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Welcome to the show that searches for all the unwanted items in people's homes. | 0:00:02 | 0:00:05 | |
We then get them all valued, sell them at auction, and the family benefits from the cash. | 0:00:05 | 0:00:09 | |
Well, sometimes we have a clear-out because somebody else | 0:00:09 | 0:00:12 | |
nudges us into it, and sometimes because we want a fresh start. | 0:00:12 | 0:00:15 | |
The lady we're meeting today is going for the latter option, so | 0:00:15 | 0:00:19 | |
let's hope she's got lots of lovely items to sell on Cash In The Attic. | 0:00:19 | 0:00:23 | |
Coming up on Cash In The Attic, | 0:00:45 | 0:00:46 | |
our expert makes a rather bone-chilling discovery... | 0:00:46 | 0:00:49 | |
Quite macabre. I don't even know what those... | 0:00:49 | 0:00:52 | |
I don't want to know what those do, do you? | 0:00:52 | 0:00:55 | |
..and a letter possibly penned by the great man himself. | 0:00:55 | 0:00:59 | |
Winston Churchill's letter to Jane, look. | 0:00:59 | 0:01:00 | |
Let's have a look. Wow! | 0:01:00 | 0:01:03 | |
And later, the bidders need a bit of persuading. | 0:01:03 | 0:01:08 | |
-32... At £32... -Oh, come on! | 0:01:08 | 0:01:10 | |
It's worth more than that. | 0:01:10 | 0:01:12 | |
Find out what happens when the final hammer falls. | 0:01:12 | 0:01:15 | |
I've come to Stoke Mandeville near Aylesbury to meet Evie and her sister Jan. | 0:01:15 | 0:01:20 | |
Now, I've heard that Evie is looking for a rather stylish make-over, | 0:01:20 | 0:01:23 | |
so let's hope Cash In The Attic can help her raise the funds. | 0:01:23 | 0:01:27 | |
Evie Nightingale has worked as an accountant for the last 30 years, | 0:01:27 | 0:01:30 | |
but her true passion lies in fashion and design. | 0:01:30 | 0:01:33 | |
At the age of 21, Evie worked in London, making gowns for a high-end fashion designer on Bond Street. | 0:01:33 | 0:01:40 | |
After a few years in the trade, she decided to pursue | 0:01:40 | 0:01:43 | |
other interests, and a career in accountancy took over. | 0:01:43 | 0:01:47 | |
She might have stepped away from the runway, but recently | 0:01:47 | 0:01:50 | |
she started a new project that has sparked the designer within. | 0:01:50 | 0:01:53 | |
Today, her sister Janice is going to help her find some interesting and hopefully valuable collectibles | 0:01:53 | 0:01:59 | |
that will help raise the money for her new endeavour. | 0:01:59 | 0:02:02 | |
-Ah, good morning. -Morning. Lovely to see you. | 0:02:02 | 0:02:04 | |
I'm joined by our expert Paul Hayes. | 0:02:04 | 0:02:07 | |
Ah, good morning, ladies. | 0:02:07 | 0:02:09 | |
-Hello. -How lovely to see you. | 0:02:09 | 0:02:10 | |
-So you must be Evie. -I'm Evie. | 0:02:10 | 0:02:12 | |
-And you're sister Jan. -That's right. | 0:02:12 | 0:02:14 | |
Right, OK. So what made you decide to call in Cash In The Attic? | 0:02:14 | 0:02:17 | |
I've got a room upstairs that is a junk room and it's developed into a dumping ground, and I want | 0:02:17 | 0:02:22 | |
-to restore it as a bedroom, and I've decided to do it in the Art Deco style. -Ah, interesting. | 0:02:22 | 0:02:28 | |
What made you choose Art Deco? | 0:02:28 | 0:02:30 | |
It's just a period that I've always enjoyed. I just like it. | 0:02:30 | 0:02:34 | |
-I like all the lines and the colours and the glamour. -So what do you think of this project, Jan? | 0:02:34 | 0:02:38 | |
I think it's a wonderful idea. | 0:02:38 | 0:02:40 | |
I know she's got lots of things that she won't mind seeing the back of, and so I think, if it helps her | 0:02:40 | 0:02:45 | |
achieve her aim, do up the room like she wants to do it, I think it's wonderful. | 0:02:45 | 0:02:49 | |
-How much are you hoping to raise? -Well, I can spend as much as I make, but £500 should do it. | 0:02:49 | 0:02:55 | |
OK. Well, that's a wonderful idea. | 0:02:55 | 0:02:57 | |
Shall we go and see whether Paul's found anything to sell yet? | 0:02:57 | 0:03:00 | |
-Yes. -Come on, then. Follow me. | 0:03:00 | 0:03:02 | |
Evie has lived in this lovely four-bedroomed detached house | 0:03:04 | 0:03:07 | |
for the last 12 years. | 0:03:07 | 0:03:09 | |
There are lots of items which were collected by her late husband David | 0:03:09 | 0:03:12 | |
and our Paul Hayes has got the search under way. | 0:03:12 | 0:03:16 | |
Ah, hello. All right? | 0:03:18 | 0:03:20 | |
Have you found something for us to sell already? | 0:03:20 | 0:03:23 | |
Well, I found these - what do you call those? Sweet-meat dishes. | 0:03:23 | 0:03:26 | |
-What do you use them for? -I'd always called them hors d'oeuvres dishes. | 0:03:26 | 0:03:29 | |
