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Welcome to Cash In The Attic, the programme that works with you to find antiques | 0:00:02 | 0:00:05 | |
and collectibles in your home and then sells them with you at auction. | 0:00:05 | 0:00:09 | |
Today I'm in Woolwich in East London at the Thames Barrier Park, | 0:00:09 | 0:00:13 | |
which is just a few hundred yards from the Thames Barrier itself. | 0:00:13 | 0:00:17 | |
You know, that barrier is really impressive, | 0:00:17 | 0:00:19 | |
but of course it's absolutely essential | 0:00:19 | 0:00:22 | |
to protect our capital city from the threat of flooding. | 0:00:22 | 0:00:25 | |
The idea for the barrier came after a terrible flood in 1953. | 0:00:25 | 0:00:30 | |
160,000 acres of land near the mouth of the Thames were flooded, | 0:00:30 | 0:00:35 | |
with disastrous consequences and loss of life. | 0:00:35 | 0:00:38 | |
The Thames Barrier was the solution | 0:00:38 | 0:00:40 | |
and officially opened by the Queen in 1984. | 0:00:40 | 0:00:43 | |
It consists of ten separate moveable gates | 0:00:43 | 0:00:47 | |
and spans a gap of 520 metres across the river. | 0:00:47 | 0:00:51 | |
It really is an amazing structure, | 0:00:51 | 0:00:53 | |
but it's time for us to leave this rather futuristic setting | 0:00:53 | 0:00:56 | |
and put the clock back a hundred years or so, | 0:00:56 | 0:00:58 | |
as we go in search of antiques and collectibles to take to auction. | 0:00:58 | 0:01:02 | |
Coming up on today's Cash In The Attic, | 0:01:23 | 0:01:26 | |
Paul's picking up a few tips of the trade. | 0:01:26 | 0:01:29 | |
This Sunday, I'm going to go on a car-boot with you, see what I can find! | 0:01:29 | 0:01:32 | |
I'm having to crack the whip. | 0:01:32 | 0:01:34 | |
So I'm afraid the gin and tonic will have to wait, madam! | 0:01:34 | 0:01:37 | |
LAUGHTER | 0:01:37 | 0:01:39 | |
And we can barely believe our luck come auction day. | 0:01:39 | 0:01:42 | |
-I can't believe that! -Well done! | 0:01:42 | 0:01:45 | |
But can we keep our feet on the ground until the final hammer falls? | 0:01:45 | 0:01:49 | |
I'm on my way to meet a family who want to raise money | 0:01:50 | 0:01:54 | |
for a very exciting new arrival to the family. | 0:01:54 | 0:01:56 | |
This Victorian terraced house in south-east London | 0:01:57 | 0:02:01 | |
is home to Dave Green and his wife Michelle. | 0:02:01 | 0:02:03 | |
Dave owns and runs his own building firm | 0:02:03 | 0:02:06 | |
for which Michelle works as company secretary. | 0:02:06 | 0:02:08 | |
And the couple have just celebrated their third wedding anniversary. | 0:02:08 | 0:02:12 | |
With a new addition arriving in a couple of months, | 0:02:12 | 0:02:15 | |
they want to raise some cash for a special present. | 0:02:15 | 0:02:18 | |
-Morning, Paul! -Good morning, how are you? | 0:02:18 | 0:02:20 | |
-I've been down to the Thames Barrier today. -Oh, really? -Yes. | 0:02:20 | 0:02:23 | |
I've decided I can throw my wellies away | 0:02:23 | 0:02:25 | |
cos I think London's going to be safe from a flood. | 0:02:25 | 0:02:28 | |
I hope so, but you never know. The climate is changing... | 0:02:28 | 0:02:31 | |
I know, look at it! | 0:02:31 | 0:02:32 | |
We're going to meet two sunny people today, that should make up for it. | 0:02:32 | 0:02:35 | |
That sounds really good. Do they have any antiques? | 0:02:35 | 0:02:38 | |
I think they just might have cos they want to raise money | 0:02:38 | 0:02:40 | |
for something very special - a new addition to their family. | 0:02:40 | 0:02:43 | |
-Lovely. -Shall we see what they've got? -New car? | 0:02:43 | 0:02:46 | |
Wait and see! | 0:02:46 | 0:02:48 | |
Hi, Dave and Michelle. | 0:02:49 | 0:02:51 | |
What a fab card! | 0:02:51 | 0:02:53 | |
That's Dave and I on a Saturday night. | 0:02:53 | 0:02:55 | |
Singing and dancing like Fred and Ginge. | 0:02:55 | 0:02:57 | |
Oh, that's it, yeah. | 0:02:57 | 0:03:00 | |
Brilliant. Now, which one of you two called in Cash In The Attic? | 0:03:00 | 0:03:04 | |
That was me. | 0:03:04 | 0:03:05 | |
Yes, I like surprising my husband and we're trying to raise some money | 0:03:05 | 0:03:10 | |
for my daughter who's having her first baby, | 0:03:10 | 0:03:14 | |
to put towards a pram. | 0:03:14 | 0:03:16 | |
-They're a bit expensive these days. -They are. | 0:03:16 | 0:03:18 | |
-Is this the first grandchild? -This is the first grandchild. | 0:03:18 | 0:03:21 | |
-So you want something a bit special? -Yes. | 0:03:21 | 0:03:23 | |
And how much do you think it's going to cost? | 0:03:23 | 0:03:26 | |
Um, we're hoping to raise about £300. | 0:03:26 | 0:03:29 | |
We're going to have an expectant day at auction in more ways than one, | 0:03:29 | 0:03:32 | |
