking of going to auction, remember that commission, VAT and other charges will apply. | 0:27:01 | 0:27:06 | |
'It's nearly time for the auction to start, so we find a corner and take up our positions. | 0:27:06 | 0:27:12 | |
'Our first item is the Victorian chest of drawers, | 0:27:12 | 0:27:15 | |
'which Jonty valued at £80.' | 0:27:15 | 0:27:18 | |
We've got two bids, absentee bids, one at 65, one higher. | 0:27:18 | 0:27:22 | |
70 has it, five now? | 0:27:22 | 0:27:24 | |
Five in the doorway, five, 80, five, 90. | 0:27:24 | 0:27:26 | |
Against you at £90, and five do I see? | 0:27:26 | 0:27:29 | |
At 90 with me and five now. At £90, all done at 90. | 0:27:29 | 0:27:33 | |
Are you sure? | 0:27:33 | 0:27:35 | |
-£90. -£90. | 0:27:35 | 0:27:38 | |
'We're off and running, and £90 is £10 over Jonty's estimate. | 0:27:38 | 0:27:42 | |
'Fingers crossed, it's a sign of things to come. | 0:27:42 | 0:27:45 | |
'Next up is Rosemary's collection of dolls, which we're hoping will make at least £30.' | 0:27:45 | 0:27:51 | |
Now, Rosemary, I like this next item because I've loved dolls all my life. | 0:27:51 | 0:27:55 | |
I sort of get the impression from your house that you've collected dolls as well over the years. | 0:27:55 | 0:28:00 | |
Actually, my intention was for my granddaughter to have these dolls | 0:28:00 | 0:28:04 | |
but unfortunately she wasn't a dolly-minded girl. | 0:28:04 | 0:28:07 | |
-Not interested! -It disappointed me, but, having said that, | 0:28:07 | 0:28:12 | |
I love them and I've always treasured them. | 0:28:12 | 0:28:14 | |
I can start the bidding at £15. | 0:28:14 | 0:28:16 | |
One bid on it at 15. | 0:28:16 | 0:28:18 | |
18 in the room, 18 bid. | 0:28:18 | 0:28:20 | |
18, 20 and two. 22 has it. 25 now. | 0:28:20 | 0:28:23 | |
25 in the centre. 28 for you. | 0:28:23 | 0:28:25 | |
At 25, it's in the middle at 25. | 0:28:25 | 0:28:27 | |
28 standing now. | 0:28:27 | 0:28:29 | |
30, 30, 32, 35, 35, | 0:28:29 | 0:28:33 | |
38 and 40. £38, it's against you, seated now. | 0:28:33 | 0:28:37 | |
At 38, standing at the back, £38. | 0:28:37 | 0:28:40 | |
Anywhere else? | 0:28:40 | 0:28:42 | |
It's good, smack in the middle. | 0:28:42 | 0:28:43 | |
Many thanks. Lovely Jonty. | 0:28:43 | 0:28:45 | |
Thrilled to bits, thrilled to bits. | 0:28:45 | 0:28:47 | |
Well, Rosemary's granddaughter may not want them | 0:28:47 | 0:28:50 | |
but there are plenty of bidders today who did | 0:28:50 | 0:28:52 | |
and it's another £38 in the pot. | 0:28:52 | 0:28:55 | |
Let's hope our next lot creates as much interest. | 0:28:55 | 0:28:57 | |
It's the gate-leg dining table with an estimate of £100. | 0:28:57 | 0:29:01 | |
We can start it at £65, and 70 do I see? 70? At 65, do I see 70 now? | 0:29:01 | 0:29:07 | |
At £65. All sure at 65? | 0:29:07 | 0:29:11 | |
Gosh, it shows how gate-leg tables are struggling at the moment. | 0:29:12 | 0:29:15 | |
-Are we allowed to sell that? -Do you want to sell it or not? -Yes, sell it. | 0:29:15 | 0:29:19 | |
Yes, sold, £65. | 0:29:19 | 0:29:21 | |
-A bit disappointing. -Never mind, it's roundabouts and swings anyway. -Yes, sure. | 0:29:21 | 0:29:25 | |
'Lovely Rosemary is putting a brave face on the situation | 0:29:25 | 0:29:28 | |
'but selling for £35 below estimate is disappointing | 0:29:28 | 0:29:31 | |