-And I just say they're fishy. -Yeah! | 0:03:29 | 0:03:31 | |
-Cos they've got fishes on them. -Well, I don't think they've actually been designed for fish, | 0:03:31 | 0:03:35 | |
but I can tell you who they've been designed BY. Do you know who the artist is on these? | 0:03:35 | 0:03:39 | |
-Clarice Cliff. -Clarice Cliff! Isn't that fantastic? It's one of the household names, isn't it, really? | 0:03:39 | 0:03:43 | |
-Where did these come from? -They were a wedding present in 1959. | 0:03:43 | 0:03:47 | |
Were there always the five or...? | 0:03:47 | 0:03:50 | |
-No, I think there were six. -Right, OK. -Yeah. | 0:03:50 | 0:03:52 | |
What was unique about Clarice Cliff, though, is that she put a real Modernist view on her work. | 0:03:52 | 0:03:59 | |
Her style used lots of geometry, lots of bright colours, | 0:03:59 | 0:04:02 | |
and it was totally different to what was happening at that time. | 0:04:02 | 0:04:05 | |
The Victorian era in particular was very dark, very fancy, you know, | 0:04:05 | 0:04:09 | |
and she came up with the whole lighter approach to ceramics and she became very famous for it. | 0:04:09 | 0:04:13 | |
But 1959 isn't quite her Art Deco period. It's a bit late for her. | 0:04:13 | 0:04:18 | |
This is more likely her factory than herself | 0:04:18 | 0:04:20 | |
that would have worked on an item like this. | 0:04:20 | 0:04:22 | |
But these are beautifully done | 0:04:22 | 0:04:24 | |
and they fit in with the Modernist style nowadays. | 0:04:24 | 0:04:26 | |
If we said around the 100 mark... | 0:04:26 | 0:04:28 | |
If we put these in at £60-£100 | 0:04:28 | 0:04:30 | |
just to see how they get on, I'm sure somebody would take a shine to them. | 0:04:30 | 0:04:33 | |
Yeah, that would be great cos I don't want them. | 0:04:33 | 0:04:36 | |
OK, well, that's around a fifth of our total | 0:04:36 | 0:04:38 | |
which is pretty good going, | 0:04:38 | 0:04:39 | |
so shall we go and see if we can find plenty more fish in the sea? | 0:04:39 | 0:04:42 | |
-Yes. -Come on, then. Follow me. | 0:04:42 | 0:04:44 | |
I head straight for a 1920s oak bureau | 0:04:44 | 0:04:47 | |
with some very attractive inlay. | 0:04:47 | 0:04:48 | |
This belonged to Evie's father. | 0:04:48 | 0:04:51 | |
Paul valued it at £40-£60. | 0:04:51 | 0:04:53 | |
As Paul and I are rooting through the house, | 0:04:55 | 0:04:58 | |
we discover that someone else has joined our search party. | 0:04:58 | 0:05:02 | |
-Ah, hello. -Hi. -Firstly, who are you? | 0:05:04 | 0:05:07 | |
This is Katy. She's my granddaughter. | 0:05:07 | 0:05:08 | |
Oh, right, OK. So you've come to help out your grandma, have you? | 0:05:08 | 0:05:12 | |
-Yeah. -Come to help with the rummage and the sorting-out | 0:05:12 | 0:05:14 | |
and lifting heavy items. | 0:05:14 | 0:05:16 | |
Well, you've found something very interesting there. Do you like it? | 0:05:16 | 0:05:19 | |
Yeah, I think it's pretty | 0:05:19 | 0:05:20 | |
and it's been here ever since I can remember, really. | 0:05:20 | 0:05:23 | |
Ever since I can remember coming to this house. | 0:05:23 | 0:05:25 | |
So, Paul, what do you think? | 0:05:25 | 0:05:26 | |
-Cos that's Victorian, isn't it? -Exactly. Dead Victorian. | 0:05:26 | 0:05:29 | |
It's a bit of social history, actually. This is a by-product. | 0:05:29 | 0:05:32 | |
In the 19th century, they made lots of green glass bottles, | 0:05:32 | 0:05:35 | |
mainly for lemonade or for white wine, | 0:05:35 | 0:05:37 | |
that sort of thing. | 0:05:37 | 0:05:39 | |
At the end of the day, they'd be left with lots of remnants of the glass, | 0:05:39 | 0:05:44 | |
so they'd make them into these items here, | 0:05:44 | 0:05:46 | |
and it's called a dump, a Victorian dump. | 0:05:46 | 0:05:49 | |
Now, I've heard in the past that they're paperweights, | 0:05:49 | 0:05:51 | |
but I've also been told they were actually doorstops. | 0:05:51 | 0:05:54 | |
That's right. The large examples are always doorstops. | 0:05:54 | 0:05:57 | |
This is debatable, actually. Is it a paperweight or is it a doorstop? | 0:05:57 | 0:06:00 | |
But in this particular example, what you've got is a floral decoration. | 0:06:00 | 0:06:04 | |
Sometimes you get them with just bubbles. | 0:06:04 | 0:06:06 | |
And this one's actually inserted like a foil, a metal foil. | 0:06:06 | 0:06:08 | |
-Yeah, it's lovely, isn't it? -But the bigger ones were doorstops. | 0:06:08 | 0:06:11 | |
-What, the bigger ones like...? -Exactly. Look at that. | 0:06:11 | 0:06:15 | |
-Where did that one come from?! -Same place. | 0:06:15 | 0:06:17 | |
I think you'd cover the whole piece of paper with that. | 0:06:17 | 0:06:19 | |
