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Welcome to the show that searches out all those hidden treasures | 0:00:02 | 0:00:05 | |
in your home and then helps you sell them at auction. | 0:00:05 | 0:00:07 | |
Today I've come to Surrey to meet a lovely family whose home is packed with treasures including this. | 0:00:07 | 0:00:13 | |
Now you can find out more about the family connection, and to who, later in Cash In The Attic. | 0:00:13 | 0:00:19 | |
Coming up on Cash In The Attic, are expectations high for one of the antiques? | 0:00:38 | 0:00:45 | |
They looked at it and sort of, pfft, said, "Maybe I'll give you 30 quid," and I was thinking, "No way!" | 0:00:45 | 0:00:50 | |
And is all of the excitement too much for Bernadette? | 0:00:50 | 0:00:54 | |
Gosh...that's incredible. Whoo! | 0:00:54 | 0:00:57 | |
But will the mood change when we get to auction? | 0:00:57 | 0:01:00 | |
It looked like it was going to go a bit higher. | 0:01:00 | 0:01:02 | |
I know. You can never tell, you can never tell. | 0:01:02 | 0:01:04 | |
Find out later in the show. | 0:01:04 | 0:01:06 | |
I've come to Esher to meet Bernadette and Justine, | 0:01:08 | 0:01:11 | |
a mother and daughter who are hoping Cash In The Attic | 0:01:11 | 0:01:14 | |
can help them have a clearout and raise some funds for a rather special day out. | 0:01:14 | 0:01:19 | |
This modern bungalow is Bernadette Clifton's home. | 0:01:21 | 0:01:24 | |
She loves nothing more than spending time with her two daughters, | 0:01:24 | 0:01:28 | |
Danielle, aged 28, and Justine, who is 26. | 0:01:28 | 0:01:32 | |
She's a proud mum and after the sad breakdown of her marriage, | 0:01:32 | 0:01:36 | |
a very strong bond developed between the three of them. | 0:01:36 | 0:01:39 | |
Oh, it's lovely to see you. | 0:01:39 | 0:01:41 | |
In her free time she enjoys gardening and playing tennis. | 0:01:41 | 0:01:45 | |
She works as a lettings manager for a local estate agent. | 0:01:45 | 0:01:49 | |
But Bernadette wants some time out from the daily schedule | 0:01:49 | 0:01:53 | |
to treat herself and daughter Justine to something special. | 0:01:53 | 0:01:56 | |
So our expert, Paul Hayes, and I have been called in to help them raise some cash. | 0:01:56 | 0:02:01 | |
I just hope the girls are ready for some serious grafting. | 0:02:01 | 0:02:05 | |
-Good morning, ladies. -Hi. -Hello. -It looks like I've arrived just in time. | 0:02:05 | 0:02:09 | |
-Yes, it's sandwiches' time. -Fantastic. | 0:02:09 | 0:02:11 | |
Mine's egg mayonnaise, please. | 0:02:11 | 0:02:13 | |
Right, now, Bernadette, you've called Cash In The Attic, so what's the game plan? | 0:02:15 | 0:02:19 | |
Justine and I love being pampered, so we're going to go off to one of | 0:02:19 | 0:02:22 | |
these spa hotels for a couple of days, a couple of nights. | 0:02:22 | 0:02:25 | |
We're going to be primped and preened, treatments and massages, and sitting round in fluffy towels | 0:02:25 | 0:02:31 | |
drinking tea and eating biscuits, and just having a lovely chilled-out time. | 0:02:31 | 0:02:35 | |
So, what sort of money are we talking about? | 0:02:35 | 0:02:37 | |
£450, £500 should be enough for a couple of nights, and if we make more, all the better. | 0:02:37 | 0:02:42 | |
-We'll have more treatments, won't we? -Yeah, lovely. | 0:02:42 | 0:02:46 | |
Come back looking all preened and proper and nice, and younger hopefully. | 0:02:46 | 0:02:49 | |
That's the thing with these places, isn't it? | 0:02:49 | 0:02:51 | |
-The actual stay isn't so expensive but the treatments can add up. -I think they do, yeah. | 0:02:51 | 0:02:55 | |
Well, you both look beautiful to me. But if that's what you want to do, let's hope we raise the £500. | 0:02:55 | 0:03:01 | |
-Great. -Shall we go and see where Mr Hayes is? -Absolutely. -We'll do that. | 0:03:01 | 0:03:06 | |
We'll leave the sandwich-making till a little later as it's time to find out what Paul is up to. | 0:03:06 | 0:03:11 | |
Well, I'm pleased to see there plenty of rooms full to the brim to get stuck in to... | 0:03:11 | 0:03:17 | |
and he's already found his way to the end of the garden, in the shed, knee-deep in clutter. | 0:03:17 | 0:03:22 | |
With over 20 years in the antiques and collectibles business, | 0:03:22 | 0:03:26 | |
it won't take him long to spot something that's worth a bob or two. | 0:03:26 | 0:03:29 | |
-Anyone there? -Yep. | 0:03:29 | 0:03:31 | |
-Oh, Paul. -Hello. Stand well back. | 0:03:31 | 0:03:32 | |
-You're far too smart to go in the garden shed. -How are you, all right? | 0:03:32 | 0:03:36 | |
-What have you got there? -I've got an old dress sword, | 0:03:36 | 0:03:38 | |
It's an unusual item but it's just a tourism thing, but I'm fascinated to know where it comes from. | 0:03:38 | 0:03:43 | |
I'm pretty sure it came from Saudi Arabia. | 0:03:43 | 0:03:44 | |
Well, that does fit in. It's a very ceremonial sword. | 0:03:44 | 0:03:47 | |
It's used on parades or carnivals, just for show really. | 0:03:47 | 0:03:50 | |
If we have a look at the blade, it's not sharp at all, | 0:03:50 | 0:03:54 | |
just a piece of metal, it's just purely decorative. | 0:03:54 | 0:03:58 | |
Do you think that's a horse? | 0:03:58 | 0:03:59 | |
-It looks like a horse, but it looks more like a camel. -It's odd, isn't it? | 0:03:59 | 0:04:03 | |
The last time I saw a camel it had a couple of humps, and that hasn't. So I don't think it's a camel. | 0:04:03 | 0:04:08 | |
At the end of the day, it is a tourist item. | 0:04:08 | 0:04:10 | |
It's something you would buy if you were over there in the bazaars | 0:04:10 | 0:04:13 | |
that would be made by the locals, just a fun item at the time. | 0:04:13 | 0:04:17 | |
Why I pulled this out, it's not the best item to have lying around. | 0:04:17 | 0:04:20 | |
-If it gets into the wrong hands. -True. | 0:04:20 | 0:04:22 | |
Also if you come to sell it there are certain laws you've got to abide by. | 0:04:22 | 0:04:26 | |
-If you went to a car boot sale with this item, then it's against the law to sell it. -Oh, is it? | 0:04:26 | 0:04:30 | |
The safest way to do it would be through auction. They have a special licence, they'll handle it for you. | 0:04:30 | 0:04:36 | |
If you got £30. It's not the sort of thing you want lying around, | 0:04:36 | 0:04:38 | |
and it goes towards our target. | 0:04:38 | 0:04:40 | |
-Fine. Lovely. -Well, it might be a decorative piece but I think we need | 0:04:40 | 0:04:43 | |
-to find a few more pieces that are going to make money, so come on. -Come on, then. | 0:04:43 | 0:04:47 | |
Not a bad start, but if the girls are going to be pampered and preened, then we need a lot more cash. | 0:04:47 | 0:04:52 | |
So we all get stuck in to see what we can find tucked away, and Paul comes up trumps yet again, spotting these | 0:04:52 | 0:05:00 | |
three pretty Japanese pictures of mountain coastal scenes. | 0:05:00 | 0:05:04 | |
They're by little known Japanese artist W Masaya, and were a present | 0:05:04 | 0:05:07 | |
from Bernadette's former husband when he worked in Hong Kong. | 0:05:07 | 0:05:12 | |
Paul values them at £10... £20. | 0:05:12 | 0:05:15 | |
Many of Bernadette's items are gifts from friends and family or are items she's collected over the decades, | 0:05:15 | 0:05:20 | |
so I'm sure they hold all sorts of memories for her. | 0:05:20 | 0:05:24 | |
