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Welcome to Cash In The Attic, the show that hunts down | 0:00:02 | 0:00:04 | |
hidden treasures in your home and helps you sell them at auction. | 0:00:04 | 0:00:07 | |
Well, today, I'm in Tenterden in Kent, | 0:00:07 | 0:00:10 | |
the county known as the Garden of England, and I've stopped off to see this charming Smallhythe Place. | 0:00:10 | 0:00:16 | |
'Now a theatre museum, this half-timbered cottage was built in the 1500s. | 0:00:16 | 0:00:21 | |
'In the Victorian era, it was bought as a bolthole by the famous thespian Dame Ellen Terry. | 0:00:21 | 0:00:26 | |
'The highest-earning actress of her day, she would come here to rest between plays. | 0:00:26 | 0:00:31 | |
'In 1928 her daughter converted it into a theatre | 0:00:31 | 0:00:35 | |
'and now it's a museum.' | 0:00:35 | 0:00:37 | |
I'm heading off to a village near here where I'm hoping to find | 0:00:37 | 0:00:40 | |
plenty more theatrical treasures that will take centre stage | 0:00:40 | 0:00:43 | |
when they go under the hammer at auction. | 0:00:43 | 0:00:45 | |
'Today on Cash In The Attic, we're with a theatrical family...' | 0:01:06 | 0:01:10 | |
-Wow. -Really? -Fabulous. -Excellent! | 0:01:10 | 0:01:12 | |
'..who are full of surprises.' | 0:01:12 | 0:01:15 | |
-So tell me the story of these. Where are they from? -My aunt found them. | 0:01:15 | 0:01:20 | |
-She found them? -Yes, she found them...in the bin. -No! | 0:01:20 | 0:01:23 | |
'But when it comes to auction will they be the ones lost for words?' | 0:01:23 | 0:01:27 | |
THEY GASP | 0:01:27 | 0:01:28 | |
'Find out when the hammer falls.' | 0:01:28 | 0:01:30 | |
180. | 0:01:30 | 0:01:32 | |
I've come to the pretty village of Biddenden in Kent to meet a family | 0:01:32 | 0:01:36 | |
who want to raise some funds for a rather dramatic treat. | 0:01:36 | 0:01:39 | |
'There are so many members of the Green family | 0:01:40 | 0:01:43 | |
'that it looks like they could have their own theatre company. | 0:01:43 | 0:01:46 | |
'Mum Isobel and dad David moved into this beautiful house in 2004 | 0:01:46 | 0:01:51 | |
'when they needed space for their growing family, | 0:01:51 | 0:01:54 | |
'Eleanor, who is 17, | 0:01:54 | 0:01:56 | |
'aspiring actor 16-year-old James, | 0:01:56 | 0:01:59 | |
'and 12-year-old Hugo. | 0:01:59 | 0:02:00 | |
'And an ensemble cast of pets, which includes two dogs. | 0:02:00 | 0:02:05 | |
'Not surprisingly with such a large household, Isobel and Dave | 0:02:05 | 0:02:08 | |
'have a house full of collectibles and they feel it's time to clear the aisles. | 0:02:08 | 0:02:13 | |
'And they're hoping to use the proceeds for a very special night on the town.' | 0:02:13 | 0:02:17 | |
-Oh, morning, Paul. -Good morning. How are you? -I'm fine. | 0:02:17 | 0:02:21 | |
I've got a lovely family today, a bit dramatic but nice. | 0:02:21 | 0:02:24 | |
The eldest son, James, wants to be an actor. | 0:02:24 | 0:02:26 | |
-A fellow thespian. -Have you ever trodden the boards? -I've swept a few in my time. | 0:02:26 | 0:02:30 | |
-Did you make much money at it? -Not really, no. More money in antiques and collectibles. | 0:02:30 | 0:02:34 | |
If you stick to the script, hopefully you can raise them some money. | 0:02:34 | 0:02:38 | |
Right. OK, come on. Curtain's up. | 0:02:38 | 0:02:40 | |
-Oh, there you all are. Hello. -Hello! -Right. | 0:02:42 | 0:02:45 | |
So who've we got here then. You are? | 0:02:45 | 0:02:47 | |
-Hugo. -Hello, Hugo. This is Dad, I presume. -This is Dad, David. | 0:02:47 | 0:02:51 | |
-James. -You want to be an actor, is that right? -Yeah. | 0:02:51 | 0:02:55 | |
I'd like to do something along the lines of theatre or TV or something. | 0:02:55 | 0:03:00 | |
-Now, is it something to do with your ambitions then that you've called in Cash In The Attic? -Yeah, sort of. | 0:03:00 | 0:03:06 | |
We were hoping that we would maybe have a trip up to London and go to the theatre, | 0:03:06 | 0:03:10 | |
especially as James is interested in acting and the theatre. It would be good fun. | 0:03:10 | 0:03:15 | |
And do you often go out to the theatre in London? | 0:03:15 | 0:03:17 | |
No, not very often, so that should be quite a fun trip with the family. | 0:03:17 | 0:03:21 | |
-How much money do you think you need to raise for this, then, David? -About £400 would be very, very nice. | 0:03:21 | 0:03:29 | |
So we need to raise £400, so you can all get up to London | 0:03:29 | 0:03:31 | |
and have a fantastic trip at the theatre, with a few snacks and a couple of drinks beforehand. | 0:03:31 | 0:03:36 | |