-Do you like them? -I like them, yeah. I think that one especially. | 0:06:19 | 0:06:22 | |
That one's a bit too bulky for me, but I think that one's very pretty. | 0:06:22 | 0:06:25 | |
Quite heavy as well. | 0:06:25 | 0:06:27 | |
Here, I'll take it. Such a big girl's blouse! | 0:06:27 | 0:06:29 | |
What you do have to look for is condition. | 0:06:29 | 0:06:31 | |
This one has a scratch there which is not a big problem. | 0:06:31 | 0:06:34 | |
I think someone's used it as a hammer at some point. | 0:06:34 | 0:06:36 | |
-I think it got knocked on the floor. -That's probably what's happened. | 0:06:36 | 0:06:39 | |
So that's slightly detracted it, so I think if these were going to auction, | 0:06:39 | 0:06:43 | |
if I said £60-£100 for the pair, give them a chance... | 0:06:43 | 0:06:47 | |
That's fair, yes. Yes. | 0:06:47 | 0:06:49 | |
-So these can go to auction? -Yes, definitely. | 0:06:49 | 0:06:51 | |
Excellent. Do you know what as well? You're right. It is very heavy. | 0:06:51 | 0:06:54 | |
Come on, I'll leave him to it. | 0:06:54 | 0:06:57 | |
While we're on the glass theme, Katy has found some rather attractive | 0:06:57 | 0:07:02 | |
20th-century millefiori paperweights that Paul estimates at £30-£60. | 0:07:02 | 0:07:07 | |
In the garage, Evie digs out a miniature cricket bat | 0:07:09 | 0:07:12 | |
which belonged to her late husband David. | 0:07:12 | 0:07:14 | |
Produced as a souvenir item, | 0:07:14 | 0:07:17 | |
it commemorates the 1948 Australian cricket team, | 0:07:17 | 0:07:20 | |
known as the Invincibles. | 0:07:20 | 0:07:23 | |
The signatures are facsimile copies | 0:07:23 | 0:07:26 | |
but it still gets a £20 to £50 price tag. | 0:07:26 | 0:07:30 | |
Paul, what do you think this might be? | 0:07:30 | 0:07:32 | |
Ah, look at that. I think that's actually like a surgeon's kit. | 0:07:32 | 0:07:35 | |
-They're scalpels, aren't they? -Can you see those scalpels? | 0:07:35 | 0:07:38 | |
-Look at that. -Yeah. | 0:07:38 | 0:07:39 | |
Now, these were very prominent in the 19th century. | 0:07:39 | 0:07:43 | |
There were lots of...not amateur surgeons, | 0:07:43 | 0:07:46 | |
but people that took a real interest in surgery. | 0:07:46 | 0:07:49 | |
-I think this is more sort of 1890, -1900. Oh, goodness. | 0:07:49 | 0:07:52 | |
It's the time of Dr Crippen | 0:07:52 | 0:07:54 | |
and all these sort of strange things that were going on. | 0:07:54 | 0:07:57 | |
And you know what's wonderful about this era, though, is that lots | 0:07:57 | 0:08:01 | |
of the knowledge that we've taken from medicine | 0:08:01 | 0:08:03 | |
was actually discovered by amateurs, very talented amateurs. | 0:08:03 | 0:08:06 | |
But this looks to me like an autopsy kit. | 0:08:06 | 0:08:10 | |
This is wonderful, isn't it? Quite macabre. | 0:08:10 | 0:08:12 | |
I don't even know what those... I don't WANT to know | 0:08:12 | 0:08:15 | |
what those do, do you, really? | 0:08:15 | 0:08:17 | |
Oh, dear me. People are obsessed with this type of thing. | 0:08:17 | 0:08:20 | |
Anything that proves how we got to where we are now with medicine, people go for. | 0:08:20 | 0:08:24 | |
-Not the sort of thing you want to use every day. -No! | 0:08:24 | 0:08:27 | |
No, but a real historian... | 0:08:27 | 0:08:29 | |
I think Evie would be quite happy for that to go some place else. | 0:08:29 | 0:08:32 | |
Well, look, there's a big interest in it. | 0:08:32 | 0:08:34 | |
If I said sort of £50-£80, does that sound all right to you? | 0:08:34 | 0:08:38 | |
I think that's fantastic. | 0:08:38 | 0:08:39 | |
Well, these gruesome instruments may be a cut above the rest to Paul, | 0:08:39 | 0:08:44 | |
but let's hope the medical enthusiasts at auction | 0:08:44 | 0:08:46 | |
will be equally impressed. | 0:08:46 | 0:08:48 | |
I'm bid at £40, at £40, take 42. | 0:08:48 | 0:08:49 | |
At £40 bid, take 2 at £40. 42, thank you. 45? | 0:08:49 | 0:08:52 | |
Two doctors are in. 45, 48? 48, 50? | 0:08:52 | 0:08:56 | |
As our rummage continues in Evie Nightingale's home, | 0:08:59 | 0:09:02 | |
her granddaughter Katy has found | 0:09:02 | 0:09:04 | |
a very attractive set of cigarette cards from the 1920s and '30s. | 0:09:04 | 0:09:08 | |
Belonging to Evie's late husband David, | 0:09:08 | 0:09:11 | |
these were originally put into packets to stiffen them up. | 0:09:11 | 0:09:14 | |
Now they're very popular with collectors. | 0:09:14 | 0:09:17 | |
Along with a set of postcards, | 0:09:17 | 0:09:18 | |
Paul thinks the whole lot could make £50-£80 at auction. | 0:09:18 | 0:09:21 | |
While Paul and Katy are intent on finding more items, | 0:09:23 | 0:09:27 | |