Hey, Mum, what about the table? | 0:05:24 | 0:05:26 | |
Oh, God, I've had that for years. Do you not remember I loaned it to you for a while? | 0:05:26 | 0:05:30 | |
-Yeah, it was in my flat but I never used it, did I? -I tried to sell it recently | 0:05:30 | 0:05:35 | |
at an antique dealer up in Hampton Court, and they offered me... | 0:05:35 | 0:05:40 | |
pfft, silly money for it and I thought blow that, I'm not going to bother. | 0:05:40 | 0:05:44 | |
So there it is, but I think it's quite a pretty little table. | 0:05:44 | 0:05:47 | |
-Ah, now then. -Hello. What do you think about this? | 0:05:47 | 0:05:50 | |
As far as I know it's 1930s, I don't know if you agree. | 0:05:50 | 0:05:53 | |
Well, this is a fantastic example of an oak Jacobean revival table, | 0:05:53 | 0:05:58 | |
1920s-1930s, you're dead right there. | 0:05:58 | 0:06:01 | |
The style was reinvented, if you like, people's dining rooms became | 0:06:01 | 0:06:04 | |
a lot smaller than the originals and of course you needed a dining table that could be folded away. | 0:06:04 | 0:06:09 | |
What was wonderful about these tables, they had this gate leg action, | 0:06:09 | 0:06:13 | |
one of these legs comes out, can you see that? | 0:06:13 | 0:06:15 | |
-Yeah. -The whole thing opens out so you can sit maybe four or six | 0:06:15 | 0:06:18 | |
people round this table and you can fold it away again and put it against the wall. | 0:06:18 | 0:06:22 | |
So you can have it as a card table, a dining table, use it occasionally | 0:06:22 | 0:06:25 | |
is the idea. You say you had it valued before? | 0:06:25 | 0:06:27 | |
Yeah, I kind of had it in the car from when I picked up from Justine and Roy's and I thought well | 0:06:27 | 0:06:33 | |
as I haven't used it I might as well get this valued while I've got it in the car. | 0:06:33 | 0:06:37 | |
So I took it to a couple of antique dealers up by Hampton Court and they looked at it and sort of, | 0:06:37 | 0:06:43 | |
pfft, said "Maybe I'll give you 30 quid", and I was thinking, "No way, no way!" So what do you think? | 0:06:43 | 0:06:48 | |
Well, I think that's about right. You're looking at maybe | 0:06:48 | 0:06:50 | |
round the £50 mark, how do you feel about that? | 0:06:50 | 0:06:53 | |
Well, £50 sounds more reasonable. | 0:06:53 | 0:06:55 | |
Would you be prepared to let it go for that? | 0:06:55 | 0:06:57 | |
Oh, yes, absolutely. | 0:06:57 | 0:06:59 | |
Great, that can go then at hopefully £40-£60, let's see how we go. | 0:06:59 | 0:07:02 | |
-Let's keep looking. -OK, fabulous. | 0:07:02 | 0:07:05 | |
Glad to hear she's had a change of heart about the table, | 0:07:05 | 0:07:08 | |
as £40-£60 will pay for a treatment at the spa. | 0:07:08 | 0:07:13 | |
Following the break-up of her marriage, Bernadette, Justine, and Danielle relied on each other | 0:07:13 | 0:07:18 | |
for support and the three of them spent a lot of time together. | 0:07:18 | 0:07:21 | |
Primary school teacher Justine lives just an hour away from her mum, which means she can visit regularly. | 0:07:21 | 0:07:28 | |
Enticed by a day of pampering, Justine is throwing herself into the search for valuables. | 0:07:28 | 0:07:34 | |
After much rooting around, she finds a couple of pieces of artwork. | 0:07:34 | 0:07:37 | |
This Gaskell framed engraving of The Boat Coming to Shore, together with a framed charcoal and pastel | 0:07:37 | 0:07:43 | |
drawing of a tree-lined road. Paul gives the two a £40-£60 price tag. | 0:07:43 | 0:07:48 | |
Bernadette's had her fair share of challenges, especially being a single mum for many years, | 0:07:48 | 0:07:53 | |
so she deserves to spoil herself and her daughter once in a while. | 0:07:53 | 0:07:58 | |
Now you told me, obviously, that you've done spa days before, | 0:07:58 | 0:08:01 | |
how did that all start and what do you like about them so much? | 0:08:01 | 0:08:03 | |
I don't know really, just a chance to relax. | 0:08:03 | 0:08:06 | |
We're always so busy, so we actually get time to just sit and chat. | 0:08:06 | 0:08:11 | |
-You started it, didn't you really? -Yeah. | 0:08:11 | 0:08:13 | |
On Mother's Day, I think it was, | 0:08:13 | 0:08:15 | |
and then again on a birthday. | 0:08:15 | 0:08:17 | |
We've been a few times now and really enjoyed sitting around and chatting. | 0:08:17 | 0:08:20 | |
I've always thought that was a brilliant present to buy | 0:08:20 | 0:08:22 | |
somebody, you know, because obviously you have to go as well. | 0:08:22 | 0:08:25 | |
Yeah, shucks. | 0:08:25 | 0:08:27 | |
-Ah. You all seem quite close as a family. -We are. -Yeah, we are. | 0:08:27 | 0:08:32 | |
And what about your other sister, do you get on with her or is there a bit of sibling rivalry? | 0:08:32 | 0:08:37 | |
-Yeah, we get on very well. -What's the age difference? | 0:08:37 | 0:08:40 | |
Just under two years. | 0:08:40 | 0:08:42 | |
So when did you split up with your husband, the girls' father? | 0:08:42 | 0:08:46 | |
Justine was seven, so 19 years ago. | 0:08:46 | 0:08:49 | |
So how did you find that, Justine? | 0:08:49 | 0:08:52 | |
I don't know really, I was very young, so I didn't really know what was going on at the time. | 0:08:52 | 0:08:57 | |
You must be very proud of them, that's quite an accolade to you, isn't it? | 0:08:57 | 0:09:01 | |
He used to travel quite a bit anyway so it affected Danielle much more so | 0:09:01 | 0:09:05 | |
than Justine because Justine was very much Mummy's little girl. | 0:09:05 | 0:09:09 | |
But no, we just plodded on and I used to say to them we were four, | 0:09:09 | 0:09:12 | |
we're now three, we'll just keep on going on our plan and we did. | 0:09:12 | 0:09:16 | |
Now with a luxury spa trip in sight, | 0:09:16 | 0:09:18 | |
we all need to keep our eyes peeled, and Bernadette does just that when | 0:09:18 | 0:09:22 | |
she discovers these pearlescent opera glasses, carefully tucked away in the back of a wardrobe. | 0:09:22 | 0:09:29 | |
Opera glasses were introduced around 1800, | 0:09:29 | 0:09:32 | |
by 1850 they became a fashion statement for well-to-do women. | 0:09:32 | 0:09:38 | |
These add a respectable £10-£20 to the kitty. | 0:09:38 | 0:09:42 | |
Our next find could be worth its weight in gold, or should I say bronze? | 0:09:43 | 0:09:48 | |
-Paul, have you got a minute? -Uh-huh. | 0:09:48 | 0:09:51 | |
Just found this, what do you make of that? | 0:09:51 | 0:09:53 | |
That's quite nice, let's have a look. That's a bronze. | 0:09:53 | 0:09:55 | |
Might have found something here that's really nice. | 0:09:55 | 0:09:58 | |
It's very clearly marked, isn't it, "Drago Marin Cherina". | 0:09:58 | 0:10:02 | |
-That's the one, yeah. -Why does that name ring a bell? | 0:10:02 | 0:10:05 | |
Well, he designed this as the starting point for Expo '90 in Osaka in Japan. | 0:10:06 | 0:10:13 | |
-Right, OK. -And this was a full-sized statue that was set around the gardens at Expo '90 in Osaka. | 0:10:13 | 0:10:20 | |
Croatian, I believe, was he, from the Balkans? | 0:10:20 | 0:10:22 | |
But he was big in Australia, I know that much, but the reason | 0:10:22 | 0:10:25 | |
I know him, he was an understudy to Henry Moore. | 0:10:25 | 0:10:28 | |
Henry Moore was one of Britain's greatest sculptors. | 0:10:28 | 0:10:31 | |
I think he did do a big sculpture of Henry Moore himself. | 0:10:31 | 0:10:34 | |
