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Welcome to Cash In The Attic where we find hidden treasures in your home and sell them at auction. | 0:00:02 | 0:00:07 | |
Today we've brought you to Gloucester and I am already in awe about what the day might bring | 0:00:07 | 0:00:13 | |
because we've started out here in the magnificent surroundings of Gloucester Cathedral. | 0:00:13 | 0:00:19 | |
People have gathered at this site for 1300 years and the cathedral's seen all manner of historic events, | 0:00:19 | 0:00:25 | |
including the coronation of Henry III and the burial of Edward II. | 0:00:25 | 0:00:30 | |
The heart of the building is Norman, but there are additions in every style of Gothic architecture, | 0:00:30 | 0:00:36 | |
including a 15th-century central tower, which is 225 feet high. | 0:00:36 | 0:00:42 | |
In recent years, it's been a perfect filming location for scenes from the Harry Potter movies. | 0:00:42 | 0:00:48 | |
It's also one third of the famous annual Three Choirs Festival. | 0:00:48 | 0:00:52 | |
Well, there are lots of antiques here, but I don't think they want us to rummage around the cathedral, | 0:00:52 | 0:00:58 | |
so we'll head off to another local landmark where we'll find plenty of treasures to take to the auction. | 0:00:58 | 0:01:05 | |
'Coming up on Cash In The Attic - we're rummaging in an astonishing location.' | 0:01:26 | 0:01:31 | |
-It's absolutely amazing. -Wow! | 0:01:31 | 0:01:34 | |
'And hearing great stories.' | 0:01:34 | 0:01:37 | |
So you mean the Krays would have been down here drinking and partying? Oh! That is amazing. | 0:01:37 | 0:01:44 | |
'But things turn stormy at auction.' | 0:01:44 | 0:01:46 | |
-Unsold. -Not sold. | 0:01:46 | 0:01:48 | |
'So will our fairytale have a happy ending? Find out when the hammer falls.' | 0:01:48 | 0:01:53 | |
Well, I promised you a landmark and here it is, | 0:01:55 | 0:01:59 | |
just a few miles from the cathedral. | 0:01:59 | 0:02:01 | |
This early 19th-century manor house is where we're rummaging today. | 0:02:01 | 0:02:05 | |
And I for one can't wait. | 0:02:05 | 0:02:08 | |
'Set in 130 acres, this magnificent house is home to horse-mad couple, Vanessa and Peter Wegmann. | 0:02:08 | 0:02:15 | |
'They met at an antiques fair 14 years ago and have a gorgeous, 16-month-old son called Henry. | 0:02:15 | 0:02:21 | |
'Vanessa is passionate about pedigree dogs. She exhibits and judges at UK competitions. | 0:02:21 | 0:02:26 | |
'Peter came to England from Switzerland 40 years ago with just a suitcase and £300 to his name. | 0:02:26 | 0:02:32 | |
'But he's since had a very successful career as a jockey and in ceramics engineering.' | 0:02:32 | 0:02:38 | |
-Jennie, how are you? -Hey! -Did you arrive by coach and horse? -No, but this whole setting demands it! | 0:02:38 | 0:02:45 | |
-So just how big is this house? -Well, I gather there are 32 rooms we can rummage in. -Wow! | 0:02:45 | 0:02:51 | |
-I'm going to have my work cut out. -I think it's going to be a breeze. Shall we go in? It is so grand! | 0:02:51 | 0:02:57 | |
It's absolutely amazing. | 0:02:57 | 0:03:00 | |
Well, hello! Hi! | 0:03:04 | 0:03:06 | |
-Hi, Jennie. -You're obviously Vanessa. -I am. -I guess you're Peter. -Yes. -And this is the star of the show. | 0:03:06 | 0:03:12 | |
-Henry. -Hello, Henry. | 0:03:12 | 0:03:14 | |
-How old is he? -He's 16 months old. -16 months. | 0:03:14 | 0:03:18 | |
And I have to say - what a fantastic house! It is absolutely brilliant. How long have you lived here? | 0:03:18 | 0:03:26 | |
-14 years. -What was it like when you moved here? | 0:03:26 | 0:03:28 | |
Oh, in a terrible state. It was totally derelict, really. | 0:03:28 | 0:03:32 | |
I couldn't even move in. It was so bad. And it needed a complete refurbishment. | 0:03:32 | 0:03:38 | |
New roof and all new bathrooms. | 0:03:38 | 0:03:41 | |
A new kitchen. A new marble floor in the hall - everything. | 0:03:41 | 0:03:46 | |
Well, from what I've seen, you've done an absolutely magnificent job. | 0:03:46 | 0:03:50 | |
So, Vanessa, why are we here in this great house of yours? | 0:03:50 | 0:03:54 | |
Well, I have decided that enough is enough. | 0:03:54 | 0:03:56 | |
We have the contents of FOUR houses just in this one house and it's far too much for anyone to bear. | 0:03:56 | 0:04:03 | |
And Peter has been an avid antiques collector all of his life and the accumulation of that is here. | 0:04:03 | 0:04:09 | |
OK. You're going to get out of hand in a minute as well. I can see that. Something's got to go. OK. | 0:04:09 | 0:04:15 | |
-So, how much do you want to raise and what's it for? -We'd like to raise between £800 and £1,000. | 0:04:15 | 0:04:22 | |
-£1,000 would be nice. -Go for 1,000! -OK, £1,000 to get Henry a pony as Peter was a jockey in his youth. | 0:04:22 | 0:04:29 | |
And recently, he's been involved in charity races at racecourses like Worcester and all over the place. | 0:04:29 | 0:04:36 | |
We really, really want to raise money for this pony and get Henry into the racing scene. | 0:04:36 | 0:04:42 | |
Are you going to be a jockey? | 0:04:42 | 0:04:44 | |
-We'd better get you on that pony. So we want £1,000... -Yes, please. -..for Henry's pony. -We do. | 0:04:44 | 0:04:49 | |
-Will you show me round your lovely house? -I would be delighted. -Let's see if we can get up! | 0:04:49 | 0:04:55 | |
'I just can't wait to start looking around Peter and Vanessa's magnificent house. | 0:04:55 | 0:05:01 | |
'It was built in 1810 by a sea captain | 0:05:01 | 0:05:05 | |
'who was said to be related to none other than Horatio Nelson himself. | 0:05:05 | 0:05:09 | |
'Peter's collecting has filled room after room with beautiful things | 0:05:09 | 0:05:14 | |
'and we've got an exciting but full-on day ahead. | 0:05:14 | 0:05:18 | |
'Jonty is like a child in a sweet shop. And in the drawing room, he's mesmerised by gorgeous antiques.' | 0:05:18 | 0:05:26 | |
-Here he is! Look. Hey! -Hi! Wow! You have some AMAZING items. -Thank you. | 0:05:26 | 0:05:32 | |
This is wonderful. What about this little travelling case here? | 0:05:32 | 0:05:36 | |
They're my perfume bottles. They're very sweet. | 0:05:36 | 0:05:39 | |
