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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
We find hidden treasures around your home to sell at auction. | 0:00:03 | 0:00:06 | |
I wish I could say that this was my home. | 0:00:06 | 0:00:09 | |
I'm in Berkshire. And to get a taste of the area, | 0:00:09 | 0:00:12 | |
I stopped off at one of its most celebrated landmarks, | 0:00:12 | 0:00:15 | |
the magnificent Basildon Park. | 0:00:15 | 0:00:18 | |
Set in over 400 acres of park land overlooking the River Thames, | 0:00:18 | 0:00:22 | |
this 18th-century Palladian mansion has had a turbulent past. | 0:00:22 | 0:00:26 | |
Built for a wealthy director of the East India Trading Company in 1776, | 0:00:26 | 0:00:30 | |
it was later used as a military convalescent home in the Great War. | 0:00:30 | 0:00:34 | |
It then fell into disrepair. | 0:00:34 | 0:00:37 | |
In 1952, it was saved from total dilapidation | 0:00:37 | 0:00:40 | |
by Lord and Lady Iliffe. Their descendants own it today. | 0:00:40 | 0:00:44 | |
This idyllic mansion has provided the backdrop | 0:00:44 | 0:00:47 | |
for romantic blockbusters like Pride And Prejudice. | 0:00:47 | 0:00:50 | |
Sadly, though, I can't see Darcy anywhere coming to sweep me off my feet | 0:00:50 | 0:00:55 | |
and I've got a busy day ahead tracking down all those treasures so I'll be on my way. | 0:00:55 | 0:01:00 | |
Coming up on today's Cash In The Attic: | 0:01:20 | 0:01:23 | |
our expert feels as if he's struck gold. | 0:01:23 | 0:01:26 | |
This is like unearthing buried treasure! | 0:01:26 | 0:01:29 | |
For me, this is a real wow factor. | 0:01:29 | 0:01:31 | |
But I'm not sure he's taking all the antiques so seriously. | 0:01:32 | 0:01:35 | |
I am a robot. I am up for the auction sale. Sell me, please! | 0:01:35 | 0:01:39 | |
And despite difficult moments on auction day... | 0:01:39 | 0:01:43 | |
We really needed that for your total. | 0:01:43 | 0:01:46 | |
..some lots proved to be real high fliers. | 0:01:46 | 0:01:50 | |
Will we be successful when the final hammer falls? | 0:01:53 | 0:01:56 | |
I've come down to earth now and down the road to Reading | 0:01:57 | 0:02:01 | |
to meet a couple for whom romance really is in the air. | 0:02:01 | 0:02:04 | |
But they need a bit of help from the Cash In The Attic team. | 0:02:04 | 0:02:07 | |
This 1980s house is home to Keith Yaksley. | 0:02:07 | 0:02:10 | |
He's one of life's compulsive collectors, but his wife, Ayesha, isn't so keen. | 0:02:10 | 0:02:16 | |
She'd like to clear the decks! | 0:02:16 | 0:02:18 | |
Ayesha is French and came to England from Paris eight years ago. | 0:02:18 | 0:02:21 | |
She only planned to stay a year, | 0:02:21 | 0:02:23 | |
but she met Keith, and the rest, as they say, is history! | 0:02:23 | 0:02:27 | |
-Hi, Jennie, how are you? -We are on a romantic mission today! | 0:02:27 | 0:02:31 | |
Romantic mission? I'm not much of a Cupid, but I know my collectibles! | 0:02:31 | 0:02:35 | |
Good, because these guys have passion not just for each other, but for collecting things! | 0:02:35 | 0:02:41 | |
Here we go! | 0:02:41 | 0:02:42 | |
This is what I like to see, my family hard at work. | 0:02:42 | 0:02:46 | |
-Hi. Keith, Ayesha. -Nice to meet you! | 0:02:46 | 0:02:50 | |
You're a passionate collector, I hear. | 0:02:50 | 0:02:52 | |
I could be into golf or hang-gliding, but collecting is my thing. | 0:02:52 | 0:02:57 | |
Have you got lots of things for us to find? | 0:02:57 | 0:02:59 | |
I hope so. It's down to your expert and a good rummage! | 0:02:59 | 0:03:02 | |
-Who was it that called us in? -I did, actually. | 0:03:02 | 0:03:05 | |
-Did you? -Yes, I did. | 0:03:05 | 0:03:07 | |
Basically, we've been collecting lots over the last few years | 0:03:07 | 0:03:12 | |
and the house is getting smaller and smaller by the day | 0:03:12 | 0:03:15 | |
so we have to de-clutter. | 0:03:15 | 0:03:17 | |
-What do you want the money for? -We got married in Paris in June | 0:03:17 | 0:03:20 | |
and I think we need a honeymoon! | 0:03:20 | 0:03:24 | |
-A honeymoon? -Indeed! -I heard it was going to be romantic! I love it, I do! | 0:03:24 | 0:03:29 | |
Where do you think you'd like to go? | 0:03:29 | 0:03:31 | |
It's down to what you can find, Jennie. | 0:03:31 | 0:03:33 | |
It's Bournemouth or Barbados, depending on how much we raise! | 0:03:33 | 0:03:37 | |
Which would you prefer? | 0:03:37 | 0:03:39 | |
I'd prefer, as much as Bournemouth's a lovely place, | 0:03:39 | 0:03:42 | |
I'd prefer the sun and the sand. | 0:03:42 | 0:03:43 | |
How much money to find your way to that honeymoon? | 0:03:43 | 0:03:46 | |
£1,000. | 0:03:46 | 0:03:48 | |
We'll go for £1,000 to get you on your way. | 0:03:48 | 0:03:51 | |
-It'll take us to the airport, to say the least! -It should do! | 0:03:51 | 0:03:54 | |
-Let's have a look around. -After you. | 0:03:54 | 0:03:58 | |
It doesn't take long to see that Ayesha's right. | 0:03:58 | 0:04:01 | |
The whole house is crammed inside and out with all sorts, | 0:04:01 | 0:04:04 | |
both old and new. | 0:04:04 | 0:04:06 | |
Woo-hoo! Jonty! | 0:04:06 | 0:04:09 | |
Wow! | 0:04:09 | 0:04:10 | |
-That is beautiful! -But it's in rather ropey condition. | 0:04:10 | 0:04:14 | |
-Where did you get it? -It came out of a skip. | 0:04:14 | 0:04:17 | |
-That's probably why. -Here's the maker's name at the front here. | 0:04:17 | 0:04:21 | |
The American Music Instrument Company, based in Michigan, USA. | 0:04:21 | 0:04:26 | |
This is the Lyric, the model. | 0:04:26 | 0:04:29 | |
This particular model is pre-1962 | 0:04:29 | 0:04:32 | |
because after that date, they brought out a very successful model | 0:04:32 | 0:04:37 | |
called the Continental One. | 0:04:37 | 0:04:38 | |
So it has that more 1950s feel, | 0:04:38 | 0:04:42 | |
rather than the '60s. The jukebox | 0:04:42 | 0:04:44 | |
is a classic, 20th-century iconic machine | 0:04:44 | 0:04:48 | |
and that is the reason people want to possess one. | 0:04:48 | 0:04:51 | |
The word "juke" is an Afro-American slang word for dance, | 0:04:51 | 0:04:57 | |
spelt J-O-O-K. | 0:04:57 | 0:04:59 | |
They called it the golden age, the 1940s, | 0:04:59 | 0:05:01 | |
because they used gold and plastic, predominantly gold and plastic. | 0:05:01 | 0:05:06 | |
The silver age is the 1950s because of the chrome they used. | 0:05:06 | 0:05:11 | |
So this machine is more influenced from the '50s | 0:05:11 | 0:05:14 | |
rather than the '60s. Is it for sale? | 0:05:14 | 0:05:17 | |
-It's time to find a new home for it. -How much did you pay for it? | 0:05:17 | 0:05:21 | |
It wasn't a snip from a skip, sadly, cos they did know it was an interest. | 0:05:21 | 0:05:25 | |