So what's your connection then? | 0:10:34 | 0:10:37 | |
My husband, they had a design company together. | 0:10:37 | 0:10:40 | |
Are the figures based on anyone you know? | 0:10:40 | 0:10:42 | |
The lady I believe was his wife and the child in | 0:10:42 | 0:10:47 | |
the bronze was from a photograph of my eldest daughter, Danielle. | 0:10:47 | 0:10:51 | |
-Oh, OK. -Can it go for sale? | 0:10:51 | 0:10:54 | |
-Absolutely, yeah. -So your oldest daughter's not bothered about the fact that it's her? | 0:10:54 | 0:10:58 | |
No, she's never really took any interest in it. | 0:10:58 | 0:11:00 | |
So have you got anything else in terms of the provenance? | 0:11:00 | 0:11:03 | |
I've got the sketch of the lady and the baby, yeah. | 0:11:03 | 0:11:06 | |
I've got that somewhere. | 0:11:06 | 0:11:08 | |
That would really help if you put the two items in together, on the internet now you can find | 0:11:08 | 0:11:11 | |
out lots of information about the artist, the more information | 0:11:11 | 0:11:13 | |
-you can put with it and someone will buy into that market. -Great. -Fascinating. | 0:11:13 | 0:11:17 | |
So what sort of price do you think perhaps, Paul? | 0:11:17 | 0:11:19 | |
Well, it's a speculative item, somebody will take a chance and it's probably a future investment, | 0:11:19 | 0:11:25 | |
but if I said at least £100 mark and see how it goes. | 0:11:25 | 0:11:27 | |
If people take a shine to it, I think you've got a real chance. | 0:11:27 | 0:11:30 | |
-Great. -Does that sound all right to you? | 0:11:30 | 0:11:32 | |
Fabulous, yes, one less thing to dust. | 0:11:32 | 0:11:34 | |
-Let's see what else we can dig out to sell, come on. -Thank you. | 0:11:34 | 0:11:37 | |
Well, what an incredible piece of family history, especially as | 0:11:37 | 0:11:42 | |
the little girl in the statue was modelled on Bernadette's daughter. | 0:11:42 | 0:11:46 | |
She also finds the original sketch | 0:11:46 | 0:11:48 | |
of the design for the bronze, which adds to the provenance. | 0:11:48 | 0:11:51 | |
Hopefully this will increase the value and someone will spot it's a truly unique lot. | 0:11:51 | 0:11:57 | |
And a trend for all things artistic continues | 0:11:57 | 0:12:01 | |
when Paul comes across this large book on the top of the wardrobe. | 0:12:01 | 0:12:05 | |
It's called L'Art Arabe and is a first edition compilation of lithograph prints. | 0:12:05 | 0:12:11 | |
There are approximately 30 pages, all of which could be individually framed. | 0:12:11 | 0:12:15 | |
Paul gives the book a value of £30-£50. | 0:12:15 | 0:12:19 | |
45... 50, 55. | 0:12:19 | 0:12:21 | |
But when it gets to auction, this little stash results in a big surprise for Bernadette. | 0:12:21 | 0:12:27 | |
Thank you, sir. | 0:12:27 | 0:12:28 | |
We only had £30-£50 on that. | 0:12:28 | 0:12:30 | |
The rummage is moving along nicely and so far | 0:12:31 | 0:12:34 | |
we've raised £250 towards the £500 target for the luxury spa weekend. | 0:12:34 | 0:12:39 | |
'But more money means more pampering, so I'm hoping the value of our next | 0:12:39 | 0:12:45 | |
'find will be the equivalent to a top of the range beauty treatment.' Paul? | 0:12:45 | 0:12:50 | |
-Uh-huh? -Bernadette? | 0:12:50 | 0:12:51 | |
-Yes? -I've found a very nice... | 0:12:51 | 0:12:54 | |
-print here. -Ooh. | 0:12:54 | 0:12:55 | |
-It's of Oxford, terribly posh. -Oh, well there you are, very nice. | 0:12:55 | 0:12:58 | |
But it looks like it's quite old, although they age things nowadays, so it's quite difficult to tell. | 0:12:58 | 0:13:03 | |
That's an original, isn't that beautiful? | 0:13:03 | 0:13:06 | |
-Well, I've had that about 30 years, I think. -Really? | 0:13:06 | 0:13:08 | |
Yeah, my husband had it before me. | 0:13:08 | 0:13:10 | |
It's a little bit older than that, this is 18th century. | 0:13:10 | 0:13:12 | |
It says, "Published according to the act of Parliament, John Boydell". | 0:13:12 | 0:13:17 | |
He's famous, actually, for engraving and publishing at the time. | 0:13:17 | 0:13:20 | |
-OK. -And you've got 1751, so that's dead right. -Wow. -Isn't that amazing? | 0:13:20 | 0:13:23 | |
That's how Oxford looked in 1751. | 0:13:23 | 0:13:26 | |
-Wow, isn't that fantastic? -Tea on the lawn there. | 0:13:26 | 0:13:29 | |
It must have been so impressive as well in that era | 0:13:29 | 0:13:32 | |
to do a huge ride through the countryside from London and then to literally come upon this. | 0:13:32 | 0:13:37 | |
-This would be just urban sprawl now, it's expanded so much. -Yeah. | 0:13:37 | 0:13:42 | |
-But people love to buy in to that market, anything that's changed over the centuries. -Right. | 0:13:42 | 0:13:47 | |
You go to Oxford now and you'd probably recognise a few of the buildings but most of it will have | 0:13:47 | 0:13:50 | |
changed and people love to see that. | 0:13:50 | 0:13:52 | |
This is a steel engraving and you can tell a genuine engraving, it's done on a piece of steel, | 0:13:52 | 0:13:57 | |
-and of course as it's pressed into the paper, it leaves this impression, can you see that? -Yes. | 0:13:57 | 0:14:02 | |
So that's a genuine engraving, and then it's coloured afterwards, | 0:14:02 | 0:14:05 | |
so the black and white is all done by the steel engraving. | 0:14:05 | 0:14:08 | |
And they could do so many copies before it becomes blurred, so this is a nice crisp example. | 0:14:08 | 0:14:13 | |
So what do you think then, pricewise? | 0:14:13 | 0:14:15 | |
It's probably been a set. You'd probably find that this | 0:14:15 | 0:14:18 | |
has maybe come out of a book, or there may be 10 or 12 in a series, | 0:14:18 | 0:14:21 | |
cities of British Isles or something like that. | 0:14:21 | 0:14:23 | |
But as an individual item, | 0:14:23 | 0:14:25 | |
£50-£80, does that sound all right to you? | 0:14:25 | 0:14:28 | |
Yeah, £50-£80 would be great, might go for more on the day. | 0:14:28 | 0:14:31 | |
-I'll put it away safely. -Excellent. | 0:14:31 | 0:14:33 | |
-Let's see what else we can find. -OK, come on, then. | 0:14:33 | 0:14:36 | |
Not bad at all, but Justine's find, a wooden occasional table, is pretty impressive too. | 0:14:36 | 0:14:41 | |
This one is really decorative and worth a fabulous £120-£180. | 0:14:41 | 0:14:48 | |
Now her two daughters have moved on, it's a good opportunity for | 0:14:48 | 0:14:52 | |
Bernadette to make a fresh start in life. | 0:14:52 | 0:14:55 | |
You've got the two girls, you didn't think of having any more children? | 0:14:55 | 0:14:59 | |
-I couldn't have any more, I was lucky to have the two that I've got. -So what's the story behind that then? | 0:14:59 | 0:15:05 | |
I was told I probably couldn't have children | 0:15:05 | 0:15:09 | |
and I was kind of coming to terms with that and then | 0:15:09 | 0:15:12 | |
I was due to go and have a test done | 0:15:12 | 0:15:15 | |
and two weeks before I was due to have the test, I was expecting. | 0:15:15 | 0:15:21 | |
-Well, that's wonderful, isn't it? -My husband was delighted, and | 0:15:21 | 0:15:25 | |
obviously after a couple of weeks I got over the shock and that was it. | 0:15:25 | 0:15:29 | |
I had a great pregnancy, a difficult birth, | 0:15:29 | 0:15:32 | |
and that was it really. | 0:15:32 | 0:15:34 | |
So, yeah, that was what happened. | 0:15:34 | 0:15:37 | |
Obviously that was Danielle, so after that was that just planned or...? | 0:15:37 | 0:15:42 | |
