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Welcome to the programme that helps you hunt for treasures | 0:00:02 | 0:00:05 | |
and then sells them at auction. | 0:00:05 | 0:00:07 | |
It's really sad when a life partner dies and leaves you on your own. | 0:00:07 | 0:00:11 | |
It's tough, especially when it comes to making decisions by yourself. | 0:00:11 | 0:00:15 | |
What happens if you decide you're going to downsize? | 0:00:15 | 0:00:19 | |
There are things you're going to have to keep | 0:00:19 | 0:00:21 | |
and others you're going to have to part with. | 0:00:21 | 0:00:23 | |
And it's difficult deciding which ones should go, | 0:00:23 | 0:00:26 | |
especially when many of them have sentimental associations. | 0:00:26 | 0:00:30 | |
But those are the problems facing a lady | 0:00:30 | 0:00:33 | |
I'm about to meet on Cash In The Attic. | 0:00:33 | 0:00:35 | |
Coming up on Cash In The Attic... | 0:00:56 | 0:00:58 | |
some rather cheeky 20th-century cartoons. | 0:00:58 | 0:01:01 | |
You've quite a few risque ones here! | 0:01:01 | 0:01:04 | |
We'll have to put some sticky tape on at the auction. Censored! | 0:01:04 | 0:01:08 | |
Our expert shows off his knowledge of 18th-century sculpture. | 0:01:08 | 0:01:12 | |
I can tell you what it is, it's a statue! | 0:01:12 | 0:01:15 | |
And unexpected interest in '70s silver at auction. | 0:01:15 | 0:01:19 | |
I have got 11 bids. | 0:01:19 | 0:01:21 | |
But will we still be smiling at the end of the day? | 0:01:23 | 0:01:26 | |
You'll see when we crack that gavel. | 0:01:26 | 0:01:30 | |
Today I'm on the outskirts of Doncaster, where I'm about to | 0:01:30 | 0:01:33 | |
meet a lady called Annette who has called in the team to help her | 0:01:33 | 0:01:37 | |
raise money for two special trips. | 0:01:37 | 0:01:40 | |
Annette Norton left school at 15 to join her parents, who worked for Sheffield steel. | 0:01:42 | 0:01:47 | |
And in 1980 she married Derek Norton, | 0:01:47 | 0:01:50 | |
a notable figure in the British steel industry, | 0:01:50 | 0:01:52 | |
who sadly died in 2008. | 0:01:52 | 0:01:55 | |
Joining Annette today at her Doncaster home is her youngest sister, Andrena. | 0:01:55 | 0:02:00 | |
The two share fond memories of childhood holidays caravanning in Bridlington. | 0:02:00 | 0:02:05 | |
But Annette is planning a trip that's somewhat more adventurous. | 0:02:05 | 0:02:08 | |
She's called in the Cash team to help. | 0:02:08 | 0:02:11 | |
-Hi, Annette! And this is one of your sisters. -This is Andrena. | 0:02:11 | 0:02:16 | |
-You've another sister as well. -Yes, Arlene. | 0:02:16 | 0:02:20 | |
Your mum must have had a sense of humour calling the three of you with As. | 0:02:20 | 0:02:23 | |
All ADs, actually. Andrena Diane, Annette Delicia and Arlene Denise! | 0:02:23 | 0:02:29 | |
-That must have led to complications! -It did a little. | 0:02:29 | 0:02:33 | |
It did when I was younger. | 0:02:33 | 0:02:35 | |
I was the first one in from school so the post arrived | 0:02:35 | 0:02:39 | |
and anything address to Miss AD Clark, I opened them! | 0:02:39 | 0:02:44 | |
-So, I knew what the boyfriends were saying before they did. -She did. | 0:02:44 | 0:02:48 | |
-And you still stayed friends. -We did. -Amazing. | 0:02:48 | 0:02:51 | |
-You're going to help us today. -I'll try. | 0:02:51 | 0:02:53 | |
So why, Annette have you called in Cash In The Attic? | 0:02:53 | 0:02:56 | |
We're hoping a world cruise with the family | 0:02:56 | 0:02:58 | |
and visit my pen friend of 58 years. | 0:02:58 | 0:03:02 | |
-I've never been over to see her. -Where is she? -She's in Texas. | 0:03:02 | 0:03:05 | |
-How much you think that's going to cost? Quite a lot. -A lot. | 0:03:05 | 0:03:10 | |
How much do we hope to raise today? | 0:03:10 | 0:03:11 | |
-Hopefully about £1,000. -Well, I've brought just the man for the job. | 0:03:11 | 0:03:16 | |
It's Paul Hayes and I know he's already started | 0:03:16 | 0:03:19 | |
looking for things we can take to auction. | 0:03:19 | 0:03:21 | |
Why don't you go and see what you can find and we'll meet Paul? | 0:03:21 | 0:03:25 | |
Great! | 0:03:25 | 0:03:27 | |
With two rather expensive holidays on the cards, | 0:03:27 | 0:03:30 | |
£1,000 should be just the ticket. | 0:03:30 | 0:03:32 | |
Our expert, Paul Hayes, is a bit of a bloodhound with | 0:03:32 | 0:03:35 | |
