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We find antiques and collectibles in peoples' homes | 0:00:02 | 0:00:04 | |
and sell them at auction, | 0:00:04 | 0:00:06 | |
raising money so they can do something else instead. | 0:00:06 | 0:00:09 | |
Now, this may range from a trip to see long-lost relatives | 0:00:09 | 0:00:12 | |
or maybe buying something new for the family. | 0:00:12 | 0:00:14 | |
But how much they raise depends on the quality of their items. | 0:00:14 | 0:00:18 | |
So what's the figure today? | 0:00:18 | 0:00:19 | |
Find out later in Cash In The Attic. | 0:00:19 | 0:00:21 | |
'Coming up on today's Cash In The Attic... | 0:00:43 | 0:00:46 | |
'Paul takes a fancy to 1920s elegance.' | 0:00:46 | 0:00:49 | |
You've got good, strong, sturdy knees, | 0:00:49 | 0:00:51 | |
which is what you're looking at. | 0:00:51 | 0:00:52 | |
-Always helps when you've got good, strong, sturdy knees. -Always helps. | 0:00:52 | 0:00:55 | |
On a table, it's not bad either. | 0:00:55 | 0:00:57 | |
THEY ALL LAUGH | 0:00:57 | 0:00:59 | |
'We discover heirlooms from a bygone era.' | 0:00:59 | 0:01:02 | |
Do you know where these have come from? | 0:01:02 | 0:01:03 | |
I know the pocket watch was my great-grandfather's, | 0:01:03 | 0:01:06 | |
-who was a station master in Ireland. -Wow. | 0:01:06 | 0:01:08 | |
'But, when we get to auction, not everything goes our way.' | 0:01:08 | 0:01:12 | |
-I think he's actually sold that. -He sold that for £5? | 0:01:12 | 0:01:15 | |
I think he has done, yeah. | 0:01:15 | 0:01:16 | |
-Oh, dear... -There was no interest at all. | 0:01:16 | 0:01:18 | |
'Will our luck improve? Find out when the final hammer falls.' | 0:01:18 | 0:01:23 | |
Well, today, I've come to Southam in Warwickshire, | 0:01:23 | 0:01:25 | |
where I'll be meeting Nicola and her mum, Marlene. | 0:01:25 | 0:01:28 | |
They've taken the brave decision to get rid of some old memories | 0:01:28 | 0:01:32 | |
so they can provide some lovely new ones | 0:01:32 | 0:01:34 | |
for the youngest member of the family. | 0:01:34 | 0:01:36 | |
'Nikki Lappin is a nursery nurse with a passion for photography. | 0:01:37 | 0:01:41 | |
'She's travelled the globe with her camera, | 0:01:41 | 0:01:43 | |
'but now has plans for a very special trip with her family. | 0:01:43 | 0:01:46 | |
'So we've come to the home she shares with her mum and daughter | 0:01:46 | 0:01:49 | |
'to see if we can be of help. | 0:01:49 | 0:01:52 | |
'Paul Hayes is our expert today. | 0:01:52 | 0:01:54 | |
'And his 20 years' antiques experience | 0:01:54 | 0:01:56 | |
'should stand us in good stead as we look around this tidy home. | 0:01:56 | 0:02:00 | |
'It bodes well for a great search.' | 0:02:00 | 0:02:03 | |
-Ah, morning! -Morning. -You must be Nicola. -I am. | 0:02:04 | 0:02:08 | |
-And Marlene, is that right? -Yes. | 0:02:08 | 0:02:10 | |
-So who called in Cash In The Attic? -Myself. -Ah, right, OK. | 0:02:10 | 0:02:14 | |
And what made you decide to do that? | 0:02:14 | 0:02:16 | |
Decided that, after my father and my grandmother passed away, | 0:02:16 | 0:02:19 | |
it was about time we had to clear out | 0:02:19 | 0:02:21 | |
some of the items that we'd accumulated. | 0:02:21 | 0:02:23 | |
And so what would you like to raise the money for? | 0:02:23 | 0:02:26 | |
I think it's about time we had a holiday and cheered ourselves up. | 0:02:26 | 0:02:29 | |
What sort of holiday? | 0:02:29 | 0:02:31 | |
I'd like to go to Disney in Florida and take my daughter. | 0:02:31 | 0:02:35 | |
-What's her name? -Vanessa Mae. -Vanessa Mae? What a lovely name. | 0:02:35 | 0:02:38 | |
-And how old is your little girl? -She will be three in the summer. | 0:02:38 | 0:02:42 | |
So, Marlene, what sort of money | 0:02:42 | 0:02:44 | |
would you like to raise towards this holiday? | 0:02:44 | 0:02:46 | |
I'm hoping for about £500. | 0:02:46 | 0:02:48 | |
£500 so the three of you can go to Disney. | 0:02:48 | 0:02:51 | |
In which case I think we need to divide off and find Paul Hayes. | 0:02:51 | 0:02:55 | |
Hopefully, he'll have found something we can have a look at. | 0:02:55 | 0:02:57 | |
Shall we see if we can find him? | 0:02:57 | 0:02:59 | |
You go that way, Marlene. Let's see if we can find him up here. Paul! | 0:02:59 | 0:03:02 | |
'As ever, Paul's got straight to work. | 0:03:02 | 0:03:04 | |
'It hasn't taken him long today | 0:03:04 | 0:03:06 | |
'to track down our first likely-looking item.' | 0:03:06 | 0:03:08 | |
-Hi, Paul! -Hello, how are you? All right? -Yes, thank you. | 0:03:11 | 0:03:13 | |
I found one of my favourite items - a Windsor chair. | 0:03:13 | 0:03:16 | |
-It's lovely. -Fantastic, isn't it? | 0:03:16 | 0:03:18 | |
What's the story behind this? | 0:03:18 | 0:03:20 | |
My grandfather made it. | 0:03:20 | 0:03:21 | |