I take the opportunity to find out what life | 0:09:27 | 0:09:30 | |
was like working on some of the most iconic fashion designs of the day. | 0:09:30 | 0:09:35 | |
You had a glamorous start to your career. Tell me about that. | 0:09:35 | 0:09:38 | |
I started work when I was 15 and did an apprenticeship as a gown-maker | 0:09:38 | 0:09:43 | |
-in one of the fashion houses in London. -So what was it like working somewhere like that? | 0:09:43 | 0:09:48 | |
Well, I went to work early in 1952, | 0:09:48 | 0:09:51 | |
and that was just a year before the Coronation, so it really was all systems go. | 0:09:51 | 0:09:56 | |
It got very exciting very quickly because we had people who were going | 0:09:56 | 0:10:00 | |
to be in the abbey coming in ordering their coronation gowns. | 0:10:00 | 0:10:05 | |
What made you decide to take the decorating of the bedroom into this whole Art Deco project? | 0:10:05 | 0:10:10 | |
Well, that was a chain of thought, really. | 0:10:10 | 0:10:12 | |
Feeling very isolated and lonely in my big bed in the big room, | 0:10:12 | 0:10:17 | |
I thought I could have a single bed in the spare room | 0:10:17 | 0:10:22 | |
and it grew from there. Well, it needs decorating. | 0:10:22 | 0:10:25 | |
"I know - I'll do it in the Art Deco style." | 0:10:25 | 0:10:28 | |
And it just caught hold of me. | 0:10:28 | 0:10:30 | |
It just seemed like a brilliant idea once I had the idea. | 0:10:30 | 0:10:33 | |
I just don't want to let it go now. | 0:10:33 | 0:10:35 | |
So what's retirement like, then? | 0:10:35 | 0:10:38 | |
Wonderful! | 0:10:38 | 0:10:39 | |
Better than going to work, yes. | 0:10:39 | 0:10:41 | |
While we've been chatting, Paul has been rummaging upstairs and has | 0:10:42 | 0:10:46 | |
spotted an open-face pocket watch dating back to the 1920s. | 0:10:46 | 0:10:50 | |
It's gold-plated and he values it at £20-£30. | 0:10:50 | 0:10:54 | |
Janice finds a collection of three porcelain figurines | 0:10:54 | 0:10:58 | |
that Evie bought in the 1950s - two Royal Doulton, | 0:10:58 | 0:11:02 | |
and another by Royal Worcester. | 0:11:02 | 0:11:04 | |
Paul thinks that they're bound to be collectors out there | 0:11:04 | 0:11:07 | |
who'll part with £40-£60 for the three. | 0:11:07 | 0:11:09 | |
Ah, now then, Evie. I found a lovely old spoon here. | 0:11:09 | 0:11:14 | |
-Where has this come from, do you know? -Oh, it's been knocking around for years. | 0:11:14 | 0:11:17 | |
At first I thought it was just an ordinary brass spoon, but it's not. | 0:11:17 | 0:11:21 | |
This is silver gilt and it's an exact copy of THE Coronation spoon | 0:11:21 | 0:11:25 | |
that's used to anoint the King and Queen of England. Isn't that amazing? | 0:11:25 | 0:11:29 | |
Oh, gosh, that's fantastic, yes, yes. | 0:11:29 | 0:11:31 | |
It's the oldest relic that survives from the old Royal regalia. | 0:11:31 | 0:11:35 | |
It actually was used to crown King John... | 0:11:35 | 0:11:37 | |
-Oh, really? -..in, I think, 1199. | 0:11:37 | 0:11:39 | |
-There you go. How's that? -Good Lord! -But you have all the designs. | 0:11:39 | 0:11:42 | |
You have the Celtic rope twists, can you see on the back here? | 0:11:42 | 0:11:45 | |
The lion's head represents power. | 0:11:45 | 0:11:47 | |
You've got all sorts of symbols going on here. | 0:11:47 | 0:11:50 | |
The original version was used for the Queen at the present coronation. | 0:11:50 | 0:11:54 | |
Do you remember that? | 0:11:54 | 0:11:55 | |
-Yes, I certainly do. -Right. -I watched it on the television. | 0:11:55 | 0:11:59 | |
Wonderful. What they would do, | 0:11:59 | 0:12:00 | |
they would actually dip this in anointment oil | 0:12:00 | 0:12:02 | |
and then the Queen herself would have some on her head, | 0:12:02 | 0:12:06 | |
-some on her hands and some on her heart. Isn't it fantastic? -Yes. | 0:12:06 | 0:12:10 | |
The reason I know it's solid silver are those hallmarks. | 0:12:10 | 0:12:13 | |
-Can you see that? -No, I don't see those. | 0:12:13 | 0:12:15 | |
Just on the edge there, you see? | 0:12:15 | 0:12:17 | |
And this hallmark here tells me this was made in 1902, so I should imagine | 0:12:17 | 0:12:22 | |
it's been bought in celebration of the coronation of Edward VII | 0:12:22 | 0:12:25 | |
-who was crowned in that year. -Oh, I see. | 0:12:25 | 0:12:27 | |
-Isn't that fantastic? -Yes, it is. | 0:12:27 | 0:12:30 | |
If we can send this to auction, if you wanted to sell it, | 0:12:30 | 0:12:32 | |
I would think maybe £60-£100 to give it a chance. | 0:12:32 | 0:12:35 | |
-How does that sound? -That's lovely, yes. | 0:12:35 | 0:12:37 | |
-Smashing. -All right? Should stir things up well for the auction! -Yes! | 0:12:37 | 0:12:40 | |