So I paid about £150 for it. | 0:05:25 | 0:05:28 | |
-We can get your money back. We're looking £150, £250. -Fine. -That's a real bargain. | 0:05:28 | 0:05:34 | |
It's a very good start. At least £150 for our kitty. | 0:05:34 | 0:05:37 | |
Let's go look for something else. Come on! | 0:05:37 | 0:05:41 | |
So, it's down to business, and boy, is there a lot to do! | 0:05:41 | 0:05:45 | |
Keith has found another mid-century modern delight. | 0:05:45 | 0:05:49 | |
Some of us remember the '70s, but to others, this lamp is a marvellous retro masterpiece | 0:05:49 | 0:05:54 | |
which might fetch 30 to £50. | 0:05:54 | 0:05:57 | |
And while we're in the decade that brought us bell-bottoms and platforms, | 0:05:57 | 0:06:02 | |
Ayesha has found another chrome and glass statement piece. | 0:06:02 | 0:06:06 | |
Ayesha, what do you think about this coffee table? | 0:06:06 | 0:06:09 | |
-I want to sell. I don't want it any more. -Do you like it? | 0:06:09 | 0:06:12 | |
No. I like the feet, | 0:06:12 | 0:06:14 | |
because of the circles. It looks like circles on planets. | 0:06:14 | 0:06:17 | |
But the glass, no, | 0:06:17 | 0:06:20 | |
because glass gathers dust and it's a pain to clean. | 0:06:20 | 0:06:23 | |
I notice we've got a smoked-glass top here. | 0:06:23 | 0:06:26 | |
This was very fashionable in the '60s and '70s, particularly. | 0:06:26 | 0:06:29 | |
Smoked glass was very cool. | 0:06:29 | 0:06:31 | |
Along with chrome, it was a revival from the 1930s when chrome was first used. | 0:06:31 | 0:06:37 | |
The interesting part about a table like this | 0:06:37 | 0:06:40 | |
is that when this was bought, it was the height of fashion. | 0:06:40 | 0:06:43 | |
But it then would have gone out of fashion | 0:06:43 | 0:06:47 | |
and in relatively recent times, this table has now come back into fashion. | 0:06:47 | 0:06:52 | |
This look, this chrome, sleek, simple look is very much in. | 0:06:52 | 0:06:57 | |
-Yes. -Have I persuaded you to keep this or not? | 0:06:57 | 0:06:59 | |
No, still not. | 0:06:59 | 0:07:02 | |
You definitely... You definitely want to sell it. | 0:07:02 | 0:07:05 | |
-Definitely. -OK, fine. What sort of price would you put on this? | 0:07:05 | 0:07:10 | |
-Approximately £30. -I think we should do more than that. | 0:07:10 | 0:07:13 | |
-We're looking at more like 50 to £80. -That would be fine. | 0:07:13 | 0:07:16 | |
Will you tell Keith, or just let it disappear? | 0:07:16 | 0:07:19 | |
Surprise him by the auction. | 0:07:19 | 0:07:21 | |
-On the auction. -All right! | 0:07:21 | 0:07:22 | |
-We'll just let it go! -Yes! | 0:07:22 | 0:07:25 | |
Fantastic. One for the auction. It's all adding up. Carry on searching. | 0:07:25 | 0:07:29 | |
OK! | 0:07:29 | 0:07:30 | |
I think we're beginning to see a bit of a pattern here. | 0:07:33 | 0:07:35 | |
This Studio pottery that Keith's mum bought him some years back | 0:07:35 | 0:07:39 | |
has a rather fish-like face that might make a splash at 50 to £100. | 0:07:39 | 0:07:44 | |
And as Jonty keeps the cogs turning, | 0:07:45 | 0:07:47 | |
I'm eager to find out more about Keith and his collections. | 0:07:47 | 0:07:51 | |
Keith, before I came here, | 0:07:53 | 0:07:55 | |
I was told that you had quite a lot of stuff. | 0:07:55 | 0:07:57 | |
I must say, every nook and cranny is crammed with it. It's extraordinary! | 0:07:57 | 0:08:01 | |
When did it all start? | 0:08:01 | 0:08:04 | |
The passion started originally with collecting Clarice Cliff. | 0:08:04 | 0:08:07 | |
-How old were you then? -Before university. Probably 16, something like that. | 0:08:07 | 0:08:13 | |
Most 16-year-olds, when I was that age, | 0:08:13 | 0:08:15 | |
had other things to do apart from collecting antiques! | 0:08:15 | 0:08:19 | |
I could multi-task! I wasn't a sad person who sat in a room. I had other interests. | 0:08:19 | 0:08:26 | |
-Tell me what things you collect now. -Watches, lighters, | 0:08:26 | 0:08:31 | |
I'd call it kissing frogs, I suppose. | 0:08:31 | 0:08:33 | |
You never know when you'll meet your prince! | 0:08:33 | 0:08:35 | |
-Have you met your prince? -My princess! | 0:08:35 | 0:08:39 | |
Rather than getting up at six on a Sunday to play golf, | 0:08:39 | 0:08:43 | |
I get up at six on a Sunday to go to boot fairs. | 0:08:43 | 0:08:46 | |
What does Ayesha think about it? | 0:08:46 | 0:08:49 | |
She's nearly as bad as me! | 0:08:49 | 0:08:50 | |
Recently we've been trying to buy things more to sell. | 0:08:50 | 0:08:53 | |
And I bring stuff back | 0:08:53 | 0:08:55 | |
and if she gets to see it, | 0:08:55 | 0:08:57 | |
it's "No, you can't sell that. I love it! I want to keep it!" | 0:08:57 | 0:09:02 | |
So, in a sense, over time, we've grown to be a bit the same. | 0:09:02 | 0:09:07 | |
The answer, I have the solution. | 0:09:07 | 0:09:09 | |
-Buy a bigger house! -I thought you were gonna say, "Get another girlfriend"! | 0:09:09 | 0:09:13 | |
-That's a bit unfair! -Wrong! Either you get another house, | 0:09:13 | 0:09:17 | |
or we have to get on with the rummaging. | 0:09:17 | 0:09:20 | |
We can't sit here all day. Where next, eh? | 0:09:20 | 0:09:23 | |
Looks as if Ayesha might have the answer to that question. | 0:09:23 | 0:09:26 | |
This autographed portrait is of American-born actress Constance Cummings | 0:09:26 | 0:09:30 | |
who starred in the film Blithe Spirit, | 0:09:30 | 0:09:32 | |
an adaptation of Noel Coward's play. | 0:09:32 | 0:09:35 | |
We're hoping a fan will snap this up at auction | 0:09:35 | 0:09:38 | |
at around 30 to £50. | 0:09:38 | 0:09:40 | |
In the bedroom, we're so busy staring at the walls, | 0:09:41 | 0:09:44 | |
we nearly miss what's right under our noses - or under our feet! | 0:09:44 | 0:09:49 | |
Keith, what about this rug? Is it something you'd consider selling? | 0:09:49 | 0:09:53 | |
It's a fairly recent acquisition. I haven't had time to fall in love with it! | 0:09:53 | 0:09:57 | |
We had to take a rug up to put a rug down | 0:09:57 | 0:10:01 | |
-so it's possibly something I'd consider selling. -What do you know about it? | 0:10:01 | 0:10:05 | |
I bought it from a local chap who told me it had come out of one of the grace-and-favour homes | 0:10:05 | 0:10:10 | |
in Windsor Castle. So a fairly good pedigree. | 0:10:10 | 0:10:14 | |
I believe it's Turkish, from the little I know about rugs. | 0:10:14 | 0:10:17 | |
I do believe it is actually quite old | 0:10:17 | 0:10:20 | |
in comparison to some that I have bought and have been told are reasonably old. | 0:10:20 | 0:10:24 | |
That's all I know. | 0:10:24 | 0:10:25 | |
You're absolutely right. It is a Turkey carpet. | 0:10:25 | 0:10:28 | |
You can tell that by the stylised design of it. | 0:10:28 | 0:10:31 | |
