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Welcome to Cash In The Attic, this is the show that finds the hidden | 0:00:00 | 0:00:04 | |
treasures in your home and then we sell them for you at auction. | 0:00:04 | 0:00:08 | |
Well, today I'm in Essex and I've just got time to pop in and see Queen Elizabeth's hunting lodge, | 0:00:08 | 0:00:13 | |
in Epping, which was built for King Henry VIII in 1543. | 0:00:13 | 0:00:18 | |
This unique timber-framed Tudor building was constructed as | 0:00:19 | 0:00:23 | |
a platform or grandstand that allowed guests to both view | 0:00:23 | 0:00:27 | |
the hunt from a good vantage point, and participate. | 0:00:27 | 0:00:30 | |
They could shoot their crossbows from the upper level. | 0:00:30 | 0:00:34 | |
This was once an ideal place for the King to show off his wealth and power. | 0:00:34 | 0:00:38 | |
Now it's a museum, laid out just as it would have been in Tudor times. | 0:00:38 | 0:00:42 | |
This wonderful building is a testament to the solid craftsmanship in times gone by. | 0:00:45 | 0:00:50 | |
Let's just hope that today we can find plenty of antiques and collectibles of the same quality. | 0:00:50 | 0:00:55 | |
Coming up on Cash In The Attic, John finds a unique use for one of the items. | 0:01:18 | 0:01:23 | |
This one I used to have flowers in. | 0:01:23 | 0:01:24 | |
I love the thought of that. That's what you call, bedding in plants, isn't it? | 0:01:24 | 0:01:29 | |
CHUCKLING Yes. | 0:01:29 | 0:01:31 | |
Will the man of the house be in trouble? | 0:01:31 | 0:01:34 | |
Came off with a cricket ball. | 0:01:34 | 0:01:35 | |
We won't go into that. | 0:01:35 | 0:01:37 | |
No, I was going to say, let's not go into that - Jack! | 0:01:37 | 0:01:39 | |
And will the bidders get more than they bargained for at auction? | 0:01:39 | 0:01:43 | |
The seat has got quite a lot of worm damage in it. | 0:01:43 | 0:01:46 | |
But I think that adds to the charm to some degree. | 0:01:46 | 0:01:49 | |
-I bet you didn't know that when you were sitting on it, did you? -No. | 0:01:49 | 0:01:52 | |
Find out when the hammer falls. | 0:01:52 | 0:01:55 | |
Well, today I've come to Loughton in Essex to meet a full-time mum who's | 0:01:57 | 0:02:01 | |
hoping Cash In The Attic can help her raise the funds | 0:02:01 | 0:02:05 | |
she's looking for, so her son can take a skiing trip. | 0:02:05 | 0:02:08 | |
Single mum Karen Linstead lives with her 12-year-old son, Jack. | 0:02:08 | 0:02:12 | |
They're both very active. | 0:02:12 | 0:02:15 | |
Karen goes to the gym daily while Jack enjoys all sports. | 0:02:15 | 0:02:19 | |
Karen has enjoyed collecting for many years. | 0:02:19 | 0:02:21 | |
So I hope we'll find plenty of items to take to auction. | 0:02:21 | 0:02:25 | |
Good morning, John. | 0:02:25 | 0:02:27 | |
-You're looking very smart today. -Thank you. Who are we seeing today? | 0:02:27 | 0:02:30 | |
Well, we've got a lovely family today. | 0:02:30 | 0:02:32 | |
But the point of us being here is to try and raise some money for the boy's skiing trip with the school. | 0:02:32 | 0:02:37 | |
Really? Hopefully she'll have lots of antiques for us to rummage and I'll try not to go off piste. | 0:02:37 | 0:02:42 | |
-Have you been skiing before? -I have. Not quite off the nursery slopes yet. | 0:02:42 | 0:02:45 | |
Oh, really? Well, so long as you don't break a leg, come on. | 0:02:45 | 0:02:48 | |
-Good morning. -Good morning. -Hi, how are you? | 0:02:53 | 0:02:56 | |
-Very well, thank you. -Very nice to meet you. | 0:02:56 | 0:02:58 | |
Jack, I understand we're here because of you, is that right? | 0:02:58 | 0:03:01 | |
Yeah, I'm going skiing. | 0:03:01 | 0:03:04 | |
So, have you ever been on a school trip like this before? | 0:03:04 | 0:03:07 | |
No, I haven't. But I've been skiing once before. | 0:03:07 | 0:03:10 | |
I went to the French Alps to a place called Alpe d'Huez. | 0:03:10 | 0:03:13 | |
Now school skiing trips are very expensive nowadays, aren't they? | 0:03:13 | 0:03:18 | |
-What sort of money are we talking about? -Probably without spending money, about £700 or £800 maybe. | 0:03:18 | 0:03:26 | |
In that sort of ball park. They're going to Europe this year. | 0:03:26 | 0:03:29 | |
So, Karen, tell me a little bit about where these antiques have come from over the years? | 0:03:29 | 0:03:34 | |
We used to go to the south coast, Bournemouth, a friend and I. | 0:03:34 | 0:03:38 | |
And there was a beautiful little antique shop there. | 0:03:38 | 0:03:41 | |
And I think she got to know what I liked, | 0:03:41 | 0:03:43 | |
because when I went there there was always something I fell in love with. | 0:03:43 | 0:03:48 | |
All over really, just always having a little look to see if you can see something. | 0:03:48 | 0:03:53 | |
So, you said that the ski school trip is probably going to cost around £700, | 0:03:53 | 0:03:57 | |
how much are you looking to raise from selling these antiques? | 0:03:57 | 0:04:01 | |
Well, as near to that as I can really. | 0:04:01 | 0:04:03 | |
OK, well, if we say £500? | 0:04:03 | 0:04:05 | |
-Yeah, that would be lovely. -Does that sound fair enough? -Yeah. | 0:04:05 | 0:04:08 | |
All right, shall we go and see if we can find John? | 0:04:08 | 0:04:11 | |
And start valuing some items? Come on, then. | 0:04:11 | 0:04:14 | |
'Helping us off the nursery slopes today it's art expert John Cameron. | 0:04:16 | 0:04:20 | |
'He has a great love of antiques and has been dealing in the market for over 20 years. | 0:04:20 | 0:04:25 | |
'While Jack gets on with the task in hand Karen and I meet John | 0:04:25 | 0:04:29 | |
'in the lounge, he's nursing his first find of the day.' | 0:04:29 | 0:04:32 | |
A-ha, John, rocking the baby to sleep already? | 0:04:32 | 0:04:36 | |
Glad to say my sleepless nights are a long way behind me. | 0:04:36 | 0:04:39 | |
Now, these are lovely. Did you buy these at the time you were expecting Jack? | 0:04:39 | 0:04:43 | |
No, I bought them about 20 years ago. | 0:04:43 | 0:04:46 | |
And about a couple of years in between. | 0:04:46 | 0:04:49 | |
And this one I suppose I did envisage that hopefully one day | 0:04:49 | 0:04:53 | |
I'd have a baby, and he'd go in it, she'd go in it. | 0:04:53 | 0:04:56 | |
And this one I used to have flowers in. | 0:04:56 | 0:04:58 | |
I love the thought of that. That's what you call bedding in plants, isn't it? | 0:04:58 | 0:05:01 | |
LAUGHTER Yes. | 0:05:01 | 0:05:03 | |
We've got two very different cribs from two very different periods. | 0:05:03 | 0:05:07 | |
The first one is made of oak. | 0:05:07 | 0:05:08 | |
A frame and panel construction, very typical of the mini oak coffers you see around auction houses. | 0:05:08 | 0:05:15 | |
A typical lozenge carving to the panels there. | 0:05:15 | 0:05:18 | |
It's of a type, open cradle, you do see them with these canopies | 0:05:18 | 0:05:22 | |
but the canopy of this piece has been added later. | 0:05:22 | 0:05:25 | |
If you have a look on the back, you can see the contrast in textures and colours of the timbers. | 0:05:25 | 0:05:31 | |
But also this carving around the canopy, that comes from 19th century furniture. | 0:05:31 | 0:05:35 | |
-OK. -But largely it is a late 17th century oak rocking cradle. But my favourite has to be this one. | 0:05:35 | 0:05:40 | |