OK. Well, we'd better get on, then, hadn't we? Shall we? | 0:03:36 | 0:03:39 | |
'While we're on the rummage, Eleanor has decided to revise for exams, poor thing. | 0:03:39 | 0:03:44 | |
'But by the look of these stacked rooms, we've got a real production ahead of us. | 0:03:44 | 0:03:49 | |
'Luckily, Paul Hayes is making a star appearance today.' | 0:03:49 | 0:03:52 | |
-Hello! How are you? -What have you found then? -Well, I must admit I love these programmes. | 0:03:52 | 0:03:57 | |
This one here represents 1905 and it's a visit from the King of Spain. | 0:03:57 | 0:04:02 | |
-There's also this one here. -Yeah, there's that one as well. | 0:04:02 | 0:04:06 | |
This one is very interesting. | 0:04:06 | 0:04:07 | |
It's actually dated 1903, but the item's superb, it's made from silk. | 0:04:07 | 0:04:12 | |
And of course this would have been bought at the time, | 0:04:12 | 0:04:14 | |
if you were lucky enough to go to this gala performance together with the King and Queen. | 0:04:14 | 0:04:19 | |
You could buy paper programmes, but if you wanted to spend more you could buy these silk examples. | 0:04:19 | 0:04:25 | |
But what I like about this one, it actually commemorates the visit | 0:04:25 | 0:04:29 | |
from the French President, | 0:04:29 | 0:04:31 | |
and that was very, very important at that time. | 0:04:31 | 0:04:33 | |
-Oh, right. -It's a year before the entente cordiale. | 0:04:33 | 0:04:37 | |
-Basically, we've always been at war with France for generations. -Yeah. | 0:04:37 | 0:04:40 | |
And it was only at the turn of the 20th century we got together and signed this agreement. | 0:04:40 | 0:04:45 | |
And then ten years later when the First World War came along, | 0:04:45 | 0:04:48 | |
it was very important to be allies with France. | 0:04:48 | 0:04:51 | |
-Yes. -And that changed the whole face of things. -So, where are these from? | 0:04:51 | 0:04:54 | |
They came from my aunt's. | 0:04:54 | 0:04:56 | |
-Really? -Yes, she found them... -She found them? -Yes, in a bin. | 0:04:56 | 0:05:00 | |
-No! -Never! -And she just loved them and kept them. | 0:05:00 | 0:05:04 | |
So, what sort of value are we talking about, do you think, Paul? | 0:05:04 | 0:05:07 | |
At least £50 to £100, and I should imagine on the day if any opera lovers are there, any royalists... | 0:05:07 | 0:05:15 | |
Yeah, you need the right people there on the day. | 0:05:15 | 0:05:17 | |
You do. I think they're fantastic items. | 0:05:17 | 0:05:19 | |
OK, they're off to auction, then. | 0:05:19 | 0:05:21 | |
-Let's see what else we can find. -I'll leave them there for now. | 0:05:21 | 0:05:25 | |
I actually don't really have any sentimental attachment to them. | 0:05:25 | 0:05:29 | |
I think they came to me accidentally, it's just the way it happened. | 0:05:29 | 0:05:35 | |
I'm sure some collector will enjoy adding them to their collection. | 0:05:35 | 0:05:39 | |
'And speaking of collections, it's clear that there's plenty of potential in this house. | 0:05:39 | 0:05:44 | |
'Oops. David's got sidetracked in the costume department. | 0:05:44 | 0:05:47 | |
'And in the hall, James has taken a shine to this silver-plated tea set. | 0:05:47 | 0:05:51 | |
'It might wow the crowds on auction day at between £30 and £50. | 0:05:51 | 0:05:55 | |
'In the living room, it looks like David's moved on to the props.' | 0:05:55 | 0:06:00 | |
-I told you it's curtain up. Look at that. -Hello. | 0:06:00 | 0:06:02 | |
Oh, you've got Puff the Magic Dragon. | 0:06:02 | 0:06:04 | |
-They're amazing, aren't they? -So, David, where do they come from? | 0:06:04 | 0:06:08 | |
Well, Isobel's collected them over the years. | 0:06:08 | 0:06:11 | |
She had some when she was very young, | 0:06:11 | 0:06:13 | |
and obviously over the years one or two come along. | 0:06:14 | 0:06:17 | |
The theatre's quite an early addition as well. | 0:06:17 | 0:06:20 | |
-Do you know what you paid for any of them? -Some of them are quite expensive. | 0:06:20 | 0:06:24 | |
-The older ones, obviously, are quite... -How do you tell the older ones? -It's the boxes. | 0:06:24 | 0:06:29 | |
-It's the boxes. -Yeah, the boxes make all the difference. | 0:06:29 | 0:06:32 | |
These are the first type of boxes, very plain, | 0:06:32 | 0:06:35 | |
simple cardboard boxes with these simple designs on the top. | 0:06:35 | 0:06:38 | |
Then I think 1956, '57, they started to introduce the yellow boxes, so these are actually quite early. | 0:06:38 | 0:06:45 | |
What I love about Bob Pelham, he was a great pioneer, but he actually invented the Wonky Donkey. | 0:06:45 | 0:06:50 | |
