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Welcome to Cash In The Attic. We come into your home, | 0:00:02 | 0:00:04 | |
help you look for antiques and collectables | 0:00:04 | 0:00:07 | |
and then sell them with you at auction. | 0:00:07 | 0:00:09 | |
Today I'm in Cheshire and, to quite literally get a flavour of the county, | 0:00:09 | 0:00:14 | |
I stopped off in Northwich | 0:00:14 | 0:00:16 | |
to visit a museum that is dedicated to a rather surprising commodity. | 0:00:16 | 0:00:21 | |
It's salt, and if you think this stuff is confined to cooking | 0:00:22 | 0:00:27 | |
and the dinner table, you need to think again! | 0:00:27 | 0:00:31 | |
From preserving food to the production of polythene, salt has more than 14,000 uses | 0:00:31 | 0:00:37 | |
and the Salt Museum, founded over 100 years ago by two locals, | 0:00:37 | 0:00:41 | |
celebrates the long history of mining in the area. | 0:00:41 | 0:00:44 | |
Believe it or not, Northwich was once dubbed "The Salt Capital of the World" | 0:00:44 | 0:00:48 | |
and today, Cheshire is the only county that continues to produce the stuff on a large scale, | 0:00:48 | 0:00:54 | |
mining the rich deposits that lie deep beneath the Cheshire plains. | 0:00:54 | 0:00:59 | |
And if that's whetted your appetite, there are lots of other exhibitions on display here in the museum too, | 0:00:59 | 0:01:06 | |
but now we have to go and earn our salt as we go in search | 0:01:06 | 0:01:09 | |
of a whole wealth of antiques and collectables to take to auction. | 0:01:09 | 0:01:14 | |
Coming up on Cash In The Attic, some fantastic finds. | 0:01:35 | 0:01:39 | |
Why are they packed away like this? Why aren't they out on display? | 0:01:39 | 0:01:42 | |
Some mixed feelings... | 0:01:42 | 0:01:44 | |
It's tempting, yes, but can I have a little think? | 0:01:44 | 0:01:48 | |
And some great results! | 0:01:48 | 0:01:50 | |
-The temperature is low today, but the bidding went up...that's good! -That's fantastic! | 0:01:50 | 0:01:54 | |
But will we still be smiling when the final hammer falls? | 0:01:54 | 0:01:58 | |
I'm in the heart of Cheshire and I've come to visit a couple | 0:01:59 | 0:02:02 | |
who have called in the Cash In The Attic team | 0:02:02 | 0:02:05 | |
to help them de-clutter so that they can raise money | 0:02:05 | 0:02:09 | |
to fund a rather overdue break. | 0:02:09 | 0:02:12 | |
This semi-detached house in Knutsford is home to former nurse Alison Sherwin | 0:02:12 | 0:02:17 | |
and her beloved Chihuahuas Harry and Monty. | 0:02:17 | 0:02:20 | |
She also shares the house with her partner, | 0:02:20 | 0:02:22 | |
Gary, a transport manager by day and a biker nut at all other times! | 0:02:22 | 0:02:28 | |
Having met just over a year ago, they decided to take the plunge and move in together. | 0:02:28 | 0:02:32 | |
Alison collected a wealth of antiques and furniture with her late husband Maurice, | 0:02:32 | 0:02:38 | |
who passed away five years ago, but with a house move and a new start on the horizon, | 0:02:38 | 0:02:43 | |
Alison has decided that it's time to clear the decks and start afresh. | 0:02:43 | 0:02:47 | |
-Good morning, John. -Good morning, Angela. How are you? -Extremely well. | 0:02:47 | 0:02:50 | |
We've got a family today that have got some really lovely pieces of furniture. | 0:02:50 | 0:02:54 | |
I think you're going to really enjoy yourself! | 0:02:54 | 0:02:57 | |
-It'll be a walk in the park for me today, won't it? -Let's walk to the front door first, shall we? | 0:02:57 | 0:03:02 | |
Hi, Alison and Gary! | 0:03:05 | 0:03:08 | |
-Hi! -I was going to say, why have you called in Cash In The Attic? | 0:03:08 | 0:03:11 | |
But I can see why you've called us in! | 0:03:11 | 0:03:14 | |
You're surrounded by boxes full of stuff! | 0:03:14 | 0:03:16 | |
-Where's it all come from, Alison? -It's come from where I used to live, mostly. | 0:03:16 | 0:03:22 | |
I lived in a large farmhouse and we had loads of space there | 0:03:22 | 0:03:28 | |
but now I've no room to hang my pictures | 0:03:28 | 0:03:33 | |
and it just has to go. | 0:03:33 | 0:03:35 | |
Time for a change, clearly. | 0:03:35 | 0:03:37 | |
-Yes. -So, Gary, what are we raising the money for? | 0:03:37 | 0:03:39 | |
Alison's never been to London before. | 0:03:39 | 0:03:42 | |
She's never been to London? | 0:03:42 | 0:03:43 | |
No, so we'd like to take her to London for a bit of sight-seeing, retail therapy, | 0:03:43 | 0:03:48 | |
-maybe take in a show, restaurant. -That carries quite a high price tag, doesn't it? | 0:03:48 | 0:03:52 | |
-How much do you reckon that is going to cost you, Gary? -£500-ish, maybe a bit more. | 0:03:52 | 0:03:58 | |
-£500-ish? -That would be good... a little bit more would be nice. | 0:03:58 | 0:04:02 | |
Do you think we've got £500 hidden away in all these boxes? | 0:04:02 | 0:04:05 | |
-I'm sure somewhere there must be, yes! -There's only one way to find out, isn't there? | 0:04:05 | 0:04:11 | |
-Mmm-hmm. -And that is to say... | 0:04:11 | 0:04:13 | |
overture and beginners, please, and curtain up on Alison's West End debut! | 0:04:13 | 0:04:18 | |
And I suppose we'd better go and find John as well, because he's the man with the key. Come on! | 0:04:18 | 0:04:24 | |
Well, if Gary and Alison are going to raise the £500 they need in order | 0:04:24 | 0:04:28 | |
to have a big weekend in the Big Smoke, we're going to need to get cracking! | 0:04:28 | 0:04:32 | |
Fortunately, expert John Cameron is just the man to shine a light on the gems that we're looking for. | 0:04:34 | 0:04:39 | |
His face has already lit up at the sight of this lamp! | 0:04:39 | 0:04:43 | |
-Morning, John. -Hi, girls. -I know I promised you lots of furniture | 0:04:43 | 0:04:46 | |
but there are lots of other lovely things here, too, like this fabulous oil lamp. | 0:04:46 | 0:04:50 | |
-Isn't it lovely! -This is wonderful! You see quite a few of them around | 0:04:50 | 0:04:54 | |
but that's probably one of the nicest shades I've seen for a very long time. | 0:04:54 | 0:04:57 | |
This particular piece here really is of the Victorian period. | 0:04:57 | 0:05:02 | |
You know you could almost see somebody curled up reading Martin Chuzzlewit beside the fire | 0:05:02 | 0:05:07 | |
with this oil lamp. This is a typical Victorian piece. I really love the shade of that. | 0:05:07 | 0:05:11 | |
It's a typical form, we have a heavy base to make sure it's stable, | 0:05:11 | 0:05:15 | |
a classical column, again, a feature you see on a lot of them | 0:05:15 | 0:05:18 | |
and then you have this font, or the reservoir as it's sometimes referred to, | 0:05:18 | 0:05:22 | |
holding the paraffin in there, | 0:05:22 | 0:05:24 | |
but my favourite part about this oil lamp has to be this really decorative shade. | 0:05:24 | 0:05:29 | |