-and I know Paul's already started work, so shall we go and find him and see what he's found? -Yes. | 0:03:32 | 0:03:36 | |
This couple clearly can't wait for the new arrival, | 0:03:36 | 0:03:40 | |
so we need to get straight down to business. | 0:03:40 | 0:03:43 | |
And we've got our own family man here to help today. | 0:03:43 | 0:03:46 | |
Paul Hayes has made the journey south from Morecambe | 0:03:46 | 0:03:49 | |
to help us turn this couple's dusty antiques into baby-fund cash. | 0:03:49 | 0:03:53 | |
-Ah, hello. -Hi. | 0:03:53 | 0:03:55 | |
Hard at work already. What have you found? | 0:03:55 | 0:03:57 | |
I've found a collection of collectors' plates. | 0:03:57 | 0:04:00 | |
I quite like these, actually. | 0:04:00 | 0:04:01 | |
They're all by Wedgwood | 0:04:01 | 0:04:03 | |
and they're all from the Royal Horticultural Society. | 0:04:03 | 0:04:06 | |
What attracted you to these? The flowers or the plates? | 0:04:06 | 0:04:09 | |
It was the Wedgwood plate connection and the colour. | 0:04:09 | 0:04:12 | |
I love all the colours in the flowers. They're really nice. | 0:04:12 | 0:04:14 | |
Well, these used to be issued in magazines | 0:04:14 | 0:04:17 | |
and you would buy them once a month, so you'd save up, | 0:04:17 | 0:04:19 | |
and they were roughly about £20 usually. | 0:04:19 | 0:04:22 | |
And you'd get... Obviously cos this one's called April, | 0:04:22 | 0:04:25 | |
I would suspect they're all flowers of the month, | 0:04:25 | 0:04:27 | |
there's 12 in the series. | 0:04:27 | 0:04:29 | |
But these were made in the 1970s | 0:04:29 | 0:04:31 | |
and these designs are by a lady called Leslie Greenwood | 0:04:31 | 0:04:35 | |
who I'm not familiar with, but she's a very, very talented artist. | 0:04:35 | 0:04:38 | |
They're in fabulous condition. Will that add to their value? | 0:04:38 | 0:04:41 | |
It doesn't always work out that way. | 0:04:41 | 0:04:43 | |
Things that are made for the collectible market | 0:04:43 | 0:04:46 | |
tend to stay in really good condition, | 0:04:46 | 0:04:48 | |
so there's no real rarity there. | 0:04:48 | 0:04:50 | |
I think the only time I've seen these actually fetch more money | 0:04:50 | 0:04:53 | |
than someone's laid out are the subjects. | 0:04:53 | 0:04:55 | |
If you get aeroplanes or trains, vintage cars, | 0:04:55 | 0:04:58 | |
they have an added value. | 0:04:58 | 0:05:00 | |
People go in for that sort of thing. | 0:05:00 | 0:05:01 | |
So if I said at least £50-£100, | 0:05:01 | 0:05:04 | |
but I would expect two people who liked them | 0:05:04 | 0:05:06 | |
to bid a bit more for them. | 0:05:06 | 0:05:08 | |
So £50-£100. That's a start for the £300 that we want to raise. | 0:05:08 | 0:05:12 | |
-Are you happy with that? -I'm happy with that. That'll buy one wheel! | 0:05:12 | 0:05:16 | |
Let's go and see if we can find the other three | 0:05:16 | 0:05:18 | |
before the one wheel falls off the wagon! | 0:05:18 | 0:05:21 | |
What a cracking start to our day's rummaging, | 0:05:22 | 0:05:25 | |
but if we're going to get the new baby a pram to be proud of, | 0:05:25 | 0:05:28 | |
we need a few more gems yet. | 0:05:28 | 0:05:29 | |
Luckily, Dave's already on the case | 0:05:29 | 0:05:32 | |
and digs out an Art Deco style Bakelite radio, | 0:05:32 | 0:05:35 | |
which Paul values at a rather modest £10-£20. | 0:05:35 | 0:05:37 | |
Meanwhile, upstairs, | 0:05:38 | 0:05:40 | |
Michelle and Paul are tackling one of the bedrooms. | 0:05:40 | 0:05:43 | |
How's that? | 0:05:43 | 0:05:45 | |
I was the fifth Beatle. | 0:05:45 | 0:05:47 | |
What about these, Paul? | 0:05:47 | 0:05:50 | |
They're interesting, aren't they? Now then, here we go. | 0:05:50 | 0:05:53 | |
-So where have you got these from? -I bought them from the boot fair. | 0:05:53 | 0:05:56 | |
Right. Well, this first one here is called a vesta case, | 0:05:56 | 0:06:00 | |
and that expression comes from the Greek goddess Vesta. | 0:06:00 | 0:06:03 | |
She was the goddess of the hearth. | 0:06:03 | 0:06:05 | |
And what it's used for is for matches. | 0:06:05 | 0:06:08 | |
-OK. -These go back to a time when matches were self-combustible, | 0:06:08 | 0:06:12 | |
so, if you exposed the match to the air, | 0:06:12 | 0:06:15 | |
the whole thing would self-combust. | 0:06:15 | 0:06:17 | |
If you had the matches in your pocket loose, | 0:06:17 | 0:06:19 | |
they could go off in your waistcoat. | 0:06:19 | 0:06:21 | |
They used to put them in airtight containers. | 0:06:21 | 0:06:23 | |
This one definitely is silver - see the little lion there? Solid silver. | 0:06:23 | 0:06:27 | |
But this one's actually for snuff. | 0:06:27 | 0:06:29 | |
That's a little snuff box. This one's from Holland. | 0:06:29 | 0:06:31 | |
These very intricate tavern scenes were always Dutch | 0:06:31 | 0:06:35 | |
and I can date this one easily. | 0:06:35 | 0:06:37 | |