-Jack slept in this one until he was about nine months old. -Oh, right. | 0:05:40 | 0:05:44 | |
Because it's actually got a good rhythm, hasn't it? | 0:05:44 | 0:05:47 | |
It has got a wonderfully smooth rocking motion. It's fantastic. | 0:05:47 | 0:05:50 | |
Well over 100 years old and you'd still put a baby and that today, wouldn't you? | 0:05:50 | 0:05:54 | |
-Yeah. -Now can you remember what sort of prices you paid? | 0:05:54 | 0:05:57 | |
I think I paid around £300 for this one and about half, just over half of that for the metal one. | 0:05:57 | 0:06:04 | |
So how does that compare today, John? | 0:06:04 | 0:06:07 | |
Because of the alterations it's going to put off a few of the real serious oak collectors. | 0:06:07 | 0:06:12 | |
So I'd be pitching an estimate of about £100 to £150 for that. | 0:06:12 | 0:06:15 | |
This one here, obviously a couple of hundred years later, my favourite, | 0:06:15 | 0:06:20 | |
-still the same sort of money. £100 to £150. -OK. | 0:06:20 | 0:06:22 | |
How do you feel about those valuations? They're a little less than you paid. | 0:06:22 | 0:06:25 | |
They are, but I've had them over 20 years, I've really enjoyed them. | 0:06:25 | 0:06:29 | |
So, you know, now we're moving on to computers and that sort of thing. | 0:06:29 | 0:06:34 | |
-Skiing trips. -Skiing trips, yes. | 0:06:34 | 0:06:36 | |
A very sweet start. I think Karen is being quite practical. | 0:06:37 | 0:06:42 | |
She may love the cribs but she's enjoyed them for many years. | 0:06:42 | 0:06:45 | |
And now it's time to bid them farewell. | 0:06:45 | 0:06:49 | |
Jack has found an encyclopaedia of practical cookery. | 0:06:49 | 0:06:52 | |
I've no doubt that the celebrity chefs who grace | 0:06:52 | 0:06:54 | |
our TV screens have improved their methods | 0:06:54 | 0:06:57 | |
greatly since this set was published in eight volumes. | 0:06:57 | 0:07:01 | |
Old cookery books can be very collectible | 0:07:01 | 0:07:04 | |
so John thinks they're worth £30 to £40. | 0:07:04 | 0:07:07 | |
Next up we've a collection that would have made any Edwardian home owner feel proud. | 0:07:09 | 0:07:14 | |
John, what do you think about this for the auction? | 0:07:14 | 0:07:17 | |
This is just like a washstand collection I've had for a while now. | 0:07:17 | 0:07:22 | |
It's lovely to see that you've got a nice long set here. | 0:07:22 | 0:07:24 | |
I don't recall ever seeing a pair of wash basins with the matching jugs, that's really unusual. | 0:07:24 | 0:07:30 | |
You do see long sets, and you've got your toothbrush holder here, | 0:07:30 | 0:07:33 | |
you've got your waste water pail and your soap receptacle with the cover on there. No little ring stand? | 0:07:33 | 0:07:39 | |
-No. -No? -That's all there's ever been. | 0:07:39 | 0:07:42 | |
It's very nice indeed. Have a look at this other piece here. Where did it come from? | 0:07:42 | 0:07:45 | |
It came from a little antique shop in Chadwell Heath. | 0:07:45 | 0:07:49 | |
I used to look at it every day for about two years because I worked near | 0:07:49 | 0:07:52 | |
there and one day the chap beckoned me in and said, | 0:07:52 | 0:07:56 | |
"I've seen you looking at it. I'm packing up." | 0:07:56 | 0:07:58 | |
I said, "Well, I didn't think it was for sale." He said, "Well, it is now." | 0:07:58 | 0:08:03 | |
-We agreed a price and I took it home. -Do you remember what you paid for it? | 0:08:03 | 0:08:06 | |
I think I paid between £60 and £80. | 0:08:06 | 0:08:09 | |
Again it was a long time ago. | 0:08:09 | 0:08:11 | |
But I was very happy with that price, | 0:08:11 | 0:08:13 | |
because at that time this was very popular. | 0:08:13 | 0:08:15 | |
That wasn't a bad price, actually. | 0:08:15 | 0:08:18 | |
Date-wise Edwardian, turn of the last century. | 0:08:18 | 0:08:21 | |
Looking at the style, these delicate draping bellflower swags with these pendants and floral, | 0:08:21 | 0:08:27 | |
enamel decoration, typically Edwardian, very feminine in style. | 0:08:27 | 0:08:33 | |
The actual design is probably Crown Devon Fieldings, there isn't a mark on it but there's a registration, | 0:08:33 | 0:08:39 | |
possibly trace that in a reference book | 0:08:39 | 0:08:42 | |
to who registered that design. But they were copying Worcester. | 0:08:42 | 0:08:46 | |
Worcester brought out a very popular range which they termed blush ivory. | 0:08:46 | 0:08:50 | |
And this is all transfer printed and enamelled over the top. | 0:08:50 | 0:08:54 | |
So these were made in quite large numbers. | 0:08:54 | 0:08:58 | |
Even today, although we've seen a major drop in demand | 0:08:58 | 0:09:01 | |
for this sort of thing, I'd still like to think that a good long set, | 0:09:01 | 0:09:04 | |
a good matching set like this, should make £80 to £100 to £120 at auction. | 0:09:04 | 0:09:09 | |
-Wonderful. That's good. -Jolly good, a great find. | 0:09:09 | 0:09:11 | |
But we're not quite there yet. | 0:09:11 | 0:09:13 | |
If we're going to get on those slopes, let's see what else we can rummage. | 0:09:13 | 0:09:17 | |
I'm very happy with his valuation because it's more than I paid for it, | 0:09:18 | 0:09:22 | |
so, and I've enjoyed it for 20 odd years. | 0:09:22 | 0:09:25 | |
So it can't be bad. | 0:09:25 | 0:09:27 | |
While we've been busy Jack's enthusiasm has shown no signs of dipping. | 0:09:27 | 0:09:32 | |
The school ski trip must be a great incentive for him. | 0:09:32 | 0:09:35 | |
He finds some Mary Gregory glass. | 0:09:35 | 0:09:37 | |
Mary Gregory worked for an American glass company in the late 1800s. | 0:09:37 | 0:09:42 | |
She may not have made every item of glass that bears her name | 0:09:42 | 0:09:46 | |
but Mary Gregory is the name | 0:09:46 | 0:09:48 | |
given to the style of glass | 0:09:48 | 0:09:49 | |
that features children and is decorated with white enamel. | 0:09:49 | 0:09:53 | |
There's a cranberry vase too. | 0:09:53 | 0:09:56 | |
Together, they should make £30 to £50. | 0:09:56 | 0:09:58 | |
As a single mum Karen has made a fine job of bringing up her son. | 0:10:01 | 0:10:05 | |
I'm keen to find out a little bit more about their relationship. | 0:10:05 | 0:10:09 | |
Now it seems to me that you've got a very close relationship, you both obviously get on very well. | 0:10:09 | 0:10:13 | |
Yeah, we do. We do. | 0:10:13 | 0:10:15 | |
-We chug along together. -Is he good company? | 0:10:15 | 0:10:18 | |
He's very good company and I'm noticing now we have a lot of holidays, we love our holidays. | 0:10:18 | 0:10:22 | |
And whereas I used to be a bit nervous taking away a two-year-old, a three-year-old, | 0:10:22 | 0:10:26 | |
now he sort of takes over and he's got passports ready | 0:10:26 | 0:10:30 | |
and he's the man, really, which is great. | 0:10:30 | 0:10:34 | |
He's very good at sports, by the sounds of it as well. | 0:10:34 | 0:10:36 | |
What sort of sports is he into, then? | 0:10:36 | 0:10:38 | |
He likes his sports, loves his skiing. | 0:10:38 | 0:10:41 | |
And he's snowboarding now as well. | 0:10:41 | 0:10:43 | |
He likes cricket, football, | 0:10:43 | 0:10:46 | |
good little tennis player. We play a lot of tennis together. | 0:10:46 | 0:10:50 | |