'but, as she says, it's swings and roundabouts. | 0:29:31 | 0:29:33 | |
'Let's hope our next sale will be a real high. | 0:29:33 | 0:29:37 | |
'It's the beautiful embroidered pictures | 0:29:37 | 0:29:40 | |
'and we're looking for £80 to £120.' | 0:29:40 | 0:29:43 | |
Very, very typical Georgian, untouched. | 0:29:43 | 0:29:47 | |
Never been reframed. | 0:29:47 | 0:29:49 | |
Lovely examples and lots of bidding. | 0:29:49 | 0:29:52 | |
£85 bid. 85 and 90 now. | 0:29:52 | 0:29:54 | |
At £85 and 90. 90 here, 95, 100. | 0:29:54 | 0:29:58 | |
100 beats them. Front row, £100. 110 do I see? | 0:29:58 | 0:30:03 | |
At £100, and ten anywhere? | 0:30:03 | 0:30:05 | |
At £100 and selling. | 0:30:05 | 0:30:07 | |
Bless you! | 0:30:07 | 0:30:08 | |
-You didn't like them anyway, did you? -No, I didn't. | 0:30:09 | 0:30:13 | |
I'm very, very happy. | 0:30:13 | 0:30:15 | |
'That's much more like it. £20 over estimate is a fantastic result. | 0:30:15 | 0:30:20 | |
'Another very useful edition to our ever-growing total. | 0:30:20 | 0:30:23 | |
'We're only looking for about £30 for this next item. | 0:30:23 | 0:30:27 | |
'Those postcards and cigarette cards that were cluttering up the attic.' | 0:30:27 | 0:30:30 | |
£20 is bid, at 20, and two do I see? | 0:30:30 | 0:30:34 | |
£22 by the door, hands everywhere. | 0:30:34 | 0:30:35 | |
22, 25, 28, you're out. 25. | 0:30:35 | 0:30:39 | |
28, your turn. 28, and 30. 32, sir. | 0:30:39 | 0:30:42 | |
32 shakes his head, with you at 30. | 0:30:42 | 0:30:45 | |
32 now. At £30, all out at the same level, any advance on 30? | 0:30:45 | 0:30:51 | |
-£30. -Happy with that? | 0:30:52 | 0:30:54 | |
-You're just doing so well. It's just amazing. -I'm thrilled to bits, I really am. | 0:30:54 | 0:30:58 | |
'Bang on estimate, Rosemary is delighted with that. | 0:30:58 | 0:31:01 | |
'Another great boost to our total. | 0:31:01 | 0:31:03 | |
'We're all holding our breath for the next lot. | 0:31:03 | 0:31:06 | |
'The charming mother-of-pearl pictures Jonty was so excited by | 0:31:06 | 0:31:10 | |
'when he discovered them in Rosemary's home. | 0:31:10 | 0:31:12 | |
'Inherited from her Aunt Gwen, | 0:31:12 | 0:31:14 | |
'we're hoping they'll do us proud in the auction room today.' | 0:31:14 | 0:31:17 | |
Now, Jonty, you loved this. | 0:31:17 | 0:31:19 | |
I think these are your favourite items in the auction today. The lovely mother-of-pearl pictures. | 0:31:19 | 0:31:24 | |
I think they are lovely, genuine quality. | 0:31:24 | 0:31:27 | |
Remember, we've got a little bit of damage, but all | 0:31:27 | 0:31:30 | |
the damaged pieces are there because everything is behind the glass. | 0:31:30 | 0:31:34 | |
So it's repairable and I have a hunch | 0:31:34 | 0:31:36 | |
that they're going to do very well. | 0:31:36 | 0:31:38 | |
Absolutely beautiful things. | 0:31:38 | 0:31:41 | |
George III, never touched, period frames, | 0:31:41 | 0:31:44 | |
really in lovely country-house condition. | 0:31:44 | 0:31:47 | |
-He's giving it a good build-up. -Five bids on them, the lowest is 70. | 0:31:47 | 0:31:52 | |
78 bid, 85 bid, 95, 100 and higher. | 0:31:52 | 0:31:56 | |
So 100 starts, and 110 where? | 0:31:56 | 0:31:58 | |
110 by the door, 120. | 0:31:58 | 0:32:01 | |