He used to live in Coleshill, near Wycombe. He was a carpenter. | 0:03:21 | 0:03:25 | |
So did he make it for you? | 0:03:25 | 0:03:27 | |
It was a hobby of is that he did. He made it for the family. | 0:03:27 | 0:03:30 | |
You do see a lot of these around, | 0:03:30 | 0:03:32 | |
but I wouldn't want to have to make one. Would you? | 0:03:32 | 0:03:35 | |
No, they're extremely difficult to make. He's done a really good job. | 0:03:35 | 0:03:38 | |
But of course, the Windsor chair gets its name from Windsor, | 0:03:38 | 0:03:41 | |
which is near High Wycombe, where the origins come from. | 0:03:41 | 0:03:44 | |
But they used all the local materials - | 0:03:44 | 0:03:46 | |
we're looking at elm, ash and all these wonderful fruit woods. | 0:03:46 | 0:03:49 | |
These things that you used to find here in the British Isles. | 0:03:49 | 0:03:52 | |
This one has been made with a later material. | 0:03:52 | 0:03:55 | |
It's oak or perhaps even beech. | 0:03:55 | 0:03:57 | |
-Probably fair to say maybe 1930s to '40s. -Sounds about right. | 0:03:57 | 0:04:00 | |
But the basic concept is still there. These are so cleverly made. | 0:04:00 | 0:04:03 | |
What would happen is this piece of wood here would be tapered. | 0:04:03 | 0:04:06 | |
It sticks right through this piece of wood, and then cut off. | 0:04:06 | 0:04:10 | |
The reason for that - these were made originally before glue, | 0:04:10 | 0:04:12 | |
so of course you couldn't glue these items together. | 0:04:12 | 0:04:15 | |
So this would stay in this sort of condition. | 0:04:15 | 0:04:17 | |
They just last for ever. They're wonderful. | 0:04:17 | 0:04:19 | |
Given that your grandfather made it, are you sure you want to sell it? | 0:04:19 | 0:04:23 | |
It doesn't fit in where we live now. | 0:04:23 | 0:04:25 | |
I'd rather somebody gets some use from it. | 0:04:25 | 0:04:27 | |
What sort of value would you say this might have? | 0:04:27 | 0:04:29 | |
A 1920s to 1940s sort of chair like this... | 0:04:29 | 0:04:33 | |
It's attractive. It has a bit of patina. | 0:04:33 | 0:04:35 | |
If I said £50-80, that sort of price, | 0:04:35 | 0:04:37 | |
-how does that sound? -Yeah, that sounds good. | 0:04:37 | 0:04:41 | |
Now we know what to look for. | 0:04:41 | 0:04:43 | |
Shall we go and find something else to sell? | 0:04:43 | 0:04:45 | |
'On that note, we get started. | 0:04:45 | 0:04:47 | |
'And Paul immediately stumbles over | 0:04:47 | 0:04:49 | |
'a different kind of chair in a hallway, | 0:04:49 | 0:04:52 | |
'and evicts the resident cuddly toys to get a better look. | 0:04:52 | 0:04:56 | |
'Nicola's grandfather also carved this himself, | 0:04:56 | 0:04:59 | |
'shortly after World War II. | 0:04:59 | 0:05:01 | |
'Probably in his own workshop in the garage. | 0:05:01 | 0:05:03 | |
'Paul is delighted to discover | 0:05:03 | 0:05:05 | |
'there's another chair that matches this one. | 0:05:05 | 0:05:08 | |
'A good example of post-war craftsmanship. | 0:05:08 | 0:05:11 | |
'The pair should polish up nicely for us at auction at £60-70. | 0:05:11 | 0:05:16 | |
'Marlene shows Paul a sewing machine | 0:05:16 | 0:05:18 | |
'which she inherited from her mother-in-law. | 0:05:18 | 0:05:20 | |
'Unusually, it's not made by Singer | 0:05:20 | 0:05:22 | |
'but by Frister & Rossmann, a German firm. | 0:05:22 | 0:05:25 | |
'It dates from around 1900 and has a walnut case. | 0:05:25 | 0:05:29 | |
'And Paul hopes it will make £40-£50.' | 0:05:29 | 0:05:31 | |
-Hi. -Are you here? Wow, look at this! It's a nice bedroom, isn't it? | 0:05:33 | 0:05:37 | |
Have you found anything good? | 0:05:37 | 0:05:39 | |
I found some silver items here that might be of interest. | 0:05:39 | 0:05:42 | |
Right. Let's have a look. Have you collected them? | 0:05:42 | 0:05:44 | |
I think these were my grandparents'. | 0:05:44 | 0:05:46 | |
So you can remember these as a child? | 0:05:46 | 0:05:48 | |
Yes, I played with them lots as a child. | 0:05:48 | 0:05:50 | |
Nice little patch box or a pill box, isn't it? Isn't that lovely? | 0:05:50 | 0:05:54 | |
This is a fruit knife. | 0:05:54 | 0:05:55 | |
Look at that beautiful engraving there, can you see it? | 0:05:55 | 0:05:58 | |
All bright cut. Look at that, it's a mother-of-pearl handle. | 0:05:58 | 0:06:01 | |
It's solid silver, I can tell. Do you know how to tell your hallmarks? | 0:06:01 | 0:06:04 | |
-I'm not 100 per cent sure. -I'll tell you the main things to look for. | 0:06:04 | 0:06:08 | |
-The first thing is a lion, can you see that? -Yeah. | 0:06:08 | 0:06:10 | |
That's the lion passant, the British mark for silver. | 0:06:10 | 0:06:14 | |
-But what's more important for me here is that one. Can you see that? -Yeah. | 0:06:14 | 0:06:18 | |
-That's a portrait of Queen Victoria. -Right, OK. | 0:06:18 | 0:06:21 | |