You almost have the sense that it's geometric. | 0:10:31 | 0:10:35 | |
If you look at the floral designs, they're all square. | 0:10:35 | 0:10:38 | |
If you look at this stylised form, what is this? | 0:10:38 | 0:10:41 | |
Is it a stylised tree, is it a dagger? One is not quite sure, | 0:10:41 | 0:10:45 | |
simply because it's so stylised. | 0:10:45 | 0:10:47 | |
Look at what must be plant formation beside it here. | 0:10:47 | 0:10:51 | |
Look at this. It's all very, very square. | 0:10:51 | 0:10:54 | |
You are looking at a wool rug, wool on wool. Everything about this is wool. | 0:10:54 | 0:10:59 | |
Again, the softness of wool, you can tell whether it's come from a live sheep or a dead sheep. | 0:10:59 | 0:11:07 | |
If you've got wool from a dead sheep, it loses all its natural oils. | 0:11:07 | 0:11:12 | |
If it comes from a live sheep, you can feel the difference, | 0:11:12 | 0:11:16 | |
quite considerably. | 0:11:16 | 0:11:19 | |
The most important thing for me is its condition. | 0:11:19 | 0:11:22 | |
The colour. There's a uniform colour that still runs through this. | 0:11:22 | 0:11:25 | |
You do get natural fading happening. | 0:11:25 | 0:11:28 | |
But that is much more... It lasts longer with natural dyes. | 0:11:28 | 0:11:33 | |
If you've got synthetic dyes exposed to light, they can fade almost overnight. | 0:11:33 | 0:11:38 | |
If I put this into an auction sale, | 0:11:38 | 0:11:41 | |
-I would value a rug like this between 150 to £250. -OK. | 0:11:41 | 0:11:47 | |
-In the auction sale. -Right. | 0:11:47 | 0:11:50 | |
-Are you happy to magic this off to the auction? -Absolutely. I'll fly there myself! | 0:11:50 | 0:11:54 | |
Great. One for the sale. | 0:11:54 | 0:11:57 | |
He knows the market. That's the important thing. | 0:11:57 | 0:11:59 | |
I don't. I know that I like Turkish rugs. | 0:11:59 | 0:12:03 | |
I know what I've paid for some. | 0:12:03 | 0:12:06 | |
But if the trend has moved on and these rugs aren't popular any more, | 0:12:06 | 0:12:10 | |
you do need more people to want to buy something. | 0:12:10 | 0:12:13 | |
So you can only sell it at a market rate | 0:12:13 | 0:12:17 | |
so I have to go with the expert's advice. | 0:12:17 | 0:12:20 | |
And said expert is having a grand old time. | 0:12:20 | 0:12:24 | |
I'm enjoying this rummage as well. It seems Keith is a very well-read chap. | 0:12:24 | 0:12:29 | |
-What have you found? -They're so wonderful. A lot of old books. | 0:12:31 | 0:12:35 | |
-These are gorgeous. -And what have we got... | 0:12:35 | 0:12:38 | |
A whole volume. A whole set here. | 0:12:38 | 0:12:40 | |
The Arthur Evans' The Palace of Minos at Knossos. | 0:12:40 | 0:12:43 | |
It was released in six or seven volumes some years ago | 0:12:43 | 0:12:47 | |
when he excavated the palace of Minos on Crete. | 0:12:47 | 0:12:51 | |
-Yes. -And they released each volume as he dug and found more things. | 0:12:51 | 0:12:57 | |
He wasn't the one who discovered it, but he was the one who did this massive survey, | 0:12:57 | 0:13:03 | |
really over 30 years. | 0:13:03 | 0:13:05 | |
-How many have we got here? -There should be a seventh volume. | 0:13:05 | 0:13:09 | |
-Were you aware that there was one missing? -The index. -Yes. | 0:13:09 | 0:13:13 | |
-Sadly, I don't have that. -The reason why this is a rare collection, | 0:13:13 | 0:13:17 | |
is that people got bored of collecting them. | 0:13:17 | 0:13:21 | |
They were issued over such a long period of time. | 0:13:21 | 0:13:24 | |
So we started at the beginning of the century | 0:13:24 | 0:13:27 | |
but it went all the way up to the early 1930s. | 0:13:27 | 0:13:29 | |
Have you read any of these? | 0:13:29 | 0:13:32 | |
I'd love to say I've read all six volumes cover to cover | 0:13:32 | 0:13:35 | |
but there are pages that haven't even been turned! | 0:13:35 | 0:13:38 | |
The books are highly illustrated. If we look at this one, for instance. | 0:13:38 | 0:13:43 | |
-Gorgeous. -Can you see? -Yes, that is! | 0:13:43 | 0:13:46 | |
All those lovely, fantastic, those natural colours are wonderful. | 0:13:46 | 0:13:51 | |
Sounds fantastic. I assume they're first editions? | 0:13:51 | 0:13:54 | |
They are first editions. You can see that clearly if I turn the page on this book here. | 0:13:54 | 0:13:59 | |
This one here. | 0:13:59 | 0:14:00 | |
1930. They're wonderful. | 0:14:00 | 0:14:03 | |
-How long have you had this? -Probably 20 years. Time flies, | 0:14:03 | 0:14:08 | |
-but at least 20 years. -20 years. And how much did you pay? | 0:14:08 | 0:14:11 | |
The most I've ever paid for books - about £350. | 0:14:11 | 0:14:16 | |
I'm convinced they're worth an awful lot more than that. Absolutely convinced. | 0:14:16 | 0:14:20 | |
What I need to do is find out if sets like this have been sold on the open market. | 0:14:20 | 0:14:26 | |
-I'm hoping I can come back with some good news on the day of the auction. -Sound good! | 0:14:26 | 0:14:31 | |
This is really exciting news. Really exciting news. | 0:14:31 | 0:14:34 | |
Like uncovering buried treasure! | 0:14:34 | 0:14:36 | |
-Happy about that? -Yes! -He's very happy! | 0:14:36 | 0:14:39 | |
He's very excited. He doesn't get this excited! It's brilliant! | 0:14:39 | 0:14:43 | |
He's so excited, he can't wait to find out what's lurking elsewhere. | 0:14:44 | 0:14:48 | |
This piece of 1970s Poole pottery could dazzle a collector | 0:14:48 | 0:14:52 | |
at between 80 and £140. | 0:14:52 | 0:14:55 | |
We're making great progress here, so I take the time to find out more about the newly-weds. | 0:14:55 | 0:15:00 | |
What's it like, living with a man like that, who's always collecting things? | 0:15:02 | 0:15:07 | |
-Exciting, actually. -Exciting? -First time she's said that, but it's good! | 0:15:07 | 0:15:11 | |
Does it get on your nerves when he comes back with stuff every day? | 0:15:11 | 0:15:16 | |
At first, but now I'm used to it! | 0:15:16 | 0:15:17 | |
You've already had part one of your wedding. What's gonna happen next? | 0:15:17 | 0:15:22 | |
We have to do the legal thing in the UK, so a civil ceremony in the UK. | 0:15:22 | 0:15:28 | |
How did you two meet? | 0:15:28 | 0:15:30 | |
In the pub I first came in when I started working in England. | 0:15:30 | 0:15:33 | |
There was a big party the owner of the pub did | 0:15:33 | 0:15:37 | |
for his regular customers and friends. | 0:15:37 | 0:15:40 | |
It was going on from lunch time till late at night. | 0:15:40 | 0:15:44 | |
He was a bit merry and I was in the same state | 0:15:44 | 0:15:48 | |
and he asked me if I would like to marry him. | 0:15:48 | 0:15:51 | |
I said to him, "If one of my rings fits one of your fingers, yes." | 0:15:51 | 0:15:56 | |
Let me get this straight. You're in a pub. You're working, he comes in. | 0:15:56 | 0:16:00 | |
