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Welcome to the show that finds the treasures around your home | 0:00:02 | 0:00:06 | |
and helps sell them at auction. | 0:00:06 | 0:00:08 | |
Today I'm in Hertfordshire to meet a lovely lady who's inherited a lot of items over the last 50 years. | 0:00:08 | 0:00:14 | |
Find out what they're worth on today's Cash In The Attic. | 0:00:14 | 0:00:18 | |
'Coming up on Cash In the Attic: a Victorian silver punch bowl has served more than one purpose.' | 0:00:36 | 0:00:43 | |
My grandmother used it probably for chicken soup! | 0:00:43 | 0:00:48 | |
'And chicken soup is not the only dish of the day.' | 0:00:48 | 0:00:52 | |
-This is one of my favourites. -Why? -That one takes the biscuit. | 0:00:52 | 0:00:57 | |
'But when we get to auction, will there be a feast or famine?' | 0:00:57 | 0:01:02 | |
-There was a bidding frenzy there. -I'm so pleased for you! | 0:01:02 | 0:01:07 | |
'Find out later in the show. | 0:01:07 | 0:01:09 | |
'Josephine Kaye spent most of her working life as a full-time mother, | 0:01:11 | 0:01:15 | |
'looking after her two now very grown up children - Adam aged 43 and Robin, 39. | 0:01:15 | 0:01:21 | |
'When they left home, she retrained and returned to work in advertising, but Josephine has arthritis | 0:01:21 | 0:01:27 | |
'which over the years has steadily got worse and it forced her to retire very recently. | 0:01:27 | 0:01:34 | |
'Good friend Cynthia is her rummaging partner today. | 0:01:34 | 0:01:37 | |
'Josephine's son is married to Cynthia's daughter, so they're mothers-in-law. | 0:01:37 | 0:01:43 | |
'I have a feeling that the two of them have some fantastic items waiting to be discovered.' | 0:01:43 | 0:01:49 | |
-Good morning! How are you? -Goodness! Are you running a soup kitchen? | 0:01:49 | 0:01:53 | |
-This is a solid silver ladle. -It's beautiful. | 0:01:53 | 0:01:57 | |
A small example of what we'll find today. There's some great stuff | 0:01:57 | 0:02:01 | |
-and two lovely ladies you'll be dying to meet. -Yeah. | 0:02:01 | 0:02:05 | |
They've got a special trip in mind. Find me more silver and I'll find out what the trip's about. | 0:02:05 | 0:02:11 | |
-Hello, ladies! -Hello, Lorne! -Oh, pretty baby photographs. Are any of those you? | 0:02:13 | 0:02:19 | |
Well, it's quite funny. This is Josie. | 0:02:19 | 0:02:23 | |
-No, that's Robin! -It's a few years ago, let's be honest. -One or two. | 0:02:23 | 0:02:29 | |
This is obviously a family album. Tell me about the connection between you two. You're mother-in-laws? | 0:02:29 | 0:02:36 | |
-Yes. -You seem to get on very well. I understand mother-in-laws don't. | 0:02:36 | 0:02:41 | |
Well, so we've been told! We seem to. | 0:02:41 | 0:02:45 | |
-So what's the connection, then? -My daughter married Jo's son. | 0:02:45 | 0:02:49 | |
-So we are mother-in-laws. -How long ago was this? | 0:02:49 | 0:02:54 | |
They've been married 10 years and engaged for a couple. 12 years. | 0:02:54 | 0:02:59 | |
-Did you hit it off straight away? -Virtually straight away. -That must make life very easy | 0:02:59 | 0:03:05 | |
-for daughter and daughter-in-law and son and son-in-law. -It was for planning the wedding! | 0:03:05 | 0:03:11 | |
-We actually spoke to each other! -I think that's fantastic. | 0:03:11 | 0:03:16 | |
Obviously that's all been and gone and here we are today. So what is the plan? What have you in mind? | 0:03:16 | 0:03:23 | |
Well, I suffer from arthritis | 0:03:23 | 0:03:26 | |
and my consultant at the hospital as suggested I spend about a week in the Dead Sea in Israel. | 0:03:26 | 0:03:32 | |
The chemicals, minerals and the mud will all help to alleviate my pain. | 0:03:32 | 0:03:37 | |
-Have you been to the Dead Sea before? -Many years ago. | 0:03:37 | 0:03:41 | |
Not since my arthritis has been as bad as it is. | 0:03:41 | 0:03:44 | |
-What money are we talking about? -About £1,000 per person. | 0:03:44 | 0:03:49 | |
-What do you mean? -Well, we're hoping Cynthia comes with. | 0:03:49 | 0:03:54 | |
She suffers from psoriasis. | 0:03:54 | 0:03:57 | |
So the more we raise in Cash In The Attic, the less we actually have to spend ourselves. | 0:03:57 | 0:04:03 | |
Hopefully we'll go together. | 0:04:03 | 0:04:06 | |
So we need to raise at least £1,000 so you can go, | 0:04:06 | 0:04:10 | |
-but you're looking really to raise £2,000 so you can go, too. -That would be fantastic. | 0:04:10 | 0:04:15 | |
'We'd better get to work, then. Josephine and her husband Geoffrey have lived here for eight years. | 0:04:15 | 0:04:23 | |
'We'll hear more about their family later once we've met our expert. | 0:04:23 | 0:04:27 | |
'Paul's been into antiques for more than 20 years | 0:04:27 | 0:04:32 | |
'and he's lost no time tracking down the family silver. For once his mind isn't on the nearest tea pot.' | 0:04:32 | 0:04:38 | |
-Ah, there you are. Hello. -Hello. -Come and stand next to me. -I've seen that already. It's beautiful. | 0:04:39 | 0:04:45 | |
Yes, I picked this out because it's a fantastic silver ladle. Made in Edinburgh. | 0:04:45 | 0:04:51 | |
-In Scotland. -Really? -Some time 1780, 1800. | 0:04:51 | 0:04:55 | |
The golden age of British silver. | 0:04:55 | 0:04:57 | |
But it's sat in your cabinet in this dish. Where's that from? What a fantastic example that is. | 0:04:57 | 0:05:03 | |
I don't remember it being in either of my grandparents' houses, | 0:05:03 | 0:05:08 | |
so I presume it was a silver wedding present to my parents. Who gave it to them I couldn't tell you. | 0:05:08 | 0:05:15 | |
-This again is Scottish. Made in Glasgow. -Isn't that strange? -They're 200 years apart. | 0:05:15 | 0:05:22 | |
-This is much more recent? -Yes, sort of 1920. 20th century. | 0:05:22 | 0:05:26 | |