Look at the work that's gone into this, and all done by hand. | 0:05:29 | 0:05:32 | |
We've got this lovely etching around here with this contrast of matt and clear glass acanthus leaf | 0:05:32 | 0:05:37 | |
running all the way around, but look at that rim. That has had to be crimped by hand. | 0:05:37 | 0:05:43 | |
They would have had a special pair of iron crimpers that did that shape by hand. | 0:05:43 | 0:05:47 | |
The glassworker did that. But this is a lovely lamp. | 0:05:47 | 0:05:50 | |
I really do like that. Pop that back on there like that. Well...value-wise, | 0:05:50 | 0:05:55 | |
I would say today somewhere between £50 and £100, something like that. | 0:05:55 | 0:05:59 | |
So is it something we can take to auction? | 0:05:59 | 0:06:01 | |
-Yes. -We're sending it to auction, definitely. | 0:06:01 | 0:06:04 | |
Shall we see what else we've got in the house? | 0:06:04 | 0:06:07 | |
Then we're going to find some furniture for you soon, John! | 0:06:07 | 0:06:10 | |
It's a very pretty item | 0:06:10 | 0:06:13 | |
but is a working oil lamp, it needs to be lit | 0:06:13 | 0:06:19 | |
and I don't like the smell, so it can go. | 0:06:19 | 0:06:22 | |
£50 towards the travel fund is certainly better than a bad smell. | 0:06:22 | 0:06:26 | |
And while John continues to sniff out items to take to auction, | 0:06:26 | 0:06:30 | |
Gary is hoping that this Georgian washstand with blue and white bowl | 0:06:30 | 0:06:35 | |
will clean up when the hammer comes down. | 0:06:35 | 0:06:37 | |
It could be adorning someone else's house soon, for around £60. | 0:06:37 | 0:06:42 | |
And whilst rummaging out in the hall, Alison finds something | 0:06:42 | 0:06:45 | |
she hopes might put in a show-stealing performance. | 0:06:45 | 0:06:48 | |
John, I've found this. Would this be anything to send to auction? | 0:06:48 | 0:06:54 | |
Interesting! What have we got in here? | 0:06:54 | 0:06:56 | |
Ooh, a harmonica! | 0:06:56 | 0:06:58 | |
What's the story behind it? | 0:06:58 | 0:07:00 | |
That was my husband's. | 0:07:00 | 0:07:02 | |
-Did he play? -No. | 0:07:02 | 0:07:05 | |
I think we all have aspirations of becoming harmonica players. I've had a bash myself | 0:07:05 | 0:07:10 | |
but the sound I made made the cats run to the next street! | 0:07:10 | 0:07:13 | |
This is a Hohner, a pretty good make, in fact, they don't come much better than the Hohner harmonica. | 0:07:13 | 0:07:18 | |
This one is called the 64 Chromonica, and that is because, if you have a look on here, | 0:07:18 | 0:07:23 | |
they've numbered the chambers 1 to 16, so if you imagine we can blow the air through causing one note, | 0:07:23 | 0:07:28 | |
or giving us one note, drawing it back gives us a second note, | 0:07:28 | 0:07:32 | |
giving us 32 notes in total, | 0:07:32 | 0:07:33 | |
but by using this lever on the side here, | 0:07:33 | 0:07:36 | |
if you press that, you open up a second series of chambers. | 0:07:36 | 0:07:40 | |
That doubles up, that gives us then 64 notes out of this harmonica. | 0:07:40 | 0:07:44 | |
I mean value-wise, not huge sums, I would say £20 to £40, something like that. We might get a bit more, | 0:07:44 | 0:07:50 | |
but somewhere in that region, so it won't get our train fare to London, | 0:07:50 | 0:07:54 | |
-but we might buy our theatre programmes with that. So would that be OK? -Yes. -Are you sure? -Mm-hm. | 0:07:54 | 0:08:00 | |
-Jolly good! Well, it's not bad, but we're not there yet so we've more rummaging to do! -Right. | 0:08:00 | 0:08:05 | |
Hopefully the harmonica will be music to the ears of the bidders | 0:08:05 | 0:08:09 | |
and get Alison closer to that first ever trip to London. | 0:08:09 | 0:08:13 | |
Whilst John leaves no stone, or commode, unturned, | 0:08:13 | 0:08:16 | |
Gary gets lucky with the crockery in the dining room. | 0:08:16 | 0:08:19 | |
This red and gold Wellington china tea set is taking up a lot of space | 0:08:19 | 0:08:23 | |
when it could be making us £30 to £40. | 0:08:23 | 0:08:27 | |
While the others continue the search, I find Alison | 0:08:27 | 0:08:30 | |
for a quick chat about how she has come to own all of these items. | 0:08:30 | 0:08:34 | |
So this is the house | 0:08:34 | 0:08:36 | |
where so many of the things you've got here came from. | 0:08:36 | 0:08:40 | |
-Your late husband designed this house himself, didn't he? -Yes. | 0:08:40 | 0:08:43 | |
He was a tetraplegic. How did that happen? | 0:08:43 | 0:08:46 | |
It was a farming accident. | 0:08:46 | 0:08:49 | |
When he was a teenager, | 0:08:49 | 0:08:51 | |
he was gored by a bull. | 0:08:51 | 0:08:54 | |
He must have been a remarkable man! | 0:08:54 | 0:08:56 | |
He actually ran the farm from his wheelchair, didn't he? | 0:08:56 | 0:08:59 | |
Yes. There was nothing that would stand in his way. | 0:08:59 | 0:09:03 | |
If he wanted to do something, he would do it, | 0:09:03 | 0:09:06 | |
he would find a way and we had some wonderful times together. | 0:09:06 | 0:09:10 | |
We went to Paris... | 0:09:10 | 0:09:14 | |
we went on a cruise, we've done all kinds of things together | 0:09:14 | 0:09:19 | |
and he never let his disability get him down at all. | 0:09:19 | 0:09:23 | |
And he had a motto, didn't he? | 0:09:23 | 0:09:24 | |
He did. He said, "Never look back, go forward." | 0:09:24 | 0:09:28 | |
So was it through Maurice that you increased the interest | 0:09:28 | 0:09:32 | |
that you had already in antiques and collectables? | 0:09:32 | 0:09:35 | |
I went to auctions prior to meeting Maurice. | 0:09:35 | 0:09:39 | |
I always enjoyed an auction | 0:09:39 | 0:09:43 | |
and he inspired me to collect more, really. | 0:09:43 | 0:09:48 | |
We used to enjoy going around the antiques shops and looking. | 0:09:48 | 0:09:53 | |
And you've now also got an interest in this with Gary as well. You go to car boot sales? | 0:09:53 | 0:09:57 | |
Yes, we do. Spend all day at the car boot sales on nice days, yeah. | 0:09:57 | 0:10:03 | |
I've picked up some nice bits and pieces. | 0:10:03 | 0:10:06 | |
You've mentioned that you went to Paris, you've been on a cruise. | 0:10:06 | 0:10:09 | |
How come you never went to London? | 0:10:09 | 0:10:12 | |
I don't know why! | 0:10:12 | 0:10:13 | |
I missed out on an opportunity 18 years ago. | 0:10:13 | 0:10:17 | |
My brother was fond of doing competitions, | 0:10:17 | 0:10:21 | |
it was a hobby of his, and he actually won a theatre weekend trip to London. | 0:10:21 | 0:10:27 | |
Unfortunately, I had to opt out | 0:10:27 | 0:10:30 | |
and I got fed up of hearing all about the London trip. | 0:10:30 | 0:10:35 | |
They'd been to see Phantom Of The Opera and how good that was | 0:10:35 | 0:10:40 | |
and dinner at the Ritz and picked up in a fancy car, and... | 0:10:40 | 0:10:45 | |
We're only going to get that if we find a few more things in these boxes around the house, | 0:10:45 | 0:10:50 | |