You have a few drinks, he pops the question | 0:16:00 | 0:16:03 | |
and you say if your ring fits, you'll marry him! | 0:16:03 | 0:16:06 | |
You'd known each other a few hours! | 0:16:06 | 0:16:08 | |
-Oh, no, we'd seen each other across a crowded room. -I see. | 0:16:08 | 0:16:12 | |
He was the shy type. Always hiding behind his newspaper! | 0:16:12 | 0:16:17 | |
Sometimes he answered me back, sometimes he avoided me completely. | 0:16:17 | 0:16:21 | |
-It's still pretty quick work, I would say. -Yeah! | 0:16:21 | 0:16:24 | |
I couldn't help but notice, Keith, when I came in, | 0:16:24 | 0:16:27 | |
that your voice was quite husky. | 0:16:27 | 0:16:30 | |
I thought you had a sore throat. But you've been suffering from cancer. | 0:16:30 | 0:16:34 | |
-That's right, yes. -Pretty devastating. | 0:16:34 | 0:16:37 | |
You'd think so, yes. Of course, it's very serious. | 0:16:37 | 0:16:40 | |
But it's like if somebody breaks an arm, you get it fixed. | 0:16:40 | 0:16:44 | |
If somebody has a cold, it goes away. | 0:16:44 | 0:16:46 | |
I try to treat it as if it were something else. | 0:16:46 | 0:16:49 | |
I went for it that way | 0:16:49 | 0:16:52 | |
and mercifully it seems that the treatment's pretty well there. | 0:16:52 | 0:16:56 | |
The treatment I had has left me with a funny throat | 0:16:56 | 0:17:00 | |
especially when I do too much talking as I've done today! | 0:17:00 | 0:17:03 | |
What was it like? It must have been tough. | 0:17:03 | 0:17:05 | |
It was very hard because he's very close to me. | 0:17:05 | 0:17:08 | |
But because in my family my sister has suffered already from cancer when she was little, | 0:17:08 | 0:17:13 | |
so the idea of it didn't scare me as much as I thought it was gonna scare me. | 0:17:13 | 0:17:20 | |
I suppose now that you seem to have beaten cancer, | 0:17:20 | 0:17:24 | |
-that will make the honeymoon all the more special. -Absolutely! | 0:17:24 | 0:17:27 | |
And where you'd like to go is the Caribbean, really. | 0:17:27 | 0:17:31 | |
Somewhere nice and warm, a nice beach. We've never had a holiday for seven years, so it's time! | 0:17:31 | 0:17:37 | |
We're not gonna get you on that honeymoon unless we get back and help Jonty. | 0:17:37 | 0:17:41 | |
He'll be wondering where we've got to! | 0:17:41 | 0:17:44 | |
He's like a kid in a sweet shop in this rummage! | 0:17:44 | 0:17:47 | |
And he's found a real gobstopper! | 0:17:47 | 0:17:50 | |
This pair of books | 0:17:50 | 0:17:52 | |
featuring original artwork of The Perishers by Dennis Collins could raise £50. | 0:17:52 | 0:17:57 | |
But that's not the only show-stopper in this house. | 0:17:57 | 0:18:00 | |
Jonty, this might be interesting. | 0:18:01 | 0:18:03 | |
What on earth is that? | 0:18:03 | 0:18:05 | |
Well, I can see. Can I have a look? | 0:18:05 | 0:18:08 | |
Now, what on earth are you doing with a massive toy like that in your house, for goodness' sake? | 0:18:10 | 0:18:16 | |
Well, it was on my birthday and I bought it for myself as a present | 0:18:16 | 0:18:20 | |
for Ayesha to give to me! | 0:18:20 | 0:18:22 | |
So he obviously moves? | 0:18:22 | 0:18:24 | |
He's quite clever, actually, | 0:18:24 | 0:18:26 | |
especially if somebody's had a few! | 0:18:26 | 0:18:29 | |
If you'd like to try talking into it there. | 0:18:29 | 0:18:32 | |
SIREN SOUNDS I've got the wrong one. | 0:18:32 | 0:18:35 | |
ROBOTIC VOICE: I am a robot. I am off to the auction sale. | 0:18:35 | 0:18:39 | |
Sell me, please! Find my a buyer! Raise lots of money at the auction. | 0:18:39 | 0:18:44 | |
It's wonderful! It goes backwards and forwards? | 0:18:44 | 0:18:47 | |
This is interesting. I'm gonna turn you off for a second. | 0:18:58 | 0:19:01 | |
-What's he doing now? -He doesn't like to be turned off! -He doesn't! | 0:19:01 | 0:19:05 | |
Poor old robot! You see this, | 0:19:05 | 0:19:08 | |
it says, "GP Toys. Italy." | 0:19:08 | 0:19:10 | |
Giochi Preziosi, which is an Italian company, | 0:19:10 | 0:19:15 | |
established in 1978. | 0:19:15 | 0:19:17 | |
So he can't be '70s. He has to be 1980s. | 0:19:17 | 0:19:20 | |
We've got the name here, "Scooter 2000". | 0:19:20 | 0:19:23 | |
Do you know if he came in different colourways? | 0:19:23 | 0:19:26 | |
I have seen a more common one, which is a creamy-white colour. | 0:19:26 | 0:19:31 | |
Yellow-white, with different facial features as well. | 0:19:31 | 0:19:34 | |
But he looks the part more because he's more robot-like. | 0:19:34 | 0:19:37 | |
It's interesting, the name "robot" came from a play, | 0:19:37 | 0:19:42 | |
a Czech play in the 1920s. | 0:19:42 | 0:19:44 | |
In the play, they had figures that were robot-like. | 0:19:44 | 0:19:47 | |
Because the word "robota" basically means "labour", it means "hard work". | 0:19:47 | 0:19:55 | |
These characters were called robots within the play. | 0:19:55 | 0:19:58 | |
So it was a play on words, essentially. | 0:19:58 | 0:20:01 | |
So it's these human figures that did all the labour. | 0:20:01 | 0:20:04 | |
And the name has stuck ever since. | 0:20:04 | 0:20:06 | |
So the name is not American, it's not Japanese, | 0:20:06 | 0:20:11 | |
where a lot of robots were made in the 1950s, | 0:20:11 | 0:20:14 | |
but Czech, which I find quite extraordinary. | 0:20:14 | 0:20:17 | |
-Not a lot of people know that! -Not a lot of people know that! | 0:20:17 | 0:20:21 | |
Now, the big 64-million-dollar question is, are you happy to part with your friend? | 0:20:21 | 0:20:26 | |
I think he wants to go on a journey! | 0:20:26 | 0:20:29 | |
He can go to the auction, definitely. | 0:20:29 | 0:20:32 | |
-Do you remember what you paid for him? -It was a present. How could I know? | 0:20:32 | 0:20:36 | |
-It was £20. -About £20. | 0:20:36 | 0:20:38 | |
I think on a good day, we could double that. | 0:20:38 | 0:20:42 | |
-Good stuff. -Definitely one for the auction sale? | 0:20:42 | 0:20:45 | |
-Definitely. -I want to play now. What do we do here? | 0:20:45 | 0:20:49 | |
ELECTRONIC BEEPING | 0:20:49 | 0:20:52 | |
It was great fun while it lasted. It should give others some fun. | 0:20:52 | 0:20:56 | |
We have a couple of other robots tucked away | 0:20:56 | 0:20:59 | |
so if I get lonely for Scooter, I'll go and talk to one of the other ones! | 0:20:59 | 0:21:04 | |
Time to get our noses back to the grindstone | 0:21:04 | 0:21:07 | |
if we're going to get £1,000 for Keith and Ayesha's honeymoon. | 0:21:07 | 0:21:10 | |
And we take another step towards our target when they add this mixed lot of books to the auction haul. | 0:21:10 | 0:21:16 | |
They include a signed edition of "Familiar London" by Rose Barton | 0:21:16 | 0:21:20 | |