A French Rococo design, Scottish silver. I love the way it's been done with these cartouches. | 0:05:26 | 0:05:32 | |
-Absolutely beautiful. -Lots of people find these and think they're silver-plated | 0:05:32 | 0:05:38 | |
because of this yellow interior, but that is gold plating, a gold flash. | 0:05:38 | 0:05:43 | |
Do you know why they put that on? Simple reason. | 0:05:43 | 0:05:46 | |
In punch you have lots of fruits and spices and sugars and salts and they can pit the silver. | 0:05:46 | 0:05:52 | |
So they put this protective coating on so you can have all these in here without damaging the item. | 0:05:52 | 0:05:59 | |
-You've got a fantastic example here. -What value can you put on this? -Well... | 0:05:59 | 0:06:04 | |
If this was retailed in a shop, it would be very expensive. | 0:06:04 | 0:06:08 | |
If I could put at least £300 up to maybe £500. | 0:06:08 | 0:06:12 | |
-So the two together at £300-£500. -£300-£500. -Crikey. -How's that? | 0:06:12 | 0:06:17 | |
That's quite shocking, actually. My grandmother used it probably for chicken soup! | 0:06:17 | 0:06:24 | |
'Chicken soup! I think grandmother would be stunned to hear how much this silver ladle and punch bowl | 0:06:26 | 0:06:33 | |
'are worth. And it's a fantastic opener to the day. | 0:06:33 | 0:06:38 | |
'We all agreed to split and take on various rooms. Paul makes another discovery, | 0:06:38 | 0:06:44 | |
'finding these six pretty little white metal eggcups together with matching spoons. | 0:06:44 | 0:06:49 | |
'Given to Josephine by her uncle, they're a touch Arabian in style. | 0:06:49 | 0:06:54 | |
'They're worth a cracking £20-£30. | 0:06:54 | 0:06:57 | |
'Cynthia might be keen to take a trip to the Dead Sea, too, | 0:06:57 | 0:07:01 | |
'but her priority today is, of course, Josephine.' | 0:07:01 | 0:07:05 | |
-Hi. -Now, then. -Is this any good to help Jo? | 0:07:05 | 0:07:09 | |
Where have you found this? Where was this hiding? | 0:07:09 | 0:07:13 | |
This was actually in my parents' house many years ago and I've had it | 0:07:13 | 0:07:17 | |
-and if she can use it, why not? -Well, that's nice. | 0:07:17 | 0:07:21 | |
-You brought it along to help? -To help Jo go where she wishes to go. -Is it a long-lost Van Gogh? | 0:07:21 | 0:07:28 | |
-Hopefully! -Do you know the artist at all? -I have no idea about it. | 0:07:28 | 0:07:33 | |
-I can tell straight away it is an amateur painter. -Right. | 0:07:33 | 0:07:37 | |
In Victorian times, people would go out, look at the surroundings and take in the environment, | 0:07:37 | 0:07:43 | |
then come back and paint the items. This would have been a sketch, then filled in. | 0:07:43 | 0:07:48 | |
-It's quite nice. Do you know where it is? -I have no idea about anything about it. | 0:07:48 | 0:07:55 | |
-It's not really got the detail to be a long-lost fantastic painting. -Unfortunately. | 0:07:55 | 0:08:01 | |
It's the sort me and you could do. | 0:08:01 | 0:08:04 | |
But put the painting to one side and what you've got here is a fantastic frame. | 0:08:04 | 0:08:09 | |
People often overlook the frames. They can be very important. | 0:08:09 | 0:08:13 | |
If you've got a nice portrait, painting or photograph to frame up it's a perfect thing to have. | 0:08:13 | 0:08:19 | |
What you look for is to make sure there's no damage, no chips, no bits of relief missing. | 0:08:19 | 0:08:25 | |
That's in nice condition. | 0:08:25 | 0:08:27 | |
What's amazing me more and more often with this size of frame is we have a new use for them. | 0:08:27 | 0:08:33 | |
-Can you guess? -No, tell me. -Put televisions in them. -Television?! -A flat-screen television. | 0:08:33 | 0:08:39 | |
Isn't that fantastic? That's a perfect size for that. | 0:08:39 | 0:08:43 | |
It makes it a double sellable item. So we've got a nice painting worth 10 or 20 quid. | 0:08:43 | 0:08:49 | |
The frame, you could add value to that. I would say this is worth £30-£60, that sort of price. | 0:08:51 | 0:08:57 | |
-Fine! If it helps Jo, why not? -That's a great item. Very saleable. What a nice friend you are. | 0:08:57 | 0:09:04 | |
'Hm, attaching antique picture frames to plasma TVs? | 0:09:04 | 0:09:09 | |
'That's a different idea. Let's see if that one catches on. | 0:09:09 | 0:09:13 | |
'It's a generous offering from Cynthia and more cash in the pot. | 0:09:13 | 0:09:18 | |
'Talking of pots, I spot these 18th-century small hallmarked silver salt pots | 0:09:18 | 0:09:23 | |
'that once belonged to Josephine's grandmother. They're worth £20-£30. | 0:09:23 | 0:09:28 | |
'Paul's busy finding more of Josephine's family items, but not everything fits the bill. | 0:09:30 | 0:09:37 | |
'Josephine grew up in a six-storey Victorian house in Hackney. | 0:09:39 | 0:09:43 | |
'Her mum and dad had met through family friends when they worked together in the East End of London.' | 0:09:43 | 0:09:49 | |
They're busy still hunting, but I wanted to ask you a little bit about your family background. | 0:09:49 | 0:09:56 | |
-You've had an interesting past, very well-supported by the family, by the sounds of it. -It was. | 0:09:56 | 0:10:03 | |
I don't know whether it was my family... | 0:10:03 | 0:10:07 | |
My grandparents were friends. | 0:10:07 | 0:10:10 | |
And when my mother left school, she went to work for the other grandfather. | 0:10:10 | 0:10:16 | |
-Basically, she married the boss's son. -Right, OK. | 0:10:16 | 0:10:20 | |
-It really kept it in the family. -Absolutely. Whenever there was a wedding or anything, | 0:10:20 | 0:10:26 | |
-both families went to the same wedding. -Did you miss that when you moved? -I missed the closeness | 0:10:26 | 0:10:32 | |
of the family. Unfortunately, the aunts and uncles are now dead. | 0:10:32 | 0:10:37 | |
I am still in touch with most of my cousins, | 0:10:37 | 0:10:40 | |