Nobody actually researched into why I was told 99% | 0:15:42 | 0:15:47 | |
they were certain I couldn't have them, and why I had one. | 0:15:47 | 0:15:49 | |
I didn't look into it and then, hey-ho, I was pregnant again. | 0:15:49 | 0:15:53 | |
So pregnancy number two, and along came Justine, within 21 months, which was a delight. | 0:15:53 | 0:16:00 | |
You're all very close, aren't you? | 0:16:00 | 0:16:02 | |
Is that as a result of the fact that you didn't think you could have them | 0:16:02 | 0:16:06 | |
in the first place or maybe the divorce? | 0:16:06 | 0:16:08 | |
Yeah, I guess because it was just the three of us, and my mum died quite soon after they were born, | 0:16:08 | 0:16:14 | |
so we didn't have the extended family, so, yeah, we did kind of live in each others' pockets. | 0:16:14 | 0:16:20 | |
But I'm grateful for that, they still phone me up for advice and | 0:16:20 | 0:16:24 | |
want to do things with me, whereas many people have got children who you're phoning them up | 0:16:24 | 0:16:28 | |
and trying to get to see them, where it's the other way round with mine. | 0:16:28 | 0:16:32 | |
They're always suggesting we get together and do something. So it's lovely. | 0:16:32 | 0:16:37 | |
And, obviously, you've decided to do this as well. | 0:16:37 | 0:16:40 | |
Yes, which they thought was a bit of a hoot. | 0:16:40 | 0:16:42 | |
I had to persuade Justine into it a little bit... "Oh, Mummy, what have you got me into?" | 0:16:42 | 0:16:46 | |
So I said, "Well I've always told you I want to do it." | 0:16:46 | 0:16:49 | |
Obviously they agreed, and I thought she'd be terribly shy, but I don't think she has been. | 0:16:49 | 0:16:55 | |
We need Paul to make us a bit richer for the auction, | 0:16:56 | 0:16:59 | |
-so shall we go and see how he's getting on? Come on, then. -Let's see what we've got. | 0:16:59 | 0:17:03 | |
Paul's doing a great job, but it doesn't take me long to spot this | 0:17:04 | 0:17:08 | |
very comfy Victorian mahogany tub chair. | 0:17:08 | 0:17:11 | |
It's a little shabby and the trim is coming away, but I'm sure a bidder | 0:17:11 | 0:17:14 | |
will see its potential and with a little bit of TLC, it should look as good as new. | 0:17:14 | 0:17:19 | |
Paul thinks it'll fetch £80-£120. | 0:17:19 | 0:17:22 | |
-Paul? -Uh-huh? -I've found something here. | 0:17:27 | 0:17:31 | |
Look at that, it's posh, isn't it? | 0:17:31 | 0:17:33 | |
-Bit shiny, isn't it? -So was this your mum's, do you think? | 0:17:33 | 0:17:35 | |
No, I think I've just spotted the initials on it, it could be my dad's, AC. | 0:17:35 | 0:17:40 | |
-But I've never seen it before. -Right, well these really were a status symbol, the petrol lighter | 0:17:40 | 0:17:46 | |
developed just before WWII. | 0:17:46 | 0:17:48 | |
Gold-plated lighters, you can imagine how fantastic that must have been? | 0:17:48 | 0:17:51 | |
-Yeah. -It's a real James Bond moment. What a nice luxury thing to have. | 0:17:51 | 0:17:55 | |
Sometimes they did make them from solid gold, | 0:17:55 | 0:17:57 | |
which obviously were one-offs, but this one says Dupont, Paris. | 0:17:57 | 0:18:01 | |
-They're really the world leaders in lighters. -They were a good make? | 0:18:01 | 0:18:04 | |
Very, very good, yeah, they still are. | 0:18:04 | 0:18:06 | |
-But if you have a look here, the little number there 20M, can you see that? -Yes. | 0:18:06 | 0:18:10 | |
-Do you know what that stands for? -No. -20 microns. | 0:18:10 | 0:18:13 | |
That is the thickness of the gold that's plated, | 0:18:13 | 0:18:16 | |
-so the whole thing's made from nickel and then using 20 microns' worth of gold on top. -OK. | 0:18:16 | 0:18:21 | |
So it keeps its colour, looks like the real gold but isn't, obviously, solid. It would cost a fortune. | 0:18:21 | 0:18:27 | |
So was it an heirloom do you think, or a present? | 0:18:27 | 0:18:29 | |
No idea, I've never come across it before. | 0:18:29 | 0:18:31 | |
-So I take it you don't smoke? -No. -You've no intentions of starting? | 0:18:31 | 0:18:35 | |
That's not going to tempt me. | 0:18:35 | 0:18:36 | |
Well, people do collect objet d'art, and smoking accessories, | 0:18:36 | 0:18:41 | |
-cigarette cases, and match cases. -Yeah. | 0:18:41 | 0:18:43 | |
-So I think even as a gold-plated lighter, you're looking round the £50 mark, £50-£60. -Fab. | 0:18:43 | 0:18:48 | |
-That sound all right to you? -Yeah, lovely. Let's get rid of that. -Some bright spark will buy it. -Yeah. | 0:18:48 | 0:18:54 | |
-Come on, let's keep looking. -OK. | 0:18:54 | 0:18:56 | |
Well, who knows, it might ignite the bidders on the day | 0:18:58 | 0:19:01 | |
and make its top value. | 0:19:01 | 0:19:03 | |
After all the hard work we've put in today, I'm starting to think that | 0:19:03 | 0:19:06 | |
Paul and I might need a little pamper weekend too, but the day is coming to | 0:19:06 | 0:19:10 | |
an end and we all have a final look round to see if there's anything else worth sending to auction. | 0:19:10 | 0:19:15 | |
Has Paul found a piece that could make him king of the castle? | 0:19:15 | 0:19:19 | |
-Guys? -Yeah, what have you found? | 0:19:19 | 0:19:22 | |
I've found my throne chair, did you know I was coming? | 0:19:22 | 0:19:25 | |
-Oh, right. -This is great, isn't it? | 0:19:25 | 0:19:27 | |
So where's this come from, is it something that you've bought? | 0:19:27 | 0:19:29 | |
No, I inherited this, it came through my husband's family. | 0:19:29 | 0:19:34 | |
Do you know where it came from originally? | 0:19:34 | 0:19:36 | |
I've been told it came from India, that's what I was always told. | 0:19:36 | 0:19:39 | |
Well, don't forget India was a very important country, especially at the times of the Raj. | 0:19:39 | 0:19:43 | |
We would take over there our furniture, all the best of European design, and usually bring it back. | 0:19:43 | 0:19:49 | |
So it could actually have been out in India but this wasn't made in India, this is very European. | 0:19:49 | 0:19:54 | |
-Is it? -It's called an X-frame chair - the way the legs go is an X-frame, | 0:19:54 | 0:19:58 | |
and that's inspired from Ancient Rome. | 0:19:58 | 0:20:00 | |
They found very similar chairs that Caesar would use in ancient times. | 0:20:00 | 0:20:04 | |
You've got the acanthus leaf on here, which is a power symbol | 0:20:04 | 0:20:07 | |
again going back to Ancient Rome, and you've got these two gargoyles, these grotesque heads, | 0:20:07 | 0:20:11 | |
again a power symbol, and it was much copied in the late 19th century in Europe. | 0:20:11 | 0:20:16 | |
-So I would say this is probably North European, Belgian, Flemish. -Really? | 0:20:16 | 0:20:20 | |
The gothic design was very popular in that area, and this design here, this is called the Green Man. | 0:20:20 | 0:20:25 | |
You often find it on large pieces of furniture, this sort of gargoyle face. | 0:20:25 | 0:20:30 | |
That's made around that sort of period. | 0:20:30 | 0:20:32 | |
-Is it sentimental to you at all? -Not at all, it's just a dust trap. -This was actually one of a pair. | 0:20:32 | 0:20:37 | |
Yes, I believe my brother-in-law had the other one. | 0:20:37 | 0:20:40 | |
-Do you like it, Justine? -Not really, it's all right. | 0:20:40 | 0:20:43 | |
-It's a bit strange-looking. -And is it going to end up in your new pad? | 0:20:43 | 0:20:47 | |