featuring paintings of the city in the early 1900s. | 0:21:20 | 0:21:23 | |
Jonty hopes they'll bring us 150 to £250. | 0:21:23 | 0:21:28 | |
In the bedroom, Ayesha's found another of Keith's collections. | 0:21:28 | 0:21:33 | |
How are we getting on? Look at that! | 0:21:33 | 0:21:36 | |
It's a collection of hundreds of watches. That's typical Keith. | 0:21:36 | 0:21:39 | |
-Yes. -He's not satisfied with one watch. He needs hundreds! | 0:21:39 | 0:21:43 | |
More than that, actually. Maybe 300! | 0:21:43 | 0:21:47 | |
-Could we sell any of these watches? -Yes. | 0:21:47 | 0:21:50 | |
That one I think, probably. | 0:21:50 | 0:21:52 | |
This one? Let's have a look. Bulova. | 0:21:52 | 0:21:54 | |
That's American. It's very popular in America. They're one of the big wrist-watch-makers. | 0:21:54 | 0:22:00 | |
In fact, they're were one of the pioneers in selling wrist watches, | 0:22:00 | 0:22:05 | |
because wrist watches became popular after the First World War. | 0:22:05 | 0:22:09 | |
Before then, it was all pocket watches. | 0:22:09 | 0:22:11 | |
But the practicality of wearing a time-piece on your wrist, if you were a soldier, | 0:22:11 | 0:22:16 | |
it made sense to have this on your wrist. | 0:22:16 | 0:22:19 | |
After that, it became a fashion statement. | 0:22:19 | 0:22:22 | |
So really, Bulova were the pioneers in America for this. | 0:22:22 | 0:22:25 | |
The story all started in 1865 in New York City | 0:22:25 | 0:22:29 | |
where an immigrant, by the name of Joseph Bulova, | 0:22:29 | 0:22:32 | |
opened his first jewellery store. | 0:22:32 | 0:22:35 | |
And the rest is history. | 0:22:35 | 0:22:38 | |
By 1919, they'd started their first range of wrist watches. | 0:22:38 | 0:22:42 | |
Now, this looks like gold. | 0:22:42 | 0:22:44 | |
Stylistically, if you look at that, | 0:22:44 | 0:22:46 | |
that's a bit like our jukebox. It has that 1960s feel to it. | 0:22:46 | 0:22:50 | |
Let's have a look on the back. | 0:22:50 | 0:22:52 | |
This is interesting. We've got an owner's name here. | 0:22:52 | 0:22:56 | |
It says James Boland. | 0:22:56 | 0:22:58 | |
And, more interesting still, | 0:22:58 | 0:23:00 | |
it's got the dates here of 1939 to '64. | 0:23:00 | 0:23:04 | |
So it was either a present or a leaving present. | 0:23:04 | 0:23:07 | |
Impressed on the back is even better news. | 0:23:07 | 0:23:10 | |
"14K". 14-carat gold. That's what we're looking at here. | 0:23:10 | 0:23:14 | |
That's really fantastic, really good, to see that. | 0:23:14 | 0:23:17 | |
Will Keith be happy to sell this? It's definitely... | 0:23:17 | 0:23:20 | |
We should never have left them alone! | 0:23:20 | 0:23:23 | |
Look at this, Jennie. A whole box full of watches. | 0:23:23 | 0:23:27 | |
It's not quite full! I can still get more in there. | 0:23:27 | 0:23:32 | |
-We found this lovely watch. -I'd hidden those! | 0:23:32 | 0:23:34 | |
Keith, can we sell this one? | 0:23:34 | 0:23:37 | |
The reason for the collection is to learn more about them and find out how they work. | 0:23:37 | 0:23:42 | |
That's a working watch, so it can definitely go. | 0:23:42 | 0:23:45 | |
This is worth between 80 and £120 at auction. | 0:23:45 | 0:23:48 | |
-Great. Good stuff. Excellent. -That's good. | 0:23:48 | 0:23:51 | |
That's a very nice end to our day's rummaging. | 0:23:51 | 0:23:54 | |
-We've finished. -Hoorah! | 0:23:54 | 0:23:56 | |
So 80 to 120 to add to our kitty. | 0:23:56 | 0:23:58 | |
That's great. That's what we need. We're after £1,000 to send you on that honeymoon. | 0:23:58 | 0:24:03 | |
At the end of our day's rummaging, | 0:24:03 | 0:24:06 | |
we're not going to take into account the Arthur Evans' rare collection. | 0:24:06 | 0:24:10 | |
Who knows what they might fetch. So without those books, | 0:24:10 | 0:24:13 | |
we reckon you will make at auction £860. | 0:24:13 | 0:24:18 | |
-That's good. Sounds great. -Nearly there without the books. | 0:24:18 | 0:24:22 | |
-All's well. See you at the auction. -Look forward to it. | 0:24:22 | 0:24:25 | |
I have to say I'm looking forward to seeing how Keith's items go. | 0:24:25 | 0:24:30 | |
There's certainly plenty of variety. | 0:24:30 | 0:24:32 | |
We have items like the hand-loomed Turkish rug | 0:24:32 | 0:24:36 | |
with its rich earthy hues. | 0:24:36 | 0:24:37 | |
Jonty's put an estimate of 150 to £250 on it. | 0:24:37 | 0:24:42 | |
And a robot to serve you drinks. | 0:24:42 | 0:24:44 | |
Not your usual antique! It could fetch 40 to £50. | 0:24:44 | 0:24:48 | |
And those first editions of The Palace of Minos at Knossos. | 0:24:48 | 0:24:51 | |
Jonty's got research to do, but if he's right and Keith brings them to the auction, | 0:24:51 | 0:24:56 | |
this honeymoon could turn out to be very plush indeed! | 0:24:56 | 0:25:01 | |
Still to come on Cash In The Attic: Nailbiting moments in the sale room. | 0:25:01 | 0:25:05 | |
They don't like it! | 0:25:05 | 0:25:07 | |
But we're feeling triumphant after some of the results. | 0:25:07 | 0:25:11 | |
That's great! | 0:25:11 | 0:25:13 | |
Will we have reached our target when the final hammer falls? | 0:25:13 | 0:25:17 | |
18. Thank you. | 0:25:17 | 0:25:20 | |
It's a few weeks now since we ransacked Keith and Ayesha's house | 0:25:20 | 0:25:24 | |
and what a treasure trove it turned out to be! | 0:25:24 | 0:25:27 | |
We've brought all the items we selected here | 0:25:27 | 0:25:29 | |
to Sworders Olivers Auction House at Sudbury in Suffolk. | 0:25:29 | 0:25:33 | |
Let's hope that by the end of the day we've raised that £1,000 | 0:25:33 | 0:25:37 | |
to get the wedding bells ringing! | 0:25:37 | 0:25:39 | |
Many of the items in the catalogue today are Victorian or Edwardian. | 0:25:41 | 0:25:45 | |
But Jonty has something that he hopes will bring the buyers into the 20th century. | 0:25:45 | 0:25:50 | |
-Hello! -You've found your twin! | 0:25:50 | 0:25:53 | |
-I like the idea of somebody arriving with champagne. -So do I! | 0:25:53 | 0:25:58 | |
-Good idea? -I'll have the champagne, you have the toy! | 0:25:58 | 0:26:01 | |
-It's lovely, actually. -Great fun. | 0:26:01 | 0:26:03 | |
Do you think this will sell? Is there a market for it? | 0:26:03 | 0:26:06 | |
Robots of this date, not necessarily so. | 0:26:06 | 0:26:09 | |
But tin robots from Japan, for instance, | 0:26:09 | 0:26:12 | |
from the 1950s, some rarer versions of those, can fetch huge sums of money. | 0:26:12 | 0:26:16 | |
But he'll be fine. No problem with him. | 0:26:16 | 0:26:19 | |
-I have an issue with the books, which I'll need to talk to Keith about. -Oh, no! | 0:26:19 | 0:26:24 | |
-I need to have a discussion before the auction takes place. -I can tell it won't be a happy discussion. | 0:26:24 | 0:26:30 | |