so we'd better get back to work. | 0:10:50 | 0:10:52 | |
Luckily, while we've been gassing away, the boys have been keeping busy. | 0:10:52 | 0:10:57 | |
As John inspects some of the china, Gary spots this set of four prints | 0:10:57 | 0:11:01 | |
showing hunters on the prowl for partridges. | 0:11:01 | 0:11:04 | |
John thinks they could get us £80 to £120 closer to that £500 target. | 0:11:04 | 0:11:10 | |
In the dining room, Alison is rooting through some more boxes, chock-a-block with crockery. | 0:11:10 | 0:11:15 | |
But it is something else that has caught my eye. | 0:11:15 | 0:11:18 | |
Alison, this is an absolutely lovely piece of furniture, this corner cabinet, it's just beautiful! | 0:11:18 | 0:11:25 | |
Yes, it's one of my favourites, this. | 0:11:25 | 0:11:27 | |
-Where did this come from? -This came from the farm where I lived before | 0:11:27 | 0:11:32 | |
and was one of my late husband's very favourite pieces. | 0:11:32 | 0:11:36 | |
He loved this cabinet and I do too as it houses all my expensive glassware. | 0:11:36 | 0:11:43 | |
John used to be a cabinet-maker and I know he's going to love having a closer look | 0:11:43 | 0:11:48 | |
at this piece of furniture, so John, do you want to come and join us and take a look at this lovely cabinet! | 0:11:48 | 0:11:53 | |
I agree, Angela, it's a very nice cabinet. | 0:11:53 | 0:11:55 | |
Very nice, indeed. Any idea of the date of this piece? | 0:11:55 | 0:11:58 | |
Not exactly, no. I know it's old, but how old, I don't know. | 0:11:58 | 0:12:04 | |
Corner cabinets like this we tend to associate with the Georgian period, the 18th century. | 0:12:04 | 0:12:09 | |
They turn up in fairly good numbers and you get them from the early part, right into the 19th century. | 0:12:09 | 0:12:15 | |
This one here is one of my favourites, the bow-front, | 0:12:15 | 0:12:17 | |
as opposed to the corner cabinets that just have a straight panel door across. | 0:12:17 | 0:12:22 | |
A lot more work goes into this and what I love about this is the natural beauty of the timber | 0:12:22 | 0:12:27 | |
and here we can see they've used mahogany and the only other decoration is this very subtle | 0:12:27 | 0:12:33 | |
boxwood stringing and some motifs up in that top frieze around there. A very nice piece of furniture. | 0:12:33 | 0:12:37 | |
Lovely, isn't it? What sort of value would be on that, then, John? | 0:12:37 | 0:12:41 | |
A plainer, provincial oak piece you might get for as little as £50 to £100 these days, | 0:12:41 | 0:12:46 | |
which might surprise you. | 0:12:46 | 0:12:48 | |
This one, I would still say about £150 to £250, something like that. | 0:12:48 | 0:12:52 | |
Is this something you might take to auction? | 0:12:52 | 0:12:55 | |
It's tempting, yes, but can I have a little think? | 0:12:55 | 0:12:59 | |
Absolutely! Thinking time needed on that one. | 0:12:59 | 0:13:02 | |
-Yes. -Which means we've got to use the rest of our time very profitably and see what else we can find. | 0:13:02 | 0:13:08 | |
-Shall we see what else you've got tucked away in these boxes? -OK. | 0:13:08 | 0:13:12 | |
If Alison decides to take the cabinet to auction, it could really | 0:13:12 | 0:13:16 | |
help fund their trip, but in the meantime, we need to keep searching. | 0:13:16 | 0:13:20 | |
It's certainly no time to be sitting around taking a break | 0:13:20 | 0:13:23 | |
unless of course, like me, you've found a little two-seater mahogany sofa. | 0:13:23 | 0:13:27 | |
These teddy bears will have to find a new home | 0:13:27 | 0:13:30 | |
as John thinks it will bring in £80 to £120. | 0:13:30 | 0:13:34 | |
Gary has seating on his mind as well, | 0:13:34 | 0:13:36 | |
as he uncovers a piano stool which seems to be missing a piano! | 0:13:36 | 0:13:40 | |
John! | 0:13:40 | 0:13:43 | |
-Hello, Gary. -What do you think of this? | 0:13:43 | 0:13:45 | |
That's an interesting piece. Anybody musical in the family? | 0:13:45 | 0:13:48 | |
-Only me in the shower! -Well, that's music to my ears, anyway, | 0:13:48 | 0:13:51 | |
because it certainly means we can consider it for auction. | 0:13:51 | 0:13:55 | |
Well, as we know, it's a piano stool. | 0:13:55 | 0:13:57 | |
Date-wise, looking at the construction and timber, I'd say it's stained walnut, | 0:13:57 | 0:14:01 | |
I'd put this at about 1900/1910, so it was an Edwardian piece. | 0:14:01 | 0:14:04 | |
This X-frame here is a pretty unique design. | 0:14:04 | 0:14:07 | |
It does give you strength, it's a sturdy piece of furniture | 0:14:07 | 0:14:11 | |
but it also enables you to be able to adjust this seat. | 0:14:11 | 0:14:14 | |
If it seems a little bit too high, just adjust it there | 0:14:14 | 0:14:17 | |
and you can see it goes down to a slightly lower level. | 0:14:17 | 0:14:21 | |
Now, sadly today, the piano is no longer the focal point for entertainment in the home. | 0:14:21 | 0:14:26 | |
Once, everybody had a piano, and at least one member of the family could play. Sadly that's lost. | 0:14:26 | 0:14:32 | |
Today we've got computer games and televisions and so many more other things to keep us occupied | 0:14:32 | 0:14:38 | |
that our musical skills have sadly faded away | 0:14:38 | 0:14:40 | |
and the piano and stools have as well. | 0:14:40 | 0:14:43 | |
-Value-wise, I reckon we're looking at about £40 to £60. -That sounds OK. | 0:14:43 | 0:14:47 | |
-Will that strike the right chord with Alison? -We hope so. | 0:14:47 | 0:14:50 | |
As you can see, it's cluttering up the room so let's get rid of it. | 0:14:50 | 0:14:53 | |
-Good. Carry on rummaging, we've got some way to go. -Thanks very much. | 0:14:53 | 0:14:56 | |
If Alison and Gary's future is going to involve a special weekend in London, | 0:14:56 | 0:15:01 | |
there's certainly no room for sentimentality. | 0:15:01 | 0:15:03 | |
While Alison comes up empty-handed from these boxes, | 0:15:03 | 0:15:07 | |
John manages to snare this pair of hunting pictures in their original frames, | 0:15:07 | 0:15:12 | |
which could put another £30 in the pot. | 0:15:12 | 0:15:15 | |
But whilst we've been busy inside the house, one person has managed to sneak out | 0:15:15 | 0:15:19 | |
and I've got a pretty good idea where I might find him! | 0:15:19 | 0:15:22 | |
-Gary! -Hi! -Might have known I'd find you out here with the pride and joy! | 0:15:22 | 0:15:27 | |
-Yes, the other woman in my life! -The other pride and joy, exactly! | 0:15:27 | 0:15:31 | |
-You are a real motorbike fanatic, aren't you? -Yes, I am, yes. | 0:15:31 | 0:15:34 | |
When did you start riding bikes? | 0:15:34 | 0:15:36 | |
Off-road stuff when I was probably about six or seven. | 0:15:36 | 0:15:39 | |
-So what sort of a bike is this? -This is a Suzuki 1400 Intruder. | 0:15:39 | 0:15:43 | |
So do you manage ever to get Alison on the pillion on the back? | 0:15:43 | 0:15:47 | |