-including one I found after 54 years in South Africa. -Goodness! | 0:10:40 | 0:10:45 | |
He'd emigrated. My aunt and uncle had broken up. | 0:10:45 | 0:10:49 | |
My aunt had emigrated to South Africa and we all lost touch with her. | 0:10:50 | 0:10:54 | |
But I have family. My brother-in-law married a South African girl. My husband's brother. | 0:10:54 | 0:11:01 | |
And on one of our visits I suddenly realised, "I think I know how to trace them." And I did. | 0:11:02 | 0:11:08 | |
-She had put him into an orphanage when they arrived. -Goodness. | 0:11:08 | 0:11:12 | |
I found him through the orphanage after 54 years. | 0:11:12 | 0:11:17 | |
Yes, we are still in touch. He's only just - and I do mean just - gone on to using a computer. | 0:11:17 | 0:11:24 | |
-So now we email each other. -That's fantastic. -It really is lovely. | 0:11:24 | 0:11:28 | |
-I'm up to date on all his family history. -Is he up to date on this? -No, not yet. | 0:11:28 | 0:11:34 | |
-He will be! -I don't know if they get it out there, | 0:11:34 | 0:11:38 | |
but he'll certainly hear about it when I've finished filming with you! | 0:11:38 | 0:11:43 | |
'Josephine left the family home when she married her husband Geoffrey, | 0:11:43 | 0:11:47 | |
'but they moved back in when her mother sadly died. | 0:11:47 | 0:11:52 | |
'Josephine and her husband raised their two children in the London family home | 0:11:52 | 0:11:57 | |
'and it holds many fond memories of family parties and fun times. | 0:11:57 | 0:12:02 | |
'So there's no surprise when another family heirloom is unearthed. | 0:12:02 | 0:12:05 | |
'This pair of antique polished bronze pestle and mortars belonged to both of Josephine's grandmothers. | 0:12:05 | 0:12:12 | |
'She remembers them being used for cooking when she was a young girl. | 0:12:12 | 0:12:16 | |
'Paul values them at £60-£80. | 0:12:16 | 0:12:18 | |
'And the flow of family treasures seems never-ending.' | 0:12:18 | 0:12:23 | |
-Now then, Jo, found anything good? -A little bit more silver for you. | 0:12:23 | 0:12:28 | |
-More silver? -A little bit more. -I take it you collected silver. | 0:12:28 | 0:12:32 | |
No, these also belonged to a grandparent. | 0:12:32 | 0:12:36 | |
Let me have a look. Are they Scottish silver again? | 0:12:36 | 0:12:41 | |
No, these are English. That's the English hallmark. | 0:12:41 | 0:12:45 | |
-Do you know what the anchor means? -No. -Right. In order for silversmith to actually sell this as silver, | 0:12:45 | 0:12:52 | |
he would have to send it to an assay office. They're all over Britain. | 0:12:52 | 0:12:57 | |
Here, he sent it to Birmingham. Their symbol is the anchor. | 0:12:57 | 0:13:02 | |
They tested the purity, OK'd it and put their stamp on it. | 0:13:02 | 0:13:07 | |
So this was done some time around the turn of the century. | 0:13:07 | 0:13:12 | |
You're looking at 1910, something like that. People love small bits of silver, make collections of them. | 0:13:12 | 0:13:18 | |
Salt cellars are always popular. | 0:13:18 | 0:13:20 | |
If I said for those £40-£60, | 0:13:20 | 0:13:23 | |
does that sound all right? | 0:13:23 | 0:13:25 | |
-Yes. Perhaps... -Are you disappointed a little bit? | 0:13:25 | 0:13:29 | |
Not disappointed. Disappointed at losing them, | 0:13:29 | 0:13:33 | |
although I do have other salt cellars, fun ones. | 0:13:33 | 0:13:37 | |
-Nobody uses salt to the extent that they used to. -And a good job, too. It's not healthy. -No. | 0:13:37 | 0:13:43 | |
-So perhaps it's time that they joined all the other bits. -Great. £40 is quite a lot of money. | 0:13:43 | 0:13:49 | |
Take it with a pinch of salt. | 0:13:49 | 0:13:52 | |
It's always hard to say goodbye to family pieces, but Josephine is keen to raise the £1,000 | 0:13:52 | 0:13:59 | |
to make that important trip to the Dead Sea. So far, we've raised £470. | 0:13:59 | 0:14:05 | |
That's almost halfway, but we've got a lot of hard work ahead of us. Cynthia's sweet tooth might pay off! | 0:14:05 | 0:14:11 | |
Oh, wow! Look at this. A special delivery. | 0:14:11 | 0:14:15 | |
-Absolutely. Biscuit barrels. -Is it all full of biscuit barrels? -Yes. | 0:14:15 | 0:14:19 | |
-Whose is this collection? -Well, it's a combination. | 0:14:19 | 0:14:23 | |
-What was the fascination? -I just love biscuit barrels. | 0:14:23 | 0:14:27 | |
I did love them until they collected dust and then I didn't love them any more! | 0:14:27 | 0:14:32 | |
Can you remember one being in your parents' house as a child? | 0:14:32 | 0:14:36 | |
I think in my grandmother's house. But I just love them. | 0:14:36 | 0:14:40 | |
They're so useful for putting things in. Sugar, tea, bits and pieces. | 0:14:40 | 0:14:45 | |
I don't know. | 0:14:45 | 0:14:48 | |
This is a pottery example. Are they all in this condition? No cracks or chips or damage? | 0:14:48 | 0:14:54 | |
Not as far as I know, but there's one that I brought back from France. | 0:14:54 | 0:14:59 | |
It's unusual because it's glass. That's quite nice, isn't it? People go for unusual items. | 0:14:59 | 0:15:05 | |
I have seen them by Wedgwood, beautiful blue and white barrels. | 0:15:05 | 0:15:09 | |
Sometimes they have solid silver mounts, more expensive ones. This one's quite Art Nouveau. | 0:15:09 | 0:15:15 | |
-There's something here for everybody. Sure you want to part with them? -Oh, yes. | 0:15:15 | 0:15:21 | |
-I do not like collecting dust! -You don't collect biscuits? -Definitely not! -We eat them. | 0:15:21 | 0:15:27 | |
They never reach the barrel. I think if we said a tenner a piece or £5 or £10 each, | 0:15:27 | 0:15:33 | |
there could be £100 here. Sort of £60-£100. | 0:15:33 | 0:15:37 | |
-Very nice. -That sound all right to you? -Fantastic. | 0:15:37 | 0:15:42 | |
This one's my favourite. Know why? It takes the biscuit. | 0:15:42 | 0:15:46 | |