-You know that little toy where the donkey moves around? -Yeah. | 0:06:50 | 0:06:53 | |
He was known for that during the war and then he went into business. | 0:06:53 | 0:06:56 | |
He borrowed some money off his dad and his dad said, | 0:06:56 | 0:06:59 | |
"If you make a go of this, mate, pigs will fly." | 0:06:59 | 0:07:02 | |
-Oh, no! That's where it came from. -That's where it comes from, yeah. | 0:07:02 | 0:07:06 | |
So he put those on the box and something like seven million were sold, so there's loads around. | 0:07:06 | 0:07:12 | |
What sort of estimate would you put on them? | 0:07:12 | 0:07:15 | |
-You say there were seven? -Ish. | 0:07:15 | 0:07:17 | |
OK, right, well if I'm being conservative here, | 0:07:17 | 0:07:20 | |
you've got the theatre with it, I'd say at least £100 upwards. | 0:07:20 | 0:07:23 | |
There might be a rare one amongst them...and see how they get on. | 0:07:23 | 0:07:27 | |
Fair enough. £100 or more would be good. | 0:07:27 | 0:07:30 | |
We want £400, so this is a great contribution but not quite enough. | 0:07:30 | 0:07:34 | |
Shall I see what else we can find? | 0:07:34 | 0:07:36 | |
-You can leave us, me and Dave will hang here. -Absolutely! -Which one do you want to be? | 0:07:36 | 0:07:40 | |
'Paul and David aren't the only ones enjoying pulling the strings. | 0:07:40 | 0:07:45 | |
'While I get sidetracked with Puff, | 0:07:45 | 0:07:47 | |
'Hugo has served up a full dinner service. | 0:07:47 | 0:07:50 | |
'This dainty Gainsborough set might bring in £30 to £50 in the sale. | 0:07:50 | 0:07:55 | |
'In the hallway, Isobel's found some candidates that might join it at auction.' | 0:07:55 | 0:07:59 | |
-Paul? -Yeah? -Paul, come and have a look at this. | 0:07:59 | 0:08:02 | |
Let's have a look. Oh, some little figurines. | 0:08:03 | 0:08:06 | |
-So whose are these, then? -Well, mine, I guess. | 0:08:06 | 0:08:08 | |
Of course they are. Did you buy them? | 0:08:08 | 0:08:10 | |
No, I didn't. Well, they were my mother's. | 0:08:10 | 0:08:13 | |
Well, these are very 1950s, early '60s. | 0:08:13 | 0:08:16 | |
They were very, very popular at that time. | 0:08:16 | 0:08:18 | |
It's a firm called Goebel, have you heard of them? | 0:08:18 | 0:08:21 | |
I know that she called them Hummel figures. | 0:08:21 | 0:08:23 | |
Right. Well, the word Hummel actually comes from the name of the artist | 0:08:23 | 0:08:27 | |
who designed the illustrations to make these figurines. | 0:08:27 | 0:08:31 | |
She was a nun, and apparently the director of Goebel stumbled across some of her drawings, | 0:08:31 | 0:08:36 | |
and wanted to make them into a ceramic form | 0:08:36 | 0:08:38 | |
but he had to ask the Franciscan Church. | 0:08:38 | 0:08:41 | |
That still goes on today, every time one of these figures are made, they have to get permission | 0:08:41 | 0:08:46 | |
for the drawings to be used. | 0:08:46 | 0:08:48 | |
-They also have this little triangle on the bottom. -Yes. -The Goebel triangle there. | 0:08:48 | 0:08:52 | |
-Have they all got that, do you know? -I think so. | 0:08:52 | 0:08:55 | |
That one's got it. Another one, that one has. Let's have a look at this one. | 0:08:55 | 0:08:58 | |
Uh...no. Fake. | 0:08:58 | 0:09:00 | |
-We have an impostor there, can you see? -Yeah, different face. | 0:09:00 | 0:09:03 | |
You can see the quality isn't there. | 0:09:03 | 0:09:05 | |
This is just a cheap imitation, so that has no value whatsoever. | 0:09:05 | 0:09:09 | |
If I said about £20 each now, so that's 60 to 100. | 0:09:09 | 0:09:14 | |
-How does that sound? -Gosh, that's good, isn't it? | 0:09:14 | 0:09:17 | |
-Are you sure David won't miss them? -I don't think so. | 0:09:17 | 0:09:19 | |
Let's go and ask him. David, we're selling your figures, mate. | 0:09:19 | 0:09:24 | |
The Hummel figures. That's a good valuation and to be honest, I've never really liked them. | 0:09:24 | 0:09:28 | |
I think they've got silly faces | 0:09:28 | 0:09:30 | |
and that silly little quiff on the little hiker. I won't miss them. | 0:09:30 | 0:09:35 | |
'So, off they hike to auction. There are certainly plenty of knick-knacks and memorabilia in this house. | 0:09:35 | 0:09:41 | |
'In the kitchen I found another dinner set that could deliver the goods. | 0:09:41 | 0:09:44 | |
'This Victorian Blue dinner service | 0:09:44 | 0:09:47 | |
'might bring in £50 to £100. | 0:09:47 | 0:09:50 | |
'While the boys keep up the hunt, I track down Isobel and David in the garden.' | 0:09:50 | 0:09:55 | |
How do you think it's going so far? | 0:09:55 | 0:09:57 | |
-Very well. -Yeah? Are you pleased with the valuations? -Yes. -Very much so. | 0:09:57 | 0:10:00 | |