It says 12th June 1923, | 0:06:37 | 0:06:39 | |
so that's when this has been presented or made. | 0:06:39 | 0:06:42 | |
All right. So we have two solid silver items. | 0:06:42 | 0:06:45 | |
This one's from Holland, this from England. | 0:06:45 | 0:06:47 | |
-I think we're looking at £30-£50. -Really? -Does that sound all right? | 0:06:47 | 0:06:50 | |
Yeah, that sounds fine. And how much were they? | 0:06:50 | 0:06:54 | |
I think I paid £2.50 for that one | 0:06:54 | 0:06:55 | |
and probably a couple of pounds for that one. | 0:06:55 | 0:06:58 | |
Just goes to show. | 0:06:58 | 0:06:59 | |
This Sunday, I'm going to go on a car-boot with you, see what I can find! | 0:06:59 | 0:07:02 | |
It looks like we've got a new expert in the making. | 0:07:02 | 0:07:06 | |
You'd better watch out, Paul. | 0:07:06 | 0:07:08 | |
In the hallway, I've found a gorgeous Japanese-style vase, | 0:07:08 | 0:07:11 | |
which tops up our kitty by another £10-£20. | 0:07:11 | 0:07:15 | |
I leave Paul to continue the search for now | 0:07:15 | 0:07:18 | |
and head down to the bottom of the garden | 0:07:18 | 0:07:20 | |
to find out a bit more about our grandparents-to-be. | 0:07:20 | 0:07:22 | |
-So this is the bar that Dave built. -It certainly is. | 0:07:22 | 0:07:26 | |
What can I get you, sir, madam? | 0:07:26 | 0:07:28 | |
Two gin and tonics, please! Ice and lemon. | 0:07:28 | 0:07:31 | |
This is fantastic, because you built the bar here... | 0:07:31 | 0:07:34 | |
I tell you, it beats having a shed at the end of the garden. | 0:07:34 | 0:07:37 | |
-And the barbecue outside. -This is better than tools. | 0:07:37 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:42 | |
You've been married for, what, three years? | 0:07:42 | 0:07:45 | |
What was it, Michelle, that attracted you to Dave? | 0:07:45 | 0:07:47 | |
For me, it was love at first sight. | 0:07:47 | 0:07:50 | |
-Very handsome man. -I agree with that. | 0:07:50 | 0:07:53 | |
LAUGHTER | 0:07:53 | 0:07:54 | |
He's a wonderful, clever man. | 0:07:56 | 0:07:58 | |
Now, let's talk about this baby that we're raising this money for, | 0:07:58 | 0:08:02 | |
it's going to be your first grandchild. | 0:08:02 | 0:08:04 | |
How do you feel about being a granny? | 0:08:04 | 0:08:06 | |
Really looking forward to it. She's got six weeks to go! | 0:08:06 | 0:08:10 | |
So I'll be really busy, I would imagine. | 0:08:10 | 0:08:13 | |
-So is it going to be a girl or a boy? -It's a girl. | 0:08:13 | 0:08:16 | |
-Called? -Mia. | 0:08:16 | 0:08:18 | |
How lovely. | 0:08:18 | 0:08:20 | |
Mia Grace, I think it is. | 0:08:20 | 0:08:22 | |
Mia Grace. | 0:08:22 | 0:08:23 | |
Mia Grace is going to have a fabulous pram | 0:08:23 | 0:08:26 | |
to be wheeled around in, isn't she, by her doting grandparents? | 0:08:26 | 0:08:31 | |
-But only if we find some more stuff that we can take to auction. -OK. | 0:08:31 | 0:08:34 | |
I'm afraid the gin and tonic will have to wait, madam! | 0:08:34 | 0:08:37 | |
LAUGHTER | 0:08:37 | 0:08:39 | |
Back in the house, Mr Hayes is in a rather unusual room for rummaging, | 0:08:39 | 0:08:44 | |
but the bathroom proves to be fruitful | 0:08:44 | 0:08:47 | |
when he spots this Murano glass clown. | 0:08:47 | 0:08:49 | |
He packs it off to auction | 0:08:49 | 0:08:50 | |
with a very colourful £30-£50 price tag. | 0:08:50 | 0:08:53 | |
Dave's thrown himself back into the rummage | 0:08:54 | 0:08:57 | |
and it looks like he's come up trumps. | 0:08:57 | 0:09:01 | |
-Paul? -Yeah? -Come and see what I've found. | 0:09:02 | 0:09:04 | |
Let's have a look. These old railway lamps? | 0:09:04 | 0:09:06 | |
They're not railway. They're ship's lamps. Whose were these? | 0:09:06 | 0:09:09 | |
-These were my dad's. -And was he a keen sailor? | 0:09:09 | 0:09:12 | |
He used to collect bits and pieces, but these were on his bar. | 0:09:12 | 0:09:17 | |
He had a bar in his house, | 0:09:17 | 0:09:19 | |
but they were highly polished when my dad had them. | 0:09:19 | 0:09:23 | |
Of course, they've not been touched since. | 0:09:23 | 0:09:26 | |
These would've been highly prized when they were on board a ship | 0:09:26 | 0:09:29 | |
and they would go either side of a ship - port and starboard. | 0:09:29 | 0:09:33 | |
They would tell other sailors which direction they would go. | 0:09:33 | 0:09:38 | |
-Were these for candles inside? -Originally they would have candles. | 0:09:38 | 0:09:41 | |
Sometimes they were converted to gas, | 0:09:41 | 0:09:43 | |
but these would have held a little candle wick in there, | 0:09:43 | 0:09:47 | |
and that would've burnt down and you'd replace it when you needed to. | 0:09:47 | 0:09:51 | |
The nice thing is you've got a pair. | 0:09:51 | 0:09:52 | |
You have got a red and a green one which is how you find them. | 0:09:52 | 0:09:55 | |