And we swim a lot together. | 0:10:50 | 0:10:51 | |
We both love swimming and diving. Yeah. | 0:10:51 | 0:10:55 | |
Tell me a little bit about your career. | 0:10:55 | 0:10:58 | |
I worked at Barclays Bank, from school I went to Barclays Bank. | 0:10:58 | 0:11:02 | |
And then I went into advertising. | 0:11:02 | 0:11:04 | |
A lot of selling work, really. | 0:11:04 | 0:11:07 | |
So did you decide to give that up to have Jack? | 0:11:07 | 0:11:10 | |
Yes. Just before I was 40 I thought, "Oh my goodness, I haven't had a child yet." | 0:11:10 | 0:11:15 | |
And we decided that I should be a full-time mum. | 0:11:16 | 0:11:21 | |
At first that was difficult but now I'm really enjoying it. | 0:11:21 | 0:11:25 | |
I don't mind not being in business at all now. | 0:11:25 | 0:11:28 | |
I love it. | 0:11:28 | 0:11:30 | |
So what do you think of the advantages or disadvantages of being an older mum? | 0:11:30 | 0:11:32 | |
I think you're much more patient. | 0:11:32 | 0:11:34 | |
I think you're more established in your life. | 0:11:34 | 0:11:37 | |
And you've got more time to give to the children, I think. | 0:11:37 | 0:11:41 | |
Which is just as well cos there's so many more mums having | 0:11:41 | 0:11:43 | |
children later and time goes by so quickly and it just happens to you. | 0:11:43 | 0:11:47 | |
So, in terms of the future with Jack what d'you hope that he might accomplish? | 0:11:47 | 0:11:53 | |
Whatever makes him happy. | 0:11:53 | 0:11:55 | |
Doesn't have to be even a professional, I'd just like him to have a... | 0:11:55 | 0:12:00 | |
you know, not to work too hard, because that's not a good thing. | 0:12:00 | 0:12:06 | |
I hope John Cameron is working very hard professionally and finding plenty of items | 0:12:06 | 0:12:10 | |
to raise money for Jack's skiing trip. | 0:12:10 | 0:12:11 | |
-Shall we go and see how they're getting on? -Love to. | 0:12:11 | 0:12:14 | |
Jack is a mature young man and a credit to his mum. | 0:12:16 | 0:12:20 | |
The apple of his mother's eye seems to have an eye for antiques himself. | 0:12:20 | 0:12:23 | |
He's searching out John for a few answers. | 0:12:23 | 0:12:27 | |
John, I've found these. | 0:12:27 | 0:12:28 | |
Let's have a look, Jack. Pop yourself down. Oh, dear. | 0:12:28 | 0:12:33 | |
-They look interesting, do you know what they are? -No, I don't. | 0:12:33 | 0:12:38 | |
They're cocktail sticks, and they're used for either putting a cherry | 0:12:38 | 0:12:43 | |
on the end, as this little thingy on the top implies, | 0:12:43 | 0:12:45 | |
or perhaps an olive for your Martini. | 0:12:45 | 0:12:47 | |
They're nice but they're actually silver, and we can tell that by this | 0:12:47 | 0:12:52 | |
-little hallmark here, can you see that? -Yeah. | 0:12:52 | 0:12:54 | |
Very difficult to see what the naked eye but we've got a set of marks on there, | 0:12:54 | 0:12:57 | |
one of which tells us it's silver. | 0:12:57 | 0:12:59 | |
The second one tells us where the silver was tested, | 0:12:59 | 0:13:02 | |
in this case it was Chester. | 0:13:02 | 0:13:04 | |
And we have a date letter, and the letter in this case is a little N, | 0:13:04 | 0:13:09 | |
and that relates to 1938. | 0:13:09 | 0:13:11 | |
So we're right in the middle of the cocktail period. | 0:13:11 | 0:13:14 | |
Just one year before the Second World War broke out. | 0:13:14 | 0:13:17 | |
Now, there's also a little maker's mark on there, a W and H. | 0:13:17 | 0:13:22 | |
That's Walker and Hall, | 0:13:22 | 0:13:24 | |
a very well-known firm of silversmiths. | 0:13:24 | 0:13:26 | |
They started in the 19th century. | 0:13:26 | 0:13:29 | |
They were eventually bought out by Maplin and Webb, | 0:13:29 | 0:13:32 | |
another very first-rate silversmiths. | 0:13:32 | 0:13:34 | |
These are lovely, a set of six of them, in their fitted box, | 0:13:34 | 0:13:38 | |
they're of the period. I like them. I think they're quite desirable at auction. | 0:13:38 | 0:13:41 | |
Any idea what you think they might be worth? | 0:13:41 | 0:13:43 | |
-About £30. -You're not far off. | 0:13:43 | 0:13:46 | |
You might not be wrong, I might be tempted to say a little bit more. | 0:13:46 | 0:13:50 | |
I'd be looking, hoping, for about £40 to £60. | 0:13:50 | 0:13:53 | |
-Oh. -Do you think Mum would be happy with that? | 0:13:53 | 0:13:55 | |
I think she'd be really happy with £40. | 0:13:55 | 0:13:57 | |
Jolly good, that's an excellent find. | 0:13:57 | 0:14:00 | |
But, we're not quite there yet, young man. | 0:14:00 | 0:14:02 | |
If we're to get you on those nursery slopes and up on the lifts we've got to find a few more things. | 0:14:02 | 0:14:06 | |
So, come on, take me somewhere else, see what else we can find. | 0:14:06 | 0:14:10 | |
While John and Jack have been discussing the glamorous era | 0:14:10 | 0:14:14 | |
of 1930s cocktails, Karen's made a slightly less exotic, | 0:14:14 | 0:14:18 | |
but equally important discovery. | 0:14:18 | 0:14:20 | |
It's an Imari pattern Royal Crown Derby vase. | 0:14:22 | 0:14:26 | |
This fine English bone china is identified by the gold band | 0:14:26 | 0:14:30 | |
which runs around the top of each vase. | 0:14:30 | 0:14:33 | |
It's worth around £30 to £50. | 0:14:33 | 0:14:35 | |
I found two beautifully bound Victorian albums. | 0:14:35 | 0:14:38 | |
They're known as carte de visite, patented in Paris in France. | 0:14:38 | 0:14:43 | |
Delicate pictures that have been mounted on card pages | 0:14:43 | 0:14:46 | |
for viewing and even trading among friends. | 0:14:46 | 0:14:48 | |
These albums were hugely popular, | 0:14:48 | 0:14:51 | |
a regular fixture in Victorian parlours. | 0:14:51 | 0:14:53 | |
Maybe they're the inspiration for modern photograph albums. | 0:14:53 | 0:14:57 | |
Unfortunately they're not rare because they were too heavily mass-produced in the 19th century. | 0:14:57 | 0:15:02 | |
But these two are very nostalgic and one even has a music box built | 0:15:02 | 0:15:06 | |
into the back, so they could fetch as much as £80 to £120. | 0:15:06 | 0:15:11 | |
Karen makes another vintage discovery, | 0:15:11 | 0:15:14 | |
this time from quite a different century. | 0:15:14 | 0:15:17 | |
John, I've found this upstairs. | 0:15:17 | 0:15:21 | |
And I'm sure I won't be using it again. | 0:15:21 | 0:15:23 | |
Well, not really my colour, Karen, I have to tell you. | 0:15:23 | 0:15:26 | |
-I just thought it would suit you. -Do you think so? | 0:15:26 | 0:15:29 | |
A really nice thing, where did it come from? | 0:15:29 | 0:15:31 | |
It came from Portobello Road. | 0:15:31 | 0:15:33 | |
I'd seen them in other colours, black and tortoiseshell | 0:15:33 | 0:15:37 | |
and when I saw the white one I thought, "That's it, I'm having that." | 0:15:37 | 0:15:41 | |
-And have used this? -Yeah. | 0:15:41 | 0:15:43 | |
-I've used it a lot. -Really? Yeah. The only thing is | 0:15:43 | 0:15:46 | |
-everybody can see what you've got in your handbag. -Ah. | 0:15:46 | 0:15:49 | |
So topic of conversation. | 0:15:49 | 0:15:51 | |
-Yes, good topic of conversation. -Now this, to me, says two things. | 0:15:51 | 0:15:55 | |
American and 1950s. | 0:15:55 | 0:15:58 | |
Very typical of that style and very American, these hard Lucite | 0:15:58 | 0:16:03 | |
plastic bodies. That's what they call it, Lucite. | 0:16:03 | 0:16:05 | |