Most of the items that we seem to be seeing are coming from your side of the family, Isobel. | 0:10:00 | 0:10:06 | |
Yeah, some I've inherited from my mother and some from my aunt. | 0:10:06 | 0:10:09 | |
They died quite close together so I had an awful lot of stuff all at once. | 0:10:09 | 0:10:14 | |
There's quite a theatrical theme going on so have either of you two | 0:10:14 | 0:10:18 | |
-ever been tempted to go on the stage? -No, just amateur dramatics. | 0:10:18 | 0:10:22 | |
-You have done amateur dramatics? -I've done it, yeah. My father used to do it a lot too. | 0:10:22 | 0:10:26 | |
Is there something going through the family here | 0:10:26 | 0:10:28 | |
-cos there's certainly a theatre interest? -Possibly, yeah. | 0:10:28 | 0:10:32 | |
-And James of course does. -Yeah, so what's his plans, then, | 0:10:32 | 0:10:35 | |
because it's not exactly a secure job, is it? | 0:10:35 | 0:10:38 | |
No, no, he's got some back-up plans. | 0:10:38 | 0:10:40 | |
That's something nowadays, isn't it? At least he's got back-up plans. | 0:10:40 | 0:10:44 | |
Or at least I've got back-up plans for him. | 0:10:44 | 0:10:47 | |
Before the final curtain falls, can we find anything else? | 0:10:47 | 0:10:51 | |
-Come on, we've got time to take these in, I think. -Great. | 0:10:51 | 0:10:55 | |
'You know what they say, slow and steady wins the race.' | 0:10:56 | 0:10:59 | |
Hello, Harriet. | 0:10:59 | 0:11:00 | |
'And we've certainly been cracking on in a bid | 0:11:00 | 0:11:04 | |
'to find items for our theatre trip fund. | 0:11:04 | 0:11:06 | |
This New Hall Pottery bowl with a daffodil pattern can be added to our cast list. | 0:11:06 | 0:11:10 | |
It belonged to Isobel's grandmother and could take centre stage | 0:11:10 | 0:11:13 | |
at around £50 to £100 in the sale. | 0:11:13 | 0:11:17 | |
And it looks like James has found a whole set of characters | 0:11:17 | 0:11:20 | |
that could audition for the auction. | 0:11:20 | 0:11:22 | |
-Paul? -Yep? -Do you think this is worth anything? | 0:11:22 | 0:11:25 | |
Let's have a look. Oh, right, that's some collection. | 0:11:25 | 0:11:29 | |
Yeah. It's Beatrix Potter, little figurines. | 0:11:29 | 0:11:32 | |
Right. Well, she really was one of the first people to put animals | 0:11:32 | 0:11:36 | |
in real-life situations, make them into human-like characters. | 0:11:36 | 0:11:40 | |
There's a couple of things to look for. These have been made since the 1940s, | 0:11:40 | 0:11:44 | |
and if you have a look, they all have "Copyright 1948". | 0:11:44 | 0:11:47 | |
-Can you see that? -Oh, yeah. They were made in two cycles. | 0:11:47 | 0:11:51 | |
The original figurines when they first appeared | 0:11:51 | 0:11:53 | |
had a gold back stamp, it flashes as you turn it into the light. | 0:11:53 | 0:11:57 | |
The browner back stamps are a bit later, so I'd say these were 1980s | 0:11:57 | 0:12:00 | |
if not even later than that but very, very collectible. | 0:12:00 | 0:12:04 | |
I tell you what is interesting about Beatrix Potter as well, | 0:12:04 | 0:12:07 | |
she was very famous for studying flowers and plants and food | 0:12:07 | 0:12:12 | |
and she was actually world famous for the study of mushrooms. | 0:12:12 | 0:12:16 | |
-Oh, yeah? -So do you think we can sell them? -Probably. | 0:12:16 | 0:12:20 | |
-Well, how many have you got? One...two...six, haven't you? -Yep. | 0:12:20 | 0:12:23 | |
Well, if I said to you £60 to £100, how does that sound? | 0:12:23 | 0:12:26 | |
I wouldn't have thought that they'd be worth that much. | 0:12:26 | 0:12:29 | |
Shall we ask Jemima? | 0:12:29 | 0:12:32 | |
-Come on, let's keep looking. -Yup. | 0:12:32 | 0:12:35 | |
The Beatrix Potter figurines surprised me because I didn't think | 0:12:36 | 0:12:40 | |
they would be worth that much, there's not very many of them. | 0:12:40 | 0:12:43 | |
They've just always been there. | 0:12:43 | 0:12:45 | |
So, yeah, they'll not really be missed. | 0:12:45 | 0:12:48 | |
But are we dressed for success? | 0:12:48 | 0:12:50 | |
No nook is safe in our bid to find objects for our theatre fund. | 0:12:50 | 0:12:55 | |
This oil painting of a winter scene with a white frame might be an option. | 0:12:55 | 0:12:59 | |
It's a good size and would look nice in a modern flat or on a pub wall. | 0:12:59 | 0:13:03 | |
It is signed by the artist but not clearly, | 0:13:03 | 0:13:07 | |
and as he's unsure of its background, | 0:13:07 | 0:13:09 | |
Paul thinks £20 to £40 is a fair price for this. | 0:13:09 | 0:13:12 | |
It's been a whirlwind tour of the Greens' home and we've found quite a few items to go to auction. | 0:13:13 | 0:13:19 | |