I doubt it, it's a bit weird for me. | 0:20:47 | 0:20:51 | |
Well, if you said £100, sort of £80-£120, | 0:20:51 | 0:20:54 | |
to give it a chance, get it into the auction. | 0:20:54 | 0:20:57 | |
But I think if someone takes a shine to this, | 0:20:57 | 0:20:59 | |
it's a great thing to have, isn't it? | 0:20:59 | 0:21:01 | |
-Does that sound all right to you? -Did I hear some money mentioned? | 0:21:01 | 0:21:03 | |
-You did, yes. This throne chair, just for you... -Very nice, very nice. | 0:21:03 | 0:21:07 | |
-What sort of price did you say? -I said around at least £80 just | 0:21:07 | 0:21:11 | |
-to get it into the auction, OK. -We've run out of time for rummaging now, so that's going to | 0:21:11 | 0:21:16 | |
-be quite a help because you wanted £500, didn't you, Bernadette? -Yeah. | 0:21:16 | 0:21:20 | |
-Are you pleased with the valuations today? -Yeah, pretty much, yes. | 0:21:20 | 0:21:23 | |
The items are very interesting, maybe slightly mixed history. | 0:21:23 | 0:21:27 | |
-Yes. -But yeah, they're quite fascinating. | 0:21:27 | 0:21:29 | |
Well, the value of everything that is going to go to the auction comes to £630. | 0:21:29 | 0:21:34 | |
-Oh, wow! -There you are. -Gosh. | 0:21:34 | 0:21:36 | |
-That's incredible. Whoo! -That's pretty good, isn't it? -Yeah. | 0:21:36 | 0:21:39 | |
We've got a few auction estimates in there that are quite conservative. | 0:21:39 | 0:21:43 | |
Hopefully something like the bronze, Paul, might fly. | 0:21:43 | 0:21:45 | |
Yeah, I mean items like that bronze can often surprise you. | 0:21:45 | 0:21:48 | |
If he's becoming a celebrity now in his own right, then who knows. | 0:21:48 | 0:21:52 | |
If two people take a fancy to it then hopefully that could do very well. | 0:21:52 | 0:21:55 | |
-Brilliant. -So are you ready for the auction? -Yeah, really good news there. | 0:21:55 | 0:21:59 | |
Obviously all this stuff has got to be packed off | 0:21:59 | 0:22:01 | |
and go to the auction so that plenty of people can view it beforehand. | 0:22:01 | 0:22:05 | |
-And we'll see you at the auction. -Fabulous. -Good luck. | 0:22:05 | 0:22:08 | |
Exciting, lovely. | 0:22:08 | 0:22:10 | |
Well, I'm glad that they're excited about the auction, | 0:22:10 | 0:22:13 | |
and there's the wonderful luxury spa trip to look forward to as well, if they make their target. | 0:22:13 | 0:22:19 | |
And we have some fantastic items to tempt the bidders - | 0:22:19 | 0:22:23 | |
there's the Oxford engraving that Bernadette had for over 30 years, | 0:22:23 | 0:22:27 | |
Paul gave it a £50-£80 estimate. | 0:22:27 | 0:22:30 | |
And the Dupont gold-plated lighter that still works and has its original case, valued at £50-£60. | 0:22:32 | 0:22:39 | |
Then there's the oak barley twist gate leg table that Bernadette was | 0:22:39 | 0:22:43 | |
reluctant to sell previously, | 0:22:43 | 0:22:45 | |
at £40-£60, I'm glad that she's now happy to send it to auction. | 0:22:45 | 0:22:49 | |
Still to come on Cash In The Attic, one of our items blows us away. | 0:22:53 | 0:22:58 | |
-Fantastic. -Wow. £200. -That's brilliant. | 0:22:58 | 0:23:04 | |
But the euphoria doesn't last. | 0:23:04 | 0:23:07 | |
Unsold, I'm so sorry. | 0:23:07 | 0:23:10 | |
You were right to put a reserve on it. | 0:23:10 | 0:23:12 | |
Will we get back on track? | 0:23:12 | 0:23:14 | |
-He's got a steal. -He does, doesn't he? | 0:23:14 | 0:23:16 | |
Find out when the final hammer falls. | 0:23:16 | 0:23:19 | |
Thank you, sir. | 0:23:19 | 0:23:21 | |
Now it's been a couple of weeks since we met Bernadette and Justine at their lovely house and we found | 0:23:24 | 0:23:30 | |
plenty of antiques and collectables to bring here to Chiswick Auction House in West London. | 0:23:30 | 0:23:35 | |
Now remember, Bernadette is hoping to raise around £500 so she can treat her daughters, | 0:23:35 | 0:23:40 | |
so let's just hope that when the auction gets started the bidders are ready and raring to go. | 0:23:40 | 0:23:46 | |
There's something for everyone here at Chiswick Auctions, | 0:23:48 | 0:23:51 | |
buyers range from traders and designers to those who just enjoy a bid or two once in a while. | 0:23:51 | 0:23:57 | |
It's a fun day out and looking across the room, I spot Paul who looks like he might be seeing double. | 0:23:57 | 0:24:02 | |
-Good morning, Paul. -Good morning, Lorne, how are you? | 0:24:04 | 0:24:06 | |
I'm fine. This is one of ours, isn't it? | 0:24:06 | 0:24:08 | |
Yes. Now the point I'm making here is just when you think things | 0:24:08 | 0:24:11 | |
are rare, along comes another one. They're like buses, look at that. | 0:24:11 | 0:24:13 | |
Both very similar in value as well, you're looking at £80-£120 for ours, £70-£100 for the other one. | 0:24:13 | 0:24:18 | |
So there we are, something for everybody. | 0:24:18 | 0:24:21 | |
We've got some lovely items, do you remember the little bronze? | 0:24:21 | 0:24:23 | |
I know, that's an interesting one, isn't it? It's contemporary, there's a bit of a story behind the artist. | 0:24:23 | 0:24:29 | |
I'm quite surprised they're selling that really because the child in the piece is based on the daughter. | 0:24:29 | 0:24:34 | |
-Yeah, Drago Marin Cherina, what a strange artist. -Let's go and meet the family. | 0:24:34 | 0:24:39 | |
We have an interesting mixture of antiques and collectables | 0:24:41 | 0:24:44 | |
that I'm hoping will raise us a king's ransom today. | 0:24:44 | 0:24:47 | |
But as always, it depends on the mood and taste of the bidders as to whether or not we make our money. | 0:24:47 | 0:24:52 | |
So how's Bernadette feeling about saying goodbye to her bronze statue featuring one of her girls as a baby? | 0:24:52 | 0:24:59 | |
-Morning, Bernadette. -Hi. -Hello. -How are you? | 0:24:59 | 0:25:02 | |
I see you have one daughter here. | 0:25:02 | 0:25:04 | |
-I do. -Immortalised in bronze. -Absolutely. -But where is she? | 0:25:04 | 0:25:07 | |
Unfortunately they wouldn't give her time off cos she's a schoolteacher. | 0:25:07 | 0:25:10 | |
-So are you looking forward to today? -Absolutely. All excited. | 0:25:10 | 0:25:14 | |
So is there anything that you haven't bought? | 0:25:14 | 0:25:16 | |
Just the oval occasional table. | 0:25:16 | 0:25:18 | |
I moved the position of it in the lounge and started to enjoy it, so | 0:25:18 | 0:25:22 | |
I decided to hold on to that for the time being. | 0:25:22 | 0:25:24 | |
OK, because I can see, obviously, your print is here. | 0:25:24 | 0:25:27 | |
Lovely, yes. Oxford print. | 0:25:27 | 0:25:29 | |
I think the showstopper today is going to be that bronze. | 0:25:29 | 0:25:32 | |
Let's hope that people wake up to the artist, there's a bit of information and it creates | 0:25:32 | 0:25:35 | |
a bit of a fever, but just to be on the safe side I'm going to suggest we put a reserve on that of £100. | 0:25:35 | 0:25:40 | |
Now you're going to have to put it down so other people can | 0:25:40 | 0:25:43 | |
-have a look at her and hopefully someone today will be buying her. Come on. -Thank you. | 0:25:43 | 0:25:49 | |
So that occasional walnut table stays at home, | 0:25:49 | 0:25:52 | |
which means we lose out on a potential £120-£180 towards the pamper fund. | 0:25:52 | 0:25:57 | |
Well, I'm hoping that won't ruin our chances today. | 0:25:57 | 0:26:01 | |