-And they are for sale as I no longer use them. -OK. -I thought it was a set of boules when you opened them. | 0:05:39 | 0:05:45 | |
-Honestly, I did! -It's interesting. We'll have a look at just one. They're wonderful. | 0:05:45 | 0:05:51 | |
So we've got a set of six little scent bottles on the inside here. | 0:05:51 | 0:05:55 | |
We've got a brass top. But in the inside, little glass stoppers. | 0:05:55 | 0:05:59 | |
And they're all in perfect condition. It's wonderful. | 0:05:59 | 0:06:02 | |
A little set like this will be 19th century | 0:06:02 | 0:06:06 | |
because it was in the 19th century that you needed travelling perfume bottles | 0:06:06 | 0:06:12 | |
because one dispensed perfume into smaller containers like this. | 0:06:12 | 0:06:16 | |
Because early in the 20th century, manufacturers started distributing their perfume in their own bottles. | 0:06:16 | 0:06:22 | |
Not only is the glass in perfect order, but have a look at the case as well. This is lovely. | 0:06:22 | 0:06:29 | |
It's a leather case with the brass banding on the outside, designed for travelling. Isn't that wonderful? | 0:06:29 | 0:06:35 | |
-Where did you find it? -Well, Peter bought this at an auction in Nantwich about 30 years ago. | 0:06:35 | 0:06:41 | |
-And I believe he paid, at that time, about 40 quid. -Really? | 0:06:41 | 0:06:45 | |
-So I don't know what the value is today. -He was a clever cookie, as in today's market, at auction, | 0:06:45 | 0:06:51 | |
-value will be between £150 and maybe £300. -(You don't say!) My word, that's such a lot of money. | 0:06:51 | 0:06:58 | |
Let's go and look elsewhere. Where shall we go? | 0:06:58 | 0:07:02 | |
The perfume bottles, well, £150 to £300, I thought that was a fantastic estimate, | 0:07:02 | 0:07:08 | |
considering Peter paid 40 quid for them, so we're quids in there. | 0:07:08 | 0:07:12 | |
'It's a fantastic start, but it's just the tip of the iceberg. | 0:07:12 | 0:07:16 | |
'With so much ground to cover, we all spread out around the house and hope we don't get lost. | 0:07:16 | 0:07:22 | |
'Everywhere you look, there are fascinating items to admire or try to play.' It's not going to happen! | 0:07:22 | 0:07:29 | |
'Jonty's in his element today. On the landing, Peter's found something that deserves closer inspection.' | 0:07:29 | 0:07:35 | |
-Hey, Jonty, what do you think of this? -What have we got? Let's have a look. | 0:07:35 | 0:07:40 | |
Oh, a ship's clock. | 0:07:40 | 0:07:42 | |
-These are called ship's clocks. They are generically in this form, in this barrel shape. -Yeah. | 0:07:42 | 0:07:49 | |
And usually they were made to a very high specification. | 0:07:49 | 0:07:53 | |
This clock was probably made around the turn of the century. | 0:07:53 | 0:07:57 | |
The face actually looks like a port hole. And the handle here looks like the handle of the wheel of a ship. | 0:07:57 | 0:08:03 | |
But they were designed to place in the interior of boats and ships. | 0:08:03 | 0:08:08 | |
And more often than not, the workings were made to a high specification, | 0:08:08 | 0:08:13 | |
because it mattered when you were on the high seas that regular time was kept. | 0:08:13 | 0:08:18 | |
But this ship's clock has seen better days. | 0:08:18 | 0:08:21 | |
If you look at the face, this is a painted dial. And of course there's lots of chips on it. | 0:08:21 | 0:08:28 | |
I suspect that we're looking around the £100 mark, so the estimate in the catalogue will read £100-£150. | 0:08:28 | 0:08:34 | |
-That sounds good to me. -Is that good? -Yeah, champion. | 0:08:34 | 0:08:38 | |
Excellent. Shall we go this way? | 0:08:38 | 0:08:41 | |
'While I try to get my bearings, everyone else is rummaging intently. | 0:08:41 | 0:08:47 | |
'Jonty's eye is drawn to this hallmarked silver cigar case | 0:08:47 | 0:08:52 | |
'and he values it at £80 to £120. | 0:08:52 | 0:08:54 | |
'The house has bowled me over, so I can't wait to look at the grounds. | 0:08:57 | 0:09:02 | |
'So leaving our expert rummaging, Vanessa, Peter and I head out to the stables.' | 0:09:02 | 0:09:07 | |
-So who's this then? -This is Captain Stockford. -Captain Stockford! -Yes, he had no name when I bought him. | 0:09:07 | 0:09:14 | |
-OK. -And then because he was such a boisterous horse, | 0:09:14 | 0:09:18 | |
I named him after my friend who died just a year before I bought him. | 0:09:18 | 0:09:22 | |
-Tell me about your life as a jockey. How did that all happen? -Well, that was a struggle | 0:09:22 | 0:09:28 | |
because I came from abroad and didn't have the right contacts. | 0:09:28 | 0:09:32 | |
I was struggling and I was quite successful as far as riding was concerned. | 0:09:32 | 0:09:37 | |
-And you've been on some really big racecourses? -Literally all of them. | 0:09:37 | 0:09:42 | |
But it was difficult to make ends meet. | 0:09:42 | 0:09:45 | |
-Have you ever won? -No. That was the problem. | 0:09:45 | 0:09:48 | |
-Did you come second? -Everybody said, "I'll let you have a ride when you've ridden a winner." | 0:09:48 | 0:09:54 | |
If you don't get any good horses, then it's difficult to win. | 0:09:54 | 0:09:58 | |
-So how did you two meet? -We met after an antiques fair in Bath. We were having drinks in a hotel. | 0:09:58 | 0:10:04 | |
And I thought, "Who is this handsome, distinguished, older guy with the most fabulous shoes on?" | 0:10:04 | 0:10:10 | |
-You are right. Look at those shoes. Look at those shoes. -You can always tell a gentleman by his shoes. | 0:10:10 | 0:10:17 | |
And that was it, you know. | 0:10:17 | 0:10:19 | |
We were smitten with each other. And we haven't looked back since. | 0:10:19 | 0:10:24 | |
-That was 14, 15 years ago? -14 years ago. -What did you think when you saw this house? | 0:10:24 | 0:10:29 | |
"What a fabulous place!" Peter told me that he looked after a few horses here. And this went on for a year. | 0:10:29 | 0:10:35 | |
And then when I said to him, "Why didn't you tell me you owned this house?" He said, "I had to be sure." | 0:10:35 | 0:10:42 | |
-Very shrewd move. -I didn't want to think that she was a money-grabber, you see. -You proved yourself. | 0:10:42 | 0:10:49 | |
-I have. -Well done. -Thank you. -You look very happy together. You've got your lovely little boy, Henry. -Yes. | 0:10:49 | 0:10:55 | |