They're copper. | 0:09:55 | 0:09:56 | |
Maybe need a bit of a polish but I quite like them as they are. | 0:09:56 | 0:09:59 | |
They're quite nice. It says Chamberlain's Nautical Works, | 0:09:59 | 0:10:03 | |
129 Waterloo Road, London, so I'd say these were 1890s, 1900s. | 0:10:03 | 0:10:08 | |
So I think you've got a great collecting area. | 0:10:08 | 0:10:11 | |
If I said at least £30, maybe up to about £50, how does that sound? | 0:10:11 | 0:10:16 | |
-Sounds good. -All right? | 0:10:16 | 0:10:18 | |
That sounds great. Let's see if we can find something else. | 0:10:18 | 0:10:21 | |
-Lovely. -OK. | 0:10:21 | 0:10:23 | |
Another £30 into the pram fund. Great work, chaps. | 0:10:23 | 0:10:27 | |
Next door, Michelle has got another little item to add to the haul | 0:10:27 | 0:10:30 | |
when she finds this silver vase, | 0:10:30 | 0:10:32 | |
which Paul values at £30-£50. | 0:10:32 | 0:10:36 | |
Downstairs, I've found something that could be music to our ears. | 0:10:36 | 0:10:40 | |
Where did this come from, Dave? Who's the violinist in the family? | 0:10:40 | 0:10:43 | |
No-one, actually. When I was... | 0:10:43 | 0:10:46 | |
-I bought a house to renovate and this was in the attic. -Wow! | 0:10:46 | 0:10:53 | |
Right, well, do you know what? | 0:10:53 | 0:10:54 | |
I always wanted to find a Stradivarius in the attic. | 0:10:54 | 0:10:57 | |
But it says here "Antonius Stradivarius, Cremona" | 0:10:57 | 0:11:02 | |
which is the corner of Italy where he used to make all his violins. | 0:11:02 | 0:11:05 | |
"Faciebat anno" which is Latin, I think, | 0:11:05 | 0:11:08 | |
for "made in the year" 1721. | 0:11:08 | 0:11:10 | |
So there we are. So everything about it says it's made in 1721, | 0:11:10 | 0:11:14 | |
but I think it means twenty past five! | 0:11:14 | 0:11:18 | |
This is a modern-ish copy of an early Stradivarius. | 0:11:18 | 0:11:21 | |
Stradivarius is so famous, it's like having a Van Gogh or a Rembrandt. | 0:11:21 | 0:11:25 | |
It's the name really, in violins. | 0:11:25 | 0:11:27 | |
So, if it's not the real thing... Sorry about that, Dave. | 0:11:27 | 0:11:31 | |
If it's not the real thing, how much is this worth? | 0:11:31 | 0:11:33 | |
It's not in the best of condition, is it? | 0:11:33 | 0:11:36 | |
No. If it didn't have its label in there, | 0:11:36 | 0:11:38 | |
which most violins don't, there are a couple of things to look for - | 0:11:38 | 0:11:42 | |
three different types of wood. | 0:11:42 | 0:11:44 | |
A good-quality violin will have a spruce neck, | 0:11:44 | 0:11:47 | |
it will have a willow case and innards, | 0:11:47 | 0:11:49 | |
and the back would be maple. | 0:11:49 | 0:11:51 | |
This looks like all the same type of wood, | 0:11:51 | 0:11:53 | |
so I would say it's not a serious instrument. | 0:11:53 | 0:11:56 | |
It's just a little bit of fun, really. | 0:11:56 | 0:11:58 | |
Something you'd stick on the wall? | 0:11:58 | 0:12:00 | |
Exactly, just to say you've got a Stradivarius. | 0:12:00 | 0:12:04 | |
If I said between £40 and £80, how does that sound? | 0:12:04 | 0:12:07 | |
-That sounds good to me. -Is that music to your ears? | 0:12:07 | 0:12:10 | |
That certainly is! | 0:12:10 | 0:12:12 | |
Well, even in its rather well-used condition, | 0:12:12 | 0:12:15 | |
this violin still adds £40 to our kitty, | 0:12:15 | 0:12:17 | |
so every cloud has a silver lining. | 0:12:17 | 0:12:20 | |
Michelle is still racking up the finds | 0:12:20 | 0:12:22 | |
when she digs out this pair of metal matchboxes. | 0:12:22 | 0:12:24 | |
Paul thinks they could make £10-£20. | 0:12:24 | 0:12:27 | |
It's almost the end | 0:12:27 | 0:12:29 | |
of our day here with Dave and Michelle, | 0:12:29 | 0:12:31 | |
but we find Paul with one last item. | 0:12:31 | 0:12:34 | |
-Hi, Paul. -Ah, I was hoping to see you two. | 0:12:34 | 0:12:36 | |
-You've got time on your hands there! -I certainly have. | 0:12:36 | 0:12:39 | |
Only a very small piece of time, though. | 0:12:39 | 0:12:41 | |
-These are beautiful! -Thank you. | 0:12:41 | 0:12:43 | |
Are they something you've bought? | 0:12:43 | 0:12:45 | |
No, this one I bought and this is something | 0:12:45 | 0:12:48 | |
that's been in our family for a number of years at my mother's house, | 0:12:48 | 0:12:51 | |
and she's donated it as a contribution towards the pram. | 0:12:51 | 0:12:54 | |
This is a top, top quality clock, absolutely fantastic. | 0:12:54 | 0:12:59 | |
This one on the right is an item that you can buy today, | 0:12:59 | 0:13:02 | |
just a little novelty. This one is actually solid gold. | 0:13:02 | 0:13:05 | |
That tells me that's been a very wealthy lady who's had that. | 0:13:05 | 0:13:09 | |
Did you know that was solid gold? | 0:13:09 | 0:13:10 | |