-That instantly dates this to the Victorian period. -Right, yeah. | 0:06:21 | 0:06:24 | |
So somebody in 1870 would have used this. | 0:06:24 | 0:06:28 | |
-Isn't that fascinating? -It is. | 0:06:28 | 0:06:29 | |
I think you've got quite a collection here. Is this a lipstick? | 0:06:29 | 0:06:33 | |
Don't know. A little snuff pot, my gran said. | 0:06:33 | 0:06:35 | |
-All right. It's a little bit damaged, isn't it? -Yeah, a bit of damage. | 0:06:35 | 0:06:38 | |
I think these are very collectible items. | 0:06:38 | 0:06:41 | |
People are always looking for items like this. If we said £40-60... | 0:06:41 | 0:06:44 | |
-That sounds really good. Yeah. -Does that sound all right? -Yeah. | 0:06:44 | 0:06:47 | |
All right, OK. So let's look after these for a bit. | 0:06:47 | 0:06:51 | |
'Well, our expert has high hopes for the silver. | 0:06:51 | 0:06:53 | |
'But will the collectors be out in force come auction day?' | 0:06:53 | 0:06:56 | |
-Interest here to 12, £15 is bid. -£15, we're in. | 0:06:56 | 0:07:01 | |
'So how much will they be willing to spend?' | 0:07:01 | 0:07:04 | |
At 25, 28, 30. At 30, 32. Clears the book. | 0:07:04 | 0:07:08 | |
'Enough for a family holiday?' | 0:07:08 | 0:07:10 | |
-That was quite a result for us. -It is. It's good. | 0:07:10 | 0:07:13 | |
'But will it be good enough?' | 0:07:13 | 0:07:16 | |
Paul's ferreting around for more things, | 0:07:16 | 0:07:18 | |
so I thought we'd have a little break. | 0:07:18 | 0:07:20 | |
Stay in the warm. I want to know, whose idea was it to go to Florida? | 0:07:20 | 0:07:24 | |
-I think we came up with it all together. -Yes, we did. Yeah. | 0:07:24 | 0:07:28 | |
Are you great Disney fans? | 0:07:28 | 0:07:31 | |
I am, more than the rest of them. | 0:07:31 | 0:07:33 | |
So what's the background behind you deciding to do this holiday now? | 0:07:33 | 0:07:37 | |
Well, in June 2006, my grandfather passed away. | 0:07:37 | 0:07:42 | |
And then, in September, my dad passed away very suddenly. | 0:07:42 | 0:07:46 | |
Then I found out that I was going to have Vanessa Mae. | 0:07:46 | 0:07:48 | |
Shortly after she was born, my gran passed away. | 0:07:48 | 0:07:51 | |
So, within 18 months, it was all rather dramatic. | 0:07:51 | 0:07:55 | |
A lot of things going on. | 0:07:55 | 0:07:57 | |
Marlene, that must have been quite a bittersweet pill for you. | 0:07:57 | 0:08:00 | |
You lost your husband but gained a granddaughter. | 0:08:00 | 0:08:03 | |
Yes, it was. I can't say she's filled the gap, | 0:08:03 | 0:08:07 | |
but she's helped to heal the gap. | 0:08:07 | 0:08:09 | |
And she's a lovely little girl. She's so bright for a two-year-old. | 0:08:09 | 0:08:13 | |
I think she deserves a treat. | 0:08:13 | 0:08:15 | |
When are you planning on taking this trip? | 0:08:15 | 0:08:18 | |
We hope just after Vanessa's third birthday, which is in June. | 0:08:18 | 0:08:22 | |
And does she know anything about the trip? | 0:08:22 | 0:08:25 | |
No, we'll keep it as a surprise for her. | 0:08:25 | 0:08:27 | |
I don't blame you. | 0:08:27 | 0:08:28 | |
She'll just go completely bananas over the next six months otherwise. | 0:08:28 | 0:08:31 | |
Yes, I think so. | 0:08:31 | 0:08:32 | |
I'm really hoping you will make the money. | 0:08:32 | 0:08:34 | |
But, I should warn you, Paul is rather a Disney fan. | 0:08:34 | 0:08:37 | |
You may well find yourselves with an extra passenger. | 0:08:37 | 0:08:40 | |
-Shall we go and track him down? -Yeah, sounds good. -Come on, then. | 0:08:40 | 0:08:43 | |
'I knew Paul wouldn't let me down. | 0:08:43 | 0:08:45 | |
'Upstairs, he's found this mirror, | 0:08:45 | 0:08:48 | |
'which is part of a 1930s dressing table set. | 0:08:48 | 0:08:51 | |
'It's made of Bakelite and belonged to Nikki's grandmother. | 0:08:51 | 0:08:54 | |
'And it includes various brushes and a manicure set. | 0:08:54 | 0:08:58 | |
'Paul values it at £20-30.' | 0:08:58 | 0:09:01 | |
-Nikki? -Yeah. -I've found two really interesting items here. | 0:09:03 | 0:09:07 | |
A pocket watch and a travel clock. | 0:09:07 | 0:09:09 | |
Do you know where these have come from? | 0:09:09 | 0:09:11 | |
I know the pocket watch was my great-grandfather's, | 0:09:11 | 0:09:14 | |
-who was a station master in Ireland. -Wow! | 0:09:14 | 0:09:16 | |
Well, that does explain it. | 0:09:16 | 0:09:18 | |
It's one of the best makers you can get with pocket watches. An Omega. | 0:09:18 | 0:09:21 | |
-Have you heard of Omega? -Yeah, I have. | 0:09:21 | 0:09:23 | |
The value is in the quality of the movement. | 0:09:23 | 0:09:26 | |
Of course, with your being a station master, | 0:09:26 | 0:09:28 | |
you'd have to make sure your clock was really accurate. | 0:09:28 | 0:09:31 | |
The reason being, if you had two trains... | 0:09:31 | 0:09:33 | |
Say you had two station masters in Ireland, | 0:09:33 | 0:09:35 | |