Occasionally, when she feels brave enough! | 0:15:47 | 0:15:49 | |
I don't see her as a motorbike type, but you're converting her, are you? | 0:15:49 | 0:15:53 | |
Yeah, and she has been on the back of bikes before she met me even | 0:15:53 | 0:15:57 | |
so she has been on bikes before and she's been on this a few times. | 0:15:57 | 0:16:01 | |
Of course, one of the things you do do together is go to car boot sales, | 0:16:01 | 0:16:05 | |
don't you? What do you get out of that? | 0:16:05 | 0:16:07 | |
I think with Alison it's having the rummage and finding things that might be worth something. | 0:16:07 | 0:16:12 | |
Nine times out of ten, they're not. | 0:16:12 | 0:16:14 | |
But with me it's the interaction with different people on the stalls | 0:16:14 | 0:16:17 | |
and taking to different people | 0:16:17 | 0:16:19 | |
and basically rummaging and having a good look around. | 0:16:19 | 0:16:23 | |
-You want to do something special for her, don't you? -She's a special lady. | 0:16:23 | 0:16:27 | |
She's waited 18 years for this trip to London. We'd better not let her down. | 0:16:27 | 0:16:31 | |
-Shall we see what else we can find to fund it? -OK. | 0:16:31 | 0:16:33 | |
While we've been chewing the fat outside, the others have been motoring along nicely inside. | 0:16:33 | 0:16:39 | |
Alison has found this carved oak banjo barometer | 0:16:39 | 0:16:42 | |
which John thinks will pressure the bidders into parting with £30-£40. | 0:16:42 | 0:16:47 | |
Meanwhile, furniture fan that he is, | 0:16:47 | 0:16:49 | |
John can't but help stopping to admire this piece in the hallway. | 0:16:49 | 0:16:53 | |
Alison, can we consider this side table here for auction? | 0:16:54 | 0:16:58 | |
Um...yes. | 0:16:58 | 0:17:00 | |
I sense some reluctance there. Is it something you're fond of? | 0:17:00 | 0:17:03 | |
I do like it very much, but I'm willing to let it go. | 0:17:03 | 0:17:08 | |
It can go, great! Well, any idea how old it is? | 0:17:08 | 0:17:12 | |
100 plus? | 0:17:12 | 0:17:14 | |
It's a bit older than that. I'd say at least 200 years old. It's a Georgian piece, it's made of oak. | 0:17:14 | 0:17:19 | |
We can tell from these beautiful medullary rays running right through the oak. That's unique to oak. | 0:17:19 | 0:17:24 | |
They have used, which is always a nice feature on provincial pieces, | 0:17:24 | 0:17:28 | |
they've cross-banded the top with mahogany, I like that. | 0:17:28 | 0:17:32 | |
Moving down to the front here, again, typical Georgian features to the drawers here. | 0:17:32 | 0:17:36 | |
This cop-beading, see that? And it's nice that it's all there. | 0:17:36 | 0:17:39 | |
That tends to get knocked off and chipped, it seems to be | 0:17:39 | 0:17:43 | |
in pretty good condition. And these square tapering supports. | 0:17:43 | 0:17:46 | |
Woodworm does love oak but it seems to have escaped here so this piece | 0:17:46 | 0:17:49 | |
hasn't been affected and seems quite sturdy. | 0:17:49 | 0:17:52 | |
-Good. -What you have lost is some of these little spandrels, these carved shaped brackets in the corners | 0:17:52 | 0:17:58 | |
which add a bit of support. You've lost a couple of those, | 0:17:58 | 0:18:01 | |
but other than that for a table that's over 200 years old, it's not in bad condition. | 0:18:01 | 0:18:06 | |
Nice side table, could be used as a desk. | 0:18:06 | 0:18:08 | |
Value-wise, I reckon we're looking at about £120 to £160. | 0:18:08 | 0:18:12 | |
-Would you be happy with that? -Yeah, that's OK. -Good, good. | 0:18:12 | 0:18:15 | |
Let's get on before you change your mind. The others have been a long time upstairs. | 0:18:15 | 0:18:20 | |
-Shall we see how they're faring? -Yes. | 0:18:20 | 0:18:22 | |
I like so much of my furniture but there's so much of it | 0:18:22 | 0:18:26 | |
that I've decided that I've got to be a little ruthless and it has to go, | 0:18:26 | 0:18:32 | |
hopefully to a nice home. | 0:18:32 | 0:18:34 | |
That's the spirit, Alison! | 0:18:34 | 0:18:36 | |
And as Gary searches for that elusive final item to take us over the target, | 0:18:36 | 0:18:41 | |
it's John who thinks he might have found something small but perfectly formed. | 0:18:41 | 0:18:45 | |
-Hi! You've found my miniatures, then! -I have Alison, I have indeed. | 0:18:45 | 0:18:50 | |
I haven't finished with them yet but why are they packed away? | 0:18:50 | 0:18:53 | |
Why haven't you got them out on display? | 0:18:53 | 0:18:55 | |
Well, they were hung around the fireplace in the other house. | 0:18:55 | 0:19:00 | |
It was quite large. Here, they don't look so good there, so I'm afraid, | 0:19:00 | 0:19:06 | |
yes, they were left boxed up. | 0:19:06 | 0:19:08 | |
Now, looking at those, if we can imagine a time before text messaging and the internet, | 0:19:08 | 0:19:13 | |
before photographs even, when one's loved one went on a voyage or went away in the army, | 0:19:13 | 0:19:19 | |
people seldom had anything to remind them of something visual | 0:19:19 | 0:19:23 | |
so they would commission portrait miniature painters | 0:19:23 | 0:19:26 | |
to give them a portrait of their loved-one. | 0:19:26 | 0:19:28 | |
We've got miniatures and we've got the silhouettes. | 0:19:28 | 0:19:31 | |
You see the silhouettes there? They were always a cheaper alternative, much easier to produce. | 0:19:31 | 0:19:37 | |
In terms of value, those are a lot less than your average miniatures. | 0:19:37 | 0:19:41 | |
We've got an army officer, a naval officer | 0:19:41 | 0:19:44 | |
and this chap here in the centre | 0:19:44 | 0:19:47 | |
and he's been beautifully rendered, that's really a nice execution of the sitter. | 0:19:47 | 0:19:51 | |
If we look at the back, we've got that lovely plaited lock of hair in this original locket frame | 0:19:51 | 0:19:57 | |
and in the centre, this wonderful anchor | 0:19:57 | 0:19:59 | |
which is set with sea pearls implying that this chap has a naval connection. | 0:19:59 | 0:20:04 | |
I really like that. | 0:20:04 | 0:20:05 | |
Any idea what they might be worth? | 0:20:05 | 0:20:09 | |
I think... | 0:20:09 | 0:20:11 | |
probably around £200? | 0:20:11 | 0:20:13 | |
I think £200 to £300 is a good sensible starting price as an estimate. | 0:20:13 | 0:20:17 | |
It would certainly tempt bidders in, but with this one in particular, | 0:20:17 | 0:20:20 | |
I would hope it would make a bit more than that, | 0:20:20 | 0:20:23 | |
but I think that's a good estimate, £200-£300. | 0:20:23 | 0:20:25 | |
£200 to £300 did I hear you say for these lovely miniatures? | 0:20:25 | 0:20:29 | |
We've got a variety here. £200-£300 is where we'll pitch them at auction. | 0:20:29 | 0:20:33 | |
I've done a bit of mental arithmetic, | 0:20:33 | 0:20:35 | |
and if we add up everything that John has looked at today | 0:20:35 | 0:20:38 | |
and take his lowest estimates, | 0:20:38 | 0:20:40 | |