And also this pearl essence, again very typical of that period. | 0:16:05 | 0:16:09 | |
There is a big market for vintage accessories, vintage clothing and so on. | 0:16:09 | 0:16:14 | |
So much so that a lot of the contemporary designers are starting to copy | 0:16:14 | 0:16:18 | |
these designs and reintroduce them now to the younger generation. | 0:16:18 | 0:16:22 | |
And it's becoming harder and harder to find good quality period vintage pieces | 0:16:22 | 0:16:27 | |
in nice condition like this, because a lot of the plastics do deteriorate. | 0:16:27 | 0:16:32 | |
But this looks absolutely fine. | 0:16:32 | 0:16:33 | |
A tiny bit of discolouring around those metal hinges there, but other than that it's perfect. | 0:16:33 | 0:16:39 | |
-Do you remember what you paid for it? -I think around £20. | 0:16:39 | 0:16:43 | |
-That's not bad because this ought to make around £40 to £60. -OK. -Would you be happy with that? | 0:16:43 | 0:16:47 | |
-Very happy. -Jolly good, well, I'd better give this back to you, I have a reputation. | 0:16:47 | 0:16:52 | |
Have you got anything else like that? | 0:16:52 | 0:16:54 | |
-I'll have a look. -Come on, show me. | 0:16:54 | 0:16:56 | |
Reputation, John? Surely not. | 0:16:59 | 0:17:02 | |
So, Jack, tell me a little bit about what it's like at school and the | 0:17:02 | 0:17:06 | |
schoolfriends you have and the activities you do. | 0:17:06 | 0:17:09 | |
I enjoy school a lot. | 0:17:09 | 0:17:11 | |
A week ago we had something called activities week where | 0:17:11 | 0:17:16 | |
we have activities, school-related, like we'd go to Fairlop Waters, | 0:17:16 | 0:17:21 | |
and do water-based sports. | 0:17:21 | 0:17:24 | |
But I also like cricket and skiing. | 0:17:24 | 0:17:27 | |
So this ski trip, is it your decision that it's something that you want him to experience? | 0:17:27 | 0:17:32 | |
-Or has the pressure come from Jack? -Oh, no, he definitely has always wanted to ski. | 0:17:32 | 0:17:37 | |
And he's sort of taken it from there, really. | 0:17:37 | 0:17:40 | |
I just think it'll be so much more fun for him to go with the school group, with his friends, | 0:17:40 | 0:17:46 | |
rather than with the crowd that we went with because he went with all older people, | 0:17:46 | 0:17:50 | |
which was good but because he's an only child, the things | 0:17:50 | 0:17:53 | |
the school bring to him are really important. | 0:17:53 | 0:17:55 | |
And how did you get into antiques? | 0:17:55 | 0:17:57 | |
I was brought up with antiques, really. | 0:17:57 | 0:18:01 | |
The little part of Southsea, Hampshire, that I was brought up in | 0:18:01 | 0:18:04 | |
was an antique centre, lots of antiques shops, and I went to school there. | 0:18:04 | 0:18:08 | |
And we always had antiques in the home. | 0:18:08 | 0:18:12 | |
My grandmother was very fond of antiques. | 0:18:12 | 0:18:15 | |
It's just always been a part of my life. | 0:18:15 | 0:18:17 | |
Don't you think it's going to be quite hard, because a lot | 0:18:17 | 0:18:20 | |
of these pieces you've bought, you've got a very good eye, | 0:18:20 | 0:18:23 | |
you've been around antiques for a long time, and now suddenly they're | 0:18:23 | 0:18:26 | |
going to be gone, is that going to be really something you carry on? | 0:18:26 | 0:18:31 | |
Or are you still always going to have an eye out for a bargain? | 0:18:31 | 0:18:33 | |
I'll still look. But I'm going to try not to buy in future. | 0:18:33 | 0:18:37 | |
Because I'm more into travel now, | 0:18:37 | 0:18:40 | |
to be honest, and seeing the world rather than material things. | 0:18:40 | 0:18:44 | |
And you just have to, if you've been away on a trip, which we do a lot, | 0:18:44 | 0:18:47 | |
you just have to come home and dust it all. | 0:18:47 | 0:18:50 | |
And I'd like to travel when Jack's older, and if you | 0:18:50 | 0:18:54 | |
can't get it in the rucksack, it might as well go now. | 0:18:54 | 0:18:59 | |
So, young man, on a scale of one to ten, how important is this skiing trip? | 0:18:59 | 0:19:03 | |
11. It's really, honestly, I've been once before | 0:19:03 | 0:19:08 | |
and I enjoyed it so much, just to have such a vast mountain to go on. | 0:19:08 | 0:19:14 | |
It's truly, really amazing. | 0:19:14 | 0:19:17 | |
I think we need to give John Cameron that information so | 0:19:17 | 0:19:20 | |
he's under enough pressure to find some more items to sell, don't you? | 0:19:20 | 0:19:23 | |
Let's make sure we make the target, come on. | 0:19:23 | 0:19:26 | |
John's still on the hunt and has found another Victorian item, | 0:19:29 | 0:19:32 | |
this time a child's Windsor stickback armchair. | 0:19:32 | 0:19:36 | |
Carved from elm. | 0:19:36 | 0:19:37 | |
John thinks it should sell for around £20 to £30. | 0:19:37 | 0:19:41 | |
Our figures are certainly mounting up. | 0:19:41 | 0:19:43 | |
But we'll need more if we're going to get Jack on the slopes. | 0:19:43 | 0:19:46 | |
Hi, guys. What do you think of this mirror? | 0:19:46 | 0:19:49 | |
Gosh, that is absolutely stunning. | 0:19:49 | 0:19:52 | |
Is this one of your antique finds? | 0:19:52 | 0:19:53 | |
-It is. -I really love that. | 0:19:53 | 0:19:56 | |
So how long have you had that in your collection? | 0:19:56 | 0:19:59 | |
Again about 25 years. | 0:19:59 | 0:20:00 | |
-And what made you buy it? -Oh, at the time I loved it. | 0:20:00 | 0:20:03 | |
It's great. | 0:20:03 | 0:20:05 | |
Yeah, at the time everything was heavy and gold and highly decorative. | 0:20:05 | 0:20:10 | |
-And are you happy to part with that? -I am. | 0:20:10 | 0:20:13 | |
-Because it's not... I'm minimalising now. -Right. | 0:20:13 | 0:20:17 | |
It's too decorative for me now, really. | 0:20:17 | 0:20:19 | |
It's a very decorative piece, it's what you call a Victorian mirrored wall bracket. | 0:20:19 | 0:20:23 | |
At first I thought it might be late Georgian but if you look here, | 0:20:23 | 0:20:26 | |
you've got this horizontal deterioration, | 0:20:26 | 0:20:29 | |
two or three bands in the mirror, | 0:20:29 | 0:20:31 | |
the silver has started to deteriorate. | 0:20:31 | 0:20:33 | |
If we turn the mirror around | 0:20:33 | 0:20:36 | |
-we can see those panels. Where the panels join. -Yeah. | 0:20:36 | 0:20:39 | |
That's where the air and moisture gets in and creates that damage. | 0:20:39 | 0:20:43 | |
So at least we know mirror and the frame are contemporary with each other. But dating it. | 0:20:43 | 0:20:48 | |
If you again look back at the panels. | 0:20:48 | 0:20:50 | |
If you have a look there you can see these radial marks, that has been created by a circular saw. | 0:20:50 | 0:20:56 | |
So that suggests to us it must be after the industrial revolution so | 0:20:56 | 0:20:59 | |
it would be the latter part of the 19th century, machine-made backs. | 0:20:59 | 0:21:02 | |
Certainly the boards have been cut by a machine. | 0:21:02 | 0:21:05 | |
But it is in, what I guess you'd call Rococo revival style, | 0:21:05 | 0:21:08 | |
which was very popular in the 19th century, | 0:21:08 | 0:21:10 | |
very French-looking, isn't it? | 0:21:10 | 0:21:12 | |
-I think so. -Giltwood and gesso, this is plain gilt wood, | 0:21:12 | 0:21:17 | |
but if you add the gesso to the cornice at the top there, | 0:21:17 | 0:21:20 | |