and one train sets off at a wrong time, | 0:09:35 | 0:09:37 | |
then it could be a disaster, they could meet in the middle. | 0:09:37 | 0:09:40 | |
So they had to be dead-on right. | 0:09:40 | 0:09:41 | |
You're looking at around about 1910-1920. Fantastic. | 0:09:41 | 0:09:44 | |
With it being an Omega, that's a very good watch. | 0:09:44 | 0:09:47 | |
What's intriguing me is this one. Where does it come from? | 0:09:47 | 0:09:50 | |
That's always been on my gran's sideboard. | 0:09:50 | 0:09:52 | |
Well, this really belongs to a lady's travelling case. | 0:09:52 | 0:09:55 | |
It's a travel clock. | 0:09:55 | 0:09:57 | |
When you open it up.... This is all solid silver. | 0:09:57 | 0:09:59 | |
When you open it up, you've got this nickel-plated watch here. | 0:09:59 | 0:10:02 | |
But these really were the first type of bedside clock. | 0:10:02 | 0:10:05 | |
You would travel around the country, | 0:10:05 | 0:10:07 | |
you'd have these on your bedside cabinet and you could tell the time. | 0:10:07 | 0:10:09 | |
I think it's pretty having this enamel dial. I like that. | 0:10:09 | 0:10:12 | |
What you've got to look for is the quality of the silver. | 0:10:12 | 0:10:15 | |
This is a bit bent and worn. | 0:10:15 | 0:10:17 | |
-Can you see the holes... -Over-playing as a child, I think. | 0:10:17 | 0:10:20 | |
Over-playing, or sometimes over-polishing. | 0:10:20 | 0:10:22 | |
Silver's doing very well at the moment anyway. | 0:10:22 | 0:10:25 | |
But these clocks are highly desirable. | 0:10:25 | 0:10:27 | |
This one would be very good if the case were a bit better. | 0:10:27 | 0:10:30 | |
If I said £80-120, how does that sound? | 0:10:30 | 0:10:34 | |
Yeah, that sounds fair. | 0:10:34 | 0:10:36 | |
You could do quite well with this pocket watch in particular. | 0:10:36 | 0:10:40 | |
Great! Let's keep looking. | 0:10:40 | 0:10:41 | |
'I'm browsing in another room, where I've come across | 0:10:43 | 0:10:45 | |
'this interesting set of six glass bottles.' | 0:10:45 | 0:10:48 | |
'It's a nickel-plated condiment set made in the 1920s, | 0:10:50 | 0:10:54 | |
'Paul Hayes prices this attractive dining set at around £30-40, | 0:10:54 | 0:10:58 | |
'which will help to season our way towards those tickets to Florida. | 0:10:58 | 0:11:02 | |
I was going to ask you, what about this table? | 0:11:02 | 0:11:05 | |
-It's fabulous. Does it have an extra leaf in the middle? -Yes. | 0:11:05 | 0:11:08 | |
It was my mother- and father-in-law's. | 0:11:08 | 0:11:11 | |
We have tried it in my dining room, but it just doesn't look right. | 0:11:11 | 0:11:15 | |
So, Paul, what do you think of it? | 0:11:15 | 0:11:16 | |
This is an extending dining table, dates about 1920-1930. | 0:11:16 | 0:11:20 | |
It's all solid oak. These are Queen Anne legs, | 0:11:20 | 0:11:23 | |
which was really around the beginning of the 18th century, | 0:11:23 | 0:11:26 | |
but copied in the 1920s. | 0:11:26 | 0:11:27 | |
You've got pad feet there. | 0:11:27 | 0:11:29 | |
You've got good, strong, sturdy knees, | 0:11:29 | 0:11:30 | |
which is what you're looking at. | 0:11:30 | 0:11:32 | |
-Always helps when you've got good, strong, sturdy knees. -Always helps. | 0:11:32 | 0:11:35 | |
On a table, it's not bad either! | 0:11:35 | 0:11:37 | |
THEY ALL LAUGH | 0:11:37 | 0:11:38 | |
What's very useful is that you could have it in this small shape here, | 0:11:38 | 0:11:42 | |
maybe sit four people around it for a game of cards or a breakfast. | 0:11:42 | 0:11:46 | |
But then you can have this winding action | 0:11:46 | 0:11:48 | |
which opens the whole thing out. | 0:11:48 | 0:11:50 | |
You put leaves in the middle, | 0:11:50 | 0:11:51 | |
and that would extend it to maybe a 12- or a 14-seat. | 0:11:51 | 0:11:54 | |
You're looking at least £150, | 0:11:54 | 0:11:56 | |
maybe £200, if not even a bit more. | 0:11:56 | 0:11:58 | |
-How does that sound? -Brilliant. | 0:11:58 | 0:12:00 | |
It's more than I was expecting. | 0:12:00 | 0:12:01 | |
-Let's see if we find something else for the same amount. Come on. -OK. | 0:12:01 | 0:12:04 | |
'That really is a great addition to our target, | 0:12:04 | 0:12:07 | |
'and the fund for the family holiday to Florida | 0:12:07 | 0:12:10 | |
'is suddenly looking much healthier.' | 0:12:10 | 0:12:12 | |
'Paul heads up into the loft. | 0:12:12 | 0:12:13 | |
And, what do you know? | 0:12:13 | 0:12:15 | |
'He finds some more chairs made by Nikki's grandfather. | 0:12:15 | 0:12:18 | |
'They're mahogany with beautifully carved, French-style decoration, | 0:12:18 | 0:12:22 | |
'All four chairs together are valued at £80-120, | 0:12:22 | 0:12:27 | |
'Paul also finds a Carlton Ware vase | 0:12:27 | 0:12:29 | |
'and a 1930s cake stand by Royal Stanley. | 0:12:29 | 0:12:33 | |