'Paul's jokes are tickling the ladies, but we must keep searching. | 0:15:48 | 0:15:53 | |
'Cynthia wastes no time in finding this cased Royal Doulton tea set | 0:15:54 | 0:15:59 | |
'decorated with gilt highlights. It was given to Josephine and Geoffrey as an engagement present. | 0:15:59 | 0:16:05 | |
'It's only been out of the box twice in 47 years, so Paul reckons | 0:16:05 | 0:16:10 | |
'it should make £80-£120. | 0:16:10 | 0:16:13 | |
'Josephine has been to the Dead Sea before and found it made all the difference to her health.' | 0:16:14 | 0:16:21 | |
So where did you get the idea of actually going on this trip? How did that come about? | 0:16:21 | 0:16:27 | |
I suffer from arthritis. I have for some years, but it was accelerated about two years ago. | 0:16:27 | 0:16:34 | |
I had a car accident on my way to work and it just made everything a million times worse | 0:16:34 | 0:16:40 | |
-and very quickly. -And how long have you had arthritis for? | 0:16:40 | 0:16:45 | |
Overall, I suppose, it's probably something I've had all my life, | 0:16:45 | 0:16:50 | |
but it's only come to the fore six years ago. After we moved here. | 0:16:50 | 0:16:55 | |
Thank goodness we had actually packed up and moved because I don't think I would have the strength | 0:16:55 | 0:17:01 | |
or the energy to do it. I know I wouldn't have the energy again! | 0:17:01 | 0:17:06 | |
-It's quite horrendous, moving. -So what is the theory behind the trip? What have you been told? | 0:17:06 | 0:17:13 | |
-How do you hope it will help you? -That was the consultant I see at the Royal National Orthopaedic. | 0:17:13 | 0:17:19 | |
He suggested a week in the Dead Sea because of the chemicals, mud and everything else. | 0:17:19 | 0:17:24 | |
He said a week immersed in and out of that, and possibly one or two of the spas, | 0:17:24 | 0:17:30 | |
-would certainly help alleviate the pain of the arthritis. -It's interesting, isn't it? | 0:17:30 | 0:17:36 | |
The Romans had spas, the Edwardians, Victorians loved their spas, taking the waters, | 0:17:36 | 0:17:42 | |
-and we seem to have gone back to that a bit. -I suppose it would be cheaper if I went to Bath! | 0:17:42 | 0:17:48 | |
But it wouldn't be as much fun and the chemicals aren't the same. | 0:17:48 | 0:17:52 | |
'The Dead Sea is renowned for its healing properties and has been since ancient times. | 0:17:52 | 0:17:58 | |
'It's said that Cleopatra used the salts and mud to enhance her beauty and retain her youth. | 0:17:58 | 0:18:05 | |
'I'm hoping for all sorts of miracles now to help us reach that hefty £1,000 target. | 0:18:05 | 0:18:11 | |
'Paul's not far off when he finds these pictures. | 0:18:13 | 0:18:18 | |
'A sketch of Charles Slade, a picture of two women by Augustus John and two other prints. | 0:18:18 | 0:18:24 | |
'They were picked up by Josephine and Cynthia at a car boot sale.' | 0:18:24 | 0:18:29 | |
-Hey, guys, can you take a look at this for me? -Oh, wow! Look. | 0:18:29 | 0:18:34 | |
Are we having tea? | 0:18:34 | 0:18:36 | |
-That's really grand. -Beautiful. | 0:18:36 | 0:18:39 | |
I can see all the hallmarks on it. Who polished it like this? | 0:18:39 | 0:18:44 | |
-Well, I haven't polished it for quite a number of years, but I polished it the last time. -Is this Grandma? -No. | 0:18:44 | 0:18:51 | |
I bought it for my parents for their silver wedding. | 0:18:51 | 0:18:55 | |
You bought this for your parents. How old were you? | 0:18:55 | 0:18:59 | |
-I was 16, but I started saving up for it when I was 9. -So can you remember how much it cost? | 0:18:59 | 0:19:05 | |
All in all, I think it was about £125. | 0:19:05 | 0:19:11 | |
-That was a lot of money! -A fortune in its day! | 0:19:11 | 0:19:15 | |
As I said, it took me seven years to save it up. | 0:19:15 | 0:19:19 | |
-An aunt came with me to buy it. -Awww. | 0:19:19 | 0:19:22 | |
This is a great example, but it wasn't brand-new then. This is an antique set. | 0:19:22 | 0:19:28 | |
It's made by Mappin and Webb who actually make things now for the Royal Family. | 0:19:28 | 0:19:33 | |
They've been going since the 18th century up in Sheffield. | 0:19:33 | 0:19:37 | |
-This wasn't a new set when you bought it. It was an older set. You said 1950s. -1956. | 0:19:37 | 0:19:44 | |
Right. Well, this dates 1900, 1910, that sort of time. | 0:19:44 | 0:19:48 | |
I can tell because it's very Arts and Crafts. That was the style. | 0:19:48 | 0:19:52 | |
This wonderful hammered effect, scalloped edge or pie-crust edge as they call it in the trade, | 0:19:52 | 0:19:59 | |
ebony handle. It all fits in to 1900, 1920, that sort of time. | 0:19:59 | 0:20:03 | |
-What sort of value has it got today? -Three times that now. Probably £350-£500. | 0:20:03 | 0:20:08 | |
If we said at least £350 | 0:20:08 | 0:20:11 | |
-then we can go from there. Beautiful example. -£350. | 0:20:11 | 0:20:16 | |
-Good investment, wasn't it? -I wouldn't have got that as interest. -Probably not. | 0:20:16 | 0:20:22 | |
'A fantastic investment, but will Josephine's hard work pay off when it goes under the hammer?' | 0:20:22 | 0:20:28 | |
I have got five commission bids. | 0:20:28 | 0:20:31 | |
Hope I won't have to work too hard! | 0:20:31 | 0:20:34 | |
-How do you feel about that? -Very sad. | 0:20:34 | 0:20:38 | |
'Our rummage continues as Paul digs out this collection of Shorter and Son fish plates with gravy boat. | 0:20:38 | 0:20:44 | |
'They belonged to Josephine's grandmother who hoped that they would be worth something one day. | 0:20:44 | 0:20:51 | |
'And she was right to do so as they're off to auction with a value of £50-£80. | 0:20:51 | 0:20:57 | |
'Time is ticking away now, but it seems to be standing still for our next find.' | 0:20:57 | 0:21:03 | |