a good nose for antiques. Nearly 30 years in the business | 0:03:35 | 0:03:39 | |
has taught him to follow a lead, to canine-themed etchings like these. | 0:03:39 | 0:03:43 | |
There we are, here's Paul. I told you he'd be hard at work already. | 0:03:43 | 0:03:46 | |
-What have you found? -Some risque pictures. Cover your eyes, ladies. | 0:03:46 | 0:03:50 | |
Where did these come from? | 0:03:50 | 0:03:51 | |
My husband, Derek, was chairman of a company in Sheffield | 0:03:51 | 0:03:57 | |
and a member of the board bought these for him. | 0:03:57 | 0:03:59 | |
He thought they resembled the board members. | 0:03:59 | 0:04:02 | |
-Which one is Derek? -The bulldog! -Who else could it possibly be? | 0:04:02 | 0:04:06 | |
But these are quite famous cartoons, aren't they? | 0:04:06 | 0:04:09 | |
Yeah, these were popular in the 1920s and 1930s. | 0:04:09 | 0:04:11 | |
There were two artists, one called Hubert and one called O'Klein. | 0:04:11 | 0:04:15 | |
You've got the O'Klein version. | 0:04:15 | 0:04:17 | |
But they all capture this French Parisian scene. | 0:04:17 | 0:04:19 | |
They're always doing toilet humour. There's all sorts of humour. Could you translate that for me? | 0:04:19 | 0:04:25 | |
It's colloquial French but what he's saying is, "Oh, to be a free dog!" | 0:04:25 | 0:04:30 | |
You've got all these little dogs that aren't on leads | 0:04:30 | 0:04:33 | |
chasing this rather attractive little bitch here. | 0:04:33 | 0:04:36 | |
-Unfortunately, he's got the lead on and can't join them. -Right. | 0:04:36 | 0:04:40 | |
That's the tamest of the ones I've seen. | 0:04:40 | 0:04:43 | |
They are quite valuable, aren't they? | 0:04:43 | 0:04:45 | |
Yes, they're very collectible. | 0:04:45 | 0:04:47 | |
The more risque they are, the more desirable they tend to be. | 0:04:47 | 0:04:50 | |
And you've got quite a few risque ones here! | 0:04:50 | 0:04:53 | |
I'll put some sticky tape on at the auction. Censored! | 0:04:53 | 0:04:57 | |
But joking apart, I'd say around the £100 mark. | 0:04:57 | 0:05:00 | |
70-100 will give them a chance. | 0:05:00 | 0:05:02 | |
-Hopefully somebody will want to spend a penny! -Oh, Paul! | 0:05:02 | 0:05:05 | |
-And it's so early in the day. -I know! Sorry about that! | 0:05:05 | 0:05:08 | |
Andrena has been hard at work and thinks this 19th-century | 0:05:11 | 0:05:15 | |
mahogany side table might be worth our consideration. | 0:05:15 | 0:05:19 | |
It used to belong to Annette's mother-in-law and Paul reckons | 0:05:19 | 0:05:22 | |
it could fetch in the region of £100 to £150 at auction. | 0:05:22 | 0:05:26 | |
Also winging its way to the saleroom | 0:05:26 | 0:05:28 | |
is this African carved wooden chess set, which was a present from a friend. | 0:05:28 | 0:05:33 | |
Annette has never played, so she's happy to let it go | 0:05:33 | 0:05:36 | |
for £25 to £45. | 0:05:36 | 0:05:38 | |
-Paul? -A-ha? -Can you have a look at this? | 0:05:41 | 0:05:45 | |
What have you got? Oh, I wasn't expecting that! | 0:05:45 | 0:05:49 | |
Look at that! So, who plays the saxophone? | 0:05:49 | 0:05:53 | |
Well, Derek was trying to learn to play. | 0:05:53 | 0:05:56 | |
Well, this is a very versatile instrument. | 0:05:56 | 0:05:59 | |
It was designed for military brass bands. | 0:05:59 | 0:06:01 | |
Of course, you'd have to be heard over the noise of the drums. | 0:06:01 | 0:06:04 | |
-Is it something you wanted to take up yourself? -No, I don't think so. | 0:06:04 | 0:06:08 | |
It's boxed, in mint condition | 0:06:08 | 0:06:10 | |
and I imagine it's been quite expensive when bought. | 0:06:10 | 0:06:13 | |
To give it a chance at auction I'd like to put it in with | 0:06:13 | 0:06:17 | |
an estimate of less than £100. | 0:06:17 | 0:06:18 | |
If I said £60 to £100 as an estimate and go from there. | 0:06:18 | 0:06:22 | |
-How does that sound? -Yes, fine. -Is that music to your ears? -Yes! | 0:06:22 | 0:06:26 | |
I hope that Paul's right | 0:06:26 | 0:06:28 | |
and the saxophone hits all the right notes on sale day. | 0:06:28 | 0:06:31 | |
We've got three bids on it now. | 0:06:31 | 0:06:33 | |
He started at 70! | 0:06:33 | 0:06:35 | |
As our rummage continues, I notice more of the wonderful things Annette has collected. | 0:06:35 | 0:06:40 | |
I'd like to know more about her - | 0:06:40 | 0:06:42 | |
the distant pen pal she mentioned and those childhood holidays with her sisters. | 0:06:42 | 0:06:47 | |