'This Art Deco-styled pair could fetch us between £40 and £60. | 0:12:33 | 0:12:38 | |
'Time to head back downstairs.' | 0:12:38 | 0:12:41 | |
This is quite nice, Paul. | 0:12:41 | 0:12:42 | |
I love these sort of clocks. They're architectural. | 0:12:42 | 0:12:45 | |
-It says something on there. Can you read that? -It does. | 0:12:45 | 0:12:48 | |
It says: "Mr F Lappin, from GS & WR Company, October 1911." | 0:12:48 | 0:12:55 | |
Isn't that amazing? | 0:12:55 | 0:12:56 | |
-Shall we see whether this is something we can sell? -Of course. | 0:12:56 | 0:12:59 | |
Marlene? Nicola, are you there? | 0:12:59 | 0:13:01 | |
-Ah! Now then, you two. You all right? -Not too bad. | 0:13:01 | 0:13:04 | |
We've just been looking at this clock. | 0:13:04 | 0:13:06 | |
It obviously belonged to a Mr Lappin. | 0:13:06 | 0:13:08 | |
This is the same Lappin relative | 0:13:08 | 0:13:10 | |
that has given a lot of things to this auction. | 0:13:10 | 0:13:12 | |
-It's my great-grandfather. -OK. This has obviously been presented to him. | 0:13:12 | 0:13:17 | |
Would you know the history of that? | 0:13:17 | 0:13:19 | |
Yeah, he worked for the railways in Ireland. | 0:13:19 | 0:13:21 | |
-He was presented this out there and he continued to work. -Right. | 0:13:21 | 0:13:25 | |
-It was a thank-you gift. -How interesting. | 0:13:25 | 0:13:27 | |
This really is part of a garniture, | 0:13:27 | 0:13:30 | |
which sits like this here on top of a mantelpiece, | 0:13:30 | 0:13:33 | |
but would have two side pieces that went with it. | 0:13:33 | 0:13:35 | |
These architectural clocks were very popular around that time, | 0:13:35 | 0:13:38 | |
sort of 1880-1900. | 0:13:38 | 0:13:40 | |
This is actually Belgian slate, | 0:13:40 | 0:13:42 | |
so it was a great form of manufacture at the time. | 0:13:42 | 0:13:46 | |
Lots of architectural clocks like this were produced. Very heavy. | 0:13:46 | 0:13:49 | |
You need a strong mantelpiece to put them on. | 0:13:49 | 0:13:52 | |
There was a railway connection, did you say? | 0:13:52 | 0:13:54 | |
-Yeah, he was a station master. -Right. | 0:13:54 | 0:13:56 | |
You've no proof of that? | 0:13:56 | 0:13:58 | |
-We have a letter and some photographs of him. -OK. | 0:13:58 | 0:14:02 | |
Let's have a look. There we are, look at this. | 0:14:02 | 0:14:04 | |
-Let's have a look. Do you know which one he is? -Yes. Here. | 0:14:04 | 0:14:07 | |
-Oh, right. OK. -Fantastic. Isn't that great? | 0:14:07 | 0:14:10 | |
It looks like the railway children. You can just imagine them. | 0:14:10 | 0:14:13 | |
That was in the times when people used to take real pride. | 0:14:13 | 0:14:16 | |
That's right. | 0:14:16 | 0:14:17 | |
It's the golden age of the steam train. | 0:14:17 | 0:14:20 | |
There's a letter there as well. | 0:14:20 | 0:14:22 | |
What sort of value do you think it might have for auction? | 0:14:22 | 0:14:24 | |
Value-wise, as a clock, | 0:14:24 | 0:14:27 | |
if I said sort of £50-80... | 0:14:27 | 0:14:28 | |
But having a railway connection increases it. | 0:14:28 | 0:14:31 | |
That helps us out rather nicely, cos you wanted £500, didn't you, | 0:14:31 | 0:14:36 | |
towards the holiday in Florida. | 0:14:36 | 0:14:38 | |
We can top that up quite nicely, I think. | 0:14:38 | 0:14:40 | |
The value of everything going to auction comes to £670! | 0:14:40 | 0:14:43 | |
-Wow, fantastic! -That is brilliant. | 0:14:43 | 0:14:46 | |
The next time we'll see the items, they'll be at the auction house. | 0:14:46 | 0:14:49 | |
'Well, we've had a great day here in Southam | 0:14:49 | 0:14:52 | |
'with Nikki and her mum, Marlene. | 0:14:52 | 0:14:54 | |
'And what a variety of items we found for auction. | 0:14:54 | 0:14:58 | |
'There's quite a collection of chairs made by Nikki's grandfather, | 0:14:58 | 0:15:02 | |
'including the hall chairs that could bring in £60-70. | 0:15:02 | 0:15:06 | |
'The vintage Frister & Rossmann sewing machine. | 0:15:06 | 0:15:09 | |
'It's a rare make and could fetch more than £40. | 0:15:09 | 0:15:12 | |
'And the slate clock with its personal link | 0:15:12 | 0:15:15 | |
'to the history of the Irish railways. | 0:15:15 | 0:15:18 | |
'Hopefully, there'll be some collectors in the room | 0:15:18 | 0:15:20 | |
'and we'll steam past the £50-80 estimate. | 0:15:20 | 0:15:24 | |
'Still to come on Cash In The Attic... | 0:15:24 | 0:15:27 | |
'There are times at auction when even we struggle to stay positive.' | 0:15:27 | 0:15:31 | |
-Oh dear. -Oh dear... -That's gone. -£15. | 0:15:31 | 0:15:34 | |
'And moments when we can't believe our luck.' | 0:15:34 | 0:15:37 | |
-Yay! There you go. -That's brilliant. -That is amazing. | 0:15:37 | 0:15:40 | |
That is a really good result. | 0:15:40 | 0:15:42 | |
'So will the good times outweigh the bad? | 0:15:42 | 0:15:45 | |