and if we take that beautiful corner cabinet that you have in the sitting room, | 0:20:40 | 0:20:45 | |
it comes to the grand total of - | 0:20:45 | 0:20:48 | |
bearing in mind you said about £500 - | 0:20:48 | 0:20:51 | |
we might be able to raise as much as... | 0:20:51 | 0:20:55 | |
£890! But without the cabinet, then it comes to - | 0:20:55 | 0:20:58 | |
because you said about £150 for that - it comes to £740. | 0:20:58 | 0:21:03 | |
You can still do serious damage to the plastic with that, can't you? | 0:21:03 | 0:21:06 | |
-Mm-hm. -But of course, we don't know! This may be the end of Act 1 of Alison's West End debut, | 0:21:06 | 0:21:12 | |
but we've got Act 2, the big drama, coming next, when we go to auction! | 0:21:12 | 0:21:16 | |
It's been a very successful rummage as Alison and Gary hope to raise the cash | 0:21:16 | 0:21:21 | |
that will, with any luck, raise the curtain in London. | 0:21:21 | 0:21:24 | |
Helping us light up the auction room on the day will be the oil lamp, | 0:21:24 | 0:21:29 | |
which could make £50 to £100. | 0:21:29 | 0:21:31 | |
The Georgian side table taking up valuable space in the house | 0:21:31 | 0:21:35 | |
should made way for around £120. | 0:21:35 | 0:21:37 | |
And the star lot, the miniature portraits and silhouettes | 0:21:37 | 0:21:40 | |
featuring the naval-themed portrait with the lock of hair in the back. | 0:21:40 | 0:21:44 | |
They'll hopefully adorn another fireplace soon for £200 to £300. | 0:21:44 | 0:21:49 | |
But will Alison and Gary decide to bring | 0:21:49 | 0:21:52 | |
the mahogany cabinet from the dining room | 0:21:52 | 0:21:54 | |
and make it first class all the way to London's West End? | 0:21:54 | 0:21:58 | |
Still to come on Cash In The Attic, | 0:21:58 | 0:22:01 | |
it's surprises galore, as some items fail to ignite the room! | 0:22:01 | 0:22:05 | |
Not sold, I'm afraid. No bids at all! | 0:22:05 | 0:22:09 | |
While others pretty much catch fire! | 0:22:09 | 0:22:11 | |
Yes, suddenly I've come all over hot! | 0:22:11 | 0:22:15 | |
So will the road to London be paved with gold when the final hammer falls? | 0:22:16 | 0:22:21 | |
Your bid, sir, thank you. | 0:22:21 | 0:22:22 | |
We all had a great time with Gary and Alison helping them to de-clutter their home | 0:22:26 | 0:22:32 | |
and in the process we found some wonderful collectables and furniture that we were able | 0:22:32 | 0:22:37 | |
to bring here to Liverpool today to sell at Cato Crane Auctioneers. | 0:22:37 | 0:22:41 | |
Now, the couple want £500 so that Alison can take her first ever trip to London | 0:22:41 | 0:22:46 | |
and, at the same time, take in a long overdue West End show. | 0:22:46 | 0:22:50 | |
Who knows what dramas are going to unfold today | 0:22:50 | 0:22:54 | |
when her items go under the hammer? | 0:22:54 | 0:22:57 | |
There's real quality on display here today and, as ever, | 0:22:57 | 0:23:00 | |
plenty of bidders anticipating the treasures to be found. | 0:23:00 | 0:23:05 | |
Before the room fills up, I find John having one last look at the miniatures. | 0:23:05 | 0:23:09 | |
Ah, John, you're looking at my favourite piece of Alison's collection. | 0:23:09 | 0:23:15 | |
I am convinced that he was a naval surgeon. | 0:23:15 | 0:23:18 | |
I just think he's got a lovely sort of bedside-manner face. I like him! | 0:23:18 | 0:23:23 | |
Very dapper! I think he's our star lot. | 0:23:23 | 0:23:25 | |
I'm hoping our miniatures make big money for us here today. | 0:23:25 | 0:23:28 | |
Alison also had some wonderful furniture in her house, didn't she? | 0:23:28 | 0:23:32 | |
Do you remember that lovely corner cabinet in which she kept all the glasses? | 0:23:32 | 0:23:36 | |
-She seemed attached to that. Do you think she's brought it? -I suspect she probably hasn't brought it. | 0:23:36 | 0:23:41 | |
Where would she put all the glasses? The only way to find out is to go and ask her! | 0:23:41 | 0:23:45 | |
Come on, then. | 0:23:45 | 0:23:48 | |
John and I are both fans of the miniature portraits, | 0:23:48 | 0:23:51 | |
so let's hope that bodes well for the sale ahead. | 0:23:51 | 0:23:55 | |
While the bidders look at the lots they hope to take home, | 0:23:55 | 0:23:58 | |
we find our family saying goodbye to some of theirs! | 0:23:58 | 0:24:01 | |
-Alison and Gary, having a final look! -How are you doing? | 0:24:01 | 0:24:04 | |
-All right! -It looks very handsome, doesn't it? | 0:24:04 | 0:24:06 | |
It is my favourite lot, I do love that shade on there. | 0:24:06 | 0:24:09 | |
It is absolutely beautiful. | 0:24:09 | 0:24:11 | |
Any sort of last-minute pangs | 0:24:11 | 0:24:14 | |
now you're seeing it all in the auction room and that it's going to go? | 0:24:14 | 0:24:17 | |
-I'm just feeling a little nervous, really. -Yeah, it's just... | 0:24:17 | 0:24:21 | |
-Nervous of the auction or nervous of seeing things going? -Both! | 0:24:21 | 0:24:26 | |
You've been to lots of car boot sales. Have you never been to an auction before, either of you? | 0:24:26 | 0:24:31 | |
-I have been to auctions before, yes. -Yeah, but never actually to sell anything. | 0:24:31 | 0:24:35 | |
-Only to buy? -Buy, yes, not sell! | 0:24:35 | 0:24:37 | |
There's an unanswered question that Angela and I wanted to find out. | 0:24:37 | 0:24:41 | |
-Have you brought the corner cabinet? -Um...no. | 0:24:41 | 0:24:45 | |
-Where would you put the glasses? -Exactly! -But you've brought lots of other things? -Yes. | 0:24:45 | 0:24:49 | |
You've got those lovely miniatures, some very nice pieces of furniture and John's star item - | 0:24:49 | 0:24:54 | |
-the lamp. -Yes. | 0:24:54 | 0:24:57 | |
We've got to get you down to London at last. | 0:24:57 | 0:25:00 | |
But the trip you're going to make now is just from here to that corner over there | 0:25:00 | 0:25:04 | |
because the sale room is starting to fill up and we need to take our places. Come on! | 0:25:04 | 0:25:09 | |
If, like Alison and Gary, you are new to selling items at auction, | 0:25:12 | 0:25:17 | |
remember that commission and other charges may apply, so check with the auction house. | 0:25:17 | 0:25:21 | |
It's a packed room today, | 0:25:21 | 0:25:23 | |
but we managed to find ourselves a corner from which to watch proceedings and in no time at all, | 0:25:23 | 0:25:28 | |
the first lot of the day comes up for sale. | 0:25:28 | 0:25:31 | |
It's the barometer which John has valued at £30 to £40. | 0:25:31 | 0:25:36 | |
OK. Nice barometer, ladies and gentlemen. The wheel barometer. | 0:25:36 | 0:25:40 | |
What's it worth? | 0:25:40 | 0:25:41 | |
£20 is bid, then, come on! 20, £20 is bid, thank you. 20. | 0:25:41 | 0:25:45 | |
-30. 40. -Wow! | 0:25:45 | 0:25:48 | |
Any more than £40? 45 is bid now. | 0:25:48 | 0:25:50 | |
£45. All done and I'm going to sell at £45... Is that your bid, sir? | 0:25:50 | 0:25:54 | |
£45, all done at 45 now. | 0:25:54 | 0:25:57 | |