We can take the weight off our feet for five minutes. | 0:06:47 | 0:06:51 | |
The thing I love about you is you're going on this cruise together | 0:06:51 | 0:06:55 | |
but you've grown up being really close. | 0:06:55 | 0:06:58 | |
Yes, we have. | 0:06:58 | 0:07:00 | |
All our younger lives especially. | 0:07:00 | 0:07:02 | |
And you always went on holiday together? | 0:07:02 | 0:07:04 | |
We did, we had some great times. | 0:07:04 | 0:07:06 | |
We went to Bridlington for the same two weeks every year. | 0:07:06 | 0:07:09 | |
-It was great. -It was wonderful. | 0:07:09 | 0:07:11 | |
Annette, tell me about this pen pal of yours, | 0:07:11 | 0:07:14 | |
because you've been writing to each other since you were seven. | 0:07:14 | 0:07:18 | |
We started writing to each other because a girl from America | 0:07:18 | 0:07:22 | |
came into my class at school and she was a friend of hers. | 0:07:22 | 0:07:26 | |
I joined in and wrote to her. | 0:07:26 | 0:07:27 | |
And over the years she's been to visit me twice | 0:07:27 | 0:07:32 | |
but I've never felt able to go over there. | 0:07:32 | 0:07:35 | |
I'm making the effort this year and I'll visit. | 0:07:35 | 0:07:38 | |
Tell me about this holiday. Whose idea was it that you were going to go together? | 0:07:38 | 0:07:42 | |
It was mine, I'm afraid! | 0:07:42 | 0:07:44 | |
We were talking about the fact | 0:07:44 | 0:07:47 | |
we'd follow it through and I'd do this world cruise | 0:07:47 | 0:07:50 | |
so they decided they would come along and spoil it for me! | 0:07:50 | 0:07:53 | |
-So, we need that £1,000 to get you on your way. -We certainly do. | 0:07:54 | 0:07:58 | |
Well, I think Paul has been quite busy finding things to take to auction. | 0:07:58 | 0:08:02 | |
-Shall we see how he's doing? -Yes. -Good idea. | 0:08:02 | 0:08:05 | |
It looks a bit drizzly outside. | 0:08:05 | 0:08:08 | |
Here in the lounge, Paul can't resist finding Annette's favourite | 0:08:08 | 0:08:12 | |
creatures of the deep. | 0:08:12 | 0:08:15 | |
Presents from colleagues of her husband who knew of her love | 0:08:15 | 0:08:17 | |
for dolphins - this pair of decorative tables will | 0:08:17 | 0:08:20 | |
hopefully entertain the bidders for £100 to £140 | 0:08:20 | 0:08:24 | |
without the auctioneer jumping through too many hoops! | 0:08:24 | 0:08:27 | |
Don't blink! I think she just moved. | 0:08:27 | 0:08:29 | |
Perhaps she wants a brolly. | 0:08:29 | 0:08:32 | |
Angela, we've had this statue in the garden for quite some time. | 0:08:32 | 0:08:35 | |
It's rather splendid. Shall we have a look? | 0:08:35 | 0:08:37 | |
-Yes. -Oh, hang on! It's pouring with rain out there. Paul! | 0:08:37 | 0:08:41 | |
-Uh-huh! -Can you come and join us? | 0:08:41 | 0:08:44 | |
-Hello. -Paul, you see out there in the garden? -I do. | 0:08:44 | 0:08:48 | |
There's this lovely statue. Would you like to go and take a look at it? | 0:08:48 | 0:08:51 | |
I shall. Thank you very much. | 0:08:51 | 0:08:54 | |
-Bleurgh! -While he's having a look at it, where does it come from? | 0:08:54 | 0:08:58 | |
She was actually in an apartment that Derek was living in, | 0:08:58 | 0:09:02 | |
in Sheffield, when I first knew him. | 0:09:02 | 0:09:04 | |
-And... -Where, in an apartment, would you keep that? | 0:09:04 | 0:09:07 | |
She was actually in the entrance hall. | 0:09:07 | 0:09:09 | |
The first time we moved into our own house, | 0:09:09 | 0:09:12 | |
she moved into the garden. And there's she's been ever since. | 0:09:12 | 0:09:15 | |
Each time we move, she's moved with us. | 0:09:15 | 0:09:18 | |
Why have you kept her, though? What was the sentimental value? | 0:09:18 | 0:09:21 | |
We thought she was lucky. And so, wherever we went, she came with us. | 0:09:21 | 0:09:25 | |
And we called her Moliath. We gave her a name. | 0:09:25 | 0:09:27 | |
-Moliath! -So, Moliath moved everywhere. -Instead of Goliath? -Correct. | 0:09:27 | 0:09:32 | |
Paul! Do you want to come and tell us about the statue then? | 0:09:32 | 0:09:36 | |
I'll tell you what it is. It's a statue. It's quite a nice one. | 0:09:36 | 0:09:39 | |
-So, how long have you had it yourself? -30 years. -OK. | 0:09:39 | 0:09:42 | |
-Was it new then...? -No, no! | 0:09:42 | 0:09:43 | |
-No. -Right. | 0:09:43 | 0:09:45 | |