Evie has decided that these fish servers, along with a collection | 0:12:42 | 0:12:47 | |
of silverware that once belonged to her parents, | 0:12:47 | 0:12:50 | |
can go off to auction with a price tag of £40-£60. | 0:12:50 | 0:12:53 | |
-Winston Churchill's letter to Jane. -Sorry? | 0:12:55 | 0:12:58 | |
-Winston Churchill's letter to Jane. Look. -Let's have a look. | 0:12:58 | 0:13:03 | |
Wow! So who was Jane? | 0:13:03 | 0:13:05 | |
-Who was Jane? -Have you found anything? | 0:13:05 | 0:13:07 | |
I think we'd better ask Evie - who was Jane? | 0:13:07 | 0:13:10 | |
Jane was David's aunt, his father's sister. | 0:13:10 | 0:13:14 | |
So, Evie, where is this from? | 0:13:14 | 0:13:16 | |
I just found it. | 0:13:16 | 0:13:18 | |
I just came across it amongst some papers that I was looking through. | 0:13:18 | 0:13:21 | |
I'd never seen it before | 0:13:21 | 0:13:22 | |
and it was that close to going through the shredder. | 0:13:22 | 0:13:24 | |
Crikey. Now, Paul, it looks like it's on pukka paper and authentic. | 0:13:24 | 0:13:28 | |
-What do you think? -It looks dead right to me, actually. | 0:13:28 | 0:13:32 | |
What a fantastic item. | 0:13:32 | 0:13:33 | |
Arguably, he's Britain's greatest leader. | 0:13:33 | 0:13:36 | |
He had a lot of influence during the First World War, | 0:13:36 | 0:13:39 | |
he won the Nobel Prize for Literature. | 0:13:39 | 0:13:41 | |
He was a very accomplished writer and did sketches, a wonderful artist. | 0:13:41 | 0:13:44 | |
The guy is an absolute genius and a legend, | 0:13:44 | 0:13:48 | |
and if you read this here, it says, | 0:13:48 | 0:13:51 | |
"I am deeply touched by your kind contribution to my birthday present | 0:13:51 | 0:13:55 | |
"and grateful for your good wishes. Winston Churchill." | 0:13:55 | 0:13:59 | |
Isn't that fantastic? | 0:13:59 | 0:14:00 | |
What I love about this, actually, is it's on official headed paper - | 0:14:00 | 0:14:03 | |
10 Downing Street, Whitehall SW1, so it's official. | 0:14:03 | 0:14:07 | |
So you're looking at a time either when he's been Prime Minister | 0:14:07 | 0:14:10 | |
or he's been at 10 Downing Street, possibly | 0:14:10 | 0:14:12 | |
as Chancellor of the Exchequer, so some time about that time. | 0:14:12 | 0:14:15 | |
What a wonderful thing to have. | 0:14:15 | 0:14:17 | |
How do you value something like this? | 0:14:17 | 0:14:18 | |
His sketches can go into thousands of pounds. | 0:14:18 | 0:14:21 | |
-Yes. -I think, just for the signature alone, | 0:14:21 | 0:14:24 | |
on Downing Street paper, | 0:14:24 | 0:14:25 | |
-if I said £300, maybe up to £400, how does that sound? -Good Lord! | 0:14:25 | 0:14:31 | |
I think that's fantastic. | 0:14:31 | 0:14:33 | |
It makes me go wobbly when I think how close I came to tearing it up! | 0:14:33 | 0:14:38 | |
Well, it's a great help, I must say, | 0:14:38 | 0:14:40 | |
because you wanted £500 towards your Art Deco bedroom project. | 0:14:40 | 0:14:44 | |
This is going to help substantially and bring the total value | 0:14:44 | 0:14:47 | |
of everything going to auction to £770. | 0:14:47 | 0:14:49 | |
-Good Lord! -Wow! -Including this? | 0:14:49 | 0:14:51 | |
-Yes, absolutely. So that's quite a nice little total, isn't it? -Yes. | 0:14:51 | 0:14:56 | |
Well, I for one am relieved that this letter survived intact. | 0:14:56 | 0:14:59 | |
Even though this looks like the genuine article, | 0:14:59 | 0:15:01 | |
we'll need to double-check it with an expert for authenticity | 0:15:01 | 0:15:05 | |
before we can be absolutely sure. | 0:15:05 | 0:15:07 | |
We've had a fascinating day here, | 0:15:07 | 0:15:09 | |
and there are some fabulous items heading off to auction. | 0:15:09 | 0:15:13 | |
That unusual set of 1950s Clarice Cliff bowls | 0:15:13 | 0:15:15 | |
from the Wilkinson factory. With a subtle design, | 0:15:15 | 0:15:18 | |
we're hoping someone will take them home at £60-£100. | 0:15:18 | 0:15:21 | |
The captivating, late 19th-century surgeon's kit. | 0:15:24 | 0:15:28 | |
Surviving over a century, it was cutting edge | 0:15:28 | 0:15:31 | |
in its time and has a price tag of £50-£80. | 0:15:31 | 0:15:34 | |
And the silver anointing spoon. | 0:15:34 | 0:15:36 | |
A piece celebrating English history that will hopefully raise £60-£100. | 0:15:36 | 0:15:43 | |
Still to come on Cash In The Attic, | 0:15:43 | 0:15:45 | |
our surgeon's kit breathes life into the auction room. | 0:15:45 | 0:15:48 | |
I'm just pleased they've gone, to be honest with you! | 0:15:48 | 0:15:51 | |
It made me feel quite ill! | 0:15:51 | 0:15:52 | |
And the Churchill letter sparks a bidding war. | 0:15:52 | 0:15:55 | |