130 by the door, 140. 150, 160. | 0:32:01 | 0:32:06 | |
170, 180, 190, 200, and ten. | 0:32:06 | 0:32:11 | |
Yep, 210, 220, | 0:32:11 | 0:32:13 | |
-230, 240, 250, 260, 270. -270! | 0:32:13 | 0:32:18 | |
280, 290, 300, 310, 320, 330. | 0:32:18 | 0:32:23 | |
340, 350, 360, 370, 380, 390, 400, and ten. | 0:32:23 | 0:32:31 | |
Beats them. At £410, 420 where? | 0:32:31 | 0:32:35 | |
At £410, far corner. | 0:32:35 | 0:32:37 | |
At £410 anywhere else? 410, sir, yours. | 0:32:37 | 0:32:41 | |
-So are you pleasantly surprised they raised so much? -Yes, I am. | 0:32:41 | 0:32:46 | |
-These are tears of happiness, really. -Fantastic. That's great. | 0:32:46 | 0:32:50 | |
Give me a hug, then, Rosemary. | 0:32:50 | 0:32:52 | |
-I'm going to give Jonty a hug. -I bet you are. | 0:32:52 | 0:32:55 | |
-Well done. -Thanks a lot, Jonty. | 0:32:55 | 0:32:57 | |
'Absolute tears of joy from Rosemary. | 0:32:57 | 0:33:00 | |
'And, as if she needed it, a great excuse to give Jonty another hug! | 0:33:00 | 0:33:03 | |
'Our expert suspected the pictures could be our secret weapon, | 0:33:03 | 0:33:07 | |
'and they certainly proved him right. | 0:33:07 | 0:33:09 | |
'£410 takes us to the halfway stage on a real high.' | 0:33:09 | 0:33:14 | |
I was saying earlier, Rosemary, that you're a pretty fast mover as it is. | 0:33:15 | 0:33:19 | |
You wanted £750 to go towards a car, to make you even more mobile. We'll never catch up with her now. | 0:33:19 | 0:33:26 | |
Well, at the halfway point in the auction, | 0:33:26 | 0:33:29 | |
I want to tell you that, although your target was £750, | 0:33:29 | 0:33:33 | |
-you have already reached £733. -You're joking! | 0:33:33 | 0:33:37 | |
And we're only halfway. | 0:33:37 | 0:33:39 | |
-Are you serious? -I'm serious. | 0:33:39 | 0:33:41 | |
And we have loads of items still to go. | 0:33:41 | 0:33:45 | |
I can see you in a sports car, you know! | 0:33:45 | 0:33:47 | |
I'm going to take a closer look at something I spotted earlier. | 0:33:47 | 0:33:50 | |
And don't you go with him! | 0:33:50 | 0:33:53 | |
'Rosemary, Lynn and I head off for a well-earned cuppa, following such an exciting first half. | 0:33:53 | 0:33:59 | |
'While we relax, Jonty meets up with the auctioneer, James Lewis, | 0:33:59 | 0:34:02 | |
'to get his views on what might be collectable in the future.' | 0:34:02 | 0:34:05 | |
James, I've taken some time out from the auction sale, | 0:34:05 | 0:34:08 | |
but I wanted to hear it really from the horse's mouth. | 0:34:08 | 0:34:12 | |
What sort of antiques do you think people should be investing in? | 0:34:12 | 0:34:15 | |
Here in our furniture store we're surrounded by the very unfashionable | 0:34:15 | 0:34:20 | |
19th-century brown furniture that we always talk about. | 0:34:20 | 0:34:25 | |
We're sitting on contemporary, modern design. | 0:34:25 | 0:34:28 | |
It's got to match this very modern look. | 0:34:28 | 0:34:30 | |
And that's why I've picked out this piece. | 0:34:30 | 0:34:33 | |
It's a lithographic print by Terry Frost. | 0:34:33 | 0:34:37 | |
A relatively contemporary artist - born in 1915 and died in 2003. | 0:34:37 | 0:34:43 | |
Whenever we're looking at art, the classic rule is that, | 0:34:43 | 0:34:46 | |
as soon as an artist dies, the art becomes more valuable. | 0:34:46 | 0:34:49 | |