I did not, no, no. I'm sure my mother wouldn't want to know that either. | 0:13:10 | 0:13:15 | |
Well, it does make a difference. | 0:13:15 | 0:13:17 | |
Bearing in mind solid gold items would've been horrendously expensive | 0:13:17 | 0:13:21 | |
in the 1920s or '30s when this clock would've been made. | 0:13:21 | 0:13:24 | |
I suspect this has been made by a really good manufacturer - | 0:13:24 | 0:13:27 | |
someone like Cartier, Tiffany's, that sort of thing. | 0:13:27 | 0:13:29 | |
You're on that sort of level. | 0:13:29 | 0:13:31 | |
But there's no Cartier or Tiffany name. | 0:13:31 | 0:13:32 | |
There's no mark on it, | 0:13:32 | 0:13:33 | |
but we have got, on the front face, "Huit jours" | 0:13:33 | 0:13:36 | |
which is 'eight days' in French, | 0:13:36 | 0:13:38 | |
so it will wind for eight days without needing to rewind it. | 0:13:38 | 0:13:40 | |
On the bottom here, we have a hallmark. | 0:13:40 | 0:13:43 | |
Now, this is a gold hallmark and it says 585, | 0:13:43 | 0:13:46 | |
and how it works is a percentage. | 0:13:46 | 0:13:48 | |
So, if we had 1,000 parts, 585 of them are solid gold. | 0:13:48 | 0:13:53 | |
The rest is a base metal. | 0:13:53 | 0:13:55 | |
it basically translates is that this is 14-carat gold - | 0:13:55 | 0:13:58 | |
a high quality, it's not the cheapest. | 0:13:58 | 0:14:00 | |
This is really good. | 0:14:00 | 0:14:01 | |
Fantastic piece. So what do you think it might be worth, Paul? | 0:14:01 | 0:14:05 | |
You've got some beautifully bright cut engraving on the front, | 0:14:05 | 0:14:08 | |
it's in lovely condition, it's solid gold. | 0:14:08 | 0:14:10 | |
I'm going to put a conservative estimate on this, | 0:14:10 | 0:14:13 | |
and I would say at least £200 upwards. | 0:14:13 | 0:14:17 | |
How does that sound? | 0:14:17 | 0:14:18 | |
-If you can find it's a good maker, I think you've cracked it. -Four wheels on the pram. -Exactly! | 0:14:18 | 0:14:23 | |
-We should call Dave in. -We should. | 0:14:23 | 0:14:25 | |
Dave, do you want to come and join us a second? | 0:14:25 | 0:14:27 | |
Paul has come up with a great valuation of at least £200. | 0:14:27 | 0:14:32 | |
-Yes. -Right. | 0:14:32 | 0:14:33 | |
And possibly more, | 0:14:33 | 0:14:35 | |
which means that, if we add it all up together, | 0:14:35 | 0:14:39 | |
we should raise at least £440. | 0:14:39 | 0:14:43 | |
-That's good. -That's fantastic. | 0:14:43 | 0:14:45 | |
So tell your daughter to get shopping, | 0:14:45 | 0:14:47 | |
cos by the time we go to auction, we need to know what she wants. | 0:14:47 | 0:14:51 | |
-Yes. -That's great. | 0:14:51 | 0:14:52 | |
We've had a really fun day with Michelle and Dave, | 0:14:52 | 0:14:56 | |
and we've got a wonderful selection of items to take to auction. | 0:14:56 | 0:14:59 | |
The colourful collection of Wedgwood plates, | 0:14:59 | 0:15:01 | |
which Paul valued at a conservative £50-£100. | 0:15:01 | 0:15:04 | |
The rather battered violin which could prove to be a perfect restoration project | 0:15:04 | 0:15:08 | |
with its modest £40-£80 estimate. | 0:15:09 | 0:15:11 | |
And of course the beautiful carriage clock, | 0:15:11 | 0:15:13 | |
which proves size doesn't matter | 0:15:13 | 0:15:15 | |
as we're hoping it could make a massive £200. | 0:15:15 | 0:15:18 | |
Still to come on Cash In The Attic, | 0:15:20 | 0:15:22 | |
Michelle is trying to look on the bright side. | 0:15:22 | 0:15:24 | |
Somebody else can enjoy them. | 0:15:24 | 0:15:26 | |
And there's more room in your sitting room. OK. | 0:15:26 | 0:15:29 | |
But some results have all our emotions running high. | 0:15:29 | 0:15:33 | |
-Right! -How's that? | 0:15:33 | 0:15:36 | |
So will we have reached our target when the final hammer falls? | 0:15:36 | 0:15:40 | |
It's been a week or two now | 0:15:45 | 0:15:47 | |
since we joined Dave and Michelle in their home in south-east London, | 0:15:47 | 0:15:50 | |
searching it from top to bottom | 0:15:50 | 0:15:52 | |
to find things that we could sell today here at Chiswick Auctions. | 0:15:52 | 0:15:56 | |
There's a new baby due in the family. | 0:15:56 | 0:15:58 | |
It's all very exciting, | 0:15:58 | 0:16:00 | |
because Michelle's daughter Sarah is about to have her very first child, | 0:16:00 | 0:16:04 | |
and they want to raise £300 to buy a top-of-the-range pram for her. | 0:16:04 | 0:16:09 | |
So we rather hope that our bidders today will really deliver | 0:16:09 | 0:16:12 | |
when their items go under the hammer. | 0:16:12 | 0:16:14 | |
The saleroom is packed with antiques and collectibles of all shapes and sizes, | 0:16:15 | 0:16:19 | |
and the bidders are already here giving them the once-over. | 0:16:19 | 0:16:22 | |
Before things get too busy, | 0:16:22 | 0:16:24 | |
I catch up with Paul Hayes for a quick pre-sale chat. | 0:16:24 | 0:16:28 | |