But have we got enough to reach our £400 target? | 0:13:19 | 0:13:23 | |
As we have one last look, Paul sniffs out a new talent. | 0:13:23 | 0:13:26 | |
Isobel? I love these scent bottles. | 0:13:26 | 0:13:29 | |
Are these like a family heirloom? | 0:13:29 | 0:13:31 | |
-Yes, they belonged to my grandmother. -These are great. I think they're great pieces of social history. | 0:13:31 | 0:13:37 | |
-We're all so used to buying perfumes now already in the bottles. -Yes. | 0:13:37 | 0:13:41 | |
But when these bottles were made, you'd actually go to your chemist, | 0:13:41 | 0:13:44 | |
-and your chemist would decant the perfume for you. -Right. -So you'd all have these individual bottles. | 0:13:44 | 0:13:49 | |
So it would have to be kept airtight. | 0:13:49 | 0:13:51 | |
Underneath here would be a stopper at some point. | 0:13:51 | 0:13:54 | |
-Do you know if it had a stopper underneath? -Not since I've had it. | 0:13:54 | 0:13:58 | |
It's a good way to tell for condition too, | 0:13:58 | 0:14:00 | |
because the stopper would be forced into there, you'd get a crack or a craze. | 0:14:00 | 0:14:04 | |
but this is in wonderful condition. This is genuine cut glass, do you know how to tell? | 0:14:04 | 0:14:09 | |
-When you ping? -It is in some cases, but this is difficult to ping. | 0:14:09 | 0:14:13 | |
It almost cuts your fingers, can you feel that? | 0:14:13 | 0:14:15 | |
-It's very, very sharp. -Yes, it is. | 0:14:15 | 0:14:17 | |
That's hand-made. Now if this was made in a mould, the whole thing would be lost, it's quite numb. | 0:14:17 | 0:14:22 | |
So the fact it's very sharp, it's silver mounted, that's a very, very good scent bottle indeed. | 0:14:22 | 0:14:27 | |
That's a great item. We've got another few bits here. I'll grab this one, | 0:14:27 | 0:14:30 | |
which is a little cotton bud holder. | 0:14:30 | 0:14:33 | |
A good little tip here on these thin items is to hold them up to the light | 0:14:33 | 0:14:38 | |
because with all the polishing, you can get little holes appear. | 0:14:38 | 0:14:42 | |
This one's not in bad condition, that's a good little tip | 0:14:42 | 0:14:45 | |
because if they're holey, you've a big problem. | 0:14:45 | 0:14:48 | |
So that's great, you've got quite a few little items. | 0:14:48 | 0:14:51 | |
-Are you sure David won't use that for aftershave? -THEY LAUGH | 0:14:51 | 0:14:55 | |
Here he is now. OK? Hello! Did you hear that? | 0:14:55 | 0:14:57 | |
-Aye, I heard that. -Hello, Lorne. | 0:14:57 | 0:14:59 | |
No, I think the moustache is staying for a few years yet. | 0:14:59 | 0:15:03 | |
You've found some lovely items, what are they worth? | 0:15:03 | 0:15:06 | |
These are very attractive, we've got a couple of smaller items here too. | 0:15:06 | 0:15:10 | |
-If I said at least £120, maybe £150? -Wow. -Brilliant. -Yes. | 0:15:10 | 0:15:15 | |
Well, I'm very pleased, because you wanted £400, didn't you, to take the family to the theatre in London? | 0:15:15 | 0:15:21 | |
The total value of everything that you're sending to auction comes to £570. | 0:15:21 | 0:15:27 | |
-Oh, really? -Fabulous. -Excellent. | 0:15:27 | 0:15:30 | |
-So you're pleased with that? -Yeah, really pleased, that's great. | 0:15:30 | 0:15:34 | |
Next time you see them they'll be on display | 0:15:34 | 0:15:37 | |
and hopefully there'll be lots of people handling them because they want to buy them. | 0:15:37 | 0:15:41 | |
-So are you looking forward to that? -Yes. -Yes, without a doubt. | 0:15:41 | 0:15:44 | |
Auctions are always unpredictable, so it's just as well we came in over target | 0:15:45 | 0:15:50 | |
and the star players performing at this auction include | 0:15:50 | 0:15:53 | |
the silk opera programmes that Isobel's aunt saved from the bin. | 0:15:53 | 0:15:57 | |
We're hoping they'll raise the curtain at £50 to £100. | 0:15:57 | 0:16:02 | |
The quirky Pelham puppets with their flying pig trademark, | 0:16:02 | 0:16:06 | |
we hope they'll take off in the sale at around £100 to £150. | 0:16:06 | 0:16:11 | |
And this chorus of Beatrix Potter animals, | 0:16:11 | 0:16:14 | |
Paul thinks they might steal the show at £60 to £100. | 0:16:14 | 0:16:17 | |
Still to come on Cash In The Attic, | 0:16:19 | 0:16:21 | |
time for our stars to make an appearance. | 0:16:21 | 0:16:25 | |
But will their performance be up to scratch? | 0:16:25 | 0:16:28 | |
I think he's unsold those, actually, at 75. | 0:16:28 | 0:16:31 | |
We're certainly hoping for a standing ovation. | 0:16:31 | 0:16:34 | |
Wow. | 0:16:34 | 0:16:35 | |
Find out when the final hammer falls. | 0:16:35 | 0:16:38 | |