Since 2003, Terry Frost works have doubled and trebled in value. | 0:34:49 | 0:34:54 | |
We sold five prints by him in our last sale, | 0:34:54 | 0:34:57 | |
and they varied from about £3,000 up to £6,000. | 0:34:57 | 0:35:01 | |
Do you think an image like this, a lithograph like this, will be a treasure of the future? | 0:35:01 | 0:35:05 | |
I think we need to look at who else is buying this art. | 0:35:05 | 0:35:09 | |
The Tate Gallery have a collection of Terry Frost. | 0:35:09 | 0:35:12 | |
If the Tate Gallery think it's worth hanging on to, | 0:35:12 | 0:35:14 | |
I think we should probably take note from that. | 0:35:14 | 0:35:18 | |
If they think it's worth buying, we should too. | 0:35:18 | 0:35:21 | |
'Great advice from James but, with the second part of the auction | 0:35:21 | 0:35:24 | |
'about to start, we retake our positions at the back of the room. | 0:35:24 | 0:35:28 | |
'First up is the French-style mantel clock, estimated at £40 to £60.' | 0:35:28 | 0:35:34 | |
£20 bid. 20, and five? Five. 30? | 0:35:34 | 0:35:37 | |
At £30. At £30. Five anywhere? | 0:35:37 | 0:35:40 | |
At 30. All done at £30? | 0:35:40 | 0:35:43 | |
£30. It's actually sold for under the bottom-end estimate. | 0:35:43 | 0:35:47 | |
-That's disappointing, isn't it? -Yes, but it's roundabouts and swings, isn't it? | 0:35:47 | 0:35:52 | |
-You don't want to take it home anyway, do you? -No, too heavy, dear! | 0:35:52 | 0:35:56 | |
'Oh, deary me, that's not the start we were looking for. | 0:35:56 | 0:36:00 | |
'But Rosemary seems relieved she doesn't have to lug that clock back home. | 0:36:00 | 0:36:04 | |
'Onwards and upwards. I'm really interested to see how this lot does. | 0:36:04 | 0:36:07 | |
'It's a collection of rings, | 0:36:07 | 0:36:10 | |
'including the stunning engagement ring from Aunt Gwen. | 0:36:10 | 0:36:12 | |
'We're looking for £100 to £200 - | 0:36:12 | 0:36:14 | |
'a real boost to our target if they hit estimate.' | 0:36:14 | 0:36:17 | |
Let's start the bidding at £120. | 0:36:17 | 0:36:20 | |
120. 130? 130. 130, 140, 150 for you. | 0:36:20 | 0:36:24 | |
150 has it, standing in the centre. | 0:36:24 | 0:36:26 | |
At 150. Against all four of my bids. | 0:36:26 | 0:36:28 | |
At 150. 160 now? 160, new place. | 0:36:28 | 0:36:31 | |
170? Shakes his head at 170. It's with you now. | 0:36:31 | 0:36:35 | |
At £160. Against them all. | 0:36:35 | 0:36:38 | |
At 160. All done? At 160... | 0:36:38 | 0:36:41 | |
-333. -I was hoping for more than that. | 0:36:42 | 0:36:45 | |
-I have to tell you, I think that is disappointing. -I agree. | 0:36:45 | 0:36:48 | |
Try going into a shop anywhere and buying diamond rings or garnet rings for that. | 0:36:48 | 0:36:54 | |
That was a real snip for somebody. | 0:36:54 | 0:36:56 | |
'Cheap it might seem for all those rings, but Jonty was right. | 0:36:56 | 0:36:59 | |
'£160 is towards the top end of his estimate, | 0:36:59 | 0:37:02 | |
'and it's another healthy contribution to our total. | 0:37:02 | 0:37:06 | |
'The auction room is still buzzing and we've got four items to sell. | 0:37:06 | 0:37:09 | |
'This attractive Victoria wash set is valued at £55 to £75.' | 0:37:09 | 0:37:15 | |
Start the bidding at £35. | 0:37:15 | 0:37:17 | |
35, and 40? 40, sir. Five? 50... | 0:37:17 | 0:37:20 | |