Paul, don't these plates look fabulous all put out like this? | 0:16:28 | 0:16:32 | |
It's great. You come in here, and you see these plates. | 0:16:32 | 0:16:35 | |
I'd like to bid for them. They're very nice. | 0:16:35 | 0:16:37 | |
You were taken by that very beautiful little miniature clock. | 0:16:37 | 0:16:41 | |
Yeah, how often do you see items like that? | 0:16:41 | 0:16:43 | |
What an absolutely fantastic item. | 0:16:43 | 0:16:46 | |
I think it should sell well, | 0:16:46 | 0:16:47 | |
so I put quite an estimate on it - £200 - | 0:16:47 | 0:16:49 | |
but that should be no problem at all. | 0:16:49 | 0:16:51 | |
We must find out if there's one other thing that's arrived, | 0:16:51 | 0:16:54 | |
-and that's the baby! -Of course. | 0:16:54 | 0:16:56 | |
-They're going to buy the pram for them, shall we go and ask them? -OK. | 0:16:56 | 0:17:00 | |
With Paul sounding so positive, I've got high hopes for our target today. | 0:17:00 | 0:17:05 | |
The auction is due to start any minute, | 0:17:05 | 0:17:07 | |
we find our grandparents-to-be in the corner of a very busy saleroom. | 0:17:07 | 0:17:12 | |
Michelle and David, you have... | 0:17:12 | 0:17:15 | |
That must be the tiniest thing in the entire saleroom. | 0:17:15 | 0:17:19 | |
Look at the size of it. It's so small! | 0:17:19 | 0:17:21 | |
Well, small is beautiful. | 0:17:21 | 0:17:23 | |
Lots of nice things come in small packages. | 0:17:23 | 0:17:26 | |
-It's a fantastic item. I love it. -But the thing we need to know - | 0:17:26 | 0:17:29 | |
has it arrived yet? The baby! | 0:17:29 | 0:17:31 | |
-The baby. -Has it arrived yet? -No, not yet. Any day now. | 0:17:31 | 0:17:34 | |
-So have you finally chosen the pram? -Yes, we have. | 0:17:34 | 0:17:37 | |
Yes, she's finally chosen the pram and it's a lovely pram. | 0:17:37 | 0:17:40 | |
We're going to make as much as we can for that pram, | 0:17:40 | 0:17:42 | |
shall we take our places? | 0:17:42 | 0:17:43 | |
If you're planning on buying or selling at auction, | 0:17:43 | 0:17:46 | |
remember charges such as commission will be added to your bill, | 0:17:46 | 0:17:49 | |
so check the details with your local auction house. | 0:17:49 | 0:17:53 | |
The bidders are eagerly waiting, | 0:17:53 | 0:17:55 | |
so we find a spot to watch the action unfold, | 0:17:55 | 0:17:57 | |
and our first lot under the hammer is the Bakelite radio. | 0:17:57 | 0:18:01 | |
£10-£20 doesn't seem a lot, actually. | 0:18:01 | 0:18:03 | |
People just buy these for the cases. | 0:18:03 | 0:18:06 | |
We've all moved on so much with technology with radios, | 0:18:06 | 0:18:09 | |
with digital radios, tenner for decorative value. | 0:18:09 | 0:18:12 | |
Lot 10A. A little bit of interest in that. I'm bid £20 straight off. | 0:18:12 | 0:18:16 | |
20 in! | 0:18:16 | 0:18:17 | |
22, 24, 26, 28, 30... | 0:18:17 | 0:18:21 | |
£30 for the radio. At £30... | 0:18:21 | 0:18:24 | |
And 2, anybody else? For £30... Going for £30, then. At 30. | 0:18:24 | 0:18:29 | |
-Wow! -Well done! | 0:18:29 | 0:18:30 | |
That's well over Paul's estimate, and gets us off to a strong start. | 0:18:30 | 0:18:34 | |
If we keep up this pace, we should reach the £300 in no time. | 0:18:34 | 0:18:38 | |
Next up on the rostrum is the pair of nautical lamps. | 0:18:38 | 0:18:41 | |
Our expert hopes they'll guide the bidders safely | 0:18:41 | 0:18:45 | |
towards their £30-£50 estimate. | 0:18:45 | 0:18:47 | |
Lot 20A, here we go. What are they worth? £20? 20, 22, 24... | 0:18:47 | 0:18:51 | |
£24 for the ship's lamps. At £24... | 0:18:51 | 0:18:54 | |
26, somebody? For £24... | 0:18:54 | 0:18:56 | |
Are you all done? £24, then. | 0:18:56 | 0:18:59 | |
-That's a bit less than we wanted but not bad. -That's not bad. | 0:18:59 | 0:19:02 | |
That's only a few pounds under estimate | 0:19:02 | 0:19:05 | |
and another good addition to the pram fund. | 0:19:05 | 0:19:08 | |
We might bank a few more pounds | 0:19:08 | 0:19:09 | |
when the Japanese vase is shown to the room... | 0:19:09 | 0:19:13 | |
£16, then. At 16... | 0:19:13 | 0:19:15 | |
..and sells for £6 over Paul's lower estimate. | 0:19:15 | 0:19:18 | |
Things are going well so far. I'm quietly hopeful about our next lot. | 0:19:18 | 0:19:22 | |
It's the snuff box and vesta case our couple got at a car-boot sale. | 0:19:22 | 0:19:27 | |
All these pretty little items | 0:19:27 | 0:19:29 | |
you bought originally off the back of somebody's car, | 0:19:29 | 0:19:32 | |
thinking you really wanted them. | 0:19:32 | 0:19:34 | |
-We really did at the time. -At the time. | 0:19:34 | 0:19:36 | |
We're a pair of clutter bugs! | 0:19:36 | 0:19:37 | |
We thought we'd collect them. | 0:19:37 | 0:19:39 | |
Two in the lot, 40A. | 0:19:39 | 0:19:41 | |