-If I said, sort of 300 to 500, how does that sound? -Great. | 0:09:45 | 0:09:48 | |
Here's hoping lucky Moliath's patina | 0:09:48 | 0:09:51 | |
is pretty enough for bidders at the auction. | 0:09:51 | 0:09:53 | |
Time to find Andrena again. | 0:09:53 | 0:09:55 | |
Scouring the kitchen, she's found these shop scales - | 0:09:55 | 0:09:59 | |
inherited from Derek's mother. | 0:09:59 | 0:10:01 | |
They were made by Avery, an old West Midlands company. | 0:10:01 | 0:10:04 | |
They're in imperial measurements. | 0:10:04 | 0:10:07 | |
The weighty reading of £40 to £60 takes us | 0:10:07 | 0:10:10 | |
closer to our target. | 0:10:10 | 0:10:12 | |
In this display cabinet, I spy a delicate Japanese tea set, | 0:10:12 | 0:10:15 | |
which Annette bought for £30 in 1982. | 0:10:15 | 0:10:18 | |
Paul values it still at around £30 to £40. | 0:10:18 | 0:10:22 | |
No time for slacking. Come on! This is nice, isn't it? | 0:10:25 | 0:10:28 | |
-It is. It's beautiful. -Look at that! | 0:10:28 | 0:10:30 | |
It's a type of captain's chair. | 0:10:30 | 0:10:33 | |
-Have you heard of that expression before? -I haven't. | 0:10:33 | 0:10:35 | |
Oddly enough, that was Derek's nickname. | 0:10:35 | 0:10:37 | |
-Was it really? -The Captain! -The Captain! | 0:10:37 | 0:10:40 | |
-Right, it's really suitable, isn't it? -Absolutely! | 0:10:40 | 0:10:42 | |
They swivel around. You can imagine a sea captain who is able to get at all his controls | 0:10:42 | 0:10:47 | |
and his wheel and so on. That's where the inspiration comes from. | 0:10:47 | 0:10:50 | |
And in about 1840/1850, they started to produce this wonderful, quilted leather. | 0:10:50 | 0:10:54 | |
Everything was stuffed and comfortable. | 0:10:54 | 0:10:56 | |
They had these shorter arms for the simple reason, | 0:10:56 | 0:10:59 | |
if you're a Victorian lady and you had crinoline dresses, | 0:10:59 | 0:11:03 | |
all your dress would be able to wrap around the sides here. | 0:11:03 | 0:11:06 | |
But, it's in remarkable condition. It's hardly been used. | 0:11:06 | 0:11:09 | |
It is - it's beautiful. | 0:11:09 | 0:11:12 | |
If I said, at auction, maybe £150 to £200, how does that sound? | 0:11:12 | 0:11:14 | |
-That sounds OK to me. -OK. Let's keep looking. | 0:11:14 | 0:11:17 | |
I'm sure The Captain won't mind if we send his old chair to auction. | 0:11:17 | 0:11:23 | |
This landscape was found in a box of odds and ends 40 years ago. | 0:11:23 | 0:11:28 | |
The signature is unclear but Paul still thinks that, | 0:11:28 | 0:11:30 | |
due to the quality, condition and the scene, it could do well. | 0:11:30 | 0:11:34 | |
He values it at a very promising £120 to £160. | 0:11:34 | 0:11:38 | |
This silver salver was made by the prestigious Sheffield silversmiths Walker and Hall | 0:11:38 | 0:11:43 | |
and is hallmarked 1977. | 0:11:43 | 0:11:46 | |
Paul is impressed | 0:11:46 | 0:11:47 | |
and values it at a very pleasing £70 to £120. | 0:11:47 | 0:11:51 | |
-Now then, Annette, I wanted to ask you about this clock. -Yes. | 0:11:51 | 0:11:54 | |
Is this really sentimental or can this go? | 0:11:54 | 0:11:57 | |
-Um, it is sentimental, but it can go. -Right, I see. | 0:11:57 | 0:12:01 | |
-So, is it a family heirloom? -Er, no. | 0:12:01 | 0:12:03 | |
I bought it from an antique shop for Derek one Christmas. | 0:12:03 | 0:12:06 | |
Well, this is a very old clock. | 0:12:06 | 0:12:08 | |
Have you got any idea how old this is? | 0:12:08 | 0:12:10 | |
-I was told it was around 1700 and something? -Well, you're dead right there. | 0:12:10 | 0:12:15 | |
This dates from the middle to the late 18th century. | 0:12:15 | 0:12:18 | |
We can tell that because of the square dial. By the year 1800, | 0:12:18 | 0:12:21 | |
all the grandfather clocks tended to have this arch dial. | 0:12:21 | 0:12:25 | |
Sometimes you'll see a sun and moon or a different effect on the top. | 0:12:25 | 0:12:28 | |
And it is in good condition. There's no sort of cracks or splits or anything. | 0:12:28 | 0:12:31 | |
It's a nice, solid oak. It's a Georgian piece. | 0:12:31 | 0:12:35 | |
Are you sure you want to part with it? | 0:12:35 | 0:12:37 | |
Um, I think so, yes. | 0:12:37 | 0:12:40 | |
-OK. Well, if I said between 400 and £600, how does that sound? -Mmm. | 0:12:40 | 0:12:45 | |
I wouldn't like to take less than 500. | 0:12:45 | 0:12:48 | |
-So we'll put a reserve of 500? -Yes. | 0:12:48 | 0:12:51 | |