-What's it made of? -Belgian slate. Beautiful example. Here we are. | 0:21:03 | 0:21:07 | |
-Ah, ladies! Hello. -Now then... -The time's not quite right. | 0:21:07 | 0:21:12 | |
-Who's responsible for winding this up? -Well, I was. | 0:21:12 | 0:21:17 | |
-Oh, it's your clock, is it? -That's right. -Where did it come from in your family? | 0:21:17 | 0:21:22 | |
-Not a boot sale find, surely! -No, no. In the '50s, my father used to take my mother off to France | 0:21:22 | 0:21:29 | |
and they had very limited money because you weren't allowed to take much money out of the country. | 0:21:29 | 0:21:35 | |
And one time he came back with this. | 0:21:35 | 0:21:38 | |
It couldn't have cost a lot, but we lived in an old house and it looked beautiful. | 0:21:38 | 0:21:44 | |
-And it worked. -I really like this style. It's neoclassical. | 0:21:44 | 0:21:49 | |
Harking back to Ancient Rome and Greece. An ancient figure here. | 0:21:49 | 0:21:53 | |
She's playing a lute. Sometimes you get them reading a book. | 0:21:53 | 0:21:58 | |
This is Belgian slate, a sort of imitation marble. | 0:21:58 | 0:22:02 | |
And this is based on the antique, so you'd have these in big chateaus in France, made from ormolu. | 0:22:02 | 0:22:09 | |
Ormolu is a gilded bronze. This would be made from solid bronze and gold plate | 0:22:09 | 0:22:14 | |
and they look wonderful. And they made cheaper versions and recast them. | 0:22:14 | 0:22:20 | |
This very grey metal is spelter. A real one would have a brass-looking effect on it. | 0:22:20 | 0:22:27 | |
-It's beautifully done. I really like it. -What sort of value, then? | 0:22:27 | 0:22:31 | |
-This is where you decide if you like him or not. -For somebody who has a hotel or wants that antique look, | 0:22:31 | 0:22:38 | |
I'd say around the hundred mark. | 0:22:38 | 0:22:41 | |
-£80-£150. -That's fantastic. -Like that, Jo? | 0:22:41 | 0:22:45 | |
That's a very nice present! | 0:22:45 | 0:22:48 | |
Right. I have to say we have run out of time for rummaging. | 0:22:48 | 0:22:52 | |
You wanted £1,000 to go to the Dead Sea, didn't you, Jo? | 0:22:52 | 0:22:56 | |
Hopefully, £2,000 so that you can go as well, Cynthia. | 0:22:56 | 0:23:00 | |
-The value of everything we've seen that is going to auction comes to £1,190. -Oh, wow. | 0:23:00 | 0:23:07 | |
-So you should definitely be going. -Fantastic. | 0:23:07 | 0:23:11 | |
And with a bit of luck, if we have some very good bidding, you might be going, too. | 0:23:11 | 0:23:17 | |
-Absolutely! -I have a feeling they'll both be going anyway. | 0:23:17 | 0:23:21 | |
Oh, yeah. | 0:23:21 | 0:23:23 | |
'It's been a fun day with the girls and, fingers crossed, they'll raise well over £1,000 | 0:23:23 | 0:23:30 | |
'so they can both go to the Dead Sea. And we have a collection of fantastic items | 0:23:30 | 0:23:36 | |
'from Josephine and Cynthia that I'm sure will interest bidders. | 0:23:36 | 0:23:41 | |
'There's the wonderful silver tea service that Josephine saved so hard for when she was young. | 0:23:41 | 0:23:47 | |
'I hope it shines in the saleroom, making its £350-£500 estimate. | 0:23:47 | 0:23:52 | |
'This Augustus John portrait of Charles Slade and a print with two others | 0:23:53 | 0:23:59 | |
'are valued at £100-£120. | 0:23:59 | 0:24:02 | |
'And, of course, the punch bowl that Josephine's grandmother used to serve chicken soup from. | 0:24:06 | 0:24:12 | |
'We hope it will be a surprise dish with its £300-£500 price tag. | 0:24:12 | 0:24:17 | |
'Still to come: there's a narrow escape midway through the sale.' | 0:24:18 | 0:24:24 | |
I take it you're pleased, are you? | 0:24:24 | 0:24:26 | |
'But Josephine manages to keep her calm when one antique takes off.' | 0:24:29 | 0:24:34 | |
Oh, I say! | 0:24:34 | 0:24:36 | |
My goodness. | 0:24:36 | 0:24:38 | |
'So will Josephine raise enough cash to visit the Dead Sea? Find out when the hammer falls.' | 0:24:38 | 0:24:44 | |
It's been a few weeks since we met Jo and Cynthia at Jo's house. | 0:24:49 | 0:24:53 | |
We uncovered a whole collection of antique silver given to Jo by her mother and her grandmother. | 0:24:53 | 0:25:00 | |
She's looking to raise around £1,000 for a trip to the Dead Sea to help with her arthritis. | 0:25:00 | 0:25:07 | |
So let's just hope today the bidders are in a spending mood. | 0:25:07 | 0:25:12 | |
'The saleroom fills steadily in anticipation of a lively sale day. | 0:25:13 | 0:25:17 | |
'Serious dealers and antique traders will be on the lookout for a special bargain, | 0:25:17 | 0:25:22 | |
'as well as happy-go-lucky buyers who just want something different. | 0:25:22 | 0:25:27 | |
'Let's hope today's bidders are prepared to part with their cash so Josephine gets to the Dead Sea | 0:25:27 | 0:25:35 | |
'and its fantastic healing powers.' | 0:25:35 | 0:25:37 | |
-Good morning, Paul. I love that. -Isn't it absolutely fantastic? | 0:25:37 | 0:25:42 | |
The quality in it. Beautiful. It looks even better now it's here. | 0:25:42 | 0:25:47 | |
-And the price of silver has gone up since our rummage. -It certainly has. -Potentially a bargain for someone? | 0:25:47 | 0:25:54 | |
Definitely. It'll be interesting to see how this goes. They're 100 years apart. | 0:25:54 | 0:25:59 | |
This one is late Victorian, this one is Georgian. But how interesting is that? | 0:25:59 | 0:26:05 | |
For silver collectors or anyone interested in Scottish history, fantastic. | 0:26:05 | 0:26:11 | |
And we've got that wonderful tea set that she saved up for. | 0:26:11 | 0:26:15 | |
-What an investment! -Lovely to see. But the showstoppers are these two. | 0:26:15 | 0:26:20 | |
Yeah? Let's tell her the good news. | 0:26:20 | 0:26:22 | |
'Paul's really excited about the silver punch bowl and ladle. | 0:26:22 | 0:26:26 | |
'With the price of silver rising, who knows what might happen? | 0:26:26 | 0:26:31 | |