Start me for 20. | 0:19:41 | 0:19:42 | |
20 I'm bid straight off, 22, 24, 26? | 0:19:42 | 0:19:46 | |
£26 further back. At £26... 26, 28... | 0:19:46 | 0:19:51 | |
30? | 0:19:51 | 0:19:53 | |
£30, in the house at 30. At £30, I'm bid, then. | 0:19:53 | 0:19:56 | |
30 it's going... | 0:19:56 | 0:19:58 | |
-There you go. -On the nose. | 0:19:58 | 0:20:00 | |
That's great, isn't it? | 0:20:00 | 0:20:02 | |
Paul's estimates seem pretty spot on, and long may it last. | 0:20:02 | 0:20:05 | |
A long way to go before we reach that £300. | 0:20:05 | 0:20:07 | |
Well, hopefully the little matchboxes will strike | 0:20:07 | 0:20:10 | |
the right chord in the saleroom, with their £10-£20 estimate. | 0:20:10 | 0:20:15 | |
Is it worth £10 for the lot? £10 I'm bid. Maiden bid of £10. | 0:20:15 | 0:20:19 | |
It can be sold for £10. | 0:20:19 | 0:20:21 | |
At £10, £12 in front of me. | 0:20:21 | 0:20:23 | |
£12 in front of me, then. | 0:20:23 | 0:20:25 | |
14 upstairs. No? | 0:20:25 | 0:20:28 | |
£14 upstairs, then. | 0:20:28 | 0:20:29 | |
At £14... 14 it is, then. | 0:20:29 | 0:20:32 | |
-Terrific! -Yeah, how's that? | 0:20:32 | 0:20:34 | |
Another few pounds in the kitty, | 0:20:34 | 0:20:36 | |
and we're all feeling pleased with our progress so far. | 0:20:36 | 0:20:39 | |
We're halfway through and it's one of our favourite lots up next - | 0:20:39 | 0:20:43 | |
the reproduction Stradivarius. We're hoping for £40-£80. | 0:20:43 | 0:20:46 | |
Imagine someone buying it to say | 0:20:46 | 0:20:48 | |
they have a Stradivarius violin. | 0:20:48 | 0:20:49 | |
Well, it's be music to our ears whatever it makes. | 0:20:49 | 0:20:53 | |
Lot 60A. Quite a lot of commission interest in this. | 0:20:53 | 0:20:55 | |
I can start this already at £60. | 0:20:55 | 0:20:59 | |
Fantastic! | 0:20:59 | 0:21:01 | |
65, 70, 75, 80, 85, 90, | 0:21:01 | 0:21:05 | |
95, 100, 110, 120, 130, 140, 150, | 0:21:05 | 0:21:12 | |
160, 170, 180, | 0:21:12 | 0:21:15 | |
190... 190 there. | 0:21:15 | 0:21:17 | |
At £190... | 0:21:17 | 0:21:18 | |
At 190 far back, 190. | 0:21:18 | 0:21:21 | |
Selling for 190... | 0:21:21 | 0:21:22 | |
-I can't believe that! -Well done! | 0:21:22 | 0:21:24 | |
-I can't believe that, really. -That's brilliant. | 0:21:24 | 0:21:27 | |
What an incredible result. | 0:21:27 | 0:21:30 | |
It may not have been a genuine Stradivarius, | 0:21:30 | 0:21:32 | |
but it obviously struck the right note with the bidders today. | 0:21:32 | 0:21:36 | |
No time to celebrate yet, another lot goes under the hammer. | 0:21:36 | 0:21:39 | |
This time it's the collection of Wedgwood plates. | 0:21:39 | 0:21:42 | |
Are these worth £20, for the Wedgwood? £20 for them? | 0:21:44 | 0:21:47 | |
No less than 20. 20 I'm bid, a maiden bid of £20. 22. | 0:21:47 | 0:21:51 | |
-24, 26... -The lady down the front here wants them. | 0:21:51 | 0:21:55 | |
£28 there with that lady. 30 there. | 0:21:55 | 0:21:57 | |
32, 34... | 0:21:57 | 0:21:59 | |
£34. Here at £34. For £34, | 0:21:59 | 0:22:03 | |
the Wedgwood going at 34, then. £34. 252. | 0:22:03 | 0:22:07 | |
Well, somebody else can enjoy them. | 0:22:07 | 0:22:09 | |
-And there's more room in your sitting room. -OK! | 0:22:09 | 0:22:13 | |
That's the attitude, Michelle. | 0:22:13 | 0:22:15 | |
It's disappointing, but after the spectacular violin sale, | 0:22:15 | 0:22:18 | |
we can afford to take this knock. | 0:22:18 | 0:22:22 | |
But when the little Murano glass clown | 0:22:22 | 0:22:24 | |
also sells for way below its £30 estimate... | 0:22:24 | 0:22:26 | |
10 I'm bid. A maiden bid of £10. | 0:22:26 | 0:22:28 | |
It's going, then, for £10. The Murano selling, then, for £10. | 0:22:28 | 0:22:31 | |
All done at 10...? | 0:22:31 | 0:22:33 | |
We're all hoping the saleroom isn't cooling off. | 0:22:33 | 0:22:36 | |
Maybe the pretty silver vase will get the bidders to dig deep again. | 0:22:36 | 0:22:40 | |
£20? You know it is. | 0:22:43 | 0:22:44 | |
20 I'm bid, 22, 24... £24. That little bit of silver at 24. | 0:22:44 | 0:22:48 | |
-26 now? -We're up to £26 already. | 0:22:48 | 0:22:51 | |
£26, £28. | 0:22:51 | 0:22:53 | |
There at £28, on the sofa there. Near to me at £28... | 0:22:53 | 0:22:56 | |
It's going for 28, then. | 0:22:56 | 0:22:58 | |
-That's good. -£2 under the estimate, but you got rid of it which is what we wanted. -Yeah. -Yeah. | 0:22:58 | 0:23:04 | |
A new home for the silver vase and another £28 towards the pram. | 0:23:04 | 0:23:08 | |
That's more like it. | 0:23:08 | 0:23:09 | |
The auction's nearly over, but not before our star lot | 0:23:09 | 0:23:13 | |
takes centre stage. | 0:23:13 | 0:23:14 | |
Not surprisingly, there's been | 0:23:14 | 0:23:16 | |
a lot of interest in the little solid gold carriage clock. | 0:23:16 | 0:23:20 | |