-OK, we'll give that a go. -Do I hear £500? -You certainly do. | 0:12:51 | 0:12:54 | |
-Well, for the clock? -For the clock, yes. | 0:12:54 | 0:12:56 | |
That's a splendid-looking... Were you with your sister when she bought this? | 0:12:56 | 0:13:00 | |
-I was. -So how do you feel about it leaving the house? | 0:13:00 | 0:13:02 | |
I won't to be sorry to see it go. | 0:13:02 | 0:13:04 | |
-I take it it's not your taste then? -No! | 0:13:04 | 0:13:07 | |
Someone who'll be happy to see the bidding go up, | 0:13:08 | 0:13:10 | |
-but £500 you're going to put on as a reserve? -I think so, yes. | 0:13:10 | 0:13:14 | |
OK, if we add that to all of the other things that he's looked at today | 0:13:14 | 0:13:17 | |
and again take the lowest estimate... | 0:13:17 | 0:13:20 | |
You want to raise £1,000, but if all goes well at auction, | 0:13:20 | 0:13:24 | |
we should be able to make at least £1,565. | 0:13:24 | 0:13:29 | |
-Oh, wow! -That's great. | 0:13:29 | 0:13:31 | |
And that is only his lowest estimate, | 0:13:31 | 0:13:33 | |
so if we get more than that for any of the items, then, | 0:13:33 | 0:13:36 | |
going to Las Vegas will be a treat, darling. | 0:13:36 | 0:13:39 | |
-Marvellous. -Fantastic. | 0:13:41 | 0:13:43 | |
We've had great fun here in Doncaster with sisters Annette and Andrena, | 0:13:43 | 0:13:47 | |
finding a splendid variety of items to go to auction. | 0:13:47 | 0:13:51 | |
There's the rather cheeky set of dog prints | 0:13:51 | 0:13:54 | |
that might tickle the bidders' fancy at 70 to £100. | 0:13:54 | 0:13:57 | |
The splendid captain's chair, which Annette's husband adored. | 0:13:57 | 0:14:01 | |
We're hoping the bidders will love it too and pay upwards of £150. | 0:14:01 | 0:14:06 | |
And my particular favourite, Moliath, that enigmatic statue. | 0:14:06 | 0:14:11 | |
She's been a firm fixture in Annette's life, | 0:14:11 | 0:14:14 | |
but she's leaving the garden for good | 0:14:14 | 0:14:15 | |
with an estimate of 300 to £500. | 0:14:15 | 0:14:17 | |
I've got no doubt she's going to be the centre of attention again. | 0:14:17 | 0:14:21 | |
Still to come on Cash In The Attic... | 0:14:24 | 0:14:27 | |
the bidders are queuing up to get their hands on our items. | 0:14:27 | 0:14:30 | |
260. 270. 280. Up 270, on commission, 280 now. | 0:14:30 | 0:14:36 | |
-As for others, we'd struggle to give them away. -£40? | 0:14:36 | 0:14:40 | |
-I'll take it home. -A little bit too much, I think. | 0:14:40 | 0:14:43 | |
So, will we make that all-important target? Be there when the hammer falls. | 0:14:43 | 0:14:48 | |
You join me now at Bamford's Auctioneers in Derby, where | 0:14:54 | 0:14:58 | |
I'm waiting to meet up with Annette and her sister, Andrena. | 0:14:58 | 0:15:02 | |
It's almost two weeks since we joined them | 0:15:02 | 0:15:04 | |
at Annette's home just outside Doncaster. | 0:15:04 | 0:15:06 | |
And I have to say, I was fascinated | 0:15:06 | 0:15:09 | |
to hear about the career of her late husband in the steel industry | 0:15:09 | 0:15:12 | |
and to join with her in the excitement of the world cruise | 0:15:12 | 0:15:17 | |
she's planning with the whole family. So let's hope that her items | 0:15:17 | 0:15:20 | |
really appeal to the bidders today and that they'll help us | 0:15:20 | 0:15:24 | |
to make that £1,000 target. | 0:15:24 | 0:15:26 | |
Bamford's Auctioneers hold a general sale in Derby several times a month | 0:15:28 | 0:15:32 | |
and there's always a rich variety of items on offer. | 0:15:32 | 0:15:35 | |
And while Annette and Andrena have been saying goodbye to Moliath, | 0:15:35 | 0:15:40 | |
Paul and I have received some unexpected news from the auctioneer. | 0:15:40 | 0:15:44 | |
I think the girls are going to want to hear this. | 0:15:44 | 0:15:46 | |
I have some good news. I've had a chat to the auctioneer, | 0:15:46 | 0:15:48 | |
he's had a bit of time to study this statue and he thinks it's fairly old. | 0:15:48 | 0:15:51 | |
It could be a genuine item of antiquity. | 0:15:51 | 0:15:54 | |
It could be a couple of hundred years old, all right? | 0:15:54 | 0:15:57 | |
-And that makes a big difference to the value. -Really? | 0:15:57 | 0:16:00 | |
Now, we said 300 to 500, but he thinks it could do very well | 0:16:00 | 0:16:03 | |
and he thinks rather than sell it here today, put it into a fine art sale. | 0:16:03 | 0:16:06 | |