The room is full and the bidders are ready and eager to buy, | 0:26:01 | 0:26:04 | |
and as today's auctioneer gets the auction started... | 0:26:04 | 0:26:08 | |
60... 5, 70... 5, in the room. | 0:26:08 | 0:26:11 | |
we take our place ready for the first lot. | 0:26:11 | 0:26:13 | |
It's the 18th century Oxford engraving that Bernadette has had for over 30 years. | 0:26:13 | 0:26:19 | |
Is anybody here willing to give it a new home? | 0:26:19 | 0:26:22 | |
This is very nice, excellent condition as well, isn't it, Paul? | 0:26:22 | 0:26:26 | |
I really like this, it's amongst friends, there's quite a few views | 0:26:26 | 0:26:29 | |
of old England, so hopefully that will create the interest. | 0:26:29 | 0:26:32 | |
But I love the fact that Oxford's surrounded by all this | 0:26:32 | 0:26:34 | |
grass and farmland, and people haymaking and so on, it's a real capsule of time, isn't it? | 0:26:34 | 0:26:39 | |
I think it'll do rather well, we want £50-£80, that'll be nice to add to the pot. | 0:26:39 | 0:26:43 | |
-I've got a little bit of interest in it, so I'm able to start the bidding at £40. -Oh, OK. | 0:26:43 | 0:26:49 | |
45... 50, 55... | 0:26:49 | 0:26:51 | |
60, with me at £60... it's a left bid... | 0:26:51 | 0:26:55 | |
Somebody else? Is that a bid? | 0:26:55 | 0:26:57 | |
No, he's just waving. At £60 then... with me at £60, on the book at 60... it sells for 60. | 0:26:57 | 0:27:03 | |
That's all right, isn't it? | 0:27:03 | 0:27:04 | |
It looked like it was going to go a bit higher. | 0:27:04 | 0:27:06 | |
I know. You can never tell, you can never tell. | 0:27:06 | 0:27:08 | |
The engraving may have got off to a slow start | 0:27:08 | 0:27:10 | |
but it got there in the end, and it's a great opener to the day. | 0:27:10 | 0:27:15 | |
I was very pleased to sell the Oxford engraving because I've | 0:27:15 | 0:27:19 | |
had it for many, many years and it wasn't something that | 0:27:19 | 0:27:22 | |
was really special to me, and I'm pleased it got £60, so let somebody else have the pleasure of it now. | 0:27:22 | 0:27:28 | |
It's smiles all round, and I hope they remain in place as next up are | 0:27:28 | 0:27:31 | |
the three, framed miniature Japanese prints that Paul valued at £10-£20. So what's the story behind these? | 0:27:31 | 0:27:39 | |
My husband bought them when he was over in Japan working there | 0:27:39 | 0:27:42 | |
and he brought them back, but I never ever put them up on the wall. | 0:27:42 | 0:27:47 | |
It's very hit and miss, Oriental things, unless you're really interested in | 0:27:47 | 0:27:50 | |
that sort of subject and that area, | 0:27:50 | 0:27:52 | |
but quality always shines through and these are very nice, very appealing, very feng shui. | 0:27:52 | 0:27:57 | |
I'm bid £25... with me at 25, £25... | 0:27:57 | 0:28:00 | |
30. 35... £35, 40 there... | 0:28:00 | 0:28:04 | |
£40 fresh bidding, at £40 to my left... Anybody else? | 0:28:04 | 0:28:08 | |
For £40 for the prints... for £40. | 0:28:08 | 0:28:11 | |
-251. -I'm quite pleased with that. | 0:28:11 | 0:28:13 | |
-That's excellent. -It's a bit more than we were thinking, absolutely. -That is good. | 0:28:13 | 0:28:18 | |
These bold contemporary Oriental pictures certainly | 0:28:19 | 0:28:22 | |
impressed the bidders, selling for double their top estimate. | 0:28:22 | 0:28:25 | |
That's good news for us, but we've still got a lot to sell. | 0:28:25 | 0:28:30 | |
Now this 19th century mahogany chair with its scrolling arms | 0:28:30 | 0:28:34 | |
and decorative carving should make someone fall in love with it. | 0:28:34 | 0:28:38 | |
Paul's got his eye on another one of its redeeming features. | 0:28:38 | 0:28:42 | |
The reason I put this in at £80-£120 is the legs are beautiful. | 0:28:45 | 0:28:48 | |
This has potential to be a very nice chair indeed, | 0:28:48 | 0:28:52 | |
but £80 for today would be lovely. | 0:28:52 | 0:28:54 | |
Start me £40 for the lot... surely for 40, 30 then to go... | 0:28:54 | 0:28:59 | |
£30 for the chair, no interest? | 0:28:59 | 0:29:02 | |
-Oh. -No? Nobody want for £30... | 0:29:02 | 0:29:04 | |
Bargain lot for 30? | 0:29:04 | 0:29:06 | |
No interest, I'm afraid. | 0:29:06 | 0:29:08 | |
-Maybe the restoration was just that little bit too much. -Yeah. | 0:29:08 | 0:29:12 | |
-Gosh we've got £80-£100 and we couldn't even get £30 for it. -Crikey. | 0:29:12 | 0:29:16 | |
Oh, dear, | 0:29:16 | 0:29:17 | |
it looks like the chair's best assets failed to impress the crowd. | 0:29:17 | 0:29:20 | |
So will the next item coming up entice the bidders? | 0:29:20 | 0:29:23 | |
It's the Gaskell framed engraving of The Boat Coming To Shore, | 0:29:23 | 0:29:27 | |
together with a framed charcoal and pastel drawing of a tree-lined road, | 0:29:27 | 0:29:32 | |
that has an estimate of £40-£60. | 0:29:32 | 0:29:35 | |
-I put these in at £40-£60, that's £20 each, does that sound all right to you? -Yeah. | 0:29:35 | 0:29:39 | |
What's it worth...? Start me £20 the lot surely, the engraving there for 20. | 0:29:39 | 0:29:43 | |
-Oh, come on. -£10 I'm bid, thank you... | 0:29:43 | 0:29:45 | |
£10, 12... 14, 16... | 0:29:45 | 0:29:48 | |
£18 there, in the middle at £18... | 0:29:48 | 0:29:50 | |
Anybody else? It's going to be sold for £18... £18 it goes. | 0:29:50 | 0:29:56 | |
Shame. | 0:29:56 | 0:29:58 | |
We were so certain, but 18. | 0:29:58 | 0:30:00 | |
-It's a little less than we wanted, obviously. -Yeah, it is. | 0:30:00 | 0:30:03 | |
The buyers are definitely holding back today and I'm hoping this poor show doesn't continue. | 0:30:03 | 0:30:09 | |
So how will the rest of the furniture fare? | 0:30:09 | 0:30:11 | |
It's the Victorian oak barley twist gate leg table next, | 0:30:11 | 0:30:14 | |
valued at £40-£60. | 0:30:14 | 0:30:16 | |
So are you looking forward to this? | 0:30:16 | 0:30:18 | |
I am. I am very much hoping this will sell, I've had it for a long time, but it's excess to my needs. | 0:30:18 | 0:30:24 | |
I think it's a very pretty table, but it's just inconvenient to have it now. | 0:30:24 | 0:30:28 | |
It was with my daughter for three years and it's come back to me and I don't really need it. | 0:30:28 | 0:30:33 | |
Start me for the lot... £30 for it. £20 then to go for the barley twist table... Anybody want this...? | 0:30:33 | 0:30:37 | |
20 I'm bid, thank you, 22... | 0:30:37 | 0:30:39 | |
24, 26... | 0:30:39 | 0:30:42 | |
28, not quite enough at £28, at £28... Anybody else? | 0:30:42 | 0:30:47 | |
-Come on. -Come on, come on. | 0:30:47 | 0:30:49 | |
28 with me then... At 28. | 0:30:49 | 0:30:51 | |
-Not quite enough. -He's going to pass it, how do you feel about that? | 0:30:51 | 0:30:55 | |
-What he's done is because it didn't quite reach the £40... -Yeah. | 0:30:55 | 0:30:58 | |
..he's recorded the bid at 28, but he hasn't actually sold it. | 0:30:58 | 0:31:01 | |
Well, it's good news that the auctioneer used his discretion | 0:31:01 | 0:31:05 | |
and didn't sell the table, | 0:31:05 | 0:31:07 | |
but it's not the result we were looking for | 0:31:07 | 0:31:09 | |
as we need to reach that £500 target for the luxury pamper trip. | 0:31:09 | 0:31:13 | |
Now come on, buyers, we need you to massage our worries away and start spending. | 0:31:13 | 0:31:18 | |
I wonder whether the first edition book of Arab prints will help? | 0:31:18 | 0:31:22 | |