Five? 60 with you. | 0:37:20 | 0:37:22 | |
60 has it, standing. Five now? | 0:37:22 | 0:37:24 | |
At 60 with you. Five do I see? | 0:37:24 | 0:37:26 | |
At 60, gentleman in the centre. At £60. | 0:37:26 | 0:37:30 | |
Any advance? | 0:37:30 | 0:37:31 | |
-411. -Hey! | 0:37:31 | 0:37:33 | |
Wonderful. Many thanks. That's super. | 0:37:33 | 0:37:35 | |
That's a really good result. | 0:37:35 | 0:37:37 | |
-Indeed. -You're getting too excited again now! -I've gone all funny! | 0:37:37 | 0:37:40 | |
-Having a funny turn, love! -Indeed! | 0:37:40 | 0:37:42 | |
We all get them every now and then! | 0:37:42 | 0:37:45 | |
'Rosemary seems to be having a wonderful day and so are we. | 0:37:45 | 0:37:48 | |
'The wash set sells for a very respectable £60, at mid-estimate. | 0:37:48 | 0:37:52 | |
'Jonty is right on it today. | 0:37:52 | 0:37:54 | |
'Up next are the Barbie dolls in their original case. | 0:37:54 | 0:37:57 | |
'They're missing Ken, but will that make a difference to the bidders?' | 0:37:57 | 0:38:01 | |
I have a feeling you're not sad to see these go. These have had their time in your attic. | 0:38:01 | 0:38:05 | |
Indeed. I won't be sorry at all. | 0:38:05 | 0:38:07 | |
-They were just collecting dust, weren't they? -Sorry? -They were collecting dust. -Indeed. | 0:38:07 | 0:38:12 | |
-That's what he'll be doing soon in your attic, collecting dust. -Sh! | 0:38:12 | 0:38:15 | |
You're only jealous! | 0:38:15 | 0:38:17 | |
Where shall we start? £30? 30? | 0:38:17 | 0:38:20 | |
£30 for them is bid. At 30. | 0:38:20 | 0:38:22 | |
32, 35... | 0:38:22 | 0:38:23 | |
With me at 32. 35 now? | 0:38:23 | 0:38:26 | |
At £32. 35, 38, and 40? | 0:38:26 | 0:38:30 | |
40, 42, and 45 beats it. | 0:38:30 | 0:38:32 | |
With you at 45, standing. | 0:38:32 | 0:38:34 | |
All sure at £45? | 0:38:34 | 0:38:36 | |
333. | 0:38:36 | 0:38:37 | |
'Maybe the bidders did miss Ken, | 0:38:37 | 0:38:39 | |
'as the Barbie dolls sell for £5 under estimate. | 0:38:39 | 0:38:42 | |
'Still, good news for our target. | 0:38:42 | 0:38:44 | |
'We're on the home straight now | 0:38:44 | 0:38:46 | |
'and we're hoping the Hummel figurines will bring in £40 to £60.' | 0:38:46 | 0:38:50 | |
I can start the bidding at £22. | 0:38:50 | 0:38:52 | |
22 for this lot. 25, 28, 30. | 0:38:52 | 0:38:56 | |
32... 35. | 0:38:56 | 0:38:58 | |
35 in the centre. | 0:38:58 | 0:39:00 | |
38 now? 35. All done at £35? Any advance? | 0:39:00 | 0:39:06 | |
'That's only just under estimate at £35. | 0:39:06 | 0:39:09 | |
'Not bad. Now here comes our final item. | 0:39:09 | 0:39:12 | |
'Rosemary paid only £6 for these NatWest pigs in the 1980s. | 0:39:12 | 0:39:16 | |
'But Jonty's valued them at £80-£120.' | 0:39:16 | 0:39:20 | |
We all had a good look at the little piggies. I think you gave them a bit of a wash. | 0:39:20 | 0:39:25 | |
They had a good wash and scrub. | 0:39:25 | 0:39:27 | |
That's a good idea! Did the water not get all locked inside? | 0:39:27 | 0:39:30 | |
Indeed it did, and I had to lift them upside down. | 0:39:30 | 0:39:33 | |
Then I realised there was the thing you pull out the bottom, to release the water. | 0:39:33 | 0:39:38 | |
We will start the bidding here, there are ten in all, at £65. | 0:39:38 | 0:39:43 | |
70 do I see? 70. 75. 80. | 0:39:43 | 0:39:45 | |