-Fantastic. -Well, he's talking in the thousands. -No! -Straight up, yes. | 0:16:06 | 0:16:12 | |
Quick, book another cruise! | 0:16:14 | 0:16:16 | |
Moliath, well, she's going to be here for a few weeks yet, | 0:16:18 | 0:16:20 | |
but that is going to be such an exciting sale, | 0:16:20 | 0:16:23 | |
-as I hope this one will be, so let's take our places. -Thank you. | 0:16:23 | 0:16:27 | |
So, exciting developments regarding Moliath. | 0:16:28 | 0:16:31 | |
But whilst we were carried away with that news, | 0:16:31 | 0:16:34 | |
Annette forgot to mention that she's decided | 0:16:34 | 0:16:37 | |
not to bring her long case clock | 0:16:37 | 0:16:39 | |
or one of the two dolphin tables. | 0:16:39 | 0:16:41 | |
That means we're three lots down, | 0:16:41 | 0:16:43 | |
so we're going to need luck on our side | 0:16:43 | 0:16:45 | |
if we're still to reach that £1,000 target. | 0:16:45 | 0:16:48 | |
With the auctioneer in position and the sale under way, | 0:16:50 | 0:16:53 | |
we take our places. | 0:16:53 | 0:16:56 | |
Eyes down, everyone for the stylish African chess set. | 0:16:56 | 0:17:00 | |
Lot number 50, 20th-century... | 0:17:00 | 0:17:02 | |
African chess set. | 0:17:02 | 0:17:03 | |
-And I have got four bids on it. -Ooh! -I can start at £35. 38, I'm bid. | 0:17:03 | 0:17:09 | |
At £35, and eight now. At £35, 38. 40. 2. At 42. | 0:17:09 | 0:17:14 | |
At £40, on commission and two now. | 0:17:14 | 0:17:16 | |
At £40, a very pretty lot indeed. | 0:17:16 | 0:17:19 | |
45. 48. | 0:17:19 | 0:17:21 | |
Selling at £45, eight do I see? | 0:17:21 | 0:17:23 | |
At 45, on commission and selling. At 45. 48 bid. | 0:17:23 | 0:17:27 | |
At 48 to the right. 50 now. | 0:17:27 | 0:17:30 | |
At £48, all done and selling? At 48. | 0:17:30 | 0:17:33 | |
-48. -Yes! -Fantastic. -Well done. | 0:17:33 | 0:17:38 | |
Well, that's certainly how we like to kick off a day at auction, | 0:17:38 | 0:17:41 | |
£3 above top estimate | 0:17:41 | 0:17:43 | |
and our first contribution towards the holiday fund. | 0:17:43 | 0:17:46 | |
Let's hope our good fortune continues | 0:17:46 | 0:17:48 | |
with the sale of our second lot. It's the Japanese eggshell tea set. | 0:17:48 | 0:17:51 | |
I think this is a cracker. Was this like a family heirloom? | 0:17:51 | 0:17:55 | |
Um, I bought it myself in Scarborough. | 0:17:55 | 0:17:58 | |
From Scarborough. Not very exotic, was it? | 0:17:58 | 0:18:01 | |
Early 20th-century Japanese eggshell tea service. | 0:18:01 | 0:18:03 | |
And £30, please. £30. 20 then. £20? | 0:18:03 | 0:18:08 | |
15 then, let's start it. 15 bid. 18 now. 18. 20. 20? Two. | 0:18:08 | 0:18:14 | |
25? At 22 in centre. Five now. £22 and five, do I see? 25. 28. | 0:18:14 | 0:18:21 | |
At £25 now. All done at 25? | 0:18:22 | 0:18:27 | |
I could see people rubbing their noses, but they weren't bidding, I'm afraid, | 0:18:27 | 0:18:31 | |
they were just rubbing their noses! | 0:18:31 | 0:18:34 | |
So lots of fidgeting going on in the crowd. | 0:18:34 | 0:18:38 | |
But not a lot of buying. | 0:18:38 | 0:18:41 | |
The bidders soon perk up for the set of scales. | 0:18:41 | 0:18:45 | |
45, 48. | 0:18:45 | 0:18:47 | |
48. And 50? | 0:18:47 | 0:18:49 | |
-Go on. -At 48. Shake of the head at £48. 50 now. | 0:18:49 | 0:18:52 | |
At £48, all done and selling? | 0:18:52 | 0:18:54 | |
-I think you can afford a new pair of scales. -Absolutely. Good idea. | 0:18:54 | 0:18:58 | |
And they sell for £8 over Paul's lower estimate. | 0:18:58 | 0:19:03 | |
Next it's the turn of Derek's saxophone, | 0:19:04 | 0:19:07 | |
which is in such good condition, | 0:19:07 | 0:19:09 | |
it looks as if it's never been played. | 0:19:09 | 0:19:12 | |
Lot number 80. | 0:19:12 | 0:19:14 | |
It's a Stagg brass saxophone with a strap fitted with a hard case. | 0:19:14 | 0:19:17 | |
It's a good saxophone, this one. | 0:19:17 | 0:19:19 | |
We've got three bids... | 0:19:19 | 0:19:21 | |
-There you go. -Start at 70... -He started at 70! | 0:19:21 | 0:19:23 | |
At £70. And five, five in two places. | 0:19:23 | 0:19:26 | |
80. Five, either of you? | 0:19:26 | 0:19:28 | |
At £80 on commission. And five now, at £80 and five do I see? | 0:19:28 | 0:19:32 | |
In its case, at £80, five now? | 0:19:32 | 0:19:35 | |
All done at £80. | 0:19:35 | 0:19:37 | |
-Bang in the middle of your estimate, Paul. -Fantastic. | 0:19:39 | 0:19:41 | |