-Where is this from? -It was actually some work my husband did for a Saudi Arabian royal palace | 0:31:22 | 0:31:29 | |
for the Riyadh royal family and they were for an entrance hall, | 0:31:29 | 0:31:34 | |
-and the work didn't go ahead, so he asked for the work back. -Crikey. | 0:31:34 | 0:31:38 | |
Back in the late '80s, early '90s. | 0:31:38 | 0:31:40 | |
A royal connection there, Paul. | 0:31:40 | 0:31:43 | |
Well, it certainly has, but it's a beautiful example of | 0:31:43 | 0:31:45 | |
Islamic design, all that wonderful tile work and architectural work, I think these are lovely. | 0:31:45 | 0:31:50 | |
I put these with £30-£50, let's see how we get on. | 0:31:50 | 0:31:53 | |
Interest in this lot, 268, and I'm already bid £30 for the lot, £30... | 0:31:53 | 0:31:57 | |
and 5 I'll take upstairs, 35... | 0:31:57 | 0:32:00 | |
40, 45... 50, 55... | 0:32:00 | 0:32:02 | |
-60, -Yes, yes, yes. | 0:32:02 | 0:32:04 | |
70... 75, 80... | 0:32:04 | 0:32:07 | |
85 in the room against commission, 90 there... | 0:32:07 | 0:32:10 | |
95, 100... 110, 12... 130. | 0:32:10 | 0:32:14 | |
-Hello. -140... 150, 160... 170, 180... | 0:32:14 | 0:32:18 | |
190, £200. | 0:32:18 | 0:32:20 | |
I knew they were worth more. | 0:32:20 | 0:32:22 | |
£200 then... It goes for £200. | 0:32:22 | 0:32:26 | |
-That's fantastic. -Wow. £200. | 0:32:26 | 0:32:28 | |
-Amazing. -That's brilliant. | 0:32:28 | 0:32:30 | |
-We only had £30-£50 on that. -They're beautiful and they'll frame up lovely. | 0:32:30 | 0:32:36 | |
Good news at last, a fantastic result | 0:32:36 | 0:32:39 | |
and just what we needed to boost our spirits. | 0:32:39 | 0:32:42 | |
I always felt they were worth more than the estimate that Paul had put | 0:32:42 | 0:32:46 | |
on them, and I know how much work went into those originally when my husband was commissioned to do them. | 0:32:46 | 0:32:51 | |
So I'm really, really thrilled and I like to think that they'll be | 0:32:51 | 0:32:54 | |
framed up and be lovely pictures for somebody that they can enjoy. | 0:32:54 | 0:32:57 | |
It's been an unpredictable day here in the saleroom with most items failing to get bidders | 0:32:57 | 0:33:02 | |
digging deep into their pockets, but that's the nature of auctions, you never know what can happen. | 0:33:02 | 0:33:07 | |
So where are we with our pamper fund? | 0:33:07 | 0:33:10 | |
We're halfway through the auction, quite a mixed sort of reception to our lots today, I must say. | 0:33:10 | 0:33:16 | |
You wanted £500, didn't you, to treat you daughters. Well, so far, we're not doing too bad I suppose, £318. | 0:33:16 | 0:33:23 | |
-That's not too bad is it? -That's not so bad, is it? | 0:33:23 | 0:33:25 | |
No, no, and don't forget we've got the bronze still to come and the chair, quite a few nice bits, | 0:33:25 | 0:33:29 | |
-so we've got a bit of time actually until ours come up, so shall we go and have a break? -OK. | 0:33:29 | 0:33:35 | |
It's time to take a well-earned break and prepare ourselves for this afternoon's sale. | 0:33:35 | 0:33:40 | |
Now if, like Bernadette, you've got a special reason to raise some cash and are thinking of heading to auction, | 0:33:40 | 0:33:46 | |
please remember that commission and other charges may apply, so check the details with the auction house. | 0:33:46 | 0:33:52 | |
Looking forward to this? | 0:33:55 | 0:33:57 | |
It's the start of the second half of the sale | 0:33:57 | 0:33:59 | |
and next up is the brass Saudi Arabian dress sword | 0:33:59 | 0:34:02 | |
with velvet scabbard. | 0:34:02 | 0:34:04 | |
Paul valued it at £20-£30. | 0:34:04 | 0:34:06 | |
The reason why we brought this to auction is it wasn't safe | 0:34:06 | 0:34:09 | |
having this lying around, it'd be better get rid. | 0:34:09 | 0:34:12 | |
We're not expecting a massive amount of money for this, I don't think. | 0:34:12 | 0:34:16 | |
-£20-£30, it all helps, doesn't it? -Let's hope so. | 0:34:16 | 0:34:18 | |
Start me £10 for the lot... | 0:34:18 | 0:34:20 | |
Decorative object even if it isn't very old, £10 for it surely... | 0:34:20 | 0:34:23 | |
10 I'm bid next to me, a maiden bid at £10... Anybody else? At £10. | 0:34:23 | 0:34:29 | |
It's gone. | 0:34:29 | 0:34:31 | |
He's got a steal. | 0:34:31 | 0:34:33 | |
He does, doesn't he? | 0:34:33 | 0:34:34 | |
Paul did warn Bernadette that the sword might not be a big seller. | 0:34:34 | 0:34:39 | |
If you plan to sell similar items, remember to keep them out of the reach of children. | 0:34:39 | 0:34:43 | |
I'm really thrilled that the dress sword sold, £10 is fine because it's | 0:34:43 | 0:34:47 | |
better out of my house as it could be potentially dangerous. | 0:34:47 | 0:34:51 | |
Next up are the pearlescent opera glasses valued at £10-£20. | 0:34:51 | 0:34:57 | |
What are they worth...? Start me £10 for them, surely for the opera glasses, £10. | 0:34:57 | 0:35:01 | |
-Oh, come on. -£10 I'm bid in the middle of the room at £10. At £10 then. Are we all done for £10? | 0:35:01 | 0:35:09 | |
That's another £10 to add to the fund, so not bad. | 0:35:09 | 0:35:13 | |
Now it's time for the X-frame 19th century colonial chair to be shown to the room. | 0:35:13 | 0:35:19 | |
Bernadette thought it was from India, | 0:35:19 | 0:35:21 | |
but was in fact made in Europe and inspired by Ancient Rome. | 0:35:21 | 0:35:24 | |
The gothic design is carved over the scrolling arms, | 0:35:24 | 0:35:28 | |
and Paul is hoping it will reach £80-£120. | 0:35:28 | 0:35:31 | |
This kind of style has been very out of fashion for a long while, and I think it's only going to take | 0:35:33 | 0:35:38 | |
a magazine or a certain person like Posh Spice, for example, to suddenly say this is the look I'm going for. | 0:35:38 | 0:35:45 | |
I think we can see all that turning around, don't you? | 0:35:45 | 0:35:47 | |
I think you're right. This sort of old carving went out of fashion with that minimalist look, | 0:35:47 | 0:35:51 | |
but I think now people are harping back and seeing it for what it is, it's quality. | 0:35:51 | 0:35:56 | |
So £80-£120 sounds great. | 0:35:56 | 0:35:57 | |
-£80-£120? -Yeah, I'm happy with that. | 0:35:57 | 0:36:00 | |
£40 to go for the chair. I'm sure you've viewed it. 40 I am bid, a maiden bid of £40... | 0:36:00 | 0:36:04 | |
-And 5 I'll take. At £40 then... not quite enough. -No. | 0:36:04 | 0:36:08 | |
45, thank you... £45 in the distance there. 50. | 0:36:08 | 0:36:13 | |
-Come on, looks more than that. -50... At £50 nearer to me, it'll be sold for 50. | 0:36:13 | 0:36:17 | |
At £50. The hammer's coming down at £50. | 0:36:17 | 0:36:21 | |
It goes, £50. | 0:36:21 | 0:36:23 | |
OK, right, well, I'm afraid bidding only got to £50 on that. | 0:36:23 | 0:36:27 | |
So maybe my whole idea that this might be coming back into fashion is... | 0:36:27 | 0:36:31 | |
Don't trust my fashion sense, is all I can say. | 0:36:31 | 0:36:33 | |
Hmm, I think I'll keep my thoughts to myself in future. | 0:36:33 | 0:36:36 | |
It's another disappointing "no sale" and I have to admit | 0:36:36 | 0:36:40 | |
that my halftime optimism is starting to falter a little. | 0:36:40 | 0:36:44 | |
Now our next lot is our star item. | 0:36:46 | 0:36:49 | |
We're hoping this one will smash through its highest estimate of £200. | 0:36:49 | 0:36:54 | |