Now, it's been a few weeks since we visited the theatrical Green family at their home in Kent | 0:16:43 | 0:16:48 | |
and we found lots of lovely items to bring here to Chiswick Auction Rooms in West London. | 0:16:48 | 0:16:53 | |
Now, they're looking to raise around £400 so the whole family can enjoy a day out to the stage in West London, | 0:16:53 | 0:16:59 | |
so let's just hope that today when our items go under the hammer, they receive a full standing ovation. | 0:16:59 | 0:17:04 | |
It's a good turnout today and there's certainly plenty to see. | 0:17:07 | 0:17:10 | |
Let's hope our man, Paul Hayes, doesn't scare them away. | 0:17:12 | 0:17:16 | |
# La-a-a-a-a | 0:17:16 | 0:17:18 | |
-# La-a-a-a-a. # -Hello, my dear. | 0:17:18 | 0:17:21 | |
Oh! Just in time before the chandelier's all lit up. | 0:17:21 | 0:17:23 | |
Don't worry, I've got some tablets for indigestion, so I think you'll be OK. These are lovely. | 0:17:23 | 0:17:28 | |
They're great. I've just noticed on this one | 0:17:28 | 0:17:31 | |
that Signor Caruso was involved in this performance, isn't that great? | 0:17:31 | 0:17:35 | |
-That's fantastic. -There we go. -So do you think we'll get these away today? | 0:17:35 | 0:17:39 | |
Yeah, these are great, interesting items. If you went to these performances you were very wealthy. | 0:17:39 | 0:17:44 | |
They're lovely things, a bit of memorabilia. | 0:17:44 | 0:17:46 | |
As much as I like these, the Pelham puppet theatre has stolen my heart. I think that's fantastic. | 0:17:46 | 0:17:51 | |
Yes, visual items. Anybody that grew up in the '50s and '60s, | 0:17:51 | 0:17:54 | |
it's a great thing to have, some personal memories for somebody. | 0:17:54 | 0:17:58 | |
It's nearly time to raise the curtain, so shall we meet them? | 0:17:58 | 0:18:01 | |
Thought you'd never ask. My moment's arrived. | 0:18:01 | 0:18:04 | |
Let's hope the buyers out there have an artistic bent. | 0:18:04 | 0:18:07 | |
They certainly look like a cultured lot. | 0:18:07 | 0:18:09 | |
Perhaps they'll like our Pelham puppets. | 0:18:09 | 0:18:12 | |
Isobel has brought them today, along with another addition. | 0:18:12 | 0:18:16 | |
-Good morning. -Hello. -How are you, all right? | 0:18:16 | 0:18:19 | |
-I'm Brian, Isobel's brother. -David's working away from home, so Brian's standing in. | 0:18:19 | 0:18:25 | |
Doesn't this look fantastic, hey? What a wonderful thing, but I can't see the dragons anywhere. | 0:18:25 | 0:18:30 | |
Yeah, they've stayed at home, I'm afraid. | 0:18:30 | 0:18:32 | |
-Ah...you wanted to keep those, did you? -Hugo's a bit of a dragon freak. | 0:18:32 | 0:18:36 | |
I don't blame you, they're such cute things, don't you think? | 0:18:36 | 0:18:39 | |
Yeah. These are great items, and from experience | 0:18:39 | 0:18:43 | |
I've seen lots of people who've had these items around the house | 0:18:43 | 0:18:46 | |
and they become one of the family, so I do understand. | 0:18:46 | 0:18:49 | |
Do we have high hopes for this, Paul? | 0:18:49 | 0:18:51 | |
Originally I said £100, £120, and I think you've still got about that here. | 0:18:51 | 0:18:56 | |
-It's nicely set up, it's in good display, we're in a great place, so I stand by that estimate. -Good. | 0:18:56 | 0:19:01 | |
Let's hope we can make all your money. We're in a back room here, the auction's about to start. | 0:19:01 | 0:19:06 | |
Shall we go and get in position, OK? | 0:19:06 | 0:19:08 | |
If you're thinking of buying or selling at auction, | 0:19:09 | 0:19:12 | |
bear in mind that VAT and other charges apply. | 0:19:12 | 0:19:15 | |
Right, ladies and gentlemen, I shall start the sale in just a moment. | 0:19:15 | 0:19:19 | |
We've found a good spot set back from the auction just in time for our first lot, | 0:19:19 | 0:19:24 | |
-the little German Hummel figures. -Hummel figures are very collectible | 0:19:24 | 0:19:28 | |
-but I think one of them wasn't a Hummel, if I remember rightly. -Yeah. | 0:19:28 | 0:19:31 | |
-Do you like them? -I do, yes, they're lovely. | 0:19:31 | 0:19:34 | |
£50 for that lot, 20 to start me... | 0:19:34 | 0:19:36 | |
22, 25, 28, £30, 35, £40... | 0:19:36 | 0:19:40 | |
at £40, do I see? 45, at £50... | 0:19:40 | 0:19:45 | |
No? You're not bidding. 45 is here. | 0:19:45 | 0:19:48 | |
£45 is near me, at £45... you dropped out at 45 and I'm selling 45. | 0:19:48 | 0:19:51 | |
Wow! That's all right, isn't it? | 0:19:51 | 0:19:54 | |
-It's amazing. -That was really good. | 0:19:54 | 0:19:56 | |
Especially as you didn't like them. | 0:19:56 | 0:19:58 | |