Paul's valuations have been right on the money so far today. | 0:19:41 | 0:19:45 | |
The cartoon characters in our next lot | 0:19:46 | 0:19:49 | |
have raised plenty of smiles whilst on display. | 0:19:49 | 0:19:51 | |
It's the set of five rather cheeky comic dog prints. | 0:19:51 | 0:19:55 | |
A set of five 20th-century comical prints. | 0:19:55 | 0:19:58 | |
I have got seven bids. | 0:19:58 | 0:19:59 | |
THEY GASP Oh, my God. | 0:19:59 | 0:20:01 | |
£140. | 0:20:01 | 0:20:03 | |
EXCITED CHATTER | 0:20:03 | 0:20:04 | |
At £140, 150 do I see? | 0:20:04 | 0:20:07 | |
150. And five? | 0:20:07 | 0:20:09 | |
At 150 on commission, five do I see? | 0:20:09 | 0:20:11 | |
On commission at £150. | 0:20:11 | 0:20:14 | |
-That's a real collector who went for those. -Exactly. | 0:20:14 | 0:20:17 | |
-Someone with a great sense of humour. -Absolutely. | 0:20:17 | 0:20:19 | |
What a terrific result, | 0:20:21 | 0:20:23 | |
selling for over twice the lower estimate. | 0:20:23 | 0:20:26 | |
We've had a super first half to our auction | 0:20:26 | 0:20:28 | |
and I can't wait to tell Annette and Andrena | 0:20:28 | 0:20:30 | |
just how much we've raised so far. | 0:20:30 | 0:20:32 | |
-So how much do you think you've made? -I don't know. | 0:20:32 | 0:20:35 | |
Well, I'll tell you. | 0:20:35 | 0:20:36 | |
So far we're up to £351! | 0:20:36 | 0:20:40 | |
Wow, well done. | 0:20:40 | 0:20:41 | |
And we've still got stuff to go. | 0:20:41 | 0:20:43 | |
If you're thinking of heading off to auction, | 0:20:43 | 0:20:47 | |
then do remember that fees like commission will be added to your bill. | 0:20:47 | 0:20:51 | |
So it's worth checking the small print with your local auction house to avoid any surprises later. | 0:20:51 | 0:20:56 | |
Our next lot is the silver salver, | 0:20:56 | 0:21:00 | |
which Paul valued at £70 to £120. | 0:21:00 | 0:21:03 | |
What a quality item. Have you ever used it? | 0:21:03 | 0:21:05 | |
Occasionally, yes, we did. When we had drinks parties we'd carry them in. | 0:21:05 | 0:21:11 | |
These were used by butlers. | 0:21:11 | 0:21:12 | |
When people came to the house you would leave your business card in them. | 0:21:12 | 0:21:15 | |
-He used to dress up as a butler. -Did he really? | 0:21:15 | 0:21:18 | |
Lot number 100. | 0:21:18 | 0:21:20 | |
A good lot. Elizabeth II salver. | 0:21:20 | 0:21:24 | |
At £180, 190 do I see? | 0:21:24 | 0:21:26 | |
At 180, 190, 200. | 0:21:26 | 0:21:29 | |
At £200, a great lot and selling. | 0:21:29 | 0:21:32 | |
At 200. | 0:21:32 | 0:21:33 | |
That's fantastic! | 0:21:33 | 0:21:35 | |
It was worth getting dressed up as the butler for that! | 0:21:35 | 0:21:38 | |
A fabulous start to our second half of the sale. | 0:21:39 | 0:21:44 | |
The Derbyshire bidders do seem very appreciative of Annette's items | 0:21:44 | 0:21:48 | |
and long may it continue. | 0:21:48 | 0:21:50 | |
I know the sale of our next item | 0:21:50 | 0:21:51 | |
is really going to tug at the heartstrings. | 0:21:51 | 0:21:54 | |
All aboard for the captain's chair | 0:21:54 | 0:21:56 | |
that Annette's late husband, Derek, so adored. | 0:21:56 | 0:21:59 | |
Lot number 110 is the leather swivel armchair. | 0:21:59 | 0:22:03 | |
Buttoned and studded green leather, a very, very handsome chair indeed. | 0:22:03 | 0:22:06 | |
We have four bids on commission. I can start at £150, 160 do I see? | 0:22:06 | 0:22:11 | |
At £150, 160 now. | 0:22:11 | 0:22:14 | |
At 160, 170, 180, | 0:22:14 | 0:22:16 | |
190, 200, | 0:22:16 | 0:22:18 | |
210, 220. 230... | 0:22:18 | 0:22:21 | |
-Wow, terrific! -It's amazing. | 0:22:21 | 0:22:23 | |
Commission 240 now. | 0:22:23 | 0:22:25 | |
240 new place. | 0:22:25 | 0:22:27 | |
250, 260, 270. | 0:22:27 | 0:22:31 | |
At 270 on commission, 280 now. | 0:22:31 | 0:22:33 | |
At 270. All done at 270. | 0:22:33 | 0:22:36 | |
-Amazing! -Worth every penny. | 0:22:36 | 0:22:39 | |
I think Derek would have been pleased with that impressive result. | 0:22:39 | 0:22:43 | |
Next up, it's time for Annette's much-loved dolphin table | 0:22:43 | 0:22:46 | |
to go before the room. | 0:22:46 | 0:22:48 | |
Lot 120 is the modern circular mahogany tripod table. | 0:22:48 | 0:22:52 | |
Leather top with jumping dolphins in waves. | 0:22:52 | 0:22:55 | |
At £100, please. | 0:22:55 | 0:22:57 | |
50, then, £50? | 0:22:57 | 0:22:59 | |