which, because it's a mixture of plaster and glue | 0:21:20 | 0:21:24 | |
on top of wood, well, wood moves. | 0:21:24 | 0:21:26 | |
You get crackage and shrinkage there and that's where you start | 0:21:26 | 0:21:29 | |
-to lose parts. Any bits missing that have come off and you've still got? -There's a piece that I've got, yes. | 0:21:29 | 0:21:34 | |
-You've still got the piece that's missing? -Yes. | 0:21:34 | 0:21:37 | |
We'll put it a little bag and tie it to this piece. | 0:21:37 | 0:21:39 | |
-It's from the bottom. -It won't get separated. | 0:21:39 | 0:21:41 | |
-That would be sensible. -It came off with a cricket ball. | 0:21:41 | 0:21:44 | |
-We won't go into that. -No, let's not go into that - Jack! | 0:21:44 | 0:21:47 | |
-But even like that I'd still be hoping for about £150 to £200 maybe at auction. -OK. | 0:21:47 | 0:21:53 | |
I think that's absolutely brilliant. | 0:21:53 | 0:21:55 | |
Thankfully Jack's cricket ball didn't ruin a valuable mirror. | 0:21:55 | 0:22:00 | |
And there's no time for playing today, he's determined to get on that school ski trip. | 0:22:00 | 0:22:05 | |
He's found some fruit knives and forks still in their original box | 0:22:05 | 0:22:09 | |
which will hopefully auction for between £30 and £50. | 0:22:09 | 0:22:13 | |
It's been a busy day here with Karen and Jack, so much | 0:22:15 | 0:22:18 | |
to look through and so many pieces with family and sentimental value. | 0:22:18 | 0:22:23 | |
That rounds us up nicely, then, because we've run out of time. | 0:22:23 | 0:22:26 | |
We've found some lovely, lovely items to send to auction. | 0:22:26 | 0:22:29 | |
You wanted to raise £500 at least for this skiing holiday, didn't you, Jack? | 0:22:29 | 0:22:33 | |
Yeah. | 0:22:33 | 0:22:35 | |
How much did you think the skiing holiday might cost? | 0:22:35 | 0:22:37 | |
-It was a bit more than that, it was about £700. -Yeah. | 0:22:37 | 0:22:40 | |
So how much do you think we may be making at the auction then, Jack? | 0:22:40 | 0:22:45 | |
About 650. | 0:22:45 | 0:22:48 | |
650, OK, Karen? | 0:22:48 | 0:22:49 | |
-Around the same, I suppose, maybe a little more. -John? | 0:22:49 | 0:22:53 | |
-I've no idea, maths was never my forte, I'm a history man. -OK! | 0:22:53 | 0:22:57 | |
I can tell you, and bearing in mind I've taken the lower end of the estimate, | 0:22:57 | 0:23:01 | |
not the higher end, the value of everything going to the auction house comes to | 0:23:01 | 0:23:06 | |
-£730. Spending money. -Wow. | 0:23:06 | 0:23:10 | |
I think you'll probably make a bit more on the day because you've got some real quality items. | 0:23:10 | 0:23:14 | |
So, I think you may well, fingers crossed, be going on your skiing trip. | 0:23:14 | 0:23:18 | |
And we'll see you again when it's time for the auction, OK? | 0:23:18 | 0:23:22 | |
Well, I'm looking forward to this auction, there's a great variety | 0:23:22 | 0:23:26 | |
of collectibles and I really hope we do well. | 0:23:26 | 0:23:29 | |
Just some of the things going to the sale are... | 0:23:29 | 0:23:32 | |
the Victorian photograph album which has a little music box inside, | 0:23:32 | 0:23:35 | |
a real piece of social history from the 19th century. | 0:23:35 | 0:23:39 | |
John thinks it could go for as much as £80 to £120. | 0:23:39 | 0:23:42 | |
The stylish 1950s white handbag, with the see-through top. | 0:23:44 | 0:23:47 | |
It's a niche item but if the right buyer is in the room | 0:23:47 | 0:23:51 | |
on the day, it could go for £40 to £60. | 0:23:51 | 0:23:54 | |
And that stunning Rococo revival mirror from the Victorian period. | 0:23:54 | 0:23:58 | |
Worth as much as £150 to £200. | 0:23:58 | 0:24:02 | |
Still to come on Cash In The Attic... | 0:24:04 | 0:24:06 | |
a battle of the bidders in the auction room. | 0:24:06 | 0:24:09 | |
This is just what you want, two people wanting the same item. | 0:24:09 | 0:24:13 | |
Then things take a turn for the worse. | 0:24:13 | 0:24:15 | |
Oh, no, I'm so sorry. | 0:24:15 | 0:24:16 | |
-Not a single bid. -You don't even get a bid at £50. | 0:24:16 | 0:24:20 | |
Will it be a successful result for Jack and Karen in the end? | 0:24:20 | 0:24:23 | |
Find out when the final hammer falls. | 0:24:23 | 0:24:26 | |
It's been a couple of weeks since we were in Loughton in Essex, | 0:24:32 | 0:24:34 | |
where we met Karen and her lovely son Jack. | 0:24:34 | 0:24:36 | |
We have some fantastic items from their house | 0:24:36 | 0:24:39 | |
which we brought here to Chiswick Auction House in West London. | 0:24:39 | 0:24:43 | |
Now remember, Karen's looking to raise around £500 as a contribution to son Jack's skiing holiday. | 0:24:43 | 0:24:49 | |
Let's just hope that today when the items go under the hammer | 0:24:49 | 0:24:52 | |
there's plenty of bidders ready to buy. | 0:24:52 | 0:24:55 | |
From experience we know you can never predict the outcome of an auction. | 0:24:55 | 0:24:59 | |
Lots are displayed an advertised several days before the sale. | 0:24:59 | 0:25:03 | |
So, there's plenty of opportunity for the bidder | 0:25:03 | 0:25:06 | |
to view the items and decide how much they're prepared to spend. | 0:25:06 | 0:25:09 | |
They're determined to keep that information secret, so no-one else gets wind of the items | 0:25:09 | 0:25:14 | |
that they're interested in, or how much they're prepared to pay. | 0:25:14 | 0:25:18 | |
No-one wants to be pipped at the post by a competing bidder. | 0:25:18 | 0:25:21 | |
One man who knows all the tricks of the trade is of course our veteran auctioneer and expert, John Cameron. | 0:25:21 | 0:25:27 | |
-Hi, John. -Morning, Lorne. | 0:25:27 | 0:25:29 | |
The hand that rocks the cradle! Well, it's a lovely piece, isn't it? | 0:25:29 | 0:25:33 | |
I'd can see that this would still have a practical use in someone's home. | 0:25:33 | 0:25:37 | |
The wooden one, I'm not so sure about. | 0:25:37 | 0:25:39 | |
I think we'll stick with plants in the wooden one, and children in this one. | 0:25:39 | 0:25:42 | |
Also I love that lovely mirror. | 0:25:42 | 0:25:44 | |
The mirror's just over there. Look, it looks fantastic on the wall. | 0:25:44 | 0:25:48 | |
That's the classic decorator's piece, isn't it? | 0:25:48 | 0:25:51 | |
-Indeed it is. It should do well. -Good. | 0:25:51 | 0:25:53 | |
In that case, because Jack has got a bit of a skiing trip he's hoping | 0:25:53 | 0:25:57 | |
to go on, shall we go and meet them? Come on. | 0:25:57 | 0:26:00 | |
John is optimistic and I really don't want to disappoint Jack. | 0:26:00 | 0:26:02 | |
He's so desperate to go on his school skiing trip. | 0:26:02 | 0:26:05 | |
Let's find out how they're feeling. | 0:26:05 | 0:26:08 | |
-Good morning. -Good morning. | 0:26:08 | 0:26:10 | |
-How are you? -Lovely, thank you. | 0:26:10 | 0:26:12 | |
You look absolutely lovely, Karen. So do you young man, very smart. | 0:26:12 | 0:26:15 | |
Now, we have some lovely items. | 0:26:15 | 0:26:17 | |
Including one in particular that you can't even remember using. | 0:26:17 | 0:26:20 | |
That's the crib, isn't it? | 0:26:20 | 0:26:22 | |
Does it feel a bit weird, seeing it here today? | 0:26:22 | 0:26:24 | |
Just knowing that it's going to be sold to someone else. | 0:26:24 | 0:26:27 | |