'Josephine had saved incredibly hard for the Mappin and Webb tea service when she was just a young girl. | 0:26:31 | 0:26:37 | |
'I hope she feels positive about letting go of her precious pieces. | 0:26:37 | 0:26:42 | |
One last look, eh? | 0:26:42 | 0:26:44 | |
-Plenty of people have been looking at them. -It goes on forever. There's some collection there. | 0:26:46 | 0:26:52 | |
-That's exciting. -Did you see all your silver on display? -Yes, I did. | 0:26:52 | 0:26:57 | |
A lot of the dealers we know have all said what lovely silver items they are. | 0:26:57 | 0:27:03 | |
That's quite exciting. In that case, I'm pleased I kept it polished. | 0:27:03 | 0:27:07 | |
I just think you should become some kind of British icon for saving up for presents for parents. | 0:27:07 | 0:27:14 | |
-It's a wonderful story. -Make sure all the kids watch the programme! | 0:27:14 | 0:27:19 | |
-They'll know what to do. Although we don't have saving stamps any more. -We'll work out a system. | 0:27:19 | 0:27:26 | |
-Shall we go see how they do? -Love to. -Come on. | 0:27:26 | 0:27:30 | |
'Time to take our positions as the first item is shown. | 0:27:30 | 0:27:34 | |
'It's the pair of hallmarked silver salt cellars.' | 0:27:34 | 0:27:39 | |
-We've got quite a good estimate. £40-£60. -It's about £20 each. | 0:27:40 | 0:27:44 | |
You have to watch they aren't squashed. People get heavy-handed. | 0:27:44 | 0:27:49 | |
The feet you said had been squashed. | 0:27:49 | 0:27:51 | |
(Keep your voice down!) We're looking for £40. | 0:27:51 | 0:27:56 | |
Let's see how they do. | 0:27:56 | 0:27:59 | |
What shall we say? Start me at £40? | 0:27:59 | 0:28:01 | |
£30, then? Let's see where they go. | 0:28:01 | 0:28:05 | |
No bids at £30. £30 I'm bid. | 0:28:05 | 0:28:08 | |
I'll take 2 now. At £30. 2. 35. | 0:28:08 | 0:28:11 | |
38. At 40? £38 in the doorway. | 0:28:11 | 0:28:16 | |
£40 now if you like. At £38 and selling. All done at £38? | 0:28:16 | 0:28:20 | |
£38! | 0:28:21 | 0:28:23 | |
That was really good. Just under the top end. Are you pleased? | 0:28:23 | 0:28:27 | |
Yes. Relieved. | 0:28:27 | 0:28:30 | |
-Why relieved? -I didn't think anyone would bid. | 0:28:30 | 0:28:34 | |
It was quite scary at the beginning. It went right the way down. | 0:28:34 | 0:28:38 | |
Great. To be taken with a pinch of salt. | 0:28:38 | 0:28:42 | |
'A promising start to the day. Josephine had been reluctant | 0:28:45 | 0:28:49 | |
'to let them go, but seems happy. | 0:28:49 | 0:28:51 | |
'Next up | 0:28:51 | 0:28:54 | |
'are the antique pestle and mortars that belonged to her grandmothers. | 0:28:54 | 0:28:58 | |
'She has fond memories of them being put to good use in the kitchen as a child.' | 0:28:58 | 0:29:04 | |
I'm already bid at £30. Somebody start me at £50, please. | 0:29:04 | 0:29:08 | |
£50 to start me. No bids? I'll move on. | 0:29:08 | 0:29:11 | |
No interest at £50? Can't sell it at any less. That's disappointing. | 0:29:11 | 0:29:17 | |
The auctioneer had a bid of £30, but didn't feel that was enough, so they are unsold. | 0:29:17 | 0:29:23 | |
-How do you feel? -I really don't mind taking them back home. -Quite happy? -Yes. | 0:29:23 | 0:29:28 | |
Then I don't mind. | 0:29:28 | 0:29:31 | |
'It's early days, but we shouldn't be too complacent as we have an ambitious target of £1,000 to reach | 0:29:31 | 0:29:38 | |
'for that visit to the Dead Sea. Any extra cash goes to a trip for Cynthia, too. | 0:29:38 | 0:29:44 | |
'Hopefully the next lot will do even better. It's 19th century oil painting of a rural scene, | 0:29:44 | 0:29:50 | |
'showing a water mill and angler. It belonged to Cynthia, who added it to the auction haul.' | 0:29:50 | 0:29:56 | |
Well worth the money. £20? £20. 22. 25. 28. | 0:29:56 | 0:30:00 | |
30. 32. 35. 38. And 40. 42? | 0:30:00 | 0:30:05 | |
£40 I'm bid. Take 42 now. At £40. | 0:30:05 | 0:30:08 | |
Are we all done? At £40 and selling. | 0:30:08 | 0:30:11 | |
-Well done. -There you go. | 0:30:11 | 0:30:14 | |
I take it you're pleased. | 0:30:14 | 0:30:17 | |
'In all the excitement, they nearly knocked over a vase behind them. | 0:30:19 | 0:30:25 | |
'They just netted £40 to add to the healing fund. | 0:30:25 | 0:30:29 | |
'So will the sale of our next item create as much of a stir? | 0:30:29 | 0:30:34 | |
'It's the set of six Arabian style white metal egg cups. | 0:30:34 | 0:30:38 | |
'They were given to Josephine by her uncle who liked to travel.' | 0:30:38 | 0:30:43 | |
-Why white metal? -Because continentals don't have the same hallmarking system that we have. | 0:30:45 | 0:30:51 | |
There's a lower grade silver than in the UK. But they're beautiful, all that fancy work. | 0:30:51 | 0:30:57 | |
For the 12 pieces, I have a bid here with me for £18. £20. I'll take 2 in the room. | 0:30:57 | 0:31:04 | |
22 there. 25 is my last. 28, your bid? | 0:31:04 | 0:31:07 | |
-At £28. Take 30. -Come on...! | 0:31:07 | 0:31:10 | |
At £30. 32. | 0:31:10 | 0:31:13 | |
35. 38. At 40. | 0:31:13 | 0:31:15 | |
42? | 0:31:15 | 0:31:17 | |
At £40 in the doorway. Take 2 now. Still cheap at £40. | 0:31:17 | 0:31:22 | |
In the doorway at 40...and gone. | 0:31:22 | 0:31:24 | |
-£40! -That's all right. | 0:31:24 | 0:31:27 | |
'The egg cups smashed through Paul's highest estimate of £30. | 0:31:27 | 0:31:32 | |
'So far, so good. | 0:31:32 | 0:31:34 | |
'The bidders are generous today and certainly have a soft spot for our antiques and collectables.' | 0:31:34 | 0:31:41 | |
Our next lot is the small hallmarked salt with that twisty spoon. | 0:31:41 | 0:31:46 | |
These are very nice, being attached together. | 0:31:46 | 0:31:50 | |
It's from a different time. We're looking for about £20. | 0:31:50 | 0:31:55 | |
£20 I'm bid. Take 2. | 0:31:55 | 0:31:58 | |