When they hold their hands up like that, | 0:15:55 | 0:15:57 | |
they're very determined bidders. | 0:15:57 | 0:15:59 | |
Find out what happens when the hammer falls. | 0:15:59 | 0:16:02 | |
Now, it's been a few weeks since we met Evie at her home in Aylesbury | 0:16:06 | 0:16:10 | |
and she had a passion for all things Art Deco, | 0:16:10 | 0:16:13 | |
so we sorted out some antiques and collectibles to bring here | 0:16:13 | 0:16:16 | |
to Chiswick Auction Rooms in west London. | 0:16:16 | 0:16:19 | |
She's looking to raise around £500 | 0:16:19 | 0:16:21 | |
so she can redecorate her bedroom in the Art Deco style, | 0:16:21 | 0:16:25 | |
so let's just hope the buyers are feeling very generous | 0:16:25 | 0:16:28 | |
when our items go under the hammer today. | 0:16:28 | 0:16:30 | |
There are over 500 lots on view in this west London auction house, | 0:16:30 | 0:16:34 | |
so that means that plenty of buyers have been perusing over Evie's items. | 0:16:34 | 0:16:38 | |
Unfortunately, we're without Paul today, | 0:16:41 | 0:16:43 | |
which leaves me on my own to break some bad news to Evie | 0:16:43 | 0:16:46 | |
and her granddaughter Katie. | 0:16:46 | 0:16:47 | |
-Hello, ladies. -Hello. -I've been looking for you. | 0:16:50 | 0:16:52 | |
-How are you? -Good, thank you. -Yes? All ready for auction day? | 0:16:52 | 0:16:55 | |
Yes, I'm fine. We're ready. | 0:16:55 | 0:16:57 | |
Now, we might be ready but we've got a little bit of disappointing news. | 0:16:57 | 0:17:01 | |
-You've already heard, haven't you? -Yes, I had a phone call. | 0:17:01 | 0:17:04 | |
And what did they say to you? | 0:17:04 | 0:17:05 | |
They said that it's not an original, it's a copy, | 0:17:05 | 0:17:08 | |
or "facsimile" was the word they used. | 0:17:08 | 0:17:10 | |
Now, I have to say, looking at that, | 0:17:10 | 0:17:12 | |
it looks like an original to me, but hey, I'm not an expert | 0:17:12 | 0:17:15 | |
and the auctioneers here are, so a bit of a disappointment, really. | 0:17:15 | 0:17:19 | |
Big disappointment, but never mind. | 0:17:19 | 0:17:21 | |
-We'll live with it. -So what are you going to do with this now? | 0:17:21 | 0:17:24 | |
Oh, yes, I still want to sell it if possible, because I don't want it, | 0:17:24 | 0:17:29 | |
so if it can be sold, every little helps towards the fund. | 0:17:29 | 0:17:32 | |
The auction's going to start fairly soon. | 0:17:32 | 0:17:35 | |
Shall we go and get in position? | 0:17:35 | 0:17:37 | |
-Yes, let's do that. -I'll get you a catalogue and you can show me what you're looking at. -OK, thanks. | 0:17:37 | 0:17:41 | |
The auction house has reduced the valuation of the letter to £40-£60 | 0:17:41 | 0:17:45 | |
which is a significant difference from our original estimate. | 0:17:45 | 0:17:49 | |
I just hope we haven't lost our chance to reach Evie's £500 target. | 0:17:49 | 0:17:53 | |
The auction is already under way and Evie's first item is about to cross | 0:17:53 | 0:17:57 | |
the auction block - the miniature cricket bat valued at £20-£50. | 0:17:57 | 0:18:02 | |
£20 for it. | 0:18:02 | 0:18:04 | |
£10 for it. | 0:18:04 | 0:18:06 | |
10 I'm bid, at 10, 12 in the doorway. At 12, you're 15, 15, 18? 18, 20? | 0:18:06 | 0:18:10 | |
£18... Whose hand is that over there? | 0:18:10 | 0:18:14 | |
£20 there, thank you. 22? 22, 25? | 0:18:14 | 0:18:17 | |
25, 28? 28, 30? 32, 35... | 0:18:17 | 0:18:21 | |
Here we go. That's a bit more like it, isn't it? | 0:18:21 | 0:18:23 | |
-Yes. -At £32, all done? | 0:18:23 | 0:18:26 | |
All out. £32 and going... | 0:18:26 | 0:18:29 | |
-OK, £32. Are you pleased with that? -Yes, very pleased. | 0:18:29 | 0:18:31 | |
That's a good start. | 0:18:31 | 0:18:33 | |
Our next lot is a rather nice find which we hope will net our top-end estimate from the bidders. | 0:18:33 | 0:18:38 | |
Most people know Clarice Cliff from all the bright colours, the fantastic and the bizarre ranges. | 0:18:40 | 0:18:44 | |
-This a hors-d'oeuvres dish, isn't it? -Yes, more subdued colours. | 0:18:44 | 0:18:48 | |
It is, but having said that, | 0:18:48 | 0:18:50 | |
I think that could go quite nicely in a modern home. | 0:18:50 | 0:18:52 | |
And not quite complete if I remember rightly. | 0:18:52 | 0:18:55 | |
No, there's one dish missing, one of the small dishes. | 0:18:55 | 0:18:58 | |
It was a big one and six small ones, and now there's only five small. | 0:18:58 | 0:19:01 | |
210A, the Clarice Cliff, | 0:19:01 | 0:19:04 | |
and for this 210A where shall we start? | 0:19:04 | 0:19:06 | |
At £50 for it? £40 for it? | 0:19:06 | 0:19:09 | |
It's Clarice Cliff. £40 for it. £30 for it, make me work. | 0:19:09 | 0:19:13 | |