-And this is what it's all about. We're here to help Henry get one of these. -Not quite as big as that one. | 0:10:55 | 0:11:02 | |
-No, a little one to start off with. -Well, we're not going to do it by standing here, so back inside. | 0:11:02 | 0:11:08 | |
-Rummaging. Come on. -OK. | 0:11:08 | 0:11:10 | |
With such fantastic facilities, there's every chance Henry will ride in the Grand National one day. | 0:11:10 | 0:11:17 | |
But if we're to fund his first horse, we need to keep on searching. | 0:11:17 | 0:11:21 | |
Inside, our expert's eyes light up when he sees these collectable silver smoking accessories, | 0:11:21 | 0:11:28 | |
including three hallmarked silver cigarette cases, | 0:11:28 | 0:11:32 | |
two vestas or portable boxes used for keeping matches dry, | 0:11:32 | 0:11:36 | |
and a lighter. | 0:11:36 | 0:11:38 | |
Jonty thinks they're worth between £80 and £120. | 0:11:38 | 0:11:42 | |
Upstairs on the landing, Vanessa comes across something she's not particularly fond of. | 0:11:42 | 0:11:48 | |
Jonty, are you there? | 0:11:48 | 0:11:51 | |
-What do you think of this? -Is the chair for sale? -It is for sale. | 0:11:51 | 0:11:55 | |
OK. What have we got? Let's stand back. A-ha! I know exactly what this chair is. I suspect you do too. | 0:11:55 | 0:12:01 | |
-I do as well. -It should have a hinged seat here, yes? -It does. | 0:12:01 | 0:12:06 | |
To reveal a commode. There you go, very convenient. | 0:12:06 | 0:12:10 | |
-I don't think it's ever been used, at least I hope not. -Not in your lifetime. -Not in my lifetime, no. | 0:12:10 | 0:12:16 | |
This was made about 100 years ago. You tell that by the style of the chair, particularly the back rail. | 0:12:16 | 0:12:22 | |
-This is intricate design, late 19th century. So this chair is about 100 years old. -Oh, right. | 0:12:22 | 0:12:28 | |
OK. What do you think it's made of? Because the carving on these spindles is really intricate. | 0:12:28 | 0:12:34 | |
Yes. Certainly with this brown colour. And the fact that there is a lot of turning. This is beech. | 0:12:34 | 0:12:40 | |
-So it was stained to look like mahogany. -I see. -Because mahogany was a much more expensive timber. | 0:12:40 | 0:12:46 | |
-I didn't know that. -And we've got those turned legs. Now, those legs are much more of an earlier period. | 0:12:46 | 0:12:53 | |
-Those turned legs first came to fashion, really, about 1830. -Right. | 0:12:53 | 0:12:58 | |
But if you look at the carving here on the back, this is much later. | 0:12:58 | 0:13:03 | |
And if you look at the style of the chair, it shows that this would've been made about 1890, maybe 1900. | 0:13:03 | 0:13:10 | |
I didn't know that. That's fascinating. | 0:13:10 | 0:13:13 | |
Now we won't get a vast fortune for this at auction. But still, £40 to £60. Are you happy about that? | 0:13:13 | 0:13:19 | |
-I don't mind. I'd like it to go. Please. -Excellent. One for the auction sale. Let's carry on. | 0:13:19 | 0:13:26 | |
'Our fund for Henry's pony is building steadily. And we're barely halfway through the rummage. | 0:13:26 | 0:13:33 | |
'Vanessa adds a collection of silver and white metal hip flasks to our hoard. Some are leather-mounted. | 0:13:33 | 0:13:40 | |
'And Peter bought them over the years to use when he's out riding. | 0:13:40 | 0:13:44 | |
'As a lot, they should fetch us anywhere between £100 and £120. | 0:13:44 | 0:13:49 | |
'There's a cellar under this house with a fascinating history. | 0:13:49 | 0:13:53 | |
'But as Jonty heads down there, even he's not prepared for such a treasure trove.' | 0:13:53 | 0:13:59 | |
Oh, my goodness me! This is absolutely astonishing! | 0:13:59 | 0:14:04 | |
-Isn't this amazing? -What have you found, Jonty? -It's a proper, proper basement, this, isn't it? | 0:14:04 | 0:14:10 | |
It has its own history. Not the previous owner but the owner before used to go to London nightclubs, | 0:14:10 | 0:14:16 | |
and he was friends with the Kray brothers. And in return, they came here and spent weekends here. | 0:14:16 | 0:14:23 | |
So you mean the Krays would've been down here drinking, partying...? Oh! That is amazing! | 0:14:23 | 0:14:29 | |
I wonder what they planned down here in the cellar, the Kray brothers? | 0:14:29 | 0:14:33 | |
I've been casting my eye through this collection. | 0:14:33 | 0:14:37 | |
I've never seen such a large collection of brass candlesticks. | 0:14:37 | 0:14:41 | |
But throughout it all, I've managed to pick out, not brass, but a pair of silver candlesticks. | 0:14:41 | 0:14:48 | |
Now, the column is Corinthian. | 0:14:48 | 0:14:50 | |
And you can tell that by the capital, the style is Corinthian. | 0:14:50 | 0:14:55 | |
But the pan itself is in very good condition. | 0:14:55 | 0:14:59 | |
You're able to take this out and clean it. You'd be able to clean the wax on the inside, so that's good. | 0:14:59 | 0:15:05 | |
And I've tried to look very closely as the light is not at its best, | 0:15:05 | 0:15:10 | |
but there are very clear hallmarks down on the base here. | 0:15:10 | 0:15:14 | |
And we see on the side here, | 0:15:14 | 0:15:16 | |
it's got the head of Queen Victoria, which means that duty would've been paid on this pair of candlesticks. | 0:15:16 | 0:15:22 | |
And the date, the capital "M", means that this pair are dated 1887. | 0:15:22 | 0:15:27 | |
So this pair of candlesticks... | 0:15:27 | 0:15:29 | |
They're both in very good order, made in the late Victorian period. | 0:15:29 | 0:15:34 | |
-Value at auction, wait for this, £200 to £300. -Oh, that's good. | 0:15:34 | 0:15:39 | |
I paid 150 for them. | 0:15:39 | 0:15:41 | |
That's a result. I want to spend the rest of the day here, I really do. | 0:15:41 | 0:15:46 | |
-Well, I tell you what, you go over there. -OK. -Peter, you follow me. | 0:15:46 | 0:15:50 | |
'It's intriguing to think what might have gone on here. | 0:15:50 | 0:15:54 | |
'In the main part of the house, Vanessa's still on the hunt, | 0:15:54 | 0:15:59 | |
'while in the basement, Peter picks out seven brass candlesticks. | 0:15:59 | 0:16:03 | |
'Jonty suggests putting them into the auction with a bronze jam pan and an antique copper saucepan. | 0:16:03 | 0:16:10 | |