Paul put £200 on it. | 0:23:20 | 0:23:21 | |
We think it might do... very, very, very well today. | 0:23:21 | 0:23:26 | |
It should do well because it is a beautiful piece. | 0:23:26 | 0:23:29 | |
-It's really lovely. -If you told me to find another one, I would struggle. | 0:23:29 | 0:23:33 | |
That's the way I look at this item. | 0:23:33 | 0:23:34 | |
To anyone who's a jeweller or collects watches and clocks, | 0:23:34 | 0:23:37 | |
it's a nice little item, solid gold. Yeah, great thing. | 0:23:37 | 0:23:40 | |
Let's hope. Here we go. | 0:23:40 | 0:23:42 | |
Lovely quality thing, 110A, the clock, | 0:23:42 | 0:23:45 | |
and I've got some interest in it and a phone bid, so I'm bid £200. | 0:23:45 | 0:23:50 | |
Straight off at £200. | 0:23:50 | 0:23:52 | |
At 200, 210, 220, 230, 240... | 0:23:52 | 0:23:57 | |
£240. 250, | 0:23:57 | 0:24:00 | |
260 on the telephone. | 0:24:00 | 0:24:01 | |
He really wants it, doesn't he? | 0:24:01 | 0:24:03 | |
280 on the telephone. | 0:24:03 | 0:24:05 | |
At £280 on the telephone. | 0:24:05 | 0:24:07 | |
-290 next to you. 300, and 20 do you want? -On the phone. | 0:24:07 | 0:24:10 | |
320, 340... | 0:24:10 | 0:24:13 | |
360. | 0:24:13 | 0:24:15 | |
Keep going. Keep going. | 0:24:15 | 0:24:16 | |
£360. In the room then, for 360. I'm selling it. | 0:24:16 | 0:24:19 | |
380, just in time. | 0:24:19 | 0:24:20 | |
Crikey! | 0:24:21 | 0:24:23 | |
Do you want 400? £380 there. | 0:24:23 | 0:24:25 | |
380, 400... | 0:24:25 | 0:24:27 | |
And 20, 440, | 0:24:27 | 0:24:29 | |
460, 480? | 0:24:29 | 0:24:32 | |
£480. In front of me then, at 480. | 0:24:32 | 0:24:36 | |
Anybody else want to come in? £480... | 0:24:36 | 0:24:39 | |
480. | 0:24:39 | 0:24:41 | |
How's that? | 0:24:42 | 0:24:44 | |
Well done! | 0:24:44 | 0:24:46 | |
What a terrific result, well over double Paul's estimate. | 0:24:46 | 0:24:50 | |
I'm not surprised Michelle is shedding a few tears of joy. | 0:24:50 | 0:24:53 | |
After that fantastic final sale, I can't wait to add up how much we've done overall. | 0:24:53 | 0:24:58 | |
You wanted to raise, what was it? £300. | 0:24:58 | 0:25:01 | |
The clock has made more than 300 before you even go any further! | 0:25:01 | 0:25:04 | |
But while you were busy wiping away the tears there, | 0:25:04 | 0:25:07 | |
I was trying to do a little bit of maths here, and I think that what you have made today is... | 0:25:07 | 0:25:13 | |
-Well, you can get the gold coach for this. You've made £856! -No?! | 0:25:13 | 0:25:17 | |
-That's brilliant. -Crikey! -That's brilliant. | 0:25:17 | 0:25:21 | |
Thank you so much. Thank you. | 0:25:21 | 0:25:23 | |
So...when is this baby due? | 0:25:23 | 0:25:26 | |
Now! | 0:25:26 | 0:25:28 | |
A couple of weeks after that triumphant day at auction, Michelle and Dave can finally | 0:25:32 | 0:25:37 | |
splash out on a new pram and it's not a moment too soon. | 0:25:37 | 0:25:40 | |
Baby Mia finally came on the scene a week late, | 0:25:41 | 0:25:44 | |
but she's gorgeous, absolutely gorgeous. | 0:25:44 | 0:25:47 | |
With so many prams on display, our new grandparents are spoilt for choice. | 0:25:47 | 0:25:51 | |
I really like that one. Yeah, it's really nice. If they'd done it in a different colour... | 0:25:51 | 0:25:56 | |
But it doesn't take too long for our new grandma to find the perfect one. | 0:25:56 | 0:26:00 | |
-Dave! -Oh. -They've got it. That's lovely. -Yeah, that's the one. | 0:26:00 | 0:26:06 | |
-Sold? -Sold. | 0:26:06 | 0:26:08 | |
Come on, then. Let's go and get it. | 0:26:08 | 0:26:09 | |
With the purchase made, it's time to road-test the new set of wheels, | 0:26:09 | 0:26:14 | |
and it looks like baby Mia is along for the ride. | 0:26:14 | 0:26:16 | |
Sarah is over the moon with her new pram, absolutely loves it, | 0:26:18 | 0:26:21 | |
but we've nicked the baby first, | 0:26:21 | 0:26:23 | |
to bring her out for her first walk today in the park. | 0:26:23 | 0:26:26 | |
Well, this pair are definitely doting grandparents, | 0:26:26 | 0:26:30 | |
and I have a feeling that this walk is the first of many. | 0:26:30 | 0:26:33 | |
Well, congratulations to Michelle and David. | 0:26:37 | 0:26:40 | |
They are absolutely over the moon with that result, and clearly | 0:26:40 | 0:26:44 | |
that grandchild of theirs is going to be travelling in style. | 0:26:44 | 0:26:47 | |
If there's something you would like to raise money for and you have things at home | 0:26:47 | 0:26:52 | |
you'd be happy to take to auction, why not get in touch with the programme? | 0:26:52 | 0:26:56 | |
You'll find all the details on our website. | 0:26:56 | 0:26:58 | |
And we look forward to seeing you on Cash In The Attic. | 0:27:00 | 0:27:03 | |
Subtitles by Red Bee Media Ltd | 0:27:05 | 0:27:08 | |
Email [email protected] | 0:27:08 | 0:27:11 |