We've got some other great items as well. The jukebox. | 0:26:30 | 0:26:33 | |
That's true. OK. Let's go find them and break the news. | 0:26:33 | 0:26:37 | |
ROBOTIC VOICE: Sell me, please. Find me a new buyer! | 0:26:37 | 0:26:40 | |
Well, let's hope we find plenty of new buyers today. | 0:26:40 | 0:26:44 | |
Before everything gets going, we catch up with Keith and Ayesha and their jukebox. | 0:26:44 | 0:26:50 | |
-Good morning! -Hi, guys. -How are you? | 0:26:50 | 0:26:52 | |
-Taking a last look? -Absolutely, yes! | 0:26:52 | 0:26:55 | |
-It's a lovely piece. Do you think it'll sell? -I hope so. It depends who's in the room. | 0:26:55 | 0:27:00 | |
-I've seen people looking at it. -Good stuff! | 0:27:00 | 0:27:04 | |
I hope it goes well for you. | 0:27:04 | 0:27:06 | |
-Are you nervous? -No. | 0:27:06 | 0:27:07 | |
No? Good girl! Some people get very edgy before the auction. | 0:27:07 | 0:27:12 | |
-I don't. It's a nice day out. -A day out. Brilliant. | 0:27:12 | 0:27:16 | |
I've had a chat with the auctioneer about your lovely books. | 0:27:16 | 0:27:20 | |
And without the index, it's his hunch, in a general sale, | 0:27:20 | 0:27:24 | |
-that the estimate should be around the £1,000 mark. -Right. | 0:27:24 | 0:27:27 | |
I think it's a bit too low. I was hoping more like 1,500 | 0:27:27 | 0:27:31 | |
£2,000 for the set. | 0:27:31 | 0:27:33 | |
So it's my suggestion that you hold them back for a specialist sale. | 0:27:33 | 0:27:37 | |
I wondered what you thought about that before the auction starts. | 0:27:37 | 0:27:41 | |
We thought it might be a bit niche for a general sale, | 0:27:41 | 0:27:45 | |
so I think that's probably wise. | 0:27:45 | 0:27:47 | |
So we're gonna take those away, which is a big chunk out of our target. | 0:27:47 | 0:27:51 | |
That's a huge amount that's gone. You've got some nice pieces that'll sell. | 0:27:51 | 0:27:55 | |
We hope so. We just hope so. | 0:27:55 | 0:27:58 | |
-Time to face the music! -Oh! -Oh, Jonty! | 0:27:58 | 0:28:01 | |
Let's find a spot for the auction. | 0:28:01 | 0:28:03 | |
If you're planning to take the plunge and buy or sell at auction, | 0:28:03 | 0:28:07 | |
remember that commission and other charges may apply. | 0:28:07 | 0:28:10 | |
Check with the auction house. | 0:28:10 | 0:28:12 | |
Looking forward to the auction. Hope it goes well. | 0:28:12 | 0:28:15 | |
Hopefully make a lot of money for our holiday - our honeymoon! | 0:28:15 | 0:28:18 | |
I have put some reserves on things. We don't want things to go for nothing. | 0:28:18 | 0:28:23 | |
Hopefully, they'll go really well. | 0:28:23 | 0:28:26 | |
Morning, ladies and gentlemen. | 0:28:29 | 0:28:31 | |
As the auctioneer calls order, we take our place for the first lot. | 0:28:31 | 0:28:34 | |
It's the chrome and glass coffee table valued at 50 to £80. | 0:28:34 | 0:28:38 | |
This is your '70s chrome coffee table. | 0:28:38 | 0:28:41 | |
-That melts the lamps. -Yes! | 0:28:41 | 0:28:44 | |
I'm fearful we might not get up to the £50 mark on it, | 0:28:44 | 0:28:48 | |
but it's worth every penny of it. | 0:28:48 | 0:28:50 | |
-I don't think Suffolk is up to the '70s yet! -Oh, I don't know! | 0:28:50 | 0:28:54 | |
Several bids on the book here. | 0:28:54 | 0:28:56 | |
I'm going to start this at 45. | 0:28:56 | 0:28:59 | |
-See? -'45 I'm bid. At £45.' | 0:28:59 | 0:29:03 | |
At 45. 50. | 0:29:03 | 0:29:04 | |
Five. 55 with me. | 0:29:04 | 0:29:07 | |
-At £55. -That's good. | 0:29:07 | 0:29:09 | |
£55. At £55. | 0:29:09 | 0:29:12 | |
All finished and done at £55. | 0:29:12 | 0:29:16 | |
I'm selling at £55. | 0:29:16 | 0:29:19 | |
-That's better than I thought. -You didn't like it at all, did you? -No! | 0:29:19 | 0:29:23 | |
Ayesha may not like it, but someone did. | 0:29:23 | 0:29:27 | |
£5 over estimate is a great start | 0:29:27 | 0:29:29 | |
towards the honeymoon fund. | 0:29:29 | 0:29:31 | |
Our next item, the Poole vase, | 0:29:31 | 0:29:34 | |
is another '70s gem. | 0:29:34 | 0:29:37 | |
All finished and done at 80? | 0:29:37 | 0:29:39 | |
It's a good result for the vase. | 0:29:40 | 0:29:42 | |
However, like the Knossos books, | 0:29:42 | 0:29:45 | |
I'm not sure how our next lot will fare in a general sale. | 0:29:45 | 0:29:48 | |
I'm a bit concerned about your architectural books. | 0:29:48 | 0:29:52 | |
I'm not sure they're gonna find a specialist sale here. | 0:29:52 | 0:29:55 | |
We're in the same situation as the others. | 0:29:55 | 0:29:58 | |
-It's a bit too niche. -Yeah. | 0:29:58 | 0:30:00 | |
I like them, so I can always take them home again. | 0:30:00 | 0:30:03 | |
-They might sell. Let's see. -Let's think positively. | 0:30:03 | 0:30:06 | |
I'm starting these at 100. | 0:30:06 | 0:30:09 | |
-At £100. -Resounding silence! | 0:30:09 | 0:30:13 | |
At £100. 110. 120. | 0:30:13 | 0:30:16 | |
30. 40. | 0:30:16 | 0:30:18 | |
At £140. | 0:30:18 | 0:30:21 | |
All finished and done with 140? | 0:30:21 | 0:30:24 | |
-That was interesting, that. -There was some interest. | 0:30:25 | 0:30:28 | |
I'm quite pleased that there was some interest. | 0:30:28 | 0:30:31 | |
They're worth 140 quid, so that's good. | 0:30:31 | 0:30:35 | |
It's so close, but at £10 under Jonty's estimate, | 0:30:35 | 0:30:38 | |
the Rose Barton books go unsold. | 0:30:38 | 0:30:41 | |
I don't think Keith's disappointed, though. | 0:30:41 | 0:30:44 | |
I'm not unhappy about that. It was a bit specialist for a general auction. | 0:30:44 | 0:30:48 | |
The plan now is put some more books with them and go to a specialist auction. | 0:30:48 | 0:30:52 | |
Go round the circle again! | 0:30:52 | 0:30:55 | |
We're in an interesting position. Up until the books, our sales have been good. | 0:30:55 | 0:31:00 | |
But £140 is a lot to lose out on. | 0:31:00 | 0:31:03 | |
We're hoping for better things from our next lot. | 0:31:03 | 0:31:06 | |
Another '70s special. | 0:31:06 | 0:31:08 | |
Are the buyers here? | 0:31:08 | 0:31:10 | |
I'm starting this at 18. | 0:31:10 | 0:31:13 | |
£18. | 0:31:13 | 0:31:15 | |
-At £18. -No-one remembers the '70s! | 0:31:15 | 0:31:19 | |
-At £18. -They don't like it! | 0:31:19 | 0:31:21 | |
All finished and done at £18? | 0:31:21 | 0:31:24 | |
Anyone coming in at £18? | 0:31:24 | 0:31:26 | |
-I'll have to pass that over. -No bids. -Oh, dear! | 0:31:27 | 0:31:31 | |
-Will you put it up again? -It hasn't been up at all! I'll have to find a spot now! | 0:31:31 | 0:31:37 | |
The lightshade needed the right sort of collectors, and they weren't here today. | 0:31:37 | 0:31:42 | |
We're hoping our next item will have a broader appeal. | 0:31:42 | 0:31:46 | |
Do you think there are any Constance Cummings fans here, | 0:31:46 | 0:31:49 | |
cos we need them for your photo! | 0:31:49 | 0:31:51 | |