£45. | 0:25:57 | 0:25:58 | |
-Great result! £5 over your top estimate! -Happy with that! | 0:25:58 | 0:26:02 | |
-The temperature's low, but the bidding went up. -Fantastic! | 0:26:02 | 0:26:05 | |
£45 is a great start for Alison and Gary | 0:26:05 | 0:26:09 | |
and puts them firmly on the road to London. Hopefully the bidders will make a similar | 0:26:09 | 0:26:14 | |
song and dance over our next item. | 0:26:14 | 0:26:17 | |
-Harmonica playing doesn't really go with riding a bike, does it, Gary? -I hoped John would give us a tune. | 0:26:17 | 0:26:22 | |
You're very kind, but if I had to busk for a living, I'd starve! | 0:26:22 | 0:26:26 | |
I'd certainly lose a few pounds, anyway! | 0:26:26 | 0:26:28 | |
£20 for it. | 0:26:28 | 0:26:30 | |
£20, come on, give me £20 for the mouth organ. £10 to start you off. | 0:26:30 | 0:26:33 | |
10 is bid, 10. 15. | 0:26:33 | 0:26:36 | |
20 down there. I'll take 22 now, if you like. | 0:26:36 | 0:26:39 | |
22, 22 the lady's bid, 22. | 0:26:39 | 0:26:43 | |
All done at £22. Any advance on 22? | 0:26:43 | 0:26:46 | |
We're going to sell it at £22 now. | 0:26:46 | 0:26:50 | |
With the harmonica selling a couple of pounds over John's estimate, | 0:26:50 | 0:26:54 | |
it seems the bidders are biting in the room today. | 0:26:54 | 0:26:56 | |
I wonder if they'll be snapping up our next item! | 0:26:56 | 0:26:59 | |
Now, you've put a reserve of £40 on this pair of framed hunting scenes. | 0:26:59 | 0:27:05 | |
Why have you done that, Alison? | 0:27:05 | 0:27:07 | |
I am sorry to see them go, to be honest. | 0:27:07 | 0:27:10 | |
I love the colours and I bought them | 0:27:10 | 0:27:13 | |
about 25 years ago | 0:27:13 | 0:27:15 | |
at an auction so it will be interesting to see what they do go for now. | 0:27:15 | 0:27:20 | |
What do we say on these? Always popular. £20 to start me off. | 0:27:20 | 0:27:24 | |
£20, £20, are you bidding? £20 is bid. | 0:27:24 | 0:27:26 | |
20, I've got 25. | 0:27:26 | 0:27:28 | |
Do you want 30, Nick? 30. 35, 35 is bid. | 0:27:28 | 0:27:32 | |
40 with you, Nick? 40. | 0:27:32 | 0:27:33 | |
All done at £40 with Nicola's bid at 40. | 0:27:33 | 0:27:36 | |
All done at 40 now, all done and sold, your bid at 40. | 0:27:36 | 0:27:42 | |
The prints sell right on the reserve | 0:27:42 | 0:27:45 | |
and right in the middle of John's estimate, | 0:27:45 | 0:27:47 | |
but it puts us well on the way to the £500 | 0:27:47 | 0:27:50 | |
that Alison and Gary need for that trip to London. Next up, | 0:27:50 | 0:27:54 | |
we've got our fingers crossed there are musicians in the room | 0:27:54 | 0:27:57 | |
who will be happy to house this lonely piano stool at £40 to £60. | 0:27:57 | 0:28:02 | |
20 if you like to start. 20 is bid, 20, 5, 30, | 0:28:02 | 0:28:06 | |
5, 40 there with you, sir. 40 is bid. | 0:28:06 | 0:28:09 | |
5, 45, 45, 50 with you now, £50. | 0:28:09 | 0:28:14 | |
All done at £50. Are you coming in again? | 0:28:14 | 0:28:17 | |
£50 is bid, the gentleman standing right at the back, £50. | 0:28:17 | 0:28:22 | |
That's another sale right in the middle of John's estimate. | 0:28:22 | 0:28:25 | |
He's doing well so far, | 0:28:25 | 0:28:26 | |
which means we're well on track. | 0:28:26 | 0:28:28 | |
Let's just hope the next item will keep up our good run! | 0:28:28 | 0:28:32 | |
No more tea parties at your house then, Alison and Gary, | 0:28:32 | 0:28:35 | |
because you're selling this nice Wellington china tea set. | 0:28:35 | 0:28:39 | |
-Yes. -Why is that going? | 0:28:39 | 0:28:41 | |
There's nowhere to display it and that's all I would do with it - | 0:28:41 | 0:28:45 | |
-display it. I wouldn't use it. -Why not? -It's too pretty. | 0:28:45 | 0:28:48 | |
And I'm too clumsy! | 0:28:48 | 0:28:51 | |
What do we say, £20 for it? | 0:28:51 | 0:28:53 | |
Come on, £20 anyone? No bidding at £20? | 0:28:53 | 0:28:57 | |
No bidding whatsoever? | 0:28:57 | 0:28:58 | |
Come on, 20. 10 I'll start you off at. No interest in tea sets today? | 0:28:58 | 0:29:03 | |
Not sold, I'm afraid. | 0:29:03 | 0:29:04 | |
No bids at all. | 0:29:04 | 0:29:06 | |
-What a shame! -Never mind! -Just when you think interest in tea sets can't get any lower, you're proved wrong, | 0:29:06 | 0:29:12 | |
because we have seen the prices dripping down and going down for some years, | 0:29:12 | 0:29:16 | |
but sometimes it's surprising when you can't even get a bid for it. | 0:29:16 | 0:29:19 | |
-Yeah. -It's terrible! -Amazing! | 0:29:19 | 0:29:21 | |
The buyers aren't falling over themselves for china today | 0:29:21 | 0:29:24 | |
and we notch up our first failure. | 0:29:24 | 0:29:26 | |
It's one of the lower-valued items, but it does mean we're more nervous | 0:29:26 | 0:29:30 | |
as the next item comes up. | 0:29:30 | 0:29:32 | |
Now I rather hope for all of you that the brass lamp is really going to light up the room now. | 0:29:32 | 0:29:38 | |
You may not have liked the smell that it made, | 0:29:38 | 0:29:41 | |
-but I bet you'd like to get, what? At least £50 to £100 on it? -Yes, I would. -Yes. | 0:29:41 | 0:29:46 | |
But no sort of last-minute thoughts about this, Gary? | 0:29:46 | 0:29:49 | |
No. We've put a reserve on it of £50, | 0:29:49 | 0:29:51 | |
but hopefully it will make more than that. | 0:29:51 | 0:29:54 | |
What do we do with it? £30 is bid, I should think so! | 0:29:54 | 0:29:57 | |
£30 right away, 30. 30, | 0:29:57 | 0:29:59 | |
40, 50, I've got 60. | 0:29:59 | 0:30:02 | |
Do you want 70, madam? £70 is bid. | 0:30:02 | 0:30:05 | |
All done at 70? 5... | 0:30:05 | 0:30:06 | |
5, 80? £80. I'm going to sell now, make no mistake, at £80, | 0:30:06 | 0:30:12 | |
lady's bid at 80. | 0:30:12 | 0:30:14 | |
A nice object, all done at 80. | 0:30:14 | 0:30:17 | |
50 to 100 is what John thought it was worth, 80 is what it went for. | 0:30:18 | 0:30:23 | |
-Good price? -Yes, that's OK, yes, happy with that. | 0:30:23 | 0:30:26 | |
So it's a solid finish to a solid first half of the auction, | 0:30:26 | 0:30:29 | |
with the lamp easily beating John's lowest estimate by £30. | 0:30:29 | 0:30:33 | |
Time now to add up the numbers, and see how well we've done so far. | 0:30:33 | 0:30:37 | |
We're heading towards that £500 to take you on your trip to London, your first trip. | 0:30:37 | 0:30:43 | |
Are you getting excited about it now? | 0:30:43 | 0:30:45 | |
Yes, I think so! THEY CHUCKLE | 0:30:45 | 0:30:46 | |
-And are you enjoying the auction? -Yes, it's good. | 0:30:46 | 0:30:49 | |
Only one item not sold, remember, but we have managed to make... | 0:30:49 | 0:30:53 | |
£237 and we've got a couple of very high-priced items still to come, | 0:30:53 | 0:30:58 | |
so you can take the weight off your feet and contemplate a lovely weekend in the West End. Come on! | 0:30:58 | 0:31:04 | |
As Alison and Gary head off for a well-earned break, | 0:31:05 | 0:31:08 | |