'He estimates the lot at £40 to £60.' | 0:16:10 | 0:16:12 | |
-You've got animals all over the place. You've got the horses and dogs. And that's your domain? -Yes. | 0:16:12 | 0:16:19 | |
Since 1980, I've been involved with showing dogs. I'm a breed specialist with shih-tzus and Boston terriers. | 0:16:19 | 0:16:26 | |
And also Japanese Akita. | 0:16:26 | 0:16:29 | |
And I've judged these breeds all over the country. I've been abroad judging. I've been to Ireland. | 0:16:29 | 0:16:35 | |
I've been to Jersey judging. It's a fantastic hobby. | 0:16:35 | 0:16:39 | |
But that's not what you did as a career. You're a bit of an actress? | 0:16:39 | 0:16:44 | |
For ten years, I've been working as an actress and a supporting artiste. I've not had any big roles. | 0:16:44 | 0:16:52 | |
-What sort of stuff do you do? -I do bit parts. I can hang around and I can be a body in Casualty. | 0:16:52 | 0:16:58 | |
Or maybe I could walk up in EastEnders and say, "Would you like a cup of tea, guv'nor?" | 0:16:58 | 0:17:04 | |
-I just do little things. -Peter, you obviously know a lot about antiques. The house is strewn with them. | 0:17:04 | 0:17:11 | |
-Where did you learn it all? -Well, I learnt over the years. | 0:17:11 | 0:17:16 | |
I started at the young age of 12 when I bought my first copper pot for three francs in Switzerland, | 0:17:16 | 0:17:22 | |
when I was on holiday. | 0:17:22 | 0:17:25 | |
And then I sold it when I got home to my mother for five francs. | 0:17:25 | 0:17:29 | |
-Oh, you didn't! -Yes! -That's outrageous! | 0:17:29 | 0:17:34 | |
And that's how I started. And then in my teenage years, I kept buying and selling things. | 0:17:34 | 0:17:40 | |
And built up quite a clientele. | 0:17:40 | 0:17:43 | |
By the time I left home at 18, | 0:17:43 | 0:17:45 | |
I had about just over 1500 francs in my bank account, just a dealing account. | 0:17:45 | 0:17:51 | |
So that was quite a good thing. | 0:17:51 | 0:17:54 | |
-He's an entrepreneur. -He really is, yeah. -I can't believe you did that to your mother. Did you ever tell her? | 0:17:54 | 0:18:00 | |
-Oh, yes. -She was probably very proud of you. | 0:18:00 | 0:18:04 | |
So now you've got this lovely house. You've got Peter AND you've got young Henry, of course. | 0:18:04 | 0:18:11 | |
What's it like being, if you don't mind my saying, a rather more mature mother, cos I'm one too? | 0:18:11 | 0:18:17 | |
Well, I'm thrilled to be a mum at all. I'm very lucky to be a mum. And I've wanted a baby all of my life. | 0:18:17 | 0:18:23 | |
-And Henry has come along and made my life so complete. I'm just over the moon. -I bet it's exhausting, though? | 0:18:23 | 0:18:29 | |
He is tiring, I must say! | 0:18:29 | 0:18:31 | |
I'm going to tire you some more now by making you go round the house and find some more pieces. Come on. | 0:18:31 | 0:18:37 | |
-After you, Jennie. -Thank you very much. Here we go. | 0:18:37 | 0:18:41 | |
'Well, it's clear that Peter's always had an eye for antiques, | 0:18:41 | 0:18:46 | |
'explaining the wealth of stunning items around their magnificent home. | 0:18:46 | 0:18:50 | |
'I find these three continental bayonets. Of course, display weapons like these should be kept safely | 0:18:50 | 0:18:56 | |
'and auction houses will only sell them to reputable bidders. | 0:18:56 | 0:19:00 | |
'Valued at £80 to £120, | 0:19:00 | 0:19:02 | |
'they're another addition to our growing pile of goodies for auction. | 0:19:02 | 0:19:06 | |
'Jonty's chomping at the bit to take a look at Peter's study. | 0:19:06 | 0:19:11 | |
'It's crammed with things that he's collected. And one of his interests immediately stands out.' | 0:19:11 | 0:19:17 | |
-Peter? -Yes? -What about all these plates here? We've got John Wayne. We've got Indians. | 0:19:17 | 0:19:23 | |
-Well, these are my favourites. -Are they? -So I'm not selling these. | 0:19:23 | 0:19:27 | |
-Is there anything here that we can sell? -Well, the only thing, Jonty, I think I would consider is this. | 0:19:27 | 0:19:34 | |
-The globe? Can I take a look? -Yes, if you would, please. -OK. | 0:19:34 | 0:19:38 | |
-How long have you had this? -Well, I've had this for at least 20 years. -Have you? -Yes. -Why did you buy it? | 0:19:38 | 0:19:45 | |
I just thought it looked the part. | 0:19:45 | 0:19:48 | |
It just created a certain fascination. | 0:19:48 | 0:19:52 | |
Well, that's the reason why people want to buy globes like this, simply because it sums up a bygone era. | 0:19:52 | 0:19:58 | |
Now usually there's a maker's label on globes. And here it's right in the middle of the Pacific Ocean. | 0:19:58 | 0:20:04 | |
This eight-inch terrestrial globe was made by the Geographia Limited Company in Fleet Street, London. | 0:20:04 | 0:20:11 | |
This would've been made early 20th century, so we're looking at a globe that's probably 80 or 90 years old. | 0:20:11 | 0:20:18 | |
-And the other amazing thing is, can you see how much pink is on this globe? -It makes you feel proud. | 0:20:18 | 0:20:24 | |
Well, it just shows you. If you look, when I spin the globe, | 0:20:24 | 0:20:28 | |
-can you see literally why "the sun never sets on the Empire"? -Yeah. | 0:20:28 | 0:20:34 | |
And I love the fact that it has that "tobaccoey" hue to it. | 0:20:34 | 0:20:38 | |
-Yeah. -Which looks like it has some real age to it as well. The stand is in good condition. | 0:20:38 | 0:20:44 | |
So this is worth putting into the auction sale. At auction, £60-£80. | 0:20:44 | 0:20:49 | |
-Yes? -Is that OK? -Yeah. -Right. I'll leave it back here on the shelf. | 0:20:49 | 0:20:53 | |
I'll carry on here because just this room alone has so much to look at. | 0:20:53 | 0:20:58 | |
You go there. I'm going this way. | 0:20:58 | 0:21:00 | |
Jonty mentioned that it had been a bit tarnished from smoke. | 0:21:00 | 0:21:05 | |
And I think I probably contributed to that | 0:21:05 | 0:21:09 | |
because the study is one place where I like to smoke my cigars without Vanessa moaning. | 0:21:09 | 0:21:15 | |
'Don't let Vanessa hear you saying that, Peter. | 0:21:15 | 0:21:18 | |
'The globe is another good addition to our ever-growing pony fund, but we're still some way off our target. | 0:21:18 | 0:21:24 | |