80 has it in the back row. | 0:39:45 | 0:39:47 | |
85 near the doors. 85. 90. | 0:39:47 | 0:39:49 | |
-95. 100. 110. -I can't believe it. -120? | 0:39:49 | 0:39:54 | |
At 110. By the counter at 110. | 0:39:54 | 0:39:56 | |
120, you're back. 130. | 0:39:56 | 0:39:59 | |
Shakes his head at 130. With you. | 0:39:59 | 0:40:01 | |
At £120. Any advance? At 120. | 0:40:01 | 0:40:04 | |
-Spot on, Jonty. -Good. | 0:40:06 | 0:40:07 | |
-Thank you, Jonty. -Very good, eh? -They were worth a wash and a scrub. | 0:40:07 | 0:40:11 | |
They were. It was the wash and scrub that did it. | 0:40:11 | 0:40:14 | |
'Well done, Jonty. | 0:40:14 | 0:40:16 | |
'With those shiny clean pigs securing us their top estimate, | 0:40:16 | 0:40:19 | |
'our car fund looks in great shape. | 0:40:19 | 0:40:21 | |
'We'll have Rosemary flying around in a sports car yet. | 0:40:21 | 0:40:24 | |
'With the auction over, it's time to give Rosemary and Lynn some great news.' | 0:40:24 | 0:40:28 | |
Now, this is the bit I love best, cos I have to bring you the glad tidings, or otherwise. | 0:40:28 | 0:40:34 | |
I just want to remind everybody that you wanted £750 to go towards a new car of some sort, | 0:40:34 | 0:40:40 | |
so that you could race around all over the countryside, | 0:40:40 | 0:40:43 | |
be faster than ever, and generally just get about more easily. Would you have been happy with 750? | 0:40:43 | 0:40:49 | |
I would have been very pleased with 750, yes. | 0:40:49 | 0:40:52 | |
Well, I can tell you, you have raised £1,183. | 0:40:52 | 0:40:57 | |
You're joking. | 0:40:57 | 0:40:59 | |
-Happy, happy! -Oh, you're joking! | 0:40:59 | 0:41:01 | |
-Isn't that good? -Fantastic. Fantastic. | 0:41:02 | 0:41:05 | |
-And a big smacker for Jonty. -Well done, my darling. | 0:41:05 | 0:41:09 | |
Thank you, my love. I can't believe it. I'm very, very happy. | 0:41:09 | 0:41:12 | |
-Good. -I'm very grateful. -We like happy customers on Cash In The Attic. | 0:41:12 | 0:41:16 | |
Back in London, after such a brilliant result at auction, | 0:41:21 | 0:41:24 | |
there's no holding back Rosemary as she enlists Lynn's help to go looking at cars. | 0:41:24 | 0:41:29 | |
I've never had... a car virtually new. | 0:41:29 | 0:41:33 | |
And this is all I wanted to do and all I want is a nice, small car, | 0:41:33 | 0:41:37 | |
and here I realise they've got a wonderful selection, | 0:41:37 | 0:41:41 | |
so I'm looking forward to walking around and having a look and hearing some details. | 0:41:41 | 0:41:46 | |
Gee, whiz, what a size this is! | 0:41:46 | 0:41:48 | |
I don't like the way it scoops down. | 0:41:48 | 0:41:51 | |
Oh, that's lovely. | 0:41:51 | 0:41:53 | |
No. | 0:41:55 | 0:41:57 | |
Having viewed all the possibilities, Rosemary picks out a car she likes to take for a test drive. | 0:41:57 | 0:42:03 | |
'Well, I've had an excellent day, looked at many different cars | 0:42:05 | 0:42:10 | |
'and had a test drive.' | 0:42:10 | 0:42:12 | |
You know, I'll need to go around and have a look at a few more | 0:42:12 | 0:42:16 | |
before I make any decision but I really am so interested | 0:42:16 | 0:42:19 | |
and it's lovely to know I've got the money that I can spend on the car I want. | 0:42:19 | 0:42:23 | |
Subtitles by Red Bee Media Ltd | 0:42:34 | 0:42:37 |