I hope so. Some film buffs, maybe. | 0:31:51 | 0:31:54 | |
-Autograph collectors. -£30. Part with £30. | 0:31:54 | 0:31:57 | |
Constance Cummings. But we need a "goings", rather than a "Cummings"! | 0:31:57 | 0:32:01 | |
Jonty! | 0:32:01 | 0:32:03 | |
I'm starting this at 18. | 0:32:03 | 0:32:05 | |
-At £18. -Someone. | 0:32:05 | 0:32:08 | |
22. | 0:32:08 | 0:32:09 | |
£22. At £22. | 0:32:09 | 0:32:11 | |
At £22. | 0:32:11 | 0:32:13 | |
All finished and done with that at £22? | 0:32:13 | 0:32:17 | |
Selling at £22. | 0:32:17 | 0:32:20 | |
£8 under the estimate. But Keith seems pleased with that result. | 0:32:21 | 0:32:25 | |
I'm happy the Constance Cummings photo sold. I hope that bodes well for the rest of the auction. | 0:32:25 | 0:32:31 | |
Perhaps our next lot will lift spirits even higher. | 0:32:31 | 0:32:34 | |
This is a lot of fun. | 0:32:35 | 0:32:37 | |
Our robot. I've seen a lot of people looking at it. | 0:32:37 | 0:32:41 | |
I gave it a fond farewell, too! | 0:32:41 | 0:32:43 | |
I caught him playing with it. He wants the champagne, though! | 0:32:43 | 0:32:47 | |
I'm starting this at 20. | 0:32:47 | 0:32:50 | |
£20. | 0:32:50 | 0:32:51 | |
Two. 25. 28. 30. | 0:32:51 | 0:32:54 | |
On the books with me at 30. | 0:32:54 | 0:32:56 | |
At £30. | 0:32:56 | 0:32:58 | |
32. On my right at 32. | 0:32:58 | 0:33:01 | |
-It's worth more than that. -At 32. 35 at the back. | 0:33:01 | 0:33:04 | |
35. 38. | 0:33:04 | 0:33:07 | |
40? 40 at the back. | 0:33:07 | 0:33:09 | |
42. | 0:33:09 | 0:33:11 | |
45. | 0:33:11 | 0:33:13 | |
-45. Right at the back at 45. -I like it even more now! | 0:33:13 | 0:33:17 | |
48. 50. | 0:33:17 | 0:33:19 | |
At £50. | 0:33:19 | 0:33:21 | |
-That's top estimate. -All finished and done at £50? | 0:33:21 | 0:33:25 | |
At £50. Selling at 50. | 0:33:27 | 0:33:30 | |
That's great. They have got a sense of humour! | 0:33:31 | 0:33:35 | |
£50 is a good result. | 0:33:36 | 0:33:38 | |
But that £1,000 target still looks a long way off. | 0:33:38 | 0:33:41 | |
How much have we raised so far? | 0:33:41 | 0:33:43 | |
How do you feel it's gone so far? | 0:33:43 | 0:33:45 | |
Curiously! | 0:33:45 | 0:33:47 | |
That's right! Never mind. We're at the half-way point now. | 0:33:47 | 0:33:51 | |
You want £1,000. Half-way we might hope to be at 500, but we're not. | 0:33:51 | 0:33:56 | |
We're at £207. | 0:33:56 | 0:33:59 | |
It's not too good, is it? | 0:33:59 | 0:34:01 | |
-But we've some good items to come. -The jukebox. | 0:34:01 | 0:34:04 | |
The jukebox, yeah. People have been looking at that. | 0:34:04 | 0:34:07 | |
I'm pretty confident about that. | 0:34:07 | 0:34:09 | |
OK. Much to come. | 0:34:09 | 0:34:12 | |
In the meantime, it's a while till they come up, | 0:34:12 | 0:34:14 | |
so let's go and have a break. | 0:34:14 | 0:34:16 | |
It's been a turbulent first half, | 0:34:17 | 0:34:19 | |
especially without our star lot, | 0:34:19 | 0:34:21 | |
Keith's vast volumes of The Palace of Minos at Knossos. | 0:34:21 | 0:34:25 | |
But this sale just isn't right for these precious books. | 0:34:25 | 0:34:28 | |
So, Arthur Evans has to go to a specialist sale. | 0:34:28 | 0:34:32 | |
It all makes sense, if you think about it. | 0:34:32 | 0:34:34 | |
General sales are great for getting rid of almost anything, | 0:34:34 | 0:34:38 | |
but when it comes to slightly higher value items, | 0:34:38 | 0:34:41 | |
maybe items that are in excess of a couple of thousand pounds, like our books, | 0:34:41 | 0:34:45 | |
then it is best to sometimes hold those back | 0:34:45 | 0:34:49 | |
for a specialist sale. | 0:34:49 | 0:34:50 | |
A collection of books like this | 0:34:50 | 0:34:52 | |
needs to go into a specialist book sale. | 0:34:52 | 0:34:55 | |
Then we have much more of a chance of attaining that £2,000 | 0:34:55 | 0:34:58 | |
which I hope this collection is worth. | 0:34:58 | 0:35:01 | |
What's different about a specialist sale? | 0:35:01 | 0:35:03 | |
With a specialist sale, and a lot of auctioneers across the country do have specialist sales, | 0:35:03 | 0:35:10 | |
is they hold all their higher value items for those sales. | 0:35:10 | 0:35:14 | |
There, the room will be concentrated full of dealers | 0:35:14 | 0:35:18 | |
that are much more specialist in their areas. | 0:35:18 | 0:35:21 | |
That, in itself, tends to bump the price up. | 0:35:21 | 0:35:25 | |
I'm not entirely convinced they'll go anywhere other than Keith's home. He loves them! | 0:35:25 | 0:35:30 | |
He's got a lot of reading if not! | 0:35:30 | 0:35:32 | |
We're in our places again. | 0:35:32 | 0:35:35 | |
Ayesha has managed to hold Keith back from collecting anything else during our break! | 0:35:35 | 0:35:40 | |
We're half-way through now. Things haven't rushed out of the sale room, | 0:35:40 | 0:35:44 | |
but I hope we'll do better in the second half. | 0:35:44 | 0:35:47 | |
We're starting on a high note. | 0:35:47 | 0:35:49 | |
Our first lot is Keith's Bulova wrist watch | 0:35:49 | 0:35:51 | |
with an estimate of 80 to £120. | 0:35:51 | 0:35:54 | |
Are you ready to say farewell to this? | 0:35:54 | 0:35:56 | |
Yes, quite happy to see this go. I hope somebody else wants it. | 0:35:56 | 0:36:00 | |
-You bought this yourself? -I did. | 0:36:00 | 0:36:02 | |
And I'm starting this at 50. | 0:36:02 | 0:36:05 | |
Five. 60. | 0:36:05 | 0:36:07 | |
Five. 70. | 0:36:07 | 0:36:08 | |
Five. | 0:36:08 | 0:36:10 | |
-I'm out. -It's stuck. | 0:36:10 | 0:36:12 | |
At £75. | 0:36:12 | 0:36:14 | |
At £75. | 0:36:14 | 0:36:17 | |
All finished and done with that at £75? | 0:36:17 | 0:36:20 | |
-Happy with that? -Yeah. | 0:36:21 | 0:36:23 | |
It adds to the total. | 0:36:23 | 0:36:25 | |
It's a good start. It may be £5 short of its lower estimate, | 0:36:25 | 0:36:29 | |
but Keith's right. It all adds to the pot. | 0:36:29 | 0:36:32 | |
Next is the hand-made Turkish rug. | 0:36:32 | 0:36:35 | |
It's an absolutely beautiful piece of craft, | 0:36:35 | 0:36:38 | |
but Jonty did have reservations about how well it would sell. | 0:36:38 | 0:36:41 | |
The market is flooded with items like this, and Keith has a reserve on it. | 0:36:41 | 0:36:45 | |
It's our rug. | 0:36:45 | 0:36:47 | |
-And hey presto, we're standing on it. -We could be flying! | 0:36:47 | 0:36:51 | |
We don't want to be flying. We want it to be flying out the door, or a buyer flying out. | 0:36:51 | 0:36:56 | |
And I'm starting this at 85. | 0:36:56 | 0:37:00 | |
At 85. | 0:37:00 | 0:37:02 | |
At £85. | 0:37:02 | 0:37:04 | |
At £85. | 0:37:04 | 0:37:06 | |
90. Five. | 0:37:07 | 0:37:09 | |
At £95. | 0:37:09 | 0:37:11 | |
At £95. | 0:37:11 | 0:37:14 | |
All finished and done with that at £95? | 0:37:15 | 0:37:18 | |