John is not resting on his laurels. | 0:31:08 | 0:31:10 | |
He's got great advice to make sure if you're looking for a perfect piece at auction, | 0:31:10 | 0:31:15 | |
you don't end up with a dud. | 0:31:15 | 0:31:17 | |
So what are you going to show me, John? | 0:31:17 | 0:31:19 | |
This piece of furniture. Have you ever bought anything and when you've got it home realised | 0:31:19 | 0:31:24 | |
it had faults and then wanted to take it back? | 0:31:24 | 0:31:26 | |
Fortunately not, but I know lots of people do! | 0:31:26 | 0:31:29 | |
It does happen a lot at auction - you can't bring it back. | 0:31:29 | 0:31:32 | |
It's caveat emptor - buyer beware. Once the hammer goes down, you've bought it as seen. | 0:31:32 | 0:31:37 | |
That's very relevant when talking about pieces of furniture like this. | 0:31:37 | 0:31:40 | |
It looks fine from the front, but we don't know what's going on at the back. | 0:31:40 | 0:31:44 | |
We've no idea if there's any woodworm in the back, | 0:31:44 | 0:31:47 | |
we don't know if the sides of this piece have been bleached, | 0:31:47 | 0:31:50 | |
or we don't know if any of it is original or unoriginal inside, | 0:31:50 | 0:31:54 | |
so I always say to people, don't be afraid to get the porters | 0:31:54 | 0:31:57 | |
to get this out so you can have a look and if there is nobody around, | 0:31:57 | 0:32:00 | |
pull out the drawers - once you've got the drawer out, | 0:32:00 | 0:32:03 | |
you can have a good look in the back there. | 0:32:03 | 0:32:06 | |
If it has got woodworm, it will show on both sides. | 0:32:06 | 0:32:08 | |
The feet at the front - you've no idea whether | 0:32:08 | 0:32:11 | |
it's got original feet at the back or any feet. | 0:32:11 | 0:32:14 | |
This could be propped up against something. I've seen that happen! | 0:32:14 | 0:32:17 | |
Obviously the answer is if you go to an auction and you want to buy a piece of furniture, | 0:32:17 | 0:32:22 | |
try and go the day before when it's viewed, | 0:32:22 | 0:32:25 | |
or at least early on the day of the sale, | 0:32:25 | 0:32:27 | |
so that you really can have a very close look at the piece that you're buying. | 0:32:27 | 0:32:31 | |
I couldn't have put it better! | 0:32:31 | 0:32:33 | |
Well, with so many lovely items in the sale room, it's difficult not to get sidetracked, | 0:32:33 | 0:32:38 | |
but as the auction continues, | 0:32:38 | 0:32:39 | |
we're back in place, just in time to see our next item go under the hammer. | 0:32:39 | 0:32:44 | |
It's the Georgian side table, | 0:32:44 | 0:32:46 | |
which was one of four taking up room in the hall. | 0:32:46 | 0:32:48 | |
John thinks it could make £120, but to make sure | 0:32:48 | 0:32:53 | |
it doesn't go too cheaply, Alison has put a reserve of £100 on it. | 0:32:53 | 0:32:57 | |
Is it a bit special to you, this table? | 0:32:57 | 0:32:59 | |
Yes, I do like it, it is a pretty table that I had in the hall | 0:32:59 | 0:33:04 | |
along with the other three, | 0:33:04 | 0:33:06 | |
and it is quite attractive, but one had to go at least. | 0:33:06 | 0:33:10 | |
So, £50 is bid, yes, 50. | 0:33:10 | 0:33:13 | |
60, I've got 70. | 0:33:13 | 0:33:15 | |
Do you want 80? 90? | 0:33:15 | 0:33:17 | |
100, 100? I've got 90 here. | 0:33:17 | 0:33:20 | |
100. 100 is bid now. | 0:33:20 | 0:33:22 | |
100. I'm going to sell now at £100. | 0:33:22 | 0:33:26 | |
It's going at £100. | 0:33:26 | 0:33:28 | |
Five bids on it at £100, now all done. | 0:33:28 | 0:33:33 | |
£100, dead on your reserve. | 0:33:33 | 0:33:37 | |
-Happy with that? -Yes. Yeah. | 0:33:37 | 0:33:40 | |
That's the second time that the bidding | 0:33:40 | 0:33:42 | |
has reached the reserve price today | 0:33:42 | 0:33:44 | |
and not a penny either side. | 0:33:44 | 0:33:45 | |
Fortunately, it's another £100 for the fund. | 0:33:45 | 0:33:49 | |
There's certainly interest for furniture, | 0:33:49 | 0:33:51 | |
so let's hope that continues for our next item. | 0:33:51 | 0:33:54 | |
This is a reproduction piece, an example of when demand gets high for something, | 0:33:54 | 0:33:58 | |
as it did for Victorian furniture in the '80s, | 0:33:58 | 0:34:01 | |
we start to see imports coming from the Far East. | 0:34:01 | 0:34:03 | |
With the passage of 20-plus years, | 0:34:03 | 0:34:05 | |
they can deceive some people who think they're actually period pieces, | 0:34:05 | 0:34:09 | |
but it's a repro piece, | 0:34:09 | 0:34:10 | |
it does need some reupholstering money invested in it as well. | 0:34:10 | 0:34:13 | |
£50 for it, start me off somebody, £50 anywhere. | 0:34:13 | 0:34:17 | |
It will fit in. £50, 50. | 0:34:17 | 0:34:19 | |
60. 70. | 0:34:19 | 0:34:20 | |
-Oooh. -80. 90 with you now. Are you bidding? | 0:34:20 | 0:34:24 | |
-£90. -£90! -100 anywhere? | 0:34:24 | 0:34:27 | |
I'd like to get up to 100. £90 is the bid. | 0:34:27 | 0:34:30 | |
All done at 90, I will sell, if that's all right? At £90, | 0:34:30 | 0:34:33 | |
down here at 90. | 0:34:33 | 0:34:36 | |
Middle of our estimate, not too bad. | 0:34:36 | 0:34:38 | |
Pretty good! | 0:34:38 | 0:34:39 | |
The reproduction settee goes £10 over the lowest estimate | 0:34:39 | 0:34:42 | |
and Alison and Gary | 0:34:42 | 0:34:43 | |
are edging towards the £500 they need for their London weekend. | 0:34:43 | 0:34:48 | |
Hopefully, the bidders will get them even closer by battling hard for the next item - | 0:34:48 | 0:34:53 | |
the complete set of four partridge shooting prints, | 0:34:53 | 0:34:56 | |
which we're hoping will fetch £80 to £120. | 0:34:56 | 0:34:59 | |
There we go, a nice set of prints. | 0:34:59 | 0:35:01 | |
What do we say? £50 to start me, 30 if you like. | 0:35:01 | 0:35:05 | |
£30, 30. Any interest? | 0:35:05 | 0:35:07 | |
30 is bid, 30. 30. 40. 45. | 0:35:07 | 0:35:12 | |
50. 55. | 0:35:12 | 0:35:14 | |
60. 65. | 0:35:14 | 0:35:17 | |
65. 70. 75 we can do. | 0:35:17 | 0:35:19 | |
75, £75 now. | 0:35:19 | 0:35:23 | |
£75 all done. | 0:35:23 | 0:35:27 | |
Sold at £75. | 0:35:27 | 0:35:30 | |
-OK with that, £75? -Yeah. -£5 under estimate, we were almost there! -I'm OK with that. | 0:35:30 | 0:35:34 | |
A couple of interested bidders in the room take the prints | 0:35:34 | 0:35:37 | |
to within £5 of the estimate - it's another good result. | 0:35:37 | 0:35:40 | |
'Up next is our second item of Georgian furniture... | 0:35:42 | 0:35:45 | |
'the washstand and bowl. | 0:35:45 | 0:35:47 | |
'John thinks that someone might find a use for it for £60 to £70.' | 0:35:47 | 0:35:51 | |
-Presumably you've never used this as a washstand, Alison? -Oh, no, no. | 0:35:51 | 0:35:55 | |
We usually throw our car keys in the bowl! | 0:35:55 | 0:35:57 | |
What do we say if we start the bidding at £40 for it? | 0:35:57 | 0:36:01 | |
It's not expensive. £40 anywhere? 40 is bid. 40. | 0:36:01 | 0:36:05 | |