'Find out when the final hammer falls.' | 0:15:45 | 0:15:47 | |
It's been a few weeks since we visited Nikki and her mum | 0:15:51 | 0:15:54 | |
at their Warwickshire home. | 0:15:54 | 0:15:56 | |
During the years, they've inherited lots of bits and pieces, | 0:15:56 | 0:15:59 | |
but decided it was time to have a bit of a clear out. | 0:15:59 | 0:16:02 | |
So we found the items of value | 0:16:02 | 0:16:03 | |
and brought them here to the Cotswold Auction Company. | 0:16:03 | 0:16:07 | |
Remember, they're trying to raise £500. | 0:16:07 | 0:16:10 | |
So let's hope the bidders are being generous | 0:16:10 | 0:16:12 | |
when our items go under the hammer today. | 0:16:12 | 0:16:15 | |
'There are three auctions here every month. | 0:16:15 | 0:16:18 | |
'Today's is a general sale with 500 lots on offer. | 0:16:18 | 0:16:22 | |
'So it should be the ideal place | 0:16:22 | 0:16:24 | |
to sell Nikki and Marlene's mixed array of items.' | 0:16:24 | 0:16:27 | |
-Morning, Paul. -Good morning, Lorne. How are you? | 0:16:27 | 0:16:31 | |
-And you've got a chance to take a last look at your items. -Yes. | 0:16:31 | 0:16:34 | |
You've got some great items. | 0:16:34 | 0:16:36 | |
The clock and other bits and pieces. | 0:16:36 | 0:16:38 | |
You wanted to put a reserve on the pocket watch | 0:16:38 | 0:16:41 | |
-and the Omega watch. How much is that for? -£120. | 0:16:41 | 0:16:44 | |
£120. I'll have a chat to the auctioneer before it starts. | 0:16:44 | 0:16:48 | |
-Is that reasonable? -It's at the top of the estimate. | 0:16:48 | 0:16:50 | |
If it doesn't sell, would you rather take it back? | 0:16:50 | 0:16:53 | |
We'd rather get it repaired. | 0:16:53 | 0:16:54 | |
Make the decision now. It's too late once it's been sold. | 0:16:54 | 0:16:58 | |
Well, all these people are here to buy things. | 0:16:58 | 0:17:00 | |
Let's get them under way. Let's get in position. | 0:17:00 | 0:17:03 | |
'If, like Nikki and Marlene, you want to sell at auction, | 0:17:05 | 0:17:08 | |
'remember that commission and VAT charges will be added to your bill. | 0:17:08 | 0:17:12 | |
'So do check the details with your local auction house first | 0:17:12 | 0:17:15 | |
'to avoid any unwelcome surprises. | 0:17:15 | 0:17:18 | |
'First lot of the day | 0:17:20 | 0:17:21 | |
'is Nikki's grandmother's Bakelite dressing table set, | 0:17:21 | 0:17:24 | |
'which dates from the 1930s.' | 0:17:24 | 0:17:27 | |
£5? Any interest at £5? Any interest at 5? 5 I'm bid. | 0:17:27 | 0:17:32 | |
At £5. Who's going on? At £5, all done. | 0:17:32 | 0:17:35 | |
Looking around, at 5, all short and finished at 5. £5. | 0:17:35 | 0:17:40 | |
£5. | 0:17:40 | 0:17:42 | |
I think he's actually sold that. | 0:17:42 | 0:17:43 | |
-He sold it for £5? -I think he has, yeah. | 0:17:43 | 0:17:46 | |
-Oh, dear... -There was no interest at all. | 0:17:46 | 0:17:48 | |
'Oops, that's not quite how we planned to start our day. | 0:17:49 | 0:17:52 | |
'Hopefully, we'll have more success | 0:17:52 | 0:17:54 | |
with the extensive collection of Jasperware | 0:17:54 | 0:17:57 | |
£30, please. 30? There's 20. | 0:17:57 | 0:18:00 | |
£20? There's a lot of it for 20. £10? £10 bid. | 0:18:00 | 0:18:05 | |
At £10, it's a good start. 12, 15, 18. | 0:18:05 | 0:18:10 | |
20, 22. £22, centre of the room. | 0:18:10 | 0:18:14 | |
-At 22, looking around, at 22, all sure? -It's cheap. | 0:18:14 | 0:18:17 | |
At 22, 22...? £22. | 0:18:17 | 0:18:21 | |
-£22. -Here we go. -That's a little under what we wanted. | 0:18:21 | 0:18:25 | |
But they're out of the way and you've got some money. | 0:18:25 | 0:18:28 | |
'Nikki and Marlene don't seem too upset with that result, | 0:18:29 | 0:18:33 | |
'but we need the bidders to take a lot more interest in our items | 0:18:33 | 0:18:37 | |
'if we're going to get anywhere near our target. | 0:18:37 | 0:18:40 | |
'Sadly, the condiment set and the vase and cake stand | 0:18:40 | 0:18:43 | |
'fall well short of their estimates too, | 0:18:43 | 0:18:46 | |
'adding just £32 to our kitty between them. | 0:18:46 | 0:18:50 | |
'Paul and I are both fans of Nikki and Marlene's slate clock. | 0:18:50 | 0:18:54 | |
'Let's hope that someone else in the room has also taken a shine to it, | 0:18:54 | 0:18:57 | |
'because we really need a good result with this one.' | 0:18:57 | 0:19:01 | |
This is the one that we were all looking at earlier. | 0:19:03 | 0:19:05 | |
Architectural form, do these pop up at auction from time to time? | 0:19:05 | 0:19:09 | |
They are quite common, | 0:19:09 | 0:19:11 | |
but they're very classical, this architectural style. | 0:19:11 | 0:19:14 | |
It's in nice condition. | 0:19:14 | 0:19:15 | |
What I like is that it says 1911 on the label on the bottom. | 0:19:15 | 0:19:18 | |
OK, so we want £50. Should we start with 5 and see how we go? | 0:19:18 | 0:19:23 | |