Because of its sentimental attachment, | 0:36:54 | 0:36:57 | |
Bernadette has put a £100 reserve on it. | 0:36:57 | 0:37:00 | |
-It was modelled on your daughter. -Uh-huh. | 0:37:02 | 0:37:04 | |
How do you feel about seeing that going? | 0:37:04 | 0:37:06 | |
No, I'm not bothered about it going. I did offer it to her but she isn't really attached to it. | 0:37:06 | 0:37:11 | |
I think it's quite a nice piece, I just hope we've got the right | 0:37:11 | 0:37:14 | |
buyer here today and that it goes for a good amount of money. | 0:37:14 | 0:37:17 | |
-What do you think, Paul? -We're covering it with the reserve, | 0:37:17 | 0:37:20 | |
so I think we'll be happy if it does sell for £100 | 0:37:20 | 0:37:23 | |
but this is a future artist, but today let's hope for £100. | 0:37:23 | 0:37:27 | |
Starting at £70 for the lot, surely for 70? | 0:37:27 | 0:37:29 | |
70... 5, £75 for the lot... At £75. | 0:37:29 | 0:37:33 | |
No. We might be right with the reserve. | 0:37:33 | 0:37:36 | |
80... 85, £85 with me... At 85. | 0:37:36 | 0:37:41 | |
Come on. | 0:37:41 | 0:37:42 | |
Not quite enough at £85... 85 it is. | 0:37:42 | 0:37:46 | |
Unsold, I'm so sorry. | 0:37:46 | 0:37:49 | |
You were right to put a reserve on it, | 0:37:49 | 0:37:51 | |
-otherwise it would have sold for such a low price. -I'm glad he didn't get it for that. | 0:37:51 | 0:37:55 | |
I think that's the sort of thing if the artist becomes even more notorious in the future... | 0:37:55 | 0:38:00 | |
Or have a retrospective exhibition, that sort of thing, | 0:38:00 | 0:38:03 | |
-that's the time to sell it. -Oh, it's gutting. | 0:38:03 | 0:38:06 | |
What a shame, as we all thought this would do well. | 0:38:06 | 0:38:10 | |
I'm just relieved that it didn't sell for such a low price, Bernadette can | 0:38:10 | 0:38:14 | |
hold on to it and think about selling it again later on. | 0:38:14 | 0:38:17 | |
Coming up is the last item of the day, the gentleman's gold-plated Dupont lighter. | 0:38:17 | 0:38:24 | |
It was found by daughter Justine at the rummage and has her father's initials engraved onto it. | 0:38:24 | 0:38:29 | |
It's got an estimate of £50-£60. | 0:38:29 | 0:38:32 | |
It's a wonderful thing to have, it is Swiss made, Dupont, beautiful. | 0:38:32 | 0:38:36 | |
When did it come in to the family? | 0:38:36 | 0:38:38 | |
I bought it as a gift for my husband, he was a smoker those days. | 0:38:38 | 0:38:41 | |
Very soon after, he packed up in fact and I've had it ever since, forgotten it was even there. | 0:38:41 | 0:38:45 | |
Is it worth £20, start me for 20? | 0:38:45 | 0:38:48 | |
Nice low start for £20... I'm bid 20. | 0:38:48 | 0:38:51 | |
-Come on. -In the distance at £20... | 0:38:51 | 0:38:55 | |
-22, 24... 26. -Oh, dear. | 0:38:55 | 0:38:57 | |
Still there at £28... Anybody else? At £28 near to the door... £28. | 0:38:57 | 0:39:03 | |
The hammer's coming down at £28. | 0:39:03 | 0:39:06 | |
That's gone. He's sold that. | 0:39:06 | 0:39:09 | |
That's a lot less than we were hoping for. | 0:39:09 | 0:39:12 | |
Yeah, that's what I paid for it a long time ago, 20 years ago. | 0:39:12 | 0:39:15 | |
It's shocked expressions all round. | 0:39:15 | 0:39:17 | |
It's not the ending we had bargained for, but the lighter sold and that's £28 in the kitty. | 0:39:17 | 0:39:23 | |
It's time to work just how much money Bernadette has made today. | 0:39:23 | 0:39:29 | |
Now, Bernadette, I have to say it hasn't been our most successful | 0:39:29 | 0:39:32 | |
-day at auction, you are taking quite a few pieces home, aren't you? -I am, yeah. -How did you find it? | 0:39:32 | 0:39:38 | |
A little bit disappointed, Lorne, that some of the items haven't sold, | 0:39:38 | 0:39:41 | |
and they were the big items that are awkward to look after, | 0:39:41 | 0:39:45 | |
but that's how it goes on the day, you can never tell. | 0:39:45 | 0:39:47 | |
Now you wanted £500. What are going to spend it on? | 0:39:47 | 0:39:51 | |
I'm going on a mother and daughter spa day to a nice hotel to have some | 0:39:51 | 0:39:53 | |
pampering and some treatments with my youngest daughter. | 0:39:53 | 0:39:56 | |
Well, I'm afraid we didn't make £500, but you have banked £366. | 0:39:56 | 0:40:02 | |
OK. Well, I still think we'll manage a little bit of pampering on that, don't you? | 0:40:02 | 0:40:07 | |
And, of course, we haven't sold that bronze. | 0:40:07 | 0:40:09 | |
No, that is a real surprise cos Paul had hopes for that and so did I. | 0:40:09 | 0:40:13 | |
That's a real shame, but maybe another auction another time further down the line. | 0:40:13 | 0:40:18 | |
That bronze might be a long term, might be a future Van Gogh. | 0:40:18 | 0:40:23 | |
You don't know what it's going to be like in the future. | 0:40:23 | 0:40:26 | |
-Do enjoy your spa day. -Oh, absolutely, I'm looking forward to that now. | 0:40:26 | 0:40:29 | |
So, with the money made at auction, | 0:40:34 | 0:40:36 | |
Bernadette is true to her word and treats her daughter Justine to a pamper day. | 0:40:36 | 0:40:40 | |
It's a luxury that they always look forward to. Who wouldn't? | 0:40:40 | 0:40:44 | |
-Hello there. -We've booked in for a spa day. | 0:40:46 | 0:40:49 | |
-Yes. -Bernadette and Justine Clifton. | 0:40:49 | 0:40:51 | |
It just gives us the tranquillity to just be, really, and have some good quality time together and | 0:40:51 | 0:40:57 | |
catch up on things, get away from the hectic pace of life, really. | 0:40:57 | 0:41:00 | |
You can't come in here. | 0:41:02 | 0:41:05 | |
Once you come in, you do feel like you've left the | 0:41:05 | 0:41:08 | |
rest of the world outside and it's just very, very peaceful. | 0:41:08 | 0:41:10 | |
-We've had some treatments, it's all very otherworldly, isn't it? -Yes. | 0:41:10 | 0:41:13 | |
It's just terribly relaxing and takes the stresses away of everyday life. | 0:41:13 | 0:41:19 | |
After a tub full of bubbles, | 0:41:20 | 0:41:22 | |
the girls decide to lie back by the spa's pool and catch up on the celebrity gossip. | 0:41:22 | 0:41:27 | |
Once again, it's all about relaxation before an afternoon filled with pampering treatments. | 0:41:27 | 0:41:34 | |
What's the verdict so far? | 0:41:34 | 0:41:37 | |
The best part for me was the Jacuzzi. | 0:41:37 | 0:41:38 | |
-Yeah, and me. -It's just so, so chilling, it's just lovely. | 0:41:38 | 0:41:43 | |
-Could stay in there for hours, couldn't you? -Yeah. | 0:41:43 | 0:41:45 | |
-The food was pretty good as well. -Lunch, they give you too much, delicious as always. -Yeah. | 0:41:45 | 0:41:50 | |
But no, it's just lovely. The whole thing is just really relaxing. | 0:41:50 | 0:41:54 | |
Well, Bernadette didn't make the £500 she was looking for, but some of her | 0:42:01 | 0:42:06 | |
nicer items are going back home with her and she did bank enough to enjoy plenty of pampering at the spa. | 0:42:06 | 0:42:13 | |
Now if you've got a project in mind that you'd like to raise some money for and you've got plenty of antiques | 0:42:13 | 0:42:18 | |
and collectables that can be sold at auction, then why not apply to come on Cash In The Attic? | 0:42:18 | 0:42:22 | |
You'll find more details at our website, which is... | 0:42:22 | 0:42:26 | |
..and I'll see you again next time. | 0:42:26 | 0:42:29 | |
Subtitles by Red Bee Media Ltd | 0:42:44 | 0:42:47 | |
E-mail [email protected] | 0:42:47 | 0:42:50 |