'Fortunately, there's no shortage of items to look through today and I find these two novelty ashtrays. | 0:21:24 | 0:21:30 | |
'They're converted cylinder heads from the engine of a car and I think they're rather fun. | 0:21:30 | 0:21:36 | |
'They're unusual which makes them hard to value. | 0:21:36 | 0:21:39 | |
'Jonty estimates them at £40-£60 | 0:21:39 | 0:21:41 | |
'and we'll just have to see what the bidders make of them at auction. | 0:21:41 | 0:21:45 | |
'With our rummage day nearly over, it's time to tackle the impressive entrance hall.' | 0:21:45 | 0:21:51 | |
-Oh, look, I think I need a bit of help on this. -What have you got? | 0:21:51 | 0:21:55 | |
-It looks lovely to me. -That's rather nice. -What's this, Peter? | 0:21:55 | 0:22:00 | |
This I bought as a claret jug. | 0:22:00 | 0:22:03 | |
Ah! You like your wine, I know. You like your wine. | 0:22:03 | 0:22:07 | |
-Particularly claret. -Yes. I see. | 0:22:07 | 0:22:10 | |
This is very good quality. | 0:22:10 | 0:22:12 | |
A lot of these carafes that you see tend to be silver-topped, of course, in this style. | 0:22:12 | 0:22:18 | |
But the best quality ones are genuine silver, not silver-plated. | 0:22:18 | 0:22:23 | |
If we look round the side here, lovely crystal-clear hallmarks. Those are very nice indeed. | 0:22:23 | 0:22:28 | |
This one is late 19th century and you can tell by the decorations. | 0:22:28 | 0:22:33 | |
This embossed decoration round the top is late 19th century in style. | 0:22:33 | 0:22:38 | |
-There should be hallmarks on the inside. Lovely big hallmarks. -Yeah. | 0:22:38 | 0:22:42 | |
If we look at the crystal cut base here, this is in very good order. | 0:22:42 | 0:22:46 | |
There's no chips or breaks on it and dealers will love that. | 0:22:46 | 0:22:50 | |
It's distinguished by the name "claret jug" or "carafe" | 0:22:50 | 0:22:54 | |
simply because it has this separate spout here and individual handle, | 0:22:54 | 0:22:59 | |
-where decanters, you pour by the neck. -What would it fetch? | 0:22:59 | 0:23:03 | |
-We're looking at a value of £250 to £300. -Yeah, that would be good. | 0:23:03 | 0:23:08 | |
Hey, Vanessa! You can stop rummaging now. Come on, come out. | 0:23:08 | 0:23:12 | |
Look what... Well, I found it. Peter is willing to part with it. | 0:23:12 | 0:23:16 | |
I think it's lovely and Jonty says it might be worth £250. | 0:23:16 | 0:23:21 | |
-That's fantastic. -Not bad, eh? -No. | 0:23:21 | 0:23:24 | |
-That's the end of our rummaging. We couldn't have wished for a better venue. It's been amazing. -Wonderful. | 0:23:24 | 0:23:31 | |
-What an experience! -Well, I couldn't have asked for better guests. | 0:23:31 | 0:23:35 | |
Oh, it's a love-in. Official! | 0:23:35 | 0:23:38 | |
Will you love me when I tell you that... You were wanting £1,000, so you can get Henry this little pony. | 0:23:38 | 0:23:45 | |
I can tell you that if Jonty has got his sums right, then hopefully you will make your £1,000. | 0:23:45 | 0:23:51 | |
Indeed, you should make £1,220. | 0:23:51 | 0:23:56 | |
I can't believe it. That'd be fantastic if we did. | 0:23:56 | 0:24:00 | |
-That's great news. Well done. -We could get a saddle as well, then! | 0:24:00 | 0:24:04 | |
'Well, what a day! We've been spoilt for choice at Peter and Vanessa's incredible house. | 0:24:04 | 0:24:10 | |
'Here are some of the highlights of today's rummage. | 0:24:10 | 0:24:13 | |
'The pair of Victorian silver candlesticks from Peter's basement. | 0:24:13 | 0:24:18 | |
'They're fantastic quality and should make between £200 and £300. | 0:24:18 | 0:24:23 | |
'The collection of cut-glass perfume bottles in a leather travel case. | 0:24:23 | 0:24:27 | |
'Peter paid £40 for them 30 years ago, | 0:24:27 | 0:24:30 | |
'but Jonty has given them an estimate of £150 to £300. | 0:24:30 | 0:24:35 | |
'And finally, the 19th century carafe. | 0:24:36 | 0:24:39 | |
'It's in perfect condition | 0:24:39 | 0:24:41 | |
'and we're hoping the bidders will part with at least £250 to £300. | 0:24:41 | 0:24:46 | |
'Still to come on Cash In The Attic, will our antiques be winners at auction?' | 0:24:48 | 0:24:54 | |
-What do you think? -Brilliant. -How about that? -Well done. | 0:24:54 | 0:24:58 | |
'Or will they fall at the first hurdle?' | 0:24:58 | 0:25:01 | |
-That's going home. -We'll leave it here for the next auction! | 0:25:01 | 0:25:05 | |
'We'll only find out when the final hammer falls.' | 0:25:05 | 0:25:08 | |
Jonty and I had an amazing day with Peter and Vanessa in their lovely manor house in Gloucestershire. | 0:25:11 | 0:25:18 | |
Today, we've brought all the pieces we found to Chiswick Auctions in West London. | 0:25:18 | 0:25:23 | |
Remember, Peter and Vanessa are great horse lovers | 0:25:23 | 0:25:26 | |
and they want to raise £1,000 for a pony for baby Henry. | 0:25:26 | 0:25:30 | |
So let's hope the bidders here today are gonna be generous when our items go under the hammer. | 0:25:30 | 0:25:36 | |
'The auction rooms are buzzing with bidders arriving from far and wide. | 0:25:36 | 0:25:41 | |
'We just hope it bodes well for our items. | 0:25:41 | 0:25:44 | |
'Our expert Jonty Hearnden is already here, taking a last look at the perfume bottles.' | 0:25:44 | 0:25:50 | |
-Hi, Jennie. -Good morning. Didn't we have a great day? -What a day, what a house! | 0:25:50 | 0:25:55 | |
When I got back, my house seemed so tiny, it really wasn't fair! | 0:25:55 | 0:25:59 | |
There was one point I thought I'd lost you or I'd lost myself! | 0:25:59 | 0:26:04 | |
I don't think I saw all of the house. 32 rooms! | 0:26:04 | 0:26:07 | |
What I love about Peter and Vanessa is they're just doing this for fun. They love auctions, don't they? | 0:26:07 | 0:26:13 | |
They really do. But everyone's got something to sell. | 0:26:13 | 0:26:17 | |
There's always something spare in a house that you can take to auction | 0:26:17 | 0:26:21 | |
and reinvest the money into something you want to buy. | 0:26:21 | 0:26:24 | |
-We do that on a daily basis. -Peter had so many lovely things and didn't want to sell most of them! | 0:26:24 | 0:26:30 | |
Peter was a reluctant seller, but we have managed to wheedle out some really good quality items, | 0:26:30 | 0:26:36 | |