£50, 50. | 0:36:05 | 0:36:07 | |
50 anywhere? | 0:36:07 | 0:36:09 | |
All done at £50. | 0:36:09 | 0:36:11 | |
£50...the best we can do at 50? | 0:36:11 | 0:36:14 | |
Not sold. | 0:36:14 | 0:36:17 | |
Sadly, not sold, which means... | 0:36:17 | 0:36:18 | |
at least you've got somewhere to put your keys when you go home! | 0:36:18 | 0:36:22 | |
Exactly! | 0:36:22 | 0:36:23 | |
So it's back up the motorway for | 0:36:23 | 0:36:25 | |
the washstand-cum-car-key-holder! Nevertheless, | 0:36:25 | 0:36:28 | |
all is not lost, as, without question, | 0:36:28 | 0:36:30 | |
our star item is up next. | 0:36:30 | 0:36:32 | |
If these miniatures do as well as we hope, | 0:36:32 | 0:36:35 | |
Alison and Gary will be sampling the delights of London very soon indeed! | 0:36:35 | 0:36:39 | |
I've really got a soft spot for the gentleman who has got the anchor behind him. | 0:36:39 | 0:36:43 | |
Interestingly, a couple of people who have looked at this have said, | 0:36:43 | 0:36:47 | |
"Do you think that could be Nelson?" Had that ever occurred to you? | 0:36:47 | 0:36:51 | |
-No. -No, it didn't. -No... I mean, I always thought Nelson lost his eye quite early, | 0:36:51 | 0:36:55 | |
and had rather a sort of cadaverous face, | 0:36:55 | 0:36:57 | |
and I think that man, as I've already said to John, | 0:36:57 | 0:37:00 | |
has got rather a nice sort of bedside-manner look to him. | 0:37:00 | 0:37:03 | |
Will you be sad to see these go? | 0:37:03 | 0:37:05 | |
Mmm, yes, I will. | 0:37:05 | 0:37:07 | |
Interesting lot. I'll be on the telephone for these. | 0:37:07 | 0:37:10 | |
Telephone bids. | 0:37:10 | 0:37:12 | |
-That's a good sign! -All weak at the knees? | 0:37:12 | 0:37:15 | |
We'll start the bidding off at £100 to start us off, please, | 0:37:15 | 0:37:18 | |
100 is bid. | 0:37:18 | 0:37:20 | |
100 here. I've got 150 with you. | 0:37:20 | 0:37:23 | |
150, are you bidding? 150. | 0:37:23 | 0:37:26 | |
200. 220. | 0:37:26 | 0:37:29 | |
240. 260. | 0:37:29 | 0:37:32 | |
280. 300. | 0:37:32 | 0:37:34 | |
All right? | 0:37:34 | 0:37:36 | |
300. I know you have a bid too. 300. | 0:37:36 | 0:37:38 | |
320, sir? 340? | 0:37:38 | 0:37:41 | |
360, 380, | 0:37:42 | 0:37:44 | |
400, 420... | 0:37:44 | 0:37:46 | |
(Aah, 420!) | 0:37:46 | 0:37:49 | |
440. 460. 480, sir? | 0:37:49 | 0:37:51 | |
500... | 0:37:51 | 0:37:53 | |
-Is he going to nod? -520 now. | 0:37:53 | 0:37:54 | |
He's nodding! | 0:37:54 | 0:37:56 | |
540, still with you. 560, sir? | 0:37:56 | 0:37:58 | |
580. | 0:37:58 | 0:37:59 | |
£600. 620 we'll take now. | 0:37:59 | 0:38:03 | |
600 is bid here. | 0:38:03 | 0:38:05 | |
-He's nodding again! -620 is bid here, 640, sir? | 0:38:05 | 0:38:08 | |
660? | 0:38:08 | 0:38:11 | |
Crikey! | 0:38:11 | 0:38:12 | |
£660 we're asking for. 660 is bid. | 0:38:12 | 0:38:15 | |
680. £700 now? | 0:38:15 | 0:38:18 | |
-They want him badly! -They do, don't they? | 0:38:18 | 0:38:20 | |
-I told you he had a lovely bedside manner! -You did! | 0:38:20 | 0:38:24 | |
-680 is bid in the room. -All eyes are on the man on the telephone. | 0:38:24 | 0:38:28 | |
700 with you. One more. 700. | 0:38:28 | 0:38:30 | |
720, sir? 720 is bid. 740. | 0:38:30 | 0:38:34 | |
No? | 0:38:36 | 0:38:38 | |
720 is your bid now. | 0:38:38 | 0:38:40 | |
All done at £720. | 0:38:40 | 0:38:43 | |
For the last time, all done at £720. | 0:38:43 | 0:38:47 | |
Fantastic! | 0:38:47 | 0:38:49 | |
-Oh! What do you say to that? -That's amazing! -That's fantastic! | 0:38:49 | 0:38:55 | |
-Great! -That's fabulous! -Somebody wanted him badly! | 0:38:55 | 0:38:58 | |
I think somebody may have had an argument who either the artist was or the sitter, | 0:38:58 | 0:39:02 | |
because once you have either of that information, | 0:39:02 | 0:39:05 | |
it kind of doubles and trebles in value. | 0:39:05 | 0:39:07 | |
The quality was definitely there, it generated interest, | 0:39:07 | 0:39:10 | |
-the rest was in the hands of the auction. -It's all about research. | 0:39:10 | 0:39:14 | |
What a fantastic result for that one item! | 0:39:14 | 0:39:17 | |
-Yeah, that was fabulous! -Wow! -Oooh. | 0:39:17 | 0:39:20 | |
Yes, I'm so excited, I've come over all hot! | 0:39:24 | 0:39:28 | |
It's a truly stunning result for the miniatures, | 0:39:28 | 0:39:32 | |
'which take us by surprise! | 0:39:32 | 0:39:33 | |
'A telephone bidder and a gentleman in the room fought it out to push the price up | 0:39:33 | 0:39:38 | |
'more than £500 over the lowest estimate, | 0:39:38 | 0:39:41 | |
'and in one fell swoop, Alison and Gary have beaten their target, | 0:39:41 | 0:39:45 | |
'but just how far over have we gone?' | 0:39:45 | 0:39:48 | |
-Remind us of how much you wanted to raise? -£500. -£500! | 0:39:48 | 0:39:52 | |
Well, you know you've made more than that | 0:39:52 | 0:39:54 | |
because the miniatures made more than that, | 0:39:54 | 0:39:57 | |
but have you any inkling as to how much you've made in total? | 0:39:57 | 0:40:00 | |
Just a little over £1,000? | 0:40:00 | 0:40:03 | |
Oh, this is going to give you such a wonderful weekend in London! | 0:40:03 | 0:40:06 | |
£1,222! | 0:40:06 | 0:40:09 | |
Wow. That's brilliant! | 0:40:09 | 0:40:12 | |
-So what kind of a weekend do you reckon you're going to have now, Gary? -A very nice one! | 0:40:12 | 0:40:17 | |
Maybe see two shows! ALL LAUGH | 0:40:17 | 0:40:20 | |
After that incredible result at auction, | 0:40:25 | 0:40:27 | |
Alison and Gary have taken no time at all to arrange a lovely couple of days in the capital. | 0:40:27 | 0:40:32 | |
It's been an epic 18-year wait for Alison, | 0:40:32 | 0:40:36 | |
and she couldn't be more delighted! | 0:40:36 | 0:40:40 | |
Made good money at the auction, very pleased with that, | 0:40:40 | 0:40:43 | |
over the target, and now we're here to spend it. | 0:40:43 | 0:40:45 | |
Looking forward to the show tonight. | 0:40:45 | 0:40:47 | |
Having never been to London before, first things first, it's onto a tour bus | 0:40:47 | 0:40:51 | |
for a whistle-stop circuit of all the biggest attractions. | 0:40:51 | 0:40:56 | |
Oh, that's fantastic! | 0:40:56 | 0:40:58 | |
'I loved the Houses of Parliament, going over the Thames -' | 0:40:58 | 0:41:03 | |
absolutely awesome. | 0:41:03 | 0:41:05 | |
With the sites ticked off, it's time for the main event. | 0:41:05 | 0:41:09 | |
Alison was supposed to see Phantom Of The Opera all those years ago, | 0:41:09 | 0:41:12 | |
and tonight, she finally gets to make that dream come true. | 0:41:12 | 0:41:16 | |
It's been absolutely amazing seeing just about as much as we could see | 0:41:16 | 0:41:22 | |
in a couple of days, and now really looking forward to seeing the show. | 0:41:22 | 0:41:26 | |
This is the highlight of it all, so just can't wait to get in there, | 0:41:26 | 0:41:30 | |
get seated and just relax and take it all in. | 0:41:30 | 0:41:34 |