Any item you're really excited about selling? | 0:26:27 | 0:26:29 | |
I like the French mirror. | 0:26:29 | 0:26:32 | |
You're not wanting that in your bedroom, Jack, are you? | 0:26:32 | 0:26:35 | |
-No! That's the reason it's going. -Any second thoughts on any of the items? | 0:26:35 | 0:26:39 | |
No. Every gap has been filled where they were. | 0:26:39 | 0:26:42 | |
It's amazing how quickly you can do that as well! | 0:26:42 | 0:26:44 | |
-Yes. -So, I guess we have a school skiing trip to fund, have we? -Yeah. | 0:26:44 | 0:26:49 | |
Let's hope we can make enough money to send you on your way. | 0:26:49 | 0:26:52 | |
The auction is going to start soon, shall we get in our positions? | 0:26:52 | 0:26:56 | |
If you're thinking of heading to auction, | 0:26:56 | 0:26:58 | |
please remember that commission and other charges may apply. | 0:26:58 | 0:27:02 | |
Always check the details with the auction house. | 0:27:02 | 0:27:05 | |
Today's auctioneer gets out first lot underway. | 0:27:05 | 0:27:08 | |
It's that striking white handbag with the see-through top. | 0:27:08 | 0:27:11 | |
Very representative of the 1950s. | 0:27:11 | 0:27:13 | |
So, if there's a costume buyer, or a collector | 0:27:13 | 0:27:16 | |
looking for something quirky today, this could do well. | 0:27:16 | 0:27:19 | |
We've got an estimate of £40 - £60. Have you a reserve on that? | 0:27:20 | 0:27:23 | |
-Around £30. -That's fair enough, isn't it? | 0:27:23 | 0:27:27 | |
Should be. A few years ago, these would make a bit more. | 0:27:27 | 0:27:31 | |
Well, let's see what happens today. | 0:27:31 | 0:27:33 | |
Lady's handbag. Start me at £20 for it, £20 for it. | 0:27:33 | 0:27:37 | |
-£20 for it, I'm bid £20. -£20. | 0:27:37 | 0:27:40 | |
Is that it, 22? 25, 25, 28, 30. | 0:27:40 | 0:27:44 | |
It's in front of me at £28. Any at 30? All out at £28, I'm selling at...? | 0:27:44 | 0:27:48 | |
30, thank you. 32? | 0:27:48 | 0:27:49 | |
A new bidder at £30 in the heights. At £30, 32? | 0:27:49 | 0:27:52 | |
At £30 it goes, all done. £30, 373. | 0:27:52 | 0:27:55 | |
-Happy with that? -Very happy. | 0:27:55 | 0:27:57 | |
You've got no use for a lady's handbag, have you? Let's be honest. | 0:27:57 | 0:28:00 | |
Won't pass it on to you, Jack. | 0:28:00 | 0:28:02 | |
£30, not quite as much as we'd hoped for. | 0:28:02 | 0:28:05 | |
Still, it's only the first lot. We've got another 12 to come. | 0:28:05 | 0:28:09 | |
The next one is the Victorian three-tiered mirror. | 0:28:09 | 0:28:12 | |
A couple of the bits are missing, but I understand you've found those. | 0:28:14 | 0:28:18 | |
Does that make too much difference at auction? | 0:28:18 | 0:28:21 | |
I think anybody looking to buy, if they're going to have it restored, yes, they would | 0:28:21 | 0:28:25 | |
be glad to see those extra pieces. It just makes the restorer's job a little bit easier. | 0:28:25 | 0:28:29 | |
£100 for this one, £100 for it? Thank you, I'm bid £100. | 0:28:29 | 0:28:32 | |
Straight in at 100, there you go. | 0:28:32 | 0:28:34 | |
£100, I'll take 110 for it. I want 110, got 110, 120? | 0:28:34 | 0:28:38 | |
-130, 140. 130, I see your bid, 130? -That's more like it. | 0:28:38 | 0:28:42 | |
That's the bid so far. At 130? Can I sell it for 130? | 0:28:42 | 0:28:45 | |
At 130, bid at 130. 130, and going. | 0:28:45 | 0:28:50 | |
All done. 130 and gone, then. | 0:28:50 | 0:28:52 | |
£130, a bit more like it. | 0:28:52 | 0:28:54 | |
-I'm really happy with that. -Are you? Good. | 0:28:54 | 0:28:57 | |
£130 is a good result, and will certainly get Jack on one ski. | 0:28:57 | 0:29:02 | |
But of course, he needs two. | 0:29:02 | 0:29:03 | |
So, the next lot are those lovely cocktail sticks. | 0:29:05 | 0:29:08 | |
You've put a reserve on this, haven't you? What is it? | 0:29:08 | 0:29:11 | |
I think it's 30. | 0:29:11 | 0:29:13 | |
£30, OK. How does the reserve at auction work, John? | 0:29:13 | 0:29:17 | |
There's two different types. | 0:29:17 | 0:29:18 | |
A firm reserve, so the auctioneer can't sell it below that figure. | 0:29:18 | 0:29:21 | |
Then you have a discretion reserve, which gives him about ten | 0:29:21 | 0:29:24 | |
or 15% discretion under that reserve. | 0:29:24 | 0:29:27 | |
OK, let's see what they make. | 0:29:27 | 0:29:29 | |
-£50 to start me? £20 to go, £20? -Come on. | 0:29:29 | 0:29:32 | |
I'm bid at £20, at 22? | 0:29:32 | 0:29:35 | |
22, 25, 28, 30. | 0:29:35 | 0:29:37 | |
At £28, at £28. Say 30? | 0:29:37 | 0:29:39 | |
At £28, all out at £28? All done. | 0:29:39 | 0:29:41 | |
At £28, I'm going to sell at £28, I'm afraid. At £28, thank you. | 0:29:41 | 0:29:44 | |
£28, gone. £28. | 0:29:44 | 0:29:47 | |
Just £2 under your £30 reserve, but presumably the auctioneer's discretion there, John? | 0:29:47 | 0:29:51 | |
I hoped they were worth a little bit more than that. | 0:29:51 | 0:29:54 | |
But there we are. On another day, perhaps. | 0:29:54 | 0:29:56 | |
-Are you happy with that? -Absolutely. | 0:29:56 | 0:29:59 | |
OK, excellent. Not far off the estimate and not bad at all, | 0:29:59 | 0:30:02 | |
when you realise that the days in which most people sampled a cocktail | 0:30:02 | 0:30:06 | |
before dinner are long gone. | 0:30:06 | 0:30:08 | |
Now for the first of our two cribs. | 0:30:08 | 0:30:10 | |
These have been lovingly tended by Karen over 20 years. | 0:30:10 | 0:30:15 | |
First to sell is the adapted 17th-century oak cradle, | 0:30:15 | 0:30:18 | |
valued at around £100 to £150. | 0:30:18 | 0:30:21 | |
-We've put a reserve on this one of £100, is that right? -Yes. | 0:30:25 | 0:30:28 | |
-John, what do you think? -I don't think it's a lot of money. | 0:30:28 | 0:30:31 | |
At £100, it will make a very good planter for somebody. | 0:30:31 | 0:30:34 | |
Yeah, we should be OK there. | 0:30:34 | 0:30:36 | |
-OK, let's see how we do. -Find me £50 for it, thank you. | 0:30:36 | 0:30:39 | |
£50, 55? Say five now, 55. | 0:30:39 | 0:30:41 | |
60, 5, 70, five, 80, five. | 0:30:41 | 0:30:45 | |
-Come on! -85, back in. 90? 90, five. | 0:30:45 | 0:30:49 | |
-That's it, it's sold, then. -90, say 95? Are we done? | 0:30:49 | 0:30:53 | |
All out at £90. You've got it at £90. | 0:30:53 | 0:30:55 | |
£90. So, the reserve was 100, but with auctioneer's discretion | 0:30:56 | 0:31:01 | |
giving 10% either side, £90. | 0:31:01 | 0:31:03 | |
-Are you happy with that? -Very happy. -Yeah? What about you my dear? -Very happy. -Good. | 0:31:03 | 0:31:08 | |
£90, and again a little under estimate. | 0:31:08 | 0:31:11 | |
Still, John originally valued the pair at 200 to £300, | 0:31:11 | 0:31:15 | |
and he thought the working white crib is more attractive. | 0:31:15 | 0:31:18 | |
So, fingers crossed, Jack may still make it to the slopes. | 0:31:18 | 0:31:23 | |
Our next lot is one | 0:31:23 | 0:31:25 | |
you're very familiar with, young man. | 0:31:25 | 0:31:27 | |
It's the crib you were rocked to sleep in when you were a little boy. | 0:31:27 | 0:31:30 | |
So, does it feel strange to know that it's going to go to a different home now? | 0:31:30 | 0:31:34 | |
It does, yes. Because, I've slept in it and it's bizarre but, I'm not a baby now so someone should get it. | 0:31:34 | 0:31:41 | |
It's all right, yes. | 0:31:41 | 0:31:43 | |