£50 for it. 40? £40? | 0:23:00 | 0:23:04 | |
-No. -I'll take it home. | 0:23:04 | 0:23:06 | |
-A little bit too much, I think. -Didn't want to part with it? | 0:23:06 | 0:23:09 | |
Not really, no. | 0:23:09 | 0:23:11 | |
Annette may be happy taking that home, | 0:23:11 | 0:23:13 | |
but the no-sale isn't helping our total. | 0:23:13 | 0:23:17 | |
We could do with our next item grabbing the bidders' attention. | 0:23:17 | 0:23:21 | |
Fortunately, it's the lovely mahogany side table | 0:23:21 | 0:23:24 | |
and Paul is quite a fan. | 0:23:24 | 0:23:27 | |
OK, now it's the turn of the proper antique. | 0:23:27 | 0:23:29 | |
It's a 19th-century mahogany side table. | 0:23:29 | 0:23:32 | |
It should be in a living room in pride of place on show. | 0:23:32 | 0:23:34 | |
We're looking for about 100 to 150 for this, a real antique. | 0:23:34 | 0:23:39 | |
Lot 130 is a 19th-century mahogany side table. | 0:23:39 | 0:23:42 | |
-We've got three bids on commission... -Three bids already! | 0:23:42 | 0:23:45 | |
Start at £130, 140 do I see? | 0:23:45 | 0:23:48 | |
At 140, 150, 160, 170, 180. | 0:23:48 | 0:23:53 | |
170 on commission, 180 now. | 0:23:53 | 0:23:55 | |
At £170, 180? A very popular lot throughout the view. | 0:23:55 | 0:23:59 | |
At 170, 180 do I see? | 0:23:59 | 0:24:02 | |
170 on commission, and selling at 170. | 0:24:02 | 0:24:05 | |
-I can't believe it. -I can't. | 0:24:06 | 0:24:08 | |
Who said antiques were out of fashion? Fantastic. | 0:24:08 | 0:24:11 | |
-That means we're still in fashion, then! -Exactly. | 0:24:11 | 0:24:14 | |
-"Exactly"?! -Sorry. | 0:24:14 | 0:24:15 | |
You just watch what you say, Paul. Cheeky blighter. | 0:24:15 | 0:24:19 | |
But that last sale has put us right back on track | 0:24:19 | 0:24:22 | |
and the target is well within our sights, | 0:24:22 | 0:24:25 | |
which is just as well, as we only have one lot to go. | 0:24:25 | 0:24:28 | |
It's that landscape by an unknown artist. | 0:24:28 | 0:24:32 | |
Paul stuck his neck out with his estimate on this one of £120, | 0:24:32 | 0:24:35 | |
so this could be interesting. | 0:24:35 | 0:24:37 | |
At £30. | 0:24:37 | 0:24:39 | |
40, 50, 60, 70, 80. | 0:24:39 | 0:24:43 | |
80, 90, 90, 100. | 0:24:43 | 0:24:48 | |
At £100 near the dresser. 110, 110 new place. | 0:24:48 | 0:24:51 | |
120, 130, 140, | 0:24:51 | 0:24:55 | |
150, 160. | 0:24:55 | 0:24:58 | |
150 in the centre of the room, 160 now. | 0:24:58 | 0:25:01 | |
In the centre of the room, we're selling. All done at £150. | 0:25:01 | 0:25:05 | |
-£150! -There you go! | 0:25:05 | 0:25:09 | |
That's a fantastic end to our sale. | 0:25:09 | 0:25:12 | |
So, now it's time to reveal the final total. | 0:25:12 | 0:25:15 | |
Well, £1,000 was what you wanted. | 0:25:15 | 0:25:18 | |
With all those things missing... | 0:25:18 | 0:25:21 | |
what you've made is... | 0:25:21 | 0:25:23 | |
£1,141. | 0:25:23 | 0:25:26 | |
I can't believe it! | 0:25:26 | 0:25:27 | |
How are you going to celebrate? | 0:25:27 | 0:25:30 | |
I'm going to crack the champagne when we get home. | 0:25:30 | 0:25:33 | |
It's been a few weeks since the girls' big day at auction | 0:25:38 | 0:25:41 | |
and Annette has been enjoying the fruits of their labour. | 0:25:41 | 0:25:44 | |
She's just returned from a trip to the States | 0:25:44 | 0:25:47 | |
where she was reunited with her old pen pal. | 0:25:47 | 0:25:49 | |
It was marvellous to see Leah again. | 0:25:49 | 0:25:51 | |
It was so exciting, because that's the first time I've been over there. | 0:25:51 | 0:25:55 | |
We also had three nights in Las Vegas, which was a bit expensive | 0:25:55 | 0:26:00 | |
because we couldn't keep off the slot-machines. | 0:26:00 | 0:26:02 | |
Plus, there's more good news for Annette. | 0:26:02 | 0:26:04 | |
Her enigmatic statute, Moliath, was entered into a fine art sale. | 0:26:04 | 0:26:09 | |
She totally stole the show, selling for an incredible £4,400. | 0:26:09 | 0:26:15 | |
As a result, Annette is now busy planning a world tour | 0:26:15 | 0:26:18 | |
with her two sisters and brother-in-law Peter. | 0:26:18 | 0:26:21 | |
Well, someone needs to keep an eye on them. | 0:26:21 | 0:26:25 | |
I am excited. | 0:26:25 | 0:26:26 | |
I can't believe how quick it's coming round. | 0:26:26 | 0:26:28 | |
Visiting some fantastic places, it's going to be absolutely superb. | 0:26:28 | 0:26:32 |