I'm bid at £30, 30, 32, 35, 38, | 0:19:13 | 0:19:17 | |
40, 42, 45, 48, | 0:19:17 | 0:19:20 | |
50, 55? | 0:19:20 | 0:19:22 | |
50 bid. At £50, take 55. | 0:19:22 | 0:19:25 | |
-Anybody want 60? 60, 65...70... -Oh, a bit more. | 0:19:25 | 0:19:30 | |
70, 75? £70 bid, at £70, I'll take five. | 0:19:30 | 0:19:34 | |
At £70, all done? | 0:19:34 | 0:19:36 | |
£70 all out? We'll do 72 for it if anybody else wants to come in. | 0:19:36 | 0:19:39 | |
£70, 72, back in. 75? | 0:19:39 | 0:19:41 | |
You want 75? | 0:19:43 | 0:19:45 | |
No. £72, going. £72 all out? £72. | 0:19:45 | 0:19:49 | |
-£72! -I'm pleased with that. -I should think so. | 0:19:49 | 0:19:53 | |
I didn't have many hopes for it. | 0:19:53 | 0:19:55 | |
-What will you put your peanuts in now? -An empty yoghurt carton! | 0:19:55 | 0:19:59 | |
She'd rather add that money towards her bedroom remodel. | 0:19:59 | 0:20:03 | |
The next lot had a good showing and we were happy to see someone | 0:20:03 | 0:20:08 | |
take home the 20th-century, gold-plated pocket watch for £20. | 0:20:08 | 0:20:12 | |
They're here as a nice little collection for anyone that likes paperweights or glass. | 0:20:12 | 0:20:16 | |
We've got "glass paperweight with coloured canes and two other weights". | 0:20:16 | 0:20:20 | |
Now, one of them's Caithness but the other two are very nice quality too. | 0:20:20 | 0:20:23 | |
Did you get these at the same time? | 0:20:23 | 0:20:25 | |
I think the other two are older, | 0:20:25 | 0:20:27 | |
but very pretty. | 0:20:27 | 0:20:29 | |
Paul's put £30-£60 on them. If they sell for £30, it's only £10 each, so I'm pretty sure we should get that. | 0:20:29 | 0:20:34 | |
£30, £20? A bid at £20. | 0:20:34 | 0:20:37 | |
At £20, then, take 22. | 0:20:37 | 0:20:40 | |
22, 25 there. Want 28? | 0:20:40 | 0:20:41 | |
I've got three people bidding. 28, 30, 32 over there. 32, 35, 38? | 0:20:41 | 0:20:46 | |
38, 40, 42, 45, 48? | 0:20:46 | 0:20:50 | |
£45. At £45, all out? | 0:20:50 | 0:20:53 | |
£45, 48 or not? £45 and going. All done? £45, your bid. | 0:20:53 | 0:20:57 | |
Evie's handsome Edwardian bureau proves popular too... | 0:20:59 | 0:21:02 | |
All done at £40 then? | 0:21:02 | 0:21:05 | |
..selling bang on estimate at £40. | 0:21:05 | 0:21:09 | |
Will the silver cutlery make it three successes in a row? | 0:21:09 | 0:21:12 | |
We're looking for £40-60. | 0:21:12 | 0:21:14 | |
Start me at...£50 starting bid. | 0:21:16 | 0:21:18 | |
Thank you, bid at £50. At £50, take 55 now. | 0:21:18 | 0:21:21 | |
-That's good. -55, 60? | 0:21:21 | 0:21:24 | |
Five, 70, five? | 0:21:24 | 0:21:27 | |
£70 bid. At £70, take five. | 0:21:27 | 0:21:30 | |
75. 80? Five? 90, five? | 0:21:30 | 0:21:33 | |
90 bid. At £90, take five. At £90 in front of me. Are we done for £90? | 0:21:33 | 0:21:38 | |
All out for £90 and going... £90. | 0:21:38 | 0:21:40 | |
£90! | 0:21:40 | 0:21:42 | |
That's a great result for the cutlery and takes our halftime total | 0:21:42 | 0:21:47 | |
to an impressive £299. | 0:21:47 | 0:21:50 | |
With six more lots to sell, | 0:21:50 | 0:21:51 | |
hopefully that £500 target is within easy reach. | 0:21:51 | 0:21:55 | |
If you'd like to raise money at auction for something special, | 0:21:55 | 0:21:58 | |
do take note that auction houses usually charge a commission fee. | 0:21:58 | 0:22:02 | |
Fees vary from saleroom to saleroom, | 0:22:02 | 0:22:04 | |
so it's best to enquire well in advance. | 0:22:04 | 0:22:07 | |
As the sale continues, the trio of figurines sell just over estimate. | 0:22:07 | 0:22:11 | |
£45 - you've got them. £45. | 0:22:13 | 0:22:15 | |
Topping up our kitty by another £45. | 0:22:15 | 0:22:19 | |
Now we're up to the doctor's kit. | 0:22:19 | 0:22:21 | |
Let's hope the bidders today have a stronger stomach for this than I have. | 0:22:21 | 0:22:24 | |
People are dying to get these! | 0:22:24 | 0:22:26 | |
-£50? -Ha-ha! Boom-boom! -£40? | 0:22:26 | 0:22:29 | |
I'm bid at £40. At £40, take 42. £40 bid there, take two at £40. | 0:22:29 | 0:22:34 | |
42, thank you. 45? | 0:22:34 | 0:22:36 | |
Two doctors are in. 45, 48? 48, 50? | 0:22:36 | 0:22:39 | |
-55, 60, five, 70... -Wow! -..five. | 0:22:39 | 0:22:43 | |
£70, £70, take five if anyone else wants them. At £70 and gone. £70. | 0:22:43 | 0:22:48 | |
£70! | 0:22:48 | 0:22:50 | |
-That's good. -That's a lot more than I would've thought it might go for. | 0:22:50 | 0:22:53 | |
That's good, yeah. | 0:22:53 | 0:22:54 | |
-Are you pleased with that? -Yes, very pleased. | 0:22:54 | 0:22:56 | |
Oh, yeah. I'm just pleased they've gone, to be honest with you! | 0:22:56 | 0:22:59 | |