including this beautiful scent case with the six bottles. | 0:26:36 | 0:26:40 | |
-We've got some class acts. -We do. -Let's see if Peter and Vanessa have arrived. | 0:26:40 | 0:26:45 | |
'Well, arrived they have and just in time to take one last look at the commode.' | 0:26:46 | 0:26:52 | |
-Hi, guys. -Hello, Jonty. -Hello. -Good morning. | 0:26:52 | 0:26:55 | |
-You're gonna be pleased to say goodbye to this. -I most definitely am. I don't like this item. | 0:26:55 | 0:27:01 | |
-How are you feeling about being at the auction? -Super. Just the job. | 0:27:01 | 0:27:06 | |
-Have we put any reserves on any of the items? -The claret jug, £200. -Not a problem at all. | 0:27:06 | 0:27:12 | |
-Everything else can go. -I like the sound of that. | 0:27:12 | 0:27:16 | |
-Let's find a spot. It's about to start. -Right oh. | 0:27:16 | 0:27:19 | |
'If you're thinking of going to auction, remember, various charges such as commission will be added. | 0:27:19 | 0:27:26 | |
'Make sure you check with your auction house for details. | 0:27:26 | 0:27:30 | |
'With the sale already under way, we find our positions at the back of the room, | 0:27:30 | 0:27:35 | |
'ready for our first lot of the day to come up. | 0:27:35 | 0:27:39 | |
-'It's the fun novelty ashtrays.' -I love these. | 0:27:39 | 0:27:42 | |
I found these, those funny cylinder heads that you turned into ashtrays. They're unusual, so quirky. | 0:27:42 | 0:27:48 | |
I feel they could really take off. | 0:27:48 | 0:27:50 | |
-Where did they come from? -They came from the factory. A bloke who worked there gave them to me as a present | 0:27:50 | 0:27:56 | |
because I lent him a horse for breeding, a mare for breeding. | 0:27:56 | 0:28:00 | |
They bred some foals, so he felt a bit guilty and he gave me those as a present. | 0:28:00 | 0:28:07 | |
Start me at £20 for them? 20 I'm bid straight away. | 0:28:07 | 0:28:10 | |
22. 24. 26. | 0:28:10 | 0:28:13 | |
28. £28 I'm bid now. | 0:28:13 | 0:28:15 | |
30 anywhere? 30 there. | 0:28:15 | 0:28:17 | |
-32. 34. 36. 38. -A lot of interest. | 0:28:17 | 0:28:21 | |
40. £40 I'm bid there. In the middle at £40. 45 there. | 0:28:21 | 0:28:25 | |
50. £50 in the orange there. At £50. | 0:28:25 | 0:28:28 | |
And 5, anybody else? They're going for 50. Anybody else want to come in? | 0:28:28 | 0:28:32 | |
£50 then... | 0:28:32 | 0:28:34 | |
-That's brilliant. -I'm very pleased about that. -Very good estimate. I'm very impressed. | 0:28:34 | 0:28:40 | |
'I don't know what we'll do with Jonty's ego if this continues. | 0:28:40 | 0:28:44 | |
'But with the ashtrays selling for mid-estimate, it's a great start.' | 0:28:44 | 0:28:49 | |
I admired really Jonty how he valued them | 0:28:50 | 0:28:53 | |
because they are not antiques and it's very difficult to give them any form of value. | 0:28:53 | 0:28:59 | |
He was dead on, so congratulations, Jonty. | 0:28:59 | 0:29:02 | |
'I wonder how precise he'll be with our next lot? | 0:29:03 | 0:29:07 | |
'It's more smoking paraphernalia - three hallmarked silver cigarette cases, two vestas and a lighter. | 0:29:07 | 0:29:13 | |
'Jonty has valued them at £80 to £120.' | 0:29:13 | 0:29:17 | |
I'm already bid £60. With me at £60. 65. | 0:29:18 | 0:29:21 | |
70. 75 in the doorway there. At £75. | 0:29:21 | 0:29:25 | |
At 75. Going for £75 then. | 0:29:25 | 0:29:27 | |
-At £75. It goes for 75... -It's sold - £75. | 0:29:27 | 0:29:31 | |
-Five under, that's all right. -That's fine. -Are you happy about that? -Delighted. -Good. | 0:29:31 | 0:29:36 | |
'Jonty wasn't quite so accurate, but it's still a reasonable result | 0:29:36 | 0:29:40 | |
'as the silver smoking items sell just £5 under estimate. | 0:29:40 | 0:29:44 | |
'Next up, it's the striking, silver hallmarked cigar box, | 0:29:45 | 0:29:49 | |
'estimated at £80 to £120.' | 0:29:49 | 0:29:52 | |
Straight away, I'm bid £80. | 0:29:54 | 0:29:56 | |
-£80. 85... -See? -That's great. | 0:29:56 | 0:30:00 | |
90. 95. 100. | 0:30:00 | 0:30:02 | |
And I can take 105 because I've got 110. | 0:30:02 | 0:30:05 | |
115 in the room against commissions. 120. | 0:30:05 | 0:30:08 | |
130. 140. 150. | 0:30:08 | 0:30:10 | |
-160. 170... -That's more like it. Come on. | 0:30:10 | 0:30:14 | |
180. 190. 200. | 0:30:14 | 0:30:17 | |
-Oh, wow! -210. 220. | 0:30:17 | 0:30:20 | |
230. 240. | 0:30:20 | 0:30:22 | |
-Oh, wow! -240. With the lady at £240. -£240! | 0:30:22 | 0:30:26 | |
240 then. For £240... | 0:30:26 | 0:30:29 | |
-What do you think? -Brilliant. -Well done. | 0:30:29 | 0:30:31 | |
'An incredible result - that's double its highest estimate! | 0:30:32 | 0:30:38 | |
'I can't wait to see how our next lot does. It's an acquired taste, though, according to Vanessa. | 0:30:38 | 0:30:44 | |
'Jonty is hoping we'll get between £40 and £60 for it.' | 0:30:44 | 0:30:48 | |
-You really don't want to take this one home. -No. -Definitely not. | 0:30:48 | 0:30:52 | |
-I'm convinced they should sell it as a champagne bucket. -That is a revolting idea. | 0:30:52 | 0:30:57 | |
Is it worth £20? £20 to start me? £10 then? 10. 12. | 0:30:57 | 0:31:01 | |
14. 16. For the commode at £16. | 0:31:01 | 0:31:05 | |
-And 18, anyone? -He's got to let it go. -18 anywhere? £16... | 0:31:05 | 0:31:09 | |
Not sold, I'm afraid. | 0:31:09 | 0:31:11 | |
-It's not sold. -You're taking it home! -We'll leave it here for the next auction! | 0:31:11 | 0:31:16 | |
'Oh, no, the commode didn't sell! | 0:31:16 | 0:31:19 | |
'But Vanessa is adamant it's not going home with her.' | 0:31:19 | 0:31:22 | |
To say that I'm disappointed is an understatement. | 0:31:22 | 0:31:26 | |
I am gutted, believe you me. It's staying here and it's going in the sale again next week. | 0:31:26 | 0:31:31 | |
'We're nearly halfway through the auction and next is the ship's clock | 0:31:31 | 0:31:36 | |
'which Peter acquired when he was a coastguard. | 0:31:36 | 0:31:39 | |
'We're looking for £100 to £150.' | 0:31:39 | 0:31:41 | |
Nice lot, this. Start me for £60 for the clock? | 0:31:41 | 0:31:45 | |
60. 5. 70. | 0:31:45 | 0:31:46 | |
£70 for the clock. And 5, somebody? | 0:31:46 | 0:31:49 | |
For £70. At £70. At £70, it's not sold then. | 0:31:49 | 0:31:53 | |
-70... -Unsold. | 0:31:53 | 0:31:55 | |