£100, start me for it. | 0:31:43 | 0:31:44 | |
£50 to go then, £50 for it? | 0:31:44 | 0:31:47 | |
£50, or I'll pass it. | 0:31:47 | 0:31:49 | |
-No-one wants it at £50, then? -No! | 0:31:49 | 0:31:51 | |
Come and see me if you change your mind about it. Not sold, I'm afraid. | 0:31:51 | 0:31:53 | |
-Oh, no, I'm so sorry! -Not a single bid. | 0:31:53 | 0:31:55 | |
They didn't even bid at £50. | 0:31:55 | 0:31:58 | |
Unsold, that's such a blow! | 0:31:58 | 0:32:01 | |
Especially as we'd pinned all our hopes on it selling well. | 0:32:01 | 0:32:05 | |
That has dropped our potential takings by £100. | 0:32:05 | 0:32:08 | |
It's the Edwardian wash set next. | 0:32:08 | 0:32:11 | |
It's unusual to have so many matching pieces, | 0:32:11 | 0:32:13 | |
so John has priced is accordingly. | 0:32:13 | 0:32:15 | |
Bidder at £65. 68? £65. | 0:32:15 | 0:32:17 | |
Are we all done? £65 and gone. At £65, sold. | 0:32:17 | 0:32:20 | |
£65. That's a lot of china for that amount of money. | 0:32:20 | 0:32:26 | |
Yes, and you could get yourself two dressing tables for that money as well these days. | 0:32:26 | 0:32:30 | |
£65, well, they're not as popular now as they used to be. | 0:32:30 | 0:32:35 | |
So, this price reflects their current standing. | 0:32:35 | 0:32:38 | |
I think we're getting nearer to Jack's skiing holiday all the time. | 0:32:38 | 0:32:42 | |
As the halfway point approaches, the only way to know for sure is to add up the numbers. | 0:32:42 | 0:32:46 | |
OK, now. We've got a little bit of a break before our next lots are on. | 0:32:46 | 0:32:51 | |
How much do you think we might have made? | 0:32:51 | 0:32:52 | |
-About 200 to £250? -Karen? | 0:32:52 | 0:32:56 | |
A little bit more, 300 maybe? | 0:32:56 | 0:32:58 | |
We have actually made £343. | 0:32:58 | 0:33:02 | |
We have got some really good quality items coming up. | 0:33:03 | 0:33:07 | |
John, I understand you've seen something you've got your eye on? | 0:33:07 | 0:33:10 | |
Something I want to have a closer look at. So, you take a break and I'll see you in a bit. | 0:33:10 | 0:33:14 | |
Well, we're going to do a bit of apres ski. Come on, this way. | 0:33:14 | 0:33:18 | |
So, while I head off with mum and son to discuss skiing holidays, | 0:33:20 | 0:33:24 | |
John discovers there really is some truth behind the old saying, | 0:33:24 | 0:33:27 | |
if you look after the pennies, the pounds will look after themselves. | 0:33:27 | 0:33:31 | |
These are a familiar sight in general auction houses. | 0:33:31 | 0:33:33 | |
They often come out of deceased estates and they mean nothing to your average auction goer. | 0:33:33 | 0:33:38 | |
However, they are a source of potential income. | 0:33:38 | 0:33:41 | |
Now, first of all, these coins are copper, | 0:33:41 | 0:33:44 | |
so they have a bullion weight. | 0:33:44 | 0:33:46 | |
If they can be picked up for £10 or £20, they weigh an absolute ton. | 0:33:46 | 0:33:50 | |
You'll probably double your money on the scrap value alone. | 0:33:50 | 0:33:53 | |
And, regarding silver coins, | 0:33:53 | 0:33:56 | |
before 1919 any silver coinage was actually 925 silver. | 0:33:56 | 0:34:01 | |
After that date, it becomes 50% silver. | 0:34:01 | 0:34:04 | |
Any coins from those dates can again be scrapped for their silver and metal content. | 0:34:04 | 0:34:08 | |
The second jar here, the coins tend to be in pretty much good condition. | 0:34:08 | 0:34:12 | |
They're mostly 20th-century pennies and half pennies. | 0:34:12 | 0:34:14 | |
But there are certain coins, especially around the First and Second World War, | 0:34:14 | 0:34:18 | |
when minting was interrupted, that can be worth hundreds and sometimes thousands of pounds. | 0:34:18 | 0:34:25 | |
So, with a bit of specialist knowledge, you may be able to find that rose amongst the thorns. | 0:34:25 | 0:34:30 | |
And some shrewd investor did. | 0:34:30 | 0:34:33 | |
They went for £10. Maybe that's proof of the old saying, | 0:34:33 | 0:34:36 | |
that a little bit of old copper could actually turn out to be gold. | 0:34:36 | 0:34:40 | |
Time to raid our piggy banks, I think. | 0:34:42 | 0:34:45 | |
Right, our next lot coming up is | 0:34:45 | 0:34:47 | |
the Royal Crown Derby Imari patterned vase. | 0:34:47 | 0:34:49 | |
The Japan pattern, as it's called, | 0:34:49 | 0:34:52 | |
has been popular for about 400 years, | 0:34:52 | 0:34:54 | |
since Imari first came to this country. | 0:34:54 | 0:34:57 | |
-This is a 20th-century piece. The only problem is, it's had some restoration. -Yes. | 0:34:57 | 0:35:01 | |
Just around the neck. But it's been done well. | 0:35:01 | 0:35:04 | |
We've got an estimate of £30 to £50. What would it be if it was perfect? | 0:35:04 | 0:35:07 | |
I think this is a £60 piece in good condition, if I take that into | 0:35:07 | 0:35:10 | |
-consideration, we shall see. -£30 for it? | 0:35:10 | 0:35:14 | |
£20 for it? | 0:35:14 | 0:35:15 | |
£20 for it? I'm bid £20, 22, 25, 25? | 0:35:15 | 0:35:20 | |
28. 30. At £28, selling at £28, 30? | 0:35:20 | 0:35:23 | |
At £28, £28 all out? | 0:35:23 | 0:35:27 | |
£28, all done. | 0:35:27 | 0:35:28 | |
-£28. -Just under our estimate. | 0:35:28 | 0:35:31 | |
At the moment, because generally speaking in auction rooms, | 0:35:31 | 0:35:34 | |
the minute everything has got some damage, especially something like Imari, the modern potteries, | 0:35:34 | 0:35:39 | |
they just ignore it. I think that's pretty good. | 0:35:39 | 0:35:42 | |
That's a fair result, considering it was valued at £30 to £50 | 0:35:42 | 0:35:46 | |
before the crack was discovered. | 0:35:46 | 0:35:48 | |
Next up, the fruit knives and forks. | 0:35:48 | 0:35:51 | |
These were popular in the first half of the 20th century, | 0:35:51 | 0:35:53 | |
but there's a limited market for this type of cutlery nowadays. | 0:35:53 | 0:35:57 | |
On the plus side, they are in a presentation box, | 0:35:57 | 0:36:00 | |
so John thinks they should reach £30 to £50. | 0:36:00 | 0:36:03 | |
£20 for the lot? £10? | 0:36:03 | 0:36:05 | |
I'm bid 10, 12 there? 12, 15? | 0:36:05 | 0:36:08 | |
15 over there, 18, 20? | 0:36:08 | 0:36:10 | |
22, 25, 28, 30. | 0:36:10 | 0:36:13 | |
Bid at £28, I'll take 30? £28, at £28 all done? £28, all done. | 0:36:13 | 0:36:17 | |
At £28. At £28, all out. | 0:36:17 | 0:36:19 | |
-28. -We're limping towards. | 0:36:19 | 0:36:21 | |
-28 seems to crop up a lot. -It does, doesn't it? | 0:36:21 | 0:36:24 | |
That's another lot to make £28. Very strange! | 0:36:24 | 0:36:28 | |
But I'm not complaining, at least they're selling and every bid helps towards the skiing fund. | 0:36:28 | 0:36:34 | |
We've probably funded two skis and two days on the slopes are far. | 0:36:34 | 0:36:38 | |
We must get Jack to the top of that mountain. | 0:36:38 | 0:36:40 | |
Do you ever remember sitting on this child's chair? | 0:36:40 | 0:36:43 | |
Yes, I do. I do remember. | 0:36:43 | 0:36:46 | |
Are you going to miss this, do you think? | 0:36:46 | 0:36:48 | |
-No, not really. -OK, so what's the estimate? | 0:36:48 | 0:36:50 | |
Only 20 to £30. The seat has got quite a lot of worm damage in it. | 0:36:50 | 0:36:55 | |
I think that adds to the charm to some degree. | 0:36:55 | 0:36:58 | |