Under estimate but that's not a bad start. | 0:19:58 | 0:20:01 | |
And keeping in the realm of children's figurines, | 0:20:03 | 0:20:06 | |
the six Beswick Beatrix Potter figures are up next. | 0:20:06 | 0:20:10 | |
All in the room at £70... have you finished? | 0:20:10 | 0:20:12 | |
That was a cheeky result. | 0:20:12 | 0:20:14 | |
But when the silver-plated tea set takes home a figure | 0:20:14 | 0:20:17 | |
just under its estimate... | 0:20:17 | 0:20:20 | |
22 it's going... 22 to buyer 509. | 0:20:20 | 0:20:23 | |
And immediately after that, the Gainsborough dinner service sells. | 0:20:23 | 0:20:27 | |
Last chance at 70. | 0:20:27 | 0:20:29 | |
-Yes! -That's good, isn't it? £70. | 0:20:29 | 0:20:33 | |
We're really beginning to warm up now. | 0:20:33 | 0:20:36 | |
£70 is more than twice our lower estimate. | 0:20:36 | 0:20:39 | |
So far we've made £207 towards our £400 evening out at the theatre fund, | 0:20:39 | 0:20:46 | |
and we're hoping our next lot will be the star of the show. | 0:20:46 | 0:20:49 | |
But they are missing some highly collectible characters. | 0:20:49 | 0:20:53 | |
Now it's our piece de resistance. | 0:20:53 | 0:20:55 | |
We should be selling tickets just to have a look at this theatre. | 0:20:55 | 0:20:58 | |
It's a wonderful, wonderful piece. And what do we want for this? | 0:20:58 | 0:21:01 | |
£100 plus, let's see how we get on. The dragons were the main items, but they're not here. | 0:21:01 | 0:21:06 | |
£100 for this lot? | 0:21:06 | 0:21:08 | |
40 to start me then, at 40 for all the puppets. At £40...45 now. | 0:21:08 | 0:21:12 | |
At £40, can I take 40? 45 I am bid...50, 55... | 0:21:12 | 0:21:16 | |
60, 65... at £70, 75... | 0:21:16 | 0:21:21 | |
£80, another one? | 0:21:21 | 0:21:23 | |
At £80, against you at £80... | 0:21:23 | 0:21:25 | |
any more at 80? | 0:21:25 | 0:21:27 | |
There you are. I think he's unsold those at 75, just cos it wasn't quite enough. | 0:21:27 | 0:21:32 | |
-I think if all the ones would have been here, they would have gone well over the £100. -Well, there you go. | 0:21:32 | 0:21:36 | |
That was a bit of a shock, we expected them to do so well. | 0:21:36 | 0:21:40 | |
And room for another let-down when the Victorian dinner service | 0:21:40 | 0:21:44 | |
also fails to realise its potential. | 0:21:44 | 0:21:47 | |
Disappointing at 25, that remains unsold for the present. | 0:21:47 | 0:21:51 | |
And goes unsold. | 0:21:51 | 0:21:54 | |
This is not looking good for our fund. | 0:21:54 | 0:21:56 | |
We're more than halfway through the auction and we need to put some money in the pot. | 0:21:56 | 0:22:00 | |
And when the pretty New Hall bowl fails to sell. | 0:22:00 | 0:22:04 | |
Any further bids on 20? | 0:22:04 | 0:22:05 | |
-That's coming home. -You're quite pleased about that, aren't you? I can tell. -I'm not bothered. | 0:22:06 | 0:22:12 | |
It's a blow, | 0:22:12 | 0:22:13 | |
but thankfully Isobel doesn't seem too downhearted. | 0:22:13 | 0:22:16 | |
Well, it didn't sell but I've always liked it. | 0:22:16 | 0:22:19 | |
It's just unusual and bright, so I'm going to put it back. | 0:22:19 | 0:22:23 | |
Isobel may be happy to take the bowl home, | 0:22:23 | 0:22:25 | |
but after a dire run of no sales we need to lift the mood here. | 0:22:25 | 0:22:30 | |
Paul was very keen on our next lot. | 0:22:30 | 0:22:32 | |
Perhaps it will freshen up our chances. | 0:22:32 | 0:22:35 | |
We've got an estimate on that have we, Paul? | 0:22:35 | 0:22:37 | |
Yeah, it looks about £120. | 0:22:37 | 0:22:39 | |
I tried to be conservative with those, there are lots of buyers for this type of thing. | 0:22:39 | 0:22:43 | |
I do remember that large perfume bottle was an absolute cracker. | 0:22:43 | 0:22:47 | |
-Yes, there is a reserve on it. I put a reserve on it. -OK, which is? | 0:22:47 | 0:22:50 | |
-130. -Oh, OK, all right. OK. | 0:22:50 | 0:22:53 | |
I am bid £100 in two places, 110... | 0:22:53 | 0:22:55 | |
120, 130, 140, 150... | 0:22:55 | 0:22:58 | |
150 I have, 160 is the next bid. | 0:22:58 | 0:23:01 | |
-At £150. -That's great. | 0:23:01 | 0:23:04 | |
Any further bidding on £150? Have you all finished at 150? Selling, then. | 0:23:04 | 0:23:08 | |
-150, pleased with that? -Yeah, very. -£20 above your reserve. -Yeah. | 0:23:08 | 0:23:12 | |
-Looks good to me. -Excellent. | 0:23:12 | 0:23:14 | |
That brought a welcome change of tune and now the show must continue. | 0:23:14 | 0:23:19 | |
Our next lot is the opera programmes. | 0:23:19 | 0:23:23 | |
Commission interest again in these starting at 55, 60, five, 70, five, 80, £80 I have. | 0:23:23 | 0:23:28 | |
85, 90. | 0:23:28 | 0:23:30 | |