-Not sold. -Oh, dear. | 0:31:55 | 0:31:57 | |
-What do you think about that...? -We'll take it home with us. -Yeah? -Yeah. | 0:31:57 | 0:32:03 | |
'Peter isn't too disappointed to take the clock home. | 0:32:03 | 0:32:06 | |
'But it's not good news for Henry's pony fund. | 0:32:06 | 0:32:09 | |
'After a fantastic start, we seem to be stalling a little. | 0:32:09 | 0:32:14 | |
'We've got really high hopes for our final lot in this half. | 0:32:14 | 0:32:18 | |
'It's the stunning, silver-mounted, cut-glass claret jug | 0:32:18 | 0:32:23 | |
'which Jonty raved about, giving it an estimate of £250 to £300.' | 0:32:23 | 0:32:27 | |
Bit of interest in it already, I'm glad to say. I'm bid £180. | 0:32:27 | 0:32:31 | |
180. 190. 200. | 0:32:31 | 0:32:34 | |
-And 10. In the room at 210. -My word! -220 there. | 0:32:34 | 0:32:37 | |
230. 240. 250. | 0:32:37 | 0:32:40 | |
-260. 270. -How high is it gonna go? -280. 290. | 0:32:40 | 0:32:44 | |
290 there. 300. | 0:32:44 | 0:32:46 | |
-£300! -Further back at £300. | 0:32:46 | 0:32:49 | |
£300. There at 300. 310. | 0:32:49 | 0:32:52 | |
310. There in the middle now at £310. | 0:32:52 | 0:32:55 | |
At 310 then... | 0:32:55 | 0:32:57 | |
-310. -310. -That's really good. -Well done with your guess, yes? -Are you happy? -Yes, ecstatic! | 0:32:57 | 0:33:03 | |
That's a really good price for a beautiful object. | 0:33:03 | 0:33:06 | |
'A brilliant result! As Vanessa said, | 0:33:06 | 0:33:09 | |
'a quality price for a quality item. | 0:33:09 | 0:33:12 | |
'It brings us to the halfway point in renewed spirits. | 0:33:12 | 0:33:16 | |
'I'm looking forward to telling Peter and Vanessa how we're doing.' | 0:33:16 | 0:33:20 | |
-OK, well, we're halfway through. -Already? | 0:33:20 | 0:33:23 | |
-It really has been a bit, you know... -It has, yes, up and down. | 0:33:23 | 0:33:27 | |
You're looking for £1,000 for Henry's little pony. | 0:33:27 | 0:33:31 | |
-At this halfway stage, obviously, you'd expect to have 500. -Yeah. | 0:33:31 | 0:33:35 | |
Well, you've actually made already £675. | 0:33:35 | 0:33:39 | |
I can't believe it. Gosh, Henry's going to have a super pony at this rate! I'm delighted. | 0:33:39 | 0:33:44 | |
So we don't have to buy a donkey then! | 0:33:44 | 0:33:47 | |
-I must say, with two unsold items, that's pretty good going. -It is. Wonderful. -That's excellent. | 0:33:47 | 0:33:54 | |
'What a first half! While Peter and Vanessa take a well-deserved break, | 0:33:54 | 0:33:58 | |
'Jonty and I have a look around the saleroom and he's spotted something that's got him all fired up.' | 0:33:58 | 0:34:04 | |
-Look at this. This is really very exciting. -Is it a little ashtray? | 0:34:04 | 0:34:08 | |
Well, I suppose it's a little, hand-beaten sugar bowl. | 0:34:08 | 0:34:12 | |
-It's rather humble. -Is it pure gold? -It's not made of gold, but this is gilt metal. | 0:34:12 | 0:34:17 | |
Take a look at this. We've got some very exciting marks here. | 0:34:17 | 0:34:21 | |
-This is Josef Hoffmann. -Is that hand-crafted? -It's all hand-beaten. | 0:34:21 | 0:34:25 | |
-Wow! -Some of his domestic goods are in the Metropolitan Museum | 0:34:25 | 0:34:30 | |
and the Modern Art Museum in New York. | 0:34:30 | 0:34:33 | |
What's so important about this piece is it is monogrammed by him here. | 0:34:33 | 0:34:38 | |
-Right. -And this is his collective that was started around the turn of the century, the Wiener Werkstatte, | 0:34:38 | 0:34:44 | |
which terminated, I think, in 1932. | 0:34:44 | 0:34:47 | |
Now, in the catalogue, they have estimated it at between £150 to £250. | 0:34:47 | 0:34:52 | |
-But this should do an awful lot more than that. -Really? -Absolutely. | 0:34:52 | 0:34:57 | |
-It's all down to who designed it. -So it pays to look carefully. -Yes. | 0:34:57 | 0:35:01 | |
-I shall remember that. -Watch this being sold. -I will. | 0:35:01 | 0:35:05 | |
'It's fascinating to learn about something that looks insignificant, | 0:35:05 | 0:35:09 | |
'but is so rare and has such an intriguing history. | 0:35:09 | 0:35:14 | |
'We take our positions for the second half of the auction | 0:35:14 | 0:35:18 | |
'and we soon find out if Jonty's prediction is right about the little gilt bowl.' | 0:35:18 | 0:35:23 | |
This is the Josef Hoffmann bowl that I found just a minute ago. | 0:35:23 | 0:35:27 | |
-Interesting. -Let's see what happens. | 0:35:27 | 0:35:30 | |
£900. All done, £900... Thank you, Keith. | 0:35:30 | 0:35:33 | |
'£900 is nearly four times the bowl's top estimate. | 0:35:34 | 0:35:39 | |
'Its unique design history really has proved to be valuable. | 0:35:39 | 0:35:43 | |
'It's back to our items. Our next lot is a selection of brass, bronze and copper items from the basement | 0:35:43 | 0:35:49 | |
'with a collective estimate of £40 to £60.' | 0:35:49 | 0:35:52 | |
Guys, I want to take you back 20, 30 years. | 0:35:52 | 0:35:55 | |
You'd walk into any pub, there'd be horse brasses, any mantel shelf, brass candlesticks. | 0:35:55 | 0:36:02 | |
Now they've all gone and there's a reason why it's all gone. | 0:36:02 | 0:36:06 | |
It's all in Peter's cellar! | 0:36:06 | 0:36:09 | |
-That's true. It is true. -I've worked it all out now. | 0:36:09 | 0:36:12 | |
I'm already bid a healthy £40 for it. With me at 40. 45. | 0:36:12 | 0:36:17 | |
50. Still with me at £50. | 0:36:17 | 0:36:19 | |
55 there. 60. 65. 70. 75. In the room then at £75. | 0:36:19 | 0:36:23 | |
-75. -We don't get it, do we? -No, I don't understand it. | 0:36:23 | 0:36:28 | |
-It goes, 75... -£75. | 0:36:28 | 0:36:31 | |
-Good? -How about that? -That's very good indeed. -I can't believe it. | 0:36:31 | 0:36:35 | |
Another good job by the consultant. | 0:36:35 | 0:36:38 | |
'What a great result, exceeding all our expectations! | 0:36:38 | 0:36:42 | |
'It's clear that Peter has a canny eye when it comes to collecting. | 0:36:42 | 0:36:46 | |
'The globe is another example of his wise investments and it looked wonderful in his study. | 0:36:46 | 0:36:52 | |
'Jonty has given it an estimate of £60 to £80.' | 0:36:52 | 0:36:56 | |
I'm bid... I can start the bidding at £60 immediately. | 0:36:56 | 0:36:59 | |
-Straight in at £60. -Wow! | 0:36:59 | 0:37:02 | |
75. 80. 85. 90. | 0:37:02 | 0:37:04 | |