-Have to pass that, I'm afraid. -You are flying back with it! | 0:37:20 | 0:37:24 | |
-Yes. -And it wasn't that magical. | 0:37:24 | 0:37:27 | |
It wasn't. | 0:37:27 | 0:37:28 | |
Well, the rug didn't reach its reserve. | 0:37:28 | 0:37:31 | |
I have to say I'm not surprised. | 0:37:31 | 0:37:33 | |
The rug didn't sell, but hey, I liked it anyway, so it goes back on the floor! | 0:37:34 | 0:37:38 | |
Next up is a rather unusual item. | 0:37:38 | 0:37:41 | |
-There's something fishy about this next lot! -Oh, dear! | 0:37:41 | 0:37:45 | |
I have to say I've no idea where this vase was made at all. | 0:37:45 | 0:37:51 | |
-Where did you get it? -I bought it cos I thought it was attractive. | 0:37:51 | 0:37:54 | |
Attractive?! You're attractive, but this fish vase is not! | 0:37:54 | 0:37:59 | |
There's beauty in ugliness! | 0:37:59 | 0:38:01 | |
And at 25 start. At 25. | 0:38:02 | 0:38:05 | |
At £25. | 0:38:05 | 0:38:08 | |
£25. | 0:38:08 | 0:38:09 | |
At £25. | 0:38:09 | 0:38:11 | |
At £25. | 0:38:11 | 0:38:13 | |
You have unique taste! | 0:38:13 | 0:38:15 | |
All finished and done with that at 25? | 0:38:15 | 0:38:18 | |
We'll have to pass that over, I'm afraid. | 0:38:18 | 0:38:21 | |
That's disappointing, cos we really needed that for your total. | 0:38:21 | 0:38:24 | |
We're taking a bit of a whack on our target, I'm afraid, | 0:38:24 | 0:38:28 | |
Have you got a contingency plan? | 0:38:28 | 0:38:30 | |
-A caravan. -A caravan! | 0:38:30 | 0:38:33 | |
If things don't start improving, even a caravan might be optimistic! | 0:38:33 | 0:38:38 | |
When The Perisher comics also fail to sell... | 0:38:38 | 0:38:41 | |
I have to pass that over. | 0:38:41 | 0:38:43 | |
..Keith and Ayesha might well be looking at a tent, if they're lucky! | 0:38:43 | 0:38:48 | |
We're a long way from our target and with just one item left to sell, | 0:38:48 | 0:38:52 | |
there's a massive amount riding on the jukebox. | 0:38:52 | 0:38:55 | |
Keith's keeping everything crossed. | 0:38:55 | 0:38:57 | |
I'm excited cos it's your jukebox coming up. | 0:38:57 | 0:38:59 | |
I think it's a great piece of equipment | 0:38:59 | 0:39:02 | |
but we're worried cos it's got a crack in it | 0:39:02 | 0:39:04 | |
and I'm not sure it'll do as well as you hope. What do you reckon? | 0:39:04 | 0:39:08 | |
I reckon I don't want to take it home on the roof! | 0:39:08 | 0:39:11 | |
So long as it doesn't go for two bob and a conker, I'll be happy. | 0:39:11 | 0:39:15 | |
A few people have been sniffing around. Let's see if they can come up with 150 quid. | 0:39:15 | 0:39:20 | |
At £100. | 0:39:20 | 0:39:22 | |
-At £100. -Come on! -At 100. Ten. | 0:39:22 | 0:39:25 | |
120. | 0:39:25 | 0:39:26 | |
130. | 0:39:26 | 0:39:27 | |
140. 150. | 0:39:27 | 0:39:29 | |
-160. -That's better! | 0:39:29 | 0:39:31 | |
£160. With me at 160. | 0:39:31 | 0:39:34 | |
70. 180. | 0:39:34 | 0:39:36 | |
190. 200. | 0:39:36 | 0:39:38 | |
On the books with me at 200. | 0:39:38 | 0:39:41 | |
At £200. | 0:39:41 | 0:39:43 | |
-That's really good. -All finished and done at £200? | 0:39:43 | 0:39:46 | |
I'm selling at 200. | 0:39:46 | 0:39:49 | |
That's better! | 0:39:49 | 0:39:51 | |
You didn't want to put that in the car, did you? | 0:39:51 | 0:39:54 | |
It would have to go on the roof! | 0:39:54 | 0:39:56 | |
That's brilliant. | 0:39:56 | 0:39:58 | |
Well done! | 0:39:58 | 0:40:00 | |
That's good stuff. | 0:40:00 | 0:40:01 | |
Phew! That's a well-needed last-minute addition. | 0:40:01 | 0:40:05 | |
It hasn't been the most successful day, | 0:40:05 | 0:40:08 | |
but Keith's being philosophical. | 0:40:08 | 0:40:10 | |
There's always another day | 0:40:10 | 0:40:11 | |
and we're pleased with some of the things we have to take back cos we'd miss them! | 0:40:11 | 0:40:16 | |
No. | 0:40:16 | 0:40:17 | |
I think Ayesha would rather be on a beach in the Caribbean than take things home! | 0:40:18 | 0:40:24 | |
Still, with the sale over, it's time for me to tot up the final total. | 0:40:24 | 0:40:28 | |
Well, that's it. It's all over, for better or worse! | 0:40:28 | 0:40:31 | |
You've got space in your car? | 0:40:32 | 0:40:34 | |
It's been quite a tricky day. We've had quite a few unsold items. | 0:40:34 | 0:40:39 | |
And you withdrew all those books, so it's not been easy. | 0:40:39 | 0:40:42 | |
-How do you feel about it? -Quite pleased a couple of them didn't go. | 0:40:42 | 0:40:46 | |
-I'm pleased the biggest thing went cos that would have been a nightmare. -The jukebox. | 0:40:46 | 0:40:52 | |
Yeah, the jukebox. Overall, it's been a pretty good day. | 0:40:52 | 0:40:55 | |
-What do you think, Ayesha? -I think it was good. -OK. | 0:40:55 | 0:40:58 | |
You were looking for £1,000 for your wedding and honeymoon fund. | 0:40:58 | 0:41:02 | |
Well, it has been a difficult day, so I'm warming up to tell you | 0:41:02 | 0:41:07 | |
that you haven't made your target, I'm sorry to say. | 0:41:07 | 0:41:11 | |
But you can take those items off and sell them elsewhere. | 0:41:11 | 0:41:14 | |
You haven't made £1,000. You've made 482. | 0:41:14 | 0:41:18 | |
-OK. -That's fine. -Better than I thought. | 0:41:18 | 0:41:20 | |
-Is it? -It's good. | 0:41:20 | 0:41:21 | |
It's not a lot, but I hope that it helps, guys. | 0:41:21 | 0:41:25 | |
-It will do. -All those other specialist items | 0:41:25 | 0:41:28 | |
are for another day, another time. | 0:41:28 | 0:41:30 | |
-You'll be fine. -Absolutely. | 0:41:30 | 0:41:32 | |
Keith and Ayesha haven't got the £1,000 they were looking for. | 0:41:37 | 0:41:41 | |
So until those specialist items are sold, | 0:41:41 | 0:41:44 | |
booking a Caribbean getaway is off the cards. | 0:41:44 | 0:41:46 | |
But there are plenty of other things to pay for when it comes to a wedding party. | 0:41:46 | 0:41:51 | |
They met in a pub, so what better place to celebrate with family and friends than a cosy inn? | 0:41:51 | 0:41:56 | |
It looks good. Plenty of room. | 0:41:58 | 0:42:00 | |
We could probably set up a head table over there. | 0:42:00 | 0:42:03 | |
-Yeah. -And the food's very good. | 0:42:03 | 0:42:06 | |
So, shall we go for it? | 0:42:06 | 0:42:08 | |
-Yes. Shall we celebrate with a drink? -Why not? After you! Go on. | 0:42:08 | 0:42:12 | |
That's one decision made. | 0:42:13 | 0:42:15 | |
And it sounds as if they've got future auction plans as well. | 0:42:15 | 0:42:18 | |
If we can sell the other things that we didn't sell, | 0:42:18 | 0:42:21 | |
we can afford to go somewhere for a lovely honeymoon. | 0:42:21 | 0:42:24 | |
Yeah, and for once I can have some sun! | 0:42:24 | 0:42:27 | |
Yeah, that's true! | 0:42:27 | 0:42:29 | |
Here's to our successful day. | 0:42:29 | 0:42:31 | |
-Cheers! -Cheers! | 0:42:31 | 0:42:33 |