-Good, good. -22. 25. | 0:31:58 | 0:32:00 | |
28? At £25 in front of me. 28 if you like now. Cheap at £25 and selling, then. | 0:32:00 | 0:32:06 | |
All done and selling at 25. | 0:32:06 | 0:32:09 | |
-£25. -That's all right. | 0:32:09 | 0:32:11 | |
'Josephine looked rather shocked. It may be £5 under Paul's top estimate, but it's all money for the trip. | 0:32:11 | 0:32:18 | |
'And we've got so many great pieces still to come. | 0:32:18 | 0:32:22 | |
'Our next lot is another donation from Cynthia. It's the collection of biscuit barrels, | 0:32:22 | 0:32:28 | |
'with Victorian and Edwardian examples made from glass, earthenware and porcelain.' | 0:32:28 | 0:32:34 | |
£50 to start me? £40 and we'll see where it goes? No bids at 40? | 0:32:34 | 0:32:40 | |
£40 I'm bid. Take 5. 45. 50. 55. 60. | 0:32:40 | 0:32:44 | |
And 5? £60 I'm bid. I'll take 5 now. | 0:32:44 | 0:32:48 | |
Are we all done? I can sell at £60. | 0:32:48 | 0:32:51 | |
-£60. You were absolutely bang on there. -Very well done. | 0:32:51 | 0:32:56 | |
-Very affordable, really. -Yeah. -Very nice. Nice collection. -Good. | 0:32:56 | 0:33:00 | |
'I can safely say that sale doesn't take the biscuit | 0:33:00 | 0:33:05 | |
'as £60-£100 is what Paul predicted. | 0:33:05 | 0:33:08 | |
'Cynthia is pleased that they sold. | 0:33:08 | 0:33:11 | |
'It's been a steady first part of the sale, but what have we made?' | 0:33:11 | 0:33:16 | |
-Can you remember how much you want? -About £1,000. | 0:33:16 | 0:33:20 | |
OK. Well... | 0:33:20 | 0:33:22 | |
So far we've raised £203. | 0:33:23 | 0:33:26 | |
-It doesn't sound a lot. -But we've had none of the big silver pieces up yet. | 0:33:26 | 0:33:32 | |
-Let's keep our fingers crossed. -Your silver service is coming up. Some really choice pieces. | 0:33:32 | 0:33:38 | |
I'd see that £203 as a bit of a bonus. | 0:33:38 | 0:33:42 | |
-We've got a little bit of a break. Are you pleased so far? -I am. | 0:33:42 | 0:33:47 | |
It's amazing how things add up. Two or three small items there and we've got £200. | 0:33:47 | 0:33:52 | |
-Let's hope your big items go through the roof. -We've got a little bit of time, so come on. | 0:33:52 | 0:33:59 | |
'Those big hitters include the Victorian silver punchbowl | 0:34:00 | 0:34:04 | |
'plus the attractive Arts and Crafts silver tea service that was 40 years older than Josephine thought. | 0:34:04 | 0:34:11 | |
'And they aren't the only fine-looking pieces today.' | 0:34:11 | 0:34:15 | |
I wanted to show you this clock. Remember our clock in the house with the figurine on top? | 0:34:15 | 0:34:21 | |
This one hasn't got a figure, but it has that look. It just shows they're not as rare as you think. | 0:34:21 | 0:34:27 | |
-This one's at £80-£120. Similar to our price. -Is it as heavy? -Very! I h=don't want to take it home! | 0:34:27 | 0:34:34 | |
-It was presented in 1904 at a wedding. -So it's a wedding present. That is nice. | 0:34:34 | 0:34:39 | |
-That makes it a bit different. They rarely have a plaque. -That adds a bit of character. | 0:34:39 | 0:34:46 | |
-Let's see which one fetches most. They're both at £80-£120. -OK. | 0:34:46 | 0:34:50 | |
'And when it goes under the hammer, it sells for £75 - just under the lower end of the estimate. | 0:34:51 | 0:34:58 | |
'We'll see how our clock measures up later, but now the collection of Shorter and Son fish plates | 0:35:00 | 0:35:07 | |
'and gravy boat are about to be shown to the room. They were handed down to Josephine | 0:35:07 | 0:35:13 | |
'by her grandmother. At £50-£80, let's see what the bidders make of them.' | 0:35:13 | 0:35:20 | |
Very Art Deco. Quite collectable. Not everyone's cup of tea. I'm looking for about £50. | 0:35:20 | 0:35:26 | |
Who'll start me at £50? Nice thing. £50 start me? £40, then? | 0:35:26 | 0:35:31 | |
No bids at £40? I'll move on. No interest at 40. Unsold, then, at £40. | 0:35:31 | 0:35:38 | |
-Oh, that's a disappointment. -It's... -Unsold. -Unsold. | 0:35:38 | 0:35:42 | |
He couldn't get £40, so didn't sell it. | 0:35:42 | 0:35:46 | |
'The bidders didn't think much of the fish plates. As Paul said, | 0:35:46 | 0:35:51 | |
'they're not to everyone's taste. But the cased Royal Doulton tea set with spoons goes under the hammer.' | 0:35:51 | 0:35:58 | |
-Commission bid at 120. All done at 120? And gone. -Wow. | 0:35:58 | 0:36:03 | |
'It sells for Paul's top estimate of £120. | 0:36:03 | 0:36:07 | |
'Next up is our black slate and marble clock with porcelain dial and Arabic numbers. | 0:36:07 | 0:36:13 | |
'Will it do as well as the similar clock Paul showed me earlier? | 0:36:13 | 0:36:18 | |
'Selling for £70, it keeps things ticking along nicely. | 0:36:23 | 0:36:28 | |
'Now it's time for one of our star items to go under the hammer. | 0:36:28 | 0:36:33 | |
'The beautiful Mappin and Webb silver tea service that Josephine saved hard for as a little girl. | 0:36:33 | 0:36:39 | |
'There's a lot of excitement so fingers crossed that it does well.' | 0:36:39 | 0:36:44 | |
I have got one, two, three, four, five commission bids. Starting with me at £420. | 0:36:44 | 0:36:51 | |
I'll take 430 in the room. 420. Take 430. | 0:36:51 | 0:36:55 | |
At £420 on commission bids. | 0:36:55 | 0:36:57 | |
At £420. 430 there. I'll take 440. | 0:36:57 | 0:37:01 | |
At £430. 440 now, if you like. At £430, then? | 0:37:01 | 0:37:05 | |
All done? At 430 and gone. | 0:37:05 | 0:37:08 | |
-£430. -Goodness. -How do you feel about that? | 0:37:08 | 0:37:12 | |
-Very sad. -Yeah? -All those stamps that I licked and it's gone! | 0:37:12 | 0:37:17 | |
But you are £430 better off. | 0:37:17 | 0:37:19 | |
-It's a lot of money. -Almost halfway. -Yes, absolutely. | 0:37:20 | 0:37:24 | |
On one item. | 0:37:24 | 0:37:26 | |
Oh. | 0:37:26 | 0:37:28 | |