-I bet you didn't know that when you were sitting on it! -No. | 0:36:58 | 0:37:01 | |
Great for a little teddy bear to sit on there, | 0:37:01 | 0:37:03 | |
and at £20, that's very tempting. | 0:37:03 | 0:37:05 | |
Is it worth £30? You'll make more than £30 for it. | 0:37:05 | 0:37:08 | |
-£20 for it? -Oh, come on! -£10 for it. | 0:37:08 | 0:37:11 | |
I'm bid 10, 12, 15, 18, 20. | 0:37:11 | 0:37:14 | |
22, 25, 25? 25, 28? £25 then, £25. | 0:37:14 | 0:37:19 | |
At £25, are we all done? | 0:37:19 | 0:37:21 | |
£25, I'm going to let it go. | 0:37:21 | 0:37:23 | |
-£25. -Good, I'm pleased with that. | 0:37:23 | 0:37:25 | |
They don't know either that they're getting some worms thrown in there for free! | 0:37:25 | 0:37:30 | |
£25, bang in the middle of John's estimate. | 0:37:32 | 0:37:36 | |
Our next lot was one that we found almost last minute, | 0:37:36 | 0:37:39 | |
which was the Victorian photograph albums. | 0:37:39 | 0:37:41 | |
They look very typical of their era except one has got that fantastic | 0:37:41 | 0:37:45 | |
music mechanism in the back, hasn't it? | 0:37:45 | 0:37:48 | |
I think that's absolutely charming. | 0:37:48 | 0:37:50 | |
Used to see a lot of these around, but not now. | 0:37:50 | 0:37:53 | |
Lovely to see that feature inside. Very unusual. | 0:37:53 | 0:37:55 | |
And all the teeth there are perfect, no damage to it. | 0:37:55 | 0:37:59 | |
So, that should get us our money. £80 to £120. | 0:37:59 | 0:38:02 | |
Start me at £50 for the two of them, £50? | 0:38:02 | 0:38:04 | |
I'm bid £50, | 0:38:06 | 0:38:08 | |
55, say five? | 0:38:08 | 0:38:10 | |
-At £50, five, 60? 5, 70, 5, 80, 5. -That's more like it. | 0:38:10 | 0:38:15 | |
£80, and five? £80, I'm going to sell at £80. | 0:38:15 | 0:38:19 | |
Your last chance, £80 and gone. £80. | 0:38:19 | 0:38:22 | |
-£80. -Yes, very good. | 0:38:22 | 0:38:24 | |
-Are you happy with that? -Yeah. | 0:38:24 | 0:38:26 | |
-Good, good. -Slow to get started, but it did gather momentum in the end. | 0:38:26 | 0:38:29 | |
We hit our bottom estimate, that's good. | 0:38:29 | 0:38:32 | |
Again, spot on John's estimate at £80. | 0:38:33 | 0:38:36 | |
He knows a thing or two, does John. | 0:38:36 | 0:38:39 | |
Next is the Mary Gregory and cranberry glass. | 0:38:39 | 0:38:42 | |
Both designs are popular and have a huge fan base. | 0:38:42 | 0:38:45 | |
Let's hope it's another lot which reaches its estimate. | 0:38:45 | 0:38:48 | |
£50? £30? | 0:38:48 | 0:38:50 | |
Come on. | 0:38:51 | 0:38:52 | |
£30, bid £30. | 0:38:52 | 0:38:54 | |
I'll take two, £30? Give me two? 32? | 0:38:54 | 0:38:56 | |
32? 35, for 494? 35, 38. | 0:38:56 | 0:39:00 | |
38, 40. 42, 45, 48. | 0:39:00 | 0:39:04 | |
50, 5, 50 bid. £50, standard bid at £50. I'll take five, all done. | 0:39:04 | 0:39:10 | |
At £50, all out? You've got it. | 0:39:10 | 0:39:11 | |
Bang on £50 there. | 0:39:11 | 0:39:14 | |
-That's OK. -You happy with that? -Absolutely. | 0:39:14 | 0:39:16 | |
Fantastic, right at the top end of John's estimate. | 0:39:16 | 0:39:20 | |
And so to our last lot of the day, | 0:39:20 | 0:39:22 | |
eight volumes of the Encylopaedia Of Practical Cookery. | 0:39:22 | 0:39:26 | |
Could they give us the lift we need? | 0:39:26 | 0:39:28 | |
I've seen growing interest... with all the cookery programmes. | 0:39:28 | 0:39:32 | |
A lot of people are looking back at old recipes. I think there's a good set there for £30. | 0:39:32 | 0:39:37 | |
£20, start me? | 0:39:37 | 0:39:40 | |
£20, I'm bid £20, at £20, 22? | 0:39:40 | 0:39:42 | |
22, 25, 28. | 0:39:42 | 0:39:44 | |
30, 32, 35, 38. | 0:39:44 | 0:39:46 | |
40, excuse me? 40, 42, £40, at £40. | 0:39:46 | 0:39:51 | |
42, 45, 48, 50, five, 60, 5. 70, 5. | 0:39:51 | 0:39:57 | |
This is just what you want, two people wanting the same item. | 0:39:57 | 0:40:00 | |
£70, all done? £70 and going. £70 and gone. | 0:40:00 | 0:40:04 | |
-75? 75. 80? -Still going at 80! | 0:40:04 | 0:40:07 | |
New bidder at £75, and £75, sold at £75? All out, your bid, and gone. | 0:40:07 | 0:40:11 | |
-75. -The proof certainly was in the pudding then. | 0:40:11 | 0:40:14 | |
You know what you're doing. | 0:40:14 | 0:40:16 | |
Two very bad cooks in the house that wanted those books. | 0:40:16 | 0:40:19 | |
Another excellent result, more than double the lowest estimate. | 0:40:19 | 0:40:22 | |
Very much the icing on our cake. | 0:40:22 | 0:40:25 | |
Now, after that excitement, we need to know are you or are you not going on a school skiing trip? | 0:40:25 | 0:40:30 | |
-What do you think? -Hopefully. | 0:40:30 | 0:40:33 | |
What do you think, Karen? | 0:40:33 | 0:40:35 | |
-I think he's definitely going. -Yeah? -Definitely. | 0:40:35 | 0:40:38 | |
I think you've got a very, very nice mother, actually. Don't you? | 0:40:38 | 0:40:43 | |
I think you'll be going and maybe get a little bit of pocket money too, | 0:40:43 | 0:40:46 | |
because we made £629! | 0:40:46 | 0:40:49 | |
Brilliant! | 0:40:49 | 0:40:51 | |
-Are you pleased with that? -Yes. | 0:40:51 | 0:40:53 | |
Well done. You take care of yourself on the slopes, young man. | 0:40:53 | 0:40:56 | |
And with that excellent result, Karen and Jack head off to Milton Keynes to try out the snow. | 0:41:00 | 0:41:06 | |
Today has really put him in the mood. | 0:41:06 | 0:41:09 | |
I think it's made him realise how much he misses his skiing. | 0:41:09 | 0:41:13 | |
I think when he goes away with the school, he'll have a lot of fun. | 0:41:13 | 0:41:17 | |
He's never really skied with a group of mates | 0:41:17 | 0:41:19 | |
and I just think it'll bring a fun aspect of it to skiing for him. | 0:41:19 | 0:41:25 | |
He's done quite heavy skiing, and I think there will be a lot more | 0:41:25 | 0:41:29 | |
mucking around on the school trip. | 0:41:29 | 0:41:32 | |
-Hello. -Hi. -Are you having a good time? | 0:41:32 | 0:41:34 | |
-Yes, it's been really good. -Enjoying it? | 0:41:34 | 0:41:36 | |
Yes. My eyes are watering. | 0:41:36 | 0:41:38 | |
Judging by Jack's performance on the slopes today, I think he's going to be pretty good on the real thing. | 0:41:38 | 0:41:44 | |
I enjoy skiing, because you're able to do your own thing. | 0:41:44 | 0:41:50 | |
You don't have someone there, telling you to do this and do that. | 0:41:50 | 0:41:54 | |
You're really your own person. I'm really pleased | 0:41:54 | 0:41:56 | |
I'm able to go on the school trip with my friends, | 0:41:56 | 0:42:00 | |
because it's a great experience for me. | 0:42:00 | 0:42:03 | |
Yeah! | 0:42:03 | 0:42:05 | |
Well done! | 0:42:05 | 0:42:07 | |
Do you know what? Jack is such a lovely boy, | 0:42:10 | 0:42:13 | |
he really does deserve that skiing trip. | 0:42:13 | 0:42:15 | |
But then Karen is a fantastic mum too. | 0:42:15 | 0:42:17 | |
Let's hope that they have enough money there to treat both of them. | 0:42:17 | 0:42:21 | |
Now, if you think you can also sell your antiques and collectibles | 0:42:21 | 0:42:24 | |
by sending them to auction, why not apply to come on Cash In The Attic? | 0:42:24 | 0:42:28 | |
You'll find more details at our website... | 0:42:28 | 0:42:30 | |
We'll see you again next time. | 0:42:32 | 0:42:34 | |
Subtitling by Red Bee Media Ltd | 0:42:41 | 0:42:44 | |
E-mail [email protected] | 0:42:44 | 0:42:47 |