They made me feel quite ill. | 0:22:59 | 0:23:01 | |
I'm not sure I want to know what the buyer is going to do with that, | 0:23:01 | 0:23:04 | |
but I'm really glad we were able to make a good sale for Evie. | 0:23:04 | 0:23:10 | |
Now, our next lot continued to bring home a decent return. | 0:23:10 | 0:23:13 | |
Evie's late husband's collection of 20th-century cigarette cards | 0:23:13 | 0:23:16 | |
stirred up the crowd and eventually sold for £68. | 0:23:16 | 0:23:21 | |
-Your bid. £68, 466. -Now we come to a lot that would have been | 0:23:21 | 0:23:25 | |
destined for the rubbish bin if it hadn't been disguised as decoration. | 0:23:25 | 0:23:30 | |
I absolutely love these things. | 0:23:30 | 0:23:32 | |
You do see them come up at auction quite a bit, | 0:23:32 | 0:23:34 | |
but I just think they're fantastic. | 0:23:34 | 0:23:36 | |
They're these Victorian glass dumps. Now, where did you get them from? | 0:23:36 | 0:23:39 | |
-Oh, I think those were inherited from an aunt. -Right. | 0:23:39 | 0:23:43 | |
And for these, £50. | 0:23:43 | 0:23:46 | |
£40? I'm bid at £40. At 40, anyone want 42? | 0:23:46 | 0:23:49 | |
42, 45, 48? 48, 50, 55... | 0:23:49 | 0:23:51 | |
Come on! | 0:23:51 | 0:23:53 | |
-More. -50 bid. At £50, I want 52. | 0:23:53 | 0:23:54 | |
Somebody else going to come in? The bid's there at £50, take two. | 0:23:54 | 0:23:58 | |
At £50, all done? At £50 for the dump weights. | 0:23:58 | 0:24:00 | |
At £50, is that all? Then going. | 0:24:00 | 0:24:01 | |
All done at £50. It's gone then for £50. | 0:24:01 | 0:24:04 | |
Oh, that was a bargain. | 0:24:04 | 0:24:05 | |
Well, every pound counts today | 0:24:05 | 0:24:08 | |
and Evie's silver anointing spoon finds a new home too... | 0:24:08 | 0:24:12 | |
42 and going. 42 and gone. | 0:24:12 | 0:24:14 | |
..albeit for slightly less than Paul's £60 estimate. | 0:24:14 | 0:24:18 | |
We've just one lot left now - the Winston Churchill letter. | 0:24:18 | 0:24:22 | |
Although not penned by the great man himself, | 0:24:22 | 0:24:24 | |
we're still hoping for £40-60. | 0:24:24 | 0:24:27 | |
Number 290A is a facsimile letter from Churchill in Downing Street, | 0:24:27 | 0:24:31 | |
giving thanks for a birthday present. | 0:24:31 | 0:24:33 | |
Number 290A, a facsimile, and £50 for it? | 0:24:33 | 0:24:38 | |
Is it worth £20 for it? | 0:24:38 | 0:24:41 | |
£20 for it. No bidders? I'm bid at £20, at 22? | 0:24:41 | 0:24:44 | |
Who else wants it at £20? | 0:24:44 | 0:24:47 | |
Take two at £20. | 0:24:47 | 0:24:50 | |
22, 25, 28, 30, | 0:24:50 | 0:24:53 | |
32, 35? At £32... | 0:24:53 | 0:24:57 | |
When they hold their hands up like that, | 0:24:57 | 0:24:59 | |
they're very determined bidders. | 0:24:59 | 0:25:00 | |
£32, all out? Your bid at £32, going at £32 and going... | 0:25:00 | 0:25:03 | |
£32. Now, what do you think of that? | 0:25:03 | 0:25:07 | |
Well...yeah, OK. That will do. | 0:25:07 | 0:25:12 | |
Well, I'm glad someone is paying homage | 0:25:12 | 0:25:15 | |
to one of England's greatest leaders. | 0:25:15 | 0:25:17 | |
Now, earlier, we were well on our way to meeting Evie's target | 0:25:17 | 0:25:21 | |
and I'm hoping that she'll be happy with our final outcome. | 0:25:21 | 0:25:24 | |
Right, well, I have to say that's it. | 0:25:24 | 0:25:27 | |
We're done and dusted. | 0:25:27 | 0:25:29 | |
You wanted £500, didn't you, to recreate that Art Deco look for your bedroom. | 0:25:29 | 0:25:33 | |
Do you think we've made anything like that amount? | 0:25:33 | 0:25:36 | |
Um...not quite. | 0:25:36 | 0:25:37 | |
Right, OK, and what do you think, my dear? | 0:25:37 | 0:25:39 | |
Um, I think about that, yeah. | 0:25:39 | 0:25:42 | |
Yeah, about £500. | 0:25:42 | 0:25:44 | |
Her total is £606. | 0:25:44 | 0:25:46 | |
Oh, that's brilliant. Oh, that's good. | 0:25:46 | 0:25:49 | |
-Yes, pleased with that. -A bit more than you hoped? | 0:25:49 | 0:25:51 | |
A bit more than I expected, yes, so, all in all, I can go shopping now. | 0:25:51 | 0:25:55 | |
Evie's been hard at work transforming this previously | 0:26:00 | 0:26:02 | |
cluttered space into the Art Deco bedroom of her dreams. | 0:26:02 | 0:26:07 | |
Today, Evie has come to some London antique shops, | 0:26:07 | 0:26:10 | |
looking for some Art Deco glamour | 0:26:10 | 0:26:12 | |
to add to her own home-decorating project. | 0:26:12 | 0:26:17 | |
I've found lots of things that I really like. | 0:26:17 | 0:26:19 | |
The lamps were gorgeous but more than I could afford to pay, | 0:26:19 | 0:26:23 | |
but they have got some lovely, lovely things. | 0:26:23 | 0:26:26 | |
Lovely furniture as well. So I will be back. | 0:26:26 | 0:26:29 |