-Listen to this. -95. 100. 110. 120. | 0:37:04 | 0:37:08 | |
-Standing at £120. -Wow! | 0:37:08 | 0:37:11 | |
-It's going for 120. 120... -That's a very good result. | 0:37:11 | 0:37:14 | |
-It is. I'm thrilled with that. -Is it something you liked? | 0:37:14 | 0:37:18 | |
-I did like it, but not that much to keep it. -OK. | 0:37:18 | 0:37:22 | |
'We're on a roll as the globe sells for double its lowest estimate. | 0:37:22 | 0:37:26 | |
'Maybe that'll pay for Henry's pony's saddle. | 0:37:26 | 0:37:29 | |
'It's time for the enchanting perfume bottles in the leather case | 0:37:29 | 0:37:34 | |
'to make an appearance, but will they charm the buyers?' | 0:37:34 | 0:37:37 | |
-Is it worth £80 to start me? £60 then? 60? -Come on! | 0:37:37 | 0:37:41 | |
65. 70. 75. | 0:37:41 | 0:37:43 | |
80. 85. 90. | 0:37:43 | 0:37:46 | |
95. 100. | 0:37:46 | 0:37:48 | |
£100. Nearer to me at £100. It's still not very much money for £100. | 0:37:48 | 0:37:53 | |
110 there. 110 there. At £110. | 0:37:53 | 0:37:56 | |
At £110, it's not quite enough. | 0:37:56 | 0:37:59 | |
110... | 0:37:59 | 0:38:01 | |
-Oh, no! -The auctioneer didn't think that was enough money - £110. He didn't think it was enough. | 0:38:01 | 0:38:07 | |
-What do you think? -I don't think it was enough. If it had gone to 150, I would have been pleased. | 0:38:07 | 0:38:13 | |
'Well, that's disappointing. | 0:38:13 | 0:38:15 | |
'We all had high hopes for the scent bottles. | 0:38:15 | 0:38:18 | |
'And that's our third "no sale" of the day. | 0:38:18 | 0:38:22 | |
'We've just three items left to sell | 0:38:22 | 0:38:25 | |
'and I wonder if the bidders will take to the three continental bayonets? | 0:38:25 | 0:38:30 | |
'They're not in the best condition | 0:38:30 | 0:38:33 | |
'and Jonty thinks his £80 to £120 estimate might be ambitious.' | 0:38:33 | 0:38:37 | |
45. | 0:38:37 | 0:38:39 | |
50. £50. That lot at £50. | 0:38:39 | 0:38:42 | |
And 5? £50 for the bayonets. And 5, anybody? For £50 then. | 0:38:42 | 0:38:46 | |
-At £50. They're not selling for 50... -Unsold. | 0:38:46 | 0:38:49 | |
-The rust got the better of them. -We don't mind taking those home. | 0:38:49 | 0:38:53 | |
'They might be happy to take the bayonets home, | 0:38:53 | 0:38:56 | |
'but this auction is turning into a bit of a roller-coaster. | 0:38:56 | 0:39:00 | |
'Next up are the hip flasks, | 0:39:00 | 0:39:03 | |
'including three made of silver and one of white metal. | 0:39:03 | 0:39:06 | |
'We're hoping for £100 to £120.' | 0:39:06 | 0:39:09 | |
Is the lot there worth £50 to start me? 50 I'm bid. | 0:39:09 | 0:39:13 | |
55. 60. | 0:39:13 | 0:39:15 | |
65. 70. 75. 80. | 0:39:15 | 0:39:18 | |
£80. 85 behind you. | 0:39:18 | 0:39:21 | |
-90. -Yes! -95. -Come on! -100. -Come on! -Hey! -110. | 0:39:21 | 0:39:26 | |
120. Nearer to me at £120. At 120 then... | 0:39:26 | 0:39:31 | |
In the room then... 130, just in time. | 0:39:31 | 0:39:34 | |
-140. -It's taken off again. | 0:39:34 | 0:39:36 | |
140. Still my original bidder at £140. It's going for 140... | 0:39:36 | 0:39:41 | |
-Great. -Very good. Well done. Good eye. | 0:39:41 | 0:39:44 | |
'£140 is £20 above top estimate and a great result. | 0:39:44 | 0:39:51 | |
'We're now down to our very last item - | 0:39:51 | 0:39:54 | |
'the stylish, hallmarked, late Victorian, silver candlesticks | 0:39:54 | 0:39:59 | |
'Jonty picked out from Peter's vast collection.' | 0:39:59 | 0:40:02 | |
Jonty found these two silver candlesticks and you think they're worth...? | 0:40:02 | 0:40:07 | |
-I put £200 to £300 on them. -£200 to £300. -I forgot they were down there. | 0:40:07 | 0:40:12 | |
Right, OK, that's amazing. So it's "Cash in the Cellar"! Let's see how we do. | 0:40:12 | 0:40:18 | |
Again there's commission interest in the lot. I'm bid £180 to start. | 0:40:18 | 0:40:22 | |
-180... -180 quid already? -190. 200. | 0:40:22 | 0:40:25 | |
210. 220. 230. 240. | 0:40:25 | 0:40:27 | |
250 in the room against commissions. Anybody else want to come in? | 0:40:27 | 0:40:31 | |
At £250. I'm selling them for 250. 250 then... | 0:40:31 | 0:40:35 | |
Short and sweet, wasn't it? £250. | 0:40:35 | 0:40:38 | |
-How about that? -Happy? -Yeah. -Yeah. | 0:40:38 | 0:40:40 | |
'Short, sweet and slap bang in the middle of Jonty's estimate - | 0:40:40 | 0:40:44 | |
'a fantastic end to the auction! | 0:40:44 | 0:40:46 | |
'But just how much have we managed to raise?' | 0:40:46 | 0:40:50 | |
-You're looking for £1,000. -We are. | 0:40:50 | 0:40:52 | |
Well, I think, clip-clop, clip-clop, he's gonna have it | 0:40:52 | 0:40:56 | |
because you've made, in fact, £1,260. | 0:40:56 | 0:40:59 | |
-That's fantastic. -Well done, sir. | 0:40:59 | 0:41:02 | |
-Jennie, thank you so much. -A kiss, I think. -Yeah, super. | 0:41:02 | 0:41:07 | |
I think we were saved genuinely by really good quality items. | 0:41:07 | 0:41:11 | |
-Well done. I hope you enjoy yourself with your little boy. -Oh, yes. | 0:41:11 | 0:41:15 | |
'Shortly after their fantastic result at auction | 0:41:17 | 0:41:21 | |
'and braving a particularly chilly winter's day, | 0:41:21 | 0:41:24 | |
'Vanessa and Peter take Henry along to the Cotswold Trail Riding Centre | 0:41:24 | 0:41:29 | |
'for his first ever ride on a pony.' | 0:41:29 | 0:41:31 | |
We're looking at the type of pony, hopefully, we'll be able to get Henry when he's three or four years old. | 0:41:31 | 0:41:38 | |
-This one is a bit too big for you. -Yeah! -Yeah. | 0:41:38 | 0:41:42 | |
'After meeting the horses, Henry is lifted into the saddle for the first time. | 0:41:42 | 0:41:48 | |
'At 11 hands high, 12-year-old Lewis is just the kind of pony that is suitable for Henry - | 0:41:48 | 0:41:54 | |
'small, calm and sweet-natured.' | 0:41:54 | 0:41:57 | |
Turn right. This is his first go on a horse. | 0:41:59 | 0:42:03 | |
Henry enjoyed it. I was surprised he loved it, despite the cold. | 0:42:03 | 0:42:08 | |
And he was happy on the horse. | 0:42:08 | 0:42:11 | |
He doesn't want... Good boy. | 0:42:11 | 0:42:13 | |
'So has it been a worthwhile experience?' | 0:42:13 | 0:42:16 | |
We've got some really good ideas now about the type of pony suitable for Henry. Thank you, Cash In The Attic! | 0:42:16 | 0:42:22 |