And start me at £40, please. 40? | 0:19:23 | 0:19:28 | |
£40? 30 away? Any interest at 30? | 0:19:28 | 0:19:31 | |
We'll start here at £20. We're starting at 20. Who's going on? | 0:19:31 | 0:19:36 | |
At £20, looking around. Nice clock. At £20. | 0:19:36 | 0:19:39 | |
All sure and finished at 20... | 0:19:39 | 0:19:42 | |
22, 25. At £25 here. At 25, all done. | 0:19:42 | 0:19:46 | |
At 25... | 0:19:46 | 0:19:47 | |
Those clocks do £30-40 plus everywhere really. | 0:19:49 | 0:19:52 | |
It's a shame today. | 0:19:52 | 0:19:54 | |
How do you feel about it? | 0:19:54 | 0:19:56 | |
-Well, it's better than I thought it was going to be. -Really? | 0:19:56 | 0:20:00 | |
Oh, right. OK. You've lifted my spirits as well, saying that. | 0:20:00 | 0:20:04 | |
Good! Ever onward! | 0:20:04 | 0:20:06 | |
'Well, thank goodness for Marlene's high spirits. | 0:20:06 | 0:20:09 | |
'As it's a case of either laughing or crying, | 0:20:09 | 0:20:11 | |
'I'm pleased she's chosen the former, | 0:20:11 | 0:20:13 | |
'especially as the sewing machine sells well under estimate too.' | 0:20:13 | 0:20:18 | |
15 on my right hand side. At 15. We'll sell it at 15. | 0:20:18 | 0:20:22 | |
Are you sure? At 15, £15... £15. | 0:20:22 | 0:20:26 | |
-Oh, dear... -That's gone at 15. -£15. | 0:20:26 | 0:20:29 | |
You were saying you're glad | 0:20:29 | 0:20:30 | |
you don't have to dust any of these things. | 0:20:30 | 0:20:33 | |
So I suppose that's something, isn't it? | 0:20:33 | 0:20:35 | |
'Well, once again, Marlene's looking on the bright side | 0:20:35 | 0:20:38 | |
'and it's all money in the pot. | 0:20:38 | 0:20:40 | |
'With half our lot sold, we've made just £99 | 0:20:40 | 0:20:43 | |
'towards that Disneyland trip. | 0:20:43 | 0:20:46 | |
'We're hoping for £500, so it's onwards and upwards. | 0:20:46 | 0:20:49 | |
'Time for our favourite lot - | 0:20:49 | 0:20:51 | |
'the travel clock and pocket watch.' | 0:20:51 | 0:20:54 | |
Right, our next lot | 0:20:54 | 0:20:55 | |
is that wonderful Edwardian travelling timepiece. | 0:20:55 | 0:20:59 | |
I think this is a wonderful item. | 0:20:59 | 0:21:01 | |
The green enamel is beautiful on that watch. | 0:21:01 | 0:21:03 | |
Don't forget there's an Omega watch with it. | 0:21:03 | 0:21:06 | |
I think the combination of being silver and being an Omega, | 0:21:06 | 0:21:08 | |
it should do very well. | 0:21:08 | 0:21:10 | |
We certainly need to make this money if we're going to reach that target. | 0:21:10 | 0:21:13 | |
Fingers crossed. | 0:21:13 | 0:21:15 | |
Interest here, I can go in at 60, £65 is where we start. | 0:21:15 | 0:21:21 | |
At £65, who's going on? | 0:21:21 | 0:21:23 | |
At £65. 70, 75. | 0:21:23 | 0:21:26 | |
-At £75 here. At £75... -He's not going to sell it. | 0:21:26 | 0:21:31 | |
-You did right to put your reserve on that. -Absolutely. | 0:21:31 | 0:21:33 | |
At 75, 75... | 0:21:33 | 0:21:35 | |
I'm afraid that lot remains unsold. | 0:21:35 | 0:21:39 | |
-So he hasn't sold it. -That's a relief. | 0:21:39 | 0:21:41 | |
'Nikki and Marlene are clearly relieved | 0:21:41 | 0:21:43 | |
'that the travel clock and pocket watch haven't been sold. | 0:21:43 | 0:21:46 | |
'Maybe our next lot will raise some hands | 0:21:46 | 0:21:50 | |
'and add some much-needed cash to the pot? | 0:21:50 | 0:21:52 | |
'It's the mixed collection of silver.' | 0:21:52 | 0:21:55 | |
At £15 for all the silver. | 0:21:55 | 0:21:57 | |
At £15. 18, 20, 22, 25. | 0:21:57 | 0:22:02 | |
£25 here. | 0:22:02 | 0:22:03 | |
At £25, looking around. At 25, 28, 30. | 0:22:03 | 0:22:07 | |
At 30, 32. Clears the book. | 0:22:07 | 0:22:09 | |
At £32 in the room. At 32. Any more interest? | 0:22:09 | 0:22:12 | |
That's more like it, isn't it? Come on. | 0:22:12 | 0:22:14 | |
-£32. -There we go. That's a reasonable amount. | 0:22:14 | 0:22:17 | |
That's good, isn't it? | 0:22:17 | 0:22:18 | |
Yes, that was quite a result for us so far, wasn't it? | 0:22:18 | 0:22:22 | |
'£32 may be a little under estimate, | 0:22:22 | 0:22:25 | |
'but I think we're all just relieved to have raised a few extra pounds.' | 0:22:25 | 0:22:29 | |
Our next lot is that lovely dining room table. | 0:22:29 | 0:22:32 | |
-What will you eat off now? -We've got another one. | 0:22:32 | 0:22:34 | |
It's a lovely quality table. I've got a feeling, | 0:22:34 | 0:22:37 | |
cos we're in the countryside here, | 0:22:37 | 0:22:39 | |
lots of people are interested in antique furniture. | 0:22:39 | 0:22:42 | |
Hopefully, we'll do something good. We're looking for £150 upwards. | 0:22:42 | 0:22:45 | |
-150? 100? £100? -Come on. -80 away? | 0:22:45 | 0:22:50 | |
Any interest at 80? Any interest at £80? | 0:22:50 | 0:22:54 | |
Who's going to start me? | 0:22:54 | 0:22:56 | |
£50, then. Any interest at 50? I'm looking around. | 0:22:56 | 0:22:59 | |