-More. -£90 I have, 95 is it? | 0:23:30 | 0:23:33 | |
£90. The bid's still with me at £90 on commission. | 0:23:33 | 0:23:36 | |
All done at £90. | 0:23:36 | 0:23:38 | |
-Great! -That's good, isn't it? -Yes! | 0:23:38 | 0:23:40 | |
-Are you pleased with that? -Yep. | 0:23:40 | 0:23:42 | |
What a brilliant result. | 0:23:43 | 0:23:45 | |
Those last two sales have given us the boost we needed, | 0:23:45 | 0:23:49 | |
but our next lot is a dark horse. | 0:23:49 | 0:23:51 | |
This painting was left to Isobel by her aunt | 0:23:51 | 0:23:55 | |
but she's not sure who the artist is. | 0:23:55 | 0:23:57 | |
I've never liked it, it's very dark. | 0:23:57 | 0:24:00 | |
It was my aunt's, and I've had it valued a couple of times, | 0:24:00 | 0:24:03 | |
and it's never really been more than about £30, so we'll see. | 0:24:03 | 0:24:07 | |
-What do you want for this, Paul? -I put this in the region of £20 to £40 just as a decorative picture. | 0:24:07 | 0:24:12 | |
I think with all art it depends on who has painted it, it's all about the artist. | 0:24:12 | 0:24:16 | |
-You can have a blob but if it's the right person who's painted it. -Personal taste too. | 0:24:16 | 0:24:21 | |
British School winter scene, snow scene, well presented. | 0:24:21 | 0:24:25 | |
-Commission interest in this starting at £70. -Commission interest, £70! | 0:24:25 | 0:24:29 | |
80, five...90, five...100, and ten. | 0:24:29 | 0:24:31 | |
110 I'm bid, 110 I'm bid, | 0:24:31 | 0:24:33 | |
-120 I'll take, 120 I'm bid, 130 I'm bid. -Wow. | 0:24:33 | 0:24:36 | |
140, 150, 160, 170, 180... | 0:24:36 | 0:24:40 | |
-at 180 I am out. At 180 commissions are finished at £180. -Oh, crikey. | 0:24:40 | 0:24:43 | |
It's in the room now, 180 and selling. | 0:24:43 | 0:24:45 | |
£180, that is fantastic. | 0:24:45 | 0:24:49 | |
-Yeah, yeah! -For something you don't like. -Brilliant! | 0:24:49 | 0:24:52 | |
Isobel is rightly pleased and whether it was bought by someone | 0:24:52 | 0:24:56 | |
who recognised the artist or because it's a fine contemporary picture, | 0:24:56 | 0:25:00 | |
the theatre fund is benefiting. | 0:25:00 | 0:25:02 | |
And speaking of our £400 target, just how close have we got to it? | 0:25:02 | 0:25:07 | |
I'm pleased to tell you you've actually made £627. | 0:25:07 | 0:25:10 | |
-Wow. -Wow! That's brilliant. | 0:25:10 | 0:25:12 | |
-I think it's superb, considering the bowl didn't sell, nor did the theatre. -Or the dinner service. | 0:25:12 | 0:25:17 | |
There's three big items that didn't sell and you've still made that much money. | 0:25:17 | 0:25:21 | |
That's brilliant, that's our night out sorted. | 0:25:21 | 0:25:23 | |
A balmy evening in London town, what better place for a special family night out? | 0:25:29 | 0:25:33 | |
There's the Houses of Parliament and Big Ben. | 0:25:33 | 0:25:37 | |
-London Eye. -Cleopatra's Needle. | 0:25:37 | 0:25:39 | |
There's lots to see from this bridge, isn't there? | 0:25:39 | 0:25:42 | |
The Greens are making the most of their time to cram in some sights. | 0:25:42 | 0:25:45 | |
And then over there, that's St Martin-in-the-Fields. | 0:25:45 | 0:25:49 | |
Do you wanna swim...wanna swim? | 0:25:49 | 0:25:52 | |
We're looking around Trafalgar Square, and various things to see, | 0:25:52 | 0:25:55 | |
and then we'll have something to eat. | 0:25:55 | 0:25:58 | |
Then we're going to the theatre to see The Woman In Black, which James is studying for his ASs | 0:25:58 | 0:26:03 | |
so it'll be really useful for him to actually see the play on stage. | 0:26:03 | 0:26:07 | |
-James in particular is looking forward to the show. -Can't wait to see the play. | 0:26:08 | 0:26:12 | |
I've been looking forward to it for ages, and maybe I'll pick up some tips for later in my career. | 0:26:12 | 0:26:17 | |
This play is a classic ghost story and the family are bound to get a thrill or two. | 0:26:17 | 0:26:23 | |
We've got the tickets, the show's going to be great but scary. | 0:26:23 | 0:26:27 | |
So we're all going to go in and enjoy ourselves, and all thanks to Cash In The Attic. | 0:26:27 | 0:26:31 | |
If you've got a project in mind you'd like to raise some funds for | 0:26:35 | 0:26:38 | |
by selling your antiques and collectibles at auction, | 0:26:38 | 0:26:41 | |
why not get in touch with Cash In The Attic? | 0:26:41 | 0:26:43 | |
You'll find more details and an application form | 0:26:43 | 0:26:46 | |
at our website. | 0:26:46 | 0:26:49 | |
See you next time. | 0:26:49 | 0:26:50 | |
Subtitles by Red Bee Media Limited | 0:27:04 | 0:27:07 | |
E-mail [email protected] | 0:27:07 | 0:27:10 |