You've got to come with me now! | 0:37:29 | 0:37:31 | |
'I'm not surprised that Josephine feels emotional. The silver service | 0:37:33 | 0:37:38 | |
'has been in her family for 50 years. I'm sure it will be treasured by its new owner. | 0:37:38 | 0:37:44 | |
'We've still got the silver punchbowl and ladle to come | 0:37:44 | 0:37:48 | |
'and who knows what might happen? | 0:37:48 | 0:37:51 | |
'But first up is the framed Augustus John portrait of Charles Slade | 0:37:51 | 0:37:56 | |
'and a print of women with a parasol and a drawing of Bell Rock lighthouse | 0:37:56 | 0:38:02 | |
'and a study of a goat and boy. Paul valued them at £100-£120.' | 0:38:02 | 0:38:06 | |
Four bids on this lot here. Start me at £100, please. | 0:38:07 | 0:38:12 | |
£80, then? | 0:38:12 | 0:38:14 | |
Well, I'll go to 70. No bids? | 0:38:14 | 0:38:17 | |
I'll pass the lot. No interest at £70, then? | 0:38:17 | 0:38:20 | |
-That's disappointing. -It didn't sell either. -That's a shame. | 0:38:20 | 0:38:25 | |
If he couldn't even get £70 for it, what's the point? | 0:38:25 | 0:38:29 | |
-You're better off taking them home. -But it's a shame. | 0:38:29 | 0:38:33 | |
'It's unfortunate, but next up is | 0:38:33 | 0:38:37 | |
'our final piece of silver. Paul gave the bowl and ladle a value of £300-£500 | 0:38:37 | 0:38:42 | |
'and we're really banking on this to do well. Will it be a celebration or commiseration?' | 0:38:42 | 0:38:49 | |
Now our next lot, our last lot of the day, our most important lot, | 0:38:50 | 0:38:55 | |
hopefully our most successful lot - those two wonderful pieces of silver. The lovely bowl | 0:38:55 | 0:39:01 | |
and the Georgian ladle. Remind me, where did these two come from? | 0:39:01 | 0:39:07 | |
The silver ladle belonged to my grandmother, who used it on high days and holy days to serve the soup. | 0:39:07 | 0:39:13 | |
The bowl came as a silver wedding gift to my parents. | 0:39:13 | 0:39:19 | |
I've got massive bids here. One, two, three, four, five. | 0:39:19 | 0:39:23 | |
Starting with me at £450. | 0:39:23 | 0:39:25 | |
450! | 0:39:25 | 0:39:27 | |
At 450. 460 there. 470. 480. | 0:39:27 | 0:39:30 | |
490. | 0:39:30 | 0:39:32 | |
- Gosh! - 500. | 0:39:32 | 0:39:34 | |
-510. We'll keep it in the tens. 520. 530. 540. -Oh, my goodness. | 0:39:34 | 0:39:39 | |
560. 570? £560 in the doorway. Take 570 now. | 0:39:39 | 0:39:44 | |
At £560. Is that the money? Last chance. At 560 and selling. 560 and gone, then. | 0:39:44 | 0:39:50 | |
Oh, I say...! | 0:39:50 | 0:39:52 | |
My goodness. And you thought they might not sell. | 0:39:52 | 0:39:56 | |
-It's made up for the tea service. -That's absolutely incredible. | 0:39:56 | 0:40:01 | |
-There was a bidding frenzy there. -I'm so pleased for you that it made that much money. | 0:40:01 | 0:40:07 | |
'Incredible. £60 over Paul's top estimate. | 0:40:08 | 0:40:12 | |
'Our silver pieces have done us proud and, without a doubt, | 0:40:12 | 0:40:16 | |
'made a huge contribution towards the Dead Sea fund.' | 0:40:16 | 0:40:20 | |
-Now remember you wanted £1,000. -Yes. -Yes. -So you can have this trip. | 0:40:20 | 0:40:25 | |
-Yes, go on. -And you were hoping for a bit extra for you as well. | 0:40:25 | 0:40:29 | |
-Well, we're hoping. -Do you think you made a thousand? -Very close to it. | 0:40:29 | 0:40:35 | |
Just about. | 0:40:35 | 0:40:37 | |
You've actually banked £1,383 | 0:40:37 | 0:40:41 | |
Well done! | 0:40:41 | 0:40:43 | |
So that's £383 more than you wanted. | 0:40:44 | 0:40:48 | |
-Fantastic. -There you are. You're going to go. | 0:40:48 | 0:40:52 | |
If we'd another few pieces, we could all go! | 0:40:52 | 0:40:56 | |
'There are all sorts of alternative treatments to ease pain. | 0:41:00 | 0:41:06 | |
'Josephine prepares for her trip by experiencing the wonders of a flotation tank.' | 0:41:06 | 0:41:12 | |
I'm going to be using a flotation tank, | 0:41:12 | 0:41:16 | |
which hopefully is going to alleviate some of the pain I get from the arthritis, | 0:41:16 | 0:41:22 | |
which can be quite horrendous, especially at this time of year. | 0:41:22 | 0:41:26 | |
The salts that they put in the flotation tank are very similar to what is in the Dead Sea, | 0:41:26 | 0:41:32 | |
which is the cure all for everything, so here's hoping she doesn't feel stiff any more. | 0:41:32 | 0:41:40 | |
'The flotation tank is a taster of what's to come. It's filled with Epsom salts and magnesium sulphate, | 0:41:40 | 0:41:46 | |
'which is apparently very good for any aches and pains. | 0:41:46 | 0:41:51 | |
'It also allows you to float and totally relax.' | 0:41:51 | 0:41:55 | |
Ooh, that feels nice! | 0:41:55 | 0:41:57 | |
She can't wait to go to the Dead Sea | 0:41:57 | 0:42:00 | |
for the sun, the sea and all of the therapeutic attributes given to it. | 0:42:00 | 0:42:06 | |
She'll come back looking like a 21-year-old, from what I understand! | 0:42:06 | 0:42:11 | |
I'm now really looking forward to going to Israel and, well...sinking. | 0:42:11 | 0:42:17 | |
You can't sink, can you, in the Dead Sea? But floating | 0:42:17 | 0:42:22 | |
and have all those chemicals come in to me. Wonderful! | 0:42:22 | 0:42:26 | |
Every cloud has a silver lining. We had no clouds at our auction, but plenty of silver. | 0:42:30 | 0:42:36 | |
As a result, Jo and Cynthia are going to have a fantastic time at the Dead Sea. | 0:42:36 | 0:42:42 | |
If you've got a project in mind you'd like to raise money for | 0:42:42 | 0:42:46 | |
and you have plenty of antiques and collectables, apply to come on to Cash In The Attic. | 0:42:46 | 0:42:52 | |
More details are on our website. | 0:42:52 | 0:42:54 | |
I'll see you again next time! | 0:42:54 | 0:42:57 | |
Subtitles by Subtext for Red Bee Media Ltd - 2010 | 0:43:05 | 0:43:09 | |
Email [email protected] | 0:43:10 | 0:43:12 |