-£50 anywhere? At 50? -Withdraw it. | 0:22:59 | 0:23:03 | |
I think we're going to withdraw it. At £50. At 50. | 0:23:03 | 0:23:06 | |
£50, if we can't get a bid... No. | 0:23:06 | 0:23:09 | |
So it's unsold. | 0:23:09 | 0:23:11 | |
It's withdrawn because he couldn't even get £50 for it. | 0:23:11 | 0:23:14 | |
I think that's the best thing he could've done. Do you? | 0:23:14 | 0:23:17 | |
But you didn't want it back. What are you going to do with it? | 0:23:17 | 0:23:21 | |
I don't know. | 0:23:21 | 0:23:22 | |
'That wasn't the result we were after. | 0:23:22 | 0:23:25 | |
'Not one bid for the dining table. | 0:23:25 | 0:23:27 | |
'Luckily, the Windsor chair made by Nikki's grandfather | 0:23:27 | 0:23:30 | |
'does find a new home...' | 0:23:30 | 0:23:32 | |
£40... That's £40, sir. | 0:23:32 | 0:23:35 | |
'..adding a much-needed £40 to the pot.' | 0:23:35 | 0:23:38 | |
'It's more of Nikki's grandfather's handiwork up next. | 0:23:38 | 0:23:42 | |
'This time in the form of the two carved hall chairs.' | 0:23:42 | 0:23:45 | |
-So you're not missing these from your home? -No. -No. | 0:23:46 | 0:23:49 | |
Oh! OK, definitely not. | 0:23:49 | 0:23:51 | |
What do you want for these? | 0:23:51 | 0:23:53 | |
About £60. These aren't the most comfortable chairs. | 0:23:53 | 0:23:55 | |
You'd sit people in the hallway and they wouldn't hang around too long. | 0:23:55 | 0:23:59 | |
They're not too comfortable. But £60. | 0:23:59 | 0:24:02 | |
Commission interest takes me in at 42, £45. | 0:24:02 | 0:24:07 | |
-£45! -At £45 is where we start. | 0:24:07 | 0:24:10 | |
48, 50, 55, 60, 65, 70. At £70 here. | 0:24:10 | 0:24:16 | |
On commission, are you sure? At £70, on commission. | 0:24:16 | 0:24:19 | |
75, £80 here. At 80, 85. Clears the book. | 0:24:19 | 0:24:24 | |
£85 on my right hand side. | 0:24:24 | 0:24:26 | |
At 85, all done. At 85. 85... It's yours, sir. | 0:24:26 | 0:24:31 | |
-Yay! There you go. -That's brilliant. | 0:24:31 | 0:24:33 | |
That is amazing. That is a really good result. | 0:24:33 | 0:24:36 | |
There we go. We were right. | 0:24:36 | 0:24:37 | |
The country furniture is what they're going for. | 0:24:37 | 0:24:40 | |
'That's the first lot to exceed its estimate. | 0:24:41 | 0:24:45 | |
'And its top estimate at that. Thank goodness, | 0:24:45 | 0:24:47 | |
'and not before time. The rollercoaster continues | 0:24:47 | 0:24:51 | |
'and our final lot, those four chairs | 0:24:51 | 0:24:54 | |
'which went with Nikki's dining table, don't have the same success.' | 0:24:54 | 0:24:58 | |
Any interest at 40? All sure? I'll withdraw them at 40. £40? | 0:24:58 | 0:25:02 | |
Any interest at 40? | 0:25:02 | 0:25:05 | |
No, I'll leave those there. | 0:25:05 | 0:25:08 | |
Well, we've answered a question there. | 0:25:08 | 0:25:10 | |
We wondered whether the chairs would be sold without the table. | 0:25:10 | 0:25:13 | |
But fortunately, neither of them sold, so they can all stay together. | 0:25:13 | 0:25:17 | |
'That result, or lack of it, pretty much sums up our day in Gloucester. | 0:25:18 | 0:25:22 | |
'When the bidders keep their hands in their pockets, | 0:25:22 | 0:25:25 | |
there's not a lot that can be done about it. | 0:25:25 | 0:25:27 | |
'I think we're all rather relieved that this sale is over.' | 0:25:27 | 0:25:31 | |
You wanted £500 for this holiday, didn't you? | 0:25:31 | 0:25:33 | |
How do you think you've done? | 0:25:33 | 0:25:35 | |
I don't think we've quite got there. | 0:25:35 | 0:25:36 | |
No, you haven't, I must say. But it's not... All is not lost. | 0:25:36 | 0:25:40 | |
-You've made £256. -That's all right. -That's brilliant. | 0:25:40 | 0:25:44 | |
-So that's certainly a good starting base. -A bit of spending money. | 0:25:44 | 0:25:49 | |
-Have a fantastic time, won't you? -We will. -Yeah. | 0:25:49 | 0:25:51 | |
'After a rather disappointing day at auction, | 0:25:58 | 0:26:00 | |
'Nikki and her mum, Marlene, have decided | 0:26:00 | 0:26:03 | |
'that, for now, the trip to Disneyland will have to wait. | 0:26:03 | 0:26:06 | |
'But that's not stopping them from enjoying a day out together.' | 0:26:06 | 0:26:09 | |
We decided, because we didn't make so much money | 0:26:09 | 0:26:12 | |
on the day of auction as we'd hoped, | 0:26:12 | 0:26:15 | |
we've decided to use the money and treat ourselves to a nice lunch out. | 0:26:15 | 0:26:19 | |
So now we're in Leamington Spa. | 0:26:19 | 0:26:20 | |
'They may not have made it to Florida, | 0:26:20 | 0:26:23 | |
'but the sun is shining and there's not a queue in sight | 0:26:23 | 0:26:26 | |
'as the ladies explore the delights of Royal Leamington Spa.' | 0:26:26 | 0:26:31 | |
-Really enjoyed today. It's been nice and relaxing, hasn't it? -It has. | 0:26:31 | 0:26:34 | |
It's been good fun. | 0:26:34 | 0:26:36 |